Podcast appearances and mentions of Henry Jackman

Esta noche os traemos un cambio importante en el programa que desvelaremos al comienzo. Después charlaremos con Jacques Fletcher, explorador e investigador de lo desconocido. Fletcher compartirá con nosotros anécdotas de sus viajes a la Amazonía, sus encuentros con tribus indígenas, experiencias con lo extraordinario y reflexiones sobre el cine, la cultura y la condición humana. Álvaro Anula, en su sección “Enclaves de Leyenda”, nos contará la historia de Omar Ben Hafsun, un rebelde que lideró a bandidos, descontentos y marginados, y que llegó a desafiar al Emirato de Córdoba desde su fortaleza en Bobastro, en la Sierra de las Nieves. Sed bienvenidos y bienvenidas. Podcast Academia de los Nocturnos Dirige: Félix Friaza Presentan: Félix Friaza y Lola Velasco Colaboran: Álvaro Anula y Javier Resines Locución: Laura Cárdenas y Ana Cárdenas Edición y diseño: Paco Cárdenas Si te gusta nuestro programa, suscríbete en Ivoox, comenta y dale a Me gusta a nuestros programas, tu respaldo nos motiva a seguir adelante y a mejorar. Y si los compartes, nos ayudarás a que los conozcan más personas. - Suscríbete a nuestro podcast aquí: https://go.ivoox.com/sq/1523888 - Añádenos a Whatsapp: (+34) 644 848 546 - Nuestro correo: academianocturnos@gmail.com - Síguenos en Facebook: https://www.facebook.com/AcademiaDeLosNocturnos - Las opiniones expresadas por los invitados son de su exclusiva responsabilidad y no necesariamente representan la opinión de la dirección del programa. Créditos de las músicas: - Sintonía: Scarborough Fair – Nox Arcana - Cuña 1: BSO Poltergeist – Jerry Goldsmith – “The calling” - Cuña 2: BSO Nosferatu (2024) – “Once upon a time” - Cuña 3: BSO Encuentros en la tercera fase – John Williams – “Wild signals” - Cuña 4 contacto: “Salem's Lot Soundtrack | Town Theme - Nathan Barr & Lisbeth Scott | WaterTower Music” - Música presentación invitados: BSO The Haunting of Hill House – “Take her down” - Cierre de programa - Music from Uppbeat (free for Creators!): http://uppbeat.io/t/spinnin-tape/no-joyce - License code: JUYLRAH7OVALM3LC Músicas de fondo: - OST - Raiders of the Lost Ark - In the Jungle · John Williams · London Symphony Orchestra - 2008 Lucasfilm Ltd. - OST - Raiders of the Lost Ark - Bad Dates · John Williams · London Symphony Orchestra - 2008 Lucasfilm Ltd - OST - Jumanji Welcome to the Jungle - Digging Up the Past · Henry Jackman - 2017 Columbia Pictures

[School of Everything Else 2025] All the way back in 2017 I put together an absolutely EPIC musical journey through the first eight years of the MCU, from Iron Man all the way up to Doctor Strange. So much time has passed since then (cue many gifs of Matt Damon drinking from the wrong Grail) and Marvel has not followed my sound advice about allowing each hero (and maybe a villain or two) to retain a theme that reprises with every subsequent appearance. However, that does not mean there haven't been some truly excellent scores composed, which got side-lined in the clickbaity rush to pronounce Marvel as being formulaic, failing or indeed signifying the baleful death of film. Here for you now is a compendium of themes and sonic explorations as Phase 3 draws to its epic conclusion and Phases 4 and 5 wend their way from the small screen to the big and back again. I look forward to a third volume of these shows sometime in the early 2030s, when the Fantastic Four, the X-Men, Secret Wars and whatever happens with Spider-Man and whatever inevitable soft reboot brings us to a new era of superhero cinema. 1.     The Falcon and the Winter Soldier (‘Louisiana Hero' by Henry Jackman) 2.     Guardians of the Galaxy Vol. 2 (‘Dad' by Tyler Bates) 3.     Spider-Man Homecoming (Michael Giacchino) 4.     Thor: Ragnarok (‘Main Title' by Mark Mothersbourough) 5.     Black Panther (‘Wakanda', ‘Warrior Falls' and ‘Killmonger' by Ludwig Goransson) 6.     Infinity War (Alan Silvestri) 7.     Captain Marvel (‘Main Theme' and ‘All Fired Up' by Pinar Toprak) 8.     Black Widow (‘Yelena Belova' and ‘Natasha Soars' by Lorne Balfe) 9.     WandaVision (‘Opening Themes: 50s, 60s, 70s and 80s' and ‘End Cretids' by Kristen Anderson-Lopez, Robert Lopez and Christophe Beck) 10. Loki (Natalie Holt) 11. Shang Chi (Joel P. West) 12. Eternals (Ramin Djawadi) 13. Moon Knight (Hesham Nazih) 14. Ms. Marvel (Laura Karpman) 15. The Marvels (Laura Karpman) 16. Spider-Man: No Way Home (‘Forget-Me-Knots' by Michael Giaccino) 17. Wakanda Forever (Ludwig Goransson) 18. Guardians Vol. 3 (‘Guardians vs Hallespawn' / ‘Into the Light' by John Murphy) 19. Thor Ragnarok Reprised (‘Twilight of the Gods' & ‘What Heroes Do' by Mark Mothersbourough) 20. Daredevil (John Paesano) 21. Jessica Jones (Sean Callery) 22. Luke Cage (Adrian Younge & Ali Shaheed Muhammad) 23. Iron Fist (Trevor Morris) 24. Werewolf by Night (Michael Giacchino) 25. Quantumania (Christophe Beck) 26. Agatha All Along (Christopher Beck) 27. Your Friendly Neighbourhood Spider-Man (The Math Club) 28. Deadpool & Wolverine (‘Bye Bye Bye' by NSYNC & ‘Like a Prayer Battle Royale Mix' by Madonna) 29. Avengers: Endgame (‘Portals', ‘The Real Hero' and ‘Main on End' by Alan Silvestri)

Before we get settling, does anyone want to get out? Cap is back, and the bros are celebrating by revisiting where it all began for the Falcon and the Winter Soldier with Henry Jackman's unique contribution to the MCU . Ev's score: 8 / Al's score: 8.3 / Ky's score: 8.6 Musical term: Atonality Instrumental Instrument: Screaming If you like what you hear, follow us on Spotify and opt-in to get notified when we drop future episodes. Better yet, get in touch and keep up with our score-settling antics on TikTok or Instagram

