Podcast appearances and mentions of Ken Russell

This is the second half of my conversation with Deborah Phillips author of the fascinating book, AND THIS IS MY FRIEND SANDY — SANDY WILSON'S THE BOY FRIEND, LONDON THEATRE AND GAY CULTURE. If you missed the previous episode you may want to catch up with that before listening to this one. The Boyfriend is one of the most popular and successful British musicals of all time. On the previous episode Deborah Phillips shared with us how its creator Sandy Wilson grew up as a musical theater obsessed kid whose idols were Noel Coward, Ivor Novello, and Binky Beaumont — the three dynamic gay theater artists who dominated London's West End in the 1930s and 40s. She also described London's vibrant but clandestine gay theatrical subculture of the early 1950s out of which Sandy Wilson and The Boyfriend emerged. And we even heard a bit about the secret gay language of chorus boys and sailors called “Polari,” and the hilarious BBC radio series, Round The Horne, that introduced Polari to millions of listeners in the mid-1960s, even though most of those listeners had no idea what is was, or understood its connections to gay culture. All of that was, of course, happening at a time when you could be sent to prison for being homosexual. Deborah and I pick up our conversation just as Sandy Wilson is about to launch the first production of The Boyfriend at the private theater club, The Players Theatre, where it became a major hit and quickly moved to the West End.   We then go on to discuss London's other major hit musical of 1952, Julian Slade's SALAD DAYS. Those two shows — both set in the 1920s — created nearly as much excitement as Queen Elizabeth's coronation that same year. In this episode you will hear a clip from Round the Horne featuring two very camp characters named “Julian & Sandy” (inspired by the two songwriters) who pepper their dialogue with Polari words and phrases, and whose catch phrase inspired the title of Deborah Phillip's book. That original West End production of The Boyfriend ran for five years. Meanwhile, an American production opened on Broadway in 1954 and became a major hit in spite of Wilson's objections to how it was redirected for Broadway. 18 years later, in 1972, a film version of The Boyfriend was released, directed by Ken Russell, that Wilson loathed. Wilson went on to create several highly anticipated subsequent musicals including The Buccaneer, Valmouth, and the sequel to The Boyfriend — Divorce Me Darling. None of them, however, were able to achieve the same kind acclaim and popularity as The Boyfriend. Phillips also shares some fascinating stories of several other high-profile projects that got away from Sandy Wilson and went on to legendary success with other songwriters.  Become A PATRON of Broadway Nation! This episode is made possible in part by the generous support of Producer Level Patrons: Gary Fuller & Randy Everett.   If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: ⁠https://broadwaynationpodcast.supercast.tech/⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

John Zmirak. Hero Tina Peters Released from Demoncrat Gulag. The Eric Metaxas Show John Zmirak  Jun 03 2026   Today On The Eric Metaxas Show, Eric celebrates the launch of Revolution before talking with John Zmirak about the release of Tina Peters, the Colorado election official imprisoned after challenging the 2020 election narrative. They discuss election integrity, weaponized government, political persecution, January 6 defendants, the Save Act, Tina Peters's refusal to say the 2020 election was honest, and why John compares her case to the Dreyfus affair. Eric and John also discuss George Washington, providence, the retreat from Long Island, and why America's founding story still matters today. Subscribe for clips from The Eric Metaxas Show to hear politics and culture from a Christian perspective.⭐ ORDER TODAY:Revolution: The Birth of the Greatest Nation in the History of the World

My guest this week is author Deborah Phillips whose new book is titled: AND THIS IS MY FRIEND SANDY — SANDY WILSON'S THE BOY FRIEND, LONDON THEATRE AND GAY CULTURE. Sandy Wilson's The Boyfriend — for which he wrote the book, music, & lyrics — is one of the most successful British musicals of all time. It emerged in 1952 out of London's secretive but vibrant gay theatrical subculture, at a time when you could be sent to prison for being homosexual.  By the following year both The Boyfriend and Sandy Wilson were the toast of London's West End, and created nearly as much excitement as Queen Elizabeth's coronation that same year. That original West End production ran for five years. Meanwhile, a hit American version of The Boyfriend opened on Broadway in 1954 and made a star out of Julie Andrews. The show was revived on Broadway in 1970 and made a star of Sandy Duncan, and two years later an ill-conceived film version was released, starring Twiggy and Tommy Tune and directed by Ken Russell. Despite all of this, prior to this book, very little has been written about Sandy Wilson. Deborah Phillips, who is Professor of Literature and Cultural History at the University of Brighton, is the first researcher to delve into Wilson's extensive archives out of which she has created an captivating portrait of Wilson as a both a key figure in post-war British theatre and the era's gay culture. This book and interview introduced me to a number of fascinating subjects I had never encountered before including the hilarious BBC radio series, Round The Horne, that inspired the book's title; the history of London's Players Theatre; and the secret gay language, Polari. Exploring all that sent me into several amazing internet rabbit holes and I will be posting articles and video clips that I found there in the Broadway Nation FaceBook Group. This episode is made possible in part through the generous support of Broadway Nation Patron Club members Anne Welsh, Chris Moad, and Bob Braun. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of Broadway Nation Patron Club members Anne Welsh, Chris Moad, and Bob Braun. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: ⁠https://broadwaynationpodcast.supercast.tech/⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 407: K.J. Relth-Miller on Cannes Classics 2026: La Dérive, The Devils, Report to Mother, Moonlighting, Tilai, The Pelechian Project Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Every year at the Cannes Film Festival I always make sure to scrutinize the Cannes Classics line-up of restorations, and for the 2026 edition, I was happy once again to catch up with K.J. Relth-Miller of the Academy Museum in Los Angeles and chat about a few titles. Among the films discussed were an absolute discovery, La Dérive (1964, directed by Paula Delsol), Ken Russell's one and only The Devils (1971), another discovery Report to Mother (1986, John Abraham), Moonlighting (1982, Jerzy Skolimowski), and Tilai (1990, Idrissa Ouédraogo), with shout-outs to The Pelechian Project (1966-1975, a collection of shorts by Armenia's Artavazd Peleshian) and Taiwanese classic The Dull Ice Flower (1989, Li Kao Yang). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Send us Fan MailThis episode we talk about what Daniel from The Cobwebs Channel calls "Weird Horror" films. We had a look at THE LAIR OF THE WHITE WORM from England, and TOGETHER from the US.We have a nice ramble about Mother's Day, mothers in general, mothers in specific, Ari Aster films, bad dads, bad therapists, work, and prejudice in the UK.Next time we will be watching the Found Footage films INCANTATION from Taiwan and WILLOW CREEK from the US.Thank you for all your support! It means the World of Horror™ to us, truly! Gerry Entriken: WoHo Outro ThemeSupport the showOpening Theme "Bucket" by Gerry EntrikenClosing Theme "Mop" by Gerry Entriken Interstitial Musicalso by Gerry Entriken. We love you, Gerry!Subscribe to the Podcast for a Special shout-out!World of Horror's InstagramMom's InstagramMac's InstagramDonate to Translifeline

