Podcast appearances and mentions of Harry Potter

On Episode 479 we discuss...→ Character Insights and Casting Choices→ Themes of Death and Darkness→ The Art of Acting and Character Portrayal→ Thematic Elements of Darkness and Humor→ The Complexity of Young Love→ Emotional Moments and Adaptation Choices→ Dobby's Sacrifice and Its Impact→ The Beauty of Cinematic LocationsBecome a supporter of this podcast: https://www.spreaker.com/podcast/alohomora-the-original-harry-potter-book-club--5016402/support.

DJ and Mayuri (Not The Droids and Spiced Volumes podcast) join Aureo and Sophia to discuss the hirings and firings of the Defense Against the Dark Arts professors in the Harry Potter series. We discuss the impact of Voldemort's curse on the subject and the results as seen through Harry's eyes. Join the discussion on our website In this episode: Harry should have been a DADA teacher It's a swing to go from Muggle Studies to DADA Everyone just learns about trolls How does Voldemort's jinx of the DADA position work? Did the Marauders have better DADA professors? Auror training could have included a year as a DADA professor Quirell would have lost his job either way Dumbledore should not be the headmaster Resources: The Schemes Behind the Spite: Why Voldemort Really Jinxed the DADA Job by Sophia Pub's Jukebox: Mad-Eye Moody by Percy and the Prefects Contact: Website: https://threebroomstickspod.com/ Facebook: https://www.facebook.com/threebroomstickspod/ Instagram: https://www.instagram.com/threebroomstickspodcast/ Twitter: https://twitter.com/threebroompod Email: 3broomstickspod@gmail.com Patreon: https://www.patreon.com/3broomsticks 

This episode is sponsored by BetterHelp – Go to http://betterhelp.com/super to get 10% off your first month.

Patrick answers tough questions from callers, weighing in on Harry Potter’s place in Catholic homes, differences between fantasy series, and the concerns around fascination with the occult. He fields thoughts on the origins of “Roman Catholic,” whether calling oneself “Judeo Roman Catholic” makes sense, and sorts through confusion about Jewish and Hebrew identities with historical insights and recommended resources. With callers pressing for clarity on topics from biblical symbolism to church teaching, Patrick keeps the conversation brisk, heartfelt, and unapologetically honest. Rose - Should Catholic parents allow kids to read Harry Potter and why? (01:03) Robert - Assimilation issue with Muslims: How did the United State become how it is today? (07:44) Debbie - When the caller talks about being Judeo Catholic, that could be confused with following Old Testament Laws. (22:01) Gebman - Psalm 75 uses the word horns. What does this mean? Does it mean “strength”? (35:46) Irma - I find it interesting that the earlier caller, Robert, calls himself a Judeo Christian. I thought the Old Testament was for the Jews and the New Testament was for the Gentiles. (37:16) Madeline - Is there a specific prayer that you are supposed to pray to St. Jude to get the benefits of his intercession? 2nd question: Can someone kill themselves and not go to hell? (43:23) Originally aired 10/30/2025

This audible clip from Erik Qualman's #1 Bestselling book The Focus Project compares life to a game of Tetris: the more blocks you try to manage, the harder it becomes, but when you choose the right ones to focus on, everything starts to fall into place.   5x #1 Bestselling Author and Motivational Speaker Erik Qualman has performed in over 55 countries and reached over 50 million people this past decade. He was voted the 2nd Most Likable Author in the World behind Harry Potter's J.K. Rowling.   Have Erik speak at your conference: eq@equalman.com   Motivational Speaker | Erik Qualman has inspired audiences at FedEx, Chase, ADP, Huawei, Starbucks, Godiva, FBI, Google, and many more on Focus and Digital Leadership.   Learn more at https://equalman.com

Requiem ep. 806 Roger Ley has self-published eight novels and one anthology of speculative stories. He was born and educated mainly in London, but spent some of his formative years in Saudi Arabia. Later, he worked as an engineer in the oilfields of North Africa and in the North Sea before starting a career in higher education teaching computer-aided engineering. His early articles appeared in publications including The Guardian, Reader's Digest, The Oldie, and Best of British. His short stories have been published on a multiplicity of websites. He lives in Suffolk (UK). Visit his website at rogerley.co.uk   More TTV Stories by Roger ley: https://talltaletv.com/tag/roger-ley/   ---- Listen Elsewhere ---- YouTube:  https://www.youtube.com/c/TallTaleTV Website: http://www.TallTaleTV.com   ---- Story Submission ---- Got a short story you'd like to submit? Submission guidelines can be found at http://www.TallTaleTV.com   ---- About Tall Tale TV ---- Hi there! My name is Chris Herron and I'm an audiobook narrator. In 2015, I suffered from poor Type 1 diabetes control which lead me to become legally blind for almost a year. The doctors didn't give me much hope, predicting an 80% chance that I would never see again. But I refused to give up and changed my lifestyle drastically. Through sheer willpower (and an amazing eye surgeon) I beat the odds and regained my vision. During that difficult time, I couldn't read or write, which was devastating as they had always been a source of comfort for me since childhood. However, my wife took me to the local library where she read out the titles of audiobooks to me. I selected some of my favorite books, such as the Disc World series, Name of the Wind, Harry Potter, and more, and the audiobooks brought these stories to life in a way I had never experienced before. They helped me through the darkest period of my life and I fell in love with audiobooks. Once I regained my vision, I decided to pursue a career as an audiobook narrator instead of a writer. That's why I created Tall Tale TV, to support aspiring authors in the writing communities that I had grown to love before my ordeal. My goal was to help them promote their work by providing a promotional audio short story that showcases their writing skills to readers. They say the strongest form of advertising is word of mouth, so I offer a platform for readers to share these videos and help spread the word about these talented writers. Please consider sharing these stories with your friends and family to support these amazing authors. Thank you!   ---- legal ---- All stories on Tall Tale TV have been submitted in accordance with the terms of service provided on http://www.talltaletv.com or obtained with permission by the author. All images used on Tall Tale TV are either original or Royalty and Attribution free. Most stock images used are provided by http://www.pixabay.com , https://www.canstockphoto.com/ or created using AI. Image attribution will be declared only when required by the copyright owner. Common Affiliates are: Amazon, Smashwords  

It's time to race over to Las Vegas for the F1 race AND to LEGO.com for all your Insider Weekend and Black Friday deals! New sets, awards, and much more on this week's Bricking LEGO News!FOLLOW my YouTube channel: Back 2 BrickSet Review:75689 Emerald City & Kiamo Ko CastleRebrickable Review: Emerald City Wizard's Palace by Jm_rkuhtectLEGO F4 insiders WeekendTechnic Ford GT40Paris ArchitectureJapanese cherry blossom landscapeAutumn cottageGames nominations!Thank you, Patrons! - Bellefonte Bricks Studio, Jimmy Tucker, David, Paul Snellen, Lee Jackson, Pop's Block Shop, Richael Rice, Steve Miles, David Support the showSee some of the designs I've built - REBRICKABLE.COMHead over to Back2brick.com for links to the latest LEGO set discounts!Support the podcast through our affiliate links AND join the Back 2 Brick Patreon!Have a question? Want to be a guest? Send me a message!backtobrick@gmail.comBack 2 Brick Podcast is not an affiliate nor endorsed by the LEGO Group.LEGO, the LEGO logo, the Minifigure, and the Brick and Knob configurations are trademarks of the LEGO Group of Companies. ©2025 The LEGO Group.

