Podcasts about CGI

Join Diandre, CJ, and Josh as we rank the 25 WORST Superhero Movies Of All Time in this hilarious and heated episode. We kick things off with a chaotic round of "Lyrically Correct: 80s Edition" before getting straight into the cinematic disasters that comic book fans wish they could forget.The crew holds nothing back as they roast the biggest flops in history. We break down the disappointment of the Galactus cloud in *Rise of the Silver Surfer*, the controversial CGI in *The Flash*, and the absolute betrayal of *Dragonball Evolution*. The debate gets intense over the fake Mandarin twist in *Iron Man 3*, the "Bat-nipples" in *Batman & Robin*, and the wasted potential of *X-Men Apocalypse*. From Shaq's performance in *Steel* to the confusing plot of *Glass* and the musical elements of *Joker 2*, we cover every cringeworthy moment. Tune in to see which movie earns the shameful title of the number one worst superhero film ever made.#morbiusreview #badcomicmovies #batmanandrobin #dcmoviefails #marveldcflopsCHAPTERS:00:00 - Podcast Intro & Welcome0:22 - Lyrically Correct Game Segment4:19 - Ranking Worst Superhero Movies9:58 - X-Men Apocalypse Movie Review10:47 - Iron Man 3 Critique14:28 - Spider-Man 3 Disappointment15:28 - Howard the Duck (1986)17:05 - Shaq's Steel Movie Review17:55 - Venom Let There Be Carnage19:16 - Batman and Robin (1997)21:35 - TMNT 3 Movie Review22:18 - Morbius Marvel Movie Critique23:51 - Jonah Hex DC Movie25:20 - Thor The Dark World Review28:55 - Turbo A Power Rangers Movie35:45 - Ben Affleck Daredevil Movie39:45 - Joker Folie à Deux Discussion42:20 - Fantastic Four (2015) Review45:35 - Elektra Marvel Movie Review49:00 - M. Night Shyamalan Glass53:06 - Wonder Woman 1984 Critique56:44 - Worst Superhero Movie #158:27 - Worst Superhero Movie #21:00:18 - Worst Superhero Movie #31:02:50 - Recap and Future Episodes1:04:10 - Final Thoughts and Goodbyes1:05:14 - Shili E Segment1:05:30 - Thank You to Listeners1:05:46 - Upcoming Podcast Episodes1:06:00 - Podcast Outro

BAFTA-winning filmmaker Bart Layton (The Imposter, American Animals) joins Giles Alderson and Dom Lenoir to discuss his massive new crime thriller, Crime 101 (2026). In this deep-dive interview, Bart reveals how he assembled a powerhouse cast including Chris Hemsworth, Mark Ruffalo, Halle Berry, and Barry Keoghan. We discuss his process for adapting Don Winslow's novella, why he prefers 'character-driven tension' over CGI spectacle, and the technical challenges of filming high-speed car chases on the L.A. freeways.Whether you're a fan of Michael Mann-style thrillers or looking to learn how to bridge the gap between documentary and fiction, this is a masterclass you cannot miss. FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! Help us out and Subscribe, listen and review us on iTunes, Spotify,or wherever you get your podcasts but more importantly, tell your pals about this podcast. Thank you! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written and produced by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

After a brief hiatus, the boys are back!With Midjourney v8 expected next week, Drew and Rory zoom out and ask the bigger question: does v8 even matter as much as we think?Because while everyone waits for v8, Kling 3.0 and Seedance 2.0 are raising the bar, Claude Code and Claude Cowork are quietly changing how builders operate, and Claude Agents are turning workflows into autonomous systems.Meanwhile, Higgsfield is melting down in public, Hollywood is panick-maxxing, and creators are realizing that building “skills” inside LLMs might matter more than generating prettier images.This episode breaks down:• Why Midjourney v8's native 2K and edit models matter• Why personalization could be the real differentiator• How Claude Code is quietly enabling operator-level leverage• Why skill-building beats agent hype• What Kling 3.0 and Seedance 2.0 signal about video AI• The real lesson behind Higgsfield's fallout• Why the creative skill gap is widening right nowThis episode moves from Midjourney roadmap analysis to AI workflow engineering to business survival strategy.If you care about Midjourney v8, Claude Agents, Kling 3.0, Seedance 2.0, system prompts, autonomous workflows, or where creative leverage is actually going…This one isn't optional.---⏱️ Midjourney Fast Hour00:00 – Winter chaos & NYC survival03:59 – AI's quantum leap moment06:51 – Radio vs podcasts analogy08:55 – AI series vs Hollywood model10:59 – Game of Thrones AI sequel14:14 – CGI patchwork & filmmaking16:14 – AI replacing exec decisions18:03 – Seedance & model hype19:48 – Midjourney v8 timeline20:15 – Rating party (Round 2 + beyond)23:18 – 2K native resolution talk24:26 – Batch-four replacement25:48 – Edit model improvements26:14 – v8 text rendering progress27:03 – Arbitrary resolution support29:06 – Personalization in v830:36 – Mood boards as leverage32:18 – AI overwhelm & X fatigue34:12 – Claude agents & automation36:04 – “Something is happening”39:45 – AI skill-building strategy45:47 – Pattern matching workflows48:54 – Silicon Valley middle-out50:24 – Claude comedy experiment53:24 – Word clouds & ad thinking55:14 – Hollywood recycling IP58:41 – Marketing narrative engine01:03:57 – Higgsfield controversy01:11:36 – Final thoughts & sign-off

The game is afoot as we rush into this weeks episode as Darren tries very very hard to convince us all he went to see The Housemaid for the plot (he also reads Playboy for the articles) while Lee watches Predator: Badlands, Crime 101 aka Timu Heat and in a moment of blind Valentines day induced terror and panic tries to make a Victoria sponge while missing ingredents, equipment and basic skills... After which icing sugar based disasters leads us on to this weeks film...  A ground breaking moment in CGi history and a painfully 80s movie, the guys don their deer stalkers and stride off down the dark Victorian streets to learn about Young Sherlock Holmes. Media Discussed This Week Crime 101 - Theatrical Release The Housemaid - Theatrical Release (also abandoned in the bushes next to readers wives circa 1989) Predator Badlands - Disney+ Skyrim - PC, Xbox, Playstation, Switch, Digital Watch, Fridge Thermostat Young Sherlock Holmes - VOD rental (YouTube, Apple+, Amazon Prime, Paramount+)  

This week on The VHS Strikes Back, we dive into Erotic Ghost Story (1990), chosen by friend of the show John Hammond — a man clearly unafraid of wandering into the “back shelf” section of the video rental store. Directed by Lam Ngai Kai during the golden age of Hong Kong Category III cinema, this supernatural fantasy blends martial arts, folklore, horror and soft-focus seduction into one uniquely 90s experience.Released at a time when Hong Kong cinema was pushing boundaries with stylised ghost stories and adult-themed genre hybrids, Erotic Ghost Story arrived as part of a wave inspired by the success of films like A Chinese Ghost Story. With elaborate costumes, theatrical lighting, wire-work action and unapologetic late-night cable energy, this is exactly the kind of film you'd discover at 11:47pm with the volume turned suspiciously low. It's mystical. It's chaotic. It's extremely 1990.Trailer Guy Plot SummaryIn a world… where fox spirits walk among us…Three beautiful spirits descend from the mountains with one mission: to experience mortal life. But when a power-hungry sorcerer discovers their presence, desire turns to danger… and temptation awakens forces beyond control.Magic will clash. Loyalties will be tested. Floorboards will creak ominously.This summer… seduction has a supernatural side.Erotic Ghost Story.You were watching it for the kung fu.Fun FactsErotic Ghost Story was released in 1990 during the boom of Hong Kong Category III cinema, the local rating equivalent of adults-only material.The film blends Chinese folklore about fox spirits (huli jing) with martial arts choreography and supernatural horror.Director Lam Ngai Kai became known for stylised fantasy films that leaned heavily into theatrical lighting and elaborate costume design.The movie was part of a wave of sensual supernatural films following the commercial success of romantic fantasy ghost stories in late-80s Hong Kong cinema.Practical wire-work and in-camera effects were used for levitation and fight sequences — no CGI safety net here.The English export title was intentionally provocative to help the film stand out in international VHS markets.Category III films often relied on strong box office from late-night screenings and overseas rental sales.The combination of eroticism and traditional mythology made the film controversial but commercially viable at the time.The film developed a cult following among collectors of 90s Hong Kong fantasy cinema.Its blend of supernatural themes and martial arts action makes it a frequent inclusion in “so-bad-it's-fascinating” VHS-era discussions.Support the ShowIf you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠.If you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

All right, you nerds - step into the dripping, wet Deep Dark Lounge, grab a drink and listen to our chat about 1983's "The Deadly Spawn".  This episode is for folks who can enjoy a movie shot on 16mm film, made largely by amateurs on a $25,000 budget in the pre-CGI age, chock-full of fake blood and surprisingly good creature design and practical effects.