Movie of the Year: 1971The Finale, Part IIThe 1971 Film Finale Podcast: One Champion RemainsThe 1971 film finale podcast brings the Taste Buds' most ambitious bracket season to its definitive conclusion. Ryan, Mike, and Greg have debated, dismissed, and championed their way through a remarkable field — and now eight films remain. In this episode, four Elite Eight matchups collapse into a single champion, and five major awards close out the season before the final verdict arrives.Furthermore, this finale caps a season that has included some of the most provocative, challenging, and enduring films ever made. From Stanley Kubrick's A Clockwork Orange to William Friedkin's The French Connection, the 1971 bracket has consistently rewarded listeners willing to sit with difficult, boundary-pushing work. The season also covered Straw Dogs, Sweet Sweetback's Baadasssss Song, and Dirty Harry — each one generating strong arguments before falling short of the Elite Eight.Additionally, five competitive award categories — Best Sex, Best Violence, Musical Moment, Best Actor, and Best Actress — draw nominees from across the full season. Consequently, this episode stands as the richest and most content-dense installment of the year.ContentsThe Elite Eight MatchupsThe 1971 AwardsWhy the 1971 Film Finale Podcast Still MattersRelated EpisodesFAQThe Elite Eight MatchupsEight films enter. One leaves as the 1971 champion. The Taste Buds structured the Elite Eight around four head-to-head matchups, and each one forces a different kind of critical argument.A Clockwork Orange vs. The DevilsTwo of the year's most transgressive films meet in the first matchup. A Clockwork Orange arrived as a season-long frontrunner — a Kubrick film operating at the height of his formal powers, one that the Taste Buds covered in depth on their dedicated episode. Ken Russell's The Devils, meanwhile, delivers a fever dream of religious hysteria and state violence that stands as one of the most divisive films the Taste Buds have discussed all season. Moreover, this matchup poses a pointed question: which film earns its provocation more honestly? Both demand something from the viewer. However, only one advances.Harold and Maude vs. McCabe and Mrs. MillerHarold and Maude represents the season's most warmly beloved film — a dark comedy about love, death, and radical living that generated some of the most enthusiastic podcast discussion of the year. By contrast, Robert Altman's McCabe and Mrs. Miller offers a revisionist Western suffused with melancholy and moral exhaustion, its beauty inseparable from its grief. Both films carry passionate advocates among the Taste Buds. Consequently, this matchup ranks among the tightest and most personal bracket debates of the entire season. Above all, it asks whether warmth or ache makes the stronger lasting impression.Wanda vs. The ConformistBarbara Loden's Wanda — a micro-budget American independent masterwork — faces Bernardo Bertolucci's The Conformist, a visually ravishing Italian political drama. Notably, both films center on characters adrift in systems designed to diminish them. Nevertheless, they arrive at very different emotional endpoints: Wanda drifts, the Conformist spirals. The Taste Buds' arguments in this matchup reveal as much about their own critical values as about the films themselves. In practice, this is the bracket's most purely cinephile debate.The French Connection vs. The Last Picture ShowThe bracket's most commercially dominant film — The French Connection, winner of five Academy Awards including Best Picture — faces Peter Bogdanovich's elegiac The Last Picture Show. In practice, this matchup pits Hollywood's muscular genre filmmaking against its more introspective New Wave ambitions. As a result, the debate cuts to the heart of what 1971 cinema actually achieved. Gene Hackman's Popeye Doyle and the dusty streets of Anarene, Texas, represent two entirely different ideas of what a great film should do — and the Taste Buds have strong opinions on which idea wins.The 1971 AwardsBefore the bracket champion is named, the Taste Buds present five awards covering the full sweep of the season. This Movie of the Year 1971 podcast segment features each host nominating the moments they found most memorable, daring, or essential — and the resulting field spans an extraordinary range of films and tones.Best SexThe nominees range from the tender to the violent to the surreal, drawing from three different films and three distinct registers of human sexuality.Jacy and Abilene — The Last Picture ShowThe Pool Party — The Last Picture ShowThe Rape of Christ — The DevilsThe Sex Duel with the Biker Gang — Sweet Sweetback's Baadasssss SongYoung Sweetback and the Sex Worker — Sweet Sweetback's Baadasssss SongBest ViolenceThe nominees span the full tonal range of 1971 action filmmaking — from Dirty Harry's iconic bank robbery standoff to the slow, aching finality of McCabe dying alone in the snow.The Car Chase — The French ConnectionHarry Foils a Bank Robbery — Dirty HarryThe Kid Kills the Cowboy — McCabe and Mrs. MillerThe Ludovico Technique — A Clockwork OrangeMcCabe Dies Alone in the Snow — McCabe and Mrs. MillerMusical MomentThe nominees here demonstrate just how varied 1971's soundtrack was — Cat Stevens, Beethoven, and Gene Wilder all make the shortlist.Maude Sings "If You Want to Sing Out, Sing Out" — Harold and MaudeOpening Funeral March — A Clockwork Orange"Pure Imagination" — Willy Wonka and the Chocolate Factory"Singin' in the Rain" — A Clockwork OrangeThe Tango — The ConformistBest Actor The five nominees represent the full range of 1971 male performance — from Hackman's coiled rage to Wilder's heartbreaking wonder. Additionally, this category generated some of the most contested debates in the entire 1971 film podcast season.Warren Beatty — McCabe and Mrs. MillerGene Hackman — The French ConnectionOliver Reed — The DevilsJean-Louis Trintignant — The ConformistGene Wilder —

Rick, Kyle, and Joe are joined by the "Drop Queen," Jami, to review the 1975 British musical fantasy drama film, "Tommy." Directed and written by Ken Russell, based on The Who's 1969 double album of the same name. The film stars Oliver Reed, Ann-Margret, Roger Daltrey, Elton John, Paul Nicholas, Jack Nicholson, and Tina Turner. We ranked the 29 songs from the soundtrack and picked our favorite lines, characters, performers, and scenes. Enjoy!

