Podcasts about Music theory

My name is Frank, and I've created and run an online academy that teaches composers how to master Interval Theory—a groundbreaking and intuitive approach to composition. Join the Circle of Interval Magicians: https://musicintervaltheory.academy/skool/ My mission is to help composers break free from generic progressions and write music that truly stands out. Many of our academy members, who range from aspiring to professional composers, go on to compose original scores for films, TV, and video games. And they love their competitive advantage!

Cory and Noah discuss the surprising impact of music venues on the music played in them, and how those impacts have shaped musical movements throughout history.Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes12tonehttps://bsky.app/profile/12tone.nebula.tvhttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://bsky.app/profile/polyphonic.nebula.tvhttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Brooke and Tyler listen intently to guests Krishna Patel and Paul-chan as they teach us all about music theory and how Sanderson's stories blend different aspects into the magic and worlds. Our conversation begins with a description of tone, melody, and rhythms before a crescendo of speculation about how we can apply our musical knowledge to the magic systems of the Cosmere. #AllSpoilers Follow Krishna Patel (https://www.instagram.com/thekryptidreader/) Follow Paul-chan (https://paul-chan.one/) Songs/clips that can be heard in this episode: Whitacre - Sleep (https://www.youtube.com/watch?v=Yw5gupbe9E0) Example of tritones (https://www.youtube.com/watch?v=HQdCRy5bbX0) Saint-Saens - Danse Macabre (https://www.youtube.com/watch?v=VbmT-I35k10) Gayatri Mantra from Battlestar Galactica (https://www.youtube.com/watch?v=l4UPJv08c1k) Example of atonal music (https://www.youtube.com/watch?v=qD6XmKnLs8M) Sanskrit chanting (https://www.vimeo.com/49429193) Katie Payne Artwork that you could win (https://www.patreon.com/posts/become-or-remain-127701309?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) Support this podcast by becoming a Patron on Patreon (https://www.patreon.com/CosmereConversations) Original music by David Gruwier (https://twitter.com/DGruwier). "Radiant" (https://www.youtube.com/watch?v=A5CFAZUv4C0) by David Gruwier.

Is studying music theory really useful? Yep. You heard right. I really said that, and I'm a total theory nerd.  I'm not going to leave you in suspense. Of course, knowing music theory is useful and helpful and part of being a good musician. But only - and this is a big “only” - if you know how it's useful. Did you ever take a class in school and the whole time you were sitting in class you were thinking, “I'm never going to use this stuff”? Of course, you did. I remember sitting in my calculus class in high school - which, incidentally, I really enjoyed - knowing that I was going to music school and very unlikely to ever use any of this kind of higher mathematics again. Maybe your useless class was a math course, or it could have been just about any other subject. Sometimes we discovered later that we were wrong; for instance, a little understanding of chemistry is helpful if you're trying to work out ingredient substitutions in a recipe. At the time, though, the information falls into the category of “good to know, but I'll never need it.” I taught classes like that when I was teaching at Curtis. The theory and ear training classes I taught were certainly full of information that would be necessary for a professional musician, but that didn't mean that any of it seemed relevant to students who just wanted to practice. You may sympathize with that feeling, if you've taken theory courses with the idea that these courses would help your harp playing significantly. Please understand - I know with every fiber of my being that music theory makes you a better musician and can absolutely be of benefit to your playing. But unfortunately, I have found that most of the time, harpists take theory courses and are left wondering what use they can make of all this hard-won knowledge. These courses don't come with a hands-on way to apply this knowledge at the harp, a way to make it really useful. That's what I will share with you today, some common sense ways to make theory practical. Links to things I think you might be interested in that were mentioned in the podcast episode:  Did you miss the “Sharpen Your Focus” clinic? Catch the replay here! Related resource Unlocking the Key to Key Signatures blog post Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-208  

My name is Frank, and I've created and run an online academy that teaches composers how to master Interval Theory—a groundbreaking and intuitive approach to composition. Join the Circle of Interval Magicians: https://musicintervaltheory.academy/skool/ My mission is to help composers break free from generic progressions and write music that truly stands out. Many of our academy members, who range from aspiring to professional composers, go on to compose original scores for films, TV, and video games. And they love their competitive advantage!