Sushi dinners with Rachel McAdams on a tropical island? That sounds like heaven to us, so we're not sure what Dylan O'Brien is complaining about in Sam Raimi's new horror comedy, Send Help (2026). On our latest Spooky Tuesday, we're getting to the bottom of it, though, as we revisit our Survivor days, push Teen Wolf on Monica, and break down all that CGI gore. Whether you saw this flick in 4DX 3D or just regular stylez sans piped-in tuna smell, there's no denying that it makes for a fun ride, so join us as we hop on a plane and head out to sea to get our hands dirty.References:Rachel McAdams, Dylan O'Brien, and Sam Raimi Break Down a Survival Scene from 'Send Help'Sam Raimi Gushes About How Stephen King Gave Him His First Chance In The Film BusinessSam Raimi On Putting Rachel McAdams And Dylan O'Brien In Brutal Scenarios For 'Send Help'Dylan O'Brien Goes ROGUE Interviewing Send Help Co-Star Rachel McAdamsMean Girls "One Way or Another"Rugrats The Movie (2000) - One Way Or Another

Can spectacle replace substance? Jeff Haecker, Patrick Mason, and Rob Leonardi weigh Thorin's fall and redemption, Bilbo's brave choice with the Arkenstone, and a battle bursting with CGI. Does The Battle of the Five Armies honor Tolkien—or bury his themes beneath excess? The post The Hobbit: The Battle of Five Armies appeared first on StarQuest Media.

Brenna and Joe return for week two of our discussion on Percy Jackson's second adventure, with a look at the 2013 film Sea of Monsters.Armed with a new director (Diary of a Wimpy Kid's Thor Freudenthal) and a mostly new adult cast, the film makes the odd decision to change a million little elements from the book.Plus: pitch perfect roles for Nathan Fillion and Stanley Tucci; Logan Lerman's snoozy performance as the titular character; too many fleece resurrections; and discussion of the CGI cyclops eyeballWanna connect with the show? Follow us on Instagram and BlueSky @HKHSPod or use the hashtag #HKHSPod:> Brenna: @brennacgray> Joe: @bstolemyremote (Instagram) or @joelipsett (BlueSky)Have a mail bag question? Email us at hkhspod@gmail.com Theme music: Letra “Like A Bird” Hosted on Acast. See acast.com/privacy for more information.

Design is about more than just how something looks—it's about how it works for the people using it. On this episode of On Brand, I'm joined by Lee Hoddy, Executive Creative Director at Conran Design Group, to discuss how experience-led design can solve complex brand problems. We'll dive into how he leads multi-disciplinary teams to create meaningful work for global names like Sofitel and AstraZeneca, and why every great brand starts with a deep understanding of human needs, wants, and motivations. What You'll Learn in This Episode - How to map emotional friction points to find the gold in a brand experience - Why the pursuit of human endeavor is the key to branding functional industries like pharma - The reason storytelling acts as a sticky DNA thread across physical and digital touchpoints - How to conduct a multidisciplinary orchestra by surfacing the ambition in every brief - Why original ideas are the only way to escape the sea of sameness in an AI-driven world Episode Chapters (00:00) Intro (01:22) Getting to the heart of human motivations (02:43) Mapping emotional micro-moments (04:54) Humanizing corporate and functional brands (06:39) Using storytelling as a brand DNA thread (10:53) Leading multidisciplinary creative teams (14:35) Creating the Brief 2.0 (17:31) AI and the currency of original ideas (24:14) A brand that made him smile (27:41) Outro About Lee Hoddy Lee Hoddy is the Executive Creative Director at Conran Design Group, where he is responsible for maintaining creative standards and solving brand problems through experience-led design. With a career spanning decades, Lee has lived through major industry shifts, enabling him to lead diverse teams of designers, strategists, and experience experts like a conducted orchestra. He has spearheaded major rebranding programs for global names such as Sofitel, AstraZeneca, and Bicester Motion, always focusing on the deep understanding of human needs to create meaningful, strategically grounded work. What Brand Has Made Lee Smile Recently? Lee recently found joy in the "Venture Beyond" campaign by Hermes, noting its use of evocative illustrations and artisanal craft that respects the audience's intelligence. He also highlighted Apple's "Critter Carol" for its charming, deeply human approach to technology, using puppets and physical craft rather than CGI to celebrate creativity. Resources & Links Check out the Conrad Design Group website. Connect with Lee on LinkedIn. Listen & Support the Show Watch or listen on Apple Podcasts, Spotify, YouTube, Amazon/Audible, TuneIn, and iHeart. Rate and review on Apple Podcasts and Spotify to help others find the show. Share this episode — email a friend or colleague this episode. Sign up for my free Story Strategies newsletter for branding and storytelling tips. On Brand is a part of the Marketing Podcast Network. Until next week, I'll see you on the Internet! Learn more about your ad choices. Visit megaphone.fm/adchoices

We are continuing Black History Month with the film that kick-started the success of Marvel movies in the box office! BLADE (1998) - Wesley Snipes, in a trench coat, killing vampires + 90's fashion (& CGI, lol) = LET'S GOOOO!The VIDEO versions of our episodes can be found on our YouTube - New episodes go up every Monday at Noon Eastern!https://www.youtube.com/@ChainsawGirlsPodYou can support us on our PATREON and receive early, bonus, and extended episodes! (& more!)https://www.patreon.com/chainsawgirlspodWe have our very first Chainsaw Girls t-shirt available!! Click here to get yours!Follow us on our socials!Instagram: https://www.instagram.com/chainsawgirlspodTikTok: https://www.tiktok.com/@chainsawgirlspod Hosted on Acast. See acast.com/privacy for more information.

Send a textWhat happens when a beloved pro-am trades its soul for a signature purse? We unpack Pebble Beach's $20M pivot—fewer celebrity swings, more surgical golf—and the ripple effects on how fans connect with the sport. The charm of mis-hits and Bill Murray lore gives way to Sunday fireworks as Scotty Scheffler drops three eagles and Colin Morikawa turns a 20‑minute fairway wait into a stone-cold birdie to win. It's elite theater, but at a cost: the human texture that once made Pebble feel like a shared secret.From there we head to the WM Phoenix Open, where golf's loudest hole thrives on vision, not accident. We break down how WM's rebrand, zero‑waste engineering, and stadium swagger converted a Tiger‑sparked moment into a sustainability lab with half a million attendees as co‑authors. Love the noise or loathe it, the model blends purpose and party in a way the rest of sports keeps trying to copy.We also zoom out to the stories TV tries to force and the ones that earn the frame: Koepka's shadow versus Scheffler's grind, Hideki's late wobble, and why cameras should follow form over fame. Then it's Super Bowl ad psychology, a CGI bear that sticks in your head, halftime culture flashpoints, and the media incentives that keep outrage on a loop. Finally, we look at Olympic calculus through Eileen Gu's choice and celebrate the universal rhythm of fall, rehab, return—the reason moguls, downhill, and even curling keep pulling us back.If you love golf's edge, sports as spectacle, and the real decisions behind the headlines, you'll feel right at home here. Tap play, subscribe for more sharp takes across golf and culture, and tell us: do you miss the pro‑am magic, or is the new Pebble exactly what you want on Sundays?Spotify Apple podcastsAmazon Music all other streaming services

It's the third week of Shitty Remake Month on The Blind Rage Podcast and we're dragging our nails across the chalkboard of horror history with CARRIE (2013), a remake so limp it feels like it was assembled from the rejected scraps of half a dozen teen dramas. Somehow the filmmakers took the volcanic fury of the 1976 original and turned it into a mopey after school special with telekinesis sprinkled on top like sad glitter. The performances drift between robotic and melodramatic, the script stumbles through every beat with the grace of a dropped cafeteria tray, and the so called modernization lands with all the impact of a damp sponge. Even the infamous finale, once a towering moment of terror, fizzles into a CGI laden shrug. The Blind Rage Podcast walks through the rubble of this disasterpiece, picking apart the hollow characterizations, the misguided attempts at edgy relevance, and the baffling creative choices that drain the story of every drop of menace. It is a remake that somehow manages to feel both overproduced and undercooked, leaving behind a perfectly shaped example of how not to revisit a classic.