He knows if you've been naughty, he knows if you've been nice. But according to Red One, Santa doesn't punish you. Are You Just Watching? Episode 156: Red OneMusic by Henry Jackman.For the full show notes please visit areyoujustwatching.com/156Consider helping out our fellow CPC member recover from Hurricane Helene. Tim and Eve engage in a thoughtful discussion about the moral implications of the movie Red One, emphasizing the contrasting themes of belief and skepticism through the lens of a modern Christmas story. They dissect how the characters embody various aspects of morality, particularly focusing on the figure of Santa as a benevolent force and Krampus as a representation of judgment and punishment. Tim points out the film's heavy reliance on adult humor and language, which may detract from its appeal to younger audiences, while Eve underscores the emotional depth found in the character of Jack, illustrating his struggle with fatherhood and personal redemption. The hosts reference scripture, including Romans 2:1-11, to frame their conversation about the consequences of sin and the importance of true repentance. Ultimately, the episode serves as a critique of the film while also prompting listeners to consider the broader themes of faith, morality, and the true meaning of Christmas, encouraging them to reflect on their own beliefs in the context of a world filled with skepticism.Takeaways: The film Red One explores themes of redemption and the consequences of our actions, particularly through the relationship between Jack and his son Dylan. Throughout the discussion, it was emphasized that true redemption requires acknowledging one's mistakes and seeking to improve, as seen in Jack's character arc. The portrayal of Santa Claus in modern culture often detaches from his original Christian roots, leading to a misunderstanding of the holiday's true meaning. In the podcast, the speakers expressed how the naughty and nice list concept is a simplified view of morality that doesn't reflect biblical teachings on sin. The discussion highlighted how skepticism can cloud one's understanding of truth, much like Jack's initial disbelief in Santa and its implications. Ultimately, the episode serves as a reminder to focus on the true meaning of Christmas, which is about Christ's birth and salvation. Share your feedback!We would like to know, even if just your reactions to the trailer or the topics we shared in this episode. Or what general critical-thinking and entertainment thoughts or questions do you have? Would you like to suggest a movie or TV show for us to give a Christian movie review with critical thinking?Comment on the show notesCall (513) 818-2959 to leave a voicemailEmail feedback@AreYouJustWatching.com (audio files welcome)Join our Facebook discussion group.Join our Discord server.Please support the podcast!Are You Just Watching? is listener supported. Special thanks to our current patrons: Isaias Santillano, Craig Hardee, Stephen Brown II, David Lefton, and Peter Chapman for their generous support. We can't continue to share critical thinking for the entertained Christian without your financial help, so please head on over to our

He knows if you've been naughty, he knows if you've been nice. But according to Red One, Santa doesn't punish you. Are You Just Watching? Episode 156: Red OneMusic by Henry Jackman.For the full show notes please visit areyoujustwatching.com/156Consider helping out our fellow CPC member recover from Hurricane Helene. Tim and Eve engage in a thoughtful discussion about the moral implications of the movie Red One, emphasizing the contrasting themes of belief and skepticism through the lens of a modern Christmas story. They dissect how the characters embody various aspects of morality, particularly focusing on the figure of Santa as a benevolent force and Krampus as a representation of judgment and punishment. Tim points out the film's heavy reliance on adult humor and language, which may detract from its appeal to younger audiences, while Eve underscores the emotional depth found in the character of Jack, illustrating his struggle with fatherhood and personal redemption. The hosts reference scripture, including Romans 2:1-11, to frame their conversation about the consequences of sin and the importance of true repentance. Ultimately, the episode serves as a critique of the film while also prompting listeners to consider the broader themes of faith, morality, and the true meaning of Christmas, encouraging them to reflect on their own beliefs in the context of a world filled with skepticism.Takeaways: The film Red One explores themes of redemption and the consequences of our actions, particularly through the relationship between Jack and his son Dylan. Throughout the discussion, it was emphasized that true redemption requires acknowledging one's mistakes and seeking to improve, as seen in Jack's character arc. The portrayal of Santa Claus in modern culture often detaches from his original Christian roots, leading to a misunderstanding of the holiday's true meaning. In the podcast, the speakers expressed how the naughty and nice list concept is a simplified view of morality that doesn't reflect biblical teachings on sin. The discussion highlighted how skepticism can cloud one's understanding of truth, much like Jack's initial disbelief in Santa and its implications. Ultimately, the episode serves as a reminder to focus on the true meaning of Christmas, which is about Christ's birth and salvation. Share your feedback!We would like to know, even if just your reactions to the trailer or the topics we shared in this episode. Or what general critical-thinking and entertainment thoughts or questions do you have? Would you like to suggest a movie or TV show for us to give a Christian movie review with critical thinking?Comment on the show notesCall (513) 818-2959 to leave a voicemailEmail feedback@AreYouJustWatching.com (audio files welcome)Join our Facebook discussion group.Join our Discord server.Please support the podcast!Are You Just Watching? is listener supported. Special thanks to our current patrons: Isaias Santillano, Craig Hardee, Stephen Brown II, David Lefton, and Peter Chapman for their generous support. We can't continue to share critical thinking for the entertained Christian without your financial help, so please head on over to our

You've traveled far and faced trials that would demoralize most... or worse.But here you emerge, into the sun, holding in your hands the thing you've been searching for so long: The Uncharted bonus episode of Into the Aether.---Find us everywhere: https://intothecast.onlineBuy some merch if you'd like: https://shop.intothecast.onlineJoin the Patreon: https://www.patreon.com/intothecast---Follow on Threads: https://threads.net/@intothecastFollow on Tumblr: https://intothecast.tumblr.com---Follow Stephen Hilger: https://stephenhilgerart.com/Follow Brendon Bigley: https://threads.net/@brendonbigleyProduced by AJ Fillari: https://bsky.app/profile/ajfillari.bsky.social---Season 6 Cover Art by Scout Wilkinson: https://scoutwilkinson.myportfolio.com/Theme song by Will LaPorte: https://instagram.com/ghostdownphoto---Timecodes:(00:00) - It's Uncharted time BABY (02:18) - NaughtyDog's influence and the state of crunch (09:06) - Histories with the series (39:18) - Nate's Theme by Greg Edmonson (39:44) - Uncharted: Drake's Fortune (01:05:00) - Uncharted 2: Among Thieves (01:20:32) - Uncharted 3: Drake's Deception (01:33:23) - Uncharted: Golden Abyss (01:41:08) - A Thief's End by Henry Jackman (01:41:39) - Uncharted 4: A Thief's End (02:13:24) - Uncharted: Lost Legacy (02:28:34) - A Thief's End by Henry Jackman (02:28:58) - Nathan Drake (said in the cadence of "Donkey Kong") (02:29:27) - Uncharted losing the supernatural | From Rebecca (02:34:46) - What if instead of combat... anything else? | From GJ (02:37:47) - Nathan Drake loves SUBS | From Cameron (02:40:20) - Uncharted: Drake's CInematic Adaptation | From Matt (02:43:20) - Drake's Fancast | From Ponk (02:47:12) - THE Uncharted game | From saiklex (02:48:56) - The sibling reveal | From Christian Spicer (02:51:03) - Ludonarrative dissonance | From Lady Borkington's Biggest Fan (02:52:37) - Twodonarrative dissonance | From Chase (02:55:33) - Uncharted's influence | From Brittlemoon (03:02:35) - Wrapping up (03:05:36) - Nate's Theme ---Thanks to all of our amazing patrons including our Eternal Gratitude members:GrokCorey ZDirectional JoySusan HOlivia KDan SIsaac SWill CJim WEvan BDavid Hmin2Aaron GVErik MBrady HJoshua JTony LDanny KSeth MAdam BJustin KAndy HDemoParker EMaxwell LSpiritofthunderJason WJason TCorey TMinnow Eats WhaleCaleb WfingerbellyJesse WMike TCodesWesleyErik BmebezacSergio LninjadeathdogRory BA42PoundMooseAndrewJustin MPeterStellar.BeesBrendan KScott RwreckxNoah OMichael GArcturusChris RhepaheCory FChase ALoveDiesNick QWes KChris MRBMichaela WAdam FScott HAlexander SPTherese KjgprintersJessica BMurrayDavid PJason KBede RKamrin HKyle SPhilip N ★ Support this podcast on Patreon ★

