Podcasts about Moulin Rouge

My guest today is Baz Luhrmann, the award-winning director whose films include Moulin Rouge!, Strictly Ballroom, The Great Gatsby, Elvis, and Romeo + Juliet.  His newest film is  EPiC: Elvis Presley in Concert, a critically acclaimed documentary about Elvis that's playing right now in theaters and in IMAX. Before becoming a massively successful film director, Baz began his showbiz career as an actor, and as a ballroom dancer, in Australia. His first film was Strictly Ballroom, which came out in 1992, and became one of the highest-grossing Australian films of all time. It was originally a play, and there's a song in the film that was part of the story all the way back when it was first performed on stage. And that's what Baz and I talked about for this episode.For more info, visit songexploder.net/baz-luhrmann.

This week on Jam Session, Juliet and Amanda are on their usual sides of the screen as they recap just the Jam Session–coded bits of the 2026 Oscars (:45), including Anne Hathaway and Anna Wintour presenting together (4:40), Jacob Elordi's mustache (15:10), Barbra Streisand's iconic in memoriam performance (18:25), Michael B. Jordan's big win (29:05), where Timothée Chalamet stands (32:28), the fashion (35:10), the ‘Bridesmaids' reunion (37:20), and the ‘Moulin Rouge!' reunion (39:10). Finally, they talk about Zach Braff's response to a recent rumor that said the actor has an AI girlfriend (46:15) and admire how Harrison Ford says “frittata” (and makes one) in the fabulous movie ‘Morning Glory' (55:25).Hosts: Juliet Litman and Amanda DobbinsProducers: Sasha Ashall, Kate Ahearn, and Sarah Reddy Learn more about your ad choices. Visit podcastchoices.com/adchoices

Wow! We finally get our good friend Bob the Drag Queen on the show! We talk about so much in this episode and went alot longer than we normally do, so enjoy! We talk about how we all met, our favorite times together, whether Nick is graceful, and how Bob really got mad at nick recently. Enjoy! Join the loyalty program for renters at https://joinbilt.com/ineverlikedyou

It is a pleasure to welcome singer Dawn Derow to the Jake's Take with Jacob Elyachar Podcast.   A New Yorker by way of Cape Cod, Dawn has been captivating audiences for more than 17 years with extraordinary versatility, moving seamlessly from Puccini to Brandi Carlile to Broadway and jazz. A graduate of the Boston Conservatory, she has performed on world-class stages including Carnegie Hall, Jazz at Lincoln Center, and London's The Pheasantry, as well as leading New York City venues such as 54 Below, Birdland, The Green Room 42, and the Laurie Beechman Theatre. Beyond New York, she has headlined nationally at the Dakota Jazz Club, Café Centro, Provincetown's Post Office Café, and appeared with the Cape Cod Symphony Orchestra.   Dawn Derow's artistry has earned her three MAC Awards (including Best Female Vocalist and Best Album), a Bistro Award, and glowing reviews for acclaimed shows like Revolution, Legit: A Classical Cabaret, and My Ship: Songs from 1941. Her album My Ship won Best Album at the MAC Awards, with Cabaret Scenes hailing her as “a supremely accomplished artist” with “a remarkable range.” Her acclaimed tribute, Dawn Derow Sings Eydie Gormé (played both at Birdland and 54 below, NYC), was praised for its vocal fireworks and recently played to packed houses, cementing her reputation as one of cabaret's most versatile performers.Equally at home on the theatrical stage, Dawn has starred as Antonia in Man of La Mancha, Cathy in The Last Five Years, Adele in Die Fledermaus, and most recently Francesca in The Bridges of Madison County at the Delray Beach Playhouse — a performance that earned rave reviews and the award for Outstanding Actress in a Mainstage Production (2025). Internationally, she has brought her cabaret artistry abroad with sold-out runs at London's Pheasantry (My Ship, 2023; Women's Work, 2024) and a recent premiere of Because I Can/Porque Yo Puedo in Puerto Vallarta, Mexico.Expanding her creative reach, Dawn co-produces Dorothy Dandridge: The Musical and originated the role of gossip columnist Hedda Hopper in its workshop. Offstage, she teaches mobility classes, provides Thai massage, and supports older adults in wellness programs. She divides her time between New York and Florida, returning to Provincetown each summer to perform.   On this episode of The Jake's Take with Jacob Elyachar Podcast, Dawn Derow spoke about the feeling of performing on Carnegie Hall and Lincoln Center's hallowed stages and her latest single, “Everything's Going to Be Alright,” which features a surprise video appearance with Dawn's collaborator, Sean Harkness.Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Showing her love of movies, Izzy from Be Kind Rewind chats with us about her process of creating video essays and connection to researching actresses in the Hollywood system. We discuss how her fannish love of TCM films turned into a passion for making videos and navigating complex topics often overlooked or simplified into gossip. Diving deeper into this, Izzy speaks about her recent video on actress Merle Oberon's race as it relates to William Wyler's Wuthering Heights (1939) and its latest adaption by Emerald Fennell. There we discuss how the construction of stardom and the text of a piece impact readings of race as a racialized work attempts to become de-racailized by directorial choices. Using her Vanessa Redgrave video, Izzy also talks to us about the Oscars,its relationship to politics, and how it impacts actresses. We end this longer epsiode with a hint of the future for Be Kind Rewind and our 2026 Oscar predictions. Afterwards, Samantha and Henry give their Oscar predictions in every category. This episode is filled with fun, fandom, and just a touch of Hollywood magic! We get into what passions drive a video essayist and the interesting topics that can happen about the film industry if we are not strictly going by salacious headlines. It is an episode that not only asks viewers to watch more films but, also challenges them to think about the wider implications of the moving image.   Here are some of the references from this episode, for those who want to dig a little deeper: Some Suggested BKR Videos: YouTube [Channel Link] Nebula [Channel Link] Merle Oberon and the Whiteness of Wuthering Heights Why Vanessa Redgrave Gave the Most Controversial Oscar Speech Ever How Carrie Fisher Blurred Fact and Fiction  Performing Authenticity: The Cinema of Lady Gaga Sofia Coppola and The Godfather Part III Disaster How Michelle Yeoh Went from Bond Girl to Best Actress Oscar Winner in the American Media The Feud of Bette Davis and Joan Crawford | 1963: Pt. 2 Academic/Educational readings and resources: Black Oscars: From Mammy to Minny, What the Academy Awards Tell Us about African Americans Hardcover  WMC Investigation 2026: Gender and Non-Acting Oscar Nominations - Full Report Why Analyze Inclusion at the Oscars? Hollywood Diversity Report JSTOR Hollywood Babylon People & Places: Lindsay Ellis Princess Weekes Emerald Fennell Merle Oberon Vanessa Redgrave Lady Gaga Sophia Coppola Diane Keaton Ryan Murphy Betty Davis Joan Crawford Laurence Olivier Nicole Kidman Vivien Leigh Anna May Wong Hattie McDaniel Rock Hudson Cole Escola Michelle Yeoh Teyana Taylor Wunmi Mosaku Jessie Buckley Jamie Lee Curtis Chon A. Noriega Karina Longworth Liza Minnelli Judy Garland Yoko Ono Samuel Goldwyn William Wyler Lana Turner Lupe Velez Media: TCM Oscars The 98th Academy Awards (2026) Wuthering Heights (1939 film) Wuthering Heights (2026 film) What Ever Happened to Baby Jane? Did Yoko Break Up The Beatles?  Sadly, Wuthering Heights Discourse Is That Deep 1978 Oscars Vanessa Redgrave Win  Kanopy Criterion Channel Tubi Little Gold Men podcast Film Comment podcast Pop Culture Happy Hour podcast Funny Girl (1968) Moulin Rouge! (2001) Bad Cinderella Gone With The Wind (1939) It Happened One Night (1934) Sinners (2025) One Battle After Another (2025) Hamnet (2025) The Godfather Part III (1990) Hollywood (TV mini series) Feud (TV series) You might also enjoy our previous Oscar Themed episode and the Oscar Watch series Henry is currently running on his blog.  ––––––––––––––––––––––––––––––Share your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.Music:“In Time” by Dylan Emmett and “Spaceship” by Lesion X.In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––

