Podcasts about CGI

From a doomed Arnold Schwarzenegger/Ridley Scott collaboration to Will Smith's blockbuster hit, the journey of I Am Legend to the screen is as dramatic as the apocalypse it depicts. Three wildly different film adaptations, a legendary unmade version; this story of humanity's end keeps haunting Hollywood.This is not the first adaptation of Richard Matheson's book I Am Legend. Vincent Price battled zombie-vampires in 1964's stark black-and-white thriller The Last Man on Earth. Charlton Heston faced off against intelligent albino mutants called "the Family" in 1971's, The Omega Man. Each adaptation changed the creatures, the cause of the apocalypse, and crucially, gave audiences hope where the book offered none.With only 16 weeks of prep time, the Will Smith/Francis Lawrence version, this time named I Am Legend, spent years in development hell, and quickly went from a 40-page outline to a greenlit blockbuster, and to say it was chaotic is an understatement. Whole New York City blocks were closed off for filming, and one scene on the Brooklyn Bridge cost $5 million for just six nights of filming. One week into filming, director Francis Lawrence panicked and switched from practical makeup effects to CGI, extending post-production and inflating the budget. The team was still seeing finished visual effects shots just one month before the film's release, leading to last-minute reshoots to adjust the controversial ending.I Am Legend offers a unique blend of action and deep emotional storytelling, highlighting human isolation and the struggle for survival, with one of the bestest canine companions in film. Will Smith's performance as Dr. Robert Neville is both captivating and heartbreaking, showcasing his character's descent into loneliness, and the eerie depiction of an empty New York City resonates deeply in today's world, reflecting on themes of loss and solitude in a pandemic context. The Amalgamated Dynamics Ridley Scott version makeup tests are hereI would love to hear your thoughts on I Am Legend (2007) !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is...

小額贊助＞https://open.firstory.me/join/thehearsayzhangdachun 主持人：張大春 來賓：葉郎 「異聞筆記 」版主 主題：從前，有個電子世界爭霸戰：被奧斯卡禁賽的 CGI ----- ▍聽更多：https://flow.page/thehearsay ▍粉絲團：https://www.facebook.com/TheHearSayChannel ▍合作贊助：thehearsaytw@gmail.com Powered by Firstory Hosting

184 - Lara Croft: Tomb Raider In this action-packed episode of Reel Comic Heroes, the hosts dust off their dual pistols and dive headfirst into the early 2001 adventure phenomenon that was Lara Croft: Tomb Raider, starring Angelina Jolie. Based on the wildly popular video game series, this film promised to bring one of gaming's most iconic characters to life — but did it live up to the hype? Join us as we explore the film's ambitious blend of myth, mysticism, and globe-trotting action, discuss Jolie's star-making turn as the fearless archaeologist, and debate whether the movie's flashy stunts and early CGI hold up today.  Grab your map, load your gear, and get ready for an expedition through ancient tombs, British manor intrigue, and the relic-hunting nostalgia of Lara Croft: Tomb Raider!   Discuss the episode over on the Facebook group: The Reel Comic Heroes League of Citizens Follow @ReelComicHeroes on Letterboxd Join us for our next movie review - The One Instagram | Website  

THIS CLASS IS BEST WATCHED AS I'M DOING SCREEN SHARING OF THE TOOLS! TO JUMP TO AUDIO CLICK HERE https://www.alexhouseofsocial.com/freerebelacademyIn this free class, I screen-share six game-changing AI tools that'll blow your mind. From transforming your videos and products to creating CGI-style visuals that look expensive (but aren't), you'll see exactly how to use AI to make your content look next-level.If you want to elevate your brand visuals, speed up creation, and finally play in the big leagues of content — this is a must-watch.

Summary In this episode of the CG Pro podcast, host Edd Dawson-Taylor interviews Ed Ulbrich, a veteran in the visual effects industry. They discuss Ed's journey from a classically trained painter to a leader in CGI and AI in filmmaking. The conversation explores the evolution of visual effects, the impact of AI on the industry, and the importance of education and innovation. Ed shares insights on navigating change, the future of visual effects, and the collaborative spirit that drives creativity in filmmaking. He emphasizes the need for artists to stay hungry, embrace new technologies, and shape the future of the industry. Join our mailing list for info on more live events! https://www.becomecgpro.com/cg-pro-community Want to sign up for our next course? Check out your options! https://www.becomecgpro.com/courses Chapters 00:00 Introduction to Ed Ulbrich and His Journey 01:17 From Classical Art to CGI: A New Era 04:25 The Evolution of CGI in Advertising 07:49 Working with Legends: Jim Cameron and Digital Domain 10:18 The Spirit of Innovation at Digital Domain 15:05 AI and the Future of Visual Effects 17:44 The Challenges of Pioneering New Technology 23:16 The Relief of Success: Prototyping and Testing 26:19 The Role of AI in Democratizing Production 28:45 Navigating Change: Lessons from the Past 31:51 Personal Qualities for Success in a Changing Industry 34:28 Foundations of Art: The Importance of Fundamentals 36:08 The Impact of AI on the VFX Industry 43:22 Navigating Industry Standards and Copyright 50:34 The Evolution of Tools for Visual Effects Artists 59:34 The Future of Collaboration in Filmmaking 01:07:07 Embracing Change and Continuous Learning

Difficile exercice que celui de la description d'épisode face à un objet aussi banal que quotidien. Et pourtant, le hasard fait bien les choses : la saison actuelle, et son air qui se refroidit, se prête particulièrement au sujet du jour. Inutile de prolonger artificiellement tout suspense lyrique, tout est déjà dans le titre : cette semaine, le gant est à l'honneur dans votre podcast préféré.Alors, le gant au cinéma, qu'apporte-t-il ? Quel rôle joue-t-il ? Comment traverse-t-il les époques, les genres, les cultures, les pays ? Question que peu de monde se pose, mais que nous avons décidé d'explorer pour vous, guidés par une hasardeuse séance de tirage au sort.Et comme toujours, forts de nos sensibilités divergentes, voire diamétralement opposées, ce sont de grands écarts genresques que nous proposons aujourd'hui : du classique du giallo de la grande époque, à l'orgie de CGI marvelisante, en passant par le biopic politisé. Difficile de faire plus incohérent en matière de sélection, et pourtant tellement en phase avec nos personnalités.Si cette sélection vous plaît, dites-le-nous en commentaire, par mail ou par pigeon voyageur. Si elle ne vous plaît pas, dites-le-nous aussi, et proposez-nous des mots pour alimenter nos futures émissions.Et quoi qu'il en soit, on vous invite à écouter et réécouter nos épisodes, à vous abonner, à mettre des 5 étoiles et des pouces en l'air un peu partout.Vous retrouverez tous les liens utiles regroupés juste ici: https://linkr.bio/LEFILMLEPLUSLe thème du prochain épisode se trouve déjà en fin d'émission, alors à très vite pour nos prochaines aventures!Références de l'épisode :- Les frissons de l'angoisse de Dario Argento (1975)- Ali de Micheal Mann (2001)- Avengers : Infinity War de Joe et Anthony Russo (2018)Du coup on vous parle aussi de :- Daria Nicolodi- Macha Méril- David Hemmings- Goblin- Blow-Up- Blow-Out- Conversation secrète- Brian de Palm- Francis Ford Copolla- Alfred Hitchcock- Asia Argento- Suspiria- Jada Pinkett Smith- Will Smith- Jon Voigt- Jamie Foxx- Emmanuel Lubezki- Scarlett Johansson- Marvel- Robert Downey Jr- Chris Evans- Thanos- Josh Brolin- Mark Ruffalo- Spider-Man- Captain America- Iron Man- Hulk - Black Panther Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Talk of the Tavern — Any Good Fantasy Shows? Ever?Are fantasy shows doomed to fail—or are we just impossible to please?In this episode of Talk of the Tavern, Travis, Ed, and Kevin dive deep into the glittering (and often disappointing) world of fantasy television. From dragons that look like melted rubber ducks to plots that collapse faster than a wizard's tower built on wishful thinking, the crew tackles the burning question: has there ever been a truly great fantasy show?Expect brutal honesty, nostalgic confessions, and at least one impassioned defense of a series everyone else gave up on.So grab your mug of mead, your list of canceled shows, and join us for a spirited roast of fantasy TV that somehow still keeps us watching.What's on Tap?

