Podcasts about Music theory

“Our brain really prioritizes vocal signals. They're super important to the brain because human communication is a really big priority for us as a species. It's a deep signal in our brain, right? And so, we were seeing a stronger reaction to the screams than to the music, and that sort of makes sense. There were more intricacies to that, but I can't really remember the exact brain areas and all that. But it was cool to see that. Yeah, it is sort of mimicking, but our brain really separates them. You know, it may still get sort of a response, a same kind of fearful response, but it's not going to be as powerful as the voice, um, which makes sense because music is not real, right? There's a difference between a real stimulus and this sort of artistic one. Yeah, so it was interesting.” – Caitlyn TrevorThis episode's guest is an award-winning researcher and musician with over a decade of experience studying how people perceive and respond to sound. She holds a PhD in Music Theory from Ohio State University and has published her work in top journals. She was awarded a Marie Skłodowska-Curie Fellowship to study music and neuroscience, and she's professionally certified in user research. As a musician, she has a Master's in Cello Performance, has composed an award-winning short film score, and has designed sound for theater and film. At SonicUXR, she leads with both credibility and creative empathy, equipping sound teams with the tools to create more intentional, impactful audio.Her name is Caitlyn Trevor, and her work is reshaping how sound is understood, valued, and designed across industries. If you've ever wondered how sound really works on us, this conversation will change the way you listen.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – Lighting a Musical FireOur conversation starts with Caitlyn's early impressions of sound, particularly the moment that sparked her love of orchestral music. “I came across on the floor like a little cassette tape and a cassette player, and I popped it in and just hit play while we were chatting, and it was the Lord of the Rings soundtrack,” she recalls. “I was a little too young when it came out, the first one, and I was just captivated by it. I mean, I was like, ‘Wow, what is this?'” We discuss the chance encounter during her musical studies that turned her focus towards music cognition and the neuroscience behind sound. “There was a lecture I went to totally by chance,” she tells us. “It was a new music theory professor, and the lecture was about music cognition, and I had never heard of it before. And I was like, ‘This is just the coolest field I've ever heard of.' And I totally was on board after that.”(15:00) – Pianto Sighs and Psycho ViolinsOur discussion turns to her research on the connection between music and the brain's primal response to voices. “In sad music,” Caitlyn explains, “there's something called the pianto topic, which is essentially just a half-step falling motion, like, which is supposed to mimic a sigh. But, you know, that's quite abstract… Whereas the psycho violin, you know, sounds very much like a scream.” She tells us about the birth of her daughter and how her career shifted from academia to the private sector. “I think a lot of academics are scared that's going to happen, that it's going to feel like, I don't know, maybe they wasted all that time,” she says. “I was prepared that I may not be able to continue doing music cognition, and I'm very happy that that hasn't been the case. That was surprising.”(21:40) – Putting Audio Theory to PracticeCaitlyn tells us more about her work on UX research, and how it quickly and unexpectedly led to her focus on phone trees and hold-time experiences. “They hadn't thought about the phone tree for that,” she recalls. “They just mentioned it, like, ‘Oh, and we're also doing the phone tree and the on-hold music.' And I was like, ‘Wait, that would be great for me to work on… somebody needs to do UX on that [because[ it's the worst.'" She talks about the advantage of being able to put her findings to use, something that hadn't been so easy at the university. “What I like about my new position,” Caitlyn explains, “as opposed to working in academia, is synthesizing it in a way that's accessible… I never really did that in academia. It was always just about supporting your hypothesis, explaining the results. But now I get to say this research shows me that we should compose it this way.”Episode SummaryCaitlin shares her journey from Lord of the Rings to the science of sound.The evolutionary origins of music and its impact on the brain.Caitlin's work in UX research and creating a better phone-hold experience.Tune in for next week's episode as we discuss the results of Caitlyn's studies into on-hold UX design and phone trees, why unpleasant sounds are sometimes the better choice in automobile UX, and what she's learned about the long-term return on investment when it comes to sonic branding.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Adam Maness brings you the freshest releases of May 2026!0:00 Intro0:50 Jeff Parkerhttps://intlanthem.bandcamp.com/album/happy-today3:45 Greg Hutchinsonhttps://www.allmusic.com/album/kind-of-now-mw0004778588 6:15 Chris Potterhttps://chrispotterjazz.bandcamp.com/album/alive-with-ghosts-today9:09 New Jazz Undergroundhttps://www.allmusic.com/album/hoodies-mw000479189111:04 Virginia MacDonaldhttps://virginiamacdonald.bandcamp.com/album/in-search-of13:00 Harry Skolerhttps://harryskoler1.bandcamp.com/album/echoes15:05 Laurie Anderson & Sexmobhttps://laurieanderson.bandcamp.com/album/let-x-x-live17:06 Alabaster DePlumehttps://intlanthem.bandcamp.com/album/dear-children-of-our-children-i-knew-epilogue19:31 Ben Wolfehttps://benjonah.bandcamp.com/album/any-time-after-now 21:30 Joe Lovanohttps://joelovano.com/recordings/paramount-quartet/

https://musicintervaltheory.academy/spells/ Grab it! - It's free, and one of the best resources for composers available.

Most music theory education is built for nineteen-year-olds in a conservatory. If you're a working musician who's been gigging for years on ear, feel, and a handful of chord shapes, that path doesn't fit your life — and it doesn't have to. In this deep-dive, Robonzo breaks down a four-part framework for adult musicians who want to finally crack music theory and reading without quitting their job, abandoning their gigs, or pretending they're starting from zero. The framework comes from a conversation with drummer, vocalist, and podcaster Dave Hamilton from way back in Episode 13 — and it's the cleanest, most adult-friendly roadmap Robonzo has come across. The episode covers why piano is the right tool for the job (even if it isn't your instrument), how chord construction and the 1-4-5 unlock most of popular music, why guitar chord charts make brilliant practice material, and the concrete revenue case for learning to read music as a working musician. Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support at UnstarvingMusician.com/CrowdSponsor This episode was brought to you by Podcast Startup. Ready to launch your podcast or take it to the next level? Podcast Startup gives you the frameworks, systems, and insider knowledge to build a show that actually grows your audience and serves your goals. Whether you're just getting started or looking to improve your existing podcast, you'll get actionable strategies on equipment selection, content planning, audience building, and sustainable production workflows—without the overwhelm. Learn more at UnstarvingMusician.com/PodcastStartup. Join podcasters who are building shows that last. Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Pardon the Disclosure: Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Stay in touch! @RobonzoDrummer on  Instagram @UnstarvingMusician on Facebook  and  YouTube   

https://www.skool.com/circle-of-interval-magicians/about You want richer harmony but every attempt starts sounding like jazz. Frank shares why color has nothing to do with genre, and what one small borrowed sound can do for your music.