Send us a text or a voicemailA woman takes a job as a housekeeper in a NYC recording studio, unaware of the building's history. She soon realizes the building is haunted by the voices of ghosts from a long since relevant podcast that are still arguing and trying to sound smart. On Episode 719 of Trick or Treat Radio our feature film discussion is the stylish genre action flick They Will Kill You from director Kirill Sokolov! We also talk about lost and underseen films, we veer into sitcom territory, and we react to trailers for; Evil Dead Burns and Pitfall (not about the game). So grab your favorite flaming weapon, kill your enemies over and over, and strap on for the world's most dangerous podcast!Stuff we talk about: Horror that hasn't seen the light of day, London After Midnight, Ken Russell's Devils, Shudder, 4k Restorations, roman candles, Bat Mitzvah, Rolling Rock Rhode Island, Robert Pins, securing yarmulkes, reading right to left, Jack Burton, open bars, Dr. Butcher MD, The Amityville Curse, The Mummy, Space Spawns, Gojira, Van Helsing, Carrie Henn, Aliens, Traci Lords, Blade, The Tommy Knockers, Devil May Call, Excision, Crybaby, Marilyn Burns, Eaten Alive, Future Kill, Butcher Boys, Texas Chainsaw 3D, Sacrament, Ruggero Deodato, The Barbarians, Cannibal Holocaust, Hellraiser III, Dawn of the Dead, Albert Band, Castle Freak, Troll, Kolchak: The Night Stalker, Ichiro Honda, Godzilla, Destroy All Monsters, Creepshow, The Twilight Zone, The Wide World of Mystery, Cat People, I Walked with a Zombie, Val Lewton, Ed O'Neill, Modern Family, Wayne's World, Streets, Christina Applegate, David Faustino, Dean Cundey, Justine Bateman's deplorable politics, you need a little slap ass in Evil Dead, Army of Darkness, Hot Taken, Heil Patrick Harris, Pitfall, Kevin Hart, The Rock, Starry Eyes, Randy Couture, Alexandra Essoe, Dana White is a D-Bag, James Remar, Zazie Beetz, They Will Kill You, Kirill Sokolov, Andy Muschietti, Why Don't You Just Die!, Severance, Heather Graham, Patricia Arquette, grindhouse and exploitation influenced action, Ready or Not, Dead Man's Bones, Suitable Flesh, Sigourney Weaver, Cynthia Rothrock, Aliens 3, Ghostbusters, Rosemary's Baby, Faces of Death, just a skosh of monkeyshines, …with righteous aplomb.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Movie of the Year: 1971The Finale, Part IIThe 1971 Film Bracket Podcast Reaches the Elite EightThis 1971 film bracket podcast returns with its most dramatic episode yet. Ryan, Mike, and Greg — the Taste Buds — work through the bottom half of the Sweet 16, producing four matchups that nobody saw coming. Furthermore, the episode hands out two major awards: Comedic Performance and Biggest Shithead. The results set the stage for Part III, where the Elite Eight will be whittled down to a single 1971 champion.If you missed Part I of the finale, start there first. The bracket has been full of upsets throughout the season. Consequently, no outcome here should be taken for granted.The Sweet 16: Bottom Half of the 1971 Film BracketThe bottom half of the 1971 Sweet 16 is stacked. These four matchups pit some of the most beloved and argued-over films in the entire bracket against one another. Moreover, the range of cinema on display — from Hollywood blockbusters to European art films to New Hollywood grit — illustrates exactly why 1971 is one of the most fertile film years ever put to a bracket.The Taste Buds debate each matchup using their standard evaluative framework: craft, cultural impact, rewatchability, and gut feeling. Above all, they trust their instincts — and their instincts have produced surprises at every turn this season. Tune in to find out which four films advance to the Elite Eight.Willy Wonka and the Chocolate Factory vs. WandaThis matchup pits one of cinema's most beloved fantasies against one of its most criminally underseen gems. Willy Wonka and the Chocolate Factory needs little introduction — Gene Wilder's performance alone has kept it in the cultural conversation for over fifty years. Nevertheless, Wanda is no pushover. Barbara Loden's Wanda (1971) is a raw, naturalistic landmark of American independent cinema, and its inclusion in the bracket has been a point of pride for whoever seeded it.This is a clash of tone, scale, and intention. One film is a spectacle engineered for maximum delight. The other strips cinema down to its bones. However, the Taste Buds must pick one — and the pick will tell you something about where their tastes landed by the time the 1971 season reached its final stretch.The French Connection vs. Brian's SongTwo films that defined what mainstream American cinema could do with raw emotional and procedural intensity. The French Connection won the Academy Award for Best Picture in 1971. It features one of the most celebrated car chases in film history and a career-defining performance from Gene Hackman as the relentless, morally compromised Popeye Doyle. Additionally, William Friedkin's direction remains a masterclass in gritty, kinetic storytelling.Brian's Song, meanwhile, hit American living rooms as a TV movie and destroyed everyone who watched it. The story of Gale Sayers and Brian Piccolo remains one of the most emotionally devastating sports films ever made. Notably, the Taste Buds covered both films earlier this season — so this rematch in the 1971 film bracket carries the weight of all those prior arguments.The Last Picture Show vs. KluteTwo of New Hollywood's most enduring films square off here, and neither one will go quietly. The Last Picture Show is Peter Bogdanovich's elegiac black-and-white portrait of a dying Texas town — a film the American Film Institute has called one of the greatest ever made. Furthermore, its ensemble cast, including Jeff Bridges, Cybill Shepherd, Cloris Leachman, and Ben Johnson, delivers some of the finest performances in the bracket.Klute, however, has Jane Fonda. Her performance as Bree Daniels earned her the first of her two Academy Awards, and it remains one of the most psychologically intricate portrayals of a woman in crisis in American cinema. Alan J. Pakula's direction is coiled and paranoid in all the right ways. Consequently, this matchup may be the most difficult call in the entire bracket.The Conformist vs. The Panic in Needle ParkThe final Sweet 16 matchup is the most arthouse of the four — and arguably the most fascinating. Bernardo Bertolucci's The Conformist is a landmark of European cinema. Vittorio Storaro's cinematography is among the most studied in film school history, and the film's meditation on fascism, identity, and moral cowardice has only grown richer with time. You can read more about the film at Roger Ebert's review on RogerEbert.com.The Panic in Needle Park, by contrast, is bracingly American — a gritty, unglamorous portrait of heroin addiction on the streets of New York. It introduced Al Pacino to mainstream audiences. Moreover, Jerry Schatzberg's unflinching direction makes the film feel almost documentary in its honesty. These two films represent opposite ends of world cinema in 1971, and the Taste Buds must choose one.Award: Best Comedic Performance — 1971 Film Bracket PodcastThe Taste Buds hand out individual performance awards throughout the season, and the Comedic Performance category drew a fascinating and eclectic field of nominees. The 1971 bracket is not short on laughs — from the anarchic fantasy of Willy Wonka's chocolate factory to the dark comedy of Harold and Maude. Furthermore, the nominees represent a range of comic registers, from broad physical performance to pitch-black wit.The nominees are:David Battley — Willy Wonka and the Chocolate Factory (Mike's pick)Julie Dawn Cole — Willy Wonka and the Chocolate Factory (Greg's pick)Bud Cort — Harold and Maude (Mike's pick)Michael Gothard — The Devils (Ryan's pick)Gene Wilder — Willy Wonka and the Chocolate Factory (Greg's pick)David Battley's turn as the hapless Mr. Turkentine in Willy Wonka is a masterwork of bewildered reaction comedy. Julie Dawn Cole's Veruca Salt is a full-throttle comic creation — spoiled, relentless, and somehow sympathetic. Additionally, Bud Cort's Harold is a genuinely difficult comic achievement: deadpan to the point of catatonia, yet somehow enormously warm.Michael Gothard's Father Barre in The Devils is Ryan's wild-card choice — a performance of manic, committed intensity that functions as dark comedy whether or not Ken Russell intended it. Meanwhile, Gene Wilder's Willy Wonka remains one of cinema's great comic performances — menacing, whimsical, and deeply strange all at once. The winner is waiting for you in the episode.Award: Biggest Shithead of 1971One of the Taste Buds' most beloved recurring awards, the Biggest Shithead category recognizes the most memorably awful person — or entity — in the bracket. Notably, this award rewards commitment. Nominees do not simply do bad things. They do bad things with style, conviction, and a complete lack of self-awareness.The nominees are:Baron de Laubardemont — The Devils (Greg's pick)The Lady at Snakearama — Duel (Ryan's pick)The Motorcycle Cop — Harold and Maude (Greg's pick)Mr. Deltoid — A Clockwork Orange (Mike's pick)Veruca Salt — Willy Wonka and the Chocolate Factory (Mike's pick)Baron de Laubardemont, the cold bureaucratic villain of The Devils, brings state-sanctioned cruelty to the category. The Lady at Snakearama from Duel is Ryan's inspired choice — a brief but indelible portrait of someone who simply should not be in this movie. Furthermore, Harold and Maude's Motorcycle Cop is a monument to institutional pettiness.Mr. Deltoid from A Clockwork Orange is a sweaty, oleaginous masterpiece of ineffectual authority — Mike's nomination is well-argued. Veruca Salt, however, may be the category's most pure entry: a child who has elevated wanting things to an art form. The winner, as always, is in the episode.Why This 1971 Film Bracket Podcast Still MattersThe Sweet 16 is where bracket tournaments reveal their true character. By this stage, the obvious candidates are mostly gone. What remains are the films that survived not on reputation alone but on genuine argument. Moreover, the bottom half of the 1971 Sweet 16 contains some of the season's most debated films — which means every matchup result carries real emotional weight.The year 1971 is one of the most remarkable in cinema history. New Hollywood was hitting its stride. European art cinema was pushing form to its limits. Genre filmmaking was getting stranger, darker, and more personal. Consequently, any bracket drawn from this year produces matchups that feel genuinely impossible to call. The Taste Buds do not pretend otherwise — they argue, they agonize, and they vote.Part III is coming. The Elite Eight will determine the Movie of the Year: 1971 champion. Above all, this episode is the last chance to see which films survive before the final reckoning. Subscribe to PopFilter and follow along — the 1971 film...