Tillbaka i ny studio, så behandlar vi fräscha ämnensom tex. Musikal:Hur var egentligen Moulin Rouge på Rondo,med Marsha Songcome?Vad ÄR en JukeboxMusikal förresten?Finns det en musikalisk motsvarighet till Guide Michelin?Kan kocken Gordon Ramsay och hans program, lockasöver till Musikpubliken genom Mello?Hur länge lever dagens låtar? 6 mån? 3 mån? 1 vecka?Så himla kul att du lyssnar!Vill du ha din låt uppspelad direktmed tillhörande analys.Maila oss låtlänk + info om projektet till: Musiksnacket@iwm.seLänk till Spellista:https://open.spotify.com/playlist/25dSufz7mpKXI0vbMclpgz?si=77c7b74518db43fd#recension #analyser #musik #analys #spotify #Podcast #podd #musiksnacket #Artist #Musiker #scen #studio #AI

Meryl & Kidman Month continues this week with Baz Luhrmann's 2001 dazzling display of a jukebox musical, Moulin Rouge! Diamond Dogs Angela and Amber debate the quality of Nicole's performance and swoon over Ewan, while Jeff does his best to remind them that the show must go on! Check out our NEW YouTube Channel and subscribe now! If you're one of the first 100 subscribers, you'll be entered to win a weekend pass for one of several comic cons happening in 2026!Would you like to hear the show early and ad-free? Head over to our Patreon and get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member! Subscribe to us on YouTubeConnect with us on social media and our website

What happens when a screamo guitarist and singer falls down the musical theatre rabbit hole? Nick Hutson is joined by Serena Cherry, whose musical journey has taken her from the intensity of the mosh pit to the drama of the orchestra pit. Serena explains how discovering The Phantom of the Opera at the age of 17 first opened the door to musical theatre, before life — and loud guitars — briefly pulled her away again. Now, much to the surprise of many in her rock band circle, she has rediscovered musicals and embraced them with enthusiasm. Along the way, Nick and Serena discuss a wide range of shows, from The Pilgrimage of Harold Fry to Two Strangers (Carry a Cake Across New York), and even ponder the perceived missteps of Moulin Rouge! The Musical. They also tackle a classic debate among theatre fans: do the songs in a musical need to be "hummable" for the show to be considered good? Plus, Nick introduces Serena to the deliciously dark world of Stephen Sondheim and Sweeney Todd. Join us for a lively conversation about rediscovering musicals, crossing genre boundaries, and why great theatre can resonate just as powerfully with rock fans as it does with traditional theatre lovers.

Dr. Brandini is making balloon animals to help pay off his med school debt, Megan Thee Stallion is headed to Broadway to star in "Moulin Rouge," and parents are being warned not to pack pre-made cocktails in their kids' school lunch bags. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

La serie tv "Marshals", spinoff di "Yellowstone", parte alla stra-grande rivelandosi il miglior esordio sul canale americano CBS dal 2018. Meglio di lei, solo la poliziesca "FBI", al suo esordio ben 7 anni fa. E a proposito di grandi successi, le serie più viste negli USA lo scorso Gennaio, tra tv e streaming, sono state la quarta stagione Netflix di "Bridgerton", la serie "High Potential" (disponibile in Italia su Disney+) e al primo posto domina "Landman", serie Paramount prodotta proprio dallo stesso autore di "Yellowstone". La rubrica "5 cose che non potete non sapere" è questa volta dedicata al musical "Moulin Rouge!": in occasione del suo venticinquesimo compleanno, il cult di Baz Luhrmann con Nicole Kidman ed Ewan McGregor torna nelle sale. E a proposito di Luhrmann, è arrivato nei cinema "EPiC: Elvis Presley in Concert", docu-film dello stesso regista australiano. Tra le novità da segnalare in tv, su Sky è uscito il legal drama "Avvocato Ligas" con Luca Argentero. Tra i titoli in arrivo, invece, su Netflix ci si prepara per la settima stagione della romantica "Virgin River", mentre cresce l'attesa per la terza trasposizione tratta dalla collana di romanzi rosa di Colleen Hoover, presto nei cinema: dopo "It Ends With Us - Siamo noi a dire basta" (quello con Blake Lively e Justin Baldoni) e "Regretting You - Tutto quello che non ti ho detto" arriva ora "Reminders of Him - La parte migliore di te".See omnystudio.com/listener for privacy information.

You've heard of method actors — performers who fully immerse themselves in a role until a project is complete — but Baz Luhrmann has been called a “method director.” Spectacle is his signature. From the glittering chaos of Moulin Rouge! to the roaring parties of The Great Gatsby, Baz fills every frame with vibrant colour, music and movement. For his new documentary, EPiC: Elvis Presley in Concert, he dives headfirst into the glitter once again, this time to tell the story of his longtime muse, Elvis Presley. The film shows the King of Rock and Roll not as a myth, but as a ferocious live performer full of humanity and power. Baz joins guest host Garvia Bailey to reflect on the bold, anything-goes style that's defined his career, and why he's drawn to cultural icons and big emotional swings.

Our guest today is the delightful Sophie Carmen-Jones, who played Nini in the original London cast of Moulin Rouge before bringing that same performance to Broadway. She is currently commanding the stage as Velma Kelly in Broadway's Chicago - a role that, as it turns out, has been on her bucket list since day one. Sophie is a true gem and it was an honor to have her on the show. Join us as we talk all about her journey from the West End to Broadway, manifesting her turn as Velma Kelly, adjusting to life in the spotlight and so much more. ______ Follow Sophie on Instagram: @sophiecarmenjones Follow Goodversations on Instagram: @goodversations ______ If you enjoyed this episode, please share it on your social media stories! In this way, more people will get to hear Sophie's thoughts on the industry. Be sure to follow us on Spotify and Apple Podcasts for a fresh batch of weekly episodes, featuring the stars of Chess on Broadway, Mean Girls, Moulin Rouge and more.

Bob the Drag Queen and Jared kick off today's episode bonding over their favorite WWF wrestlers and swapping stories from their early stand-up comedy days. Then they dive into modern dating drama, including a straight boyfriend who wants to explore drag, but his girlfriend is feeling insecure and unsure how to navigate it. They red flags, deal breakers, and quirky relationship moments, from mannequins at the front door to reality TV obsession. Bob talks about having two boyfriends and advises an emailer that dating an ENM man is a definite dealbreaker if you're monogamous at heart! Along the way, Bob shares stories from Eddie Izzard, Harry Styles, Moulin Rouge, and life on stage.  It's a fun episode you don't want to miss, and be sure not to miss Bob on Broadway until March 22!

