Podcasts about ben e king

Cumplimos 590 programas y venimos con contenido contundente para celebrarlo. Nos visitan Burnt To Death al completo para charlar sobre su segundo EP "Black Dragon", repasar su camino y cebar el concierto de presentación del disco el próximo sábado 1 de Noviembre en la Lata de Zinc de Oviedo junto a Depths of Stygia y Dystopia Omen. Además no vamos solos, que fichamos a otro San Martín para las cuestiones . Y además, porque como siempre, hay mucho más, todo este menú: State of crime & science - SOCS, Blues & Decker, MOTA BLUES, La Vi Teja Del Lado Opuesto, Skama La Rede, Raposu Rock, При́пять/Pripyat, Sartenazo Cerebral, Eskorzo, Turbulento, Malverso, CRIM, Medina Azahara (página oficial), Serafin Mendoza Lacuesta, BULLET, Foo Fighters, The Mist, Limp Bizkit, Bar Rock La Clave, Ana Curra, Nine Pound Hammer y Ben E. King.

In this episode, I sit down with drummer Tom Jorgensen. He's been playing drums on the Beetlejuice national tour for the last three years. Tom talks about what makes the Beetlejuice drum book one of the most physically demanding on the road and how Shannon Ford's original approach set the tone for everything that followed.We dig into:* The sheer physical challenge of playing Beetlejuice eight times a week and how Tom reworked his setup and grip to survive it.* The philosophy he learned from jazz legend Michael Carvin — “It's not about what you're playing, it's about what you're doing” — and how that mindset keeps every performance fresh.* His time touring with Postmodern Jukebox, cutting his teeth on cruise ships, and what those experiences taught him about endurance, posture, and musical adaptability.* Lessons from working with Rich Mercurio and Nadia DiGiallonardo on Waitress, and the moment that turned a sub gig into his first big break.* The balance between consistency and creativity on tour — how to avoid burnout, stay healthy, and keep the show locked in night after night.* Why gratitude and discipline are non-negotiable for musicians who want longevity on the road.Tom's story is a reminder that Broadway drumming isn't just about chops — it's about mindset, focus, and knowing how to serve the show every night.For more: https://www.tomjorgensensound.comListen now wherever you get your podcasts.Subscribe at BroadwayDrumming101.com and pre-order my new book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career at BroadwayBoundBook.com.Mentioned in this episode:* Beetlejuice National Tour* Shannon Ford* Michael Carvin* Rich Mercurio* Nadia DiGiallonardo* Postmodern Jukebox* Waitress First National TourClayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Coming Soon: The Tom Jorgensen Broadway Drumming 101 Podcast EpisodeThere's a line that's stuck with Tom Jorgensen ever since he first heard it from jazz legend Michael Carvin:“It's not about what you're playing — it's about what you're doing.”It sounds simple. But as Tom explains in the upcoming episode of the Broadway Drumming 101 Podcast, that one sentence completely changed how he approaches music, performance, and storytelling on stage.For those who don't know Tom: he's the drummer on the North American tour of Beetlejuice The Musical, which returned to Broadway in a limited 13-week engagement at the Palace Theatre beginning October 8, 2025 and running through January 3, 2026. In this episode, Tom opens up about how Carvin's philosophy guided him through every stage of his career. From late nights on cruise ships to the bright lights of Broadway. He shares how mentors like Rich Mercurio and Nadia DiGiallonardo helped him realize that playing music isn't just about perfect notes or flawless grooves, it's about listening, intention, and being part of the story.This episode goes beyond chops and technique. It's about presence, purpose, and what it truly means to serve the music.If you've ever found yourself going through the motions—counting bars, chasing perfection, or just trying to “get through” a gig—this conversation will hit home. It's a reminder that every note, no matter how small, can help tell the story.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