My name is Frank, and I've created and run an online academy that teaches composers how to master Interval Theory—a groundbreaking and intuitive approach to composition. Join the Circle of Interval Magicians: https://musicintervaltheory.academy/skool/ My mission is to help composers break free from generic progressions and write music that truly stands out. Many of our academy members, who range from aspiring to professional composers, go on to compose original scores for films, TV, and video games. And they love their competitive advantage!

My name is Frank Herrlinger. I've created and run an online academy that teaches composers how to master Interval Theory—a groundbreaking and intuitive approach to composition. Join me in a live Intro Event: https://musicintervaltheory.academy/intro/ My mission is to help composers break free from generic progressions and write music that truly stands out. Many of our academy members, who range from aspiring to professional composers, go on to compose original scores for films, TV, and video games. And they love their competitive advantage!

In this episode I'm talking you through how to effectively used CAGED to play more interesting 12 bar blues. Become a plus member now: https://www.buzzsprout.com/950998/subscribeSupport the showTo get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing list

My name is Frank Herrlinger. I've created and run an online academy that teaches composers how to master Interval Theory—a groundbreaking and intuitive approach to composition. Join me in a live Intro Event: https://musicintervaltheory.academy/intro/ My mission is to help composers break free from generic progressions and write music that truly stands out. Many of our academy members, who range from aspiring to professional composers, go on to compose original scores for films, TV, and video games. And they love their competitive advantage!

Cory and Noah discuss their recent collaboration, where they both made videos about the same song, and look at how their different perspectives and processes created two completely different analyses.Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes12tonehttps://bsky.app/profile/12tone.nebula.tvhttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://bsky.app/profile/polyphonic.nebula.tvhttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We wrap up this beast of a series by covering the last four decades of Village People history: from their uncomfortably cringe downfall to their recent return to relevance at the hands of a fascist goon. This ever-dumbfounding narrative winds its way through the topics of Milkshakes, Phone Sex, Copyright Law, German Soccer, and so much more!FOLLOW US:Instagram: polishing.podcast Twitter/X: @polishing_turds email: polishingturdspodcast@gmail.com

In this episode we talk through a no nonsense approach to music theory and the need-to-know info for playing effective blues guitar.  Become a plus member now: https://www.buzzsprout.com/950998/subscribeSupport the showTo get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing list

My name is Frank Herrlinger. I've created and run an online academy that teaches composers how to master Interval Theory—a groundbreaking and intuitive approach to composition. Join me in a live Intro Event: https://musicintervaltheory.academy/intro/ My mission is to help composers break free from generic progressions and write music that truly stands out. Many of our academy members, who range from aspiring to professional composers, go on to compose original scores for films, TV, and video games. And they love their competitive advantage!

Podcast PacketsIllustrationsLead SheetsPlay AlongsJazz Piano Skills CommunityKeywordsJazz Piano, Melodic Analysis, Music Education, Jazz Skills, Antonio Carlos Jobim, Practice Strategies, Chord Inversions, Improvisation, Rhythm, Music Theory, Jazz Piano, Melodic Analysis, Transcription, Wave, Music Education, Improvisation, Fingerings, Music Phrases, Target Notes, TreatmentsSummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence discusses the importance of melodic analysis in jazz education, particularly focusing on the tune 'Wave' by Antonio Carlos Jobim. He emphasizes the necessity of a structured practice strategy and the seven facts of music that serve as a foundation for understanding and mastering jazz piano skills. The conversation also addresses common challenges faced by students, such as retaining chord inversions, and provides practical exercises to enhance their skills. In this episode, Dr. Bob Lawrence provides a comprehensive approach to the melodic analysis of the jazz standard 'Wave.' The discussion covers various aspects including transcribing the melody by ear, understanding fingerings, identifying musical phrases, and exploring different treatments of the piece. The episode emphasizes the importance of ear training and offers practical exercises to enhance musicianship.TakeawaysMelodic analysis is essential for understanding jazz tunes.A structured practice strategy is crucial for progress.The seven facts of music guide the learning process.More information can overwhelm and stifle growth.Chords and inversions are foundational to jazz playing.Listening to various artists enhances musical understanding.Transcribing melodies aids in improvisation skills.Different treatments of a tune can expand musical expression.Regular practice of chord inversions is necessary for mastery.Simplifying the learning process is key to becoming a better musician. It's a pretty thorough, it's a pretty complete approach.We will learn the melody of wave by ear.This melody is very complex.These become like the goalpost, if you will.It's very hard, very challenging to take wave and play it as a ballad.It helps us internalize the song, it develops our musicianship.Don't forget, there is a rhythm challenge that you need to check out.I hope you have found this episode insightful and beneficial.Enjoy Wave on Melodic Analysis.Have fun as you discover, learn, and play jazz piano.TitlesMastering Jazz Piano: The Art of Melodic AnalysisUnlocking Jazz Skills: The Seven Facts of MusicNavigating Chord Inversions in Jazz PianoThe Journey of Jazz Piano: From Harmony to MelodyJazz Piano Essentials: Practice Strategies for SuccessExploring 'Wave': A Melodic JourneySound Bites"It's time to discover, learn, and play jazz piano.""More information actually stifles growth and advancement.""Without the facts, you're rudderless.""The seven facts of music are our rudder.""You cannot skip over or gloss over the chords and inversions.""Chords and inversions are the harmonic foundation.""Let's discover, learn, and play wave."Support the show