Berømmelse kan se ud som glitter og røde løbere, men hvad gør det egentlig ved et barn, når verden pludselig kender deres navn? Daniel Radcliffe har netop sendt et omsorgsfuldt brev til det nye Harry Potter-hold, og det sætter spot på spørgsmålet: Er det farligt at blive kendt alt for tidligt? Fra Ryan Gosling til Macaulay Culkin har historien vist, at status som barnestjerne kan være både magisk og meget svær at overleve som menneske. Vi får besøg af børnepsykolog Julie Bek, der gør os klogere på, hvad rampelyset gør ved børn, og så fortæller studiets egen Viktor Fischer, om hans oplevelser med at komme i fodboldens rampelys i en ung alder. Teknisk set er det bare 22 spillere og en bold, men i virkeligheden er det ofte tættere på teater end sport. Kampene skrives som episke dramaer, komplet med helte, skurke, mirakler og tragiske skæbner. For Danmark fik netop den tragiske helt sin hovedrolle i opgøret mod Skotland: Rasmus Nissen Kristensen, der med sit røde kort blev kampens vendepunkt. Men hvad gør vi egentlig med den figur i en fortælling? Vi spørger dramatiker Henrik Szklany, om fodbold faktisk skaber stærkere historier end teatret? Og hvorfor er det ofte på grønsværen, at de helt store myter bliver født? Vi skal også en tur i the "goonverse", Bachs musikalske univers og meget mere. Værter: Gustav Hagild, Viktor Fischer og Mathias Hammer Redaktør: Thomas Vinther Larsen I redaktionen: Otto Korse og Anders Skytte Agergaard.

It's time for another LadyGang Trivia Throwdown, and this round is Becca vs. Jac in a battle of brains, pop culture, and pure chaos. Can they name all the Harry Potter books in order? Do they know what Beyoncé really carries in her bag? And who can actually define what a “simp” is without sounding like someone's mom on TikTok? The stakes get higher when the ultimate question drops: which man is Taylor Swift's “All Too Well” really about? Will Becca's useless celebrity knowledge reign supreme, or will Jac's unhinged confidence finally pay off? With Keltie hosting (and judging) with her usual mix of bias and glitter, this trivia showdown might just go down in LadyGang history.Check out our fall deals!!Ollie: Your pet needs good food! Visit Ollie.com/ladygang for 60% off your first box of meals! #ToKnowThemIsToLoveThemApretude: Prevent HIV! Talk to your doctor and learn more at Apretude.com or call 1-888-240-0340Peloton: Explore the new Peloton Cross Training Tread+ at OnePeloton.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As we wrap up our final season of HPST, we're taking a look back at some of our favorite moments! This week we're revisiting our 2016 episode on Friendship - one of the first times we really connected with Sacred Imagination, reading the scene with Hermione vs. The Troll.Harry Potter and the Sacred Text is a Not Sorry ProductionFind us at our website | Follow us on Instagram--It's two sickles to join S.P.E.W., and only five dollars to join our Patreon for extra content every week! Please consider helping us fill our Gringotts vault so we can continue to make this show. Hosted on Acast. See acast.com/privacy for more information.

Joe and Alex talk about a very emotional chapter in Major Moments of Book 6 called "Flight of the Prince"!   Open News You Can Use Giveaway Major Moments - Flight of the Prince Potterwatch! Community Emails   Joe - @CustomVinylLush Alex - @AtariAlex Brent - @BrentAllenLive Show - @TalesFromGH TikTok- @TFGHshow   Tales from Godric's Hollow is your One-Stop Shop for ALL things magical in the Wizarding World of Harry Potter!   Email - TalesFromGodricsHollow@gmail.com Facebook - www.facebook.com/talesfromgodricshollow  Instagram - www.instagram.com/talesfromgodricshollow Podchaser - www.podchaser.com/TFGH   Special Shout Out to our Producers/Sponsors AND Headmistresses, The Mysteriously Haunted Headmistress of Beauxbatons Academy and our Headmistress of Ilvermorny, Kori A!   Thank you to ALL of the Patreon supporters!!! We can't do all of this without you all!   Support us on PATREON! www.Patreon.com/TalesFromGodricsHollow   Spellio Revelio and E-Mail sounds/beds came from https://musicradiocreative.com/

Harry Potter wishes Harry Potter good luck and Lionsgate has a new tv network! We're talking about it in the #MikeJonesMinuteCon.See omnystudio.com/listener for privacy information.

Send us a textIn this episode, we are discussing  Harry Potter and the Prisoner of Azkaban Chapter 19. We have renamed the chapter "The Shack becomes a Courtroom"Support the show and get some cool bonuses (Including videos!)  (https://www.patreon.com/PotterChat)Follow us on Facebook (https://www.facebook.com/PotterChatPodcast)Join the discussion in our Facebook group (https://www.facebook.com/groups/246834503246058)Follow us on Instagram (https://www.instagram.com/potterchatpodcast)Follow us on Twitter (https://twitter.com/potter_podcast)Support the show

Helms, Franz-Paul www.deutschlandfunkkultur.de, Studio 9

Esta semana fue un poco más freeflowing ya que este tema salió sin planearlo. No es sorpresa para nadie que vivimos en una época en la que, no solo todos nos sentimos compelled a dar nuestras opiniones, sino que también hay más avenidas que nunca para hacerlo. ¿Cómo nos sentimos al respecto?Recomendaciones:FullCast Recording de "Harry Potter and the Philosopher's Stone" (Audible)Going Postal - Terry Pratchett (Libro)Fahrenheit 451 - Ray Bradbury (Libro)LUX - Rosalía (Album)BZRP Session con Daddy Yankee Evan Edinger (YouTube)Wild Reverence - Rebecca Ross (Libro)¡Hablemos!Ana: instagram.com/anamerinoeJuli: instagram.com/julianna.rouseNSN Podcast: instagram.com/machtiaco

Aujourd'hui, redécouvrez ma conversation avec Aloys, 8 ans, enregistrée début 2025 dans le cadre de ma série "Le travail vue par les enfants".

Vi har sett den NORSKE julefilmen Reisen mot nord.Er du glad i Harry Potter, gaming eller anime?Join Discord serveren vår!https://discord.gg/4J5hG8RStøtt oss gjerne på patreon: https://www.patreon.com/spillkveldSosiale medier:https://www.instagram.com/nordremedia/https://www.facebook.com/filmkamerateneyoutube/https://twitter.com/NordreMedia

Nan Schwartz is a Grammy winning arranger and a 5x Grammy nominee, and she's a 7x Emmy nominee for her compositions for television and TV films. As a conductor and orchestrator, she's worked on projects like In The Heat Of The Night, Argo and Harry Potter. She's also collaborated on a ballet score. And she's worked with stars like Natalie Cole, Ray Charles and John Williams.My featured song is “Constable On Patrol” from the album East Side Sessions by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH NAN:www.nanschwartz.com—----------------------------------------ROBERT'S LATEST SINGLE:“MI CACHIMBER” is Robert's latest single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

In this Prof Responds episode of Critical Magic Theory, Professor Julian Wamble dives into your discussion about Albus Dumbledore and asks some of the biggest questions in the Harry Potter series: is Dumbledore a brilliant strategist, a reactive improviser, or a man whose schemes, scams, plots, and plans are held together by privilege and the “greater good”? Drawing on listener comments from the Patreon post-episode chat, Julian explores how we interpret Dumbledore's power, his choices, and the moral complexities that shape his relationship to Harry Potter. Along the way, we examine the fine line between Gryffindor recklessness and care, and reflect on how Dumbledore's past may shape the decisions that define the wizarding world.

In The Castle: A History (Yale University Press, 2022) Dr. John Goodall presents a vibrant history of the castle in Britain, from the early Middle Ages to the present day. The castle has long had a pivotal place in British life, associated with lordship, landholding, and military might, and today it remains a powerful symbol of history. But castles have never been merely impressive fortresses—they were hubs of life, activity, and imagination. Dr. John Goodall weaves together the history of the British castle across the span of a millennium, from the eleventh to the twenty-first century, through the voices of those who witnessed it. Drawing on chronicles, poems, letters, and novels, including the work of figures like Gawain Poet, Walter Scott, Evelyn Waugh, and P. G. Wodehouse, Dr. Goodall explores the importance of the castle in our culture and society. From the medieval period to Civil War engagements, right up to modern manifestations in Harry Potter, Dr. Goodall reveals that the castle has always been put to different uses, and to this day continues to serve as a source of inspiration. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Join me for a break down of the final chapter of Harry Potter and the Philosopher's Stone, 'The Man With Two Faces, in which Quirrell shares a body with his abusive boyfriend, Harry does the thing, and Dumbledore rigs the House Cup... 'Breaking Down Bad Books' is a podcast analysing trashy bestsellers from a literary perspective.Sign up to be a patron at www.patreon.com/breakingdownbadbooks for access to exclusive bonus episodes breaking down including Harry Potter and the Chamber of Secrets, Midnight Sun, Fifty Shades of Grey, Fifty Shades Darker, Fifty Shades Freed, and The Short Second Life of Bree Tanner.Read along with me and let me know your thoughts on Instagram @breakingdownbadbooks or email me at breakingdownpod@gmail.com.Hosted by Nathan Brown, who you can find on Instagram @nathanbrown90 or YouTube at https://www.youtube.com/@nathanpatrickbrown. Support this show http://supporter.acast.com/breaking-down. Hosted on Acast. See acast.com/privacy for more information.

