Podcasts about Leviathan

Welcome to Day 2881 of Wisdom-Trek, and thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom – The Bible as a Polemic: Confronting the Powers that Rebelled Wisdom-Trek Podcast Script - Day 2881 Welcome to Wisdom-Trek with Gramps!   I am Guthrie Chamberlain, and we are on Day 2881 of our Trek.   The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. Our current series of Theology Thursday lessons is written by theologian and teacher John Daniels. I have found that his lessons are short, easy to understand, doctrinally sound, and applicable to all who desire to learn more of God's Word. John's lessons can be found on his website   theologyinfive.com.   Today's lesson is titled:  The Bible as a Polemic: Confronting the Powers that Rebelled To modern readers shaped by pluralism and academic detachment, the confrontational tone of the Bible may seem abrasive. But this response overlooks what the Bible truly is. It is not a disinterested theological reflection. It is a weapon. It is a series of books forged in the heart of a spiritual and historical rebellion. Its message was not formed in a vacuum but in the aftermath of Babel and the divine treason of the bene elohim who had been placed over the nations. Understanding the polemical nature of the Bible begins by understanding the world it was written to confront. The first segment is: What Is a Polemic? And Why the ANE Was Full of Them A polemic is a targeted argument or critique meant to expose, undermine, or discredit a rival idea, practice, or system. Unlike a simple disagreement or neutral description, a polemic is written to confront. It deliberately challenges an existing claim and seeks to replace it. In the ancient world, polemics were often theological, political, and cultural all at once. The gods, kings, and cities of rival nations were not treated as irrelevant. They were treated as threats that had to be addressed. In the context of the Ancient Near East, polemics were deeply embedded in the stories nations told about themselves. Every origin story, temple hymn, or divine genealogy was not just a description of how things came to be. It was a claim of legitimacy. To say your god created the world or defeated the sea monster or chose your king was to declare supremacy over other peoples and their gods. It was to say, “Our story is the true one. Yours is a counterfeit.” For example, when Babylon claimed that Marduk created the world by killing the goddess Tiamat, it was not just promoting cosmology. It was justifying Babylon's imperial authority as the city of the supreme god. When Egypt said that Ma'at held the universe together through the Pharaoh's divine rulership, it was declaring that Egyptian order was the divine ideal, and everyone else lived in chaos. In such a world, writing something like Genesis 1 was not a quiet religious reflection. It was a direct challenge to every claim made by Egypt, Babylon, and Canaan. It was a polemic. And in the Bible, this polemical instinct is not occasional. It is foundational. Israel's Scriptures were not meant to fit within the theological frameworks of other nations. They were meant to shatter them. The second segment is: Babel and the Reordering of the World Genesis 11 describes a human rebellion that goes far deeper than building a tower. At Babel, humanity attempted to unify under its own authority and defy Yahweh's mandate to fill the earth. But the judgment that followed did more than scatter languages. According to Deuteronomy 32, verses eight and nine, when Yahweh divided the nations, He appointed the bene elohim, divine sons of God, to oversee them. Only Israel would remain His direct possession. The nations were not abandoned without guidance. But over time, the spiritual beings given authority over them failed in their stewardship. They began to crave worship and corrupted the justice they were meant to uphold. Psalm 82 records Yahweh standing in judgment over these divine rulers, declaring that they would fall like mortals. This cosmic judgment sets the stage for the mission of Israel and the tone of Scripture itself. The third segment is: Israel: The Counter-Nation Unlike the nations that inherited rebellious rulers, Israel was created from scratch. Yahweh did not reform an existing people. He called Abram from among the disinherited nations and made a new people who would be His portion. Israel was not simply chosen for privilege but created for purpose. As stated in Exodus 19 verse six, they were to be a kingdom of priests and a holy nation. This priestly identity means Israel's role was inherently polemical. Their laws, festivals, temples, and scriptures were not private religious expressions. They were public declarations that the gods of the nations were false, the powers behind them were corrupt, and that Yahweh alone was Most High over all the earth. The Bible, as the written witness of Israel's calling, reflects this purpose. The Fourth Segment is: Polemics in the Biblical Texts The polemical nature of the Bible is woven deeply into its stories, laws, songs, and prophecies. These are not culturally isolated documents. They are intentional confrontations with the dominant worldviews shaped by the fallen gods of the nations. The Fifth segment is: Creation and the Flood Genesis one is not merely an account of beginnings. It is a direct response to Mesopotamian creation myths such as Enuma Elish, which portray creation as the result of divine violence and chaos. In contrast, the biblical God creates through speech, with order and intention. There is no struggle, no divine bloodshed, no pantheon. It is a declaration that the gods of Babylon are not creators but pretenders. Likewise, the flood account in Genesis six through nine subverts the flood stories of the surrounding cultures. In the Epic of Gilgamesh, the gods send the flood in terror and regret it. In the Bible, the flood is just, purposeful, and moral. It is a surgical judgment on a world corrupted by human violence and divine rebellion, not the panicked act of unstable deities. The sixth segment is: Conquest and the Defeat of the Gods When Israel enters the land of Canaan, the conquest is not simply a political campaign. It is a cosmic battle against the corrupted spiritual rulers of the land. The defeat of Pharaoh in Egypt is explicitly described as Yahweh executing judgment on the gods of Egypt. The plagues are not random punishments but targeted humiliations of Egypt's divine protectors. Jericho's fall, the silencing of Baal on Mount Carmel, the defeat of Dagon before the Ark in 1 Samuel 5, and the crushing of Leviathan imagery in the Psalms all follow the same pattern. The text is not just reporting history. It is declaring war on the false gods and the unseen rulers who manipulated the nations into darkness. The seventh Segment is: Psalms and Prophets as Weapons The Psalms, often viewed only as worship poetry, are filled with divine council imagery and subversion of Canaanite theology. Psalm 29, for instance, uses storm language that sounds like a Baal hymn but places Yahweh as the one who rides the storm and subdues the waters. In Ugaritic myth, Baal defeats Yam to earn his throne. In the Bible, Yahweh sits enthroned above the flood before it ever lifts its head. The prophets likewise deliver blistering critiques of the nations and their gods. Isaiah 19 declares judgment not just on Egypt but on its idols, priests, and necromancers. Ezekiel 28 mocks the divine claims of the Prince of Tyre, unmasking him as a fallen being in Eden. These are not veiled jabs. They are open condemnations of spiritual rebellion embedded in political empires. The Eighth segment is: The New Testament: The War Reaches Its Climax By the time of Christ, the powers of the nations had not been dethroned. The world remained under their sway. Jesus refers to Satan as the ruler of this world and frames His ministry as a battle to bind the strong man and plunder his house. Every healing, exorcism, and storm-calming miracle is a polemic in action. Jesus is not just showing compassion. He is confronting the gods. The cross itself is the ultimate polemic. It appears to be a defeat but is actually a triumph. As Paul writes in Colossians 2:15, Christ disarmed the rulers and authorities and put them to open shame. This is courtroom and battlefield language. The spiritual powers that once ruled unchallenged were publicly exposed as weak, condemned, and temporary. The apostles carry this mission forward. Paul sees the preaching of the gospel as a cosmic declaration to the rulers and authorities in the heavenly realms. The church is not merely a new religious community. It is the living proof that

Submit a Question or CommentIn this verse-by-verse study of Job 41–42, Reasoning Through the Bible reaches the final session in the book of Job and brings the entire message into focus. After four chapters of questions from God, Job is finally humbled, repentant, and silent before the Lord. Yet even at the end, God still never tells Job the reason for his suffering. That becomes one of the greatest lessons of the whole book. This session explores the meaning of Leviathan, God's total control over every creature and even over Satan, Job's repentance in dust and ashes, God's rebuke of Job's three friends, Job's role as intercessor for his enemies, and the restoration that follows. The study also addresses whether all believers should expect Job-like restoration in this life, or whether the greater hope is the final restoration God promises in the life to come. The episode ends by drawing out the final pastoral lessons of Job: God is in control even when earth feels chaotic, suffering is real but never greater than God, believers are not cast away every time they sin, and trusting God remains the only true answer when the reason for suffering is hidden. Topics in this episode include: Job 41 explained  Job 42 explained  Leviathan and God's control  Job's repentance  God does not explain why  intercession for enemies  assurance and God's mercy  restoration after suffering  final hope beyond this life Reasoning Through the Bible is a verse-by-verse Bible teaching ministry committed to careful exposition, biblical context, and faithful application.Support the showThank you for listening!!  Please give us a five-star rating to help your podcast provider's algorithm spread RTTB among their listeners. You can find free study and leader resources at the following link - Resource Page - Reasoning Through the BiblePlease prayerfully consider supporting RTTB to help us to continue providing content and free resources. You can do that at this link - Support RTTB - Reasoning Through the Bible May God Bless you!! - Glenn and Steve

Today we expand on the D-Day metaphor to show that victory is assured for those called by God. We warn of hidden spiritual foes like the Leviathan (pride), urges believers to advance and reclaim territory—promises, joy, family, finances and years lost—and highlights Joshua's model of leadership and God's promise to never leave us. The episode calls listeners to pursue the full inheritance God intended, live where God directs, resist compromise with enemies, and expect restoration. 

