Podcasts about Herman Melville

In Episode 228, Sarah, Catherine (@GilmoreGuide), and Chrissie (@ChrissieWhitley) take stock of the reading year so far, discussing the books, publishing trends, and industry chatter that have defined the first half of 2026. They dive into the biggest publishing stories of the year, the rise of "cozy everything," the continued influence of self-publishing and book-to-screen success stories, and whether it's possible to tap a Book of the Year before the second half of the publishing calendar arrives. Then, they share their Top 5 Books of 2026 So Far and a few disappointing reads that didn't quite live up to expectations. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights How our 2026 reading has been so far How 2026 compares to this point in 2025  Each person's current Book of the Year pick Whether it's too early to crown a Book of the Year Midyear reading stats and surprise wins Each of our Top 5 books of 2026 so far Their biggest disappointments of the year so far Top 5 Books of 2026 So Far Sarah No One's Coming by Kevin Hazzard (Mar 3) | Amazon | Bookshop.org [32:42] A Hymn to Life by Gisèle Pelicot (Feb 17) | Amazon | Bookshop.org [36:36]  Whistler by Ann Patchett (Jun 2) | Amazon | Bookshop.org  [39:44]  London Falling by Patrick Radden Keefe (Apr 7) | Amazon | Bookshop.org [46:55] The Burning Side by Sarah Damoff (May 19) | Amazon | Bookshop.org [52:55] Catherine The Poet Empress by Shen Tao (Jan 20) | Amazon | Bookshop.org [35:11] A Hymn to Life by Gisèle Pelicot (Feb 17) | Amazon | Bookshop.org [36:36]  Land by Maggie O'Farrell (Jun 2) | Amazon | Bookshop.org [42:55] Lady Tremaine by Rachel Hochhauser (Mar 3) | Amazon | Bookshop.org  [49:42] Ruins by Lily Brooks-Dalton (March 31) | Amazon | Bookshop.org [56:09] Chrissie A Hymn to Life by Gisèle Pelicot (Feb 17) | Amazon | Bookshop.org [36:36]  Whistler by Ann Patchett (Jun 2) | Amazon | Bookshop.org  [39:44]  The Infamous Gilberts by Angela Tomaski (Jan 20) | Amazon | Bookshop.org  [44:44] Honeysuckle by Bar Fridman-Tell (Mar 24) | Amazon | Bookshop.org [51:10]  Seek the Traitor's Son (The Burning Empire, 1) by Veronica Roth (May 12) | Amazon | Bookshop.org [58:55] Other Books Mentioned The Heart's Invisible Furies by John Boyne (2017) [41:31]  Tom Lake by Ann Patchett (2020) [42:14]  The Bright Years by Sarah Damoff (2025) [53:03]  Dune (Dune, 1) by Frank Herbert (1965) [59:38]  Some Disappointing Books So Far Sarah Kin by Tayari Jones (Feb 24) | Amazon | Bookshop.org [1:00:33]  Go Gentle by Maria Semple (Apr 14) | Amazon | Bookshop.org  [1:00:55] Leave Your Mess At Home by Tolani Akinola (Apr 14) | Amazon | Bookshop.org [1:01:35] Catherine The Last Mandarin by Louise Penny and Mellissa Fung (May 12) | Amazon | Bookshop.org [1:02:03] The Calamity Club by Kathryn Stockett (May 5) | Amazon | Bookshop.org [1:02:31] Chrissie Artifacts by Natalie Lemle (May 19) | Amazon | Bookshop.org  [1:03:39] Hell's Heart by Alexis Hall (Mar 10) | Amazon | Bookshop.org  [1:04:13] Fatherland by Victoria Shorr (Mar 10) | Amazon | Bookshop.org [1:04:54] Other Books Mentioned Where'd You Go, Bernadette by Maria Semple (2012) [1:01:01]  Moby-Dick; or, The Whale by Herman Melville (1851) [1:04:19]  Books From the Opening Discussion Onyx Storm (The Empyrean, 3) by Rebecca Yarros (2025) [2:39]  Project Hail Mary by Andy Weir (2021) [3:18]  Dungeon Crawler Carl (Dungeon Crawler Carl, 1) by Matt Dinniman (2024)* [3:22]  Yesteryear by Caro Claire Burke (Apr 7) [4:34]  Theo of Golden by Allen Levi (2025)* [4:41]  The Correspondent by Virginia Evans (2025) [5:03]  The Let Them Theory by Mel Robbins (2024) [5:57]  Game Changer (Game Changers: Heated Rivalry, 1) by Rachel Reid (2024) [6:09]  KPop Demon Hunters (Junior Novelization) by Jessica Yoon (Mar 31) [6:13]  KPop Demon Hunters (Screen Comic Boxed Set) by Netflix (Nov 3, 2026) [6:13]  The Martian by Andy Weir (2014)* [6:48]  The Names by Florence Knapp (2025) [11:17]  Trad Wife by Michelle Brandon (Aug 4, 2026) [16:57]  Trad Wife by Saratoga Schaefer (Feb 10) [16:59]  Too Blessed to Stress by Alli Hoff Kosik (Mar 3) [17:02]  The Midnight Show by Lee Kelly and Jennifer Thorne (Apr 7) [17:29] Good People by Patmeena Sabit (Feb 3) [17:35]  So Old, So Young by Grant Ginder (Feb 17) [17:40]  No Friend to This House by Natalie Haynes (Mar 10) [18:00]  Upward Bound by Woody Brown (Mar 31) [18:33] This Is Not About Us by Allegra Goodman (Feb 10) [18:35]   The Reservation by Rebecca Kauffman (Feb 24) [18:38]  Brawler by Lauren Groff (Feb 24) [18:43]  My Dear You by Rachel Khong (Apr 7) [18:46]  All the World Can Hold by Jung Yun (Mar 10) [19:16] The Shippers by Katherine Center (May 19) [19:18]   American Fantasy by Emma Straub (Apr 7) [19:32]  Man Overboard by Kathleen Rooney (Jul 7, 2026) [19:37]  Swept Away by Beth O'Leary (2025) [19:47]  The Unselected Journals of Emma M. Lion (Vol. 1) by Beth Brower (2019) [22:45]  *Publication year reflects the later traditionally published edition. These titles were originally self-published. Additional Links The New Yorker | Glowworms by Ann Patchett  (Sep 29, 2025)