My name is Frank Herrlinger. I've created and run an online academy that teaches composers how to master Interval Theory—a groundbreaking and intuitive approach to composition. Join me in a live Intro Event: https://musicintervaltheory.academy/intro/ My mission is to help composers break free from generic progressions and write music that truly stands out. Many of our academy members, who range from aspiring to professional composers, go on to compose original scores for films, TV, and video games. And they love their competitive advantage!

Nicholas Forster is an assistant professor of Cinema Studies at the University of Oregon. He talks about his interest in cinema and Black performance, and the book he is writing about Bill Gunn, an unsung hero of Black filmmaking. Research Notes: Stephen Rodgers is the Edmund A. Cykler Chair in Music and Professor of Music Theory and Musicianship at the School of Music and Dance at the University of Oregon. He talks about his project: Art-Music-Performance—a mobile performance and exhibition space.

Music Not Diving is supported by AC55ID... head over to www.ac55id.com to check out the fastest growing electronic music marketplace, a central hub for music discovery, streaming and purchasing!--Watch the full video version of this episode over at youtube.com/@WeNotDivingWhat happens when you sign on to a label roster that contains The Arctic Monkeys, Jon Hopkins, and Hot Chip... and the drummer quits your band on the release day of the first single?This and other pertinent questions are answer on this week's episode. Lawrence Hart is still signed to Domino Records, but now as a solo artist whose debut album, Come In Out Of The Rain, will be released imminently. We also discuss his background as a jazz musician, travelling all over America with various bands in his formative years, and get into one of our favourite recurring questions on the show - the one about music theory in dance music. This is a good one! Check it out. --If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Music Not Diving Podcast Spotify playlist Hosted on Acast. See acast.com/privacy for more information.

In episode 172 of the Guitar Music Theory podcast, I answer listener questions about playing styles, overcoming physical limitations, key changes in songs, barre chord techniques, music theory exercises, slowing down music, and more. Riff Rockers Zoom class details: https://www.guitarmusictheory.com/riff-rockers-zoom-class/ Enroll in a free video course and join the email list: https://www.GuitarMusicTheory.com

My name is Frank Herrlinger. I've created and run an online academy that teaches composers how to master Interval Theory—a groundbreaking and intuitive approach to composition. Join me in a live Intro Event: https://musicintervaltheory.academy/intro/ My mission is to help composers break free from generic progressions and write music that truly stands out. Many of our academy members, who range from aspiring to professional composers, go on to compose original scores for films, TV, and video games. And they love their competitive advantage!