In this crossover podcast series, each month, Adam Hitchcock (The Streaming Circuit podcast) and Tom discuss each movie in chronological order for the Marvel Cinematic Universe's Infinity Saga. This time, Adam and Tom discuss Captain America: The Winter Soldier (2014): directed by Joe and Anthony Russo, written by Christopher Markus and Stephen McFeely, music by Henry Jackman, starring Chris Evans, Scarlett Johansson, Anthony Mackie, Sebastian Stan, and Samuel L. Jackson.To find Part 1, subscribe to The Streaming Circuit feed wherever you get your podcasts.Plot Summary: In a gritty and politically charged world, Captain America finds himself questioning his allegiance to a government shrouded in secrecy. Set against the backdrop of a morally ambiguous Cold War, Steve Rogers uncovers a sinister conspiracy within the highest echelons of power. When an old friend believed to be dead re-emerges as the deadly Winter Soldier, Cap must navigate a web of deceit, betrayal, and espionage.As Cap battles his own doubts and confronts a shadowy organization manipulating global affairs, he forms an unlikely alliance with a renegade Black Widow and a war-scarred Falcon. Together, this trio of outsiders takes on a cabal of powerful figures orchestrating a plot to reshape the world order.With intense action, razor-sharp dialogue, and a soundtrack that pulses with tension, Captain America: The Winter Soldier, is a thrilling rollercoaster ride through a world where the line between hero and villain blurs into shades of gray.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/mcu-crossover-series-captain-america-the-winter-soldier-2014For the entire MCU rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-mcu-movie-rankings-listRonny Duncan Studios

Composer David Metzger sits down for a brand new Film.Music.Media conversation! Dave is an industry legend who has built an incredible body of work as a composer, orchestrator and arranger. Besides his incredible body of work as a composer, he's also been composers' and songwriters' secret weapon when it comes to orchestration and arranging. Composers like Mark Mancina, John Powell and Henry Jackman have relied on Dave's skills to bring their music to life. And without Dave, the songs of Frozen, Moana, Spirited and Disenchanted wouldn't have the orchestral colors that they do. We dive into Dave's gorgeous score to Disney's Wish, and how he approached scoring his first feature since Brother Bear 2. Learn how Dave got hired on the project, and how he approached bringing the world of Wish to life. Dave also shares his path to becoming a composer, and how the biggest breaks in his career came when he was ready to give up hope. We talk about his big break working on The Tonight Show With Jay Leno, how he formed a lasting creative relationship with Mark Mancina to become an essential part of his team, and much more! A Film.Music.Media Production | Produced & Presented by Kaya Savas

In part two of the 39th episode of THE ARCHIVE, your host Jason Drury starts the show by playing "Poirot Variants" from the album THE FILM AND TV MUSIC OF CHRISTOPHER GUNNING (Chandos) as a tribute to the late composer who died in March 2023. Afterwards, Jason then plays a short excerpt of music from the 2005 film SHADOWS OF THE SUN for Mark Thomas, a past interview guest on the network who passed away in July 2023. The show then continues with selections from the 1978 horror film remake INVASION OF THE BODY SNATCHERS (Intrada) featuring the one and only film score by Denny Zeltin, TRIUMPH OF THE SPIRIT (Universal Polygram) by Cliff Eidelman and the controversial 1980 horror found footage movie, CANNIBAL HOLOCAUST (Coffin Records) by Riz Ortollani. Jason then ends the show with music from the 2020 film EXTRACTION (BMG Records) by Henry Jackman and Alex Belcher and a suite from the 1997 biographical drama WILDE by Debbie Wiseman from the concert album SIGNATURE (Silva Screen Records) Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin, Mike Kohutich, Scott Bordelon —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. MARTIN PHIPPS Coming from a musical background (he is Benjamin Britten's godson), Martin read drama at Manchester University and fortunately for the acting profession, he decided to concentrate his energies on writing music. Since scoring his first TV drama, Eureka Street in 2002, he has won 2 BAFTAs, 5 Ivor Novello Awards and received multiple Emmy nominations for writing music to many of the most interesting series of recent years. These include the BBC's War and Peace, Hugo Blick's The Honourable Woman, Peaky Blinders, Black Mirror and season 3 through 6 of the acclaimed Netflix series The Crown. ANTHONY WILLIS Anthony Willis is a BAFTA-nominated composer, known for his evocative scores for Emerald Fennel's Oscar's Winning Promising Young Woman Blumhouse's Ai hit M3gan, and Fennell's latest psychological thriller Saltburn from MGM/Amazon starring Barry Keoghan & Jacob Elordi. He was named one of Variety's Top 10 Artisans to Watch in 2023 at the SCAD Savannah Film Festival. His recent projects also include Dreamworks' Animation's Annie award-winning How To Train Your Dragon: Homecoming, Seasons 6-8 of Epic's video game sensation Fortnite, and Michelle Morgan's comedy It Happened in L.A. As a protege of Oscar-nominated composer John Powell and Henry Jackman, Anthony has also contributed additional music to many of Hollywood's most beloved franchises including: How to Train your Dragon, Jumanji, Wreck it Ralph, Solo: A Star Wars Story, Pirates of the Caribbean and Rio. Originally from London England, Anthony trained as a chorister of St. George's chapel, Windsor Castle, UK before earning a First class honors degree in Music from the University of Bristol and a later graduate degree in Film Scoring from University of Southern California. Recently Martin has scored Sir Ridley Scott's Napoleon, Ed Perkins' The Princess, and Amazon Studios' series Solos starring Morgan Freeman. Other film credits include Woman In Gold (scored with Hans Zimmer), starring Ryan Reynolds and Helen Mirren, Fox Searchlight's The Aftermath, starring Keira Knightley, Alexander Skarsgård, Harry Brown and Brighton Rock. Studio Soundtracks is made possible in part by the generous support of Spitfire Audio, makers of inspiring sounds and scoring tools for film, in collaboration with the world's best composers, musicians and engineers. More details available at spitfireaudio.com.

Back from the brink of death, commando Tyler Rake embarks on a dangerous mission to save a ruthless gangster's imprisoned familyExtraction 2: A Riveting Sequel That Amps Up the Action from the first flim., the highly anticipated sequel to the thrilling 2020 film, delivers an adrenaline-pumping experience that leaves audiences on the edge of their seats. Packed with heart-pounding action sequences, stunning visuals, and captivating performances, this film is a worthy successor to its predecessor.  Directed by Sam Hargrave, who also served as the stunt coordinator for films like Avengers: Endgame, Extraction 2 is a masterclass in action filmmaking. The movie picks up where the first installment left off, bringing back Tyler Rake, portrayed brilliantly by Chris Hemsworth. Rake is once again thrown into a perilous mission, this time to rescue a kidnapped billionaire's son in a volatile criminal underworld.  From the very beginning, the film grabs your attention and refuses to let go. The action set pieces are flawlessly choreographed, showcasing Hargrave's expertise in creating breathtaking sequences. Whether it's intense shootouts, hand-to-hand combat, or high-speed chases, each scene is executed with precision and visceral energy. The use of long takes and immersive camerawork adds a sense of realism, making you feel like you're right in the midst of the chaos.  Chris Hemsworth delivers a powerful performance as Tyler Rake, effortlessly blending vulnerability and raw physicality. His portrayal of a broken yet determined mercenary searching for redemption adds depth to the character, elevating the film beyond its action-packed surface. The chemistry between Hemsworth and young actor Rudhraksh Jaiswal, who plays the kidnapped boy Ovi, is palpable, making their on-screen relationship one of the highlights of the film.  The supporting cast also shines, with standout performances from returning actors and exciting new additions. Randeep Hooda brings intensity and complexity to his role as Saju, a conflicted former ally of Rake. The chemistry and rivalry between Hooda and Hemsworth adds another layer of tension to the narrative. Additionally, newcomer Naomi Scott delivers a compelling performance as a mysterious ally, bringing her own charisma to the screen.  One area where Extraction 2 falls slightly short is in its storytelling. While the action sequences are engrossing, the plot may feel somewhat predictable and formulaic at times. However, the film makes up for this with its impressive visuals, pulse-pounding pacing, and expertly crafted action sequences.  Furthermore, the movie's captivating score, composed by Henry Jackman, perfectly complements the on-screen chaos, intensifying the emotional impact of each scene.  In conclusion, Extraction 2 is a gripping sequel that delivers on its promise of heart-stopping action. Sam Hargrave's direction, combined with Chris Hemsworth's commanding performance, results in a captivating cinematic experience. Despite a somewhat predictable plot, the film's remarkable action sequences, stunning visuals, and strong performances make it a must-watch for fans of the genre. Prepare to be on the edge of your seat from start to finish.   Overall, Extraction 2 is a masterpiece of modern-day action cinema that deserves a place in every action movie lover's collection. This action-packed film thrusts viewers into a world of adrenaline-fueled excitement. With Chris Hemsworth as the enigmatic mercenary Tyler Rake, the movie delivers a visceral experience that keeps you on the edge of your seat. While the plot takes a backseat, the film compensates with its intense action sequences and Hemsworth's commanding performance. From explosive gunfights to heart-pounding chases, This movie caters to action enthusiasts seeking non-stop thrills. ★ Support this podcast on Patreon ★