Bruce Nichols. Biographer Bruce Nichols explores the complex literary relationship between Herman Melville and Nathaniel Hawthorne. He discusses Melville's development of Moby Dick, their contrasting writing styles, and the mutual influence found in their journals.EMERSON OLD MANSE

Merriam-Webster's Word of the Day for June 18, 2026 is: acquiesce • ak-wee-ESS • verb To acquiesce to something is to accept it, agree with it, or allow it to happen by staying silent or by not arguing. Acquiesce is somewhat formal, and is often used with in or to. // Eventually, the professor acquiesced to the students' request to have the seminar's final class be a potluck lunch. See the entry > Examples: “It may be just the right time for a chicken burger to become a significant stop on the American burger's continual evolution—but whether beef-clinging purists will acquiesce to a poultry spin, or cry fowl, remains to be seen.” — Talib Visram, Slate, 6 Apr. 2026 Did you know? If you're looking to give your speech a gentle, formal flair, don't give acquiesce the silent treatment. Essentially meaning “to comply quietly,” acquiesce has as its ultimate source the Latin verb quiēscere, “to be quiet.” (Quiet itself is also a close relation.) Quiēscere can also mean “to repose,” “to fall asleep,” or “to rest,” and when acquiesce arrived in English via French in the early 1600s, it did so with two senses: the familiar “to agree or comply” and the now-obsolete “to rest satisfied.” Herman Melville employed the former in Moby-Dick, when Ahab orders the “confounded” crew to change the Pequod's course after a storm damages the compasses: “Meanwhile, whatever were his own secret thoughts, Starbuck said nothing, but quietly he issued all requisite orders; while Stubb and Flask—who in some small degree seemed then to be sharing his feelings—likewise unmurmuringly acquiesced.”

RTB's sister podcast, Novel Dialogue, spoke recently with Aaron Gwyn. He is the author of four novels: The World Beneath, Wynne's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism), we learn that Robert Lemmons is a real historical figure and so is Levi English. One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In NOvel Dialogue's "signature question," we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in this episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner, Absalom, Absalom! Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Read transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices

RTB's sister podcast, Novel Dialogue, spoke recently with Aaron Gwyn. He is the author of four novels: The World Beneath, Wynne's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism), we learn that Robert Lemmons is a real historical figure and so is Levi English. One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In NOvel Dialogue's "signature question," we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in this episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner, Absalom, Absalom! Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Read transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

RTB's sister podcast, Novel Dialogue, spoke recently with Aaron Gwyn. He is the author of four novels: The World Beneath, Wynne's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism), we learn that Robert Lemmons is a real historical figure and so is Levi English. One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In NOvel Dialogue's "signature question," we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in this episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner, Absalom, Absalom! Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Read transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Not one for the cluastraphobic. Today we are talking about The Grim Grotto by Lemony Snicket. This time our orphans are deep in the ocean wearing wet suits with fans of Herman Melville. If you like evil mushrooms, breathing underwater, and backstories for villans then this is the book for you! Bonus if you think triangle glasses are not suspicious and actually super cute.WARNING: child abuse, near death of a childBecome a supporter of this podcast: https://www.spreaker.com/podcast/book-cult--5718878/support.