Crocodiles! Crucifixes! Drag shows? All of this and more on our special anniversary episode as we cover the X-Rated and widely banned religious historic horror THE DEVILS!Starring Vanessa Redgrave and Oliver Reed, the film follows the real life historical events in 1600s France where the local priest was accused of bewitching the nuns of the local convent and tried for witchcraft.Next time we're covering PULSE (KAIRO).Thanks for listening and stay spoopy ya'll!Timestamps:00:00:27 Intro00:02:02 Start/Apologies to the French00:05:09 Historical Facts and Fiction00:16:22 A Bite-Sized History Lession00:22:55 Convents and Convention00:35:57 The Book vs The Play00:41:08 Ken Russell's Career00:48:23 The Cast01:03:56 Rundown01:05:05 SPOILERS!!!01:39:00 Ratings01:44:56 Next Week (Pulse/Kairo on AMC+ and Kanopy)01:52:45 GoodbyesThe Grindhouse Girls Podcast is created by Katie Dale and Brit Ray. This week's episode is edited by Katie Dale.Part of the Redacted Entertainment Network.Royalty free music used: Ready Set Go and Outro White SmokeCopyright 2020 Grindhouse Girls PodcastThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

Drew and Travis cavort and consort with The Devils! It's the controversial 1971 cult classic from filmmaker Ken Russell that explores the bizarre true story of the Possessions of Loudon. Starring Vanessa Redgrave and Oliver Reed, The Devils is our second entry in a theme month we're calling Sacrilicious, featuring movies that have more than a little fun with blasphemy! TIMESTAMPS 00:00:00 - Intro 00:01:45 - The Devils 01:01:30 - The Shelf 01:09:37 - Calls to Action 01:10:21 - Currently Consuming 01:28:48 - End SHOW LINKS Benedetta A Clockwork Orange Did Disney Really Steal Aladdin? Jaws: Retro Edition GenreVision on Letterboxd Drew Dietsch on Letterboxd Travis Newton on Letterboxd GenreVision on Bluesky Drew Dietsch on Bluesky

The legendary icon herself, Dame Twiggy Lawson, joins Mark Kermode to talk about TWIGGY, Sadie Frost's documentary about her life as a model, singer, actress and fashion icon. They also talk about working with Ken Russell on THE BOY FRIEND and THE DEVILS – and meeting her idol Fred Astaire.Mark is also joined by film director and visual artist Andrew Kötting to talk about his exhibition EVERYWORLD, created together with his daughter Eden. Kötting described the exhibition as a hallucinatory experience, drawing on the ghosts from his previous film projects. The exhibition is on now at Undershed gallery on the ground floor of the Watershed in Bristol, and will be at Swedenborg House in London from late April till the middle of June 2026.The Mark Kermode Live in 3D shows happen live every month at the BFI. Head over to the BFI website if you'd like to join us at the BFI Southbank.---Opening title quotes from:Mary Poppins (Robert Stevenson, Walt Disney Productions – featuring Julie Andrews)Nope (Jordan Peele, Universal Pictures – featuring Keke Palmer)Withnail & I (Bruce Robinson, HandMade Films – featuring Richard E. Grant)The Exorcist (William Friedkin, Warner Bros. – featuring Ellen Burstyn and Linda Blair)These films are masterpieces. Watch them.This episode was produced by Hedda Lornie Archbold and edited by Alex Jones.Image by Julie Edwards VisualsKermode on Film and Mark Kermode Live in 3D are HLA Agency productions.© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

Hey there friends and weirdos! This week Nile gets fired up about a witch-hunt in 17th century Loudun, France. How did the events that transpired in Loudun inspire the Ken Russell film The Devils? Was there really a conspiracy to destroy the life and reputation of Father Urbain Grandier? Is a horny nun and her sisterhood of devil-possessed ladies at the center of this conspiracy? We discuss all this and much more!

