Podcasts about Herman Melville

Melville's classic is always right at the top of BEST EVER novels lists. We really dig into what is so appealing about this masterpiece: its weird structure, its likeable, unique narrator, an open-mindedness that seems pretty radical for 1851 (including some serious homoeroticism)--and, of course, the appeal of Queequeg, everyone's favorite harpooner.

The weakness of our current version of AI is that it extracts its knowledge only from what we have taught it.Things that are rarely done are difficult for AI to imitate.AI has confidence in things that are repeated online ad infinitum.*Predictable ads follow the orthodox guidelines taught in every college in America. AI can find countless examples of these ads online. This is why AI can write predictable ads that look, feel, sound and smell like all those other predictable ads.Predictability is a thief that robs you in broad daylight.If you want your ads to remarkably outperform the predictable ads written by AI; if you want your ads to be noticed and remembered; you must do what is rarely done.Enter your subject from a new angle, a surprising angle, a different angle.Write an opening line that makes no sense.Cause that opening line to make perfect sense in less than 30 seconds.This technique is known as Random Entry and almost no one ever uses it.“I'm John Hayes and I'm talking today with GoGo Gecko.”“I was a 10-year-old boy holding a flashlight for my father.”“Mr. Jenkins?”“Yes, Bobby.”“How much should a hamster weigh?”“There's Elmer Fudd, Elmer's Glue, and me, Elmer Zubiate.”Random Entry is not orthodox. Random Entry is not predictable.“What makes our company, our product, our service different from our competitors?”If you ask yourself that question, you will come up with the same 3 or 4 opening lines that each of your competitors will come up with when they ask those same questions. Your ads, and their ads, will look, feel, sound and smell like ads.When you begin in a predictable way, it is hard to be unpredictable.AI ads feel like ads because AI cannot (1.) identify, (2.) justify, or (3.) rectify Random Entry.Identify.AI cannot find examples of what does not exist. But you can create it.Justify.AI cannot bridge a random opening line into an unrelated subject. But you can build that bridge.Rectify.AI cannot reconcile a random opening line so that it makes perfect sense. But you can create a metaphor out of thin air.When a novel becomes a bestselling book that gets made into a movie, you can be certain that it was built upon a weird and unexpected – but highly engaging – opening line.“Call me Ishmael.”– Herman Melville, Moby-Dick“Where's Papa going with that axe?”– E.B. White, Charlotte's Web“Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.”– Gabriel García Márquez, One Hundred Years of Solitude“It was a bright cold day in April, and the clocks were striking thirteen.”– George Orwell, 1984“Happy families are all alike; every unhappy family is unhappy in its own way.”– Leo Tolstoy, Anna KareninaChoose any one of those opening lines and tell your favorite AI to write an ad for your business using EXACTLY that line as the opening line. If your AI is successful, it will be due to the fact that you gave it a series of extremely insightful prompts. (Probably based on some of the things you learned in this Monday Morning Memo.)Srinivas Rao recently wrote, “Confessions of a Master Bullshit Artist, aka ChatGPT.”You think I'm a genius. I'm not. I'm an overconfident parrot in a lab coat.I don't know anything, check anything...

“João Pedro Vala tem sido descrito como um “caso singular” na literatura portuguesa atual, com uma voz que combina ironia e profundidade emocional.” Foi uma conversa divertida. Vale a pena ouvir este escritor, tradutor e revisor e, como sempre, conhecer algumas das leituras favoritas.Os livros que escolheu: Em Busca do Tempo Perdido, Marcel Proust; Butcher's Crossing, John Williams; Caronte à Espera, Cláudia Andrade;Batman: O Regresso do Cavaleiro das Trevas, Frank Miller.Outras referências:Ulisses, James Joyce;Stoner, John Williams;Moby Dick, Herman Melville;A Estrada, Cormac McCarthy;Cláudia Andrade:Quartos de Final e Outras Histórias;A Ressurreição de Maria;Whatchmen (BD);Ana Bárbara Pedrosa.Os que escreveu:Grande Turismo;Dicionário de Proust;Campo Pequeno.O que ofereci:Deus o abençoe, Dr. Kevorkian - Kurt Vonnegut;Os livros aqui:www.wook.pt

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Steven Spielberg at 26 created a horror masterpiece that still haunts every beachgoer. Today, film critic Stephen Romei on why you should rush to see Jaws in cinemas this weekend. Find out more about The Front podcast here. You can read about this story and more on The Australian's website or on The Australian’s app. The weekend edition of The Front is co-produced by Claire Harvey and Jasper Leak. The host is Claire Harvey. Audio production and editing by Jasper Leak who also composed our theme. See omnystudio.com/listener for privacy information.