This has to break the FTM record for most unexpected casting news EVER! Before we get into the FIRE Broadway news, Lindsey breaks down seeing Bigfoot! A New Musical staring Grey Henson!Broadway News:

Cardi B vuelve a ser el centro de atención: esta vez confirmó que desea volver a operarse los glúteos para reducir el tamaño ¿qué se hizo y cuál es el procedimiento que se realizará? Al parecer Cristiano Ronaldo abandonó Arabia Saudita en su avión privado junto a su familia rumbo a España.  En Guadalajara se realizó el sepelio de Nemesio Oseguera Cervantes 'el mencho' con varias excentricidades.  Nuestra Clarissa Molina emprendió acción legal contra Sophinel Baez por difamación, luego de que la ex primera finalista del concurso Miss República Dominicana acusara a Clarissa de aceptar propuestas indebidas para ganar el concurso.  

Melissa Nettleford (Rocky Horror / Moulin Rouge) co-hosts The West End Frame Show!Melissa joins Andrew Tomlins (West End Frame's Editor) to discuss Dear England (UK Tour, New Wimbledon Theatre) as well as the latest news about Catherine Tate being cast in Oh, Mary!, Megan Thee Stallion being cast in Moulin Rouge, Jonathon Groff making his RSC debut and lots more.Melissa recently starred as Magenta in The Rocky Horror Show (European Tour). She was in the original West End cast of Moulin Rouge, originally in the ensemble before becoming a Walking Cover for Latina and the Lady Ms. Her theatre credits also include: Cora Macrae in South Pacific (Chichester Festival Theatre), Ali in Mamma Mia! (Novello Theatre), Dynamite in Hairspray (UK Tour), ensemble in On The Town (Regent's Park Open Air Theatre), ensemble and cover Nala in The Lion King (Lyceum Theatre & Germany), dance captain and cover Columbia & Magenta in The Rocky Horror Show (European Tour), ensemble in We Will Rock You (Zurich/Vienna), ensemble and cover Narrator in Joseph And The Amazing Technicolor Dreamcoat (UK Tour).Follow Melissa on Instagram: @melissanettleford This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Broadway star Nick Rashad Burroughs is in London playing Horace in Todrick Hall's musical Midnight at Sadlers Wells East.Nick made his Broadway debus as an Angel and Billy Porter's understudy for Lola in Kinky Boots. He went on to do King Kong on Broadway, before being part of the original Broadway cast of Tina: The Tina Turner Musical, initially in the show's ensemble before taking over the role of Ike Turner. Nick's other theatre credits include playing Lautrec in the US tour of Moulin Rouge, Minstrel and cover Shakespeare in the US tour of Something Rotten as well as lots of US regional theatre where he has played roles like Donkey in Shrek, Seaweed in Hairspray, Judas in Jesus Christ Superstar and he was also Jimmy Early in Dreamgirls at The Muny. Nick has worked on screen, he has recorded original music and performed on ships all over the world.Nick has been best friends with Marisha Wallace for years, and last year performed with her at the Adelphi Theatre as part of her big solo show and live album. In this episode Nick discusses joining the cast of Midnight and collaborating with Todrick Hall and Marisha Wallace once again. He also delves into the path of his career from his Broadway debut to the biggest and proudest moments of his career.Midnight runs at Sadlers Wells East until 8th March. Visit www.sadlerswells.com for info and tickets. Follow Nick on Instagram: @nickrburroughsThis podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Operation Mincemeat is doing the coolest giveaway we've ever seen, Moulin Rouge announced one of the craziest castings we've ever seen, and Oh Mary continues to give its audience exactly what it wants.

In deze aflevering ontvangt Teddy Tops journalist en schrijver Rosalie Dielesen (https://www.instagram.com/rosalie_dielesen/). Haar debuutroman Je Moeder (https://libris.nl/a/rosalie-dielesen/je-moeder/501648791#paperback-9789039100745) kwam begin februari uit. Ze deelt haar cultuurtips met Teddy en de luisteraar: Muziek: Fresku, (https://open.spotify.com/artist/5m1cLmgZIfEYPLejhLFR10) Willem (https://open.spotify.com/artist/0QuIRxRWYAl4oRHSQYCYds?si=01-duxqDRx-M6wksGqI-JQ), Mozes & the firstborn (https://open.spotify.com/artist/64ongxKGEtJGrBBRow05fk?si=go01T65JR7WyOZT1OZn1OQ) Aankomend concert: Racoon (https://bostheater.nl/events/racoon/) Boek: Nation of Strangers (https://uitgeverijpluim.nl/nation-of-strangers-bouwen-aan-een-nieuw-thuis-in-de-21ste-eeuw), Great Gatsby (https://www.atlascontact.nl/boek/the-great-gatsby/) Podcast: Sentimental in the City  (https://open.spotify.com/episode/36hJ1SxJrBT0C1xX9Yp3RJ?si=i0aw8UPST7WipxUQHfIqxQ) Theater: Sexodus (https://o-festival.nl/voorstelling/sexodus-theater-utrecht-naomi-v/), The actor (https://viarudolphi.nl/productie/the-actor/) Toneel: Je suis Zorro (https://www.impresariaatwillem.nl/theateraanbod/je-suis-zorro/) Musical: Cabaret (https://delamar.nl/voorstellingen/cabaret/) Tentoonstelling: Maudy Alferink  (https://www.museummore.nl/collectie/maudy-alferink/) Museum: Fenix (https://www.fenix.nl/nl/) Nu in de bioscoop: Moulin Rouge (https://www.imdb.com/title/tt0203009/), L'etranger (https://www.imdb.com/title/tt36243564/), Rental Family (https://www.imdb.com/title/tt14142060/) Film op streaming: Once upon a time in Hollywood (https://www.imdb.com/title/tt7131622/), Quentin Tarantino Serie: The Nanny (https://www.imdb.com/title/tt0106080/), The morning show (https://www.imdb.com/title/tt7203552/), Bridgerton (https://www.imdb.com/title/tt8740790/) Andere culturele favoriet: De Balie  (https://debalie.nl/) Docu: Reality Check: America's next top model, (https://www.imdb.com/title/tt39398591/) *Waarom bleef je niet voor mij?  (https://www.npodoc.nl/artikelen/waarom-bleef-je-niet-voor-mij) *In deze docu wordt gepraat over zelfdoding. Luisteraars die daarover in gesprek willen kunnen bellen of chatten, via 113.nl. 

The show then shifts to Megan Thee Stallion’s major career move as she prepares to make history as the first female-identifying performer to portray Zidler in Moulin Rouge! The Musical during its eight‑week Broadway run beginning March 24, 2026—a casting producers called a defining moment for the production’s farewell season. See omnystudio.com/listener for privacy information.

