Podcasts about Herman Melville

Merriam-Webster's Word of the Day for December 11, 2025 is: leviathan • luh-VYE-uh-thun • noun Leviathan is a word with literary flair that can refer broadly to something very large and powerful, or more narrowly to a large sea animal, or a totalitarian state having a vast bureaucracy. // Towering leviathans of the forest, giant sequoias often reach heights of more than 200 feet. See the entry > Examples: “These are dim days for the leviathan merchants. The smart whaling families have diversified and will hang onto their wealth for years to come. ... The less smart, those convulsed by the strange desire to continue doing what had always been done, who consider it a divinely issued directive to rid the waves of great fish, now face a problem: the Atlantic whale that built their houses and ships has seemingly wised up ...” — Ethan Rutherford, North Sun, or The Voyage of the Whaleship Esther: A Novel, 2025 Did you know? Old Testament references to a huge sea monster, Leviathan (in Hebrew, Liwyāthān), are thought to have been inspired by an ancient myth in which the god Baal slays a multiheaded sea monster. Leviathan appears in the Book of Psalms as a sea serpent that is killed by God and then given as food to creatures in the wilderness, and it is mentioned in the Book of Job as well. After making a splash in English in the 1300s, the word Leviathan began to be used, capitalized and uncapitalized, for enormous sea creatures both imagined and real—including as a synonym of whale over 100 times in Herman Melville's Moby-Dick, as in “ere the Pequod's weedy hull rolls side by side with the barnacled hulls of the leviathan.” Today, leviathan can be used for anything large and powerful, from ships to corporations.

Send us a textIn this episode we examine the life and work of two authors who actually knew each other and corresponded as they wrote their literary masterpieces. Nathaniel HawthorneFrom a modern perspective, Nathaniel Hawthorne's writing tips emphasize the importance of deep psychological exploration, moral complexity, and meticulous craft. His advice challenges writers to move beyond simple storytelling and engage with the more difficult truths of the human condition. Embrace the difficulty of good writingHawthorne's most famous writing maxim is: "Easy reading is damn hard writing". Editing is keyThe illusion of easeFocus on psychological and moral depthAs a key figure in Dark Romanticism, Hawthorne's work delves into the complexity of the human mind and its dark side. Explore complex inner strugglesExamine sin and guiltUncover hypocrisyUse symbolism and allegoryHawthorne masterfully used symbolic imagery and allegorical narratives to create layered, meaningful stories. Go beneath the surfaceEmploy symbolsCraft evocative narrativesDevelop a strong writing ritualHawthorne was known for his very structured, solitary, and monotonous daily routine, which created the ideal conditions for deep and sustained thought. Embrace solitudeMake it a habitRecognize the power of wordsHawthorne viewed words as an instrument of immense power that a writer must learn to wield skillfully. Combine words carefullyLet the narrative unfold naturallyHis storytelling technique was focused on telling a story as a process, allowing it to reveal itself naturally. Character-driven choicesCreate richly detailed narrativesHawthorne's elaborate, ornate prose style was intentional, designed to force readers to examine every word. Craft intricate sentences: His notoriously long, winding sentences were used to add layers of meaning and complexity to his ideas.Encourage reader interpretationHerman MelvilleFrom his letters, essays, and fictional works, Herman Melville's writing tips emphasize originality, ambition, and the pursuit of truth beneath surface appearances. He encouraged a deep, unyielding commitment to art, even if it meant commercial failure. Pursue originality over imitationMelville deeply valued originality and considered it a measure of a writer's potential for greatness. "It is better to fail in originality than to succeed in imitation".Choose a "mighty theme"For Melville, a book's substance was directly related to the ambition of its topic. He advised writers to grapple with "great and enduring" subjects "To produce a mighty book, you must choose a mighty theme".- Uncover the truth beneath the surfaceTruth is often elusiveChallenge assumptions Embrace creative struggle and even failureUse your own experiencesBe prepared for your work to be misunderstoodWriting from the heart, Melville was famously undervalued in his lifetime, and in a letter to Nathaniel Hawthorne, he resigned himself to this fact.   Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

Changelings aren't the only ones who step outside the fleshly realm from time to time. Human magi have also been known to wander the farther spaces, and it's not unreasonable that a fae might encounter one of these upstart travelers. Mage: the Ascension's 2nd edition supplement Book of Worlds provides an in-depth treatment of how these willworkers perceive and navigate the Otherworlds. The text mainly deals with the Umbrae, but also contains the first detailed description of the Dreaming—or "Maya", to use their term. (It was early 1996, so very little had even been written for Changeling: the Dreaming at that point.) In this episode, Josh and Pooka pull some highlights from the book that are most relevant to CtD players, from the dreamscapes of Hollywood to mysterious spirit-muses, a smattering of those corners of the Dreaming mages have thus far explored, a space that is indeed vast... but what percentage of infinity is that? If you'd like to flip through the Otherworldly gazetteer yourself, check out https://www.storytellersvault.com/en/product/62217?affiliate_id=3063731 for options. Other links you might wish to click include our socials, such as: Discord: https://discord.me/ctp Email: podcast@changelingthepodcast.com Facebook: https://www.facebook.com/profile.php?id=100082973960699 Mastodon: https://dice.camp/@ChangelingPod Patreon: https://www.patreon.com/changelingthepodcast YouTube: https://www.youtube.com/@ChangelingThePodcast your hosts Josh Hillerup (any pronoun) is only two planets away from a free gift on the Magrathea punch-card! Pooka G (any pronoun/they) grudgingly accepts Leibniz's principle that this is the best of possible worlds, but only because baklava exists. As for me, I am tormented with an everlasting itch for things remote. I love to sail forbidden seas, and land on barbarous coasts. —Herman Melville, Moby-Dick

Sally Mann is a photographer and a New York Times bestselling writer. She is best known for making large-format black and white photographs of the people and places in her immediate surroundings: her children, her husband, and the rural landscape of her home state and the American South. Sally was born in Lexington, Virginia, the youngest of three children to Robert and Elizabeth Munger. Her father was a doctor and gave Sally his old Leica camera to play with. After university, she wanted to be a poet but she spent more than a decade as a commercial photographer while starting a family of her own and exhibiting her work on a small scale. She published her first book of photographs in 1984. That same year, she began taking pictures of her three children for a series called Immediate Family, which brought her both renown as well as infamy for touching on ordinary moments in their daily lives – playing, sleeping, and eating, sometimes while naked – but also speaking to larger themes such as death and cultural perceptions of childhood, rendering familiar subjects “both sublime and disquieting”. In the mid-1990s, she began to move away from the family pictures in favour of photographing the landscape around her. Much of Sally's body of work comes from observing what is closest at hand because, she says, “The things that are close to you are the things that you can photograph the best.” She has explored the identity of the American South, and her relationship with her place of origin, as well as mortality and decay, and the effects of muscular dystrophy on her husband. In her latest book, Art Work, she considers the challenges and pleasures of the creative process. Sally continues to live on the 800-acre family farm near Lexington with her husband Larry and a number of dogs. DISC ONE: Köln, January 24, 1975, Part I - Keith Jarrett DISC TWO: Take This Hammer - Odetta DISC THREE: Trustful Hands - The Dø DISC FOUR: Oh Holy Night. Composed by Adolphe Adam and performed by Concert Choir of St Andrew's School, Delaware and Virginia Mann (Soprano) DISC FIVE: Moby Dick (an extract of Chapter 3) Written by Herman Melville and narrated by Frank Muller DISC SIX: County Seat - Emmett Mann DISC SEVEN: Vivaldi: Oboe Concerto in C major, RV 452: 2. Adagio. Performed by Heinz Holliger (Oboe), I Musici (Ensemble) DISC EIGHT: You Are My Friend (Live) - Sylvester BOOK CHOICE: In Search of Lost Time by Marcel Proust LUXURY ITEM: Paper and a pencil CASTAWAY'S FAVOURITE: You Are My Friend (Live) - Sylvester Presenter Lauren Laverne Producer Sarah TaylorDesert Island Discs has cast many photographers away over the years including Eve Arnold, Val Wilmer and Vanley Burke. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

São recomendados dois livros com título parecido. Também falamos sobre a nossa experiência a fazer episódios ao vivo. Bilhetes para livros da piça ao vivo em Coimbra: https://ticketline.sapo.pt/evento/livros-da-pi-a-ao-vivo-96383Poderão subscrever o nosso patreon para apoiar o projecto e conteúdo extra:https://www.patreon.com/jcdireitaReacts e vídeos exclusivos no youtube: https://youtube.com/@livrosdapicaInstagram: https://www.instagram.com/livrosdapica/twitter: https://twitter.com/livrosdapicaimagem: https://www.instagram.com/tiagom__/Genérico da autoria de Saint Mike: https://www.instagram.com/prod.saintmike/

In this episode of The Classical Mind, Junius and Wesley dive deep into Herman Melville's Billy Budd, Sailor — a haunting naval novella exploring innocence, evil, law, mutiny, and biblical symbolism aboard a British warship during the Napoleonic era.Melville's final, posthumously published work blends gripping maritime drama with profound moral and theological questions. We unpack what Makes Billy Budd a Great (and Strange) Work, Historical and Naval Context, Biblical Themes, and how memory and myth are related. Endnotes:* Junius: Bartleby, the Scrivener* Wesley: Billy Budd (1962) Get full access to The Classical Mind at www.theclassicalmind.com/subscribe

photo by Colin Outridge. The exhibition Change of Scenery,  marks the painter's third solo show with the gallery. It is the culmination of a year's worth of travel across the U.S., as Brennan Hinton spent extended time in residency in Corsicana, TX, Martha's Vineyard, MA, and Fishers Island, NY. Brennan Hinton's practice focuses on the sustained act of observation, the plein-air discipline, and painting's ability to capture the essence of a place. The time spent in three distinctive towns, each in its own ways divergent from Brennan Hinton's familiar Ontario, required the artist to meet each place with open eyes and a fresh palette. To situate himself, Brennan Hinton leaned on two formative texts, Lonesome Dove by Larry McMurtry and Moby Dick by Herman Melville, which are each set in the same landscapes in which he painted. Keiran Brennan Hinton (b. 1992, Toronto) lives and works in Toronto and Elgin, Ontario. He received his BFA from Pratt Institute in 2014 and his MFA from Yale University in 2016. His work is held in the permanent collections of the Ogunquit Museum of Art, Ogunquit, ME and The Dennos Museum Center, Traverse City, MI. Past international solo shows of Brennan Hinton's work include exhibitions at MAKI Gallery, Tokyo, Japan (2022); Thomas Fuchs Gallery, Stuttgart, Germany (2021); Charles Moffett, New York, NY (2023, 2021); Nicholas Robert Gallery, Ontario (2022); and Francesco Pantaleone Gallery, Palermo, Italy (2019) among others. His paintings have been featured in institutional exhibitions at the Art Gallery of Ontario, Toronto, Ontario; James Castle House, Boise, Idaho; and Katonah Museum of Art, Westchester, NY. Keiran Brennan Hinton, The White Pine, 2025. Oil on linen, 70 x 60 in. Photo by Lauren Finlay. Courtesy the artist and Charles Moffett. Keiran Brennan Hinton, Texas Sky (Sunrise), 2024. Oil on linen, 56 x 44 in. Photo by Daniel Greer. Courtesy the artist and Charles Moffett. Keiran Brennan Hinton, Fishers Island Living Room, 2025. Oil on linen, 9 x 12 in. Photo by Zeshan Ahmed. Courtesy the artist and Charles Moffett.