In the final episode of our whale series, we learn about fecal plumes, shipping noise, and why Moby-Dick is still worth reading. (Part 3 of "Everything You Never Knew About Whaling.") SOURCES:Michele Baggio, professor of economics at the University of Connecticut.Mary K. Bercaw-Edwards, professor of maritime English at the University of Connecticut and lead foreman at the Mystic Seaport Museum.Hester Blum, professor of English at Washington University in St. Louis.Eric Hilt, professor of economics at Wellesley College.Kate O'Connell, senior policy consultant for the marine life program at the Animal Welfare Institute.Maria Petrillo, director of interpretation at the Mystic Seaport Museum.Joe Roman, fellow and writer-in-residence at the Gund Institute for Environment, University of Vermont. RESOURCES:Eat, Poop, Die: How Animals Make Our World, by Joe Roman (2023).“Racial Diversity and Team Performance: Evidence from the American Offshore Whaling Industry,” by Michele Baggio and Metin M. Cosgel (S.S.R.N., 2023).“Why 23 Dead Whales Have Washed Up on the East Coast Since December,” by Tracey Tully and Winston Choi-Schagrin (The New York Times, 2023).“Suspected Russia-Trained Spy Whale Reappears Off Sweden's Coast,” by A.F.P. in Stockholm (The Guardian, 2023).“International Trade, Noise Pollution, and Killer Whales,” by M. Scott Taylor and Fruzsina Mayer (N.B.E.R. Working Paper, 2023).“World-First Map Exposes Growing Dangers Along Whale Superhighways,” by the World Wildlife Fund (2022).“Lifting Baselines to Address the Consequences of Conservation Success,” by Joe Roman, Meagan M. Dunphy-Daly, David W. Johnston, and Andrew J. Read (Trends in Ecology & Evolution, 2015).“Wages, Risk, and Profits in the Whaling Industry,” by Elmo P. Hohman (The Quarterly Journal of Economics, 1926).Moby-Dick, by Herman Melville (1851). EXTRAS:“Why Do People Still Hunt Whales? (Update)” by Freakonomics Radio (2025).“How Much Does Discrimination Hurt the Economy?” by Freakonomics Radio (2021).

Hello everyone!!Joined by good friend Jon, of Horror Vanguard, as we talk about one of the books of all time, Moby Dick, or The Whale, by Herman Melville!Come along as we discover why this book is everything, how it fits into the larger body of American Literature, and how the threats and consequences of individualism are ever-present. Oh, and of course: how this is a phenomenally gay book indeed.Enjoy!Check out Horror Vanguard:https://soundcloud.com/user-317910500https://www.patreon.com/c/horrorvanguard/postsIf you can and are interested in early episodes and the Here Be Extras, check our Patreon!https://www.patreon.com/leftpage Also! If you're not there already, feel free to join our Discord, as we have been more talkative than usual, and plan to do so more and more!https://discord.gg/J2wgG3yrPNIntro Credits: Ultralounge, Kevin MacLeod (incompetech.com)Outro Credits: Leve Palestina, Spartacus Hosted on Acast. See acast.com/privacy for more information.