Send us Fan MailHereditary monarchy seems like a ridiculous way to pick a leader, yet it dominates most of human political history. We argue the reason is transaction costs: succession systems survive when they settle “who rules next” cheaply enough to prevent recurring civil war. • Why hereditary monarchy is historically prevalent compared with democracy and universal suffrage • Why “divine right” stories often rationalize a choice people already find tolerable • Thomas Paine's critique of hereditary succession and what it misses • Hobbes on the state of nature as what happens when sovereignty is contested • Succession as the master coordination problem of political order • Transaction costs applied to elections, enforcement, legitimacy, and rent seeking • Why elective monarchy can become an armed auction for total power • Bright line rules versus discretionary selection and why speed can beat “better” • How constitutional design lowers the cost of leadership transition when it works • The legitimacy problem and why dynasties converge on endogamy • The genetic consequences of endogamy and the Habsburg cautionary tale • Twedges, book recommendation, and a listener letter on board game “math trades” LINKS:Thomas Paine, Common Sense, February 1776Michael Munger, The Ugly Pig, 20224A.P. Martinich, Thomas Hobbes:  A Biography, 1999.Thomas Hobbes, Leviathan, 1651.Neal Schultz, Suicide Kings: Hereditary Monarchy, 2025Tbadel Barter AppCosmos Institute, Coasian Bargaining at Scale, 2025 UPDATE: An interesting, and more clearly articulated, application of the reasoning here.... https://aminga.substack.com/p/how-transaction-cost-economics-explainsIf you have questions or comments, or want to suggest a future topic, email the show at taitc.email@gmail.com !You can follow Mike Munger on Twitter at @mungowitz 

BENEATH THE WAVES ROILS A MURKY STEW OF KILLER ALIENS, MONSTROUS MUTANTS, PSYCHOTIC SOLDIERS, AND EVIL CORPORATIONS!!   Welcome to another of Genre Grinder's patented deep(sea)-dives into a single year in cinema when a specific genre fad peaked. This time, Gabe and Patrick Ripoll are looking at a strange moment in time, the year 1989, when seven different undersea sci-fi/horror/adventures were released*. How did this happen? Your intrepid podcasters will attempt to answer that and other questions in this very damp two-part special episode.   Part one covers the three studio releases: James Cameron's The Abyss, Sean S. Cunningham's DeepStar Six, and George P. Cosmatos' Leviathan. Part two will feature the B-to-Z-grade examples: Mary Ann Fisher's Lords of the Deep, Antonio Margheriti's Alien of the Deep (Italian: Alien degli abissi), Jean-Claude Dubois & Wayne Crawford's The Evil Below, and Juan Piquer Simón's The Rift (Spanish: La grieta).   * Technically six, but we'll get into that in part two.   00:00 – Intro: An Abridged History of Underwater Science Fiction and the Impact of Alien & Aliens 20:04 – The Abyss 1:07:53 – DeepStar Six 1:45:38 – Leviathan 2:17:44 – Outro  

We are continuing in our journey through the book of Job with Part 5, "Job and the Big Questions." Join us in the conversation. This is the audio podcast.

DJ GRAAT VS LEVIATHAN @ STEKKERDOOS 2026 / TOXIC SICKNESS RESIDENCY SHOW / JUNE / 2026 by TOXIC SICKNESS OFFICIAL

How do we move from simply "surviving" the mess of life to actually "occupying" our God-given purpose? In this powerful conclusion to our 4-week series, Pastor Tom explores Days 5 and 6 of Creation (Genesis 1:20-31), where God transitions from building the infrastructure of the universe to populating it with life. We discover that order is not the end goal—fruitfulness is. In this message: A Legacy Tribute: We celebrate the incredible 92-year life of Jim Welker. Hear firsthand memories of Linden Road's history and see what it looks like to convert a lifetime of success into Kingdom significance. The 4th Day Story: Hear from Steven, a 27-year-old whose faith has been rekindled, and see how God is using him. The Chaos-Crushing Toolkit: Walk away with 4 practical, daily steps (Presence, Boundaries, Alignment, and Purpose) to keep the "Leviathan" at bay and walk in the peace of Christ. Small but Mighty: An update on our partnership with Grace Episcopal and how Linden Road is turning "Swords into Plowshares." Connect with Us:

"So sweet of you to come back."The Horror Bulls open the puzzle box once again for Hellbound: Hellraiser II (1988), the sequel that expands Clive Barker's nightmare mythology into a sprawling labyrinth of pain, obsession, and flesh. We dive into Leviathan, the return of Julia and Frank, and why this may be the franchise's most ambitious entry.

Stories of monsters lurking within the world's oceans are nothing new, having persisted in folklore and maritime tradition for centuries. In previous episodes, including our sister series Wartime Stories, we have examined some of the most notorious examples. Yet despite centuries of exploration, the deep remains one of the least understood environments on Earth. Vast stretches of the ocean floor have never been seen by human eyes. Perhaps it should come as no surprise, then, that some still believe unimaginable things may be hiding down there, within a cold and unforgiving realm known simply as the Lair of the Leviathan.   Ollie. Feed the Obsession. Go to https://ollie.com/bedtime and use code bedtime to get 70% off your first box!   Start your business today with the industry's best business partner, Shopify. Sign up for your one-dollar-per-month trial today at https://shopify.com/bedtime   MUSIC Tracks used by kind permission of Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0   Tracks used by kind permission of CO.AG Learn more about your ad choices. Visit podcastchoices.com/adchoices

This episode delivers a prophetic message confronting the Leviathan spirit, declaring God's victory and the coming restoration described in Job 41–42. Today, we urge you to choose the Lord, press through a valley of decision, and expect God to restore lost years and bring exponential increase in 2026.  

Today, we share a prophetic vision about a major spiritual battle this week, urging listeners to rely on God's word and humility rather than fleshly weapons. We connect the timing to D-Day, warn of the Leviathan spirit, and calls believers to decree Isaiah 27:1 and align with God as the victor.

A VISION of Noah was inserted into the Book of 1 Enoch, with interesting references to Leviathan and Behemoth. These are chaos monsters. Leviathan, described as female and from the sea, and Behemoth, male and occupying the wilderness—possibly the same one into which the Watcher Azazel was thrown as punishment for his role in corrupting humanity. We discussed the “already but not yet” prophecies of 1 Enoch 57–59 and the end times fulfillment of the vision ascribed to Noah in chapter 60. As a reminder, this month's study comes from the Book of Parables, the prophetic section of 1 Enoch written just before the birth of Jesus. The importance of this section of the book is in its prophecies of a coming messianic figure called the Chosen One, the Anointed One, and, most frequently, the Son of Man, a title not found in any prior Jewish writing. Jesus referred to himself as the Son of Man 78 times in the New Testament. The high regard for 1 Enoch held by Jesus, the apostles, and the early church suggests that it's worth our while to study this book for ourselves. It's not in the Bible, nor should it be, but there are teachings in the New Testament that come straight from the book of 1 Enoch. Sharon's niece, Sarah Sachleben, has been diagnosed with stage 4 bowel cancer, and the medical bills are piling up. If you are led to help, please go to GilbertHouse.org/hopeforsarah. Our latest book The Gates of Hell is available in paperback, Kindle, and as an audiobook at Audible! Derek's book Destination: Earth, co-authored with Donna Howell and Allie Anderson, is available in paperback, Kindle, and as an audiobook at Audible! If you are looking for a text of the Book of 1 Enoch to follow our monthly study, you can try these sources: Parallel translations by R. H. Charles (1917) and Richard Laurence (1821)Modern English translation by George W. E. Nickelsburg and James VanderKam (link to book at Amazon)Book of 1 Enoch - Standard English Version by Dr. Jay Winter (link opens free PDF)Book of 1 Enoch - R. H. Charles translation (link opens free PDF) The SkyWatchTV store has a special offer on Dr. Michael Heiser's two-volume set A Companion to the Book of Enoch. Get both books, the R. H. Charles translation of 1 Enoch, and a DVD interview with Mike and Steven Bancarz for a donation of $35 plus shipping and handling. Link: https://bit.ly/heiser-enoch Follow us! • X: @gilberthouse_tv | @sharonkgilbert | @derekgilbert• Substack: GilbertHouse.substacdk.com | SharonKGilbert.substack.com• Telegram: t.me/gilberthouse | t.me/sharonsroom | t.me/viewfromthebunker• YouTube: @GilbertHouse | @UnravelingRevelation | @thebiblesgreatestmysteries• Facebook.com/GilbertHouseFellowship Thank you for making our Build Barn Better project a reality! We truly appreciate your support. If you are so led, you can help out at GilbertHouse.org/donate. Get our free app! It connects you to these studies plus our weekly video programs Unraveling Revelation and A View from the Bunker, and the podcast that started this journey in 2005, P.I.D. Radio. Best of all, it bypasses the gatekeepers of Big Tech! The app is available for iOS, Android, Roku, and Apple TV. Links to the app stores are at www.gilberthouse.org/app/. Video on demand of our best teachings! Stream presentations and teachings based on our research at our new video on demand site! Gilbert House T-shirts and mugs! New to our store is a line of GHTV and Redwing Saga merch! Check it out at GilbertHouse.org/store! Think better, feel better! Our partners at Simply Clean Foods offer freeze-dried, 100% GMO-free food and delicious, vacuum-packed fair trade coffee from Honduras. Find out more at GilbertHouse.org/store. Our favorite Bible study tools! Check the links in the left-hand column at www.GilbertHouse.org.

