Podcasts about CGI

We turn back the page, and with the combined power of storytelling and Hollywood de-aging CGI, we tell a formative tale from Lemon's youth? Will it somehow inform their modern race through the hospital to escape the Light Eater? Wouldn't that be something...Follow us on bluesky for goodness sake, it's fun! And it's probably the best way to contact us, all things considered.Special Thanks as always to Sydney and Benjamin Paul and Tyler Button, and our Big Freak Spacejamfan!This episode features additional sound design by Michaël Ghelfi. Michaël creates brilliantly crafted soundscapes and ambient tracks for all sort of productions and they make perfect accompaniment to your ttrpg home games. Find his work on YouTube, and support that good stuff on Patreon.Subscribe and Rate Rude Tales of Magic on Apple Podcasts and Spotify and leave us a review!Advertise on Rude Tales of Magic via Gumball.fm.Support the show: https://www.rudetalesofmagic.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our baddest B.I.T.C.H (Baby In Total Control of Herself) Jackie and her Special Little Boy MJ are back with Second Helpings, including remembering Hulk Hogan should Rest In Piss, and the unearthed Daddy's Deli audio is servin' up memories @ 7:36.591 ! The 15 year anniversary of Snooki's iconic "WHERE'S THE BEACH!?" moment is upon us, and it's been 10 years since MJ proposed to Gideon on stage and they caused a nerd to grit his teeth when asked 'WHO'S THE BADDIES?' when it came to symbols on "Star Wars" rings. MJ and Jackie reveal that the Goop's new book is a big ole sloppy mess, Jackie started into the HAWT world of "Hunting Wives" to fill her craving for WOMEN and MJ and Jackie both make a pledge to fix their faces via Skim's new sculpting face mask. The fallout from the new Sydney Sweeney/American Eagle Jeans ad campaign continues as either haven't made a comment about the possibly racist messaging and also the CGI baby from Fantastic Four looks like straight ass. The great internet battle of if Pedro Pascal is too touchy rages on, and it seems like no one has bothered to ask who is being touched, because they all seem fine with it! Jackie and MJ decide the 4 year old who reenacted the Lady Gaga "Abracadabra" video and Jojo Siwa naming her bfs nuts is TOO MUCH, then Jackie puts out a plea for 'chup sanity after Obama seems to call for a culling for all users, but Holden coats all foods in at least 6 inches of it. Fans call for Chipotle to add Ozzy's order as a menu item, Cheers has us all wanting to go where everybody knows our names, and SO MUCH MORE!Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast  Subscribe to SiriusXM Podcasts+ to listen to new episodes of Page 7 ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.

In this exclusive episode of The Stream Panther, Jeremy Toeman — founder of Augie Studio and former VP of Product Management at WarnerMedia, CBS — explores the future of storytelling powered by AI.Jeremy discusses:The reality of AI-generated films and automated video creationHow Augie aims to make visual storytelling as easy as writing an emailThe business shift from traditional content to scalable, AI-driven videoWhy 70% of businesses still fail to promote via videoThe future of entertainment: Human vs CGI vs AIThis episode is a must-listen for filmmakers, content creators, and tech-savvy storytellers navigating the new era of digital production and Hollywood innovation. Visit - Augie StudioTAGS - AI in filmmaking, Jeremy Toeman interview, Augie Studio, WarnerMedia insights, future of video creation, AI storytelling, Hollywood AI, video automation tools, product innovation in media, digital content disruption, AI-generated video, Mission Impossible AI, CGI vs AI films, storytelling automation, tech meets media, content creation with AI, film industry disruption, emotional AI, AI in content marketing, next-gen video tools

INTO THE MORTAL WORLD MOVIE REVIEW Maciej Kur is back and he is once again covering the Annecy Animation Festival in France! Spidermike joins him to take a look at some of the wild new animated films from around the world coming out soon. China has been in the CGI game for some time adapting […]

Swallow that octopus and run away from those ants because we're discussing Park Chan-wook's 2003 masterpiece Oldboy!Join us as we discuss the origins of Oldboy, from its manga source material to the changes Park applied to this adaptation, before going all in on this spider's web of a revenge plot. It's a film known for its big twist, but there's so much more to appreciate here!Plus: that hallway fight scene, Manic Pixie Sushi Dream Girls, questionable CGI, death by CD-ROM, hypnosis as a plot convenience (but who cares?) and debating whether or not this is a "film bro" movie. Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada   

Chris Fisher is one of the leading minds behind the groundbreaking illusions in Stranger Things: The First Shadow, the stunning stage prequel to the beloved Netflix series. As Co-Illusion and Visual Effects Designer, Fisher helped craft an unprecedented theatrical experience that combines practical magic, cutting-edge engineering, and emotional storytelling — all performed live, night after night.With a background in stage magic and major productions like Harry Potter and the Cursed Child and Back to the Future: The Musical, Chris brings a magician's eye and a director's instinct to theatrical illusion, redefining what's possible on stage. In this episode, he talks about training actors in sleight-of-hand, designing horror sequences for a live audience, and why Stranger Things: The First Shadow might be the most ambitious stage show ever produced.Key TakeawaysLive theater is the new special effects.In a world dominated by CGI and AI, Fisher believes true spectacle now lies in what you can do right in front of an audience. With Stranger Things: The First Shadow, the goal was to create jaw-dropping effects — in real time, with no digital help. That meant gasps in the theater, not in post-production. The live setting becomes its own kind of magic.Treat actors like magicians.To pull off illusions, Fisher and his team had to train the cast in principles of stage magic: misdirection, sleight of hand, and controlled attention. Especially lead actor Louis McCartney, who had to master complex tricks — like bleeding on cue — all while acting. Fisher runs “magic boot camps” during rehearsals, teaching performers how to make illusions look natural and narrative-driven.Horror is harder on stage — but more powerful.Crafting fear in theater demands balance. Go too far and it becomes laughable; not far enough, and it's ineffective. Fisher focused on building suspense through precise timing, lighting, and sound — even dissecting jump scares frame by frame. His team embraced the “Jaws effect”: show just enough to unsettle, then deliver a brief, unforgettable payoff.Make every department part of the illusion.From lighting and sound to costumes and props, each scare in the show is a feat of cross-departmental coordination. A single effect — like a character's fall or a monster's entrance — often requires perfect timing across half a dozen teams. According to Fisher, true stage magic only works when everyone is completely in sync.Sometimes, the simplest things are hardest.The most challenging illusion? A nosebleed. Recreating Eleven's signature moment live took months of testing — and eventually relied on sleight-of-hand and costume tricks. The goal was to make it visible to every seat in the house, not just the front row. More often than not, storytelling dictated technique.Push past what's been done.To elevate the show beyond existing stage spectacles, Fisher and his team studied the most advanced illusion shows in Las Vegas — then set out to beat them. With encouragement from producers and the Duffer Brothers, they constantly pushed for bigger, scarier, and more innovative moments. Multiple illusion labs and workshops allowed them to invent new methods just for this production.Blood is a storytelling tool.After early previews, one note became universal: “More blood.” From subtle nosebleeds to geysers of gore, Fisher and his team used blood effects to amplify horror and tragedy. These weren't just shocks — they were emotional beats, tied to character and story. That meant making blood visible from every seat and learning how it read under different lights and costumes.Collaboration is the ultimate special effect.No single department...

Yippee-ki-yay! Dive into the chaos of Bruce Willis's straight-to-video era with our hilarious and brutally honest review of the 2022 action thriller "A Day to Die." Is this ice-cold flick a hidden gem or just another paycheck gig? Join hosts Doric Scott Jay and Mr. Smith as they dissect the plot twists, bad CGI explosions, and that wild opening siege—plus, we finally get some nudity after 29 episodes!In this episode of Dropping a Bruce, we break down every cringeworthy moment and surprising standout performance (shoutout to Leon as the drug kingpin Tyrone Pettis!). From Kevin Dillon's disgraced parole officer scrambling to save his pregnant wife to Frank Grillo bringing the badass energy, we debate if Bruce dropped a deuce or gave it his all. Expect laughs, rants, and our scientific hypothesis on why these films keep getting made. If you're a fan of action movies gone wrong, Bruce Willis deep cuts, or just love ripping apart bad cinema, this one's for you—you'll gain fresh insights into Willis's later career and why some straight-to-video flicks are gloriously awful.Dropping a Bruce is your monthly podcast diving into all 40 of Bruce Willis's straight-to-demand releases, rating if he phoned it in or went full Yippee-ki-yay. 00:00 - Intro by the Cheeky Bastards00:16 - Welcome to the 29th edition and podcast overview00:50 - Introducing "A Day to Die" and cast hype (Frank Grillo, Kevin Dillon)02:23 - Movie facts: Release, cast, budget, and ratings02:59 - Trailer highlights and plot tease05:23 - Bruce Willis's role as Police Chief Alston06:23 - Hilarious plot rant and summary07:27 - Production background: Filmed in Jackson, MS, and box office flops09:23 - Critic reviews and fan reactions10:42 - Cast deep dive: Frank Grillo, Kevin Dillon, and Leon shine11:33 - Opening siege confusion and bad CGI breakdown14:19 - Infiltrating the school with RPGs—pure insanity19:09 - 18 months later: The real plot kicks in23:58 - Kevin Dillon gets fired and the ransom demand28:06 - Assembling the team for the heist32:43 - Drug house raid: Boobs, bullets, and chaos36:01 - Double-cross and teaming up with the villain40:39 - Final heist on the armored hearse47:55 - Vital thoughts: Favorite scenes, lines, and performances56:54 - Dropping a deuce or Bruce? Final verdictWhat did you think of "A Day to Die"—hidden gem or total mess? Follow the show on our socials:Facebook & Instagram- @DroppingABruceEmail - DroppingABrucePod@gmail.com