23,000 Murders. The truth is America is and has been a violent country and it looks like our future will be as well. Some would accuse me of being too subjective when describing our future and I admit I could be getting the facts all wrong. Recently a successful and influential lawyer was found guilty of murdering his wife and son. He also confessed to being an addict and stole millions from his clients. But that won't compare to what will happen when our trained soldiers return from fighting in foreign lands. We'll have serious disillusioned killers here. MUSIC Bernard Herrmann, Henry Jackman, Aan Silvestri, Max Steiner

Composer Henry Jackman is known as one of the top film composers of today, responsible for dynamic scores for blockbusters like Jumanji: Welcome to the Jungle and Kong: Skull Island. Within The Walt Disney Company, he has composed several scores for Marvel (including Captain America: Civil War) and now five films for Walt Disney Animation Studios: Winnie the Pooh, Wreck-It Ralph, Big Hero 6, Ralph Breaks the Internet, and Strange World. With its newest production, Jackman brings an enveloping and poignant score, making the Strange World universe even more eccentric. He consistently demonstrates his background in classical music mixed with electronic prowess. On this episode of Notably Disney, Henry speaks with host Brett Nachman about his work for Disney, unique contributions to making the Strange World score both exhilarating and resonant, and other projects. Check out Henry Jackman's IMDb page to explore his vast array of contributions to film, television, and video game scores.  Feel free to follow Brett on Twitter (@bnachmanreports), subscribe to the podcast, and send your feedback to notablydisney@gmail.com New episodes of the podcast debut on the first and third Tuesday of every month.

Henry Jackman delves into working on Netflix's epic blockbuster The Gray Man, starring Ryan Gosling, Chris Evans and Ana De Armas, and why he decided to spend six months composing a 17-minute suite for the movie before he had officially been asked to start.

Composer Henry Jackman joins to talk about THE GRAY MAN, his musical relationship with the Russo brothers, how the birth of his son during the pandemic changed his perspective, and what kind of obsession it takes to truly make something meaningful. Interview by Kenny Holmes and Matt Schrader.

Welcome back to the podcast! In this episode, I present and examine the music composed for the PREDATOR film franchise, from the 1987 original through to the latest installment, PREY, released via the streaming service Hulu in August 2022. My goal is to identify the themes, motifs, instrumentation and approach applied by composer Alan Silvestri (BACK TO THE FUTURE, MOUSE HUNT, THE AVENGERS) to PREDATOR (1987) & PREDATOR 2 (1990) and how this symphonic model was subsequently interpreted in the sequels and spin-offs (or not). Later, PREY eschews much of the previous musical language and charts new sonic territory, with a subtle nod to Silvestri. Additional composers represented in this pulse-pounding episode include John Debney, Brian Tyler, Henry Jackman, Harald Kloser and Sarah Schachner.    Title playtime index: PREDATOR - 00:00:00 PREDATOR 2 - 00:26:25 ALIEN VS PREDATOR - 00:37:10 ALIENS VS PREDATOR: REQUIEM - 00:44:36 PREDATORS - 00:51:52 THE PREDATOR - 1:04:48 PREY - 1:19:23   Stay safe out there, take care of yourself and each other!    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at ascoretosettlepodcast@gmail.com  

Gaming has always enjoyed a special relationship with the movies, but title don't always transfer well from one medium to the other. Louise looks at the symbiotic relationship between games and movies and talks to composer Nainita Desai about his music for the upcoming new Sam Barlow game Immortality. The programme includes music by Stuart Chatwood for Prince of Persia, Henry Jackman for Uncharted 4, Jim Dooley for Epic Mickey 2, and Mark Mothersbaugh for Ratchet & Clank. The programme also has music from Jason Graves for House of Ashes, Harry Manfredini for Friday the 13th and John Paesano for Marvel's Spider-Man. The Hi Score is Jeremiah Pena's music for Jurassic World Evolution.

Our good pal Dominic Lewis is back to take into his latest score for Bullet Train! The Brad Pitt-starring action/comedy/thriller comes from director David Leitch who brings his style and vision to the table. Dom takes us deep into exploring all about the process of working with no temp, writing material before shooting, writing and producing songs in the film, the approach and tone of the score, finding the emotion within the style of the film, recording elements on analog to achieve a certain feel, chugging tequila to get his vocals where they needed to be, blending genres, recording vocals, and so much more! We also briefly chat about his score to Baymax! on Disney+, and what it was like returning to the world of Big Hero 6 after working as an additional composer on Henry Jackman's score to the film. As always, this one is tons of fun with a BOATLOAD of insight from one of the most passionate and original musical voices in the industry. A Film.Music.Media Interview | Produced & Presented by Kaya Savas  

Our good friend Henry Jackman joins us for another great discussion. This is Henry's 9th time as a guest on Film.Music.Media, so if you're looking for more extensive discussions on his past projects be sure to check out our past interviews.   For this discussion we rewind back to Henry's days as an album producer and programmer before he ever even thought he'd become a film/tv/game composer. Experience old stories about how Henry worked on albums with artists like Seal, Sally Oldfield, Mike Oldfield, Coolio, Conner Reeves, Michael Gordon, and others.   Then we dive right into Henry's continued collaboration with the Russo brothers, and hear some stories from their past collaborations on films like Captain America: Winter Soldier and Cherry.   Then we dive right into their latest collaboration for The Gray Man starring Ryan Gosling and Chris Evans, which is now streaming on Netflix. Hear about how Henry worked several months on The Gray Man suite before they even started shooting to help shape the mood and tone for the film, plus some of Henry's favorite scenes and set pieces to work on in the film and what he was going for with his approach.   A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Silence on Set podcast was at The Gray Man premiere in LA and spoke to Chris Evans, Ryan Gosling, Stephen McFeely, Joe and Anthony Russo, Alfre Woodard, Ana De Armas, Regé-Jean Page, Henry Jackman, Billy Bob Thornton, Mark Greaney, Julia Butters, and Jessica Henwick. Here is a quick clip of some of the interviews we took to give you an insider feel of what it's like being on the red carpet. Host: Monica Gleberman Editor: Ashley Pelletier Social Media Graphic: Jojo -- Bio: When the CIA's top asset -- his identity known to no one -- uncovers agency secrets, he triggers a global hunt by assassins set loose by his ex-colleague.