“It's like the Empire Strikes Back of Batman films…” - Andrew  On this week's massive episode, we're finally talking about one of the biggest blockbusters of all time, The Dark Knight! How amazing was Heath in this? Could these fake Batman losers find some… employment in 2025? Would a drug dealer slinging Scarecrow's Fear Toxin actually have repeat customers? Does the CGI on Two-Face hold up? How awesome is all the vehicular carnage in this movie? And who among hasn't wanted to WHOOP in the theater watching the semi-truck scene? PLUS: The Nolan Brothers hit up White Castle!  The Dark Knight stars Christian Bale, Aaron Eckhart, Michael Caine, Maggie Gyllengaal, Gary Oldman, Morgan Freeman, Monique Gabriela Curnen, Ron Dean, Cillian Murphy, Chin Han, Nestor Carbonell, Eric Roberts, Ritchie Coster, Anthony Michael Hall, and Heath Ledger as the Joker; directed by Christopher Nolan.  This episode is sponsored by Sonos! This holiday season, discover how easy it is to bring every room to life with incredible sound. Explore Sonos speakers, soundbars, and more at sonos.com! Get your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

From its nearly three-hour runtime to its deployment of some of the most deranged CGI you've ever seen committed to screen, Radu Jude's DRACULA often feels like an extended act of trolling, but is it art? The answer to that question is inextricable from the film's presentation of AI-derived art as grotesque, inhuman, and unsatisfying, and it makes DRACULA arguably more entertaining to discuss than it is to watch. So after attempting to pull some meaning out of what the critic in 8 1/2 might describe as DRACULA's “series of gratuitous episodes,” we move into Connections for a study in contrasts between Fellini's portrait of an artist struggling to make a personal work, and Jude's evisceration of a charlatan trying to outsource artistry to a machine. Then in Your Next Picture Show, we discuss another film we considered as a DRACULA pairing that may not be quite as celebrated as 8 1/2, but we nonetheless recommend as another depiction of a filmmaker in creative crisis: Christopher Guest's debut feature, THE BIG PICTURE. Please share your thoughts about 8 1/2, DRACULA, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next episode: A celebration of Peter Bogdanovich's THE LAST PICTURE SHOW, and 500 episodes of a niche film podcast named after it. Intro: 00:00:00-00:01:57 Dracula discussion: 00:01:57 - 00:27:20 Dracula/8 1/2 Connections: 00:27:20 - 00: 48:11 Your Next Picture Show and goodbyes: 00:48:11-end Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt and Bob fire up the lab equipment for a new Analysis on Guillermo del Toro's Frankenstein, fresh to Netflix. What should have been the director's long-awaited monster opus instead leaves them puzzling over CGI deer, swoony color palettes, and a strangely sexy Jacob Elordi. They dig into Oscar Isaac's mad-scientist energy, Christoph Waltz's syphilitic benefactor, and why del Toro's empathy may have drained the horror from Mary Shelley's tale. From Victorian melodrama to Twilight-core vibes, the guys debate whether this gothic romance ever truly comes alive. Then they pivot to The Smashing Machine—Benny Safdie's gritty UFC biopic starring Dwayne “The Rock” Johnson—and talk addiction, obsession, and Emily Blunt's thankless “nagging girlfriend” archetype. Rounding out the episode: Oscar buzz power rankings (One Battle After Another, Hamnet, Sentimental Value), and a quick look at upcoming awards-season heavy hitters like Bagonia and Marie Supreme.

Jamie Apps and Corrina Mabey defy death and dissect humanity in this week's episode of The Commentary Booth, diving headfirst into Guillermo del Toro's Frankenstein.This isn't your grandfather's monster movie! Jamie and Corrina dive deep into why del Toro's adaptation is a profound cinematic masterpiece, arguing it's far from a simple horror flick. They explore its powerful themes of racism, generational trauma, abandonment, and the very essence of what it means to be human.Get ready for a passionate discussion on the film's incredible craftsmanship, from the breathtaking practical sets and painstaking prosthetics to the symbolic colour theory woven into every costume and scene. They break down the "stacked" cast's phenomenal performances, including why Jacob Elordi's emotionally raw portrayal of the Creature is a career-defining turn and why Oscar Isaac makes you hate a character you usually love.Highlights Breakdown:- The "A+" Performances: Why Jacob Elordi deserves an Oscar for his physical and emotional range, and how Oscar Isaac perfectly embodies the descent of a mad scientist.- Masterful Craftsmanship: An inside look from the Netflix making-of documentary at the 10-hour makeup process, intricate practical effects, and the insane coordination of cranes and lighting to avoid CGI.- Beyond the Monster: How the film reframes the classic story into a tragic tale of prejudice, loneliness, and the cycle of abuse.- Del Toro's Signature Touch: The brilliant use of colour coding for characters, the haunting score, and why this is the culmination of the director's lifelong obsession with the source material.- Spoiler-Filled Analysis: Key changes from the book, the heartbreaking Ozymandias scene, and that poetic, gut-wrenching finale.Join us as we explore the film's emotional depth, the staggering practical effects, and why this version turns a well-known monster into a mirror of humanity itself.This week's episode is brought to you byAustralian Wrestling CardsCheck out more great content from Pario Magazine on our website.-------------------------------------------------------------SUPPORT PARIO MAGAZINE & THE COMMENTARY BOOTH- PATREON- BUY MERCH- AMAZON PRIME VIDEO- TUBEBUDDY- Subscribe to AEW Plus using my code (q0yydoz) to earn $10 in FITE credit- Shop Online With Honey- Shop Online With SatechiMY EQUIPMENT- Elgato Facecam- Rode PodMic- Elgato Wave Mic Arm LP- Streamlabs Talk StudioFOLLOW JAMIE ON SOCIAL MEDIA- Twitter- Facebook- Instagram- TikTokFOLLOW PARIO MAGAZINE ON SOCIAL MEDIA- Twitter- Facebook- Instagram

Ever fall in love with a movie's world while side-eyeing its logic? That's the neon paradox of Tron. We dive straight into how Steven Lisberger's Pong epiphany became a Disney gamble that pushed live action, backlit animation, and early CGI into a single, striking language—and why that language still speaks to us. From Moebius-inspired suits to hand-processed frames and vendor tag-teams like MAGI and Triple-I, we unpack the painstaking craft that birthed a timeless visual grammar of grids, glow, and velocity.We also confront the chewy stuff: a digitization beam that turns users into avatars, identity discs that are both passports and plot holes, and an MCP that behaves like a walled-garden overlord long before big tech made the term feel familiar. The story inverts expectations—Flynn as creator without control, Tron as titular champion without the spotlight—and lands somewhere between rebellion myth and systems metaphor. It's messy, yes, but the ideas are weirdly prescient: corporate capture of technology, AI consolidation of power, and the uneasy line between play, surveillance, and ownership.Along the way, we trace Disney's state of flux after The Black Hole, the greenlight born of a killer sizzle reel, and the great irony that the Tron arcade cabinet out-earned the film. The Academy may have snubbed the VFX, but the look rewired pop culture's sense of the digital future. We close by asking the big question: why do we keep wanting more Tron? Maybe it's the unspent potential, maybe it's the vibes, maybe it's both. Hit play to join a candid, curious tour through the franchise's origin story, its technical miracles, and the blueprint for a version that finally matches the glow.Enjoyed the ride? Follow, share with a friend who loves neon worlds, and leave a review to help more curious listeners find us.