This week on Seddy Bimco Part Two The Revenge, we talk We talk, SPAWN! Links to older episodes: https://linktr.ee/seddybimco Follow Tim on letterboxd!https://letterboxd.com/search/tjhamilton/ See the Seddy Bimco watchlist! Email us at seddybimcoe@gmail.com Most art by Tim Hamilton Music by Tim Hamilton Check out the Seddy website. Website: https://www.seddy-bimco-part-2-the-re... Links: https://linktr.ee/seddybimco Check out George O'Connor's books: https://www.georgeoconnorbooks.com/ Check out Tim Hamilton's books: https://timhamiltonrwf.gumroad.com/ Hosted on Acast. See acast.com/privacy for more informationIn this episode, the hosts discuss the 1997 film Spawn, exploring its origins, production challenges, and the impact of Todd McFarlane and Image Comics on the comic book industry. They analyze the film's pacing, character development, and visual effects, while also touching on the potential for a reboot. The conversation is filled with humor and insights into the superhero genre, making it a lively discussion for fans of comics and film alike. In this conversation, Tim Hamilton and George The Mighty delve into the film 'Spawn', exploring its characters, plot twists, and the overall execution of the movie. They discuss the impact of the clown character, the transformation of Al into Spawn, and the various CGI elements that define the film. The duo critiques the script, the performances, and the cultural references embedded within the narrative, while also reflecting on the film's legacy and its reception among audiences. They conclude with a humorous take on potential sequels and celebrity reactions to the film.Spawn, Todd McFarlane, superhero movies, Image Comics, 1997 film, visual effects, character development, comic book adaptations, movie analysis, behind the scenes, Spawn, Violator, Todd McFarlane, CGI, Hell, Clown, Martin Sheen, action figures, movie review, 90s films #spawn Hosted on Acast. See acast.com/privacy for more information.

In this episode of Productivity Smarts, host Gerald J. Leonard chats with Steven Puri, a former Hollywood studio executive turned entrepreneur. Steven has worked on blockbuster films like Independence Day and Transformers, but today he's focused on helping remote workers stay productive, happy, and focused through his company, Sukha.   Steven shares his personal journey and what led him to rethink productivity. Instead of chasing long hours and constant hustle, he now believes in working with intention and finding flow. He talks about how our environment, like having a creative workspace, can really boost performance. Drawing from his Hollywood background, he explains how the same creative principles can apply to remote work.   The conversation also dives into Sukha, an AI-powered tool he created to help people manage overwhelm. It helps users stay focused by organizing tasks, using music to encourage deep work, and creating simple, structured workflows.   Throughout the episode, you'll hear plenty of practical tips, like how to mentally “commute” to your home office, how to work in sync with your body's natural energy patterns (your chronotype), and how to use AI as a support tool rather than a replacement for creativity.   What We Discuss [02:01] Introduction to Steven Puri [05:49] Evolution of productivity: Then vs. now [09:22] Steven's film industry background [11:24] Legacy and meaningful work [12:47] Flow state: Hollywood lessons for remote work [16:48] Environmental triggers and productivity barriers [19:44] Morning routines and focus [21:54] Leadership lessons from film for remote teams [28:30] Chronotypes and personal productivity rhythms [30:20] Maintaining boundaries in remote work [33:35] AI and the future of remote productivity [36:44] How to connect with Steven   Notable Quotes   [07:40] "Now, I really measure my productivity by the effect, not by how many hours I work." – Steven Puri   [08:39] "I was just burning the candle at both ends and being really productive, but after I recovered, I realized I was more productive by being mindful and intentional." – Gerald J. Leonard   [21:47] "You talk a lot about purpose and intention. These are powerful. When you apply them, powerful things happen." – Steven Puri   [24:28] "It's always about the other thing. The part of your mind that does the cool, 'ooh, peanut butter and chocolate' — that can only function when you have something else to focus on." – Steven Puri   [35:33] "It's not AI that's replacing you. It's people who know how to use AI. Because someone who really understands how to use it can do the work of 10 to 20 people." – Steven Puri Our Guest Steven Puri is the Founder and CEO of The Sukha Company with the mission to help millions of‬ people find their focus, achieve more and have a healthy work life.‬ Steven's career started as a newscaster/interviewer for the #1 youth news show in the‬ ‭DC/Baltimore market (on WTTG-TV) and then as a junior software engineer & Thomas J.‬ Watson Scholar at IBM. After attending USC in Los Angeles, he began working in film‬ ‭production and produced computer-generated visual effects for 14 movies including‬ Independence Day which won the Academy Award for Visual Effects.‬ Steven's first tech company was Centropolis Effects that produced those CGI effects, and he‬ eventually sold it to the German media conglomerate Das Werk when he was 28.‬ Steven then produced some indie films and eventually went studio-side to develop and produce‬ live-action features as a VP of Development & Production at 20th Century Fox (running the Die‬ Hard and Wolverine franchises) and an EVP at DreamWorks Pictures for Kurtzman-Orci‬ Productions where he worked on Star Trek, Transformers and more.‬   Resources Steven Puri LinkedIn: https://www.linkedin.com/in/steven-puri Email: steven@sukha.co The Sukha Company: https://www.thesukha.co/ APP: https://app.thesukha.co/landing (Try free for 7 days)   Productivity Smarts Podcast Website - productivitysmartspodcast.com   Gerald J. Leonard Website - geraldjleonard.com Turnberry Premiere website - turnberrypremiere.com Scheduler - vcita.com/v/geraldjleonard   Mentioned  Book: Deep Work by Cal Newport Book: The Net and the Butterfly Film: Independence Day Film: Transformers Kiva is a loan, not a donation, allowing you to cycle your money and create a personal impact worldwide. https://www.kiva.org/lender/topmindshelpingtopminds  

focus in on the Marvel universe, but not before honoring (a loose term) recent deaths of cultural icons. They also discuss the evolving relationship between Mario and Princess Peach, a bizarre Chuck E. Cheese incident to the latest superhero movie rankings by Esquire, and finally, a review of the new Fantastic Four film. They share humorous anecdotes about workplace arrests, critique the superhero genre, and express their thoughts on the performances and storytelling in the latest Marvel installment. In this engaging conversation, the hosts delve into the intricacies of the latest Fantastic Four film, highlighting Julia Garner's standout performance, the cosmic scale of Galactus, the film's visual aesthetics, and CGI babies. They discuss character development, particularly focusing on Johnny Storm and the family dynamics within the team, major gripes with the film, and concludes with ratings and final thoughts on the movie's execution and impact.

This week on Comics and Chronic we're marking our milestone 300th episode with Zack Snyder's 300 based off the cult classic graphic novel by Frank Miller.  In 480 B.C. a state of war exists between Persia, led by King Xerxes (Rodrigo Santoro), and Greece. At the Battle of Thermopylae, Leonidas (Gerard Butler), king of the Greek city state of Sparta, leads his badly outnumbered warriors against the massive Persian army. Though certain death awaits the Spartans, their sacrifice inspires all of Greece to unite against their common enemy.We made it to episode 300 despite Cody's sabotage attempts at a comedy festival & Anthony's desire to change our name.  But first Jake learns how to correctly pronounce Bon Iver.  This movie is stacked with actors such as Gerard Butler, Lena Headey, Dominic West, Michael Fassbender, & others.  Is this movies ableist?  This is a dude's DUDE movie.  Men killing, sweaty CGI and, boobies, murder, blood, wolves, cripples everything a man needs to see to feel like a man.  Also gave rise to one of cinema's most famous lines:  “THIS IS SPARTA!”  This is easily o e of or if not Zack Snyder's best movie.  Some great fight scenes and cinematography even with the CGI.  It's also almost page for page the comic 300.  Could the Hot Boys have held the hot gates?  Where does 300 rank on Zack Snyder's movies with fans?  Anthony's childhood is similar to that of a boy's childhood in 300?  Did this movie destroy what the ideal male body should look like?  How does this movie age now that we're no longer hormonal teenage boys?  Tune in today for our milestone 300th episode!New episodes every THURSDAYFollow us on social media! Bluesky // Instagram // Twitter // TikTok :⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@comicsnchronic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/channel/UC45vP6pBHZk9rZi_2X3VkzQ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E-mail: comicsnchronicpodcast@gmail.comCodyInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@codycannoncomedy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @Cody_CannonTikTok: @codywalakacannonJakeInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jakefhaha⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AnthonyBluesky // Instagram // Threads // Twitter // TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mrtonynacho⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Welcome back! I start with the Update of my week and the ups and ups. I then go to Manny's A Reel Boy where we laugh learn and grow. I then Poke My Jokes for the least moderation segment. I let Eddy take the reigns and riff on riffs. I end with some CGI questions before I ended abruptly because of urinary issues. I hope you all Enjoy, Rate, Review and Share and see you next week God Willing! IA!