Welcome to Starfleet Academy, students, we hope you survive the experience!It's the grimdark future of the 32nd century and a bunch of weird, traumatised kids are stuck together having to learn and grow into Starfleet officers! Will the main character be too annoying a main character? How many The O.C. references will Charlie make? How much will Miles lust after an espresso machine? And how delightful are those teachers?Kids These Days brings Holly Hunter and her wayward ward into the orbit of Starfleet Academy, along with Paul Giamatti who Paul Giamattis the hell out of his role. Beta Test gets into some proper Star Trek content: Meetings! Peace talks! Also some teen drama and shonky CGI whales.00:01:56 What Non-Star Trek Thing We've Been Enjoying: Detectorists, Plur1bus00:08:29 Starfleet Academy “Kids These Days”00:52:31 Starfleet Academy “Beta Test”Talking points include: The OC, Blake's 7, Detectorists, Toby Jones would have made a good MODOK, Plur1bus (which is not Polybius), Charlie's lawn is no longer Area X, credit to rexedge.bsky.social for pointing out that Fate of Ophelia would work great in Simlish, The Stranger Things, 80's nostalgia, Rimmer-ness, the wall of references, Paris Gellar, the secret other member of the Gellar family in Friends, Brit Marling's science fiction oeuvre, teen drama ball cancer plots, Charlie would never make it as a barista, psychics who psychic a bit too much, bros, Miles lusts after an espresso machine, the works of Brian David Gilbert, Heated Rivalry, . Oh, and occasionally Star Trek.Casual Trek is by Charlie Etheridge-Nunn and Miles Reid-LobattoMusic by Alfred Etheridge-NunnCasual Trek is a part of the Nerd & Tie Networkhttps://ko-fi.com/casualtrekMiles' blog: http://www.mareidlobatto.wordpress.com Charlie's blog: http://www.fakedtales.com

Welcome to Starfleet Academy, students, we hope you survive the experience! It's the grimdark future of the 32nd century and a bunch of weird, traumatised kids are stuck together having to learn and grow into Starfleet officers! Will the main character be too annoying a main character? How many The O.C. references will Charlie make? How much will Miles lust after an espresso machine? And how delightful are those teachers? Kids These Days brings Holly Hunter and her wayward ward into the orbit of Starfleet Academy, along with Paul Giamatti who Paul Giamattis the hell out of his role. Beta Test gets into some proper Star Trek content: Meetings! Peace talks! Also some teen drama and shonky CGI whales. Timecodes: 00:01:56 What Non-Star Trek Thing We've Been Enjoying: Detectorists, Plur1bus 00:08:29 Starfleet Academy “Kids These Days” 00:52:31 Starfleet Academy “Beta Test” Talking points include: The OC, Blake's 7, Detectorists, Toby Jones would have made a good MODOK, Plur1bus (which is not Polybius), Charlie's lawn is no longer Area X, credit to rexedge.bsky.social for pointing out that Fate of Ophelia would work great in Simlish, The Stranger Things, 80's nostalgia, Rimmer-ness, the wall of references, Paris Gellar, the secret other member of the Gellar family in Friends, Brit Marling's science fiction oeuvre, teen drama ball cancer plots, Charlie would never make it as a barista, psychics who psychic a bit too much, bros, Miles lusts after an espresso machine, the works of Brian David Gilbert, Heated Rivalry, . Oh, and occasionally Star Trek. [ Additional Show Notes ] Music by Alfred Etheridge-Nunn. Read Miles's blog or Charlie's blog. [ Support this show on Ko-fi ] Subscribe to this Podcast: Apple PodcastsSpotifyAndroidRSSThe post 90. Welcome to Starfleet Academy, B****! first appeared on Nerd & Tie Network.

What if the “heroes” aren't using heroic tools? We dive into Planet With, where an amnesiac teen, a pacifist purple cat, and a sharp-eyed ally challenge what it means to save a world. The twist is simple and potent: Soya might need to stop the very defenders sworn to protect the city. From that turn, the series becomes a study in power, restraint, and the messy courage it takes to choose better weapons than the ones that broke you.We unpack the show's core—from Soya's recovered memories of Sirius's fall to the Nebulan factions led by Sensei, a leader who meows strategy and stands for mercy first. The transformation mechanic is brilliantly strange: Soya is swallowed to pilot a compact cat mech, a trust ritual that sets the tone for every battle. The enemies are unforgettable fever dreams—upside-down giant babies, geometric beasts, occult echoes—that play like metaphors for fear and hubris. Along the way, we meet Grand Paladin's roster, the sealing faction's canine commander, and a web of side characters whose choices make the moral stakes feel lived-in rather than abstract.We don't just list set pieces. We talk about the mixed CGI, where it distracts and where it elevates alien tech. We sit with grief, responsibility, and the hope that survivors can write gentler futures. And yes, we give a verdict: 7.5 out of 10 for inventive design, emotional clarity, and a confident blend of mecha spectacle with ethical tension. Stick around to hear what's next on our review slate—from Guilty Crown and Buddy Complex to a nostalgic return to FLCL and Full Metal Panic—and help us decide what should jump the queue.If this breakdown hit the spot, tap follow, share it with a mecha-loving friend, and drop a review with your own Planet With score. What faction are you joining—and why?Text us for feedback and recommendations for future episodes!Support the showWe thank everyone for listening to our podcast! We hope to grow even bigger to make great things happen, such as new equipment for higher-quality podcasts, a merch store & more! If you're interested in supporting us, giving us feedback and staying in the loop with updates, then follow our ZONE Social Media Portal to access our website, our Discord server, our Patreon page, and other social media platforms! DISCLAIMER: The thoughts and opinions shared within are those of the speaker. We encourage everyone to do their own research and to experience the content mentioned at your own volition. We try not to reveal spoilers to those who are not up to speed, but in case some slips out, please be sure to check out the source material before you continue listening!Stay nerdy and stay faithful,- J.B.Subscribe to "Content for Creators" on YouTube to listen to some of the music used for these episodes!

Jose (Cupcake) and Mike (TheWildaBeast) go full spoiler on Luc Besson's Dracula (2025) — also known overseas as Dracula: A Love Tale — and buckle up, because this movie is a LOT. In this breakdown episode (156b), they tear into everything: the shameless Bram Stoker's Dracula (1992) Coppola rip-offs, the cologne-fueled nun-feeding frenzy, kung fu gargoyles doing Black Widow throws, a Zoom-background ballroom dance sequence, the "cocaine bride," and an ending that may or may not set up a sequel nobody asked for. Is it a trainwreck? Absolutely. Is it entertaining? Somehow, yes. This is the ultimate "so bad it's good" group watch — think Hammer Horror meets Tim Burton meets Beauty and the Beast on a bad CGI budget. Don't miss the spoiler-free Episode 156a if you haven't seen the film yet. Like, subscribe, and drop your hot takes in the comments!Link to the previous Episode 156: Luc Besson's Dracula spoiler Free: https://youtu.be/CyIhL4xQYGE - - - - - - - - - -WE ARE WATCH SKIP PLUS!FOLLOW/LIKE/SUBSCRIBE/REVIEW/LOVEEmail us: WatchSkipPlus@gmail.com#Dracula2025 #LucBesson #DraculaReview #MovieReview #SpoilerReview #HorrorMovies #VampireMovie #MovieBreakdown #SoBadItsGood #MoviePodcast #FilmReview2025 #NewMovies2025 #HorrorReview #ChristophWaltz #GothicHorror #CultClassic #WatchSkipPlus #MovieTalk #FilmCommunity #PodcastClips #WeirdMovies #CampyHorror #DraculaALoveTale #BramStoker

Fear should crawl under your skin, not shout in your face—so why does a grand, gorgeous mansion feel so empty of real suspense? We dive into The Haunting (1999) with clear eyes and full receipts, unpacking how a stacked cast, a massive budget, and bold production design still end up smothered by noisy CGI and thin character stakes. From the ethically suspect “sleep study” setup to the locked gates that trap our crew overnight, we examine every red flag and how each choice undercuts tension rather than building it.We talk pacing that sags between set pieces, performances that veer from muted to melodramatic, and scare design that mistakes volume for dread. The house looks incredible from the outside—moody, imposing, unforgettable—yet inside it feels like a theme park where geography bends to the next effect. Still, a few ideas linger: carved children's faces that subtly shift their gaze, a single pillowcase “face” that hints at what practical horror could have achieved, and a sound mix whose bass rumbles briefly sell the illusion that the house has a heartbeat.Along the way, we compare what works in smarter haunted house stories—House on Haunted Hill, The Others, and Netflix's The Haunting of Hill House—and why those tales anchor ghosts to grief, rules, and restraint. We sprinkle in production notes and trivia, from the film's surprising box office to Spielberg stepping away, and we close with blunt watchability scores. If you love dissecting why some scares age like fine fog and others like frothy absinthe, this one's for you.Enjoy the breakdown? Follow us on Instagram at ScreamStream Pod, visit screamsandstreams.com for research links and our watchability scale, and don't forget to rate, review, and subscribe. What haunted house film do you think gets it right? Head to www.screamsandstreams.com for more information related to our episode.

It's the end of an era this week, as we close the book on our Valentine's Day tradition. We say goodbye to Bella, Edward, and Jacob, as we watch The Twilight Saga: Breaking Dawn Part 2. Join us as we discuss how little Dan retains of these films, the crazy CGI decisions made for Renesmee, and talk about the wild ending. We close out the episode by with a Blind Ranking of classic Rom Coms, just in time for Valentine's Day. Find us on Bluesky, Instagram, and Threads @TCTAMPod and on TikTok @theycalledthisamovie.Our theme music was written and performed by Dave Katusa. He can be found on Instagram @dkat_productions.