In this month's update episode we're chatting all about St David's Day - which is happening right now!After recapping the key traditions associated with St David's Day, and Ostara, the pagan sabbat which takes place at the Vernal Equinox, and a bunch of our news, we have included the opening chunks of February's Patreon Exclusive episodes.Before which we ended up talking about the new Wuthering Heights movie for about ten minutes... we're easily sidetracked!These teasers include the first bit of conclusion to Eleanor's long gestated Spenser & Associates mystery "The Shadow of the Hell Bitch" and part of our witch-tastic Film Club episode all about Ken Russell's 1971 historical-horror-drama The Devils.We really hope you enjoy this smorgasbord of audio delights, and speak to you tomorrow on our next County Episode all about the heritage and folklore of the historic Welsh county of Montgomeryshire!Three Ravens is a Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on a historic county, exploring the heritage, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcastREGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURVisit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

This week, dear listeners, Scary Spirits Podcast lifts its candle to the storm‑lit heavens to commemorate the 40th anniversary of Ken Russell's 1986 cult horror film Gothic—a delirious vision born of madness, poetry, and moon‑drenched terror. Join your devoted hosts, Karen and Greg, as they descend into the fevered dreams of the film, where Lord Byron himself looms large, temptation whispers, and nightmares take elegant form. Between spectral analysis and wicked insight, they sip a specially crafted Lord Byron Cocktail, a libation as darkly seductive as the poet's own legend. If you crave horror film discussion, gothic cinema, and literary hauntings served with wit and atmosphere, this episode of Scary Spirits is your invitation to the Villa Diodati—where art, excess, and horror first dared to collide. Pour a drink, dim the lights, and linger with us among the spirits. Lord Byron Cocktail • 1 part KLEOS Mastiha Spirit• 1 part gin• 3/4 parts fresh lemon juice• 1/4 part simple syrup• 6 cucumber slices Instructions: Shake all ingredients vigorously. Strain and serve up in a chilled coupette. Garnish with a cucumber peel. Source: drinkkleos.com A Brief Synopsis: On a warm summer night in 1816 at the Swiss lakeside château of Lord Byron, the poet and his guests — Percy Bysshe Shelley; his fiancée, Mary Wollstonecraft; her half-sister, Claire; and his private doctor John Polidori — spend the evening sharing ghost stories while under the influence of experimental compounds provided by the doctor. As the night goes on, reality and the horrific tales begin to commingle. Some of the topics discussed and highlights of this episode include: Karen gives us a brief history of each of the main characters Claire Clairmont Dr. John Polidori Lord Byron Percy Shelley Mary Shelley Our rating of the film: This movie was OK. It took us 3 cocktails to get through it. Take our online survey! We want to know more about you! Please take our survey. All questions are optional and you can remain completely anonymous if you prefer. Tell us what you like or would like to hear more of! All music on the Scary Spirits Podcast is provided by the band “Verse 13”. Please check them out. You can listen to all their music on their Bandcamp page. Get social with us! Connect with us on Facebook and Instagram Subscribe on YouTube to watch Greg attempt to make all the featured cocktails Follow @ScarySpiritsPod Questions, comments or suggestions? Shoot us an email at info@scaryspirits.com As an Amazon Associate, we may earn a small percentage of qualifying purchases through our links.

This week on the Erotic Thriller Club we get to enjoy the scene chewing goodness of Anthony Perkins and his razor sharp vibrator! Also, find out what happens when a man is churned like butter...

RSS/iTunes/Spotify Check out the Further Reeding archive right here. On a brand new episode of FURTHER REEDING (the world’s finest Oliver Reed-themed podcast) you can SEE US, FEEL US, TOUCH US and HEAL US as we check out Ken Russell’s all-star film adaptation of The Who’s classic rock opera TOMMY starring Roger Daltrey, Ann-Margret, Elton John, Eric Clapton, Jack Nicholson, Tina Turner and – of course – OLIVER REED! We couldn’t cover such an epic experience by ourselves, so we’re joined by special guest Kolleen Carney Hoepfner to cover the good and bad of Russell’s overblown, over-the-top, synth-heavy monster! Our senses will never be the same!The post Episode 313 – Further Reeding – Tommy (1975) (/w Kolleen Carney Hoepfner) first appeared on Cinema Smorgasbord.

This episode was recorded before a live audience at Indiana University Cinema as part of Weird Academia, a series of events that brought much high strangeness to Bloomington, Indiana, in January 2026. The discussion followed a screening of Ken Russell's 1980 cinematic fever dream, Altered States. In it, JF and Phil explore the weird intersection of mysticism, psychedelics, and institutional science, and they close with a brief Q&A with members of the audience. Visit Weirdosphere to enroll in Phil Ford's upcoming course, A Musical Tarot. References Weird Academia and the Center for Possible Minds Robert Louis Stevenson, Strange Case of Dr Jekyll and Mr Hyde Roger Penrose, physicist and mathematician Dante Alighieri, The Divine Comedy Samuel Delaney, Dhalgren Henri Bergson, Introduction to Metaphysics and Matter & Memory H. P. Lovecraft, American writer Herman Melville, Moby-Dick Aldous Huxley, The Doors of Perception Clement Greenberg, American essayist G. K. Chesterton, English writer David Cronenberg (dir.), The Fly Michael Garfield, podcaster, writer, musician Weird Studies episode 205 on the Hierophant Victoria Nelson, The Secret Life of Puppets Neil Gaiman, American Gods J. R. R. Tolkien, "On Fairy Stories" Learn more about your ad choices. Visit megaphone.fm/adchoices

Movie of the Year: 1971The DevilsWhy The Devils (1971) Still ProvokesIn this episode of Movie of the Year, Ryan and Mike confront The Devils, Ken Russell's incendiary historical drama that remains one of the most controversial films ever made. More than fifty years after its release, the film continues to shock and challenge audiences—not simply for its imagery, but for its ruthless examination of power and religion as intertwined systems of control.Set in 17th-century France but unmistakably modern in its fury, this 1971 production exposes how institutions weaponize belief, morality, and fear. The conversation centers on why its reputation for scandal has so often eclipsed its intelligence, craft, and relevance.Guest Spotlight: Brian Eggert of DeepFocusReview.comJoining Ryan and Mike is special guest Brian Eggert, editor and lead writer at DeepFocusReview.com. Brian brings a historically grounded, analytical perspective that helps reframe the movie beyond its notoriety.Brian discusses Ken Russell's place in 1970s cinema, the long history of censorship surrounding the film, and why its critique of power and religion feels increasingly urgent today. His insight clarifies why this work endures not as shock cinema, but as a rigorously argued piece of political art.Power and Religion as Systems of ControlAt its core, this film is about power and religion—and how faith becomes an instrument of domination when fused with political authority. What begins as a case of alleged demonic possession in Loudon evolves into a portrait of institutional violence, where truth is irrelevant and spectacle is essential.Ryan and Mike, with Brian's input, analyze how religious authority operates alongside the state. Confessions are coerced, belief is staged, and punishment is public. Spiritual language masks political intent, turning faith into theater and theater into violence.Russell and Jarman: Cinema Built to ConfrontOne of the most radical elements of the movie is the collaboration between Ken Russell and Derek Jarman. The pairing of Russell and Jarman produces a visual world that rejects period realism in favor of aggressive symbolism.The episode breaks down how this partnership:replaces historical authenticity with stark modernist designuses white, brutalist architecture to deny comforttransforms religious iconography into provocationemploys excess as both aesthetic strategy and political critiqueThis is not cinema designed to immerse—it is cinema designed to unsettle.The Citizens of Loudon and Collective ResponsibilityBeyond its powerful figures, the story is deeply concerned with the citizens of Loudon. Crowds gather, whisper, watch, and ultimately participate in the machinery of destruction.Ryan and Mike explore how the film portrays moral panic as a communal process. Fear spreads socially. Violence becomes normalized. The narrative suggests that institutional cruelty only succeeds because ordinary people allow it to happen. The townspeople are not just victims of authority—they are active participants in its enforcement.Sex, Blasphemy, and the Machinery of ScandalMuch of the controversy surrounding this work stems from its...