Podcast PacketsIllustrationsLead SheetsPlay AlongsJazz Piano Skills CommunityKeywordsJazz Piano, Cyclical Quadruplets, Jazz Improvisation, Jazz Vocabulary, Music Education, Piano Skills, Jazz Techniques, Music Theory, Jazz Practice, Jazz ExercisesSummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence delves into the concept of cyclical quadruplets, an essential jazz skill for developing improvisation and jazz vocabulary. The discussion covers the characteristics, importance, and practical applications of cyclical quadruplets in jazz piano. Through various exercises and lead sheets, listeners are guided on how to incorporate these techniques into their playing, enhancing their musical expression and improvisational skills.TakeawaysCyclical quadruplets are essential for jazz improvisation.Understanding sounds and shapes is crucial in jazz.Weak arpeggios and scales lead to poor improvisation.Cyclical quadruplets disguise traditional arpeggio movements.Practicing cyclical quadruplets develops muscle memory.Exercises help illuminate weaknesses in arpeggios and scales.Cyclical quadruplets can be applied to various sounds.The importance of rhythm in jazz improvisation is emphasized.Cyclical quadruplets provide a balance of arpeggio and scale motion.Regular practice of cyclical quadruplets enhances jazz vocabulary.TitlesUnlocking the Secrets of Cyclical QuadrupletsMastering Jazz Improvisation with Cyclical QuadrupletsThe Essential Guide to Cyclical Quadruplets in JazzJazz Piano Skills: Exploring Cyclical QuadrupletsCyclical Quadruplets: A Game Changer for Jazz MusiciansDeveloping Jazz Vocabulary through Cyclical QuadrupletsSound Bites"Cyclical quadruplets are essential jazz skills.""Jazz is the study of sounds and shapes.""Weak arpeggios, weak scales equals very weak jazz improvisation.""Cyclical quadruplets disguise arpeggio and scale movement.""These cyclical quadruplets are fantastic.""Cyclical quadruplets help develop muscle memory.""You can never say you have nothing to practice.""The return on investment is fantastic.""Cyclical quadruplets illuminate any blind spots.""Enjoy practicing cyclical quadruplets!"Chapters00:00Introduction to Jazz Piano Skills02:58Exploring Cyclical Quadruplets05:52Understanding the Importance of Cyclical Quadruplets09:06Characteristics of Cyclical Quadruplets12:02Application of Cyclical Quadruplets in Improvisation14:50Practicing Cyclical Quadruplets17:48Exercises for Developing Jazz Vocabulary21:13Lead Sheets and Practical Application24:02Premium Content MessageSupport the show

Send us a textFind more about Andrew on:YouTube: https://www.youtube.com/@ampthebassplayerInstagram: https://www.instagram.com/ampthebassplayer/Deep Love Opera: https://www.deeploveopera.com/SponsorsGrez Guitars: https://www.grezguitars.com/Grez Guitars (Instagram): https://www.instagram.com/grezguitars/Summer School Electronics: https://www.summerschoolelectronics.com/Summer School Electronics (Instagram): https://www.instagram.com/summerschoolelectronics/Meris Pedals: https://www.meris.us/ Meris Pedals (Instagram): https://www.instagram.com/meris.us/Affiliate LinksSweetwater: https://sweetwater.sjv.io/qzy9XjTourGear Designs: https://www.tourgeardesigns.com/discount/40WATTGet 10% off with code 40WATT at checkout!Rattlesnake Cables: https://www.rattlesnakecables.com/40watt/Get 20% off by using the link!TrueFire (affiliate link): https://shorturl.at/bfjGXGet 40% off your first lesson purchase (including the annual pass!) with code 40WATTReverb (affiliate link): https://tidd.ly/3zLI32NPatreon: https://www.patreon.com/40wattpodcast/​Find all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/Subscribe to the channel and give a like – also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends. Support the show

Cory and Noah are joined by Nick from Mic The Snare to discuss the history, legacy, and practice of music piracy, all without confessing to anything.Check out Ghost Notes on Nebula, where you can hear the new episodes a month early: https://nebula.tv/ghost-notes12tonehttps://bsky.app/profile/12tone.nebula.tvhttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://twitter.com/WatchPolyphonichttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicNick's stuff:https://www.youtube.com/@MicTheSnarehttps://nebula.tv/micthesnareSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Music 'theory'....Is it helpful? Is it a crutch? Can it make you a better player? Can it stifle your creativity? Come join the Upright Citizens as we kind of say 'yes' to all of these questions!"If you like Bass - you're in the right place! Interested in more music and practice advice? Check out Open Studio...where you'll find courses and much more by world-class bassists like Reuben Rogers, Ron Carter, Christian McBride, Bob DeBoo and more. Reach out to the Upright Citizens anytime at uprightcitizenspodcast@gmail.com ★ Support this podcast ★

