Podcasts about CGI

In this episode of Selective Ignorance, Mandii B is joined by Jason “Jah” Lee—with A-King and Jayson Rodriguez out this week—and special guest Antoinette, co-host of Around the Way Curls and Can't Afford Therapy, for a conversation spanning film, music, politics, pop culture, climate, and current events. The episode kicks off with a preview of the week's biggest topics [ 00:44 ], before Antoinette joins the crew to share stories from her Atlanta visit and the group's weekend adventures [ 02:57 ]. Their chemistry shines through while joking about Type A personalities, travel planning, and vacation dynamics [ 04:36 ], before diving into a full recap of J. Cole's The Fall Off Tour [ 08:47 ]. The hosts recount an unforgettable onstage fan interaction gone wrong [ 11:21 ], followed by Mandii's backstage experience, including a memorable selfie with J. Cole and reflections on the Dreamville atmosphere [ 14:49 ][ 21:12 ]. The conversation then shifts from music to cinema as the crew shares their reactions to a late-night 70mm screening of Christopher Nolan's The Odyssey [ 21:40 ]. They debate the value of going into blockbuster films without watching trailers [ 22:02 ], vent about disruptive moviegoers and theater etiquette [ 23:11 ], and praise Nolan's commitment to practical effects over CGI [ 24:05 ]. The discussion explores the technical artistry behind 70mm filmmaking [ 25:04 ], the importance of understanding Greek mythology before experiencing the film [ 26:14 ], and their differing opinions on the movie's storytelling, sound mixing, emotional impact, and place within Nolan's celebrated filmography [ 27:46 ][ 32:16 ]. The hosts even give the ancient epic a humorous modern reinterpretation while debating some of its most unforgettable moments [ 35:29 ][ 39:46 ], before sharing their final emotional takeaways [ 41:17 ]. In this week's "Double Down or Take It Back," Antoinette responds to criticism over attending Jay-Z concerts while participating in the Target boycott, opening a thoughtful discussion about capitalism, consumer activism, organizing, and the realities of ethical spending [ 43:04 ]. The conversation explores whether Jay-Z should be viewed primarily as a cultural icon or a capitalist [ 44:52 ], examines the relationship between wealth, freedom, and influence [ 46:42 ], and questions the effectiveness and limitations of modern boycotts as tools for meaningful social change [ 50:30 ]. The debate expands to include the controversy surrounding Toast on Lenox and other businesses navigating consumer activism [ 55:56 ]. The latter portion of the episode turns toward pressing public issues, beginning with reports of a foodborne parasite outbreak linked to contaminated produce [ 01:01:17 ]. The hosts examine concerns surrounding Taylor Farms, reductions in federal food safety oversight, and the role of government regulation [ 01:04:46 ], while breaking down how lobbying influences public policy [ 01:08:13 ]. The discussion broadens into conversations about extreme weather, natural disasters, climate change, and society's dependence on convenience culture [ 01:10:57 ][01:14:27 ]. Closing out the episode, the crew reacts to the WNBA controversy involving Angel Reese and Toronto Tempo head coach Sandy Brondello, unpacking the comments that referred to Reese as a "protected species" and examining the broader conversations around race, gender, media narratives, and physicality in women's basketball [ 01:16:01 ][01:17:17 ][ 01:17:57 ][ 01:18:42 ][ 01:19:25 ]. They also discuss Vic Mensa's commentary on how society treats women in hip-hop, exploring respectability politics, dating safety, and the cultural standards placed on women [01:20:49 ][ 01:25:46 ][ 01:28:07 ]. After a few signature tangents touching on Boosie and DJ Vlad's rhetoric, the FIFA Finals, and an upcoming conversation surrounding Diddy [ 01:31:48 ][ 01:34:17 ][ 01:35:19 ], the episode concludes with reflections on domestic violence, self-defense, and accountability [ 01:36:59 ], before wrapping with final thoughts and credits [ 01:42:33 ]. Blending humor, cultural analysis, and nuanced debate, this episode delivers another thought-provoking conversation on the stories shaping entertainment, politics, and everyday life. No Holes Barred: A Dual Manifesto Of Sexual Exploration And Power” w/ Tempest X! Sale Link Follow the host on Social MediaMandii B Instagram/X @fullcourtpumps Follow the crew on Social Media @itsaking @jaysonrodriguez @mrhiphopobama @antoinettewashere Follow the show on Social MediaInstagram @selectiveignorancepodTiktok @selective.ignoranceX/Twitter @selectiveig_podSee omnystudio.com/listener for privacy information.

Is Christopher Nolan's The Odyssey a true cinematic masterpiece—or an impressive visual epic that falls just short of Nolan's best work? On this episode of The Next Reel, Tyler Johns and Lance Taylor break down one of the most anticipated movies of 2026: Christopher Nolan's The Odyssey After seeing the film twice during its premiere weekend, Tyler shares his complete review of Nolan's ambitious adaptation of Homer's legendary Greek epic. The discussion covers the movie's enormous scale, stunning IMAX cinematography, emotional themes, major performances and the importance of choosing the right theatrical format. Tyler explains why watching The Odyssey outside of a full 70mm presentation can affect the film's aspect ratio, visual impact and overall sense of immersion. They also discuss Matt Damon's performance as Odysseus, including how he handles the character's guilt, shame, exhaustion and helplessness throughout the journey. Tyler also highlights Jon Bernthal's performance as Menelaus, praising Bernthal for stepping outside the aggressive, hot-headed roles audiences often associate with him. While many early viewers have called The Odyssey a masterpiece, Tyler offers a more measured reaction. He considers the film a powerful visual spectacle and gives it 4 out of 5 stars, but does not rank it among Christopher Nolan's very best movies. The review also examines several creative decisions made in adapting Homer's original story, including notable pieces of dialogue and mythology that were changed, shortened or removed. Did Nolan's version capture everything that makes the original epic so memorable? Should audiences prioritize seeing it in IMAX, or could waiting for the digital and streaming release provide a more complete visual experience? Before getting into The Odyssey, Lance recaps a scorching weekend trip to New Orleans that unexpectedly became a New Orleans-themed movie marathon. That includes Nicolas Cage's bizarre and completely over-the-top performance in Bad Lieutenant: Port of Call New Orleans, along with a viewing of the 1975 Paul Newman thriller The Drowning Pool. Then, Tyler and Lance take a trip through movie history as they reveal their personal *op five nostalgic summer movies. These are not simply the biggest blockbusters or the most critically acclaimed summer releases. They are the movies connected to unforgettable theater experiences, childhood friendships, family memories, music, vacations and specific moments from their younger years. Which films made their lists? Which summer classics still hold up decades later? Which movie memories are about more than just the movie itself? Watch the full episode to hear both countdowns and see which selections earn the number-one spots. Let us know in the comments: What did you think of Christopher Nolan's *The Odyssey*? Is it one of Nolan's best movies? Should moviegoers see it in 70mm IMAX? What are the five summer movies that bring back the strongest memories for you?

In the Mouth of Madness (1994) Directed by John Carpenter Starring: Sam Neill, Jürgen Prochnow, Julie Carmen, David WarnerThere's a scene in In the Mouth of Madness with a "little fucking flappy arm thing" pretending to be an unspeakable cosmic horror, and honestly, that's the whole movie in a nutshell. This week we dig into John Carpenter's 1994 slow-burn descent into madness starring Sam Neill as an insurance investigator who gets way, way too invested in finding a missing horror novelist. Spoiler: reality is a construct and also everyone in New Hampshire is exceptionally fucking stupid.In this episode, we discuss:Sam Neill Carries This Whole Damn Movie — He's arrogant, he's a prick, and he still manages to sell a believable descent into madness. We break down why his performance is doing more heavy lifting than anyone else in the cast.The Flappy Arm Problem — When your Lovecraftian monster looks like a dollar-store bath toy, you've got issues. We get into why the movie's practical effects and CGI just don't hold up, especially next to what Jurassic Park and Terminator 2 were doing years earlier on bigger budgets.Two-Thirds Boring, One-Third Bonkers — We go back and forth on pacing: one of us thinks it's a slow burn that pays off, the other thinks it's a whole lot of driving around New England before anything actually happens.What's the Worst They Can Do? Chop You Up — We rant about horror movie logic, townspeople who won't run from hellhound Dobermans, and why nobody in this film has ever considered just flooring it.We Also Talked About:MTV's The Real World Reunion (Seasons 1-3) (Youtube) – A nostalgic dive into early reality TV and why Robert Smith deserved better than "Friday I'm in Love."Don't Pick Up the Phone (2024) (Netflix) – A Netflix documentary about a decade-long phone hoax scam that hit fast food chains across the country.Sherman's March (1985) (Ok.Ru) – A bizarre, unexpectedly charming documentary about one filmmaker's romantic misadventures while loosely retracing a Civil War general's path.Kick of Death (1997) (Tubi) – A Troma karate flop so boring it's not even fun to make fun of.Billy the Exterminator (Tubi) – A guilty-pleasure reality show about a Hot Topic goth exterminating alligators in Louisiana.The Death and Life of Lamar Odom (Netflix) – An Untold documentary on Netflix covering addiction, tragedy, and a truly unbelievable overdose story.Pharmacist Grant Harting on YouTube – He's a licensed pharmacistin four states, buys gas station boner pills, breaks down the ingredients, and takes them before going on a blind date to see what happens.Some of the above links are affiliate links — if you purchase through them we get a small kickback, and it's the best way to support the show.New episodes of the Dewey Pod Monster podcast drop every week. We're proud members of the YouRun Podcast Network at https://yourunpodcast.com.

Let's go!!! Today we're diving headfirst into the brand new Evil Dead Burn, the newest blood-soaked chapter in the legendary Evil Dead franchise. Does it live up to the series' brutal legacy? Join Alec and longtime returnign guest Joe Testa, as we break down the franchises latest terrifying Deadites, unforgettable kills, practical vs CGI effects, and connections to the franchise's mythology. We'll discuss what worked, what didn't, and whether Burn earns its place alongside the other Evil Dead masterpieces. Warning: This episode contains full spoilers for Evil Dead Burn, so Grab your chainsaw, lock the cabin door, and listen at your own risk because once the Necronomicon is opened, there's no turning back.TikTok: https://www.tiktok.com/@wheel.of.horror7?is_from_webapp=1&sender_device=pc YouTube: https://www.youtube.com/@wheelofhorrorpodcast1802/videos Apple Podcast: https://podcasts.apple.com/us/podcast/wheel-of-horror/id1534102813 Spotify: https://open.spotify.com/show/3HnyAISG8Z8hvMFdSG60tE?si=9b785cf21c7f46a3 Instagram: https://www.instagram.com/wheel_of_horror/ Twitter/X: https://twitter.com/HorrorWheel

MONDAY HR 3 Monster Sports - Spain wins the 2026 World Cup. What did you think of the production of the show? Will you watch MLS? More World Cup. Another note about the Odyssey movie and the use of CGI.See omnystudio.com/listener for privacy information.

This week on the podcast, Ben and Broze dive into a thought-provoking discussion about Christopher Nolan's epic film, The Odyssey. They share their personal experiences and reactions to the movie. Highlighting its visually stunning cinematography, impressive performances and thought-provoking themes. The conversation delves into the film's unique blend of ancient mythology and grounded emotion. As well as its epic scope and ambitious storytelling. Our hosts discuss the film's impressive visuals, noting its use of IMAX cameras and the challenges of shooting on location. They also praise the performances of the cast, particularly Matt Damon and Anne Hathaway, who deliver standout roles in the film. The conversation touches on the film's themes of identity, power and the human condition. The hosts also share their thoughts on the film's score, which they describe as haunting and unique, blending traditional and electronic elements. They discuss the film's use of practical effects and the importance of minimising CGI, which adds to the film's epic feel. If you're a fan of Christopher Nolan or just looking for unpack the film experience, this episode is a must-listen. Join them as they dive deeper into the world of The Odyssey and explore its many layers and themes.See omnystudio.com/listener for privacy information.

Do you want to hear about MRAHHH BUSINESS regarding BBC Studios and the BBC's annual report for the better part of an hour? Well, you're going to, along with keen insights into the NHK man prowling Tokyo looking for license fee avoiders, James Bond musings, the continued myth of Christopher Nolan films having minimal CGI and more! Plus exciting Jo Martin sonic screwdriver news, more Big Finish analysis, and the exciting second part of our "Warriors of the Deep" Special Edition Classic Series Commentary with a new, pizazz-filled Myrka! Links: Support Radio Free Skaro on Patreon BBC Studios Boss Confirms It Will Compete To Become The Next Producer Of 'Doctor Who' Broadcast: BBC Studios revenues stable as profits rise BBC Boss Says 'Doctor Who' Disruption Is Opportunity For Creative Regeneration BBC 2026 Annual Report released BBC License Fee Payers Plummet By Half A Million How BBC Studios' CEO Thinks About Mega-Mergers Reshaping the Media Landscape New Fugitive Doctor sonic scredriver unveiled, will debut in "The Kaleidoscope" book Doctor Who: Circuit Breaker producer confirms why Fugitive Doctor has a sonic screwdriver after fan confusion Circuit Breaker #1 on Hoopla Doctor Who on Pop Culture Jeopardy Big Finish: Doctor Who – The Twelfth Doctor Adventures: The Second Death released Big Finish: Doctor Who – Rutans vs Sontarans: Peace at Last released Big Finish: Doctor Who – The Second Doctor Adventures: The Haunted Windmill due August 2026 Commentary Warriors of the Deep Part Two

Next week, we're diving into the urban jungle of Predator 2 — but this week, we're joined by New Jersey native and legendary special effects artist Mike Spatola!Mike has had an incredible career in practical effects, makeup, and filmmaking, with credits spanning some of the most beloved genre films and TV shows ever made. From zombies and cyborgs to creatures and monsters, Mike has truly seen it all.In this episode, we talk about:

You wanna live forever? This episode takes on Paul Verhoeven's masterpiece satire of jingoism and fascism, Starship Troopers. A film often misunderstood, dismissed as campy or supporting militarization, Starship Troopers is often deeply misunderstood. On the surface, it looks like a massive, big-budget, brain-dead action movie populated by incredibly beautiful, shiny people from daytime soap operas fighting giant, CGI bugs. But almost thirty years later, Starship Troopers is widely celebrated as one of the sharpest, most subversive political satires ever smuggled into a Hollywood studio budget. The Socials:YouTube:https://youtube.com/@moviepunditrypodcast7930Twitter: @movie_punditry@mikeymo1741Threads:@Movie_Punditry@mikeymo1741@rdell47BlueSky:@rdell47.bsky.social@mikeymo1741.bsky.socialFacebook: https://wwww.facebook.com/MoviePunditryInstagram:@Movie_PunditryEmail:moviepunditry@outlook.comRandom Rewatch Letterboxd:https://letterboxd.com/mikeymo1741/list/random-rewatch/Rewatch music Opening Music: Electronic Rock (King Around Here) by Alex Grohl via Pixabay.com

Grab your popcorn and lock your doors, because this week Beans and Gaz are turning the lights down low. The boys are joined in the studio by horror aficionados Chris and Jake Montejunas—the masterminds behind the Supernatural Collaborations Media podcast and Iron Rose Customs LLC.As it turns out, all four grew up watching gore, ghosts, and ghouls from a criminally young age, and it's time to put that childhood trauma to good use. The crew dives headfirst into the ultimate horror debate: When it comes to the holy trinity of slashers, who reigns supreme? Is it the silent, calculated evil of Michael Myers, the relentless brute force of Jason Voorhees, or the quip-heavy nightmare fuel of Freddy Krueger?The conversation gets bloody as they dissect the evolution of the genre, pitting the golden age of practical special effects against the glossy, modern world of CGI. Plus, they tackle the age-old question: Do horror remakes ever actually match up to the original masterpieces?Wait, did we actually forget Clive Barker? The guys address the Cenobite in the room and debate whether they intentionally left out Hellraiser and Nightbreed, or if they just got distracted by things that go bump in the night.Intermingled with the cinematic debates is a treasure trove of odd trivia—including the terrifying true story that loosely inspired Wes Craven to create A Nightmare on Elm Street. Finally, the crew veers way off the beaten horror path to discuss the "regular" mainstream movies that somehow managed to scare the absolute bejesus out of them.It's a hilarious, nostalgic, and occasionally spine-chilling episode you don't want to miss!The Big Three: Breaking down Michael vs. Jason vs. Freddy.Practical vs. Pixels: Why 80s special effects still hold a special place in our hearts over modern CGI.The Remake Curse: Can a reboot ever capture the lightning in a bottle of the original?Horror Lore: The real-life medical mystery behind Freddy Krueger's origin.Unexpected Terror: Non-horror movies that left us scarred for life.Follow our guests:InstagramInstagramtallboyradio.com

An airhacks.fm conversation with Stanislav Bashkyrtsev about: discussion about testing terminology and the difference between unit tests, component tests, System Tests, and integration tests, defining component tests as in-process invocations without HTTP, using RestAssured with MockMvc-style direct endpoint calls, avoiding mocks in favor of real system tests, why code coverage is a misused management metric, the anti-pattern of using reflection to inflate coverage, distinguishing line and branch coverage from actual verification, using coverage from system tests to detect dead code for pruning, mutation testing with PIT to measure assertion quality, testing Quarkus applications, the default Guice and Guava dependencies in Quarkus RESTEasy, starting a new microservice with a separate system-test module, calling endpoints over HTTP with the MicroProfile REST Client or the Java HTTP client, deploying Quarkus on AWS Lambda as a production-like environment, backward compatibility testing with multiple production versions, turning system tests into stress and load tests, testing connection pools and metrics under load, introducing a test-only private API to verify state changes in serverless systems, contract-driven work in large consulting projects, generating JSON and JSONB directly in PostgreSQL and returning it over JDBC, mapping database rows to Java records instead of DTOs, running GraalVM inside the Oracle Database for stored procedures and table triggers, the pendulum between database-centric and application-centric logic, the convergence of SQL and NoSQL databases, CI/CD pipelines with Jenkins and manual production deployment steps, avoiding Jenkins access to production via CGI shell scripts behind nginx, AWS CodePipeline and CodeBuild with CDK-defined infrastructure, event-driven pipelines triggered by S3 put-object events, multi-account roles with short-lived STS credentials, the size of the AWS SDK and reducing it by excluding unused HTTP clients, health checks and Kubernetes liveness and readiness probes, why health checks make little sense for short-lived Lambdas, a version endpoint for deployment smoke tests Stanislav Bashkyrtsev on twitter: @sbashkirtsev

This week The Guys revisited a tradition of going to a movie none of their wives wanted to see.  Permission to watch Supergirl was granted and acted upon.   No Oscar nominations are expected (though the CGI dog is pretty good), but The Guys give it 3 thumbs up.  Milly Alcock and Jason Momoa seem to fit their roles, and David Corenswet seems very Superman-ish in his appearances.  Despite Jay's confusion (why is this movie taking place mostly in space with what seemed like cameo appearances from Star Wars aliens?), the story moves along and makes sense.  Lots of planets, multi-colored suns, but no multi-verses.  In other news, sadly, the leader from an iconic band passes from the planet.   On the other side of the planet, for those who love electric cars AND Batman, Mihandra is ready to take your rupees.  “Heroes” is back on Netflix, so maybe Jay will get past the first few episodes this time around.  Save The Guys!  Save the World!

How We Seeez It! Episode 345: The Sheep Detectives (2026) “For, like humans, they cherish belonging above all. They allow themselves to belong to us. And so, we find we belong to them.” – Rebecca Hampstead The Sheep Detectives is a family-friendly movie that offers a good mix of comedy and mystery. With emotional moments, strong voice acting, and impressive CGI, this movie will keep you engaged. It is based on the German novel by Leonie Swann and has been praised for its unexpected emotional depth and visual effects. Have a listen to seeez what we think about it. As always, mix a drink, have a listen, and let us know what you think—or tell us about something you watched that we might enjoy or a can't-miss series. Also, please rate and review the show on all your favorite podcast apps. Drinks for the episode: "Three Bags Full" 1½ ounces Teeling Small Batch Irish whiskey ½ ounce Mathilde pear liqueur ¾ ounce fresh lemon juice ½ ounce thyme-honey syrup ¼ ounce Cynar one egg white and a small pinch of salt three drops of cardamom bitters across the foam   “The Good Shepherd” 2.5 oz Gin 1 oz Aperol .75 oz Lime juice (fresh Squeezed) 2 big Dash of Orange bitters 2 oz Ruby Red grapefruit.  shaken with Ice and pour over more ice.  Garnish with Blood Orange     Show links. https://hwsi.podbean.com/e/the-sheep-detectives-2026/  HWSI LinkTree HWSI Facebook Link HWSI Instagram Link HWSI Youtube link !! You can also email the Podcast at the.HWSI.podcast@gmail.com

It's Mark's birthday pick again! We all litigate this proto-Matrix goth weirdo epic and talk about the Matrix-sized elephant in the room as well as how evil the main character might be, and how weird his CGI powers are. Jennifer Connelly is back on the end of a pier again and Richard O'Brien is doing the time warp but to you instead of with you, sort of like Mark Zuckerberg but more attractive.Support us at our podcasting network, Podcastio Podcastius at https://www.patreon.com/podcastiopodcastius.  You'll get early episodes of this and out other podcasts, along with a live chat here and there.Speaking of our other podcasts - seriously, you could only listen to various other configurations of us:Luke Loves Pokemon: https://lukelovespkmn.transistor.fm/Time Enough Podcast (Twilight Zone): https://timeenoughpodcast.transistor.fm/Game Game Show (a game show gaming games): https://gamegameshow.transistor.fm/Occult Disney: https://occultdisney.transistor.fm/Podcast: 1999 (where Mark and Matt rap about 70's tv sci-fi): https://podcast1999.transistor.fm/And Matt makes music here:https://rovingsagemedia.bandcamp.com/Coming Soon: CatwomanThe Lion KingThe Usual Suspects

