Podcasts about CGI

On today's new episode and the last of 2025, the guys discuss the 1998 classic Small Soldiers directed by Joe Dante and starring Tommy Lee Jones and Kirsten DunstBut first, are Clive Owen and Gerard Butler basically the same guy? Do we love the cast of this movie? Is this our first edition of The Boys Talk Toys? Did we all see this in theaters? Does this movie have Gremlins vibes and easter eggs? How was the CGI for a 1998 film? If Toy Story had Apocalypse Now vibes would it be Small Soldiers? For a kids movie does this have intelligent critiques of the military industrial complex? Were they trying to make Jay Mohr a thing in the 90s? Was this move Phil Hartman's last role? Did Andy Dick OD recently? Is Cody the Alan Abernathy of the pod? Does this movie get a 6 on the Foley? Would Avatar exist without Small Soldiers? Is this movie insanely quotable? Is Stephen Lang  the real life Chip Hazard? Was Led Zeppelin cool in the 90s? Does this movie have a crazy soundtrack? Is this movie too violent for kids? Did the boys have encyclopedias growing up? Is this a “holiday” movie? Can these toys feel pain or reproduce? Will there ever be a Small Soldiers 2? Was this movie a box office flop? Do we each have a favorite Adam Sandler-produced movie that the others hate? Why do we need to ban Elon Musk from watching Small Soldiers? Were there any Small Soldiers video games? Are we The Heavy Duty Boys? Who is Reba playing in the MCU?Check out the Kickstarter pre-launch page for Superguy issue #2 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.kickstarter.com/projects/mrtonynacho/superguy-2-my-date-with-the-presidents-daughter?ref=creator_tab⁠⁠⁠⁠⁠⁠⁠⁠⁠New episodes every THURSDAYFollow us on social media! Bluesky // Instagram // Twitter // TikTok :⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@comicsnchronic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/channel/UC45vP6pBHZk9rZi_2X3VkzQ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E-mail: comicsnchronicpodcast@gmail.comCodyInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@codycannoncomedy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @Cody_CannonTikTok: @codywalakacannonJakeInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jakefhaha⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AnthonyBluesky // Instagram // Threads // Twitter // TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mrtonynacho⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this episode of The Tiberius Show, Tiberius Boy sits down with award-winning marketing professional Laura Barbante to explore the fun and surprising world of marketing! Laura works for the Victorian Government in Australia and has also worked with Disney, Pixar, Marvel, and Star Wars. She shares how ads are made, what it's like to work with huge creative teams, and how marketing can change the way people see the world.From giant CGI campaigns to real stories from Disney, Laura explains how creativity, teamwork, and strategy come together to create ads that millions of people see. She also talks about what kids should know if they want to work in marketing someday — and why the job is way more fun than most people think!This is a packed episode full of inspiration, storytelling, math, and real-life lessons about leadership, honesty, and creativity. Main Discussion Points• What a marketing professional actually does • How government campaigns help the community • Laura's work with Disney, Pixar, Star Wars & Marvel • The CGI “Giants” project for Victoria's Big Build • How long it really takes to create a big marketing campaign • Tools used in marketing (Trello, Monday.com, Microsoft Suite) • What makes an ad great — the look, the message, or both? • How teams brainstorm, test ideas, and build creative concepts • The challenge of getting approvals inside government • How TikTok is changing marketing trends • Advice for kids who want to get into marketing • Why soft skills matter just as much as creative skills • The importance of integrity in advertisingBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-tiberius-show--3352195/support.

In an unlikely alliance, SG1, Ba'al, and Adria team up to search for the Sangraal in "The Quest" Part 1 and 2. Come for the questionable CGI dragon, stay for Sam punching Ba'al.Find us online:https://twitter.com/wormholewaffleshttps://wormholewaffles.tumblr.com/@wormholewaffles.bsky.socialHive @wormholewaffleshttps://twitter.com/chelseafairlesshttps://chelseafairless.tumblr.com/@chelseafairless.bsky.socialHive @chelseafairlesshttps://twitter.com/arezouaminhttps://arezoudeetoo.tumblr.com/https://www.tiktok.com/@Arezou.Amin@arezouamin.bsky.socialHive @arezoudeetooThreads @arezoudeetooOther Geeky Waffle content:https://thegeekywaffle.com/https://twitter.com/Geeky_Wafflehttps://www.facebook.com/thegeekywaffle/https://www.instagram.com/thegeekywaffle/https://thegeekywaffle.tumblr.com/https://www.tiktok.com/@thegeekywafflehttps://www.youtube.com/c/thegeekywafflehttps://www.patreon.com/thegeekywaffle@thegeekywaffle.bsky.social

We've compiled our top-performing YouTube Shorts from 2025 into one power-packed rewind video! These bite-sized insights from industry leaders cover everything from Amazon advertising secrets to AI-powered retail transformation. Thanks for listening to Talk Commerce—let's dive into the highlights.1. Elizabeth Greene - Amazon Advertising MasteryCo-founder of JunglrElizabeth Greene shares game-changing Amazon advertising secrets for scaling ecommerce brands through strategic ad spending and automation tactics. Learn how to maximize your ROAS and dominate the Amazon marketplace.Listen to the full episode →2. Adam Callinan - Mathematical Precision in BusinessFounder of BottleKeeper and PentaneJoin Adam Callinan as he shares his entrepreneurial journey from creating BottleKeeper to developing Pentane. Discover how mathematical precision and lean operations drive modern business success and sustainable profitability.Listen to the full episode →3. Elijah Khasabo - The Future of UGCCo-founder of VidovoElijah Khasabo reveals insights on the evolution of user-generated content pricing, why engagement beats follower counts, and why authentic human content continues to outperform AI-generated videos in driving conversions.Listen to the full episode →4. Drew Chambers - Edge Computing RevolutionEVP at HarperDrew Chambers discusses how edge computing and AI are revolutionizing enterprise web performance. Get insights into speed optimization, personalization, and the future of ecommerce architecture.Listen to the full episode →5. Matthew Merrilees - Global Expansion StrategyCEO at Global-eMatthew Merrilees outlines actionable tactics for neutralizing tariffs, fine-tuning landed costs, and leveraging 3B2C fulfillment so brands can expand internationally without eroding profit margins.Listen to the full episode →6. Mark Elfenbein - AI Visual MerchandisingCRO of NfiniteMark Elfenbein reveals how AI and CGI technology are transforming retail visual merchandising, enabling major retailers like Amazon and Lowe's to reduce photography costs by 90% while creating immersive customer experiences at unprecedented scale.Listen to the full episode →7. Udayan Bose - Generative AI in EcommerceCEO of NetElixirUdayan Bose explores how generative AI is revolutionizing ecommerce, from boosting productivity to impacting SEO and shaping the future of Google Search. Discover key insights from this transformative conversation.Listen to the full episode →Watch the Full Rewind VideoDon't miss these concentrated insights from the brightest minds in ecommerce. Subscribe to Talk Commerce for more expert conversations that help you grow your business.What was your favorite insight? Let us know in the comments!

The snake is back, but it's definitely not the 1997 cult classic you remember. In this special bonus episode, we're sharing our raw, unscripted thoughts on the brand-new ANACONDA starring Jack Black and Paul Rudd. Since this was the winning choice from our monthly member vote, we're skipping the deep-dive history and getting straight into the fun. We discuss whether Tom Gormican's meta-comedy approach actually breathes new life into the franchise or if the CGI giant snake still feels like it belongs in the 90s. From the comedic chemistry between Rudd and Black to those unexpected cameos that had us shouting at the screen, we're breaking down everything we loved (and everything that felt a bit "snake-bitten") about this theatrical release.

Charlie and Peter have a facinating chat with Adam "Mojo" Lebowitz, a two-time Primetime Emmy Award winner for his work on "Star Trek: Voyager" and "Battlestar Galactica" as well as "Babylon Five," (one of Peter's favorites!) the groundbreaking series that laid the foundation for the modern, desktop CGI industry.Visit our website www.secretfriendsunite.comFollow us on IG and Threads @TheCeeThree, @Secret.Friends.UniteGet a free one week trial of our Patreon and check out our new member tiers at Secret Friends Unite PatreonSubscribe to our YouTube channelJoin the conversation in our Discord ServerVisit our REDBUBBLE store for all the SFU Merch you can handle

Over the past few decades, CGI has allowed directors to put virtually anything they can imagine onto the big screen. But in the world of theater, practical effects still rule supreme. So how do these special effects wizards make it snow, rain, and gust inside the confines of a theater, where real live audiences are sitting just feet away? And what are the challenges to dumping more than 100 gallons of water indoors, or coating the stage in slippery fake snow? We tour a Brooklyn warehouse that houses the secrets behind Broadway's wildest special effects, where one engineer is inventing new ways to wow audiences with the magic of the elements.Featuring Jeremy Chernick.Produced by Taylor Quimby. For full credits and transcript, visit outsideinradio.org.SUPPORTOutside/In is made possible with listener support. Click here to become a sustaining member of Outside/In. Follow Outside/In on Instagram or join our private discussion group on Facebook.LINKSTo see some of the effects we mention in action, check out Jeremy Chernick's website gallery of shows he's worked on.ALSO! Did Operation Night Cat leave you wanting more? Make a year-end gift to NHPR, and we'll invite you to a special Operation Night Cat Virtual Q&A on January 8th 6PM EST, featuring our very own Nate Hegyi!  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Look Who's Talking Now! (1993) was chosen by Chris, rounding out the unlikely trilogy that began as a surprise hit in 1989. By the early '90s, the Look Who's Talking franchise had already proven its commercial appeal, and TriStar Pictures was keen to keep the momentum going. This third entry shifted focus behind the scenes, with original director Amy Heckerling stepping away and Tom Ropelewski taking over directorial duties. John Travolta and Kirstie Alley returned following the success of Look Who's Talking Too, while the production leaned heavily on the established brand recognition rather than reinventing the formula.The film was produced during a transitional period for Hollywood family comedies, as studios increasingly relied on sequels, celebrity voice work, and broad humor to attract audiences. A major production emphasis was placed on the voice performances, enlisting high-profile actors to give personality and comedic timing to the animal characters through extensive ADR sessions. Despite a solid budget and the continued involvement of its star leads, Look Who's Talking Now! faced franchise fatigue upon release and struggled to recapture the box-office success of its predecessors. Today, it's remembered as a curious example of early-'90s sequel culture — a film driven more by brand familiarity than creative necessity, and a reminder of how quickly novelty concepts can wear thin.If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠Trailer Guy Plot SummaryFrom the creators of a blockbuster comedy franchise… comes the one where the pets finally take over.The family is back, the chaos is louder, and this time the dogs have something to say. With celebrity voices, slapstick mayhem, and 90s family-friendly insanity turned up to eleven, Look Who's Talking Now! lets the animals loose — commenting on love, loyalty, and household madness like only talking pets can.Look Who's Talking Now! — when the fur flies, the truth comes out.Fun FactsLook Who's Talking Now! was the final film in the Look Who's Talking trilogy, bringing the franchise to an end after three movies in five years.The movie marked one of the rare times Danny DeVito and Diane Keaton voiced animated characters together, even though neither appears on screen.The dogs' mouth movements were created using subtle animatronics and careful editing, rather than full CGI, which was still limited in the early 1990s.Despite mixed reviews, the film performed strongly on VHS and rental charts, continuing the franchise's popularity in the home-video market.The movie received several Golden Raspberry Award nominations, including Worst Screenplay and Worst Supporting Actress, reflecting its critical reception.Look Who's Talking Now! was released during a wave of early-90s “talking animal” movies, alongside films like Homeward Bound and Bingo.This installment shifted the franchise's focus more toward family-friendly animal comedy, a move that divided fans of the earlier films.The film has since gained a nostalgic cult following, particularly among viewers who grew up watching it repeatedly on VHS and cable television.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Merry Christmas Eve everyone! For today's podcast Mike, Matt, and Ma review James Cameron's latest giant blockbuster CGI film, Avatar: Fire and Ash starring Sam Worthington, Zoe Saldaña, Sigourney Weaver, and Stephen Lang. Not Christmas topics include Otter, Trails 4 Tata's, and nogarita?  Next week there is no podcast! Mike is out of town for vacation and Matt is visiting Ma Hinshaw in southern Arizona. Happy holidays and we will chat at you in 2026!!! You can find us on all things social such as YouTube, Facebook, Instagram, and Twitter or X. We also have an awesome community you can join, click here to check out our Facebook Fan Group so you can yell at Mike and Matt from the comfort of your keyboard while talking about films. Lastly we have an amazing website where you can watch trailers, read the host's bios, listen to the podcast, and get a ton more info on the movies we review.  Check out the link here https://www.ReelFilmNerds.com Thanks for stopping by and listening to our podcast, we appreciate each and everyone of you. Finally go out and catch as many movies as you can!