In this episode of the Fan2Fan Podcast, Bernie and Pete continue their conversation about the enduring 1980s influence in modern horror. They talk about the magic of practical effects versus today's CGI, the power of synth-driven soundtracks, and seeing legendary composer Alan Howarth perform live at the Carolina Theater. The duo also highlight a few standout films that perfectly capture the 1980s horror vibe, proving that this decade's spirit is still haunting the big screen today. For more info about the Fan2Fan Podcast, visit https://fan2fan.libsyn.com.

Dear, surviving, audient: how is it hanging?WeI sympathize.If you were looking to art as an answer, hoping for some revolutionary frameworks, or just plain ol' solace inside --            -- I'm afraid most of the pod's going to tell you to keep looking.In this one we watched 2 "political" movies released this year: Ari Aster's Eddington and Paul Thomas Anderson's One Battle After Another.More generally, the 2 movies raised the question of what it means to involve politics in a movie. Jake took this as an excuse to geek out on Grad school vibes and do a deep dive into Walter Benjamin's attempts to save aesthetics from the khaki schmattes of Communism.Who said Marx Grudge?Benjamin does brandish an interesting, rather Derridian, analytic tool in the distinction between allegory and the symbol; which I will anger Jake and summarize here as analogous (allegorical?!) to a movie whose special effects are shot on set with actual props, and the one where the effects are all programmed in (as CGI). Like shooting props, the allegory foregrounds its technicity, while the symbol will claim the harmony of form-function and content. Except the symbol doesn't work anymore. Like the pathetic attempt poor Andy had to suffer through, where the reinvented "Superman" is called-upon to white-wash the Gaza genocide (still a western debacle). The symbol rang so hollow it gave Andy bowel issues. (Editor's note:) We will NOT be getting into that.Of course, the allegory's very apparatus makes it susceptible to Capitalist manipulations. This is where we take a more specific tack on Anderson's film: shot and directed, deliberately, in my opinion, as a post-fascist account of how pathetic and hopeless revolutions are, how revolutionaries are either posers or self-deceiving cucks.And here is Anderson's genius, in recognizing the capitalist tentacles have already infiltrated all discourse -- which is a panicked, exhausted discourse these days (on "the left") -- "over-technicizing" allegory into social media reels and internet memes. His account gives the melancholia of a post-fascist winner looking back at history: disjointed, often accompanied by a (never happy or energetic or really calm) soundtrack, the characters are mostly isolated with superficial thoughts and relationships... it is the sad sigh of a fulfilled Sklavenmoral.There was more tossed around, of course. Fair warning.STARS: Marx Grudge (grudgingly); Beast & Sovereign... but really, all the Stars were there: the Il vaut mieux with differance; the Pervs R' Us with melancholy, the WWJD with 'Manifest Destiny'...P.S. We have an official email address (5startossers@gmail.com), for you, dear audient, to vent; a kind of a complaint/feedback box. We will collect the complaints (/corrections/disputes) to an episode where we address your mirror of our stupidities. 5ST

In this episode, we crack open the 2025 remake of Frankenstein by director Guillermo del Toro. Gil is out this week, but friend of the show, Keri from Toronto, joins us as we dissect this monster of a movie, stitch together our hot takes, and debate whether the real horror was the CGI or the script. Grab your lightning rod—this review's about to get shocking. Twitter - @podcastBADMOVIE Insta - @badmoviepodcast Email - badmoviereviewpodcast@gmail.com Romero - @RomeroinATX Zach - @ZachfromNB Keri - @galaxygirl824

In this episode, we welcome Finnish enterprise architect and author Eetu Niemi to explore what it means to make enterprise architecture (EA) “lightweight”—practical, collaborative, and relevant in the real world. From frameworks to fiction writing, from ivory towers to coffee-fueled collaboration, this conversation dives into how to make EA actually work for organizations.With over 16 years of experience in architecture consulting at CGI, Coala, and Accenture, Eetu has guided more than 45 private and public organizations in transforming their business and IT landscapes. He specializes in enterprise and solution architecture, helping organizations align technology with strategy, improve EA practices and tools, and strengthen information security.A published author and recognized thought leader, he wrote the first EA book in Finnish and two bestsellers on IT consulting and frequently shares insights through blogs, newsletters, and speaking engagements. Holding a PhD in enterprise architecture benefit realization and an MSc (Econ.), his cross-industry work spans finance, telecom, manufacturing, and the public sector—delivering results in EA modeling, governance, and tool implementation with platforms such as BiZZdesign, Ardoq, and Sparx EA.In this episode of the podcast, we talk about:Eetu's background — Author, architect, and advocate for democratizing enterprise architecture so it's accessible beyond the ivory tower.Rethinking EA's relevance — Success comes when EA shifts from being “nice diagrams” to being indispensable guidance that helps organizations plan, adapt, and reduce risk.Defining “lightweight EA” — It's all about communication and cooperation, using models as tools for dialogue, not as ends in themselves.Avoiding EA's common traps — Filling every box in a framework or modeling everything down to cables and servers misses the point. EA should focus on solving real business problems.Where to draw the line — Model at the logical level (applications, processes, data) — not every internal detail. EA is the layer above IT and process modeling, not a replacement for them.Kickstarting EA right — Start small, plan with stakeholders, and document goals and methods early. Collaboration beats over-engineering every time.Who to talk to first — Don't wait for the C-suite; start where you have access, build trust, and work your way upward.Quick wins matter — Focus on tangible outcomes like system maps for upcoming projects — those early wins open doors and earn invitations “to the next party.”Light tools for light EA — Begin with approachable modeling tools instead of overcomplicated platforms. Save the big systems for when you truly need them.Governance without the grind — Keep EA blueprints current but concise. A handful of well-maintained diagrams is better than hundreds of forgotten files.Collaboration is key — EA succeeds through engagement: creating models with people, validating them with people, and helping those people make better decisions.Selling the value — Show how EA helps others succeed — whether that's IT planning, compliance, or transformation — and you'll overcome “I have no time for this” resistance.EA + AI = opportunity — Complexity is growing, not shrinking. AI can help classify, visualize, and assist — but architects still provide the judgment and storytelling.Making EA stick — Keep the practice alive through persistence and visibility. Even when budgets tighten, lightweight EA thrives by staying practical, connected, and useful.You can reach Eetu on LinkedIn here: https://www.linkedin.com/in/eetuniemiphd/ Please reach out to us by either sending an email to hello@whatsyourbaseline.com or signing up for our newsletter and getting informed when we publish new episodes here: https://www.whatsyourbaseline.com/subscribe/.