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

It is better to fail in originality than to succeed in imitation. ~Herman Melville Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

Herman Melvilles "Geschichte aus der Wall Street" mit der sprichwörtlich gewordenen Sentenz "I would prefer not to" wurde 1853 erstmals publiziert. Im Mittelpunkt steht der Angestellte einer New Yorker Rechtsanwaltskanzlei, Bartleby, der die ihm aufgetragenen Schreib- und Kopiertätigkeiten zunächst mit Fleiß und Hingabe erfüllt, plötzlich aber nicht mehr "mitmachen" möchte. Er wird immer schweigsamer, will die aufgetragenen Büroarbeiten nicht ausführen und lässt seinen Arbeitgeber verwirrt zurück. Bartleby verweigert sich schließlich dem Leben selbst. Nach der gleichnamigen Erzählung von Herman Melville Aus dem Amerikanischen von Elisabeth Schnack Mit: Hans Helmut Dickow, Max Haufler, Johannes Schauer, Balduin Baas u. a. Hörspielbearbeitung: Gert Hofmann Regie: Peter Schulze-Rohr (Produktion: SWF/BR 1963)

L'Essex est un baleinier américain qui a fait naufrage le 20 novembre 1820 au milieu de l'océan Pacifique à la suite d'une attaque par un grand cachalot. Les naufragés dérivèrent pendant treize semaines à bord de trois petites baleinières et se livrèrent à des actes de cannibalisme. Le romancier américain Herman Melville, qui a découvert le récit de ce naufrage en 1841 à l'occasion de sa rencontre avec le fils d'un des protagonistes, s'en est fortement inspiré pour l'écriture de son roman Moby Dick, paru en 1851.⭐️ Abonnez-vous à MINUIT+ pour profiter de tous les podcasts Minuit en intégrale et sans publicité.

Moby Dick o la ballena blanca de Herman Melville es una obra monumental que combina la emoción de la aventura con la profundidad de la filosofía. Su exploración de la obsesión, el destino y la lucha del hombre contra la naturaleza la convierte en un texto universal que resuena en cualquierépoca. La prosa poética de Melville, su riqueza simbólica y su retrato de un mundo multicultural hacen de esta novela un hito del canon literario. Leer Moby Dick es sumergirse en un océano de preguntas sobre la existencia, enfrentando los misterios del universo a través de los ojos de Ismael y Ahab.Para estudiantes, académicos y lectores curiosos, esta obra ofrece una experiencia transformadora que ilumina tanto la literatura como la condición humana."Crónicas Lunares di Sun" es un podcast cultural presentado por Irving Sun, que abarca una variedad de temas, desde la literatura y análisis de libros hasta discusiones sobre actualidad y personajes históricos. Se difunde en múltiples plataformas como Ivoox, Apple Podcast, Spotify y YouTube, donde también ofrece contenido en video, incluyendo reflexiones sobre temas como la meditación y la filosofía teosófica. Los episodios exploran textos y conceptos complejos, buscando fomentar la reflexión y el autoconocimiento entre su audiencia, los "Lunares", quienes pueden interactuar y apoyar el programa a través de comentarios, redes sociales y donaciones. AVISO LEGAL: Los cuentos, poemas, fragmentos de novelas, ensayos y todo contenido literario que aparece en Crónicas Lunares di Sun podrían estar protegidos por derecho de autor (copyright). Si por alguna razón los propietarios no están conformes con el uso de ellos por favor escribirnos al correo electrónico cronicaslunares.sun@hotmail.com y nos encargaremos de borrarlo inmediatamente. Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun  https://paypal.me/IrvingSun?country.x=MX&locale.x=es_XC  Síguenos en:  Telegram: Crónicas Lunares di Sun  ⁠Crónicas Lunares di Sun - YouTube⁠ ⁠https://t.me/joinchat/QFjDxu9fqR8uf3eR⁠  ⁠https://www.facebook.com/cronicalunar/?modal=admin_todo_tour⁠  ⁠Crónicas Lunares (@cronicaslunares.sun) • Fotos y videos de Instagram⁠  ⁠https://twitter.com/isun_g1⁠  ⁠https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9lODVmOWY0L3BvZGNhc3QvcnNz⁠  ⁠https://open.spotify.com/show/4x2gFdKw3FeoaAORteQomp⁠  https://mx.ivoox.com/es/s_p2_759303_1.html⁠ https://tunein.com/user/gnivrinavi/favorites⁠ 