Send us a textA healing unicorn, a billionaire's lodge, and a night that should have dripped with dread instead slides into confusion. We dive into Death of a Unicorn with fresh eyes and plenty of receipts—where the premise shines, why the scares fizzle, and how the story trades suspense for unfinished spectacle. From the first “we hit something on the road” beat to that jarring daylight time jump, we trace the exact moments the movie stops trusting mystery and starts overexposing its creature.We talk craft first. Creature features live or die on restraint, and this one shows the monster early and often, leaning on CGI that can't carry the weight. We unpack how to rebuild the same scenes with tension: silhouettes over full frames, sound over splash, partial reveals over glory shots. Then we get into character stakes. The father's “financial promise,” the daughter's supposed purity, and a horn that cures, resurrects, and randomly bestows visions—none of it plays by rules the audience can follow. So we outline the fix: make the horn addictive, tie each character's need to a cost, and let greed fracture alliances until humans pose the real threat.There's also a problem of lore without payoff. The tapestry research looks impressive, but discovery never changes tactics. We explore how good supernatural stories use clues to pivot action and how consistent rules turn fear into momentum. Along the way, we call out the casting trap—banking on a beloved actor to redeem an irredeemable arc—and the ethical shortcuts that undercut the finale, including a needless casualty to clean up the plot.If you love horror that earns its chills, or you're writing your own low-budget creature story, this breakdown doubles as a playbook: define your rules, sharpen your motives, and let the audience's imagination do the expensive work. Listen, then tell us the trope you'd retire forever, and if you enjoyed the show, follow, rate, and share with a friend who argues about movie logic as hard as you do.Be our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT

Prophetic Christmas Judgment? (audio) David Eells 12/24/25 Christmas 2025 Alison Pound - 12/21/25 (David's note in red) It's worth noting that I received the following word just 14 days out from Christmas Day. He previously said that we are right in the season for some specific events He has been warning about for some years now, to come to pass. This is the time of sorrows. Increasing magnitude and occurrence of earthquakes, of wars, deaths, mourning, floods, fires, hurricanes, tornadoes……. As I was preparing to post this, the Lord said read Psalm 68 [1] Let God arise, let his enemies be scattered: let them also that hate him flee before him. [2] As smoke is driven away, so drive them away: as wax melteth before the fire, so let the wicked perish at the presence of God. The Psalm also says “LET THE RIGHTEOUS BE GLAD”. We are to PRAISE HIM, BECAUSE HE IS A GOOD GOD. ALL HIS JUDGMENTS ARE RIGHTEOUS! The whole chapter can be read below. This is what the Lord said to me on December 11. “That Christmas I told you about, where it would not be celebrated as in other years, this is the one. This year of 2025, Christmas will not be at all like other Christmases. All around the earth, every household will be affected by what I Am doing in the earth. Remember that My judgments are now in the earth and are upon its people. I Am dealing with believers. My people. Those who claim to know Me. I Am about to test all believers in the hardest test they have ever had to endure. Many will not make it. They will be taken away and the next time they awaken they will be standing in front of Me, being asked to account for themselves. This is a very serious time. All of heaven has paused. They take this time very seriously. Most of those on earth are completely unaware of what goes on in heaven, and what I Am about to do on the earth. But this Christmas, they will be right in the midst of My judgments. You know of what I speak. (He has warned of imminent earthquakes, volcanic eruptions, floods in various places, and wars.) Many this year will have no home. Many homes, whole communities have (already) been destroyed by flooding. Lives have been lost. I speak of the fires also. (lives have been lost) And there will be more of both flood and fire.” Psa 68:1-35 For the Chief Musician; A Psalm of David, a Song. Let God arise, let his enemies be scattered; Let them also that hate him flee before him. (2) As smoke is driven away, so drive them away: As wax melteth before the fire, So let the wicked perish at the presence of God. (3) But let the righteous be glad; let them exult before God: Yea, let them rejoice with gladness. (4) Sing unto God, sing praises to his name: Cast up a highway for him that rideth through the deserts; His name is Jehovah; and exult ye before him. (5) A father of the fatherless, and a judge of the widows, Is God in his holy habitation. (6) God setteth the solitary in families: He bringeth out the prisoners into prosperity; But the rebellious dwell in a parched land. (7) O God, when thou wentest forth before thy people, When thou didst march through the wilderness; Selah. (8) The earth trembled, The heavens also dropped rain at the presence of God: Yon Sinai trembled at the presence of God, the God of Israel. (9) Thou, O God, didst send a plentiful rain, Thou didst confirm thine inheritance, when it was weary. (10) Thy congregation dwelt therein: Thou, O God, didst prepare of thy goodness for the poor. (11) The Lord giveth the word: The women that publish the tidings are a great host. (12) Kings of armies flee, they flee; And she that tarrieth at home divideth the spoil. (13) When ye lie among the sheepfolds, It is as the wings of a dove covered with silver, And her pinions with yellow gold. (14) When the Almighty scattered kings therein, It was as when it snoweth in Zalmon. (15) A mountain of God is the mountain of Bashan; A high mountain is the mountain of Bashan. (16) Why look ye askance, ye high mountains, At the mountain which God hath desired for his abode? Yea, Jehovah will dwell in it for ever. (17) The chariots of God are twenty thousand, even thousands upon thousands: The Lord is among them, as in Sinai, in the sanctuary. (18) Thou hast ascended on high, thou hast led away captives; Thou hast received gifts among men, Yea, among the rebellious also, that Jehovah God might dwell with them. (19) Blessed be the Lord, who daily beareth our burden, Even the God who is our salvation. Selah. (20) God is unto us a God of deliverances; And unto Jehovah the Lord belongeth escape from death. (21) But God will smite through the head of his enemies, The hairy scalp of such a one as goeth on still in his guiltiness. (22) The Lord said, I will bring again from Bashan, I will bring them again from the depths of the sea; (23) That thou mayest crush them, dipping thy foot in blood, That the tongue of thy dogs may have its portion from thine enemies. (24) They have seen thy goings, O God, Even the goings of my God, my King, into the sanctuary. (25) The singers went before, the minstrels followed after, In the midst of the damsels playing with timbrels. (26) Bless ye God in the congregations, Even the Lord, ye that are of the fountain of Israel. (27) There is little Benjamin their ruler, The princes of Judah and their council, The princes of Zebulun, the princes of Naphtali. (28) Thy God hath commanded thy strength: Strengthen, O God, that which thou hast wrought for us. (29) Because of thy temple at Jerusalem Kings shall bring presents unto thee. (30) Rebuke the wild beast of the reeds, The multitude of the bulls, with the calves of the peoples, Trampling under foot the pieces of silver: He hath scattered the peoples that delight in war. (31) Princes shall come out of Egypt; Ethiopia shall haste to stretch out her hands unto God. (32) Sing unto God, ye kingdoms of the earth; Oh sing praises unto the Lord; Selah. (33) To him that rideth upon the heaven of heavens, which are of old; Lo, he uttereth his voice, a mighty voice. (34) Ascribe ye strength unto God: His excellency is over Israel, And his strength is in the skies. (35) O God, thou art terrible out of thy holy places: The God of Israel, he giveth strength and power unto his people. Blessed be God.   Tragedy is Coming Just Praise Him – Glynda Lomax October 25, 2016 (David's note in red) A tragedy is coming that is so immense, so widespread in its effect that all the world will mourn with America. This tragedy will bring about a financial crisis like nothing before it. The shock will cause all to take an inventory of their lives. Many lost will run to Me then, to know more of Me, and you must be ready for this time. You must be ready to answer their inquiries about Me. You must be walking in My ways to model Me before them. I will begin soon to call more of my aging saints home to Me. I do not desire they to see this tragedy. These are the ones who have served Me long and well, and their rewards are great in heaven. The scope of this tragedy will be shocking. Many souls will be lost in what is going to happen. This is My last judgment call to the world to turn away from their sins, to turn to Me, to give Me their hearts. At the same time, many who know Me shall turn away, blaming Me for this tragedy, and laying down their faith. Satan will enter their hearts then and their end shall be far worse than their beginning. Hold tight to your faith, My precious children, do not let the enemy have your souls. Remain steadfast, for I have not forsaken you, and the end of all things is near. NOTE: I had been praying for days about why I keep feeling there will be no Christmas celebrations this year when I got this word. (It seems she had some reluctance. However many prophetic utterances don't come to pass the year they are spoken, but later so many can take warning. Many are just hearing this warning now when others are getting the same warning. Joseph taught that when a revelation is doubled it will come to pass.) I know it would take something huge to stop Christmas in America. Suddenly, I heard rumbling, and what came to my mind was an earthquake. I cannot say it is one, because He did not say that. I cannot say for sure that this (earthquake) will happen before Christmas, because the Lord did not say that. I was concerned about the term “judgment call” as it generally means a summary judgment based on known facts, but then I realized “call” could mean “calling” the lost to Himself. Hebrews 10:23 Let us hold fast the profession of our faith without wavering; (for he is faithful that promised;) 2 Peter 2:20-21 For if after they have escaped the pollutions of the world through the knowledge of the Lord and Saviour Jesus Christ, they are again entangled therein, and overcome, the latter end is worse with them than the beginning. 21For it had been better for them not to have known the way of righteousness, than, after they have known it, to turn from the holy commandment delivered unto them. 2 Thessalonians 2:2-3 That ye be not soon shaken in mind, or be troubled, neither by spirit, nor by word, nor by letter as from us, as that the day of Christ is at hand. 3 Let no man deceive you by any means: for that day shall not come, except there come a falling away first, and that man of sin be revealed, the son of perdition; (We have certainly seen this sign.) Matthew 28:19-20 Go ye therefore, and teach all nations, baptizing them in the name of the Father, and of the Son, and of the Holy Ghost: 20 Teaching them to observe all things whatsoever I have commanded you: and, lo, I am with you always, even unto the end of the world. Amen. What we see in these revelations below is the faction in Church and state are trying to take down the righteous, but God is directing their wrath to take them down instead, just as Pharaoh at the Red Sea, or Sennacherib at Jerusalem, or the 3 armies against Jehoshaphat at Jerusalem, etc. The glory of the Lord is going to be seen by the whole world at our Red Sea. The fear and respect of the Lord will be on many from among the nations. A common timing theme in these dreams is Christmas time, which symbolizes the time of the Man-child's birth. The day cannot be ruled out either. Individuals in these dreams represent corporate bodies of people around the world.   Coming Attack and Man-child Provision  Eve Brast - 11/27/18 (David's notes in Red) I had a dream where I was in my paternal grandparents' house in Highland Park in Dallas, Texas. I was in the living room and decided to go down to the basement (in real life there was no basement) to check on my three sons. As I went down the basement stairs, I saw my husband moving large containers of some sort from outside the house through the left brick wall of the basement, as if the wall was an illusion of some kind. (The breaching of a wall on the left symbolizes breaking with our sanctification, or separation from the world.) My sons were all younger in the dream: Noah was 9, Elijah was 6, and Josiah was 4. I called out to my husband over the commotion and asked if I could spend some time with the boys. He never stopped what he was so busily doing, only replied, “They are busy helping me. We don't have time for that.” (The left has always hindered the fellowship of the Bride with the children and this actually came to pass.) Then I heard and felt a shaking sound (I wrote this interpretation in 2018 before the recent revelations: This could represent the shaking coming at Christmas time, OR the time of the Man-child Body's birth, or both? - Even though the timing of Christmas and its traditions are false, it can represent the time of the Man-child's birth, whenever that comes. Why Christmas? We will see.) coming from behind me and I could see a large red CGI dragon in the spirit coming for me. (A realistic 3D animated dragon. The dragon in Revelation 12 is the beast of the first 3 1/2 years, who fails to devour the Man-child and then seeks to devour the Woman Church. From other dreams, we know that we are NOW in the time of the immature dragon, hence a cartoon dragon. I had a dream where this exact dragon was sneaking in a back window of our assembly to devour us. It came and failed.) I then hurried down the stairs and went around the stack of containers that he had brought into the basement, and turned around to see the dragon coming down the stairs. It had yellow eyes. (It looked just like the dragon Smaug from The Lord of the Rings movies.) It said, “I'm coming for you.” I hid behind the containers as it stomped past. Once it was past where I was, I noticed a Christmas tree over to the side of the basement. (Another Christmas time/Man-child birth revelation) So I hurried over and knelt down behind the tree and was praying and telling myself, “If I'm very still, he won't be able to see me.” Noah came over and began to ask me, “What are you doing, Mom?” I told him, “If I'm very still, he won't see me.” Noah laughed and said, “You mean him?”, pointing to the dragon. I said, “Yes.” He then started pushing on me and making me move. The dragon saw me and narrowed his eyes and said, “I see you!” He began to lumber over towards me as I woke up. (Children who are temporarily in the camp of the Left do not understand the true nature of the Dragon. The Woman escaped the Dragon in the dream here by waking up.) I asked Father for a couple of words by faith at random concerning this dream, and my finger was on “I have broken Moab” in Jeremiah 48:38 (Moab was the Children of Lot who factioned away as leftists from their brethren of Israel as a type of the Church) Jer 48:35-46 Moreover I will cause to cease in Moab, saith Jehovah, him that offereth in the high place, and him that burneth incense to his gods. 36 Therefore my heart soundeth for Moab like pipes, and my heart soundeth like pipes for the men of Kir-heres: therefore the abundance that he hath gotten is perished. 37 For every head is bald, and every beard clipped: upon all the hands are cuttings, and upon the loins sackcloth. 38 On all the housetops of Moab and in the streets thereof there is lamentation every where; for I have broken Moab like a vessel wherein none delighteth, saith Jehovah. 39 How is it broken down! how do they wail! how hath Moab turned the back with shame! so shall Moab become a derision and a terror to all that are round about him. 40 For thus saith Jehovah: Behold, he shall fly as an eagle and shall spread out his wings against Moab (the factious in Church and state). 41 Kerioth is taken, and the strongholds are seized, and the heart of the mighty men of Moab at that day shall be as the heart of a woman in her pangs. 42 And Moab shall be destroyed from being a people, because he hath magnified himself against Jehovah. 43 Fear, and the pit, and the snare, are upon thee, O inhabitant of Moab, saith Jehovah. 44 He that fleeth from the fear shall fall into the pit; and he that getteth up out of the pit shall be taken in the snare: for I will bring upon him, even upon Moab, the year of their visitation, saith Jehovah. 45 They that fled stand without strength under the shadow of Heshbon; for a fire is gone forth out of Heshbon, and a flame from the midst of Sihon, and hath devoured the corner of Moab, and the crown of the head of the tumultuous ones. 46 Woe unto thee, O Moab! the people of Chemosh is undone; for thy sons are taken away captive, and thy daughters into captivity. (Both of these texts involve a visitation of the Lord to punish the wicked and reward the righteous. The Lord is coming, manifested in the Man-child body ministry by Word and Spirit. Jesus was first born as a baby and later was anointed to Minister. These two stages happen to the Man-child body of our day also.) The second one I received by faith at random, my finger was on “he will carry them in his bosom” in Isa.40:11 (The right and righteous will escape)  In context Isa 40:1-11 Comfort ye, comfort ye my people, saith your God. 2 Speak ye comfortably to Jerusalem (the Bride); and cry unto her, that her warfare is accomplished, that her iniquity is pardoned, that she hath received of Jehovah's hand double for all her sins. 3 The voice of one that crieth, Prepare ye in the wilderness the way of Jehovah; make level in the desert a highway for our God. 4 Every valley shall be exalted, and every mountain and hill shall be made low (The humble will be exalted and the proud humbled); and the uneven shall be made level, and the rough places a plain: 5 and the glory of Jehovah shall be revealed, and all flesh shall see it together; for the mouth of Jehovah hath spoken it. 6 The voice of one saying, Cry. And one said, What shall I cry? All flesh is grass, and all the goodliness thereof is as the flower of the field. 7 The grass withereth, the flower fadeth, because the breath of Jehovah bloweth upon it; surely the people is grass. 8 The grass withereth, the flower fadeth; but the word of our God shall stand forever. 9 O thou that tellest good tidings to Zion (the Bride), get thee up on a high mountain; O thou that tellest good tidings to Jerusalem, lift up thy voice with strength; lift it up, be not afraid; say unto the cities of Judah, Behold, your God! 10 Behold, the Lord Jehovah will come as a mighty one, and his arm (Jesus in the Man-child) will rule for him: Behold, his reward is with him, and his recompense before him. (Judgment on the Factious Edomites just before He rewards the Righteous) 11 He will feed his flock like a shepherd, he will gather the lambs in his arm, and carry them in his bosom, and will gently lead those that have their young. Notice the same words “his reward is with him, and his recompense before him” when God saved the Bride from the factious Edomites. And here it is in Isa 62:11-63:3 Behold, Jehovah hath proclaimed unto the end of the earth, Say ye to the daughter of Zion, Behold, thy salvation cometh; behold, his reward is with him, and his recompense before him. 12 And they shall call them the holy people, The redeemed of Jehovah: and thou shalt be called Sought out, A city not forsaken. 63:1 Who is this that cometh from Edom, with dyed garments from Bozrah? this that is glorious in his apparel, marching in the greatness of his strength? I that speak in righteousness, mighty to save. 2 Wherefore art thou red in thine apparel, and thy garments like him that treadeth in the winevat? 3 I have trodden the winepress alone; and of the peoples there was no man with me: yea, I trod them in mine anger, and trampled them in my wrath; and their lifeblood is sprinkled upon my garments, and I have stained all my raiment. When the Lord separates the factious spirits from some of the factious people, they will return to righteousness, although they will have missed the Bride. Others will die in their sins.   A Remnant of the Faction Begins to Return Around the Birth of the Soloman Man-child Body Eve Brast - 08/08/18 (David's notes in Red) I dreamed this morning that our local UBM assembly was meeting on an upper floor of an apartment building (An apartment represents a body of houses built together into a holy temple in the Lord, as Ephesians says.). The living room was smaller than the Shaw's and there was a small room to the right of the long entry way that was a kitchenette (Where the spiritual food is prepared). We were all sitting in a large circle singing acapella praises to the Lord. David was sitting along the wall where the entryway led into the living room. Michael was on his left, and I was on his right. I (As a type of the last Adam's Bride, Eve) was wearing a beautiful dress with a floral pattern on it. (A symbol of Fruit and beauty being born as in Springtime, by the corporate Bride body.). But I was very weak and thin from fighting a long illness. (Representing the corporate Bride fighting off the faction infection. Faction is division through unforgiveness, criticism, slander, etc. We fought it off in the Church and we saw the same spirits in the government. At this time, Eve actually was fighting off this infirmity, which the medical Journal says comes from an abusive relationship that she has been through. When she had this dream, she wasn't suffering from this, and we wondered what this dream spoke of. This shows us the timing is near for these things. (I believe I represent a corporate body sick of faction. But once the factious leader below was born again and he and others came back into an inferior fold, I was recovering as a body of people. Part of the text was good concerning those Father knows and will bring them back to Him, and the other part is concerning those in the dream who were too fearful to enter the door again.) I couldn't stand or move around for long before I had to sit down and rest. David and Michael had to help me by each holding my arms for support when I needed to stand or walk. But I was slowly regaining my strength day by day. (At that time, there were factious people returning.) Suddenly, the factious leader came through the front door and was encouraging others who had factioned away to enter also. The others had followed him to the door but wouldn't enter. (This represents the outer court of God's house) A couple of men came right inside the door, but were fearful to come any further. (Content to be in the holy place but not the Holy of Holies.) The factious leader himself came all the way up to the threshold of the entryway where the living room began, but wasn't interested in joining our praise and worship. (Not going to return to the Bride in the Holy of Holies, but to a lesser degree, the holy place) He was concerned more about undoing some of the damage he'd caused by factioning some away from the truth. He was trying to get them to come through the door. (The door being Jesus). He kept gesturing to the two men with an inviting motion to come into the entryway further. But they only stood right inside the door. The factious leader was wearing a white Polo shirt and tan shorts. He had an old baby blanket (Infected by memories from childhood), the size of a large shawl, draped around his shoulders. It had a silk edge sewn all the way around it and pink and baby blue stripes. Since it was from the 1970s it was not as white as it used to be and it was faded because of many washings. (He had fallen away from his new birth many times and had many washings so it has faded.) His right hand clutched it at his neck, like he didn't want it to fall off of him. (He didn't want to forget and lose his salvation again) I was shocked to see him with that blanket around his shoulders. I said, “Hey, everyone, the factious leader is here!” And I wanted to go over to give him a hug. So David and Michael helped me over to him. But Brandy was angry and alarmed and said, “He's not for real. He's just here to spy on us all and cause us more damage! Don't touch him!” (We have had dreams and attempts of faction acting as though they are cured to sneak into the body and cause damage. So suspicion is natural.) David and Michael said, “We asked the Lord if it was okay for him to come and got two heads for ‘yes'. But Brandy became incredulous and offended about it. I didn't know what to believe, so I didn't hug him. I decided to go to the kitchenette and wash the dishes. So David and Michael helped me to the counter, and I was able to lean against it for support so I could wash them. After our plates were clean, (Symbolizing the end of faction) I came back out and sat down, R. S., who was sitting at the 12:00 position, was directing the acapella singing and said, “Let's all sing Silver Bells! We'll sing it 6 times.” David was at the 6:00 position. So David and Michael helped me back up and we all held hands and walked in a circular, clockwise direction. (Time going forward) We sang, “Silver bells, Silver Bells, it's Christmas time in the city...” (Symbolizing the time of the Man-child's birth) I became tired and had to go sit down, and I thought, “Christmas time??” Then there was a couch behind the kitchenette in a little room and David was sitting wearing a blue shirt (representing heavenly) and blue socks and he had a baby diaper on. (The birthing of the David Man-child. The anointing could come shortly after, since the Man-child grows up very quickly). Then I woke up. I asked for a general text that covers this dream, and my finger was on Psalm 50:11, “I know all the birds of the mountains” (1-23) 1 A Psalm of Asaph. The Mighty One, God, Jehovah, hath spoken, And called the earth from the rising of the sun unto the going down thereof. 