Join Average Joe and Tater Tot for a stroll through the Hundred Acre Wood to discuss the origins of Christopher Robin and his friends. Where does the famous bear get his name? Does this franchise take place in the same universe as the Toy Story movies? And should we be concerned that this franchise has now entered the public domain? Music and audio from "Winnie The Pooh" is the property of Henry Jackman, Kristen Anderson-Lopez, Robert Lopez, Peter Del Vecho, Clark Spencer, Walt Disney Pictures, and Walt Disney Animation Studios. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.

Pete Korpela is a Los Angeles based studio and touring percussionist, recognized internationally for his versatility in orchestral, latin, jazz, world, rock, and pop music. He has collaborated with such renowned talent as, among others: Danny Elfman; Hans Zimmer; Alan Silvestri; Michael Giacchino: John Powell; Harry Gregson-Williams; Josh Groban; Robbie Williams; Jeff Russo; Henry Jackman; Marco Beltrami; Michael McDonald; Carter Burwell; Disturbed; Alan Parsons; Calle 13; Rickie Lee Jones; Al DiMeola; Kelly Clarkson; Madeleine Peyroux; Lizz Wright; Ed Shearmur; Kandace Springs; Ana Moura; Joe Trapanese; Rob Simonsen; Melody Gardot; Los Angeles Philharmonic; Los Angeles Chamber Orchestra; Hollywood Bowl Orchestra; Seth MacFarlane; and the 91 st Academy Awards Orchestra.

Pete Korpela is a Los Angeles based studio and touring percussionist, recognized internationally for his versatility in orchestral, latin, jazz, world, rock, and pop music. He has collaborated with such renowned talent as, among others: Danny Elfman; Hans Zimmer; Alan Silvestri; Michael Giacchino: John Powell; Harry Gregson-Williams; Josh Groban; Robbie Williams; Jeff Russo; Henry Jackman; Marco Beltrami; Michael McDonald; Carter Burwell; Disturbed; Alan Parsons; Calle 13; Rickie Lee Jones; Al DiMeola; Kelly Clarkson; Madeleine Peyroux; Lizz Wright; Ed Shearmur; Kandace Springs; Ana Moura; Joe Trapanese; Rob Simonsen; Melody Gardot; Los Angeles Philharmonic; Los Angeles Chamber Orchestra; Hollywood Bowl Orchestra; Seth MacFarlane; and the 91 st Academy Awards Orchestra.

Composer Anthony Willis talks about his eight years working with John Powell, his discovery of his own musical passions as a kid, and how it led him to experiences working with people like Harry Gregson-Williams and Henry Jackman — and his breakout solo composer job on Emerald Fennell's 2020 Oscar nominated PROMISING YOUNG WOMAN.

Matthew Sweet ponders the relationship between cinema and cats and features some of its best film feline scores including Roy Webb's ‘Cat People', Danny Elfman's music for Catwoman in ‘Batman Returns' and naturally enough ‘The Aristocats'. Also in the programme is Henry Jackman's "Puss Suite" from Puss In Boots, Bruce Broughton's 'Homeward Bound', Kira Fontana's 'Kedi', Yuji Nomi's 'The Cat Returns' for Studio Ghibli, Christoper Young's 'Pet Sematary', Hans Zimmer's 'The Dark Knight Rises', and some of Michael Giachino's Cat Woman score for the new 'Batman' film. Matthew also takes a look at the recently released 'The Electrical Life of Louis Wain' starring Benedict Cumberbatch and Claire Foy, with music by Arthur Sharpe. The story of an Edwardian cat-lover and artist, which has a digital and DVD release this month.

Matthew's seen the Uncharted movie, which is a nice excuse for a deep dive into one of our favourite PlayStation series. This week's music is from the Uncharted 4: A Thief's End soundtrack by Henry Jackman, and the Uncharted 1-3 soundtracks by Greg Edmonson. 

In this animation filled episode Marty goes racing in Wreck-It Ralph, learns about science with Nature Cat, and plays a little Angry Birds. Playlist: "Sugar Rush Showdown" from Wreck-It Ralph by Henry Jackman, "Biolumminescence" and "Water Cycle" from Nature Cat by Bill Sherman, and "Angry Birds Theme" by Ari Pulkkinen, performed by the London Philharmonic Orchestra; and conducted by Andrew Skeet.

Uncharted 4 : A Thief End (version PS5) , le test par Yohann Lemore► Sortie : 28/01/2022► Plateformes : Exclusivité Playstation 5► Genre : Action / Aventure► Age : 16+Crédits audio : ► Uncharted 4 : A Thief End Soundtrack by Henry Jackmanhttps://www.youtube.com/watch?v=cMbJxZWAzuA

Episode 275."Promising Young Woman"Composer: Anthony Willis.Very fortunate to have composer Anthony Willis stop by the podcast to talk Movies, Music, Thomas Newman, Hans Zimmer, Fortnite, the amazing mentors he's worked with and his current project that can currently be found on HBO Max, "Promising Young Woman"BAFTA nominated composer Anthony Willis has taken a running leap into the Neverland of film scoring. A protege of Oscar nominated composer John Powell, Willis has become a sought after talent, contributing additional music to many of Hollywood's major franchises including: How to Train your Dragon, Solo: A Star Wars Story, Pirates of the Caribbean, Jason Bourne, Wreck it Ralph, Rio, The Smurfs & Despicable Me.As lead composer, Anthony scored Emerald Fennell's drama thriller feature Promising Young Woman starring Carey Mulligan which premiered at Sundance 2020 and received a 2021 BAFTA Nomination for Best Original Score. His other credits include NBC/Universal's How To Train Your Dragon: Homecoming holiday special, Sony Playstation's action-platformer video game Knack II, Michelle Morgan's ‘Sundance Selection' comedy: It Happened in L.A., David Yarovesky's thriller, The Hive, where he collaborated with renowned DJ Steve Aoki, and Anthony Sabet's nostalgic comedy One Last Night. Up and coming for Anthony Willis is Amin Matalqa's heartfelt Arabian animation feature Hump.Working alongside Henry Jackman, Anthony composed additional music for Nate Parker's 2016 Sundance winner, The Birth of a Nation, and contributed additional arrangements to Harry Gregson-Williams' acclaimed score for The Martian. His additional music credits also include How To Train Your Dragon 3 and Pan & Ferdinand (for John Powell), Wreck it Ralph 2: Ralph breaks the Internet (for Henry Jackman), The Elephant Queen (for Alex Heffes), Paramount's sci-fi adventure film Monster Trucks (for David Sardy), and Papa: Hemingway in Cuba (for Mark Isham). Up and coming projects include Jumanji: The Next Level (for Henry Jackman) and My Spy (for Dominic Lewis).Willis grew up in London, and began his musical training as a chorister of St. George's Chapel, Windsor Castle, England. He went on to study Composition at Marlborough College, Wilshire and the University of Bristol, before earning his graduate degree from the University of Southern California. He currently resides in Venice BeachWelcome, Anthony Willis.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:  @mdmcriticwww.mmcpodcast.comMondaymorningcritic@gmail.com