Cory and Noah explore the complicated history of narcotics in popular music, how they've affected the creation of art, and the dangers of telling those stories incorrectly.Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes12tonehttps://bsky.app/profile/12tone.nebula.tvhttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://bsky.app/profile/polyphonic.nebula.tvhttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

https://www.skool.com/circle-of-interval-magicians/about In this episode, Frank explores the idea that “wrong” chords are often just incomplete musical moments. By adding context, adjusting harmony, and staying curious a little longer, composers can transform uncertainty into expressive and original harmonic choices. The episode encourages a shift from judgment to exploration in the creative process.

Could Parliament be the most important band of the 1970s? Jazz pianists Adam Maness and Peter Martin break down Parliament's 1975 masterpiece Mothership Connection track-by-track: Bootsy Collins bass lines that launched a thousand samples, grooves that lock you in and won't let go, and the New Orleans connection that George Clinton says started the whole thing. Plus: isolated bass and drums stems. You'll never hear Parliament the same way again.Chapters Legend:

On this episode of The Bandwich Tapes, I sit down with singer and songwriter Lila Forde for a conversation that feels like it's unfolding mid-song, equal parts instinct, craft, and heart. I actually discovered Lila in the most “Bandwich” way possible: while preparing for my episode with Larry Goldings, I heard her voice in a video and immediately texted a few musician friends saying, “You need to hear this singer.” That moment led to this conversation.Lila shares how her collaboration with Larry Goldings has been developing, and the creative process behind it: record everything, follow the spark, and build outward from the accidental moments that feel alive. Hearing her describe that approach, trusting discovery instead of forcing results, made me even more excited about what they're creating together.We spend a lot of time talking about voice, not range or technique, but identity. Lila recalls a powerful moment from John Legend during her time on The Voice: "Don't try to out-sing anyone… just be Lila." That idea opens up a deeper conversation about influence versus imitation, the pressure to fit into genre boxes, and the constant temptation to chase whatever sound the internet is rewarding in the moment.Lila's musical roots run deep, from classical piano at home to years in the Seattle Girls Choir, and later jazz studies that reshaped how she hears harmony and melody. She explains how ear training and solfege still influence her songwriting today, and why understanding just a little bit of theory can unlock creative freedom for singers.We also talk honestly about the gig-life reality that many musicians know well: some of your biggest growth happens when nobody is paying attention. For Lila, that meant years of hotel-lobby gigs, four hours a night, five nights a week, where she learned to experiment, take risks, and build a durable musical voice. We close by talking about her debut album Vessel, recorded live with the band in just three days, and how she's stepping into a bigger creative leadership role as she works on her next record.Key TakeawaysAuthenticity defines artistic voice — the goal isn't to out-sing others, but to sound like yourself.Creative discovery often comes from accidents — capturing and following spontaneous musical moments can lead to powerful ideas.Influence is different from imitation — artists grow by absorbing influences while protecting their own identity.Musical training builds creative vocabulary — ear training, harmony, and theory can open doors for singers.Gig experience shapes real musicianship — long, quiet gigs often provide the space to experiment and grow.Recording live captures energy — tracking Vessel with the band in three days preserved the immediacy of the music.Leadership evolves with each project — Lila is stepping further into the creative driver's seat with her next record.Music from the EpisodeTemptation - Lila FordeAll I Expected - Lila FordeBrick by Brick - Lila FordeAbout the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the influences, decisions, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

Podcast PacketsIllustrationsLead SheetsPlay AlongsForumsJazz Piano Skills CommunitySummaryDr. Bob Lawrence explores the importance of forward motion in jazz piano development, emphasizing that moving on to new tunes enhances skills rather than signifies unfinished work. He discusses the core musical facts that underpin all jazz music and provides a detailed harmonic analysis of 'I've Got the World on a String,' including form, chord changes, and voicings.KeywordsJazz Piano, Music Education, Harmonic Analysis, Jazz Standards, Improvisation, Voicings, Music Theory, Jazz Practice, Skill DevelopmentKey  TopicsThe importance of forward motion in jazz practiceCore musical facts that underpin jazz musicHarmonic analysis of 'I've Got the World on a String'Voicing techniques and harmonic progressionsStrategies for skill development and ear trainingTitlesThe Power of Moving On: How Progress in Jazz Piano Is About Skills, Not TunesMastering Jazz Harmony: Analyzing 'I've Got the World on a String' with Dr. Bob LawrenceSound Bites"Progress doesn't come from staying in one place""Improvement in jazz doesn't always feel obvious""Progress is asking better questions about your playing"Support the show

Take your seats, your TAs Joe and Kari are ready to go over this week's lecture by Professor Kinzer in Music Theory 101 all about drones, those unchanging pitches held for a number of beats or even notes repeated over and over for an extended amount of time. We'll talk about some prime examples, including one of Kari's favorite songs from the end of the decade and it's suave remix, a big UK hit from an female septet and the first pop hit from a legitimate mega singer-songwriter-producer superstar for the ages. And what does Indiana Jones have to do with it (no really, someone tell us).Plus, hear Joe and Kari's review of their recent Ladies' Night out!Send us Fan Mail

You've never heard Kid A like THIS. Jazz musicians Adam Maness and Peter Martin break down Radiohead's 2000 art rock MASTERPIECE track-by-track to uncover what's really happening in the music that makes this album so incredible. Why do we love Radiohead's Kid A so much? Watch to find out.PLUS - Jazz musicians play Radiohead's "Everything In Its Right Place". One shot, one take, no AI. FULL video: https://youtu.be/c5w9BHKe0rc-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs:https://openstudiojazz.com/yhi-------------------------------About You'll Hear It:In this popular music series, Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Hidden artifacts from the albums we love:https://youllhearit.com/newsletter-------------------------------Chapters Legend:

This week Danny and Mike dig into one of the most powerful and often overlooked tools in music: dynamics. Not just in how you play, but in your songs, your band, how a record is made and how a live show breathes. They pick up the guitar and work through some examples together before Danny plays Mike a number of iconic tracks that show dynamics done right. The kind of conversation that will genuinely change how you listen to music. Worth your time.Send us Fan MailSupport the show

BRETT GOT STUCK IN THE ELEVATOR LOL (1:40); Congrats to Flin Flon Bombers in the SJHL! / Times we got stuck / trapped (4:25); Ditching the switch: Alberta, Northwest Territories moving to permanent daylight time (12:10); THE COUCH POTATOES! Why they had to scrap the already-filmed 3rd act of the Michael Jackson biopic (19:05); Weekly U.S. recap with Global's Reggie Cecchini (28:15); Game Two- Moose/Admirals tonight (35:55); CLAYHEM!!! (44:10); Winning entry on getting stuck / trappped (51:45); Remake of The Cat Came Back - from Kari Zalik, who combines jazz-driven musicality with a PhD in Music Theory to help kids learn (55:05).