From the jungles of Val Verde to Comanche Plains, the Predator franchise has been hunting across decades of sci-fi and horror history. In this episode of JayMovieTalk, I'm diving deep into the Predator series, exploring how it evolved from a muscle-bound survival thriller to a modern story of culture, legacy, and the ultimate hunt.I'm talking everything from Arnold's one-liners and Danny Glover's grit to the quiet brilliance of Prey and what keeps fans coming back after nearly 40 years. Plus, a few side topics convos on the Alien vs. Predator crossover, the creature design that defined a generation, and why practical effects still hit harder than CGI.Movies discussed:*Predator(1987)*Predator 2(1990)*Predators(2010)*The Predator(2018)*Prey(2022)

Shakira BioSnap a weekly updated Biography.Shakira has just closed a triumphant homecoming, performing the final Colombian dates of her Women Dont Cry Anymore tour. Her sold-out Bogotá show sparked headlines as the superstar shared the stage with the Women's Philharmonic of Bogotá and delivered an emotional message, declaring there is nothing like playing at home and thanking her country for their love. Colombian outlets are buzzing about the massive economic impact of the tour, which drew over 370 thousand fans across Bogotá, Barranquilla, Cali, and Medellín according to coverage by Eastern Nazarene College and local media.The tour itself has become record-breaking. According to Billboard, Shakira was just named the highest-grossing female Latin touring artist in music history, grossing more than 327 million dollars so far with over 2.5 million tickets sold—and the run is not over yet. This accomplishment was recognized at the Billboard Live Music Summit where she was awarded the inaugural Global Touring Icon prize, a career-defining moment that made music industry headlines. Video of her emotional acceptance speech has been trending across social platforms and music news, with Shakira thanking her fans and crew for helping her make history and saying she feels like she is only just getting started.Despite a handful of reschedulings and last-minute logistical challenges, Shakira's team has managed to keep momentum strong. Performance innovations including elaborate stage design, high-tech CGI interludes, and unique collaborations—for example, performing La Pared with the Bogotá Philharmonic—have been praised by fans and critics, noted on Wikipedia's running log as well as major outlets like Marca. Production costs approaching three million dollars per concert reportedly make this the most ambitious tour of her career. She told GQ España that she deserved nothing less after so many years in music.Beyond music, Shakira's business empire remains strong with fragrance and fashion lines ongoing and her foundation's charity work continuing to receive media mention. There is some speculative chatter about potential new collaborations to be announced after the South American leg concludes, but nothing has yet been officially confirmed. Social media remains obsessed with her setlists, elaborate costumes, and the fact that she continues to inspire multiple generations, shown by the cross-generational crowds at shows.Marking important biographical milestones, Shakira's breakthrough album Pies Descalzos just celebrated 30 years, with both it and Oral Fixation honored by Spotify in a special Anniversaries series. Looking ahead, she is set to finish the current tour in Argentina in December. Industry buzz suggests that with these milestones and recent global prizes, Shakira has cemented not just her musical staying power, but her status as one of the world's true icons.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Starship Troopers (1997): Would you like to know more?We're suiting up for Paul Verhoeven's gloriously un-subtle space satire—where propaganda pops like bubblegum, the bugs aren't the dumb ones, and “service guarantees citizenship.” We talk giant arachnids, bigger egos, and why so many people somehow missed the joke.What we coverThe Federal Network effect: recruitment ads, newsreels, and how the film weaponises UI/UX to sell fascism with a smile.Rico's journey: classroom ideology → boot-camp brutality → battlefield meat grinder (medic!… too late).Co-ed everything: showers, squads, and the film's on-purpose glossy, soap-opera casting.Verhoeven's satire dialled to 11: why it's meant to be pretty and brain-dead—and why that still stings today.Effects that hold up: Tippett's creature work + 1997 CGI that still rips (and rips people in half).The brain bug finale: “It's afraid.” Why that triumphant cheer is the darkest punchline.Book vs film: Heinlein's straight-faced militarism vs Verhoeven's neon-lit mockery.Why this episode?Because it's a perfect “did you get it?” movie—one that works as a pulpy bug-hunt and as a razor-sharp critique. We go deep but keep it rowdy: football flips, knife tricks, Ironside growls, and the most cursed workplace shower chat in cinema.“If you mistake the recruitment ad for the message… congratulations, trooper—you're already enlisted.”

Welcome back to Film Haven Reviews!!! This week we are finishing up our "30s Mad Scientist" theme with the iconic Claude Rains vehicle The Invisible Man (1933)!I was very impressed by this film's mostly faithful adaptation of the book and I of course enjoyed all of the pre-CGI visual effects they used to make all the invisibility scenes look effective and real. I gave this film an 8.5/10 for its great sets, incredbile acting, and for adapting the story in a way that captured HG Wells' essence. I highly recommend! Here's a link to the article I quote from in the episode: https://screenrant.com/invisible-man-1933-movie-no-cgi-invisible-special-effects/ Also I was on Box Office Books podcast talking about The Color Out of Space (2019) and they just released our episode so click on the link here to check it out! It's a great time!! Box Office Books Spotify Link:https://spotify.link/fUgS84IfGXbBox Office Books Instagram: https://www.instagram.com/boxofficebooks?igsh=MTBqb21saGpuN29kZw==  For my full written review feel free to follow my instagram: https://www.instagram.com/film_haven_reviews/You can also go to find the video on my NEW youtube page: https://www.youtube.com/@filmhavenreviews 

We cover Robin Hood on MGM+, the gritty new take on the legendary outlaw that trades green tights for darker realism. Set in 1186, before King Richard's crusades, it stars Sean Bean as a morally murky Sheriff of Nottingham and newcomer Max Woolf as Rob of Loxley, whose father's execution sparks a familiar rebellion. We talk through the first two episodes (“I See Him” and “A Heinous Devil”), from fairy lore and CGI stags to English politics, over-ripe dialogue, and the long wait Rob's journey from regular Saxon to the infamous Robin Hood. Tune in to hear our rating, comparisons, and other thoughts. Welcome to Today's Episode!

In this episode, Asim, Amrita, and Sujoy revisit the cult chaos that is Jaani Dushman: Ek Anokhi Kahani (2002) — the film that somehow managed to combine Terminator, The Matrix, Nagina, and 2000s melodrama into one glorious fever dream. From Armaan Kohli's muscle suit to Raj Babbar's “religious Voltron” pendant, no absurdity goes unexamined. The team breaks down how this film became a cornerstone of “so bad it's good” Bollywood, complete with CGI skeletons, ghost revenge plots, and a cast that includes everyone from Sunny Deol and Akshay Kumar to Sonu Nigam and Rambha. Expect unfiltered laughter, film trivia, and several “why did we watch this?” moments.

We dive into the Predator universe through Prey and find a lean, authentic thriller that restores menace to the monster while spotlighting a compelling Comanche lead. We weigh practical effects against wobbly CGI, praise the setting and representation, and debate pacing, violence, and franchise future.• Casting a primarily Native team and Comanche language option• Amber Midthunder's grounded lead performance and character build• Practical suit work and period-appropriate Predator design• Weak CG animals versus strong creature effects• The trappers set piece and creative kill design• Pacing risks in the first hour and payoff balance• Franchise context and hopes for Badlands and crossoversLetterbox'd Synopsis: When danger threatens her camp, the fierce and highly skilled Comanche warrior Naru sets out to protect her people. But the prey she stalks turns out to be a highly evolved alien predator with a technically advanced arsenal.