Le style dans l'écriture : question fondamentale et pourtant difficile à définir quand on débute. Au final, de quoi s'agit-il, exactement ? Comment le travailler quand on est seul·e devant son œuvre ? Lionel le définit comme comme une esthétique de la communication – esthétique qui est en soi communication également. En conséquence, le travail commence par une réflexion sur cette esthétique, laquelle est au service d'un effet ou d'un passage donné. Le style est le sujet favori d'Estelle ! Après avoir désamorcé les idées reçues, elle explique comment lire en écrivain·e, en donne un « pack de départ » complet et dense de références pour voir tout ce qu'il est possible d'accomplir sur le sujet. Mélanie propose que trouver son style, c'est affiner sa propre voix, ce qui se fait à force de reconstructions inconscientes d'œuvres auxquelles on s'expose, en littérature mais aussi dans tous les autres médias. Références citées - Marshall McLuhan - Les Chroniques des Bridgerton, série de Chris Van Dusen adaptée des romans de Julia Quinn - Gentleman Jack, série de Sally Wainwright - John Truby, Anatomie du scénario - Jean Genet, Notre-Dame des fleurs - Jack Kerouac - Hunter S. Thompson, Las Vegas parano - Marguerite Duras - Nathalie Sarraute - John Dos Passos - Léo Malet, 120 Rue de la gare - Virgine Despentes, Vernon Subutex - Jean Giono, Le Hussard sur le toit - Marguerite Yourcenar, Mémoires d'Hadrien, L'Œuvre au noir - Herman Melville, Moby-Dick - Gustave Flaubert, Madame Bovary - Dissèque un Extra-Terrestre, jeu Mattel - William Faulkner, Tandis que j'agonise - Poppy Z. Brite, Les Contes de la fée verte - Jean-Daniel Brèque - The Thing, film de John Carpenter

Patrick K. O'Donnell explores the 1864 Dahlgren Raid, a failed Union "decapitation raid" intended to burn Richmondand assassinate Jefferson Davis. In response, the Confederacy intensified its Secret Service operations, employing spies, coded telegraphy, and influence campaigns to undermine Lincoln's 1864 re-election. They funded Northern "Copperhead" editors to promote peace while John Singleton Mosby's rangers disrupted Union logistics. This era also featured author Herman Melville, who embedded with Union cavalry to document the terrifying reality of fighting Mosby's elusive, pistol-wielding irregulars who dominated the headlines of Northern Virginia. (3)1865

Thar she blows! Good times ahead. Not talking about whales, Herman Melville. We're talking comics, pop culture, spandex and more with your pals Max & Steve chat up Futurama, functional alcoholism, tv shows as comic books, bad sound effect, Spider-Man rental services, Spider Noir on Prime, Nicholas Cage's career highlights, when it's appropriate to poop the bed, the history of animation, Masters of the Universe, why abs can make you popular, how bad they whiffed on the G. I. Joe franchise, making whoopee, and a whole lot of what happened at FANEXPO which wrapped up last week or so in Denver. Thanks for listening!

Hörspiel-Klassiker. Wall Street 1850. In der Kanzlei eines Anwalts erscheint Bartleby, ein blasser junger Mann. Er erhält Schreibarbeiten, die er still erledigt. Bald aber beginnt er sich zu verweigern, «möchte lieber nicht mehr». Nichts bringt ihn davon ab. Dann möchte er lieber nicht mehr essen. Bartleby, dieser negative Held, ist eine Existenz des Neins bis zu seinem sanften Abschied vom Leben. Melvilles Text von 1853 gehört durch das tastende, hin- und hergerissene Erzählen des Anwalts und Notars Mr. Tucker zu den berührendsten Monologen der Weltliteratur. Matthias von Spallart hat den Text fürs Radio eingerichtet und mit Wolfgang Reichmann als unvergleichlichem Erzähler inszeniert. Die Produktion wurde zu einer seiner wichtigsten Regiearbeiten. Die sorgfältig umgesetzten Szenensplitter zeichnen die enge Welt der Schreibstube mit den schrulligen Angestellten scharf nach, und mit seinen wenigen kümmerlichen Sätzen porträtiert Wolfgang Forester den armen Bartleby so genau, dass man ihn nicht mehr vergessen kann. ____________________ Mit: Wolfgang Reichmann (Erzähler, Anwalt), Wolfang Forester (Bartleby), Rudolf Hofmann (Turkey), Volker Spahr (Nippers), Walter Kiesler (Broadbent), Jürgen Cziesla (Hauswirt), Heinz Günter Kilian (Wärter), Matthias von Spallart (Schliesser) ____________________ Tontechnik: Ernst Neukomm, Vreni Palm-Rupp – Hörspielbearbeitung und Regie: Matthias von Spallart ____________________ Produktion: SRF 1976 ____________________ Dauer: 77'

In this episode Shruti and Neha discuss the great American classic, Moby Dick, by Herman Melville. We discuss the book's themes of otherness and obsession, but we also get in to so much more, including its racism and (maybe?) progressiveness, naturalism and Darwin, H.P. Lovecraft, and prophecies. Finally, we ponder its status as a classic; does this book deserve to stand the test of time?Links:Beige Moth [Blog]Shelf DiscoveryAhab's Wife by Sena Jeter NaslundAhab's Bride by Louise M. GougeCall me Ishmaelle by Xiaolu GuoFrankenstein by Mary ShelleySky Daddy by Kate FolkIf you would like to get additional recommendations, analyses, and behind-the-scenes content related to this and all of our episodes, subscribe to our free email newsletter on Substack.We love to hear from listeners about the books we discuss - you can connect with us on Instagram or by emailing us at thenovelteapod@gmail.com.This episode description contains links to Bookshop.org, a website that supports independent bookstores. If you use these links we may earn a small commission at no additional cost to you. Hosted on Acast. See acast.com/privacy for more information.

