Podcasts about Moulin Rouge

From Cajun Country to the French Riviera: Louisiana Meets France takes you on a lively, honest, and sometimes surprising journey through France with Annie Sargent and her guests, Renee Poche and Dixie Poche, a mother-daughter duo from Cajun Country in Louisiana. Listen to this episode ad-free This episode explores what happens when Cajun French culture meets modern France. Renee and Dixie share stories from their first trip together to Nice, Paris, Reims, and small towns along the way. They talk about expectations versus reality. They compare food, daily rhythms, and cultural habits. They reflect on what feels familiar and what feels very different. You'll hear about staying in a former convent in Nice. Walking the Old Town. Riding elevators up cliffs. Watching the noon cannon fire. There's champagne tasting in the Champagne region, with honest opinions about Reims versus Épernay. There's Versailles, with practical advice on timing and energy levels. There's Paris, explored slowly, on foot, with cafés, cemeteries, shopping, and a night at the Moulin Rouge. Food plays a big role in this conversation. Annie, Renee, and Dixie compare Cajun boudin and French andouille. They talk about sauces, spices, portions, and meal times. They also discuss how French fashion, walking culture, and city layouts influence how visitors experience France. This episode is about more than an itinerary. It's about traveling together. It's about mother-daughter dynamics on the road. It's about noticing small details. It's about how shared French roots can feel both close and distant at the same time. If you're curious about Cajun French culture Louisiana vs France, planning a first trip, or thinking about traveling with family, this episode will resonate. Subscribe to the Join Us in France Travel Podcast for practical advice, real conversations, and thoughtful stories about exploring France beyond the clichés. Table of Contents for this Episode [00:00:15] Introduction [00:00:31] Today on the podcast [00:01:07] Podcast supporters [00:01:36] Magazine segment [00:02:23] Nice Reims and Paris with Renee and Dixie Poche [00:04:07] Trip Overview and Itinerary Planning [00:05:31] Exploring Nice: Favorite Spots and Experiences [00:08:47] Cultural Comparisons: Louisiana vs. France [00:10:16] Unique Foods and Culinary Traditions [00:17:19] Activities in Nice [00:19:00] A Day Out in Eze [00:24:03] Dog Culture in France [00:27:14] Paris Adventures: Walking, History, and More [00:28:25] Paris Zoo [00:28:44] Exploring La Menagerie and Jardin des Plantes [00:30:38] Navigating Paris: Walking and Metro Adventures [00:30:57] Aperol Spritz and Parisian Drinks [00:31:29] A Day at Versailles: History and Grandeur [00:34:11] Moulin Rouge: A Night of Cabaret and Entertainment [00:36:25] Wine Tasting in Epernay [00:41:02] Mother-Daughter Travel Tips and Reflections [00:46:00] Mother's Day in Paris: Shopping and Spontaneity [00:47:07] Marker [00:48:27] Final Thoughts and Farewell [00:49:37] Thank You Patrons [00:50:41] VoiceMap Tours Reviews [00:52:52] The Last Newspaper Seller in Paris [00:54:37] Driving in France: Do NOT Speed! [00:56:05] Next week on the podcast [00:56:40] Copyright More episodes about family travel in France

Ep. 376: Michael Koresky on the 2001 series at MOMI – A.I., Our Song, Mulholland Drive, Burnt Money, Atanarjuat, Fat Girl, Moulin Rouge, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The year 2001 was pivotal in cinema and the world, and Museum of the Moving Image's series “2001: The Year, Not the Movie” has arrived to showcase the incredible new wok released in that year. I rang up Michael Koresky, senior curator of film at MOMI and Reverse Shot co-chief, to talk about a few selections, many of which were also formative screenings for each of us. Titles discussed include: A.I. (directed by Steven Spielberg), Our Song (Jim McKay), Mulholland Drive (Lynch), Burnt Money (Marcelo Piñeyro), Atanarjuat (Zacharias Kunuk), Fat Girl (Catherine Breillat), Moulin Rouge (Baz Luhrmann), Pulse (Kiyoshi Kurosawa), All About Lily Chou-Chou (Shunji Iwai), and In Praise of Love (Godard). The film series “2001: The Year, Not the Movie” runs February 14 through April 11 at Museum of the Moving Image. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

 Listen to the Show Right Click to Save GuestsSt Edwards Mary Moody Northen Theatre UrinetownAustin Shakespeare Macbeth What We Talked About  High Spirits Galileo Broadway Tic Tok Washington Post Little Shop Cast Changes Beloni Theatrical Animals Moulin Rouge to Close Lost in Del Valle Buena Vista Dance-a-long Sh-boom Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

Hi Broadway Besties! Get ready for the highly anticipated JUST IN TIME starring Jonathan Groff REVIEW! Broadway News:

It's Safer Internet Day, with a strong focus on how children and young people can use artificial intelligence and smart technology safely and responsibly. Joining us is Caroline Carter, CEO of Childline.A unique endurance walking challenge is taking place this coming weekend. It's a 30-kilometre route from Spain back to Gibraltar. Organiser Mark Cooper explains how the idea came together.And Gibraltarian performer, Sarah Anne Mclaren, is back on the Rock fresh from a German production of Moulin Rouge! Hosted on Acast. See acast.com/privacy for more information.

A few days ago, it was announced that MOULIN ROUGE! THE MUSICAL would close on Broadway after 7 years at the Al Hirschfeld Theatre.The stage musical, based on the Baz Luhrmann film of the same name, opened in July 2019 and earned multiple Tony Awards, before giving way to multiple international productions and a US national Tour.Is this a surprising announcement for Broadway, and does it tell us anything about the current theatrical landscape in New York? Or is this simply an example of a successful show reaching a natural end?•00:00 | introduction01:22 | the closing details08:08 | the show's success16:06 | why is it closing?20:58 | what comes next?About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

A packed episode this week! Moulin Rouge closing after seven years, turning on Ziggy, and tons and tons of casting news.

‘Moulin Rouge’ announces a summer closing date; what could take the Hirschfeld next? Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a transcript of this episode, please email transcripts@broadwayradio.com and include the episode name.

We told you what movies to skip last week. This week, we'll let you know which movies to promote this Valentine's Day. Intro/opening conversation on regional accents (0:00) Game Club Pod promo (8:10) Romantic movies we love (9:09) Baz Luhrmann's William Shakespeare's Romeo + Juliet (10:48) Moulin Rouge (17:48) Romancing the Stone (29:13) Unconventional Recs (35:20) Double feature rec: George of the Jungle & The Mummy (1999) (35:39) The Mask of Zorro (38:02) Spy Kids (40:07) Son-in-Law (41:16) Your Name (42:13) Cultworthy Episode featuring Your Name Howl's Moving Castle (43:48) Something's Gotta Give (47:57) Honorable mention: Atonement (54:16) About Time (58:07) Cultworthy episode About Time Honorable mention: A Walk to Remember (1:08:31) 10 Things I Hate About You (1:10:31) Goodbyes and social media plugs (1:19:38) Please remember to check out the Game Club Pod podcast, join our Discord

Will & Jared are joined by two special guests, Joey and Hayley, to discuss the manic jukebox musical sensation by maximalist director Baz Luhrmann in Moulin Rouge!What record-setting accessory was made for this film? Why is a windmill a common motif in the film? Can Jared rate the film honestly without offending his friends? How hot is Ewan McGregor? Listen to find out!Moulin Rouge! is available to stream on Netflix, as well as VOD and Blu-ray.You can find Joey on Letterboxd as Susbucket.Intro by AJ Stillabower (ajstillabower.com).Our outro track is "Gymnopedie No. 1" by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseYou can listen to Reno Championship Wrestling & Spellbound and Gagged anywhere you get podcasts.Email the show at debaserpod@gmail.comFollow Debaser on Instagram, Bluesky, and Facebook.Follow Will on Instagram and Jared on Bluesky.Cover art by @DogBitesBackNY

As we near Valentine's Day, we're thrilled to be joined by Christian Douglas who plays the role of Christian in one of our favourite love stories: Moulin Rouge! The Musical on Broadway!Christian recently made his Broadway debut as Christian after a year-and-a-half run leading the Moulin Rouge! National Tour. We chat with him about all of the cool similarities to the role (beyond sharing the same name!), why audiences keep coming back to the show and so much more!

Hast du dein Envol aus der Schule schon lange im Keller verstaut? Kein Problem. Les Mères (dt: die Mütter hehe) liefern dir heute die ultimative Französisch-Nachhilfe. Dabei sind sie komplett aveugle (dt: blind) vor dem Haufen Arbeit, der sich vor ihnen stapelt. Wer bringt die Thronis in's Volkshaus? Wie hält man ein verfurztes Uber aus? Was haben Daras Träume zu bedeuten? Und warum schwimmt Melvin auf eine Insel? Voilà also, eine französische Furzfolge. Von zwei ausgefutzten Pützen. Falls ihr ganz klassisch französisch euch auch das Moulin Rouge Musical anschauen wollt im Theater 11, könnt ihr Tickets gewinnen, in dem ihr diese Folge kommentiert. Vielleicht mit einem weiteren französischen Sätzchen? Naja, comme vous voulez. MOULIN ROUGE, aka. das sehenswerteste Musical der Welt: https://www.musical.ch/de/moulinrougethemusical (Nur 47.- für unter 30-Jährige) TICKETS "DIE THRONFOLGE LIVE" ZUSATZSHOW VOLKSHAUS: https://eventfrog.ch/de/p/theater-buehne/buehnenveranstaltung/die-thronfolge-zusatzshow-volkshaus-zuerich-7408136443795604733.html (Wir gehen dieses Jahr nicht mehr live, also schlägt zu)