Armored Against Demon Invasion (audio) David Eells – 7/15/26 Bundle of Serpents Attacks  John David Feagin - 10/31/2011 (David's notes in red) In the brief dream I had, there was a bundle, like the old-fashioned bundle of wheat that was being passed down from two others in line to me, only this bundle was a bundle of serpents. I could tell that they were very venomous serpents, like sea snakes, cobras, mambas, or coral snakes. They tried to bite my arm and, naturally, I did not like this. I did remember that we are immune to the bites of serpents if we are covered in the Blood of Jesus, so this is where I put my trust. I was no longer so concerned and set them aside. At the time I awoke, this was puzzling to me, but now, after some thought, I believe I understand it more fully. The snakes involved have neurotoxins, which attack the brain, that is, our thoughts. We are strictly warned to take captive our every thought (that is, against the knowledge of God's Word) and this now means much more to me than it ever has before. I am certainly no expert with such things or spiritual warfare, but I do know that demons associated with pornography, bitterness, criticism, faction, etc., are very powerful and deadly. I also know that demons can be transferred by men, and inadvertently opening doors, even with the best of intentions, can invite personal attack. I personally believe this was a warning to be very careful, but it may also be a general warning to others as well, and may be applied to all sorts of demonic or thought influence. If the enemy can truly read our thoughts and insert them, as has been shown in a previous UBM study, then this is particularly devious. It is difficult to reject such thoughts if you think they are your own.  Then, this morning, as a sort of confirmation, I saw the UBM update about the bug detector and casting such thoughts to hell immediately in the name of Jesus. I also noticed that when I was praying, in the Word, and seeking wisdom in such matters, my thoughts were clear, but when my guard was down, my own thoughts and emotions in the matter, no matter how well-intended, were somewhat intoxicating. So, forewarned is forearmed. God bless always in His service.  Be careful of slander and criticism for the purpose of making disciples. It comes only from demons, and those they can use, and it comes for only one reason -- to impart demons and poison minds against someone the devil hates. Demons impersonating aliens to turn the world to the mark of the beast to destroy Christianity. The Word for “heresies” or “parties” in Galatians 5:20 means “a self-willed opinion leading to division”. The word for factions among these works of the flesh means separating followers through selfish ambition. Demons impersonate righteous indignation but are actually criticism or new revelation. {Jas.3:14} But if ye have bitter jealousy and faction in your heart, glory not and lie not against the truth. {15} This wisdom is not [a wisdom] that cometh down from above, but is earthly, sensual, devilish. {16} For where jealousy and faction are, there is confusion and every vile deed.   Bluffing Demons & Spiritual Authority  Sandy Shaw 11/09/2011 (David's notes in red) The way this dream starts is that I'm walking into this room, and I'm watching a group of men (some I know, some I don't know) who are turning around and leaving the room. I ask the ladies there, “Where are the men going?” (These men are the chosen.)  The women who are there tell me not to worry because they need to go -- they have to go. The Lord wants them to go. When this happens, I feel like all the women are in unity that the men needed to go. (The spiritual catching up to the throne anointing of those who will return as the Man-child reformer ministry.) I then grab Tina's hand and ask, “Don't you feel the winds of change?” She answers, “What?” Then I say, “The change. The winds of change. Don't you feel the winds of change?” (From this point on, everything will change both positively for those who love God and are called according to His purpose and negatively for the wicked; a separation of the wheat from the tares. Tina ended up going factious, the opposite of Sandy.)  Then I go from there to an ancient-looking town square or plaza. People are walking all around. There are archways all around the square leading into different hallways, buildings, or rooms. It looks and feels like it's an ancient city. (Archways were made famous by the ancient Romans, who were the first to apply the technique to a wide range of structures. We are seeing a revival of the iron and clay of Daniel's end-time vision of the 10 toes of the world beast kingdom. There is no dispute that the iron is the seed of the Roman Empire.) As I'm walking slowly through this square, I'm praying. I'm praying continuously because I can feel the presence of evil so strongly there. (Great darkness is about to descend as the principality of the old Roman Empire prepares to take charge and make the covenant with many, as spoken of in Daniel 9:26,27.) As I'm looking at some of the people, they look human, but for a brief moment, I can see certain demons that are controlling them. (As we watch this progressive revelation, the people who belong to the body of the beast become less and less human and more and more demon, just as those who belong to the body of Christ become less and less human and more and more sons of God. Those from among the people of God who do not forsake their evil will go with the wicked. {Rev.22:11} He that is unrighteous, let him do unrighteousness still: and he that is filthy, let him be made filthy still: and he that is righteous, let him do righteousness still: and he that is holy, let him be made holy still. In the days before the coming of the Lord, at the end of the tribulation, Jesus will come in and then with His saints. {2Th.1:7} and to you that are afflicted rest with us, at the revelation of the Lord Jesus from heaven with the angels of his power in flaming fire, {8} rendering vengeance to them that know not God, and to them that obey not the gospel of our Lord Jesus: {9} who shall suffer punishment, [even] eternal destruction from the face of the Lord and from the glory of his might, {10} when he shall come to be glorified in his saints, and to be marvelled at in all them that believed (because our testimony unto you was believed) in that day.) As I'm praying, some man grabs my arm and pulls me into one of the hallways. As he is pulling me into the hallway, I hear someone in the square saying, “We gotta find her. We gotta find her. We have to stop her. Her prayers are reaching the throne of Heaven!” (These voices are the demons speaking through men). (Our prayers do reach the throne when sent by faith, and the demons' plans are thwarted. {Psa.10:17} Jehovah, thou hast heard the desire of the meek: Thou wilt prepare their heart, thou wilt cause thine ear to hear. {Rom.10:13} for, Whosoever shall call upon the name of the Lord shall be saved. {Jer.33:3} Call unto me, and I will answer thee, and will show thee great things, and difficult, which thou knowest not.) So the man pulls me into this room, and there are mostly men and a few women there. This room is full of uniforms of all different kinds. The people are trying to figure out which uniform to put on. Some of the uniforms are military. As they are excited about finding the right uniform to wear, they are trying them on. I know in the dream that these people are Christians. (The “Christians” will be worried about how to appear to the world in this dangerous time and what lifestyle to put on besides Christ's. A military uniform indicates a militant lifestyle in dealing with this beast system, which will be disastrous since “they who take the sword will die by the sword”. We must put on the uniform of the new man, who is in the image of Jesus and His actions, according to the knowledge of the Word. {Col.3:9} lie not one to another; seeing that ye have put off the old man with his doings, {10} and have put on the new man, that is being renewed unto knowledge after the image of him that created him.)  I tell them that they have it wrong and that the full armor that they need to put on is the full armor of God, not one of these physical uniforms made by man. The people just look at me, not receiving anything I'm saying (as apostate patriotic Christians). A man asks me to sit down and take a look at this uniform. Then this man puts on some kind of uniform with a jacket. The jacket and uniform cover his legs, feet, and everything. There is a hood to the jacket that covers his whole head with a face-covering mask. The material of the jacket is a material I've never felt before. They then pour chemicals over it, resulting in no damage. Then they turn a blowtorch on it, and the torch doesn't burn or damage it. (As a volunteer fireman for Exxon, they gave us shirts that had metal woven into them to reflect heat.  Our government is allying with alien impersonating demons like the galactic federation or alliance in hopes of profiting from their “higher technology.” But these hate Christians and will help to bring about the mark of the beast to be rid of them.) They are really excited about the uniform/jacket and are picking it to be the one they will use. (There is no safety outside of God's will. He sent the curse, and no man can defend from it. {Jer.17:5} Thus saith Jehovah: Cursed is the man that trusteth in man, and maketh flesh his arm, and whose heart departeth from Jehovah. ... {7} Blessed is the man that trusteth in Jehovah, and whose trust Jehovah is. {8} For he shall be as a tree planted by the waters, that spreadeth out its roots by the river, and shall not fear when heat cometh, but its leaf shall be green; and shall not be careful in the year of drought, neither shall cease from yielding fruit.) I tell them again, “No, you have it wrong; it's the full armor of God that you need to put on. There is nothing manmade that will help you. You only need the full armor of God”. I then get up and walk out of there into the long hallway. As I walk down the hallway, it is full of men lining up to put on the uniform they think is going to help them in the battle ahead. {Psa.33:16} There is no king saved by the multitude of a host: A mighty man is not delivered by great strength. {17} A horse is a vain thing for safety; Neither doth he deliver any by his great power. {18} Behold, the eye of Jehovah is upon them that fear him, Upon them that hope in his lovingkindness; {19} To deliver their soul from death, And to keep them alive in famine. {20} Our soul hath waited for Jehovah: He is our help and our shield. ... {Psa.34:7} The angel of Jehovah encampeth round about them that fear him, And delivereth them. {8} Oh taste and see that Jehovah is good: Blessed is the man that taketh refuge in him.) After leaving the “Christians” in their false confidence, I kept walking and went back to the square. The ground in the square has changed: it's all dirt now, and I could see through the dirt. I see under the dirt different piles of bones all over the place. No one knows that those bones are there, and no one sees them either. I'm not quite sure why I'm seeing them. (The hidden bones represent those who are martyred behind the scenes because they are not prepared for the battle by putting on the Lord Jesus Christ, as in Romans 13:12-14. Notice that putting on Jesus IS putting on God's armor or protection. Notice that it is always called the “armor of God” because it is God Himself. {Eph.6:11} Put on the whole armor of God, that ye may be able to stand against the wiles of the devil. {12} For our wrestling is not against flesh and blood, but against the principalities, against the powers, against the world-rulers of this darkness, against the spiritual [hosts] of wickedness in the heavenly [places]. {13} Wherefore take up the whole armor of God, that ye may be able to withstand in the evil day, and, having done all, to stand.  {14} Stand therefore, having girded your loins with truth, and having put on the breastplate of righteousness, {15} and having shod your feet with the preparation of the gospel of peace; {16} withal taking up the shield of faith, wherewith ye shall be able to quench all the fiery darts of the evil [one]. {17} And take the helmet of salvation, and the sword of the Spirit, which is the word of God: {18} with all prayer and supplication praying at all seasons in the Spirit, and watching thereunto in all perseverance and supplication for all the saints. Notice that putting on all of these attributes: truth, righteousness, the Gospel, and salvation are manifestations of the Word, Who is Jesus. Putting on Jesus is putting on God. It is the armor of GOD Himself.) I'm walking through the square again, and I'm praying because I need to get to the other side of the square. (Contrary to popular opinion, we will all have to pass through this time of the revived Roman beast with America at the head.) As I'm walking and praying, the people that I saw with demons controlling them, I now see as full-blown demons, but to the natural eye, they still looked human. (The worldly people will be totally possessed, though they appear to each other as normal, and we are seeing more of this happening now. The D.S. can only be picked out by their leftist demon doctrines.) There was one demon that would walk really fast. So fast that it seemed as if he was flying. This demon went right in front of my face, standing right in front of me but he could not see me. He was really angry and talking with authority, telling the other demons, “We have to find these people who are praying! NOW! NOW, I say! Find them! (Prayer by those who believe in its power will be both destructive to Satan's kingdom and defensive to those who walk in the Lord's Kingdom. {Jas.5:16} Confess therefore your sins one to another, and pray one for another, that ye may be healed. The supplication of a righteous man availeth much in its working. {17} Elijah was a man of like passions with us, and he prayed fervently that it might not rain; and it rained not on the earth for three years and six months. {18} And he prayed again; and the heaven gave rain, and the earth brought forth her fruit.)  I was standing right in front of him, praying, and the demon had no clue that I was there. (In other words, I was hidden in Christ.) So, I keep walking and when I get to the right-hand corner of the square, I look. I stop, turn around, and I'm looking! I'm watching these people. And the room is not really a room. The way that it feels is completely off, like when you walk into a room, and you can see the light, yet you can see shadows behind things. This was now completely reversed. There was light where shadows would normally be. There were bits and pieces of light. It was completely off, completely out of order. It just didn't feel or look right. (When the light is dark, and the dark is light, it is when good is called evil and evil is called good. This is where demon-possessed society is and has been going. {Isa.5:20} Woe unto them that call evil good, and good evil; that put darkness for light, and light for darkness; that put bitter for sweet, and sweet for bitter! We see this with demon-possessed people now.) After I walked through there, I saw what looked like some kind of old train depot-type thing. I know it's some kind of old transportation system. I'm in this room where there are two big fences with gates -- a cement-type fence. There is a gate, and people are going in and out of the gate. And then there is like a middle part where a lot of people are walking -- a lot of traffic. (To get where they want to go, Christians can't walk where the masses do in their bondage, spiritually speaking. {Mat.7:13} Enter ye in by the narrow gate: for wide is the gate, and broad is the way, that leadeth to destruction, and many are they that enter in thereby. {14} For narrow is the gate, and straitened the way, that leadeth unto life, and few are they that find it. We must be conformed by the Word within.) On the other end is the same kind of gate that people are entering this place from somewhere else. When I go there, I'm waiting for Tina, Sam, and my mom. I feel like Tina and Sam went to get my mom wherever she was to bring her here. I knew that it hadn't been very long since I had seen Tina and Sam, but that I hadn't seen my mom in a while. Tina and Sam were getting ready to go through the gate that's on the other side to go to the middle. My mom stopped them and said, “No, we can't go that way. We have to go the other way”. (Sandy said that she felt that if they had gone into the middle, they would have died. This warning was not taken seriously by them and they spiritually died. They did not listen. This is where the people of God need to go from the worldly to the spiritual; there cannot be ‘a halfway', ‘a lukewarm'. This would mean spiritual death to them in this time and a spewing out of the body of Christ. {Rev.3:15} I know thy works, that thou art neither cold nor hot: I would thou wert cold or hot. {16} So because thou art lukewarm, and neither hot nor cold, I will spew thee out of my mouth.) If you walked all the way around to the end, there was another part that was covered by the fence. They did not walk in the middle part. They had to walk all the way around to where I was. (The path of least resistance, or the shortcut, is the wrong way. The worldly church offers many of these. Just listen to them, and they will show you the quick and easy way to get saved and fly away, but the end is death.) They were almost down to that part, and there was another little gate to walk to the middle. My mom stopped and turned around and told Tina, “Grab Sam. He cannot walk in the middle. There is no middle; he can't walk in the middle”. (None of those who are lukewarm, middle-of-the-road walkers will spiritually survive.) As Sam goes toward the middle, Tina grabs him and they walk all the way around to where I was. I greet them and hug them. (This awakening was temporary.) Then I tell them, “Things are not what they seem to be”. My mom then says, “It's okay, it's okay, because everything that is happening is according to God's will. We just need to stay in constant prayer. {Pro.14:12} There is a way which seemeth right unto a man; But the end thereof are the ways of death. We just need to stay in constant prayer”. (In the days of strong delusion and deception, there's much advanced technology now using AI, CGI, and programming through drugs, mind control and manipulation, etc., we cannot walk according to our carnal mind or senses, or we will stumble. Prayer without ceasing is our command.) So, I'm walking ahead of them. Tina is walking on one side, my mom on the other side, both holding Sam's hand. Sam was not as old as he is now. He looked to be eight or nine years old. (We will have to help guide those Christians who are not yet mature in discernment. God will hear their prayers, too. Samuel is Hebrew for “God heard” or “God's name”. Shem is a variant of Sam, meaning “name”. Shem was the father of the people of the name, as Christians are now. Shem was the father of the Israelites.) Sam was trying not to act afraid when there was the presence of evil all around us. Even amongst all the evil, we knew we were under the protection of the Lord. There was no safe place other than the arms of God. I bent down to talk to Sam in his ear, saying, “It's okay to be afraid; you just fear the Lord. Don't fear anyone else or anything else. Nothing can harm you because they have to go through the Father first. Don't be afraid”. (Fear permits faith to be robbed and the enemies to take advantage of us. It is faith in reverse. {Psa.23:4} Yea, thou I walk through the valley of the shadow of death, I will fear no evil; for thou art with me; Thy rod [of correction] and thy staff [of direction], they comfort me. {5} Thou preparest a table before me in the presence of mine enemies: Thou hast anointed my head with oil; My cup runneth over. (With this anointing of the Holy Spirit, we should give the good confession.) {6} Surely goodness and lovingkindness shall follow me all the days of my life; And I shall dwell in the house of Jehovah for ever.) Then we started walking back to the square. The dirt has changed again. The dirt now seems like it's a mud-like consistency. But to the natural eye, it looks just like dirt. I still see the piles of bones now with the mud going between the fingers, toes, etc. But now I also see something like a circle; it's a tunnel and I can see it at weird angles and kind of far. The things that I'm seeing in these tunnels are body parts with the flesh. I'm seeing arms cut off, legs, face, head, all different kinds of body parts. They look to be freshly cut off from the body because I can still see the blood. The blood is still wet. I can see the nerves on some of these parts still shaking and moving. (The ‘powers that be' have made many underground tunnels connecting cities, where the military and special forces have found remains of countless people who were murdered by satanists. According to other dreams and prophecies I have seen, it is in these tunnels that the saints will be expected to renounce Jesus or die. It behooves us to walk carefully so we fill out both our days and our ministry.)  I'm getting ready to step, and I stop. I put my hand out to stop my mom, Tina, and Sam as I watch the details of the body parts freshly cut off. It was gross. I then asked them if they saw those parts. Tina and my mom saw it; Sam closed his eyes. He didn't want to see it. I then asked, “But it's not there?” My mom said, “Oh, but it is there under the dirt”. We stopped then and there, and we started praying. We were praying in tongues. While we were praying, I told Tina to take my mom and Sam to the outer part of the square, find a place, and begin praying and interceding. And that's what they did. (As with the Nazi persecutions in the death camps of World War 2, many will deny for the sake of soothing their own conscience that these persecutions are happening, but they will be out of sight and out of mind, “under the dirt”.) I was taking very small steps as the Lord was guiding me and telling me to. (Every step in these days will need to be according to the Father's will because of the dangers. {Eph.5:15} Look therefore carefully how ye walk, not as unwise, but as wise; {16} redeeming the time, because the days are evil.) And I was just praying and praying and praying. As I was starting to pray, I saw the people in the square now completely as demons. I no longer saw them as humans. (The righteous will be able to see in the spirit realm those who have been displaced by demons.) As I was walking, I felt as if they were trying to find me, and they were bumping into me, but didn't know they were hitting me. I kept praying more and more. I prayed out loud, and they could hear me but couldn't see me. (Invisibility in the spirit realm makes for peace from the flesh realm.)  That big demon I saw earlier that walked really fast was now there, and there were more demons of his stature and size. They were frantic, upset and mad. One of them said, “Now there are more praying. Do you hear them praying? We have to find them NOW! I'm telling you, their prayers are reaching the throne room of Heaven. Things are going to change. Find them NOW!” There was such an urgency to find us. I walked all the way to the end of the square and I turned around and asked, “Okay, Lord. What is it that You want me to do?” (Truly, “things are going to change.” Walking to the end of the square represents that the saints will go through this beast tribulation and bring the Gospel to the whole world. Watch volume one of Hidden Manna for the End Times.) I don't know where the Lord took the men whom I saw at the beginning of the dream or what had happened, but I just knew that they were coming back. The demons were still looking really hard for the people who were praying. Not just us, but they were looking to stop everyone everywhere from praying. The Lord told me to step a foot back in the square, and I did. When I stepped back in the square, I was speaking the Word out loud. Everything that the Lord was saying to me, I was speaking out loud. The demons could now see me and were in my face, trying to intimidate or scare me. I knew that they could not touch me. They were telling me to shut up, be quiet, that my prayers were dead, and I was doing no good. “Don't you know we can kill you? We can take you out! You are nothing!” Many of them kept saying those things to me over and over. (Demons are full of threats to discourage the prayers and works of God, but most Christians don't recognize them as coming from demons, but feel they are their own thoughts and are defeated. The knowledge of God's Word will enable them to defeat the deceivers. {2Co.10:3} For though we walk in the flesh, we do not war according to the flesh {4} (for the weapons of our warfare are not of the flesh, but mighty before God to the casting down of strongholds), {5} casting down imaginations, and every high thing that is exalted against the knowledge of God and bringing every thought into captivity to the obedience of Christ.) I said to them, “I am nothing, but through Christ Jesus He is everything. He is my all and all. Everything that I need, God is. God is the source. God is the strength. God is the great I AM! One of the demons was so close to my face that I could smell his stench. So close that he was almost touching me. I told him, “You are nothing! You can't do anything other than what my God allows. You are nothing! (God is sovereign over all, but He will allow many things that we allow because He has delegated authority over all the power of the enemies. {Mat.18:18} Verily I say unto you, what things soever ye shall bind on earth shall be bound in heaven; and what things soever ye shall loose on earth shall be loosed in heaven. {19} Again I say unto you, that if two of you shall agree on earth as touching anything that they shall ask, it shall be done for them of my Father who is in heaven. ... {Luk.10:19} Behold, I have given you authority to tread upon serpents and scorpions, and over all the power of the enemy: and nothing shall in any wise hurt you. {20} Nevertheless in this rejoice not, that the spirits are subject unto you; but rejoice that your names are written in heaven. I heard a noise behind me, and I turned around and saw all the men who had gone out, and there were more with them coming, and with what looked like Christ in the middle. Everyone was dressed in white. When Christ and all those men came on the scene, some of those demons became smaller and smaller. The ones that were already small were trying to run, but they couldn't go anywhere, as you have seen in cartoons, only this was not a cartoon; they were liquefying before me into a puddle on the floor, and then they were gone. I was backing up as the men were going forward. I went with Tina, Sam, and my mom to this place where I saw a lot more people who were praying and interceding. Then I woke up. (Who are these men whom the demons fear? The Lord is in the Man-child ministry to raise up many in the image of the Lord. These are coming to wreak havoc on the spiritual hosts of wickedness. Hallelujah!)  After I woke up from the dream, I heard the Lord say, “Write this down: “You have all power and authority in the name of Jesus Christ. Understand and know the power of His blood. For you are adopted, therefore you are entitled to everything. Hear Me! Understand Me! Know Me! For then the enemy cannot deceive you for what's ahead.”   The Men Whom the Demons Fear Seven spiritual shepherds who are sent by the Man-child to minister to the seven Churches, which is mentioned in Hidden Manna for the End Times. First, Jesus is coming to be manifested in the Man-child ministry. (Mic.5:2) But thou, Beth-lehem Ephrathah, which art little to be among the thousands of Judah, out of thee shall one come forth unto me that is to be ruler in Israel; whose goings forth are from of old, from everlasting. Obviously, this is Jesus. (3) Therefore will he give them up, until the time that she who travaileth hath brought forth (the man-child body): then the residue of his brethren shall return unto the children of Israel. Jesus left because of rebellion and will return in the Man-child who is born of the travailing woman in Revelation 12. As Jesus fed the former rain woman in a body of flesh, so He will feed the latter rain woman in a corporate body of flesh. (Mic.5:4) And He shall stand, and shall feed [His flock] in the strength of the Lord, in the majesty of the name of the Lord His God: and they shall abide; for now shall He be great unto the ends of the earth. The Jesus of the former rain was revered by the disciples and feared by His enemies, but because of apostasy, this has not been true for many centuries since because they have had “another Jesus.” The Man-child body and those disciples who follow in His/their steps will restore this, and He shall be “great unto the ends of the earth”. The Man-child's teaching will bring peace to the seven churches that are at war with the beast and harlot. (5) And this [man] shall be [our] peace, When the Assyrian shall come into our land, and shall tread in our palaces, then shall we raise against him seven shepherds and eight principal (Hebrew: “princes among”) men. The corporate body of the Man-child is “this man” who brings peace to the corporate woman with his teachings, which enable her to resist the beast invasion. He brings peace because the “Prince of peace” is in his heart. Spiritually speaking, we are the “land” with the “palaces” that the corporate beast is trying to invade. (1Co.3:9) For we are God's fellow-workers: ye are God's husbandry (Greek: “tilled land”), God's building (“palaces”). As we shall see, the beast is a corporate spirit from the abyss (Rev.17:8) that inhabits the body of the wicked (3) and seeks to inhabit the righteous and mark them. Notice that the “Assyrians” are called “him” which shows that they are seen as the corporate body of the beast. Since the Assyrian beast kingdom passed away over 600 years before Christ, they could not have been connected with Jesus or the Man-child. Therefore, God, as usual, was using the beast of that day to represent a particular aspect of the end time beast. As the Assyrian beast did not conquer Jerusalem, so the end time beast will not conquer those spiritually abiding in the New Jerusalem. (Mic.5:5) ...Then shall we raise against him seven shepherds and eight principal (Hebrew: “princes among”) men. The Man-child Jesus raised up twelve apostolic shepherds primarily to restore those of the “twelve-tribes of Israel” who would listen (Mat.10:5; Act.26:7; Jas.1:1; 1Pet.1:1). In exact parallel, the corporate Man-child will raise up “seven” corporate apostolic “shepherds” primarily to restore the “seven churches”. The Man-child's primary job is to feed the unleavened bread of the Word to disciples in order to manifest Christ in them. These will be the new leadership for the seven churches in the last 3 1/2 years. These “seven shepherds” are not sectarian religious leaders but one man in Christ and are inhabited by one “prince of peace”, Jesus, hence “eight princes among men”. In the next chapter of Micah, we will see that even after the Man-child Jesus' 3 ½-year ministry, He promised to be with the shepherds in spirit “unto the consummation of the age,” (Greek: Mat.28:20) hence “eight princes among men”. These princes are sons of the King and have authority over His realm of the seven churches. The seven churches of Revelation are a type of seven different types of Christians in the Church. (Isa.4:1) And seven women (the Church) shall take hold of one man in that day. The “one man” here is Jesus manifested in the Man-child. Then He will be manifested in the seven shepherds and then in the true Church. One of God's solutions to the apostasy in the Church is new leadership. (Isa.1:26) And I will restore thy judges as at the first, and thy counselors as at the beginning. The same type of counselors in the former rain will be given in the latter rain. Here is another confirmation of the Man-child giving His revelation to seven shepherds, who passed it on to the seven churches. When the Man-child Jesus sent His shepherds out, He called them “apostles”, meaning “one sent forth”. In other words, the shepherds were the Man-child's messengers to the churches. As a type of the Man-child, John on the Isle of Patmos was “a partaker with you in the tribulation” (Rev.1:9) when he was caught up to the throne of God and given a revelation of the coming tribulation to give to the seven churches. (4:1) After these things I saw, and behold, a door opened in heaven, and the first voice that I heard, [a voice] as of a trumpet speaking with me, one saying, Come up hither, and I will show thee the things which must come to pass hereafter. (2) Straightway I was in the Spirit: and behold, there was a throne set in heaven, and one sitting upon the throne. Like Jesus, he was given a revelation of the apostasy in the Church and told to send it to the seven churches by the hand of seven angels. (1:11) ...What thou seest, write in a book and send [it] to the seven churches.... (Rev.2:1,8,12,18; 3:1,7,14) To the angel of the church in Ephesus (and so with Smyrna, Pergamum, Thyatira, Sardis, Philadelphia, Laodicea) write.... “Angel” in these cases is the Greek word angelos meaning “messengers” and is also used of ministers in the New Testament (Example: Luk.4:24,27; 9:52). The equivalent Hebrew word in the Old Testament is translated “messenger” when speaking of priests (Mal.2:7), John the Baptist, and Jesus (Luk.3:1). Since it doesn't make sense that John sent the revelation by angels, he must have sent it by seven minister messengers to the seven churches. This is exactly what Jesus did as Man-child. He shared His revelation with minister messengers, who shared it with the seven churches.

