Podcasts about CGI

Welcome back to Summer Slash 7, your ultimate horror movie marathon from Binge-Watchers Podcast! This episode takes flight with a deep-dive review of BATS (1999), a creature feature full of genetically engineered horror, wild kills, and a surprisingly committed performance from Lou Diamond Phillips (La Bamba, Young Guns). We talk mad scientists, cheesy 90s CGI, and why the bats in this movie deserve their own villain origin story.But that's not all—we also revisit Halloween H20: Twenty Years Later, where Jamie Lee Curtis returns as Laurie Strode... again. Is her PTSD legit this time or just another cash-in? We break down the Halloween franchise multiverse (yes, there are four timelines now), why H20 feels like a weird Scream spinoff, and how Josh Hartnett may have been the weakest link in the final girl's family tree.

The latest ‘Jurassic’ entry features Scarlett Johansson and cutting-edge CGI. But character development or big twists? Nah. Read the Plugged In Review If you've listened to any of our podcasts, please give us your feedback.

Mal and Jo are back to wrap up ‘Squid Game' Season 3! They break down the final three episodes by discussing the final game, a CGI baby, a surprising cameo, and more! Later, they discuss what games should be in the American version. (00:00) Intro(09:07) ‘Fourth Wing' and ‘The Last of Us' News(22:04) Opening Snapshot(36:04) Was the Final Game Captivating Enough?(51:55) Which Death Hit You the Hardest?(01:12:54) Too Much Baby-in-Peril Action?(01:16:43) Thoughts on Myung-gi(01:26:24) No-eul and 246(01:30:28) Jun-ho(01:32:29) Favorite or Least Favorite Payoff(01:36:18) Cate Blanchett Cameo(01:39:39) What Games Should Be in the American Season? Hosts: Mallory Rubin and Joanna RobinsonProducers: Carlos Chiriboga and John RichterSocial: Jomi AdeniranAdditional Production Support: Arjuna Ramgopowell Learn more about your ad choices. Visit podcastchoices.com/adchoices

Investing in yourself is the ultimate career hack. When you believe in your vision enough to create something - even on the side, even without guaranteed success - you open doors that might never have existed. Joseph Kosinski didn't wait for permission; he made a CGI short in his apartment, submitted it to festivals, and that single act of creative courage launched his entire career. His journey proves that investing in YOURSELF, developing your unique POINT OF VIEW, and then putting your work out into the world can transform everything. Don't just dream about your creative potential - invest in it, showcase it, and trust that your distinctive voice will find its audience. FILMMAKER RETREAT JOSHUA TREE '25 Thursday, September 25th – Sunday, September 28th, 2025. Limit 15 Filmmakers. This will be our 4th year and it's so special, I'd prefer to jump on the phone with you and tell you more. Every year since our first, filmmakers have come back. Pretty much says it all. SIGN UP! ONLINE FILMMAKING COURSES - DIRECT WITH CONFIDENCEEach of my online courses come with a free 1:1 mentorship call with yours truly. Taking the Shadow course is the only way to win a chance to shadow me on a real shoot! DM for details. Want to level up your commercial directing game? MAGIC MIND - MY MENTAL PERFORMANCE EXILIR - SAVE w BRADY20Save hugely on Magic Mind with this link. — This link is the way.  Thanks, Jordan My cult classic mockumentary, "Dill Scallion" is online so I'm giving 100% of the money to St. Jude Children's Hospital. I've decided to donate the LIFETIME earnings every December, so the donation will grow and grow annually. Thank you. "Respect The Process" podcast is brought to you by Commercial Directing FIlm School and True Gent, aka True Gentleman Industries, Inc. in partnership with Brady Oil Entertainment, Inc.

Sometimes, the fire of creativity is struck not by lightning but by the slow, smoldering ache of dissatisfaction. And in today's soul-stirring conversation, we welcome Shawn Whitney, a filmmaker who found cinema not in the corridors of academia, but in the quiet rebellion of self-taught screenwriting and micro-budget filmmaking. Shawn Whitney is a screenwriter, director, and founder of Micro Budget Film Lab who empowers indie creators to tell powerful stories on shoestring budgets.Our journey with Shawn begins not in childhood fantasies of movie stardom, but in the dense woods of Brechtian theater and the quiet study of old black-and-white films. His path wandered, as many worthwhile ones do, through rejection, basement solitude, and heartbreak—until something within him demanded not just expression but transmutation. Shawn didn't study film in college. Instead, he emerged from the theater world and fell into filmmaking after a failed workshop production left him broke and dispirited. Yet that fall became his rise. As he said, “I just started writing screenplays and learning the craft in the quiet shadows.”There's something beautiful in learning the art of story not from glamorous sets or high-priced workshops but from the bones of failed experiments and the echoes of dialogue bouncing around your own mind.Shawn described his education not with fanfare but humility—referencing Sid Field, Blake Snyder, and the ever-controversial Save the Cat—tools that became his spiritual guides, not rigid masters. And with every script, he refined a method. Not the method, mind you. A method. “You just need a method. You can't just be anarchy,” he mused.But perhaps what struck me most was Shawn's philosophy that screenwriting is not just structure—it's an argument about what makes life meaningful. Films, he insists, must be animated not by market trends, but by inner turmoil, by the strange flickering passions of the human heart. “It can't just be about chopping up zombies. Your characters must go through an inner transformation.” That idea—that a film is a living question—sets Shawn apart in a world often obsessed with following the formula instead of feeling the pulse.Shawn's micro-budget films—“A Brand New You” and “F*cking My Way Back Home”—aren't just titles that stick. They are rebellious acts of filmmaking born from limited means and limitless creativity.His stories unfold not in sprawling CGI landscapes, but in human longing, funny sadness, and philosophical absurdity. One film follows a man trying to clone his dead wife in the living room. Another explores redemption from the passenger seat of a towed Cutlass Supreme. With a budget of $7,000 and a borrowed tow truck, Shawn pulled off scenes that feel bigger than most tentpole blockbusters.But filmmaking, for Shawn, isn't just about his own expression. Through Micro Budget Film Lab, he's become a teacher, a mentor, and a kind of mad scientist in the alchemical lab of storytelling. His passion is not merely to direct, but to help others break free from the gatekeeping systems that keep fresh stories from being told. “We need a micro budget movement,” he declared, envisioning a cinematic rebellion where filmmakers use what they have to tell stories no one else dares to.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

The summer box office is heating up, and film critic Michael Kus joins John Siuntres on Word Balloon to break down what's worth your time — and what might flop harder than a CGI explosion. From superhero fatigue to surprise indie hits, we dive into the big-budget battleground of 2025's summer movie slate. Which franchises are running on fumes, and which directors still have the magic? It's a no-holds-barred preview filled with sharp takes, behind-the-scenes buzz, and bold predictions We discuss F1 Superman, Fantastic Four First Family and The Naked Gun among others . 