(Aniversario de la Muerte de José Ferrer) José Vicente Ferrer de Otero y Cintrón nació en Santurce, Puerto Rico, el 8 de enero de 1912. A los seis años se trasladó con su padre a la ciudad de Nueva York. De ahí que en 1934 obtuviera su Licenciatura en Humanidades de la Universidad de Princeton, donde se apasionó por el arte dramático, y que posteriormente estudiara literatura francesa en la Universidad de Columbia. En 1943, su interpretación de Yago en la obra «Otelo» lo lanzó a la fama en el mundo artístico. En 1947, cuando se otorgaron por primera vez los premios Tony, recibió el primero de cinco premios Tony de teatro por interpretar por primera vez el personaje Cyrano de Bergerac. Un año más tarde obtuvo la primera de tres nominaciones al Óscar por su actuación como el Delfín en la película «Juana de Arco» protagonizada por Íngrid Bergman. En 1950, José Ferrer recibió la prestigiosa estatuilla por la versión fílmica de «Cyrano de Bergerac», llegando a ser el primer actor en ganar un Óscar por la recreación de un papel teatral en una película. Ese codiciado Óscar lo donó al Teatro de la Universidad de Puerto Rico para que les sirviera de estímulo a los futuros aspirantes a carreras teatrales. Su tercera y última nominación la logró en 1952 por su actuación en la versión original de la película «Moulin Rouge». Entre las obras teatrales que hizo, se destaca «El hombre de la Mancha», en la que encarnó al célebre Don Quijote. Ese mismo año, la Organización de Estados Americanos le rindió homenaje por ser vínculo de excelencia entre la cultura latina y la anglosajona. En total, Ferrer actuó en setenta películas y dirigió trece producciones de Broadway y siete películas. Entre los muchos reconocimientos que recibió durante su carrera como actor, director, escritor, productor, cantante y compositor, se destacan su propia estrella en el Paseo de Estrellas de Hollywood, la primera Medalla Nacional de Arte en 1985 (que le otorgó el ex presidente Ronald Reagan), y su selección en 1981 al Paseo de la Fama del Teatro. Con sobrada razón se le dedicó, en 1990, el Festival de Teatro Latinoamericano. En lo personal, José Ferrer se casó cuatro veces y tuvo seis hijos, uno de ellos el también actor Miguel Ferrer. Quienes no saben que José Ferrer fue tío del actor George Clooney y suegro de la cantante Debby Boone, tal vez tampoco sepan que hablaba cinco idiomas —español, inglés, francés, italiano y alemán— y que los dominaba a tal grado que durante una conferencia de prensa se dirigió a todos los periodistas en sus respectivos idiomas.1 «Un autor puede escribir algo que perdure trescientos años después de su muerte —observó José Ferrer durante una entrevista en 1986—, pero cinco minutos después de mi muerte, ya no puedo actuar ni dirigir más.»2 Quiera Dios que esas palabras, que pronunció el reconocido actor unos seis años antes de su muerte el 26 de enero de 1992, nos lleven a reflexionar que, antes de afrontar nuestra propia muerte, debemos pedirle a Dios que desempeñe el papel de Director de la obra sin igual que es nuestra vida, en la que nosotros somos los actores principales. Porque una vez que muramos, ya será demasiado tarde. Y lo cierto es que cinco minutos después de nuestra muerte, Dios, que es el Guionista que inspiró la Biblia, que ha perdurado miles de años, será el único capacitado para dirigir nuestra actuación eterna. Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Clarissa Santiago Toro, «José Ferrer», Biografías, Fundación Nacional para la Cultura Popular En línea 27 noviembre 2007; Constance Clark, En línea 28 julio 2008; «José Ferrer: Perfil», Puerto Rico Herald, 14 julio 1999 En línea 27 noviembre 2007; Wikipedia, s.v. «José Ferrer» En línea 14 noviembre 2007. 2 «José Ferrer: Perfil», Puerto Rico Herald.

Mometu President Bryan Louzil joins Nicole and Ryan Pak to discuss the soundtrack to Mike Judge's 1999 cult classic, Office Space. The soundtrack boasts needle drops from artists like Scarface, The Geto Boys, Slum Village, Canibus & Biz Markie, Ice Cube and Kool Keith. Obviously, we have to talk about "Still" by the Geto Boys which soundtracks the infamous "printer scene". The soundtrack supervisor for Office Space is Karyn Rachtman, whose illustrious career includes soundtracking Pulp Fiction, Clueless, Romeo and Juliet, Reality Bites, and Moulin Rouge - and those are just the movies that we've covered on our podcast. For More Information About Bryan Louzil: Mometu Mometu IG Mometu Podcast The Mometu College Film Festival Learn more about your ad choices. Visit megaphone.fm/adchoices

So you bought a bottle of absinthe? Maybe you wanted to make Sazeracs for Mardi Gras. Maybe you were watching Moulin Rouge and got curious. But you used your rinse of absinthe, and you still have most of the bottle left? Now what? We've got cocktail ideas for you beyond the Sazerac, from the basic to the complex. Check out our blog for cocktail recipes If you have a question for the Barrel to Bottle Crew, email us at comments@binnys.com, or reach out to us on Facebook, Twitter or Instagram. If we answer your question during a podcast, you'll get a $20 Binny's Gift Card! If you like our podcast, subscribe wherever you download podcasts. Rate and review us on Apple Podcasts.  

C'est une affaire qui avait provoqué une vive émotion : la cité Véron, le refuge du poète Jacques Prévert à Paris, a été sauvée in extremis d'un projet d'extension du Moulin Rouge grâce à sa petite-fille. Pour fêter cette bonne nouvelle, Marc Bourreau revient sur cet artiste qui ajoutait toujours une pointe poétique à notre existence.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome to the second annual Seeing Them Live Year End Concert Review show, where a panel of returning guests shares their favorite live music experiences from 2025. Host Charles brings together an eclectic group of music enthusiasts including award-winning documentary filmmaker Eric Green, podcast host Jessica Catena, nurse practitioner Summer, antique shop owner Art Gregg, executive assistant Dawn Fontaine, accountant Steve Pothel, high school teacher Andy, and producer Doug Flozak to discuss the concerts that defined their year.Eric Green kicks off the discussion with an impressive lineup that showcased both legendary side projects and emerging talent. His year began with Close Enemies featuring Aerosmith bassist Tom Hamilton at City Winery Boston, followed by Kim Deal's solo tour at the Wilbur Theater. He caught Benmont Tench of Tom Petty and the Heartbreakers fame doing an intimate VH1 Storytellers-style performance, and witnessed Shane Hawkins honoring his late father Taylor Hawkins with Chevy Metal at Brighton Music Hall. Eric also saw the Joe Perry Project's supergroup lineup featuring Chris Robinson and Robert DeLeo, enjoyed a nostalgic double bill of Billy Idol and Joan Jett at the Xfinity Center, caught the rising stars Wet Leg at a packed Roadrunner Boston show, experienced Jeff Tweedy's multigenerational band at Royale, and closed out his year with Throwing Muses at the new Racket venue in New York City.Jessica Catena attended three memorable indoor concerts that kept her dry after previous years of rain-soaked shows. She saw young jazz sensation Samara Joy at the newly renovated Ridgefield Playhouse in Connecticut with her uncle, experienced the Broadway spectacle of Moulin Rouge featuring Wayne Brady and Taye Diggs with updated contemporary songs, and capped off her year at iHeartRadio's Jingle Ball at Madison Square Garden, where she saw Ed Sheeran, Laufey, and a diverse lineup of pop and folk artists while dealing with some challenging sightlines.Summer's concert year included the intimate Metro show with Bridget Calls Me Baby where her son met the bass player's parents, a record-breaking night at Lollapalooza featuring Olivia Rodrigo's surprise Weezer collaboration, an energetic Yungblud performance at the Riviera that included some crowd drama, and a unique operatic interpretation of Smashing Pumpkins' Melancholy and the Infinite Sadness at the Lyric Opera of Chicago during a snowstorm.Art Gregg had a remarkable year highlighted by three unforgettable shows. He saw childhood hero Burton Cummings of The Guess Who at the North Shore Center for Performing Arts after accidentally meeting him in the lobby without recognizing him, caught Michael Schenker's 50 Years with UFO celebration at the Desplaines Theater, and scored a last-minute ninth-row ticket to see Robert Plant at the intimate Vic Theatre, where the Led Zeppelin legend performed six classic songs including an electrifying version of Ramble On that earned a rare standing ovation.Charles rounds out the discussion by mentioning his own concert experiences at new Chicago venues including Space in Evanston where he saw Mdou Moctar and The Old 97s, the female-focused Motoblot festival at Beat Kitchen, an incredible Buddy Guy performance at the Rialto Square Theater where the 89-year-old blues legend walked through the aisles playing guitar, shows at the new Garcia's venue and City Winery, and his anticipation for an upcoming Iron Maiden show. The episode concludes with a teaser for part two, which will feature Dawn's private jet experience with the Rolling Stones, Andy's Bonnaroo adventure, and Steve's concert highlights.BANDS: Aerosmith, Alex Warren, Bachman Turner Overdrive, Belly, Benmont Tench, Billy Idol, Black Crows, Black Sabbath, Bob Dylan, Bridget Calls Me Baby, Burton Cummings, Chapel Rowan, Chevy Metal, Close Enemies, DJO, Dogs in a Pile, Ed Sheeran, Elastica, Elastica, Elvis, Foo Fighters, Foghat, Foster the People, Gary Newman, Generation X, Gigi Perez, Guns N Roses, Iron Maiden, Jeff Tweedy, Joan Jett and the Blackhearts, Joe Perry Project, Johnny Cash, K-pop band Monsta X, Katy Perry, Kim Deal, King Gizzard, Laufey, Led Zeppelin, Led Zeppelin 2, Liz Fair, Mdou Moctar, Metallica, Michael Shanker, Miles Smith, Ministry, Neil Young, Nelly, Nine Inch Nails, Olivia Rodrigo, Ozzy Osborne, Pixies, Psychedelic Furs, Radiohead, Robert Plant, Rolling Stones, Runaways, Samara Joy, Sarah Larson, Shonen Knife, Smashing Pumpkins, Soraia, Stone Temple Pilots, Taylor Hawkins, The Babies, The Beatles, The Black Crows, The Boudines, The Breeders, The Guess Who, The Old 97s, The Police, The Scorpions, The Velvet Underground, Throwing Muses, Tom Petty and the Heartbreakers, UFO, Van Halen, Walk the Moon, Wayne Brady, Weezer, Wet Leg, Wilco, Wrought Iron Soul, Yungblud.VENUES: Aragon Ballroom, Barclays, Beat Kitchen, Box Center Wang Theater (Boston), Brighton Music Hall (Boston), City Winery (Boston), City Winery (Chicago), Credit Union One Amphitheater, Desplaines Theater, Garcia's, Grant Park, Great Woods (Xfinity Center in Mansfield, Massachusetts), House of Blues, Lyric Opera of Chicago, Madison Square Garden, Metro, North Shore Center for Performing Arts (Skokie, Illinois), Penn Station, Racket (New York City/Chelsea), Ravinia, Rialto Square Theater, Ridgefield Playhouse, Riviera, Roadrunner Boston, Royale (Boston), Salt Shed (Chicago), Sonia (Cambridge, Massachusetts), Space (Evanston, Illinois), Thalia Hall, Tweeter Center, Vic Theatre (Chicago), Wilbur Theater (Boston), Wrigley Field, Xfinity Center (Mansfield, Massachusetts). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Welcome to The Amazing Watch Podcast! They made a Moulin Rouge, like from the movie Moulin Rouge Watch along with Season 38 of The Amazing Race on Amazon Prime Video, CBS. fuboTV, Spectrum On Demand, Paramount Plus, DIRECTV, or buy it as download on Google Play Movies, Vudu, Amazon Video, FandangoNOW, or Microsoft Store. Follow us on social media! Email: amazingwatchpod@gmail.com Facebook: The Amazing Watch Podcast Twitter: @amazingwatchpod Instagram @amazingwatchpod Don't forget to tag #AmazingWatchPod This podcast is hosted by ZenCast.fm

Award-winning actress, singer, and dancer Caroline O'Connor has spent over four decades performing in Australia as well as in the West End and on Broadway. She came to world attention thanks to her role in Baz Luhrmann's film Moulin Rouge! in 2001, but she'd already been on stage for the 20 years prior to that in a slew of theatre productions. From Helpmann-winning turns as Judy Garland and Edith Piaf, to Chicago, Funny Girl, Anything Goes, Gypsy, and many others, Caroline has musical theatre in her DNA. On top of that, she has impeccable Stephen Sondheim credentials – not only did she perform at his special 80th birthday celebration at the Royal Albert Hall, but after seeing her in Sweeny Todd, the great composer and lyricist declared her to be the best Mrs Lovatt he'd ever seen. This all makes her the ideal choice to be headlining Sondheim's Putting it Together, playing now at the Foundry Theatre until February 15.In this conversation, Caroline reflects on her extraordinary journey in musical theatre, from her early training as a dancer to becoming one of the most respected performers of her generation. From chorus girl to leading lady, she speaks about the resilience required to navigate auditions, setbacks, and on making pivotal career decisions. She recounts her move to London, and the moments of chance and courage that led to major breakthroughs.