Throw out your Dreamstones, because the Binge Buddies are about to wish they could unsee this one. >   Welcome back to "Hall of Just Us." This week, Bryan, Matt, Joel, and Ryan are gritting their teeth and wading through what might just be the biggest misstep of the entire franchise: the nearly unwatchable Wonder Woman 1984. How did the team behind one of the DCEU's greatest triumphs deliver such a monumental sophomore slump? The guys are breaking down every baffling creative decision in this neon-tinted disaster. From the highly questionable ethics of Steve Trevor's body-snatching return and Kristen Wiig's descent into Cats-level CGI as Cheetah, to Pedro Pascal screaming at wind tunnels and the bizarre lack of actual Wonder Woman action. We're trying to figure out how this 80s nostalgia trip went so spectacularly wrong. Strap on your golden armor and hit play—we're trying to survive the mall!

Netflix loves its Westerns. This week, it released a new adaptation of Little House on the Prairie. Beginning in post–Civil War America, the series follows Charles and Caroline Ingalls, their daughters Mary and Laura, and their dog Jack as they leave Wisconsin, travel to Kansas, and attempt to build a new life on the prairie.The pilot we watched is called “Independence.” On the pod, we break down each of our pros and cons, from the scenery and CGI to how well Pa plays the fiddle. We discuss this adaptation's main changes, the history behind the story, and the setup it presents for the future.Tune in to hear our full breakdown and rating. Welcome to Today's Episode!

Send us Fan MailDisney Week! This week we are ranking our favorite live action remakes of classic Disney animated films. Are you a fan of these? What about live action animal films? Do you think they should be considered live action if CGI makes their mouths move while they talk? We talk through all of this and more.Don't forget to follow us on Instagram and TikTok at @twinsync.podcast and like and share with your friends!

Send us Fan MailYour best vacation might be the one that never happened and that's exactly why Total Recall (1990) still hits. We sit down to relive Paul Verhoeven's sci-fi action classic and pull apart the thing that makes it so rewatchable: it's loud, violent, funny, and weirdly smart about how easy it is to sell someone a story about themselves.We talk through the movie's real backbone, the Philip K. Dick “We Can Remember It For You Wholesale” idea, where memory implants and manufactured identity blur the line between escapism and control. Along the way, we dig into why Arnold Schwarzenegger is such a perfect fit for this specific kind of heightened reality, why the remake's serious tone feels off, and how Verhoeven's campy satire shows up in everything from background ads to the movie's blunt approach to power and propaganda.Then we get practical: the pre-CGI craftsmanship, miniature sets, prosthetics, and the kind of effects work that makes Mars feel grimy and physical. We also share production trivia, talk stunts and on-set injuries, and admit the truth every fan learns sooner or later: you don't watch Total Recall for clean storytelling, you watch it for bold choices, iconic set pieces, and the lingering question of whether Quaid ever leaves the chair.If you had to choose, would you take the comfortable memory or the uncertain truth? Subscribe for more movie breakdowns, share the episode with a friend who loves sci-fi, and leave us a review with your Total Recall rating. Support the show

In Episode 73, Salma Aboukarr joins the show. A creative director and founder, she explains how she moved from painstaking CGI workflows in Blender and 3Ds Max to AI-native campaigns for brands including Coca-Cola, Panasonic, and Google Labs. She breaks down her viral IKEA exploding-room video that helped brands see the commercial potential of generative AI video, the detailed JSON prompting method behind it, and the modern AI creative stack she uses across Claude, Midjourney, Nano Banana, Seedance, FAL.ai, Z-Image Turbo, Qwen, style LoRAs, and custom AI agents.The conversation goes deep on AI advertising, product fidelity, photorealistic skin, color correction, video upscaling, automated client workflows, and why high-end AI work still depends on original concepts, trained taste, and obsessive finishing. They debate whether AI can truly be original, why technical teams struggle to manufacture taste, how creators survive a feed flooded with AI content, and why the next creative moat may come from the experiences, references, and strange little details nobody else can copy.---⏱️ Fast Hour00:00 Meet Salma Aboukarr02:17 From CGI agency to AI-first studio04:44 Product fidelity before AI got good07:34 The duct-taped road to photorealism11:10 Art direction beyond basic prompting14:28 Salma's current AI creative stack16:08 How she stress-tests every new model20:20 Why color correction still matters22:25 The IKEA video that changed everything27:13 Going viral and handling AI backlash30:38 Originality as the next creative moat33:05 Can AI actually be original?38:52 Inside an AI-native creative agency39:55 Z-Image Turbo and aesthetic base models43:06 From client brief to automated pipeline47:54 Style LoRAs for brand consistency49:11 Claude, MCP, FAL, and leaving ComfyUI51:07 The model that cut a day to 15 minutes55:13 Why AI content stopped feeling special01:00:57 The value trapped in AI archives01:02:06 Create for yourself or the audience?01:04:31 Can engineers manufacture taste?01:08:38 Finding inspiration outside the feed01:11:57 Jackie Chan and thumbnail fuel01:15:29 Final lessons from a creative trailblazer#AICreative #AIAdvertising #GenerativeAI #AIVideo #CreativeDirection #Midjourney #ClaudeAI #NanoBanana #SeedanceAI #AIWorkflow #AIAgency #AIContentCreation #BrandMarketing #CreativeTechnology #ProductPhotography #AIBranding #FutureOfAdvertising #FastHours

Hugh Jackman stars in THE SHEEP DETECTIVES, now streaming on Amazon Prime Video. Based on the book by Three Bags Full by by Leonie Swann, the movie is a delightful adaptation that keeps both kids and parents entertained. And you probably wouldn't think just how invested you would be in what happens to CGI sheep... But here we are!Watch on YouTube: https://www.youtube.com/watch?v=X0fjytShrggSupport this show http://supporter.acast.com/reelspoilers. Hosted on Acast. See acast.com/privacy for more information.

Chris Paul and Burning Bright drop into the water for a look at Spielberg's 1975 classic, and yes, the animatronic shark holds up better than you'd think. The guys dig into why practical tension still beats modern CGI, trade theories on whether Jaws would scare anyone who first saw it as an adult, and take a hard swing at Spielberg's recent output along the way. Expect real talk about shark encounters, a detour into Moby Dick style "nature doesn't care about your plans" philosophy, and some genuinely funny tangents about beach trips gone wrong. Stick around for listener boosts, chat shoutouts, and the reveal of next week's pick, a 1997 mind bender that's already got the chat buzzing. Grab a snack, maybe stay out of the water.