“There's something I find strangely moving about the ‘Extracts' section of Moby Dick—before we even get into the text—by virtue of the attention that has been paid to the whale,” writer Wyatt Mason says in this episode of The World in Time. “It's astonishing as you're reading through. It's proof of two kinds of life. It's proof of the life of the creature itself. But it's also proof of the life of the mind and the attention that we pay—meaning, we readers and we writers pay—through time to this creature, which is very different from the elephant because most of us never see one in our lifetimes. If we're fortunate, we might, but for the most part, no. So they reside or they live in texts.” With this episode, the second in an intermittent series on the literature, history, and science of the sea, The World in Time launches onto the waters of Moby Dick. The episode begins with excerpts from a pair of conversations Lewis Lapham recorded during his final years as host. First, Lapham speaks with Richard J. King about his 2019 book, Ahab's Rolling Sea: A Natural History of Moby-Dick. In the second excerpted interview, recorded in 2022, Lapham talks with Aaron Sachs about Up From the Depths: Herman Melville, Lewis Mumford, and Rediscovery in Dark Times. The episode concludes with a new conversation. Wyatt Mason and Donovan Hohn talk about the first time they read Moby Dick, about teaching Melville's novel to incarcerated students enrolled in the Bard Prison Initiative, and then, like a pair of sub-sub-librarians, they swim through two curious documents, “Etymologies” and “Extracts,” that precede the famous first sentence of Melville's tragic Leviathan American novel.

Soif inextinguible, cannibalisme, tempête, désespoir, les baleiniers rescapés de l'Essex endurent maintes épreuves après la submersion de leur navire par un cachalot. Franck Ferrand raconte l'épopée traversée par ces naufragés, dont l'histoire tragique a inspiré à Herman Melville son célèbre roman de 1851. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

C'est un tout jeune écrivain qui nous raconte ses aventures – ou plutôt ses mésaventures – dans l'archipel des Marquises, au milieu du XIXe siècle. Son nom : Herman Melville Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Moby Dick by Herman Melville is Tom's pick for this episode, and let's just say… the whale wasn't the only one dragging. Tony hadn't read it since his English Lit days and didn't make it to the end this time, while Tom powered through on deadline. The result? Probably not our most polished review, but a fun and honest one nonetheless. Join us as we harpoon what we can from this literary leviathan.TTYpodcast.comThumbingthroughyesterday.com

Marcia Franklin talks with maritime writer and historian Nathaniel Philbrick, the speaker at the 2013 Idaho Humanities Council Distinguished Humanities Lecture. Philbrick is the author of numerous books, including most recently "Bunker Hill: A City, a Siege, a Revolution," which looks at the deadliest battle of the American Revolution and how it influenced the birth of our country. A sailor, Philbrick is also known for his book, "In the Heart of the Sea: The Tragedy of the Whaleship Essex," which introduced readers to the true story behind Herman Melville's Moby Dick. It won the National Book Award in 2001, and was the basis for an American Experience documentary on PBS in 2011. Originally aired: 10/18/2013

Albath, Maike www.deutschlandfunk.de, Büchermarkt

#KöşedekiKitapçı'da bugün

Deep in the desert of Djibouti, the French Foreign Legion trains their bodies to become living weapons. This tight-knit squad of highly specialized individuals are prepping for a conflict that never finds them, where individuality is ground down into dust, and all that's left is the collective militaristic identity. The salted flats and arid landscape make for an operatic backdrop of Claire Denis' 1999 feature, Beau Travail, where bodies become the only means for outward expression, and creeping thoughts tear at the soul. An adaption of Herman Melville's novella, Billy Budd, this film follows Adjudant-Chef Galoup as he reflects on his life during his time in Africa leading a group of soldiers, and his inner tension towards a new gifted recruit, Sentain, up to where he ends up back at his home in Marseilles. This film excels in creating space for what is left unsaid, and holding onto moments that exist in-between action and reaction. Like a rocket primed for launch, all we can do is hold our breath and see what comes next. As always, thank you for listening, and we hope you enjoy our discussion. Where to watch the film: Max Criterion Channel Send us film recommendations or feedback at: lefilmpodcast@gmail.com