We've gotten a couple iterations of Marvel's first family, but thanks to Disney devouring everything like Galactus, they're in the MCU now! Does this movie feel like a live action Incredibles? Is it the best Fantastic Four movie we've gotten? And when it comes to CGI babies, how far removed are we from the days of Twilight: Breaking Dawn? Join our found family as we discuss all these questions and more! Thanks for listening! Time StampsOpening – 0:00The Fantastic Four: […]

🎮 Rejugando: Panzer Dragoon – El vuelo que cambió la historia de SEGA Saturn Con Mike Bueno, Adrian Plaza, Ramón Mendez y Raffa Valencia En este episodio de Rejugando, nos subimos a lomos del legendario dragón azul para redescubrir Panzer Dragoon, uno de los juegos más icónicos y rompemoldes del catálogo de SEGA Saturn. Es el primero de una trilogía de programas dedicados a esta saga de culto, y no podía empezar de mejor forma: con nostalgia, pasión y un montón de datos alucinantes. 🕹️ Un título adelantado a su tiempo Publicado en 1995, Panzer Dragoon dejó boquiabiertos a jugadores y revistas gracias a su espectacular apartado técnico. ¿Sabías que el juego se mueve en un falso 3D sin usar polígonos reales? Todo está construido con sprites, efectos ópticos y una ingeniería que exprimía los chips gráficos de Saturn como si fueran plastilina mágica. 🎬 Una intro de 8 minutos en CD-ROM... ¡en 1995! Mientras otros juegos apenas arrancaban con un texto o un par de imágenes, Panzer Dragoon abría con una cinemática CGI de ocho minutos que parecía sacada de una película de ciencia ficción. Sin cortes, con narrativa, banda sonora épica y hasta voces... ¡En un idioma inventado! 📚 Lore profundo y universo propio Inspirado por Nausicaä del Valle del Viento, Dune, Star Wars o los cómics de Moebius, Panzer Dragoon construyó un universo postapocalíptico donde la tecnología antigua y lo biológico se mezclaban. Las criaturas, los entornos, las torres, el imperio... todo tenía una coherencia estética y narrativa que te atrapaba aunque no entendieras todo a la primera. Y además, el juego creó su propio idioma ficticio. 🧠 Cerebros jóvenes con libertad creativa El director Yukio Futatsugi tenía solo 23 años cuando lideró al Team Andromeda. Le dieron libertad para diseñar el mundo antes incluso de tener luz verde para el proyecto. Así nacieron los cimientos de una de las sagas más queridas —y olvidadas injustamente— del catálogo de SEGA. 🎶 Una banda sonora de película La música orquestada de Yoshitaka Azuma acompaña el vuelo del dragón con una sensibilidad que pocos juegos lograban en los 90. El primer nivel ya arranca con un crescendo que te mete de lleno en una epopeya fantástica. Como bien dijeron en el programa: es cine interactivo con alma arcade. 🧩 Jugabilidad arcade con alma propia El juego introdujo el sistema de cámara giratoria en 360°, el lock-on con múltiples enemigos y fases repletas de acción medida al milímetro. Sin power-ups, sin florituras: todo se basa en reflejos, estrategia y control. Puro ADN arcade de SEGA, pero con un envoltorio sci-fi inolvidable. 📖 Con Ramón Méndez y su libro “La voluntad de los antiguos” El programa cuenta con la participación de Ramón Méndez, experto en la saga y autor de un libro recién publicado sobre Panzer Dragoon. Nos habla del legado de la serie, sus conexiones ocultas y de cómo una saga tan de nicho puede seguir viva en los corazones de los jugadores tres décadas después. 🔥 ¿Y lo mejor? Esto solo es el comienzo. En los próximos especiales se abordarán Panzer Dragoon Zwei, Orta y Saga, así que ve calentando tu nostalgia.

We've reached the epic finale of our Fantastic Four movie review series with our take on the brand-new MCU film, Fantastic Four: First Steps! After reviewing every live-action Fantastic Four movie over the past few months—including the unreleased 1994 Fantastic Four, Fantastic Four (2005), Rise of the Silver Surfer (2007), and the infamous Fan4stic (2015)—we're finally ready to break down Marvel Studios' bold new beginning!This episode features both a spoiler-free and spoiler-filled review. In the spoiler-free section, we share our initial impressions on the cast, plot, action, CGI, musical score, and villains. We then dive deep into the spoiler-heavy breakdown where we explore the strong character dynamics, MCU connections, villain motivations, and key Easter eggs that comic book fans will love.We all agree: First Steps is the best Fantastic Four movie to date, but that doesn't mean it's flawless. We point out a few nitpicks and discuss what could've been improved—while celebrating what Marvel got right. This film brings heart, humor, and heroism back to the First Family of Marvel!

We swore we were out of the game, but we couldn't pass up a chance to see DC restart their cinematic universe yet again with James Gunn's Superman! While we admit that we did have a mildly fun time with this movie, we spend the hour picking at some of the worst elements, from its overly comic book-y shtick to the muddy CGI to the messy political overtones. We're also drinking Mill Creek Brewing Co.'s Kold One kolsch!Approximate timeline0:00-10:00 Intro10:00-18:00 Beer talk18:00-end SupermanThanks for listening, write to us and let us know what you thought of the movie at bloodandblackrumpodcast@gmail.com. You can subscribe on any podcast app or find us on Bluesky and Facebook.

Join us on a wild ride through "The Expendables 2" – where Bruce Willis teams up with action legends like Sylvester Stallone, Arnold Schwarzenegger, and Jean-Claude Van Damme for explosive chaos! In this episode of "Where There's a Willis, There's a Way," hosts Kendrick Martin and Josh Carter dive deep into the film's highs, lows, and everything in between. From the soulless grins of Mr. Beast to Chuck Norris's Roundhouse legacy and even Star Wars ASCII art tangents, we break it all down with humor and heart.Ever wondered if "The Expendables 2" lives up to the hype? We rate it on our Bruce Willis scale, dissect the plot (spoiler: it's paper-thin plutonium pursuits), praise the upgraded action sequences, and critique the bland gunfights. Plus, we share laughs over character names like Toll Road and Yin Yang, trivia on the film's stunts (including real-life injuries), and why this is peak dad-movie vibes. Whether you're a die-hard Bruce Willis fan or just love 80s-style action flicks, you'll gain fresh insights, fun facts, and reasons to revisit (or skip) this star-studded sequel.Our podcast offers in-depth breakdowns of every Bruce Willis movie, blending film analysis, trivia, and his iconic contributions – because everyone needs more Willis in their life! New episodes drop regularly, so stay tuned for more action-packed discussions.0:00 - Intro surprises: OBS streaming mishaps and Discord weirdness0:58 - Tangent on top streamers like Asmongold and Mr. Beast's soulless empire3:24 - Podcast welcome and overview of "Where There's a Willis, There's a Way"4:42 - Shoutouts to supporters, website, and the Last of the Action Heroes Podcast Network6:55 - Hungry for fan emails and Mr. Beast parody ideas7:54 - Movie rating on the Bruce Willis scale and quick plot tease11:45 - Trailer audio and IMDb summary for "The Expendables 2"14:21 - Deep dive: Why we liked (or didn't) – action, script, and comparisons to the first film20:27 - Trivia: Stunt accidents, CGI planes, and plot holes in the plutonium mine23:41 - Action critiques: Gunfights vs. hand-to-hand, plus Jean-Claude Van Damme's villain charm26:14 - Cast expansions in sequels and forgotten characters like Randy Couture31:06 - Chuck Norris spotlight: His role, age, and martial arts legacy35:26 - Thoughts on sequels, Harrison Ford, and avoiding the stinkers36:51 - Video game tie-ins and rating rants39:11 - Soundtrack and lighting improvements over the original40:28 - Star Wars ASCII art discovery and Andor praises48:20 - Bruce Willis's role: Cameos, quips, and why it's skippable for purists52:36 - Box office haul and dad-movie alternatives like "The Meg"54:30 - Wheel of Willis: Dubbing lines and censoring ideas1:01:00 - Listener interactions, social plugs, and upcoming "Looper" tease1:03:42 - Tasty treats: "Better Off Ted" recommendation and bike ride vibes1:07:59 - Wrap-up and teaser for next episodeSubscribe for more Bruce Willis deep dives, like if you chuckled along, and comment your thoughts on "The Expendables 2" below – did the action hold up for you? Support us for free by leaving a review on Spotify or Apple Podcasts, or tell a friend! Check out previous episodes at https://williswaypod.com. Follow us on socials @WillisWayPod, join the Last of the Action Heroes Discord, or email us at williswaypod@gmail.com. Part of the Last of the Action Heroes Podcast Network – more action hero pods await!

Jeffrey Epstein played a role in the early stages of the Clinton Global Initiative by reportedly providing seed funding and strategic input. According to statements from his legal representatives, Epstein was part of the initial group that helped conceive the foundation and donated $25,000 in 2005, during its formative phase. While the Clinton Foundation has downplayed the relationship, multiple reports have confirmed that Epstein had involvement in early planning discussions and provided financial contributions during the CGI's foundational years, helping to establish its presence as a global philanthropic force.In addition to the monetary support, Epstein also provided logistical and transportation assistance to Bill Clinton, including the use of his private jet on multiple occasions for CGI-related trips to Africa, Asia, and Europe. These flights were not merely coincidental; they aligned with the foundation's outreach efforts and international engagements. Clinton aides have claimed that Secret Service was always present, but flight logs and associated court filings reflect a more intimate relationship than the Clinton camp has publicly acknowledged. Epstein's financial and operational support, though later downplayed, was critical to CGI's launch and early expansion.To contact me:bobbycapucci@protonamail.comsource:https://news.yahoo.com/epstein-lawyer-claimed-alleged-pedophile-223701676.html

Grab your recycled plastic spoon chairs and join us in Vietnam for an all new LIVE! What does CGI have in common with America? We overshot perfection. Now, the Boiz are here to determine what else has already peaked. Matt misses TV shows that had more than ten episodes. Pat wants to bring back smoking on airplanes. Together, the Boiz ranked their 31st-50th best movies of the 21st century. Plus, what if we brought back JFK? Is music bad or are we just old? Man or trash can? All that and more an it all happens LIVE!