Send us a textJoin us starting November 25, 2025 for a Christmas Holidays Special 16th Season as we venture into new territory. Over the end of November and through out December we will spend 16 episodes looking at the Great American Authors, From F. Scott Fitzgerald to Stephen King and all points in between. We hope you will join us as we take a little break from American Political History and take a deep dive into American Literature, its history, and learn some writing tips from some of the greatest authors our country has ever produced. This sixteen episode season will feature F. Scott Fitzgerald, Edgar Allan Poe, Dr. Suess, John Steinbeck, Thomas Wolfe, Mark Twain, Toni Morrison, Maya Angelou, Harper Lee, J. D. Salinger, Margaret Mitchell, Nathaniel Hawthorne, Herman Melville, William Faulkner, Ian Fleming, J. K Rowling, Pat Conroy, Gene Hackman, Kurt Vonnegut, Walter Mosley, Lee Child, Stephen King, John Grisham, Joyce Carol Oats, Sinclair Lewis, Tennessee Williams, Ernest Hemingway, Jimmy Carter, Marilyn Quayle,  Newt Gingrich, Bill Clinton, James Patterson, and the announcement about our hosts own three books, a history companion book to this podcast, and two novels by Randal Wallace. We hope you will join us starting November 25 for The Great American Authors Special Season and Bob Dole will return in "Bob Dole The Life That Brought Him There" in January, 2026. Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

20.11.1820: Ein Pottwal rammt ein Walfangschiff - der Gejagte schlägt zurück. Melville macht daraus Moby Dick. Eine Geschichte von Gier, Kannibalismus und Überleben. Von Stephan Beuting.

This is the true story of the 1821 whaleship Essex, the doomed Nantucket vessel whose catastrophic encounter with a massive sperm whale helped inspire Moby-Dick. After the Essex was rammed by the massive whale, the Essex was destroyed, leaving its crew stranded thousands of miles from land.During their harrowing struggle for survival in their open-boat journey. Some of the men would survive, but only by engaging in the "custom of the sea." The story of the whaleship Essex is one of the most haunting tales from maritime history, and was the inspiration behind Herman Melville's novel Moby Dick.**No AI was used in the production of this podcast.Written, edited, and produced by Rich Napolitano.All episodes can be found at ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.shipwrecksandseadogs.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Original theme music by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sean Sigfried⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Listen AD-FREE by becoming an Officer's Club Member ! Join at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/shipwreckspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shipwrecks and Sea Dogs Merchandise is available! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠https://shop.shipwrecksandseadogs.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can support the podcast with a donation of any amount at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://buymeacoffee.com/shipwreckspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the Into History Network for ad-free access to this and many other fantastic history podcasts! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠https://www.intohistory.com/shipwreckspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Shipwrecks and Sea Dogs ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow on BlueSky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow on Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow on Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we delve into Peter Ustinov's adaptation of Billy Budd based on Herman Melville's novella and the critiques he received based on his choice to portray it in black and white. We try to make sense of why the use of black and white feels more "realistic" in films as such rather than the use of color. Does our background and culture affect the way we portray these colors or is it a natural reaction? Please join our conversation as we attempt to solve this mystery of reality and illusion.

Mark Maddox Joins Jim for a duscussion of the 1956 classic based on the immortal novel by Herman Melville – “Moby Dick,” starring Gregory Peck, Richard Baseheart, Leo Genn, Orson Welles, James Robertson Justice, Harry Andrews, Friedrich von Ledeur, Francis Wolf, Royal Dano, and directed by John Huston. This well-known tale involves the observations of […] The post Moby Dick | Episode 490 appeared first on The ESO Network.

We Survived the Night by Julian Brave NoiseCat is a powerful and poignant blend of memoir, poetry, folklore and reportage from an Oscar-nominated director, journalist and champion powwow dancer. Julian joins us to talk about trickster narratives, Coyote stories, art, consideration and more with cohost Isabelle McConville. This episode of Poured Over was hosted by Isabelle McConville and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): We Survived the Night by Julian Brave NoiseCat There There by Tommy Orange Shutter by Ramona Emerson Soft as Bones: A Memoir by Chyana Marie Sage Moby Dick by Herman Melville  

Il 14 novembre del 1851 esce Moby Dick, scritto da Herman Melville! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this rich and reflective conversation, Tim Brown, Heath Hardesty, and Brian Daly answer questions from attendees and discuss the spiritual dynamics of sermon preparation. Together they explore how worship, prayer, and delight in Scripture form the heart behind preaching that reveals rather than merely informs.Tim shares how Psalm 29 inspired his allegory comparing sermon preparation to the formation and venting of a storm – a vivid picture of how preaching can humble, refresh, and awaken new vision. Brian speaks about cultivating intimacy with God so that the preacher delivers a word received in worship, not a performance shaped by pressure. Heath reflects on the joy and labour of study, reminding us that the best preaching flows from delight in the Word rather than duty alone.Drawing on imagery from Moby Dick, Heath Hardesty describes how the harpooner's stillness before the strike mirrors the preacher's call to quiet readiness before God. It's a striking reminder that the power of preaching is found not in frantic effort, but in calm, focused communion.The episode closes with encouragement to treasure the abundance of biblical tools available today, and to let the preacher's soul be shaped first by the voice of the Lord before speaking to others.OutlineThe Storm and the Voice of the LordTim Brown's Psalm 29 allegory: sermon preparation as the formation and venting of a storm.Preaching as revelation that births new desire and exposes pride.“Preaching helps people see with their ears” – Haddon Robinson.Worship and the Preacher's SoulAvoiding “drizzling” on listeners by preparing the heart in worship.Brian Daly on preaching from intimacy and dependence, not routine.Heath Hardesty on delight and labour: studying as worship.Stillness Before the StrikeThe Moby Dick metaphor: the harpooner's stillness as a model for prayerful focus.Learning to be still before God, letting Him shape the message.Tools for Deeper StudyBlue Letter Bible, Logos, The Bible Project, and E-Sword.Encouragement to explore design patterns, word studies, and accessible commentaries.Final ReflectionsThe joy of seeing the beauty of Christ in Scripture.Preaching as overflow from worship, not just output from study.Resources MentionedBlue Letter Bible – blueletterbible.orgLogos Bible Software – logos.comE-Sword – e-sword.netMoby Dick by Herman Melville – https://www.amazon.ie/Moby-Dick-Herman-Melville/dp/0198853696 Biblical Preaching by Haddon Robinson – “Preaching is the ability to make people see with their ears.” https://bakerpublishinggroup.com/products/9781540967916_biblical-preaching All Things Together by Heath Hardesty – https://www.penguinrandomhouse.com/books/776336/all-things-together-by-heath-hardesty/Further Listening: Tim Brown: Preaching Up A Storm: https://cgnmedia.org/podcast/expositors-collective/episode/preaching-up-a-storm-tim-brown Tim Brown: After The Storm:  https://cgnmedia.org/podcast/expositors-collective/episode/after-the-storm-with-tim-brown Heath Hardesty: Symphonic Preaching : https://cgnmedia.org/podcast/expositors-collective/episode/symphonic-preaching-bad-sermons-consistent-improvement-with-heath-hardesty Heath Hardesty: Meditation, Delight and the Full Counsel of God: https://cgnmedia.org/podcast/expositors-collective/episode/meditation-delight-and-the-full-counsel-of-godFor information about our upcoming training events visit ExpositorsCollective.com The Expositors Collective podcast is part of the CGNMedia, Working together to proclaim the Gospel, make disciples, and plant churches. For more content like this, visit https://cgnmedia.org/Join our private Facebook group to continue the conversation: https://www.facebook.com/groups/ExpositorsCollectiveDonate to support the work of Expositors Collective, in person training events and a free weekly podcast: https://cgn.churchcenter.com/giving/to/expositors-collective

Quit your scratching and bleeding and put down the rosary, the cure of all your anxieties has arrived! At long last, the Mapping the Zone Review of Shadow Ticket, Spoilerful Edition, has been released, and it's packed with more hot takes and thrilling twists than any diehard fans of the storied Spoiler-free episode could have imagined. The hype is NOT TOO HIGH!If you like what we're doing and want to support the show, please consider making a donation on Ko-Fi. Funds we receive will be used to upgrade equipment, pay hosting fees, and help make the show better.https://ko-fi.com/mappingthezoneIf you enjoyed our discussion, please check out the following media that relates to these chapters:Books: Moby-Dick by Herman Melville, Ulysses by James JoyceMusic: The Third Man (OST) by Anton Karas, Green Street, Grant's First Stand, Idle Moments, Nigeria by Grant GreenTV/Film: Brazil (dir. Terry Gilliam, 1985), The Third Man (dir. Carol Reed, 1949), The Long Goodbye (dir. Robert Altman, 1973)As always, thanks so much for listening!Email: ⁠mappingthezonepod@gmail.com⁠Bluesky: https://bsky.app/profile/mappingthezone.bsky.socialTwitter: https://twitter.com/pynchonpodInstagram:https://www.instagram.com/mappingthezonepodcast/Merch: mapping-the-zone.myspreadshop.comShow art by Brad Wetzel: @bradspersecond (on IG and Reddit)bradspersecond.com

Gender, race and identity collide on the open seas in Xiaolu Guo's Call Me Ishmaelle (Chatto), a powerful, feminist reimagining of Herman Melville's Moby Dick. She was in conversation with Philip Hoare, author of Leviathan: Or the Whale, who has described Guo's latest novel as being ‘as animal and visceral and shape-shifting and subversive as the broad back of the mythic whale themselves.'