Boudoir by Vivienne Westwood (1998/2025) + Lawrence Kasdan's Body Heat (1981) + Ken Russell's Crimes of Passion (1984) + John Waters' Serial Mom (1994) 12/31/25 S8E1 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon.

In our first ever episode dedicated to an actor we train our sights on the man, the myth, the legend that is Jack Nicholson. Specifically our focus is on his four 1975 calendrical releases: Ken Russell's Tommy, Michelangelo Antonioni's The Passenger, Mike Nichols' The Fortune, and finally we top things off with a brief discussion of his Oscar Winning turn in One Flew Over the Cuckoo's Nest. It's a fun one! We talk about some weird movies, the hosts certainly get in a few attempts at Jack impressions, and everyone should leave with a little more knowledge of that marvelous year in film that was 1975. Topics include: Nicholson's house on so-called “Bad Boy Lane”, Alana's mom's crush on Roger Daltrey, and the charms of a young Stocking Channard…I mean Stockard Channing.

Lair of the White Worm (1988) is picked by Dave this week, and it's one of those wonderfully unhinged British horror films that could only have come out of the'80s. Written and directed by Ken Russell, the movie was loosely based on Bram Stoker's 1911 novel of the same name - though in true Russell fashion, it quickly veered far from the source material and into surreal, erotic, and darkly comic territory. Produced by Vestron Pictures, the same studio behind Dirty Dancing and Return of the Living Dead, the film was made on a modest budget of around $2 million. Despite its low cost, Russell filled it with his signature visual flamboyance, blending Gothic horror, mythological imagery, and satirical British eccentricity into something uniquely chaotic.Filming took place in Derbyshire, England, using local countryside locations to give the film its haunting yet distinctly English atmosphere. The cast included a mix of rising and established talent - notably a young Hugh Grant, years before his rom-com fame, and Peter Capaldi, long before becoming Doctor Who. The movie was shot in just six weeks, with Russell working fast and loose, improvising many of the more bizarre scenes on set. Upon release, it divided critics: some praised its camp energy and gleeful weirdness, while others dismissed it as absurd. Over the years, though, Lair of the White Worm has achieved cult status - celebrated for its blend of folk horror, sensuality, and sheer outrageousness that only Ken Russell could deliver.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠⁠here⁠⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠Trailer Guy Plot SummaryIn the quiet English countryside, something ancient… something hungry… has awakened.When a strange discovery uncovers a dark legend, a group of unsuspecting locals is pulled into a world of hypnotic seduction, slithering evil, and serpentine terror. As ancient forces rise and modern reason crumbles, the line between myth and nightmare disappears - and no one is safe from the creature that has waited centuries to strike.Lair of the White Worm — brace yourself… this is one bite you won't walk away from.Fun FactsLair of the White Worm was one of Vestron Pictures' final horror productions before the company collapsed in the late 1980s.The film is very loosely based on Bram Stoker's novel of the same name — many critics note that only names and the central “worm” concept survive Ken Russell's adaptation.Amanda Donohoe, who plays the seductive Lady Sylvia Marsh, won the role after Russell saw her on stage in London and loved her bold, fearless screen presence.The movie contains several surreal hallucination sequences inspired by Ken Russell's own Catholic school upbringing, which he frequently mocked in his work.Hugh Grant has said that working with Russell early in his career taught him to embrace creative risks, even when the material was utterly bizarre.The white worm effects were achieved using hand-built animatronics and puppetry, combined with old-school editing tricks to hide limited movement.Costume designer Vicki Carroll created Lady Sylvia's iconic snake-themed outfits, including her famous white body paint and fanged headpiece.The film's soundtrack includes original music composed by Stanley Myers, who is also known for scoring The Deer Hunter.The movie was released unrated in the United States because the producers felt an MPAA rating would be impossible without severe cuts.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Many people follow bands, writers, artists, and actors. And then there are film geeks that follow directors. Dayton, Robert, and Amber countdown and discuss their favorite directors. Who's on your list?Send us a textTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7 https://www.youtube.com/@DockingBay77podcast https://dockingbay77pod.buzzsprout.com

Join us in Austin, TX at We Luv Video for a special Southwest Christmas screening of Mass State Lottery. Tickets are available at a discounted price for a very limited window. | This Listener Sponsored episode is brought to you by Ben. Hosted on Acast. See acast.com/privacy for more information.

It's Twiggy time as this episode we discuss the 1971 musical comedy ‘The Boy Friend' starring the iconic model as Polly Browne. Directed by Ken Russell and co starring Barbra Windsor and Glenda Jackson, the story tells of an assistant stage manager of a small time theatrical company unexpectedly becoming an understudy of the lead role. Tune in and swing along!

HAPPY HALLOWEEN! Though Death By DVD is taking a break to relocate and build a bigger and better Death By DVD studio we thought it would just be down right insane to not have at least SOMETHING to offer our fine dead studio audience for Halloween. Halloween is our favorite holiday, our favorite time of year and I'll boldly say it's down right the best time of year, so we wanted to celebrate with you and boy howdy, though short in run time we have a whole lot for you to hear on this episode.An all new movie from your host Harry-Scott Sullivan is available now to stream, we have an exclusive new song from SATANIC HEARSE RECORDS called NO LIFE IN THEIR EYES from their forthcoming record DEATH SEX GORE HORROR and of course an update on when Death By DVD will return full time. Celebrate the season of the witch and hit play and hear this episode today! SATANIC HEARSE on Bandcamp : tap here or copy and paste the link belowhttps://satanichearserecords.bandcamp.com/WATCH YOUR HOSTS DOCUMENTARY AND DARK TALES FROM CHANNEL X NOW ON BLOODSTREAM TV: tap here or copy and paste the link belowhttps://bloodstreamtv.com/show-details/dark-tales-from-channel-xLearn more about Bloodstream TV : Tap here or copy and paste the link belowhttps://bloodstreamtv.com/homeIf you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