It's time for a Be Kind Rewind on Fantastic Four: Rise of the Silver Surfer—the 2007 sequel that gave us Chris Evans' scene-stealing Human Torch, Andre Braugher delivering one of the best lines ever (“I'm the quarterback!”), and… a Galactus that looks like a weather cloud. Dave and Cody dig into what holds up, what absolutely doesn't (looking at you, Jessica Alba's blue contacts), and the surprisingly decent CGI that made Silver Surfer a standout.Also: The fellas hit the latest pop culture news including the...um...Coldplay's concert incident and South Park's $1.5 billion streaming deal.And stay tuned at the end as we answer listener questions in The Lobby!https://linktr.ee/PopCulturePastorPod

For the 175th episode of Another Pass, we had to talk about a cult classic so cultish and such a classic that it demanded two separate panels! That's right! For a discussion on Starship Troopers, Case and Sam are joined by John Lestrange (The History Wizard), Samantha Perez, Keith Lehtinen, and Mitch Punpayuk! Would you like to know more? Music by Vin Macri and Matt Brogan Podcast Edited by Sophia Ricciardi Overview Episode 175 of 'Certain POV's Another Pass' podcast explores Starship Troopers, addressing its satirical elements and impact on audiences, featuring two distinct panels. Personal viewing experiences highlight how initial interpretations of the film changed over time, with multiple guests recognizing the underlying satire. The film's satirical intent often missed by audiences; Poe's Law indicates difficulty in distinguishing extreme satire from genuine claims without clear indicators. Elements of fascism illustrated in the United Citizen Federation's military service requirements and portrayal of authority figures with war injuries. Propaganda within the film includes false flag operations, demonstrating dehumanization of 'bugs' and justifying violent military actions. Johnny Rico's character illustrates an alt-right pipeline, showing the process of radicalization through military indoctrination and societal pressure. Significant differences between the original book and movie adaptation noted, including a shift in character motivations and depictions of technology. Production challenges included injuries during boot camp training and instances of disrupted filming, showcasing the difficulties faced by the crew. Cultural impact acknowledged, as Starship Troopers influenced franchises like Starcraft and Helldivers, with modern audiences resonating with its themes. New adaptations are in development, including a Sony project directed by Neil Blomkamp, indicating ongoing interest in the Starship Troopers franchise.   Notes ️ Episode Introduction & Format (00:01 - 02:51) Episode 175 of 'Certain POV's Another Pass' podcast discussing Starship Troopers as a movie that overcame adversity. Two-panel format with different guest combinations to cover extensive discussion topics. First panel features Case Aiken, Sam Alicea, John Lestrange, and Samantha Perez focusing on sociological themes. Second panel includes Case Aiken, Sam Alicea, Keith Lehtinen, and Mitch Punpayuk discussing filmmaking aspects. Personal Experiences with Starship Troopers (04:08 - 16:01) Case Aiken saw it at age 13 in 1997, initially missed satirical elements, took it as straightforward action film. Sam Alicea watched at 16-17, uncomfortable with bugs but recognized something 'off' about the film. John Lestrange first viewing at age 7 when released, watched for first time yesterday with Holocaust studies background. Samantha Perez saw chopped TV versions as teenager, recently rewatched with fresh perspective. Keith Lehtinen was 14 when released, became aware of actors through this film, Dina Meyer was first crush. Mitch Punpayuk saw at 15, bought DVD before owning DVD player, waited two years to watch it. Satirical Elements & Reception Analysis (20:09 - 29:48) Movie functions as fascist propaganda satire but audiences often missed the satirical intent. Poe's Law applies - satirical expressions of extremist views indistinguishable from actual extremist views without clear indicators. 1997 timing problematic for satire reception - post-Cold War, pre-9/11 context limited audience understanding. Director Paul Verhoeven grew up in Nazi-occupied Netherlands, assumed audience familiarity with fascist themes. Susan Sontag's 'Fascinating Fascisms' (1975) referenced - Nazi ideal of 'brave, pretty and stupid' Aryan forces. ️ Fascist Society Elements (24:14 - 01:01:13) United Citizen Federation requires military service for citizenship and voting rights. All adult authority figures shown with missing limbs or severe scarring from military service. 14 characteristics of fascism present but modified - notably lacks typical gender hierarchy/sexism. Reproduction licensing system makes having children difficult for non-citizens. Public flogging and televised executions as standard punishments. Bug War Propaganda Analysis (30:42 - 40:12) Buenos Aires meteor attack potentially false flag operation rather than bug weapon. Mormon colony massacre on bug territory used as justification despite humans being invaders. 'Would you like to know more?' segments function as in-universe propaganda reels. Children encouraged to stomp bugs in disturbing propaganda scene. Brain bug capture presented as victory but war clearly being lost. ‍️ Character Development & Military Pipeline (51:47 - 01:00:16) Johnny Rico represents alt-right pipeline - young man radicalized through military indoctrination. Carmen Ibanez portrayed as ambitious, prioritizing military career over relationships. Dizzy Flores changed from male character in book to female love interest. Carl Jenkins represents military intelligence, disappears into classified operations. Sergeant Zim and Lieutenant Rasczak serve as father figures in military structure. Book vs Movie Adaptation (23:13 - 28:17) Originally titled 'Bug Hunt at Outpost 7' before being adapted to Starship Troopers. Director didn't finish reading Heinlein's book, called it 'too boring'. Mobile Infantry in book wore powered armor with jump jets, removed due to budget/wire work complexity. Bugs more technologically advanced in book, movie presents them as purely biological. Buenos Aires not Rico's hometown in book, major plot change for personal motivation. Production Challenges & Behind-the-Scenes (39:34 - 07:35) Cast underwent intensive boot camp training, Casper Van Dien and Dina Meyer sustained injuries during filming. Intoxicated crew member mentioned bomb on flight, disrupting production travel. Pre-visualization test at Vasquez Rocks convinced TriStar to fund after Waterworld concerns. 15-foot practical ship models used alongside CGI for space scenes. Starship Trooper armor reused in multiple productions including Power Rangers, Firefly, Planet of the Apes. Special Effects & Technical Aspects (08:52 - 06:24) Mix of practical and CGI effects particularly effective for bug creatures. Netflix 4K viewing shows quality variations, some scenes appear grainy especially green screen backgrounds. Brain bug close-ups noted as particularly disturbing and well-designed. Space scenes generally poor quality except for specific flight sequences. Cultural Impact & Legacy (14:18 - 17:26) Starcraft, Warhammer 40K, and Helldivers directly influenced by Starship Troopers aesthetics. Five-movie franchise plus Roughnecks CGI TV series expanded universe. Modern resonance with current political climate makes satirical elements more apparent. Gif culture frequently references film during political tensions. Cast & Casting Decisions (17:18 - 21:57) Unknown actors cast intentionally to look 'authentically young' but appear older due to training. Mark Wahlberg and Matt Damon auditioned for Rico role. Dina Meyer originally read for Carmen, chose Dizzy role instead. Neil Patrick Harris commentary recorded pre-How I Met Your Mother fame. Character actors include Amy Smart, Seth Gilliam, Timothy Omundson in small roles. Audience Reception & Box Office (15:07 - 20:09) Test audiences disliked Carmen character, preferred Dizzy. Critical reception missed satirical intent, even thoughtful reviewers uncertain. Box office made budget back but not considered major success. Cult classic status developed over time as satirical elements became more apparent. Thematic Analysis (34:39 - 51:47) Dehumanization through 'bug' imagery parallels historical genocidal rhetoric. Violence as societal foundation explicitly stated in film's philosophy. Military-industrial complex critique through endless war presentation. Youth radicalization process demonstrated through Rico's character arc. Future Adaptations (13:51 - 13:51) Sony developing new Starship Troopers adaptation directed by Neil Blomkamp. Helldivers movie also in development as spiritual successor.

Jeffrey Epstein played a role in the early stages of the Clinton Global Initiative by reportedly providing seed funding and strategic input. According to statements from his legal representatives, Epstein was part of the initial group that helped conceive the foundation and donated $25,000 in 2005, during its formative phase. While the Clinton Foundation has downplayed the relationship, multiple reports have confirmed that Epstein had involvement in early planning discussions and provided financial contributions during the CGI's foundational years, helping to establish its presence as a global philanthropic force.In addition to the monetary support, Epstein also provided logistical and transportation assistance to Bill Clinton, including the use of his private jet on multiple occasions for CGI-related trips to Africa, Asia, and Europe. These flights were not merely coincidental; they aligned with the foundation's outreach efforts and international engagements. Clinton aides have claimed that Secret Service was always present, but flight logs and associated court filings reflect a more intimate relationship than the Clinton camp has publicly acknowledged. Epstein's financial and operational support, though later downplayed, was critical to CGI's launch and early expansion.To contact me:bobbycapucci@protonamail.comsource:https://news.yahoo.com/epstein-lawyer-claimed-alleged-pedophile-223701676.htmlBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

On this episode of Challenge Accepted, Frank and Thomas dive deep into Fantastic Four: First Steps, Marvel's latest take on its original superhero team. They unpack what makes this version click—from the emotional dynamics between the characters to the classic comic book roots baked into the plot. They also debate Pedro Pascal's Reed Richards, celebrate Vanessa Kirby's commanding performance as Sue, and break down what that end credits Doom reveal means for the future of the MCU. This one's packed with takes, comic knowledge, and that signature CA banter. Timestamps and Topics: 00:00 Intro and first reactions 00:34 Emotional tone and visual impact 01:17 The family dynamic and what Marvel nailed 02:06 Comparing Fantastic Four and Superman's reboots 03:13 Marvel's tonal shift and 60s sci-fi inspirations 04:07 Spoiler alert and space travel discussions 05:24 Comic nods: Galactus, Mole Man, Red Ghost 07:00 The return of recurring villains in the MCU 10:06 Deep character breakdown: Sue, Reed, Johnny, Ben 13:40 Ben and Reed's friendship complexity 18:09 Pedro Pascal as Reed Richards—does it work? 24:02 Franklin Richards and the film's emotional core 27:10 Comic comparisons and MCU differences 30:32 CGI highs and lows 35:00 Galactus' design and introduction 37:00 Final battle and team synergy 41:04 Stretching powers and future potential 46:49 Mid and post-credit scene breakdowns 51:00 Multiverse theories and TVA links 55:02 Final thoughts and sequel hopes Key Takeaways: Vanessa Kirby shines as Sue Storm, grounding the film with emotion and authority. This Fantastic Four reboot captures the sci-fi spirit of the comics while carving out a fresh MCU tone. Johnny Storm is finally more than comic relief—he's passionate, intelligent, and layered. Pedro Pascal delivers a solid performance, but debate remains whether he feels like Reed. Galactus and Silver Surfer bring scope and threat, with visual set pieces built for IMAX. The mid-credits Doom reveal got the loudest cheer in the theater—for good reason. Memorable Quotes: “This is the first time in a long time I walked out of a Marvel movie wanting a sequel—not the next MCU thing. Just more of this.” “Sue Storm runs this team. Period.” “I don't think Pedro was Reed. I think Pedro played someone like Reed.” “They didn't just adapt a comic—they brought 60s sci-fi to life.” “Galactus wasn't just big. He was felt—especially in IMAX.” Call to Action: If you enjoyed this episode, hit follow, leave a review, and share it with your Marvel-loving crew. Tag us with #ChallengeAcceptedPod and tell us your rating for Fantastic Four: First Steps. Links and Resources: For all the latest news we reference, visit GeekFreaksPodcast.com Follow Us: Instagram: @challengeacceptedlive Twitter: @CAPodcastLive TikTok: @challengeacceptedlive Listener Questions: What's your take on Pedro Pascal's Mr. Fantastic? Are you ready for Doctor Doom to shake up the MCU? Let us know and we might read your responses on a future episode. Apple Podcast Tags: Fantastic Four, Marvel Review, MCU Phase 6, Pedro Pascal, Vanessa Kirby, Galactus, Silver Surfer, Sue Storm, Reed Richards, Marvel Reboot, Doctor Doom, Marvel End Credits, Comic Book Movies, Challenge Accepted, Marvel 2025