Lots of boys have grown up wanting to be Superman but perhaps you grew up wanting to be award-winning journalist Lois Lane? Actor Rachel Brosnahan is known for her Emmy-winning portrayal of Midge Maisel in the TV series, The Marvellous Mrs. Maisel, her Emmy-nominated performance in House of Cards and her work on Broadway. Now she's playing Clark Kent's love interest, Lois Lane in the upcoming DC Universe film, Superman. She tells Nuala McGovern about the unusual circumstances in which she found out she had the role and the difficulties of working with CGI. A British teenager who is currently held in prison in Georgia says she was 'tortured' into smuggling drugs. Bella Culley who is 19 and from Teesside, has appeared at a Tbilisi court this week. She has pleaded not guilty to charges of possession and trafficking a large amount of illegal drugs. The BBC's Caucasus correspondent Rayhan Demytrie tells Nuala what's been happening. Jenny Evans was a young actress riding high on the success of her first feature film when she was sexually assaulted by someone who was in the public eye. When she later found the courage to report this crime to the police, details of what she had experienced were printed in a tabloid newspaper. Jenny decided to retrain as a journalist to try and figure out how this could have happened. She went on to help expose the abuses of power in the press and police that have become known as the 'phone-hacking scandal'. Nuala speaks to Jenny about her memoir Don't Let it Break You, Honey. To mark the start of the UEFA European Women's Championship Nuala speaks to BBC Sport's Correspondent Katie Gornall live from Switzerland. She's also joined by DJ, author and podcaster Annie Macmanus who was so inspired by the Lionesses Euro's win in 2022 that she decided to take the sport up herself, in her 40's. Presenter: Nuala McGovern Producer: Andrea Kidd

This week the guys take on the newest Captain America movie. Come take a listen as we talk about the bad CGI, the enjoyable moments, and politicians being politicians. Then you can join our discord using the links below to tell us what you thought of it!https://linktr.ee/chaoticallynerdy Intro and outro music is made by Alex Grohl, can find their music on spotify here! https://open.spotify.com/artist/2Mi50rMNTnDl8PVUi1YbpO?si=mVQPtZMeQzOFU3Wcg9g7vw We can be reached at chaoticallynerdy@gmail.com

From the dawn of time, man has been fascinated by the stars and what — or more importantly, who — is out there. Unsurprisingly, from the dawn of filmmaking, Hollywood has been also been fascinated by visiting (and visitors from) other worlds. One of the earliest silent films, A Trip to the Moon, was about shooting astronauts to the moon (using a cannon) and the alien creatures they find. There are countless movies about aliens and here are four I think you should watch.Close Encounters of the Third Kind (1977)Roy Neary's life is turned upside-down after having a close encounter with a UFO. After being tormented by visions and a need to know more, Roy meets others experiencing the same thing and travels to Devil's Tower in Wyoming where Roy, the government, and the aliens all arrive for a monumental concert. Directed by Steven Spielberg and starring Richard Dreyfuss, Teri Garr, and Melinda Dillion, Close Encounters of the Third Kind is one of the greatest films about alien encounters ever made. A must watch, no matter what planet you're from.Starcrash (1978)Hot on the heels of 1977's Star Wars came a wave of films “influenced” by George Lucas's masterpiece. In Starcrash, a smuggler and her alien sidekick go on a mission to rescue a prince from an evil character with a gigantic space weapon that can destroy planets. Sound familiar? Did I mention the alien sidekick uses a lightsaber? Perhaps “influenced” is too light of a word. Starcrash is not the best space opera of all time, but it's an interesting time capsule from 1978; one of many movies that also took place in a galaxy far, far away. Starcrash features great sets, a goofy plot… and David Hasselhoff. The Last Starfighter (1984)Alex Rogan wants nothing more than to escape his small town and that opportunity presents itself after he beats the world record on an arcade game called The Last Starfighter. The arcade game is actually a recruiting tool, and before long a shifty alien named Centauri arrives to take Alex to space where he will become a Starfighter — for real! Featuring (then) groundbreaking CGI, lots of alien action, and the final theatrical performance of Robert Preston.Naked Space/Spaceship/The Creature Wasn't Nice (1981)No matter what name you see this movie under, they're all the same… and none of them are good! This “horror/comedy” that loosely parodies Alien stars Leslie Nielson, Cindy Williams, Gerrit Graham, Patrick Macnee, and (writer/director) Bruce Kimmel. After exploring a newly discovered planet, the crew of the Spaceship Vertigo bring a small organism (goo) on board that quickly grows into a large monster. When Dr. Stark figures out a way to connect the monster's brain to the ship's computer, they are able for the first time to hear the monster's thoughts. And boy, is that monster hungry…Movies about aliens and outer space are always fun summer viewing. Rent one of these films and pop an extra bucket of popcorn, just in case someone from “out there” stops by to join you.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Concept Artist Florent Lebrun is your guest for this episode of The Learn Squared Podcast. From starting out in Matte Painting to switching gears towards Concept Art and working on titles like The Last of Us 2, we hear how Florent switched gears once more to craft his short film The Lost Tower, which currently sits on over 2million views and was made entirely in Blender. Tune in to catch this and plenty more. - FOLLOW FLORENT https://www.youtube.com/watch?v=ecOOR0fETRA&ab_channel=FlorentLebrun https://www.artstation.com/florentlebrun https://www.instagram.com/florent.lebrun - FOLLOW LEARN SQUARED https://www.cara.app/learnsquared https://www.instagram.com/learnsquared https://bsky.app/profile/learnsquared.com https://www.twitter.com/learnsquared https://www.linkedin.com/school/learnsquared - YOUR HOST https://www.artstation.com/dhanda https://www.instagram.com/dhandatron https://bsky.app/profile/dhandatron.bsky.social https://www.cara.app/dhandatron

With the guiding hand of Prof. Siracusa choosing the curriculum, we watch select animated shorts from the Netflix series “Love, Death + Robots.” John’s quest to find the perfect photorealistic CGI animation continues. Tony does his companions a solid if he’s ever killed on a moon. The others debate if they represent love, death, or robots. We try to reconnect with our inner pool-polishing robots. It’s a real team effort. Jason Snell with John Siracusa, Annette Wierstra, Brian Hamilton and Tony Sindelar.

With the guiding hand of Prof. Siracusa choosing the curriculum, we watch select animated shorts from the Netflix series “Love, Death + Robots.” John’s quest to find the perfect photorealistic CGI animation continues. Tony does his companions a solid if he’s ever killed on a moon. The others debate if they represent love, death, or robots. We try to reconnect with our inner pool-polishing robots. It’s a real team effort. Jason Snell with John Siracusa, Annette Wierstra, Brian Hamilton and Tony Sindelar.