This month, Scott and Matt cross a big one off their lists by tackling Herman Melville's beloved classic Moby-Dick. Folks...this book rules. What an experienceNote: This is an unedited audio copy of the live-streamed discussion over on YouTube, so you'll hear us interact with the audience a bit.Click here to submit a book for the Book ClubNext month, we'll be taking a look at the 2026 Pulitzer-Prize-winning novel Angel Down by Daniel Kraus. We'll see you Friday July 3rd at 9:30 PM to chat about this one-sentence marvel. Support us on PatreonMatt's Twitter: @moridinamaelScott's Twitter:@scottdaly85Stay updated with Doof Media: @doofmediaSee all of our podcasts and more at www.doofmedia.com

Long Island played a major role in the development of whaling in the Americas. Native Americans along the south shore were well practiced in harvesting whales near the coast. They shared their knowledge with early settlers, leading to chartered companies and competition for what became, for much of the 19th century, a very lucrative industry. And nowhere was this industry more visible than out of Sag Harbor. Men boarded ships for multi-year voyages around the globe, in a dangerous pursuit to hunt, kill, and dismember giant creatures of the sea. And while they worked at this pursuit, they sang. Stephen Sanfilippo has been tracking whaling songs for the better part of sixty years, preserving and performing them with his wife Susan at festivals, libraries, and historical societies. Some his best finds have come from reading the private journals of seaman in the Sag Harbor whale fishery. These literate young men recorded life on ship, including the lyrics to many of the ballads, shanties, and ditties sung by the crew in the course of their work. On today's episode, Stephen relates the history and preservation of these songs along with what the sources can and cannot tell us about oral traditions and the life of a whaler. Along the way you'll get a masterclass in the history of Long Island whaling and the chance to sing along. Related Research Isle of Beauty, Fare-Thee-Well (Long Island History Journal) "Seasongs" newsletter: email seasonghistory@gmail.com Sag Harbor Whaling and Historical Museum The Whaling Museum and Education Center (Cold Spring Harbor) Whaling bibliography Moby Dick, or The Whale by Herman Melville (find in a library via WorldCat) Songs the Whalemen Sang by Gale Huntington (find in a library via WorldCat) Two Years Before the Mast by Richard Henry Dana (find in a library via WorldCat) The Sea Lions or The Lost Sealers by James Fenimore Cooper (find in a library via WorldCat) LogBook for Grace by Robert Cushman Murphy (find in a library via WorldCat) Into the Deep: America, Whaling and the World (PBS) Audio Footnotes John Strong, Tracing the Whale Design Brenna McCormick Thompson, We Were the Whalers Music Intro: https://homegrownstringband.com/ Outro: Capering by Blue Dot Sessions CC BY-NC 4.0; Isle of Beauty, Fare-Thee-Well (Susan and Stephen Sanfilippo)

Hugendick, David www.deutschlandfunkkultur.de, Lesart

Hugendick, David www.deutschlandfunkkultur.de, Lesart

Hugendick, David www.deutschlandfunkkultur.de, Lesart

While we are on a break, enjoy this episode from Season 2. Season 3 starts May 19!Week 39 of Ted Gioia's Immersive Humanities Course takes on nineteenth-century American literature. To my surprise, this became one of the most enjoyable weeks so far. I went in dreading familiar names and old high-school resentments, but came out newly energized. Mark Twain's The Adventures of Huckleberry Finn (chapters 1–6) was funny, humane, and immediately engaging. Edgar Allan Poe's The Fall of the House of Usher and “The Raven” used ornate language to heighten unease, while Emily Dickinson's poems felt weightless and startlingly modern. Henry David Thoreau's Walden was quotable and provocative, if ultimately grating, and Herman Melville surprised me most of all: Bartleby, the Scrivener lingered with quiet power, and the opening of Moby-Dick left me eager for more. This week revealed a real shift in voice and sensibility—and changed my mind about American literature. I'm looking forward to going back and reading more, but first we need to move on to Week 40 and Russian Literature!LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!) The complete list of Crack the Book Episodes (Amazon affiliate links): https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rCONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ Like what you heard? Buy me a coffee! https://ko-fi.com/crackthebookLISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Joseph Pearce explores Melville's Moby-Dick, revealing a powerful story of pride, obsession, and the search for truth and meaning. The post GWWL9 – Herman Melville – Moby Dick – Great Works in Western Literature with Joseph Pearce – Discerning Hearts Podcasts appeared first on Discerning Hearts Catholic Podcasts.

On this week's episode of our show, Captain Ingle and I set a course for the high seas of the mid-19th century and the enduring story of revenge. We are looking at the 1998 made-for-TV adaptation of Herman Melville's eternal classic “Moby Dick”, the Great American novel that has been referenced more than once in the world of Star Trek. In this classic tale, Captain Ahab leads the crew of the Pequod to seek vengeance upon the white sperm whale that took the captain's leg. Join us as we go boldly!