🎮 Rejugando: Panzer Dragoon – El vuelo que cambió la historia de SEGA Saturn Con Mike Bueno, Adrian Plaza, Ramón Mendez y Raffa Valencia En este episodio de Rejugando, nos subimos a lomos del legendario dragón azul para redescubrir Panzer Dragoon, uno de los juegos más icónicos y rompemoldes del catálogo de SEGA Saturn. Es el primero de una trilogía de programas dedicados a esta saga de culto, y no podía empezar de mejor forma: con nostalgia, pasión y un montón de datos alucinantes. 🕹️ Un título adelantado a su tiempo Publicado en 1995, Panzer Dragoon dejó boquiabiertos a jugadores y revistas gracias a su espectacular apartado técnico. ¿Sabías que el juego se mueve en un falso 3D sin usar polígonos reales? Todo está construido con sprites, efectos ópticos y una ingeniería que exprimía los chips gráficos de Saturn como si fueran plastilina mágica. 🎬 Una intro de 8 minutos en CD-ROM... ¡en 1995! Mientras otros juegos apenas arrancaban con un texto o un par de imágenes, Panzer Dragoon abría con una cinemática CGI de ocho minutos que parecía sacada de una película de ciencia ficción. Sin cortes, con narrativa, banda sonora épica y hasta voces... ¡En un idioma inventado! 📚 Lore profundo y universo propio Inspirado por Nausicaä del Valle del Viento, Dune, Star Wars o los cómics de Moebius, Panzer Dragoon construyó un universo postapocalíptico donde la tecnología antigua y lo biológico se mezclaban. Las criaturas, los entornos, las torres, el imperio... todo tenía una coherencia estética y narrativa que te atrapaba aunque no entendieras todo a la primera. Y además, el juego creó su propio idioma ficticio. 🧠 Cerebros jóvenes con libertad creativa El director Yukio Futatsugi tenía solo 23 años cuando lideró al Team Andromeda. Le dieron libertad para diseñar el mundo antes incluso de tener luz verde para el proyecto. Así nacieron los cimientos de una de las sagas más queridas —y olvidadas injustamente— del catálogo de SEGA. 🎶 Una banda sonora de película La música orquestada de Yoshitaka Azuma acompaña el vuelo del dragón con una sensibilidad que pocos juegos lograban en los 90. El primer nivel ya arranca con un crescendo que te mete de lleno en una epopeya fantástica. Como bien dijeron en el programa: es cine interactivo con alma arcade. 🧩 Jugabilidad arcade con alma propia El juego introdujo el sistema de cámara giratoria en 360°, el lock-on con múltiples enemigos y fases repletas de acción medida al milímetro. Sin power-ups, sin florituras: todo se basa en reflejos, estrategia y control. Puro ADN arcade de SEGA, pero con un envoltorio sci-fi inolvidable. 📖 Con Ramón Méndez y su libro “La voluntad de los antiguos” El programa cuenta con la participación de Ramón Méndez, experto en la saga y autor de un libro recién publicado sobre Panzer Dragoon. Nos habla del legado de la serie, sus conexiones ocultas y de cómo una saga tan de nicho puede seguir viva en los corazones de los jugadores tres décadas después. 🔥 ¿Y lo mejor? Esto solo es el comienzo. En los próximos especiales se abordarán Panzer Dragoon Zwei, Orta y Saga, así que ve calentando tu nostalgia.

Jay Light (MasterChef, Comedy Store) is on the couch this week and we get into bad CGI, cursed toenails, movies so bad they're good, and what it's like to be funny at the wrong time.  Thank you all for Listening!  Follow Jay Light:  www.instagram.com/dietjay Follow Us: Podcast pages - https://linktr.ee/reydarpod https://www.instagram.com/reydarpodcast Rian Reyes - https://linktr.ee/rianreyes Josh the Producer - https://www.instagram.com/imjoshuabenjamin This Old Ting - https://www.instagram.com/thisoldthing.tv Support the podcast: Patreon - https://patreon.com/reydarpo Merch - https://www.etsy.com/shop/RiansMerch  Legacy Teas and Spices: https://legacyteasandspices.com Use code: rian20

It's the head to head nobody was asking for in 2025. Once again our cultural timing is spot on. This week the boys revisit Antz and A Bug's Life to see which truly is the quintessential CGI-bug movie of the late 90s.Antz is a 1998 American animated adventure comedy film directed by Eric Darnell and Tim Johnson from a screenplay written by Todd Alcott and the writing team of Chris and Paul Weitz. Produced by DreamWorks Pictures, the film stars the voices of Woody Allen, Sharon Stone, Jennifer Lopez, Sylvester Stallone, Christopher Walken, Dan Aykroyd, Anne Bancroft, Danny Glover and Gene Hackman.A Bug's Life (stylized in all lowercase) is a 1998 American animated comedy film produced by Pixar Animation Studios for Walt Disney Pictures. It is Pixar's second feature-length film, following Toy Story (1995). The film was directed by John Lasseter and co-directed by Andrew Stanton, from a screenplay written by Stanton. It stars the voices of Dave Foley, Kevin Spacey, Julia Louis-Dreyfus, and Hayden Panettiere.

With the Red Sonja reboot on the horizon, ScreenTime's Cas Harlow chats with director MJ Bassett about bringing the iconic Robert E. Howard character back to the screen in just three months. They discuss her roots in filmmaking, shifting from horror to TV action, filming in Africa, and the future of AI in cinema - plus a surprising flaw in modern CGI most fans don't notice.

What a long, strange trip it's been. After 4 weeks of bad puns, bad CGI, gratuitous cameos and more Star Wars puns than Patton Oswalt doing standup, we have reached the very end of the road. What better way to celebrate Shark Week than to give this 'nado one last spin. It's time to see if The Last Sharknado: It's About Time is not that bad. Learn more about your ad choices. Visit megaphone.fm/adchoices

What's your favorite creature feature of all time? This week, we're diving deep into the murky Amazon to revisit the 1997 cult classic Anaconda. From giant snakes to even bigger egos, we're breaking down everything that makes this wild adventure a so bad it's good fan favorite.We'll talk about the star-studded cast. Jennifer Lopez, Ice Cube, Jon Voight, and more. How their performances either elevated or unhinged the movie. But here's the real question: with the limitations of 90s CGI, would Anaconda have been better off keeping its killer snake in the shadows?Also up for debate: who's the real villain here, the 40-foot anaconda or the unhinged snake hunter Paul Serone?We'll also explore whether Anaconda has any deeper meaning beyond its jungle thrills, from man vs. nature themes to the dangers of exploitation and obsession.Then we wrap things up with our ratings and a few fun creature feature recommendations that slither in the same lane.So grab your gear, avoid the snakes, and hit play because this week, we're hunting the hunters.

Captain Bubbles and her Redshirts are back to discuss and review the Strange New Worlds season 3 premiere episode "Hegemony, Part II." The crew run down how they weathered the 2 year long hiatus, Trek end of season cliffhangers, Scotty's genious moment, Ortegas' near death moment, clarify who survives until Kirk's Enterprise, La'An's Gorn head shot, SP's crazy theory about Una's blood, Ortegas, Betal and McCoy, a question on CGI, Pike's limits, Gorn meme communication, the new Sam Kirk drinking game, and an introduction to Star Trek Trivial Pursuit: Fancast style. Thank you so much for listening to our coverage of Strange New Worlds. Email: strangenewworldscast@gmail.com Twitter: https://x.com/trek_worlds Best place to find SP: http://www.GonnaGeek.com/discord Best place to find Jake: https://x.com/cynicaloldman48 Best place to find Shannon: https://x.com/syfygurl

(Originally posted on June 30, 2023) It's the Chevy Chase/Dog film you never knew existed! Eddie Ham and Mattalamode drop the show once again as we dive into the feverish world of Bob Clark's The Karate Dog, a family film about Dirt Nasty and a CGI dog getting revenge for the death of Pat Morita. Oh, and Jon Voight is there and he's, uh uh, cranked up to 11, baby! 