Disclaimer: I'm a HUGE fan of Hench, so I couldn't wait to get my hands on the sequel! The wait was long, but at last readers can start reading Villain to learn what happens to Anna, AKA the Auditor, since she left The Draft and started working for Leviathan. Author (and game designer and journalist and wickedly witty) Natalie Zina Walschots explains what prompted her inventive and gripping superhero series and exposes the dark and painful journey leading to the sequel. Finding her way into this new story required a lot of chaos and soul-searching. I also learned about Natalie's favorite characters in her books and the most amazing unusual object she keeps in her workspace. Learn more about Guest Natalie Zina Walschots: https://nataliewalschots.com/ Learn more about Host Melissa Westemeier: https://www.melwestemeier.com/

Disclaimer: I'm a HUGE fan of Hench, so I couldn't wait to get my hands on the sequel! The wait was long, but at last readers can start reading Villain to learn what happens to Anna, AKA the Auditor, since she left The Draft and started working for Leviathan. Author (and game designer and journalist and wickedly witty) Natalie Zina Walschots explains what prompted her inventive and gripping superhero series and exposes the dark and painful journey leading to the sequel. Finding her way into this new story required a lot of chaos and soul-searching. I also learned about Natalie's favorite characters in her books and the most amazing unusual object she keeps in her workspace. Learn more about Guest Natalie Zina Walschots: https://nataliewalschots.com/ Learn more about Host Melissa Westemeier: https://www.melwestemeier.com/

Join Rod Hembree and Janice as they delve into the biblical chapters of Job 40 and 41 in this episode of Bible Discovery. They discuss the powerful interactions between God and Job, exploring themes of humility, faith, and understanding God's greatness. Discover the intriguing discussions about ancient creatures like Behemoth and Leviathan, and the lessons they bring to our understanding of scripture and faith. Dive deep into the Word of God and gain insights into how these ancient texts can apply to our lives today.

Welcome to Day 2868 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2868 – Wisdom Nuggets – Psalm 130:1-8 Daily Wisdom Wisdom-Trek Podcast Script - Day 2868 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day 2868 of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. The Title for Today's Wisdom-Trek is: The Song of Ascent – Out of the Depths of the Cosmic Abyss In our previous episode on this grand pilgrimage, we traveled along the rugged trails of the tenth Song of Ascent, Psalm One Hundred Twenty-Nine. We confronted the gritty, painful reality of the survivor. We looked at the deep, bloody furrows plowed across the back of the covenant community by the wicked—the earthly agents of the rebel spiritual principalities. Yet, we celebrated the triumphant, sharp justice of Yahweh, who stepped onto the field and sliced the harnesses of oppression in half. We saw that while the haters of Zion look elevated, they are ultimately nothing more than shallow roof-grass, destined to wither into worthlessness under the heat of divine judgment. Today, we take our next deliberate, introspective steps up the mountain pass toward Jerusalem. We are exploring the eleventh song in this ancient collection: Psalm One Hundred Thirty, verses one through eight, in the New Living Translation. Historically, this deeply moving psalm has been known in the Christian tradition by its opening Latin words, De Profundis, which translate to, "Out of the Depths." The psalmist shifts our focus from the external persecution of worldly enemies, to the internal, suffocating weight of personal and corporate guilt. We are moving from the battlefield of physical survival, into the profound spiritual depths of the human soul, learning how to cry out for mercy when we are drowning in our own brokenness. Let us step onto the trail, and listen to the desperate cry for redemption. The first segment is: Crying from the Chaotic Waters of Despair Psalm One Hundred Thirty: verses one and two. Out of the depths of despair, O Lord, I call for your help. Hear my cry, O Lord. Listen to my prayer. The song opens not with a shout of triumph, but with a muffled, echoing cry from the dark. "Out of the depths of despair, O Lord, I call for your help. Hear my cry, O Lord. Listen to my prayer." To truly comprehend the terrifying weight of this opening, we must view the imagery through the lens of the Ancient Israelite worldview. The Hebrew word for "depths" is ma'amaqim. In the ancient Near East, the deep, dark, and churning waters of the ocean were not viewed merely as a geographic feature; they represented primeval chaos, the cosmic abyss, and the terrifying domain of death. The sea was the playground of Leviathan, and the watery throat of Sheol—the underworld. To be in "the depths" meant you were drowning, completely overwhelmed by cosmic forces, suffocating in total darkness, and entirely cut off from the land of the living. But what has dragged the psalmist down into this spiritual abyss? It is not the armies of Babylon this time; it is the realization of his own sin. The depths of despair represent the suffocating environment of guilt. When you recognize how far you have fallen from the cosmic blueprint of the Creator, the psychological weight can feel like a multi-ton tidal wave, pinning you to the ocean floor. Yet, look at the direction of his cry. Even from the bottom of the chaotic abyss, wrapped in the dark currents of his own failure, the pilgrim directs his voice straight upward. He calls out to the Name of Yahweh. He begs, "Hear my cry, O Lord. Listen to my prayer." This is an act of fierce, desperate faith. The rebel spiritual forces—the corrupt elohim of the Divine Council—want the guilty soul to believe that it is permanently abandoned, that the abyss has claimed them forever. But the psalmist refuses to listen to the blackmail of the enemy. He knows that the voice of the Creator can penetrate the deepest, darkest waters of the cosmic void. When you are drowning in your own brokenness, you must use your final breath to send an SOS straight to the heavenly throne room. The second segment is: The Celestial Ledger and the Scandal of Grace Psalm One Hundred Thirty: verses three and four. Lord, if you kept a record of our sins, who, O Lord, could ever survive? But you offer forgiveness, that we might learn to fear you. Standing before the cosmic courtroom of heaven, the psalmist poses a chilling, rhetorical question that seals the fate of all humanity. "Lord, if you kept a record of our sins, who, O Lord, could ever survive?" In the ancient Near Eastern worldview, it was believed that the gods kept rigorous, celestial ledgers. The rebel principalities kept meticulous books, recording every infraction, every mistake, and every failure of mankind, utilizing those records to extort, torture, and condemn human beings. They demanded absolute, flawless perfection, but provided absolutely no grace. If Yahweh operated on the same system, the cosmic trial would be over before it even started. The Hebrew word for "survive" here means to stand. If God brought out the unedited ledger of our hidden thoughts, our compromised motives, and our outright rebellions, every single human being, every angel, and every member of the council would instantly collapse under the weight of perfect justice. No one could stand. But then, the psalmist introduces a staggering, paradigm-shifting truth that completely shatters the cosmic legal system of the enemy. Verse four declares, "But you offer forgiveness, that we might learn to fear you." This is a beautiful, supernatural paradox. In our human way of thinking, we assume that if a judge lets a criminal off the hook, the criminal will lose all respect for the law. We think that punishment produces fear, and forgiveness produces carelessness. But in the economy of the Most High God, the exact opposite is true. The rebel gods of the pagan nations used fear and guilt to manipulate their followers into slavery. They never offered true, total forgiveness; they only offered temporary, expensive truces. But Yahweh performs a miracle of grace. He skims off the record of our sins, completely erasing the ledger through His covenant love. When a human being, drowning at the bottom of the abyss, experiences the overwhelming, unmerited release of divine forgiveness, it triggers a profound, holy shockwave in their soul. They don't become careless; they become utterly captivated. They develop a deep, trembling, and reverential awe—the true "fear of the Lord." They realize they are dealing with a King who is too good, too powerful, and too merciful to ever be trifled with. Forgiveness doesn't produce license; it produces absolute, unswerving loyalty to the true Sovereign of the cosmos. The third segment is: The Hyper-Vigilant Vigil for the Sun of Righteousness Psalm One Hundred Thirty: verses five and six. I am counting on the Lord; yes, I am counting on him. I have put my hope in his word. I long for the Lord more than sentries long for the dawn, yes, more than sentries long for the dawn. Having received the assurance of forgiveness, the psalmist transitions into a posture of patient, yet hyper-vigilant, waiting. "I am counting on the Lord; yes, I am counting on him. I have put my hope in his word." The Hebrew word for "counting on," or "waiting," is qavah, which carries the visceral idea of twisting cords together to make a strong rope. It implies an active, muscular tension. The pilgrim is not waiting passively, like a person sitting bored in a doctor's office. He is binding his soul tightly to the promises of God, bracing himself for the long watch. He has anchored his hope exclusively to the "word"—the cosmic decrees and covenant oaths of Yahweh. He illustrates the intensity of this waiting with a beautiful, hauntingly repetitive military metaphor in verse six. "I long for the Lord more than sentries long for the dawn, yes, more than sentries long for the dawn." To understand this, we must remember our previous treks through the Songs of Ascents, specifically Psalm One Hundred Twenty-Seven, where we learned about the vital role of the watchman guarding the city walls. Imagine a sentry stationed on the high stone battlements of Jerusalem during the ancient night watch. The darkness around him is heavy, absolute, and infested with hidden dangers. The enemy principalities and their human proxies do their most destructive work...

We all face very difficult seasons and even hard days, especially as we see the day approaching. But we are promised complete victory, not because we are the ones who provide it, but because we are the ones who receive it. We are more than conquerors through Christ, and God will ultimately defeat our enemy and give us victory into the ages. Isaiah 27 gives us a powerful perspective on that promise as God declares His victory over Leviathan, His protection over His people, and His plan for ultimate restoration. Today we're going to put all of this into proper perspective, because God has a lot to say about it.