Captain Ahab's preoccupation with a white whale is set to music in a new Kansas City world premiere. It's Herman Melville's “Moby Dick,” told in authentic, 19th-century sea shanties.

Hugendick, David www.deutschlandfunkkultur.de, Lesart

Hugendick, David www.deutschlandfunkkultur.de, Lesart

Aaron Gwyn is the author of four novels: The World Beneath, Wynn's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism) and Novel Dialogue's own John Plotz, we learn that Robert Lemmons is a real historical figure and so is Levi English.One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In our signature question, we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in the episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner Absalom Absalom Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow. John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Aaron Gwyn is the author of four novels: The World Beneath, Wynn's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism) and Novel Dialogue's own John Plotz, we learn that Robert Lemmons is a real historical figure and so is Levi English.One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In our signature question, we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in the episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner Absalom Absalom Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow. John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Aaron Gwyn is the author of four novels: The World Beneath, Wynn's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism) and Novel Dialogue's own John Plotz, we learn that Robert Lemmons is a real historical figure and so is Levi English.One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In our signature question, we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in the episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner Absalom Absalom Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow. John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

What does it mean to reconnect to one's ancestral homeland?Thursday on Midday Edition, we hear from the director of a new documentary, "Dear Alaska," which explores reconnection and interconnection through the lens of the Indigenous Tlingit people of the Pacific Northwest and San Diego's Native community.Then, the Old Globe is currently staging a new adaptation of Herman Melville's 1853 short story "Bartleby, the Scrivener." KPBS arts reporter Beth Accomando sits down with the playwrights.Guests:Moriah Hayes/Keeyées Tláa, director, "Dear Alaska"Noah Brody, playwright, Fiasco TheaterPaul L. Coffey, playwright, Fiasco Theater

In this episode of Old Men Yell At Cloud, we dive headfirst into the crushing waves of Mastodon's 2004 masterpiece Leviathan. Inspired by Herman Melville's Moby-Dick, the album is a relentless concept record packed with thunderous riffs, chaotic drumming, and some of the heaviest storytelling in metal. We break down what makes Leviathan such a landmark release—how Mastodon fused sludge, prog, and hardcore into something that felt completely new at the time. Along the way we talk about the band's early era, the insane musicianship (looking at you, Brann Dailor), and the tracks that still hit like a harpoon twenty years later. Was Leviathan the moment Mastodon became metal's most interesting band? Does it still hold up as one of the greatest concept albums of the 2000s? And why does this record feel like getting dragged into the ocean by a very angry whale? Grab a drink, crank the volume, and join us as we yell at the cloud about riffs, whales, and one of the most ferocious albums of the 21st century.

Episode No. 747 of The Modern Art Notes Podcast features artist Bethany Collins and curator Edouard Kopp. Collins is included in "Monuments," at the Museum of Contemporary Art, Los Angeles. The exhibition juxtaposes decommissioned Lost Cause monuments with commissioned artworks that address the histories the Lost Cause aimed to whitewash. Collins' contribution to the project is Love is dangerous (2024-25), a sculptural installation that remakes the base of the Stonewall Jackson monument that was installed in Charlottesville, Virginia. The exhibition, which is on view through May 3, was curated by Hamza Walker, Kara Walker, and Bennett Simpson with Hannah Burstein and Paula Kroll. The museum says that a catalogue is forthcoming. On March 5 the Museum of Contemporary Art Denver opens "Bethany Collins: The Deluge," a presentation of Collins works that each address -- and navigate -- an existential storm. Across several media, Collins addresses major literary works such as Herman Melville's Moby Dick, and Sophocles' Antigone -- and the US songbook too. The exhibition was curated by Leilani Lynch and is on view through July 5. Among the many museums presenting solo exhibitions of Collins' work are the Seattle Art Museum, the Peabody Essex Museum, Salem, Mass., the Contemporary Art Museum Saint Louis, the Van Every and Smith Galleries at Davidson College, the Birmingham Museum of Art, and the Jule Collins Smith Museum of Fine Art at Auburn University. Edouard Kopp is the curator of "Wall Drawing Series: Gladys Nilsson" at the Menil Drawing Institute, Houston. The site-specific exhibition features an enormous Nilsson drawing that features fantastical, hybrid beings surrounding one monumental figure engaged in the act of drawing. It's on view through August 9. Nilsson's work has been the subject of dozens of exhibitions, including a 1973 solo exhibition at the Whitney Museum of American Art. Her work is in the collection of museums such as the Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Art Institute of Chicago. Instagram: Bethany Collins, Tyler Green.