Cory and Noah discuss how the practice of music theory has been changed, for better and for worse, by the rise of social media in the modern age.Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes12tonehttps://bsky.app/profile/12tone.nebula.tvhttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://bsky.app/profile/polyphonic.nebula.tvhttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

AMDG. Today, Bonnie and Steven are joined by Kolbe teachers Olivia Knuffke and Carl Hasler to discuss music and music theory. They begin with a discussion of the importance of music and its place in a classical education and follow with an account of music from the perspective of Plato. We also discuss the role of the Church in understanding music and the role of music in the life of a Christian.   We discuss how the understanding of music theory helps to open our minds to the beauty that we hear in music, and the classes and resources that Kolbe offers to help students come to this understanding.   Be prepared for a litany of musical puns as you join us in this conversation.  Links mentioned & relevant:  Kolbe Academy course catalog for more information about the Music Theory course   Pope St. John Paul II's Letter to Artists  Related Kolbecast episodes  186 Full Circle of Fifths and 201 The Soundtrack of Life, the first two conversations in this musical series  242 Finish line in Sight with (among others) Ignatius, student co-founder of Kolbe's St. Cecilia music club  263 Exploring God's Cosmos: Astronomy for Everyday People  34 A Beauty-Linked Life with Professor Carol Reynolds  Have questions or suggestions for future episodes or a story of your own experience that you'd like to share? We'd love to hear from you! Send your thoughts to podcast@kolbe.org and be a part of the Kolbecast odyssey.   We'd be grateful for your feedback! Please share your thoughts with us via this Kolbecast survey!  The Kolbecast is available on Apple Podcasts, Spotify, and most podcast apps. By leaving a rating and review in your podcast app of choice, you can help the Kolbecast reach more listeners. The Kolbecast is also on Kolbe's YouTube channel (audio only with subtitles).  Using the filters on our website, you can sort through the episodes to find just what you're looking for. However you listen, spread the word about the Kolbecast! 

On this episode of The Bandwich Tapes, I sit down with guitarist and composer Stash Wyslouch for a conversation that moves easily between music, teaching, parenthood, and the deeper question of how artists actually learn. Stash has built a unique musical voice that draws from bluegrass, jazz, metal, and avant-garde traditions, and hearing how those influences intersect in his life and work makes for a fascinating conversation.We begin with a big life moment: Stash recently welcomed a newborn into the world. He reflects on how becoming a parent shifts perspective—not just personally, but creatively. Themes like humility, empathy, patience, and time suddenly carry new weight, and those ideas show up in how he approaches collaboration, teaching, and the creative process itself.From there, we trace his musical path—from early experiences in heavy metal to discovering bluegrass, jazz, and experimental music. Growing up in New England, studying at Berklee College of Music, and being part of a tight-knit musical community all helped shape his artistic voice. We also talk about the complicated role of labels like “avant-garde”—how they can be useful shorthand while also limiting how audiences hear the music.We spend real time on influences—Charles Ives, Arnold Schoenberg, Lennie Tristano, and Anthony Braxton—and how ideas from those composers intersect with improvisation, ear training, and creative freedom. And finally, Stash shares details about his upcoming duo record Matty and Debbie with drummer Sean Trischka, a project that pulls together bluegrass, jazz, metal, hymnody, and pure curiosity into one cohesive musical statement.Key TakeawaysParenthood reshapes perspective — becoming a parent can influence creativity, collaboration, and priorities.Musical identity can span genres — Stash's work draws from metal, bluegrass, jazz, and experimental music.Labels can both help and hinder — terms like “avant-garde” describe music but can also narrow how people hear it.Community shapes artists — New England roots and Berklee connections helped shape Stash's musical path.Learning the process matters more than chasing results — growth comes from patience and curiosity.Rhythm and feel take time — some musical skills simply can't be rushed.Creative projects thrive on curiosity — his upcoming duo record with Sean Trischka explores multiple traditions at once.Music from the EpisodeAcoustic Metal Party - Stash WyslouchStash's Turkey in the Straw - Stash WyslouchOver in the Gloryland - Stash WyslouchAbout the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the influences, decisions, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

Podcast PacketsIllustrationsLead SheetsPlay AlongsForumsJazz Piano Skills CommunitySummaryDr. Bob Lawrence discusses the challenges of modern music education, emphasizing the importance of structured, foundational practice in jazz piano. He guides listeners through a detailed analysis of Gershwin's 'I Got Rhythm,' highlighting key concepts in harmony, melody, and rhythm, and shares effective study strategies.KeywordsJazz Piano, Music Education, Harmonic Analysis, 'I Got Rhythm', Practice Strategies, Music Theory, Improvisation, Jazz StandardsKey  TopicsChallenges of modern music educationImportance of foundational skills in jazzHarmonic analysis of 'I Got Rhythm'Practice strategies for jazz musiciansListening skills and musical understandingTitlesMastering Jazz Fundamentals: The 'I Got Rhythm' ApproachThe Essential Elements of Jazz: Harmony, Melody, RhythmSound Bites"Music at its core is not complex.""Listening is a skill that must be practiced.""Listen in two stages: macro and micro."Support the show

Brooke and Tyler are joined by three musically gifted souls to break down their 16 creations for each of the Shards of Adonalsium. Plus the world-premiere of Retribution's never heard before track! At Dragonsteel Nexus 2025, the Music Meets Magic panelists went above and beyond to create multiple musical tracks for each of the Shards and several combinations. We wanted to share their creations with all as well as get their insights on how to create music for fantasy worlds. #AllSpoilers Follow the gang: Follow Shamaz and check out his new podcast Universal Vibrations Follow Krishna Patel Follow Paul Support this podcast by becoming a Patron on Patreon Original music by David Gruwier. "Radiant" by David Gruwier.

In this episode, I chat with Dr. Melissa Hoag (Oakland University) about her musical upbringing as a pianist, her path to music theory, her time as coeditor of the Journal of Music Theory Pedagogy, and her work as editor of Expanding The Canon and a forthcoming textbook. We also discuss the AP College Board Music Theory exam, the yearly grading session with over one hundred college professors and high school teachers, and how YOU can get involved as an AP reader!Melissa's episode of SMT-PodMy episode with Christine BooneExpanding The Canon: Black Composers in the Music Theory ClassroomJournal of Music Theory PedagogyMy Summer in Review 2024My Summer in Review 2025