Episode 273."Rocketman"Composer.Matthew Margeson.Matthew Margeson is a composer of film, television, and video game music best known for his diverse action and adventure film work that bridges orchestral and electronic music. He got his start as an assistant to composers on video games and film shorts, and worked as a technical score advisor, arranger, and synth programmer, among other roles, for Hans Zimmer's Remote Control Productions. His first main composer credits in film arrived in 2010 with Lunatics, Lovers & Poets and Burning Palms. A year later, Margeson scored the animated TV series Transformers Prime and the video game Carnival Island. In the meantime, his additional music for other composers could be heard in blockbusters such as X-Men: First Class and Pirates of the Caribbean: On Stranger Tides. In 2013, Margeson co-wrote the score for the franchise sequel Kick-Ass 2 with Henry Jackman. It incorporated rock elements into a symphonic base. That led to more action films, such as 2014's Kingsman: The Secret Service, also with Jackman. His work in other genres around that time included the 2016 biopic Eddie the Eagle and Tim Burton's Miss Peregrine's Home for Peculiar Children (with Michael Higham). He and Jackman teamed up again for 2017's Kingsman: The Golden Circle, and Margeson received sole credit for his music to the 2018 horror film Truth or Dare.The King's Man score is co-composed by Matthew Margerson and Dominic Lewis and can be heard in theaters now!Please Welcome, Matthew Margeson.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:  @mdmcriticwww.mmcpodcast.comMondaymorningcritic@gmail.com

Matthew Margeson And Dominic Lewis are taking their friendship to the next level and are working side by side to co-compose The King's Man from director Matthew Vaughn. You've seen them on All Access before, but now we're diving into their latest collaboration together. Matt and Dom discuss how they met working for composer Henry Jackman early in their careers at Remote Control Productions. We talk about late night coffee chats at 3am, and how the two always wanted to co-compose a film together. Matt and Dom then take us into the world of Matthew Vaughn's Kingsmen films, and how the two of them came onboard together to work on The King's Man. Hear about the approach of how this new film gave them the opportunity to really start fresh and not feel obligated to reference the other two films given that it's not connected by timeline or characters. We end the interview by playing a little "Newlyweds" Co-Composer Edition! Matt and Dom are put to the test and see how much do they truly know about each other! A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Episode 269."The King's Man"Composer.Dominic Lewis.Dominic Lewis is a British-born film composer living in Los Angeles. Born into a family of talented, working musicians, Dominic was exposed to music from his very first days- and as such music became an inherent and intrinsic part of his life from early childhood until today.He gained entrance to the Royal Academy of Music in London where he received classical training in cello and music composition, overseen by revered teachers such as Sir Peter Maxwell Davies, as well as world-renowned film composers such as Craig Armstrong and David Arnold.At the fledgling age of 22, Lewis was given the opportunity to co-compose the score of his first feature film, ‘The Poet', directed by ‘Ski-School's' Damien Lee.Throughout his time at the Royal Academy, Lewis was mentored by Rupert Gregson-Williams, who was instantly impressed by his potential and engaged Dominic to contribute both vocal performances and additional arrangements to scores such as ‘Bee Movie', ‘Bedtime Stories' and ‘The Prisoner'.His credits to date include the films ‘How to Train Your Dragon', ‘Clash of the Titans', ‘Puss in Boots', ‘Wreck it Ralph', the remake of ‘Red Dawn', ‘Rango', ‘Rio', ‘Kung Fu Panda 2', ‘X-Men 1st Class' the most recent ‘Medal of Honor' video game, ‘Sherlock Holmes :A Game of Shadows' Sony's 3D annual presentation, and an ‘Everlast' sporting equipment commercial. He is recently worked with Henry Jackman on ‘Captain Phillips' and ‘The End of the World'. His most current project is "The King's Man"Welcome, Dominic Lewis.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:  @mdmcritic www.mmcpodcast.comMondaymorningcritic@gmail.com

Sebastian Zuleta is a composer, arranger and music editor who has worked with composers such as Hans Zimmer, Heitor Pereira, Henry Jackman, and others. In this interview Sebastian takes us inside his work as a music editor and explains what role a music editor has on a production. Sebastian shares his approach working as the music editor for the Hulu series Wu-Tang: An American Saga and what it was like working with RZA on the series. We also dig into his work as the music editor for Finch starring Tom Hanks and scored by Gustavo Santaolalla. Sebastian also talks about growing up in Colombia and how his passion for filmmaking and music brought him to the US where he studied in Florida and eventually moved to Los Angeles where he got an internship at Remote Control Productions. Sebastian shares what those early years were like, and goes into detail about the working relationships his role as a music editor served between the director and composer. He also shares how his work as a music editor helps him become a better composer on his solo projects and vice versa. A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Episode 143: 21 Bridges (2019)Find us around the web and subscribe on your favorite podcast player! Directed by: Brian KirkWritten by: Adam Mervis & Matthew Michael CarnahanScore by: Henry Jackman & Alex Belcher Budget: $33 millionGross: $50 millionCast: Chadwick Boseman as Andre DavisChristian Isaiah as young Andre DavisSienna Miller as Frankie BurnsJ.K. Simmons as Captain McKennaStephan James as Michael TrujilloTaylor Kitsch as Ray JacksonKeith David as Deputy Chief SpencerTalking Points:What are your overall non-spoiler thoughts on 21 Bridges?Spoilers Is every cop movie now inherently making political statement? What is the movie saying about American law-enforcement? What were some of your favorite moments?Final thoughts.Next Episode: Ma Rainey's Black Bottom (2020)

Musique Mécanique par le Théâtre Électrique ::"The Winter Soldier Rises" by Henry Jackman

THE STAR-SPANGLED FINALE! In the final installment of Captain America Month, we're diving back into the world of comics! Join host Aeric Azana as he counts down the TOP 10 ESSENTIAL Captain America comics! Plus this weeks Comics Countdown and more! Time Stamps: 00:00:57 Intro 00:02:22 News of the Week 00:18:23 Essential Captain America Comics 01:09:43 Comics Countdown 01:39:14 Wrap-Up Follow us! Twitter: twitter.com/geeksplainedpod?lang=en Instagram: www.instagram.com/geeksplainedpod/?hl=en Send us your questions for the Geeksplained Mailbag! Email: Geeksplained@gmail.com Music Sampled: "Sayonara" by SAKEROCK "Star Spangled Man" by Henry Jackman & The Captain America Drum Corps "Fortunate Son" by Creedence Clearwater Revival

Welcome back to the latest episode of BETWEEN THE NOTES...Your hosts, Tony Black & Sean Wilson, return to discuss their favourites from 2021 so far over the last seven months.They discuss films & TV including BLACK WIDOW, BRIDGERTON, FEAR STREET 1978 & MINARI, and composers including Nicholas Brittell, Henry Jackman, Natalie Holt and Dan Romer...09.14 - Cruella (Nicholas Brittell)18:01 - The Falcon and the Winter Soldier (Henry Jackman)26.58 - Fear Street 1978 (Marco Beltrami & Brandon Roberts)37.50 - The Underground Railroad (Nicholas Brittell)46.47 - Luca (Dan Romer)53.05 - Loki (Natalie Holt)01:02:32 - Bridgerton (Kris Bowers)01:08:50 - Minari (Emile Mosseri)01:16:08 - The Green Knight (Daniel Hart)01:24:41 - Black Widow (Lorne Balfe)Host / EditorTony BlackCo-HostSean WilsonSupport the We Made This podcast network on Patreon:Patreon.com/wemadethisTwitter: @btw_notesWe Made This on Twitter: @wmt_network / www.wemadethisnetworkTitle music 'Milky Way' (c) Peter Sandberg/Epidemic SoundAll music courtesy of WaterTower Music.