2 Out of Zion, the perfection of beauty, God hath shined forth. 3 Our God cometh, and doth not keep silence (The visitation of the Lord in the Man-child): A fire devoureth before him, And it is very tempestuous round about him. 4 He calleth to the heavens above, And to the earth, that he may judge his people: 5 Gather my saints together unto me, Those that have made a covenant with me by sacrifice. 6 And the heavens shall declare his righteousness; For God is judge himself. [Selah] 7 Hear, O my people, and I will speak; O Israel, and I will testify unto thee: I am God, even thy God. 8 I will not reprove thee for thy sacrifices; And thy burnt-offerings are continually before me. 9 I will take no bullock out of thy house, Nor he-goats out of thy folds. 10 For every beast of the forest is mine, And the cattle upon a thousand hills. 11 I know all the birds of the mountains; And the wild beasts of the field are mine. 12 If I were hungry, I would not tell thee; For the world is mine, and the fulness thereof. 13 Will I eat the flesh of bulls, Or drink the blood of goats? 14 Offer unto God the sacrifice of thanksgiving; And pay thy vows unto the Most High; 15 And call upon me in the day of trouble: I will deliver thee, and thou shalt glorify me. 16 But unto the wicked God saith, What hast thou to do to declare my statutes, And that thou hast taken my covenant in thy mouth, (We have received this text for the faction) 17 Seeing thou hatest instruction, And castest my words behind thee? 18 When thou sawest a thief, thou consentedst with him, And hast been partaker with adulterers. 19 Thou givest thy mouth to evil, And thy tongue frameth deceit. 20 Thou sittest and speakest against thy brother; Thou slanderest thine own mother's son. 21 These things hast thou done, and I kept silence; Thou thoughtest that I was altogether such a one as thyself: But I will reprove thee, and set them in order before thine eyes. 22 Now consider this, ye that forget God, Lest I tear you in pieces, and there be none to deliver: 23 Whoso offereth the sacrifice of thanksgiving glorifieth me; And to him that ordereth his way aright will I show the salvation of God.   Remnant of Faction Returns  Anna Stewart - 12/07/18 (David's notes in Red) I dreamed we arrived at the Shaw's for a Wednesday Bible study and a factious leader had returned and was sitting in his old place against the front wall. Brandy was sitting next to him because Michael had left Brandy to share in the bible study because neither he nor David could make it yet. I had the sense that David knew the factious leader had returned, but I felt very uncomfortable that David and Michael were not there. He was thinner in the dream (less flesh) and wearing dark blue (heavenly, yet still in darkness?) and at one point showed his new guitar to someone. More and more people from our local body kept coming in, even those who normally cannot be there, until every person was there. The house changed at some point with two very large rooms to the back added on (Incoming brethren joining us from other places) and the main room where we were become an upper story (Symbolizing the people from the Upper room receiving the outpouring? Original foundation of people on higher level of leadership) with a sliding glass door opening onto a deck on each side of the house. David and Michael finally showed up and David had told the factious leader he couldn't be in there with us. (In Eve's dream, he also did not come into the assembly but was in an outer room. We believed this was a sign that he would come back, but not be in the Bride or be trusted yet because of falling away into faction.) The factious leader was outside on the deck, sometimes on his knees and forearms, sometimes sitting cross-legged. Everyone inside ignored his presence. Every once in a while, he would tap on the glass as if asking for some compassion from someone to let him in. Several times I saw him sitting out there with a pile of quarters on his knee and each time they were either all heads or all tails. I was wondering if he was asking the Lord questions. Things inside went on as normal, some people had brought food, others were eating a little bit and fellowshipping. David was in the back room working hard and I knew he was very busy and tired. At some point I felt led to look up my niece's name, Natasha, who has come to live here, and found in this dream that it meant something along the line of “to take authority and cast out spirits”. (This may be a sign of timing to begin to cast out the factious demons) In real life Natasha means born on Christmas day; resurrection. [In Eve's dream, this man came back with others when we were singing “Silver Bells, It's Christmas time in the city”. The Man-child is coming to the Bride, Jerusalem.] I felt it was from the Lord concerning this man [and likely a body of people he represents] and that I needed to tell David but I was afraid of getting out of place and doing something I shouldn't. I decided to find David and asked if he had a minute. He looked tired and said, “Not really. I have two seconds.” As quickly as I could, I told him what I felt the Lord told me, “to take authority and cast out spirits”. The scene changed and it was getting late and people began leaving for home until there were just a few of us left. Mostly the morning prayer meeting people remained: Eve, Matthew and me, and a few others. Everyone was sitting down, and things were pretty quiet. I realized that I wasn't doing what I should've been doing all along, and got down on my knees and began to intercede for the factious leader who was still outside. (Amen, it is a good time to pray restoration to a remnant of the faction) Then the dream ended.   The Last Holiday, Christmas  Sandy Shaw - 12/03/18 (David's notes in Red)  In this dream was like a scene from the movie, The Last Holiday (https://en.wikipedia.org/wiki/Last_Holiday_(2006_film). A man was sitting on the very edge of a building's top with a bottle of alcohol, contemplating whether he should jump. The building was old and tall, and like the architecture of the Swiss Alps. It was castle-like. Queen La Tifah walks out and says, “What are you doing here?” He says, “I think I'm going to jump!” She says, “It ain't worth it.” Then she sits down next to him. (The last Holiday is Christmas, symbolizing the time of the Man-child's birth. The Queen here represents the Bride and has a false sentence of death on her, which she later finds out is false. The drunk man committing suicide represents the left-wing, delusional, factious people who are committing spiritual suicide through spiritual drunkenness.)  LL Cool J (Jesus) says, “What are you doing?” She (The Bride) says, “I'm trying to get this guy to back into the hotel.” The guy on the ledge says, “I'm not going!” (Factioned away from the body of Christ built together into a Holy Temple as Ephesians says) LL Cool J says, “Well, you let that fool fall then. And you get back in there!” (I.E., separate yourself from them until they repent. Tit.3:10 A factious man after a first and second admonition refuse; 11 knowing that such a one is perverted, and sinneth, being self-condemned.) LL is reaching for Queen La Tifah. But she is a few inches short and he can't reach her, and I'm standing behind him. I say, “Just grab her.” (I.E., Man-child rescues the Bride from the spiritually drunken faction.)  Then, when I saw that he grabbed her, I got his legs and we fell through the window into the building. (The Bride is rescued from the suicidal faction by Jesus in the Man-child)  As I'm trying to get up, I'm no longer there...I'm in a car, in the back seat. The doors are locked, I can't get out, and I'm in a seatbelt that won't unsnap. A big spider was coming toward me and was going to bite me on the leg. But back in reality, I got shook up because I'm on dialysis. And the nurses are shaking me, one was shaking my leg in the area where the spider was going to bite me. (A warning the Pharmakeia is poison and deadly. Many now know this.) The spider was the size of a golf ball, though oblong, the size of one I saw in our garage. (The Bride is rescued in parallel to the first scene)  I received by faith at random (About the factious in Church and government.) Eze.11:7. (In context, 7-12) 7 Therefore thus saith the Lord Jehovah: Your slain whom ye have laid in the midst of it, they are the flesh, and this city is the caldron; but ye shall be brought forth out of the midst of it. 8 Ye have feared the sword; and I will bring the sword upon you, saith the Lord Jehovah. 9 And I will bring you forth out of the midst thereof, and deliver you into the hands of strangers, and will execute judgments among you. 10 Ye shall fall by the sword; I will judge you in the border of Israel; and ye shall know that I am Jehovah. 11 This city shall not be your caldron, neither shall ye be the flesh in the midst thereof; I will judge you in the border of Israel; 12 and ye shall know that I am Jehovah: for ye have not walked in my statutes, neither have ye executed mine ordinances, but have done after the ordinances of the nations that are round about you. (Judgment on the faction)    Christmas Eve - What is Coming   Winnie Osegueda - 6/8/22 (David's notes in red)  ... I prayed and asked the Lord to show me what was coming and when I fell asleep He gave me the following dream: I dreamt that I was in a very nice suburban area and it was the evening time of Christmas Eve. (Wow Christmas again!  Another confirmation that the baby boy Man-child is coming.) I could see all the houses decorated with colorful Christmas lights throughout this neighborhood on my left. My mother's house was also located on the left side of this suburban neighborhood. (Winnie's mom is being used to represent the apostate church on the left  that all of God's elect are born out of. Many apostates are in idolatry with the world and its traditions of men represented by the celebration of Christmas which is a pagan holiday. There is a connection between the modern day Christmas tree and the ancient symbol for the fertility goddess named Asherah  Jer. 10:1-5 Hear ye the word which Jehovah speaketh unto you, O house of Israel: 2 thus saith Jehovah, Learn not the way of the nations, and be not dismayed at the signs of heaven; for the nations are dismayed at them. 3 For the customs of the peoples are vanity; for one cutteth a tree out of the forest, the work of the hands of the workman with the axe. 4 They deck it with silver and with gold; they fasten it with nails and with hammers, that it move not. 5 They are like a palm-tree, of turned work, and speak not: they must needs be borne, because they cannot go. Be not afraid of them; for they cannot do evil, neither is it in them to do good.) There was a remake of an older movie being made except it wasn't actually a movie; it was really happening. Ecclesiastes 1:9-10 The thing that hath been, it is that which shall be; and that which is done is that which shall be done: and there is no new thing under the sun. 10 Is there any thing whereof it may be said, See, this is new? it hath been already of old time, which was before us.   I recognized and remembered this old movie that they were remaking and it was starring Kiefer Sutherland who is an actor who played a great villain in movies in the 80s and 90s, and he was a villain in the movie in this dream as well). (The meaning of the name “Keifer” is a German nick name for someone who was quarrelsome, from an agent of Middle High German kiben, kiven 'to quarrel'. All of the factious are quarrelsome.) They brought in a new "actor" for the remake of this movie who looked just like a younger, rounder-faced version of Kiefer Sutherland. His haircut was like the one Kiefer Sutherland had in the movie "The Lost Boys," a film in which he played a vampire. ("The life of the flesh is in the blood." The spiritual vampires of the apostate churches who are “lost” children who “bite and devour” and suck the life out of people with their contentious and slanderous ways.) Because I had already seen and knew this movie very well, I knew that this Kiefer Sutherland look-alike had a plan to enter into each suburban home in this neighborhood and kill every family. I could see him lurking in the shadows of his brick house spying on the neighborhood through his window on the top floor. (Their leaders are stalkers and “peeping Tom's”.) These families were not suspicious, as he made himself appear to be trustworthy and friendly…  (Rom 16:17-18  Now I beseech you, brethren, mark them that are causing the divisions and occasions of stumbling, contrary to the doctrine which ye learned: and turn away from them.  18  For they that are such serve not our Lord Christ, but their own belly; and by their smooth and fair speech they beguile the hearts of the innocent. Remember, they are actors.) I was now inside my mother's home... and this new "actor" was there as well. He handed my mother a box of Marlboro Red cigarettes and she accepted them. (She actually smoked these in real life when I was much younger.)  As soon as this actor walked off, I said "NO! NO! Why did you accept them?! Now you're marked!" and she said, "I like Marlboro Reds, so if he gives me Marlboro Reds, I'm going to take them.” (The cigarettes represent receiving bad and false spirits.) (Breath and spirit are the same word in scripture and taking in smoke represents taking in an unclean spirit. If you receive slander from a factious person, you will receive their same spirits.)  She seemed to be very bothered by my objections to her receiving these cigarettes, but I knew how this movie was going to play out, so I was desperately trying to warn her to no avail. (Many in apostasy aren't heeding our warnings currently. They will have to experience judgment before they turn back to righteousness, and still, many won't repent of their wickedness and they will be killed spiritually with an eternal death.) At this point, I knew that this actor was going to come back and kill her because she was marked, and that I had to go. (The mark of the beast) I couldn't stay with her there, or I would be killed as well, as much as it pained me to know what was going to happen. I didn't understand why no one else could see what was happening here. Since this movie was a remake of an old film, it should have been obvious what was going on, but it wasn't to them. (I know people who have seen this happen to others fall into the trap because of disobedience.  John 12:37-40  But though he had done so many signs before them, yet they believed not on him: 38 that the word of Isaiah the prophet might be fulfilled, which he spake, Lord, who hath believed our report? And to whom hath the arm of the Lord been revealed? 39 For this cause they could not believe, for that Isaiah said again, 40 He hath blinded their eyes, and he hardened their heart; Lest they should see with their eyes, and perceive with their heart, And should turn, And I should heal them.) I left this suburban area to find an escape and I entered into the city. I stopped by a clothing store that I used to go to when I was younger. (We should not shrink back represented by visiting the younger clothing store. Heb. 10:39 But we are not of them that shrink back unto perdition; but of them that have faith unto the saving of the soul.)  I recognized one of the women that worked there in the dream, but not in real life. She was an overweight black lady with a fake ponytail. (This represents people who are walking in darkness; who feed the flesh.) She met me outside with a hug and said "Merry Christmas!" I said Merry Christmas as well ... (I don't personally celebrate Christmas, but I believe the Lord is just using this as a parable.) (A parable of judgment on the apostates at the time of the Man-child's birth.)   I noticed that I had a large overweight, gray, striped cat with me and it walked into the store. The cat wanted to stay behind and I agreed that it was best, because I could not escape what was happening with this cat tagging along. (The fat cat represents an abundance of flesh, self will and rebellion. Grey symbolizes lukewarm people, not white or black. These type people will not escape the faction demons because they must be separated from the Bride and ultimately the body itself.) I thought about the verse Hebrews 12:1-2  Therefore let us also, seeing we are compassed about with so great a cloud of witnesses, lay aside every weight, and the sin which doth so easily beset us, and let us run with patience the race that is set before us, 2 looking unto Jesus the author and perfecter of our faith, who for the joy that was set before him endured the cross, despising shame, and hath sat down at the right hand of the throne of God.) (We must leave the weight of our rebellious sin nature behind, represented by the fat, grey cat, if we want to escape the judgment of faction that is coming.) The lady in the store agreed that the cat could remain there in the store, but again, I was sad because I knew what was coming and that they would not be safe if they did not escape. This "actor" would come and kill them too, including the cat. (Psa 37:38 As for transgressors, (or the “rebellious”) they shall be destroyed together; The end of the wicked shall be cut off. And   2Pe 2:12  But these, as creatures without reason, born mere animals to be taken and destroyed, railing in matters whereof they are ignorant, shall in their destroying surely be destroyed.) I left the store and continued up a flight of stairs to leave this area as well, and then I woke up. The dream felt so real that when I woke up I felt like this was still happening, and I was trying to figure out what movie this was that they were trying to remake. (The people who don't learn from His-story are doomed to repeat it.) I asked the Lord for a verse by faith at random and received: Joel 2:19 (15-20 in context)  Blow the trumpet in Zion, sanctify a fast, call a solemn assembly; 16 gather the people, sanctify the assembly, assemble the old men, gather the children, and those that suck the breasts; let the bridegroom go forth from his chamber, and the bride out of her closet. (Notice: At the time of the attempted attack on the Bride she and the Man-child will be revealed and delivered.)  17 Let the priests, the ministers of the Lord, weep between the porch and the altar, and let them say, Spare thy people, O Lord, and give not thy heritage to reproach, that the nations should rule over them: wherefore should they say among the peoples, Where is their God? 18 Then was the Lord jealous for his land, and had pity on his people. 19 And the Lord answered and said unto his people, Behold, I will send you grain, and new wine, and oil, and ye shall be satisfied therewith; and I will no more make you a reproach among the nations; 20 but I will remove far off from you the northern army, and will drive it into a land barren and desolate, its forepart into the eastern sea, and its hinder part into the western sea; and its stench shall come up, and its ill savor shall come up, because it hath done great things. (The northern army is like Pharoah's army at the Red Sea. It is the end of the persecutors and the beginning of the wilderness tribulation.)