My god... this time around Your Stupid Minds covers the legacy sequel of 1996's biggest film. It's Independence Day: Resurgence, which was most definitely not 2016's biggest film. Starring Liam Hemsworth, Jeff Goldblum, Bill Pullman, Maika Monroe, and 3,800 other people (but not Mae Whitman). We really have our work cut out for us when describing this plot. It's 20 years after the events of the last film. Earth has commandeered the alien technology and created a Federation-like utopia centered around how cool it was when we kicked those aliens' asses. President Lanford (Sela Ward) is on the verge of the event's anniversary celebration when our laser moon base spots an alien sphere approaching the planet. They immediately blast it and go to pick up the remains. Meanwhile, as is custom for a Roland Emmerich/Dean Devlin joint, there are more groups. There are the hotshot spaceship fighter pilots of Jake (Hemsworth), Dylan (Jessie T. Usher), the step-son of Will Smith's Steve Hiller in the first film, who is dead in this one, and some other people I don't have time to describe. Jeff Goldblum is back as David Levinson. His ex-wife is missing but replaced with scientician Catherine (Charlotte Gainsbourg), some UN nerd (Nicolas Wright), and an African warlord who hunts aliens (Deobia Oparei). They're trying to solve the mystery of the sphere. Judd Hirsch is back somehow. He survived a 10,000 foot tsunami in Florida and is now driving a 30 year old station wagon to Area 51 on one tank of gas. There are also some Irish seamen who are supposed to watch a big hole in the earth or something. Brent Spiner is also back as Dr. Brakish Okun. He's been in a 20 year coma recovering from dying in the last movie. He's having a good time. In any case, the sphere was some supercomputer that the bad aliens want. The humans use it as bait to lure the aliens and there is a cacophony of reused 2012 CGI assets as things go bang bang boom boom and the London eye falls into Buckingham Palace or whatever.

In 1999, Stan Winston Studios and Digital Domain joined forces to create one of cinema's most convincing monsters - the massive crocodile from "Lake Placid." Winston's team, fresh off "Jurassic Park," built a groundbreaking 30-foot animatronic that could actually function underwater using waterproofed hydraulics and urethane skin - a technical marvel that had previously destroyed lesser movie creatures. With snapping jaws, moving eyes, and a thrashing tail, this mechanical beast terrorized actors in the frigid lakes of British Columbia while creating genuine fear on set.Digital Domain seamlessly handled what the animatronic couldn't, crafting stunning CGI sequences of the crocodile diving and surfacing with explosive water effects. This hybrid approach - blending Winston's tactile craftsmanship with cutting-edge computer graphics - produced just under four minutes of unforgettable screen time. Weather delays, waterproofing challenges, and the genius of two legendary effects houses brought Lake Placid to life, but in a crowded summer of 1999, this croc would struggle to dominate the box office, instead becoming a cult classic creature feature.I would love to hear your thoughts on Lake Placid !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Heather, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle and Aaron.This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyOP3 - https://op3.dev/privacy

In this episode of Dear Art Producer' host Heather Elder welcomes back freelance art producer Kathleen Candelaria. Discussing the shifts in the art production world, including the impact of the global pandemic, the rise of AI-generated content, and the changing dynamics of work and production, the duo discuss Kathleen's extensive experience working with renowned clients and her new journey as a freelancer. Kathleen shares her insights on the evolving roles of art producers, the importance of mentoring, and offers valuable tips for artists on marketing themselves, navigating the bidding process, and the significance of creative calls and treatments. The episode also touches on the integration of AI in art production, the complexities of CGI, and trends in the industry.   In an industry where the rules are always changing, it's helpful to hear from those on the front lines. Heather Elder is the visionary behind NotesFromARepsJournal.com; visit HeatherElder.com for industry updates, stunning photography and video, and the artists behind the work.   More about our guest: Connect with Kathleen Candelaria : https://www.linkedin.com/in/kathleen-candelaria-0a13546/    More about your host: Heather Elder's Bio Heather Elder's Blog Heather Elder on Instagram Heather Elder on Twitter Heather Elder on LinkedIn Heather Elder on Facebook

Join FPC Executive Director Reed Luhtanen as he goes off the rails with Karen Brown of CGI. Karen and Reed talk about mandates in other markets, what the U.S. market is doing well, and her love of photography and her dog Harry.

Movie of the Year: 1999The Iron Giant (feat. Kate Dellis!)Introduction: Why The Iron Giant Still MattersIn this episode of the Movie of the Year podcast, the Taste Buds explore the enduring appeal of The Iron Giant, Brad Bird's 1999 animated masterpiece. The podcast delves into how the film's powerful themes, from Cold War anxiety to a redefinition of masculinity, continue to resonate with audiences.Whether you're an animation aficionado or a first-time viewer, this deep dive into Brad Bird's masterpiece highlights why it remains a defining piece of cinematic art.War and Fear: The Cold War in The Iron GiantSet in 1950s America, the film uses its period setting to mirror the paranoia and tension of the Cold War. The Taste Buds analyze how the film reflects societal fears of the unknown and the consequences of militarization.With the government's aggressive pursuit of the Giant symbolizing real-world escalation, the episode illustrates how the film's anti-war message is as relevant today as it was in 1999.Masculinity and Emotion: Redefining the Hero in The Iron GiantThe movie reimagines masculinity through its characters' emotional depth. The Taste Buds break down how Hogarth's bravery, Dean's unconventional masculinity, and the Giant's compassion offer a fresh take on heroism.By challenging traditional gender roles and emphasizing vulnerability, the film delivers a powerful commentary on what it means to be truly strong.A New Style of Animation: Artistry in MotionThe podcast dives into The Iron Giant's distinctive animation style, blending traditional 2D with early CGI to create a timeless visual aesthetic. The Taste Buds discuss Brad Bird's directorial choices and how the film's clean lines, muted palette, and expressive character designs contributed to its cult status.This segment also touches on the film's place in animation history and why it remains influential.Guest Panelist Spotlight: Kate Dellis from WGBHSpecial guest Kate Dellis, a producer at WGBH, joins the Taste Buds to offer her unique perspective on The Iron Giant. Kate shares insights into the film's emotional complexity and artistic innovation.Her thoughtful analysis helps elevate the discussion and adds depth to the podcast's exploration of the movie's legacy.Additional ResourcesBrad Bird on The Iron Giant's Legacy – NPRAnimation World Network on The Iron GiantMovie of the Year: The Green Mile EpisodeFinal Thoughts: The Iron Giant Still SoarsTwenty-five years after its release, The Iron Giant continues to inspire with its timeless message of peace, compassion, and identity. On this episode of the Movie of the Year podcast, the Taste Buds and guest Kate Dellis reveal how the film's themes of war, masculinity, and groundbreaking animation combine to create a true classic.If you love thoughtful movie analysis and want to understand why The Iron Giant remains essential viewing, this episode is a must-listen.

Stick your fingers in the ooze and prep your one-liner because we are "celebrating" the 30th anniversary of a Trace fave with Bryan Spicer's Mighty Morphin Power Rangers: The Movie (1995).Piloting the Falcon Zord alongside us is The Evolution of Horror's Mike Muncer, who was also a fan of the show as a kid.Plus: a troubled production, a homophobic crew, Arne Olsen's terrible script, 90s CGI, a queer-coded villain and...why is Joe putting Zordon on a watchlist?Reference: "The Original Mighty Morphin Power Rangers Movie Fact File." Paul MatthewsQuestions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or brand new Horror Queers Discord to get in touch with other listeners.> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) > Mike: @mikemuncer (BlueSky) / @mikemuncer (Instagram) / @evolutionofhorror (Instagram) /  evolutionofhorror.comBe sure to support the boys on Patreon!  Theme Music: Alexander Nakarada   P