Welcome back to the latest episode of BETWEEN THE NOTES...Your hosts, Tony Black & Sean Wilson, return to discuss their favourites from 2021 so far over the last seven months.They discuss films & TV including BLACK WIDOW, BRIDGERTON, FEAR STREET 1978 & MINARI, and composers including Nicholas Brittell, Henry Jackman, Natalie Holt and Dan Romer...00:09:14 - Cruella (Nicholas Brittell)00:18:01 - The Falcon and the Winter Soldier (Henry Jackman)00:26:58 - Fear Street 1978 (Marco Beltrami & Brandon Roberts)00:37:50 - The Underground Railroad (Nicholas Brittell)00:46:47 - Luca (Dan Romer)00:53:05 - Loki (Natalie Holt)01:02:32 - Bridgerton (Kris Bowers)01:08:50 - Minari (Emile Mosseri)01:16:08 - The Green Knight (Daniel Hart)01:24:41 - Black Widow (Lorne Balfe)Check out our specially curated Spotify playlist of all of the above scores: https://open.spotify.com/playlist/2seRQvw8FbLqrGM4AVw6x4?si=_9_qc8cmR2e-GFPOJ2jcQg&dl_branch=1Host / EditorTony BlackCo-HostSean WilsonSupport the We Made This podcast network on Patreon:Patreon.com/wemadethisTwitter: @btw_notesWe Made This on Twitter: @wmt_network / www.wemadethisnetworkTitle music 'Milky Way' (c) Peter Sandberg/Epidemic SoundAll music courtesy of WaterTower Music.

The 'Verse! is your go-to place for insights, reviews, theories, and recaps for all your favorite cinematic universe shows and films. We will be covering the MCU, Star Wars, and more. Follow us on Twitter @TheVerseCast) We start with the latest in cinematic, universe news including 'She-Hulk' our interview with Marvel composer Henry Jackman, and Obi-Wan's beard (you read that right). We follow up with our weekly breakdown of the Disney+ series, 'The Falcon and the Winter Soldier.' Our hosts Bridget, Lucas, Emilia, and Norm provide a fun recap, then dive in deep with some spoiler-ish theories, delicious Easter eggs, and comic book/cinematic universe connections. Easy listening for everyone from newbs to long time superhero fans. And, riddle me this, Riddler. Do you listen to the very end? If you do, you might find a particularly puzzling post-credit scene. SHOW BREAKDOWN: 0:00 - Intro // 1:00 - News Around The 'Verse (news about all your fave cinematic universes) // 12:50 - F&WS ep 4 Recap // 10:40 - Squad Episode Reactions and Highlights // 44:30 - Easter Eggs, Theories (SPOILER TERRITORY) // 57:50 - Contact Info // 59:35 - Post Credit Scene (maybe?) Be sure to also follow @Screenradar on Twitter, Facebook, & Instagram

The 'Verse! Squad sat down with the one and only Henry Jackman, a composer, conductor, arranger, pianist, musician, and songwriter. Listeners would probably know him best for his unforgettable work in the MCU, composing music for ‘Captain America: The Winter Soldier,' ‘Captain America: Civil War,' and ‘The Falcon and the Winter Soldier.' As if that weren't enough, he also scored Kick-Ass,' ‘X-Men: First Class,' ‘Big Hero 6,' ‘Kong: Skull Island,' the ‘Kingsman' films, most recently AppleTV+'s ‘Cherry, to name a few. We explore his career path, the MCU symphonic universe, how he develops his sound, and more. Mr. Jackman was an absolute pleasure to have on the show and he was incredibly generous with his time, even sitting down at the piano to play us through some of the superhero (and villain) themes he's written. We really think you'll enjoy this one. We sure did. Grab some headphones and jump into The (Extended) 'Verse!

In our latest episode of The Pop Disciple Podcast, we are joined by Henry Jackman, the adventurous composer behind Jake Kasdan's fantasy adventure comedy sequel, Jumanji: The Next Level. ABOUT POP DISCIPLE Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram. Music Credits Podcast Theme & Outro Music: Goldo Cues Throughout Episode: Henry Jackman

Kristen Romanelli, Dane Walker and Christopher Coleman review Henry Jackman's score for the latest Walt Disney animated feature film, RALPH BREAKS THE INTERNET. The dive into their thoughts about the first WRECK-IT RALPH film and then react to this new entry (into the franchise?). They explore the film and then Jackman's inventive original score. Also included is an extensive listener-feedback segment where they address questions about the popularity of THE PHANTOM THREAD score and possibilities for the upcoming live-action, Netflix series AVATAR: THE LAST AIRBENDER. Lastly, don't miss the BONUS track after the credits where they dive into spoilerific talk about Ralph Breaks the Internet.Episode Highlights03:20 - "Listener feedback: Phantom Thread and The Airbender"21:10 - "What did we think of Wreck-It Ralph?"24:44 - "Reaction to film (no spoilers)"30:15 - "Reaction to the score (no spoilers)"33:24 - "Stand out tracks (Spoilers!)"44:00 - "Final thoughts (Spoilers!)"52:30 - "Bonus: Spoiler Talk")Music Selections (Support these artists (and us) by buying these tracks from Amazon.)00:01- "Best Friends" (Ralph Breaks the Internet) by Henry Jackman05:34- "The Phantom Thread III" (The Phantom Thread) by Jonny Greenwood20:54 - "The Internet" (Ralph Breaks the Internet) by Henry Jackman30:00 - "BuzzzTube" (Ralph Breaks the Internet) by Henry Jackman32:44 - "Site Seeing" (Ralph Breaks the Internet) by Henry Jackman33:45 - "Shank" (Ralph Breaks the Internet) by Henry Jackman34:37 - "A Place Called Slaughter Race" (Ralph Breaks the Internet) by Henry Jackman37:38 - "The Internet" (Ralph Breaks the Internet) by Henry Jackman40:04 - "The Circuit Breaker" (Ralph Breaks the Internet) by Henry Jackman41:10 - "Hangin' Out" (Ralph Breaks the Internet) by Henry Jackman42:02 - "Vanellope's March" (Ralph Breaks the Internet) by Henry Jackman51:33 - "Comfort Zone" (Ralph Breaks the Internet) by Henry JackmanNotes:Rotten TomatoesBox Office MojoFind and Follow:Follow Erik Woods on Twitter - @cinsoundradioFollow Kristen Romanelli on Twitter - @kbfornowFollow Dane Walker on Twitter - @maestrodaneFollow The Soundcast on Twitter - @audiosoundcastFollow Tracksounds on Twitter - @tracksounds Follow Christopher Coleman on Twitter - @ccolemanSpotify: Find our Spotify Companion Playlist here! Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO

In our latest episode of The Pop Disciple Podcast, we are joined by Henry Jackman, the adventurous composer behind Disney's animated fantasy adventure film, Ralph Breaks The Internet. ABOUT POP DISCIPLE Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram. Music Credits Podcast Theme & Outro Music: Goldo Cues Throughout Episode: Henry Jackman

Matthew Margeson is an American composer who has written and arranged music for some films including Transformers: Revenge of the Fallen, X-Men: First Class, Wreck-It Ralph, Captain Phillips, Into The Woods, Eddie The Eagle, and Miss Peregrine's Home for Peculiar Children..Matthew Margeson teams up with composer Henry Jackman, for the third time, to compose the original score for the spy-action-adventure-comedy, KINGSMAN: THE GOLDEN CIRCLE, the sequel to 2015'S KINGSMAN: THE SECRET SERVICE - both directed by Matthew Vaughn.Kingsman: The Golden Circle brings a new adventure that will test the agents' strength and wits when their headquarters are destroyed and the world is held hostage, their journey leads them to the discovery of an allied spy organization in the US. Kingsman: The Golden Circle opens in theaters September 22, 2017.In this episode, MATTHEW MARGESON talks about how the theme for the principal villlain proved to be one of the most difficult scoring challenges and how director Matthew Vaughn challenged them to get 25 fiddlers and 18 guitarists into one room to record for the score.ANNOTATED TRACKS01:37 - Track - “Eggsy is Back”07:22 - Track - “Poppy"09:33 - Track - "Statesman"11:13 - Track - "Tornado in the Trailer Park"13:41 - Track - "The Kingsman Hoedown"SOUNDTRACKThe original scoundtrack to KINGSMAN: THE GOLDEN CIRCLE is scheduled for release in October 2017.MORE ABOUT THE COMPOSERYou can find follow Matthew Margeson on Twitter @matthewmargesonABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesStitcher RadioGoogle Play PodcastsRSS FeedType