On this episode of The Bandwich Tapes, I sit down with singer-songwriter Grace Humphries, and we talk about what it feels like to be at the very beginning of an artist's journey—while already carrying real life, real grief, and a clear sense of purpose into the music.Grace shares what it's been like arriving at Belmont University as a spring admit, stepping into music school life for the first time and suddenly being surrounded by people who truly understand the creative path she's on. For the first time, she's in an environment where songwriting, performing, and artistic ambition feel normal—and that shift has been energizing.We also trace her musical origin story. Grace has been singing since childhood, gradually teaching herself piano and guitar while learning how to shape songs with intention. Along the way, we talk honestly about the profound impact of losing her brother Liam, and how that experience reshaped her worldview, her faith, and ultimately the emotional center of her songwriting.There have also been some remarkable moments along the way. At just 16 years old, Grace recorded at Abbey Road Studios, an experience that helped solidify her commitment to pursuing music seriously. Since then, she's spent time searching for the right creative collaborators and has now begun recording new material at Soundstage Studios in Nashville alongside top-tier session musicians.We also talk about the craft of songwriting itself—learning to balance authenticity with the realities of the modern music industry. Grace reflects on how her faith influences her work without forcing it into a single genre category, and why she's focused on staying grounded in the music even as the industry continues to evolve. By the end of our conversation, it's clear she's an artist with both talent and a strong sense of identity about the path she wants to follow.Key TakeawaysWhat it's like entering Belmont University as a spring admit and finding a creative community.Grace Humphries's early musical beginnings—teaching herself piano and guitar while learning to write songs.How the loss of her brother Liam shaped her perspective, faith, and songwriting voice.The surreal experience of recording at Abbey Road Studios at age 16.Finding the right producer and beginning new recordings at Soundstage Studios in Nashville.How Grace balances authentic songwriting with commercial awareness.Why she remains focused on the work despite the rapidly shifting music industry.Music from the EpisodeWhy'd You Give Up — Grace HumphriesFor Years — Grace HumphriesAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com

Ever wondered why a song can give you chills… or bring you to tears without a single word?In this episode of Conversations with Rich Bennett, Rich sits down with music expert Dr. Kurt Ellenberger to uncover the fascinating science behind why music affects us so deeply. From sound waves turning into electrical signals in your brain to the hidden math behind harmony and emotion, this conversation will completely change how you listen to music.Kurt Ellenberger, a professor of music, Fulbright Scholar, and former professional musician, shares insights that blend science, psychology, and real-world experience in a way that's both mind-blowing and easy to understand.What you'll learn: Why your brain predicts the next note in music  The real reason minor chords feel “sad”  How music can heal and regulate emotions  Why your taste in music changes over time  The surprising connection between math and sound Resources mentioned: KurtEllenberger.com  Miles Davis – Kind of Blue Beethoven – Symphony No. 7 If this episode makes you hear music differently, share it with someone who loves music as much as you do. And don't forget to subscribe, leave a review, and join the conversation.Send us Fan Mailhttps://www.dajennings.com/events-1Four Seasons Landscape & Construction SeWhile we perform the traditional lawn and landscape bed services, our passion is providing drainage Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showRate & Review on Apple Podcasts Follow the Conversations with Rich Bennett podcast on Social Media:Facebook – Conversations with Rich Bennett Facebook Group (Join the conversation) – Conversations with Rich Bennett podcast group | FacebookTwitter – Conversations with Rich Bennett Instagram – @conversationswithrichbennettTikTok – CWRB (@conversationsrichbennett) | TikTokSponsors, Affiliates, and ways we pay the bills:Hosted on BuzzsproutSquadCastSubscribe by Email

Thelonious Monk Plays Duke Ellington: The musicians on this album were already legends when it came out in 1955. Each of them completely reinvented how people play their instruments. Drummer Kenny Clarke: the originator of so much of modern drumming language. Bass player Oscar Pettiford: possibly the greatest bass soloist in the history of the instrument. And then there's Monk, one of the singular greatest pianists of all time. And here they are playing the music of Duke Ellington: an untouchable legend. The result is an album that brought Monk's genius to the masses. And it may just be one of his best. In this LIVE episode of You'll Hear It, jazz pianists Adam Maness and Peter Martin break down this remarkable moment in music history, playing Monk's interpretations next to Duke's originals. If you've never really got Monk, this album is your gateway into his music. And if you're already a fan, you'll never hear this album the same way again.-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://openstudiojazz.com/yhi-------------------------------About You'll Hear It:In this popular music series Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Sign up for the You'll Read It newsletter for little known stories about the artists you love: https://youllhearit.com/newsletter -------------------------------0:00 - "It Don't Mean a Thing (If It Ain't Got That Swing)"2:07 - You'll Hear It Live at Jazz at Lincoln Center6:02 - The Story of Thelonious Monk8:24 - First Official Recording: Coleman Hawkins Quartet (1944)10:21 - Keepnews Big Idea to Bring Monk to the Masses14:46 - "It Don't Mean a Thing": Duke's original vs. Monk's version20:40 - Bassist Oscar Pettiford's Sophisticated Musical Language24:10 - Louis Armstrong & Ella Fitzgerald's Version27:38 - "Sophisticated Lady"31:44 - "I Got It Bad and That Ain't Good" 35:08 - Bet You Can't Guess This Singer39:10 - "Black and Tan Fantasy": Duke (1927) vs. Monk42:30 - Oscar Pettiford Plays "Basso Profundo" with Duke Ellington45:00 - "Tricotism" - Oscar Pettiford 45:55 - Kenny Clarke deep dive47:48 - "Mood Indigo" 49:50 - "I Let a Song Go Out of My Heart": Duke's original vs. Monk's version52:30 - "Solitude"55:00 - "Caravan": Duke's original vs. Monk's version 58:35 - Categories: Desert Island, Apex Moments, Bespoke Playlists, Quibble Bits59:50 - Drummer Kenny Clarke's Brush Master Class1:04:00 - Is This Better than Kind of Blue?1:04:55 - What to Listen to Next

If you came to me for a lesson and said you wanted to work on music theory, my first reaction would be to do my happy dance. I admit it - I am a theory geek. I love talking about the building blocks of music and exploring the way composers use them to create the kaleidoscopic variety of music we love to play.  But after my happy dance, I would ask you this question: why do you want to learn music theory?  It's not a test question; there is no wrong answer. But I have often found that harpists make assumptions about what theory knowledge will do for them, and those assumptions, if they aren't completely wrong,  aren't always on the mark. Knowing more abut the inner workings of music, the nuts and bolts of it, is undoubtedly important for any musician. It is also certainly true that some elements of music theory are immediately applicable to our playing. Most harpists, for example, realize that if they understood more about how chords work, they would be able to learn their music more quickly, sight read more easily and memorize faster. That sounds like a superfood for your playing, and lots of harpists are ready, willing and eager to add that to their practice diet. But before chords will make sense to you, before they will be really useful, before you can become fluent with them, you need to know your major and minor keys. You need to know them cold, not have to figure them out, just know them as well as you know your alphabet. This is a step that too many harpists fail to take. They try to jump right into learning about chords without the foundation that makes their construction and sequences inevitable and logical.  So that's where we are starting today. I want to be sure that whatever your goals are with music theory, you have the knowledge that everything else in our system of music springs from: scales and keys.   One caveat - don't think this is going to be basic baby stuff. I promise unless you're a complete theory geek like me,  you'll learn something today that you didn't know before. Links to things I think you might be interested in that were mentioned in the podcast episode:  Blog post Musical Understanding Starts with Key Signatures Podcast Episode 6: Minor Keys [A Scale of a Different Color] Join us in My Harp Mastery. Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-254