The legendary producer Jerry Bruckheimer (The Rock, Top Gun) and ace director (and returning guest) Joseph Kosinski (Top Gun Maverick) join Stephen Follows to talk their latest movie F1. From launching careers and creating timeless hits like "Flashdance" and the original "Beverly Hills Cop" – and its recent hit sequel, "Beverly Hills Cop: Axel F" – to the iconic dogfights in "Top Gun" – and let's not forget the absolute juggernaut that was "Top Gun: Maverick" – Jerry Bruckheimer knows how to make movies that hit hard and stay with you! With a career that spans over five decades and an eye-watering $16 billion at the worldwide box office, Jerry is not just a producer; he's practically a cinematic institution. His projects are all about that sleek style, that relentless energy, and that incredible knack for knowing exactly what audiences want. He's the force behind countless films and shows that have shaped modern cinema, a true visionary who understands how to deliver pure, unadulterated entertainment. And joining Jerry today, we have the visionary director who, in my humble opinion, is one of the most exciting filmmakers working right now! This is Joseph Kosinksi a director who's consistently pushed the boundaries of visual storytelling, known for his meticulous design, breathtaking practical effects blended seamlessly with cutting-edge CGI, and an incredible knack for capturing speed and intensity on screen like no other in "TRON: Legacy" , the sci-fi mystery of "Oblivion" and "Only the Brave" And of course, he absolutely blew us away with "Top Gun: Maverick".More recently, he directed the compelling Netflix sci-fi thriller "Spiderhead." Now, he's once again teaming up with Jerry Bruckheimer to bring us back to the racetrack for what promises to be one of the most immersive racing films ever made: "F1." This highly anticipated movie, which he directed, was written by Ehren Kruger from a story by himself and Kruger. The legendary Claudio Miranda, also from "Top Gun: Maverick," Huge thanks to Stephen Followers for hosting. Check out StephenFollows.com And GO GO GO watch F1 in cinemas NOW! OTHER LINKS FOOD FOR THOUGHT documentary out NOW | Watch it HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world. – And if you enjoyed the film, please take a moment to share & rate it on your favourite platforms. Every review & every comment helps us share the film's important message with more people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

Buckle up, because this episode's pick comes straight from co-host Chris, who's chosen to take us on a nostalgic joyride with The Gumball Rally (1976). With a fondness for high-octane chaos and old-school ensemble comedies, Chris dives into the rubber-burning madness of this pre-Cannonball Run classic, where the only rule is there are no rules—unless you're talking about car stunts, in which case, safety was more of a polite suggestion.Directed by Charles Bail, a veteran stuntman turned filmmaker, The Gumball Rally was a gleeful celebration of America's obsession with speed. Shot across multiple states, the production was a logistical juggling act, choreographing real stunt driving and capturing high-speed chases without the benefit of today's CGI trickery. The filmmakers leaned heavily on professional stunt drivers to deliver the film's most memorable moments, including a now-iconic scene involving a Cobra and a motorcycle cop.If you enjoy the show we have a Patreon, so become a supporter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Trailer Guy Plot SummaryHigh-octane chaos erupts as a secret, no-rules coast-to-coast race kicks off from New York to Los Angeles, drawing together a ragtag crew of speed freaks, daredevils, and eccentrics, all revving up for glory. With vintage Ferraris, growling Cobras, and a whole lot of reckless enthusiasm, The Gumball Rally slams the accelerator on competition and carnage—all with the law hot on their tails and no one willing to hit the brakes.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠

Welcome to Who Are You?, the only O-Negative sci-fi watchcast! Laura and Xhafer take a movie break to review one of the films that inspired the visual and tonal style of BSG, Black Hawk Down. Laura and Xhafer talk fonts. Laura appreciates good dust CGI. Xhafer refuses to sign in to Tumblr. Content warning: War stuff. This episode gets heavy, so if you're not in the mood, we understand. We'll see you next week for more BSG!

In this episode of Challenge Accepted, Frank and Thomas break down the first three episodes of Marvel's Ironheart, now streaming on Disney+. They discuss Riri Williams' return from Wakanda Forever, her emotional and tech-filled journey through Chicago, and her confrontation with Parker Robbins, aka The Hood. The episode dives deep into the show's themes of grief, legacy, and identity, while teasing Mephisto's looming presence in the Marvel Cinematic Universe. With strong performances by Dominique Thorne and Anthony Ramos, the show has potential—despite a rocky rollout and inconsistent writing. This mid-season review also includes predictions, comic book context, and thoughts on how Ironheart fits into Marvel's Phase 5 and beyond. Timestamps and Topics: 00:00:00 Introduction and first impressions 00:00:59 Riri's transition from Wakanda Forever to Ironheart 00:02:37 Chicago setting and the show's authenticity 00:03:36 Emotional honesty in superhero storytelling 00:04:48 Weak writing and underdeveloped supporting characters 00:06:22 Gen Z tone and target audience 00:06:48 Standout performance: Anthony Ramos as The Hood 00:07:32 Natalie's arc and AI consciousness 00:08:21 Episode 2: flashbacks, trauma, and Stark legacy 00:10:12 Stark comparisons and Wakandan tech 00:12:30 Confusion around Zeke and character awkwardness 00:13:44 Episode 3: action, tension, and Mephisto's influence 00:14:53 The contracts, demonic pacts, and tattoo symbolism 00:18:08 Breaking down the greenhouse heist 00:20:28 CGI highs and lows in action scenes 00:21:55 Mephisto's growing control over Parker 00:23:06 Predictions for Mephisto, Doctor Doom, and future MCU tie-ins 00:25:01 Comic history of Mephisto, Ghost Rider, and potential Phase 7 arcs 00:26:46 Mid-season rating and final thoughts 00:29:10 Armor Wars, Disney's past mistakes, and the show's chopped-up structure 00:30:36 What's working and what we hope to see next Key Takeaways: Ironheart starts slow but picks up steam by episode 3, with tighter dialogue and higher stakes. Dominique Thorne (Riri) and Anthony Ramos (Parker/The Hood) deliver strong, grounded performances. The show leans heavily on Wakanda Forever as backstory—watching it first is essential. Parker's contracts and tattoos hint at Mephisto's presence, possibly laying groundwork for Midnight Sons or Doctor Doom. Chicago is a refreshing setting, adding a fresh visual layer rarely seen in Marvel properties. Disney's batch-release of episodes may reflect leftover strategy from the Chapek-era content slate. Natalie's role as an AI based on Riri's memories is an emotional standout. The Hood may become a recurring villain across MCU titles like Daredevil: Born Again. Memorable Quotes: “You don't hear heroes say that very often—but sometimes, you're not okay.” “Ramos never misses. He's the most compelling thing on screen right now.” “These characters feel like NPCs. The only ones that feel real are Riri and The Hood.” “This should've been a movie. You can feel how it was chopped up.” “That's not ink—it's a contract spreading across his skin.” Call to Action: Enjoying the episode? Support Challenge Accepted by subscribing, rating us five stars, and sharing with a Marvel-loving friend. Join the conversation using #ChallengeAcceptedPodcast on social media. Links and Resources: Visit GeekFreaksPodcast.com for all our news, reviews, and episodes. It's our official hub for everything geek culture. Follow Us Online: Instagram: @ChallengeAcceptedLive TikTok: @ChallengeAcceptedLive Twitter: @CAPodcastLive Have a Challenge for Us? Got a show, movie, or comic you'd like us to tackle? Email your ideas or questions to ChallengeAcceptedGFX@gmail.com or DM us on socials. Apple Podcast Tags: Ironheart, Marvel, MCU, Disney Plus, Riri Williams, Anthony Ramos, The Hood, Mephisto, Marvel Phase 5, Marvel Reviews, Comic Book TV, Midnight Sons, Marvel Villains, Chicago Superheroes, Armor Wars, Ghost Rider, Dominique Thorne, Challenge Accepted Podcast