Support Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://libri-vox.org/donateBartleby, the Scrivener (version 2)Herman Melville (1819 - 1891)Bartleby, the Scrivener: A Story of Wall Street is a novella by the American novelist Herman Melville (1819–1891). It first appeared anonymously in two parts in the November and December 1853 editions of Putnam's Magazine, and was reprinted with minor textual alterations in his The Piazza Tales in 1856. ( Summary by Wikipedia )Read by Bob NeufeldGenre(s): General FictionLanguage: EnglishKeyword(s): melville , wall street , bartleby Support Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://libri-vox.org/donate

Send a textIn tonight's episode, with the help of a few of our listeners, I continue to reflect on life aboard the Erica and how it might have changed our lives as well as go on a hunt for the elusive 'Seventh Word'. There is often a lot of talk about how canal-life is helpful for mental wellbeing. Is this really the case? We also go in hunt for some mysterious bramble cutting vandals. Journal entry:21st February, Saturday“A silvered dawn. Milder air With the promise of Spring. Plum blossom and cowslips.”Episode Information:In this episode I read two short poems by Wendell Berry; ‘Song (2)' and ‘Woods'. I also refer to a line by WH Auden from his poem ‘Herman Melville'.With special thanks to our lock-wheelersfor supporting this podcast. Ana McKellar Susan BakerMind Shambles Clare Hollingsworth Kevin B. Fleur and David Mcloughlin Lois Raphael Tania Yorgey Andrea Hansen Chris Hinds Chris and Alan on NB Land of Green Ginger Captain Arlo Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Orange Cookie Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsThe intro and the outro music is ‘Crying Cello' by Oleksii_Kalyna (2024) licensed for free-use by Pixabay (189988). Narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.Contact Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Bluesky: https://bsky.app/profile/noswpod.bsky.social Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

Guest: Patrick K. O'Donnell. This segment introduces the "Jesse Scouts," a Union special forces unit formed by John Frémont and named after his wife. Led by figures like John Charles Carpenter, these men wore Confederate disguises to infiltrate enemy lines. Despite their effectiveness as commandos, their lack of discipline led to friction with the regular Army. Guest: Patrick K. O'Donnell. Richard Blazer leads the "Legion of Honor," a hunter-killer team using Jesse Scout tradecraft to fight Confederate partisans in West Virginia. Blazer employs detective work to track down the ruthless Thurman brothers, who attack Union supply lines in the rugged terrain of the Appalachians. Guest: Patrick K. O'Donnell. A failed Union raid on Richmond carrying orders to kill Jefferson Davis prompts the Confederacy to escalate irregular warfare and political influence operations. As the Confederate Secret Service aids the Copperhead movement, author Herman Melville embeds with Union cavalry to witness the hunt for the elusive John Mosby. Guest: Patrick K. O'Donnell. Confederate General Jubal Early threatens Washington, D.C., where Lincolnwitnesses the battle at Fort Stevens. Meanwhile, partisan leader John Mosby operates independently, capturing Union forces at Mount Zion Church. O'Donnell notes that better coordination between Early and Mosby could have endangered the capital. Guest: Patrick K. O'Donnell. Grant orders total war in the Shenandoah Valley to crush Mosby's Rangers. Although Richard Blazer's scouts initially have success with Spencer carbines, they are eventually lured into a trap and annihilated by Mosby's men at Kabletown, where Blazer is captured by Ranger Lewis Powell. Guest: Patrick K. O'Donnell. Lewis Powell, the Ranger who captured Blazer, is revealed to be a Confederate Secret Service operative working with John Wilkes Booth. Powell returns to Baltimore to aid in a plot to kidnap Lincoln, while Mosby deploys troops to secure a potential escape route for the conspirators. Guest: Patrick K. O'Donnell. Harry Harrison Young takes command of the Jesse Scouts, serving as Sheridan'sstrategic eyes in Confederate uniforms. These daring scouts deceive enemy forces and carry messages through enemy lines, enabling Sheridan to move his army effectively to join Grant and trap Lee. Guest: Patrick K. O'Donnell. Robert E. Lee rejects the option of guerrilla warfare at Appomattox, choosing surrender to preserve the nation. Years later, former partisan John Singleton Mosby becomes close friends with U.S. Grant and joins the Republican Party, earning the enmity of many Southerners but symbolizing reconciliation. Guest: Michael Vorenberg. At Appomattox, Grant offers generous terms allowing Confederates to keep horses and sidearms. However, Lincoln does not immediately declare the war over; in his final speech, he focuses on the complex path to peace and suffrage, viewing the surrender as a step rather than a conclusion. Guest: Michael Vorenberg. Following Lincoln's assassination, General Sherman negotiates a surrender with Confederate General Johnston at Bennett Place. Sherman attempts to secure a comprehensive peace including civil matters, but officials in Washington, seeking stricter retribution, reject the terms as too generous, forcing a second, purely military surrender. Guest: Michael Vorenberg. While the Grand Review celebrates victory in Washington, General Sheridan is sent to the Texas border with 50,000 troops to counter French imperial ambitions in Mexico and suppress remaining Confederate resistance. Meanwhile, Confederate General Kirby Smith flees to Mexico rather than surrender his western forces. Guest: Michael Vorenberg. The government utilizes military tribunals to try Lincoln's assassins and Andersonville commandant Henry Wirz, arguing the war is ongoing. Prosecutors hope to pressure Wirz into implicating Jefferson Davis in prisoner atrocities to justify hanging the Confederate president, but Wirz refuses and is executed alone. Guest: Michael Vorenberg. Vorenberg discusses Richard Henry Dana's "Grasp of War" speech, which argued the war could not end until the victor secured guarantees against future conflict. This philosophy, demanding the enemy be held down, contrasted sharply with Lincoln's "let 'em up easy" wrestling metaphor, fueling Congressional debates over reconstruction. Guest: Michael Vorenberg. Vorenberg explains how President Johnson's racism and desire for a hasty peace alienated Congress. Johnson vetoed the Civil Rights and Freedman's Bureau Acts, arguing the war was over. Republicans, however, insisted war powers remained necessary to protect freedmen, leading them to override Johnson and unite against him. Guest: Michael Vorenberg. To undercut radicals, Johnson followed Seward's advice to declare the insurrection ended by executive proclamation in 1866. Vorenberg notes this "official" peace ignored realities like the New Orleans massacre. Simultaneously, Senator Doolittle was misled by General Carlton regarding the mistreatment of the Navajo at Bosque Redondo during his peace commission tour. Guest: Michael Vorenberg. General Grant found himself caught between a hostile President Johnson and Secretary Stanton. Vorenberg describes the disastrous "swing around the circle" tour, where Johnson used Grant'spopularity as a shield while making embarrassing speeches. Witnessing Johnson's behavior, Grant ultimately sided with Stanton, realizing the President was unworthy of his loyalty.