Since 1944, the Golden Globes have offered an alternative to the Oscars and the Emmys. Giving us a boozier, looser take on the best in both TV and movies, the Globes have at their best championed less-obvious projects, and given early wins to actors and creators who would go on to be some of the entertainment industry's biggest stars. Of particular interest is the Best Film Musical or Comedy category, which has celebrated some of the less stodgy, but still incredibly well made, films that might not make the cut for the prestige-obsessed Academy Awards. So join us for one of our 2026 Patreon-sponsored episodes as the Great Pop Culture Debate attempts to name the Best Golden Globe Winner for Best Motion Picture, Musical or Comedy.Movies discussed: The Sound of Music (1965), The Lion King (1994), West Side Story (1961), Beauty and the Beast (1991), Mrs. Doubtfire (1993), Chicago (2002), Some Like It Hot (1959), The Graduate (1967), Cabaret (1972), Romancing the Stone (1984), Moulin Rouge! (2001), Almost Famous (2000), My Fair Lady (1964), Tootsie (1982), Working Girl (1988), Lady Bird (2017)Join host Eric Rezsnyak, Patreon sponsor Steve Nikoloff, and GPCD panelists Karissa Kloss and Kevin Dillon as they discuss and debate 16 of the most celebrated Globe-winning films.EPISODE CREDITSHost: Eric RezsnyakPanelists: Karissa Kloss, Kevin DillonPatreon Sponsor: Stephan NikloloffProducer: Bob ErlenbackEditor: Eric RezsnyakTheme Music: “Dance to My Tune” by Marc Torch#goldenglobes #goldenglobe #awards #awardshow #bestfilm #comedy #musical #comedyfilms #musicalfilms #thesoundofmusic #somelikeithot #workinggirl #tootsie #mrsdoubtfire #almostfamous #romancingthestone #beautyandthebeast #thelionking #chicago #cabaret #thegraduate #moulinrouge #ladybird #podcastSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

U Guys, from Broadway's Aladdin and Moulin Rouge! The Musical, Keely Beirne is here! First, I give you all the latest Bway updates, and a few personal New Year insights in this week's BroadwayWorld Recap. Then, I am joined by performer Keely Beirne to talk all things Bway. From the stamina it takes to dance in the ensemble and cover principle roles on Broadway, to knowing when it's time to honor yourself and take a break, Keely shares her insights on maintaining her career on the stage. We talk about her upbringing being surrounded by the arts, and how her queer identity has shaped and informed her career. She talks about her time in the ensemble of Frozen on Broadway, and what it takes to work in a huge ensemble show. We also touch on her experience of having a partner who is also a Broadway performer, and how limiting yourself can hinder your experience as an artist. Keely is simply hilarious, U don't wanna miss this episode! Follow Keely on Instagram: @keel_b Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the podcast is part one of our interview with David Cote. He's a playwright, librettist, and theater critic based in New York City. When we recorded his interview, his opera, Blind Injustice was performed in New York at Jazz at Lincoln Center, and in Cleveland at Playhouse Square. Last year his opera Lucidity premiered with On Site Opera in New York and then had its Northwest premiere at Seattle Opera. Next year Lucidity has its European premiere in Germany.As a journalist, David's TV and theater writing appears in The A.V. Club, Observer, 4 Columns, American Theatre and elsewhere. He was the longest serving theater editor and chief drama critic of Time Out New York, and is the author of popular companion books about the Broadway hits: Moulin Rouge! The Musical; Wicked; Jersey Boys and Spring Awakening. https://davidcote.com/

Hon gifte in sig i Hollywood-eliten. Hamnade i skuggan av sin man. Men tog revansch och blev en av världens största filmstjärnor. Lyssna på alla avsnitt i Sveriges Radios app. Nicole Kidman slår igenom som ung skådespelare i Australien och tar sig till drömmarnas Hollywood. Men när hon gifter sig med världens största skådespelare, Tom Cruise, hamnar hon i hans skugga och reduceras till hans plus en på röda mattan. Samtidigt, avlyssnas hon av scientologernas innersta krets, enligt rörelsens avhoppare. När äktenskapet kraschar inför öppen ridå förväntar sig alla att hennes karriär ska gå samma väg. Istället blir hjärtesorgen hennes superkraft. Nicole kastar sig ut, vågar ta risker och visar världen att hon är en riktig filmstjärna. Sen dess har hon spelat otaliga komplexa kvinnoroller i alla möjliga genres, genom en 90 filmer lång karriär som sträcker sig över decennier. Trots att kritiken mot hennes rynkfria ansikte och stela rollval aldrig tystnar fortsätter hon jobba. En ikon, med målet att förändra Hollywood inifrån. I avsnittet hörs Dagens Nyheters filmredaktör Helena Lindblad, samt kulturjournalisten och filmkritikern Caroline Hainer. Avsnittet gjordes november/december 2025 av Dist.Programledare och producent: Vendela LundbergAvsnittsmakare och reporter: Sara Olsson Slutmix: Fredrik NilssonLjudklippen i programmet kommer bl a från podcasten Awards Chatter, Charlie Rose, The Oprah Winfrey Show, 60 Minutes Australia, dokumentärfilmen Going Clear, People Magazine, AP Archive, Saturday Night Live, ABC News, The American Film Institute, Hollywood Archives, Woman in the World interview series, CNN, Sky News, Time Magazine. Samt filmerna Eyes Wide Shut, BMX Bandits, Skin Deep, Days of Thunder, Till varje pris, Moulin Rouge, Timmarna, Chanel No. 5 The Film och Babygirl.

Continuez à découvrir l'histoire de La Goulue, la plus célèbre des danseuses de French Cancan !Dès l'âge de 16 ans, la carrière de danseuse de La Goulue est lancée. Elle fait la rencontre de Lucienne Beuze, danseuse professionnelle et reine du cancan. C'est avec elle que La Goulue apprend les figures incontournables du French cancan. Car oui, le cancan est une danse très codifiée ! La danseuse se produit alors sur scène, lorsqu'elle est repérée par les gérants d'un tout nouvel établissement de spectacle qui va ouvrir dans quelques mois… Ce n'est autre que le Moulin Rouge. La Goulue régnera sur le lieu pendant 6 ans. En 1895, La Goulue a 29 ans. Elle est épuisée par ces années de danse, et elle est enceinte. La danseuse se retire de scène, et investit dans une baraque de forain pour continuer le spectacle. Mais c'est la fin de son grand succès. La Goulue retournera une dernière fois au Moulin Rouge en 1925, à 59 ans, pour un dernier adieu. (rediffusion) Au Cœur de l'Histoire est un podcast Europe 1. - Ecriture et présentation : Virginie Girod - Production : Camille Bichler- Direction artistique : Adèle Humbert et Julien Tharaud - Réalisation : Clément Ibrahim - Musique originale : Julien Tharaud - Musiques additionnelles : Julien Tharaud et Sébastien Guidis - Visuel : Sidonie ManginBibliographie : - Maryline Martin, La Goulue, la reine du Moulin Rouge, Le Rocher, 2019 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Découvrez le destin de La Goulue, la plus célèbre danseuse de French Cancan !Louise Joséphine Weber, alias La Goulue, est née en 1866 dans la banlieue parisienne. Dès l'âge de deux ou trois ans, la petite se passionne pour la danse. Elle a ça dans le sang. Son père lui apprend même le chahut, à savoir l'art de lever la jambe. Alors que Louise grandit, la danse la passionne toujours autant. Elle passe du temps dans les bals quand elle ne travaille pas dans une blanchisserie avec sa mère. C'est à cette époque que La Goulue rencontre Valentin, dit “Valentin le désossé”. Les deux jeunes gens s'entendent tout de suite, et pour cause : ils partagent la même passion pour la danse. Le duo qu'ils forment se produira sur de nombreuses scènes parisiennes, dont le Moulin Rouge, pendant près de neuf ans. (rediffusion) Au Cœur de l'Histoire est un podcast Europe 1. - Ecriture et présentation : Virginie Girod - Production : Camille Bichler- Direction artistique : Adèle Humbert et Julien Tharaud - Réalisation : Clément Ibrahim - Musique originale : Julien Tharaud - Musiques additionnelles : Julien Tharaud et Sébastien Guidis - Visuel : Sidonie Mangin Bibliographie : - Maryline Martin, La Goulue, la reine du Moulin Rouge, Le Rocher, 2019. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:58:22 - LSD, la série documentaire - par : Céline du Chéné - L'histoire des cabarets artistiques commence à Montmartre à la fin du XIXe siècle, où deux établissements, le Chat Noir créé en 1881 et le Moulin Rouge en 1889, vont façonner l'image que nous nous faisons encore aujourd'hui des cabarets. - réalisation : Laurent Paulré

This week on the podcast is part one of our interview with David Cote. He's a playwright, librettist, and theater critic based in New York City. When we recorded his interview, his opera, Blind Injustice was performed in New York at Jazz at Lincoln Center, and in Cleveland at Playhouse Square. Last year his opera Lucidity premiered with On Site Opera in New York and then had its Northwest premiere at Seattle Opera. Next year Lucidity has its European premiere in Germany.As a journalist, David's TV and theater writing appears in The A.V. Club, Observer, 4 Columns, American Theatre and elsewhere. He was the longest serving theater editor and chief drama critic of Time Out New York, and is the author of popular companion books about the Broadway hits: Moulin Rouge! The Musical; Wicked; Jersey Boys and Spring Awakening. https://davidcote.com/

Rosanne Rebergen (27) is musicalartiest en danser. Al op jonge leeftijd had ze een grote passie voor zingen en dansen. Haar moeder moedigde haar aan om auditie te doen, waarna ze al vroeg mocht meespelen in musicals. Daarna volgden rollen in producties als Pinokkio, The Sound of Music en Joseph. Ze volgde de opleiding aan het Lucia Marthas Institute for Performing Arts en studeerde daar in 2020 af met een honours degree. Tegenwoordig vertolkt ze de rol van Nini in de iconische musical Moulin Rouge, waarin ze met acrobatiek en sierlijke dans het podium verovert. Presentator: Stijn de Vries