The summer blockbuster season is in full swing, and we're diving into everything from Superman's ongoing cultural impact to the controversial use of AI in filmmaking. The Man of Steel continues to dominate conversations weeks after release, with fans still discovering Easter eggs and collecting merchandise that's flying off shelves faster than a speeding bullet.We explore the shifting landscape of animation as Spider-Verse gets pushed to 2027, raising questions about how long anticipation can realistically build before audiences move on. Meanwhile, television excellence gets its due with Emmy nominations showcasing standout performances on shows like The Bear, where Ayo Edebiri makes history with her third consecutive nomination.Perhaps most provocatively, we tackle Netflix's admission of using AI for an entire scene in a recent film – cutting production time by 90%. Where's the line between technological advancement and creative compromise? Is this the CGI revolution all over again, or something more concerning for the industry's future?Our deep dive into Amazon Prime's "Heads of State" examines how streaming platforms have created a new middle ground for action comedies that wouldn't necessarily thrive in theaters. John Cena and Idris Elba's chemistry carries this turn-your-brain-off adventure that perfectly embodies the streaming formula. We contrast this with "I Know What You Did Last Summer," a nostalgia play that struggles to justify its existence beyond name recognition.Looking ahead to Fantastic Four's imminent release, we can't help but get excited about the collectible popcorn buckets (particularly the impressive $80 light-up Galactus) while contemplating what Pedro Pascal's Reed Richards might mean for his already meteoric career trajectory. Whether you're a casual moviegoer or dedicated film buff, our conversation captures the pulse of this extraordinary moment in entertainment.

(Airdate: 7.21.25) We've got the latest on Andy Byron, the tech CEO who kissed his job goodbye after getting caught on the Coldplay kiss cam—with someone who wasn't his wife. Then, meet the real star of Superman: Krypto the Super Dog, whose CGI charm has sparked a 500% surge in dog adoptions. But experts say, paws off if you're not ready for the commitment. And finally, Rebecca Romijn and Jerry O'Connell spill the financial tea—turns out they've kept their money totally separate for all 18 years of marriage. Drama. Dogs. Dollars. Let's go. #WhoCaresNews #KissCamChaos #SuperDog #SeparateAccounts And @HalleBerry Listen to the daily Van Camp and Morgan radio show at: https://vancampandmorgan.com/stations buy us a coffee    

EPIC SUPERSIZED SUPERMAN ANALYSIS!  *Links in bio - please check out our video episodes on Spotify and YouTubeThe year's most eagerly anticipated film soars into theatres and Watch Skip Plus gives you a KRYPTON-sized critical analysis of the James Gunn-directed superhero epic. Eschewing pluses this week, WilDaBeast and Cupcake are joined by Pod-Father Sam U. Rai from the Gentleman's Guide to Midnite Cinema podcast and “Fakest of Shemps” Jeremy (who guested on our recent Oscars episode and creamed us with his spot-on predictions). Get ready for a  stripped-down (image-free) roundtable discussion about the pop culture impact of Superman, James Gunn as a filmmaker, the cast, the CGI, and whether this first film…the charter voyage for the new DC Studios (RIP Snyder-verse) and the first chapter of the proposed “Gods and Monsters” DC media-verse…is worthy of the hype/relaunch/reboot of a storied DC character or if it's yet another failed attempt for DC and a misstep for Gunn (who has dabbled now in BOTH DC and Marvel franchises). LOOK UP IN THE SKY….IT'S A BIRD! IT'S A PLANE! IT'S A NEW WATCH SKIP PLUS EPISODE!!! (Editor's note: HOW in the world is this review LONGER than the actual movie?)TIMESTAMPSChapters00:00 Teaser01:50 Intro / Superman Fans08:03 Superman: Below the Line / Production22:56 Superman: Above the Line / The Cast46:57 Spoiler-Free Thoughts01:14:21 Super-Spoilers Ahead02:09:21 Outro / Stinger- - - - - - - - - -WE ARE WATCH SKIP PLUS! FOLLOW/LIKE/SUBSCRIBE/REVIEW/LOVEEmail us: WatchSkipPlus@gmail.comIG: https://www.instagram.com/watchskipplus/Facebook: https://www.facebook.com/watchskippluspodX: https://x.com/watchskipplusYouTube: www.youtube.com/@WatchSkipPlusDiscord: https://discord.gg/PGX4RRUe#DCstudios #jamesgunn #petersafran #superman #superman2025 #davidcorenswet #alantudyk #rachelbrosnahan #nicholashoult #skylargisondo #frankgrillo #beckbennett #wendellpierce #michaelianblack #zlatkoburic #edicathegi #nathanfillion #isabelamerced #anthonycarrigan #pruitttaylorvince #henrybraham #davidfleming #johnmurphy #DC #domainentertainment #trollcourtentertainment #thesafrancompany #warnerbros

⚡️ The Flash: Entre universos rotos y CGI chusquero Dicen que The Flash es un desastre… Dicen que el CGI da dentera… Dicen muchas cosas, pero nosotros venimos a defender la batcueva, los efectos prácticos y esa historia emocional que nadie supo ver entre tanto meme. Aquí celebramos los momentos que importan, aunque vengan pixelados. Recorremos la batcueva como si fuésemos niños en un parque de atracciones sin normas. Hablamos de universos colapsando, cameos locos, nostalgia mal gestionada… y de cómo una peli tan fallida puede ser, al mismo tiempo, gloriosa. Todo esto con un equipo que corre más que Barry en chanclas: Rut Villamagna, artista de cine con más realidad que cualquier multiverso. Frikilandias, el defensor de todo lo que la crítica odia. Fer, experto en líneas temporales mal cerradas. Corleone, mafioso de La Guarida y del comentario certero. Y el Mamado Lidel, que no necesita Speed Force para partirte la cara de risa. Dale al play y quédate con nosotros, guardianes, que hoy saltamos entre líneas temporales… aunque alguna se nos quede colgando.

Jurandir Filho⁠, ⁠Felipe Mesquita⁠, ⁠João Pimenta⁠, ⁠Evandro de Freitas⁠ e ⁠Bruno Carvalho⁠ batem um papo sobre CGIs, aberturas e cutscenes que impactaram muito quando apareceram nos jogos de videogame. Durante a era dos 32 bits, especialmente na segunda metade dos anos 1990, uma verdadeira febre tomou conta do mundo dos videogames: as apresentações em CGI (imagens geradas por computador). Eram cenas cinematográficas, renderizadas previamente, que impressionavam pelo visual realista (para a época) e davam aos jogos uma cara de “filme interativo”. Na transição dos gráficos pixelados do 2D para um 3D ainda em construção, essas animações foram um diferencial poderoso para atrair jogadores e transmitir emoção, drama e escala épica.Para quem cresceu jogando em consoles 8 e 16 bits, ver personagens realistas se movendo com fluidez, com iluminação, câmera dinâmica e efeitos especiais era quase mágico. Era como ver o futuro acontecer diante dos olhos. As CGIs permitiam contar histórias com mais impacto. Em vez de apenas texto ou sprites limitados, você via a expressão dos personagens, os movimentos dramáticos e a ambientação completa — tudo com uma trilha sonora orquestrada ou dramática ao fundo. Muitos trailers de jogos da época usavam exclusivamente as CGIs para promover os títulos, e funcionava: dava a impressão de que o jogo era um épico cinematográfico, mesmo que o gameplay fosse bem mais simples. Com o PlayStation e o Sega Saturn usando CDs, os desenvolvedores tinham mais espaço para incluir vídeos de alta qualidade. Isso fazia os jogos parecerem mais “premium” em comparação aos cartuchos da geração anterior.As inesquecíveis apresentações de "Final Fantasy VII", "Final Fantasy VIII", "Resident Evil", a franquia "Tekken", "Chrono Cross", "Parasite Eve", "Soul Edge", "Legacy of Kain" e muito outros- ⁠ALURA⁠ | Aprenda Python do zero, crie dashboards interativos e acelere sua carreira em dados! TUDO DE GRAÇA!!! ⁠https://alura.tv/99vidas-imersao-dados

Jurandir Filho, Felipe Mesquita, João Pimenta, Evandro de Freitas e Bruno Carvalho batem um papo sobre CGIs, aberturas e cutscenes que impactaram muito quando apareceram nos jogos de videogame. Durante a era dos 32 bits, especialmente na segunda metade dos anos 1990, uma verdadeira febre tomou conta do mundo dos videogames: as apresentações em CGI (imagens geradas por computador). Eram cenas cinematográficas, renderizadas previamente, que impressionavam pelo visual realista (para a época) e davam aos jogos uma cara de “filme interativo”. Na transição dos gráficos pixelados do 2D para um 3D ainda em construção, essas animações foram um diferencial poderoso para atrair jogadores e transmitir emoção, drama e escala épica.Para quem cresceu jogando em consoles 8 e 16 bits, ver personagens realistas se movendo com fluidez, com iluminação, câmera dinâmica e efeitos especiais era quase mágico. Era como ver o futuro acontecer diante dos olhos. As CGIs permitiam contar histórias com mais impacto. Em vez de apenas texto ou sprites limitados, você via a expressão dos personagens, os movimentos dramáticos e a ambientação completa — tudo com uma trilha sonora orquestrada ou dramática ao fundo. Muitos trailers de jogos da época usavam exclusivamente as CGIs para promover os títulos, e funcionava: dava a impressão de que o jogo era um épico cinematográfico, mesmo que o gameplay fosse bem mais simples. Com o PlayStation e o Sega Saturn usando CDs, os desenvolvedores tinham mais espaço para incluir vídeos de alta qualidade. Isso fazia os jogos parecerem mais “premium” em comparação aos cartuchos da geração anterior.As inesquecíveis apresentações de "Final Fantasy VII", "Final Fantasy VIII", "Resident Evil", a franquia "Tekken", "Chrono Cross", "Parasite Eve", "Soul Edge", "Legacy of Kain" e muito outros.- ALURA | Aprenda Python do zero, crie dashboards interativos e acelere sua carreira em dados! TUDO DE GRAÇA!!! https://alura.tv/99vidas-imersao-dados