Day of Pentecost First Lesson: Numbers 11:24-30 24So Moses went out and told the people the words of the Lord; and he gathered seventy elders of the people, and placed them all around the tent. 25Then the Lord came down in the cloud and spoke to him, and took some of the spirit that was on him and put it on the seventy elders; and when the spirit rested upon them, they prophesied. But they did not do so again. 26Two men remained in the camp, one named Eldad, and the other named Medad, and the spirit rested on them; they were among those registered, but they had not gone out to the tent, and so they prophesied in the camp. 27And a young man ran and told Moses, "Eldad and Medad are prophesying in the camp." 28And Joshua son of Nun, the assistant of Moses, one of his chosen men, said, "My lord Moses, stop them!" 29But Moses said to him, "Are you jealous for my sake? Would that all the Lord's people were prophets, and that the Lord would put his spirit on them!" 30And Moses and the elders of Israel returned to the camp. Psalm: Psalm 104:25-35,37 25 O Lord, how manifold are your works! *        in wisdom you have made them all;        the earth is full of your creatures. 26 Yonder is the great and wide sea    with its living things too many to number, *        creatures both small and great. 27 There move the ships,    and there is that Leviathan, *        which you have made for the sport of it. 28 All of them look to you *        to give them their food in due season. 29 You give it to them; they gather it; *        you open your hand, and they are filled with good things. 30 You hide your face, and they are terrified; *        you take away their breath,        and they die and return to their dust. 31 You send forth your Spirit, and they are created; *        and so you renew the face of the earth. 32 May the glory of the Lord endure for ever; *        may the Lord rejoice in all his works. 33 He looks at the earth and it trembles; *        he touches the mountains and they smoke. 34 I will sing to the Lord as long as I live; *        I will praise my God while I have my being. 35 May these words of mine please him; *        I will rejoice in the Lord. 37 Bless the Lord, O my soul. *        Hallelujah! Second Lesson: Acts 2:1-21 1When the day of Pentecost had come, they were all together in one place. 2And suddenly from heaven there came a sound like the rush of a violent wind, and it filled the entire house where they were sitting.3Divided tongues, as of fire, appeared among them, and a tongue rested on each of them. 4All of them were filled with the Holy Spirit and began to speak in other languages, as the Spirit gave them ability. 5Now there were devout Jews from every nation under heaven living in Jerusalem. 6And at this sound the crowd gathered and was bewildered, because each one heard them speaking in the native language of each.7Amazed and astonished, they asked, "Are not all these who are speaking Galileans? 8And how is it that we hear, each of us, in our own native language? 9Parthians, Medes, Elamites, and residents of Mesopotamia, Judea and Cappadocia, Pontus and Asia, 10Phrygia and Pamphylia, Egypt and the parts of Libya belonging to Cyrene, and visitors from Rome, both Jews and proselytes, 11Cretans and Arabs—in our own languages we hear them speaking about God's deeds of power." 12All were amazed and perplexed, saying to one another, "What does this mean?" 13But others sneered and said, "They are filled with new wine." 14But Peter, standing with the eleven, raised his voice and addressed them, "Men of Judea and all who live in Jerusalem, let this be known to you, and listen to what I say. 15Indeed, these are not drunk, as you suppose, for it is only nine o'clock in the morning. 16No, this is what was spoken through the prophet Joel: 17'In the last days it will be, God declares, that I will pour out my Spirit upon all flesh, and your sons and your daughters shall prophesy, and your young men shall see visions, and your old men shall dream dreams. 18Even upon my slaves, both men and women, in those days I will pour out my Spirit; and they shall prophesy.19And I will show portents in the heaven above and signs on the earth below, blood, and fire, and smoky mist. 20The sun shall be turned to darkness and the moon to blood, before the coming of the Lord's great and glorious day. 21Then everyone who calls on the name of the Lord shall be saved.' Gospel: John 7:37-39 37On the last day of the festival, the great day, while Jesus was standing there, he cried out, "Let anyone who is thirsty come to me, 38and let the one who believes in me drink. As the scripture has said, 'Out of the believer's heart shall flow rivers of living water.'" 39Now he said this about the Spirit, which believers in him were to receive; for as yet there was no Spirit, because Jesus was not yet glorified.  

Let's get on our bikes and ride this weekend !!- we're talking about Tomorrow's 1967 psych classic, "My White Bicycle." A story of a rebellious youth flouting society's conventions, full of trippy headphone frolicking! Leviathan were the next act to take up the bike ... er ... song ... I guess the bell was broken by the time they got it? Nazareth actually had a hit with the song, but we wonder what the heck is going on with the vocals!? We could do without the bland 70s prog solo section, but your mileage may vary. A broken Axl, perhaps? We really like the version by Neil (aka Nigel Planer) from Brit tv's The Young Ones. This one really feels like a proper bike ride! It's got a Captain Sensible vibe - and it brings back the bell! The psych feel returns with Valentin Noiret's version, which adds some cool Kraut-rock elements. Ding ding!!

Author and social entrepreneur Joshua Foer is the co-founder of several initiatives to make Jewish learning and cultural exploration accessible worldwide, including Sefaria, the open-access library of Jewish texts, Lehrhaus, a community hub in Somerville, the Jewish film and TV production company Leviathan, and the design competition Sukkah City. He is also the co-founder of Atlas Obscura and author of Moonwalking with Einstein, an international bestseller published in 37 languages. Josh was recently named one of the 50 most innovative Jews of the last 50 years in Moment Magazine.

Send us Fan MailJob wanted answers. He wanted a hearing. And when God finally speaks out of the whirlwind, Job's big move is not a speech, it is silence: “I will lay my hand upon my mouth.” That single turn becomes our springboard for a brutally practical conversation about humility, restraint, and what happens when we talk too much while we're under pressure.We dig into Job 40 to see why God's correction is loving even when it feels intense, then we sit with Job 41 and Leviathan as a picture of strength that puts our fears and egos in their place. Along the way, we connect the dots to Romans 7:24 and the honest cry, “Who will deliver me?” because the deeper issue is not just suffering, it is the heart behind our responses. We also reflect on a Spurgeon line that nails the need beneath the noise: a great need for Christ and a great Christ for our need.Then we bring it into today's world: reactive speech, online bickering, getting baited, and the temptation to defend ourselves until we lose composure. We talk about guarding your heart, choosing measured words, and learning the hard balance between necessary correction and sinful escalation. If you've ever left a conversation thinking, I should have stayed quiet, Job's lesson is for you.Subscribe for the upcoming studies, share this with a friend who's tired of comment wars, and leave a review telling us: when is staying silent the most faithful choice?Support the showBE PROVOKED AND BE PERSUADED!

Send us Fan MailGod doesn't answer Job with a neat explanation. He answers with reality. When the Lord points to Behemoth, we hear a thunderous reminder that there are parts of creation we cannot tame, cannot bargain with, and cannot control and that fact is meant to do something to our pride. If a human being can't raise a sword to one creature God made, what business do we have putting God on trial for how he governs the world? We walk through Job 40–41 with a focus on God's sovereignty, providence, and purpose, and we talk honestly about the hardest animal to master: ourselves. The conversation keeps coming back to words, because Job's turning point is not a stronger argument but a quieter mouth. We connect Behemoth and Leviathan to the biblical theme that “out of the mouth the heart speaks,” and why being careful, precise, and humble with our speech is part of Christian discipleship. We also reflect on God's patience throughout Job, including how the early challenge from Satan ends with God restoring Job and proving that Job's future was never out of the Lord's hands. Land and sea, strength and suffering, fear and provision all point to one conclusion: God rules over what he makes, and humility is the only sane response. If this helped you rethink the Book of Job, subscribe for more, share this with a friend who needs steadiness right now, and leave a review with the line that challenged you most.Support the showBE PROVOKED AND BE PERSUADED!

Send us Fan MailIf you've ever caught yourself talking about God like He's waiting on your permission, you're not alone, and you're not the first. We open with a hard question: why can't we “domesticate” creation, yet we keep trying to domesticate the Creator? From there, we walk straight into Job's confrontation with God and let the text do what it does best, expose human pride and shrink our inflated sense of control.Job 41 becomes the center of gravity as we look at Leviathan and Behemoth, not as trivia, but as God's argument. If no one can subdue these creatures, who can stand before the One who made them? That Creator over creature logic presses on modern assumptions about free will, salvation, and the subtle idea that God “can't move” unless we allow Him. We also connect the theme to Babel's “make a name” impulse and preview how Romans will keep pushing the same fault line between worshiping the created and worshiping the Creator.The conversation turns personal as we talk about the fear of the Lord, the danger of careless speech, and how God's sternness can be a Father's tough love meant for sanctification, not destruction. If a man like Job can err, what does that say about how seriously we should handle doctrine and the words we put in God's mouth? Subscribe for more Bible-driven conversations, share this with someone who wrestles with control, and leave a review telling us what challenged you most.Support the showBE PROVOKED AND BE PERSUADED!

What happens when a society's pursuit of pure rationality and radical individualism actually threatens to dissolve the trust that holds it together? Notre Dame University's Paul G. Kimball Professor of Arts and Letters, Dr. Vittorio Hösle, joins host PJ Wehry to discuss the overlooked genius of Giambattista Vico and the hidden dangers of modern rationalism. Dr. Hösle explores the philosophical foundations of the human sciences through his book Vico's New Science of the Intersubjective World. They examine why projecting modern thought onto ancient history fundamentally distorts our understanding of the past, and how recognizing the cyclical nature of civilizations can warn us against our own potential decay. In this conversation they explore: How Vico established a rigorous "new science" focused on the common nature of nations, effectively laying the groundwork for modern sociology and the human sciences. The profound realization that archaic humans experienced the world through sensual metaphors and mythic wisdom rather than abstract concepts or romantic love. The crucial discovery of the fallacy of anachronism—and why erudite scholars constantly make the mistake of projecting their own modern mindset onto the past. Why pure rationality and universal rational egoism, termed the "barbarism of reflection," can dissolve societal trust and lead to civilizational collapse. The sobering reality that historical progress is not guaranteed, and that the collapse of high civilization remains a persistent threat even today. Vico's method of conceptually understanding archaic societies by comparing epochs, even when directly empathizing with their foreign mindset is impossible. This is a conversation for anyone interested in philosophy, sociology, and history who wants to understand the foundational forces that shape human societies and the historical blind spots of the modern age. Make sure to check out Dr. Hösle's book: Vico's New Science of the Intersubjective World