Laura June Ness is a Canadian dancer, actor, aerialist and singer who decided to make a big leap and chase her dream of performing in a West End show in London. And she made her dream come true! Laura is now a cast member of Harry Potter and the Cursed Child and recently made her debut performance in London's West End.She's sharing this creative adventure with her growing social media community, showing the work that goes into pursuing a dream like this, including all of the highs and lows she's experiencing along the way.On this episode, host Angela de Burger chats with Laura about her journey to being cast in a Harry Potter stage show, what it's like to perform on a West End stage, her creative process for creating a character, and why she decided to share her creative life on social media.Say hi to Laura:  Instagram - @laura.june.ness  TikTok - @laura.june.ness   YouTube - @LauraJuneNess ----Creative Pulse Podcast socials:  Instagram: creativepulsepodcastMusic credit: https://www.purple-planet.com

Send us a textJoining me on today's episode of The English Wine Diaries are Neil and Maria Corbould, owners of The Grape Escape Vineyard – one of the country's newest and perhaps most unique wine producers. Neil and Maria planted their five-acre boutique vineyard in Chertsey, Surrey, in 2023 and have been busy tending to the vines with their first commercial harvest taking place this year. However, the couple's day jobs are quite different – often seeing them swap muddy boots and secateurs for glad rags and red carpets.Neil is an award-winning Special Effects Supervisor, whose four-decade career has helped shape some of the most iconic films in modern cinema. His groundbreaking effects on large scale productions, such as Gladiator, Gravity, Mission: Impossible, Rogue One, and Napoleon, have earned him global acclaim, with two Academy Awards and four Baftas. Maria is also from a distinguished film background. With a Masters degree in Film Production, she has worked across numerous major productions, including Harry Potter, Mission: Impossible, Rogue One: A Star Wars Story, and many more. Their combined expertise in film brings a real storytelling element to their vineyard journey, which they share on social media with the handle @the.grape.escape.vineyard.I had so much fun recording this episode – Neil and Maria are such fun and aren't afraid to share the highs and lows of their vineyard experience. This episode of The English Wine Diaries is sponsored by Rankin Bros & Sons — trusted suppliers of corks, closures, and packaging solutions to the UK wine industry since 1774. To learn more about how Rankin is supporting the future of British wine, visit rankincork.co.uk.Thanks for listening to The English Wine Diaries. If you enjoyed the podcast then please leave a rating or review, it helps boost our ratings and makes it easier for other people to find us. To find out who will be joining me next on the English Wine Diaries, follow @theenglishwinediaries on Instagram and for more regular English wine news and reviews, sign up to our newsletter at englishwinediaries.com.

Help MuggleCast grow! Join us at Patreon.com/mugglecast, and receive a slew of great benefits instantly, including bonus episodes, recording studio access, ad-free episodes, and much more! Listeners can browse our official merch at MuggleCastMerch.com and pick up overstock items from years past at MuggleMillennial.Etsy.com, now more affordable than ever! This week, MuggleCast discusses a surprise invitation for Harry to the inaugural meeting of this year's Slug Club. And one of our own Slug Club members, Nicole, joins us to chat! Plus, she and Andrew just met up in the new Wizarding World - Ministry of Magic themed land at Epic Universe, and are reviewing the latest park! Welcome back Nicole! She last co-hosted the show with us on MuggleCast 391. Andrew and Nicole recently met up inside Universal Orlando's Epic Universe, and give their take on the new Wizarding World land. How does the new Ministry of Magic ride stack up against the other Harry Potter rides, and why did 1920's Paris leave Andrew's jaw on the floor? Nicole discusses the Circus Arcanus-themed attraction which she was very impressed by. Despite the glowing review, Andrew still recommends waiting to visit Epic Universe while they work out the kinks. Chapter-by-Chapter continues with Half-Blood Prince Chapter 7: The Slug Club The MuggleCast Pensieve segment highlights our last discussion of this chapter on MuggleCast #387 Why don't Ron and Hermione believe Harry about Draco? Are Ron and Hermione basing their agreeability on the recent fiasco at the Ministry, where Harry bungled things? What would an alternate explanation be for what Draco is up to, that the trio saw? Does Harry have a sixth sense about Draco because of his Horcrux connection to Voldemort? We analyze and pick apart the incredulity around Voldemort recruiting Draco, Age 16 for his followers. There is series precedent! Micah makes several brilliant comparisons between Slughorn and slugs. Why aren't there any Hufflepuffs at this Slug Club meeting? Harry underestimates Draco, in a huge way, and pays the price. Oops. Lynx Line: Patrons invent their own version of the Slug Club based on their strengths, and tell us who would be in it! Participate in our weekly trivia segment by answering this week's Quizzitch question at MuggleCast.com/Quizzitch! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Material Concerns episode, we debrief Halloween and an Okay, Hear Me Out segment quickly gets into a conversation abut boundaries and control. If you want more, head to Patreon.com/ohwitchplease for Part II! It begins with a quick convo about Harry Potter (if you believe it!) before moving into Consumer Retorts and Make It Make Sense! Tune in to hear Coach get scolded for not voting before taking a nap.And don't forget, if you join for as little as $54/year, you'll get ad-free episodes, bloopers, a backlog of content and part two of all Material Concerns episodes! Go to patreon.com/ohwitchplease now to join a tier that works for your budget!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Nov. 14-20: The Beatles reunite, Princess Di spills the tea, Michael Douglas is the fairytale president, Homer meets his mom, Robert Downey Jr. is the worst P.I., a very stoned Christmas Eve, Tom Hardy is twins, South Park is trapped in the closet, and a Christmas romance you won't see on the Hallmark Channel. All that and more from 30, 20, and 10 years ago.

Tina and Bob learn all about Snowy Owls. If you are a Harry Potter fan you should listen to this episode! Our sources for this episode include: Owl Research Institute Snowy Owl Audubon Guide Snowy Owl from All About Birds

Blue Glow Binders.The issue this week for Aggressive Negotiations is…those funky binders that they put on Force users in the Star Wars galaxy! John & Matt have always wondered how and WHY they worked, when the Force is in all living things and Force users have the ability to tap into, and harness its energies. Will their attempts to construct head canon run afoul of actual lore? Do you have an idea to explore?HostsJohn Mills and Matthew RushingYou've found the best Star Wars podcast with one-of-a-kind discussions in the spirit of fun! While you're here, look around our creator-focused network of podcasts with all the best of Star Trek, a deep-dive read of Harry Potter's magical world, analysis of film's greatest directors, and breaking news from top names in international film festivals, and so much more!Send us your feedback!Twitter: @TheJediMasters   Facebook: https://www.facebook.com/TheNerdParty/ Email: http://www.thenerdparty.com/contactSubscribe in Apple Podcasts