Shakira BioSnap a weekly updated Biography.Shakira has been making headlines with the triumphant conclusion of her Las Mujeres Ya No Lloran World Tour in her native Colombia, where she closed out a series of nine concerts that drew over 370 thousand fans across Bogotá, Barranquilla, Cali, and Medellín. The final show in Bogotá was a sold-out spectacle, featuring a special collaboration with the Women's Philharmonic of Bogotá on her song “La Pared.” Shakira expressed her deep emotional connection to her homeland, telling the crowd, “There is nothing like playing at home,” and thanking her country for their unwavering support. The tour, which has already played 64 concerts worldwide, is set to continue in Ecuador, Peru, Chile, Paraguay, Uruguay, and Argentina, wrapping up in Buenos Aires on December 11. According to Billboard, the tour has become the highest-grossing Latin tour ever by a woman, earning over 327 million dollars so far. Billboard recently honored Shakira with their Global Touring Icon award, which she received backstage at her Cali concert and dedicated to her entire team.The tour's production has been described as the most ambitious of her career, featuring elaborate stage design, custom fashion, and even a CGI animated version of Shakira created by Los Angeles-based Actual Objects. The show's set list has included classics like “Hips Don't Lie,” “La Tortura,” and “Inevitable,” as well as special guest appearances with artists like Maluma, Grupo Niche, and Wyclef Jean. Shakira's recent performances have been praised for their energy and emotional depth, solidifying her status as a global icon.On the business front, there have been no new major ventures reported, but her continued success with the tour and her recent accolades underscore her enduring influence in the music industry. Social media has been buzzing with fan reactions and highlights from her Colombian shows, with many praising her for bringing her world tour back to her roots. There are also unconfirmed reports of a potential new concert in Kololo, but details remain scarce and have not been officially announced.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

This week on Fine Tooning with Drew Taylor, Jim Hill and Drew Taylor mark the 20th anniversary of Chicken Little — Disney's first fully computer-animated feature — and trace how the film's rocky launch reshaped the studio's animation strategy in the mid-2000s. Recorded the morning after Daylight Savings Time kicked in, this episode mixes history, humor, and behind-the-scenes insight as the guys unpack what really happened inside Disney Animation during one of its most volatile eras. HIGHLIGHTS Drew and Jim revisit the creative chaos that followed The Emperor's New Groove and how Mark Dindal & Randy Fullmer's next project evolved into Chicken Little. Why Bob Iger's early plans to buy Pixar cast a shadow over the film's release. How Chicken Little became both a casualty and catalyst in Disney's CGI transformation. Updates on the new Zootopia Zoobetter Together 4-D show at Animal Kingdom and why fans may want to wait for the Merrie Menagerie's return. Studio Ghibli Fest's finale screenings of The Boy and the Heron, plus news on Laika's upcoming Wildwood and ESPN's animated Monsters Funday Football event. Hosts Drew Taylor — X/Twitter: @DrewTailored | Instagram: @drewtailored | Website: drewtaylor.work Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.com Patreon Support Fine Tooning and the Jim Hill Media Podcast Network on Patreon: patreon.com/jimhillmedia Follow Us Facebook: @JimHillMediaNews | YouTube: @jimhillmedia | TikTok: @jimhillmedia Producer Credits Edited by Dave Grey Produced by Eric Hersey — Strong Minded Agency Sponsor This episode is brought to you by UnlockedMagic.com — where you can save up to 12% on Walt Disney World and Universal Orlando tickets, including hard-ticket events like Mickey's Very Merry Christmas Party and Jollywood Nights. ⁠⁠⁠⁠Learn More⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Fine Tooning with Drew Taylor, Jim Hill and Drew Taylor mark the 20th anniversary of Chicken Little — Disney's first fully computer-animated feature — and trace how the film's rocky launch reshaped the studio's animation strategy in the mid-2000s. Recorded the morning after Daylight Savings Time kicked in, this episode mixes history, humor, and behind-the-scenes insight as the guys unpack what really happened inside Disney Animation during one of its most volatile eras. HIGHLIGHTS Drew and Jim revisit the creative chaos that followed The Emperor's New Groove and how Mark Dindal & Randy Fullmer's next project evolved into Chicken Little. Why Bob Iger's early plans to buy Pixar cast a shadow over the film's release. How Chicken Little became both a casualty and catalyst in Disney's CGI transformation. Updates on the new Zootopia Zoobetter Together 4-D show at Animal Kingdom and why fans may want to wait for the Merrie Menagerie's return. Studio Ghibli Fest's finale screenings of The Boy and the Heron, plus news on Laika's upcoming Wildwood and ESPN's animated Monsters Funday Football event. Hosts Drew Taylor — X/Twitter: @DrewTailored | Instagram: @drewtailored | Website: drewtaylor.work Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.com Patreon Support Fine Tooning and the Jim Hill Media Podcast Network on Patreon: patreon.com/jimhillmedia Follow Us Facebook: @JimHillMediaNews | YouTube: @jimhillmedia | TikTok: @jimhillmedia Producer Credits Edited by Dave Grey Produced by Eric Hersey — Strong Minded Agency Sponsor This episode is brought to you by UnlockedMagic.com — where you can save up to 12% on Walt Disney World and Universal Orlando tickets, including hard-ticket events like Mickey's Very Merry Christmas Party and Jollywood Nights. ⁠⁠⁠⁠Learn More⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey howdy hey! Shua and Jovial Jay celebrate 30 years of Toy Story, the movie that changed animation forever and reminded us that imagination never goes out of style. Jump into the toy box and relive the magic of Woody, Buzz, and the power of play. This week we share fun memories of the legacy of Toy Story, the obscure origins that launched Pixar into orbit, and imagine what our toys might've been like if Toy Story took place during our childhood. So grab your cowboy hat or your laser, partner; it's time to Enjoy Stuff! News Goonies LEGO set coming this November Seth MacFarlane's Orville novella, Sympathy for the Devil, now available as both a book and audiobook.   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Jay spent Halloween camping under the stars and adjusting to the time change with some cozy fall vibes. Meanwhile, Shua dove into Future Boy, Michael J. Fox's new book that mixes humor, nostalgia, and heartfelt reflections on creativity and resilience. Check it out now!     Sci-Fi Saturdays -  This week on Sci-Fi Saturdays Jay explores the mind-bending 2014 film Predestination, a time travel story that challenges logic and fate while delivering a sharp emotional punch. It's a complex yet satisfying sci-fi gem that fits right into Jay's continuing journey through cinematic speculation. Read his article on RetroZap.com.  And make sure to play around with the interactive map on MCULocationScout.com. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU.       Enjoy Toys!  This week, we celebrate Toy Story's 30th anniversary, reflecting on the revolutionary film that launched Pixar into a new era of digital storytelling. We talk about its impact on CGI filmmaking, the rise of toy culture, and how the movie's heart and humor continue to inspire creators today. Plus, all the great ways you can still interact with the most popular Pixar story from video games to theme parks.    And let's share memories of our favorite toys and dream about what Toy Story might have looked like in the '70s or '80s.  When did you first experience Toy Story? Can you beat Shua's score on Buzz Lightyear Astro Blaster? Let us know! First person that emails me with the subject line, "You've got a friend in me" will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com   

Before X-Men hit theaters, there was Generation X — a 1996 made-for-TV movie that tried to bring Marvel's mutants to life with neon colors, mid-'90s slang, and some very questionable CGI. Laramy is joined by Gerry D from Totally Rad Christmas to talk about this early attempt at superhero television, the changes from the comics, and why the movie still has a certain nostalgic charm.From Emma Frost's questionable teaching methods to Russell Tresh's over-the-top villainy, we explore what worked, what didn't, and how Fox eventually delivered on what this film promised.

What can earning a black belt in karate teach you about running a startup? CGI's Manoj Mishra shares how discipline, quiet confidence, and servant leadership form the backbone of strong leadership — in business and beyond. Manoj joined TechVibe Radio to dive deep on how his journey to a black belt informed his leadership and being a better human. If you have a few more minutes, click here for his full interview.  Whether you're leading a global team or building your first startup, the message is the same — discipline keeps you consistent, quiet confidence earns trust, and servant leadership inspires others to follow. If you want to grow as a leader, start by mastering yourself. Remember, the best tech leaders are always learning, on and off the mat. Hit Play now for these amazing insights! The Pittsburgh Technology Council produces this podcast for tech and manufacturing  entrepreneurs exploring the tech ecosystem, from cyber security and AI to SaaS, robotics, and life sciences, featuring insights to satisfy the tech curious.