Guest: Patrick K. O'Donnell. A failed Union raid on Richmond carrying orders to kill Jefferson Davis prompts the Confederacy to escalate irregular warfare and political influence operations. As the Confederate Secret Service aids the Copperhead movement, author Herman Melville embeds with Union cavalry to witness the hunt for the elusive John Mosby1880 GAR PICNIC MN

DEFENDANT: Herman Melville  EVIDENCE: Melville Estate Pinot Noir SCENE OF THE CRIME: Santa Rita Hills, and the Big Blue Sea -- Hey friend — pour yourself a glass and come sit with us. In this episode Judge Topher and Judge Rachel finally introduce themselves (yes, really) and then proceed to hijack a $75 Santa Rita Hills Pinot Noir, talk glassware, sniff cherries, sage, pepper and a little eucalyptus, and declare that yes: this bottle is absolutely worth the fuss.   We wander from tasting notes (garnet color, plums, violets, forest-floor complexity) to winery vibes — estate-grown, sustainable farming, family stories — then slip into full literary chaos as we roast, admire, and gently disembowel Herman Melville. Expect idle mutiny, a ridiculous cross‑examination quiz, surprising Melville facts (Mocha Dick!), and the sacred power of the line "Call me Ishmael."   There's a lot of laughing, a little spilled wine, a bonus boxed-Pinot for scientific — ahem, comparative — purposes, and lots of off‑topic delights: antique store finds, dog shenanigans (Hermes is a star), and the kind of tangents you only get when two people drink nice wine and refuse to act like sober adults.   By the end we deliver our verdict: not guilty — this Pinot is a winner. Whether you're here for the wine geekery, the Melville deep dive, or just to feel like you're in the room with two pals roasting each other and solving the mysteries of the sea, this episode's for you. Tell us your White Whale (or your favorite Pinot) — we'll trade you a story and maybe some podcast swag if you're brave.

"Sincerely held religious belief" is now a common phrase in discussions of American religious freedom, from opinions handed down by the US Supreme Court to local controversies. The "sincerity test" of religious belief has become a cornerstone of US jurisprudence, framing what counts as legitimate grounds for First Amendment claims in the eyes of the law. In Sincerely Held: American Secularism and Its Believers (U Chicago Press, 2022), Charles McCrary provides an original account of how sincerely held religious belief became the primary standard for determining what legally counts as authentic religion. McCrary skillfully traces the interlocking histories of American sincerity, religion, and secularism starting in the mid-nineteenth century. He analyzes a diverse archive, including Herman Melville's novel The Confidence-Man, vice-suppressing police, Spiritualist women accused of being fortune-tellers, eclectic conscientious objectors, secularization theorists, Black revolutionaries, and anti-LGBTQ litigants. Across this history, McCrary reveals how sincerity and sincerely held religious belief developed as technologies of secular governance, determining what does and doesn't entitle a person to receive protections from the state. This fresh analysis of secularism in the United States invites further reflection on the role of sincerity in public life and religious studies scholarship, asking why sincerity has come to matter so much in a supposedly "post-truth" era. Dr. Charles McCrary is a scholar of American religion, focusing on secularism, religious freedom, race, and science. His work has been published in academic journals including the Journal of the American Academy of Religion, Religion & American Culture, and Religion. He also has written for popular outlets such as Religion & Politics, The Revealer, and The New Republic, many of which are linked in the show notes of this episode. Before coming to ASU, he was a postdoctoral research associate at the John C. Danforth Center on Religion and Politics at Washington University in St. Louis. Read more by Charles McCrary: "The Supreme Court and the Strange Politics of the 'Sincere Believer,'" Religion & Politics, Apr. 2022 "The Antisocial Strain of Sincere Religious Beliefs Is on the Rise," The New Republic, Apr. 2022 "The Baffling Legal Standard Fueling Religious Objections to Vaccine Mandates," The New Republic, Sept. 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