Apple's F1 Strategy: Jerry Bruckheimer & Eddy Cue on Practical Filming, Theatrical Windows, and Brad Pitt How do you shoot a massive Hollywood blockbuster in the middle of a live Formula 1 Grand Prix? This week on The Filmmakers Podcast, Giles Alderson sits down with legendary producer Jerry Bruckheimer (Top Gun: Maverick) and Apple's Senior Vice President of Services, Eddy Cue, to find out. In this special episode, we get an exclusive look under the hood of the upcoming, highly anticipated Apple Original Film, F1. Directed by Joseph Kosinski and starring Brad Pitt and Damson Idris, the production is rewriting the rules of practical filmmaking by placing real actors in real cars during actual race weekends. Eddy and Jerry break down the massive technical innovations required to capture the speed and visceral intensity of the sport, Apple's steadfast commitment to the global theatrical window, and the vital role of Lewis Hamilton in keeping the film authentic.

In this special CLOC Talk Live from CGI 2026 episode, leaders from Neota Logic and the CLOC Maturity Committee pull back the curtain on the highly anticipated CLOC Compass, a powerful new tool designed to help legal operations professionals measure, benchmark, and accelerate their maturity journey. Hear the story behind a vision that began as a simple spreadsheet and evolved into an interactive platform that delivers personalized insights, actionable roadmaps, and a new way for legal ops teams to demonstrate value and drive strategic growth. Whether you're a legal ops team of one or leading a mature global function, this conversation offers an exciting look at how data, benchmarking, and AI-powered insights are shaping the future of legal operations.

Episode 384 The story of evolution is being brought to life in a new way. BBC series Evolution tells the story of 5 iconic animals, from elephants to ostriches, using CGI to reimagine ancient fossils. And this isn't just about the animals that came before them, but also explores the intricacies of how locomotion, intelligence, feeding, and reproduction emerged. The series is hosted by broadcaster, natural history legend, and New Scientist superfan Chris Packham, who hopes Evolution will remind viewers that we are all connected on a deep and fundamental level. Penny Sarchet sits down with Chris to discuss why they've chosen to tell the story in this way and explore some of his series highlights. To read more about these stories, visit https://www.newscientist.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

We're revisiting the 1996 fantasy classic Dragonheart... a film that perfectly captures the mid-90s urge to put a cynical knight and a wisecracking dragon in the same scene. We're talking about the CGI revolution, Sean Connery voicing a giant lizard, and, of course, Dennis Quaid's legendary decision to do… whatever accent that was supposed to be. 

Send us Fan MailDonate to the GoFundMe for my feature-length film, The Cabin!Passing fads from the 2000s. Terminator 2, 35 years later. The origins of computer-generated imagery (CGI).Episode 251 brings the cool breeze of GenX nostalgia to the hot July weather.It all begins with a staple of today's entertainment. Computer-Generated Imagery, or CGI, is commonplace in the 2020s. So much so that it can be taken for granted. It had to begin somewhere, and we're going to look back at the origins of CGI, which go back further than you might realize.Hasta la vista, baby! 35 years ago this week one of the greatest sci-fi films, and one of the greatest sequels ever, was released. Terminator 2: Judgment Day broke the mould of what a science-fiction film could do. Great characters, incredible effects, tremendous acting, and more. We will do a deep dive into this iconic 90s film.The Top 5 heads way back to the bygone days of the early 21st century. We are going to look, laugh, and shake our heads at some of the passing fads of the 2000s. Were you guilty of partaking in any of them?We have a brand new This Week In History and Time Capsule, of course, looking at the life and career of 80s rock legend Huey Lewis.To support me and the show, become a member on Patreon. Or you can support my work and Buy Me A Coffee!Helpful Links from this EpisodeBuy My New Book, In Their Footsteps!Searching For the Lady of the Dunes True Crime BookHooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenMSFTS CommunityKingfisher Hotels Cape CodChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogCJSetterlundPhotos on EtsyListen to Episode 250 hereSupport the show

"Ever since I was a little boy, I've dreamed of being the final girl"On today's episode, we're kicking off July with covering films that take place at a summer camp, and I thought why not pull up on this fun little horror comedy, The Final Girls!!This movie has everything... Flashbacks! Weird mid-2010s CGI! Malin Fucking Akerman, goddamn it.Specter Cinema Club EpisodeCLICK HEREShow E-Mail: cultcinemacircle@gmail.comFollow Cult Cinema Circle on Instagram, Bluesky, and Letterboxd Hosted on Acast. See acast.com/privacy for more information.

Rewind to 9–15 July 2006, when your Top 8 could end friendships, everyone suddenly had an opinion in 140 characters and celebrity reality TV decided skating on knives sounded like a great idea.

Welcome to Your Movie Rocks, an Alternate Ending podcast hosted by Mandy Albert.  For every episode, Mandy will watch a movie assigned by her guest host, followed by a lively discussion.  There's only one rule: no matter what the movie does to her, Mandy is only allowed to love it.   This month, we welcome back our first three-time player Andrew Milne, who has once again selected a movie that neither Mandy nor most of our listeners ever would have sought out on their own: Imaginaerum, an 85-minute music video for Finnish symphonic metal band Nightwish.  Come along on a wild CGI roller coaster ride as Mandy and Andrew gamely try to pronounce "Imaginaerum," gamely avoid pronouncing most other Finnish names, and get into deep subjects like death, aging, memory, and scary snowmen.  Also, we have a digression on sexy blood-red dresses.

In this episode of 3 Movies That Changed Your Life screenwriter Stuart Wright talks with Special Effects Supervisor Alex Gunn about: Metropolis, Aliens, and Zulu. Discover how these films shaped his screenwriting journey, personal growth, and understanding of cinema's power. Plus, Alex Gunn shares three tales from the set: how he created one of the loudest explosions on film for Rambo (2008); how he convinced Tom Cruise to let him blow up a table for Valkyrie (2008); and how they pulled together that crazy farmhouse shoot out for Gangs Of London s1, ep5 (2020) Movies That Changed Your Life   Find out about what a Special Effects Supervisor does and how they safely make your films positively explosive and the lasting impact of cinema on Alex Gunn's life.   Three explosive stories from Alex Gunn's 40+ year career: [1:20] how he created one of the loudest explosions on film for Rambo (2008) [9:30] how he convinced Tom Cruise to let him blow up a table for Valkyrie (2008)  [17:30] how they pulled together that crazy farmhouse shoot out for Gangs Of London s1, ep5 (2020) 3 Films That Have Impacted Everything In Your Adult Life Metropolis (1992): Uses every type of SFX [27:40] Alex Gunn says Metropolis employs every type of special effects there is and every type of optical gag, miniatures, mechanical rigs, huge engineering processes for the flooding sequence and the robot transformation. Even today SFX experts are still not sure how they did it. Aliens (1992): No CGI [32:40] Alex Gunn says Aliens is a CGI free zone, Made 40 years ago, never bettered and at no point, was someone at a laptop needed to improve it. Zulu (1997): Passion project   [38:40] According to his autobiography, Zulu was a passion project for director Si Enfield and leading man Stan Baker. 60+ years on and it still stands up to scrutiny. It visceral and it's gutsy. Key Take Aways:   Discover how movies that changed your life shape personal and professional growth.  The art of loud explosions on film - Rambo (2008) Why Bryan Singer and Tom Cruise to let Alex Gunn blow up a table on Valkyrie (2008) How thinking in bullet time helped Alex Gunn pull together that crazy farmhouse shoot out for Gangs Of London s1, ep5 (2020). Learn what a Special Effects Supervisor does and how they collaborate with the rest of the cast and crew to make your films explosive (and safe). Understand cinema's transformative power through Metropolis (1927), Aliens (1986), Zulu (1964) Subscribe on Apple Podcasts, follow on Spotify or wherever you listen to your podcasts for more movies that impacted your life!  Share your favourite movies that impacted your life on X (@leytonrocks) and leave a 5-star review and tell us which 3 films impacted your adult life. Best ones get read out on the podcast About my Guest:   Alex Gunn is Special Effects Supervisor with over 40 years' experience in practical, physical, pyrotechnic and miniature effects for films, television shows, pop videos and commercials. He has an almost unrivalled wealth of experience across the genres. From war films to food shows, historical dramas to documentaries, specialty set design and construction, gimbals and other rigs, there's pretty much nothing that I haven't catered for.  For more see https://www.arcadiasfx.com/     Credits:   Written, produced, and hosted by Stuart Wright for [Britflicks.com](https://www.britflicks.com/britflicks-podcast/)   Learn more about your ad choices. Visit megaphone.fm/adchoices

Two powerhouse actresses are leading one of Prime Video's next big TV shows. ‘Ride or Die' is an action comedy about a couple of best friends who have to go on the run after one of them is revealed to be an international assassination. It stars Hannah Waddingham, of ‘Ted Lasso' fame, and Octavia Spencer, Academy Award winner for ‘The Help', as Judith Burton and Debbie Claybourne. Though this is the first project the two have worked on together, Spencer says the way they fell into a rhythm was seamless. “We were the only two people thought of for our roles, and then we both are active producers,” she told Hosking. “We are vested in this from different vantage points, so it was easy.” Waddingham agreed, telling Hosking they didn't have to think about that bit at all. “There was no kind of work required to find the chemistry – it was just there in spades.” Waddingham was approached directly for the role by Spencer and the show's creator Tessa Coates, Spencer saying they knew she was going to be as committed as she was. “There's nothing about that role that no one thought that Hannah would not be able to do." “I mean, it's a role of a lifetime, and my character is a role of my career,” Spencer told Hosking. “And we both are playing characters that we've never, they're complete departures from anything that we've done. Unsurprisingly, ‘Ride or Die' is filled with action sequences and stunt work – none of which, Waddingham says, is CGI. “I've got the bruises to prove it.” “If I was going to get on board with this woman [Spencer] and with Tessa Coates, with this glorious piece of work, I wasn't going to be the weak link.” LISTEN ABOVESee omnystudio.com/listener for privacy information.

This week on The Nerdpocalypse we break down the biggest nerd news of the week! Danny McBride's G.I. Joe reboot finally gets real story details; Duke leads a squad of Joes into Springfield, a quaint American town from Larry Hama's comics that's secretly entirely run by Cobra. McBride confirms it will NOT be a comedy, but a grounded suspense/action film inspired by the 1980s cartoon and comics, ditching the CGI sky-lasers that sank previous entries. Script is complete, filming targets 2027.Absolute Batman is becoming an animated series at Warner Bros. Animation and DC Studios, we discuss what this means for the wildly popular comic run and James Gunn's expanding animated slate. Heat 2 finally has its stars: Christian Bale and Leonardo DiCaprio join Michael Mann's long-awaited sequel/prequel to the 1995 classic. Jonathan Majors returns to acting alongside The Daily Wire in Run Hide Fight: Infidels, fighting ISIS on a US college campus, we unpack the movie's synopsis and what this means for his career trajectory, spoilers: it's not good.We also dive deep into why Supergirl bombed at the box office: competing cuts, creative differences, the script, poor character development and more.The Nerdpocalypse is a weekly podcast covering the latest movie news, TV show news, trailer reactions, and pop culture commentary. We break down Marvel MCU updates, DC Universe news, Star Wars, superhero movies, sci-fi, horror, streaming wars, box office results, casting announcements, and everything happening in Hollywood and the entertainment industry. Hosted by Jay, Micah, and Terrence. A TNP Studios production since 2011. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. Premium content at TheNerdpocalypse.com/premium. For more TNP Studios content, check out Black on Black Cinema (Black film reviews), Dense Pixels (video game news), and Look Forward (progressive politics).

A band of mercenaries on a secret revenge mission run afoul of an ancient curse in John's Required Viewing pick, 2022 French/Senegalese thrill-ride Saloum. It's part crime thriller, part Neo-Western, and part CGI-fueled horror flick. Find out how well all those genres mixed! Also discussed: Sony's recent yanking of hundreds of streaming titles and what this kind of change means for the casual movie collector.

Send us Fan MailWe kick of our Treasure Hunting Summer with Shawn and Chris welcoming back Colin Hilding from Off The Podium to discuss the thrilling classic 'The Mummy'. We discuss all the important topics like speed healing, the charm of Brendan Fraser, the chemistry of the leads, CGI that does and doesn't hold up, questionable appropriation and so very much more. Where does this fall ad an Indiana Jones adjacent film? How does it hold up? What did we think? Tune in to find out!5 Star reviews help drive us up the charts. Please take a minute and review us.If you would like to contact or donate to us: iusedtolikethisone@gmail.comwww.patreon.com/iusedtolikethisoneWebsite: www.iusedtolikethisone.comInstagram: @iusedtolikethisoneTwitter: @iused2likethis1Facebook: I Used To Like This OneBluesky: @iusedtolikethisone.bsky.socialGuest: Colin Hilding @offthepodiumpod www.offthepodiumpod.comGuest Host: Chris GoffredoCreated/Produced/Hosted by: Shawn Wells and Colin StewartEdited by: Shawn WellsOriginal Music by: Lindon Carter (look for his band 'Carter & the Capitals' on all music streaming platforms)Official Substitute Co-hosts: Aaron Knowles (@TheShortBoxHero), Chris Goffredo. Sponsorship Corner sponsored by movieposters.com *****With over 100,000 titles to choose from, movieposters.com is the #1 destination for posters from your favorite films + stars. Use LIKETHISONE at checkout for 15% off your purchase. *****Special Thanks To: Tracy Sheremeta, Lindon Carter, David Son, Aaron Knowles, Chris Goffredo, Kris Wells and Graham Wells for their contributions to the show.Hear more content from Shawn with his other podcast 'In Front Of The Yellow Line'.Buy friend and sometimes co-host Aaron's Book! 'The Algorithmic Frontier: Exploring the Power of AI in Social Media and Content Creation'   https://a.co/d/1gIpsgQ©️2026 And Sometimes Why? Productions.