The Zombies formed before the Stones and had huge hits with She's Not There and Time Of The Season. Their baroque masterpiece Odessey and Oracle now gets ranked beside Revolver and Pet Sounds. Colin Blunstone has a solo tour in 2026 and looks back here in his wood-panelled den at the first shows he played, the people he met and being No 1 in America aged 19. This too … … when your career starts at 16 “and you think it's over at 21” … seeing the Beatles at Luton Odeon and the Stones at Studio 51 Leicester Square “sitting on stools playing acoustic R&B” … winning the talent contest that got them a record deal and a worldwide hit with “the third song Rod ever wrote” … playing Murray the K's Christmas Show when No 1 in America with “all our heroes” - the Shirelles, Patti LaBelle and Ben E King … his father's warning when he wanted to go to Art School … the misspelling of Odessey And Oracle and its rushed recording at Abbey Road – “in mono when everyone wanted stereo!” … “only Kenny Everett and Penny Valentine liked it”: the album's afterlife, “now ranked alongside Revolver and Pet Sounds” … how he still hits “my suicidal top notes” and the old trick of pointing the mic at the audience if you don't want to sing them … life in an insurance office when the Zombies split and “the three writers had made all the money” … and Al Kooper, Denny Laine, Russ Ballard, Rod Argent and the time Mike Hurst inexplicably relaunched him as ‘Neil MacArthur'. Order tickets for the Believe In Miracles Tour here: https://www.colinblunstone.net/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Zombies formed before the Stones and had huge hits with She's Not There and Time Of The Season. Their baroque masterpiece Odessey and Oracle now gets ranked beside Revolver and Pet Sounds. Colin Blunstone has a solo tour in 2026 and looks back here in his wood-panelled den at the first shows he played, the people he met and being No 1 in America aged 19. This too … … when your career starts at 16 “and you think it's over at 21” … seeing the Beatles at Luton Odeon and the Stones at Studio 51 Leicester Square “sitting on stools playing acoustic R&B” … winning the talent contest that got them a record deal and a worldwide hit with “the third song Rod ever wrote” … playing Murray the K's Christmas Show when No 1 in America with “all our heroes” - the Shirelles, Patti LaBelle and Ben E King … his father's warning when he wanted to go to Art School … the misspelling of Odessey And Oracle and its rushed recording at Abbey Road – “in mono when everyone wanted stereo!” … “only Kenny Everett and Penny Valentine liked it”: the album's afterlife, “now ranked alongside Revolver and Pet Sounds” … how he still hits “my suicidal top notes” and the old trick of pointing the mic at the audience if you don't want to sing them … life in an insurance office when the Zombies split and “the three writers had made all the money” … and Al Kooper, Denny Laine, Russ Ballard, Rod Argent and the time Mike Hurst inexplicably relaunched him as ‘Neil MacArthur'. Order tickets for the Believe In Miracles Tour here: https://www.colinblunstone.net/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Zombies formed before the Stones and had huge hits with She's Not There and Time Of The Season. Their baroque masterpiece Odessey and Oracle now gets ranked beside Revolver and Pet Sounds. Colin Blunstone has a solo tour in 2026 and looks back here in his wood-panelled den at the first shows he played, the people he met and being No 1 in America aged 19. This too … … when your career starts at 16 “and you think it's over at 21” … seeing the Beatles at Luton Odeon and the Stones at Studio 51 Leicester Square “sitting on stools playing acoustic R&B” … winning the talent contest that got them a record deal and a worldwide hit with “the third song Rod ever wrote” … playing Murray the K's Christmas Show when No 1 in America with “all our heroes” - the Shirelles, Patti LaBelle and Ben E King … his father's warning when he wanted to go to Art School … the misspelling of Odessey And Oracle and its rushed recording at Abbey Road – “in mono when everyone wanted stereo!” … “only Kenny Everett and Penny Valentine liked it”: the album's afterlife, “now ranked alongside Revolver and Pet Sounds” … how he still hits “my suicidal top notes” and the old trick of pointing the mic at the audience if you don't want to sing them … life in an insurance office when the Zombies split and “the three writers had made all the money” … and Al Kooper, Denny Laine, Russ Ballard, Rod Argent and the time Mike Hurst inexplicably relaunched him as ‘Neil MacArthur'. Order tickets for the Believe In Miracles Tour here: https://www.colinblunstone.net/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Broadway Drumming 101 Podcast — Episode: Larry LelliLarry Lelli has done just about everything a Broadway drummer can do. From marching snare in Wisconsin to playing The Producers on Broadway, his story is about hard work, timing, and versatility. In this conversation, Larry talks about his early days growing up in the Midwest, his years in drum corps, the Nashville country scene, and how he built a lasting career in New York City's theater world.Larry's been behind the drum kit for shows like The Producers, Jekyll and Hyde, Les Misérables, Wicked, and The Full Monty. He's also a respected educator and clinician whose experience bridges jazz, pop, and orchestral playing.This episode breaks down how he made the jump from the road to Broadway, what it takes to earn a chair, and why learning from others is one of the smartest moves a drummer can make.Key Moments and Topics Covered00:03 – Early Years in the MidwestLarry talks about growing up in Chicago, Wisconsin, and Minnesota. He shares how he started on trombone before switching to drums and getting his first kit — a red Slingerland jazz set from the 1960s.00:05 – Marching Band and Drum CorpsHe describes how marching band led him to drum corps, playing snare with the Blue Stars. Those years shaped his reading, discipline, and love of ensemble playing.00:09 – The High School Metal BandLarry formed a heavy-metal band called Fallen Angel, later Perfect Stranger, influenced by Motley Crüe, Poison, and Ozzy Osbourne. That mix of rock energy and groove became part of his foundation.00:10 – Discovering Studio LegendsHe recalls studying the session greats — Steve Gadd, Jeff Porcaro, Hal Blaine, and JR Robinson — and how copying their records taught him to listen, absorb, and reproduce other players' feel. That skill later helped him sub successfully on Broadway.00:13 – Choosing Music Over a “Backup Plan”Despite warnings from family about the risks of a music career, Larry stayed focused. A mentor told him, “If it's the thing you must do, then you have to do it.” That advice stuck.00:16 – University of Wisconsin–Eau ClaireHe studied jazz performance, percussion, and conducting, earning a Bachelor of Music degree. He credits conductor Robert Baca and professor Ron Keiser for turning Eau Claire into a respected jazz program.00:19 – Nashville YearsLarry moved to Nashville in the early 90s and toured with the country-comedy duo Pinkerton Bowden and later with country balladeer Doug Stone. He shares what life on the road was really like and why he eventually grew tired of touring.00:24 – The Call of New YorkAfter meeting jazz players on a cruise, he decided to explore Broadway. They told him his versatility would fit New York's theater scene. His first exposure to a pit was watching Ray Marchica play Damn Yankees — a life-changing moment.00:28 – Starting Over in NYCHe saved $10,000, moved to the city, and started sitting in on shows. Early on, he learned that “no one cares what you've done anywhere else — they only care what you've done in New York.” That lesson shaped how he built credibility.00:33 – Miss Saigon: The BreakthroughMichael Hinton gave Larry a shot at subbing the massive percussion book for Miss Saigon. The score had originally been written for three percussionists. Larry practiced daily for a month and nailed his first show — instantly building a reputation as someone who could handle the hardest gig in town.00:37 – From Subbing to a ChairLarry began subbing at Beauty and the Beast, Les Misérables, and other productions, eventually holding nine different sub books at once. His first full Broadway chair came with Jekyll and Hyde.00:42 – Landing The ProducersWhen Jekyll and Hyde closed, a referral led to an audition with legendary conductor Paul Gemignani for a new show. Although that production closed quickly, the connection opened doors. A few years later, Larry joined The Producers, which became a long-running hit.00:46 – Lessons on LongevityLarry emphasizes professionalism: showing up prepared, treating every sub date like an audition, and understanding that reliability and attitude matter as much as chops. Every gig, even the short-lived ones, builds your reputation.00:48 – Teaching and Passing It OnHe now teaches drummers how to approach theater work with discipline and respect for the craft — reading, listening, blending, and adapting.Key Takeaways* Learning by listening prepares you for the realities of Broadway.* Every show, even a short run, can lead to future work.* Versatility is a drummer's greatest asset — orchestral, rock, jazz, and pop all show up in modern theater books.* Reputation is everything. People hire musicians who make their lives easier.* Keep the joy. The best drummers never lose that excitement they had as kids hitting their first kit.Connect with Larry LelliWebsite: larrylelli.comInstagram: @larrylelliAbout Broadway Drumming 101Broadway Drumming 101 is the leading platform for drummers and musicians working in theater. Subscribe to our YouTube channel for full interviews and clips, or join the membership at BroadwayDrumming101.com for behind-the-scenes videos, real-world training, and exclusive articles.Learn more about our upcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career at BroadwayBoundBook.com.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.I'm excited to share that a new Broadway Drumming 101 podcast episode with Larry Lelli will be re-released soon. I originally sat down with Larry back on December 16, 2021, and since then, his career has kept growing in remarkable ways.Larry isn't just a veteran Broadway drummer—he's now also a Broadway producer. He's gone on to co-produce Water for Elephants (opened March 21, 2024), Gutenberg! The Musical! (opened October 12, 2023), and most recently Waiting for Godot (opened September 28, 2025).Before stepping into producing, Larry built a career most musicians dream of. He's played drums and conducted for over 40 Broadway shows, including The Producers, Assassins, How To Succeed In Business, and Million Dollar Quartet. His list of collaborations is just as impressive—Melissa Etheridge, Josh Groban, Audra McDonald, Patti LuPone, Bernadette Peters, Nick Jonas, Vanessa Williams, Jerry Lee Lewis, and even the New York Philharmonic.Larry is also a clinician with Yamaha Drums and Sabian Cymbals, and you can currently catch him performing in the Tony Award-winning hit Come From Away.In our conversation, we dug into:* Growing up in the Midwest playing in baton and drum corps* Touring with country star Doug Stone after moving to Nashville* How a jazz cruise changed his life and led him to New York City* Why subbing for Michael Hinton on Miss Saigon was his big break* Learning from legends like Paul Gemignani* How he approaches learning an entire Broadway showLarry's story is a masterclass in building a long, versatile career in music—and now he's added producing to his list of achievements.Stay tuned for the re-release of this edited Broadway Drumming 101 episode. It's one you won't want to miss.https://www.larrylelli.comClayton Craddock is the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career. His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows like Rent, Motown, Evita, Avenue Q, and the Hadestown tour. He has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis. www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

We kick off Season 11 with the question: “what have we learned so far?” Our listeners chimed in with their comments and Christopher and Tom expound on lessons both sublime and absurd. Then, we get to the good stuff, with an incredible lost 1993 interview with Paul McCartney that was only discovered in the Famous Lost Words archives a few weeks ago! Paul talks about how he chooses what songs to play in concert, how The Beatles would hash out songs in the studio, plus his dedication to vegetarianism and environmental causes. It’s an excellent chat with Paul and interviewer Dale Smith, a Beatles fan who is totally in his element. Then, Tom & Christopher share some Cool Song Facts about the Beatles post breakup. This is when things were getting pretty ugly between the Fab Four. Nevertheless, there are touching moments too, like when Paul helped out George during his final weeks. And we end things off with a tribute to the R&B vocal groups from the early days of rock and roll. Ben E. King talks about his days with The Drifters, Leon Hughes reflects on the hitmaking days of The Coasters, and in a rare audio clip, Frankie Lymon talks about his music career. Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria, AM1150 Kelowna and 91x in Belleville. It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.

In which Robert & Amy discuss Life in 2025, 271 days in ... May you live in Interesting Times, indeed!  Forgiveness as hugely powerful, but nonetheless conditional.  Looking back, looking forward ... and being present in the present.  Right-sizing the news for fun & profit.  What matters, and what doesn't.  Also, Ed Sullivan, Ben E. King, knowing your neighbors, knowing yourself, and the art & science of falling out of a tree.

National drink beer day. Entertainment from 1957. 1st private space craft launched that orbited the earth, 2nd worst flood in history, Garth Brooks - 1st country album to debut at #1 on pop chart. Todays birthdays - Ed Sullivan, Tommy Collins, Ben E. King, Jeffrey Jones, Janeane Garafalo, Mira Sorvino, Naomi Watts, Karen Fairchild, Hilary Duff. Herman Melville died.Intor - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Pretty good a drinking beer - Billy CurringtonThat'll be the day - Buddy Holly & the CricketsFraulein = Bobby HelmsBirthdays - In da club - 50 Cent     http://50cent.com/You better not do that - Tommy CollinsSave the last dance for me - The DriftersDay drinking - Little Big TownCome clean - Hilary DuffExit - Livin 98 Proof - Clay Rigdon     https://clayrigdon.com/index.htmcountryundergroundradio.comHistory & Factoids webpage