Ever felt like you're moving through life half-asleep...safe, familiar, but not fully alive?In this episode of Sarah's Thoughts, Sarah Grynberg reflects on Herman Melville's haunting words about the “half known life” and what it means to step out of fear and into the fullness of living.You'll learn:*Why safety and certainty can keep us stuck in half-lived lives.*How to reconnect with the place of peace and joy that already exists within you.*Simple shifts that can move you from playing small into living with courage, love, and presence.This isn't an episode about chasing perfection. It's about choosing aliveness over fear—and why the greatest risk is not that we fail, but that we never truly live.Purchase Sarah's book: Living A Life Of Greatness here.To purchase Living A Life of Greatness outside Australia here or here.Watch A Life of Greatness Episodes On Youtube here.Sign up for Sarah's newsletter (Greatness Guide) here.Purchase Sarah's Meditations here.Instagram: @sarahgrynberg Website: https://sarahgrynberg.com/Facebook: facebook.com/sarahgrynbergTwitter: twitter.com/sarahgrynberg Hosted on Acast. See acast.com/privacy for more information.

Fotograaf Stephan Vanfleteren heeft heel veel bekende mensen geportretteerd. Nick Cave, iemand die goed tot zijn recht zou komen in zijn kenmerkende stijl, hoort daar niet bij. De rechterhand van de beroemde zanger fotografeerde hij wél. Hij vertelt er meer over in Bar miroir, leest ook voor uit de klassieker Moby Dick van de Amerikaanse schrijver Herman Melville en vertelt waarom de film Skunk van Koen Mortier aan zijn ribben bleef plakken. In onze cultuurpodcast Bar Miroir brengen bekende gasten elke week drie dingen mee die hen raken, inspireren of een impact hebben op hun denken of leven. Je kan de podcast ook bekijken op het Youtubekanaal van De Standaard. CREDITS Gast Stephan Vanfleteren | Presentatie Lise Bonduelle | Redactie Fien Dillen, Lise Bonduelle | Eindredactie Fien Dillen | Audioproductie Pieter Santens | Muziek Azertyklavierwerke | Chef podcast Alexander LippeveldSee omnystudio.com/listener for privacy information.

INNER REVOLUTION is a podcast series where we walk through the fire of inner transformation and awakening together. The purpose of this series is to help you shed ANYTHING AND EVERYTHING that isn't a true reflection of Who You Really Are, so you can fully embody your Divinity, Light, and Sacred Mission. Join me for this bonus episode, where we'll talk about: what a short story by Herman Melville can teach us about setting boundaries taking the stress, over-complication, and anxiety out of setting and enforcing boundaries claiming your RIGHT to say no whenever you want or need! holding steady to your boundaries regardless of others' reactions setting boundaries from a place of empowerment, calm, and kindness for yourself (and to be honest with yourself & others) ******* You're lovingly invited to join my email community and get access to my free Akashic Records Mini Course + weekly newsletter: https://josephinehardman.com/akashic-records-intro/ Explore the next round of my Akashic Records Certification Program: https://josephinehardman.com/work-with-me/akashic-records-certification-program/ Connect through my website: https://josephinehardman.com Thank you for being here, doing your inner work, and leading the way for others with your light. It makes a difference! Inner Work 2025 All Rights Reserved.

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on September 28, 2025. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org

National drink beer day. Entertainment from 1957. 1st private space craft launched that orbited the earth, 2nd worst flood in history, Garth Brooks - 1st country album to debut at #1 on pop chart. Todays birthdays - Ed Sullivan, Tommy Collins, Ben E. King, Jeffrey Jones, Janeane Garafalo, Mira Sorvino, Naomi Watts, Karen Fairchild, Hilary Duff. Herman Melville died.Intor - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Pretty good a drinking beer - Billy CurringtonThat'll be the day - Buddy Holly & the CricketsFraulein = Bobby HelmsBirthdays - In da club - 50 Cent     http://50cent.com/You better not do that - Tommy CollinsSave the last dance for me - The DriftersDay drinking - Little Big TownCome clean - Hilary DuffExit - Livin 98 Proof - Clay Rigdon     https://clayrigdon.com/index.htmcountryundergroundradio.comHistory & Factoids webpage

Este viernes la Biblioteca de Hoy por Hoy se convirtió en Bibliobús en Cádiz con Antonio Martínez Asensio a los mandos y tuvimos como estrella invitada a Paqui Ayllón,  lectora voluntaria  y presidenta de Hypatia, una asociación de Amigos de la Biblioteca de la Universidad de Cádiz, y autora  de  "La lectora ciega" (Esfera de los libros) . Paquí nos contó cómo perdió la vista hace 11 años y como recondujo su vida hacia la lectura en alto para personas que lo necesita. Pasó de enfermera que curaba a la gente con jeringuillas, pastilleros y  jarabes, a curar con su voz y las palabras.  Lee a enfermos de hemodiálisis del Hospital de Jerez y a mayores e inmigrantes en Cádiz ¿Pero como lee una invidente a los demás? Ella no utiliza el sistema braille, "son muchas lecturas y sería inviable", por eso utiliza una aplicación que le lee en neutro los libros y ella a la vez los interpreta sobre la marcha. La prueba la hizo en directo en  Hoy por Hoy que se hizo en el Palacio de Congresos de Cádiz frente al público y junto a Antonio Martínez Asensio y Àngels Barceló. Fue impresionante y emocionó a todos leyendo el poema "El Bosco"  de Rafael Alberti . El tema central de nuestra Biblioteca/Bibliobús de hoy fue la lectura en alto y su importancia y para ellos partimos del libro 'La voz de los libros" de  Maribel Riaza (Aguilar) Antes del momento Paqui Ayllón, nuestro bibliotecario Antonio Martínez Asensio nos trajo cuatro libros imprescindibles sobre el mar: 'Veinte mil leguas de viaje submarino' de Julio Verne" (Alianza), 'Moby Dick' de Herman Melville (Alianza) , 'Gran Sol' de Ignacio Aldecoa (Alfagura)  y 'Las Reinas del mar' de Mauricio Weisenthal (Acantilado). 

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 322: Beau Travail Released 24 September 2025 For this episode, we watched Claire Denis's 1999 story of three men in the French Foreign Legion, drawn in part from Herman Melville's unfinished novella Billy Budd. The film stars Denis Lavant, Michel Subor and Grégoire Colin and Denis also wrote the script along with Jean-Pol Fargeau. It has an 87% rating on Rotten Tomatoes and it's at number seven in the 2022 Sight & Sound poll. We also feature an exclusive clip from Tom's new podcast All British Comedy Explained. Check it out here. https://podfollow.com/all-british-comedy-explained Next time we will be discussing 2001: A Space Odyssey. If you want to watch it before listening to the next episode, you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can stream it via Apple TV+ (UK) or Apple TV+ (USA). Blood Shine https://mubi.com/en/gb/films/blood-shine The One I Love https://www.netflix.com/gb/title/70299863 https://www.earwolf.com/episode/the-snowman-live-w-erin-gibson-bryan-safi/ BEST PICK the book is available now from all the usual places, and the paperback is out now. From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, email us on bestpickpod@gmail.com, or find us on Bluesky. You can also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month.

In this episode, we ask one of the greatest music writers of the rock and roll era to talk about Mystery Train as he celebrates its 50th anniversary with a brand-new edition of his classic book. Talking to us from Oakland, 6,000 miles away in his native Northern California, Greil Marcus looks back on the pivotal moments that led to his starting work on Mystery Train in the fall of 1972: his experiences as a student at Berkeley, his discovery of film critic Pauline Kael and his early writing for Rolling Stone. From there we focus on the book's extraordinary chapters about Sly Stone and Elvis Presley before relating its overarching theme – America as an "invented nation" – to the Trump administration's assault on the diversity that produced so much great art from Walt Whitman and Herman Melville to Robert Johnson and Randy Newman. A somewhat abrupt switch takes us over to our side of the pond and our guest's second book: the vast "secret history of the 20th Century" that was 1989's Lipstick Traces, along with the 1993 collection of his punk writings entitled In the Fascist Bathroom. Clips from Paul Moody's 2018 audio interview with Jamie Reid – the subversive graphic designer who became Malcolm McLaren's principal partner in iconographic crime – prompt Greil's reflections on what made (the) Sex Pistols such a vital sea-change in the subculture of rock and roll.  Many thanks to special guest Greil Marcus. The 50th anniversary edition of Mystery Train is published by Faber and available now. Pieces discussed: Greil Marcus⁠, ⁠Greil Marcus: A Life In Writing⁠, ⁠The Band: We Can Talk About It Now⁠, ⁠Jamie Reid audio⁠, The Beatles: Sgt. Pepper's Lonely Hearts Club Band (Parlophone)⁠, Ray Davies: A Study In Frustration, The Pet Shop Boys: Hip, Clever and Pop and The Black Keys Acknowledge Their Muses on Delta Kream.

Melville's classic is always right at the top of BEST EVER novels lists. We really dig into what is so appealing about this masterpiece: its weird structure, its likeable, unique narrator, an open-mindedness that seems pretty radical for 1851 (including some serious homoeroticism)--and, of course, the appeal of Queequeg, everyone's favorite harpooner.