Você acha que o Irã é só Aiatolá, véu e confusão nuclear? Ah, criatura perdida no noticiário raso… Neste episódio, a gente atravessa 2.500 anos de história – começando com os persas bombados de CGI em 300, passando pelo Cambises surtado, pela ostentação da Dinastia Pahlavi, até o incêndio do Cinema Rex, que virou estopim da Revolução de 1979.Tem espionagem da Savak, tem Khomeini voltando do exílio com um discurso que nem o algoritmo do YouTube conseguiria segurar, tem ARGO metendo Hollywood no meio… e até o Netanyahu, de penetra na história alheia.Porque entender o Irã, meus caros… é entender que ali, entre véus, petróleo e Passat iraquiano… o barril de pólvora é histórico.—------------------------------APOIE o programa: APOIA.SE - https://apoia.se/nosnahistoriaSIGA-NOS no Instagram: @nosnahistoria_@buenasideias@lucianopotter @arthurdeverdadePatrocínio:TRADUZCA - https://www.traduzca.com/LIVROS INDICADOS NO EPISÓDIO - UM LIVRO - https://www.livrarianosnahistoria.com.br

Ever been completely immersed in a movie—only to have one moment yank you right out of the experience? In this episode, we dive into the little (and not-so-little) things that instantly ruin a film for us. From cringe-worthy dialogue and lazy plot twists to unbelievable acting and unrealistic CGI, we break down the most common cinematic deal-breakers.See omnystudio.com/listener for privacy information.

TVC 695.2: Academy Award-nominated director and animator Bill Kroyer talks to Ed about what an “in-between” is in animation; why it took more than the success of Tron, the first feature motion picture to integrate computer-generated imagery, for CGI to take off; what led Bill into directing; and how he came to work with Mick Jagger on the music video for “Hard Woman,” one of the first videos to use CGI software that implemented movement. Bill's memoir, Mr. In-Between: My Life in the Middle of the Animation Revolution, is available wherever books are sold through CRC Press.

After Scream made him a semi-household name, David Arquette was poised for leading man status. Unfortunately, the first film he chose to lead was Eight Legged Freaks, a comedic, atomic age horror throwback featuring giant CGI spiders and Kari Wuhrer as his co-lead. But does this box office dud  have the power to catch Sebastian and Jennifer in its web of creature feature charm? Tune in and find out!

JJ, Mattson and Alec delve into the cinematic masterpiece "The Goonies," which is celebrated for its nostalgic value and lasting appeal. We engage in a thorough analysis of the film's narrative, which follows a group of misfit children on a thrilling quest to uncover hidden treasure, thereby embodying the spirit of adventure and camaraderie. The episode highlights the exceptional performances of the young cast, notably Sean Astin, Josh Brolin, and Corey Feldman, while also appreciating the film's blend of humor and poignant moments that resonate with audiences of all ages. Furthermore, we reflect on the significance of practical effects utilized in the film, contrasting it with modern CGI techniques that often detract from the authenticity of storytelling. Ultimately, we express our unequivocal admiration for "The Goonies," asserting its status as a quintessential film that continues to inspire and entertain generations.Support us:https://www.patreon.com/whatsourverdictEmail us: hosts@whatsourverdict.comFollow us:Facebook: https://www.facebook.com/whatsourverdictTwitter: @whatsourverdictInstagram: @whatsourverdictYouTube: https://youtube.com/channel/UC-K_E-ofs3b85BnoU4R6liAVisit us:www.whatsourverdict.com

Welcome back! Starts with The Update, then we go to Manny's a Reel Boy, where we have a record 30 videos! Mostly educational and news you havent heard, but also funny and motivational videos! I then Poke my Jokes from Bogeys on Thursday, and I end with CGI where I ask Gina about nic pouch side effects, when AIPACs views diverted from Israels, the Samson option and how thats not what our greatest ally would do, and I end by calling Gina a stupid shill cuz she is one. She really got me mad on this one! Rate, review and share if you can and see you next week God Willing! IA!

This week, the hilarious cast of The Mocky Horror Picture Show drops by to talk about their next live show—and it's a claws-out roast of X-Men Origins: Wolverine! We dive into what makes this movie so mockable, how they prep for their signature interactive comedy events, and what fans can expect from this upcoming performance. Spoiler: there will be laughs, riffs, and more than a few jokes about CGI claws. Mocky Horror Picture show   I love that Movie Links: Bluesky: @ilovethatmovie.bsky.social Catch up with us on Twitter/x: @iltmpodcast   Instagram: @ilovethatmoviepodcast   Support us on Patreon: https://www.patreon.com/Ilovethatmovie  

We catch up with Kiwi actor Julian Dennison for a fun and revealing conversation about his surprising new nickname, why he thinks his brother might one day become Prime Minister, and what it was like working with the legendary puppeteers behind the pre-CGI dragons. He also shares how he got into DJing while filming his latest movie, and answers the big question—will he finally hang out with Jono and Ben? See omnystudio.com/listener for privacy information.

Luke from 'The Howdy Beans Podcast!' joins a "sexy phlegm"-ridden Sean to discuss the underrated film Battle: Los Angeles (2011). Stick around for Part Two and the examination of what the critics said about the film, in our "Did You Even F**king Watch This Film?" section.Chapters:0:08 Welcome to Review It Yourself2:34 Podcast Listening Habits8:14 Introducing Battle Los Angeles10:55 Aaron Eckhart's Acting Prowess11:43 Realism in Alien Invasions16:34 CGI and Visual Effects18:08 Character-Driven Narratives22:59 The Scale of the Invasion25:25 The Gradual Build-Up of Tension30:52 The Burden of Command32:06 Gritty Authenticity in War Films34:26 The Importance of Character Investment46:38 A Call for More Films Like This50:30 Future Film Possibilities51:36 'Pods Like Us' stingThanks for Listening!Find us here: X: @YourselfReviewInstagram: reviewityourselfpodcast2021YouTube: https://www.youtube.com/@ReviewItYourself⁠ Hosted on Acast. See acast.com/privacy for more information.