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Tom "Bones" Malone.   About Tom : Tom “Bones” Malone, trombonist, multi-instrumentalist, arranger & producer is best known for his work with The Blues Brothers, David Letterman Show and Saturday Night Live. Tom has played on 4,400+ television shows, 3,500+ radio & television commercials, over 1,500 recordings and thousands of live performances throughout the world. Tom has done 3,000 arrangements for television.   Tom plays trombone, tuba, bass trombone, contrabass trombone, euphonium, bass trumpet, trumpet, flugelhorn, piccolo trumpet, alto sax, tenor sax, baritone sax, flute, piccolo, alto flute and bass flute.   “Tom Bones Malone, a multi-instrumentalist, is perhaps the most successful musician in the history of film, live television and sound recording production.” - Ray Hair, president, American Federation of Musicians   Tom has performed, recorded and/or arranged for Ray Charles, James Brown, Stevie Wonder, Paul McCartney, Gil Evans, Yes, Miles Davis, Beck, Aretha Franklin, Spyro Gyra, Jimmy Cliff, Frank Zappa, Stuff, The Temptations, The Supremes, Sting, Elton John, James Taylor, J Giels Band, Blood Sweat & Tears, The Band, Levon Helm, Phil Collins, Wilson Pickett, Sam & Dave, Ben E. King, The BeeGees, Meco, The Coasters, Bon Jovie, Carly Simon, Dr. John, Olivia Newton-John, Joe Cocker, The Meters, The Neville Brothers, Leo Sayer, Boz Skaggs, Chuck Berry, Robert Plant, Jeff Beck, Jimmy Page, Gypsy Kings, Willie Nelson, Clint Black, Dolly Parton, George Benson, B B King, Vince Gill, John Mayer, Steve Winwood, The Killers, Blues Traveler, The Stylistics, Busta Rhymes, Bonnie Raitt, Bruce Springsteen, Al Green, Gloria Estefan, Garth Brooks, Faith Hill, Eddie Harris, Cyndi Lauper, David Bowie, ‘N Sync, Coolio, Snoop Dog, 50 Cent, Solomon Burke, Steely Dan, Aerosmith, Tony Bennett, Mary J. Blige, Peter Frampton, Lyle Lovett, Etta James, Jon Secada, Joe Cocker, Sinead O'Conner, Toni Braxton, Harry Connick, Jr., Randy Newman, Little Richard, Pointer Sisters, Eric Clapton, Billy Preston, Marvin Gaye, Whitney Houston, Chaka Kahn, Four Tops, Elephant's Memory, Eddie Floyd, Count Basie, The Spinners, The Stylistics, Barry Manilow, Jose Feliciano, Woody Herman, Tom Petty, Macy Grey, Van Morrison, Frankie Valli, Hanson, Peggy Lee, Brenda Lee, Liza Minelli, Cab Calloway, The O'Jay's, Nancy Wilson, Shirley Bassey, Billy Joel, Bonnie Tyler, Lou Reed, Baja Men, Dr. Buzzard's Savannah Band, Joss Stone, Dionne Warwick, Meatloaf, Ashford & Simpson, Pat Metheny, David Sanborn, Luther Vandross, Teddy Pendergrass, Glen Campbell, Malo, Vicki Sue Robinson, Mandrill, Gladys Knight & The Pips, Diana Ross, Average White Band, Dreamgirls, Van McCoy, Mongo Santamaria, Instant Funk, Stephanie Mills, Herbie Mann, Paul Simon, Gloria Gayner, Plácido Domingo, Village People, Bobby Blue Bland, Pink Floyd, Hubert Laws, Tina Turner, Joe Jackson, Chuck Mangione, Lou Rawls, David Byrne, Phil Woods, James Ingram, Hank Crawford, Carmen McRae, Bette Midler, Phoebe Snow, Rupert Holmes, BJ Thomas, Samantha Sang, Al Jarreau, Sheena Easton, Johnny Taylor, Little Milton, Stanley Clark, Little Anthony & The Imperials, Joe Pesche, Ron Carter, Buddy Rich, Les Elgart, Larry Elgart, Billy Cobham, Louis Bellson, Stanley Turrentine, Gato Barbieri, Ringo Starr, Lady Gaga, Bob Geldoff, Debbie Harry, Run DMC, Ricky Martin, John Mellencamp, Eurythmics, Rufus Thomas, Debby Harry, Run DMC, Ricky Martin, Shaggy, John Mellencamp, Chris Montez, Joey Dee, Dusty Springfield, The Blues Brothers, Hanson and many others.

What makes a classic compilation album? This week, Dude and Don explore the role compilations play in music history: introducing new genres, bridging musical generations, and proving the staying power of great songs. From Stax and Atlantic soul to KISS's stadium anthems reimagined, we celebrate two landmark compilations that defined eras for new listeners and longtime fans.The Theme: Why Compilations MatterVarious artist compilations curate the sound of a scene, a label, or a moment, letting listeners discover diverse voices side by side. Whether for promotion, charity, or creative tribute, these albums shape how entire generations experience and remember music.Album #1: This Is Soul (1968)Artists: Wilson Pickett, Aretha Franklin, Otis Redding, Carla Thomas, Percy Sledge, Sam & Dave, Ben E. King, moreBackground: Issued by Atlantic Records for the UK, showcasing both Stax and Atlantic soul stars; quickly became the UK's gateway to American soul. Features 12 definitive tracks from Pickett's “Mustang Sally” to Aretha's “I Never Loved a Man (The Way I Love You)”.Sound: Cohesive due to Muscle Shoals and Stax/Volt studio magic—tight grooves, big horns, urgent vocals.Legacy: Cemented soul's place in popular music; educated a generation; still one of the best introductions to the genre.Songs: “Mustang Sally,” “When a Man Loves a Woman,” “B-A-B-Y,” “Fa-Fa-Fa-Fa-Fa (Sad Song),” “Land of a Thousand Dances” and more.Album #2: Kiss My Ass: Classic Kiss Regrooved (1994)Artists: Lenny Kravitz (with Stevie Wonder), Anthrax, Garth Brooks, Shandi's Addiction, Toad the Wet Sprocket, moreBackground: Official 20th-anniversary KISS tribute, curated by Gene Simmons, uniting alt-rockers, country stars, and metal bands; gold-certified, sweeping styles from rock to orchestral piano.Sound: Every cover brings a new color—funk-infused by Kravitz, thrash by Anthrax, mellow by Toad. Highlights what makes KISS songs durable.Legacy: Shifted focus from KISS's image to their songwriting craft, underlining their influence across genres and eras.Songs: “Deuce,” “Calling Dr. Love,” “Rock and Roll All Nite,” “Black Diamond,” and more reimagined for the ‘90s and beyond.Diggin'Curtis Harding – Departures & Arrivals: Adventures of Captain Curt (2025): Space-funk concept album with deep soul roots.Ratt – Out of the Cellar (1984): Polished ‘80s glam metal and classic MTV glam hooks.Cut Copy – Moments (2025): Australian indie-dance euphoria.Anne Murray – Here You Are (2025): Canadian pop/country veteran covers timeless standards.Join the ConversationWhat compilations got you hooked on a genre or artist? Share with us on Instagram, Facebook, Threads, or BlueSky @albumnerds or email podcast@albumnerds.com. For more, check albumnerds.com and subscribe wherever you listen.Wrap up: “Classic compilations like these aren't just playlists—they're passports to musical worlds. Keep spinning, keep diggin', and keep sharing the records that move you!”