This is a free preview of a paid episode. To hear more, visit www.nymphetalumni.comIn this episode, we oscillate between antebellum steamboat grifters and prosperity gospel televangelists to unpack the archetype of the American con man: a self-made myth-maker cloaked in charisma, uniqueness, nerve and talent. We discuss itinerant preachers, LA hypebeast cyber-apostles, Herman Melville, identity theft, April Fool's Day, man-on-the-street content creators, jewelry dropshippers, and more, tracing the legacy of scammers through primary sources from 1850s op-eds to influencer snark pages.Links:

World-renowned and very clever Professor of Short Books, Douglas Ullard...along with his Twenty-Two Minute and Seventeen Second Classic Literature Audio Armchair Theatre Company (or TTMASSCLAATC for short) brings you Herman Melville's "Great American Novel" in just...well...1,337 seconds.  So if you're interested in whales, wails or Wales...or need a study guide for any exam about fish, fishing or boats..then sit back and listen and impress all your friends with your new-found knowledge of a literary classic. Because we can guarantee that your friends haven't read it! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode of The Learning Curve, co-hosts U-Arkansas Prof. Albert Cheng and Alisha Searcy interview Amanda McMullen, President & CEO of the New Bedford Whaling Museum (NBWM). Ms. McMullen explores NBWM's remarkable mission, collections, and economic impact on the Southcoast of Massachusetts. She discusses NBWM's historical roots in the 19th-century Yankee whaling industry that made New Bedford the wealthiest city in the world per capita. She highlights the museum's iconic exhibits, including five full whale skeletons and the Lagoda, the world's largest model whaling ship. Ms. McMullen touches on the whaling industry's close relationship with Quaker abolitionists, the museum's unparalleled collections of scrimshaw and whale ship logbooks, as well as Herman Melville and Moby-Dick's literary legacy in New Bedford and beyond. In closing, she shares how NBWM reaches 140,000 people annually and contributes to the regional economy, while offering a preview of summer plans and exciting future projects under her leadership.

En el programa de hoy, Fernando Villegas dedica su reflexión dominical a la novela Moby Dick de Herman Melville, considerándola una de las obras más extraordinarias de la literatura universal. Comenta la vida del autor, su incomprensión en vida y el carácter monumental de la obra, que mezcla narrativa, filosofía, religión, teatro y descripciones técnicas de la caza de ballenas. Villegas explora el simbolismo de la ballena blanca y la obsesión del capitán Ahab, relacionándolos con la soberbia humana y las consecuencias de perseguir fines absolutos. También aborda las interpretaciones críticas de la obra, su influencia en otros autores como Borges, y la dificultad de adaptarla exitosamente al cine. Hacia el final, recomienda el libro Los reemplazantes de Renato Garín como una mirada lúcida y crítica a la generación política que hoy ocupa el poder en Chile. Para acceder al programa sin interrupción de comerciales, suscríbete a Patreon: https://www.patreon.com/elvillegas Segundo paso: Temas principales y sus minutos 00:00:00 - Herman Melville y su vida 00:05:00 - Obsesión del capitán Ahab 00:12:00 - Significados de la ballena blanca 00:17:00 - Influencia de Moby Dick 00:18:30 - Recomendación: Los reemplazantes de Garín

durée : 01:23:08 - Toute une vie - par : Germaine Rouvre - "Moby-Dick", qui raconte le combat légendaire entre le capitaine Achab et un cachalot géant, fait partie des très grands romans américains. Il est né sous la plume de l'écrivain Herman Melville, né en 1819 et mort en 1891, dont nous découvrons ici la vie et l'oeuvre au micro de Germaine Rouvre. - réalisation : Arlette Dave - invités : Kenneth White Poète et penseur contemporain

Auf Grundlage der Kassiber, mit denen sich die isolierten RAF-Gefangenen während des Hungerstreiks in Stammheim verständigten, versucht das Stück, etwas über die Macht von Namen und Benennungen herauszubekommen und darüber, wie sich Hierarchien sprachlich abbilden und verfestigen. Als Überraschungsgäste treten auf: Ludwig Wittgenstein, Herman Melville und höchstwahrscheinlich auch das Rumpelstilzchen. Soweit das reichlich willkürliche Setting. Querverbindungen und Vorwegnahmen zuhauf. Hörspiel von Ulf Stolterfoht und Thomas Weber Mit. Kathrin Wehlisch und Markus Meyer Komposition: Thomas Weber Musik: Kammerflimmer Kollektief (Heike Aumüller, Christopher Brunner, Johannes Frisch, Thomas Weber) Regie: Iris Drögekamp und Thomas Weber Produktion: SWR 2019

Tonight's bedtime story is the continuation of Moby Dick by Herman Melville. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodIf you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.