It's that time of year where we try and delve into the strange and scary for our Halloween episode and this time, we've hit upon altered states (not the Ken Russell film) where our heroes undergo a strange transformation, in TOS ‘Wolf in the Fold,' Bones' obsession with getting Scotty laid ends in a lot of mysterious stabbings that date back to Victorian London while in Voyager's ‘Darkling,' the Doctor's attempt to improve himself by adding bits of other people into him starts making him very large in the tooth and a little too psychosexual towards Kes while in DS9's ‘Empok Nor,' O'Brien, Nog, Garak and a collection of clearly important side characters go to a deserted Cardassian Space Station to steal some wiring ends with psychotropic drug-induced violence. Typical. Happy Halloween!Episodes Discussed: A Wolf In the Fold (13:19) Darkling (42:06) Empok Nor (01:11:42)Talking Points Include: The European cut of Kubrick's ‘The Shining,' Horror Movies, We HATE Pan and Scan, Weird UK Film edits, Bones clearly wanting to get laid, my God, they do a seance, Robert Bloch and Harlan Ellison's twin Ripper stories in ‘Dangerous Visions,' censorship and no Kirk shirt rip for drugs this time, Jack the Ripper in other SF franchises, no walk of shame for Kes, Picardo's make-up leads to a lesson about old special effects, the Civilization Gandhi glitch, does Kes actually grown over her four years, CSI Tuvok, Jeremy Renner-gy, when romantic comedies have to make the rival partner an utter jerk, Robert Picardo with hair is amazing, MMMbop, Tom Waits covering Disney, ‘Cardies' does not work as a derogatory slur, what Brighton sounds like, Garak Bashir and O'Brian probably don't hang out at the same time, the original plan with Worf vs. Garak would not have been as fun, Nog trying too hard, ‘Bolian Dies First,' there's probably a meeting about Garak being a spy.

It's that time of year where we try and delve into the strange and scary for our Halloween episode and this time, we've hit upon altered states (not the Ken Russell film) where our heroes undergo a strange transformation. In the TOS episode ‘Wolf in the Fold,' Bones's obsession with getting Scotty laid ends in a lot of mysterious stabbings that date back to Victorian London, while in Voyager's ‘Darkling,' the Doctor's attempt to improve himself by adding bits of other people into him starts making him very large in the tooth and a little too psychosexual towards Kes. Then in DS9's ‘Empok Nor,' O'Brien, Nog, Garak and a collection of clearly important side characters mission to a deserted Cardassian Space Station to steal some wiring ends with psychotropic drug-induced violence. Typical. Happy Halloween! The post 85. Star Trek Halloween III – Let's Get Scotty Laid! first appeared on Nerd & Tie Network.

Movie reviews #547 more 70's films we chuckin in the (Done) pile.1 (Heartbreak Kid 1972) Elaine May directs this strong movie, I just wouldn't, call it a comedy. We can all see in Jeannie Berlin's acting, that it is not funny how she is treated by said Heartbreak Kid.2 (The mad adventures of Rabbi Jacob 1973) This was a fake out for me, as it is not a movie about a Rabbi gettin into adventures, but instead it's about this goofy French guy, whom if memory serves, is a jerk. This one's zany and there's a vat of gum!3 (The Apprenticeship of Duddy Kravitz 1974). Richard Dreyfuss, French Actress Michelle Lancot, Randy Quaid, and the rad Bowling coach from the 1979 hit movie Dreamer star in this movie where ya wish old Duddy would seriously get his head out of his ass.4 (Mahler 1974) Jesus stars in this weird Ken Russell film about…………….Gustav Mahler. He looks back on his life while on a train.5 (Wrong Move 1975) I guess this Wim Wenders did a lot for German Cinema, good, but for me the Wrong Move is not watching (The Lost Honor of Katharina Blum) another German film that came out the same year.6 (Nickelodeon 1976) Here we have Ryan O'Neal, Burt Reynolds,Tatum O'Neal, and the Boss of Mr. French in this film about how 2 bumbling guys accidentally become some of the first American filmmakers ever. This is a Peter Bogdanovich film.7 (Lovey a circle of friends part II 1978) Jane Alexander and Timothy Hutton's Dad in Taps star in this important sequel to an important movie about how we deal with children with disabilities, not perfect, but at the time vital to show the world a better way than the medieval torture that came before. Medieval torture may not even be strong enough to describe the horrible ways people were treated in those institutions.Thanks for listening friends, let the people know there's been a 70's film podcast out there pluggin away for……about 7 years?

On this episode, Brian talks about the new Criterion 4K of Ken Russell's psychedlic cult classic ALTERED STATES and then offers 10 other film recommendations to go with it. Check out the ALTERED STATES 4K here: https://www.criterion.com/films/29506-altered-states This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/

We're back! We're a bit all over the place in this episode, but mostly it's me (Becca) recommending a few horror/scary books I've read. Most likely, we will be popping in once a month to update everyone until life settles down a little more. Thanks for listening! (Quick correction: I mention the movie The Devils by Ken Russell, and what I guessed what the outline of the plot. Since recording, I have watched the movie and I was wrong. Great movie though!) Books mentioned: Night Watcher by Daphne Woolsoncroft, Come Closer by Sara Gran, The Devils of Loudun by Aldous Huxley, and Between Two Fires by Christopher Buehlmann. If you want to read along with The Bookstore Challenge 2025, you can join us on The StoryGraph to see what others are reading for each month and get ideas for your TBR: The Bookstore Challenge 2025. Get two audiobook credits for the price of one at Libro.fm when you sign up using the code BOOKSTOREPOD. Website | Patreon

Ann-Margret by Ann-Margret (2023) + Ken Russell's Tommy (1975) + Franc Roddam's Quadrophenia (1979) with Rare Candy 10/8/25 S7E70 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Everyone's running for mayor of Miami...including Joe Carollo yet again. Steve Leidner, Conservation Chair of the Miami Sierra Club, as well as one of the Miami mayoral candidates Ken Russell, joins Billy Corben to talk about the race and the building of a trash incinerator. Plus, Elijah Manley is running for U.S. representative out of the Congressional district that houses the city of Miramar. He comes on to earn Roy's vote. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Drawing on everything from Dougal and the Blue Cat to Angel Heart, from Walter Murch's “pickle jar” of sound to Tarantino-style needle drops, Kermode turns listening into a way of seeing: treat scores as storytelling, not wallpaper; hear nostalgia without depending on it; notice how rooms, acoustics, and “vibrations” change performances; and understand why live accompaniment can transform a film in the moment. Along the way: Ken Russell's emotional maximalism, Under the Skin's alien minimalism, American Graffiti's jukebox world-building, and the strange alchemy that turns cues into cinema. In an age of playlists and temp tracks, Kermode offers practical tools: the “trust Neil Brand” rule for live scoring (watch the film, watch each other), left-hand “semaphore” for staying in key, the needle-drop test (does the song deepen the scene or just decorate it?), room-tuning for performance energy, analogical listening (let pop, jazz, and electronics cross-pollinate), and permission to change your mind as the years—and the mixes—change. The result is criticism reimagined as a compassionate daily practice: not to win arguments about taste, but to listen better, feel more, and love movies more deeply. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's time to talk about that famous Pinball Wizard as we discuss the 1975 fantasy musical ‘Tommy'. Written and directed by Ken Russell the film is based on The Who's 1969 Rock Opera of the same name with Robert Daltry playing the title character. The story follows the psychosomatically deaf, mute and blind boy who becomes a pinball champion and cult leader. Tune in and join us, Tina and Elton!