À Paris, les appartements de Jacques Prévert et de Boris Vian sont sauvés. Les deux logements, laissés à l'identique depuis cinquante ans, risquaient de disparaître, menacés par un projet d'expansion du Moulin Rouge, le propriétaire des lieux. Un accord a finalement été trouvé. Depuis des mois, la petite-fille de Jacques Prévert, Eugénie Bachelot-Prévert, se battait pour sauver ce patrimoine historique.  Combien de touristes passent à côté de ce petit bijou sans même le savoir ? Pour accéder aux appartements de Jacques Prévert et de Boris Vian, dans le quartier Pigalle (XVIIIe arrondissement), il faut emprunter une petite ruelle adossée au Moulin Rouge. Tout au fond se trouve une petite bâtisse. Là, derrière une lourde porte du deuxième étage, se cache l'appartement dans lequel Jacques Prévert a vécu de 1954 à 1975, juste avant sa mort en 1977.   De la table de travail du poète au fauteuil consacré à sa sieste – et qui porte encore la trace de sa sueur –, tout a été conservé à l'identique. Un petit miracle que l'on doit à Eugénie Bachelot-Prévert, la petite-fille et unique ayant droit de l'auteur.   Un véritable inventaire à la Prévert  Ici, un pape lumineux ; là, une carte postale qui fait du bruit lorsque l'on appuie dessus. « Il y a tout l'univers de Jacques Prévert dans son bureau, comme un cabinet de curiosités », raconte Eugénie Bachelot-Prévert. Un monde fantasque, aux accents malicieux, et surtout plein d'humour. « Les surréalistes adorent les farces et attrapes, il y en a plein ici », explique encore celle qui est aujourd'hui artiste.   Mais l'appartement et ses 100 m² sont aussi une véritable capsule temporelle. Il y a d'abord les murs eux-mêmes : l'endroit a été aménagé par Jacques Couëlle, architecte-sculpteur emblématique du milieu du siècle dernier. C'est lui qui a pensé ces murs blanchis à la chaux, grêlés de dizaines de petites niches de rangement, dans une ambiance méditerranéenne.  Et puis il y a ces objets, qui témoignent de l'actualité d'une époque : une lampe de mineur, offerte par les grévistes de 1963 – Jacques Prévert avait publiquement soutenu le mouvement – ; des portraits disséminés de Brigitte Bardot, que le poète admirait ; un vieux téléphone à cadran ; et même le lit d'Esmeralda, interprétée par Gina Lollobrigida dans le film Notre-Dame de Paris sorti en 1956. Des souvenirs dans un écrin, un temps menacés  Le matériel, c'est une chose ; le vivant en est une autre. De la vie, cet appartement en a connu : « Jean Gabin est venu ici fumer des cigarettes avec mon grand-père ; Arletty y a lu un texte... Sur cette table [dans la pièce à vivre], Serge Gainsbourg est venu, solennellement et timidement, demander l'autorisation à Jacques Prévert d'utiliser son nom pour sa chanson, la chanson de Prévert. Il l'a chantée à mon grand-père qui a dit : "C'est très bien, mon p'tit gars", puis ils ont ouvert une bouteille de champagne à 10 heures. » Une foule de souvenirs qui ont failli disparaître lorsque le Moulin Rouge, propriétaire des lieux, a refusé de renouveler le bail, sans concertation préalable. Il s'agissait, pour le célèbre cabaret, de mener d'importants travaux afin de réhabiliter la salle historique dans laquelle se produisait la chanteuse Mistinguett. « L'appartement de Jacques Prévert représente 0,67 % de la superficie totale du Moulin Rouge, c'est une goutte d'eau. Il n'y a pas un patrimoine qui doit en écrabouiller un autre », se désolait à l'époque Eugénie Bachelot-Prévert.   Courriers adressés au ministère de la Culture, pétition en ligne, demandes de conciliation. Rien ne semblait y faire, jusqu'à un rendez-vous fin décembre au cours duquel un accord de principe, formulé oralement, a été trouvé. « Cela nous a donné l'occasion de discuter, ce qui aurait dû être fait dès le début, relate l'unique ayant-droit de Jacques Prévert. En fait, on a eu l'impression d'un grand malentendu. » Les termes de l'accord restent encore à définir mais l'appartement de Jacques Prévert et celui de son voisin, Boris Vian, pourraient être transformés en musée. « Tout est à inventer, pointe Eugénie Bachelot-Prévert. Mais j'ai confiance, cela va être fait en bonne intelligence. » En attendant, pour éviter toute frayeur à l'avenir, elle a pris une décision : les démarches pour que l'appartement soit classé aux monuments historiques ont été lancées. À écouter aussiNotre-Dame de Paris, le miracle touristique

The Harvest Series podcast, hosted by Rose Claverie, welcomes award-winning composer and music supervisor Justin Levine for a very special conversation that unfolds as much through sound as through words. Recorded in nature during Harvest, this episode blends music, reflection, and creative honesty.Levine shares how creativity should exist beyond productivity, why vulnerability is essential in collaboration, and how major works like Moulin Rouge! are built through trust, humility, and collective vision. He also reflects on courage, leadership, and learning to let creativity exist without judgment.What happens when we stop asking creativity to justify itself and allow it to simply be part of how we live?Chapters00:00 – Welcome to Harvest01:05 – Music as conversation, not performance03:40 – Teaching creativity for its own sake05:10 – Starting without talent or permission06:30 – Growing up self-taught in a musical home08:40 – Discovering music as a profession10:15 – What a music director actually does14:20 – Orchestrating Moulin Rouge!18:15 – Collaboration, ego, and leadership21:00 – Adapting iconic works for Broadway26:35 – Violence, music, and emotional impact32:40 – Courage, vulnerability, and creative trust36:20 – Closing reflections and musicYou can follow us on Instagram at @HarvestSeries or @rose.claverie for updates.Watch our podcast episodes and speaker sessions on YouTube: Harvest Series.Credits:Sound editing by: @lesbellesfrequencesTechnician in Kaplankaya: Joel MoriasiMusic by: ChambordHarvest Series is produced in partnership with Athena Advisers and Capital PartnersHarvest Series Founders: Burak Öymen and Roman Carel

This week, we're heading to the iconic red windmill to talk all about BroadwaySF's production of Moulin Rouge! ❤️✨ We share our experience seeing this high-energy, spectacle-filled show — from the stunning choreography to the immersive design that pulls you right into the world of the Moulin Rouge.We also got to chat with Kenneth, who serves as a dance captain and swing for the production. He gives us insight into the demanding choreography, what it's like covering multiple tracks, and how the company keeps such a massive show running smoothly night after night.It's a fun, behind-the-scenes look at one of Broadway's flashiest productions — and a great listen for theatre fans and dance lovers alike.

Jingle Ball is an annual winter concert thrown by iHeartRadio! I just attended 12/12's show at MSG! My review of the venue, artists, seats, and televised special are discussed in this episode. Theme Song: "Dance Track", composed by Jessica Ann CatenaNYC Lineup:Monsta X; liveRavyn Lenae; liveMyles Smith; liveK-Pop Demon Hunters Singalong (Saja Boys) - Soundtrack Jessie Murph; liveZara Larsson; liveAlex Warren; liveNelly; liveLaufey; liveConan Gray; liveRenee Rapp; liveEd Sheeran; live"Play It Cool" - Monsta X feat. Steve Aoki (2019)Related Episodes: Ep. 13 - Top 40 Songs of 2021 (Part 2)Ep. 117 - Top 40 Songs of 2021 (Part 2)Ep. 123 - Z100's Radio HistoryEp. 187 - Ed Sheeran Top 11Ep. 260 - Global Citizen Festival 2024 - ReviewEp. 292 - Ed Sheeran's "Azizam" & "Old Phone"Ep. 295 - Modern Folk: Alex Warren & Myles SmithEp. 301 - Live Aid's 40th CoverageEp. 303 - Moulin Rouge! Film & Play Ep. 308 - VMAs 2025 PredictionsEp. 309 - Laufey's 'A Matter of Time' ReviewEp. 322 - Christmas 2025 PlaylistFollow us on Facebook, Twitter, Instagram, and Spotify playlists. 

In this festive end-of-year SheerLuxe Podcast, Georgie Coleridge Cole is joined by Hodge Templeman and Josh Smith. From Lauren Silverman stealing the spotlight on Simon Cowell's new Netflix series to the long-awaited return of ‘The Night Manager' (and a collective appreciation of Tom Hiddleston) the trio cover the TV moments everyone's talking about. There's plenty of fashion and lifestyle chat too, including the independent brands the team genuinely loves – from cult socks and standout fragrances to jeans worth tracking down and lingerie labels doing things differently. Along the way, they dive into big-picture reflections on friendship, boundaries, showing up for people and the art of good conversation, with Josh sharing insights ahead of the relaunch of his podcast in January. Expect festive chaos, celebrity obsessions, thoughtful takes on communication and the kind of honest, funny conversation that feels like being part of the group chat – the perfect way to wrap up the year.AD | Lululemon | https://www.lululemon.co.uk/en-gb/homeOUTFITSGeorgie Coleridge Cole | @gcoleridgecole | https://www.instagram.com/gcoleridgecole/?hl=en Maebe Tailored Every Wear Blazer | https://maebe.co.uk/products/tailored-every-wear-blazer-black Déhanche Hollylock Silver Belt | https://tinyurl.com/39racsvw Soru Duo Coco Earrings | https://tinyurl.com/pvy55nfj Zara Wide Leg Jeans (similar) | https://tidd.ly/3L9uZKy Balenciaga Knife Boots | https://tinyurl.com/954zp8wf Josh Smith | @joshsmithhosts | https://www.instagram.com/joshsmithhosts/?hl=en M&S Crew Neck Aspen Jumper | https://tidd.ly/48VtGa0 M&S Bedford Cord Smart Trousers | https://tidd.ly/4anYsea Hodge Templeman | @sarahjtempleman | https://www.instagram.com/sarahjtempleman/?hl=en Ninety Percent Soft Roll Neck (similar) | https://tinyurl.com/bddeb5us Nanushuka Amas Leather Sarong Skirt (similar) | https://tinyurl.com/yu6svsn7 Jennifer Chamandi Cece 105 Black Suede Boots | https://tinyurl.com/y46m64bb By Alona Dune Earrings | https://byalona.com/collections/earrings/products/dune-earrings-gold Paola Sighinolfi Cressa Bracelet | https://www.paolasighinolfi.com/en-gb/products/cressa-bracelet NEW & NOTEWORTHYLapland UK | https://portal.laplanduk.co.uk/ Kelly Hoppen x M&S Candle No 1 Scented Candle | https://tidd.ly/4pFvrz9 Reign With Josh Smith | https://tinyurl.com/rhhpv5bu Buckeye By Patrick Ryan | https://tinyurl.com/5s5sfayj Verafied Bags | https://verafiedny.com/ Discothèque | https://discothequefragrances.com/ Pairs Socks | https://www.pairs-socks.com/ FASHION FINDSThe Pantry Underwear | https://thepantryunderwear.com/ The Pantry Bridal Range | https://thepantryunderwear.com/pages/bridal-solutions Anine Bing Jeans | https://eu.aninebing.com/en-gb/collections/denim-1 De Savary Fur Coat | https://www.desavarylondon.com/products/chocolate-faux-fur-coat De Savary Burgundy Cropped Leather Jacket | https://tinyurl.com/4ftdbcfp Intimissimi Modal Ultralight High Neck Top | https://tinyurl.com/3dup7thz Intimissimi Modal Ultralight Long Lace Shirt | https://tinyurl.com/mruhxhs2 The AW25 Trend We're Obsessed With | https://tinyurl.com/mrvxbffv MUSTN'T MISSReign With Josh Smith | https://tinyurl.com/rhhpv5bu Great Chat By Josh Smith | https://tinyurl.com/2s39sn4j Rapid-Fire Questions | https://tinyurl.com/256rdba3 HOT TOPICSimon Cowell: The Next Act | https://www.netflix.com/gb/title/81743409?source=35&fromWatch=true Paddington Bear Musical | https://paddingtonthemusical.com/ Matilda Musical | https://uk.matildathemusical.com/ Mrs Doubtfire Musical | https://www.mrsdoubtfiremusical.co.uk/ Moulin Rouge | https://moulinrougemusical.co.uk/ Cabaret | https://www.theplayhousetheatre.co.uk/cabaret The Night Manager | https://www.bbc.co.uk/iplayer/episodes/p0fty7vj/the-night-manager The Honourable Woman | https://tinyurl.com/4fd59e2v The White Lotus | https://tv.apple.com/gb/show/the-white-lotus/umc.cmc.3c8psnhdn9viikje3kvq69fyr Hosted on Acast. See acast.com/privacy for more information.