The weakness of our current version of AI is that it extracts its knowledge only from what we have taught it.Things that are rarely done are difficult for AI to imitate.AI has confidence in things that are repeated online ad infinitum.*Predictable ads follow the orthodox guidelines taught in every college in America. AI can find countless examples of these ads online. This is why AI can write predictable ads that look, feel, sound and smell like all those other predictable ads.Predictability is a thief that robs you in broad daylight.If you want your ads to remarkably outperform the predictable ads written by AI; if you want your ads to be noticed and remembered; you must do what is rarely done.Enter your subject from a new angle, a surprising angle, a different angle.Write an opening line that makes no sense.Cause that opening line to make perfect sense in less than 30 seconds.This technique is known as Random Entry and almost no one ever uses it.“I'm John Hayes and I'm talking today with GoGo Gecko.”“I was a 10-year-old boy holding a flashlight for my father.”“Mr. Jenkins?”“Yes, Bobby.”“How much should a hamster weigh?”“There's Elmer Fudd, Elmer's Glue, and me, Elmer Zubiate.”Random Entry is not orthodox. Random Entry is not predictable.“What makes our company, our product, our service different from our competitors?”If you ask yourself that question, you will come up with the same 3 or 4 opening lines that each of your competitors will come up with when they ask those same questions. Your ads, and their ads, will look, feel, sound and smell like ads.When you begin in a predictable way, it is hard to be unpredictable.AI ads feel like ads because AI cannot (1.) identify, (2.) justify, or (3.) rectify Random Entry.Identify.AI cannot find examples of what does not exist. But you can create it.Justify.AI cannot bridge a random opening line into an unrelated subject. But you can build that bridge.Rectify.AI cannot reconcile a random opening line so that it makes perfect sense. But you can create a metaphor out of thin air.When a novel becomes a bestselling book that gets made into a movie, you can be certain that it was built upon a weird and unexpected – but highly engaging – opening line.“Call me Ishmael.”– Herman Melville, Moby-Dick“Where's Papa going with that axe?”– E.B. White, Charlotte's Web“Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.”– Gabriel García Márquez, One Hundred Years of Solitude“It was a bright cold day in April, and the clocks were striking thirteen.”– George Orwell, 1984“Happy families are all alike; every unhappy family is unhappy in its own way.”– Leo Tolstoy, Anna KareninaChoose any one of those opening lines and tell your favorite AI to write an ad for your business using EXACTLY that line as the opening line. If your AI is successful, it will be due to the fact that you gave it a series of extremely insightful prompts. (Probably based on some of the things you learned in this Monday Morning Memo.)Srinivas Rao recently wrote, “Confessions of a Master Bullshit Artist, aka ChatGPT.”You think I'm a genius. I'm not. I'm an overconfident parrot in a lab coat.I don't know anything, check anything...

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Steven Spielberg at 26 created a horror masterpiece that still haunts every beachgoer. Today, film critic Stephen Romei on why you should rush to see Jaws in cinemas this weekend. Find out more about The Front podcast here. You can read about this story and more on The Australian's website or on The Australian’s app. The weekend edition of The Front is co-produced by Claire Harvey and Jasper Leak. The host is Claire Harvey. Audio production and editing by Jasper Leak who also composed our theme. See omnystudio.com/listener for privacy information.