For the past 50 years, composer John Williams has arguably been the defining sound of cinema. Although he began composing music for TV and film in the 1950s, it wouldn't be until the 1970s that he broke big, thanks to that iconic soundtrack to Stephen Spielberg's Jaws. From there he would go on to provide the music for a slew of Hollywood's biggest blockbusters, and most poignant films, as well as recognizable anthems for pop-culture mainstays like the Olympic Games and NBC Nightly News. John Williams is an American icon, and a definitive creator in film and music. So join the Great Pop Culture Debate as we attempt to name the Best John Williams Film Score.  Scores discussed: Jaws, Saving Private Ryan, Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Raiders of the Lost Ark, Hook, Return of the Jedi, The Empire Strikes Back, Jurassic Park, Star Wars Episode I: The Phantom Menace, Harry Potter and the Sorcerer's Stone, Home Alone, Star Wars, Indiana Jones and the Last Crusade, Schindler's List, Superman Join host Eric Rezsnyak and panelists Amma Marfo, Derek Mekita, and Kate Racculia as they discuss and debate 16 of the most recognizable film scores of all time. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! For the warm-up to this episode, in which we discuss even more compositions from John Williams that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Want to watch the episode instead? As of Season 12, we now have full video episodes up on YouTube. Subscribe to our channel for even more original, exclusive episodes! Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Amma Marfo, Derek Mekita, Kate Racculia Producer: Bob Erlenback Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #johnwilliams #film #filmscores #composer #composers #orchestralmusic #orchestral #starwars #indianajones #harrypotter #superman #jurassicpark #jaws #homealone #hook #schindlerslist #savingprivateryan #empirestrikesback #imperialmarch #returnofthejedi #phantommenace Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of JJ Meets World, JJ and Tucker dive head-first into holiday food, bizarre culinary experiments, JJ's attempt to pitch a Hallmark-style movie, Tucker's terrifying contact-lens mishap, and the ambitious beginning of Tucker's 2025 Zordon cosplay build. The guys also get deep about creativity, regret, future goals, and how your 30s sometimes feel like a decade-long boss battle. JJ recounts his theater pilgrimage to New York (including Harry Potter and the Cursed Child), and the duo shares stories about ghosts, grandparents, adoption, and being alone for the holidays. For more episodes of JJ Meets World, or to find out how you can support this podcast, visit: https://www.jjmeetsworld.com Patreon — https://www.patreon.com/jjmeetsworld Merch — https://shop.spreadshirt.com/jj-meets-world Apple Podcasts — https://podcasts.apple.com/us/podcast/jj-meets-world/id1367045742 Spotify — https://open.spotify.com/show/0L9IGvJuUjFK0UOR9AIF5u YouTube — https://www.youtube.com/channel/UCh1WZrpC-XE57mRzi1bzPow Google Play — https://play.google.com/music/listen?u=0#/ps/Iwnpufw6f5qromxbbw6pq32rsya Follow Us: Facebook — https://www.facebook.com/jjmeetsworldpodcast/

Planning just one day at Universal Studios Florida and want to make the MOST of it? We've got you! In this episode, we walk you through a detailed, time-stamped touring plan to help you maximize rides, beat the crowds, and avoid common mistakes—whether you have Universal Express Pass or not.From the best rope drop strategy, to where to eat, parade timing, and evening “clean-up hours,” this episode gives you a complete game plan for tackling Universal Studios Florida efficiently and with less stress for families, thrill-seekers, and first-timers alike.✨ What We Cover in This Episode:✅ Rope Drop Tips: What time to arrive & why early matters

Bitterness is the poison you drink expecting someone else to die. It's the corrosive emotion born from crisis that fills your throat with bile and consumes your every waking thought with questions like "why me?".In this special compilation episode, I've pulled together five extraordinary conversations with people who have every right to be bitter about what they've faced, but who have found their own methods of beating it back: Anthony Scaramucci, fired from the White House in 11 days while missing his son's birth and facing divorce; Amanda Knox, who served four years in an Italian prison for a murder she didn't commit; Mo Gawdat, former Google X exec who lost his son Ali to medical negligence; Lisa Squire, whose daughter Libby was tragically abducted, raped and murdered; and David Holmes, Harry Potter's stunt double who was paralysed from the waist down in an accident that should never have happened. LESSONS YOU'LL LEARN:Close the gap between "should" and "is" - Bitterness lives in the space between what ought to have happened and what actually did. Accept the world as it is, not as you think it should be.Shift from victimhood to agency - Work out what is in your control and what isn't, then focus on the former.Pair emotional honesty with tiny steps forward - Feel everything, embrace it, sit in it - but understand that emotion alone changes nothing.Choose your narrative consciously - In any crisis, there are multiple stories you can tell. Choose those that dial up pride, purpose or perspective and dial down bitterness.Forgiveness is for you, not them - Holding onto blame and hate doesn't punish those who wronged you; it only prolongs your suffering.

HOLIDAY SHOW TICKETS > https://bit.ly/CITOPHILLYSHOW. Ria's BrovoCon experience (00:00-20:18). Fran saw ‘Harry Potter and the Cursed Child' on Broadway (20:19-36:07). BravoCon biggest moments roundup (37:10-1:00:45). Weekly Watch Report: ‘The Secret Lives of Mormon Wives,' ‘Dancing with the Stars,' ‘Maxton Hall' + more! (1:01:29-1:39:03). Interview with ‘DWTS' semi-finalists Robert Irwin & Witney Carson (1:40:15-1:54:51). Interview with ‘DWTS' semi-finalists Whitney Leavitt & Mark Ballas (1:54:54-2:08:53). Interview with ‘DWTS' semi-finalists Alix Earle & Val Chmerkovskiy (2:10:41-2:29:26). CITO LINKS > barstool.link/chicks-in-the-office.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/chicks-in-the-office

In this episode, Candice speaks with Amy and Nancy Harrington, founders of The Passionistas Project, a platform devoted to amplifying women's stories and celebrating their strength, creativity, and resilience. After interviewing hundreds of women, they have built a community that uplifts voices that are often overlooked. Their mission continues to grow through storytelling, connection, and their ongoing commitment to helping women feel seen, valued, and supported.As they share their journey, Amy and Paula talk about the power of listening, the beauty of everyday resilience, and the importance of building spaces where women can show up authentically. They highlight the women who have shaped them, the lessons they have learned through interviewing so many remarkable individuals, and how sisterhood can transform not only the lives of women but entire communities. In this episode, you'll hear about:How interviewing hundreds of women revealed common threads of strength and resilienceWhy The Passionistas Project was created and how it continues to evolveThe importance of giving women a safe space to share their true storiesLessons they learned from women who have overcome adversity with courage and graceHow storytelling builds connection, empathy, and empowermentTheir mission to ensure that every woman feels like she mattersThe vision for expanding their sisterhood and creating broader impact This episode is a beautiful reminder that every woman carries a powerful story, and when we make space for those stories to be heard, we create a world filled with compassion, connection, and possibility. About Amy and Nancy:Sisters and business partners, Amy and Nancy Harrington, are the Co-Founders of The Passionistas Project Sisterhood, an inclusive community where passion-driven women mostly from marginalized communities come to get support, find their purpose, and feel empowered to transform their lives and change the world.They have created a space where women from ALL backgrounds can come together and support each other in the areas of business development, personal growth, and social impact based on the principles of sisterhood — loyalty, trust, empathy, vulnerability, and joy.Both Co-Founders walked away from high-profile jobs in Hollywood to work together.Amy was the first woman in the history of the entertainment industry to hold the position of Vice President of Post Production & Visual Effects. While at Warner Bros., she worked on over 250 feature films like the Harry Potter and the Matrix franchises.Nancy had a successful graphic design business and theater company before creating Academy Award campaigns for Miramax.Their career as celebrity interviewers has included chats with Julia Louis-Dreyfus, Rita Moreno, Lily Tomlin, Laverne Cox, Carol Burnett, and more. Now through their global Passionistas Project Sisterhood, podcast and Power of Passionistas summit, they strive to inspire women to follow their passions and join forces in the fight for equality for all.Website: https://www.thepassionistasproject.com/November 19th, 2025 Workshop-Storytelling for Women Coaches and Business Ownershttps://thepassionistasproject.circle.so/c/passionistas-world-tour-events-calendar/storytelling-for-women-coaches-and-business-owners-with-amy-and-nancy30 Day Free Journalhttps://thepassionistsproject.com/30-days-journalPassionistas Project Sisterhood: https://thepassionistasproject.circle.soFree MembershipPodcast:The Passionistas Project:Apple: https://podcasts.apple.com/us/podcast/the-passionistas-project-podcast/id1353224418Spotify: https://open.spotify.com/show/4uzL9lPO4QdB7zRd8HHYLj?si=2904c6c275444ea2Facebook: www.facebook.com/ThePassionistasProjectLinkedIn: www.linkedin.com/company/the-passionistas-project/Instagram: www.instagram.com/thepassionistasproject/YouTube: https://www.youtube.com/user/PCPassionistas-----If you're struggling, consider therapy with our sponsor, BetterHelp.Visit https://betterhelp.com/candicesnyder for a 10% discount on your first month of therapy.*This is a paid promotionIf you are in the United States and in crisis, or any other person may be in danger -Suicide & Crisis Lifeline Dial 988-----Connect with Candice Snyder!Website: https://www.podpage.com/passion-purpose-and-possibilities-1/Facebook: https://www.facebook.com/candicebsnyder?_rdrPassion, Purpose, and Possibilities Community Group: https://www.facebook.com/groups/passionpurposeandpossibilitiescommunity/Instagram: https://www.instagram.com/passionpurposepossibilities/LinkedIn: https://www.linkedin.com/in/candicesnyder/Shop For A Cause With Gifts That Give Back to Nonprofits: https://thekindnesscause.com/Fall In Love With Artists And Experience Joy And Calm: https://www.youtube.com/@movenartrelaxationClick this link to receive your FREE TRIAL to The Greenhouse Communityhttps://www.thegreenhousecommunity.com/checkout/the-greenhouse-membership?affiliate_code=11e889