Kelly Scott Franklin, associate professor of English at Hillsdale College, delivers a lecture on the Civil War poetry of Walt Whitman and Herman Melville. This lecture was given at the Hoogland Center for Teacher Excellence seminar, “The Art of Teaching: Upper School Literature” in February 2025. The Hoogland Center for Teacher Excellence, an outreach of the Hillsdale College K-12 Education Office, offers educators the opportunity to deepen their content knowledge and refine their skills in the classroom.See omnystudio.com/listener for privacy information.

What happened to deep male friendships? Michael speaks with author Sam Graham-Felsen about his deeply personal and widely resonant New York Times essay on the quiet epidemic of male loneliness. From childhood sleepovers to adult solitude, Graham-Felsen explores how once-intense male friendships fade with age—and what that says about masculinity, society, and emotional intimacy today. Together, they unpack historical shifts, social norms, and powerful data showing that American men are increasingly disconnected from one another. With reflections on politics, social media, and what we can learn from Abraham Lincoln and Herman Melville's letters to their male friends, this is a conversation about what it means to be a man—and a friend—in today's world. A must-listen for anyone navigating modern relationships—male or female. Original air date 27 May 2025.

For several decades, Ralph Waldo Emerson (1803-1882) was perhaps the most prominent writer and intellectual in America. As an advocate of personal freedom living in Massachusetts, surrounded by passionate abolitionists, one might expect that his positions regarding slavery would be obvious and uncomplicated. And yet, Emerson struggled with the issue - not whether it was wrong (he was opposed to it), but the extent to which it obliged him or others to take action, and if so, how best to act in a way consistent with his philosophical principles. In this episode, Jacke talks to author Kenneth Sacks (Emerson's Civil Wars: Spirit in Society in the Age of Abolition) about what Emerson's wavering between self-reliance and collective action can tell us about who he was as a thinker and person - and whether his journey has lessons for the rest of us. PLUS Victoria Namkung (An Immortal Book: Selected Writings by Sui Sin Far) stops by to discuss her choice for the last book she will ever read. AND ALSO Jacke jumps into the belly of the clickbait whale, following the headline "We Had Sex Inside Moby-Dick!" to learn about Japan's love hotels and their connection(?) to the Herman Melville classic. Additional listening: 667 Sui Sin Far with Victoria Namkung 603 Rethinking Ralph Waldo Emerson (with James Marcus) 111 The Americanest American - Ralph Waldo Emerson The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

A talk between publisher Mallory Smart and designer Dmitry Samarov on the occasion of the release of a new illustrated edition of Herman Melville's classic by Maudlin House. The event took place at Tangible Books in Chicago on May 10th, 2025.

Verse 77 this time. I call it ‘The Tao of Robin Hood,' who was an equalizer of his (mythical) day, like Tao is all the time. In its yin-yang algorithm, ‘just enough' is given to all, so no one lacks, and no one has more than enough. If another, ‘human tao' interfereswith ‘Heaven's Tao,' then the yin-yang balance actually takes from those with too much, and gives to those with not enough.In this episode Marc confesses his love of Marx's analytical power to understand big power issues (though he has no love for Marxism, or its actual practices in real time).We hear from lots of voices today: Thich Naht Hanh, The Buddha, Mick Jagger, Sun Tzu, and Herman Melville.