Dr. Wes Flinn has not been a part of the Louisiana Tech faculty for a full year yet, but he's already integrated himself into the School of Music as its new director, and he knows he leads world-class instructors who shape the minds of future musicians. In this episode, he talks about growing up on a hog farm in southern Indiana and finding his love for music and teaching. He discusses his vision for the School of Music, and he emphasizes the importance of collaboration, work ethic, and the transformative power of music education. School of Music: latech.edu/liberal-arts/programs/school-of-music/ Website: 1894.latech.edu/beyond/ Email: 1894@latech.edu

Cory and Noah discuss what it means for a song to tell a story, what makes musical stories different from other mediums, and examine many of their favorite story songs.Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes12tonehttps://bsky.app/profile/12tone.nebula.tvhttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://bsky.app/profile/polyphonic.nebula.tvhttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Podcast PacketsIllustrationsLead SheetsPlay AlongsForumsJazz Piano Skills Community  SummaryJoin Dr. Bob Lawrence as he explores the melodic analysis of 'Sweet Lorraine,' emphasizing the importance of phrasing, shaping melodies, and applying harmonic and stylistic treatments to enhance jazz improvisation and performance.KeywordsJazz Piano, Melodic Analysis, Sweet Lorraine, Phrasing, Improvisation, Jazz Education, Music Theory, Practice StrategiesKey TopicsPhrasing and shaping melodiesMelodic analysis of 'Sweet Lorraine'Application of harmonic voicingsStylistic reinterpretation of jazz standardsPractice strategies for jazz musiciansTitlesMastering Melodic Phrasing in Jazz: The 'Sweet Lorraine' Approach7 Facts of Music Every Jazz Musician Must KnowSound Bites"Melody should feel like a musical sentence with a destination""Approach each tune with a thorough, systematic process""Phrases in 'Sweet Lorraine' have a unique arc and structure"Support the show

On this episode of The Bandwich Tapes, I sit down with singer, songwriter, and multi-instrumentalist Sarah Jarosz at a remarkable moment in her career, fresh off multiple Grammy wins, including recent recognition with I'm With Her. We talk about what it actually feels like to experience that kind of validation after years of nominations, and why the support she receives from her hometown of Wimberley, Texas, still means so much, especially with music that reflects on family, time, and staying connected to where you come from.Sarah shares how I'm With Her, her trio with Aoife O'Donovan and Sara Watkins, became a creative counterbalance to the pressures of solo work. What stands out is how naturally the collaboration works: three distinct musical voices, no ego battles, and an instinctive approach to arranging harmonies and deciding who carries each musical moment. It's a reminder of how powerful true musical trust can be.We also explore how her perspective on collaboration has evolved over the years. Early in her career, Sarah felt a strong need to protect her artistic voice. But as she gained experience, she realized that once you truly understand what you bring to the table, collaboration becomes less risky and far more rewarding.One of my favorite parts of the conversation is a deep dive into the next generation of acoustic musicians, artists with deep bluegrass roots who aren't confined by genre boundaries. Sarah traces that lineage through musicians like Chris Thile, Punch Brothers, David Grisman, Mike Marshall, Béla Fleck, and Edgar Meyer, framing today's scene not as a sudden movement but as a continuation of a long and evolving acoustic tradition.We also nerd out about her time at the New England Conservatory, why she chose it over Berklee, and how her early Kodály training gave her a powerful foundation in ear training and musical intuition. We wrap by talking about what's next: an upcoming I'm With Her live album, summer touring, and a rare pause in her solo career as she finds herself between record contracts for the first time. In a music industry constantly shifting, from streaming economics to AI, the grounded takeaway is simple: the real thing still matters, and people continue to show up for honest music played by real humans.Key TakeawaysWhat it actually feels like to win Grammys after years of nominations.Why Sarah Jarosz still feels deeply connected to her hometown of Wimberley, Texas.How I'm With Her works creatively—three voices collaborating without ego.Why collaboration becomes easier once artists understand their own musical identity.The lineage of modern acoustic music through artists like Chris Thile, David Grisman, Béla Fleck, Edgar Meyer, and Mike Marshall.How Kodály training and ear development shaped Sarah's musicianship early on.Why the “real thing”—human voices and acoustic instruments—still resonates in a rapidly changing music industry.Music from the EpisodeJealous Moon — Sarah JaroszWhen the Lights Go Out — Sarah JaroszRunaway Train — Sarah JaroszAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com

Podcast PacketsIllustrationsLead SheetsForumsJazz Piano Skills CommunityKeywordsJazz Piano, Solo Piano, Music Education, Harmonization, Jazz Skills, Improvisation, Melody, Chord Progressions, Music Theory, Jazz TechniquesSummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence discusses the structured approach to learning jazz piano, emphasizing the importance of a systematic educational process. He introduces the seven facts of music, explores various solo piano approaches, and provides insights into harmonizing melodies. The episode highlights the significance of clarity and simplicity in mastering jazz skills, and encourages listeners to focus on foundational techniques before advancing to more complex styles.TakeawaysJazz Piano Skills focuses on a structured educational process.Mastery in jazz is built on a solid foundation, not novelty.Understanding harmony is crucial for improvisation and melody.Listening to various artists is essential for developing skills.Simplicity in harmonization accelerates mastery.Clarity in musical concepts is vital for effective learning.Harmonizing melodies requires a strong grasp of chord scale relationships.The stair-step approach aids in developing right-hand harmonization skills.More complex voicings should come after mastering simpler ones.Building a solid foundation is key to becoming a proficient jazz musician.TitlesMastering Jazz Piano: A Structured ApproachThe Seven Facts of Music ExplainedSound Bites"Simplicity accelerates mastery.""Listening leads to imitation.""More is not always better."Support the show

Charlie Parker was punk rock before there was punk rock. His bebop was underground music: subversive, intellectual, and a major departure from popular music of the day (think: Nat King Cole, The Andrews Sisters, Perry Como). He was an intellectual heavyweight, nearly untouchable in his technical ability and pushing music to places no one else was daring to go. So where did Charlie Parker with Strings, his most accessible album, come from?It's not Bird going commercial, like some have claimed. Charlie Parker with Strings is an album he fought to make. He loved Bach and Stravinsky (even quoting the opening of Stravinsky's 'Firebird Suite' mid-solo in one legendary performance), and had longed to make a record where his jazz saxophone was accompanied by strings.The resulting record is music's greatest improviser at his best. Jazz pianists Peter Martin and Adam Maness listen to select tracks (like "Just Friends" and "Summertime"), breaking down the theory behind the music to understand what makes this album great. Jazz is the foundation of the most GENIUS music in recent history: Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo. In this popular music series, You'll Hear It, Adam and Peter break down the greatest albums of all time. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.Like the jam at the end of the show? Head to @openstudiomusic on YouTube for more.Visit openstudiojazz.com for ALLLLL your jazz lesson needs.00:00 - Intro: Charlie Parker with Strings01:10 - "Just Friends"04:40 - Want to Be a Great Musician? Study This Track10:20 - Early Recording: "Swingmatism" (1941)12:45 - The Secret to Charlie Parker's Genius: Practice15:20 - The Savoy Sessions: "Now's the Time" & Young Miles Davis18:20 - The Contrafact Built in Real Time21:45 - "Koko": Miles Davis Couldn't Play It?!24:30 - Musicians NEED to Listen to This27:15 - Think Parker Sold Out? Think AGAIN28:55 - "April in Paris": Parker's Chosen Tune33:55 - About Mitch Miller's Oboe ... 38:25 - "Summertime"44:10 - "Out of Nowhere"46:35 - We Have An Album! 47:20 - "East of the Sun"53:00 - "I'll Remember April"55:50 - Categories: Desert Island Tracks56:35 - The BEST Moments on Strings1:11:10 - Open Studio Plays "Just Friends"