Psalm 104 Day 6: Why Are We So Worried When God Provides for Everything Else? Psalm 104:24-26 “O Lord, what an amazing variety of all you have created! Wild and wonderful is this world you have made, while wisdom was there at your side. This world is full of so many creatures, yet each belongs to you! And then there is the sea! So vast! So wide and deep—swarming with countless forms of sea life, both small and great. Trading ships glide through the high seas. And look! There are the massive whales bounding upon the waves.” I like this verse because it praises the Lord for being so amazing. I believe the Lord loves it when we praise Him. Who doesn't want a little acknowledgment? It begins with, “O Lord, what an amazing variety of all you have created!” Have you ever thought about that? Have you ever taken the time to slow down and look at all the nature around you? Have you ever really thought about the variety of things the Lord has created? He created humans, all animals, all vegetation, all rock formations, the seas, the skies, and the stars. When we take the time to think about it, the variety of things He has created really is amazing. There are 400,000 types of flowering plant species all around the world. Over 1.5 million living animal species have been described, of which around 1.05 million are insects, over 85,000 are mollusks, and around 65,000 are vertebrates. It has been estimated that there are as many as 7.77 million animal species on Earth. There are around 1,097 different vegetables worldwide. God didn't need to give us all of that. We don't need that much variety. Plants provide us with food, oxygen, and energy. However, we don't need 400,000 different types of flowers. However, God wanted to give us variety. We also don't need over a million different kinds of animals, but God gave them to us anyway. Let's take a minute and appreciate all God did for us. The verse says, “Wild and wonderful is this world you have made while wisdom was at your side.” This verse reminds us that God did not accidentally create anything. He knew what He was doing, and each thing He made had a purpose. He thought about everything. He didn't leave anything out. He made sure that every living thing had something to eat. This includes the plants, the insects, the animals, everything. Take a minute and imagine how much thought it would take not only to create all that God created but also to ensure they had the right environment to live in, the right resources, and the food they needed to survive. It really is remarkable. Next, it says, “This world is full of so many creatures, yet each belongs to you!” Each creature on this earth belongs to the Lord our God. The animals don't have to worry about where their food will come from. They know they are creatures of God and that He will take care of them. We are also God's creatures, and He will take care of us, too! We don't have to worry either. Worry comes pretty naturally to most of us, and yet it is not necessary. This morning in Philippians 4:19, I read, “I am convinced that my God will fully satisfy every need you have, for I have seen the abundant riches of glory revealed to me through Jesus Christ. This was Paul talking to the Philippians, but He is speaking to us too! God will take care of all we need. He has abundant riches, and he wants to shower them upon us. He has so much glory, grace, love, forgiveness, and mercy. We don't have any reason to be anxious; God will take care of all of our worries! Next, it says, “And then there is the sea! So vast! So wide and deep—swarming with countless forms of sea life, both small and great.” This is just reiterating the vastness of the Lord's creation. Think of how many different sea creatures there are. It is known that there are more than 260,000 species living in the seas, and many more remain to be discovered. Some scientists believe there are more than a million species in the seas. How amazing is that? Each one of them has everything they need to survive. Let's remind ourselves of this when we get anxious. Hundreds of thousands of species live in the seas, including species of plants. There are millions of animal species, and God provides for all of them. If he can provide for the plants and animals, how much more will he provide for us? The verse ends with, “Trading ships glide through the high seas. And look! There are the massive whales bounding upon the waves.” This reminds us that besides all the creatures in the sea, we also use the sea for trading. It provides fish for us to eat and can also support our livelihoods. This version says that there are massive whales bounding upon the waves. However, the New Revised Standard Catholic Edition says, "There go the ships and Leviathan that you formed to sport in it.” When I looked this up, it said that Leviathan is a sea monster. The commentators said Leviathan was included in this Psalm to show us that even the sea monster is under God's control. God created all things, and God does not make mistakes. God created all the plants and animals and made sure they all had what they needed to survive. Doesn't it make sense that if God provides for the plants and animals, He will provide for us, too? We are His children, made in His likeness and image. He made us above all plants and animals. He gave us dominion over the plants and animals. So, why are we the only ones worrying about where our next meal will come from or if we will have enough money to pay our bills? God has got us in the palm of His hand. He will provide for us. All we need to do is trust Him! Dear Heavenly Father, I ask you to bless everyone listening to this episode. Lord, we ask you to help us notice all your creations around us. Help us to believe that you provide for all their needs, so you will provide for our needs, too. Help us not to be anxious about anything. Lord, help us to appreciate the variety of your creation. Bring our attention to your majesty in this world. We love you, Lord, and we ask all of this in accordance with your will and in Jesus's holy name, Amen! Thank you for joining me on this journey to walk boldly with Jesus. If life feels busy and God keeps getting pushed aside, this mentoring group will help you gently bring Him back into your everyday life. You can join us through the link in the show notes. We meet once a week on Tuesday nights at 8:00 P. M. Eastern Time on Zoom. Each month, there is a theme, and we dive deep into the theme. There are about 30 minutes of teaching, followed by some small-group time. If you can't make it on Zoom, you can always watch the replay. I also have a private Facebook group that you could join. There is a link below if you would like to check out mentoring. You can also visit walkboldlywithjesus.com and click the mentoring link. I look forward to meeting you here again tomorrow. Remember, Jesus loves you, and so do I! May the grace and favor of our Lord Jesus Christ be with your Spirit! Today's Word from the Lord was received in October 2025 by a member of my Catholic Charismatic Prayer Group. If you have any questions about the prayer group, these words, or how to join us for a meeting, please email CatholicCharismaticPrayerGroup@gmail.com. Today's Word from the Lord is, “My light shines brightly in you, my children. It gives light wherever you go. It lights up your path, and it lights up the path of those who walk beside you. My light is not just for you; it is for all you meet. My light is what the world needs right now. My light, given through you, will help others to find the way to me.” www.findingtruenorthcoaching.comCLICK HERE TO DONATECLICK HERE to sign up for Mentoring CLICK HERE to sign up for Daily "Word from the Lord" emailsCLICK HERE to sign up for my newsletter & receive a free audio training about inviting Jesus into your daily lifeCLICK HERE to buy my book Total Trust in God's Safe Embrace

Brendan talks about three games he played for the first time recently. Join us, won't you?Postcards (2025)Leviathan Wilds (2024)Episode 027: Shadow of the LeviathanMANTIS (2022)“Why the MANTIS shrimp is my new favorite animal.”Fugitive (2017) (revisited)What games have you tried lately? Share your plays over on boardgamegeek in guild #3269.