Esta semana se celebró el Día del Trabajo y en Letras en el Tiempo dedicamos el programa a recordar uno de los mayores flagelos de la humanidad: la esclavitud. Mark Twain, Herman Melville, Enrique López Albújar son algunos de los escritores que se dedicaron a denunciar en sus novelas esta denigrante práctica. Gracias por escucharnos

"The struggle is the cost of admission. It is the price of doing business." - Stephen MarcheStephen Marche: On Writing, Failure, and the Enduring Struggle of the Creative Life

During a violent thunderstorm, a reclusive man is visited by a strange salesman peddling lightning rods—but what begins as a sales pitch quickly spirals into a chilling confrontation about fear, faith, and control. Is the visitor a protector… or something far more sinister? Hear Herman Melville's “The Lightning-Rod Man” from Faces In The Window! | #RetroRadio EP0391Darkness Syndicate members get the ad-free version of #WeirdDarkness and #RetroRadio:https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate and Only Accurate For the Commercial Version)…00:00:00.000 = Show Open00:01:50.000 = CBS Radio Mystery Theater, “Mirror, Mirror” (January 28, 1976) ***WD00:47:05.019 = Faces In The Window, “Lightning Rod Man” (January 17, 1953) ***WD (LQ)01:11:57.309 = Dark Fantasy, “Resolution” (January 02, 1942) ***WD01:37:07.609 = Diary of Fate, “Paul Reese” (March 23, 1948) ***WD (LQ)02:06:34.239 = BBC Fear on 4, “Day At The Dentist's” (March 13, 1988)02:36:16.259 = Five Minute Mysteries, “Case of Oversight” (July 28, 1948)02:42:49.939 = Future Tense, “A Pail Of Air” (May 20, 1974) ***WD03:11:16.829 = Gang Busters, “New Jersey Counterfeiters” (December 13, 1947)03:42:22.089 = Green Hornet, “Lightning Strikes a Shakedown” (August 10, 1939)04:12:12.759 = Hall of Fantasy, “Man-Size In Marble” (April 10, 1947)04:39:34.989 = The Lives of Harry Live, “Pleasure Before Business” (March 28, 1952) ***WD05:04:06.428 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0391TAGS: old time radio, otr horror, classic radio shows, horror radio shows, vintage radio dramas, suspense radio classics, 1940s radio horror, old radio mystery shows, creepy old radio shows, true crime radio, supernatural radio plays, golden age radio, eerie radio mysteries, macabre old time radio, nostalgic thrillers, classic crime podcast, retro horror podcast, weird darkness, weird darkness podcast, weird darkness retro radio, retro radio, classic radio

Find your Spy Superpower: https://yt.everydayspy.com/4j4CPAZ I just finished reading Moby Dick, by Herman Melville, and I'm shocked by how much the ending of this book moved me. SPOILER ALERT: I share the ending of Moby Dick in detail as I deliver my analysis of the lessons, insights, and relevancy shared in the final chapters. In many ways, finishing this book is the completion of a 30-year journey for me, and I'm overwhelmed with humility and gratitude as I share these thoughts on a book that for so long has been impacting the world.

John and Ben dive deep into Scam-erican literature this week with the help of friend of the pod and resident Melville expert: Chris Thomas. We discuss Melville's final novel: "The Confidence Man: His Masquerade". Topics of discussion include the trustworthiness of barbers, America's enduring interest in flim-flam artists of all sorts, and the long shadow of Don Quixote. As always, we hope that you enjoy the conversation.

It is better to fail in originality than to succeed in imitation. ~Herman Melville Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

Yvette Benavides and Peter Orner welcome internationally renowned cartoonist, Ricardo Siri— known professionally as Liniers—to discuss “Bartleby, the Scrivener,” by Herman Melville.

I would love to give you a summary of the episode, but I prefer not to.