Chaos Music Theory FestivalWebsite - https://chaostheorymusic.co.uk/Instagram - https://www.instagram.com/chaostheorymusicYouTube - https://www.youtube.com/channel/UCrziMe5iN2A8ldowJCx0bPwSpotify - https://open.spotify.com/playlist/14cYNe4qqHq0fObihdXFdX?si=4RU81BzaRACPoUXIWjoR-wLia MiceWebsite - https://www.liamice.com/Instagram - https://www.instagram.com/lia_mice/Bandcamp - https://liamice.bandcamp.com/YouTube - https://www.youtube.com/c/liamiceLiza BecWebsite - https://lizabec.com/Instagram - https://www.instagram.com/lizabecmusic/PeachWebsite - https://www.peachtheband.com/Instagram - https://www.instagram.com/peachband__/#YouTube - https://www.youtube.com/channel/UCRjuO7EWyOwvnka4cbLIliASpotify - https://open.spotify.com/artist/530jUFkupqUulyUwVpKRrQFandomentals LinksLinks - https://linktr.ee/FandomentalsPodcastPodomey Website - https://podomedy.com/Artwork Designed by Alex JenkinsWebsite - www.hexdesigns.orgInstagram - https://www.instagram.com/hexshadowTwitter - https://twitter.com/hexghostsThank you for checking out this episode and be sure to subscribe for more episodes Hosted on Acast. See acast.com/privacy for more information.

Send us a textThis is one of those where it is the second episode recorded on the same night.  Traditionally these are a little loose.  This one is no exception.#1 podcast on Jim's blockThe BeltIce fish trip weekend recapMark's medical team--Dave and LucasJohn Mayer--cool guy or dick?Music Theory 101:  AC/DCMark's buddy, Eric"A combination of Conway Twitty and Ron Jeremy"Tai ChiRadio GameInstrumental Songs:  Jessica, Frankenstein, Always With Me Always With You, Black Mountainside, The Great Gig in the Sky, Eruption, Spanish Fly, Sweet Jane Intro? Sirius, YYZLet us know what you think: TheAscertainers@gmail.com#Newt's#ConwayJeremyCheck this space later for cool links referenced in the episode.

Perversions of the Market: Sadism, Masochism, and the Culture of Capitalism (SUNY Press, 2024) argues that capitalism fosters sadism and masochism--not as individual psychological proclivities but as widespread institutionalized patterns of behavior. The book is divided into two parts: one historical and the other theoretical. In the first, Eugene W. Holland shows how, as capital becomes global in scale and drives production and consumption farther and farther apart, it perverts otherwise free markets, transforming sadism and masochism into borderline conditions and various supremacisms. The second part then turns to Deleuze and Guattari's 'schizoanalysis,' explaining how it helpfully embeds Freud's analysis of the family and Lacan's analysis of language within an analysis of the capitalist market and its psycho-dynamics. Drawing on literature and film throughout to illuminate the discontents of modern culture, Holland maintains that the sadistic relations of production and masochistic relations of consumption must be eliminated to prevent capitalism from destroying life as we know it. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