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Today's guest is a little different. Usually, I feature drummers on this podcast, and we've had some incredible ones—plus music directors like Nate Patten and music coordinators like Michael Aarons and Michael Keller. But this time, I wanted to bring on someone I've known and played with for the past ten years, a true “Piano Man” and multi-instrumentalist who has made his mark on Broadway and beyond: Matthew Friedman.Matthew isn't just a pianist—he's a singer, a bandleader, a composer, and yes, even a drummer. He was “The Piano Man” in the national touring company of Movin' Out and has performed with the legendary Lords of 52nd Street, Billy Joel's original band. He's also been part of Broadway productions like Jersey Boys and Smokey Joe's Café, while leading his own group, Matthew Friedman & Stiletto.In this episode, we talk about:* His early start in music and the influences that shaped him.* How he made the leap from being an attorney to a full-time musician.* The highs and lows of touring life—from first-class gigs to rough bus-and-truck runs.* Stories from his time on Broadway, including connections to past podcast guest Jon Berger and future guest Joe Bergamini.* What it means to be more than just a player in the pit—how to lead, adapt, and thrive as a versatile instrumentalist.Matthew has great stories, big insights, and a unique perspective on what it takes to succeed in this business—not just as a drummer, but as a full-fledged musician and bandleader.Some clips of me playing a fun gig with him several years ago:Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Originally posted December 2021In this episode of Broadway Drumming 101, I sit down with Dena Tauriello, the drummer for Little Shop of Horrors at the Westside Theatre. From her first sparkle kit inspired by Karen Carpenter to a career that's taken her from rock arenas to Broadway pits, Dena shares a powerful story about perseverance, adaptability, and passion.Dena spent nearly two decades with the all-female rock band Antigone Rising, logging more than 260 shows a year, signing with Lava/Atlantic Records, and sharing bills with bands like Aerosmith, the Rolling Stones, and The Bangles. Along the way, she learned the grind of life on the road, the frustration of being pigeonholed as “girl music,” and the discipline that comes from playing night after night. Those experiences became the foundation for her eventual move to Broadway.Her first Broadway chair came in Head Over Heels, the Go-Go's jukebox musical that featured an all-female band. From there, Dena's career expanded into multiple productions, including Kristin Chenoweth: For the Girls, The Cher Show (as a sub), Magic Mike the Musical (Broadway Lab), and her current run in Little Shop of Horrors. She also subs on Hamilton, Six, and at the origial run of Beetlejuice.In our conversation, Dena opens up about the realities of the pit:* Why no two shows are ever the same and why you can never “phone it in”* The discipline it takes to stay fully present eight times a week* How playing in Antigone Rising prepared her for the demands of Broadway* What she looks for when hiring subs and why paying it forward matters* The role of Ableton, click tracks, and sound cues in modern Broadway drumming* Her full gear setup: Pearl drums, Zildjian cymbals, Evans heads, Promark sticks, and custom in-ears* Why she always keeps charts in front of her—even after memorizing the showDena also talks about the surreal moment of playing on stage with the Go-Go's, interviewing Gina Schock for Modern Drummer, and what it feels like to see the Head Over Heels Playbill now preserved in the Rock & Roll Hall of Fame.This is a conversation filled with honesty, humor, and hard-won lessons for any drummer dreaming of breaking into Broadway—or simply learning how to thrive in the unpredictable world of live performance.For more about Dena: https://www.denatauriello.comClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

All week we're revisiting archival interviews with key figures in early rock and roll, rockabilly and R&B. Soul singer Ben E. King began his career in the ‘50s with The Drifters but it was the '61 hit "Stand by Me" that sealed his musical legacy. He spoke to Fresh Air in 1988. We also listen back to a 1991 interview with lyricist Jerry Leiber and composer Mike Stoller, who wrote and produced music for King. Plus, we'll revisit Terry Gross' 1993 interview with Jerry Wexler, the hitmaker who coined the term "rhythm and blues."Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

All week we're revisiting archival interviews with key figures in early rock and roll, rockabilly and R&B. Soul singer Ben E. King began his career in the ‘50s with The Drifters but it was the '61 hit "Stand by Me" that sealed his musical legacy. He spoke to Fresh Air in 1988. We also listen back to a 1991 interview with lyricist Jerry Leiber and composer Mike Stoller, who wrote and produced music for King. Plus, we'll revisit Terry Gross' 1993 interview with Jerry Wexler, the hitmaker who coined the term "rhythm and blues."Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

"Now more than ever." We say it so often the true meaning of it is in danger of getting lost. We didn't ask to be put in the daily pressure cooker that is society in the year 2025, but we're here and we HOPE we're getting our message out there. Badass drummer and swell human being Michael Collins knows what we're after, and he is on hand to help give us more. More hope. Top Ten Soulful Songs Of Hope Volume 2 marches on with the top half of our list here in Part 2. Picks 5-1 are revealed as is the true righteous character of the artists and songwriters that bring us this amazing and hopefully hopeful soulful playlist. If you missed Part 1, find it wherever you get your podcasts, or here:https://podcasts.apple.com/us/podcast/episode-682-top-ten-soulful-songs-of-hope-volume-2/id573735994?i=1000722496002Get your fill of Soulful Songs Of Hope from the official TTSSOH Spotify playlist, featured all songs heard in Parts 1 & 2, bumper songs included:https://open.spotify.com/playlist/3FYxDgwNPbru94HB5grSdd?si=f246cc56d8f04513If you missed Top Ten Soulful Songs Of Hope Volume 1 with the great Rick Torres from 2020, check it out in the archives:https://www.mixcloud.com/beneisen/episode-428-top-ten-soulful-songs-of-hope-wrick-torres/?fbclid=IwY2xjawMPILpleHRuA2FlbQIxMABicmlkETFDbWRkbVNZQnlpb3lyVWNzAR7-4Ws8d6cH_rpJQ8DZ0JUZ09GY1wVNrNP1Nk53SJWnxVSPJGW6ttxVqHclZg_aem_I5V989hD0vYeaXQFJg76yAAll hail the great Michael Collins! Follow this gen-yu-wine rock star drummer on the socials:https://www.instagram.com/amichaelcollinsdrums/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Volume 18 dropped August 1st featuring the delightful Matt Dinan in his solo EP debut. Good times! Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting it up about music over on the ATTT Facebook Group. Join us and start a conversation!https://www.facebook.com/groups/940749894391295

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode, I talk with Michael Manasseh, the drummer for the current Hadestown national tour. Michael shares his unique path from studying economics at Columbia University to landing gigs on Broadway tours, and how his early training shaped the versatile musician he is today.We talk about:* How growing up in Boston, church music, and early jazz studies shaped his drumming identity* His college years at Columbia, balancing academics with student theater, and realizing music could become a career* The turning point of joining Muse (Musicians United for Social Equity) and mentorship with John Clancy, which led to his first big break on the Shrek tour* What it's like playing Hadestown night after night—the mental and physical demands, the freedom to improvise, and why it feels like “jazz theater”* Stories from the road, including near-misses with quick costume changes, learning directly from orchestrators, and pulling influences from Art Blakey to Mark Guiliana* His perspective on the business side of Broadway, the economics of touring shows, and why relationships—not transactions—drive opportunities for drummersMichael's story highlights not just the technical side of playing drums on a major tour, but also the importance of balance, community, and adaptability in building a long-term career in theater.If you're a drummer looking to break into Broadway—or just want to hear what life is really like behind the kit on a national tour—you won't want to miss this conversation.More about Michael: https://www.michaelmanassehmusic.com/If you want to understand how to make a lasting career in this business — not just play the music — my upcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career dives deep into both the art and the industry.Subscribe to Broadway Drumming 101 so you don't miss Michael's episode and other conversations that go beyond the notes.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.The next episode of the Broadway Drumming 101 Podcast features a great conversation with Michael Manasseh, drummer and percussionist for the most recent North American tour of Hadestown.Michael's musical journey started at the age of five and has taken him through an impressive range of experiences. From big band and small combo work at The Rivers School in Weston, MA, to prestigious jazz programs like The NEC Jazz Lab, Berklee's Five-Week Jazz Workshop, and the Vail Jazz Workshop, he built a deep foundation in multiple styles. In college, he studied under Vince Cherico, Bruce Barth, David Gibson, and Don Sickler, and played in 11 theater productions, including In The Heights, Head Over Heels, and Pippin. He eventually graduated from Columbia University with a degree in Economics and Mathematics.What made this conversation stand out was Michael's curiosity about not just drumming, but the business side of Broadway. He talked about joining a co-producing team for Lumpica, helping to fundraise for the production, and learning firsthand how tight the margins are in theater. From the massive cost of putting up a show to the weekly expenses that can make or break a production, Michael brings a perspective that every theater musician should hear.If you want to understand how to make a lasting career in this business — not just play the music — my upcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career dives deep into both the art and the industry.Subscribe to Broadway Drumming 101 so you don't miss Michael's episode and other conversations that go beyond the notes.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Originally posted November 2021Paul Pizzuti has over fifty years of experience playing shows, making him one of the most seasoned and respected drummers on Broadway. He's a musician everyone should listen to when it comes to understanding what it takes to build and sustain a successful career playing Broadway musicals.In this episode, we discuss:* Playing the musical Candide* Landing the original Godspell* Handling a performance during the 1977 New York City blackout* Working on the original Evita* Why Merrily We Roll Along closed quickly but became a classic* How a chain of small connections led to a seven-year run on Cats* Sight-reading the TONY Awards show* Leaving the business altogether for a short period of time* Being the China Club house drummer on Wednesday nights* Recording the cast albums for Assassins and Crazy For You* Working on Gypsy with Patti LuPone* Observing the transition from no monitors in Broadway pits to personal monitoring systemsPartial list of Paul's Broadway and concert credits:* She Loves Me* Far Away Places: Live at 54 Below w/ Patti LuPone* The Other Duke: Tribute to Duke Pearson* How to Succeed in Business Without Really Trying* Merrily We Roll Along* Another Monday Night* The Lady with the Torch w/ Patti LuPone* Rodgers & Hammerstein's South Pacific, in Concert from Carnegie Hall* Pacific Overtures* Big Band Blues* Into the Woods* The Frogs / Evening Primrose* Kiss Me, Kate* Fifteen-Year Anniversary w/ Betty Buckley* Big* A Christmas Carol* Crazy for You* Assassins* Cats* …and many moreI just released a free PDF every working musician needs—and it's not just for drummers.It's called “20 Smart Questions to Ask Before Saying Yes to Any Gig,” pulled straight from my upcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career. This book is packed with tools, insights, and real-world advice to help you navigate the ups and downs of a music career.This checklist will help you:* Avoid gigs that aren't worth your time* Spot red flags before you commit* Make sure the money, the people, and the music are right* Say no with confidence—or yes with clarityGrab your free copy here:

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this video episode, I sit down with drummer and Hawaii native Pili Fronda—and fair warning: you might learn more about Hawaiian history, food, geography, and culture than you expected. And I'm not mad about it…because I love Hawaii as much as Pili does.What started as a conversation about drums quickly turned into a deep dive into the mountains of Maui, eating poke in Vegas, dodging cliffs on the road to Hana, and unpacking what it really means to grow up Hawaiian.Pili shares powerful insight into his upbringing, the meaning behind his full name (which you'll want to hear him pronounce), and how the cultural values of the islands shaped his character and musical path. We talk about the community spirit of Hawaii, how music is integrated into education there, and how his influences—from reggae to Latin percussion to gospel—eventually led him to the national tour of Mrs. Doubtfire.Later on, Pili breaks down how he landed that tour gig right out of college, how he prepared for it, and what it really takes to succeed on the road. It's an inspiring conversation with a young musician doing it right—with humility, discipline, and heart.Watch, enjoy, and if you like what you see, hit that subscribe button on the Broadway Drumming 101 YouTube channel. There's more great content coming your way, with new videos dropping regularly.And if you're looking to build your own career in musical theater, stay tuned. Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career is almost done—and I can't wait to share it with you. This book covers everything I've learned about getting the gig, keeping it, and building something bigger.Sign up at www.BroadwayBoundBook.com to stay updated on the release.For more about Pili, visit www.pilifronda.com.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode, I sit down with drummer and Hawaii native Pili Fronda, and fair warning: you might learn more about Hawaiian history, food, geography, and culture than you bargained for. And I'm not mad about it…because I love Hawaii as much as Pili does. This conversation might've started out about drums, but before we even hit the 10-minute mark, we were deep in the mountains of Maui, eating poke in Vegas, dodging cliffs on the road to Hana, and breaking down what it really means to grow up Hawaiian.Pili shares powerful insight into his upbringing, the meaning behind his full name (which you're going to want to hear him pronounce), and how the cultural values instilled in him shaped not just his character, but his entire musical path. We also talk about the community-centered spirit of the islands, the way music is woven into Hawaiian education, and how Pili's musical influences—from reggae to Latin percussion to gospel—led him to the national tour of Mrs. Doubtfire.Later in the episode, we dig into his process for landing that tour gig straight out of college, how he prepared for it, and what it takes to thrive on the road. This is an inspiring conversation with a young musician who's doing things the right way, with humility, discipline, and heart.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.For more about Pili: www.pilifronda.comAnd if you're looking to build your own career in musical theater, I've got something coming for you. Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career is almost finished, and I can't wait for you to read it. This book breaks down everything I've learned over decades in the industry, what it takes to get the gig, keep it, and grow beyond it. Sign up for our email list at www.BroadwayBoundBook.com to stay updated on the release.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Originally released in 2021, this episode is a masterclass in what it really takes to make it on Broadway and beyond. Jake Goldbas was at the time, the drummer for Dear Evan Hansen. He shares his incredible journey from growing up in Connecticut to playing for some of the biggest names in music, including Aretha Franklin, Patti Austin, and The O'Jays.In this conversation, we talk about:* How a subway bucket drummer sparked Jake's passion for rhythm* The power of preparation when subbing on Broadway* Why being early (not just on time) sets you apart in the business* Valuable lessons from legends like Bernard Purdie* The reality of building trust as a sub and making the right impressionIf you've ever wondered how to break into the Broadway scene, this episode gives you a front-row seat to the mindset, hustle, and professionalism required.Sign up at BroadwayBoundBook.com for updates on Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 22ú lá de mí Iúil, liomsa Lauren Ní Loingsigh. I 1983 chaill 15 aire sóisearach a carr de bharr go raibh gearradh siar de 1 milliún punt. I 1994 tháinig nuacht iontach amach don tír mar go raibh an eacnamaíocht chun ardú 6% tar éis bliain uafásach I 1993. I 1977 tháinig an t-ambasadóir nua ó Mheiriceá chuig an tír. I 1983 bhí raic sa chomhairle de bharr an mholadh chonradh nua. Sin Donna Summer le I Feel Love – an t-amhrán is mó ar an lá seo I 1977. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1989 chuaigh Martika chuig uimhir a haon I Meiriceá lena hamhrán Toy Soldiers agus d'fhan sí ann ar feadh dhá sheachtain. Chuaigh sí chuig uimhir a cúig sa Bhreatain. I 2004 fuair amhránaí Arthur Crier bás de bharr cliseadh croí. Bhí sé ball de The Chimes agus d'oibrigh sé le Little Eva, Gene Pitney, The Four Tops. The Temptations, Ben E.King, Johnny Nash agus The Coasters. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh amhránaí Selena Gomez I Meiriceá I 1992 agus rugadh aisteoir Willem Dafoe I Meiriceá ar an lá seo I 1955 agus seo chuid de na rudaí a rinne sé. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 22nd of July, with me Lauren Ní Loingsigh 1983: 15 junior ministers lost state cars in £1m cut. 1994: Booming economy was to grow by 6pc after flat 1993. 1977: New U.S ambassador to Ireland arrived. 1983: There was council uproar over contract recommendation. That was Donna Summer with I Feel Love – the biggest song on this day in 1977 Onto music news on this day In 1989 Former actress Martika started a two week run at No.1 on the US singles chart with 'Toy Soldiers', a No.5 hit in the UK. 2004 American singer, songwriter and producer Arthur Crier died of heart failure. Member of The Chimes and had worked with Little Eva, Gene Pitney, The Four Tops, The Temptations, Ben E. King, Johnny Nash and The Coasters. And finally celebrity birthdays on this day – singer Selena Gomez was born in America in 1992 and actor Willem Dafoe was born in America on this day in 1955 and this is some of the stuff he has done. I'll be back with you tomorrow with another edition of Ar An Lá Seo.