Koalas with the bodies of lions. Elephants the size of your dog. Gigantic, 8-foot-tall sloths. These aren't creatures found in science fiction: They walked our planet a million years ago, during the Ice Age.That's the focus of the third season of the Apple TV series “Prehistoric Planet,” which uses the latest paleontology research and photorealistic CGI to reimagine the lives of ancient creatures. So far, the series has focused on dinosaurs, but now it's taking that same approach to the huge and strange-looking animals that roamed the tundras and deserts of the Ice Age.Joining Host Ira Flatow to thaw out the new research featured in the show are two of its scientific consultants, paleontologist Darren Naish and La Brea Tar Pits curator Emily Lindsey.Guests: Dr. Darren Naish is a paleozoologist and author based in Southampton, U.K.Dr. Emily Lindsey is a paleoecologist, curator, and excavation site director at the La Brea Tar Pits and Museum in Los Angeles, California. Transcript available at sciencefriday.com. Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

Send us a textStake, silver, and a whole lot of spectacle; this week we dive headfirst into Van Helsing (2004), the loud, lavish monster mash that tried to launch a new Universal era and left us with glorious chaos. We unpack why this movie still feels like a relic from a braver time in blockbuster filmmaking: a place where studios gambled on pulpy ideas, action never took a breath, and Dracula could fund Frankenstein's science to bring his bat-babies to life without irony getting in the way.We talk through the craft that often gets overlooked: the striking black-and-white prologue, clever camera choreography, map paintings that nod to classic Hollywood, and creature work that swings from impressive werewolf transformations to delightfully rubbery CGI. Hugh Jackman and Kate Beckinsale anchor the adventure while the supporting cast leans hard into operatic camp, especially a Dracula who turns melodrama into a contact sport. At the center of the noise sits Frankenstein's monster, rendered as both eloquent and thunder-forged, the closest thing the film has to a soul.From there, we zoom out. Universal's long quest to revive its monster pantheon, theme park crossovers, and why Van Helsing tried to do in one film what today's studios stretch across phases. We compare it to Underworld, Reign of Fire, and Dungeons & Dragons: Honor Among Thieves, drawing a line between bold swings that win hearts and calculated “universes” that lose them. Along the way, expect laughs about Faramir in a bumbling turn, Jekyll and Hyde's Andre the Giant homage, and a final set piece that's equal parts juicy and joyous.If you crave throwback adventure with teeth, this one's a wild ride worth revisiting. Hit play, then tell us: camp classic or beautiful mess? Subscribe, share with a fellow monster fan, and drop a review to keep the geeky goodness flowing.Twitter handles:Project Geekology: https://twitter.com/pgeekologyAnthony's Twitter: https://twitter.com/odysseyswowDakota's Twitter: https://twitter.com/geekritique_dakInstagram:https://instagram.com/projectgeekology?igshid=1v0sits7ipq9yYouTube:https://www.youtube.com/@projectgeekologyGeekritique (Dakota):https://www.youtube.com/channel/UCBwciIqOoHwIx_uXtYTSEbASupport the show

This episode of the Physics World Weekly podcast features Pat Hanrahan, who studied nuclear engineering and biophysics before becoming a founding employee of Pixar Animation Studios. As well as winning three Academy Awards for his work on computer animation, Hanrahan won the Association for Computing Machinery’s A.M. Turing Award for his contributions to 3D computer graphics, or CGI. Earlier this year, Hanrahan spoke to Physics World's Margaret Harris at the Heidelberg Laureate Forum in Germany. He explains how he was introduced to computer graphics by his need to visualize the results of computer simulations of nervous systems. That initial interest led him to Pixar and his development of physically-based rendering, which uses the principles of physics to create realistic images. Hanrahan explains that light interacts with different materials in very different ways, making detailed animations very challenging. Indeed, he says that creating realistic looking skin is particularly difficult – comparing it to the quest for a grand unified theory in physics. He also talks about how having a background in physics has helped his career – citing his physicist’s knack for creating good models and then using them to solve problems.

This week on The Analysis (In-Person Pod), Bob hosts from his “temporary studio” (aka the dining room) while construction turns his future basement setup into a work-in-progress—and yes, the backdrop is a 4.5-foot Nakatomi Plaza complete with a Bruce Willis ornament and an LED explosion. From Die Hard Christmas party lore to awards-season streaming season, the guys dig into Netflix's latest lineup with a “Give It a Stream” mindset. First up: Train Dreams—a quiet, devastating, visually stunning frontier story anchored by Joel Edgerton and Felicity Jones. They unpack the film's naturalistic beauty, the brutal realities of logging life, hidden CGI craft, and why simple stories can hit the hardest. Then they hop aboard Jay Kelly, Noah Baumbach's movie-star meditation starring George Clooney and Adam Sandler. They debate its strong bones vs. a jarring tonal detour, highlight standout scenes (Billy Crudup's “emotional choice” masterclass), and talk about the cost of greatness—career ambition vs. being present for the people who matter. To close, they hit Knives Out 3: Wake Up Deadman, breaking down why these star-stacked whodunits are the perfect “pause-and-theorize” Netflix watch, what works (Josh Brolin + Josh O'Connor showing up big), and where the movie occasionally runs long—but still lands. Also: a quick warning about The Roses… and a bottle-fed cameo from Reese to end the episode.

For the first time, our three hosts: Candice Bloch, Tara Jabbari, and Sandra Abrams share the same recording studio for an in-person chat about all things animation! The trio discuss their early memories of the animated category, some of their favorite films and animated TV shows over the years, different voice actors, and some history of this unique and enduring form of entertainment. Learn more about the hosts from this insightful debate as they share more about themselves, the wide range in animation styles, genres, and audiences, and some hot takes on the impact of different storylines. From early cartoons and shorts to modern CGI features for kids and adults alike, you'll no doubt join in the feelings of nostalgia and enjoyment that animation has brought, and continues to bring to screens in your life.Happy Holidays from MediaMaker Spotlight!Support the show---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

Charles Dickens' "A Christmas Carol" has been told and retold countless times. Adapted by everything from the Muppets to weird motion capture CGI. Heck, we even did an adaptation of it once in this block of Those Were The Days when we covered Highway to Heaven! But there are a few retellings that stand tall above the others and today we're covering Mickey's Christmas Carol. A short, but very memorable retelling that introduced many of us to Scrooge McDuck for the first time. Despite the fact that he's been around since the 40's, this 1983 classic pushed him into our hearts and then kept him there by making him the main character of Ducktales. This one holds a special place in all of our hearts and I'm glad we're rounding out another year of television with it.We'll be back in 2026 with more TV, but for now we're taking a festive break to spend time with our friends and family over the holidays. Keep an eye on our socials for our return and the theme we'll be covering when we do. Thanks for another wonderful year, and we hope you have a very happy holiday season!Send us feedback to @thosedaysshow.bsky.social or thosewerethedaysshow@gmail.comFollow on BlueSkySend us a Voicemail!LIVE Mondays at 9pm ET Hosted on Acast. See acast.com/privacy for more information.

The last show of the year is upon us. We are doing something we have never done before. We have covered limited series before. To end the year we also have the return of one of our most asked about guest hosts. It is all killer, no filler this episode as we end things on a strong note.A few weeks back we started following Welcome to Derry. The first two episodes were horrible. Thankfully, the third one improved to just merely bad. We figured that was a good time to take a break from the show. We also knew we would come back to close the whole thing out.It seemed like things would be okay for a couple of shows. They had found their stride. Sure, the CGI was still awful. Yes, the opening credits sucked. Yeah, they kept introducing numerous new subplots every episode. But at least Welcome to Derry was remaining at a consistent level of bad.Then we came to the last three episodes.Everything became progressively worse. Seemingly important characters would disappear then just reappear to progress the story. Important plot points were dropped until the finale. The writing felt like things were being done as the show progressed. And nothing made sense.Don't believe us? That's fair. We spent the whole time talking the show down. The show is made for a newer audience than us. But listen to the people who love the show. Not the ones who just heap praise upon the surface level qualities. The ones who are tying themselves in knots trying to explain what happened in the show. Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.Music in the background from https://www.FesliyanStudios.com

00:00:00 – Holiday break logistics and last shows of 2025 00:04:50 – Alex Jones clip barrage chaos 00:09:32 – Audio and notification gremlins derail the setup 00:14:30 – Brown University shooting anomalies and missing footage talk 00:32:41 – MIT fusion scientist homicide spirals into geopolitics speculation 00:37:43 – Brown shooting rumor thread and motive theories 00:47:32 – Brown case update meets "where's the FBI" frustration 00:52:20 – Dan Bongino resignation rumors and Epstein-docs infighting 00:57:13 – Aliens invented chess becomes "serious" news 01:05:49 – Spielberg's Disclosure Day teaser sparks UFO hype and CGI nitpicks 01:15:15 – Starfleet Academy trailer triggers peak modern-Trek despair 01:20:15 – 3I/ATLAS closest-approach countdown and "is it artificial" debate 01:24:42 – Cratchit's Corner kicks off with pets-as-dependents tax absurdity 01:39:07 – The Grinch gets an unhinged anatomy deep-dive 01:43:59 – Top Christmas movies list turns into a Die Hard tribunal 01:57:14 – Alternate Christmas movie picks and end-of-year wrap banter 02:02:17 – Final rapid-fire soundboard stinger Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Website: http://obdmpod.com ► Twitch: https://www.twitch.tv/obdmpod ► Full Videos at Odysee: https://odysee.com/@obdm:0 ► Twitter: https://twitter.com/obdmpod ► Instagram: obdmpod ► Email: ourbigdumbmouth at gmail ► RSS: http://ourbigdumbmouth.libsyn.com/rss ► iTunes: https://itunes.apple.com/us/podcast/our-big-dumb-mouth/id261189509?mt=2  

This week it's season 1 of the HBO Horror series It Welcome to Derry (2025). Jamie and Nikisha talk committing to the bit, 'It Ends', CGI, institutionalizing children, female hysteria!, narrative surprises, ADHD in women, accepting responsibility, and, of course, clown dancing. Watch us on YouTube! Follow us on Instagram | Twitter | TikTok: @TalkHorrorPod Check out Jamie (aka EmoSupportJamie) on Twitch!