Perversions of the Market: Sadism, Masochism, and the Culture of Capitalism (SUNY Press, 2024) argues that capitalism fosters sadism and masochism--not as individual psychological proclivities but as widespread institutionalized patterns of behavior. The book is divided into two parts: one historical and the other theoretical. In the first, Eugene W. Holland shows how, as capital becomes global in scale and drives production and consumption farther and farther apart, it perverts otherwise free markets, transforming sadism and masochism into borderline conditions and various supremacisms. The second part then turns to Deleuze and Guattari's 'schizoanalysis,' explaining how it helpfully embeds Freud's analysis of the family and Lacan's analysis of language within an analysis of the capitalist market and its psycho-dynamics. Drawing on literature and film throughout to illuminate the discontents of modern culture, Holland maintains that the sadistic relations of production and masochistic relations of consumption must be eliminated to prevent capitalism from destroying life as we know it. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Perversions of the Market: Sadism, Masochism, and the Culture of Capitalism (SUNY Press, 2024) argues that capitalism fosters sadism and masochism--not as individual psychological proclivities but as widespread institutionalized patterns of behavior. The book is divided into two parts: one historical and the other theoretical. In the first, Eugene W. Holland shows how, as capital becomes global in scale and drives production and consumption farther and farther apart, it perverts otherwise free markets, transforming sadism and masochism into borderline conditions and various supremacisms. The second part then turns to Deleuze and Guattari's 'schizoanalysis,' explaining how it helpfully embeds Freud's analysis of the family and Lacan's analysis of language within an analysis of the capitalist market and its psycho-dynamics. Drawing on literature and film throughout to illuminate the discontents of modern culture, Holland maintains that the sadistic relations of production and masochistic relations of consumption must be eliminated to prevent capitalism from destroying life as we know it. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Perversions of the Market: Sadism, Masochism, and the Culture of Capitalism (SUNY Press, 2024) argues that capitalism fosters sadism and masochism--not as individual psychological proclivities but as widespread institutionalized patterns of behavior. The book is divided into two parts: one historical and the other theoretical. In the first, Eugene W. Holland shows how, as capital becomes global in scale and drives production and consumption farther and farther apart, it perverts otherwise free markets, transforming sadism and masochism into borderline conditions and various supremacisms. The second part then turns to Deleuze and Guattari's 'schizoanalysis,' explaining how it helpfully embeds Freud's analysis of the family and Lacan's analysis of language within an analysis of the capitalist market and its psycho-dynamics. Drawing on literature and film throughout to illuminate the discontents of modern culture, Holland maintains that the sadistic relations of production and masochistic relations of consumption must be eliminated to prevent capitalism from destroying life as we know it. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Perversions of the Market: Sadism, Masochism, and the Culture of Capitalism (SUNY Press, 2024) argues that capitalism fosters sadism and masochism--not as individual psychological proclivities but as widespread institutionalized patterns of behavior. The book is divided into two parts: one historical and the other theoretical. In the first, Eugene W. Holland shows how, as capital becomes global in scale and drives production and consumption farther and farther apart, it perverts otherwise free markets, transforming sadism and masochism into borderline conditions and various supremacisms. The second part then turns to Deleuze and Guattari's 'schizoanalysis,' explaining how it helpfully embeds Freud's analysis of the family and Lacan's analysis of language within an analysis of the capitalist market and its psycho-dynamics. Drawing on literature and film throughout to illuminate the discontents of modern culture, Holland maintains that the sadistic relations of production and masochistic relations of consumption must be eliminated to prevent capitalism from destroying life as we know it. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Cory and Noah discuss the long-await conclusion of Cory's third-album experiment, including lessons learned and some of the unexpected highlights. (Plus why it took so much longer than expected...)Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes12tonehttps://bsky.app/profile/12tone.nebula.tvhttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://twitter.com/WatchPolyphonichttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre ‘poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. The Endo/Exo Writers Project. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre ‘poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. The Endo/Exo Writers Project. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre ‘poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. The Endo/Exo Writers Project. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre ‘poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. The Endo/Exo Writers Project. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices

We're super stoked to welcome Cody Ash to the studio to help us kick off 2025! In this raw and honest 3hr interview, Cody shares his unique journey from a small-town upbringing in Kentucky through his challenging high school years and various musical phases including joining metalcore bands Sylar and O'Kingdom. Cody recounts the pivotal experiences that led him to Nashville and meeting Jelly Roll, his evolution into country music, overcoming the challenges of learning new material under pressure, and his approach to drum solos. Cody reflects on the competitive spirit within the drumming community, his recent accolades; including nominations for Drumeo Country Drummer of the Year and the Modern Drummer Reader's Poll, and landing endorsements with DW Drums and Remo. This episode dives deep into Cody's passion for music and his philosophy of relentless hard work and community support. We hope you enjoy!Chapters:00:00 Intro3:28 Welcome, Cody! 11:13 High School Struggles and First Bands 15:33 Joining O'Kingdom and Touring 18:14 Transition to Professional Drumming 21:21 Joining Sylar 29:47 Drum Supply (Sponsor) 31:54 Rediscovering Country Music 39:02 Transition to Nashville 43:32 Drum Box (Sponsor) 44:13 Meeting Jelly Roll 48:20 The Phone Call 53:12 1st Gig w/ Jelly Roll 1:07:55 Zildjian Factory Tour 1:09:45 Local Scenes, High School Band Memories 1:13:01 College and Music Theory 1:27:51 Groove MPL (Sponsor) 1:29:49 2025 NYE Performance (Nashville's Big Bash) 1:41:49 Mentorship and Giving Back 1:43:41 Hometown Memories and Inspirations1:44:58 Buc-ee's & Food On Tour1:54:49 Low Boy Beaters (Sponsor) 1:55:31 The Art of the Drum Solo 2:04:19 Beer Smashing on Stage 2:15:28 Music City Audiology (Sponsor) 2:16:10 Gratitude for the Crew 2:16:39 2024 Accolades and Reflections 2:18:02 Competitive Drive in Music 2:26:52 DW Drums Endorsement 2:32:38 Closing Questions 2:43:32 The PORKCHOP Nickname 2:46:28 OutroThank you to our Episode Sponsors:Drum Supplyhttps://www.drumsupply.comDrum Boxhttps://drumbox.spaceGroove MPLhttps://www.groovempl.comLow Boy Beatershttps://lowboybeaters.comMusic City Audiologyhttps://www.musiccityaudiology.comConnect with Cody:Instagram: https://www.instagram.com/codyashdrumsYouTube: https://www.youtube.com/@CodyAshDrumsTikTok: https://www.tiktok.com/@codyashdrumsFacebook: https://www.facebook.com/AshDrumsOKMusic Featured in this Episode:"Seasons" - Sylar"Support the showConnect with us:WebsiteInstagramTikTokYouTubeFacebookRecorded at Garden Groove Recording Space, Nashville, TNPodcast Artwork: GENUINE CREATIVE ART ⓒ 2025 Nashville Drummers Podcast, LLC