POP 3:Salley Carson says Nick Viall and Natalie Joy privately apologized to Austen Kroll after his tense appearance on The Viall Files, but she believes a public apology is still warranted. The FBI has released surveillance images in the disappearance of Nancy Guthrie, showing a masked individual outside her Tucson home; a person was detained and released as Savannah Guthrie and her family continue pleading for answers. And in MomTok chaos, Layla Taylor and Mason McWhorter's breakup has already shifted from “no bad blood” to public shade in true TikTok fashion.DEEP DIVE:The Super Bowl reaction somehow became more dramatic than the game itself, so we're unpacking the outrage over Bad Bunny's halftime show, the Facebook think pieces, and why not everything has to be personally curated to your taste. Which brings us directly to Jill Zarin. After posting her own controversial halftime rant, Jill was reportedly fired from E!'s upcoming The Golden Life before it even began filming, and we break down what she said, why the cast had allegedly been warned about controversy, her response after being dropped, and how this feels eerily similar to past contract drama that stalled RHONY Legacy. Plus Andy Cohen's very pointed “Call E!” response.FINAL THOUGHTS:First look at The Bachelorette starring Taylor Frankie Paul! The Barbie box imagery, the MomTok scandal references, the Crocs reveal, the CGI debate, and how this promo stacks up against past leads like Tayshia and Hannah Brown.JOIN THE PATREON: www.patreon.com/MorgansPopTalksYou'll get early & ad-free episodes of Morgan's Pop Talks plus a bonus, longer podcast episode where we talk all things reality TV in one place. Think full episode recaps, breaking news, deeper context, and more unfiltered commentary on everything happening across Bravo, Bachelor Nation, and the wider entertainment world.

What’s that smell? It’s time to sift through the Worst Horror Movies of 2025! Here come the stinkers! It’s time to discuss the Worst Horror movies of 2025. Of course, just like our favorites, our disappointments are highly subjective. You may be surprised to discover that some of the movies we didn’t enjoy have received plaudits from other critics. We have some fun internal disagreements, for sure. We know you love hearing us throw shade on movies. Enjoy the hot takes! This year, we have big hits, well-established franchises, underdeveloped indie films, and even a book. (From Liz, of course.) We watched a record number of films this year, with Eric seeing over 100 and Heather more than 150. So, we have a good sample size to pick from. Also, remember that this subjective list may include movies we had high hopes for and were disappointed to see fall well short of expectations. And then, of course, there are the movies that you watch because of boredom on a Saturday night, and rent a free campy movie, and it really stinks. I regret to say that it happened to me often this year. Hey, it was free! I have a full roster of the movies I saw in 2025 on my favorites list. By the way, if you haven’t listened to our best of 2025 episode, you can listen to it HERE. And remember, most of us thought it was a very good year for horror, so these are the outliers. Some of our opinionated themes this year: Mike: Big directors who should know better, and gave us unlikable characters.Liz: Turned off more movies than she can count this year. Got burned at the festivals.Eric: After watching a record number of horror movies in a year… plot still matters. Here’s our Podcast for the Worst Horror Movies of 2025: Episode 208 If you watch any of these films, you’ve been warned! If you disagree with us, by all means, let us know. Trolls are welcome! (Ahem) Spoiler Alert: Here are our selections Bonus: Here are some other terrible titles that you should avoid if you are browsing through your free Tubi, Netflix, or Amazon choices: (Eric’s list) Version 1.0.0 If you feel like you need to watch a Mickey Mouse Horror, watch Mouseboat Massacre instead. It’s not great, but better than the crap that is Mickey’s Mousetrap. For the better Popeye horror, watch Popeye the Slayer Man instead, which makes a whole lot more sense… even if the Popeye in Popeye’s revenge looks better. A Breed Apart is some of the worst digital animation you will see; it looks like CGI from the 90s. It might qualify as so bad it’s good, but I dunno. MAR.IA isn’t nearly as sexy as the cover suggests. Stay away!

We're going full spoiler mode.

Wonder Man is the rare MCU project that feels like it was written by people who actually understand character, comedy, and theme. It succeeds without leaning on CGI sludge, multiverse homework, or the usual “you must watch 14 other things first” burden. In this episode of Nerd Legion, we break down why Wonder Man works: it's an acting-first show disguised as superhero IP, a behind-the-scenes Hollywood comedy-drama with sharp writing, real performances, and surprisingly thoughtful commentary on craft, ego, and the machine that manufactures “content.” We talk about how the series uses its Marvel connections sparingly (and intelligently), why Ben Kingsley's Trevor Slattery is the perfect meta-vehicle for the premise, and how Yahya Abdul-Mateen II pulls off the insanely difficult task of playing an actor who has to be convincingly bad at acting, while still being excellent. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gemini Man—directed by two-time Best Director winner Ang Lee—is a misguided exercise. Filmed in a format almost no theaters could play, Lee's insistence on pushing the technological bounds of cinema did little to help the movie. Instead of revving up the frames per second, Lee would've been better served to revise the script. Full of cliches and tropes, Gemini Man feels like a the retread of a film from the 90s. Considering it came out in 2019, that is not a compliment. Critics were not kind to its plot or the excruciating fully digital version of Will Smith. Turns out the higher the definition, the creepier it looks. Now, sit back, fight back the CGI tears with a Wrenovation IPA from Wren House Brewing, and don't donate your DNA to Clay Varris! The Thunderous Wizard, Chumpzilla, and Bling Blake are planning to clone a better, less sleepy version of McCheese to hang out with! This Week's Segments: Introduction/Plot Breakdown – Meet your match! Lingering Questions – Our favorite movies to feature an actor in dual roles? (29:20) The "Dolly the Sheep" Trivia Challenge – The Thunderous Wizard challenges the field to trivia about the movie. (57:20) Recommendations – We offer our picks for the week and next up: We kickoff our series dedicated to the late—an exceptionally great—Catherine O'Hara with Dick Tracy! (1:14:36) And, as always, hit us up on Threads, X, Facebook, Bluesky, or Instagram to check out all the interesting factoids from this week's episode!

Stuart Ortiz is a film director, writer, producer and one of the founding members of The Vicious Brothers, the filmmaking duo behind Grave Encounters 1 and 2.Stuart's most recent feature is Strange Harvest, a true-crime–styled, found footage film he wrote and directed.Strange harvest is a serial-killer faux documentary that effectively weaponizes the aesthetics of Netflix true-crime docs by luring you into a false reality with a familiar documentary style then turning up the horror with deeply unsettling imagery that looks and most importantly, feels very real.It's certainly one of the most unflinching and innovative found footage movies in recent years and has earned plenty of special praise for its naturalistic performances, grisly practical effects and overall dread.In this conversation, Stuart and I get into his career history, the making of Strange Harvest and how to execute modern found footage with high impact and a low budget, on today's episode of The Nick Taylor Horror Show.Without further ado, here is Strange Harvest Director, Stuart Ortiz.Key TakeawaysEmbrace CGI strategically as a problem solver. A lot of purist horror cinephiles grumble at the use of CGI, and I agree that it shouldn't be overused—but it also shouldn't be avoided, because it can solve colossal problems. The pool scene is a perfect case study: filling an Olympic-sized pool would have required roughly 35,000 gallons of water, which was both budget-killing and ethically questionable during a drought. Instead, Stuart used VFX to build the water and environment, and it wasn't even all that expensive. Use CGI where it's the cleanest solution to a real-world constraint, and save practical effects for what sells the tactile reality.Indie budgeting is often about where you don't spend. Stuart minimized spending on a large crew, expensive cameras, and elaborate lighting because the format called for rough, archival-style imagery and on-the-fly filmmaking. Instead, he spent heavily where failure would be fatal: special FX makeup, which made up about 15–20% of the budget. He knew horror audiences would be especially scrutinizing when it came to effects (and he was right), so he spent disproportionately in that area—and it clearly paid off. Budgeting a movie can be complicated, but Strange Harvest proves that it's important to spend where you'll get the highest return on your investment.Wear more hats than you're used to. Stuart states that it's unrealistic for directors to “just” direct nowadays, especially on micro-budgets. Strange Harvest exists largely because Stuart didn't just direct—he also wrote, edited, and produced the film. On top of that, much of the crew wore multiple hats across the board, which is ultimately how the movie was able to get made. It may not be glamorous, but it's how movies actually get finished.Show NotesMovies and Shows MentionedStrange HarvestGrave EncountersLake MungoThe Poughkeepsie TapesTiger KingThe Blair Witch ProjectGhostbustersGhostbusters 2

Send us a textWe Own the NightFor Season 16 Episode 5, TGTPTU dives deep into what writer-director James Gray considers the conclusion of his NYC crime trilogy WE OWN THE NIGHT (2007) while also starting the first of two planned sizzurp episodes with host Ken sick and sipping on some strong cold medicine. And joining this top to the third temporal pincer™️ pairing is special guest and inveterate bookworm Shannon.   For his third film, and second time being booed at Cannes (Harvey Scissorhands' cut of The Yards being the occasion for his first), Gray after seven years in development had his first financial success with his unique, untrademarked combination of family drama, crime, and Greek tragedy. Together again but reversing roles from The Yards, Mark Wahlberg plays supporting as Cpt Joe Grusinsky while Joaquin Phoenix takes the lead as night club manager Bobby Green/Grusinsky. That slash becomes important as Bobby has adopted his dead mother's surname prior to the start of the movie to distance himself from his brother Joe and their Deputy Chief cop daddy Burt Grusinsky, played by Robert Duvall. When Brother Captain Joe's pursuit of a drug smuggler leads to his family being targeted by the Russian Mob who are also owners of Bobby's club and his surrogate family, Bobby's different last name comes in handy as he goes undercover for the po-po.   Oh, and it's a period piece occurring in the late-80s set in NYC, so cover those squares on your Gray bingo card.   This ep, guest Shannon bumps on overwritten cop dialogue culled from Gray's NYPD ride-alongs; former co-host Jack weighs in off-mic on Gray's best use of CGI for rain during the car chase scene; Ryan suggests this is the last Phoenix role before he became too fussy, and Ken suggests it's the last of Wahlberg actually being interesting while effectively suppressing a cough; Ryan questions the merits of the temporal pincer movement being applied to Gray's filmography; and Thomas considers it his favorite Gray film of the five he's watched.   THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