The episode kicks off with a lively mix of entertainment headlines, starting with Snoop Dogg and Ice Cube’s escalating legal battle over Mount Westmore merchandise profits. According to multiple reports, the rappers allege that Westside Merchandising failed to provide accurate accounting and still owes them hundreds of thousands of dollars, despite reporting over $808,000 in concert merch sales and more than $90,000 in retail store revenue. The team also dives into Halle Berry’s joyful relationship milestone as she confirms her engagement to Van Hunt after nearly six years of dating, clarifying rumors and showing off the bold, chunky gold engagement ring she revealed during her Tonight Show appearance. The show then shifts to Megan Thee Stallion’s major career move as she prepares to make history as the first female-identifying performer to portray Zidler in Moulin Rouge! The Musical during its eight‑week Broadway run beginning March 24, 2026—a casting producers called a defining moment for the production’s farewell season. Rounding out the episode, Eva Marcille reunites with Rickey and the Morning Show crew for a warm and hilarious segment. While the transcript focuses on memories, laughter, and her new Lifetime movie, additional reporting notes that Eva recently rekindled her relationship with ex‑husband Michael Sterling, confirming a “soft launch” of their second chapter together. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

Meg Thee Stallion makes her Broadway Debut in Moulin Rouge. A video of Cardi B is going viral after she eats ice at a hotel from the communal ice scoop!See omnystudio.com/listener for privacy information.

start Hear me out... lets kill Grizz00:05:00 Grizzlies game day00:17:00 Day 1 of the NFL combine00:27:00 Lang WhitakerGrizzlies signing of Taj GibsonMagic City Night in ATLPhil Jackson rule00:55:00 Paramount's new sports package01:00:00 'Traitors' finale/Tigers fall to Wihcita State 01:04:00 Memphis revenue sharing01:07:00 Kon Knueppel sets rookie 3-point record01:19:00 Bonobos aggravated at Memphis zoo01:25:00 Music FridayMeg Thee Stallion in Moulin Rouge on Broadway2026 Rock & Roll Hall of Fame nominees

Regissören låter Elvis berätta sin egen historia i EPiC Elvis Presley in Concert. Lyssna på alla avsnitt i Sveriges Radios app. Efter att ha regisserat succéfilmer som ”Romeo och Julia”, ”Moulin Rouge” och ”The Great Gatsby” har regissören Baz Luhrmann gett sig in i Elvis Presleys liv. 2022 kom spelfilmen Elvis, med Austin Butler som Elvis. Nu är Luhrmann aktuell med konsertfilmen ”EPiC – Elvis Presley in Concert”, där publiken får följa med bakom scenen i aldrig tidigare visade klipp av repetitioner och liveframträdanden. I filmen är det Elvis själv som kommenterar sin karriär och musik.P1 Kulturs Björn Jansson har träffat regissören Baz Luhrmann.

Baz Luhrmann isn't done with Elvis just yet. After his blockbuster biopic with Austin Butler, the singular filmmaker has crafted a unique documentary/concert film, EPIC, that is earning some of the best reviews of his career. He joins Josh to talk about his journey with Elvis, how close Harry Styles came to playing him, reflections on MOULIN ROUGE, and a sneak peek at his long gestating Joan of Ark film. SUPPORT THE SHOW BY SUPPORTING OUR SPONSORS! QUINCE -- Go to ⁠⁠Quince.com/HAPPYSAD⁠⁠ for free shipping on your order and 365 day returns. NordVPN -- EXCLUSIVE NordVPN Deal ➼ ⁠⁠https://nordvpn.com/hsc⁠⁠ Try it risk-free now with a 30-day money-back guarantee! Saily --

Recorded - 2/22/2026 On Episode 360 of the Almost Sideways Movie Podcast, we review the latest Glen Powell project before diving into a musical classic from 25 years ago. Does Moulin Rouge! hold up today? Should it have received its Best Picture nomination? Why does Todd hate Ewan McGregor? Here are the highlights:(5:00) "A Hero" - Adam Top 10 Blindspot Review(8:30) "Left-Handed Girl" - Zach Pinot Nominee Review(13:30) "After Dark, My Sweet" - Todd Director Blindspot Review(17:00) "Hamlet" & "Crime 101" - Terry Reviews(23:10) "How to Make a Killing" - Featured ReviewMOULIN ROUGE! 25TH ANNIVERSARY DEEP DIVE(39:00) "Moulin Rouge!" Trivia(57:40) First Impressions(1:28:30) Mt. Rushmore: Imaginary Characters(1:39:30) Recasting "Moulin Rouge!"(2:01:00) Highest WAR, Worst Performance, Minor Character Triumvirate(2:23:00) Tripod of Depravity, Best Scene, Gripes and Conspiracies(2:42:40) LVP, MVP, Quote of the DayFind AlmostSideways everywhere!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠almostsideways.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/AlmostSidewayscom-130953353614569/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlmostSideways Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Terry's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideterry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zach's Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: https://letterboxd.com/pro_zach36/Todd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Too Cool for Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @adamsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber⁠⁠⁠⁠⁠⁠

In der neuen Folge von „Music Made in Germany: Neu und Frisch“ spricht Julian Eckhartt mit Sarah Engels. Im Mittelpunkt steht ihr ESC-Vorentscheid-Song „Fire“: ein kraftvoller Empowerment-Track über Female Strength, das Befreien aus toxischen Situationen und den Mut, für sich selbst einzustehen. Sarah erzählt, wie persönlich der Song wirklich ist, warum sie dafür an ihre stimmlichen und konditionellen Grenzen geht – und wie intensiv die Vorbereitung mit Choreo, Dance Break und Intervalltraining aussieht. Außerdem sprechen wir über den Druck und die Euphorie rund um den ESC, über ihre Rolle im Musical Moulin Rouge! Das Musical, das große Comeback auf der Bühne, das Familienleben zwischen Karriere und Mama-Alltag. Eine Folge über Disziplin, Leidenschaft, Frauenpower – und darüber, warum man manchmal einfach brennen muss, um zu leuchten.

Acclaimed Australian director Baz Luhrmann is the man behind films like The Great Gatsby, Moulin Rouge, Romeo and Juliet - and he's spent time exploring Elvis Presley's work. Luhrmann directed the 2022 Elvis biopic, and it was during that production process that he discovered hours and hours of unseen Elvis concert footage down a Warner Brothers salt mine. He used the footage to craft EPiC: Elvis Presley in Concert. "There's not a frame of AI in this movie and there's no visual effects - I'd like to say the only visual effect is the effect Elvis has on the audience." LISTEN ABOVESee omnystudio.com/listener for privacy information.