Michigan Weather and Women: Part 3 How did we ever get here? Based on a post by CleverGenericName, in 4 parts. Listen to the Podcast at Connected. "When I was fourteen, Mr. Johnson introduced me to a friend of his, Henry White, who was a master plumber. Henry was a high-functioning alcoholic whose temper had driven away all his old apprentices and journeymen. Luckily, I was always big for my age, and Mr. Johnson assured Henry that I was seventeen, turning eighteen in the next few months, so he took me on with the promise to make me an apprentice as soon as I was old enough. By the time that Henry learned my actual age, he had come to rely on me so much that he kept me on." "But what about school? Don't you need a high school diploma to become an apprentice?" "One good thing about growing up in a small town is that most people know the score. I made it to school when I could, and Henry and I worked a lot on the weekends, while Alison watched the rest of my siblings. Most of my teachers let me through with C's and D's, even though I must have missed half of my classes. Everyone knew that I was working with Henry and that I would need my high school diploma to become an apprentice, so they just kind of let me slip through. "I had well over 6,000 hours of experience plumbing before I even turned 18 and could formally become an apprentice. By that point, Henry was a significantly less functional alcoholic, and I was doing everything for his business; all the plumbing and all of the invoicing. He just signed off on the work. If anyone had ever looked into it, he could have gotten into real trouble, but we did smaller jobs for folks who didn't have a lot of money, so no one ever noticed or cared. "Just about the last thing that Henry did before he passed was to swear out my application to become a master plumber. Then one day I showed up for work, and he had died in his sleep. He didn't own much of anything, other than his tools, and he didn't have any family that I knew of, so I just kept on working." After a few minutes spent lying together in silence, I thought that Erin might have drifted off, but she had one more question for me before she did. "When did your mom leave?" I had never told anyone that part of my story; even my brother and sisters thought that Mom had just left one day, leaving me in charge. The reality was so much worse. "By the time Lane started school, Mom had already left us. Not physically, but in all the other ways that matter. She didn't work, and she regularly brought her 'boyfriends' back to our house to trade sex for drugs. Any support she got from social services went straight into her arm or up her nose. I was working long hours by then, to pay the rent and put food on the table, so sometimes that meant that Mary or my brother would be at home with Mom when I wasn't there. I knew it was playing with fire, but there was nothing I could do about it other than pray. "Normally, when I got home, I would blow my horn as I pulled into our drive and Lane would come running out to hug me and tell me about his day. So, I knew something was wrong when I came home late one evening, turned off my truck, and he still hadn't come out. I went inside, and Mom was sitting stoned in the living room watching TV. I asked where Lane was, and she just waved toward the back of the house. Alison and Sharon were out, so Mary and Lane were home with her by themselves. I found him in the room that we shared, cowering in the corner, with little Mary guarding the door. She was only eight at the time. "After a few minutes, I got Lane to tell me what was wrong, and he showed me his arm. Earlier, he had been in the kitchen and had bumped into Mom while she was cooking something on the stove. In a burst of rage, or maybe just evil, she grabbed his arm and held it against the burner. You can still see the scar on his arm today. "That was the end of it. I asked Mary to stay with Lane in our room, I packed Mom's things into the one suitcase we owned, and I drove her to the bus station. I bought her a ticket to Grand Rapids, gave her all the cash in my wallet, and waited with her until she boarded. I told her I would call the police if she ever came back. "Before she left, she spat on me and told me she wished I had never been born." I marveled at how flat my voice sounded, but to my surprise, my cheeks felt wet. I thought I had lost the ability to cry long ago. "Can you imagine that, abandoning your own mother? I'll probably burn in hell, but it was the only way I could think of to keep my brother and sisters safe. I haven't seen her since, although she used to call a couple of times a year asking for money. I didn't feel too bad about hanging up on her when she did, though, since she was still collecting family benefits for us all. Lane barely remembers her, which is likely a blessing, so I made up the story about Mom going away for the weekend and never coming back. "Since then, I have done what was needed for us to survive. When Alison finished school, she wanted to stay home to help look after the others, but I convinced her to go to college. I said that Mom had put aside some money for her tuition, but of course, that was a lie. I have been making the payments for her, but I wanted her to have the chance to just be young, for once. To get away from all of this, at least for a while." "But what about you, Davis?" "I don't matter." "Well, you matter to me." While I was speaking, Erin had wrapped both arms around me and was now holding me tight against her body. When I finished, my body was wracked by waves of uncontrollable grief, but she held me through it all. Eventually, as I started to calm down, she gave me gentle kisses on the nape of my neck and whispered to me in a soft voice. I don't remember what she said, but I fell into a deep and dreamless sleep. The power came back on early the next morning, and Erin and I were the first people to wake up. She lay beside me with a small smile on her face. "You've had some hard times, Davis Crawford, but you have come out the other side. You're pretty amazing." I felt a sudden burst of both elation and fear as I returned her smile. "Thanks for listening and not judging me. I've never told anyone some of the things I shared with you." "It was my pleasure. Now let's get up and make some coffee." Looking out the window, the snowdrifts were over two feet high in places, but I knew they weren't going to get any lighter as the sun came out and they started to melt. "I am going to get started on the shoveling if you want to start on breakfast." Erin gave me a bemused look. "Or maybe, I am fully capable of shoveling snow, and we can get it done twice as fast by working together." A few minutes after we started, Lane came out to help. At one point, when Erin was on the other side of the yard, he started to speak. "I heard some of what you said to Erin last night. I never knew what Mom did to you, what you did to protect us. Thank you." "Ah, Bud. I never wanted you to worry. Mom wasn't well for a long time, and she made some terrible choices. But she's gone now, and you will always be safe with me." By the time we finished, we had worked ourselves into a lather, so I suggested to Wilma that she get a snow plowing service for the winter. She gave me a look that implied that somewhere there was a village searching for its idiot; and that idiot was me. "Oh, I have a service, but they take so long to come that they are useless if they bother to show up at all." Erin jumped into the conversation, looking pissed off. "It's part of my family and the McDougal's ongoing campaign to get Gran to move. I have told them how dangerous the game they are playing is, but they just don't seem to care." I thought for a minute, before walking a little ways away and making a call. When I returned, I had some good news for Wilma. "Go ahead and cancel your current service. If they aren't going to do the work, they shouldn't have a problem with not getting paid. I called an old friend of mine from school who runs a snow removal company out of Harbor Springs, who owes me a favor or nine. From now on, you will be at the top of his list." Erin and I texted just about every day between Thanksgiving and Christmas, and we talked most nights when she wasn't working. We were both insanely busy; Erin was providing pediatric coverage for two hospitals that were three hours apart, and I was working as much overtime as possible, to save up for Christmas. Some weeks, the only time we had to meet in person was Sunday afternoons at Wilma's. Mary, in turn, was flourishing under Wilma's guidance. It seemed like she was channeling her emotions into her art, and I began to see the kind and thoughtful sister reemerge that I thought I had lost forever. She wouldn't show me the painting she was working on, but Wilma said she was making good progress, and that was all I needed to know. As it got towards mid-December, our thoughts turned to Christmas. Since Wilma's family was still boycotting the holidays, we decided to have a joint celebration like at Thanksgiving. Erin was going to be working at the hospital in Petoskey on Christmas Day, but we promised to keep Wilma company and to bring her a Christmas meal that she could eat on her break. In typical fashion, she tried to convince us that she would be fine with cafeteria food, but we would hear nothing of it. When we got to Wilma's house for lunch on Christmas Day, she had stockings laid out by the fireplace with a present for each of us. Santa must have had a very healthy budget, because he brought Lane a new fishing rod, Mary a set of expensive paints and charcoals, Sharon a contribution to her college fund, and Alison a specialized nurse's bag with a personalized stethoscope. Rather than a present, my stocking came with a small envelope that contained a pair of tickets to the traveling production of "Moulin Rouge" that was playing in Grand Rapids in March. Although I was happy to get a present of any kind, Wilma must have seen my look of confusion at the choice. "I was talking to Santa, and he mentioned that Erin loves musicals. Phillip used to take her to them when she was younger. He would put on his best suit, and she would get all dolled up in a dress with some of my jewelry, and they would go out for a fancy dinner before the show and have a grand old time." I looked at her in amusement, before replying. "Well, it seems that Santa is about as subtle as a sledgehammer. But I will have to say thanks, next time I bump into him." Our present to Wilma came in three parts. First, we included her in our Christmas cookie exchange, and Mary even gave her a double portion of the chocolate chip cookies she had baked. Second, the five of us committed to helping her catch up on the yard work and house repairs that had fallen by the wayside since Phillip passed. And finally, we pledged to do everything in our power to make sure that she could stay in her house for as long as she was able. Wilma hugged and thanked each of us with tears in her eyes, then looked over at Mary. "Why don't you get your present for your brother." Mary went to the studio at the back of the house and brought back what looked like a small painting, wrapped in Christmas paper. "I wanted to make you something to say 'thank you' for everything you have done for us. And for not giving up on me." When I unwrapped the painting, I was stunned. It was very different from Phillip or Wilma's more realistic works and had vibrant streaks of paint that burst across the canvas, meeting, seemingly at random, in explosions of color. The entire piece was chaotic, except for a single corner that was shielded from the turmoil by a solid arc of paint that was the exact color of my eyes. After lunch, Mary and Sharon kept Wilma company while Alison, Lane, and I went to see Erin at the hospital. Things were pretty quiet, so she had time to sit and eat her dinner with us. While she ate, I showed her pictures from earlier in the day. She laughed at one, in particular, of Wilma with her arm around Mary while they were wearing festive paper hats from their Christmas crackers. "Thank you for taking such good care of Wilma, Davis. She would never admit it, but the holidays would have been very lonely for her this year without you. It means the world to me that you could be there for her." We chatted a bit longer before I pulled out my present for Erin. It was a small flat package which she opened slowly. Inside was a framed drawing of Wilma's house, as seen from the docks, as she looked out the picture window in her living room. "This is amazing, who made it?" "I used to draw quite a bit in school. Since Mary has been working with your Gran, I thought I might give it another try, and I particularly liked how this one turned out." "It's beautiful, Davis. Thank you." She started to blush as she glanced over at Lane, before she slid a card over to