Grab those dice, Sonny Jim! Roll with the punches and and pray they read 5 or 8 because we're talking Joe Johnston's original gateway horror creature feature Jumanji (1995) for its 30th anniversary, or as it could also be called: 'Daddy Issues: The Movie'.Join us as we go all in on the film that made Trace a fan of creature features to begin with. From its dark tone (especially when compared to the newer Jumanji films) to its scary imagery (will anything be more terrifying that watching little Alan Parrish get sucked into the game?), they just don't make kids' movies like this anymore!Plus, animatronics vs. CGI, the "cruel torture" subjected to actor Bradley Pierce during the production, our many, many issues with the ending, and why the film needs more Bebe Neuwirth.Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) Be sure to support the boys on Patreon!   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We welcome you back to another episode of Upstairs Neighbors! Your neighbors talk about the realness of life, Jeff Goldblum's cursed CGI, and flatlining at the Thanksgiving feast. Plus, Maya gives tips on how to buy a car. Enjoy! Check out https://www.squarespace.com/UPSTAIRS to save 10% off your first purchase of a website or domain using code UPSTAIRS. Go to https://brooklynbedding.com and use my promo code UPSTAIRS at checkout to get 30% off sitewide. Go to https://EveryPlate.com slash podcast and use code upstairssteak to get $2.99 per meal on your first box, plus free steak for a month. Go to https://Quince.com/UPSTAIRS for free shipping on your order and 365-day returns. IG: https://www.instagram.com/upstairsneighborspod/ Tiktok: https://www.tiktok.com/@upstairsneighborspod Follow our Hosts:  Maya IG: https://www.instagram.com/mayamoto_/ Maya Tik Tok: https://www.tiktok.com/@mayahasatiktok Dom IG: https://www.instagram.com/domrobxrts/ Dom Tiktok: https://www.tiktok.com/@domnotateenmom Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome welcome welcome everyone! This week there was not a lot out in the theaters so we checked out the Netflix original Jay Kelly starring George Clooney, Adam Sandler, and Laura Dern. Additional depressing topics include bat nipples, harakiri, and childhood trauma. Next week is a long and big blockbuster. We watch yet another James Cameron giant blockbuster CGI film, Avatar: Fire and Ash starring Sam Worthington, Zoe Saldaña, Sigourney Weaver, and Stephen Lang. Thanks for listening and we will be back next week with another incredible episode of the Reel Film Nerds podcast. You can find us on all things social such as YouTube, Facebook, Instagram, and Twitter or X. We also have an awesome community you can join, click here to check out our Facebook Fan Group so you can yell at Mike and Matt from the comfort of your keyboard while talking about films. Lastly we have an amazing website where you can watch trailers, read the host's bios, listen to the podcast, and get a ton more info on the movies we review.  Check out the link here https://www.ReelFilmNerds.com Thanks for stopping by and listening to our podcast, we appreciate each and everyone of you. Finally go out and catch as many movies as you can!

Nathan and Ryan dive headfirst into Despiser (2003), a bizarre direct-to-video hybrid that mixes live-action, early-2000s CGI, and animated hellspawn into one surreal action-horror experience. When a crooked cop is killed and dragged into a war between Heaven and Hell, he's forced to battle demons, angels, and his own conscience—often as a glowing cartoon character. The hosts break down the movie's ambitious-but-rough visuals, oddball mythology, and why Despiser feels like a lost late-night cable fever dream that only the Drive-In Double Feature Podcast would dare to resurrect.

Forrest, Conan Neutron, Kristina Oakes and Mike Scott of Bottled 'n' Bond talk about Who Framed Roger Rabbit A 1988 Disney BLOCKBUSTER, directed by Robert Zemeckis and produced by Spielberg's Amblin Entertainment Pioneering an advanced version of hybrid live action/cartoon style using both animation cels and some small early CGI technological advances by Industrial Light and Magic Starring Bob Hoskins, Charles Fleischer, Kathleen Turner as Jessica Rabbit, Joanna Cassidy, and Christopher Lloyd It was also Mel Blanc's last time playing Bugs Bunny, Daffy Duck. Tweety, Sylvester the Cat, and Porky Pig #disney #rogerrabbit #toontown #bugsbunny #mickeymouse #looneytunes #toons #whoframedrogerrabbit #bettyboop #felixthecat #animation #moviepodcast #filmpodcast #noir #kathleenturner #jessicarabbit #acme #eddievaliant #jessicarabbit #spielberg #amblinentertainment #melblanc Forrest and Kristina are starting a new YouTube channel/show The Absurdity Space!! https://www.youtube.com/@UCa3LavkP9F_NxOnl0A2soXQ We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtraConan Neutron & the Secret Friends new noir inspired music video "A Villain of Circumstance" https://www.youtube.com/watch?v=qXjmjKzbTSI

In this episode of Dadsense, we sit down with Sean, an artist, animator, and global parent, for a deeply reflective conversation on fatherhood, identity, and raising a child across continents.From growing up in a small town in the United States to building a career in animation, Sean reflects on how the world he imagined as a child turned out to be completely different from the one he lives in today. He speaks about choosing art over convention, navigating a rapidly changing industry, and how becoming a father fundamentally altered his relationship with fear, mortality, and purpose.As a parent who has raised his son across North America, India, and Europe, Sean offers a rare perspective on global parenting — how culture shapes childhood, why family becomes more important than places, and what it means to raise a child who has no fear of the world.This episode is not about perfect parenting.It's about awareness, adaptability, emotional honesty, and learning alongside your child — one country, one phase, one conversation at a time.What to Expect• Growing up with strong roots and choosing an unconventional path• Discovering art early and committing to animation as a life's work• The emotional shift that comes with becoming a father• Why fear changes after having a child• Parenting across India, France, and the United States• Raising a globally aware child without cultural fear• Supporting your child's passion without projecting your own dreams• Family, identity, and the idea of “home”• Navigating uncertainty in a fast-changing world• What fatherhood teaches you about letting goKey Discussion Points• Childhood & Roots – Growing up in a small American town• Art & Identity – Choosing animation over convention• Industry Shifts – From hand-drawn art to digital worlds• Becoming a Father – The moment fear took a new form• Parenting & Mortality – Protectiveness beyond logic• Global Upbringing – Raising a child across three continents• Culture & Adaptability – How children absorb the world differently• Family Over Places – Why home is people, not geography• Supporting Passion – Letting your child choose their own path• Uncertainty – Preparing children for a world that keeps changingTimestamps00:00 – How becoming a father changes everything03:00 – Growing up with stability vs raising a child globally06:10 – Discovering art early & choosing animation09:50 – Parents, support, and hard career decisions14:30 – Pixar, CGI, and an industry that flipped overnight19:30 – Father–son relationships across generations25:30 – Projecting dreams onto children (and learning not to)32:10 – Supporting a child's passion without pressure38:40 – The fear of losing a child & instinctive protectiveness46:00 – Parenting across cultures: US, India & France55:40 – Why family matters more than travel01:05:30 – Raising a child with no fear of the world01:15:40 – What fatherhood ultimately teaches youTags#dadsense #fatherhood #parentingjourney #globalparenting #consciousparenting #raisingkids #identity #familyfirst #podcast LinksDadsense – instagram.com/dadsenseKathanika Media – instagram.com/kathanikamedia

Slither into nostalgia with The Commentary Booth as hosts Jamie Apps, Corrina Mabey, and Jaxon Carr revisit the 1997 creature feature classic Anaconda!With the Jack Black and Paul Rudd-led meta-reboot dropping on Boxing Day 2025, it's the perfect time to revisit the original Amazon adventure that made audiences squirm. This special flashback episode dives deep into the legendary giant snake thriller that somehow became both a critical disaster and a beloved cult classic.In this episode, we break down why Anaconda is the ultimate “good bad movie,” sharing our personal ratings (five snakes out of five snakes, anyone?), dissecting its bizarre production choices, and highlighting the moments that have cemented its place in bad-movie history. We also serve up everything you need to know before the new reboot hits theatres, from its meta plotline to why this wild franchise is still striking today.Highlights Breakdown: - Rating the Chaos: Is Anaconda a 10/10 or a so-bad-it's-good 3/10? The panel debates. - Behind the Scenes Secrets: The $100,000-per-second CGI, the A-list actors who almost starred, and the voice actor behind the snake's hisses. - Reboot Ready: Insights into the Jack Black & Paul Rudd-led “meta reboot” and why it could be brilliantly bonkers. - Snake Facts vs. Movie Fiction: We separate anaconda truth from Hollywood legend (no, they don't lay eggs!). - Personal Stories: From childhood sleepover viewings to emotional support beers, hear how this movie shaped our love for creature features.It's part review, part nostalgic reality-check, part survival guide for anyone planning to watch the upcoming meta-reboot. And honestly, the new version might make even less sense… but that's probably the fun of it.This week's episode is brought to you byAustralian Wrestling CardsCheck out more great content from Pario Magazine on our website.-------------------------------------------------------------SUPPORT PARIO MAGAZINE & THE COMMENTARY BOOTH- PATREON- BUY MERCH- AMAZON PRIME VIDEO- TUBEBUDDY- Subscribe to AEW Plus using my code (q0yydoz) to earn $10 in FITE credit- Shop Online With Honey- Shop Online With SatechiMY EQUIPMENT- Elgato Facecam- Rode PodMic- Elgato Wave Mic Arm LP- Streamlabs Talk StudioFOLLOW JAMIE ON SOCIAL MEDIA- Twitter- Facebook- Instagram- TikTokFOLLOW PARIO MAGAZINE ON SOCIAL MEDIA- Twitter- Facebook- Instagram

We're now entering bonus territory in Puppets Go BOOM! Arun and Patricia discuss about the 2004 live action adaptation of the 1965 British sci-fi action series Thunderbirds created by Gerry and Sylvia Anderson. Alan Tracy is a 14 year old teen who wants to be a Thunderbird just like his father Jeff and his four older brothers Scott, Virgil, Gordon, and John. But he has to go to school before he could even think of joining. Meanwhile, a man known as The Hood wishes to steal the Thunderbirds vehicles so he can break into the banks around the world and steal all the money and wealth. With Jeff and his older sons trapped in Thunderbird 5 up in space and his scientist Brains captured by The Hood and his assistants, it's up to Alan, Brains' son Fermat, and a young teenage girl named TinTin to save the day.When the film premiered in theaters, it made $28 million dollars out of a $57 million dollar budget. It received negative reviews from critics calling it a terrible adaptation of the show with awful characters, terrible CGI, and a story geared towards kids. Even Gerry Anderson himself called the movie "the biggest load of crap I had ever seen in my life". What did Arun and Patricia think of the film?

The Game Awards for 2025, have come and gone.  And... Yeah...  ----more----   SPECIAL ANNOUNCEMENT It's that time of year - The XboxCast Game Awards for 2025! And voting is now live. Get voting now!   And now on with The Regular Show!  

12-15-2025. "HO! HO! HOLLYWOOD: SANTA CLAUSE IN CLASSIC CINEMA" (118) Long before special effects, CGI snowstorms, and big-budget holiday franchises, it fell to a small but memorable group of performers to embody the warmth, wonder, and whimsy of old St. Nick. Ever wonder about the actors who were called upon to portray Santa Claus in film and TV? These classic Santas weren't just men in red suits — they were character actors, vaudevillians, radio veterans, and Hollywood workhorses who brought their own unique spark to the role, shaping how generations of moviegoers came to imagine Father Christmas. From the twinkle-eyed charmers to the unexpectedly gruff curmudgeons, from the iconic to the nearly forgotten, we're unwrapping the stories behind the earliest portrayals that turned Santa into a cinematic tradition. So settle in with a mug of something warm, hang your stocking, and join us as we explore the jolly, joyful, and sometimes surprisingly complex history of Hollywood's first Santas. SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Ivanhoe (1913); Scrooge (1913); Santa Claus (1912), starring Leedham Bantok; 20th Century Fox Hour: Miracle on 34th Street (1955); starring Teresa Wright, Joseph Cotten, & Thomas Mitchell; Shadow of a Doubt (1943), starring Joseph Cotten & Teresa Wright;  Stagecoach (1939), starring John Wayne, Claire Trevor, & Thomas Mitchell; It's a Wonderful Life (1946), starring James Stewart, Donna Reed, & Thomas Mitchell; Gone With The Wind (1939), starring Vivien Leigh & Clark Gable; Theodora Goes Wild (1936), starring Irene Dunne; Mr. Smith Goes to Washington (1939), starring James Stewart & Jean Arthur; Our Town (1940), starring Martha Scott & Henry Fonda; High Noon (1952), starring Gary Cooper & Grace Kelly; Wild Flowers (1943), starring José Elias Moreno; Santa Claus (1959), starring José Elias Moreno; Santa Claus Conquers the Martians (1964), staring John Call; Fearless Fagan (1952), staring Janet Leigh & Keenan Wynn;  Boots Malone (also 1952), starring William Holden Don't Bother to Knock (1952), starring Marilyn Monroe & Richard Widmark; The Long, Long Trailer (1954), starring Lucille Ball & Desi Arnaz; The Anderson Tapes (1971), starring Sean Connery & Dyan Cannon; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Based on a true story." "Inspired by actual events." "The following actually happened."These five words might be Hollywood's greatest magic trick, transforming entertainment into education, fiction into fact, and Brad Pitt's abs into ancient Greek warfare. More Americans learn their history from movies than from any other source. Think about that for a moment. Our understanding of the past - of who we were, what we've done, and where we're going - can be shaped more by screenwriters than scholars, more by CGI than citations.So what happens when Hollywood gets it wrong? When the decade-long siege of Troy gets compressed into a long weekend? When a president's decision to invade Iraq gets reduced to daddy issues?And yet - what about when they get it right? When a film captures not just the facts but the feeling of a moment? When Colin Firth's king reminds us that history turns on personal struggles as much as grand strategies? When Spielberg refuses to look away from humanity's darkest hour and finds light anyway?Join Jon, Dan, and Joe as they wade through Hollywood's version of history - celebrating the films that honor the past and calling out the ones that butcher it for a buck. From newsrooms to royal courts, from Warsaw ghettos to Trojan beaches, we're asking the question that matters: in an age where movies are our history teachers, what exactly are we teaching ourselves? And more importantly - who gets to decide what's worth remembering?