In his attempt to distance himself from the increasingly tedious God's Not Dead franchise, David A.R. White tries out a standard action thriller with the finest washed up actors Hollywood has to offer. It's 2025's A Line of Fire, starring Cuba Gooding Jr., Jason Patric, Katrina Bowden, and Scott Baio. Cash (White) is a retired FBI agent, widower, great dad, fantastic cook, and patriot with amazing hair who everyone likes and is cool. When his former partner is gunned down at a yacht party by GTA Online maniacs on WaveRunners, her niece Jamie (Bowden) retreats to a safe house and calls Cash for help. He takes time out of being the greatest dad and man who's ever lived to save her, gunning down meaty goons with CGI muzzle flashes and computer squibs. Despite being the greatest FBI agent to ever live and smartest man alive, he seems unconcerned that every time he calls his former FBI buddies for help, his plans are thwarted by the homicidal drug cartel. Josef (Patric) knows his every move: casting his chess piece acolytes across the board via Facetime from his Southern California McMansion. Meanwhile, Javier (Gooding Jr.) traipses around his chaste fully-clothed Miami strip club, fielding Zoom calls for his drug empire over the sound of quiet club music. Can Cash save Jamie and his daughters (who are of course kidnapped) in time? Can he trust his former FBI colleagues, such as the Nick Offerman-y Rocco (Tommy Snider) or the fashion homunculus Joan Rycker (Eve Richards, whose acting is so bad it makes me question the order of the universe)? You'll have to listen to find out!

Luc Besson finally made a Dracula movie in 2026… and somehow turned it into a boring, horny, perfume‑addled fever dream instead of a gothic horror classic. In this episode of The Cinema Psychos Show, Brian tears into Dracula (2026) and explains why this shiny new take on the Count feels more like a knockoff of better Dracula films than a bold reinvention. We break down everything that went wrong: Vlad accidentally killing his own wife, God apparently "rewarding" him with vampirism, the unhinged sex‑perfume subplot, cartoonish suicide jumps, rubbery CGI gargoyles, and a tone that ping‑pongs between tragic romance, goofy comedy, and Axe body spray commercial. Brian also digs into Caleb Landry Jones' off‑kilter Dracula, Christoph Waltz on autopilot, and a Danny Elfman score that deserves a much better movie. Along the way, we compare Besson's vision to Coppola's Bram Stoker's Dracula, modern Nosferatu takes, and other adaptations that actually respect the character, and ask the big question: what the hell happened to Luc Besson as a filmmaker? Plus, we dip into some wild online reviews from people who genuinely think this is the best Dracula in years. If you're a horror nerd, Dracula obsessive, or cult cinema sicko who loves hearing a beautiful mess get taken apart scene by scene, you're in the right madhouse. Follow The Cinema Psychos Show on your favorite podcast app so you never miss an episode, and hit us up on socials or by email to let us know: does Dracula (2026) suck as hard as Brian says… or are you one of the weirdos who actually loves it? CHAPTERS: Does Dracula (2026) Suck? [00:00] Welcome and Solo Episode Today! [00:26] Synopsis of Dracula: A Love Tale [01:17] Criticism of the Film's Production and Direction [04:12] Detailed Breakdown of the Film's Story [08:34] Character Analysis [31:00] Positive Aspects of the Film [35:47] The Argument of Reinterpretation [38:21] Review of Audience Reviews [42:58] Conclusion [50:00] Listen to The Cinema Psychos Show on: Spotify: https://rebrand.ly/0v6eeno Apple: https://rebrand.ly/j5nrkp7  Amazon: https://rebrand.ly/5x5hzng Goodpods: https://rebrand.ly/picstv6 OR LISTEN ON YOUR FAVORITE PODCAST APP! https://cinemapsychosshow.com/follow   Follow The Cinema Psychos Show on Socials ❤️‍

HBO is developing a Baldur's Gate TV series with Craig Mazin (The Last of Us) attached, and the big twist is that it's being described as a follow-up to Baldur's Gate 3, not a straight adaptation. I break down why that's both exciting and risky, especially with Larian not involved, and how the show might handle the game's multiple endings without instantly dividing the fanbase. We also talk about what to watch for next, like casting, the returning character question, and whether HBO leans into practical locations or goes heavy on CGI. 00:00 HBO developing Baldur's Gate TV series with Craig Mazin attached 00:13 Larian not being involved and why that worries fans 00:13 The show is a continuation after Baldur's Gate 3, using the wider D&D rule set 00:26 The canon problem: multiple endings and how the show might handle it 00:37 Optimism check: HBO + Hasbro money, plus The Last of Us as a recent success story 00:51 What to watch for next: casting, returning names, CGI vs on-location filming HBO is developing a Baldur's Gate series with Craig Mazin attached in a major creative role. The show is framed as a follow-up set after Baldur's Gate 3, not a retelling. Larian not being involved is the biggest immediate red flag for a lot of fans. The biggest storytelling challenge is picking (or avoiding) a canon ending in a game built around choice. The next real “proof it's happening” moment will be casting and visual approach (CGI-heavy vs real-world locations). “If you play the game, you know there are multiple endings, so what is Craig going to pick as the canon ending… it's a little risky.” “We're getting a D&D series with HBO and Hasbro money back in this thing… so while I'm cautious about this, I'm trying to stay optimistic.” If you enjoyed this breakdown, subscribe to Geek Freaks Headlines, leave a quick review, and share the episode using #GeekFreaksHeadlines.GeekFreaksPodcast.com (source for all news covered on the show)Facebook: https://www.facebook.com/thegeekfreakspodcastInstagram: https://www.instagram.com/geekfreakspodcast/Twitter: https://twitter.com/geekfreakspodThreads: https://www.threads.net/@geekfreakspodcastPatreon: https://www.patreon.com/GeekFreakspodcastGot thoughts on what ending should be “canon” for a Baldur's Gate show, or which companion absolutely has to return? Send your questions and we'll read our favorites on a future episode.Baldur's Gate, Baldur's Gate 3, HBO, Craig Mazin, The Last of Us, Dungeons & Dragons, Forgotten Realms, Larian Studios, Hasbro, Video Game TV Adaptations, Fantasy TV, Geek Culture NewsTimestamps and TopicsKey TakeawaysMemorable QuotesCall to ActionLinks and ResourcesFollow UsListener QuestionsApple Podcast Tags

In 2009, Disney released The Princess and the Frog, introducing Tiana as their first African-American Disney princess, paving the way for more diverse representation in animation.The CGI animation boom and the disappointing box office returns of the early 2000s had left a scar at Disney, and behind the scenes, there was huge change in the animation department. By 2004, then-CEO Michael Eisner had closed Disney's traditional 2D animation department, convinced that hand-drawn animation was dead.What followed was a corporate coup, with Roy E. Disney leading a campaign to oust Eisner, which worked spectacularly. When Pixar's John Lasseter took over Disney Animation in 2006, his first act was to bring back the very art form Eisner had killed.Lasseter immediately re-hired legendary directors Ron Clements and John Musker, who had left Disney just months earlier after years with projects in development hell following Treasure Planet's failure.Despite the numerous controversies around representing Disney's first Black princess—from changing her name from "Maddy" and her job to avoid slavery connotations, to criticism that she spends only 17 minutes of the film in human form, they ended up with Tiana, one of Disney's most accomplished, hard-working and important princesses, and what was being developed as The Frog Princess became The Princess and the Frog.The film's stunning animation style, represents a heartfelt return to traditional hand-drawn techniques, combined with modern digital artistry to create a visually captivating experience, but as we all know, it didn't last, and The Princess and the Frog became both a creative triumph and a bittersweet swan song for an art form that defined Disney's legacy.Mentioned in this episode: How Disney's Princess and the Frog Has A Problem With Black Males by JoJo Boy Wonder on YouTubeSupport Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

Send us a textWhat happens when a massive sequel forgets the one thing epics can't live without—emotion? We take a scalpel to Gladiator 2 and dig into why the arena feels quiet even when the crowd is screaming. From a “last free city” setup that strains belief to a retconned bloodline that muddies legacy, the movie races for scale without building the spine that made the original unforgettable.We talk through the action that should define character but doesn't: a rhino fight with no ripple effect, a boat battle staged for fireworks over logic, and CGI creatures that steal attention from the grit that gives gladiator stories weight. Leadership arcs are earned through choices, not titles. If Lucius is meant to inspire, show the moments he protects his own, the beat where he decides to stand, and the speech he actually earns. Without that, set pieces become noise. And the politics? Denzel Washington's Macrinus hints at a master plan, then self-sabotages when a pragmatist would pivot, leaving palace intrigue to the monkey consul gag and a rubber head reveal that play like satire instead of strategy.We also get specific about what would fix it. Trade Rome's vague ideals of “freedom” for concrete stakes—grain routes, aqueduct power, Praetorian numbers—and let tactics shape the fights. Give the final duel a purpose beyond vengeance by tying it to promises made and debts paid. The result wouldn't just be bigger; it would feel truer, the way great epics do when pain, duty, and choice collide.If you enjoy honest breakdowns with jokes sharp enough to cut through bad CGI, hit follow, share with a friend who loved the original, and tell us: what's the one change that would have saved Gladiator 2 for you?Be our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT

Sam and Bledge sit down to debrief Sam's latest architectural project at Formby, where bold design meets old dunes. They unpack the seventh hole rebuild, discuss blind shots, CGI flyovers, and why change has to mean something. Send us a message if you would like anything discussed on the podcast.