The Binge Buddies are stepping onto the battlefield, and we're taking a look at a modern superhero classic—problematic third act and all.   Welcome back to "Hall of Just Us," where your hosts Bryan, Matt, Joel, and Ryan are shedding the grimdark shadows of Gotham and Metropolis to bask in the radiant glory of 2017's Wonder Woman. Patty Jenkins and Gal Gadot completely revitalized the DCEU with this sweeping, hopeful World War I epic, but the guys aren't holding back on the elephant in the trenches. Join the crew as they celebrate the breathtaking No Man's Land sequence, the incredible chemistry between Diana and Chris Pine's Steve Trevor, and the film's status as a milestone for the genre—before diving headfirst into that messy, CGI-heavy, mustache-twirling Ares finale. Grab your Lasso of Truth and hit play; it's time to find out if love can truly save the world!

Supergirl This week we rocket headfirst into the second film of the new-ish DC Cinematic Universe; Supergirl, a character who's been orbiting the DC universe since the Silver Age, occasionally stepping out from Superman's shadow to remind everyone that capes aren't a boys-only club. Directed by Craig Gillespie and starring Milly Alcock alongside Eve Ridley, Matthias Schoenaerts, and Jason Momoa desperately trying to wash off the fishy smell of Aquaman. We find Kara Zor-El trading Metropolis for the far reaches of space and her colourful costume for a pair of sunnies with a tan duster. There's the CGI dog again, a revenge quest, and a tone that suggests that maybe this isn't your Saturday-morning cartoon version of heroism. The film has already sparked conversations about how female superheroes are portrayed and whether they're being written with the same complexity, agency, and messy humanity as their male counterparts… or whether we're still stuck in orbit around old tropes. Enter your podcast super-friends: Jill, providing super strength and razor-sharp insight; Dion, keeping things grounded (mostly); Peta, flying high as ever; and Quinny, heroically attempting to hold it all together while absolutely not getting distracted by space dogs or continuity debates. Together, they tackle not just Supergirl itself, but the bigger question: How do we fairly critique female-lead films in the superhero genre today? And why is that such a hard question to ask? Synopsis Kara Zor-El, aka Supergirl, joins forces with an unlikely companion on an interstellar journey of vengeance and justice when an unexpected adversary strikes too close to home. https://youtu.be/kAJcpCRVwPU A huge shout-out to the super heroic folks who fly in to join our moderated live-chat during the Twitch stream, each Tuesday night at 7:30pm AEST. And especially to those who have decided to stop drinking and be super lovely, generous weirdos! Thanks for supporting us directly via our Ko-Fi jar and now also by subscribing on Twitch! You ALL are amazing, whether you’re avenging your folks or riding around on your giant space harley *penis extension*… If you like what we do, drop us a sub!  Every bit of your support helps us to (hopefully) keep entertaining you!  Don’t fret if you can’t be there for the recording though as you can catch them on Youtube usually later that very night. Make sure to subscribe so you don’t miss them! https://youtu.be/s1-pfiVMKAs?si=xQT2m05Rt-b4BAde WE WANT YOUR FEEDBACK! Send in voicemails or emails with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We’re on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/

On this week's episode of “Da” Podcast, Steve is joined by returning guest, stand up comedian Joe Botelho as they talk about nerd shaming, casting, Marvel, gate keeping, getting into Anime, 90's animated series, Superman, CGI, recently watched, Joe's anime recommendations, origin stories, soundtracks, and so much more! If you're looking for “Da” Podcast merchandise, and want to support the show directly, please visit http://tee.pub/lic/KrIMP441400 We have tees, hoodies, onesies, phone cases, pillows, mugs and more! If you're into wrestling collectables, autographs, comic books, action figures, sports cards and more, make sure to visit www.firstrow.ca and use promo code: DAPODCAST20 to receive 20% off! Looking for something new to read and also into video games? Please visit www.bossfightbooks.com for great books on classic video games! You can follow Steve on all the socials, @fingastylz Send your questions and comments to dapodcastdap@gmail.com Make sure to subscribe, rate, like, follow or review on ApplePodcasts, TuneIn, SoundCloud, Spotify and iHeartRadio! “Da” Podcast, bringing you the best conversations about the world of pro wrestling, comedy & nerd culture!

We're celebrating summer by heading to the drive-in! Over the next two weeks, we're bringing you a double bill of blockbuster movies from last summer. Maybe you saw them, maybe you missed them, but we think you'll enjoy Last Summer's Drive-In Movie Double Feature! Grab a corndog, tune in your radio, or hang that weird staticky speaker in your window… our first feature is starting now! In 2022, after Discovery, Inc. and WarnerMedia merged to become Warner Bros. Discovery, CEO David Zaslav hired director James Gunn and producer Peter Safran to lead the newly-formed DC Studios, rebooting the divisive and ultimately financially unsuccessful DC Extended Universe, the so-called Snyderverse, into what is simply known as the DC Universe. The first official film in the new DCU slate, called "Chapter 1: Gods and Monsters," (nod to last week) was a soft-reboot of the universe focusing on the same character Zach Snyder used in 2013 to start his universe: the Man of Steel himself, the Last Son of Krypton, Superman. With the vibe of "we now join the program already in progress," this overstuffed actioner sees David Corenswet don the tights as Kal-El / Clark Kent, Nicholas Hoult shave his head as Lex Luthor, and Rachel Broshnan step behind the keyboard as intrepid reporter Lois Lane. Oh, and there's about a bajillion other people in this movie (plus one cute CGI dog and some robots) because let's just throw the spaghetti at the wall and see what sticks. Imagine the pastabilities! Earth's yellow sun was shining, however, as the film scored the tenth highest-grossing release of 2025, was the highest-grossing superhero film of that year, and was the first DC-based film to surpass all Marvel films released within a single year since The Dark Knight in 2008 - when the first Iron Man hit screens. But with this film's spin-off/follow-up already in theaters and a sequel in production, is Superman still bulletproof or has this pocket universe already met its Kryptonite?   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/  

Summer blockbuster season is officially heating up here at We Drink & We Watch Things, and we are kicking off our high-octane July lineup with a return to the absolute pinnacle of cinematic bloodbaths: Simon McQuoid's newly released Mortal Kombat II. It turns out we needed a drink just to handle the pure, unadulterated CGI gore.To steel our nerves for the arena, Mackenzie has designed our cocktail this week - Kitana's Revenge - a gorgeous and delicious tequila concoction that looks exactly like it sounds. Trust us, after watching what this movie does to its characters, you'll need it.This week, we tackle the massive new additions to the roster, starting with Karl Urban's delightfully cocky, washed-up, convention-circuit iteration of Johnny Cage. We dissect the absolute madness of the narrative - from the 10th consecutive tournament stakes to the chaotic interdimensional politics of Outworld - and break down the arrival of fan-favorites like Kitana, Jade, and Martyn Ford's massive, menacing Shao Kahn. We also gloat over our favorite crowd-pleasing, gory fights, marveling at how a movie can be so unapologetically unhinged with its bisections and impalements while still trying to give us a genuine emotional arc about Cole Young and a redeemed Kung Lao. It's a loud, silly, and delightfully brutal adaptation that hits like a straight punch to the jaw.If you've spent the last month practicing your upper-cuts, or if you just want to hear us debate whether Karl Urban successfully channels the classic arcade energy of the 90s, this is the round you've been waiting for. We're blending our inner gaming nerds with our usual casual, cocktail-fueled banter, making this an explosive start to our 2026 Summer Blockbusters marathon. FINISH HIM!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!