The trio dives headfirst into the 2026 Grammys Runway Rundown— delivering their signature takes on the good, the bad, the ugly, and the unforgettable “fire the stylist!” moments. The show kicks off with their classic intro before reminding listeners they can book an Armenian Coffee Reading at PolAtteu.com — virtually or live in West Hollywood — and grab a SnowWhite90210 SnowBubu (the ultimate glam accessory for your Birkin, backpack or shelf). Then it's straight to fashion fireworks. Chappell Roan stuns in a bordeaux cape moment that transforms from understated elegance to bold art reveal — complete with nipple rings. Pol praises the risk; Patrik debates the appropriateness. Art vs. shock value sets the tone for the episode. Chaka Khan in Christian Siriano sparks heated discussion: corsetry, coke feathers, mesh boots and gold nails. Glam icon? Yes. Modern? Debatable. The proportions and dated structure divide the room.  Benson Boone (Armani) brings black-on-black layering lessons, prompting a masterclass on dye lots and fabric depth. Meanwhile, Angelique Kidjo in Louis Vuitton velvet is declared powerful, polished, and perfectly proportioned — head wrap, double-breasted suit and all. Adrienne Bailon Houghton's crystal architectural gown reads vintage flapper fantasy, while Addison Rae's Alaïa white tiered plunge feels more Met Gala than Grammys. Sticky tape fashion tips ensue. Jennifer Hudson earns rave reviews for her ruched leather Killian Koerner gown with dramatic shoulder and cascading slit — Grammy edge done right. Jewelry layering advice follows. Justin & Hailey Bieber deliver coordinated black Balenciaga/Alaïa cool. Sexy, confident, curated sloppy. Justin's stripped-down performance ignites debate: raw genius or missed theatrical moment? Karol G's pistachio lace Paolo Sebastian gown divides over tassels vs. sultry silhouette. Yungblud in Chrome Hearts revives rock energy with leather, chains and a cross pendant. Sombr's iridescent Valentino suit with “Happy Rose” lace is called one of the night's best — shimmering, daring and Grammy-perfect. Pol even volunteers to recreate it.  Sabrina Carpenter (Valentino couture) looks beautiful but “Emmys, not Grammys." Rosé in Giambattista Valli feels elegant yet lacking edge. Paris Hilton channels Material Girl in bugle-beaded Nicholas Jebran with opera gloves and diamonds. Accessory masterclass unlocked.  Miley Cyrus (Celine) gets labeled “rock mom office-core,” while Lady Gaga's feathered Matières Fécales creation is praised as theatrical Grammy fantasy — thousands of feathers, Maleficent collar, full commitment.  Kesha's white feather Atelier Versace is deemed poorly constructed and overwhelming, while Doechii in Cavalli purple confection feels Moulin Rouge meets prom curtain. Darren Criss (Tanner Fletcher brocade) impresses but needs a brooch moment. Billie Eilish (Hodakova) delivers inside-out conceptual tailoring — authentic and Grammys appropriate and Audrey Nuna (Thom Browne couture) is admired artistically but “the outfit wore her.” Finally, Teyana Taylor in Tom Ford closes the fashion segment flawlessly — sculpted, confident, fully accessorized diva energy. This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or the HurrdatMedia YouTube channel!   Subscribe to our audio: linktr.ee/undressedpod Follow Pol Atteu:  Instagram: @polatteu  Tiktok: @polatteu  Twitter: @polatteu  www.polatteu.com Follow Patrik Simpson:  Instagram: @patriksimpson  Tiktok: @patriksimpson www.patriksimpson.com Follow SnowWhite90210: Instagram: @snowwhite90210 Twitter: @SnowWhite9010 www.snowwhite90210.com Watch Gown and Out In Beverly Hills on Prime Video.  www.gownandoutinbeverlyhills.com #UndressedPodcast  Armenian Coffee Reading SnowWhite90210 SnowBubu is a Perfect gift! Learn more about your ad choices. Visit megaphone.fm/adchoices

From Cajun Country to the French Riviera: Louisiana Meets France takes you on a lively, honest, and sometimes surprising journey through France with Annie Sargent and her guests, Renee Poche and Dixie Poche, a mother-daughter duo from Cajun Country in Louisiana. Listen to this episode ad-free This episode explores what happens when Cajun French culture meets modern France. Renee and Dixie share stories from their first trip together to Nice, Paris, Reims, and small towns along the way. They talk about expectations versus reality. They compare food, daily rhythms, and cultural habits. They reflect on what feels familiar and what feels very different. You'll hear about staying in a former convent in Nice. Walking the Old Town. Riding elevators up cliffs. Watching the noon cannon fire. There's champagne tasting in the Champagne region, with honest opinions about Reims versus Épernay. There's Versailles, with practical advice on timing and energy levels. There's Paris, explored slowly, on foot, with cafés, cemeteries, shopping, and a night at the Moulin Rouge. Food plays a big role in this conversation. Annie, Renee, and Dixie compare Cajun boudin and French andouille. They talk about sauces, spices, portions, and meal times. They also discuss how French fashion, walking culture, and city layouts influence how visitors experience France. This episode is about more than an itinerary. It's about traveling together. It's about mother-daughter dynamics on the road. It's about noticing small details. It's about how shared French roots can feel both close and distant at the same time. If you're curious about Cajun French culture Louisiana vs France, planning a first trip, or thinking about traveling with family, this episode will resonate. Subscribe to the Join Us in France Travel Podcast for practical advice, real conversations, and thoughtful stories about exploring France beyond the clichés. Table of Contents for this Episode [00:00:15] Introduction [00:00:31] Today on the podcast [00:01:07] Podcast supporters [00:01:36] Magazine segment [00:02:23] Nice Reims and Paris with Renee and Dixie Poche [00:04:07] Trip Overview and Itinerary Planning [00:05:31] Exploring Nice: Favorite Spots and Experiences [00:08:47] Cultural Comparisons: Louisiana vs. France [00:10:16] Unique Foods and Culinary Traditions [00:17:19] Activities in Nice [00:19:00] A Day Out in Eze [00:24:03] Dog Culture in France [00:27:14] Paris Adventures: Walking, History, and More [00:28:25] Paris Zoo [00:28:44] Exploring La Menagerie and Jardin des Plantes [00:30:38] Navigating Paris: Walking and Metro Adventures [00:30:57] Aperol Spritz and Parisian Drinks [00:31:29] A Day at Versailles: History and Grandeur [00:34:11] Moulin Rouge: A Night of Cabaret and Entertainment [00:36:25] Wine Tasting in Epernay [00:41:02] Mother-Daughter Travel Tips and Reflections [00:46:00] Mother's Day in Paris: Shopping and Spontaneity [00:47:07] Marker [00:48:27] Final Thoughts and Farewell [00:49:37] Thank You Patrons [00:50:41] VoiceMap Tours Reviews [00:52:52] The Last Newspaper Seller in Paris [00:54:37] Driving in France: Do NOT Speed! [00:56:05] Next week on the podcast [00:56:40] Copyright More episodes about family travel in France

Ep. 376: Michael Koresky on the 2001 series at MOMI – A.I., Our Song, Mulholland Drive, Burnt Money, Atanarjuat, Fat Girl, Moulin Rouge, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The year 2001 was pivotal in cinema and the world, and Museum of the Moving Image's series “2001: The Year, Not the Movie” has arrived to showcase the incredible new wok released in that year. I rang up Michael Koresky, senior curator of film at MOMI and Reverse Shot co-chief, to talk about a few selections, many of which were also formative screenings for each of us. Titles discussed include: A.I. (directed by Steven Spielberg), Our Song (Jim McKay), Mulholland Drive (Lynch), Burnt Money (Marcelo Piñeyro), Atanarjuat (Zacharias Kunuk), Fat Girl (Catherine Breillat), Moulin Rouge (Baz Luhrmann), Pulse (Kiyoshi Kurosawa), All About Lily Chou-Chou (Shunji Iwai), and In Praise of Love (Godard). The film series “2001: The Year, Not the Movie” runs February 14 through April 11 at Museum of the Moving Image. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

 Listen to the Show Right Click to Save GuestsSt Edwards Mary Moody Northen Theatre UrinetownAustin Shakespeare Macbeth What We Talked About  High Spirits Galileo Broadway Tic Tok Washington Post Little Shop Cast Changes Beloni Theatrical Animals Moulin Rouge to Close Lost in Del Valle Buena Vista Dance-a-long Sh-boom Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

Hi Broadway Besties! Get ready for the highly anticipated JUST IN TIME starring Jonathan Groff REVIEW! Broadway News:

A few days ago, it was announced that MOULIN ROUGE! THE MUSICAL would close on Broadway after 7 years at the Al Hirschfeld Theatre.The stage musical, based on the Baz Luhrmann film of the same name, opened in July 2019 and earned multiple Tony Awards, before giving way to multiple international productions and a US national Tour.Is this a surprising announcement for Broadway, and does it tell us anything about the current theatrical landscape in New York? Or is this simply an example of a successful show reaching a natural end?•00:00 | introduction01:22 | the closing details08:08 | the show's success16:06 | why is it closing?20:58 | what comes next?About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

A packed episode this week! Moulin Rouge closing after seven years, turning on Ziggy, and tons and tons of casting news.