Shares in Japanese retail and travel-related companies have fallen sharply in Tokyo, after China urged its citizens not to visit the country. The tensions spiked after Japan's prime minister suggested Tokyo could take military action if Beijing attacked Taiwan, which China claims is its sovereign territory.Meanwhile, why has Bitcoin lost more than $600 billion in market value, just weeks after hitting a record high?And for Bridget Jones fans, the rom-com icon is getting her own statue, joining the likes of Harry Potter and Paddington Bear on a new trail celebrating 100 years of British cinema.Presenter: Leanna Byrne Producer: Niamh Mc Dermott Editor: Justin Bones

Harry Potter and the Sorcerer's Stone by J. K. Rowling (1997) vs The Lightning Thief by Rick Riordan (2005)

In The Castle: A History (Yale University Press, 2022) Dr. John Goodall presents a vibrant history of the castle in Britain, from the early Middle Ages to the present day. The castle has long had a pivotal place in British life, associated with lordship, landholding, and military might, and today it remains a powerful symbol of history. But castles have never been merely impressive fortresses—they were hubs of life, activity, and imagination. Dr. John Goodall weaves together the history of the British castle across the span of a millennium, from the eleventh to the twenty-first century, through the voices of those who witnessed it. Drawing on chronicles, poems, letters, and novels, including the work of figures like Gawain Poet, Walter Scott, Evelyn Waugh, and P. G. Wodehouse, Dr. Goodall explores the importance of the castle in our culture and society. From the medieval period to Civil War engagements, right up to modern manifestations in Harry Potter, Dr. Goodall reveals that the castle has always been put to different uses, and to this day continues to serve as a source of inspiration. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Castle: A History (Yale University Press, 2022) Dr. John Goodall presents a vibrant history of the castle in Britain, from the early Middle Ages to the present day. The castle has long had a pivotal place in British life, associated with lordship, landholding, and military might, and today it remains a powerful symbol of history. But castles have never been merely impressive fortresses—they were hubs of life, activity, and imagination. Dr. John Goodall weaves together the history of the British castle across the span of a millennium, from the eleventh to the twenty-first century, through the voices of those who witnessed it. Drawing on chronicles, poems, letters, and novels, including the work of figures like Gawain Poet, Walter Scott, Evelyn Waugh, and P. G. Wodehouse, Dr. Goodall explores the importance of the castle in our culture and society. From the medieval period to Civil War engagements, right up to modern manifestations in Harry Potter, Dr. Goodall reveals that the castle has always been put to different uses, and to this day continues to serve as a source of inspiration. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In The Castle: A History (Yale University Press, 2022) Dr. John Goodall presents a vibrant history of the castle in Britain, from the early Middle Ages to the present day. The castle has long had a pivotal place in British life, associated with lordship, landholding, and military might, and today it remains a powerful symbol of history. But castles have never been merely impressive fortresses—they were hubs of life, activity, and imagination. Dr. John Goodall weaves together the history of the British castle across the span of a millennium, from the eleventh to the twenty-first century, through the voices of those who witnessed it. Drawing on chronicles, poems, letters, and novels, including the work of figures like Gawain Poet, Walter Scott, Evelyn Waugh, and P. G. Wodehouse, Dr. Goodall explores the importance of the castle in our culture and society. From the medieval period to Civil War engagements, right up to modern manifestations in Harry Potter, Dr. Goodall reveals that the castle has always been put to different uses, and to this day continues to serve as a source of inspiration. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode, we discuss the advantages of digital content ownership for both readers and writers. This coupon code will get you 50% off the audiobook of Cloak of Ashes, Book #3 in the Cloak Mage series, (as excellently narrated by Hollis McCarthy) at my Payhip store: CLOAK2025 The coupon code is valid through November 24, 2025. So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 277 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November 14th, 2025, and today we are discussing the benefits of owning your own content for both readers and writers. Before we get to our main topic, we will start off with Coupon of the Week and then a progress update on my current writing, publishing, and audiobook projects. First up is Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Cloak of Ashes, Book #3 in the Cloak Mage series (as excellently narrated by Hollis McCarthy), at my Payhip store. That coupon code is CLOAK2025. And as always, the coupon code and the links to my Payhip store will be available in the show notes. This coupon code is valid through November 24th, 2025, so if you need a new audiobook for your Thanksgiving travels this month, we have got you covered. Now for an update on my current writing, publishing, and audiobook projects. I'm pleased to report the rough draft of Blade of Shadows is done. This will be the second book in my Blades of Ruin epic fantasy series. Right now, it is just about exactly as long as Blade of Flames. It may be a little longer or a little shorter depending on how editing goes since there's some stuff I'm going to cut out, but there's also some scenes I'm going to add. I also wrote a short story called Elven Arrow. Newsletter subscribers will get a free ebook copy of Elven Arrow when Blade of Shadows comes out, which will hopefully be before American Thanksgiving at the end of the month. I'm about 23% of the way through the first editing pass, so making good progress there and hope to keep up with the good progress. I am 11,000 words into Wizard-Assassin. That will be my next main project once the Blade of Shadows is published and probably the final book I publish in 2025, because I think the first book I do in 2026 will be Blades of Ruin #3, if all goes well. In audiobook news, the recording for Blade of Flames is done and it's gradually making its way out into the world (as excellently narrated by Brad Wills). I think as of the time of this recording, the only place where it's actually live is Google Play, but hopefully more stores will come online soon, and it would be cool if the Blade of Flames audiobook was available everywhere before Blade of Shadows came out. Hollis McCarthy is still working on Cloak of Embers and we hope to have that to you before the end of the year, if all goes well. So that's where I'm at with current writing, publishing and audiobook projects. 00:02:25 Main Topic: Digital Content Ownership as a Reader and Writer Now let's move on to our own topic, the ownership of digital content as both a reader and a writer. As the digital revolution has gone on and on and put more decades behind it, people are increasingly building very large digital content libraries and it's an increasingly tangled point of law what happens to those digital libraries when for example, their account gets suspended, or for example, someone else dies and wants to leave their Steam library of games to their heirs. We're today going to be focusing on digital content ownership for readers and writers, and we'll start with readers. Although the price of an ebook and print book of many traditionally published books are roughly the same at this point (and sometimes bafflingly, the ebook versions cost more), the rights you have as the owner of the ebook copy are substantially less powerful. In fact, technically speaking, you aren't actually the owner of an ebook purchased from Amazon or other retailers. It's more accurate to say that you purchased a long-term conditional lease. As a side note, I'm talking about this from the perspective of United States Copyright law and ebook/audiobook stores there. The laws and standards in your own country may be different. Also, I am not a lawyer and nothing in this episode should be taken as legal advice. You obtain legal advice by hiring a lawyer licensed to practice in your jurisdiction. But now back to the main argument. In America, there is something known as the First Sale Doctrine. This section of the US Copyright Act allows physical media to be lent out and resold, among other things. For example, someone who purchases a physical book is considered its owner and the publisher can't take it back from them. The physical version of books can be used in libraries or as classroom materials until they literally fall apart, unlike their electronic equivalents, which face complicated licensing agreements that generally offer far less favorable terms of use for a much larger cost (especially for libraries and academic institutions). In the US, electronic content ownership is covered by contract law instead of the First Sale Doctrine. Although each seller has their own licenses and standards, a few things tend to remain consistent across those licenses: the inability to lend or resell the content, the inability to remove DRM from the content, and the right of the seller to alter or even remove the content. Ownership is not a right guaranteed for digital content. There is an American lawsuit currently challenging Amazon Prime Video and its use of words like "purchase" and "buy" for its video content. The lawsuit accuses Amazon of misrepresenting a heavily conditional license as a purchase, giving the average customer the impression that they own the content in perpetuity. Amazon lawyers argue that the average customer understands the difference, but frequent outrages over content being removed from users' libraries suggests otherwise. Here are four reasons owning your ebook content is important. #1: Keeping access to the content if the company closes or gets bought out. One of the early leaders in the US ebook store market way back at the start of the indie revolution was Sony. When their Sony Reader store closed, they gave readers the option to migrate their libraries to