In Episode 531, Jose and Ryan go over some Hellraiser and Nightbreed convention and video game news, and all the places you can find tyour favorite Hellraiser people!  This is the Clive Barker Podcast, where long-time fans Ryan and Jose interview guests, bring you the news, and take deep dives into Barker-related stuff.  This episode will be available in Podcast Audio and Youtube Video.  Sponsor : Don Bertram's Celebrate Imagination | Pinterest | ETSY Store Check out his recent painting,  Romulus and Remus II, The Aquarium and The Squatter Sponsor : Ed Martinez YouTube Channel 2001: The Future's Not What it Used to Be Sponsor : The Now Playing Podcast News from the Reef Nightbreed Trailer 4K by Arrow Video on YouTube Hellraiser Revival New Preorders – Cenobite Collector's Edition Hellraiser: Revival New Dev Diary: Cenobites Temple of the Killer Tiger Monkeys Audio Deadly Prey gallery post of the Ghana Hellraiser poster Cenobite Actors will be at more conventions: Mad Monster Party Arizona July 2026 – Simon B., Nick V. and Doug Bradley Days of The Dead Chicago via Peter Atkins (November 2026) More about this event here! Hellraiser Days of the Dead Atlanta 2027! via Peter Atkins (Huge Reunion Jan 22-24) Coming Next More News and Interviews Book Club of Blood – The Body Politic Clive's Contemporaries: 1987 (Cast your vote) Patreon Members Shout-Out (Become a Patron) David Anderson Erik Van T' Holt Daniel Elven Amanda Stewart Bradley Gartz Markus Matthew Batten Bennett Jesse Timothy Ramakers Terry Murdock John-John Sponsor: Don Bertram's Celebrate Imagination Sponsor, Ed Martinez YouTube Channel Sponsor : The Now Playing Podcast And this podcast, having no beginning will have no end.  web www.clivebarkercast.com Apple Podcasts,  Android,  Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian  BlueSky | Reddit | Discord Community Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian  Hardcover | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt Music is by Ray Norrish All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com   AI Summary Ryan and José recorded episode 531 of their Clive Barker podcast, discussing recent news including Arrow Video's new 4K restoration of Nightbreed with both theatrical and director's cuts, featuring new extras and a companion book. They reviewed the Hellraiser Revival game's Cenobite Collector's Edition, comparing it to the previous Leviathan edition and noting the lack of a signed Clive Barker print as a key difference. The hosts watched a new developer diary for the game, showcasing more detailed Cenobite animations and gameplay footage with Doug Bradley's voice work. They also discussed upcoming Hellraiser conventions including Mad Monster Party in Arizona and Days of the Dead events in Chicago and Atlanta, featuring several Cenobite actors. The podcast concluded with plans for their next book club discussion of "The Body Politic" from Books of Blood Volume 4 and a vote on which 1987 film to compare to Hellraiser. Hellraiser Developer Diary Discussion Ryan and José discussed technical issues with audio and video settings before planning to watch a developer diary video about Cenobytes and Pinhead from the Hellraiser series. José shared a link to a YouTube video and they briefly discussed its content, though Ryan only watched a 30-second preview due to the initial link issue. The conversation ended with Ryan asking about "Team French" but the question remained unclear due to audio issues. Nightbreed 4K Restoration Discussion José and Ryan discussed a new 4K restoration of the film Nightbreed, including both theatrical and director's cuts, with enhanced features like Dolby Vision HDR, new artwork, and a companion book. They reflected on previous collector's editions and debated whether physical media releases, including 4K, would continue to be relevant given the rise of digital formats. Both agreed that while digital media is growing, physical media will likely persist in some form, particularly for collectors and professionals in the film industry. Physical Media's Enduring Relevance José and Ryan discussed the ongoing relevance of physical media in the age of streaming services. They noted that while streaming has become popular, limitations in internet speeds and the temporary nature of licensed content on platforms like Netflix mean physical media will likely continue to have a place. They highlighted how streaming platforms have shifted focus toward producing their own content rather than licensing existing material, leading viewers to seek out older content on alternative platforms like YouTube. The conversation concluded with appreciation for companies like Arrow, Shout Factory, and Turbine Media that continue to produce physical media releases. Nightbreed 4K Release Discussion Ryan and José discussed a new Arrow Video 4K release of Nightbreed, comparing the UK and potential US versions. They noted that the UK release includes exclusive extras like behind-the-scenes footage and UK-specific content, though they were uncertain if these features would be included in the US version. The UK release is priced at 30 pounds, which Ryan and José considered a good deal, though they agreed to wait for the US release to potentially save money and see if it includes similar extras. Hellraiser Game Edition Comparisons José and Ryan discussed the differences between various editions of the Hellraiser Revival game, including the new Cenobite Collector's Edition priced at $199. They compared features between the Leviathan Edition and Cenobite Edition, noting that the Leviathan includes a hand-signed art print while the Cenobite edition features a Cenobite statue and other exclusive items. The discussion highlighted concerns about the long pre-order period, which has been ongoing for about a year since the last pre-order update in June 2025, and they noted that the new dev diary "Cenobytes" provides additional footage of Cenobites in the game. Hellraiser Revival Collector's Edition Discussion José and Ryan discussed a Hellraiser Revival Collector's Edition, which includes a Cenobite statue, puzzle box, enamel pins, and a digital soundtrack. They watched a dev diary video showcasing the game's features, including platforming elements and various Cenobite characters. The video highlighted the game's focus on grotesque scenes and jump scares, with Doug Bradley's involvement adding credibility to the project. José and Ryan noted the game's potential for a gradual descent into horror, similar to Big Trouble in Little China, and expressed hope for an upcoming release date announcement. Temple of the Killer Tiger Monkeys Ryan and José discussed the audio drama "Temple of the Killer Tiger Monkeys," which features original Cenobite actors including Doug Bradley, Simon Bamford, and Nicholas Vince. They agreed to create a future podcast episode about the series, potentially including an interview with Simon Banford. The conversation also covered Ghanaian movie posters, specifically a Hellraiser poster by artist Heavy J, which is now available for purchase through Deadly Prey Gallery. Finally, they mentioned upcoming Hellraiser and Nightbreed conventions featuring the Cenobite actors. Horror Conventions and Content Planning José and Ryan discussed upcoming horror conventions, including Mad Monster Party Arizona in July 2026 and Days of the Dead events in Chicago and Atlanta. They expressed interest in meeting Peter Atkins at the Chicago event in November 2026, with both planning to discuss time off work to attend. José also mentioned upcoming content plans, including a book club discussion of "The Body Politic" from Books of Blood Volume 4 and a vote on a 1987 movie to compete against Hellraiser. Horror Movies Discussion Ryan and José discussed various horror movies, including The Lost Boys, Prince of Darkness, The Gate, Bad Taste, Angel Heart, Beaks, and Iron Warrior. They shared their opinions on these films, with José expressing a preference for Bad Taste due to its chaotic nature. Ryan mentioned his interest in watching Prince of Darkness, The Gate, or Angel Heart again. They also briefly discussed actor Stephen Dorff's role in The Gate and his appearance in Blade. The conversation concluded with José mentioning Nicholas Vince's recent campaign for the Green Party in the UK elections. UK Elections and Media Discussion José and Ryan discussed recent local elections in the UK, with Ryan encouraging José to vote for Nicholas Vince in future elections. They then talked about editing a podcast episode, noting that while some parts like screen sharing would be easy to edit out, removing fillers like "ums" would be more time-consuming. The conversation concluded with a discussion about a Hellraiser script booklet, comparing different versions and discussing whether certain autographs were real or printed.

We wrap up the first group of episodes in our Reconsidered Leader series--bringing the theoretical to a close and opening up with Scripture for grouping #2.  Here, we look into the modern philosophical assumptions regarding leadership, whose flagship ideas belong to Hobbes and Nietzsche. Opposed to both is the Christian understanding of peace and prayer, and this consideration of "warring factions" brings our theoretical section to a fitting end. With a summer sabbatical on order, we will be on break from the Reconsidered Leader, but will pick back up with part 2 in July! Iowa Catholic Radio Network Shows:Be Not Afraid with Fr. Fabian Moncada and Fr. Bruce RiebeBe Not Afraid in Spanish with Fr. Fabian MoncadaCatholic Women Now with Chris Magruder and Julie NelsonMaking It Personal with Bishop William JoensenMan Up! with Joe StopulusSunday Dive with Katie PatrizioThe Catholic Morning Show with Dr. Bo BonnerThe Daily Gospel Reflection with Fr. Nick SmithThe Uncommon Good with Bo Bonner and Dr. Bud MarrFaith and Family Finance with Gregory WaddleWant to support your favorite show? Click Here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of Busy, Gritty, Inked & Witchy, Morgan dives deep into the misunderstood world of Dragon Magick and explains what dragon energy really means within witchcraft and spiritual practice. Contrary to popular belief, Dragon Magick is not about commanding mythical creatures or escaping into fantasy. Instead, this episode explores dragon archetypes as powerful transformational energies tied to shadow work, personal power, protection, ancient wisdom, confidence, destruction, rebirth, and deep inner change. Morgan breaks down: What Dragon Magick actually is The difference between Western and Eastern dragon symbolism Why dragons are connected to archetypal energy How dragons relate to elemental magick Fire, Earth, Air, and Water dragon energies How Dragon Magick connects to shadow work and transformation Why dragon energy can feel intense and primal Meditation and visualization techniques for connecting with dragon archetypes Dragon energy vs. deity work Tiamat, Leviathan, and Apophis in spiritual practice Why Dragon Magick is more about inner transformation than external spellwork This episode also explores how dragon energy amplifies confidence, protection, courage, and radical self-honesty while helping witches confront the parts of themselves they've avoided. Patreon Bonus Content for this episode is a Dragon Magick Book of Shadows page set. Visit https://patreon.com/inkedgoddesscreations for more details.    Morgan also shares details about the new Dragon Realms subscription box from Inked Goddess Creations, filled with exclusive items designed to help witches connect with dragon archetypes, elemental dragon energies, and transformational magick practices. Head to https://www.InkedGoddessCreations.com to claim your box! The doors to Inked Spirit Coven close June 5th, and the upcoming lessons will focus on awakening and empowering the Feral Witch within.  For more information, head to https://inkedspirit.com.    

Aliens, UFOs, UAPs, secret pastor meetings, and the Bible. Would the discovery of extraterrestrial life cause Christians to reject Scripture? Pastor Cole Phillips and Pastor Bobby Fraumann talk about recent UAP disclosures, why Christians should avoid panic and conspiracy-driven theology, how the Bible speaks about creation and spiritual beings, and why Jesus remains supreme over all creation.Christian faith isn't fragile. Unidentified does not automatically mean alien. And no discovery can dethrone Christ.KeywordsAliens, UFOs, UAPs, unidentified anomalous phenomena, Christian faith, Bible and aliens, science and faith, creation, intelligent designChapter Titles00:00 | Welcome to the Connect Podcast Cole introduces the episode and explains why Christians should not run from hard questions.03:40 | Ancient Aliens and The Twilight Zone Bobby brings up Ancient Aliens, and Cole shares his favorite Twilight Zone episode, “To Serve Man.”06:30 | UFOs, UAPs, and Recent Government Files The conversation turns to the May 8, 2026 UAP document release and why Christians should be careful with the difference between “unidentified” and “alien.”09:45 | Secret Pastor Meetings and Wild Claims Cole and Bobby discuss recent claims about private meetings, alleged government briefings, reptilian beings, end-times deception, and the danger of building theology on rumors.15:45 | Discernment Over Panic Bobby emphasizes discernment, wisdom, and the need for Christian leaders to be careful with public claims.19:20 | Our Faith Is Not Built on Secret Information Cole reminds listeners that Christian faith is built on Jesus Christ, not leaked intelligence, viral clips, or secret meetings.21:10 | Would Aliens Cause Us to Reject the Bible? Cole gives the short answer: no.24:00 | God Created the Heavens and the Earth The first major point: the Bible does not say God only created life on earth.25:30 | Science, Water, Carbon, and the Conditions for Life Cole explains how scientists look for life and why the complexity of earth should lead us to worship.28:00 | Fine-Tuning and Intelligent Design Bobby responds with the importance of seeing creation through the lens of an intelligent Creator.32:30 | The Bible's Focus Is God's Redemption of Humanity Cole explains that the Bible is not an encyclopedia of everything God ever made. It is the story of creation, fall, redemption, and restoration.34:30 | Christians Have Asked This Question for Centuries Cole walks through Christian thinkers, Copernicus, heliocentrism, and the rise of astrotheology.38:30 | Psalm 8 and the Wonder of Creation Cole and Bobby reflect on the vastness of the universe and the personal care of God.40:30 | The Real Theological Questions If intelligent alien life existed, are they moral? Fallen? In need of redemption? Cole frames the questions Scripture does not directly answer.42:00 | Jesus Is Lord of All Creation Cole points to Colossians 1 and explains why Christ's work is sufficient and His supremacy is not threatened.44:30 | Bobby's View: Extraterrestrial or Spiritual? Bobby shares why he leans more toward a spiritual interpretation49:00 | Spiritual Beings in the Bible Cole lists biblical categories like angels, cherubim, seraphim, demons, principalities, powers, Leviathan, Behemoth, and the Nephilim.52:30 | Satan Is Not Equal with God Cole explains why Christianity does not teach dualism. Satan is a created, defeated being.54:30 | No Discovery Can Dethrone Jesus Bobby reflects on creation pointing to Christ56:45 | C. S. Lewis, Space, and Human Sin Cole summarizes C. S. Lewis' view that alien life would not disprove Christianity and that humanity would carry sin wherever it went.59:30 | What If Aliens Shook Someone's Faith? Bobby explains how he would help someone whose faith felt threatened by the idea of alien life.1:03:00 | Final Encouragement: Be Curious, Discerning, and Courageous Cole closes by reminding listeners that Jesus is Lord over all creation.