‘Moulin Rouge’ announces a summer closing date; what could take the Hirschfeld next? Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a transcript of this episode, please email transcripts@broadwayradio.com and include the episode name.

We told you what movies to skip last week. This week, we'll let you know which movies to promote this Valentine's Day. Intro/opening conversation on regional accents (0:00) Game Club Pod promo (8:10) Romantic movies we love (9:09) Baz Luhrmann's William Shakespeare's Romeo + Juliet (10:48) Moulin Rouge (17:48) Romancing the Stone (29:13) Unconventional Recs (35:20) Double feature rec: George of the Jungle & The Mummy (1999) (35:39) The Mask of Zorro (38:02) Spy Kids (40:07) Son-in-Law (41:16) Your Name (42:13) Cultworthy Episode featuring Your Name Howl's Moving Castle (43:48) Something's Gotta Give (47:57) Honorable mention: Atonement (54:16) About Time (58:07) Cultworthy episode About Time Honorable mention: A Walk to Remember (1:08:31) 10 Things I Hate About You (1:10:31) Goodbyes and social media plugs (1:19:38) Please remember to check out the Game Club Pod podcast, join our Discord

Will & Jared are joined by two special guests, Joey and Hayley, to discuss the manic jukebox musical sensation by maximalist director Baz Luhrmann in Moulin Rouge!What record-setting accessory was made for this film? Why is a windmill a common motif in the film? Can Jared rate the film honestly without offending his friends? How hot is Ewan McGregor? Listen to find out!Moulin Rouge! is available to stream on Netflix, as well as VOD and Blu-ray.You can find Joey on Letterboxd as Susbucket.Intro by AJ Stillabower (ajstillabower.com).Our outro track is "Gymnopedie No. 1" by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseYou can listen to Reno Championship Wrestling & Spellbound and Gagged anywhere you get podcasts.Email the show at debaserpod@gmail.comFollow Debaser on Instagram, Bluesky, and Facebook.Follow Will on Instagram and Jared on Bluesky.Cover art by @DogBitesBackNY

As we near Valentine's Day, we're thrilled to be joined by Christian Douglas who plays the role of Christian in one of our favourite love stories: Moulin Rouge! The Musical on Broadway!Christian recently made his Broadway debut as Christian after a year-and-a-half run leading the Moulin Rouge! National Tour. We chat with him about all of the cool similarities to the role (beyond sharing the same name!), why audiences keep coming back to the show and so much more!

(Aniversario de la Muerte de José Ferrer) José Vicente Ferrer de Otero y Cintrón nació en Santurce, Puerto Rico, el 8 de enero de 1912. A los seis años se trasladó con su padre a la ciudad de Nueva York. De ahí que en 1934 obtuviera su Licenciatura en Humanidades de la Universidad de Princeton, donde se apasionó por el arte dramático, y que posteriormente estudiara literatura francesa en la Universidad de Columbia. En 1943, su interpretación de Yago en la obra «Otelo» lo lanzó a la fama en el mundo artístico. En 1947, cuando se otorgaron por primera vez los premios Tony, recibió el primero de cinco premios Tony de teatro por interpretar por primera vez el personaje Cyrano de Bergerac. Un año más tarde obtuvo la primera de tres nominaciones al Óscar por su actuación como el Delfín en la película «Juana de Arco» protagonizada por Íngrid Bergman. En 1950, José Ferrer recibió la prestigiosa estatuilla por la versión fílmica de «Cyrano de Bergerac», llegando a ser el primer actor en ganar un Óscar por la recreación de un papel teatral en una película. Ese codiciado Óscar lo donó al Teatro de la Universidad de Puerto Rico para que les sirviera de estímulo a los futuros aspirantes a carreras teatrales. Su tercera y última nominación la logró en 1952 por su actuación en la versión original de la película «Moulin Rouge». Entre las obras teatrales que hizo, se destaca «El hombre de la Mancha», en la que encarnó al célebre Don Quijote. Ese mismo año, la Organización de Estados Americanos le rindió homenaje por ser vínculo de excelencia entre la cultura latina y la anglosajona. En total, Ferrer actuó en setenta películas y dirigió trece producciones de Broadway y siete películas. Entre los muchos reconocimientos que recibió durante su carrera como actor, director, escritor, productor, cantante y compositor, se destacan su propia estrella en el Paseo de Estrellas de Hollywood, la primera Medalla Nacional de Arte en 1985 (que le otorgó el ex presidente Ronald Reagan), y su selección en 1981 al Paseo de la Fama del Teatro. Con sobrada razón se le dedicó, en 1990, el Festival de Teatro Latinoamericano. En lo personal, José Ferrer se casó cuatro veces y tuvo seis hijos, uno de ellos el también actor Miguel Ferrer. Quienes no saben que José Ferrer fue tío del actor George Clooney y suegro de la cantante Debby Boone, tal vez tampoco sepan que hablaba cinco idiomas —español, inglés, francés, italiano y alemán— y que los dominaba a tal grado que durante una conferencia de prensa se dirigió a todos los periodistas en sus respectivos idiomas.1 «Un autor puede escribir algo que perdure trescientos años después de su muerte —observó José Ferrer durante una entrevista en 1986—, pero cinco minutos después de mi muerte, ya no puedo actuar ni dirigir más.»2 Quiera Dios que esas palabras, que pronunció el reconocido actor unos seis años antes de su muerte el 26 de enero de 1992, nos lleven a reflexionar que, antes de afrontar nuestra propia muerte, debemos pedirle a Dios que desempeñe el papel de Director de la obra sin igual que es nuestra vida, en la que nosotros somos los actores principales. Porque una vez que muramos, ya será demasiado tarde. Y lo cierto es que cinco minutos después de nuestra muerte, Dios, que es el Guionista que inspiró la Biblia, que ha perdurado miles de años, será el único capacitado para dirigir nuestra actuación eterna. Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Clarissa Santiago Toro, «José Ferrer», Biografías, Fundación Nacional para la Cultura Popular En línea 27 noviembre 2007; Constance Clark, En línea 28 julio 2008; «José Ferrer: Perfil», Puerto Rico Herald, 14 julio 1999 En línea 27 noviembre 2007; Wikipedia, s.v. «José Ferrer» En línea 14 noviembre 2007. 2 «José Ferrer: Perfil», Puerto Rico Herald.

Mometu President Bryan Louzil joins Nicole and Ryan Pak to discuss the soundtrack to Mike Judge's 1999 cult classic, Office Space. The soundtrack boasts needle drops from artists like Scarface, The Geto Boys, Slum Village, Canibus & Biz Markie, Ice Cube and Kool Keith. Obviously, we have to talk about "Still" by the Geto Boys which soundtracks the infamous "printer scene". The soundtrack supervisor for Office Space is Karyn Rachtman, whose illustrious career includes soundtracking Pulp Fiction, Clueless, Romeo and Juliet, Reality Bites, and Moulin Rouge - and those are just the movies that we've covered on our podcast. For More Information About Bryan Louzil: Mometu Mometu IG Mometu Podcast The Mometu College Film Festival Learn more about your ad choices. Visit megaphone.fm/adchoices

So you bought a bottle of absinthe? Maybe you wanted to make Sazeracs for Mardi Gras. Maybe you were watching Moulin Rouge and got curious. But you used your rinse of absinthe, and you still have most of the bottle left? Now what? We've got cocktail ideas for you beyond the Sazerac, from the basic to the complex. Check out our blog for cocktail recipes If you have a question for the Barrel to Bottle Crew, email us at comments@binnys.com, or reach out to us on Facebook, Twitter or Instagram. If we answer your question during a podcast, you'll get a $20 Binny's Gift Card! If you like our podcast, subscribe wherever you download podcasts. Rate and review us on Apple Podcasts.  

