Podcasts about old men yell at cloud

From their Detroit beginnings in the late 1980s, it seems like horrorcore rap pioneers Insane Clown Posse have never gotten a fair shake from critics or the media. Despite helping trailblaze mid-Western hip-hop, earning a cult legion of fans over the years, and finding major success via their chaotic and rapturous live shows, the duo of Violent J and Shaggy 2 Dope have been little more than a punchline to the majority of reviewers, and have only just recently begun to receive reappraisal, over 15 studio records in.We at Jukebox Zeroes refuse to buy into the surface-level mockery however, and want to make our own assessment. On this episode Lilz & Patrick are re-joined by Jim Schultz (Rounding out our Old Men Yell At Cloud crossover month: "Old Men Yell At Lilz") to learn from Insane Clown Posse as outsiders looking in. And to get the best possible experience, it stands to reason that we'd want to review an album considered their greatest, thus we dive into a record beloved among fans, and one of several that helped put the duo on the map; 1997's The Great Milenko.Local Music Feature: Solo Sexx - "Love Sexx & Danger"#ZeroScience#JukeboxZeroes#MusicPodcast#OddPodSquad#PodernFamily#InsaneClownPosse#HeeHeeHeeHeeHaHaHaHa

A Mighty Wind was a 2003 comedy directed by Christopher Guest, the latest in his series of largely improvised mockumentary films. Written by Guest with Eugene Levy, it followed the behind the scenes lead-up to a tribute concert to a famed (fictional) folk music producer, performed by veteran acts who worked with him. Along with Guest and Levy themselves, it featured an ensemble cast including Michael McKean, Harry Shearer, Catherine O'Hara, John Michael Higgins, Parker Posey, Jane Lynch, Fred Willard, and many more, all parodying the folk music revival of the 1960s.On the latest Hell Is A Musical, Scott & Lilz welcome fellow Zero Science alum Christopher G. Brown of Old Men Yell At Cloud and Nickelbackin', to enjoy the dulcet tones and dry wit of A Mighty Wind. Join them as Scott loses control of the conversation, Lilz has a mental breakdown, and Christopher shills for the Tunisian Board of Tourism....with Lilz & Scott!

From their beginnings in the 1980s U2 have maintained a reputation for their earnest and serious-minded pop rock, often tackling social issues, spiritual mattesr, and their Irish background in their new wave-inflected songs. In the 1990s however, the band experienced a career rebirth in embracing a more ironic and detached image, with a dance-inspired sound to match, achieving major commercial success on the backs of albums like Achtung Baby and Zooropa.For many however, this shift away from their classic sound would reach a tipping point in 1997 with the release of their 9th record, Pop. The album was not a commercial or critical failure initially, but left a lot of fans and reviewers confused and baffled by this latest effort, which many believed couldn't reach a proper balance between rock and electronic. This, coupled with a turbulent production timeline, as well as a tour controversial for its technical failures sullied Pop's reputation, and to this day it's still regarded as one of U2's weakest efforts.On this episode of Jukebox Zeroes we begin the first of a two-part crossover month we're dubbing "Old Men Yell At Lilz Month". Lilz and Patrick are joined by Christopher G. Brown of Nickelbackin' and Old Men Yell At Cloud (of course) to dig into U2's Pop for themselves, and decide whether it should have gotten a fairer shake.Local Music Feature: Left Hand Does - "Rock Walker"#ZeroScience#JukeboxZeroes#MusicPodcast#OddPodSquad#PodernFamily#U2#RockHardBonking

Upon its release in 2000 "Who Let The Dogs Out?" by Baha Men earned a place in pop culture infamy almost immediately. The single from the Bahamas-based junkanoo-fusion group's album of the same name was a surprise hit in the UK and across many other parts of Europe, and became an immediate staple of children's movie soundtracks, sporting events, and really bad standup comedy bits, subsequently joining the ranks of other blink-and-you'll-miss-it "Worst Of All Time" ranked one-hit wonders as "Crazy Frog", "What Does The Fox Say", and innumerable others.It is with this in mind that we made an attempt to critique Who Let The Dogs Out? the record on its own merits, joined by return guest and Old Men Yell At Cloud co-host Jim Schultz. Between drunkenness, exhaustion, a lack of available information about the group and the album, and a general sense of mediocrity beyond the infamous title track...well the important part is an attempt was made.Join us as we listen to Who Let The Dogs Out? and talk about the origins of junkanoo music, the praises of Imani Coppola, big bowls of chili, Reginald Matrix, and other forays into madness and idiocy on our part.Local Music Feature: FBGM - "Gotta Get A Message To You" (Bee Gees cover)