In this episode, I'm joined by Simon Oslender, and I'm not exaggerating when I say his playing lit me up the first time I heard it: pure joy, but with real depth underneath. We talk about growing up in a deeply musical home, starting on drums, and the exact “big bang” moment when a John Mayall live DVD (and Tom Canning on Hammond B3) made Simon lock in on the organ for life.We get into Simon's early recording experiments, how he writes (often away from the instrument, grabbing voice memos before ideas disappear), and his relationship with theory—especially his favorite framing: theory shouldn't tell you what to do, it should explain what you're hearing. And then we go deep on the dream-team reality of All That Matters: recording with Steve Gadd and Will Lee and how that session turned into a tour, and what it takes to keep your head straight when your heroes show up fully prepared to play your music.Music from the Episode:On a Roll (Simon Oslender)In Good Hands (Simon Oslender)Cruisin' (Simon Oslender)Quite Logical (Simon Oslender)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Is Steely Dan's Gaucho more perfect than Aja? Maybe even ... too perfect? Two years in the studio. The greatest session musicians alive asked to play take after take after take until it was exactly right. And sometimes that STILL wasn't enough for Donald Fagen and Walter Becker.On today's episode of You'll Hear It, jazz pianists Peter Martin and Adam Maness are breaking down the 1980 album track by track: the jazz harmony hiding inside those smooth grooves, the abstract poetry of the lyrics, and the insane stories behind how this thing got made. Including the $150,000 drum machine invented specifically for this record, the interview quote that cost them a third of a song, and the drum track that took 85 takes and 35 tape edits to piece together.And after all that, we didn't get another Steely Dan record for 20 years.Was it worth it?Read about the simple mistake that would haunt Steely Dan for 44 years in this week's edition of the You'll Read It newsletter: https://youllhearit.com/newsletterWatch our FULL breakdown of Steely Dan's Aja: https://youtu.be/G10mYohR6T400:00 - Steely Dan's Gaucho: A Monument to Perfect01:15 - "Babylon Sisters"11:00 - What Makes Steely Dan Genius13:35 - The Precision of Purdie's Drums on Babylon Sisters16:10 - Abstract Lyrics19:35 - "Hey Nineteen"22:25 - Pristine Rhodes25:25 - Isolated Vocal Stems on "Hey Nineteen"33:00 - "Glamour Profession"38:55 - The Mingus Influence40:10 - "Gaucho"43:20 - The Keith Jarrett Lawsuit48:50 - Gaucho Chorus Deep Dive54:10 - "Time Out Of Mind"57:50 - Monument to Perfectionism (Lead Boots)1:01:35 - Perfectionism and Jazz1:05:05 - Is Gaucho More Perfect Than Aja?1:06:25 - "My Rival"1:10:40 - Bowie / Steely Dan Side-By-Side1:14:00 - Too Fussy?1:19:05 - Open Studio Plays "Glamour Profession"

In this episode of the Crazy Wisdom podcast, host Stewart Alsop interviews John von Seggern, founder of Future Proof Music School, about the intersection of music education, technology, and artificial intelligence. They explore how musicians can develop timeless skills in an era of generative AI, the evolution of music production from classical notation to digital audio workstations like Ableton Live, and how AI is being used on the education side rather than for creation. The conversation covers music theory fundamentals, the development of instruments and recording technology throughout history, complex production techniques like sidechain compression, and the future of creative work in an AI-assisted world. John also discusses his development of Cadence, an AI voice tutor integrated with Ableton Live to help students learn music production. For those interested in learning more about Future Proof Music School or becoming a beta tester for the AI voice tutor, visit futureproofmusicschool.com.Timestamps00:00 Future Proofing Musicians in a Changing Landscape03:07 The Role of AI in Music Education05:36 Generative AI: A Tool for Musicians?08:36 The Evolution of Music Creation and Technology11:30 The Impact of Recording Technology on Music14:31 The Fragmentation of Culture and Music17:19 Exploring Music History and Theory20:13 The Relationship Between Music and Memory23:07 The Future of Music Creation and AI26:17 The Importance of Live Music Experiences28:49 Navigating the New Music Landscape31:47 The Role of AI in Finding New Music34:48 The Creative Process in Music Production37:33 The Future of Music Theory and Composition40:10 The Search for Unique Artistic Voices43:18 The Intersection of Music and Technology46:10 Cultural Shifts in the Music Industry49:09 Finding Quality in a Sea of ContentKey Insights1. Future-proofing musicians means teaching evergreen techniques while adapting to AI realities. John von Seggern founded Future Proof Music School to address both sides of music education in the AI era. Students learn timeless production skills that won't become obsolete as technology evolves, while simultaneously exploring meaningful creative goals in a world where generative AI exists. The school uses AI on the education side to help students learn, but students themselves aren't particularly interested in using generative AI for actual music creation, preferring to maintain their creative fingerprint on their work.2. The 12-note Western music system emerged from mathematical relationships discovered by Pythagoras and enabled collaborative music-making. Pythagoras demonstrated that pitch relates to vibrating string lengths, establishing mathematical ratios for musical intervals. This system allowed Western classical music to flourish because it could be notated and taught consistently, enabling large groups to play together. However, the piano is never perfectly in tune due to necessary compromises in the tuning system. By the 1920s, composers had explored most harmonic possibilities within this framework, leading to new directions in musical innovation.3. Recording technology fundamentally transformed music by making the studio itself the primary instrument. The invention of audio recording in the early-to-mid 20th century shifted music from purely instrumental composition to sound-based creation. This enabled entirely new genres like electronic dance music and hip-hop, which couldn't exist without technologies like synthesizers and samplers. Modern digital audio workstations like Ableton Live allow producers to have unlimited tracks and manipulate sounds in infinite ways, making any imaginable sound possible and moving innovation from hardware to software.4. Generative AI will likely replace generic music production but not visionary artists. John distinguishes between functional music (background music for films, work, or bars) and music where audiences deeply connect with the artist's vision. AI excels at generating functional music cheaply, which will benefit indie filmmakers and similar creators. However, artists with strong creative visions who audiences follow and identify with won't be replaced. The creative fingerprint and personal statement of important artists will remain valuable regardless of the tools they use, just as DJs created art through curation rather than original production.5. Copyright restrictions are limiting generative music AI's quality compared to other AI domains. Unlike books and visual art, recorded music copyrights are concentrated among a few companies that defend them aggressively. This prevents AI music models from training on the best music in each genre, resulting in lower-quality outputs. Some developers claim their private models trained on copyrighted music sound better than commercial offerings, but legal constraints prevent widespread access. This situation differs significantly from other creative domains where training data is more accessible.6. Modern music production involves complex technical skills like sidechain compression and multi-track mixing. Today's electronic music producers work with potentially hundreds of tracks, each with sophisticated processing. Techniques like sidechain compression allow certain elements (like kick drums) to dynamically reduce the volume of other elements (like bass), ensuring clarity in the final mix. Future Proof Music School teaches students these complex production techniques, with some aspiring producers creating incredibly detailed compositions with intricate effects chains and interdependent track relationships.7. Culture is fragmenting into micro-trends, making discovery rather than creation the primary challenge. John observes that while the era of mass media created mega-stars like The Beatles and Elvis, today's landscape features both enormous stars (like Taylor Swift) and an extremely long tail of creators making niche content. AI will make it easier for more people to create quality content, particularly in fields like independent filmmaking, but the real problem is discovery. Current algorithmic recommendations don't effectively surface hidden gems, suggesting a future where personal AI agents might better curate content based on individual preferences rather than platform-driven engagement metrics.