  Our adventures with Venezuelan wrestlers of the 1960s continue, with our look at the overlooked Goldface, the Fantastic Superman, from 1967. Directed by the guy who made Black Emanuelle! Also! We share every and all thought related to the new Superman film (brought to you by James Gunn and DC Comics Films Incorporated LLC)! So #DonloydNow and enjoy this bite-sized Junk Food Supper. We got all this plus HBO Maxing (and relaxing), CGI slop, Mr Do chats, a healthy dose of junk mails, sneezes, blank stares, gleeks and so much more!! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll scale the outside of a big hotel in Venezuela for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

Episode 290: Jurassic Park Rebirth – Sexy Dinos & T-Rex Set Pieces

FIRST 1:00:30: Spoiler-Free Review with our See It/Skip It Verdict AFTER 1:00:30: Full Spoiler Review It's another edition of See It or Skip It and this time Ian and Liam are trading pit stops for popcorn as they take on F1 (2025) — the high-octane feature debut of Joseph Kosinski's long-rumoured Formula 1 blockbuster. But with Brad Pitt behind the wheel and a grid full of fictional racers, does F1 actually cross the finish line, or is it just burning fuel for two hours? Ian and Liam are here to rev their engines and break down whether this racing drama earns pole position among sports films or stalls out on the formation lap. Does F1 deliver the speed, spectacle, and spirit of the sport, or does it take a detour into Hollywood clichés, CGI corners and an extended advert for F1, Tommy Hilfiger, Las Vegas and Abu Dhabi? What should an F1 movie really accomplish in its opening lap? Is this a thoughtful love letter to motorsport fans, or a flashy pit stop for casuals with a need for speed? The boys examine whether the fictional Apex GP team is worth rooting for—or if they're just coasting off the Ferrari fumes. All this and more in this week's See It or Skip It review of F1 (The Movie)—and of course, Ian and Liam let you know if you should SEE IT or SKIP IT.

Vamos voar alto com Superman, o novo filme de James Gunn que marca o início de uma nova fase no universo cinematográfico da DC. Lançado em 10 de julho de 2025, o longa arrecadou mais de 232 milhões de dólares em seu primeiro fim de semana e deixou claro que o herói voltou com força total.Rafael Arinelli recebe Carol Tomé e Henrique Rizatto para discutir essa nova versão de Clark Kent, interpretado por David Corenswet, que se afasta da figura messiânica para assumir um tom mais humano, alegre e vulnerável. Um Superman que apanha, erra e insiste em acreditar na bondade, mesmo quando o mundo desconfia dele.O debate gira em torno dos temas políticos que o filme abraça sem medo: xenofobia, desinformação, imperialismo e identidade. Lex Luthor (Nicholas Hoult) é retratado como um narcisista genial, manipulador midiático e símbolo de poder tóxico (lembrando figuras como Elon Musk). Lois Lane (Rachel Brosnahan) ganha destaque como jornalista afiada e companheira de verdade, com química afetuosa e sem exageros com Clark.E quem rouba a cena? Krypto, o supercão, descrito como o coração do filme - com CGI impressionante e uma presença emocional que conquistou o público (e aumentou a adoção de schnauzers!).Com um visual cartunesco, vibrante e cheio de referências aos quadrinhos, Superman de James Gunn entrega ação, reflexão e emoção na medida certa. Dá o play e vem com a gente nessa análise apaixonada e crítica sobre o herói mais emblemático de todos os tempos.• 03m57: Pauta Principal• 1h26m39: Plano Detalhe• 1h36m49: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• Facebook: https://bit.ly/facebookcinemacao• BlueSky: https://bit.ly/bskycinemacao• Instagram: https://bit.ly/instagramcinemacao• Tiktok: https://bit.ly/tiktokcinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Carol): Filme: Guerreiras do K-Pop• (Henrique): Série: The Bear• (Henrique): Série: Chespirito: Sem Querer Querendo• (Henrique): Youtube: Vila do Chaves• (Henrique): HQ: Supergirl: Mulher Do Amanhã• (Rafa): Filme: A OrdemEdição: ISSOaí

This week on Challenge Accepted, Frank and Thomas unearth The Mummy (1999) and debate whether this fan-favorite adventure deserves a spot in the official Challenge Accepted Top 100 list. Originally challenged by Australian podcast pal Aaron Brasher from Fandom Portals, the duo dives into everything from the film's wild plot and iconic action to its CGI, practical effects, and Brendan Fraser's action star moment. They unpack what holds up, what doesn't, and why this movie might be the perfect time capsule of late '90s popcorn cinema. Timestamps & Topics: 00:00 Introduction & who challenged this movie 02:00 First impressions: childhood memories and DVD nostalgia 04:00 Two-minute plot rundown (with chaotic energy) 06:00 Brendan Fraser: action hero or accidental legend? 09:00 Can this franchise come back—and should Fraser lead it? 11:00 Comparing Rick O'Connell to Indiana Jones 13:00 Evelyn's character: damsel, badass, or both? 18:00 Imhotep's motivations and why he's low-key sympathetic 22:00 Side characters, comic relief, and iconic moments 24:00 Filming in Morocco and creating believable heat 25:30 The good, the bad, and the beetles of CGI 30:00 Why Brendan Fraser's fight choreography still holds up 33:00 That Egyptian score and the power of a strong soundtrack 35:00 Mid-budget movie magic: why we need more like this 38:00 Behind-the-scenes fun facts: near-death moments and more 44:00 Historical accuracy vs cinematic fun 46:00 Cast reunion and the movie's lasting cult status 47:30 Top 100 decision time—does it make the cut? Key Takeaways: Brendan Fraser choreographed much of his own action—legend. The Mummy walks the line between camp and craft, with charm to spare. This is a film that thrives on practical effects, strong chemistry, and a sense of fun. While some moments feel dated, the core still entertains in 2025. It's a solid contender for the Challenge Accepted Top 100, but is that enough? Quotes Worth Repeating: “Rick O'Connell is 90% action hero, 10% lucky idiot—and that's why we love him.” “Imhotep didn't ask to be cursed. They turned him into the villain.” “This movie feels hotter than Dune—and everyone's actually sweating.” “It's not just nostalgia, this thing's still fun start to finish.” Call to Action: Think The Mummy deserves a Top 100 spot? Let us know on social or by emailing us at challengeacceptedgfx@gmail.com. And don't forget to follow, rate, and review the show. Share the episode and join the conversation with #ChallengeAcceptedPod! Links and Socials:

The Kaiju Hollywood Bad Boys Luke, Brandon and Martin finally make a triumphant return to the Godzilla franchise (the whole dang reason they started this podcast!) with Podzooky favorite Tyler Jackson to talk Godzilla vs.Megaguirus. You'll be surprised at how long it's been since they've dished out on a zilla film! Highlights include Cat and the hat and self love, terrible CGI and our Robocop remake.

Hello, Kaiju Lovers! If you're joining us just after G-Fest, welcome! In this abridged episode of our Patreon-exclusive podcast, you'll hear Nathan and executive producer/MIFV MAX “prime” member Damon Noyes discuss (or rather, riff) a “pseudo-remake” (and by that, we mean “second cousin twice removed”) of Reptilicus with the 2009 SyFy movie Reptisaurus. It claims to be based on the Charlton comic, which was a Reptilicus comic for two issues, but the $15 CGI creature looks nothing like it. And there's no alien named Bob. What about Bob?! Instead, we get a cadre of 35-year-old college students, two bumbling soldiers, and Buck Rogers in his living room, er, office. It may look like an Asylum movie and quack like an Asylum movie, but it isn't an Asylum movie, no matter what Grok may tell you. (Yes, Nathan experimented with X's AI assistant to research this and had to fact-check the robot). Strap in, Kaiju Lovers! Join MIFV MAX on Patreon to hear the uncut version and read Nathan's research notes: Video: https://www.patreon.com/posts/mifv-max-40-2009-127769823. Audio: https://www.patreon.com/posts/mifv-max-40-2009-127774227. Check out Nathan's spinoff podcasts, The Henshin Men and The Power Trip, and Henshin Power V3! We'd like to give a shout-out to our MIFV MAX patrons Danny DiManna (author/creator of the Godzilla Novelization Project); Damon Noyes, The Cel Cast, TofuFury, Eric Anderson of Nerd Chapel, Wynja the Ninja, Christopher Riner, The Indiscrite One, Eli Harris, Jake Hambrick, Matt Walsh (but not that Matt Walsh), Jonathan Courtright, Leon Campbell, Michael Watson, and Sam Allred! Thanks for your support! You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month! (https://www.patreon.com/monsterislandfilmvault) Buy official MIFV merch on TeePublic! (https://www.teepublic.com/user/the-monster-island-gift-shop). NEW MERCH NOW AVAILABLE! This episode is approved by the Monster Island Board of Directors. Podcast Social Media: MIFV Linktree: https://linktr.ee/monsterislandfilmvault Nate's Linktree: https://linktr.ee/nathan_marchand MIFV is a member of PodNation (https://podnation.tv/) MIFV is one of Feedspot's top 10 tokusatsu podcasts! (https://blog.feedspot.com/tokusatsu_podcasts/) MIFV is one of Feedspot's top 20 monster podcasts! (https://podcasts.feedspot.com/monster_podcasts/) www.MonsterIslandFilmVault.com #JimmyFromNASALives       #MonsterIslandFilmVault    #Reptilicus       #SyFy © 2025 Moonlighting Ninjas Media