Logan is back from the Big Apple and the boys have lots to discuss. Michael joins Logan and Max for the first half of the show to talk all about the games they have been playing, wrestling, and the latest happenings for Xbox. After the break, Logan and Max discuss and review the latest Naughty Dog game, Uncharted: The Lost Legacy. They dive in to how the game stacks up against the other Uncharted games and the future of the franchise. Timestamps: Intro: 0:00-4:54 What we are playing: 4:54-50:29 News Crackdown 3 Delayed- 50:29-01:11:32 ReCore Definitive Edition Announced- 01:11:32-01:13:34 We Happy Few Release Date- 01:13:34-01:22:10 Mass Effect Andromeda- 01:22:10-01:27:33 PSX Early Bird Tickets on Sale- 01:27:33-01:34:30 Bioshock is 10 years old- 01:34:30-01:36:00 Break- 01:36:00-01:36:26 Uncharted: The Lost Legacy Review Discussion- 01:36:36-02:21:32 Closing- 02:21:32-02:25:41 Follow MGS, Max, Logan, and Michael on Twitter! @MGSpodcast @MaxTheWhite @MooreMan12 @Super_rooz Email us at mgspodcast@gmail.com Intro and Outro song is "OHC3" by Kris Keyser Break song is “The Insurgency“ by Henry Jackman from “Uncharted: The Lost Legacy.”

In this volume, Kristen Romanelli, Erik Woods, and Christopher Coleman a new set of six stories from the soundtrack world: The Guardians of the Galaxy Vol. 1 vs Vol. 2 twitter poll, The Orville with music by Bruce Broughton an Joel McNeely, The death of the MP3, The Star Trek; Legacy mashup, Henry Jackman on Jumanji and Jerry Goldsmith finally gettin his star on the Walk of Fame. Episode Highlights 00:00 - Burnin' the Six Mix - Intro 03:29 - #1 - Guardians Volume-Off, Bro 24:13 - #2 - The Orville Crew: Broughton and McNeely 34:36 - #3 - MP3: Dead of Alive? 47:39 - #4 - Star Trek: Punked 55:53 - #5 - Jackmanji 62:19 - #6 - Jerry Goldstar 72:02 - Wrap up Music Selections 00:00 - "Guardians Inferno - (Guardians of the Galaxy: Mixtape Vol 2) by The Sneepers 23:22 - "Lost in Space" - (Lost in Space) by Bruce Broughton 46:57 - "The Game Has Changed" (Tron: Legacy) by Daft Punk 50:05 - "The Enterprise" (Star Trek: The Motion Picture) by Jerry Goldsmith 55:21 - "The Exorcism of Jonah Hill" (This is the End by Henry Jackman 61:29 - "It's a Long Road" (First Blood) by Jerry Goldsmith 72:29 - "Mr. Blue Sky - 8-Bit Version" (8-Bit Chip Shwang) by 8-Bit Universe Notes: Guardians of the Galaxy Vol. 1 vs Vol. 2 Twitter Poll Broughton and McNeely on The Orvville Is the MP3 Dead? Star Trek: Legacy Henry Jackman on Jumanji Jerry Goldsmith - Walk of Fame Follow Kristen Romanelli on Twitter - @kbfornow Film Score Monthly Online Follow Erik Woods on Twitter. - @cinsoundradio Cinematic Sound Radio Follow Tracksounds on Twitter - @tracksounds Follow Christopher Coleman on Twitter - @ccoleman Find our Spotify Companion Playlist here! - https://open.spotify.com/user/tracksounds/playlist/6xbi7x5MrZwnZUkwVk4LDj Support Tracksounds: Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You! Buy Soundtracks at Amazon.com - http://bit.ly/amazonsoundtracks Subscribe and More Info aCAST GOOGLE PLAY iTUNES RSS FEED STITCHER RADIO TUNEIN RADIO The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals. The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.

The MGS crew reviews Naughty Dog's latest game, Uncharted 4: A Thief's End. After the break, then Logan and Max dive into spoiler territory! Follow Max and Logan on Twitter! @MGSpodcast @MaxTheWhite @MooreMan12 Email us at mgspodcast@gmail.com Intro and Outro song is "A Thief's End" by Henry Jackman from "Uncharted 4: A Thief's End." The break song is "Reunited" by Henry Jackman from "Uncharted 4: A Thief's End."

Ep. 73 - Captain America: The Winter Soldier Cap is Back! And he's got a little help with his friends and frienemies: Black Widow, Falcon, Nick Fury and The Winter Soldier. Justin Craig (Foxnews.com) and Kristen Romanelli (Film Score Monthly) join Christopher Coleman to not only discuss the the film, CAPTAIN AMERICA: THE WINTER SOLDIER, but it's original score by Henry Jackman. Episode Highlights 00:00 - Captain America: The Winter Avenger 02:28 - WHYBLT? Atlantis: The Last Continent by Russel Garcia 04:34 - WHYBLT? The Othello Symphony by Elliot Goldenthal 11:23 - WHYBLT? Studio Ghibli Classics by Joe Hisaishi 21:30 - The Winter Soldier - general movie reaction 39:31 - The Winter Soldier - movie spoiler talk 67:20 - The Winter Soldier - soundtrack discussion Music Selections 00:00 - "Star Spangled Man" (Captain America: The First Avenger) by Alan Silvestri 00:00 - "The Causeway" (Captain America: The Winter Soldier) by Henry Jackman 03:08 - "Main Title" (Atlantis The Last Continent) by Russel Garcia 04:42 - "Movement 1" (The Othello Symphony) by Elliot Goldenthal 11:29 - "Porco E Bella" (Porco Rosso) by Joe Hisaishi 21:04 - "Taking a Stand" (Captain America: The Winter Soldier) by Henry Jackman 38:58 - "Countdown" (Captain America: The Winter Soldier) by Henry Jackman 66:11 - "Into the Fray" (Captain America: The Winter Soldier) by Henry Jackman 68:09 - "We Did It" (Captain America: The First Avenger) by Alan Silvestri 73:16 - "The Smithsonian" (Captain America: The Winter Soldier) by Henry Jackman 74:40 - "End of the Line" (Captain America: The Winter Soldier) by Henry Jackman 86:50 - "The Winter Soldier" (Captain America: The Winter Soldier) by Henry Jackman 88:25 - "Why So Serious?" (The Dark Knight) by Hans Zimmer, James Newton Howard 89:52 - "The Causeway" (Captain America: The Winter Soldier) by Henry Jackman 92:51 - "Taking a Stand" (Captain America: The Winter Soldier) by Henry Jackman 93:26 - "The Causeway" (Captain America: The Winter Soldier) by Henry Jackman 101:21 - "First Class" (Captain America: The Winter Soldier) by Henry Jackman 108:11 - "Project Insight" (Captain America: The Winter Soldier) by Henry Jackman Notes: Follow Kristen Romanelli on Twitter - @kbfornow Follow Justin Craig on Twitter - @justin_m_craig Support Tracksounds: Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You! Buy Soundtracks at Amazon.com Download the Episode Subscribe and More Info