Welcome! I start as usual with The Update, now 30 minutes or less! Then I go to Mannys A Reel Boy, with a newer format of the serious stuff first then the funny stuff after. I then went to see my family and came back and Poked My Jokes from Thursday at 82 Oak. I end with a CGI where I ask Geno about what he thinks are the most crazy conspiracy theories and explain why there not that far fetched. I hope you all enjoy it and Rate, Review, and Share if you can! I love you all and see you next week! God willing! IA!

Send us a textRemember Thirteen Ghosts from 2001? This remake of a '60s ghost story was part of a heavy CGI trend during the late 90s and early 2000s. It starred Matthew Lillard, Tony Shalhoub & Shannon Elizabeth, and thirteen pisssed off Ghosts. We don't remember a whole lot except that the ghosts were actually cool and creepy.Do You Remember Liking This Movie?

In the eleventh episode of season 4, host Dr. U. Grant Baldwin, Jr., Director of the Doctor of Behavioral Health (DBH) Program at Cummings Graduate Institute for Behavioral Health Studies (CGI), is joined by Dr. Cara English, Chief Executive Officer (CEO) and Chief Academic Officer (CAO) of CGI, to unpack the complex world of state licensing boards and their impact on clinical Doctors of Behavioral Health. Together, they explore why licensing boards exist, what happens when they fail to evolve with healthcare's changing landscape, and how DBHs are leading conversations around reform, advocacy, and telehealth regulation.About the Podcast Guests:Dr. U. Grant Baldwin, Jr., DBH, has held executive leadership positions in behavioral health agencies and served as a Research Associate with the Cecil G. Sheps Center for Health Services Research at the University of North Carolina at Chapel Hill. He provides consultation and training to primary care executives and healthcare practitioners nationwide. He has collaborated with experts to offer guidance for the U.S. Department of Veterans Affairs' Center of Integrated Healthcare and, as a member of the Cognitive Behavioral Therapy–Insomnia Leadership Panel, contributed to advancing the training of practitioners in evidence-based behavioral health practices for veteran care. He has developed integrated behavioral health programs within federally qualified health centers and secured funding to expand integrated behavioral health and workforce development in rural health settings. His work has cemented the integration of psychotherapy for treating mental health and substance use disorders that exacerbate chronic medical conditions.With over 15 years of experience in healthcare management, Medicaid and Medicare program administration, organizational transformation, and innovation, Dr. Baldwin is recognized for his expertise in healthcare system redesign. He earned his Doctorate in Behavioral Health (DBH) from the College of Health Solutions at Arizona State University in 2016 and completed the prestigious Johnson & Johnson Executive Health Care Program at the University of California, Los Angeles, in 2019. A healthcare researcher and a founder of the Association of Doctors of Behavioral Health, Dr. Baldwin is passionate about integrated care, reducing healthcare costs, and advancing health equity for vulnerable populations.Dr. Cara English, DBH, is the Chief Executive Officer and Chief Academic Officer of Cummings Graduate Institute for Behavioral Health Studies (CGI) and Founder of Terra's Tribe, a maternal mental health advocacy organization in Phoenix, Arizona. Dr. English spearheaded a perinatal behavioral health integration project at Willow Birth Center from 2016 to 2020 that received international acclaim through the publication of outcomes in the International Journal of Integrated Care. Dr. English served as Vice-President of the Postpartum Support International – Arizona Chapter Founding Board of Directors and co-chaired the Education and Legislative Advocacy Committees. She currently serves on the Maternal Mortality Review Program and the Maternal Health Taskforce for the State of Arizona. She served as one of three Arizonan 2020 Mom Nonprofit Policy Fellows in 2021. For her work to establish Cummings Graduate Institute for Behavioral Health Studies, Cara was awarded the Psyche Award from the Nicholas & Dorothy Cummings Foundation in 2018 and is more recently the recipient of the 2022 Sierra Tucson Compassion Recognition for her work to improve perinatal mental health integration in Arizona.

Halloween Sepcial! dance groups, Jesus on a Pegasus, governors hunt, gizzards, hockey updates, robbery, ad's, hamburger helper, myspace and the Mormons, glamor shots, Mr. Ed, CGI, John Waters, Earnest and more. Hosted on Acast. See acast.com/privacy for more information.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!In this week's episode we dive into Better Man, Michael Gracey's glossy Robbie Williams biopic — the one where Robbie is portrayed as a CGI chimp. Yes, really. It's a bold swing that reframes a familiar music-biopic arc with unexpected bite: boy-band manufacture, burnout, reinvention, and the messy business of becoming “Robbie” when “Robert” is still in the room.What we coverThe Big Swing: Why the CGI chimp isn't a gimmick for giggles but a visual metaphor for the “performing monkey” persona Robbie built to survive fame — and why that works (or doesn't) for each of us.Factory Settings: From Nigel & Gary's control of Take That to the economics of who actually got paid, and the cost of being the “likeable one” without songwriting credits.Oasis Years & Networth Fever: The hang-around era, the envy, the one-upmanship, and the obsession with conquering Knebworth as validation.Dad, Demons & Dopamine: Anxiety, addiction, and that lifelong pursuit of approval — including the film's sweetest and saddest notes with Nan, and the uneasy father-son bookends.Does the Film Sing? Staging, choreography, and why set-pieces like “Rock DJ” land; what's rushed (Oasis/Nicole), what's caricature (sorry, Gary), and where the emotional math still doesn't balance.Should you watch the film — and our take on it?Short answer: yes to our episode (obviously), and qualified yes to the movie. One of us calls the chimp choice inspired, one calls it clever but not essential, and one is just happy it's never dull. If you like spirited disagreement with actual reasons, you're in the right feed.“It's every music-biopic cliché — but with a CGI chimp doing the coke. Somehow, that makes it feel new.”

A monster hunt turns into a trust issue—literally. As SG-1 fights a deadly parasite-mutated creature, tech from the past reemerges with dangerous consequences. Jeff, Lisa, and Victor unpack Vala's growth, poor CGI, and the SGC's recurring containment fails The post Uninvited (SG1) appeared first on StarQuest Media.

Is the first week of November the slowest time of the movie year? It is if you are a genre fan. We do have a little bit of news. Osgood Perkins excites us while John Carpenter disappoints us. There is also an important change to your Halloween viewing schedule. Plus, a new horror streaming channel that seems to be catering to fans.Before the first episode premiered, Welcome to Derry had taken us on a wild ride. When we first heard about it, we were incredibly excited. There are so many excellent stories in the sourced material that would make for great television. And who knows what original ideas the writers could come up with?Then we saw the first trailer.We went into the show fearing the worst. Welcome to Derry may not have been as bad as we feared, but it definitely was not very good. From bad CGI to completely ignoring what the source material is about, we talk about our (many) gripes. Even the things that were done right had a ring or wrong around them.Hell House LLC was a straightforward found footage horror movie. It did not do anything revolutionary, but it was a good time. Its sequels have expanded on the lore in ways that were not needed. The latest installment puts on full display how the original movie was never intended to be a series.Hell House LLC: Lineage is not for newcomers. It is not for casual fans. It is not even for people who have seen all of the installments and enjoyed them. This movie is strictly for those who know the series in and out. You need to have an intimate working knowledge of these movies to get anything out of the latest one. But at least the change from first person to traditional narrative was a good idea. Right? Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.Music in the background from https://www.FesliyanStudios.com

Today, Shane Black is back, returning to Script Apart four years since his last appearance on the show! His new film Play Dirty is a heist movie that in some ways he's been waiting his whole life to make. Fans of his will know that Shane often centres stories around flawed male characters who are informed by the pulpy novels he grew up reading. After decades creating his own spins on the literary tough guys in those books – such as Riggs in Lethal Weapon and Harry Lockhart in Kiss Kiss Bang Bang – this new film goes straight to the source, directly adapting one of the novelists who inspired him at an early age: Donald E. Westlake, or Richard Stark as he was sometimes known. Westlake wrote 28 books in total about a career criminal named Parker – a cold, calculating loner who lives by a code: thou shalt not double-cross. Unless of course, he's double-crossed first… In this spoiler conversation, Shane tells Al about what Parker means to him as a lonely bookworm adolescent, and how he threaded the needle between this quiet character and the quippy dialogue both he and star Mark Wahlberg specialise in when it came to telling his own Parker story. We get into how he constructs his action scenes, how his writing has and hasn't changed as a result of CGI – and why there was only one outcome possible in this story for a certain character who doesn't make it to the end credits.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.To get ad-free episodes and exclusive content, join us on Patreon.Get coverage on your screenplay by visiting ScriptApart.com/coverage. Hosted on Acast. See acast.com/privacy for more information.