Watch this Episode on YouTubeSports are over, were gonna cover this now! & A YouTube Page (0:00), First "Sponsor" (01:30), Old Men Yell At Cloud (08:00), PC Police (14:35), Life Advice for your Younger and OLDER selves (21:37), TV Ad Live Watch and Reaction (44:06) 

Can't have the sweet snubs without the wrongful nominated duds. Scott continues his Baz Lurhmann rabbit hole of dread tour with "Moulin Rouge!" Scott welcomes first time guest Christopher Brown (Nickelbackin' and Old Men Yell At Cloud)to discuss this jukebox musical. Whether it's the Mrs. Doubtfire-esque Jim Broadbent or baby boy John Leguizamo the boys go deep! Check out Chris' Network http://www.zero-science.com/ to hear Old Men Yell at Cloud and Nickelbackin'. Check out Scott's podcast "Kurland On Film." (soundcloud.com/kurlandonfilm/) Follow us on twitter @wrtrbagelbskt, like us on our facebook page, and you can email the boys at writersbagelbasket@gmail.com with questions, shows or movies to watch, and fan art of the shows they're doing. Don't forget to like us on the Facebook too. Instagram is another way to find us too @writersbagelbasket, follow us it's fun!

FUH-BAWWWWWWWWWWWWWWWWWWWWWWH!The intersection between sports and music is tenuous and razor-thin at best, and yet somehow the two vastly different cultural mediums find ways to join hands. Athletes continue to have songs in their hearts when we frequently wish they wouldn't. And yet with football season at the doorstep once again, the goodboix Lee & Patrick find themselves drawn to make sense of some of the greatest oddities that the unholy marriage of music and sports has produced. Features the return of previous guests Christopher Brown and Jim Schultz, making this a Jukebox Zeroes and Old Men Yell At Cloud crossover to be remembered. Featuring special appearances by the inventor of music Captain Lou Albano, the "really smoot" New York Mets shortstop Rafael Santana, and some incredibly disgusting cheeseburgers*.They're not here to start any trouble. They're just here to do the Aging-Hipsters-Who-Have-Far-Too-Many-Opinions-About-Guitar-Tones-Shuffle!

Come one, come all to the promotional sideshow that is the pilot (and final?) episode of Old Nickel Zeroes! Due to some last minute rescheduling, Nickelbackin', Jukebox Zeroes, and Old Men Yell At Cloud managed to have a crossover episode! Listen in as a representative of each show enjoy a roundtable discussion about Guns n' Roses and their once-highly-anticipated album "Chinese Democracy". Come for a talk about "Shackler's Revenge", but stay for somehow even more talk about "Shackler's Revenge"!

Your good pals at Jukebox Zeroes decided to kick off 2018 by thoroughly depressing Pat with a genuine stinker care of his childhood hero: Chris Cornell's dance-pop Timbaland-produced hellscape "Scream". We've got AdapterAdapter/Desk/Ease Into The Noise drummer/engineer/producer Jim Schultz (also of the podcast Old Men Yell At Cloud along with Patrick) along for the ride as we chug brews through this slop. Also if you like John Popper and/or beans, this is the episode for you. This weeks Boston music spotlight : Desk - "Devil of Babylon"

Welcome to the inaugural episode of Old Men Yell At Cloud! Join hosts Jim, Patrick, and Christopher as they take a trip back to the magical land of 1992, where the CGI was groundbreaking and the record deals flowed like wine. Tool's debut EP "Opiate" seemed like a logical enough place to start, and we discuss it before getting sidetracked by VH1 Made-for-TV movies.