Shawn Tierney meets up with Ashley Weckwerth of ISA to learn all about the OT Cybersecurity Summit in this episode of The Automation Podcast. For any links related to this episode, check out the “Show Notes” located below the video. Watch The Automation Podcast from The Automation Blog: Note: This episode was not sponsored so the video edition is a “member only” perk. The below audio edition (also available on major podcasting platforms) is available to the public and supported by ads. To learn more about our membership/supporter options and benefits, click here. Listen to The Automation Podcast from The Automation Blog: The Automation Podcast, Episode 245 Show Notes: To learn about our online and in-person training courses please visit TheAutomationSchool.com. Read the transcript on The Automation Blog: (automatically generated) Shawn Tierney (Host): Welcome back. My name is Shawn Tierney from Insights and Automation, and I wanna thank you for tuning back in to this episode of the automation podcast. This week on the show, I have Ashley Weckworth from ISA to talk about the OT cybersecurity summit they just held over in Europe in Brussels, and, very interesting conversation about OT cybersecurity. In addition to that, I had a couple announcements. First off, I wanted to let you know that I have rebooted the automation news podcast, and I renamed it Automation Tech Talk. And I’m trying to do a show at least three or four times a week at lunchtime. So if you’re not already subscribed to the old automation news podcast, you should be able to find it now as Automation Tech Talk. And, I’m just trying to spend ten to twenty minutes every lunch trying to share some knowledge that I have with the community. I also wanna mention that if you are a listener, I’m running a special 20% off, sale on my courses over at the automationschool.com. You will not see that there. It’s only for those listening. And I know most of you are already automation experts, so you don’t need to take these courses. So, really, this would be something you would pass on to the people who work for you or people you know who need to get up to speed on whether they need an introductory PLC course, so they need to get up to speed on ControlLogix, CompactLogix, s seven twelve hundred and fifteen hundred, PanelView plus, USC, and so on. So in any case, to get that discount, that 20% off any course or bundle of courses at $99 or more, All you have to do is send me the email address of the person who wants the discount. And, of course, we do do, group enrollment with, we’ve done it with a lot of Fortune 500 companies. Actually, I got a new order that just came in I gotta process. But, when we do a group enrollment, you you enroll, like, several people at your shop, and then I enroll them all at once, and you get a discount a quantity discount and all that. So in any case, if you have any questions about that, just go to the automationschool.com. All my contact info is at the very top, my voice mail, my email. You can even fill in a form there or book a meeting with me. But, please let me know if you know anybody who needs training. Even if you just want me to reach out to them to see if I can help them with their training needs, please let me know over there. And with that, let’s go ahead and jump into this week’s episode of the automation podcast. And, Ashley, I know this is your first time on the show. So before we jump into the summary of what what what this OT cybersecurity summit is and what it was all about and the highlights and all that good stuff, before we even get into that, could you tell the audience a little bit about yourself? Ashley Weckwerth (ISA): Yeah. Thank you, Shawn. I appreciate being here. My name is Ashley Weckworth. I am located in Orlando, Florida. I’ve been a volunteer for ISA for twelve years now. I actually have a day job, though. I’m a volunteer with ISA, which is the International Society of Automation. But in my day job, I’m actually a project manager for automation projects, so specifically SCADA systems projects for the electric grid right now. But our company also supports many other industries, so I actually started my career out. I was a chemical engineer. So I like to tell people, you never know how you’re gonna find your way to automation professions. There’s so many different varying degrees and everything that kinda lead us to this place. But I graduated in chemical engineering, went into instrumentation and controls, for the oil and gas industry. So doing a lot of, you know, it was PLCs or DCS systems that we used. But essentially, as I actually got my pro professional engineer license in control systems. So as a chemical engineer, you don’t know a lot about instrumentation controls and automation, at least I didn’t. And so I was actually recommended to join ISA right out of school. So I joined ISA in June 2012 and became a volunteer leader at the local section in 2013 and then just grew, in my volunteer roles, and I am now the ISA president-elect secretary. So what that means is in 2026, I will be the, ISA president for that calendar year. So I’m excited to be here today, to talk to you all about the ISA OT Cyber Summit. I actually was able to attend this event this year. It’s the third year that ISA has done this event. The first year was Aberdeen, Scotland. The second year was in London. And then this year, the first year I was able to attend was actually in Brussels, Belgium. So we’ve been all over Europe in different capacities, and I was really excited to attend this event. And I wanted to come on here today, and I’m so thankful you allowed us to come on here today to just tell your audience and community that are all very, enthusiastic about automation about this summit. So, hopefully, maybe they wanna attend in the future or maybe just can see what ISA is all about, and look into it more. So I’m really excited. Shawn Tierney (Host): No. And thank you for coming on. You know, it’s we we all get so wrapped up in our day to day that it’s great to have people on, like, from ISA to tell us what’s going on. And, you know, maybe, you know, you’re you get in a position later in your career where you can actually spend some time after work, you know, meeting with, your colleagues from all kinds of different industries. ISA is a great place to check into and and get involved with. But let me go ahead and turn it back to you. Ashley Weckwerth (ISA): Yeah. No. And, Shawn, you’re so right in the sense of I tell people is even though right now I’m not really in the day to day cybersecurity or OT cyber space, this conference was actually still really beneficial because of all the diverse connections that I gained there. It was actually the first time I had been more of the minority coming from The United States in the sense that you had people from Spain. You had people from, you know, Belgium, of course. You had France, you had Ireland, you had London in The UK. Right? You had different perspectives that everybody’s trying to come together. And ISA had this vision statement that’s create a better world through automation. Is and that’s truly what this group’s trying to do is we’re trying to protect all of our automation systems in the OT space against those vulnerabilities or those threats and how it will impact us from an operational standpoint, but also a business standpoint. So I thought even though I’m not in it day to day, like you mentioned, is sometimes I just have my blinders on, do my job, know what I’m doing, is it was very unique to talk to these folks at the socials and in the the meetings and listen to them to really expand my knowledge of what automation can be and also what we can do to protect it, but also just, like, building those connections because you never know where your career might lead. And I really did value that. So, with that, I did wanna mention that ISA OT Cyber Summit did have two unique tracks this year. I do feel like we try to change up the tracks based on what’s happening in today’s world, what people are talking about, the trends in this area. And so this year, we had a chain a track called threat intelligence. So really just identifying threats, knowing the vulnerabilities, knowing how to respond and react to those, how to prepare for those threats. So that was one track that we had, and the other track was securing the supply chain. Shawn Tierney (Host): Hey, everybody. Just wanted to jump in there for a minute and pay the bills and talk to you about some of the changes coming to the courses at theautomationschool.com. If you’re watching this video, then you will see me standing in front of a bunch of equipment, and that’s because I am updating actively updating all of my PLC courses as well as filming new additions. So I just wanna make it very clear. If you buy the existing course today, you will get the updated edition as well. And, there are some add on courses I’m doing that will be optional. You can buy them or not buy them. But in any case, I just wanted to let everybody know that I wanna protect your investment. I know I’ve been doing this for twelve plus years, you know, on my own as the automation school and the automation blog. And twenty five years before, I was, you know, working as a, a specialist. But I just wanted to let you know that, you know, if you make an investment today, you’re not gonna miss out on what I previously did, but you’re also gonna get what I continue to do. And that that’s very important to me. And all my courses are buy once own forever. So if you, make the investment if you made the investment, let’s say, going back to 2013, 2014, you’re still gonna get the updated, courses. So I know a lot of people get confused when you start looking at the new versions of Studio 5,000. It looks different, you know, than even version 30. Right? And so, you know, I figured it was you know, a lot of people too move to a Windows 11, and, there’s some new cool stuff I wanna include. You know, over the time, I’ve looked for different hardware sales and, you know, I bought a lot of different equipment, you know, just out of my own pocket that I wanna show you guys as well. So with that said, that’s an update on the automation school. Now let’s get right back into this week’s podcast. Ashley Weckwerth (ISA): So making sure that when we have disruptions to those supply chain areas or what those disruptions might look like, how are we gonna adapt to those? What does that mean to do to make sure that we’re being dependable and reliable in what we’re trying to accomplish in the supply chain and making sure we understand those impacts as well. So two different tracks. Of course, we had speakers, that sometimes overlapped both because they do kinda intertwine together. We had 40 speakers, two thirty attendees, and over 20 sponsors this year. So the event just continues to grow and grow. But the, the real thing that I loved about the conference and the content was it it actually shocked me how transparent and open the conversation was, because I feel like at some conferences, you go and you feel like you’re just sitting and being, like, preached at. And you’re like, I don’t know if I agree with that. At this conference, I felt like was different. It had more panel discussions. And one that really stood out to me is it was a panel discussion about ITOT convergence. And now this has been a theme word for years now. Right? IT, OT convergence, that’s the way to go. It actually took a shift in the the discussion in the panel discussion where people were actually like, why? Why why are we trying to do that? It seems like IT just wants to do that, and OT is being told you must do that. And so I thought it was and and you would think that we were about to go, like, in a boxing ring, but we weren’t. Right? It was actually, like, people wanted to hear and be inclusive of counterarguments, which, again, I think was very unique for this kind of conference in the sense of you might think that we were trying to push OT, IT convergent, but it was no. Like, let’s discuss the pain points and the challenges and where we like, what’s holding us back from converging? What are the benefits of that convergence? And I thought what was unique is we had IT backgrounded people on the panel as well as OT backgrounded people. So you kinda see both sides where they actually had people raise their hand what their background was in. And it was kinda unique to see the audience members being like, yeah. I came from the IT background, and I’m being told I need to watch over this IT space or the IT people raising their hand or OT people. I’m sorry. OT people saying, yeah. I came from the OT side, and I want the IT side to to watch what they’re asking and be careful and stuff like that. And so I, again, wanna go back to it was very cool to see the diverse connections in this group, but also the inclusiveness that we weren’t trying to push ideas. We were trying to get people talking about the options and what’s available and why. And I so I thought it was interesting that I feel like I’ve always heard, like, we wanna push towards convergence, with, you know, just having better data, knowing what’s happening through the whole system, and and from a cyber aspect. But I thought it was unique to hear how we could work together and keep them still separate in some certain situations and and why. And so that was that was unique to me. I I thought I was like, wow. This took a it took a turn, but in a positive way. And I think we all left there really challenged with where do we want this to head, why, and how do we get rid of those pain points. So Yeah. You know, I Shawn Tierney (Host): think a lot of controls engineers, right, they they know their they know their IT guys. So let’s say you’re an NGS er, and they know but they know the the cost of downtime. Mhmm. And and in many cases, there’s there’s no convergence because Right. There’s there’s no tolerance for downtime. If you’re making computer chips or you’re making, well, I guess, even potato chips, you you really downtime is such a profit killer. Right? And Yeah. In in some cases, it can it can take years to recover from a day or a week of downtime. And so that mission critical aspect of what we do in industrial automation is not always that mentality is not always present in IT. In many companies, and I’m not saying all IT people, but in many companies, IT is a firefighter. They’re a tech who’s been thrown into the, you know, thrown to the wolves, and they’re fixing everything from smartphones to, you know, trying to get the UPS, replaced to, you know, somebody needs a better monitor to the to the CEO, maybe needs a little hand holding to get the PowerPoint to work. So, yeah, different worlds and and and it’s so you every every and I’m sure you see this in your business, but every site, every customer seems to be unique well, because they have unique people. Right? But every site you go to is even different sites in the same company. They have different cultures and just I guess they all have unique people, unique teams, so they’re gonna that’s gonna happen. But, yeah, I can definitely see where you’re coming from, with with that. That sounds like it was a very interesting discussion. Ashley Weckwerth (ISA): Right. And you bring up a great point in the sense of I I remember specifically this, CISO or CISO, you know, chief information security officer from Johns Mansville came in and was talking about how he came from an IT background and was told you’re kinda leading this. And he noticed that he had the gap from the OT lens and that downtime, like you’re talking about, or the individual plant to where he did a strategic hire, essentially, or move to bring in an OT lens into his, you know, umbrella, essentially, to make sure he wasn’t, like, missing something or speaking and not realizing that impact of downturn. And that’s that’s actually Scott Reynolds who talked here, I believe, last year about this summit, is that’s who he brought under him to bring in that, you know, OT thought process, and they actually do travel to their different locations. Like you said, every plant’s different, every manufacturing facility is different, to make sure they’re hearing the unique circumstances and what they can do to support, but also not just, like, pushing them to do it a certain way knowing that there are the variances. So I think that you’re exactly right. So perfect. So the other side, right, is that that’s really trending right now and especially in Europe, which I learned, fun fact, I was like, why is this conference in Belgium and in Brussels? And I did not realize that Brussels is, like, the de facto capital of the EU, the European Union. And so there’s a lot of regulation that is happening in Brussels and and things that, like, come down from a compliance standpoint. And so a lot of the other, you know, discussions that happened was regarding the regulatory landscape across, all the all the world essentially and, like, NIST two, which I had to write this down because I am I’m not as familiar with NIST two, is network and information security directive. There’s been NIST one for a while or just NIST, and now they’ve come up with an update that actually spans across multiple sectors. And we can see from NIST two and from RED, which is radio equipment directive, and just other cyber initiatives and regulation coming down, cybersecurity initiatives, that more and more government or state officials are seeing the vulnerabilities that could happen or the risk that could happen if they don’t say you shall follow this or do something to protect your OT systems from, you know, disruption, from downtime, all of that, especially the those, again, like you mentioned, mission critical things. And and and there and I’m gonna talk about one specifically, one session that stood out with this. But I do want us to all be aware is, like, with these regulatory and governmental mandates or guidance or directives, is there are products out there and standards out there that a lot of people are leaning on to make sure they are protected and, you know, ready for an incident and how they respond, how they react if it happened. And I I think last time this was also talked about is six two four four three. I think you all had Eric Cosman on Shawn Tierney (Host): Yes. Yeah. Ashley Weckwerth (ISA): On an episode as well. So I would advise anybody that isn’t familiar with 62443, go back, look for that episode to really dive into the meat of what that is. But ISA developed the the IEC ISA six two four four three standard that has different different layers to it that you kinda can pick it which layer you need to do based on where you stand in this process. But, essentially, is because ISA has this as the foundation is this is what a lot of regulators are looking at to be like, you need to make sure you’re doing this. You need to make sure you’re being as compliant as you can be with six two four four three. So that’s why ISA continues to host this event and talk about it because we can see from a regulatory, you know, perspective that it is coming. And and and it has been coming for a while now, but I think it’s now being more enforced than ever before in certain regions. So just keep that in mind. Shawn Tierney (Host): Yeah. You know, I think, and and I may get this wrong, but from a previous coverage of NIST and NIST two, you know, it’s it’s, you know, from memory, just going by memory. You know, NIST was really about core providers. So those people who, if they got hacked, could really affect society in a big way. And with NIST two, right, it broadens that. So some industries that you may think, well, you know, if that plant goes down, it’s really not gonna well, it could affect your your community, your city in a big way. You just may not be have been aware of that previously. And so, you know, in America, I think you’re absolutely right. You know, not that we’re gonna get those same regulations, probably not word for word, but, you know, a lot of OEMs here are shipped there. Right? A lot of integrators work on machines here ship there. But beyond that, understanding what the threats they’re trying to protect from, the six two four four three layered you know, the different layers of standards, You know? So you understand what when you see a product, right, like a remote access product, and it has all these different numbers on it, you understand what are they protecting? What kind of what kind of security was built in, baked into this product? Like, this this product has this number on it. That means they went through all kinds of testing and and, you know, and to to make sure that their, you know, processes and the product itself and the supply chain and all that. So I think it’s very helpful. Not that we’re going to necessarily have to meet this and this too. We may have similar regulations, but the fact that you’re staying up to date with what’s going on in the world as far as cybersecurity is concerned. And we’ve had so many vendors on talking about zones and conduits and Yeah. Just all kinds of all kinds of different things, you know, secure remote access, VPNs. And all of this plays a role in in you know, there’s just so many great products out there, but, you know, that that’s my pitch for why staying abreast of these is important. In worst case scenario hey, everybody. Just wanted to break in here and pay some bills. Did you know that the automation school is a factory IO reseller? That’s right. Not only that, I have questions on using factory IO with ControlLogix and CompactLogix, with the MicroLogix and Slic 500, and with the micro 800. Now factory IO is a three d, factory simulator that allows you to really practice your programming skills, not on an actual machine, but on a three d simulation of a machine. And I’ll tell you what, some of these, are really challenging. Right? The early editions are not the early levels aren’t really that hard, but as you get them to lesson three, four, five, six, and more, they start getting much harder. And a lot of times, we utilize, like, a state machine to solve them because, like, if we have, merging two different conveyors or if we’re checking for the height of packages and things like that, or we’re filling a tank, whatever we’re doing, a lot of times you wanna take a very sequential approach to those type of applications, whereas other applications, you know, you take more of a batch approach. But in any case, if you don’t know anything about Factory IO, go check out lesson one zero two in any of my PLC courses, and I put a little demo in there along with the free utility I give away with my courses as well as for the compact and control logics. There’s another package we sell called, PLC Logics that is similar to Factory IO, but it doesn’t require a PLC. It doesn’t require that you have your own license of Studio 5,000. It’s actually it’s all self contained training, software. So check those out over at theautomationschool.com. And with that, let’s jump right back into this week’s episode. Don’t connect the plant flow to the Internet. You know? I know you I know you wanna be able to VPN in and check on your PLCs, but, you know, just make sure that connection is ultra secure. If you’re not if you’re not sure if it’s secure, unplug it and and do the research because, you know, we’ve heard about the pipeline where there was, you know, a cyber attack and there was, you know, ransomware, and we’ve heard about hospital hospitals and, you know, just, you can pretty much think any place in our society, there’s been a ransomware attack. And so we’re just gonna be cognizant. We heard a major news talking about don’t even charge your phone at the airport because Right. Cult I don’t know how to get in, but culprits have been going in and hacking the physical hardware so they can steal your information when you’re using The US. So we all have to help each other stay up to date on this. We gotta share these stories. That’s what people do best is share stories about things that are important that we need to know about. And, you know, that’s that’s kind of my pitch for staying. Let me turn it back. Let me turn it back to you. Ashley Weckwerth (ISA): Well no. And you bring up it honestly makes me think about a session that happened about Wi Fi. Is it it’s talking about Wi Fi security, and I know that I’m just as, like, guilty of this where we’ll just sign on to what we believe is the local safe Wi Fi, whether it’s the airport. Yep. Or the use case that he gave me even here, like, how many of us signed into the hotel’s Wi Fi? Shawn Tierney (Host): Yeah. Ashley Weckwerth (ISA): Right? And he talked about how and he kept saying, hypothetically, to make sure because he knew it was against the