Send us a textThis week we wrap up our Sci-Fi Spooktober special event with one of the better remakes of the 1980s as we discuss The Blob from director Chuck Russell! This films bring up a greater discussion about the old methods of special FX vs. CGI and which we prefer. There are also some major revelations about some of the actors in this film that surprised us. Before listening, drop a hit of blobber acid, stimulate the B-spot, and don't worry Shawnee Smith definitely won't be listening to this episode! Turn up your headphones, dial back your sensibilities, and join the wretched hive of scum and villainy as we take the low road to resistance on Season Six, Episode Twenty Six of Force Insensitive!Send Email/Voicemail: mailto:forceinsensitive@gmail.comDirect Voice Message: https://www.speakpipe.com/ForceInsensitiveStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: https://www.facebook.com/groups/ForceInsensitive/Twitter: http://twitter.com/ForceNSensitiveFacebook: http://facebook.com/ForceInsensitiveInstagram: http://instagram.com/ForceInsensitive

This week Natty is joined again by Miss Liss from Ouch! Was That A Ghost? This week the ladies are grabbing their walking pants and heading over to Fresno California as they view and discuss the infamous Fresno Nightcrawlers. Is it a ghost? Is it a creature? Is it simply old school CGI? Go see the videos and let us know what you think!Video Link:https://www.youtube.com/watch?v=fhaMrCUDhjkBecome a supporter of this podcast: https://www.spreaker.com/podcast/cryptids-creeps-and-conspiracy-podcast--6041412/support.

"How high was Andrew Lloyd Webber when he wrote this and on what exactly?" This month on After School, we're discussing Cats, the 2019 movie musical featuring Taylor Swift as Bombalurina. For this bonus episode for paid subscribers, we watched and dissected Tom Hooper's infamous film adaptation. From the uncanny CGI to Taylor's scene-stealing performance to the existential question of cat proportions, we explore what went wrong (and occasionally right) in translating Andrew Lloyd Webber's 1981 stage musical to the big screen. Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics! Stay up to date at aptaylorswift.com Mentioned in this episode: T.S. Eliot's Old Possum's Book of Practical Cats (1939) Cats (2019 film) directed by Tom Hooper Taylor Swift's "Beautiful Ghosts" (written for the film) E3: Alice in Wonderland Follow AP Taylor Swift podcast on social!  TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree →linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm →  tinyurl.com/aptslibro Contact us at aptaylorswift@gmail.com  Affiliate Codes:  Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!  Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro   This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

What a treat! This month's Bonus Episode: What Lies Beneath is available for all! No subscription required :)PLEASE if you have not watched the movie, do that first and then listen to this episode!My friend, Priscilla, stops in for a deep dive into why this psychological thriller still stings: Michelle Pfeiffer's nerve and nuance, Harrison Ford's brilliant portrayal, and Robert Zemeckis's love letter to Hitchcock that uses mirrors, windows, and water to make the ordinary feel unsafe.We unpack the film's design from the ground up, including a Nantucket-style lake house built to glow in daylight and brood at dusk, multiple bathroom sets engineered for those impossible angles, and CGI used with restraint: steam that writes, reflections that betray, a ghost that returns for one exquisite moment of justice. The camera starts at eye level and sinks lower as dread rises, and Alan Silvestri's score threads anxiety through every door creak and bathtub ripple. It's meticulous craft serving a clean, propulsive plot: seance to possession, repressed memory to reveal, paralytic serum to bathtub suffocation, bridge crash to lakebed truth.At the heart is a theme that still resonates-- how a woman's intuition gets minimized when her evidence looks like superstition. Claire's haunted house becomes a map of gaslighting—neighbors who might be violent, a husband who “cares,” a past smudged by trauma. Step by step, the film tests what we believe and why, until the lake gives up what the living tried to hide. Whether you think the marketing blunted the twist or simply reframed the suspense, the story's spine holds: nothing stays buried forever.If you loved the breakdown, check out our Bonus Episodes (available on Patreon or Apple Podcasts) for more smart deep dives! Connect with us and suggest a great memoir!Follow us on instagram! @babesinbooklandpod

Grab your red balloon and steady your nerves! On this week's episode of The Commentary Booth, Jamie Apps and Corrina Mabey descend into the sewers of Stephen King's imagination to review the first five episodes of HBO Max's chilling new series, IT: Welcome to Derry.Serving as a direct prequel to the blockbuster It films, this series plants us in Derry, Maine, in 1962. As a new family arrives, a boy vanishes, and the town's deep-seated darkness begins to fester. Is it the return of Pennywise, or is the real horror the people of Derry themselves?Across the episode, Jamie and Corrina unpack early impressions of the first five episodes — from its chilling opening sequence to its layered social commentary on racism, military paranoia, and generational trauma. They debate whether Pennywise's absence makes the horror sharper, discuss how fear manifests beyond the clown, and draw parallels between Stranger Things and It's young cast. There's laughter, unease, and a lot of speculation about where this dark mythology will lead next.Highlights Breakdown: - First Impressions: Why the opening scene is a gory, tone-setting masterclass that hooks you immediately. - Standalone Scares: How the series works perfectly for both It veterans and horror newcomers. - Behind the Mask: Why the show is scarier for not relying solely on Pennywise, and how human evil is the true villain. - Production Praise: The consistently fantastic CGI and a title sequence packed with hidden clues and lore. - Era & Atmosphere: How the 1960s setting, with its Cold War paranoia and systemic racism, creates a perfect feeding ground for fear. - Future Fear: Our theories on the rumoured three-season plan and a potential journey back to 1935 and 1908 to explore the full origin of Pennywise! - Final Ratings: Our spoiler-free scores for the first five episodes and our high hopes for the finale.If you're wondering whether Welcome to Derry can stand on its own, if it's truly scary, or how it sets up a potential multi-season journey through the 27-year cycle of fear, this is the review you can't miss.IT: Welcome to Derry is streaming now on HBO Max with new episodes weekly.This week's episode is brought to you byAustralian Wrestling CardsCheck out more great content from Pario Magazine on our website.-------------------------------------------------------------SUPPORT PARIO MAGAZINE & THE COMMENTARY BOOTH- PATREON- BUY MERCH- AMAZON PRIME VIDEO- TUBEBUDDY- Subscribe to AEW Plus using my code (q0yydoz) to earn $10 in FITE credit- Shop Online With Honey- Shop Online With SatechiMY EQUIPMENT- Elgato Facecam- Rode PodMic- Elgato Wave Mic Arm LP- Streamlabs Talk StudioFOLLOW JAMIE ON SOCIAL MEDIA- Twitter- Facebook- Instagram- TikTokFOLLOW PARIO MAGAZINE ON SOCIAL MEDIA- Twitter- Facebook- Instagram