Story of the Week (DR):Warner Bros. Discovery Reworks CEO Pay, Reducing David Zaslav's Massive Compensation DRDavid Zaslav will take a pay cut after Warner Bros. Discovery splits up—with a big hit to his bonusDavid Zaslav Is Getting a Pay CutWarner Bros to significantly slash CEO David Zaslav's pay packageWarner Bros Discovery CEO David Zaslav Pay to Drop After Company SplitDavid Zaslav's Pay To Be “Substantially” Lowered Ahead Of Split, WBD Says, But CEO Will Still Reap RewardsIf Zaslav hits 100% of his operational and financial goals in the first year after the split, his target pay will be $16.5mn, compared with $37mn in the current contract. If he hits 200% of the targets, it will be as high as $30mn, the company said on Monday.However, the bulk of Zaslav's future pay will be based on stock options after shareholders rebuked a model based on free cash flow generation.The securities filing made late on Monday said the beleaguered media boss would receive about 24mn in WBD shares that could be purchased for the current $10.16 price.If the share price were to double, the package could eventually be worth nearly $250mn.Two weeks after 60% of Warner Bros. Discovery shareholders rejected CEO David Zaslav's $52M pay plan, the Compensation Committee restructured his plan using Hollywood's latest CGI, special effects, and most seasoned stunt doubles: his new plan reduces his annual pay targets significantly–from $37M to $17M if he hits 100% of his targets–but the devil is in the details as he is eligible for $37M if he reaches 200% of his targets and is getting a massive option grant of 21 million shares at an extremely low strike price of around $10 per share, giving him the theoretical opportunity to make $1.4B if Warner Brothers' share price regains its 2021 high of $77.Boeing's longest-tenured director Lynn Good joins the Board of Morgan Stanley just two days after the crash of a Boeing 787 Dreamliner in India killed more than 200 people.Airbnb CEO Brian Chesky says his company is a 'convenient scapegoat' as European cities protest overtourism“In Barcelona, housing prices rose 60% over the past decade, but Airbnb listings actually decreased. So we can't be the culprits.”Corporate Italy lacks female CEOs, stock exchange head warnsClaudia Parzani, the head of Milan's stock exchange: Italy lacks women in position of leadership and that's a cultural issue that the business community needs to fix: “Last year we probably reached the lowest level of female CEOs leading listed companies at Milan's Stock Exchange.” Of course the article provided no data.Australia's highest-paid CEOs revealed — and the one woman on the listShemara Wikramanayake, the only woman in the top 20, made $30 million as CEO of Macquarie Group.Goodliest of the Week (MM/DR):DR: What Is a ‘Fridge Cigarette'? A New Term for Diet Coke Gains Traction. MM DR MM: Lawyers Just Discovered Something About Meta's AI That Could Cost Zuckerberg Untold Billions of DollarsIt spits out large portions of books verbatimMM: Disturbing Test Shows What Happens When Tesla Robotaxi Sees a Child Mannequin Pop Out From Behind a School BusAssholiest of the Week (MM): Musk's xAI Burns Through $1 Billion a Month as Costs Pile Up DRxAI: $12bn/yr burnWe build AI specifically to advance human comprehension and capabilities.Musk says SpaceX vision for Mars will save humanity as he continues to push human extinction fearsOpenAI: $5bn/yr burnOpenAI is an AI research and deployment company. Our mission is to ensure that artificial general intelligence benefits all of humanity.Anthropic: $3bn/yr burnWe strive to make decisions that maximize positive outcomes for humanity in the long run.Act for the global good.Low end estimate to end world hunger per year: $7bnWorld Bank estimate for clean water for all humanity: $150bn/yearNumber of US households without water access: 19mCompliance costs for Clean Air Act: $65bn/yrAnd the great AI investment is getting us…Lowe's CEO says young workers should stay away from the corporate office and close to the cash register"AI isn't going to fix a hole in your roof," Lowe's CEO Marvin Ellison said. "It's not going to respond to an electrical issue in your home. It's not going to stop your water heater from leaking."Amazon CEO tells employees to expect cuts to white-collar jobs because of AIAs ChatGPT Linked to Mental Health Breakdowns, Mattel Announces Plans to Incorporate It Into Children's ToysSeems like, like all tech bro toys, they start with “good of humanity” and end with “rich”Dario Amodei net worth: 1.2bnMusk net worth: 406bnAltman net worth: 1.8bnSpotify's Daniel Ek leads $694 million investment in defense startup Helsing DRPalantir, Meta, OpenAI execs to commission into Army reserve, form ‘Detachment 201'OpenAI wins $200 million U.S. defense contractSpeaking of tech bro middle school manbabies… ever notice how when they're done building their “innocent” empire (paying for things online! 3d goggles! Internet friends!), at some point while swimming in their dual class billions they invest in “defense”?Is it just that middle school boys love things that blow up? Is it really so simple that they all stopped maturing at age 13?Headliniest of the WeekDR: Dimon: CEOs can't expect "everything to be constantly easy"DR: On Juneteenth, Trump says the US has 'too many' holidays "Too many non-working holidays in America … The workers don't want it either!"MM: Jamie Dimon says creating a functional workplace means firing 'a—holes'Who Won the Week?DR: Airbus. Because it's not Boeing.MM: RFK Jr - attacking pharma ads? Good. Healthy Starbucks? Good. Not being involved in starting world war III with Iran? Good. OMG, RFK Jr won the week… PredictionsDR: Tech CEOs start wearing military hats with the main decal being a digital number representing their wealth calculated to the second based on current share price; gold stars representing how many votes per share their class B holdings represent; and stripes represent how many years of college they did NOT attend: 3 stipes meaning they dropped out 2nd semester of first yearMM: Boeing's Ortberg, after reading this paper (Chief executive officer (CEO) Machiavellianism and executive pay.) on how CEOs who act like Machiavelli suggested are successful, decides to fire HALF of Boeing, and give the other half donuts on Fridays in the breakroom because, “...any cruelty has to be executed at once, so that the less it is tasted, the less it offends; while benefits must be dispensed little by little, so that they will be savored all the more.”

Send us a textA young man's visit to his grandparents' home leads to the discovery of an old-time radio broadcast that has brought the family happiness for years, a revelation that will lead him to question his life choices, sanity and dietary choices. On Episode 673 of Trick or Treat Radio we discuss the Japanese horror flick, Best Wishes To All from director Yûta Shimotsu! We also talk about the true meaning of happiness, extreme Japanese horror, and movies with creepy old people! So grab your genealogy test results, make sure you're with the right family, and strap on for the world's most dangerous podcast!Stuff we talk about: Netflix, true crime docs, horror streaming, Mindhunter, RIP DeVera Burroughs, birthday gimmicks, holding down the fort, this day in horror history, Crispin “Hellion” Glover, Ben, Food of the Gods, Rats, The Texas Chainsaw Massacre soundtrack, John Larroquette, Waiting for Guffman, Christopher Guest, Michael Hitchcock, Catherine O'Hara, MadTV, Lillian Verner Gameshow, Last Dinosaur, Chas Balun, Battle Royale, House, Ichi the Killer, Uzumaki, Best Wishes to All, Yuta Shimotsu, M. Night Shyamalan, The Visit, extreme Japanese horror, the Mae Young scene, Japanese Culture, geriatric f*ck machines, poorly executed silly CGI, Soul Reaper, Indonesian horror films, and finger sucking good films.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