I got to sit down with Alison Prestwood, an A-list bassist, singer, and bandleader whose playing has been anchoring records and stages for decades, and it felt like catching up with someone I should've known for years.We talked about her leap from Atlanta to Nashville in the early '90s, what it's like leaving steady work to chase the next chapter, and how those five-to-six-nights-a-week club years built the kind of chops and confidence that translate anywhere. Alison shares the winding path that led her into Nashville's session world (including a wild early moment overdubbing on a Ronnie Milsap master), and how hearing players like Glenn Worf and Michael Rhodes up close pushed her into that “forever climbing” mindset that great musicians live in.She also goes deep on her musical north stars: Paul McCartney, James Jamerson, Willie Weeks, Lee Sklar, and especially Carol Kaye, including an incredible story about spending a full weekend at Carol's house working on pick technique and soaking up stories and wisdom.From there, we get into the nuts and bolts: how Alison thinks about the difference between R&B feel vs. country feel, note length, subdivisions, and the “rules” you learn in Nashville, plus when to break them. She's also launching a brand-new Merle Haggard tribute band called We Are the Merle.We also talk about her time touring with Peter Frampton, how that gig came together, what it's like playing major stages (including the Rock & Roll Hall of Fame experience), and the weight and gratitude of watching a legend keep doing the work.And because Alison is also a fellow podcaster, we dig into her show “Hey, Good For You”, a funny, honest, and sharp look at life as a working bassist (and the absurd things people say to women musicians).It's part career map, part hang, part deep musicianship chat, and by the end, we basically agree this needs to be part one.Music from the Episode:Nadine (Is It You) (George Benson)Turning Waylon Down (Alison Prestwood)Austin (Blake Shelton)Beautiful Man (Alison Prestwood & Rodney Crowell)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Cory and Noah take a broader view on the concept of rhythm, exploring this fundamental part of music from as many angles as they can think of.Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes12tonehttps://bsky.app/profile/12tone.nebula.tvhttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://bsky.app/profile/polyphonic.nebula.tvhttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Podcast PacketsIllustrationsLead SheetsPlay AlongsForumsJazz Piano Skills CommunityKeywordsJazz Piano, Melodic Analysis, Embraceable You, Seven Facts of Music, Articulation, Jazz Education, Improvisation, Practice Strategies, Music Theory, Jazz TechniquesSummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence delves into the melodic analysis of the Gershwin standard 'Embraceable You.' The discussion begins with an introduction to the structured approach of the Jazz Piano Skills program, emphasizing the importance of harmonic and melodic analysis. Dr. Lawrence introduces the Seven Facts of Music, which serve as foundational concepts for understanding music theory and practice. The episode then transitions into a detailed exploration of the melody of 'Embraceable You,' focusing on articulation, phrasing, and expression in jazz performance. The session concludes with practical applications of the learned concepts through various jazz treatments of the melody, encouraging listeners to engage with the music expressively and creatively.TakeawaysEstablishing a well-structured practice approach is crucial for success.Understanding music conceptually simplifies the learning process.The Seven Facts of Music are foundational for all musicians.Articulation in jazz is primarily legato, imitating vocal styles.Jazz melodies should be played with intentional phrasing and connection.Listening to various interpretations enhances musical understanding.Melodic analysis involves identifying phrases and target notes.Improvisation is rooted in understanding scales and arpeggios.Using backing tracks can significantly improve timing and expression.Confidence in playing comes from a deep understanding of musical concepts.TitlesUnlocking Jazz Piano Skills: A Melodic JourneyMastering 'Embraceable You': A Jazz AnalysisSound bites"Confidence replaces hope.""Connecting notes is everything.""Jazz lives in phrases."Support the show

This is the final episode of a 5-part series going over all the concepts every musician should know about music theory.  This episode covers the trends that have developed in what we call classical music since 1900 from chords based on intervals other than 3rds, a wider variety of scales, atonal music, minimalism. and more. Previous Episodes in the Series: Music Theory Overview Music Theory I: Basics and Fundamentals Music Theory II: Harmonic Function and Analysis Music Theory III: Harmonic Construction and Larger Structures Inquire about private lessons on music theory by setting up a free first lesson here For more on bi-tonality and a visual introduction to Hanson Analysis: watch this video here. Let me know your thoughts on this episode as a voice message to possibly share on a future episode at https://www.speakpipe.com/MusicianToolkit If you enjoyed this, please give it a rating and review on the podcast app of your choice.  You can find all episodes of this podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps music teachers with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial.

This is the 4th of a 5-part series going over all the concepts every musician should know about music theory.  This episode covers the guidelines for smooth voice leading when constructing notes in 4-parts. It also talks about the structure of larger forms such as Theme and Variations, Sonata Allegro, and more. Previous Episodes in the Series: Music Theory Overview Music Theory I: Basics and Fundamentals Music Theory II: Harmonic Function and Analysis Inquire about private lessons on music theory by setting up a free first lesson here Let me know your thoughts on this episode as a voice message to possibly share on a future episode at https://www.speakpipe.com/MusicianToolkit If you enjoyed this, please give it a rating and review on the podcast app of your choice.  You can find all episodes of this podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps music teachers with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial.