Recreating Songs Quickly, Instrument Retirement, & Music Theory that Makes No Sense! Video Podcast: https://forum.ukuleleunderground.com/threads/trolling-music-nerds-sharp-1-the-ukulele-underground-podcast-151.167784/ How do we go from a Sitcom Opening to Enraging Music Theory Nerds? Along the way, Aldrine answers how he's able to give efficient feedback, and recreate a song after only seeing/hearing it once. Someone asks when should you retire an instrument, and Mike gives some examples of musicians "Retiring" their instruments out of sentimentality. Aldrine and Aaron show their own battle worn ukuleles. The guys offer some playing advice and general tips for how to self diagnose your own playing roadblocks. The crew discuss the benefits of learning to play instruments in the modern age, and why a guitar player disguised as a ukulele teacher is a red flag. At the end of the podcast, Aldrine derails the show with a "Music Theory" question to intentionally rile up Theorist.

Cory and Noah discuss what makes the music of Christmas so unique, and how our relationships to it have changed over the years.Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes12tonehttps://bsky.app/profile/12tone.nebula.tvhttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://twitter.com/WatchPolyphonichttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Podcast PacketsIllustrationsLead SheetsPlay AlongsJazz Piano Skills CommunityKeywordsJazz Piano, Fly Me to the Moon, Melodic Analysis, Jazz Skills, Rhythm Challenge, Music Education, Improvisation, Jazz Treatments, Music Theory, Piano TechniquesSummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence introduces the essential skills for jazz piano, focusing on the classic standard 'Fly Me to the Moon.' The discussion covers the seven musical facts that govern music practice, the importance of rhythmic challenges, and a detailed melodic analysis of the tune. Listeners are guided through the process of transcribing the melody, understanding phrases and target notes, and applying various jazz treatments to enhance their playing skills.Takeaways-The seven musical facts are crucial for practice.-Rhythm challenges enhance musical growth.-Transcribing melodies by ear is essential.-Understanding phrases helps in melody articulation.-Target notes guide melodic movement.-Different treatments can change the feel of a tune.-Listening to various artists enriches learning.-Fingerings are important for jazz articulation.-Engaging with the community fosters support.-Practice makes rhythmic transcription easier.TitlesMastering Jazz Piano: Fly Me to the MoonThe Seven Musical Facts of JazzMelodic Analysis: Fly Me to the MoonJazz Piano Skills: A Comprehensive GuideRhythm Challenges in Jazz PianoSound Bites"Music is the production of sound.""You must etch them into your mind.""This is going to be a phenomenal year.""You can listen and relisten to the recordings.""You should have them sitting on your piano when practicing.""You did not do as poorly as you think you did.""Listen for counts one, two, three, and four.""You will be able to rhythmically transcribe everything you hear.""You want to hear that melody and the voicings complementing each other."Chapters00:00 Introduction to Jazz Piano Skills07:18 Exploring the Seven Musical Facts20:12 Melodic Analysis of 'Fly Me to the Moon'39:35 Understanding Phrases and Target Notes52:48 Applying Treatments to the MelodySupport the show