Good morning. A German holiday maker has successfully sued his tour operator alleging that he had spent 20 minutes every morning trying, without success, to find sun loungers by the pool. He was on the case at 6 a.m. but the loungers were already covered in towels, though they often remained unoccupied through the day whilst he and his family lay on the ground. The Court awarded him damages. Another tourist commenting on this story gleefully recalls an alternative solution to the problem: 'it soon stopped when some lads were going down in the middle of the night and throwing all the towels into the pool.' But our more law abiding litigant hopes that the fear of legal action will spur tour operators and hotels to devise fair and rational allocation systems for these highly contested spaces. As far as I know, Thomas Hobbes never took a package holiday, but having lived through the turmoil of the English civil war and its aftermath, he would not have been surprised by stories of so called 'sunbed wars': 'during the time men live without a common power to keep them all in awe' so he tells us in his great work Leviathan, 'they are in that condition called war'. Hobbes' father was a vicar, and his relationship to Christianity is complicated, as is perhaps not uncommon in such circumstances. But Hobbes' views are not so different from Augustine's, who was in the habit of noting that just as divine history begins with the story of Cain killing Abel, so world history begins with the story of Romulus killing Remus. For Augustine, it is 'every man against every man' as Hobbes puts it, and not just poolside. I know nothing about the personal beliefs of our German litigant, but I think he is a bit of a hero for spurning two obvious but unhelpful responses to this gloomy diagnosis of the human condition. One is to take the law into your own hands - throwing the towels in the pool - which could end rather badly of course. The other is just to grumble - and who doesn't enjoy a good grumble? Of all the things in the world which are unfairly and irrationally distributed, sun loungers are by no means the most significant. Houses lie empty, while children sleep on the streets. Food goes to waste while there is hunger. Medicines expire on shelves, and diseases go untreated. Christians have never needed to be told that humans can be deeply selfish, but everywhere the faith is truly alive there have been dreamers and prophets, from St Francis to Martin Luther King, who have contended that the world doesn't have to be determined by our flawed natures, even if we need to reckon with their existence and character. Who knows whether the sunbed wars will come to an end, but Mr Eggert - let's give him his name and due credit – by pushing the tour operators and hotels into action has given us hope for bloodless revolutions.

What happens when secular culture does a better job of shaping our desires and beliefs than the church?Trinity Anglican Seminary theology professor Dr. Alex Fogelman joins host PJ Wehry to discuss the decline of discipleship and how modern culture invisibly catechizes us.Dr. Fogelman explores the historical roots of foundational instruction and his book Making Disciples: Catechesis in History, Theology, and Practice. They examine why pragmatic approaches to church growth fail and how a comprehensive introduction to the faith can deeply root believers against the shifting winds of the modern age.In this conversation they explore:Why the "learning of faith" is essential, even though faith is a divine gift, to help form a new humanity. How the endless scroll of social media, pop culture, and shopping malls act as powerful forms of "cultural catechesis" that shape our vision of the good life. The flaws of imitating cultural forms, like "Christian Pokémon" or "Christian AI," and why simply swapping out the content ignores how the medium shapes the message. How the "TikTok age" exacerbates a sense of ephemeral rootlessness that prevents true human flourishing. The danger of church pragmatism and why sustainable ministry must integrate theology, history, and practice together. Practical strategies for making catechesis the "front porch" of the church, where the faith is passed on person-to-person rather than through an automated screen.This is a conversation for anyone interested in theology, cultural analysis, and discipleship who wants to understand the hidden liturgies shaping our minds and how to build a more grounded faith.Make sure to check out Dr. Fogleman's book:  Making Disciples: Catechesis in History, Theology, and Practice

The Pentagon releases new UFO footage… but the bigger explosion might be cultural, not aerial.

This talk was recorded live at Vision Weekend USA, held December 5–7, 2025 in the Bay Area. Vision Weekends are our flagship conference series, bringing together leading scientists, entrepreneurs, funders, and policymakers to explore frontier science and technology and to imagine paths toward flourishing futures. Hosted on Acast. See acast.com/privacy for more information.

What happens when we stop treating therapy as a search for a hidden "inner life" and instead use it to explore our shared, lived world?Seattle University Senior Adjunct Professor of Philosophy and Psychology and Licensed Therapist Dr. Jerome Veith joins host PJ Wehry to discuss the intersection of hermeneutics and clinical practice.Dr. Veith explores the themes of his book Gadamer and the Transmission of History and his personal journey from academic theory to doing philosophy every day with his clients. They examine how philosophical concepts like historicity and charitability can transform the way we listen, heal, and understand our place in the world.In this conversation they explore:The profound difference between academic listening and therapeutic listening, and why "charitability" must balance the "hermeneutics of suspicion". How our relationship to the past is malleable, and why viewing our "historicity" as a lived texture can relieve the burden of anxiety. The flaws of the modern hunt for an isolated "authentic self" and why true authenticity requires acknowledging our shared linguistic and cultural worlds. Why rigid therapeutic methods often fall short, and the value of "courting surprise" rather than relying strictly on predefined techniques. The concept of Bildung (formation) and how engaging with history helps us realize we don't have to carry the burden of being human entirely by ourselves.How reclaiming our focus and viewing therapy as an "attentional practice" can serve as a profound gift that changes both ourselves and others.This is a conversation for anyone interested in psychology, philosophy, and the healing arts who wants to understand how deep listening and shared attention can transform our lives.Make sure to check out Dr. Veith's book: Gadamer and the Transmission of History

Is there one giant spirit of Leviathan demonizing thousands of people simultaneously or is something else going on? The answer cuts deeper than spiritual warfare. It goes straight to the nature of God.The body of Christ has a problem with demon taxonomy. On one end, cessationists deny the category entirely. On the other, some corners of charismatic practice have quietly handed evil spirits divine attributes they were never meant to have, treating Leviathan or Jezebel as omnipresent cosmic forces saturating the earth. Neither position is biblical. And the confusion isn't just theoretical. It shapes how people pray, how pastors minister, and how the church understands the very nature of God.Join Joshua Lewis, Michael Rowntree, and Michael Miller as they work through the biblical catalog of evil spirits and make the case that demons are kinds, not singular entities. They also tackle the deliverance question head-on: is naming demons in ministry Gnostic secret knowledge, or is it something more like Adam naming the animals, an exercise of discernment and authority?If you're looking for a biblically-serious review on demon taxonomy, this episode is for you.0:00 – Introduction7:09 – Demon Taxonomy Overview15:18 – Effects Match Names19:50 – Jezebel Spirit Defined27:06 – Naming Demons, Authority39:28 – One Spirit or Many?43:54 – God's Omnipresence Only46:43 – Speculative: Demonic BreathINTRO TO DELIVERANCE MINISTRY:https://www.theremnantradio.com/intro-to-deliverance-ministrySubscribe to The Remnant Radio newsletter and receive our FREE introduction to spiritual gifts eBook. Plus, get access to: discounts, news about upcoming shows, courses and conferences - and more. Subscribe now at TheRemnantRadio.com. Support the showABOUT THE REMNANT RADIO: The Remnant Radio exists to equip believers who are hungry for the radical middle of both Word and Spirit. Subscribe for twice-weekly content on theology, church history and the gifts of the Spirit.

In this first installment of "Breaking the Leviathan Spirit," Bishop Mark Brown from Dallas, TX, tackles the subtle but destructive influence of pride and manipulation. "Pride is the doorway—Leviathan is the occupant," he says, urging listeners to close that door and seek freedom. You'll learn how revelation doesn't create truth—it reveals it. Tune in for this life-changing message that brings clarity, breaks confusion, and empowers you to walk in truth. Listen now and start your journey toward breaking the Leviathan spirit!

In this Second nstallment of "Breaking the Leviathan Spirit," Bishop Mark Brown from Dallas, TX, tackles the subtle but destructive influence of pride and manipulation. "Pride is the doorway—Leviathan is the occupant," he says, urging listeners to close that door and seek freedom. You'll learn how revelation doesn't create truth—it reveals it. Tune in for this life-changing message that brings clarity, breaks confusion, and empowers you to walk in truth. Listen now and start your journey toward breaking the Leviathan spirit!