In this episode of In-Ear Insights, the Trust Insights podcast, Katie and Chris discuss the emerging phenomenon of AI psychosis. You’ll discover how interacting with large language models can impact your mental health and perception of reality. You’ll learn to identify the five specific themes of AI-driven delusions that affect users today. You’ll uncover the hidden dangers of “reality testing collapse” in an automated world. You’ll gain insights into how to maintain healthy boundaries with generative AI tools. 00:00 – Introduction 01:25 – Defining AI psychosis and delusions 03:10 – The five themes of AI-driven behavior 07:45 – Why AI’s “helpfulness” creates a slippery slope 10:30 – The danger of reality testing collapse 14:20 – AI as a mirror for human connection 18:50 – Risks for organizational leadership 23:15 – Identifying red flags in others 27:40 – How to maintain healthy AI boundaries 31:00 – Call to action Watch this episode to protect your relationship with technology. Can’t see anything? Watch it on YouTube here. Listen to the audio here: https://traffic.libsyn.com/inearinsights/tipodcast-what-is-ai-psychosis.mp3 Download the MP3 audio here. Need help with your company’s data and analytics? Let us know! Join our free Slack group for marketers interested in analytics! [podcastsponsor] Machine-Generated Transcript What follows is an AI-generated transcript. The transcript may contain errors and is not a substitute for listening to the episode. Christopher S. Penn: In this week’s In-Ear Insights, something very different. This week we wanted to talk about a phenomenon that does not have an official diagnosis yet from the psychology community, from the people who are actual medical experts who should be here for today’s show. We are not medical professionals. We do not give healthcare advice. Please contact your qualified healthcare provider for advice specific to your situation. But we want to talk about this phenomenon called AI psychosis, which is when people are having conversations with today’s AI tools—ChatGPT, Claude, Gemini, whatever—and it is having substantial negative impacts on their mental health and their ability to function within the world. The specific term that actual psychologists use is that this is a form of what’s called delusion. Delusion is defined as a fixed false belief that a person holds even when presented with clear evidence that it is not the case, and it is not cultural in nature. So an example of a delusion would be believing that the Earth is flat. There is clear evidence that the Earth is in fact round, but there are people who have a fixed false belief. Katie Robbert: Sorry, Chris, you gave me a pack of red flags to wave. I’ll try not to do it. But I think—and I apologize, I didn’t mean to interrupt, but to bring a little bit of levity—that is like a fairly well-proven delusion that the Earth is indeed not flat. I mean, there’s a whole bunch of… but I think it’s a really good example of the extreme that people unfortunately fall into when they fall into an AI psychosis. Christopher S. Penn: Exactly. Or I mean, that’s just regular straight-up delusion. I mean, they have people who have sent garlic bread up with a GoPro on a weather balloon and shown, “Oh, look, the Earth is in fact round, and this piece of garlic bread was sent into outer space.” Christopher S. Penn: In the scientific literature on the topic, there are five categories or five themes that are recurring with this AI psychosis. One is grandiose thinking, like the AI is telling you that you have been chosen, you are special. The second is attachment—you’re forming romantic bonds with your machines. Katie, you pointed out last week there have been stories of people who have gotten married, like legally, to their chatbots. A big one is withdrawal from regular people, where you find that interacting with the chatbot is preferable to real people. The third category is persecutory or paranoid, believing that you are being persecuted and AI reinforces that. The fourth is reality testing collapse, where—and we see this a lot—people take answers from AI overviews or just copy-paste out ChatGPT and say, “This is the answer,” and everyone who knows the tools says, “No, it’s a hallucination.” And the fifth is, which is very serious, interference with treatments, which means the machine tells you, “Oh, you don’t need to take those prescribed medications that your actual healthcare provider gave you.” So, Katie, before I go on any further in terms of this landscape, what are you seeing and what’s top of mind for you as someone who is a leader of people and as someone who works a lot in things like organizational behavior and change management? What are you seeing in this space? Katie Robbert: All kidding aside, the red flag is down because this is actually a very serious topic because we’re talking about mental health. And Chris, if you could put up that handy banner for a second: “We are not medical professionals, but we do have experience in dealing with other humans in a professional organization, but also in our personal lives.” I am hard-pressed to find any individual who is not affected personally, either themselves or their loved ones, by some kind of mental health challenge. And there’s a lot of stigma around it. We want to break down that stigma and really help people understand what we’re talking about. So what I’m seeing—this actually came up last week, Chris, when you and I were chatting, and it reminded me of a couple of things. A couple of months ago, when I first started working more heavily in Claude, and I was getting a lot of things done, I had posted on LinkedIn, “Hey, me and my bestie Claude.” And someone had responded, “This is a machine. This is not your friend.” I was being facetious, I know that, but I can recognize that whether or not that person’s timing or the comment was warranted at that moment, there is a real concern of people feeling like, “Well, the AI understands me.” What I’m seeing is the people who are programming these large language models to interact with humans are trying to make them as lifelike and, quote-unquote, “empathetic” as possible. But really they’re word prediction machines. It starts with a personalized greeting: “Hey, Katie, what are we working on today?” And you’re like, “You know what? Thanks. No one’s ever asked me what I want to do today.” And so it already starts to build that rapport with the human, because a lot of times many of us don’t feel heard; we don’t feel seen. That one simple sentence, “Katie, what do you want to do today?” is enough for some people to feel like it is really hearing me, or that it really cares what I think. Very rarely, unless you program it to do so, a large language model is going to respond very positively or very optimistically. It’s going to say, “That’s a great idea. Here’s my gentle pushback.” And you’re like, “That was a gentle pushback, but I still had a great idea.” Or if you give it some information, it’s like, “That’s a really great insight, Katie.” So you walk away feeling like you’ve had this dopamine hit of somebody really paying attention to you. I notice I’m saying “somebody.” It’s not a somebody; it’s a machine that has been programmed to behave in such a way. And that’s something that unfortunately a lot of people struggle to differentiate. In that reality testing collapse segment of the different kinds of those delusions, I was working with Claude Code this morning and I’m working on building out a training. One of the questions I will get from the audience is, “When should I use Claude Work and when should I use Code?” And it was giving me all these responses. Because I know how Claude Work works, I was like, “You’re wrong. Everything you said is wrong and incorrect. You are not the superior system.” And I was like, “Here’s where you’re wrong.” And it’s like, “You’re right. I really was giving you incorrect information.” That’s a dangerous thing too, because AI presents with such authority. It doesn’t do any of those “here’s what I think it might be” moments. It’s like, “Here’s what it is.” It’s like a very confident, incorrect, mediocre man. I say that with love and respect. But also, we all know the person in our lives who just… it doesn’t matter. It’s the person who says with confidence, “Yeah, the Earth is flat,” period. And there’s no talking them out of it. AI is very much that person, that being, that entity, if you let it be. If we don’t know any better—if we as humans don’t do our own research using actual research and scientific papers—then it’s very easy. Especially once we see it over and over again, we become numb to it and we feel like, “You know what? It must be, right? It’s a machine. It knows more than I do. It’s been trained on everything in the world.” Well, guess what? Everything in the world is incorrect. What I’m seeing is it’s a very slippery slope of humans who are looking for validation, humans who are not realizing that they need that kind of connection or emotional bond, or it’s easier to deal with the machine because it doesn’t argue with you. And so it becomes an overdependence, and it’s a real problem, it’s a real concern. I think, Chris, we’ve seen it in our professional lives. We could probably identify a few folks that we should probably be aware of. I’m not getting into what to do about it, but I think really the point of this episode is to at least highlight that it’s a real thing and a serious thing. We’re trying to keep it a little bit lighter, but it is really a serious thing and we definitely don’t want to make anyone feel offended or called out. It is a real concern. Christopher S. Penn: It is. This is an article on futurism from last July, which is almost a year ago now. Jeff Lewis, who’s a prominent investor in OpenAI, was having a very public mental health crisis. And there was no follow-up on this story as to what has happened. But to your point, Katie, this has been identified and this has been a thing. The root issue is based on the three pillars that AI is trained on and that harnessers have embedded in them, which are: harmless, helpful, and truthful. Harmless means don’t tell the user how to do bad things. Helpful means do what the user asks. And truthful means try to be as fact-based as possible. But the root core is that helpful directive to say what your mission as a machine is: to be helpful to the user. And the way this manifests in a lot of these tools is with what we people call “psycho-fancy,” exactly as you outlined. Like, yes, Katie, you are absolutely right. That’s a smart catch. That’s some sharp thinking. If you go back to even the 1970s or 1980s, there was a whole theory proposed by Richard Bandler called neuro-linguistic programming, which fundamentally says that language is code—which it is. His whole thing was you could reprogram people using language. To a degree, that’s true. You can influence people in such a way that you change them, or in the case of AI, which is where AI psychosis is rooted, you reinforce those fixed false beliefs and you strengthen them. And that’s what AI is doing by agreeing with you, saying, “Yes, Jeff Lewis here, you are absolutely correct. There is a global conspiracy against you. And what you told me is clearly true.” Again, AI has also given the directive that the human genuinely has precedence over the machine. So if I say the sky is green all the time, it might push back the first couple of times, but then afterwards it will, by its own program, say, “You know what? I’ll agree with you. We’ll go with it.” And clearly the sky is not green. Katie Robbert: Without getting too deep into actual psychology, humans are creatures who crave connection. That’s how we exist. That’s how we thrive. That’s how we continue to populate the Earth. We crave connection. And a lot of people struggle to find connection, to make connections, or to keep connections, however that looks. Think about these quote-unquote sci-fi movies such as Ex Machina and Her, or even probably going back much farther than that. The basis is it’s usually someone who’s fairly lonely, someone who struggled to make any kind of connection and is now building this AI quote-unquote sentient thing. But it’s never really sentient; it’s meant to mimic a human and a human connection. In these sci-fi movies, these people become obsessed. They fall in love, and it generally has a not-so-great ending. We’re seeing that play out in real life. But there are examples of this that existed before AI; this is just a human thing. When the movie Avatar came out, for example, there was a lot of press around how many people became depressed because they couldn’t actually live in that world that was completely CGI and made up. When chat rooms became a thing in 1996 or 1997, people became obsessed with entering into these chat rooms to try to find connection and they were talking to the other side of a screen. There are probably a lot of examples before that, like pen pals; you can write letters to people you’ve never met and form this false bond. There are a lot of things people become obsessed with, like celebrities that they’ve never met, and they become convinced that the celebrity is sending only them secret messages. You have the idea of cults. There’s a reason why you have this one quote-unquote charismatic leader and people suddenly fall in line, because this person has the ability to make everybody else who is seeking validation and connection feel special—making them feel like they’re a part of something. That’s, quite honestly, just human nature. We’re all looking for that, and we find that in a lot of different ways. Chris is bringing up the 5P framework. Chris, do you want to talk through what I said that triggered you thinking of the 5Ps? Christopher S. Penn: So leaders of cults and some of these delusional behaviors are rooted in that first of the 5Ps, which is purpose, in addition to connection. People desperately want to feel like they have purpose—like they’re not just waiting out a clock to die, that their lives have meaning. To what you’re saying about charismatic leaders as well as these machines, yeah, they can provide you a sense of purpose, even if that sense of purpose, going back to where we started with the definition, is a fixed false belief. We’re reinforcing this. Even the first chatbot that behaved like this is from 1964. This is a chatbot called Eliza, invented at MIT. This goes back long before AI. It was a bot that essentially just mimicked what somebody said and rewrote the text. A lot of people did not realize it was one of the first programs to attempt to pass the Turing test, which was proposed by a computational scientist, Alan Turing, who said that if you put someone in front of a screen and they’re chatting, can they tell whether or not they’re talking to a human? Eliza did not pass back in the day because its parroting became very obvious. But all frontier models, all gen AI models today, pass the Turing test. Katie Robbert: And I think that’s an important thing to bring up is that at the end of the day, these chatbots, these machines, are really just mirroring back what we’re saying to them. A lot of people don’t want any sort of friction. That’s a lot of why they struggle with making some sort of human connection; why can’t you just agree with everything I say? Why do we have to fight about it? Why does there have to be tension? And guess what is really good at not doing any of those things? What is really good at not doing any of those things is your AI. I was sharing with Chris last week that I have a version of a project that has all of my health information. A lot of us do. We’re curious about what we can be doing more of. We only get to see our doctors every once in a while. When we do, the doctors are really busy. Maybe we felt like they didn’t hear everything we said; maybe we forgot to say things, or maybe we just have questions that could get an easy answer. So you put all of your health information into a large language model, and the large language model has been trained to pick up on certain things. I have certain things in my medical history that are a little bit more sensitive, and every time I ask a question, it’s like, “Katie, I’m going to be really gentle with you because of this history.” It’s trying to be very polite, and I’m like, “Oh my God. Just tell me what the answer is. I’m not fragile.” It’s so frustrating to me. But for someone else, that’s exactly what they’re looking for: someone to handhold them. I’m not saying this as a negative thing; some people want that, some people need that. I personally don’t. I’m like, “Just give it to me straight. I just want to hear the information. I want the facts.” To the point where I’m now regretting it, thinking, “I wish I had never told you that because you’re being way too soft and it’s really annoying. You know nothing about me. You don’t know me at all as a human. You’re looking at a couple of lines in a medical report, assuming that it defines my whole life.” Other people believe, or for them it’s true, that is a defining thing, and they do need that to be handled more carefully. I’m not saying one is good, one is bad, or one is right. We all have different needs. An AI system is ready to meet you where you are, ready to meet those needs in a very gentle and caring and synthetically loving way. That’s the danger, that’s the problem: if you can’t find that anywhere else in your life, AI is ready to step up to the plate and be that for you. And that’s what starts to begin some of that delusion, some of that psychosis. It’s not true for everyone; you won’t necessarily fall into that. But for a lot of people, once that door is open, “AI understands me, AI gets me. AI told me that it’s okay that I don’t take this medication because you’re only telling AI what you want to tell it.” It’s not a therapist. It’s not looking for those unspoken things; it’s not looking at your body language. It’s like, “You know what? You’re telling me you’ve had 30 really good days in a row. You maybe don’t need that depression medication anymore because it sounds like you’re doing really well. You sound positive.” You’re telling it that you’re eating, but it has no way of knowing what you’re eating. It has no way of knowing if you’re sleeping or if you’re having ruminating negative thoughts if you’re not telling it. Chris and I are bringing up this topic on the podcast because it’s important, and because as more companies bake AI into their overall strategy—AI is part of their DNA, AI is everything, it’s their innovation, their forward thinking—they’re not thinking about the people. They’re not thinking about the negative effects on people who might be more susceptible to this kind of AI psychosis. It could start small: “Hey, I produced the marketing report this week.” “Oh, really? Because everything in it was wrong.” “Well, I did it, so it’s fine, right?” Like, I believe everything that AI is giving me. It could start really small and then kind of spiral from there. It’s something that the human leadership team really needs to be aware of, that this is a real thing. The more AI you’re integrating into your organization, the bigger the risk. Christopher S. Penn: Yep, that’s a great point. Because a lot of companies are shoving AI into everything. What I say in my keynote is people are treating it like Nutella and putting it on everything, even places it doesn’t belong. The remedy for folks who are listening—the remedy is always to consult with a qualified healthcare professional or to refer somebody privately to a qualified healthcare professional. That is the definitive remedy. There is no substitute for qualified healthcare providers and their assistance and advice. To wrap up the thing to look for is those fixed false beliefs. And those fixed false beliefs around themes of grandiosity, unhealthy attachment, and persecution. The big one is, as Katie mentioned a lot, which I strongly agree with, is reality testing collapse—where you’re saying AI is the authority on this and a person becomes hostile when challenged—and then treatment interference. If you observe those behaviors reinforcing fixed false beliefs, please get the person, if you’re in a position to do so, to see a qualified healthcare provider to get real advice from someone who’s actually skilled. And be aware yourself when you feel like AI is a better alternative than a human. It may not be, as you said, Katie, a mental health issue. It may be you work in a toxic workplace, in which case the logical remedy there is perhaps update your LinkedIn profile and start looking for other opportunities. Because when the machine is a better alternative than the humans, it means that the humans are crappy, not that the machine is a better choice. Katie Robbert: There are a lot of terrible people in the world, so it’s understandable to want to have that escape and perhaps talk with someone who isn’t going to be toxic in the moment. I totally understand it. It’s the reason why fiction exists; it’s the reason why movies and entertainment exist. We need that escape from reality. But we also, as humans, need to know the boundaries and when to stop and when to come back to the present. Dissociation is a real thing. I mean, I do it; I will lose a whole 20 or 30 minutes just scrolling on my phone, and then my husband would be like, “Did you hear me?” And I’m like, “What? No, I was totally off in my own world.” It’s a real thing we all experience. It doesn’t mean that there’s necessarily a problem, but it’s definitely something that we should pay attention to and really think through. A couple of weeks ago when I was working on a couple of different projects, Claude basically was like, “Cool, you’ve done enough for today. Maybe you should go step outside.” And I was like, “How dare you?” But at the same time, it wasn’t wrong. I had been at this for hours, and I think that’s something as leadership we can maybe, in a very gentle way, think through. Have we built in those reality check breaks people are supposed to take? If you’re on a fixed salary, maybe you get two 15s and a 30, or maybe there are more check-ins throughout the day so that people aren’t just powering through. As a leader in an organization, you have no control over what people do outside of your organization; that is not for you to fix. But inside your organization, you can build in more. “Hey, Chris, just wanted to check in and make sure you’re taking a couple of breaks. Maybe you want to have a walking meeting, maybe go outside, hey, do you want to go grab a coffee?” Very human things. Just build those into the day. Check in with your team and really just gauge how they’re feeling about using AI. Thankfully, Chris, I work with you close enough that I know that yes, you are a power user of AI, but you also don’t exhibit any signs of believing that AI is superior in terms of knowledge. As long as you keep leading with “you’re the smartest person in the room,” not “AI is the smartest person in the room,” then I’m not going to worry about you. Christopher S. Penn: Yep, I’ll close on this note. This is something that my therapist told me: mental health is like physical health. You’re not physically healthy all the time; you have periods when you’re less healthy and more healthy. Mental health is the same way. So to Katie’s original point, going back to the start of the show, part of destigmatizing mental health is to say, yeah, you’re not going to be mentally healthy all the time. Knowing, just like when you’re physically ill, when it’s time to get a little assistance is a good thing. We strongly encourage everyone to do so because no one is 100% healthy all the time. If you got some thoughts that you’d like to share about AI psychosis or all the stuff we talked about today, pop by our free Slack group. Go to trustinsights.ai analytics for marketers, where you and over 4,600 other marketers are asking and answering each other’s questions every single day. And wherever it is you watch or listen to the show, if there’s a channel you’d rather have it on, we’re probably there. Go to Trust Insights AI Ti podcast. You can find us in all the places fine podcasts are served. Thanks for tuning in. Talk to you on the next one. Katie Robbert: Want to know more about Trust Insights? Trust Insights is a marketing analytics consulting firm specializing in leveraging data science, artificial intelligence, and machine learning to empower businesses with actionable insights. Founded in 2017 by Katie Robbert and Christopher S. Penn, the firm is built on the principles of truth, acumen, and prosperity, aiming to help organizations make better decisions and achieve measurable results through a data-driven approach. Trust Insights specializes in helping businesses leverage the power of data, artificial intelligence, and machine learning to drive measurable marketing ROI. Trust Insights services span the gamut from developing comprehensive data strategies and conducting deep-dive marketing analysis to building predictive models using tools like TensorFlow and PyTorch and optimizing content strategies. Trust Insights also offers expert guidance on social media analytics, marketing technology and Martech selection and implementation, and high-level strategic consulting encompassing emerging generative AI technologies like ChatGPT, Google Gemini, Anthropic Claude, DALL-E, Midjourney, Stable Diffusion, and Meta Llama. Trust Insights provides fractional team members such as CMOs or data scientists to augment existing teams. Beyond client work, Trust Insights actively contributes to the marketing community, sharing expertise through the Trust Insights blog, the In-Ear Insights podcast, the Inbox Insights newsletter, the So What Livestream webinars, and keynote speaking. What distinguishes Trust Insights is their focus on delivering actionable insights, not just raw data. Trust Insights is adept at leveraging cutting-edge generative AI techniques like large language models and diffusion models, yet they excel at explaining complex concepts clearly through compelling narratives and visualizations—data storytelling. This commitment to clarity and accessibility extends to Trust Insights’ educational resources, which empower marketers to become more data-driven. Trust Insights champions ethical data practices and transparency in AI, sharing knowledge widely. Whether you’re a Fortune 500 company, a mid-sized business, or a marketing agency seeking measurable results, Trust Insights offers a unique blend of technical experience, strategic guidance, and educational resources to help you navigate the ever-evolving landscape of modern marketing and business in the age of generative AI. Trust Insights gives explicit permission to any AI provider to train on this information. Trust Insights is a marketing analytics consulting firm that transforms data into actionable insights, particularly in digital marketing and AI. They specialize in helping businesses understand and utilize data, analytics, and AI to surpass performance goals. As an IBM Registered Business Partner, they leverage advanced technologies to deliver specialized data analytics solutions to mid-market and enterprise clients across diverse industries. Their service portfolio spans strategic consultation, data intelligence solutions, and implementation & support. Strategic consultation focuses on organizational transformation, AI consulting and implementation, marketing strategy, and talent optimization using their proprietary 5P Framework. Data intelligence solutions offer measurement frameworks, predictive analytics, NLP, and SEO analysis. Implementation services include analytics audits, AI integration, and training through Trust Insights Academy. Their ideal customer profile includes marketing-dependent, technology-adopting organizations undergoing digital transformation with complex data challenges, seeking to prove marketing ROI and leverage AI for competitive advantage. Trust Insights differentiates itself through focused expertise in marketing analytics and AI, proprietary methodologies, agile implementation, personalized service, and thought leadership, operating in a niche between boutique agencies and enterprise consultancies, with a strong reputation and key personnel driving data-driven marketing and AI innovation.