It's just Kevin and Lauren again this week, since Andrew thinks having a life is important or whatever. They talk the Squid Game finale, Jurassic World Rebirth, Megan 2.0, and Heads of State. The show opens up like last week, with the discussion of the final season of Squid Game. This time, though, Kevin and Lauren come with full knowledge of the finale. If you haven't watched for some reason (seriously, why haven't you?!?) be warned this will be spoiler heavy. Basically, the spoiler free review is, it's a really strong ending to a really great show. No other episode or spin offs need to be created, and yet... But I digress! Next up, Kevin talks Jurassic World Rebirth, starring Scarlett Johanson, Jonathan Bailey, and Mahershala Ali. As far as the Jurassic films go, it's definitely one of the better ones. It's go action, adventure, and a boatload of CGI (that could be better, lets be honest). The story and the heart are there and it leaves the door open for more films, so what's not to love?!? Speaking of things not to love... Megan 2.0... Lauren saw this film and, like the majority of the viewing audience, was left wanting. The film steers away from the horror genre into more of an action film and it seems like it doesn't translate well. The film is problematic in many ways, all of which are detailed by Lauren. So if you need to convince yourself not to see this one in the theater, don't skip this section. Remember, at APNC, we love to watch so you don't have to! Kevin closes the show with Heads of State, a film he was convinced would be in the same category as Megan 2.0. But here's the thing - it's a lot of fun. John Cena and Idris Elba play the US President and the British Prime Minister, respectively. This is an action comedy so we aren't looking towards award season, but they play their parts wonderfully. Look, if you loved the action comedies of the 90s (tink Tango and Cash or anything with Arnie), then you should really enjoy this film. As a massive bonus, it's on Prime and won't cost you a dime! As always, thank you for watching. If you haven't already, don't forget to Like & Subscribe. We love new viewers! Also, leave us comments and let is know how we are doing and what we can be doing better. Enjoy the episode and have a great week! Facebook: @apncpodcast Twitter: @APNCPodcast Instagram: AllPopNoCulture

Looks Like Antarctica Wasn’t the Only Place Superman Crashed This week on the podcast, Brian and Darryl are talking about the Super(Meh) Opening Weekend Box Office, the last 3 episodes of Murderbot season 1, and they review F1. Episode Index Intro: 0:07 Superman Box Office: 7:17 Murderbot: 17:00 F1: 35:55 Superman (2025) Box Office Opening weekend performance: Domestic 3‑day sitting at ~$100–130 million Worldwide debut crossed $200 million Forecasts suggest long‑term haul could reach $1 billion if word‑of‑mouth holds Overall sentiment: Some critics and audiences praised Corenswet's optimistic Superman, slick humor, and DC's tonal reset. Issues cite an overcrowded plot and CGI-heavy final act that didn't fully capitalize on its potential. Murderbot (AppleTV+) Episodes Covered: 8 “Foreign Object”, 9 “All Systems Red”, 10 The Perimeter” Highlights: Ep 8: Secrets revealed—Murderbot admits a shadowy past weaponizing its crew's memories Summary: Murderbot accompanies the PresAux team back to the habitat. The recording of the security cameras shows that in their absence, more superior SecUnits and a representative of the hostile third party—now identified as GrayCris—visited the habitat and left an invitation to meet at a rendezvous point to negotiate terms for their survival. After a security check, the PresAux team take Gurathin to the medical bay. While Bharadwaj performs surgery on Gurathin’s leg, Murderbot plugs into his data port to turn off his sense of pain. The connection allows Gurathin to find out what it calls itself, and that the SecUnit was involved in the deaths of 57 clients, which Gurathin reveals to the group and condemns Murderbot for. Murderbot admits it’s not sure if it killed the clients or not and agrees with Gurathin’s assessment that it could be defective and dangerous, then it leaves the group to go out on its own. The PresAux team concludes that GrayCris is illegally pursuing the alien remnants and that they will liquidate them once they locate their whereabouts. After mulling over whether to abandon or betray its clients, Murderbot comes back and announces that it has a plan. Ep 9: High-stakes deception! Murderbot fakes betrayal to take down GrayCris agents and saves Dr. Mensah in a cliffside showdown Summary: Murderbot puts a dangerous plan into motion, pretending to betray the PresAux team in order to leave the planet. While the team expresses doubts and tension rises, Murderbot keeps the true plan hidden: to have Gurathin hack into GrayCris’s HubSystem using a drone as a transponder and launch their emergency beacon. The ruse includes offering to help GrayCris capture the Preservation team in exchange for being listed as destroyed inventory. Murderbot stalls the enemy using awkward small talk and quotes from Sanctuary Moon, while the PresAux team manages the remote connection. As the plan begins to succeed, GrayCris prepares to torture Murderbot for the information they seek. Mensah intervenes and is caught in the crossfire. In the end, Murderbot shields her from the beacon’s launch blast, which kills the GrayCris team, nearly sacrificing itself. Before Murderbot’s systems fail, it quietly admits to itself that these humans have become its clients not just by contract, but by choice. Ep 10 (Finale): An emotional farewell—post-rescue reprogramming, autonomy restored, and Murderbot walks away into an uncertain future Summary: As Murderbot’s systems reboot, Corporation Rim technicians delete its memory and install a new governor module. At the same time, the PresAux team negotiates with company representatives to find the SecUnit. They offer to buy it and threaten with a lawsuit, but the company refuses, telling them that its memory has been wiped anyway. So Pin-Lee files an injunction to seize Murderbot for evidentiary reasons, while Gurathin manages to retrieve the data that was downloaded during the memory wipe. He locates Murderbot’s personality files by searching Sanctuary Moon episodes. The team saves Murderbot from being destroyed, and Gurathin uploads its personality. It recognises that without its armour it looks like an augmented human. The team invites Murderbot to live as a free agent on their home planet. That night, Murderbot attempts to sneak away but is intercepted by Gurathin, who tries to make it feel welcome. Murderbot insists that it needs to check the perimeter. When Gurathin relents, Murderbot thanks him. Posing as a servant bot, it boards a transport ship that departs as Mensah awakens and realises that it has left. Creators: Paul & Chris Weitz (writers, producers)  Directors: Episodes 8 & 9 by Aurora Guerrero & Roseanne Liang; Ep 10 by Paul Weitz  Rating: Episode 8-10 Out of 10 Murderbots Loose In the Worlds Darryl: 7.4/10 Brian: 7.79/10 Season 1 Out of 10, Who Knew a Novella About a Murder Robot Would Be So Fun Darryl: 7.3/10 Brian: 8/10 F1 (2025) Brad Pitt plays former F1 star Sonny Hayes, coaxed out of retirement to save a failing APXGP team by mentoring rookie Joshua Pearce (Damson Idris). The film delivers adrenaline-fueled races, emotional baggage, and high-stakes redemption on the global circuit. Director: Joseph Kosinski Writers: Screenplay by Ehren Kruger; story credit to Kosinski & Kruger Cast: Brad Pitt, Damson Idris, Javier Bardem, Kerry Condon, Tobias Menzies, Kim Bodnia, Sara Niles Producers: Jerry Bruckheimer, Joseph Kosinski, Lewis Hamilton, Brad Pitt, Dede Gardner, Jeremy Kleiner Budget: $200–300 million Box Office (as of today): Domestic: $138 million International: $257.2 million Worldwide total: $395.2 million Production Notes: Shot during real Grand Prix events, featuring authentic F1 vehicles and consulting by Lewis Hamilton; Hans Zimmer score; practical crash sequences inspired by real incidents Reception: Visually thrilling—deemed “Top Gun: Maverick on wheels”—but criticized for predictable story and weak character depth Rating: Out of 10 Gotta Get Out of That Dirty Air Darryl: 8.2/10 Brian: 8.5/10 Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

Did you see the New Mutants? No? Don't worry – that movie sucked! Let's learn about some real mutants – and without the crummy CGI. Join me on our journey through history as we hear some inspirational stories and learn some mind-blowing bodies. Here are people born with mind-blowing mutations.  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome back! I start with the Update of the wonderful week I had. I then go to Manny's a Reel Boy, where we laugh learn and grow, especially about the storms and Epstein updates, I then Poke My Jokes from Monday at BLVD and have some fun, I tried CGI but Gina was down... anyway enjoy, rate, review and share and I'll see you next week God Willing! IA!

Note: "Act 1" was a separate published audio podcast.*Check out EZ's morning radio show "The InZane Asylum Q100 Michigan with Eric Zane" Click here*Get a FREE 7 day trial to Patreon to "try it out."*Watch the show live, daily at 8AM EST on Twitch! Please click here to follow the page.Email the show on the Shoreliners Striping inbox: eric@ericzaneshow.comTopics*Last night was soccer night in West Michigan as Michigan Rangers FC showed no mercy.*EZ needs a backup PA announcer.*EZ embarrassed two new TikTok / YouTube stars at the soccer game*Book Club update*Loser throws himself into a jet engine.*CGI of body going into jet engine*Asshole of the DaySponsorsAdam Casari Realty, Frank Fuss / My Policy Shop Insurance, The Mario Flores Lakeshore Team of VanDyk Mortgage, Shoreliners Striping, Impact PowerSports, Interested in advertising? Email eric@ericzaneshow.com and let me design a marketing plan for you.Contact: Shoreliners Striping inbox eric@ericzaneshow.comDiscord LinkEZSP TikTokSubscribe to my YouTube channelHire me on Cameo!Tshirts available herePlease subscribe, rate & write a review on Apple Podcastspatreon.com/ericzaneInstagram: ericzaneshowTwitterSupport this podcast at — https://redcircle.com/the-eric-zane-show-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Mal and Jo are back to wrap up ‘Squid Game' Season 3! They break down the final three episodes by discussing the final game, a CGI baby, a surprising cameo, and more! Later, they discuss what games should be in the American version. (00:00) Intro(09:07) ‘Fourth Wing' and ‘The Last of Us' News(22:04) Opening Snapshot(36:04) Was the Final Game Captivating Enough?(51:55) Which Death Hit You the Hardest?(01:12:54) Too Much Baby-in-Peril Action?(01:16:43) Thoughts on Myung-gi(01:26:24) No-eul and 246(01:30:28) Jun-ho(01:32:29) Favorite or Least Favorite Payoff(01:36:18) Cate Blanchett Cameo(01:39:39) What Games Should Be in the American Season? Hosts: Mallory Rubin and Joanna RobinsonProducers: Carlos Chiriboga and John RichterSocial: Jomi AdeniranAdditional Production Support: Arjuna Ramgopowell Learn more about your ad choices. Visit podcastchoices.com/adchoices