Cory and Noah are joined by Will from Maggie Mae Fish to discuss their fascination with noise music, as well as the broader concept of noise in music, and it only took us one try to record this episode.Check out Ghost Notes on Nebula, where you can hear the new episodes a month early: https://nebula.tv/ghost-notes12tonehttps://bsky.app/profile/12tone.nebula.tvhttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://twitter.com/WatchPolyphonichttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicWill's stuff:https://bsky.app/profile/megathem.bsky.socialhttps://www.youtube.com/@MaggieMaeFishSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Many Ontarians likely took lessons from the Royal Conservatory of Music as children. Alexander Brose is the new president and CEO of the Royal Conservatory, which has headquarters in Toronto. He joins us in studio to share his vision for Canada's most prominent music education institution. See omnystudio.com/listener for privacy information.

Cory and Noah discuss what makes a guitar solo and what makes the guitar so perfect as a solo instrument in the first place.Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes12tonehttps://bsky.app/profile/12tone.nebula.tvhttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://twitter.com/WatchPolyphonichttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Streaming Music, Streaming Capital (Duke University Press, 2024)  provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses . Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Streaming Music, Streaming Capital (Duke University Press, 2024)  provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses . Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Streaming Music, Streaming Capital (Duke University Press, 2024)  provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses . Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Tune in to a special episode of Sounds Heal Podcast, hosted by Natalie Brown. In this bonus episode, we dive into the latest headlines in sound healing and sound therapy. Discover new research on humming and its connection to the vagus nerve, explore an exciting new course, and get ready for a panel discussion episode coming this December! Music Theory for Sound Healers course: https://musictheoryforsoundhealers.thinkific.com/courses/music-theory-for-sound-healers?ref=c44dc9 Articles referred to in episode: Telegraph article: https://www.telegraph.co.uk/health-fitness/wellbeing/mental-health/sound-healing-does-it-work-and-what-is-the-science/ Elle article: https://www.elle.com/beauty/health-fitness/a61597532/sava-sound-therapy-pod-healing-explained/ Mint article: https://www.livemint.com/mint-lounge/ideas/sound-healing-new-mindful-wellness-and-lifestyle-trend-in-a-noisy-world-11731644618526.html Humming research: https://pubmed.ncbi.nlm.nih.gov/37193427/ Natalie Brown, host of Sounds Heal Podcast: http://www.soundshealstudio.com http://www.facebook.com/soundshealstudio http://www.instagram.com/nataliebrownsoundsheal http://www.youtube.com/soundshealstudio Music by Natalie Brown

Cory and Noah discuss the complicated world of genre revival scenes, from the folk revival of the '60s to the swing revival of the '90s to... well, to whatever's coming next.Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes12tonehttps://bsky.app/profile/12tone.nebula.tvhttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://twitter.com/WatchPolyphonichttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Refik Anadol, an internationally renowned media artist and director, joins Behind the Tech to discuss his journey from a childhood fascination with computers in Istanbul to becoming a pioneer in the aesthetics of data and machine intelligence. In this episode, Refik shares his early inspirations—including his first encounter with a Commodore computer and the impact of science fiction on his imagination—and discusses how his work explores the intersection of art and technology.  Kevin and Refik delve into the challenges and possibilities that ubiquitous computing has imposed on humanity, and how the perception and experience of time and space are radically changing in the digital age. They explore Refik's innovative projects, such as data-driven machine learning algorithms that create abstract, colorful environments and his immersive audio/visual installations that transform entire buildings. They also discuss the significance of AI in art, the concept of 'data painting,' and the future of digital art in a rapidly evolving technological landscape.  Learn more and support these organizations in North Carolina:  John Britt Pottery  akira satake ceramics | GoFundMe  Mudtools  East Fork    Refik Anadol Studio | Refik Anadol Living Art  Kevin Scott    Behind the Tech with Kevin Scott    Discover and listen to other Microsoft podcasts.    

Loki reunited with one of his high school classmates to talk about their upcoming 20 year reunion, memories from band (and Music Theory class), and how decolonizing classical music can benefit students beyond those who are interested in music as a career. Loki also shares The Parable of the Mustard Seed in response to recent challenge and tragedy. Craigmont High School"Memphis Blues", perf. W.C. Handy"Paper, Scissors, Rock", perf. Craigmont High School BandAnirban Roy performs "mere awaj hi mere pachan" ★ Support this podcast ★