In episode 2001, Jack and Miles are joined by comedian and producer of the monthly Facial Recognition Comedy show, Pallavi Gunalan, to discuss… Why Was Lindsey Graham Drunk On Fox News Twice Over The Weekend? Nancy Mace Is Not Okay, Philly DA Larry Krasner Is Talking That Sh*t, The Jurassic Park-Themed Super Bowl Ad Really Missed The Point Of Jurassic Park and more! Why Was Lindsey Graham "Drunk" On Fox News Twice Over The Weekend? I’m not going to say Senator Graham is drunk because that would be unprofessional Lindsey Graham was slurring his words again on "Fox News Sunday" this morning...Is he spiraling? Sad! Nancy Mace Is Not Okay: “Something’s broken. The motherboard’s fried. We’re short-circuiting somewhere.” 'A CGI Embalming' — Xfinity's Jurassic Park Super Bowl Ad Features Digitally De-Aged Sam Neil, Laura Dern, and Jeff Goldblum Xfinity’s Jurassic Park advert is a digital de-aging nightmare. So who made it? Jurassic Park Super Bowl commercial's de-aged actors, ranked from least to most bizarre-looking What If Jurassic Park Worked Out Great? Comcast Xfinity’s Super Bowl Ad Takes a Guess Original Jurassic Park Stars Return to Solve the Sci-Fi Masterpiece’s Entire Plot in Seconds for Super Bowl Commercial The Jurassic Park Xfinity Super Bowl Commercial Is A Nostalgia Play Gone Nightmarishly Wrong Nedry Really Wasn't The Jurassic Park Villain You Remember Welcome to Jurassic Park. Now powered by Xfinity. Xfinity hack affects nearly 36 million customers. Here's what to know. Thousands of Comcast workers win $7.5 million settlement in wage and hour lawsuit Judge rejects $7.5M Comcast settlement resolving ‘systemic’ FLSA violations The biggest star of Super Bowl LVII commercials? Nostalgia. Honda 2012 Super Bowl Commercial, Matthew’s Day Off Hellmann’s mayonnaise, Meg Ryan and the allure of ‘nostalgia marketing LISTEN: Deli Kan by Melike ŞahinSee omnystudio.com/listener for privacy information.

Synopsis Send Help stars Rachel McAdams as a frumpy but invaluable office worker over looked for promotion by her asshole entitled boss played by Dylan Obrien When she is invited on a sausage fest work trip, the plane crashes and she and her boss are the only survivors on a tropical island She quickly demonstrates her survival knowledge and the power dynamic between her and her boss shifts. Review of Send Help Send Help has been described as a mix between Misery and Cast Away. I'll agree with that and add that it's also a poor man's version of The Triangle of Sadness. Any way you compare it, this is a crowd pleaser. Sam Raimi returns to the horror genre for the first time since Drag Me to Hell. Though this is more on the thriller side of horror, he brings out a lot of the playful and over the top blood and gore that we are used to. Rachel McAdams largely carries the film with her charisma and screen presence. I'll admit, she's largely the reason for me being excited about seeing the film. Dylan O'brien is serviceable, and properly over the top in portraying an entitled asshole. The script by Damian Shannon and Mark Shift is simple, yet plays with the audience's expectations. It is better than I would expect from the guys that worked together before on the Baywatch Movie, Freddy Vs. Jason, and 2009's Friday the 13th reboot. The character development feels a little undercooked, but is there enough to make their motivations understood. This felt like a movie straight out of the 90's/early 2000s. This brand of mid-budget thriller was a dime a dozen back then, and for some reason has fallen by the wayside. I'm hoping that this film, along with films like The Housemaid will start a resurgence in mid budget date night thrillers. Also something I haven't seen since the 90s/early 2000s is this quality of CGI. It wasn't completely terrible, but is was distracting how overused it was. Many shots of the island and it's design felt like I was looking at an obviously designed video game island (X mountains and all). Also, after seeing PRimate successfully pull of great practical effects with a monkey suit, I wondered why they didn't use a puppet for the boar. They could have achieved the same level of boar gore, but make it less cartoony. The film doesn't plumb the depths of the human psyche or explore every facet of the power dynamics in a survival situation, it prefers to keep it pretty surface level in service of moving quickly with the plot. And in my opinion, it works. I had a really good time, and laughed out loud several times at the humor as well as the exploitative gore that Raimi is the expert at bringing. Score 8/10

The Toxic Mom Group Drama continues to heat up on This Week's Pre-Fixe when Hailey Duff is seen out with Ashley Tisdale, and it's announced that the tigers in the upcoming Siegfried & Roy biopic will be CGI, much to Dominick's great chagrin. Then, Awards Correspondent Rebecca Bregman returns to discuss the 2026 Grammy Awards: the fashion, the performances, the winners, and Cher's way-too-long impression of Joe Biden.You can find Rebecca in The Epstein Files.You can find Dom at dommentary.com.You can find Chris at @thechrisderosa.Follow the show at @fixingfamouspeople and on YouTube.Subscribe to the Patreon Fixing Bonus People here.You can GIFT the Patreon to someone here.And listen to FREE Examples of the Patreon Bonus Content here!Or Subscribe to A La Carte Episodes in the Apple Podcast App.Pre-Fixe Ends Around 49:45.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, we review and discuss "The Fantastic Four: First Steps". How is this different from the previous versions of the "Fantastic Four". How do we feel about the casting choices? Has the CGI become any better? All of that and more this week on Monoreel Radio. Join the conversation on social media @monoreelradio on all major platforms or send us an email at monoreelradio@gmail.com. For links to anything you heard on the show, visit our website and if you want to experience the Disney magic for yourself, click here to start planning your next vacation.

Step into a nostalgic Disney time machine with Honey, We Made a Disney Podcast! Join longtime friends J.B. and Eddie as they hilariously revisit Disney's cinematic highs and lows—this week diving deep into the 2007 live-action Underdog. From lifeless CGI dog mouths and wasted celebrity cameos to Peter Dinklage's acrobatic villainy and Patrick Warburton's platinum-haired henchman, the hosts pull no punches in their most side-splitting takedown yet. Plus, they chat about Disney's new leadership shake-ups, Zootopia in the parks, and the chaotic adventures of parenting a crib-escaping toddler. If you love Disney nostalgia, movie roasting, and a dash of real-life magic, this podcast episode is your next binge. 

In a time long, long ago. Before Jedi and wookies or misunderstanding of parsecs, a man made a movie that was less of a film and more of a performance art piece. That director was George Lucas and that work was his directorial debut, THX 1138.This week we are joined by friend of the show Amanda Joy Moon to discuss Lucas's first feature film, a profoundly different piece from anything he ever made from that point on. Released in 1971, THX 1138 stars Robert Duvall as the eponymous THX 1138, Donald Pleasence, Don Pedro Colley, Maggie McOmie and Ian Wolfe in a piece filmed more like a documentary than a feature film depicting life in a bleak dystopian world of work, drug induced compliance, outlawed sexual and physical interaction, and the complete absorption of religion by the state and capital. We discuss the metaphorical nature of the film, Amanda offers some incredible book recommendations, and we all condemn Lucas for going back and shoving CGI remakes into this film like he did to Star Wars. Guest LinksAmanda on InstagramRiotGRRRLPrintz on InstagramRiotGRRRLPrintz on etsyLeft of the Projector LinksOfficial WebsiteLeft of the Projector on InstagramLeft of the Projector on PatreonLeft of the Projector on ThreadlessHost LinksEvan's LetterboxdBill's InstagramBill's LetterboxdWard's InstagramWard's Letterboxd

Matt and Eric dive into the glopfest that is Sam Raimi's DRAG ME TO HELL - a gooey, spewy blast about a young woman who finds herself in the gross clutches of a curse that covers her in all manner of ooze.This episode includes AI-generated content.

AI is quickly changing how product imagery gets created, edited, and personalized in building materials. In this episode of Smarter Building Materials Marketing, Beth and Zach talk with Greg Weyman, Founder and Managing Partner at MarketThrive, about how manufacturers are blending AI and CGI to build scalable visual content libraries. Greg shares how these tools are helping brands visualize complex products, cut down lead times, and produce tailored assets for different marketing channels—all while keeping creative costs in check. It's a look at how the product imagery workflow is being reimagined from the ground up.