Kobo. Books that were not available through Kobo were not able to be transferred, so some purchased content was lost for readers. A more egregious example comes from, as you might expect, Microsoft with the closing of the Microsoft ebook store in 2019. When the store closed, they offered refunds instead of giving readers an opportunity to self-archive or transfer their purchases. Any margin notes taken by readers were lost, and they were given a $25 credit for the inconvenience. Although refunding customers was a good gesture, it's not a guarantee that readers are able to repurchase the ebooks elsewhere or even that the price would be the same when they did. As an aside, I spent a good chunk of time in 2018 trying to figure out how to get into the Microsoft ebook store and then finally gave up because it was too complicated, which in hindsight turned out to be a good decision. Owning your ebooks outright gives them independence from the store that you bought them from. #2: Keeping content from being altered. Ebooks can be altered anytime. Most of the time these changes are harmless, such as updating a cover, fixing a typo, or adding a preview chapter. I do that myself all the time. Every time I get typo corrections, I upload a new version. Yet there is a potential for books to be edited or censored from the original copy that you purchased. Chapters could be removed, scenes altered, or in extreme cases, the entire book could be removed. Owning a hard copy means that you have a version that cannot be changed without your knowledge. #3: The ability to self-archive. Most ebook stores use a form of digital rights management (DRM) that makes it difficult to transfer or permanently store your collection outside of their collection or library. Trying to do so is a violation of the license you purchased from the store, so I won't discuss how to do that. Amazon recently made self-archiving more difficult by discontinuing the feature to download and transfer Kindle books via USB. Finding DRM-free ebook stores is important if you want to organize and store your ebook collection as you see fit. Two examples of stores with DRM-free ebooks are Smashwords and direct [sales] sites like My Payhip store. Other stores like Kobo have a dedicated section devoted to DRM-free ebooks. #4: Keeping your reading habits private. Companies like Amazon track reading data, mostly out of a desire to sell you similar books or ad space. They track what you're reading, the amount of time you spend reading, your reading speed, and the highlights that you make in a book. Now, most of the time this is generally pretty harmless. It's mostly used for…you look on Amazon, you see that the section "customers who enjoyed this book also enjoyed this". Then if you use the Kindle app on your phone a lot, it has a lot of badges and achievements and it tends to be used for that kind of thing. However, there could be sinister undertones to this, especially if you're reading things you would prefer other people not know about. So if this concerns you, if there are some settings that you can adjust, but if you want complete privacy, outright ownership of your ebooks is the way to go. So what is the easiest way to own your own ebooks as a reader? The easiest way and perhaps the safest way to own your content outright is to buy print copies of books. That said, buying direct from authors or finding ebooks that have more favorable license terms is easiest way to own your ebook purchases. One of the reasons that opening a Payhip store was important to me was I gave my readers a chance to outright own purchased copies of my work and self-archive them in the way that they saw fit, if that was important to them. The price is the same on my Payhip store as other ebook or audiobook stores (and sometimes even cheaper if you're using Coupon of the Week). The ebooks and audiobooks there are DRM-free and untethered from specific stores and companies. You have the option to download files in a variety of file formats and store them in a way that makes the most sense to you. Buying direct also gives a greater share of the sale price to the authors, especially in the case of audiobooks. In conclusion, ebooks lag behind print books in terms of ownership rights for purchasers here in the United States (at the time of this recording). That said, you can be an informed consumer by reading terms of use carefully and educating yourself to make sure that you have the most possible access to your purchased content. Now, we've covered that from the reader side, and let's look at it from the side of the content creators, specifically writers. This can also apply to other content creators such as musicians, and we're going to use a very famous example for that, Taylor Swift. The general public learned about the importance of fully owning your content as a creator during the long and very public battle between musician Taylor Swift and the record company that sold her work to a private equity firm associated with someone she personally disliked. She owned the copyrights to the works (along with her various collaborators), but not the masters, the specific recordings of each song. As long as she didn't own her masters, she didn't have control over song choices for her public performances, the label releasing older content against her wishes, or how her music would be licensed out for commercial use. Swift reasserted control by rerecording old albums (a strategy previously used by the musician Prince), which gave her ownership of these new masters and devalued the original masters to the point where she could later afford to buy them outright. Many artists, including Olivia Rodrigo, credit Swift for helping them to negotiate adding the ownership of their masters into their contracts. As predatory as the publishing industry can be, the music industry tends to make them look like rank amateurs in terms of sheer evil. So it is a testament to her popularity and business success that she was able to convince them to do this. The world's most famous pop star taught millions of fans that owning your work is the ultimate goal of a creative. Why is ownership of your work important for writers specifically and not just American pop stars? We'll discuss six reasons why it's important for content creators and specifically writers in this episode. And as a reminder yet again, I'm talking about this from the perspective of United States law. Laws and standards in your own country may be different. Also, I am not a lawyer and nothing in this episode should be taken as legal advice. You obtain proper legal advice by contacting a lawyer licensed to practice in your jurisdiction. So with that in mind, let's get into the topic. What is ownership as a writer? Writers generally keep the copyrights to works they sell to publishers. Writers are essentially selling the right or a license to produce and distribute their book in a certain format, language, and geographic area. Most of the time, geographic area rights are sold separately. For example, rights for the Harry Potter books are owned by Scholastic in the United States and Bloomsbury in the United Kingdom. Sometimes writers will keep the rights in a specific format, like when I signed with Tantor to give them the audio rights to the first five Frostborn books while keeping the rights to my print and ebook formats. What writers lose in the process of selling to publishers is the ability to control how their work is marketed, packaged, and sold. They do not have the freedom to make major decisions such as when a book is released or where it is marketed. Today I am going to share six reasons that retaining ownership is important for writers and what things you generally sacrifice when you sign with a traditional publisher instead of self-publishing or indie publishing. #1: Creative control. It is not standard to have complete control over your book's cover design. Often an artist is able to submit suggestions to the designer, but the publisher has ultimate authority over the book's cover. Sometimes covers end up being wildly inappropriate for the book, but the author has no recourse. The same is usually true with the ability to pick an audiobook narrator or change anything about the narration. At times, writers (especially new ones) are pressured into changes they do not want by editors. The surest way to completely lose all creative control is signed with a book packager like Alloy Entertainment. If you want to hear the story of how L.J. Smith was fired from her own series due to a plot dispute with that publisher, YouTuber Jenny Nicholson covers it in her epic length summary of The Vampire Diaries show. Although a certain paycheck from a book packager is tempting, you'd be wisest not to create any fictional characters or worlds for this type of publisher for that reason. #2: Dead Series Syndrome. If the first book in a series does not sell well, the publisher tends to abandon the series. The next book in the series might be ready for publication, but they're not obligated to publish it if they suspect it will not be profitable. Unfinished series are extremely common in traditional publishing, unfortunately. Writers who are locked into a contract for a series are generally out of luck putting out the books on their own. Even if they put out later books on their own, not having the rights to the first book in the series makes it difficult for a writer to sell and market subsequent books. I had a series (Demonsouled) that I wanted to continue even though the first book was released by my publisher. I was able to get the rights back for it and then was able to self-publish this rest of the series. This was much easier to do 14 years ago than it is now. Modern contracts, especially from larger publishers, are not so generous in letting authors do this. It would be much easier to start as a self-published author and have full control over the trajectory of your series and make sure readers are able to finish it instead of waiting for a contract to elapse or fighting a difficult, hard to win battle to get the rights back. #3: The ability to change. One of the perks of owning your book is the ability to make quick changes that react to data. For example, I was able to retitle the Stealth and Spells series fairly quickly when it became immediately clear upon release that some found the original title confusing. A traditional publisher would likely not have