law, but, like, hypothetically, I could spoof it right now. Right? Is essentially and he went through how he could do it. Right? How he could use a device, hypothetically, in his laptop to essentially make the Wi Fi go out for a second, create a new Wi Fi with a very similar name that makes you believe that that’s now the new connection that you have to, you know, say that you’re joining and, you know oh, there it is. My my current hotel Wi Fi went off. There’s the other name that looks very similar Shawn Tierney (Host): Yeah. Ashley Weckwerth (ISA): And joining and not realizing you’re joining, that unsecure network. They can get in different ways now. So you’re you’re very right. As I tell people, is is really that threat intelligence track at OT, cyber made me, in a good way, again, expand my knowledge for what is possible out there, but also, like, what what I should be thinking about taking into consideration in my day to day home personal, you know, career and life and what I’m doing. But also, what am I doing in the job that I should be second guessing or making sure I’ve thought through? Are there any loopholes or gaps that someone could get in or is already in? Right? Shawn Tierney (Host): Well, that’s the thing because you bring most people are bringing their devices to work. So if you get hacked at the airport or get hacked at the hotel, that’s a vector into your company. And a lot of companies, that’s where that’s where the intrusion comes from a personal device. I mean, today, it used to be people are a little on and don’t bring your devices. And today, everybody brings their phone with them everywhere. Yeah. And so that is a vector into the plant. And that’s another reason why maybe your POC and HMI and SCADA system and VFDs and everything that you have in your network should only talk to a list of approved IP addresses and proved you know? You know? Maybe there should be some digital signatures there. I’m not saying for for certain networks, but for other networks that are more wide open, like, maybe you plant for a Wi Fi, maybe you should be locked down a little bit more. Maybe it shouldn’t be a great place to to stream you to. But, anyways, let me turn it back to you. Ashley Weckwerth (ISA): Well and and you, doctor, her name was doctor Marina Krotafil, And I’m gonna say it wrong. She actually shared a case study. Now I won’t give all the details of the case study, but, essentially, is it talked through how even at, like, state sponsored cyber operations. So when we’re talking, you know, we’re talking maybe, like, everybody thinks, like, hackers are, like, you know, the the people that just have too much time. They wanna do ransomware, get money. They wanna get through it’s like, you know, you think about especially with all the things happening in the world today is Mhmm. Countries against countries or states against states, essentially, that want to get in and disrupt the economy or disrupt and show their power can do so through cyber attacks. And she actually talked through how attackers, especially at a state level, that get recruited by a state, maybe like a Russia, you know, at first, like, essentially, she went through different scenarios where is if a if a government official or government wanted to get in and learn the vulnerabilities and all that for another, entity or another country, they know how to do that. Right? They know how to essentially make it to where they they’re testing their limits. Right? How long does it take them to get caught? How long does it take them to to make you notice that they’re in your system? How what do you do about it? Like, they’re essentially, she gave examples in this case study where everything certain state sponsored cyber operations do is strategic. Right? They’re testing their limits. They’re testing their capabilities. They’re testing and training up folks for when they actually want to do something. And I think you mentioned this in other, podcasts too that I listen to is, like, we gotta be cautious that people could be lurking. They could be in. They could be just not making themselves known in our critical infrastructure. And and, again, she she spun it in such a way that I’m not here to scare anybody on this podcast, but, essentially, just being aware that people are very smart, and we need to be smart and ahead of that as well. And that’s what I think this conference allows us to do is it shares best practices. It shares that knowledge. It builds those connections. So now, like, you kinda mentioned, there’s so much equipment that you can buy and vendors selling different things that have different security settings. Like, all those sponsors make great products. And and understanding what they can do, what they can’t do helps us be able to protect ourselves, get ahead of these risks, get ahead of these potentials, and not be afraid. Right? It’s kinda like you put a lock on your door to make sure you’re not just welcoming anybody in, not that you’re gonna plan for someone just to walk in your house that’s not welcome. Right? Is we wanna make sure we’re doing what we can, and I think that’s what this conference really allowed is to know the risk out there, to be aware of the situations, the cyberattacks that have happened in in recent history, but also, like, what can I do as an end user, as a consultant, as an integrator, as a product, you know, manufacturer? What can I do to make a difference to help safeguard our OT systems and make a difference and and protect them? Shawn Tierney (Host): You know, I I I restore to the people. They’re like, well, why would they hack us? And it’s like, you know, take a step back. You know, the first of all, these people who are working for their governments, whether it’s The US, whether it’s EU, any country in the world, you name it. Right. They all they all think that they’re doing a patriotic thing working for their com their country. In every country, every almost virtually every country in the world, virtually every one of them have been hacked by almost every other one of them. Yeah. And we don’t know who hacked for us. Right? This is the eye for the eye thing. Like, it’s been going on for so long. You know, did the French start it? Did the Americans start it? Did the Russians start it? Did no. Every country in the world’s been hacking every other country. There there’s no tracing back to who started this this roller coaster of hacking, but everybody’s perceived like the other people are hacking me, so I have to hack back. So you just have to be cognizant of that and and and understand that it may not be you. It may not be your company. It may not even be what you make that’s the target. You may just be the punch back for the punches they received last month, and you’re just the only target they can hit. And so we we, you know, let’s stop all the punching. Let’s secure our facilities. So so we frustrate all of these, including our own, all these people who are trying to illegally hack into different companies and and cause problems like the ransomware. And, you know, I and and it’s real. And, you know, it came years ago, it came to me. I put a SCADA server as a demo for my customers. I put it on the Internet. I was just like, hey, boss. Give me a cable modem. I’m gonna put my server on. I’m gonna demo, you know, web based SCADA to all my, to all my great customers in the area. And the thing was hacked within a day. I mean and I’m going back twenty years now. This is twenty years. It was hacked in a day. And every week, I would spend a couple hours trying to make it hack proof. You know? And, you know, this was before I even you know, firewalls were even, like, consideration for a small business. Right? And so, yes, the people are being hacked all the time. Yep. We we you know? And and we have to be vigilant against those hacks. And we gotta people are tired of me saying this. Also, please back up your PLC HMI SCADA systems and all those VFPs. Ashley Weckwerth (ISA): Just in Shawn Tierney (Host): case. Stuff up just in case. It’ll there there’s so much room on your hard drive now. You could back it all up a thousand times, and you would still have room left over. So I like to Ashley Weckwerth (ISA): Can you imagine how much money you would save having that backup ready to go instead of like you mentioned, downtime earlier, right, is Yeah. Essentially, if if something were to happen, right, say, ransom ransomware hap whatever. Right? Is is you you end up saying, no. We’re not paying it, and you lose everything. Is now if you had to rebuild all of that code and all of your systems and get everything back talking to each other is I mean, I don’t even wanna do the math. I mean, you’re talking you’re you’re not you’re losing revenue, just whatever you’re producing or making with that system, but you’re also now spending money to get it back to whereas if you had the backups already ready. Yes. You’re still gonna have downtime. You’re still gonna have to get everything back up, but you’re saving all that developmental time to, like, redo it all, essentially. Shawn Tierney (Host): Sometimes you can’t. There are some machines that are so complicated. Right. And they, you know, they may have had changeover. Nobody may have that file anymore. So take your take your own future in your own hands, back up everything, back it up more at once. Right. You know, and take it like Microsoft will tell you if you go to any type of server type of training or certifications, you’re gonna have a copy of that off-site. They all cannot be on your site because if there’s a fire where you store all that stuff, you don’t have any backups anymore. So very interesting stuff and, you know, I hate to preach. I know the the I know the audience is used to me saying this stuff, but, but it’s so important. I I I’ve had multiple customers well, former customers, colleagues, audience members tell me about their horror stories where they had ransomware, and it’s just it truly is devastating to the companies. Right. And it really, like, I mean, it hurts people’s paychecks because, you know, there’s no raises that year, no bonuses that year, sometimes layoffs. So Ashley Weckwerth (ISA): Oh, yes. It kills the culture. I mean, truly. And and that’s where I and I I think sometimes we take for granted, kinda like you mentioned at the beginning. We put our blinders on. We just do our job. We think we’re doing our job, and you don’t think about all these things. And I think that’s the the benefit of groups like this. Right? Your podcast, bringing a community together to talk about things like this, lessons learned, things that I’ve learned in my career, my product. Like, you’re getting knowledge out there, and that’s exactly what ISA is trying to do as well. It’s like, why do we all have to learn by the the hard way or learn by things happening when you have all these resources? That’s what I think frustrates me the most sometimes is people will be like, well, I didn’t know that. Shawn Tierney (Host): Hey, buddy. I just wanted to jump in here and pay some bills and tell you about my training at the Automation School, my in person training that I do right here in my offices in the beautiful Berkshires. So many great things to do out here in Western Massachusetts. We’re about an hour away from Albany, New York. And one of the things you’re gonna find with my training that you’re not gonna find with, the big vendors is, you know, I can kinda customize it for you. Right? So, you know, if you wanna do, like, a day of, Allen Bradley PLCs and a day of Siemens PLCs, I can do that for you. Also, you know, we teach not just using the the trainer trainer boxes, but we also teach using factory IO so that even the most advanced students should have a full day’s worth of work or two or three full days depending on what you wanna do. And you’re gonna see over the coming weeks, I’m adding even more hardware to the training room. I’m, creating all of these one by one demo boards that I’ll be showing you guys in on the, the lunchtime show that I’m doing, where, I’m bringing in things like Flex IO, Point IO, you know, seventeen sixty nine distributed IO, fifty sixty nine distributed IO. All these things that, you know, if you go to some of the place where they just bought, you know, APLCs and APCs and say, here’s a manual, you’re not gonna get the same experience. So in any case, if you have any needs for in person training, maybe you don’t wanna send your folks off to the factory for $5,000 a pop and have them gone for a week, get in touch with me, and you can see all these details about what I’m doing over at the automationschool.com forward slash live. That is where I have not only information about my in person training, I have pictures of the training room, I got pictures of the building. I also have all the local hotels. Within three miles, we have all of the big hotels as well as all of the kind of fun stuff you can do in the Berkshires when you come out here, like visit the Norman Rockwell Museum, climb Mount Greylock, and there’s so many other things to do as well out here. And a lot of historical places too, like Susan b Anthony’s home or Herman Melville’s home and so on. So with that, I just wanted to tell you about my in person training that I’m offering here in my office. And now let’s jump right back into this week’s show. Ashley Weckwerth (ISA): And I’m like, but you gotta, like, you gotta go find that out. Right? You gotta ingrain yourself in a community that knows more than you do and admit you’re not the smartest person in the room. Right? And and learn from the group. Right? Learn from the greater good that is really trying to help make make the world a better place. I know it’s a a tagline, but, essentially, that’s true. Right? Like, you’re trying to get the automation community more knowledge, more information, and that’s what ISA is trying to do. And I think it’s nice to know that you don’t have to do it alone in the sense of whether you’re starting out in automation and you have no clue what you just signed up for, or you’re in it. You’re now charged with making sure the OT system’s safe is knowing that there’s conferences out there that specialize in OT cybersecurity as well as, like, standards that tell you how to make sure that you’re protecting your OT cyber, you know, security assets and all that stuff, but also training courses. So I think Scott mentioned this last year, but we did the same thing this year where we hosted two training courses with this conference that you could sign up for. One of them even sold out, and that was using the IEC ISA six two four four three standard, like how to use it to secure your control systems. Literally a two day course sold out. Full house packed room. Marco Aiola? I can’t ever say his last name. Sorry, Marco, if you’re listening. He is great if you’ve never met him, but he has tons of knowledge. He he trained that or taught that course this during this conference in Belgium. So if you’re not sure where to start and you’re just like, I just need to, like, wrap my head around what this standard is, maybe reading, you know, a standard is not what you love to do, maybe you want someone to teach you what’s in there and how to use it, that’s the place to start, as well as, Steve Mustard taught, assessing the cybersecurity of new and existing systems. So industrial con industrial automation control systems. So Steve Mustard’s also been on an episode. He taught a a class as well at Brussels. And so I just wanted to encourage everyone that is listening, is you don’t have to be an automation professional alone. You don’t have to do figure out how to just make sure you’re safe and secure alone. Get involved in communities like this podcast, like ISA. Find those people that have walked it, have learned from mistakes, have done things because there’s resources out there that you can find and get involved in, whether that’s discussion boards, conferences, standards, training, all of the above, podcasts. I just I think that’s where I truly people are like, why are you involved in ICA? I’m like, why wouldn’t I be? Like, it’s like you just it’s so much knowledge. It’s so take it take it with what I I say as I just ask people to get involved. That that’s what I’m saying in in any automation community. Shawn Tierney (Host): Yeah. And if you’re an engineering manager out there, consider, you know, be in the first take the first step. Get yourself involved with your local chapter. Right? And maybe it is an ISA. Right? If you don’t have an ISA local, there’s probably another another similar organization, and get involved. And if you find it valuable, right, that whatever it is, an hour or a week, an hour a month, then, you know, encourage the people who work for you to also get involved. It’s it’s yes. Some of them may find may network a little bit and find a new job, but then again, you may find people to fill positions you’re open. So but it did just, you know, this this this industrial automation, industry is so tiny. Right? To tip to, like, health and fitness, right, or or all those type of things that that, you know, we’re we’re at a disadvantage as far as, you know, just be able to have, you know, everybody on the corner. Had there’s a gym on every corner or there’s Yes. You know, a a maker shop on every corner. Well, with industrial automation, you know, a lot of times, we can’t visit each other’s facilities just because of intellectual property. So so consider that, and there’s some great places online, plcs.net, misterplc.com, and other forms online. We get the ISA and other organizations. So, yeah, I definitely, confirm that too. We wanna we wanna encourage people to get involved. And I know a lot of folks are like me. You got family, you got kids, grandkids. You’re just busy all the time. But if you’re able to, and and I live in the boonies, but if you’re able to, get involved. So I I definitely encourage that. Yeah. Ashley Weckwerth (ISA): Exactly. And I have I have two boys on my own, two and six. And the the joke around ISA is that they’re the youngest members because they are going to be I literally have bought merch with ISA on it for them because it’s just one of those things that the it it it does take a village to be part of something like this and and try to really make a difference. So I do wanna go back a step. You mentioned this too, and I think it’s so valuable. I joined ISA because my manager found the value and said, you should join ISA because it will skyrocket your career. You’ll learn from other professionals. You’ll network. You’ll get up to speed faster in this type of industry with if you didn’t. Right? And I can tell you as as working for the same company now for thirteen years, that that hasn’t been a true statement. Is is it truly enabled me to, one, get involved in this industry, grow from an I and c engineer, you know, putting in big EPC projects, engineer procurement construction projects, you know, midstream refineries to now managing automation projects for my clients. And it I I I truly credit getting involved in the automation community because, again, it’s a small world. I’ve literally met people across The United States that are like, I feel like I’ve gotten an I like, an email from you. Like, are you part of ISA? Like, it’s truly, like, you don’t realize how that, like, comes full circle. You’re like, yes, I am. And, like, what how do you and how are you involved? So I’ll just say, I totally agree. And I do want to say, if you go to events, is you might start you might be the first to hear something that’s in the works or that’s starting. So I did wanna mention in here, because I think it’s it’s a really cool, initiative that’s rolling out, is our group ISA Secure, which, again, focuses on six two four four three, is they’re rolling out the industrial automation control system security assurance program this fall. So there was a session on it at the conference to announce it, and there’s a whole, flyer on it. You can find it at isasecure.org. What it’s doing is it’s kinda coming full circle. Right? Is ISA developed a standard. They then made training for the standard. They then, you know, essentially said, okay. What else can we do? Okay. Let’s do ISA secure and really, like, certify devices and and things that that fall as ISA secure. They’re doing what they should be doing. And now it’s saying, now let’s offer a site assessment program to where we will validate or essentially not prove, but essentially, they’re gonna say, yes. You are following what you can do for six 2443. And so it’s gonna roll out this fall, so more details to come. Like I said, there’s a two page flyer on it. It goes through different stakeholder benefits depending on, are you an asset owner? Are you an insurance underwriter? Are you, you know, an end you you know, I said end user, but you know what I mean. It essentially is it kinda lays out that they’re going to come in and say, yes. You are being compliant with 62443 as the person that, you know, wrote 62443 is essentially kind of validating that through this new, it’s called ACSSA. We love acronyms in ISA, and control systems love acronyms. So we had to fit the the part there. So all to say, I think it’s good to join events because they’re the first ones to know. I learned that at the conference. So it’s essentially it’s like you’re always finding out what’s coming ahead that you can be on the lookout for, what can help you instead of going down a rabbit hole that you didn’t even realize this was coming into play. So Shawn Tierney (Host): That’s awesome. That’s awesome. Was there anything else you wanted to share with us about the event? I know we covered a lot of ground already. Ashley Weckwerth (ISA): Yeah. Shawn Tierney (Host): But were there other things that you wanted to talk about? Ashley Weckwerth (ISA): The only thing I wanted to say was, I know I mentioned this before, but I would say get involved at a conference that maybe is overseas if you ever get the opportunity. Next year, it’s going to be in Prague, Czech Republic, also in the month of June. You’ll find all the details coming out, on our website, o t c s, for OT cybersecurity, summit, .isa.org. And I I want to just reiterate that you really do build that diverse connections. You build confidence if you’re doing it the right way. You get the knowledge if you essentially, you know, needed more knowledge on what to do to secure your OT assets. So I I just think going to a conference like this really builds that community, that network, and that confidence. And so I encourage you all to join, but, essentially, I think you should look at our pictures on our website. It makes it look like you missed out. I will say it was a lot of fun. I was so glad to join. But I do thank you, Shawn, for letting me be here today. Shawn Tierney (Host): No. And it’s great to hear what, ISA is doing. You guys do so much. And I know this, this security summit, OT security summit, or cyber summit is a big part and and and touches on a very important aspect of what, the audience the people in the audience do on a regular basis. And, we love getting updates from you guys. Maybe we can get you back in a few months to talk about, some maybe something else you guys are working on. But, in any case, we Ashley Weckwerth (ISA): should that. Shawn Tierney (Host): Yeah. I really appreciate you coming on today and, bringing us up to speed on the the summit. Ashley Weckwerth (ISA): Well, thank you, Shawn. I really appreciate you and your community. Shawn Tierney (Host): Well, I hope you enjoyed that episode, and I wanna thank Ashley for coming on the show and talking OT cybersecurity with us. It sounds like a great opportunity to go to this, event if you especially if your company has, offices in Europe. It’s not something that I think I could do as a self employed person here in The US, but, definitely, any of you folks out there who are, you know, working with your European counterparts, maybe going to SPS over there, this may be a trip you may wanna consider. And, of course, please check out the ISA. They’re a great organization, and we love having them on the show. I also wanna thank our sponsor, the automationschool.com. If you know anybody looking for PLC, HMI, or SCADA training, whether it be in person right here in this office or it’d be online, please, contact me directly at theautomationschool.com. You’ll see all my contact links up at the top of the site. And with that, I wanna wish you all good health and happiness. And until next time, my friends, peace. Until next time, Peace ✌️  If you enjoyed this content, please give it a Like, and consider Sharing a link to it as that is the best way for us to grow our audience, which in turn allows us to produce more content