What does it take to go from high school marching band to playing drums for major Broadway tours? Meet Jaren Angud, a versatile percussionist whose journey has taken him from ska cover bands in garages to international stages with Disney and beyond.In this episode, Jaren and I dive deep into his story:* How a high school French horn mishap led him to drums* Playing in ska and punk bands before discovering theater music* Why he originally planned to be an engineer, not a musician* The moment he decided to pursue music seriously and how grad school shaped his path* Landing national and international tours like Flashdance The Musical and Beauty and the Beast* Touring across the U.S. and overseas—from Cairo to Qatar—and what it taught him about culture, travel, and resilience* What life is like as the drummer for the First National Tour of Back to the Future: The Musical* How he and his wife turned RV living into a full-time touring lifestyle* Managing fitness, routine, and mental focus while on the road* Advice for drummers who want to break into the Broadway world: versatility, preparation, and mindsetJaren's story is full of practical advice, real-life insights, and inspiring lessons about saying “yes” to opportunities and staying ready for the big call.Mentioned in this episode:* His early influences: Travis Barker, ska bands, and marching percussion* Transitioning from music education to performance* Why being a “total drummer” is the key to success* Tips for navigating long-haul touring, from budgeting to health* The reality of subbing on Broadway and how Jaren prepared for Back to the FutureWhether you're a drummer dreaming of Broadway, a musician navigating freelance life, or someone curious about the touring lifestyle, this episode is packed with valuable takeaways.And if you've ever dreamed of building a theater career of your own, my new book is almost here.Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career is launching soon.Get your name on the list at BroadwayBoundBook.com to be among the first to grab a copy when it drops.Thanks for listening!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2016 conversation with Mike Stoller. ABOUT MIKE STOLLERMike Stoller has written more than 60 songs that have appeared on the Billboard charts, including the #1 hits “Hound Dog,” “Kansas City,” “Yakety Yak,”  “Searchin',” “Jailhouse Rock,” “Poison Ivy,” “Stand By Me,” “Young Blood,” “Don't,” and “Ruby, Baby." After Stoller and songwriting partner Jerry Leiber found early R&B success with recordings by Little Esther, Charles Brown, Ray Charles, and Big Mama Thornton, Elvis Presley turned their song "Hound Dog" into a #1 single on the pop, R&B, and country charts in 1956. Elvis went on to record more than 20 Leiber and Stoller titles, including the hits "Love Me," "Loving You," "Jailhouse Rock," "Treat Me Nice," "She's Not You," and "Bossa Nova Baby." Mike and Jerry signed an independent production deal with Atlantic Records in the mid-1950s, where they wrote and produced a series of hits for several artists, including the Drifters' "There Goes My Baby," "Dance With Me," and "On Broadway." Additionally, the pair wrote and produced all the Coasters' singles, including "Young Blood," "Searchin'," "Charlie Brown," "Along Came Jones," and "Poison Ivy." Other highlights from the Leiber and Stoller songbook include "Love Potion No. 9," which was a hit for both the Clovers and the Searchers, and "Is That All There Is," which was a hit for Peggy Lee. Eleven different versions of their song “Stand By Me” appeared on the Billboard charts over the span of 50 years, with the original version by Ben E. King hitting the Top 10 in both 1961 and 1986. Smokey Joe's Cafe, which included 40 Leiber and Stoller songs, opened in 1995 and became the longest running musical revue in Broadway history. Stoller received the prestigious ASCAP Founders Award in 1991, has a star on the Hollywood Walk of Fame, and is a member of both the Songwriters Hall of Fame and the Rock and Roll Hall of Fame.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.We're closing in on 100 interviews here at Broadway Drumming 101, and we're just getting started. We've got a great lineup ahead. Upcoming episodes include conversations with:* Pili Fronda* Michael Manesseh* Matthew Friedman* Joe Bergamini* Tom Jorgensen* Trevor HolderWe're also re-releasing some Broadway Drumming 101 Classic Episodes you may have missed, featuring:* Jesse-Ray Leich* Jake Goldbas* Paul Pizzuti* Dena Tauriello* Larry Lelli* Rich Rosenzweig* Elena Bonomo…and many more.Be sure to subscribe on Spotify, Apple Podcasts, or wherever you listen. And subscribe to the Broadway Drumming 101 YouTube channel for behind-the-scenes video content.In this episode, I talk with Augusto Oropeza, the drummer on the national tour of Ain't Too Proud – The Life and Times of the Temptations. He shares what it's really like playing this music night after night, life on the road, his transition from an IT career into full-time performance, and the story of how he landed the gig in the first place.We discuss:* How he went from auditing the show to joining the cast on tour* The challenges of split-week travel and three-city weeks* Why he left behind a steady job in cybersecurity to chase his dream* His influences—from Jonathan Moffett and Vinnie Colaiuta to Karen Carpenter and Sheila E* What it takes to stay healthy and injury-free on tour* The importance of networking, versatility, and being a good hang* The reality of drum booths, tight pits, late-night DoorDash, and finding community on the road* How Cirque du Soleil and musical theater sparked his passion for live performanceThis is an honest and inspiring look at what it means to live the touring musician's life.Support the show by visiting our merch store: merchandise.broadwaydrumming101.comAnd if you've ever dreamed of building a theater career of your own, my new book is almost here.Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career is launching soon.Get your name on the list at BroadwayBoundBook.com to be among the first to grab a copy when it drops.Thanks for listening!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

It's a classic episode of Baxie's Musical Podcast with guitar legend Carlos Alomar from June of 2023! From 1974 to 2003 Carlos Alomar was the longest serving band member during David Bowie's historic career. He served as one of the key members of Bowie's infamous D.A.M. rhythm section--playing during the most artistically power stretch of his career. But that's not all. Carlos has played on more than 30 different gold or platinum albums with an enormous resume that includes names like James Brown, Chuck Berry, Bruce Springsteen, Duran Duran, Alicia Keyes, Iggy Pop, Luther Vandross, The Pretenders, Simple Minds (featuring his wife Robin Clark), Ben E. King, The Main Ingredient, and the late Tina Turner as well. This is one of the most astonishingly brilliant guests EVER! One of my favorite episodes! Absolutely amazing! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.We're closing in on 100 interviews here at Broadway Drumming 101, and we're just getting started. We've got a great lineup ahead. Upcoming episodes include conversations with:* Pili Fronda* Michael Manesseh* Matthew Friedman* Joe Bergamini* Tom Jorgensen* Trevor HolderWe're also re-releasing some Broadway Drumming 101 Classic Episodes you may have missed, featuring:* Jesse-Ray Leich* Jake Goldbas* Paul Pizzuti* Dena Tauriello* Larry Lelli* Rich Rosenzweig* Elena Bonomo…and many more.Be sure to subscribe on Spotify, Apple Podcasts, or wherever you listen. And subscribe to the Broadway Drumming 101 YouTube channel for behind-the-scenes video content.In this episode, I talk with Augusto Oropeza, the drummer on the national tour of Ain't Too Proud – The Life and Times of the Temptations. He shares what it's really like playing this music night after night, life on the road, his transition from an IT career into full-time performance, and the story of how he landed the gig in the first place.We discuss:* How he went from auditing the show to joining the cast on tour* The challenges of split-week travel and three-city weeks* Why he left behind a steady job in cybersecurity to chase his dream* His influences—from Jonathan Moffett and Vinnie Colaiuta to Karen Carpenter and Sheila E* What it takes to stay healthy and injury-free on tour* The importance of networking, versatility, and being a good hang* The reality of drum booths, tight pits, late-night DoorDash, and finding community on the road* How Cirque du Soleil and musical theater sparked his passion for live performanceThis is an honest and inspiring look at what it means to live the touring musician's life.Support the show by visiting our merch store: merchandise.broadwaydrumming101.comAnd if you've ever dreamed of building a theater career of your own, my new book is almost here.Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career is launching soon.Get your name on the list at BroadwayBoundBook.com to be among the first to grab a copy when it drops.Thanks for listening!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Originally released: October 2021In this classic episode, I talk with Dennis Arcano—an all-around force in the musical theater world: Educator / Audio Engineer / Synth & Drum Programmer / Composer. He's subbed on shows like Death Becomes Her, tick, tick...BOOM!, Altar Boyz, The 25th Annual Putnam County Spelling Bee, Jagged Little Pill, and more.Dennis and I go way back, and in this episode, we talk about how he broke into the scene, from his first professional gig at Candlewood Playhouse to subbing on Broadway. He shares how a single connection led to his first Broadway subbing gig on Follies, and how that eventually led to touring tick, tick...BOOM! with his wife alongside him.He gets into:* How to properly prepare for a subbing gig (and what not to do)* His path as a multi-instrumentalist and why that matters* Why it's important to play like the drummer you're subbing for* His philosophy on groove, gear, teaching, and building trust in the pit* What it was like to come back to Broadway years later for Jagged Little PillThis episode is a masterclass in professionalism, humility, and the power of staying ready. Whether you're a drummer looking to break into the Broadway scene or someone who wants to understand what it really takes to make it, this is one worth going back to.Listen now and subscribe to the podcast for more inspiring and honest conversations with the drummers behind the shows.And grab your copy of my book: BroadwayBoundBook.comClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode, Clayton chats with drummer Patrick Phelan IV, the current touring drummer for the Shucked First National Tour. Patrick shares how a random hangout in NYC led to his first Broadway subbing opportunity and how he's since built a career full of friendship, groove, and grit.We dive into his musical upbringing in Wisconsin, where he studied classical percussion at the University of Wisconsin–Eau Claire, and how his early decision to leave veterinary studies for a life behind the drum kit changed everything. Patrick talks about balancing eight shows a week, playing pickleball and golf to stay sane on the road, and bleeding all over his snare in Dallas — literally.Patrick also opens up about:* His deep love for Yacht Rock and why he dreams of touring with Michael McDonald or Christopher Cross* Learning to play entire shows from Vimeo videos (with no charts!) — like his recent tour with Clay Aiken & Ruben Studdard* Why subbing on Shucked led to a national tour* Playing music for music's sake—not just for the showWhether you're a drummer, a theater musician, or someone trying to figure out how to break into the Broadway world, this episode is packed with real advice, honest stories, and some good laughs.Featured Topics:* Getting into musical theater through friendship and trust, not just auditions* Classical chops meeting country-pop grooves on Shucked* Why networking isn't just schmoozing—it's about real human connection* Staying musically inspired while playing the same show night after night* The role of joy, artistic outlets, and “pretending you're at your own rock concert” when playing in isolationAbout Patrick Phelan:Outside of Broadway, Patrick has toured internationally with Americana band Them Coulee Boys, recording the album Die Happy, which charted on the American Radio Album charts. He played for the Grammy-nominated Jazz Ensemble 1 at the University of Wisconsin–Eau Claire and performed at PASIC with the UWEC percussion quartet. Patrick also teaches private lessons in drum set, concert percussion, and piano.Connect with Patrick:Instagram: @patrickphelan4Email: patrickphelan4@gmail.comCheck out the Broadway Bound and Beyond book and merch!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode, Clayton chats with drummer Patrick Phelan IV, the current touring drummer for the Shucked First National Tour. Patrick shares how a random hangout in NYC led to his first Broadway subbing opportunity and how he's since built a career full of friendship, groove, and grit.We dive into his musical upbringing in Wisconsin, studying classical percussion at UW–Eau Claire, and how his early decision to leave veterinary studies for a life behind the drum kit changed everything. Patrick talks about balancing eight shows a week, playing pickleball and golf to stay sane on the road, and bleeding all over his snare in Dallas — literally.Patrick also opens up about:* His deep love for Yacht Rock and why he dreams of touring with Michael McDonald or Christopher Cross* Learning to play entire shows from Vimeo videos (with no charts!) — like his recent tour with Clay Aiken & Ruben Studdard* Why subbing on Shucked led to a national tour* Playing music for music's sake—not just for the showWhether you're a drummer, a theater musician, or someone trying to figure out how to break into the Broadway world, this episode is packed with real advice, honest stories, and some good laughs.Featured Topics:* Getting into musical theater through friendship and trust, not just auditions* Classical chops meeting country-pop grooves on Shucked* Why networking isn't just schmoozing—it's about real human connection* Staying musically inspired while playing the same show night after night* The role of joy, artistic outlets, and “pretending you're at your own rock concert” when playing in isolationAbout Patrick Phelan:Outside of Broadway, Patrick has toured internationally with Americana band Them Coulee Boys, recording the album Die Happy, which charted on the American Radio Album charts. He played for the Grammy-nominated Jazz Ensemble 1 at the University of Wisconsin–Eau Claire and performed at PASIC with the UWEC percussion quartet. Patrick also teaches private lessons in drum set, concert percussion, and piano.Connect with Patrick:Instagram: @patrickphelan4Email: patrickphelan4@gmail.comCheck out the Broadway Bound and Beyond book and merch!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