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This is the 3rd of a 5-part series going over all the concepts every musician should know about music theory.  This episode covers the basics of roman numeral analysis, diatonic triads, how to classify non-chord tones, and a way to categorize nearly every time signature. Previous Episodes in the Series: Music Theory Overview Music Theory Basics and Fundamentals Inquire about private lessons on music theory by setting up a free first lesson here Let me know your thoughts on this episode as a voice message to possibly share on a future episode at https://www.speakpipe.com/MusicianToolkit If you enjoyed this, please give it a rating and review on the podcast app of your choice.  You can find all episodes of this podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps music teachers with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial.

Cory and Noah discuss how decades shape our understanding of musical movements, and how they shape those movements themselves.Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes12tonehttps://bsky.app/profile/12tone.nebula.tvhttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://bsky.app/profile/polyphonic.nebula.tvhttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Podcast PacketsIllustrationsLead SheetsPlay AlongsForumsJazz Piano Skills CommunityKeywordsJazz Piano, Melodic Analysis, Expressiveness, Music Education, Jazz Standards, Practice Strategies, Music Theory, Stars Fell on AlabamaSummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence delves into the melodic analysis of the jazz standard 'Stars Fell on Alabama.' He emphasizes the importance of understanding music conceptually to develop expressiveness in playing. The discussion covers the seven facts of music, the significance of storytelling in melodies, and practical strategies for practicing and interpreting jazz standards. The episode culminates in a detailed exploration of the melody, including fingerings, phrases, and various interpretative styles such as ballad, bossa, and swing.TakeawaysEstablish a well-thought-out practice approach.Music conceptually easy equals musical success physically.Expressiveness in jazz comes from clarity, not complexity.Professional musicians play melodies as musical phrases, not just notes.Understanding the story behind a tune enhances expressiveness.Target notes are crucial for capturing the essence of a melody.Different treatments of a melody can convey different emotions.Silence is an important aspect of musical expression.The harmony should support the melody, not overpower it.The melody of a tune tells you how it wants to be played.TitlesMastering Melodic Analysis in Jazz PianoThe Art of Expressive Jazz PlayingSound bites"We have a method to our madness.""Music conceptually easy equals musical success.""The melody tells you how it wants to be played."Speculative Fiction Writing Made Simple: Write, Edit, and Publish Your Debut NovelMost writing podcasts just inspire. This one teaches the craft skills that hook readers.Listen on: Apple Podcasts SpotifySupport the show

This is the 2nd of a 5-part series going over all the concepts every musician should know about music theory.  This episode is for beginners or those who want a true refresher.  It's a lot crammed into just under 40 minutes, but take some notes and check out all the things you should know about theory before you can get into more intermediate and advanced understanding of how music works. FOR MONDAY, JANUARY 12 ONLY: Register for Music Theory Basics online workshop TONIGHT 7pm Eastern! Let me know your thoughts on this episode as a voice message to possibly share on a future episode at https://www.speakpipe.com/MusicianToolkit If you enjoyed this, please give it a rating and review on the podcast app of your choice.  You can find all episodes of this podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps music teachers with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial.

How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America. Dave Brubeck and the Performance of Whiteness (Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries. Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What actually is music theory, and why should you learn it? This episode explores the branches of music theory, and is a prelude to the next 4 episodes where we'll explore what you can study and how to improve level by level. Register for Music Theory Basics online workshop for Monday, January 12 - 7pm Eastern Let me know your thoughts on this episode as a voice message to possibly share on a future episode at https://www.speakpipe.com/MusicianToolkit If you enjoyed this, please give it a rating and review on the podcast app of your choice.  You can find all episodes of this podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps music teachers with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial.

How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America. Dave Brubeck and the Performance of Whiteness (Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries. Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Send Steve a Text MessageEver wonder if learning more music theory will actually make your playing better, or just add noise to your practice? We unpack the real value of theory for guitarists by separating the essential language—keys, diatonic chords, song form, and chord tones—from the advanced tools that only matter if they serve your goals. You'll hear how to use theory to communicate fast in rehearsals and jams, improvise with intention by targeting notes inside each chord, and analyze songs just enough to unlock smarter choices on the fretboard.We also dig into the “theory of rock and roll,” where feel and sound often trump strict rules. Blues reshaped the landscape, which is why minor pentatonic solos can soar over major I IV V progressions without breaking the vibe. Using clear examples, we show how ear-first logic coexists with fundamentals, so you can respect harmony while bending it to fit the style. The takeaway: theory is a toolset, not a test, and the right piece at the right time can transform your tone, timing, and phrasing.Whether you're writing riff-driven metal, harmony-rich pop, or exploring jazz colors, you'll get a roadmap to choose what to learn next: Nashville numbers for quick transposition, triads and seventh chords for fretboard mapping, voice leading for smoother progressions, and ear training to land on chord tones as changes fly by. If adding modes and arpeggios hasn't fixed stiff solos, we'll show you how to build musicality first and layer complexity only when it truly serves your sound.If this resonates, subscribe, share the episode with a guitarist who needs clarity, and leave a review telling us the one concept that moved your playing forward. Links: Check out the GuitarZoom Academy:https://academy.guitarzoom.com/ Steve's Channel → https://www.youtube.com/user/stinemus... GuitarZoom Channel → https://www.youtube.com/user/guitarz0... Songs Channel → https://www.youtube.com/user/GuitarSo... .

KeywordsJazz Piano, Christmas Music, Solo Piano, Improvisation, Vince Guaraldi, Christmas Standards, Jazz Education, Music Theory, Piano Techniques, Holiday TunesSummaryIn this festive episode of Jazz Piano Skills, Dr. Bob Lawrence celebrates the holiday season by exploring classic Christmas tunes through the lens of jazz piano. He recaps previous studies, introduces new plans for solo jazz piano playing, and demonstrates various approaches to well-known Christmas songs. The episode emphasizes the importance of harmonic and melodic analysis, improvisation, and the joy of playing solo piano. Dr. Lawrence shares personal anecdotes and insights, making this episode both educational and heartwarming as he wishes listeners a Merry Christmas and a joyful holiday season.TakeawaysThe importance of a clear thought process in music.Music is a combination of sound and silence.Harmonic and melodic analysis are crucial for jazz piano.Solo piano playing requires emulating an ensemble.Backing tracks are valuable for practice.Silent Night evokes strong memories and emotions.Swinging is essential for certain Christmas tunes.Let It Snow is a classic that doesn't mention Christmas.The Christmas Song is perfect for practicing space and pacing.Merry Christmas and a joyful holiday season to all. TitlesJazz Piano Christmas CelebrationExploring Christmas Classics in JazzSound bites"Merry Christmas!""Silent Night is embedded into their memory.""Enjoy a Jazz Piano Christmas!"Support the show

Cory and Noah attempt to discuss the way modern music discourse is often so focused on making audiences angry, rather than informing them, but then we get sidetracked into discussing how modern media in general is being destroyed from within.Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes12tonehttps://bsky.app/profile/12tone.nebula.tvhttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://bsky.app/profile/polyphonic.nebula.tvhttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textBrilliant Brigid Kaelin (Tiktok, Spotify) joins me to break down every beat of The Fate of Ophelia.Support the show