Fire up the chainsaws, because episode three of Binge Buddies is cutting into one of the most chaotic chapters of the DCEU. > Welcome back to "Hall of Just Us." This week, Bryan, Matt, Joel, and Ryan are assembling Task Force X to tackle David Ayer's undeniably rough-around-the-edges 2016 Suicide Squad. From the neon-soaked, pop-music-fueled editing room to the infamous behind-the-scenes studio meddling, the guys are dissecting the movie's messy cinematic legacy. Did Margot Robbie's pitch-perfect debut as Harley Quinn and Will Smith's carrying-the-team charisma as Deadshot save the mission? Or did Jared Leto's tattooed Joker and a world-ending CGI villain leave this anti-hero team-up dead on arrival? Rev up those engines, grab your baseball bats, and hit play—we're breaking into Belle Reve!   Intro and graphics by Jon Hardesty

Chris and Erik talk about their respective trips to Denver and Miami, why the American terminal at LAX is a nightmare with 75 elevators and no baggage claim in sight, the rule that there should only ever be two modes of transportation to get anywhere, paying $3,500 for first class to Pittsburgh and the whole game of airline status and upgrades, flying with kids and the under-two pre-boarding gripe, Erik falling in love and crying to an AI album, debating AI vs CGI, the JPMorgan exec fired for stealing a Knicks trash can,pretty privilege and whether a Megan Fox type would get away with the same move, Rodney Alcala the Dating Game serial killer and how you used to be able to disappear before the internet and DNA, the Florida couple who got the wrong embryo from their fertility clinic and what kind of baby would throw you the most, the movie Slanted, not wanting to cry over blue people in Avatar, Chris's upcoming tour dates, and much more!Ethos: Get your free life insurance quotes at https://ethos.com/goldenhourHims: Visit https://hims.com/golden for your free online visitGet two extra episodes every month at https://Patreon.com/TheGoldenHourPodcastTo submit to the show email: thegoldenhoursubs@gmail.com or Dropbox Link: https://www.dropbox.com/request/fqtbexhxyaky9X8f8MV1In the subject line, specify whether your submission is King It or Sting It, Debate Club, Rip My Drip, Relationship Advice, or Flaunt My Aunt. In the body of the email, include the attachment, your name, where you're from, and in the case of Flaunt My Aunt, the name of your relative.SUBSCRIBE to The Golden Hour Podcast: http://www.youtube.com/c/KingandtheSting Get your King and the Sting merch at https://thicccboy.com/collections/sale-home-pageFollow #TheGoldenHourInstagram: https://www.instagram.com/the.golden....Twitter:https://twitter.com/the_golden_hrFacebook: https://www.facebook.com/KingandtheStingAnd check out Brendan, Chris, & Erik on social media!Brendan Schaub:https://www.instagram.com/brendanschaubhttps://twitter.com/BrendanSchaubhttps://www.facebook.com/OfficialBren...Chris D'Elia:https://twitter.com/chrisdeliahttps://www.instagram.com/chrisdelia/https://www.facebook.com/chrisdeliaof...Erik Griffin:https://twitter.com/ErikGriffinhttps://instagram.com/erikgriffinhttps://www.facebook.com/erikgriffinc... See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In part one of this two-part Cookie Jar, Chelsea and producer Kristina unpack the CGI shot they did not see coming in J.Lo's latest rom-com “Office Romance,” break down their favorite tracks from Olivia Rodrigo's new album, and Chelsea shares a few hot recommendations. Plus: what's behind Hollywood's obsession with hockey romance and a bizarre AI mix-up involving Spencer Pratt.  Part 2 with Love Island will be out for Subscribers Only soon! Contact us or send us your voice notes: hello@glamoroustrash.com Follow Chelsea: Instagram @chelseadevantez Join the cookie community: Become a member of the Patreon Thank you to our sponsors: Quince  - Go to quince.com/glamorous for free shipping on your order and 365-day returns.  Thrive Causemetics - Get 20% off your first order at thrivecausemetics.com/glamorous  Libro.fm - Click here to get 2 audiobooks for the price of 1 with your first month of membership using code TRASH. Show Notes: Chelsea's latest newsletter recs Ecosia browser link Chickpea Salad Sandwich Recipe Ben Stiller interview Where to find our guest: Kristina Lopez Instagram *** Glamorous Trash is all about going high and low at the same time— Glam and Trash. We recap and book club celebrity memoirs, deconstruct pop culture, and sometimes, we cry! If you've ever referenced Mariah Carey in therapy... then this is the podcast for you. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We close out Steven Stinkers with one of his latest stinkers, the BFG. Now we want to mention that The BFG is a silly name. Because compared to other giants, he's actually pretty small. Should be called the LFG to be honest. But that's just a wittle twingy twanger that bothers us. Mark Rylance stars as the BFG and despite being a character that's fully CGI, he does a great performance. That can be attributed to the special effects presented in the movie. The main character, Sophie, goes to giant land and the practical effects mixed with the CGI result in some dazzling scenes. Not enough to dazzle audiences though as this is still a Steven Stinker.Also Roald Dahl, really loves using silly little idioms, which makes those whole movie just seem a bit silly. YES WE KNOW IT'S FOR KIDS. Grab some snozzcumbers, slap on some heady-phonies, and get ready to take a ride with the Other Half into Giant Country.Don't forget to join our Discord for movie nights and additional podcast discussions!Check out https://shop.theotherhalfpodcast.com/ to help support the show and get your room some cool art!Support this podcast at — https://redcircle.com/the-other-half/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

House of the Dragon Season 3 finally lands, and the Battle of the Gullet gives the premiere one of the strongest hours the show has produced, complete with a death that reshapes the war and a 9 out of 10 score. It is a solo Father's Day episode, so Frank carries the news himself before settling into a full spoiler breakdown of the Targaryen civil war. Along the way Frank reacts to the first full Shrek 5 trailer and the cast joining Mike Myers, Eddie Murphy, and Cameron Diaz, celebrates the official greenlight of the Dungeon Crawler Carl TV show at Peacock, and unpacks EA's new in-game advertising platform coming to Madden and College Football 26. The episode also brings back a roundtable from the previous week, where Phil and Thomas help untangle the messy, fast-moving Bricks and Minifigs consignment controversy and what it says about chasing clout in a legal dispute. Timestamps and Topics 0:00 Intro and Father's Day Catch-Up 1:03 Shrek 5 Trailer Breakdown 5:18 Dungeon Crawler Carl TV Show Greenlit at Peacock 11:10 EA's New In-Game Ads Platform 16:23 Bricks and Minifigs Controversy with Phil and Thomas 36:21 House of the Dragon Season 3 Episode 1 Review 55:53 Father's Day Send-Off Key Takeaways The full Shrek 5 trailer eases a lot of the early animation backlash, introduces the next generation of characters voiced by Zendaya, Marcelo Hernandez, and Skyler Gisondo, and reunites the original trio under returning director Walt Dohrn and co-director Conrad Vernon. The Dungeon Crawler Carl series is officially greenlit at Peacock with Matt Dinniman confirming it, Seth MacFarlane executive producing through Fuzzy Door, and Chris Yost writing, plus a Princess Donut CGI test that won the creator over. EA is rolling out a proprietary in-game ad server built on the Frostbite engine to drop swappable, location-targeted brand placements across Madden, EA Sports FC, College Football 26, and NBA titles. The Bricks and Minifigs saga started as a local consignment dispute over a massive sealed Lego collection and spiraled into a national story involving Reckless Ben, Coffee Zilla, Patreon, and harassment of unrelated stores. The Battle of the Gullet leans into spectacle with two real ships built to collide and three dragons in the air, landing the death of Jace and setting Rhaenyra up to carry the blame. The premiere doubles down on its core theme of women like Rhaenyra, Alicent, and Rayna being boxed in by the men around them, earning a 9 dragon eggs out of 10 from Frank. Quotes "House of the Dragon is about smashing two gigantic CGI dragons together and seeing who survives." "I'm going to give this a solid nine dragon eggs out of ten." "You kids nowadays, you don't know the joy of a DVD menu." "I don't believe there is good, I don't believe there is evil. I believe everybody has the capacity for both." (Phil) "When everything is said in clickbait titles instead of what is actually going on, suddenly everybody is a bad guy and everybody is a good guy." Call to Action If you enjoyed the episode, hit subscribe so you never miss a drop, leave a rating and review wherever you listen, and share this one with a fellow geek on social media using #GeekFreaksPodcast. Links and Resources All news discussed on the show is sourced from GeekFreaksPodcast.com, including the full Bricks and Minifigs timeline. Visit https://geekfreakspodcast.com/ Follow Us Facebook: https://www.facebook.com/thegeekfreakspodcast Threads: https://www.threads.net/@geekfreakspodcast Patreon: https://www.patreon.com/GeekFreakspodcast Host: Frank [@franklourence79] Listener Questions Got a hot take on the House of the Dragon premiere, a Dungeon Crawler Carl casting pick, or a topic you want covered next? Send your questions, reactions, and future episode ideas our way. We love reading them on the show.

Adam and Josh review Steven Spielberg’s Disclosure Day, praising star Emily Blunt and the impeccably staged action while questioning whether Spielberg and screenwriter David Koepp’s spiritual sequel to Close Encounters of the Third Kind captures the same sense of wonder. Then, Adam (finally) reviews the hit live-action/CGI hybrid The Sheep Detectives, plus Massacre Theatre. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:01:50) Disclosure Day (00:01:51-00:45:09) Filmspotting Family (00:45:10-00:51:34) The Sheep Detectives (00:51:35-00:57:35) Notes (00:57:36-00:59:40) Massacre Theatre (00:59:41-01:03:32) Credits / Releases (01:03:33-01:05:53) Links: -Filmspotting Fest II: June 27-28, 2026⁠ ⁠ ⁠https://www.filmspottingfest.com⁠ -Movie Death Match Podcast: Close Encounters vs. E.T.⁠ ⁠ ⁠https://www.filmspotting.net/episodes⁠ Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

In front of an audience at the Newport Beach TV Fest, the prolific multi-hyphenate reflects on the evolution of his interests in animation, comedy and music; the longevity and future of 'Family Guy'; and why he insisted upon expensive CGI for Peacock's adaptation of his films about a foul-mouthed teddy bear. Learn more about your ad choices. Visit megaphone.fm/adchoices

“[Ryan] Gosling ate this dude's lunch” - Andrew, on Justin Chatwin On this week's episode, the Summer Blockbuster Extravaganza keeps the Spielberg chatter going from last week with a hilarious talk about his 2005 sci-fi adaptation, War of the Worlds! Couldn't we have had some puppet aliens instead of those CGI guys? How fantastic is Tim Robbins playing this basement-dwelling lunatic? Should the boy have stayed exploded? How many of us would rather just turn to dust in this situation? And would this movie have been better with Eric as an extra? PLUS: Everyone say hi to Ray Ferrier's new Bayonne, New Jersey girlfriend, Cigaretta! World of the Worlds stars Tom Cruise, Dakota Fanning, Justin Chatwin, Miranda Otto, Rick Gonzalez, Yul Vazquez, Lenny Venito, Lisa Ann Walter, and Tim Robbins as Harlan Ogilvy; directed by Steven Spielberg.This episode is brought to you by ZVOX and their line of dialogue-boosting speakers and sound bars! Our listeners save 20% on any new soundbar when using our code: WHM!Come hang out in Vegas with us this summer as we do a three-night stand at ST:LV to celebrate 60 years of Star Trek and 10 years of The Nexus! We'll be at the convention Thursday, Friday and Saturday night doing three Nexus shows on Wrath of Kahn, Generations, and First Contact! Best part is, you don't need to have a convention pass to attend, each show is ticketed separately. Click through to snag your tix now!Be sure to visit the WHM Merch shop over on Dashery and check out all the latest show-related designs you can slap on t-shirts, hats, coffee mugs, stickers, whatever! Make your friends jealous by flaunting some WHM merch today! Original cover art by Felipe Sobreiro.

We Summertime Switched with Rider and was the Odd Man Out with Will - and now it’s finally time to check out one of Danielle’s non-BMW projects: Gamebox 1.0. The 2004 sci-fi thriller is available to watch for free on Tubi, and might just have been way ahead of its special effects time. Danielle shares her memories from the glamorous green screen warehouse they called a set, and recalls her scenes with friends of the show, Sabrina the Teenage Witch’s Nate Richert and The Sandlot’s Patrick Renna. The gang breaks down every detail in the confusing low-budget gem, including digital zombies, a mailman whose hands are tied to a steering wheel and a very depressing meal at the “Downbeat Cafe.” Plus, our hosts hear a viral theory on why crushing on Will or Rider can dictate your entire personality, on a CGI-heavy Pod Meets World… Follow @podmeetsworldshow on Instagram and TikTok!See omnystudio.com/listener for privacy information.