What happens when you're brand new to NYC, hanging out between shows, and you meet someone who might change your life? That's exactly what happened to drummer Patrick Phalen.In this candid clip, Patrick shares how a simple hangout with Shannon Ford and Joshua Samuels, who were both playing Beetlejuice, introduced him to Emma Ford, who later offered him the chance to sub on Shucked. Fast forward, and he's now on the First National Tour.The episode drops on Saturday, June 21st!Listen on Apple Podcasts or Spotify⭐️ Please subscribe, rate, and review—it helps more people discover the show and supports what we're building with Broadway Drumming 101.Hit that follow button, tell a friend, and join us as we explore the real stories behind Broadway's pit musicians.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this classic episode of Broadway Drumming 101, I chat with the multi-talented percussionist Joshua Mark Samuels, whose Broadway journey spans from singing and dancing as a child in California to holding down chairs in some of the biggest shows on Broadway and Radio City.We initially chatted in October of 2021, but I wanted to share this episode again. It's funny, thought-provoking, and incredibly informative. Episode Highlights:* Early Musical Roots: Josh shares stories of growing up in L.A., starting drum lessons at the age of two and a half, and learning music theory from his legendary uncle, Dave Samuels.* Dual Passions: How Josh navigated his love for both performing on stage and playing in orchestras, eventually fusing both into a career in musical theater.* Cruise Ship Hustle: Becoming a music director at age 21 and realizing pit drumming was his true calling.* Move to NYC: Josh recounts his unexpected relocation to New York and how one subway ride introduced him to Broadway drummer Gary Seligson, kick-starting his networking journey.* Landing Marvelous Wonderettes & Godspell: Hear how obsessive preparation, transcriptions, and laser-focused practice helped Josh build a strong reputation as a sub.* Radio City Christmas Spectacular: What it's really like to play 200+ shows in two months with the Rockettes—and why this gig is one of the most demanding in the business.* Subbing Philosophy: Learn why being effective matters more than being right, how to take notes without ego, and why watching the conductor is non-negotiable.* Building a Career: Josh offers insight into the importance of relationships, people skills, and being someone others want to be around, on and off the bandstand.Key Takeaways:* “Subbing is a people game. It's not just about chops—it's about trust.”* “Obsessive preparation isn't about showing off—it's about honoring the gig.”* “You don't succeed on Broadway because you're the best player. You succeed because you're the best fit.”About Joshua Mark Samuels:Josh currently holds the drums/percussion chair at Maybe Happy Ending on Broadway. His resume includes work on notable productions such as Beetlejuice, Aladdin, Miss Saigon, Jersey Boys, Chaplin, Godspell, A Bronx Tale, and Sunset Boulevard, among others. He's performed all three percussion books (drums, timpani, mallets) at Radio City's Christmas Spectacular, and he's a respected clinician and educator with presentations at NYU, Carnegie Mellon, Rutgers, and Temple University.He proudly endorses Vic Firth, Sabian Cymbals, MalletKat, and TreeHouse Drums.Website: joshuamarksamuels.comSubscribe to Broadway Drumming 101 on your favorite podcast platform, and visit BroadwayDrumming101.com for more content, resources, and merch.Don't forget to rate, review, and share this episode with fellow musicians and theater fans!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Frank Zambrano didn't take the traditional path to a Broadway tour, but that's exactly what makes his journey so inspiring.In this episode, Frank shares:* Why his biggest advice is to get out of the musical theater bubble* The pivotal role the Broadway Percussion Seminar played in his development* A quote from Clint de Ganon that changed his mindset forever* How his second chance to play Kimberly Akimbo became a story of preparation, grit, and follow-through* What it took to turn theme park gigs and months of shadowing into a Broadway pit opportunityWhether you're an aspiring pit musician or just someone chasing a dream, Frank's story is packed with the kind of real-world advice that doesn't get taught in school.Listen now and hear how Frank made his second shot count.Subscribe to our YouTube channel – help us reach 1,000 subscribers by the end of June:

Q. Robinson on the 92nd episode of the Broadway Drumming 101 Inc. podcast: Tour LifeIn this episode of Broadway Drumming 101, Q. Robinson shares what it's really like on the road with a major musical. He talks about longer stays in each city, the physical and emotional toll of eight shows a week, and how the role of the drummer has shifted in modern theatre.Watch the full conversation in Episode 92.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Correction…This Week's Podcast GuestHey everyone – quick note!Sorry about the last email. I had Frank Pagano on my mind while posting about this week's episode featuring Frank Zambrano. Both are incredible drummers who've been guests on Broadway Drumming 101, and I'm honored to share their stories.The title is fixed now. Thanks for rolling with it—and don't forget to check out the latest episode!