me, and whispered, "Maybe you should wait to open this until later when you're alone." Inside the card was Erin's two-part gift to me. First, an invitation to visit her in Grand Rapids, and second, a night for the two of us in a suite at a very nice hotel. New Year's Eve was even quieter than usual at our house. Erin was working in Grand Rapids and was on call that evening. I spoke with her earlier in the day, however, and wished her a Happy New Year, and we sent each other kissing emojis at midnight. The rest of us spent the night playing board games. The only real excitement came a few days earlier when Mary asked if she could invite a friend to join us. "And is this friend a boy, by chance?" As far as I knew, Mary had never had a boyfriend, so this was a new development. Mary didn't have to answer, since her blush did the talking for her. "Do we know this boy?" "It's; It's James McDougal. But he's not like his brothers. He's a good guy." I had my reservations about all of the McDougals, but I was willing to give him a chance. I had only met James that one time at his parent's house when I had gone to get Mary, and he seemed polite enough. But since he was a McDougal, he was starting with two strikes and was in danger of going down swinging. To give Mary credit, James passed the first boyfriend test before he even made it into the house. When he drove into the yard, Munchkin was the first to greet him. He wasn't growling or barking like he sometimes did, or showing his teeth, but he was plenty intimidating. James waited patiently for him to approach before carefully scratching behind his ears. After Mary came out to greet James, Munchkin decided he was alright and fell in behind them as they came inside. Just after midnight, as he was getting ready to leave, James took me aside. "I just wanted to say, sir, that I am sorry for what happened with Mary a few months back. I should never have brought her over to my house without your permission, and I should have brought her right back home once I saw that my brothers were home. I promise you, that despite my bad judgment, I would have made sure that nothing happened to her, and I won't ever make that mistake again." I had to admit that James was growing on me. Chapter 5. It wasn't long before Mary introduced James to Wilma. I had to work on a Sunday in early January, so he offered to drive her to Wilma's in my place. I could tell he was nervous, and he was wearing a nice, collared shirt with some clean jeans, under his winter jacket. By the time he brought Mary home, his shirt was soaked in sweat, and he looked a little like a young man returning from war. Later that week, I asked Wilma what she thought of him. "He seems like a nice, polite boy and he sure is besotted with our Mary. While Mary and I worked on her latest painting, he did some chores for me, including chopping and stacking the entire half cord of wood you dropped off last week. But he didn't complain, and he was still smiling at Mary when he was done, so I think he will do." Wilma's relationship with the rest of the McDougals, however, remained tense, and they made it clear to me that continuing to help her would come at a steep cost. I ran into Calum one evening at the grocery store and he made their position crystal clear. "We've got a big job coming up in Indian River that you might be interested in. Starts in a week, and it would keep you busy for the better part of the next year, solid. The job is yours if you want it." "What's this job going to cost me?" "It's yours, no strings attached. But you wouldn't have time to help old lady Anderson anymore. You know, and I know, that it's time for her to move on from that land. It's what her family wants and it's what's best for her. I am sure that doctor down in Petoskey would understand, I figure she must be tired of looking after that grandmother of hers all the time anyway. Think how much more time the two of you would have together if you were working a regular nine-to-five kind of job. "On the other hand, if you don't work with us on this project, my family is going to take it pretty hard. Hard enough that we might reach out to our friends and neighbors to let them know that you are not a team player and that they may not want to do business with you." There it was. They were threatening to ruin me if I didn't do what they wanted. I knew they couldn't cut off all of my business since there were too many people in the lower peninsula who had been screwed over by them in the past. But they could sure make things tough for me. I am really bad at taking orders, however, particularly from dickheads like Calum McDougal. Calum had a cynical smile as he walked away. He didn't value decency or loyalty, so I was sure he thought he had won me over. All he had done was harden my resolve. I felt honor-bound to reach out to my friend who was clearing Wilma's driveway, though, to let him know that he might get some heat from the McDougals. He was surprisingly poetic in his response. "Fuck those arrogant worm-drowners and the horses they rode in on." Valentine's Day was never a big deal for me. Over the years, I hadn't had time to date, and I wouldn't have had any money to do anything special if I did, so the Hallmark holiday passed me by without too much fuss or bother. I had hoped things might be different since I was with Erin, but she was on call at the hospital in Petoskey, and I was pushing hard on a large multi-unit build that was on a tight schedule, so I was working six or even seven days a week until it was done. My work hadn't completely dried up since my run-in with Calum, but it had certainly taken a hit, so I was not in a position to turn down jobs, no matter how inconvenient. My one consolation was I knew I would see Erin in a couple of weeks when I visited her in Grand Rapids for the show. I had some flowers delivered to her at the hospital anyway, to let her know that I was thinking of her. That earned me an emoji-filled text and an enthusiastic video call when she was done with her shift. As the date of the show got closer, I started to get anxious. I had never been to a live performance of anything, except the occasional high school assembly, and I worried that Erin would be disappointed in my lack of manners and refinement. Wilma noticed my growing nervousness and decided that I needed a pep talk. "Listen, Davis. Erin likes you for who you are. She doesn't need or want you to act like some slick yuppie from the big city." "I know, Wilma, but I don't even know what to wear. The nicest outfit I own is still just a collared shirt over a pair of jeans." "Hmm, I can help you with that. I still have some of Phillip's old suits and ties, let's take a look and see what might fit." Half an hour later, Wilma had picked out a heavier dark charcoal-colored suit, a lightweight linen suit suitable for warmer weather, and a dark grey suit with tight pinstripes for me to try on. She had some shirts for me, as well, from when Phillip was younger. "Phillip wore that pinstripe suit the first time that he took me to the movies. I'll never forget that night, he looked just like Cary Grant. If you bring these suits to the tailor in Indian River, he should be able to take in the jacket and hem the pants to fit you perfectly. A good tailor can make these suits look like they were cut just for you." I didn't want to seem ungrateful, but I couldn't help but wonder if I would look funny in a decades-old suit. Wilma dismissed my concerns out of hand. "Let me tell you a little secret. If you buy a cheap suit, it will quickly begin to look tacky and dated. If you invest in a quality suit, it will age gracefully and become a timeless classic." Finally, Wilma selected a half dozen ties for me to try on and spent an hour teaching me how to tie a half-Windsor knot. "Get these suits altered, grab yourself a pair of polished black leather shoes, and you'll have those snooty pricks at the theatre thinking they are underdressed. And try to have fun. Erin loves the theatre, so if the two of you continue to fall in love, you will be going with her at least a couple of times a year, so you might as well enjoy it." I stood there in shock for a moment. "Do you really think Erin is falling in love with me?" "Well, yes, I do. And it's clear as daylight that you're in love with her too. But don't overthink things. Just go to the show and have a great night together. And here, take this with you as well," Wilma said handing me a navy blue pocket square with a distinctive paisley pattern. "Most men don't bother wearing a pocket square anymore, but I think they complete the look perfectly. You should wear this one on your date with Erin." Wilma took a final look at me and then slipped a twenty-dollar bill into my pocket. "That's for you to get a haircut before the show. Your normal 'shaggy mutt lost in a forest' look is adorable but not for your big date." The day of the performance approached with both aching slowness and relentless speed. We hadn't discussed it, but I knew (or at least strongly suspected) that Erin would have some expectations about how we spent our time together after the show. Unfortunately, I had no experience when it came to women other than a single kiss with Brittany Johnson back in my sophomore year of high school. I was terrified that I would disappoint her. To make matters worse, I had the three-and-a-half-hour drive to Grand Rapids to overthink things. By the time I arrived at Erin's apartment complex, I was a bit of a mess. My nerves were somewhat allayed, however, when Erin came running out to greet me with a huge smile on her face. "You made it! How was the drive? Wow, I love the haircut! I hope you're not too tired. I can't wait for tonight. I have been telling the girls all about you, and they are dying to see if the man lives up to the legend!" I guess Erin could see the sudden swell of anxiety on my face, so she took my hand. "Don't worry, the girls will love you, Davis. Why don't you grab your bag and come inside? I thought we could get changed here and then check in to the hotel before dinner and the show." Erin's housemates were really sweet, and the three of us chatted for at least an hour while Erin got ready before I excused myself to do the same. I put on Phillip's charcoal grey suit along with the crisp white shirt that Wilma had recommended. It took me four tries to tie my navy blue tie, but even I could tell that it made the colors in my paisley pocket square pop. Despite my nerves, I was still ready before Erin, so I rejoined her housemates in the living room while I waited. They kept sneaking glances at me when they thought I wasn't looking, so much so that I thought I must have done something wrong. Rather than second-guessing myself, I decided to take the bull by the horns and ask; better to be embarrassed in front of Erin's housemates than in front of her. "It's; it's not that you did anything wrong. It's just that you look; well, amazing; like an old-time movie star or something. Erin is going to swoon when she sees you." "You really think so?" I asked, still not sure of myself. Just then, I heard Erin's voice from behind me. "I'm sorry I took so long; we should head out before we're;" Erin went silent as I turned to look at her. She was wearing a floor-length emerald-green dress, which seemed to flow around her and mold to her curves, gathering delicately at her neck while leaving her back bare. Her sandy-blonde hair was styled in an elegant updo, while a few strands floated loose, framing her face. But, as always, what captured and held my gaze were her amber eyes, which danced and sparkled as she moved. My hands began to tremble, and I didn't trust myself to speak. "Do I look alright, Davis?" I took a deep breath that sent oxygen coursing through my body, as I found my voice. "I had no idea that anyone could look as beautiful as you do right now." Apparently, she liked my response, since her face broke into a wide grin. "You look mighty handsome yourself, Mister," she said while making a small adjustment to the knot of my tie. "Is that one of Grampy's suits? It looks amazing on you, and I love the tie and the; Oh; Oh, Davis. Is that Grampy's pocket square?" I could see tears forming in her eyes. "Wilma thought you might like it; that it might remind you of Phillip and the times he took you to the theatre when you were younger. I don't have to wear it, though, if you don't like it," I said reaching up to take it out of my pocket. Erin stopped my hand with hers, however, and then lightly ran her fingertips over the colorful square. "Gran was right. It reminds me of Grampy and now it will remind me of you. Please, I want you to wear it. For me." I felt a bit self-conscious pulling up to a fancy hotel in my ratty old truck, but it didn't seem to faze Erin in the least, so I decided not to worry about it. The suite she had booked was by far the