Of all contemporary Cape Verdeans, Cesaria Evora, "the Queen of the Morna" made the biggest impression internationally. However the first Cape Verdean to grace the American imagination was the harpooner Dagoo in Herman Melville's Moby Dick (1851). Cape Verdeans first arrived in United States as whalers in the late 1700's and have been coming ever since, bringing a distinctive Portuguese-African Kriolu flavor to communities across Southern New England and beyond. We'll take a step back in time and look at the rich cultural life of Cape Verdean neighborhoods, where great bands played mornas and coladeiras at local social clubs. Our principle guide for this program will be historian Marilyn Halter, author of “Between Race and Ethnicity: Cape Verdean American Immigrants, 1860-1965.” She'll take us through the years as the Cape Verdean community navigated the turbulent waters of opportunity and identity in America long before the age of American multiculturalism. Then we'll jump ahead and explore current trends from the far-flung Diaspora's thriving music scene, ranging from hip-busting funaná to sleek cabo-zouk. All along, we'll be hearing from Cape Verdean-American musicians, from old-time guitar master Freddy Silva to rapper Mo Green, as they reflect on immigration, nostalgia, heritage, and what it means to be Cape Verdean in the United States. Produced by Marlon Bishop APWW #571

"The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run." --Herman Melville, Moby-Dick Donations, Merchandise, Newsletter, more: https://www.podrunner.com Steve Boyett - Groovelectric: Downloadable Soul https://www.groovelectric.com PLAYLIST 01. Core Meridian - Nostrum 02. Joshua Fernand - White Mountain 03. Reuben Lowe - Ecliptic 04. Max Blade - Inara 05. Sean Jay Dee, AK7 - Harmorosa (Dub Mix) 06. A-Mase - Pharaoh (Original Goa Mix) 07. Airsand & TuraniQa - Babylon (InfeXus Remix) 08. Anne Clark, Talla 2XLC - Our Darkness (Extended Mix) 09. Scheffler Electronics & Holger Abel - Arroz Zambito (Tom Pulse x Weichei Remix) 10. Vhaera - Electric Shiver 11. Sequo - Elysium (Slider- SL Remix) 12. Junk Project - Fly (Extended Mix) 13. Auxsori - Starwars Devices 14. Krispr - Unsewn (Extended Mix) 15. startech42, Ziggy V'Niles - T.R.A.R. 16. Weichei - Cold Season (Extended Mix) 17. Darius - The Arrival == Please support these artists == Podrunner is a registered trademark of Podrunner LLC. Music copyright © or CC the respective artists. All other material ©2006, 2025 by Podrunner LLC. For personal use only. Any unauthorized reproduction, editing, exhibition, sale, rental, exchange, public performance, or broadcast of this audio is prohibited.

Feeling stressed? Drift off tonight to the opening chapters of the classic story Moby Dick by Herman Melville. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodIf you like this episode, please remember to follow on Apple Podcasts or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.

What happens when a woman becomes obsessed with Herman Melville during the pandemic? What if the process of sorting fact from fiction in Melville's work inspires a midlife reckoning with her own marriage and ambition? And what if she (a poet) and her husband (a novelist, by the way) write a book about all of it? Well, the result would be something like Dayswork: A Novel, which has been called "a supremely literate achievement that wears its erudition lightly." In this episode, Jacke talks to the poet and her novelist husband, Jennifer Habel and Chris Bachelder, about what Melville means to them. PLUS Alexander Boots (The Strangers' House: Writing Northern Ireland) discusses his choice for the last book he will ever read. Additional listening suggestions: 513 The Writers of Northern Ireland with Alexander Poots 481 Moby-Dick: 10 Essential Questions (Part One) 482 Moby-Dick: 10 Essential Questions (Part Two) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Essex was an American whaling ship from Nantucket, Massachusetts, which was launched in 1799. On November 20, 1820, while at sea in the southern Pacific Ocean under the command of Captain George Pollard Jr., the ship was attacked and sunk by a sperm whale. About 2,000 nautical miles (3,700 km) from the coast of South America, the 20-man crew was forced to make for land in three whaleboats with what food and water they could salvage from the wreck. After a month at sea the crew landed on the uninhabited Henderson Island. Three men elected to stay on the island, from which they were rescued in April 1821, while the remaining seventeen set off again for the coast of South America. The men suffered severe dehydration, starvation and exposure on the open ocean, and the survivors eventually resorted to cannibalism. By the time they were rescued in February 1821, three months after the sinking of Essex, only five of the seventeen were alive. First mate Owen Chase and cabin boy Thomas Nickerson later wrote accounts of the ordeal. The tragedy attracted international attention, and inspired Herman Melville to write his 1851 novel, Moby-Dick.