Hold onto your lekku, because this week we're abandoning ship and diving straight into the Dark Side. First up, we're dissecting the brand-new trailer for Maul: Shadow Lord. Is Disney finally growing a pair and giving us a true villain protagonist, or are they just going to "Cruella-fy" our favorite horn-headed Sith? We're breaking down Maul's mysterious new "Acolyte" (could it be a canonized Darth Talon?), the "Inquisitor-lite" vibes of the new visual style, and why this show might finally bridge the 10-year gap between the Clone Wars fallout and his "ruler of the underworld" era in Solo. Then, the main event: Bogan's Advocate returns. We're putting Attack of the Clones on trial. Is it a misunderstood masterpiece of political intrigue, or just two hours of CGI sand and awkward flirting? Our guests Blake and Dan join the fray to defend the indefensible and debate whether Maul and Ahsoka could have actually saved the galaxy if they'd just stopped arguing about Anakin for five minutes. Check out the Star Wars Archives link in our description for a database of all 400+ episodes! Orbitkey Disney Collection Add a sprinkle of Disney magic to your everyday carry. The Disney x Orbitkey Collection features fun, functional accessories inspired by Disney characters, designed to make staying organised feel like magic. https://www.orbitkey.com/pages/disney?srsltid=AfmBOorl0UJrj6Skr7fWecL5ZzpxJ6tt757WShCMY3XcCGsLaXPwzBUw Kirk is on YouTube: @kirkmihelakos https://www.youtube.com/designedbykirk Darian is on YouTube: @TheManDarian https://www.youtube.com/@TheManDarian ———————————————————————— Star Wars Escape Pod

The Cinematography Podcast Episode 344: Russell Carpenter When cinematographer Russell Carpenter began working on Avatar: The Way of Water and Avatar: Fire and Ash concurrently, he knew stepping into the world of Pandora would be a much different production environment. Carpenter and director Jim Cameron had previously collaborated on True Lies and Titanic, which won him the Academy Award for Best Cinematography. As the cinematographer, Carpenter's primary concern was ensuring the lighting on live, motion-captured actors blended seamlessly with a CGI-generated universe. Audiences instinctively understand the physics of sunlight filtering through a forest or the way light refracts underwater. To maintain an emotional connection to the story, Cameron insisted that every frame feel like it was in the real world of Pandora. The Avatar sequels were built in layers, with digital artists building the environment based on the script. Rough versions of the scenes and the blocking for the actors were plotted out, and then they were ready for the motion capture with the actors. Carpenter worked closely with production designers to determine how light should "feel" in these virtual spaces. Because the background was digital, the camera movement and lighting could be tested with instant feedback. If a virtual camera moved through a forest, the real-world lighting on the actor could be tested to react to every digital leaf and shadow in real-time. For over a year, Carpenter lived in two worlds: the virtual and the physical. "I had to keep lighting consistent in the CGI world while translating what Jim was doing on the capture stage," Carpenter says. "In the world of motion capture, things have to match to the half-second. If the camera travels a specific distance at a specific speed, the actor has to be exactly there. It's painstaking." A major breakthrough for the sequels was the use of programmable LED systems. Working with computer programmers and moving lights, Carpenter's team devised a way to shift intricate lighting setups instantly. This allowed for more complex visual storytelling, such as backlit sequences and the dappled, moving light of the Pandoran jungles. For Avatar: Fire and Ash, Cameron pushed for a more "organic" look, requesting the digital world mimic the flaws of physical film cameras. “Certain artifacts were introduced into Fire and Ash that we didn't quite have on Way of Water,” Carpenter explains, “such as lens flares and the appearance of water running off the front plate of a camera lens.” The team tested shooting lens flares, and a Weta programmer built it into the CGI world. To simulate the "Ash People" shooting flaming arrows, Carpenter's team used a grid of overhead LEDs programmed to "zip" past the actors' heads at arrow-speed, creating a realistic flicker of firelight on their faces Despite the technical hurdles, Carpenter found that the core of his craft—sculpting light—remained the same, even if the toolkit had changed. He admits the transition isn't for everyone. “I would say to any cinematographer who ventures into this territory, there's a learning curve where you definitely feel like a stranger in a strange land,” he says. “You realize that, especially in terms of live action, your percentage of the pie is less—but your impact on the final vision remains vital.” You can see Avatar: Fire and Ash in a variety of formats in theaters everywhere. Hear our previous interviews with Russell Carpenter: https://www.camnoir.com/ep40/ https://www.camnoir.com/ep200/ Find Russell Carpenter: Instagram @russellcarpenterasc Support Ben's short film, The Ultimate Breakup! https://www.kickstarter.com/projects/theultimatebreakup/the-ultimate-breakup-short-film?ref=nav_search&result=project&term=the%20ultimate%20breakup&total_hits=2 The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

“I wanted to write stories that would help children talk about feelings they don't always know how to express.” — MadonnaIn this episode we explore Madonna's surprising foray into children's storytelling and family-friendly media during the early 2000s.First we visit Arthur and the Invisibles, where Madonna lends her voice to Princess Selenia in a tiny CGI world full of bugs, treasure, and big lessons in what turned out to be her last on-screen acting role (for now). To help us assess this film (and some of Madonna's music videos) we've got John's seven year old niece: Emily!Then we dig deep into Madonna's children's books, starting with The English Roses, unpacking the jealousy, kindness, gossip, and very serious feelings hiding beneath the pastel illustrations and storybook dresses. To give these books their proper context, we're joined by two more of John's nieces: Kathryn and Emma!!Together, these projects show a Madonna who wasn't interested in shocking kids. She wanted them to talk about their feelings, learn a lesson, and maybe pick up a beautifully illustrated hardcover while they were at it.Email us: TheCelebrationCelebration@gmail.comFollow us on Instagram: @TheCelebrationCelebrationPick up a copy of Eric's book: The Dancerhttps://a.co/d/0gAi3bePick up a copy of John's book: Baked! Sex, Drugs, and Alternative Comedy:https://amzn.to/3tUbvOMFor autographed copies:https://www.johnflynncomedian.com/bakedEdited by: John FlynnArtwork by Dyna Moe:https://www.nobodyssweetheart.com/ Hosted on Acast. See acast.com/privacy for more information.

Pets in horror movies are always a minefield. Audiences will happily watch a dozen hapless humans get yeeted into the void, but the second a golden retriever whimpers ominously, everyone's suddenly a film critic with strong moral objections. Enter GOOD BOY (2025), a movie that clearly looked at that emotional weak spot and said, “Yes… let's poke it.”But instead of serving up another tragic pet casualty, this film flips the script. The star isn't the doomed sidekick—it's the dog himself. We experience the creeping dread through the eyes of Indy, a very good boy trying to make sense of the weird, possibly supernatural nonsense infesting his owner's isolated old house. Think The Conjuring, but with more sniffing and a better protagonist.IMDB sums it up like this:“A loyal dog moves to a rural family home with his owner, only to discover supernatural forces lurking in the shadows. As dark entities threaten his human companion, the brave pup must fight to protect the one he loves most.”Directed by Ben Leonberg and co-written by Alex Cannon, the film proudly features Indy the dog as its leading actor—finally, a performer who doesn't need CGI to convey raw emotion. Shane Jensen and Arielle Friedman round out the human cast, presumably doing their best to keep up with their four‑legged co-star.Your co-hosts dive into this canine-centric creep-fest and share their thoughts on whether GOOD BOY earns a treat… or needs to go back outside.

After the unexpected success of Silent Hill (2006), a sequel felt inevitable, but the road to Silent Hill: Revelation was anything but straightforward.In this episode of ClassHorrorCast, we revisit Silent Hill: Revelation and dig into the original plans for a very different sequel, the unfortunate circumstances that derailed them, and how multiple ideas were ultimately stitched together to bring the film we got to life.We explore how the movie pulls from Silent Hill 3 while also reshaping and retconning elements of the first film - changes that proved controversial with longtime fans of both the games and the 2006 adaptation.We break down the film's heavy use of CGI and 3D, looking at it as a product of its time and how those choices often overshadow some genuinely strong practical effects and creature work happening beneath the digital layers.From its shift toward a more action-driven approach to its reworking of lore, characters, and tone, we talk about what didn't land and what might have worked better with a different creative focus. But Revelation isn't without its strengths. We highlight the creatures, locations, and visual ideas that do feel authentically Silent Hill, and discuss the moments where the film briefly reconnects with the atmosphere and imagery that made the series so powerful in the first place.Beneath the noise, the spectacle, and the missteps, there's the framework of a solid little horror sequel trying to break through.Silent Hill: Revelation may never capture the slow, oppressive dread of its source material, but it remains a fascinating case study in adaptation, expectation, and how easily atmosphere can be lost in the pursuit of scale.If you enjoyed this - CLICK HEREBecome a supporter of this podcast: https://www.spreaker.com/podcast/class-horror-cast--4295531/support.