“We all float down here.” Join Ian & Kev, along with BFF of the BFE: James DeGuzman, for our 302nd episode as we descend into the sewers of Derry, Maine, and confront childhood trauma, red balloons, and Stephen King nightmare fuel with It: Chapter One (2017). Megs and Liam? They said they weren't afraid of clowns… right up until Pennywise offered them a balloon. We're hoping they resurface soon. This week we discuss: Why It tapped into a new generation's fear of clowns — and whether it's earned or just clever filmmaking. Bill Skarsgård's terrifying turn as Pennywise — physicality, psychology, and drool.  How the film balances coming-of-age warmth with soul-shaking horror — friendship vs. fear. King's original novel vs. the adaptation — what gets streamlined, what gets lost, and what gets under your skin. Does this film prove that horror is strongest when it's tied to universal childhood anxieties? How the film is able to position that early coming-of-age feelings of romance without coming across as creepy The Losers' Club: perfect casting? We break down who stands out and who feels underserved. Why the sewer sequences and the house on Neibolt Street raise the bar for modern horror set pieces. Ian talks about narrative structure and why splitting the story into “kid chapter” and “adult chapter” was the smartest possible move. James brings the expert scare analysis — and takes the BFE to task over their anti-horror bias Does Pennywise's final reveal hold up — or does CGI drain the fear away? And finally, whether It: Chapter One is the Best Film Ever — or just the best nightmare you'll keep watching anyway. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

On today's episode  I speak about walking into a parallel universe at the doctors office, and it seem i would be king due to me not only having 2 eyes but four. In the world of the blind, the 2 eyed man is king or however that saying goes. Also while there i tell the doctor i am being healthy and heading to ihop after with the fear of running into my doctor because it is down the block form him. I like to gamble on both sides of the spectrum, from there i mention a planned company outing for Halloween week. WHAT'S UP - 4 NON BLONDESWHAT'S UP?X BEEZ IN THE TRAP(00:00 - 27:16)On the movie review section we talk about film movies and other things and give the worse takes. This week i speak about  “ THE MASK” this 90's classic brings back so many memories from childhood. This 6 times award winning movie was ahead of its time, from CGI to baddies, and the marvel franchise. i can say this movie is almost perfect until you see it as an adult and notice this movie would be a thousand times better if he never found the mask and still had to deal with the same dilemma as a normal person. (27:17 - 38:08)I then jump into The Cool Report  where we discuss the internet trying to cancel Tyler the Creator again, like he was not know for being problematic and all the other icks they link to him. From there we get more cancel culture being mad at things that aren't that important, like North West Halloween costume and these brokies gotta relax. Some of y'all only eat candy corn and it really shows. We then get into Donnie lawsuit and it is quite entertaining to watch this unfold in front of us, like America is not dealing with a lot already.(38:09 - 01:05:19)We then step into a segment where the listeners ask me 3 questions about myself or just randomness. A character wants to know are shiesty first amendment protected, and the census deems yes. Another wants to know about my sexy halloween outfit, and boy oh boy do i divulge. Then i get asked about blood ignition day on Halloween and have i ever feared for my life, and i answer this question like the G that i am. silent G. (01:05:20 - 01:21:43)Then we have 2 fans ask us a questions for PTL where we get asked the tough questions where we place ourselves in their shoes. A lover wants to know if they would stay in the friend zone after attempting to get out and speak about their feelings, i say brother, BROTHER, GET INTO THE GYM. Another lover wants to know is she a ho fosho, because she gave up them draws on the first date. Now she thinks its him and not her and i nicely tell her an explanation. We'll see if she takes it that way(01:21:44  - 01:34:03)THE FINThanks to everyone that shows us love and wish y'all the best on the journey called life. I also divulge on life and tell everyone fighting a silent battle to keep on fighting do not go into that dark night, stay here.(01:34:04 - 01:43:49)please continue to like, share, comment and subscribe.PEACE OUT!!!! For questions to be answered on Part time lover please email @nospecialcharacterspod@gmail.comTIME CODEINTRO/ WHAT'S NEW - 00:00MOVIE REVIEW - 27:17THE COOL REPORT - 38:09ASK ME A QUESTION - 01:05:20PART TIME LOVER - 01:21:44OUTRO - 01:34:04

Avery sits down with Disney Channel icon Kimberly J. Brown for the coziest kind of nostalgia trip…the kind you can watch with your kids. Kimberly looks back on booking Halloweentown at 13, what made her character Marnie feel brave and real, and why the movie still lives on repeat every October. She shares sweet, funny stories about filming, practical “movie magic” before heavy CGI, and the warmth and wisdom she learned from Debbie Reynolds.They talk growing up in the industry with balance, stepping away for college, and reconnecting years later with her now-husband (and Halloweentown II co-star) Daniel Kountz. Kimberly also gives a peek at her new Hallmark movie Haul Out the Halloween and why it delivers maximum cozy fall vibes. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us a textOur 2025 Halloween series comes to a merciful close as we cover the amazing An American Werewolf in London from 1981.  Much like a unicorn, its a crazy original horror movie from a time where imagination, creativity, and talent could beat up a CGI movie any day of the week.  We keep the grumpy going to the end where we name our worst horror movie of the 21st century displaying our complete lack of self-awareness. 

What's up Gamers?In this week's episode, the host's delve into the world of Resident Evil movies, comparing the 2002 original with the 2021 reboot, Welcome to Raccoon City. They share their candid thoughts on the films' strengths and weaknesses, from CGI and character development to soundtrack and storytelling. With a mix of humor and critique, they explore what makes a movie adaptation successful and where these films hit or miss the mark. Tune in for a spirited discussion that movie buffs and gamers won't want to miss!Don't forget to subscribe and give us your thoughts in the comments below. Get out there and level up, Kombatants!

Danny & Jenna are back for season 7 of A Very Merry Iconic Podcast and to kick off the season, they're covering 2004's HALLOWEENTOWN HIGH, the autumnal Disney Channel original movie featuring trolls and company in high school! Debbie Reynolds returns alongside a CGI purse! More holiday recaps will launch in November, so subscribe to A Very Merry Iconic Podcast and follow @AVeryMerryIconicPodcast on IG for updates! *Order Danny's book here: https://amzn.to/3Z5mjHS*For A Very Merry Iconic Podcast merch go to EverythingIconic.StoreFollow @AVeryMerryIconicPodcast on InstagramDanny: @DannyPellegrinoJenna: @Jenna.Brister Hosted on Acast. See acast.com/privacy for more information.

Recently Craig had the pleasure of talking to actor Dean Redman, who recently guest starred in the first episode of Boston Blue. They discuss acting with CGI, meeting your heroes and the importance of recognising stunts. Show Notes Dean's IMDb Dean's Twitter Dean's Instagram Craig's review of Warcraft: The Beginning Craig's review of War for the Planet of the Apes Craig's interview with Sudz Sutherland If you enjoyed what you heard here, please subscribe to Kneel Before Pod. If you have any feedback then we'd love to hear it. You can find us on Facebook, Twitter and BlueSky. You can also make yourself known in the comments section below or you can join us on Discord.

Everyone from a GIF will be live in person at a convention center once we figure out how to rent it. Gore-themed birthday parties go crazy but the ARG is too hard. Dark triad style individuals such as Andrew Milonakis are leaving out poisoned cat poop for the neighborhood dogs to ensure that they never become the Jodie Foster in someone's Taxi Driver fantasy. Arby's meat nuggets are pretty good but later in the bathroom it might be a four-tiki-torcher plus a fire pit and a Febreze cloud that gets ignited. The guy in The Terminal was so lucky until he got turned into CGI and had to drive a Christmas train. China has a skeleton law and Perm is by the Urals.