bothered to make the effort unless there was a legal reason for doing so. The ability to change covers, repackaging books in different ways (like omnibus editions), and to make quick changes to the book on the fly (such as fixing typos or continuity errors), is the unique privilege that comes with owning your own work. Publishers are slow to make these types of changes, if they do it at all. #4: Profit. Writers typically only receive an advance (an initial lump sum) when working with a traditional publisher. The complexities of publisher accounting usually ensure that only great successes receive royalties, and often even those that do can take a while to reach that benchmark. Royalties are typically doled out quarterly or semi-annually, for those who make enough to receive them. The earning statements are fairly byzantine. It's hard for the average person to understand them fully to make sure they're being paid exactly what is owed to them. Owning your own work and publishing yourself means that you keep all of the profit after the cut taken by the ebook store and whatever you pay cover designers, editors, and so on. You can see all of the sales as they come in and don't have to wait for those two to four royalty checks each year in order to get paid. It's much easier to make a living as a writer and to feel confident that you can pay others when you have more accurate data on the money coming in. Indie publishing sacrifices the certainty of an advance for a far, far greater share of the profits in the long run. Additionally, agents typically take a 15 to 20% commission on author earnings, and they are an essential part of the process in traditional publishing. It's just about impossible to get foot in the door with traditional publishing without one. Most self-published writers don't bother with an agent, which means they're able to keep that cut of the money and don't have to shape their work around the preferences and whims of an agent. They also spared the stress and hassle of working with an unethical or bad agent (of which they're unfortunately far too many). #5: Professional freedom. The publisher decides when the books are released or if they're released at all. Are you ready to publish a book two months after the first one is released? Too bad. A publisher is not going to put out the next one that quickly. The traditional wisdom of publishing schedules seems wildly out of date in the content-heavy modern world, where algorithms reward recent titles and frequent publishing. Publishing more often also helps fans stay connected to your work, and frankly, it's much easier to make a living as a writer putting out several books a year instead of just one. Additionally, traditionally published writers do not control how a book is marketed. Are you upset that your book is being marketed as a romance when you think it's complex literary fiction? Too bad. It's not your call. In fact, writers may be contractually obligated to post content to their social media pages written or approved in advance by the marketing department at the publisher. You might have to put your name publicly to marketing copy you dislike or disagree with in order to not violate your contract. In a related vein, you might find that if you post heavily on your social media pages about political or controversial topics, you may be reprimanded by the publisher or in some cases, have your contract canceled entirely. Although indie authors aren't immune from social consequences of what they post, no publisher is holding them back from posting what they want just because they're writers and the publisher is scared of what the shareholders might think. #6: The publisher being sold. One of the biggest problems for traditionally published writers is when their publisher is sold to another one. This may mean restructuring that takes away staff they worked with a long time (like a favorite editor being replaced by an inexperienced one). As smaller publishers are eaten up by the larger ones, you might find that your books become an afterthought and you don't have any power to fix that. You might even have to fight to get paid what you're owed in your own contracts, which writers of Star Wars books found out when Disney acquired Lucasfilm. Apparently when Disney bought Lucasfilm, it decided it no longer owed royalties to several writers of Star Wars tie-in novels that Lucasfilm had published and weren't going to pay them until it went public and caused a bit of controversy. Finally, a settlement was reached. This is sort of the shifty behavior that Disney is well known for in certain circles, and it is something you have to watch out for with large publishers and media conglomerates. The easiest way to keep this from happening is, once again, to publish yourself and keep ownership of your work. In conclusion, when traditional publishing was the only way to become a writer, their restrictions and control were something you had to live with because you had no other option. Now that self-publishing is extremely accessible and traditional publishing is shrinking, it's no longer worth making the trade-offs that authors once had to in order to gain readers of their work. Although I never actually listened to a Taylor Swift song all the way through, her career and business ventures are proof that owning your work as a creative is the best way forward. Ownership should be the starting point, not the end goal of anyone who values creative control and fair, transparent payment for their creative work. So that is it for this week. I hope that illuminated the importance of owning your own work, especially if you are a writer or other creative. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Alonso and Jacks are back to kick off our Netflix Christmas movie journey — and the first one up is A Merry Little Ex-Mas.ABOUT A MERRY LITTLE EX-MASA separated couple tries celebrating one last Christmas together with their kids before their divorce. However, the husband's new girlfriend joins the festivities, causing tension and chaos during the holidays.AIR DATE & PLATFORM FOR A MERRY LITTLE EX-MASNovember 12, 2025 | NetflixCAST & CREW OF A MERRY LITTLE EX-MASAlicia Silverstone as KateOliver Hudson as EverettJameela Jamil as TessPierson Fodé as ChetMelissa Joan HartBRAN'S A MERRY LITTLE EX-MAS SYNOPSISWe're getting a Christmas story. We meet Kate about 20 years ago, fresh out of college and starting a job at an architecture firm. She goes to a party and dances with a guy named Everett. When he decides to settle down and start his own practice, she follows him to his small town of Winter Light.Flash forward 20 years: they've decided they're getting a divorce… sorry, cautiously uncoupling. Obviously, in Winter Light, you need the mayor's approval for that. They tell him they're still going to do Christmas together as a family, and the mayor (along with all their friends) thinks they're completely insane—because apparently you can't divorce nicely.It's going to be a full house for Christmas: Kate and Everett's son Gabriel and daughter Sienna, Sienna's boyfriend Nigel (who is a Harry Potter tour guide), Kate's sister, and… apparently, Everett's new girlfriend. Kate is the last to find out and, shockingly, she's not thrilled.She runs into Everett and his girlfriend, Tess, while out in town, and it is painfully awkward.The next day, Everett tells Kate he wants everyone—including Tess—to have dinner together tonight. Kate and the kids head to Everett's house and are shocked to see how chaotic things are. The vibes are weird, but maybe they'll get better… right?The next day it's time for Christmas traditions! Bright and early, Kate takes the kids to get a tree. At the lot, she meets a hunky young Santa named Chet, who gives her his number. She shrugs it off—until feeling discouraged by all the Tess-ness and her kids rolling their eyes at her eco-friendly traditions—so she decides… yolo.Naturally, their first date is with the entire family: sledding. It does not go well, with Kate crashing. Everett rushes to check on her, and—uh oh—the old sparks start flying.Kate and Tess chat. Tess basically asks, “How did you let him get away?”Everett and Chet chat. Same conversation, obviously.Turns out, Everett worked too much, and she was just too darn environmentally friendly.Everett apologizes to Kate for not being present in their marriage, and it means a lot… until he adds that if he ever marries Tess (or anyone else), he'll be better. That sends Kate spiraling, and she destroys the gingerbread village she made. She blurts out that she “can't wait to get out of this place.” When pressed, she admits that once Gabe finishes high school, she's moving back to Boston to become an architect again.They all have Christmas dinner together and exchange gifts. Kate gets Everett the indoor grill he's always wanted instead of her usual handmade gift. Everett gets Kate her favorite perfume—made from scratch. It's very sweet. And then Tess opens her gift from Everett: AirPods. She's like, “Excuse me… you MADE your ex-wife perfume from scratch?” Things go downhill fast when the Christmas tree catches fire. Chet—naturally—strips down to help put out the fire.Though Kate finds Chet extremely amusing, she ends up breaking things off with him.Later that night, Everett surprises Kate and the kids by showing up to look through their Christmas Eve picture book like they always do—which leads to an almost-kiss.Christmas morning: Tess bows out, knowing Everett is still in love with Kate. Chet comes to pick her up, obviously.With the power out at Everett's house, everyone heads to Kate's place—because of course hers is fully battery-powered. When they arrive, the entire neighborhood is already there, praising Kate for everything she's done. Through her family and friends, Kate realizes that even though she let go of her original dream, she still made a difference.The movie ends with Everett telling Kate he doesn't want a divorce. He wants to move with her to Boston. Kate tells him she's not going to Boston. Then they kiss—big ones.A year later, Kate has opened her own sustainability company. She's the one working all the time… but in a good way. And the movie ends with “You Can Call Me Al.” Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this talk, I share my recent experience with a fragile Harry Potter ride in Universal Studios. It made me more wary of roller coasters in general. CONQUER SHYNESS