Welcome to the second annual Seeing Them Live Year End Concert Review show, where a panel of returning guests shares their favorite live music experiences from 2025. Host Charles brings together an eclectic group of music enthusiasts including award-winning documentary filmmaker Eric Green, podcast host Jessica Catena, nurse practitioner Summer, antique shop owner Art Gregg, executive assistant Dawn Fontaine, accountant Steve Pothel, high school teacher Andy, and producer Doug Flozak to discuss the concerts that defined their year.Eric Green kicks off the discussion with an impressive lineup that showcased both legendary side projects and emerging talent. His year began with Close Enemies featuring Aerosmith bassist Tom Hamilton at City Winery Boston, followed by Kim Deal's solo tour at the Wilbur Theater. He caught Benmont Tench of Tom Petty and the Heartbreakers fame doing an intimate VH1 Storytellers-style performance, and witnessed Shane Hawkins honoring his late father Taylor Hawkins with Chevy Metal at Brighton Music Hall. Eric also saw the Joe Perry Project's supergroup lineup featuring Chris Robinson and Robert DeLeo, enjoyed a nostalgic double bill of Billy Idol and Joan Jett at the Xfinity Center, caught the rising stars Wet Leg at a packed Roadrunner Boston show, experienced Jeff Tweedy's multigenerational band at Royale, and closed out his year with Throwing Muses at the new Racket venue in New York City.Jessica Catena attended three memorable indoor concerts that kept her dry after previous years of rain-soaked shows. She saw young jazz sensation Samara Joy at the newly renovated Ridgefield Playhouse in Connecticut with her uncle, experienced the Broadway spectacle of Moulin Rouge featuring Wayne Brady and Taye Diggs with updated contemporary songs, and capped off her year at iHeartRadio's Jingle Ball at Madison Square Garden, where she saw Ed Sheeran, Laufey, and a diverse lineup of pop and folk artists while dealing with some challenging sightlines.Summer's concert year included the intimate Metro show with Bridget Calls Me Baby where her son met the bass player's parents, a record-breaking night at Lollapalooza featuring Olivia Rodrigo's surprise Weezer collaboration, an energetic Yungblud performance at the Riviera that included some crowd drama, and a unique operatic interpretation of Smashing Pumpkins' Melancholy and the Infinite Sadness at the Lyric Opera of Chicago during a snowstorm.Art Gregg had a remarkable year highlighted by three unforgettable shows. He saw childhood hero Burton Cummings of The Guess Who at the North Shore Center for Performing Arts after accidentally meeting him in the lobby without recognizing him, caught Michael Schenker's 50 Years with UFO celebration at the Desplaines Theater, and scored a last-minute ninth-row ticket to see Robert Plant at the intimate Vic Theatre, where the Led Zeppelin legend performed six classic songs including an electrifying version of Ramble On that earned a rare standing ovation.Charles rounds out the discussion by mentioning his own concert experiences at new Chicago venues including Space in Evanston where he saw Mdou Moctar and The Old 97s, the female-focused Motoblot festival at Beat Kitchen, an incredible Buddy Guy performance at the Rialto Square Theater where the 89-year-old blues legend walked through the aisles playing guitar, shows at the new Garcia's venue and City Winery, and his anticipation for an upcoming Iron Maiden show. The episode concludes with a teaser for part two, which will feature Dawn's private jet experience with the Rolling Stones, Andy's Bonnaroo adventure, and Steve's concert highlights.BANDS: Aerosmith, Alex Warren, Bachman Turner Overdrive, Belly, Benmont Tench, Billy Idol, Black Crows, Black Sabbath, Bob Dylan, Bridget Calls Me Baby, Burton Cummings, Chapel Rowan, Chevy Metal, Close Enemies, DJO, Dogs in a Pile, Ed Sheeran, Elastica, Elastica, Elvis, Foo Fighters, Foghat, Foster the People, Gary Newman, Generation X, Gigi Perez, Guns N Roses, Iron Maiden, Jeff Tweedy, Joan Jett and the Blackhearts, Joe Perry Project, Johnny Cash, K-pop band Monsta X, Katy Perry, Kim Deal, King Gizzard, Laufey, Led Zeppelin, Led Zeppelin 2, Liz Fair, Mdou Moctar, Metallica, Michael Shanker, Miles Smith, Ministry, Neil Young, Nelly, Nine Inch Nails, Olivia Rodrigo, Ozzy Osborne, Pixies, Psychedelic Furs, Radiohead, Robert Plant, Rolling Stones, Runaways, Samara Joy, Sarah Larson, Shonen Knife, Smashing Pumpkins, Soraia, Stone Temple Pilots, Taylor Hawkins, The Babies, The Beatles, The Black Crows, The Boudines, The Breeders, The Guess Who, The Old 97s, The Police, The Scorpions, The Velvet Underground, Throwing Muses, Tom Petty and the Heartbreakers, UFO, Van Halen, Walk the Moon, Wayne Brady, Weezer, Wet Leg, Wilco, Wrought Iron Soul, Yungblud.VENUES: Aragon Ballroom, Barclays, Beat Kitchen, Box Center Wang Theater (Boston), Brighton Music Hall (Boston), City Winery (Boston), City Winery (Chicago), Credit Union One Amphitheater, Desplaines Theater, Garcia's, Grant Park, Great Woods (Xfinity Center in Mansfield, Massachusetts), House of Blues, Lyric Opera of Chicago, Madison Square Garden, Metro, North Shore Center for Performing Arts (Skokie, Illinois), Penn Station, Racket (New York City/Chelsea), Ravinia, Rialto Square Theater, Ridgefield Playhouse, Riviera, Roadrunner Boston, Royale (Boston), Salt Shed (Chicago), Sonia (Cambridge, Massachusetts), Space (Evanston, Illinois), Thalia Hall, Tweeter Center, Vic Theatre (Chicago), Wilbur Theater (Boston), Wrigley Field, Xfinity Center (Mansfield, Massachusetts). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Since 1944, the Golden Globes have offered an alternative to the Oscars and the Emmys. Giving us a boozier, looser take on the best in both TV and movies, the Globes have at their best championed less-obvious projects, and given early wins to actors and creators who would go on to be some of the entertainment industry's biggest stars. Of particular interest is the Best Film Musical or Comedy category, which has celebrated some of the less stodgy, but still incredibly well made, films that might not make the cut for the prestige-obsessed Academy Awards. So join us for one of our 2026 Patreon-sponsored episodes as the Great Pop Culture Debate attempts to name the Best Golden Globe Winner for Best Motion Picture, Musical or Comedy.Movies discussed: The Sound of Music (1965), The Lion King (1994), West Side Story (1961), Beauty and the Beast (1991), Mrs. Doubtfire (1993), Chicago (2002), Some Like It Hot (1959), The Graduate (1967), Cabaret (1972), Romancing the Stone (1984), Moulin Rouge! (2001), Almost Famous (2000), My Fair Lady (1964), Tootsie (1982), Working Girl (1988), Lady Bird (2017)Join host Eric Rezsnyak, Patreon sponsor Steve Nikoloff, and GPCD panelists Karissa Kloss and Kevin Dillon as they discuss and debate 16 of the most celebrated Globe-winning films.EPISODE CREDITSHost: Eric RezsnyakPanelists: Karissa Kloss, Kevin DillonPatreon Sponsor: Stephan NikloloffProducer: Bob ErlenbackEditor: Eric RezsnyakTheme Music: “Dance to My Tune” by Marc Torch#goldenglobes #goldenglobe #awards #awardshow #bestfilm #comedy #musical #comedyfilms #musicalfilms #thesoundofmusic #somelikeithot #workinggirl #tootsie #mrsdoubtfire #almostfamous #romancingthestone #beautyandthebeast #thelionking #chicago #cabaret #thegraduate #moulinrouge #ladybird #podcastSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