In our latest discourse, we meticulously examine the 2010 cinematic endeavor, "The Last Airbender," which has garnered a mere 5% rating on Rotten Tomatoes. This film, directed by M. Night Shyamalan, has elicited profound disappointment among fans and critics alike, particularly for its disjointed narrative and lackluster character portrayals. Elizabeth Clyde and Alex Matthews articulate their sentiments regarding the film's shortcomings, noting the significant disparity between the beloved animated series and its live-action adaptation. The dialogue delves into the myriad factors contributing to its critical failure, including subpar CGI and a narrative that neglects the depth of the source material. Ultimately, we conclude with a cautionary note, advising our audience to reconsider investing their time in this particular cinematic experience.The discourse undertaken in this podcast episode delves into the realm of cinematic adaptations, with a pronounced focus on the infamous 2010 film adaptation of 'Avatar: The Last Airbender'. As the hosts, Elizabeth Clyde and Alex, engage in a thorough examination of this film, they articulate a collective sentiment of disappointment, primarily stemming from the dissonance between the beloved animated series and its live-action counterpart. They reflect on the profound anticipation that surrounded the film's release, especially for ardent fans of the original series, only to be met with a product that many deemed a betrayal of the source material. The hosts enumerate various elements that contributed to their dissatisfaction, including the mispronunciation of key character names, subpar CGI, and a narrative pacing that failed to capture the essence of the original storyline.Throughout the episode, the hosts juxtapose their experiences while watching the film, revealing how the expectations set by the original series were not only unmet but egregiously undermined. They discuss the absence of critical character arcs and the simplification of profound themes that were pivotal in the animated version. The conversation further extends to the director's response to the backlash, highlighting a perceived arrogance and denial regarding the film's shortcomings. By the conclusion, they firmly advise listeners to forgo watching this adaptation, emphasizing that even for nostalgia, it does not merit the time or resources.Takeaways: The 2010 film 'The Last Airbender' received significant criticism for its disappointing execution and strayed far from the beloved animated series. Despite being anticipated due to its connection to a cherished franchise, the film's narrative and pacing fell short of expectations, leaving viewers confused. The creators of the original Avatar series were not involved in the film's production, which likely contributed to its failure to capture the source material's essence. Both hosts expressed their disbelief and disappointment, noting that the film's low Rotten Tomatoes score was justified by its lack of coherent storytelling and character development. A major point of contention was the film's mispronunciation of character names, which showcased a lack of attention to detail and respect for the original series. In summary, the podcast episode concluded by discouraging listeners from watching the film, emphasizing that it was not worth their time or investment. ..Check out the rest of our Rotten Films 2025 Summer Drive-In series:https://player.captivate.fm/collection/949652f2-fee2-4b3e-acbf-e2bb8dcdcddc.Check out other episodes with Liz:

Great presentations don't just happen, they're crafted. In this episode, Jenn McCarron sits down with 2025 CGI keynote, Nancy Rademaker and her colleague, Mandy Schild from The Speakers Club to break down the essential elements of powerful communication.The conversation explores how to balance content, design, and delivery to keep audiences engaged, whether in-person or virtually. They discuss the role of storytelling, visuals, and rehearsal, along with the surprising ways AI can enhance preparation while keeping presentations personal.They also dive into how AI is transforming industries, including legal, by automating routine tasks and allowing professionals to focus on more meaningful work. With 44% of legal tasks potentially automated, the discussion highlights the opportunities this shift presents and how professionals can adapt to stay ahead.Tune in for expert insights on refining your presentation skills, making every talk count, and embracing new tools to enhance communication.Thank you to our 2025 CLOC Global Institute CLOC Talk sponsor, DeepL.

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 104 of the Director Watch Podcast, the boys are joined by Editor-In-Chief of InSession Film Dave Giannini to discuss the last films in their Peter Jackson series, The Hobbit Trilogy (2012/2013/2014). After the failure of The Lovely Bones, Jackson and company turned their attention back to a familiar place, Middle Earth. First starting as a producer, The Hobbit would find Jackson getting back in the director's chair for the prequel to his acclaimed The Lord of the Rings series, taking over the project from Guillermo del Toro, who seemed to struggle to get his vision of the film to mash with what the studio wanted. Instead of the initial two films suggested to tell the story, Jackson set out to make another trilogy, drawing from other texts of J. R. R. Tolkien in order to expand on this smaller story, giving it a grander history to the original trilogy, as well as adding new characters and elements to the classic tale. But Jackson can't capture the magic of The Lord of the Rings, making a messy, CGI heavy collection of films that become more and more tedious as the trilogy goes on; wasting solid performances because the story is now in the hands of a director more focused on his creative toys than making something as spectacular as the trilogy that made him a household name. Ryan, Jay, and Dave breakdown their thoughts on the films, why they look so ugly, the unnecessary love story found in The Hobbit: The Desolation of Smaug, how cool dragons are, how there aren't five armies in The Battle of the Five Armies, why these films turn into being a chore by the time they were released, and wonder if Jackson will ever go back to making feature films. The guys also give out their rankings on the Jackson series and reveal who they will be covering for their next movie series. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 2h42m. The guys will be back next week to begin their series on the films of Paul Verhoeven with a review of his film, RoboCop. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

(image source: https://www.pinterest.com/pin/gallimimus-paleoart-by-me--236087205460103553/) Host Matthew Donald and guest co-host Stephen Curro discuss Gallimimus, a classic dinosaur and pioneer of the visual effects industry… at least for us humans. I doubt it dabbled in any visual effects work itself. From the Late Cretaceous, this 20-foot ornithomimosaur had its big scene in Jurassic Park where it ran in glorious early 90s CGI and revolutionized filmmaking to the woes of anti-CGI film bros everywhere. Also the animal itself was pretty cool too. Sorry, I probably should mention that. Want to further support the show? Sign up to our Patreon for exclusive bonus content at Patreon.com/MatthewDonald. Also, you can get links to follow Matthew Donald and purchase his books at https://linktr.ee/matthewdonald. His latest book, Teslamancer, just released August 27th! And mild spoiler alert... there are kind of dinosaurs in it... mwuahahaha. Hosted on Acast. See acast.com/privacy for more information.

Send us a textThe Pentagon is getting Spiderwebbed, CENTCOM's begging for a faster arms dealer, and Iran claims it bagged three F-35s (with CGI receipts, naturally). In this no-holds-barred Daily Drop, Jared rips through the absurdity of base security theater, why our military sales process might as well be faxed from 1996, and why trusting SpaceX while threatening to cancel their contracts is peak DoD dysfunction.Also—Space Force can't track satellites if you build a Starbucks next to the antenna, China's nukes are multiplying like rabbits, and apparently 100% ID checks are optional now? Buckle up—this episode's a napalm blast of reality for anyone still clinging to the myth that we're “ready” for the next war. Spoiler: We're not.

Shark flicks have become a dime a dozen lately, thanks to stock footage and CGI. But a shark flick where the fish are less dangerous than the human antagonist? Now that's unique! Tune in to hear us break down “Dangerous Animals” — from the standout performances of Jai Courtney and Hassie Harrison, to how this film epitomized the term “cat & mouse thriller,” and that one scene that had us squirming in our seats.

Welcome back! I start with the Update on the crazy week we all had, I then go to Manny's a Reel Boy where we laugh learn and prepare. I then Poke My Jokes from Friday at Pizza town. it was all over but I'm humble. I end with CGI and I asked Gina about the Air India situation and about Israel and Iran and it got heated. I hope you enjoy it and Rate, Review and Share! I'll see ya next week God Willing! IA!

We're heading back to musical biopics this episode, but with a serious one told in a not so serious manner. Jon and Shady can't get over the CGI chimp in this movie, and also realize they know Robbie Williams's music more than they initially thought.Shady's Socials: @cookieoshadyPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodThreads: @butasongpodNext episode: On with the Show! (Episode 450!!!)