nicest room of any kind that I had ever been in, but I tried not to seem like a country rube as I looked around. "Do you like it?" Erin asked a bit nervously, as she tried to gauge my reaction. "Honestly, I thought that rooms like this were just for celebrities and movie stars, and folks like that." "Normally that's the case, I guess, but for one night; tonight; it's ours." Dinner was lovely. I kept expecting people to see past my suit and realize that I was an imposter; just a plumber from the peninsula; not the kind of man who should be spending the evening with a woman like Erin. But she seemed to be having a wonderful time, so I began to relax. My anxiety was further abated when she leaned over the table and said in a low voice. "Jesus, the women in this place can't stop checking you out. I'm kind of wishing I had brought my bear spray now to keep them away. I need to excuse myself for a minute, but I wouldn't be surprised to find one of them trying to take my place when I get back." "Erin, I would never;" "I know, Darling. And frankly, they can look all they want because I know who you're going home with tonight." After that, I looked around the room with a new eye and noticed the subtle glances in my direction, and the shy smiles and blushes. I guess Phillip really did have good taste in suits. After dinner, we walked arm-in-arm to the performance hall, which was very impressive, with its soaring ceilings and plush velvet upholstery. Our seats were in a box on the right-hand side of the hall, which gave us a commanding view of the stage. As the lights went down, Erin took my hand in eager anticipation. I don't remember much about the performance that night; I spent more time watching Erin's childlike wonder than what was happening on the stage. Erin was still holding my hand at the intermission, and I felt a warm sense of contentment wash over me. "Oh, I forgot to mention, some of the largest donors to the hospital are hosting a reception after the performance. Would it be alright if we put in an appearance before we head back to our hotel?" I agreed without hesitation; a decision I would second guess before the night was over. It was close to 10:30 by the time the performance ended, and Erin held my arm, while resting her head on my shoulder, as we made our way through the hall to the reception. We each grabbed a drink, and we drifted through the small crowd until Erin was greeted warmly by a distinguished-looking older couple. Erin introduced them to me as the hosts of the reception, Mr. and Mrs. Wendel. "Please, just call us Tom and Martha. And you two make such a lovely couple. What do you do, Davis?" "I am a plumber, Ma'am," I replied, wondering how that news would be received by this obviously well-to-do couple, but I needn't have worried. "What kind of plumbing do you do?" Tom asked with genuine interest. "Mainly residential at this point, since I just got my master's license last year. A lot of the larger builders want to see some gray hairs on the heads of their skilled tradesmen, so right now, I am just doing what I can to pay the bills." "Amen, to that brother. I remember those days well. I started out, over 30 years ago now, as a dry Waller, and I spent more years than I care to remember doing whatever jobs I could get, just to get a foot in the door. It paid off for me in the end, though. Say, I am working on a development on the south side of town and was wondering;" Before Martha could stop him, Tom launched into a long and technical question about a challenge he was having with the plumbing for his new development. When I started an equally long and technical response, Erin kissed me on the cheek and whispered that Martha and she were going to go to the bar to get another drink. A few minutes later, I was still talking with Tom when a movement at the bar caught my eye. I looked more closely and saw that Erin was speaking with a tall, arrogant-looking man who kept trying to put his hand on her lower back, while she forcefully pushed it away. "My apologies, Tom, but could you give me a minute?" Without waiting for a reply, I walked over to where Erin was standing and slipped my arm around her waist, just as the man reached for her for a third time. "Hey, now," I said, trying to defuse the situation with a bit of humor. "At least buy me a drink before you make a move on me like that." His hand recoiled like it had been scalded, and his cheeks colored in anger. I could smell the alcohol on his breath from where I was standing. "Well, if it isn't the plumber," he said in a mocking tone. He must have been eavesdropping on my conversation with Tom, and he clearly wasn't impressed. "What did you think of the show this evening? Actually, that's hardly a fair question since you've probably never been to the theatre before. So, how about something more your level? I wonder what you would think of the bathrooms in my new penthouse. I am sure you would find them very impressive. I will give you a call the next time my toilet gets clogged, and you can come and check them out." He seemed very pleased with his insults, so he continued, a condescending grin on his face. "Anyway, Dr. Anderson, as I was saying, it was charitable of you to let the help see how the rest of us live, and I am sure he is having a good time and all, but it's past time for him to bring his daddy's suit home, don't you think? Why don't you leave him to it, and you and I can go have a drink? And then; who knows? I had dealt with people like this prick for my entire life. When you grow up with one abusive parent and no money, you get used to just about everyone feeling like they are better than you. There was nothing I could do about that, but I learned to use humor as a shield to protect myself and deflect attention. But sometimes humor just wasn't enough. And when humor failed, a more direct approach was called for. "You know, if you're trying to insult me, you're going to have to work a whole lot harder than that. But I doubt that hard work is something that you're too familiar with. I have been working since I was twelve to put food on the table for my brother and sisters. I have been a plumber since I was fourteen; by the time I was fifteen, I am sure I had already spent more time ankle-deep in shit than you've spent doing honest work in your entire life. "I didn't borrow this suit from my father because I don't know who my father is; that's right, I'm a bastard. But I am a bastard by circumstance and not by choice. I was born this way, what's your excuse? And since you asked, the suit I'm wearing belonged to Erin's grandfather, and you're right, I would never be able to afford a suit like this myself. But it's an honor to wear a suit that belonged to a man who loved Erin more than anything in this world. If I am really lucky, maybe she will let me love her just as deeply one day. "I may not know that much about musicals or the theatre, but anything that brings that much joy to Erin is more than fine in my books. So, I am going to continue to have a wonderful time with Erin this evening. Why wouldn't I? I am here with the most beautiful woman in the place, or;" I swept my gaze over to Martha, who was still standing beside Erin, "tied for the most beautiful, anyway." The man's face was now distorted with anger, and he took a step towards me. I stepped forward to meet him, my eyes never leaving his. Before, I had been speaking loudly for the benefit of those around us, but now I was speaking in a controlled voice, pitched for his ears alone. "You can say what you want about me, you prick. I have no respect for arrogant shitheels like you, so I just don't care. But before you ever think about putting your hands on Erin again, without her consent, you would do well to remember the Pipe Wrench Incident. "When I was fourteen, two of the men my mother was having sex with, in exchange for drugs, decided that my sister Alison should join in their fun. She was just nine years old. Luckily, I was home at the time, but I was just a kid, and they were fully grown men. When it was over, they were in the hospital, and I was cleaning my pipe wrench with some WD-40 and a rag." I looked him up and down once, dismissively. "Remember that story the next time you're tempted to touch someone I love." I turned to Tom who had come over to stand with Martha. "I'm sorry I interrupted your lovely event, and please don't hold my bad manners against Erin. I don't want to cause any more trouble, so maybe we should be on our way." Tom held up his hand indicating that we should stay. "Dr. Allen, you're drunk and making an ass of yourself. Please see yourself out. On your way home, please consider what you would like me to say at the next Board meeting regarding your behavior tonight." As a chastened Dr. Allen left the reception, Erin leaned over and whispered in my ear, "So, I'm someone you love, am I?" Before I could stammer a reply, Erin kissed my cheek and led me away to get a drink. We avoided the topic of Dr. Allen for the rest of the evening until we were on our way back to the hotel. "Did you really put two men in the hospital with a pipe wrench?" I chuckled softly before responding. "That part of the story is 100% true. What I didn't mention, though, was that they were both stoned at the time and facing the other direction. They would have killed me in a fair fight." It was close to midnight by the time we made it back to the hotel. We held each other's hands as we walked to the elevators, and Erin leaned against me as the doors closed. "Davis, how would you like this evening to end?" My heart started racing and my hands trembled. "I; I want to be with you. But, I have never;" "Are you still a virgin?" "I kissed a girl once, back in high school, but it was nothing like kissing you. I want you more than anything I have ever wanted in my life, but I don't want to disappoint you." Erin tried to stay calm as she replied. "So, you think that I am some kind of floozy who is going to compare you to all my past conquests?" "No, that's not it at all, I;" "Or do you think that I am so shallow that I will get mad at you if it takes a little while for you to learn what I like?" "No, I don't think that either;" "Okay, then. Here is what's going to happen. When we get to our room, you are going to move some of the furniture out of the way, while I put on some music. You still remember how to dance, right? And then we will take things slowly. I will let you know what makes me feel good, and you will let me know what makes you feel even better. And we will be together, and that's all that matters." And that is what happened. Erin started a playlist of songs that she liked, and we slowly danced together in our room. After the first song ended, she nuzzled into my chest as she loosened my tie and undid the first two buttons of my shirt. When the next song started, she started gently kissing and then licking my chest, causing my manhood to stiffen almost painfully. "Well, hello, my rather large friend. You need to be patient, for now. But if you're good, I may kiss you as well before the night is done." Her sensuous voice, and the image it evoked, were definitely not conducive to patience, and I let out a low moan of pleasure. "That's what I like to hear," she murmured as she untucked my shirt and continued to undo my buttons until she could run her tongue over my nipples and tweak them with her teeth. She looked up at me with sultry, half-lidded eyes. "It's okay for you to touch me as well if you want," she said, as she took one of my hands and slid it under the back of her dress and down to her silky-smooth cheeks. She slid my other hand under the front of her dress so that it cupped her tit, and she sucked in a breath as I stroked my callused thumb over her nipple. "Now some women like it when you;" I kissed her before she could finish her thought. "Erin, I don't care what some women like, the only woman I want is you." "Oh," she replied in a breathy voice. "Well, I like it when you're a bit rougher with my tits. Not right away, I need to be in the mood; like I am now;" She lost her train of thought as my hand enveloped and massaged her tit, squeezing her nipple lightly between my thumb and forefinger as I lifted it away from her body. "Mmmm, yes. Just like that, baby." I felt a wave of heat roll up the fingers on my other hand, so I slid it further down until I felt a small triangle of material, that was slick with liquid heat. I slipped my finger a little further and felt her long smooth cunt open at my touch. "Oh, Baby," Erin whispered huskily into my ear. "We are going to have so much fun tonight." It was strange going back to my regular life after my night with Erin. The time with her was so incredible, and so beyond anything I could ever have imagined, that it didn't seem real. To be continued in part 4. Based on a post by CleverGenericName, in 4 parts, for Literotica.