This episode covers a wide range of topics across betting, prediction markets, and probabilistic thinking. We start with the Brendan Sorsby situation after reports surfaced about a major gambling-related issue involving the Texas Tech QB, including over 10,000 bets placed dating back to 2022. The conversation focuses on what this means for gambling integrity in college sports and the broader responsibility discussion that comes with it. From there, the panel reacts to Isaac Rose-Berman's recent article on prediction markets and the way they are positioned as an alternative to traditional sportsbooks. The discussion explores whether that framing is accurate, how these platforms actually generate profit, and what bettors often misunderstand about their structure. The group also breaks down a viral take from Plus EV Analytics on parlay thinking and how human intuition struggles with probability when outcomes are layered together. Host Jacob Gramegna is joined throughout the episode by Joey Knish, Isaac Rose-Berman, and Chris Dierkes (Flupnolide), a trader at Novig, with all four contributors involved in the full discussion across gambling, markets, and bettor psychology.

Lawfare Managing Editor Tyler McBrien sits down with Chinmayi Sharma, an associate professor at Fordham Law School and a contributing editor at Lawfare, to discuss Sharma's forthcoming law review article, “Immigration Enforcement Intermediaries.”They discuss the U.S. federal government's increasingly privatized and automated system of immigration enforcement—which Sharma describes as “a code-based Leviathan—cloaked in the veneer of legal legitimacy yet operating outside traditional democratic channels”—and how private technology vendors entrench their positions within that system. Sharma also walks through a number of proposals for states and other sub-federal entities to counteract these harms to immigrants, society, and the rule of law itself.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

This episode was recorded before the tragic news of Dr. Habermas' death. We deeply mourn his passing. Dr Habermas was a man who carefully and passionately pursued the truth, and so we hope that today's episode, in that spirit, we'll pay a small tribute to his legacy.What happens to our democracy when the "written word" is replaced by the "viral image," and reasoned debate is drowned out by the hunt for clicks? University of Groningen professor Dr. Peter Verovšek joins host PJ Wehry to discuss the legacy of Jürgen Habermas and how the digital age is transforming the democratic public sphere. Dr. Verovšek explores the core arguments of his book, Jürgen Habermas: Public Intellectual and Engaged Critical Theorist. They examine the philosophical evolution of Habermas' work, from his early critiques of post-war Germany to his recent concerns regarding the "new" structural transformation of the public sphere caused by social media. In this conversation they explore:The "Desk" of the Intellectual: Why Habermas views the written word as the primary tool for public engagement and why he performs his role as an academic from the "primary place" of his desk. The First Generation vs. Habermas: How Habermas moved Critical Theory away from the "negativism" of Adorno and Horkheimer toward a consistent account where theory and practice flow from one another. The "Life World" vs. Systems: Why we must protect our day-to-day cultural lives—the "life world"—from being "colonized" by the impersonal logics of money and administrative power. Social Media as a "Double-Edged Sword": How the internet turned every citizen into a potential author while simultaneously removing the editors and fact-checkers essential for democratic legitimacy. The Intellectual vs. The Guru: Why true public intellectuals act as "early warning systems" for society rather than "gurus" who monetize their following or tell people how to live. The Crisis of Digital Authorship: Why the shift from reasoned argumentation to "appearance" and "mobilization" makes it increasingly difficult for marginalized voices to be heard in a saturated media environment. This is a conversation for anyone interested in political philosophy and media ethics who wants to understand the forces reshaping our democracy and how to reclaim a meaningful public square.Make sure to check out Dr. Verovšek's book: Jürgen Habermas: Public Intellectual and Engaged Critical Theorist

Send us Fan MailIn this verse-by-verse Bible study of Job chapter 3, Reasoning Through the Bible enters the poetic heart of the book of Job as Job opens his mouth and curses the day of his birth. This session explores one of the Bible's most honest expressions of human despair and asks how believers should understand suffering, lament, and the feeling that life has become unbearably dark. This study explains how Job's words reveal the depth of his pain without becoming a curse against God. It also highlights the beauty and force of Hebrew poetry in Job, including parallelism, darkness imagery, and the mention of Leviathan. The discussion examines whether despair is a failure of faith, whether suffering still has purpose when God seems silent, and how Job's lament continues to help suffering people today. This episode also addresses difficult questions about pain, human purpose, stillbirth imagery, death as relief, and why God may allow His people to suffer without immediate answers. Job 3 reminds listeners that Scripture does not ignore human anguish. It gives language for it, while still affirming that God remains on the throne and has purposes beyond what suffering people can see in the moment.Topics in this episode include: Job 3 explained  Job curses the day of his birth  despair and lament in the Bible  Hebrew poetry in Job  Leviathan in Job 3  is despair a failure of faith  suffering when God seems silent  purpose in suffering  honest wrestling with God Reasoning Through the Bible is a verse-by-verse Bible teaching ministry committed to careful exposition, biblical context, and faithful application.Support the showThank you for listening!!  Please give us a five-star rating to help your podcast provider's algorithm spread RTTB among their listeners. You can find free study and leader resources at the following link - Resource Page - Reasoning Through the BiblePlease prayerfully consider supporting RTTB to help us to continue providing content and free resources. You can do that at this link - Support RTTB - Reasoning Through the Bible May God Bless you!! - Glenn and Steve

This passage has everything: dying dragons, a world covered in the fruit of forgiveness, and a surprising trumpet blast. Alex, Jim, and Sam discuss Isaiah 27.

What happens to our character when being dishonest becomes easier and more rewarding than ever before? Wake Forest University philosophy professor Dr. Christian Miller joins host PJ Wehry to discuss the "honesty crisis" and how modern technology reshapes our most fundamental virtue. Dr. Miller explores the findings of The Honesty Project and his book The Honesty Crisis: Preserving Our Most Treasured Virtue in an Increasingly Dishonest World. They examine the psychological and philosophical boundaries of honesty to reveal how motivation is just as important as truth-telling. In this conversation they explore: Why honesty requires more than just accurate behavior and must include selfless or dutiful motivations. The flaws of a "mixed bag" character where people act honestly in some settings but reliably cheat in others. How the rise of AI and the internet created a "double-fold" crisis by increasing the incentives to lie while making it easier to avoid detection.The specific moral dangers of sermon plagiarism and why using AI to generate religious messages compromises the integrity of the speaker.Why celebrity culture creates a negative feedback loop that encourages protecting a public image through deception. Practical strategies for maintaining honesty through community accountability and frequent moral reminders. This is a conversation for anyone interested in psychology and ethics who wants to understand the hidden forces eroding our integrity and how to build a more honest life. Make sure to check out Dr. Miller's book: The Honesty Crisis: Preserving Our Most Treasured Virtue in an Increasingly Dishonest World

This is a brief update from the Leviathan Audio team. After a full year of weekly releases, the feed will be a little quieter as we begin work on our next major story, The Soraxian Cataclysm, a sweeping new chapter exploring the origins of immortality. We're planning to release the first episodes later this summer. In the meantime, join us on Patreon for live writing sessions, updates, and behind-the-scenes content:patreon.com/leviathanchronicles Learn more about your ad choices. Visit megaphone.fm/adchoices

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

This episode is made possible by the generous support of our subscribers on ⁠⁠Patreon⁠⁠. Join us at ⁠⁠⁠patreon.com/leviathanchronicles⁠⁠⁠ to hear episodes ad free and unlock exclusive content. While we get the next Leviathan story ready, we're having a little fun in the feed! Welcome to Don't Push The Moose, a sketch comedy series from the Leviathan Audio Team.  In this week's skit a woman's first day at her new job is interrupted by a family emergency For more podcasts from Leviathan Audio Productions go to leviathanaudioproductions.com or follow us social on media  Created by Claudio Santos Executive Produced by Amish Jani Sound Design by Claudio Santos & Robin Shore Theme Music by Luke Allen Starring Leslie Collins as Laura         Richard Bumper as Patrick and Mr. Davis Constance Cooper as Mrs. Johnson Learn more about your ad choices. Visit megaphone.fm/adchoices

If you've ever felt falsely accused, twisted by relationships, or silenced when you dared to speak the truth what I'm unpacking from the Gospel of Mark will hit you like a lightning bolt because the same spiritual forces that took out John the Baptist are alive and operating right now. I'm breaking down the Leviathan spirit, the Jezebel spirit in politics, and why the American church bears direct responsibility for the chaos we're living through and I'm not pulling any punches. Watch this now because what you mock loses its power in your life and this truth could change everything for you.   Podcast Episode 2076: Gospel of Mark DECODED, Satan's 40 Day Assault on Jesus + Why It Matters Now  | don't miss this! Listen to more episodes of the Lance Wallnau Show at lancewallnau.com/podcast

This episode is made possible by the generous support of our subscribers on ⁠⁠Patreon⁠⁠. Join us at ⁠⁠⁠patreon.com/leviathanchronicles⁠⁠⁠ to hear episodes ad free and unlock exclusive content. While we get the next Leviathan story ready, we're having a little fun in the feed! Welcome to Don't Push The Moose, a sketch comedy series from the Leviathan Audio Team. We'll be releasing a new comedy short each week throughout the next month.   If you've listened to our first Don't Push The Moose episode, The Slightly Sleazy Speakeasy, then you may have asked the question of how a romantic couple like Peter & Susan might have met. Well, they met at a dog park in NYC... For more podcasts from Leviathan Audio Productions go to leviathanaudioproductions.com or follow us social on media  Written & Directed by Christof Laputka Executive Produced by Amish Jani Produced by Christof Laputka and Luke Allen Editing & Sound Design by Luke Allen and Lindsey Jones Musical by Lindsey Jones Theme Music by Luke Allen Starring Kim Donovan as Susan         Erin Gould as Peter Learn more about your ad choices. Visit megaphone.fm/adchoices