On this episode....Kae and Marcus share catfishing stories and talk about CGI chimps in films...For early add free access to all episodes and bonus bits:1 - Apple Podcasts - Click here or Tap Try Free on the Apple Podcasts app for a three day free trial.2 - Via Patreon by clicking herehttps://www.patreon.com/aintgotaclue/Follow AGAC on...Tik Tok- https://www.tiktok.com/@aintgotacluepodYouTube- https://www.youtube.com/channel/UCYz3U9CDm_xhBpmRWN3I9TwInstagram- https://instagram.com/aintgotacluepodMentioned in this episode:Live show is live!Go watch it at https://www.patreon.com/c/aintgotaclue

Guardian Shannon is over the moon about the history lessons in the movie and Librarian Carolyn chuckled whenever Andre the taxi driver was on screen while Caretaker SP enjoyed Judson's barbershop appearances. This week's staff enjoys the third, final and favorite Librarian film; link up the Warehouse 13 and Librarian(s) timelines; discuss how Stana Katic is a HUGE step up for the series so far; the 007 spoof and auction budget; the new Library knowledge; give kudos to composer Joseph LoDuca; how Jonathan Frakes personally inspired SP musically; the improved CGI; all the vampire lore; the amazing Bruce Davidson; and the future dynamic casino duo Dealer Carolyn and Pit Boss Shannon. Stay tuned after the outro for some brief bonus clips. We are all saddened that Artie's Attic have come to an end. Thank you so much for listening to our bonus coverage of The Librarian TV movies and all of our podcast episodes. We look forward to discussing more exciting series in the future. Email: warehouse13fancast@gmail.com X: https://www.x.com/syfygurl X: https://www.x.com/ocean363 Best place to find SP: http://www.GonnaGeek.com/discord All music and sound effect used on this episode were purchased on http://www.pond5.com Find more Artie's Attic content and other shows on the Lone Wolf Podcasts network at: http://www.lonewolfpodcasts.com Support Artie's Attic: A Warehouse 13 Fancast by contributing to their tip jar: https://tips.pinecast.com/jar/arties-attic-warehouse-13-fanc

[3.5+ HOUR LONG SHOW! JOIN THE PIZZA FUND! $12 level. https://podawful.com/posts/2576] What is this? Seriously, I can't figure out what I'm looking at. I know it's called "Sean Kelly" and I am aware it hosts a podcast, but is it like a puppet or CGI or something? A million subs really? He gets like 400 views... Oh, also, Misfit Patriot showed his butt after winning his court case. I don't mean metaphorically. But he did also get caught drunk driving. PLUS: Gabe Hoffman takes the world's smallest nosedive on Keanu's stream, and a secret recording of Misfit Patriot's trial ends with the court foreman dunking on him. VIDEO: https://youtube.com/live/y2a4Du49e1M  Buy A Shirt: http://podawful.shop PODAWFUL is an anti-podcast hosted by Jesse P-S

It's double the Carrie, double the body count this week as we unpack not one, but two remakes of the seminal Stephen King spectacular, CARRIE (2002 and 2013)!! And we're bursting out of the scary prayer closet with two Retuning Champions you know and love - from Horror Queers, it's Joe Lipsett and Trace Thurman here to help us two more modern Black proms and the problems that come with them!! Can any version of Carrie live up to DePalma's? What if you add a lot of Dutch angled, vaseline-lensed SyFy Original visuals? What if you turn Carrie White into Darth Vader? How did Trace traumatize dance class bros? Do either of the remakes best the Carrie 2 sequel? It's a battle of Christ Hartigans, lackluster Tommys, uneven Sues, and divergent Margrets!! All this, plus internet backlashes, plugs and tips, Carrie vs. Jigsaw, bad Billys, thick blood, wonky CGI, and a gym full of Choose Your Own Deathventure!! It's twice the Horror Queers, twice the Carrie, and twice the Uncle Steve as we telekinetically launch Season Six of Kill By Kill right at ‘ya!! Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today! Our linker.ee Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out Gena's Substack called Gena Watches Things!! Check out the films we've covered & what might come soon on Letterboxd!

In this episode, Adam is joined by martial artist and action film star Scott Adkins! Adam kicks things off by questioning his own memory when it comes to recognizing show guests, leading into a conversation with Scott about how getting mugged at age 13 fueled his passion for martial arts. Scott shares insights on the difference between working on big-budget vs. indie films, what it was like to play a “fat guy” in John Wick 4, and how he stays in fighting shape. Adam and Scott also discuss courtroom sketch absurdities, the value of real stunt work in a CGI-heavy industry, and how AI could disrupt filmmaking. They shift gears to explore Ozempic's bizarre side effects, and end with stories about filming with Keanu Reeves.In the news, Elisha Krauss joins Adam to discuss Simone Biles' public apology to Riley Gaines and her comments about transgender athletes in women's sports, sparking a broader conversation about fairness in competition and the impact of public backlash in the digital age. Get it on.FOR MORE WITH SCOTT ADKINS:INSTAGRAM & TWITTER: @thescottadkinsMOVIE: DIABLOFOR MORE WITH ELISHA KRAUSS: INSTAGRAM: @elishakraussWEBSITE: elishakrauss.com JOURNAL: https://www.washingtonexaminer.com/author/elisha-krauss/Thank you for supporting our sponsors:BetOnlineDeleteMe - Get 20% off your DeleteMe plan by texting ACS to 64000Homes.comoreillyauto.com/ADAMPluto.tv SHOPIFY.COM/carollaSIMPLISAFE.COM/ADAMLIVE SHOWS: June 11 - Palm Springs, CAJune 13 - Salt Lake City, UT (2 shows)June 14 - Salt Lake City, UT (2 shows)June 19-21 - Las Vegas, NV (6 shows)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For this edition of International Feature, we dive into The First Slam Dunk, exploring how the 2022 anime film became the highest-grossing basketball movie of all time with nearly $300 million worldwide. They analyze the revolutionary animation style that blends 2D and 3D techniques while discussing whether it successfully welcomes newcomers to the franchise.• Groundbreaking animation combining traditional 2D with CGI creates an immersive basketball experience• Authentic basketball sound design captures the feel of being on the court• Film's narrative structure alternates between championship game and character flashbacks• Challenges in connecting with multiple characters within the limited runtime• Comparison to other sports anime like Blue Lock and what makes sports stakes compelling• The film's climactic final moments utilize innovative visual techniques• Discussion of whether the film succeeds as an entry point for newcomers• Box office success demonstrates the global appeal of sports animeLetterbox'd Synopsis: Shohoku's “speedster” and point guard, Ryota Miyagi, always plays with brains and lightning speed, running circles around his opponents while feigning composure. In his second year of high school, Ryota plays with the Shohoku High School basketball team along with Sakuragi, Rukawa, Akagi, and Mitsui as they take the stage at the Inter-High School National Championship. And now, they are on the brink of challenging the reigning champions, Sannoh Kogyo High School.

(00:00) The guys start the final hour taking more calls reacting to today’s This or That. (6:18) The guys discuss the news of Aaron Rodgers signing with the Pittsburgh Steelers. (17:26) The guys react to the NBA getting criticism for the CGI graphic of the Larry O'brien trophy during game 2 of the NBA Finals. (26:54) Today’s Takeaways