Izzy Gleicher and Paige Seber join Sharon Tharp to break down their unforgettable run on The Amazing Race 38, unpacking the finale, how the edit portrayed their journey, and where they stand with their fellow castmates today. They open up about representation, identity, and the challenges viewers didn't fully see — including the Moulin Rouge task — plus how they approached running a “clean” race, what they learned about each other under pressure, and whether they'd pick up the phone if Amazing Race came calling again.

Getting ‘gitchie gitchie’ down with Baz Luhrmann’s “Moulin Rouge.” Jenna and Kevin are back with a recap of the 2001 hit musical and get ready for rants and raves! They are in awe of the sets, the music, the cinematography, the costumes, but Kevin shares the part of the film that made him feel sick, and the scene he had to pause because it was so overwhelmingly good! They also dive into Nicole Kidman’s vocals, Ewan McGregor’s casting, and the song that should have been an Oscar contender. Plus, Kevin reveals he was in the Faith Hill “Pearl Harbor” music video but thought he was in the actual movie! For fun, exclusive content, and behind-the-scenes clips, follow us on Instagram @andthatswhatyoureallymissedpod & TikTok @thatswhatyoureallymissed!See omnystudio.com/listener for privacy information.

Purple Pants Podcast | The Amazing Race 38 Episode 11 Recap: To be continued Brice and Brooke are back at the Pit Stop to break down all the chaos from The Amazing Race Season 38, Episode 11 — “The Can't Can't.” The final four teams touch down in Paris ready to fight for a spot in the finale, but this leg wastes no time testing nerves. From high-energy kicks at the legendary Moulin Rouge to precision-heavy tasks that demand patience under pressure, racers are pushed to their absolute limit. One wrong step, one missed detail, or one confusing clue could send any team spiraling. As tensions flare, confidence cracks, and the clock becomes everyone's worst enemy, partnerships are truly put to the test. With Brooke and Brice on the mic, expect laughs, unfiltered honesty, and all the frantic Pit Stop energy as we break down who found their rhythm — and who felt like they just can't can't keep it together. You can also watch along on Brice Izyah’s YouTube channel to watch us break it all down https://youtube.com/channel/UCFlglGPPamVHaNAb0tL_s7g LISTEN: Subscribe to the Purple Pants podcast feed  WATCH: Watch and subscribe to the podcast on YouTube SUPPORT: Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks! Previously on the Purple Pants Podcast Feed: Purple Pants Podcast Archives

Purple Pants Podcast | The Amazing Race 38 Episode 11 Recap: To be continued Brice and Brooke are back at the Pit Stop to break down all the chaos from The Amazing Race Season 38, Episode 11 — “The Can't Can't.” The final four teams touch down in Paris ready to fight for a spot in the finale, but this leg wastes no time testing nerves. From high-energy kicks at the legendary Moulin Rouge to precision-heavy tasks that demand patience under pressure, racers are pushed to their absolute limit. One wrong step, one missed detail, or one confusing clue could send any team spiraling. As tensions flare, confidence cracks, and the clock becomes everyone's worst enemy, partnerships are truly put to the test. With Brooke and Brice on the mic, expect laughs, unfiltered honesty, and all the frantic Pit Stop energy as we break down who found their rhythm — and who felt like they just can't can't keep it together. You can also watch along on Brice Izyah's YouTube channel to watch us break it all down https://youtube.com/channel/UCFlglGPPamVHaNAb0tL_s7g Previously on the Purple Pants Podcast Feed:Purple Pants Podcast Archives LISTEN: Subscribe to the Purple Pants podcast feed WATCH: Watch and subscribe to the podcast on YouTubeSUPPORT: Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks! Learn more about your ad choices. Visit megaphone.fm/adchoices

Shaw named NYT Theatre Critic, Broadway Spotify Wrapped data, Broadway stars head out on ‘Moulin Rouge’ tour Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: read more

Tanisha Spring is back In The Frame!Tanisha is playing Belle in Matthew Warchus' production of A Christmas Carol at The Old Vic.The Old Vic's production of A Christmas Carol has become an annual event and this year Paul Hilton is playing Scrooge. The show marks Tanisha's return to The Old Vic and reunion with Matthew Warchus, after playing Rita in the 2023 production of Groundhog Day. Tanisha was last on this podcast two years ago whilst starring as Satine in Moulin Rouge, a role she played full-time after being in the original London cast as Alternate Satine. Tanisha made her West End debut in Thriller Live (Lyric Theatre). Her theatre credits also include: The Prince of Egypt (Dominion Theatre), Shuck ‘n' Jive (Soho Theatre), Making P***n (Above the Stag), Caroline or Change (Playhouse Theatre), Big Fish (The Other Palace), One Love (Birmingham Rep) and Beautiful: The Carole King Musical (Aldwych Theatre). As well as discussing all-things A Christmas Carol, in this episode Tanisha discusses her run in Moulin Rouge and what it was like to return to the show last-minute earlier this year. She also talked about career goals, why she's taking a break from producing and lots more. A Christmas Carol runs at The Old Vic through until 10th January. Visit www.oldvictheatre.com for info and tickets. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

In this pod, the SaDBoys discuss the flashy, Belle Epoque menswear in the stage adaptation of Moulin Rouge and how they dressed as an assassin to attend a John Wick Laser Tag party. There's also a big discussion on "transitional weather attire" and how we like to dress in Early Fall, before it gets TOO cold and we start to Full Send into coats, tweeds, and scarves. It's basically a section where we glaze crewneck sweaters and jungle jackets! Blog Post: https://alittlebitofrest.com/2025/11/24/moulin-rouge-a-john-wick-laser-tag-party/ https://alittlebitofrest.com/2025/11/24/transitional-weather-attire-the-interlude-of-early-fall/ Support us on Patreon and join the Discord: https://www.patreon.com/styleanddirection/ Follow us on Instagram! www.instagram.com/styleanddirection/ Podcast is produced by MJ

A fake dating trope we didn't see coming and Sarah's obsession with Moulin Rouge! Jennifer Hartmann always packs a good punch in her angsty dramas.

durée : 00:03:16 - Le Billet de François Morel - par : François Morel - Le fantôme de Jacques Prévert voltige au-dessus de la terrasse des « Trois Satrapes ». Là-bas, tout près du cimetière Montmartre et de la place Blanche, juste derrière les ailes du Moulin-Rouge, l'esprit de Prévert badine. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

We meet with Marcus Vann playing in the touring company of Baz Luhrmann's revolutionary film  onstage, remixed in a new musical mash-up extravaganza. Directed by Tony Award winner Alex Timbers, Moulin Rouge! The Musical is a theatrical celebration of Truth, Beauty, Freedom, and — above all — Love. With a book by Tony Award winner John Logan; music supervision, orchestrations, and arrangements by Tony Award winner Justin Levine; and choreography by Tony Award winner Sonya Tayeh, Moulin Rouge! is more than a musical — it is a state of mind.

Pre-order Phoebe Berman's Gonna Lose It: https://sites.prh.com/phoebe-bermans-gonna-lose-it SUBSCRIBE TO THE BNC CHANNEL: https://bit.ly/45Pspyl   Ad Free & Bonus Episodes: https://bit.ly/3OZxwpr This week, Brooke and Connor talk about the shapes of the week, Jacob Elordi in the new Frankenstein, and Connor's intimate massage in Philly. Plus, they debate the purpose of a handkerchief and celebrate ugg season!  Join our Facebook page: https://www.facebook.com/groups/5356639204457124/  Go to https://HelloFresh.com/bandc10fm now to Get 10 Free Meals + a Free breakfast for Life! Shop the SKIMS Holiday Shop is now open at https://www.skims.com/bnc Goodwipes is giving away FREE wipes! Want to try a FREE pack of Goodwipes?  Buy a pack of Goodwipes at Target, Walmart, Kroger—or your local store—then head to https://goodwipes.com/BNC, text them your receipt and get reimbursed! Get up to 40% Off your entire order at https://laundrysauce.com/BNC. Don't miss their biggest sale of the year! #laundrysaucepod Ready to quit for good? Go to https://quitwithjones.com/BNC to start your personalized quitting journey and get $10 off with code BNC. B+C IG: https://www.instagram.com/bncmap/ B+C Twitter: https://twitter.com/bncmap TMG Studios YouTube: https://www.youtube.com/tinymeatgang TMG Studios IG: https://www.instagram.com/realtmgstudios/ TMG Studios Twitter: https://twitter.com/realtmgstudios BROOKE https://www.instagram.com/brookeaverick https://twitter.com/ladyefron https://www.tiktok.com/@ladyefron  CONNOR https://www.instagram.com/fibula/ https://twitter.com/fibulaa https://www.tiktok.com/@fibulaa Hosted by Brooke Averick & Connor Wood, Created by TMG Studios, Brooke Averick & Connor Wood, and Produced by TMG Studios, Brooke Averick & Connor Wood. Chapters: 00:00 Canadian Tuxidos 01:02 Debunking Catching a Cold 05:02 Colors of the Week 09:30 Stickers are Wonderful 11:27 Showing out in Philly 13:22 Frankenstine 18:45 HelloFresh 20:29 Skims 21:32 Where is the Soul? 23:04 Ms Mary Shelly 26:16 Getting Closet Hair Cuts 30:57 Addicted to the Phone 33:23 Moulin Rouge  38:25 Goodwipes 39:45 Laundry Sauce 41:40 Quit with Jones 43:30 Handkerchiefs  48:22 Traveling with Cats 50:27 Hotel Living  52:08 The Elderly 56:36 Horoscopes 1:00:19 IG Story Regret 1:02:18 Massages in Philly 1:06:32 Raccoons 1:07:59 See You in Bonus!! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Steph recounts the highlights of her recent trip to France with her friend Donna. They journey through notable locations like Versailles, the Louvre, Moulin Rouge and the Catacombs of Paris, sharing historical insights and personal experiences, they paint a vivid picture of their adventures.Thank you to all of my listeners, friends and supporters! A special thank you to my sponsor, Arias Transportation, for supporting this podcast. Be sure to check them out at www.ariastransportation.com and download the app next time you need a ride in Southern California. Be sure to add Steph 20 in the notes for a 20% discount off your first reservation.Follow me on Instagram @Magic_Key_Adventures or use this link: https://www.instagram.com/magic_key_adventures/Feel free to email questions and comments at: magickeyadventures@yahoo.comSupport the show with a one-time donation at: https://www.buymeacoffee.com/magickeyadhNew! Patreon: Join my Patreon, it's FREE!https://www.patreon.com/c/MagicKeyAdventuresSubscribe, rate and review!Be sure to check out: Ginny's Podcast:https://podcasts.apple.com/us/podcast/once-upon-a-castle-podcast/id1838081825Lynn's Podcast and Travel Planning Services:http://www.thesweepspot.com/⁠

Filipino balladeer Christian Bautista joins Alyssa & AJ to talk about OPM, Josh Groban, musicals, and learning to find peace in the hustle — plus a hilarious PB&J challenge you don't want to miss.In this episode, we sit down with OPM legend Christian Bautista — the voice behind “The Way You Look at Me” — for a heartwarming and hilarious conversation about his 20+ years in music, growing up in church choirs, his viral “Josh Groban” moment, and the power of faith and family through it all. We talk about how Filipino TV shaped a generation of singers (including us!), his dream role in Moulin Rouge, why he's learned not to “break every door” in life, and yes — whether he's Team Sweet or Team Savory when it comes to peanut butter.It's part nostalgia trip, part life lesson, and all-around Sweet or Savory goodness.

In this episode of Best in Fest, branding strategist, publisher, and fashion-to-film trailblazer Lela Christine Thompson shares how she built a dynamic career at the intersection of fashion, entertainment, and digital media. From designing for Queen Pen and collaborating with 20th Century Fox Home Entertainment on campaigns for Moulin Rouge, Soul Food, and The Hunger Games, to launching her own digital magazines like Power Player Lifestyle, Fab Five Lifestyle, and Goddess Couture News, Lela reveals how creative vision and persistence can open unexpected doors.She dives deep into brand marketing for independent filmmakers, the power of social impact media, and how to leverage product placement, blogs, and digital magazines to grow your film's reach. With practical tips on creating a social media calendar, saving behind-the-scenes content, and pitching to online outlets, this conversation is a masterclass in building a digital footprint that lasts.Whether you're an indie filmmaker, content creator, or entrepreneur looking to elevate your brand, this episode will inspire you to think outside the box and embrace the ever-evolving media landscape.

October 6, 1889. For the first time, the now world-famous Moulin Rouge in Paris opens its doors. This episode originally aired in 2022.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.