How do we explain Max Headroom? He was a not-really CGI character but quasi-virtual TV presenter and talking head who was absolutely everywhere in the late 80's. The actor who played him, Matt Frewer, is still a very busy and visible actor in lots of movies and shows. Such a crazy and fun story that couldn't have happened at any other time.Connect with us at tape headppod.com.RELATED LINKS:Max Headroom, "Merry Christmas Santa Claus (You're a Lovely Guy" official video, on YouTube"Max Headroom's Giant Christmas Turkey", on YouTube"Max Headroom: 20 Minutes Into the Future", on YouTube"The Max Headroom Broadcast Incident - Weird Tales", on YouTube"The Max Headroom Incident Unsolved TV Hijack of 1987", on YouTube

The actor and art lover Russell Tovey - who's not only on a mission to spread his love of art far and wide… but is humanity's best hope in the War between Land and Sea. There's no hint of CGI in the warzones Sally Becker's been to - the recipient of a Lifetime achievement award at this year's Pride of Britain, she's made it her life's work to help children in some of the most unimaginable situations.And Vanessa Ruck - who spent seven years recovering from a life-changing car accident… only to then learn to ride a motorbike and race it in extreme endurance events. All that plus, a man who makes a living with his hand, head, and indeed his entire body inside some of the most iconic puppets on stage - and the Inheritance Tracks of the actor Paul Bettany.Presenter: Adrian Chiles Producer: Ben Mitchell Assistant Producer: Catherine Powell Researcher: Jesse Edwards Editor: Glyn Tansley

In this episode of Franchise Addicts, we dive headfirst into one of the most controversial blockbusters of the 21st century: Indiana Jones and the Kingdom of the Crystal Skull (2008).Set in the Cold War era, Crystal Skull sees Indiana Jones pulled into a Soviet conspiracy involving a mysterious crystal skull, ancient civilizations, secret military experiments, and the lost city of Akator. Directed by Steven Spielberg and produced by George Lucas, the film marked Harrison Ford's return to the iconic role nearly 20 years after The Last Crusade — and instantly split fans down the middle.We break down the entire plot, analyze the alien vs. mythology debate, discuss the infamous “nuke the fridge” scene, the introduction of Mutt Williams, the return of Marion Ravenwood, and whether the movie's sci-fi turn fundamentally misunderstands what makes Indiana Jones work. We also examine the film's historical inspirations, cinematography choices, heavy use of CGI, and how Crystal Skull reflects 1950s Atomic Age paranoia and B-movie science fiction.Is Kingdom of the Crystal Skull an underrated adventure weighed down by internet backlash — or a miscalculation that lost the soul of the franchise? Where does it rank among the Indiana Jones films, and how does it compare to Raiders of the Lost Ark, Temple of Doom, The Last Crusade, and Dial of Destiny?Whether you love it, hate it, or still argue about aliens, refrigerators, and monkeys, this episode is a full, honest reassessment of Indiana Jones 4 — no nostalgia goggles required.

Orbital FX: Inside the World of Practical Effects, Prop Building & the Future of Filmmaking

When Abingdon sat at a 99s Christmas dinner in 2006, she thought she was just celebrating her new private pilot certificate. Instead, she discovered a gap no watch company was willing to fill: pilot watches built for women. Within hours she set herself an 11-month deadline to design, fund, and deliver a watch that didn't exist yet. That deadline became the seed of The Abingdon Co., now an 18-year-old brand serving women across aviation and STEM. In this conversation, Shaesta and Abingdon walk through the full arc: from a 14-year-old chasing free pizza at a high school career talk, to getting a pilot certificate in 34 days, to preselling $400 watches off CGI renderings before a single unit existed. Abingdon explains why you can't wait for “perfect,” why she swears by “trip your way forward,” and how saying yes to an imperfect start changed her entire path in aviation. They also dig into the reality behind the highlight reel of entrepreneurship—caregiving, near-shutdown moments, investors, and what it looks like to keep a promise to customers when life blows up. Abingdon talks candidly about stepping away to become her father's full-time caregiver, the pressure to close the company, and why she refused to quit while thousands of women were still wearing her watches. From there, the conversation zooms out: Gen Z as the most entrepreneurial generation yet, where product ideas really come from, and why aviation desperately needs people who can see a problem and build anything better—whether it's a watch, a system, or an entire mindset around mental health and aeromedical reform. Abingdon also shares her view of aviation in 2035, from autonomous air vehicles and drone logistics to why analog watches are growing in a world of smart devices. If you're a young innovator wondering where you fit in aviation—or someone sitting on an idea you don't feel “ready” to launch—this episode is a playbook on starting before you're comfortable, serving a niche the industry ignores, and staying human in a career that loves to put people on pedestals. CHAPTERS (00:00) A missing watch at Christmas dinner (03:00) Trip your way forward, not perfectly (06:00) From free pizza to pilot in 34 days (11:00) Starting the first women's pilot watch (18:00) How one product opened aviation doors (24:00) Gen Z, gaps, and building in aviation (30:00) Caregiving, near shutdown, and investors (36:00) Mental health, identity, and aeromed (44:00) Autonomous flight and 2035 aviation (50:00) Why analog watches still matter SPONSORS ⁠Atlantic Aviation | atlanticaviation.com WORK WITH SHAESTA For bookings and inquiries, visit: https://shaestawaiz.com/book MORE ABOUT ABINGDON MULLIN Website: abingdonco.com LinkedIn: Abingdon Chelsea Mullin  IG: @theabingdonco MORE ABOUT SHAESTA WAIZ  Website: shaestawaiz.com  Instagram: @shaesta.waiz LinkedIn: Shaesta Waiz YouTube: www.youtube.com/@aviateplatform TikTok: @shaestawaiz Threads: @shaesta.waiz Production, Distribution, and Marketing By Massif & Kroo Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MassifKroo.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For inquiries/sponsoring: email hello@MassifKroo.com Learn more about your ad choices. Visit megaphone.fm/adchoices

fal is building the infrastructure layer for the generative media boom. In this episode, founders Gorkem Yurtseven, Burkay Gur, and Head of Engineering Batuhan Taskaya explain why video models present a completely different optimization problem than LLMs, one that is compute-bound, architecturally volatile, and changing every 30 days. They discuss how fal's tracing compiler, custom kernels, and globally distributed GPU fleet enable them to run more than 600 image and video models simultaneously, often faster than the labs that trained them. The team also shares what they're seeing from the demand side: AI-native studios, personalized education, programmatic advertising, and early engagement from Hollywood. They argue that generative video is following a trajectory similar to early CGI—initial skepticism giving way to a new medium with its own workflows, aesthetics, and economic models.Hosted by Sonya Huang, Sequoia Capital

Send us a textOrder a copy of my debut film, Cape Cod Cthulhu!The 30th anniversary of a movie that changed the industry. Some of the worst Christmas specials ever made. A video game that might have only sold 27 copies?Episode 223 is leaving the gift of GenX nostalgia under the tree.It all begins with a look back at a movie that changed the industry. Toy Story could have been just another animated film, but instead it ushered in a whole new way of creating hit movies. 30 years ago it burst onto the scene and nothing was the same. We take a look back at what made this film so groundbreaking.Some video games smash sales records. Then there is Uncle Henry's Playground. Is it true that this game only sold 27 copies in the U.S.? It's hard to say for sure but the fact is this game has become a punchline and a curiosity in the nearly 30 years since it was released to crickets.Like lumps of coal in a stocking, this week's Top 5 is filled with things you wouldn't want to see. We will look at some of the worst Christmas specials ever produced. Poor stories, poor animation, and nonsensical descriptions are all represented on this list.There is a brand new This Week In History and Time Capsule, looking back at the tragic death of music legend John Lennon.You can support my work by becoming a member on Patreon. Or you can Buy Me A Coffee!Helpful Links from this EpisodeBuy My New Book, In Their Footsteps!Searching For the Lady of the Dunes True Crime BookHooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogCJSetterlundPhotos on EtsyCape Cod Cthulhu: Exclusive InterviewListen to Episode 222 hereSupport the show

Welcome to Week In Geek Wednesday for our quick-hits segment of entertainment and interesting bits of internet debris for you... the people! In this episode, we talk about Christian Bale and Batman, Gwenyth don't know Tom Holland, cancelled "Star Wars" projects, CGI lawsuits, fake football, and psycho Uber drivers!   FULL VIDEO EPISODES! That's right folks, you can see our bright smiling idiotic faces in full color on our YouTube channel. Full episodes available as well as clips.   LINKS OF INTEREST: - Christian Bale would come back to the Dark Knight Franchise on one condition… - RDJ has a little fun at Gwnyeth Paltrow's expense - Interesting read on what could have been in Star Wars but was cancelled by the Powers That Be - And speaking of cancelled content, revisiting this gem one more time… - Grand Moff Tarkin is at the center of a lawsuit that could have ramifications for CGI-rendered likenesses of actors who have since passe   ...AND ANOTHER THING: The Man They Call Tim suggests watching "A House Of Dynamite" on Netflix Uncle Todd suggests watching “What happened to the F19 jet fighter?” on the Found And Explained YouTube channel   FOLLOW US ON THE SOCIAL MEDIAS: Facebook - http://facebook.com/freerangeidiocy Instagram - http://instagram.com/freerangeidiocy YouTube - http://youtube.com/@freerangeidiocy

Welcome to The Daily Wrap Up, an in-depth investigatory show dedicated to bringing you the most relevant independent news, as we see it, from the last 24 hours (12/7/25). As always, take the information discussed in the video below and research it for yourself, and come to your own conclusions. Anyone telling you what the truth is, or claiming they have the answer, is likely leading you astray, for one reason or another. Stay Vigilant. !function(r,u,m,b,l,e){r._Rumble=b,r[b]||(r[b]=function(){(r[b]._=r[b]._||[]).push(arguments);if(r[b]._.length==1){l=u.createElement(m),e=u.getElementsByTagName(m)[0],l.async=1,l.src="https://rumble.com/embedJS/u2q643"+(arguments[1].video?'.'+arguments[1].video:'')+"/?url="+encodeURIComponent(location.href)+"&args="+encodeURIComponent(JSON.stringify([].slice.apply(arguments))),e.parentNode.insertBefore(l,e)}})}(window, document, "script", "Rumble");   Rumble("play", {"video":"v70js72","div":"rumble_v70js72"}); Video Source Links (In Chronological Order): (21) Tamer Nahed

Why does the superhero spinoff Gen V often look more visceral and grounded than its blockbuster feature film counterparts? The answer lies in the unique philosophy of Visual Effects Supervisor Karen Heston, who joins Chris and Daniel to reveal the analog soul beating beneath the show's digital surface. Heston traces her journey from the chemical smells of a black-and-white darkroom to the high-pressure world of "Flame" compositing in New York, where she learned to be a "finisher" capable of managing clients and pixels simultaneously, a skill set that eventually propelled her to lead major projects like Arthur Christmas and Beasts of No Nation. The conversation pulls back the curtain on the gory, creative success of Gen V. Heston explains that the show's secret isn't an over-reliance on CGI, but a fierce commitment to practical filmmaking, using giant props for shrinking characters and silicone "blood darts" to anchor the digital effects in reality. She discusses the intense collaboration required between stunts, prosthetics, and VFX to pull off "blood powers" that feel weighty rather than cartoony, and concludes with a forward-looking discussion on how AI might reshape the industry by bringing back the era of the "generalist" artist. Karen Heston on IMDB > Karen Heston on LinkedIn > Gen V on Prime >   This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "cggarage" for 10% off)  

In this episode, we go behind the scenes of Prehistoric Planet with Elliot Newman, EFX Supervisor for the groundbreaking Apple TV+ series that reimagines the age of dinosaurs through a documentary-style lens. Over the course of three years, Elliot and his team tackled immense technical and creative challenges—from simulating realistic water physics and animating deep snow to designing 58 entirely new dinosaur species. Elliot shares how visual effects and virtual production techniques were used to seamlessly blend real-world location photography with CGI assets, creating environments that feel both scientifically accurate and emotionally immersive. He also discusses the critical role of previsualization in shaping the narrative, refining workflows, and grounding each scene in a believable setting—whether it's a windswept desert or a frozen tundra. In This Episode:

On Prophecy Radio episode #146, Karen and Kristen revisit Percy Jackson and the Olympians season 1 in all its glory, discussing their very favorite moments and any lingering questions ahead of season 2. They also delve into the latest news, including some new footage from the upcoming season. New episodes of Prophecy Radio air every other week. All discussions are PG-13. News and Updates (00:6:07) Do you have a Menchie's Frozen Yogurt near you? If so, make sure you stop there on December 10! The new Percy Jackson and the Olympians season 2 posters depict the giants, Polyphemus, and even the sirens. Did you hear about the Percy Jackson and the Olympians official podcast? Rick is the Indigo Author of the Month, which means it's the perfect time to pick up the Sea of Monsters Deluxe Collector's Edition. (Rick shows off what it looks like on his Instagram.) Illumicrate is reprinting their exclusive Percy Jackson and the Olympians set! This is your sign to pick it up if you missed out last time. Percy Jackson and the Olympians season 1 revisit (00:18:44) It's time to jump into our revisit of Percy Jackson and the Olympians season 1, starting with–you guessed it–episode 1! Walker is so young in these episodes! And Young Percy is masterful in those early scenes (and the later ones, too!). We're still impressed with the CGI in this show. The cabin scene is so emotional–both Walker and Virginia bring their A-Game. Honestly, this pilot is one of the best we've ever seen. Our first question after jumping into episode 2 is whether we'll see the Council of Cloven Elders again. Will we get another montage in season 2 of all the things Percy got better at?? Was Annabeth watching Percy the whole time, or was she following Clarisse instead? How big are the other symbols going to be when kids start getting claimed? Clarisse is a textbook bully, and we're so excited to see her growth in Percy Jackson and the Olympians season 2. Grover is smarter than both Chiron and Mr. D, and we'll be taking no objections to that. Episode 3 is fantastic for so many reasons, but especially the growth of the trio's relationship. Percy earned a lot of Annabeth's respect when he talked about why he chose her for the quest. Grover stood up to his friends, and that's super difficult. Percy IS impertinent. Medusa was a standout in this episode–especially her speech about how the gods are the real monsters. Episode 4 begins with Young Percy in the pool and ends with current-day Percy in the river. It's good that Percy got to see that not all mythological creatures are monsters. Will we see more of the Mist in season 2? Echidna was super terrifying, actually. Episode 5 is a standout, for sure. We get Percy and Annabeth's first hug, so mark that down. But the real emotional epicenter of this episode is during the chair scene and Annabeth's speech to Hephaestus. Ares is the worst, but we still kind of love him. “Thank you for the cheeseburgers and the emotional abuse.” Yeah, they're not going to shy away from his abusive relationship with Clarisse. Oh, Leah Jeffries is a PROFESSIONAL. Will they have a callback to this episode once Aphrodite is introduced? Episode 6 brings us to the Lotus Hotel and Casino. We also meet Hermes in this episode, and it's interesting to see Annabeth's interactions with him. We talk about Clarisse a little, too, and how she differs from Annabeth but has her own strengths.. Percy misses out on his dad, unfortunately. In episode 7, we get the long-awaited mattress shop scene, even if it was pretty brief. Cerberus is super cute, and Annabeth is so smart! We don't always love flashbacks, but they work super well in this show. How do we feel about Hades' casting? The best moment from this episode might just be the diner scene when Poseidon shows up. Finally, we talk about the Percy Jackson and the Olympians season 1 finale. Percy vs. Ares was awesome, especially that ichor effect. It's amazing to see Percy own his abilities and the relationship with his dad. What did we think of the look of Olympus? Lance Reddick will always be our Zeus. Poseidon totally still has the hots for Sally. We can't help but notice the lighting for the scene between Luke and Percy at the end. Grover's Searcher's license is a flower!! We're so excited for Percy Jackson and the Olympians season 2. It won't be long now! Thanks for listening, and tune in next time for episode 147, where we'll recap Percy Jackson and the Olympians season 2, episode 1, as well as all the latest news. This episode's hosts are: Karen and Kristen Each episode, Prophecy Radio‘s hosts will discuss any official news coming out of Camp Half-Blood before doing a chapter by chapter reread of Percy Jackson or one of Rick Riordan's other series. Follow Us: Instagram // Facebook // Tumblr Listen and Subscribe: Audioboom // Apple // Spotify Feel free to leave us your questions or comments through any of these mediums! You can also email us at prophecyradiopodcast@gmail.com or visit our homepage for archives and more information about our show. Prophecy Radio is a Subjectify Media podcast production. Visit Subjectify Media for more shows, including Not Another Teen Wolf Podcast, ReWatchable, and Not About The Weather, and for all our latest articles about the stories we're passionate about.

JD and Rachel return to the Upside Down to recap Stranger Things Season 5, Episodes 1 & 2 — and yes, we're spoiling everything. We talk Will's nightmare opening, the “is that CGI or a PS5 cutscene?” debate, the Dustin/Lucas/Steve dynamics, Robin's Pretty in Pink broadcast, Jonathan vs. Steve (again), the baffling obstacle course sequence, Holly's shocking growth spurt, Joyce catching heat, Murray being the delivery man for every important plot point, and the possible real shape of Season 5. Subscribe for more TV breakdowns, new series reviews, and chaotic movie talk every week on Thumb War. Email us → thumbwarpod@gmail.com Join our Patreon for ad-free episodes + bonus shows: http://bit.ly/44Mo8xU Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us a textA group of middle-aged friends compete in an annual contest known as "The Long Talk," in which they must maintain a certain talking speed or get silenced forever. Strange things begin to happen when the friends start to become entangled in quantum mechanical machinations. On Episode 697 of Trick or Treat Radio we are joined by our old friend Double D for our December Patreon Takeover! He selected the films The Long Walk and Coherence for us to discuss. We also continue the age old debate of practical FX vs cgi, talk about the works of a little known author named Richard Bachman, and try to make sense of quantum mechanics. So grab your best talking shoes, pack plenty of extra glowsticks, and strap on for the world's most dangerous podcast!Stuff we talk about: Modern Horror franchises, Paranormal Activity, films that wear out their welcome, James Wan, Double D, Patreon Takeover, the Pale Paul Mooney of Podcasting, It: Welcome to Derry, Creepshow, practical fx vs. CGI, The Thing, The Shining, John Carpenter, Roblox gift cards, Minecraft, umbilical trauma, Fallout 76, Borderlands 2, Horizon, London After Midnight, Horror Express, Telly Savalas, All Hallow's Eve, 30 Ways to Die, Amanda Seyfried, American Horror Story, Dark Shadows, They, House of the Dead, Wolfcop, Dark Match, Dr. Giggles, Brendan Fraser, Carrie, Psycho, Jurassic Park, Darryl Hannah, Splash, Jason Goes to Hell, The Prince of Darkness, Trick or Treat, Body Bags, Don Calfa, A Haunted House, The Toolbox Murders, Spider Gates, Stranger Things 5 Vol. 1, Cobra Kai, WCUW, Ian Ziering, Sleepaway Camp, Wet Hot American Summer, Kimbo Slice, Wilfred Brimley, de-aging vs. recasting, Ready or Not: Here I Come, Samara Weaving, Lisa Frankenstein, Police Academy, Mad Max, The Thorn Trilogy, Teen Wolf, Thanksgiving, Dead Heat, Party Girl, City of Lost Children, Smallville, Frozen Caveman Lawyer, Stephen King, Frank Darabont, The Shawshank Redemption, The Green Mile, Richard Bachman, R.L. Stine, Ryoki Inoue, Battle Royale, The Running Man, The Long Walk, Rango Unchained, Coherence, James Ward Byrkit, Nicholas Brendon, Emily Baldoni, blue nostrils, Clue, Invasion of the Body Snatchers, quantum mechanics, Twilight Zone, Jordan Peele, Us, Animal Man, Grant Morrison, Caught Stealing, Darren Aronofsky, Austin Butler, Yorgos Lanthimos, Bugonia, The Last Gentrification of Gotham, and Coherence and Incoherence: A Memoir, and Ricky Schrodinger's Cat.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Josh is joined by Edgar Wright/Predator Correspodents Elijah Howard and Daniel Lima for a double feature. First, they discuss Wright's newest feature, "The Running Man" (Beginning-53:30) including how the film balanced being a thriller while trying to offer commentary of economic inequality, Glen Powell's lead performance and the quality of the various set pieces. Then (53:31-end) the talk about Predator: Badlands and how the newest installment of the long-running franchise benefitted from telling a very straightforward story, Elle Fanning's impressive dual performance, how the film did in having to rely on CGI and green screen's for most of its runtime and much more!

The Men in Black phenomenon started as rumours of a government agency, where strange men wearing black suits would visit witnesses of UFO sightings, and coerce and threaten them into silence. Real-life Men in Black sightings inspired countless conspiracy theories, making them a staple of UFO folklore since their first appearance in the late 1940s. It was only a matter of time before these sinister men were turned into a comic book, and then adapted into a movie, but how did a dark, obscure comic get transformed into a summer blockbuster that would gross over $589 million worldwide and launch a franchise?Director Barry Sonnenfeld and screenwriter Ed Solomon made the bold decision to completely reimagine Men in Black as a buddy-cop action-comedy, keeping only the core premise while building something entirely new around it, with the premise of New York being the hub of alien activity, and Earth a sanctuary for alien refugees.Will Smith and Tommy Lee Jones' on-screen chemistry made the titular Men in Black iconic, with Jones bringing his signature stoic humour to create the perfect counterbalance to Smith's energetic comedy, resulting in one of cinema's most memorable buddy cop pairings.Men in Black's impressive practical effects work earned Rick Baker's team an Academy Award, with cutting-edge animatronics and makeup seamlessly blended with CGI from Industrial Light & Magic, creating a visual experience that still holds up today.It's the perfect summer blockbuster, that was never intended or seen as a summer blockbuster. The script was constantly evolving, even into post-production, and the movie's plot was changed after test screenings forced an edit, and those changes would make Frank the Pug one of the most important characters in the movie...I would love to hear your thoughts on Men in Black !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique...

“And if you have fun with it, that's going to come across and, I think that's the missing piece. That's where I would start. If I was going to really trust an agency or musicians to create something for me, it was, like, how do we have a conversation or multiple conversations to get us to the most fun way of executing this? Because if you're having fun, you're going to come up with something unique. If you're not having fun, you're just going to try and get it out the way as quick as possible, right? If it's just transactional, I don't think anybody really gets to that point of exploring an idea beyond what's written on the paper. Although it's hard to predict what makes a successful Sonic brand, I think it's more about the process that gets you to that place.” – George Holliday This episode is the second half of my conversation with producers, composers, and founders of creative music agency Hear Me Out, George Holliday and Luke Moseley as they share their thoughts on what defines a sonic brand, how AI is reshaping the music and advertising industries, and their message to the next generation of musicians as they grow up in the age of generated content. As always, if you have questions for my guests, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that. (0:00:00) - Creating a Sonic Branding StrategyThe second half of our conversation picks up as Luke shares his thoughts on what makes or breaks an audio brand. “I think, for me, a successful sonic branding strategy is something that has the lowest friction to actually getting to market,” he says, “to showing people the effectiveness of it, and then it can just be developing from there.” “I also think we kind of rely on statistics far too much in the creative phase of doing all of this,” George adds, recalling his marketing experience prior to founding Hear Me Out. “I think when we really understand the brand and you get to have fun with what it is they're about, that's what's going to make the most successful sonic logo for them.”(0:07:31) - Exploring AI's Impact on Music“That's not really what brands are employing us for and having us as partners,” Luke notes as he and George discuss their Hear Me Out clients. “It's for the understanding, it's for the ability to translate their larger goals and their marketing strategy and how music can help elevate that and support it.” Our talk turns to AI and how much it's impacted the audio industry over the past year or so, and whether machine-generated music might someday replace human artists. “I was thinking about when CGI came into the film industry,” George observes, “and everyone was like, ‘Oh, nobody's gonna go out and make films anymore. We're just gonna hire a studio and make everything in one room.'”(0:12:43) - The Impact of CGI and AIGeorge notes that CGI hasn't replaced cinematography as much as people expected, partially because movie franchises like Mission: Impossible take pride in their authenticity. “It wasn't CGI,” he says, “because Tom Cruise...