In the final episode of our whale series, we learn about fecal plumes, shipping noise, and why Moby-Dick is still worth reading. (Part 3 of "Everything You Never Knew About Whaling.") SOURCES:Michele Baggio, professor of economics at the University of Connecticut.Mary K. Bercaw-Edwards, professor of maritime English at the University of Connecticut and lead foreman at the Mystic Seaport Museum.Hester Blum, professor of English at Washington University in St. Louis.Eric Hilt, professor of economics at Wellesley College.Kate O'Connell, senior policy consultant for the marine life program at the Animal Welfare Institute.Maria Petrillo, director of interpretation at the Mystic Seaport Museum.Joe Roman, fellow and writer-in-residence at the Gund Institute for Environment, University of Vermont. RESOURCES:Eat, Poop, Die: How Animals Make Our World, by Joe Roman (2023).“Racial Diversity and Team Performance: Evidence from the American Offshore Whaling Industry,” by Michele Baggio and Metin M. Cosgel (S.S.R.N., 2023).“Why 23 Dead Whales Have Washed Up on the East Coast Since December,” by Tracey Tully and Winston Choi-Schagrin (The New York Times, 2023).“Suspected Russia-Trained Spy Whale Reappears Off Sweden's Coast,” by A.F.P. in Stockholm (The Guardian, 2023).“International Trade, Noise Pollution, and Killer Whales,” by M. Scott Taylor and Fruzsina Mayer (N.B.E.R. Working Paper, 2023).“World-First Map Exposes Growing Dangers Along Whale Superhighways,” by the World Wildlife Fund (2022).“Lifting Baselines to Address the Consequences of Conservation Success,” by Joe Roman, Meagan M. Dunphy-Daly, David W. Johnston, and Andrew J. Read (Trends in Ecology & Evolution, 2015).“Wages, Risk, and Profits in the Whaling Industry,” by Elmo P. Hohman (The Quarterly Journal of Economics, 1926).Moby-Dick, by Herman Melville (1851). EXTRAS:“Why Do People Still Hunt Whales? (Update)” by Freakonomics Radio (2025).“How Much Does Discrimination Hurt the Economy?” by Freakonomics Radio (2021).