U Guys, from Broadway's Aladdin and Moulin Rouge! The Musical, Keely Beirne is here! First, I give you all the latest Bway updates, and a few personal New Year insights in this week's BroadwayWorld Recap. Then, I am joined by performer Keely Beirne to talk all things Bway. From the stamina it takes to dance in the ensemble and cover principle roles on Broadway, to knowing when it's time to honor yourself and take a break, Keely shares her insights on maintaining her career on the stage. We talk about her upbringing being surrounded by the arts, and how her queer identity has shaped and informed her career. She talks about her time in the ensemble of Frozen on Broadway, and what it takes to work in a huge ensemble show. We also touch on her experience of having a partner who is also a Broadway performer, and how limiting yourself can hinder your experience as an artist. Keely is simply hilarious, U don't wanna miss this episode! Follow Keely on Instagram: @keel_b Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the podcast is part one of our interview with David Cote. He's a playwright, librettist, and theater critic based in New York City. When we recorded his interview, his opera, Blind Injustice was performed in New York at Jazz at Lincoln Center, and in Cleveland at Playhouse Square. Last year his opera Lucidity premiered with On Site Opera in New York and then had its Northwest premiere at Seattle Opera. Next year Lucidity has its European premiere in Germany.As a journalist, David's TV and theater writing appears in The A.V. Club, Observer, 4 Columns, American Theatre and elsewhere. He was the longest serving theater editor and chief drama critic of Time Out New York, and is the author of popular companion books about the Broadway hits: Moulin Rouge! The Musical; Wicked; Jersey Boys and Spring Awakening. https://davidcote.com/

Continuez à découvrir l'histoire de La Goulue, la plus célèbre des danseuses de French Cancan !Dès l'âge de 16 ans, la carrière de danseuse de La Goulue est lancée. Elle fait la rencontre de Lucienne Beuze, danseuse professionnelle et reine du cancan. C'est avec elle que La Goulue apprend les figures incontournables du French cancan. Car oui, le cancan est une danse très codifiée ! La danseuse se produit alors sur scène, lorsqu'elle est repérée par les gérants d'un tout nouvel établissement de spectacle qui va ouvrir dans quelques mois… Ce n'est autre que le Moulin Rouge. La Goulue régnera sur le lieu pendant 6 ans. En 1895, La Goulue a 29 ans. Elle est épuisée par ces années de danse, et elle est enceinte. La danseuse se retire de scène, et investit dans une baraque de forain pour continuer le spectacle. Mais c'est la fin de son grand succès. La Goulue retournera une dernière fois au Moulin Rouge en 1925, à 59 ans, pour un dernier adieu. (rediffusion) Au Cœur de l'Histoire est un podcast Europe 1. - Ecriture et présentation : Virginie Girod - Production : Camille Bichler- Direction artistique : Adèle Humbert et Julien Tharaud - Réalisation : Clément Ibrahim - Musique originale : Julien Tharaud - Musiques additionnelles : Julien Tharaud et Sébastien Guidis - Visuel : Sidonie ManginBibliographie : - Maryline Martin, La Goulue, la reine du Moulin Rouge, Le Rocher, 2019 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Découvrez le destin de La Goulue, la plus célèbre danseuse de French Cancan !Louise Joséphine Weber, alias La Goulue, est née en 1866 dans la banlieue parisienne. Dès l'âge de deux ou trois ans, la petite se passionne pour la danse. Elle a ça dans le sang. Son père lui apprend même le chahut, à savoir l'art de lever la jambe. Alors que Louise grandit, la danse la passionne toujours autant. Elle passe du temps dans les bals quand elle ne travaille pas dans une blanchisserie avec sa mère. C'est à cette époque que La Goulue rencontre Valentin, dit “Valentin le désossé”. Les deux jeunes gens s'entendent tout de suite, et pour cause : ils partagent la même passion pour la danse. Le duo qu'ils forment se produira sur de nombreuses scènes parisiennes, dont le Moulin Rouge, pendant près de neuf ans. (rediffusion) Au Cœur de l'Histoire est un podcast Europe 1. - Ecriture et présentation : Virginie Girod - Production : Camille Bichler- Direction artistique : Adèle Humbert et Julien Tharaud - Réalisation : Clément Ibrahim - Musique originale : Julien Tharaud - Musiques additionnelles : Julien Tharaud et Sébastien Guidis - Visuel : Sidonie Mangin Bibliographie : - Maryline Martin, La Goulue, la reine du Moulin Rouge, Le Rocher, 2019. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Getting ‘gitchie gitchie’ down with Baz Luhrmann’s “Moulin Rouge.” Jenna and Kevin are back with a recap of the 2001 hit musical and get ready for rants and raves! They are in awe of the sets, the music, the cinematography, the costumes, but Kevin shares the part of the film that made him feel sick, and the scene he had to pause because it was so overwhelmingly good! They also dive into Nicole Kidman’s vocals, Ewan McGregor’s casting, and the song that should have been an Oscar contender. Plus, Kevin reveals he was in the Faith Hill “Pearl Harbor” music video but thought he was in the actual movie! For fun, exclusive content, and behind-the-scenes clips, follow us on Instagram @andthatswhatyoureallymissedpod & TikTok @thatswhatyoureallymissed!See omnystudio.com/listener for privacy information.

Purple Pants Podcast | The Amazing Race 38 Episode 11 Recap: To be continued Brice and Brooke are back at the Pit Stop to break down all the chaos from The Amazing Race Season 38, Episode 11 — “The Can't Can't.” The final four teams touch down in Paris ready to fight for a spot in the finale, but this leg wastes no time testing nerves. From high-energy kicks at the legendary Moulin Rouge to precision-heavy tasks that demand patience under pressure, racers are pushed to their absolute limit. One wrong step, one missed detail, or one confusing clue could send any team spiraling. As tensions flare, confidence cracks, and the clock becomes everyone's worst enemy, partnerships are truly put to the test. With Brooke and Brice on the mic, expect laughs, unfiltered honesty, and all the frantic Pit Stop energy as we break down who found their rhythm — and who felt like they just can't can't keep it together. You can also watch along on Brice Izyah’s YouTube channel to watch us break it all down https://youtube.com/channel/UCFlglGPPamVHaNAb0tL_s7g LISTEN: Subscribe to the Purple Pants podcast feed  WATCH: Watch and subscribe to the podcast on YouTube SUPPORT: Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks! Previously on the Purple Pants Podcast Feed: Purple Pants Podcast Archives