Federal agents launch immigration raids in Charlotte, North Carolina. Pope Leo hosts Hollywood stars at the Vatican. Gen Z-styled protests spread in Mexico, fueled by mayor's murder. Plus, a Tokyo bar is smashing beauty norms with muscle and protein shakes. Recommended read: The man who put Harry Potter on the map on his next chapter Listen to the latest episode of On Assignment "⁠Trump vs the BBC⁠". Sign up for the Reuters Econ World newsletter ⁠here⁠.  Listen to the Reuters Econ World podcast ⁠here⁠. Visit the ⁠Thomson Reuters Privacy Statement⁠ for information on our privacy and data protection practices. You may also visit ⁠megaphone.fm/adchoices⁠ to opt out of targeted advertising. Learn more about your ad choices. Visit megaphone.fm/adchoices

Step into the Wizarding World like never before with this immersive audiobook-style reading of the Harry Potter fanfiction masterpiece, All The Young Dudes.Written by MsKingBean89, All The Young Dudes has become one of the most beloved and widely read fanfics in the Harry Potter fandom, telling the story of the Marauders—Remus Lupin, Sirius Black, James Potter, and Peter Pettigrew—through the 1970s and beyond.✨ What to Expect:A chapter-by-chapter reading in audiobook styleThe full unabridged fanfiction text brought to lifeA relaxing, immersive listen for Harry Potter fans of all ages⚡ Credit:All writing belongs to MsKingBean89, the brilliant author of All The Young Dudes. This channel is simply providing an audio reading for fans to enjoy. You can read the original story on Archive of Our Own (AO3).

On Episode 478 we discuss...→ Radishes are for eatin' not wearing→ Secret Animagus→ They Were & They Weren't→ What We Stay Alive For→ Big Risk, Let's Go→ Faith and Skepticism: Harry and Hermione's Conflict→ Ron's Leadership: Stepping Up in Crisis Become a supporter of this podcast: https://www.spreaker.com/podcast/alohomora-the-original-harry-potter-book-club--5016402/support.

Nous explorons le chapitre 19 d'Harry Potter et l'Ordre du Phénix : «Le lion et le serpent»... 0:00 Introduction 3:36 Chapitre 1:08:37 Meilleur personnage & renommage 1:13:35 La volière Pour prolonger l'aventure Harry Potter avec nous : Facebook : https://www.facebook.com/frequence934 Instagram : https://www.instagram.com/frequence934 Discord : https://discord.com/invite/ps7FgM2bfG Twitch : https://www.twitch.tv/stream9troisquarts Notre volière : frequence934@gmail.com ou à : Fréquence 9 3/4, Espace Conquérant, 3 Place Jean Nouzille 14000 Caen FRANCE Accédez à des contenus exclusifs sur Patreon : https://www.patreon.com/frequence934 Soutenez-nous sur Tipeee : https://fr.tipeee.com/frequence934 Thème musical : Moonlight Hall, de Kevin MacLeod (Licence CC BY 3.0) Jérémy & Marina ⚡ Soutenez-nous sur Patreon et Tipeee !

Head on over to http://uncommongoods.com/supercarlin to get 15% off! J breaks down EXACTLY why the Order is such a dysfunctional disaster of a secret society, why their mistakes matter, and how an extracurricular student club ends up outperforming them in every measurable way. From losing both Wizarding Wars, to missing obvious clues, to wasting their greatest assets (TONKS!!), to forcing a teenage boy to run an illegal, underground Defense club—this organization fumbles the bag spectacularly at every turn. Let's dive into the most savage performance review Hogwarts has ever seen. #HarryPotter #SuperCarlinBrothers  Written by: J & Ben Carlin Edited by: Ethan Edghill

On this episode of The Hollywood Outsider podcast, let's see if we can make this podcast disappear by wading into the world of magic in movies and TV. David Copperfield, David Blaine, Now You See Me, Harry Potter...wait, does that count? We head into the world of magic to discuss both our fascination with the topic, as well as where it has been done well. Also, should heist movies count in this subgenre? Also on this episode, Kyle Nolan from NoReruns.net joins us to discuss showrunner trouble at the networks, a V for Vendetta series, Poker Face folds, Apple TVs Pluribus, and Netflix finally gets a jolt of life with Frankenstein. Discussed on this episode (0:00 – 21:20) Opening | Network showrunner trouble, Poker Face folds, Sydney Sweeney drama, V for Vendetta (21:21 – 47:32) From the Outside In: Magic in Movies and TV (47:33 – 56:29) Review - Now You See Me, Now You Don't (56:30 – 1:01:35) Review - Eternity (1:01:36 – 1:12:15) Whatcha Been Watching - Pluribus, Frankenstein Click here for more info on our 2026 Alaskan Cruise! Listen to our true crime podcast, Inspired By A True Story, now available in your favorite podcast feed! Please support The Hollywood Outsider and gain immediate access to bonus content, including Patreon exclusive podcast content like our Bad Movie Night by visiting Patreon.com/ TheHollywoodOutsider Be sure to join our Facebook Group Join us on Discord Follow us on X @BuyPopcorn Subscribe on Apple Subscribe on Spotify Subscribe via RSS

This week, Casper and Vanessa explore the theme of Mercy in Chapter 30 of Harry Potter and the Deathly Hallows! They discuss Harry's unforgivable curse, Percy's return, and Slughorn's options! Throughout the episode we consider the question: what is the cost of mercy?Thank you to Thulasi for this week's voicemail! Next week we're reading Chapter 31, The Battle of Hogwarts, through the theme of Freedom.Harry Potter and the Sacred Text is a Not Sorry ProductionFind us at our website | Follow us on Instagram--It's two sickles to join S.P.E.W., and only five dollars to join our Patreon for extra content every week! Please consider helping us fill our Gringotts vault so we can continue to make this show. Hosted on Acast. See acast.com/privacy for more information.

This week! Liv, Candace, and Jeremy take a little detour into sharing some of their scariest and spookiest tales. From petrifying Polaroids to demonic dreams, the Halflings dive into it all. Why are we drawn to nostalgia? What exactly makes us feel nostalgic. Within this conversation, they tackle the big elephant in the room: Harry Potter and J.K. Rowling's disappointing outlook. From plagiarism claims to damaging public statements, they unpack why separating the artist from the art doesn't hold up in this case. This episode is about the grief of losing something that once meant everything, and coming to terms with the fact that the magic didn't simply fade — it was taken. But this isn't the full story! If you want to listen to the Halfling's full discussion, head over to the Patreon where you can listen to Parts 1 and 2 right now, along with bonus solo podcasts and extra interactive elements, all completely ad free! Also - did you miss out on our first