Hello everyone!!Joined by good friend Jon, of Horror Vanguard, as we talk about one of the books of all time, Moby Dick, or The Whale, by Herman Melville!Come along as we discover why this book is everything, how it fits into the larger body of American Literature, and how the threats and consequences of individualism are ever-present. Oh, and of course: how this is a phenomenally gay book indeed.Enjoy!Check out Horror Vanguard:https://soundcloud.com/user-317910500https://www.patreon.com/c/horrorvanguard/postsIf you can and are interested in early episodes and the Here Be Extras, check our Patreon!https://www.patreon.com/leftpage Also! If you're not there already, feel free to join our Discord, as we have been more talkative than usual, and plan to do so more and more!https://discord.gg/J2wgG3yrPNIntro Credits: Ultralounge, Kevin MacLeod (incompetech.com)Outro Credits: Leve Palestina, Spartacus Hosted on Acast. See acast.com/privacy for more information.

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

It is better to fail in originality than to succeed in imitation. ~Herman Melville Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

“There's something I find strangely moving about the ‘Extracts' section of Moby Dick—before we even get into the text—by virtue of the attention that has been paid to the whale,” writer Wyatt Mason says in this episode of The World in Time. “It's astonishing as you're reading through. It's proof of two kinds of life. It's proof of the life of the creature itself. But it's also proof of the life of the mind and the attention that we pay—meaning, we readers and we writers pay—through time to this creature, which is very different from the elephant because most of us never see one in our lifetimes. If we're fortunate, we might, but for the most part, no. So they reside or they live in texts.” With this episode, the second in an intermittent series on the literature, history, and science of the sea, The World in Time launches onto the waters of Moby Dick. The episode begins with excerpts from a pair of conversations Lewis Lapham recorded during his final years as host. First, Lapham speaks with Richard J. King about his 2019 book, Ahab's Rolling Sea: A Natural History of Moby-Dick. In the second excerpted interview, recorded in 2022, Lapham talks with Aaron Sachs about Up From the Depths: Herman Melville, Lewis Mumford, and Rediscovery in Dark Times. The episode concludes with a new conversation. Wyatt Mason and Donovan Hohn talk about the first time they read Moby Dick, about teaching Melville's novel to incarcerated students enrolled in the Bard Prison Initiative, and then, like a pair of sub-sub-librarians, they swim through two curious documents, “Etymologies” and “Extracts,” that precede the famous first sentence of Melville's tragic Leviathan American novel.

Soif inextinguible, cannibalisme, tempête, désespoir, les baleiniers rescapés de l'Essex endurent maintes épreuves après la submersion de leur navire par un cachalot. Franck Ferrand raconte l'épopée traversée par ces naufragés, dont l'histoire tragique a inspiré à Herman Melville son célèbre roman de 1851. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

C'est un tout jeune écrivain qui nous raconte ses aventures – ou plutôt ses mésaventures – dans l'archipel des Marquises, au milieu du XIXe siècle. Son nom : Herman Melville Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Deep in the desert of Djibouti, the French Foreign Legion trains their bodies to become living weapons. This tight-knit squad of highly specialized individuals are prepping for a conflict that never finds them, where individuality is ground down into dust, and all that's left is the collective militaristic identity. The salted flats and arid landscape make for an operatic backdrop of Claire Denis' 1999 feature, Beau Travail, where bodies become the only means for outward expression, and creeping thoughts tear at the soul. An adaption of Herman Melville's novella, Billy Budd, this film follows Adjudant-Chef Galoup as he reflects on his life during his time in Africa leading a group of soldiers, and his inner tension towards a new gifted recruit, Sentain, up to where he ends up back at his home in Marseilles. This film excels in creating space for what is left unsaid, and holding onto moments that exist in-between action and reaction. Like a rocket primed for launch, all we can do is hold our breath and see what comes next. As always, thank you for listening, and we hope you enjoy our discussion. Where to watch the film: Max Criterion Channel Send us film recommendations or feedback at: lefilmpodcast@gmail.com

This is a free preview of a paid episode. To hear more, visit www.nymphetalumni.comIn this episode, we oscillate between antebellum steamboat grifters and prosperity gospel televangelists to unpack the archetype of the American con man: a self-made myth-maker cloaked in charisma, uniqueness, nerve and talent. We discuss itinerant preachers, LA hypebeast cyber-apostles, Herman Melville, identity theft, April Fool's Day, man-on-the-street content creators, jewelry dropshippers, and more, tracing the legacy of scammers through primary sources from 1850s op-eds to influencer snark pages.Links:

durée : 01:23:08 - Toute une vie - par : Germaine Rouvre - "Moby-Dick", qui raconte le combat légendaire entre le capitaine Achab et un cachalot géant, fait partie des très grands romans américains. Il est né sous la plume de l'écrivain Herman Melville, né en 1819 et mort en 1891, dont nous découvrons ici la vie et l'oeuvre au micro de Germaine Rouvre. - réalisation : Arlette Dave - invités : Kenneth White Poète et penseur contemporain

Tonight's bedtime story is the continuation of Moby Dick by Herman Melville. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodIf you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.

Kelly Scott Franklin, associate professor of English at Hillsdale College, delivers a lecture on the Civil War poetry of Walt Whitman and Herman Melville. This lecture was given at the Hoogland Center for Teacher Excellence seminar, “The Art of Teaching: Upper School Literature” in February 2025. The Hoogland Center for Teacher Excellence, an outreach of the Hillsdale College K-12 Education Office, offers educators the opportunity to deepen their content knowledge and refine their skills in the classroom.See omnystudio.com/listener for privacy information.

What happened to deep male friendships? Michael speaks with author Sam Graham-Felsen about his deeply personal and widely resonant New York Times essay on the quiet epidemic of male loneliness. From childhood sleepovers to adult solitude, Graham-Felsen explores how once-intense male friendships fade with age—and what that says about masculinity, society, and emotional intimacy today. Together, they unpack historical shifts, social norms, and powerful data showing that American men are increasingly disconnected from one another. With reflections on politics, social media, and what we can learn from Abraham Lincoln and Herman Melville's letters to their male friends, this is a conversation about what it means to be a man—and a friend—in today's world. A must-listen for anyone navigating modern relationships—male or female. Original air date 27 May 2025.

For several decades, Ralph Waldo Emerson (1803-1882) was perhaps the most prominent writer and intellectual in America. As an advocate of personal freedom living in Massachusetts, surrounded by passionate abolitionists, one might expect that his positions regarding slavery would be obvious and uncomplicated. And yet, Emerson struggled with the issue - not whether it was wrong (he was opposed to it), but the extent to which it obliged him or others to take action, and if so, how best to act in a way consistent with his philosophical principles. In this episode, Jacke talks to author Kenneth Sacks (Emerson's Civil Wars: Spirit in Society in the Age of Abolition) about what Emerson's wavering between self-reliance and collective action can tell us about who he was as a thinker and person - and whether his journey has lessons for the rest of us. PLUS Victoria Namkung (An Immortal Book: Selected Writings by Sui Sin Far) stops by to discuss her choice for the last book she will ever read. AND ALSO Jacke jumps into the belly of the clickbait whale, following the headline "We Had Sex Inside Moby-Dick!" to learn about Japan's love hotels and their connection(?) to the Herman Melville classic. Additional listening: 667 Sui Sin Far with Victoria Namkung 603 Rethinking Ralph Waldo Emerson (with James Marcus) 111 The Americanest American - Ralph Waldo Emerson The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

During a violent thunderstorm, a reclusive man is visited by a strange salesman peddling lightning rods—but what begins as a sales pitch quickly spirals into a chilling confrontation about fear, faith, and control. Is the visitor a protector… or something far more sinister? Hear Herman Melville's “The Lightning-Rod Man” from Faces In The Window! | #RetroRadio EP0391Darkness Syndicate members get the ad-free version of #WeirdDarkness and #RetroRadio:https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate and Only Accurate For the Commercial Version)…00:00:00.000 = Show Open00:01:50.000 = CBS Radio Mystery Theater, “Mirror, Mirror” (January 28, 1976) ***WD00:47:05.019 = Faces In The Window, “Lightning Rod Man” (January 17, 1953) ***WD (LQ)01:11:57.309 = Dark Fantasy, “Resolution” (January 02, 1942) ***WD01:37:07.609 = Diary of Fate, “Paul Reese” (March 23, 1948) ***WD (LQ)02:06:34.239 = BBC Fear on 4, “Day At The Dentist's” (March 13, 1988)02:36:16.259 = Five Minute Mysteries, “Case of Oversight” (July 28, 1948)02:42:49.939 = Future Tense, “A Pail Of Air” (May 20, 1974) ***WD03:11:16.829 = Gang Busters, “New Jersey Counterfeiters” (December 13, 1947)03:42:22.089 = Green Hornet, “Lightning Strikes a Shakedown” (August 10, 1939)04:12:12.759 = Hall of Fantasy, “Man-Size In Marble” (April 10, 1947)04:39:34.989 = The Lives of Harry Live, “Pleasure Before Business” (March 28, 1952) ***WD05:04:06.428 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0391TAGS: old time radio, otr horror, classic radio shows, horror radio shows, vintage radio dramas, suspense radio classics, 1940s radio horror, old radio mystery shows, creepy old radio shows, true crime radio, supernatural radio plays, golden age radio, eerie radio mysteries, macabre old time radio, nostalgic thrillers, classic crime podcast, retro horror podcast, weird darkness, weird darkness podcast, weird darkness retro radio, retro radio, classic radio