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Originally recorded in October of 2021, this conversation with Sammy Merendino is a standout. Sammy is a Broadway veteran with decades of experience under his belt and a reputation for being one of the most reliable and musical drummers in the business.In this episode, we discuss:* Growing up in Akron, Ohio, and playing in several bands during his formative years.* What it was like auditioning for Chubby Checker and getting an 18-month tour.* The importance of playing live and playing with older and better players.* Going to a cattle call for a Billy Idol tour and his many second-place finishes.* How a $2.75 beer at the Prince Street Bar catapulted him to another level where he became the go-to guy for drum programming in New York City.* Meeting Larry Blackman and recoding ‘ Single Life' and eventually programming the drums for their breakout album “Word Up.”* Working on commercials in the morning, then off to do sessions with Hall and Oates in the afternoon, and Cameo later at night.* How he met Cyndi Lauper and got the drum chair at Kinky Boots.This is the kind of episode that every drummer trying to break into theater should hear. Sammy is full of practical wisdom, and his calm, grounded approach is something a lot of players can learn from.Sammy has recorded and/or performed with many top artists, including Cameo, Michael Jackson, Billy Joel, Cyndi Lauper, Foreigner, Lou Reed, Aretha Franklin, Ziggy Marley, Hall & Oates, The Beach Boys, Pat Metheny, Joan Osborne, Anita Baker, Sophie B. Hawkins, Carly Simon, Paul Rodgers, and many others. He has played on numerous Grammy-winning recordings and over 1,000 commercials and television themes, including Monday Night Football with Hank Williams Jr., Nightline, World News Tonight, and ABC Golf.Currently residing in Harlem, Sammy's turn-of-the-century brownstone is home to a state-of-the-art recording studio. Complete with Pro-tools HDX, Neve/API/BAE/ mic pre's and EQ's, vintage microphones, and compressors, his drums are always set up, and mic'd - ready to go!If you're serious about making a career in Broadway drumming, don't miss this one.Subscribe to Broadway Drumming 101 wherever you listen to podcasts, and visit broadwaydrumming101.com for more interviews, resources, and stories from the pit.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Episode 94 — Frank Pagano: From Glen Rock to the Broadway PitIn this must-hear episode of the Broadway Drumming 101 Podcast, I sit down with legendary drummer and percussionist Frank Pagano — a true veteran of both the concert stage and the Broadway scene.Frank's career reads like a who's who of the music industry. He's played with icons like Bruce Springsteen, Bette Midler, Al Green, and Phoebe Snow. On Broadway, his credits span from Leader of the Pack and The Who's Tommy to Smokey Joe's Cafe, Cry-Baby, The Pirate Queen, Good Vibrations, Fosse, Big River, Saturday Night Fever, and more. What you'll hear in this episode:* How a 4th-grade music demo sparked Frank's lifelong love of drums.* Growing up and gigging with the Vivino brothers (yes — that Jimmy Vivino).* What it was like studying percussion at Manhattan School of Music and later with Joe Morello and Justin DiCioccio.* His unusual path to Broadway — having a chair before ever subbing.* The real reason he pivoted to Broadway full-time: marriage, fatherhood, and health insurance.* Wisdom on subbing: play their show, not yours.* Lessons from playing percussion alongside killer drummers like Brian Brake.* Touring vs. pit life — the physical grind of the road versus the stability of Broadway.* How working with artists like Laura Nyro and Bruce Springsteen shaped his perspective on artistry and professionalism.* Advice for drummers who want to make it in New York: “Play with everyone. Play everything. Be early. Be likable. Be ready.”Frank's reflections on time, groove, and what it really means to be musical are some of the best insights I've heard on this show. This episode is for any drummer who wants to play on Broadway — and stay there.Watch more episodes on YouTubeListen on Apple Podcasts, Spotify, or wherever you get your podcastsLearn more about Frank Pagano: https://www.frankpagano.com/bioClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Some drummers can play the show. They've got it memorized. But throw them on a gig where they don't know the song? Where there's no chart, no click, no safety net?They freeze.In tomorrow's episode, Frank Pagano breaks down some of the things you'll need to know to have a long-lasting career. A musician can memorize a show and play it just fine, but if someone suddenly calls out a song on a different gig and you haven't played with lots of different bands before, you might have no clue what to do. That kind of experience is what really builds your skills.Playing Broadway is about more than just knowing the notes. It's about being a musician. A collaborator. Someone who listens, adapts, and brings the music to life—even when it's unfamiliar.This episode is essential listening for anyone chasing the Broadway dream, or any gig that demands more than muscle memory.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.We're bringing back a Broadway Drumming 101 Classic episode with Joe Choroszewski—a musician whose Broadway and live performance resume is as deep as it is diverse.Joe has been on drums for The Radio City Christmas Spectacular Starring The Rockettes for the past three seasons, performing hundreds of shows at one of the most iconic venues in the world. Before that, he spent an entire decade (2009–2019) anchoring the Off-Broadway hit Avenue Q at New World Stages, helping extend the legacy of the Tony Award-winning production long after its Broadway run.As a Broadway sub, Joe is in rare company—having performed on more than twenty Broadway productions, including The Lion King, Wicked, The Book of Mormon, Beetlejuice, Frozen, Beautiful – The Carole King Musical, Legally Blonde, Jagged Little Pill, Ain't Too Proud, Newsies, and more.Joe also stepped in to take over the drum chairs for Finding Neverland in 2016 and Promises, Promises in 2010, finishing the final runs of both Broadway productions. He was the drummer for the Off-Broadway run of Avenue Q and on tour, he performed in Joseph and the Amazing Technicolor Dreamcoat starring Patrick Cassidy. Joe was also on the first national tours of Avenue Q and Monty Python's Spamalot.In this episode, Joe shares insights from:* His time working with major artists like Heather Headley, Ariana DeBose, Cheyenne Jackson, Sutton Foster, and Chita Rivera* Backing cabaret icons like Natalie Douglas, Christina Bianco, and “Kenn Boisinger” (Michael West)* Playing for household names like Mario Cantone and Real Housewives star Luann de Lesseps* And his long-standing involvement in Broadway Cares/Equity Fights AIDS benefit eventsBeyond Broadway, Joe's played everywhere—from symphony halls (Princeton Symphony, Allentown Symphony) to cruise ship showbands (Carnival and Norwegian), weddings to worship bands, jazz trios to hard rock cover groups. He's also helped shape new musicals in development and has been a go-to regional drummer for ACT of Connecticut and Ridgefield Playhouse concerts.Education Spotlight:Joe holds a degree in Jazz Studies from the prestigious University of North Texas College of Music, where he studied for six semesters with drum legend Ed Soph. He continued his private study with another legend—Tommy Igoe—in New Jersey and is featured on Igoe's best-selling instructional DVD Great Hands For A Lifetime. Joe has been teaching privately for over 25 years and continues to share his knowledge as a guest clinician at schools and studios.Offstage, Joe lives in Somerset County, NJ, with his wife Giana, their three boys, and three dogs. He's an avid runner, a vintage drum collector, and a passionate Major League Baseball fan.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode of Broadway Drumming 101, we chat with touring legend Paul Hannah, whose career spans over four decades and countless genres—from orchestras to biker bars and Broadway pits to jazz trios.Paul began playing professionally at just 16, growing up in Las Vegas during a time when the mob ran the city and every hotel had a full orchestra. He learned firsthand from giants like Jerry Gilgor, Tommy Check, Leo Camera, Roger Rampton, and Walfredo de los Reyes. Later, he studied with titans like Vic Firth, Alan Dawson, and Alexander Lepak, preparing him for a career that's taken him across the U.S., Canada, Japan, and China.

Mikey amazes Jerry Thornton with his thrilling story about meeting Ben E King. Mikey shares the secrets of perfect bowel health. Mikey and Jerry wonder why it is still legal to drink tequila. Mikey is considering a boycott of Taco Bell. Mikey and Jerry defend Bill Belichick's dating life. Mikey congratulates Worcester for being one of America's fattest cities. Castiglioke makes sure you know that You Ain't Seen Nothing Yet.

Mikey amazes Jerry Thornton with his thrilling story about meeting Ben E King. Mikey shares the secrets of perfect bowel health. Mikey and Jerry wonder why it is still legal to drink tequila. Mikey is considering a boycott of Taco Bell. Mikey and Jerry defend Bill Belichick's dating life. Mikey congratulates Worcester for being one of America's fattest cities. Castiglioke makes sure you know that You Ain't Seen Nothing Yet. Learn more about your ad choices. Visit megaphone.fm/adchoices

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Paul Hannah is the latest guest on the 93rd episode of Broadway Drumming 101. In this episode (dropping May 10), Paul shares how he managed to live out nearly every dream he had in the music business, without ever relocating to New York City. From performing with top-tier jazz musicians to launching a successful Broadway-style career and securing a pension, his journey proves there's more than one path to success.Get his book: Show Drumming – An Expert's Guide to Theatre and TouringPaul's wisdom doesn't stop at the podcast. His new book,

(00:00-14:24) Ben E. King. Audio of amateur Jose Luis Ballester talking about peeing in Rae's Creek. Gotta pick your spots. Talkin' Day 2 of The Masters. (14:32-16:37) Jay Delsing joins us in studio. We'll be talking Masters and his new book next segment. (16:47-25:10) Jay Delsing hanging out in-studio. Jay picked Justin Rose to win earlier in the week. You don't win a trophy on Thursday or Friday. Rose and Aberg at the top of the leader board. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00-14:24) Ben E. King. Audio of amateur Jose Luis Ballester talking about peeing in Rae's Creek. Gotta pick your spots. Talkin' Day 2 of The Masters. (14:32-16:37) Jay Delsing joins us in studio. We'll be talking Masters and his new book next segment. (16:47-25:10) Jay Delsing hanging out in-studio. Jay picked Justin Rose to win earlier in the week. You don't win a trophy on Thursday or Friday. Rose and Aberg at the top of the leader board. Learn more about your ad choices. Visit podcastchoices.com/adchoices