This week, we're stepping into the world of costume design with two incredible guests: costume designer Ashley Kae Snyder and writer/filmmaker Jessica McLaughlin. Part one of our two-part series highlights three unforgettable films and the visionary designers behind them.Ashley brings us Tarsem Singh's The Fall (2006), where Eiko Ishioka's breathtaking costumes blur the lines between imagination and reality. We talk about the Bandits' best looks, the way costumes mirror a child's perspective, and how they seamlessly interact with setting and cinematography.Jessica takes us into the wild and controversial world of Ken Russell's The Devils (1971), with costumes by Shirley Ann Russell. We cover everything from masks and subliminal messages in the wardrobe, to its commentary on gender and sexuality, and the film's notorious history of censorship.And finally, we close out the show with Bella's pick, Tim Burton's Alice in Wonderland (2010). Where Colleen Atwood's Oscar-winning designs gave Alice endless looks—from emo-influenced beginnings to fantastical transformations. We share our favorite Alice costumes, what worked (and what didn't), and whether or not these costumes can stand the test of timeThree films down, three more to go—don't miss part two of our costume design series next week!❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Jasone Staley returns for the Roger Corman time travel movie Frankenstein Unbound and while we're back in 1816 we also watch Ken Russell's Gothic.

THE SWIMMER (1968) We dive deep in to The Swimmer and discuss and analyze, maybe just a little bit the glorious film directed by Frank Perry, based on a screenplay by Eleanor Perry, from the 12 page short story by John Cheever. "Well-off ad man Ned Merrill (Burt Lancaster) is visiting a friend when he notices the abundance of backyard pools that populate their upscale suburb. Ned suddenly decides that he'd like to travel the eight miles back to his own home by simply swimming across every pool in town."If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

Tommy, la ópera rock de The Who cumple 50 años Tras el final de la Segunda Guerra Mundial un niño experimenta un evento tremendamente traumático y a partir de ahí enmudece y queda ciego al 100%. Sin embargo, conforme su problemática vida transcurre, inexplicablemente se convierte en campeón de pinball y también en líder de un extraño culto que lo lleva a la cima de la popularidad… Con todas las sombras correspondientes. La historia pertenece a Tommy, la ópera rock escrita por Pete Townshend e interpretada por The Who, una de las bandas de rock que alcanzaron la inmortalidad apenas salieron a la luz. El disco “Tommy” salió a la venta en 1969, pero en 1975 –y tras varios intentos de adaptación– Tommy se transformó en una película bajo la dirección del no menos mítico Ken Russell. Plagada de estrellas, posteriormente nominada al Oscar, maltratada por la crítica rancia, Tommy se convirtió en éxito de taquilla hace exactamente 50 años. En este podcast Cinegarage queremos recordarla, homenajearla y recomendarla a quienes aún no la conozcan. Para hacerlo invitamos a este episodio al infalible Marcelo Lara, experto musical, bluesero de corazón, amante de The Who y levanta ratings en este, su podcast Cinegarage. Tommy explotó ante el mundo hace 50 años. Learn more about your ad choices. Visit megaphone.fm/adchoices

Talking sin and censorship with Joe as we cover 1971's The Devils. It's one of the most controversial and most censored movies in the Western world, but it's also thematically very important (and relevant). We love this movie for its set design, its performances, its writing, its themes, and, of course, its reputation. Tangents include: Space Jam 2, Nine Inch Nails, Jodie's awesome Monopoly and video game save point questions, things we're looking forward to, places we'd move if language wasn't a barrier, and our midlife crises

Greetings from the graveyard! You may or may not have heard on a recent episode of Death By DVD that your favorite show will unfortunately be taking a break to move. The bad news is there will not be new episodes for a while but the good news is that Death By DVD studios is getting an upgrade so we can bring you bigger and better shows. Hear this new episode updating you on what's going on with Death By DVD as well as some shout outs to friends of the show that have sent us some wonderful supportive messages. DEATH BY DVD WILL B.R.B! BE RIGHT BACK!!!Follow Mr D's Movies on Instagram : https://www.instagram.com/mrdsmovies/Watch AND NOW FOR SOMETHING A LITTLE BIT DIFFERENT hosted by John Horgan here : https://www.youtube.com/@johnhorgan1713If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

Join us as we delve into director Ken Russell's 1980 film 'Altered States.' This episode covers the film's psychedelic themes, its visionary yet controversial direction, and its mixed reception from critics like Roger Ebert. We discuss the film's exploration of hallucinogenic drugs, sensory deprivation tanks, and its complex narrative about a scientist's quest for absolute truth. Whether you're a fan of flawed gems or just curious about experimental cinema, this episode has something for you!

David and Justus submerge themselves in the psychedelic nightmare of Altered States in their quest for cinematic enlightenment. Will they emerge as men or monkeys? Things are sure to go bananas on this episode of the Greatest Movie Ever Made!Altered States (1980) is directed by Ken Russell and stars William Hurt, Blair Brown, Bob Balaban, Charles Haid, and Thaao PenghlisMusic: “Fractals” by Kyle Casey and White Bat Audio

On this fresh from the grave episode we celebrate 16 years of DEATH BY DVD.Founded in July of 2009, Death By DVD has produced hundreds of episodes in the 16 years of its existence and to celebrate our 16th anniversary we have a special announcement to make concerning the fate and future of this very show.If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades and I truly hope you click play and hear what we have to say.Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES Whoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVD ★ Support this podcast on Patreon ★

This week, the boys get trippy with the 1980 psychedelic sci-fi transformation drama “Altered States”, a film so divisive that writer Paddy Chayefsky put his three Oscars in a closet and penned his adaptation of his own novel under a pseudonym. The Ken Russell-directed film introduced the film world to William Hurt and let Bob Balaban keep his beard, and it also unleashed Bigfoot on major metropolises. We also revisit F1: The Movie, give some context to the film year 1980, before engaging in our featured conversation. Grab a beer and give us a listen!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro + News; 6:55 Jeff's mini-reviews of “F1: The Movie”; 18:08 1980 Year in Review; 37:30 Films of 1980: “Altered States”; 1:17:14 What You Been Watching?; 1:24:55 Next Week's Episode Teaser Additional Cast/Crew: Jordan Cronenweth, Blair Brown, Charles Haid.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Poop Cruise, Toronto Mayor Rob Ford, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Your Friends and Neighbors, The Canadian Grand Prix.