In this episode of Tank Talks, Matt Cohen and John Ruffolo unpack the ripple effects of Y Combinator's decision to exclude Canadian startups from their investment portfolio unless they're incorporated in the U.S. or other tax-friendly jurisdictions. This move has sent shockwaves through the Canadian tech ecosystem, and Matt and John break down exactly why this matters for founders and investors alike.The conversation explores the myth of U.S. incorporation being the golden ticket for capital-raising and the rise of a narrative that Canadian entrepreneurs must leave their home country to achieve success. Matt and John challenge this narrative head-on, providing deep insights into why Canadian tech companies can still thrive domestically and refuting the data that YC used to justify their decision.Y Combinator Shakes Up Canadian Startups (01:09)YC has revised its investment criteria to exclude Canadian companies unless they're incorporated in the U.S. or certain tax havens. The duo debates the implications of this shift and how it impacts Canadian founders who are now questioning their incorporation choices.The False Narrative of U.S. Incorporation (03:09)John breaks down the myth that U.S.-incorporated companies raise more capital than their Canadian counterparts, calling out misleading data points used by YC's Garry Tan to justify the shift. The conversation digs into why this narrative is misleading and what Canadian entrepreneurs can do to counter it.Why YC's Data Doesn't Tell the Full Story (05:35)John explains how some of Canada's most successful tech companies didn't follow the YC path and still thrived, refuting the idea that incorporation in the U.S. is always the best move for Canadian startups.The Ripple Effect on Early-Stage Founders (06:25)The discussion turns to the younger generation of founders who now believe they must incorporate in the U.S. to succeed, potentially setting them up for unnecessary challenges.The Shift from PE to VC: Innovator's Dilemma (14:07)Matt and John shift gears to discuss private equity's struggle with legacy enterprise software companies in the wake of AI disruption. They explore how PE firms are transforming into venture funds to keep up with market changes, creating a new kind of investment landscape.The AI Crisis for Private Equity (15:10)As AI-native startups disrupt traditional software models, private equity firms face extended hold periods on their investments. Matt and John explore how firms like Thoma Bravo are adjusting their strategies to deal with these changes.CGI Partners with OpenAI: The Changing Consulting Landscape (18:54)The episode wraps up with a discussion on CGI's new global alliance with OpenAI. This partnership marks a major shift in the IT consulting world, with CGI aiming to integrate AI at scale. Matt and John speculate on the future of AI in enterprise consulting and what this means for legacy players like CGI.Connect with John Ruffolo on LinkedIn: https://ca.linkedin.com/in/joruffoloConnect with Matt Cohen on LinkedIn: https://ca.linkedin.com/in/matt-cohen1Visit the Ripple Ventures website: https://www.rippleventures.com/ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tanktalks.substack.com

F tier CGI pod description.

The  Moose on The Loose helps Canadians to invest with more conviction so they can enjoy their retirement. Today, I discuss CGI, Canadian Pacific and Exco Technologies latest earnings. It's all about dividend growth investing! Subscribe to the best free dividend investing newsletter: https://thedividendguyblog.com/newsletter Get the 20 income products guide for retirees: https://retirementloop.ca/income/ Get your Investment roadmap: https://dividendstocksrock.com/roadmap

Right hand of Doom, crooked destiny and enough practical monsters to make CGI cry. This week on 3 Guys and a Flick, we kick open the door to Hellboy (2004) with full snark, zero mercy and a big red attitude. We break down Ron Perlman's iconic scowl, Selma Blair's tragic glow, del Toro's love letter to comic-book weirdness, gnarly creature effects, villian letdowns, deep-cut trivia and a spoiler-soaked brawl over fate vs. free will. Grab a cigar, pet some cats and listen responsibly—because destiny's knocking, and it doesn't care if you're ready.

Ep 730: Ethical Broads PRIVATEWe kick off FOLLOW UP with California's AG sending a cease-and-desist to xAI over Grok generating creepy deepfakes of minors, while regulators finally notice Elon Musk's xAI datacenter illegally running methane turbines in Memphis. The FTC is also appealing its loss in the Meta monopoly case, because apparently breaking up Zuckerberg's data empire is still the hill they want to die on.IN THE NEWS, Washington joins the age-verification-for-porn parade, the UK considers an Australia-style social media ban for kids under 16, and governments everywhere continue demanding your ID before you're allowed to enjoy the internet. OpenAI rolls out age prediction for ChatGPT accounts ahead of a rumored adult mode—though hey, at least you can now group tabs in ChatGPT's Atlas browser. Anthropic rewrites Claude's “constitution” to make it more vibes-based, Nevada moves to block Polymarket because gambling is only legal when the house owns the house, and YouTube promises even more AI features in 2026. Elsewhere, a Swiss suicide pod gets an AI “mental fitness” upgrade, Microsoft's CEO begs AI developers to do something useful before the grid collapses, Musk hunts for a $134 billion payday from OpenAI and Microsoft, and makes yet more Davos predictions about robotaxis and aliens that are absolutely happening this year. On the bright side, A-list creatives push back on AI and Comic-Con bans AI art, buying humans a little more time.MEDIA CANDY finds us slogging through Wish, The Pitt, and the “Mel's Diner in Space” look of Star Trek: Starfleet Academy. We confirm 20-year-old CGI wargs still look terrible, get cautiously excited for 28 Years Later: The Bone Temple, and note that Fallout Season 2's weekly drops may not be working for a binge-rotted audience.In APPS & DOODADS, X launches Bluesky-style starter packs—presumably to help you find more Nazis—while ICE becomes one of the most-blocked accounts on Bluesky. Threads edges out X in daily mobile users, proving the “federated future” is just another Zuck app. And yes, we think we know what the Apple AI pin is—and definitely what it isn't.AT THE LIBRARY, we check out The Elements, Jet Tila's 101 Thai Dishes You Need to Cook Before You Die, Half Baked Harvest: Quick & Cozy, and Southern Living's A Southern Gentleman's Kitchen. Scott reports back from a Jim Butcher talk, where we learn Harry Dresden sounds suspiciously like Han Solo.We close with THE DARK SIDE WITH DAVE, who is juggling five podcasts while reading Going to the Top: The Story of Videopolis, plus teasers for Star Wars: Maul – Shadow Lord and a baffling Masters of the Universe trailer, a rant on what “remastered” even means anymore, a dishwasher follow-up, and the grim news that a lot of snow is coming.Sponsors:DeleteMe - Get 20% off your DeleteMe plan when you go to JoinDeleteMe.com/GOG and use promo code GOG at checkout.SquareSpace - go to squarespace.com/GRUMPY for a free trial. And when you're ready to launch, use code GRUMPY to save 10% off your first purchase of a website or domain.Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordShow notes at https://gog.show/730Watch on YouTube at https://youtu.be/LiwVkLKr8CoFOLLOW UPCalifornia AG sends cease and desist to xAI over Grok's explicit deepfakesElon Musk's xAI datacenter generating extra electricity illegally, regulator rulesZuck stuck on Trump's bad side: FTC appeals loss in Meta monopoly caseIN THE NEWSWashington is the latest state pursuing an age verification law for porn sitesThe UK is mulling an Australia-like social media ban for users under 16OpenAI is launching age prediction for ChatGPT accountsYou can now group tabs on OpenAI's ChatGPT Atlas browserAnthropic Updates Claude's 'Constitution,' Just in Case Chatbot Has a ConsciousnessNevada files to block Polymarket from offering ‘unlicensed wagering' in the stateYouTube CEO promises more AI features in 2026Controversial Swiss Suicide Pod Gets an AI-Powered Mental Fitness UpgradeMicrosoft CEO urges AI developers 'to get to a point where we are using this to do something useful,' or 'lose even the social permission...to generate these tokens'Elon Musk is looking for a $134 billion payout from OpenAI and MicrosoftElon Musk Sure Made Lots of Predictions at DavosA-List creatives sign up to fight AI, say it enables 'theft at a grand scale'Comic-Con Bans AI Art After Artist PushbackMEDIA CANDYWishThe PittStar Trek: Starfleet Academy28 Years Later: The Bone Temple'Fallout' Season 2's Weekly Drops May Not Be WorkingAPPS & DOODADSX is also launching Bluesky-like starter packsICE becomes one of the most-blocked accounts on Bluesky after its verificationThreads edges out X in daily mobile users, new data showsI think I know what the Apple pin is, and definitely know what it isn'tApple Developing AirTag-Sized AI Pin With Dual CamerasNot to be outdone by OpenAI, Apple is reportedly developing an AI wearableSiri's iOS 27 upgrade sounds exactly right. Apple's AI pin sounds exactly wrongAT THE LIBRARYThe Elements by John Boyne101 Thai Dishes You Need to Cook Before You Die by Jet TilaHalf Baked Harvest Quick & Cozy: A Cookbook by Tieghan GerardPestleSouthern Living A Southern Gentleman's Kitchen: Adventures in Cooking, Eating, and Living in the New South by Matt MooreTHE DARK SIDE WITH DAVEDave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingGoing to the Top: The Story of Videopolis—Part OneStar Wars: Maul - Shadow Lord | Official Teaser Trailer | Streaming April 6 on Disney+Masters of The Universe – Official Teaser TrailerCLOSING SHOUT-OUTSClassic-Era Scorpions Bassist Francis Buchholz Dies at 71See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.