"Sincerely held religious belief" is now a common phrase in discussions of American religious freedom, from opinions handed down by the US Supreme Court to local controversies. The "sincerity test" of religious belief has become a cornerstone of US jurisprudence, framing what counts as legitimate grounds for First Amendment claims in the eyes of the law. In Sincerely Held: American Secularism and Its Believers (U Chicago Press, 2022), Charles McCrary provides an original account of how sincerely held religious belief became the primary standard for determining what legally counts as authentic religion. McCrary skillfully traces the interlocking histories of American sincerity, religion, and secularism starting in the mid-nineteenth century. He analyzes a diverse archive, including Herman Melville's novel The Confidence-Man, vice-suppressing police, Spiritualist women accused of being fortune-tellers, eclectic conscientious objectors, secularization theorists, Black revolutionaries, and anti-LGBTQ litigants. Across this history, McCrary reveals how sincerity and sincerely held religious belief developed as technologies of secular governance, determining what does and doesn't entitle a person to receive protections from the state. This fresh analysis of secularism in the United States invites further reflection on the role of sincerity in public life and religious studies scholarship, asking why sincerity has come to matter so much in a supposedly "post-truth" era. Dr. Charles McCrary is a scholar of American religion, focusing on secularism, religious freedom, race, and science. His work has been published in academic journals including the Journal of the American Academy of Religion, Religion & American Culture, and Religion. He also has written for popular outlets such as Religion & Politics, The Revealer, and The New Republic, many of which are linked in the show notes of this episode. Before coming to ASU, he was a postdoctoral research associate at the John C. Danforth Center on Religion and Politics at Washington University in St. Louis. Read more by Charles McCrary: "The Supreme Court and the Strange Politics of the 'Sincere Believer,'" Religion & Politics, Apr. 2022 "The Antisocial Strain of Sincere Religious Beliefs Is on the Rise," The New Republic, Apr. 2022 "The Baffling Legal Standard Fueling Religious Objections to Vaccine Mandates," The New Republic, Sept. 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

"Sincerely held religious belief" is now a common phrase in discussions of American religious freedom, from opinions handed down by the US Supreme Court to local controversies. The "sincerity test" of religious belief has become a cornerstone of US jurisprudence, framing what counts as legitimate grounds for First Amendment claims in the eyes of the law. In Sincerely Held: American Secularism and Its Believers (U Chicago Press, 2022), Charles McCrary provides an original account of how sincerely held religious belief became the primary standard for determining what legally counts as authentic religion. McCrary skillfully traces the interlocking histories of American sincerity, religion, and secularism starting in the mid-nineteenth century. He analyzes a diverse archive, including Herman Melville's novel The Confidence-Man, vice-suppressing police, Spiritualist women accused of being fortune-tellers, eclectic conscientious objectors, secularization theorists, Black revolutionaries, and anti-LGBTQ litigants. Across this history, McCrary reveals how sincerity and sincerely held religious belief developed as technologies of secular governance, determining what does and doesn't entitle a person to receive protections from the state. This fresh analysis of secularism in the United States invites further reflection on the role of sincerity in public life and religious studies scholarship, asking why sincerity has come to matter so much in a supposedly "post-truth" era. Dr. Charles McCrary is a scholar of American religion, focusing on secularism, religious freedom, race, and science. His work has been published in academic journals including the Journal of the American Academy of Religion, Religion & American Culture, and Religion. He also has written for popular outlets such as Religion & Politics, The Revealer, and The New Republic, many of which are linked in the show notes of this episode. Before coming to ASU, he was a postdoctoral research associate at the John C. Danforth Center on Religion and Politics at Washington University in St. Louis. Read more by Charles McCrary: "The Supreme Court and the Strange Politics of the 'Sincere Believer,'" Religion & Politics, Apr. 2022 "The Antisocial Strain of Sincere Religious Beliefs Is on the Rise," The New Republic, Apr. 2022 "The Baffling Legal Standard Fueling Religious Objections to Vaccine Mandates," The New Republic, Sept. 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

It takes courage to reimagine a classic. Xiaolu Guo was drawn to Herman Melville's “Moby-Dick,” from the first time she read it in her native Chinese. The writing was lyrical — hard to translate — and the descriptions of sailing were dense. But the symbolism of the great white whale and the sea-faring captain obsessed with revenge captivated her. Her new novel is a retelling of this classic with a young girl at its center. Protagonist Ishmaelle goes to sea, disguised as a boy, in a desperate grasp for freedom. She wants to leave poverty, gender norms and religious traditions behind. When she ends up on a whaling ship, captained by a free Black man named Seneca, she meets a swash-buckling crew of people who broaden her world — and ours. Guo joins host Kerri Miller this week to talk about her reimagined “Moby-Dick” which probes gender, race, humanity's connection to animals and the nature of belonging.Guest: Xiaolu Guo is the author of “Radical” and “Nine Continents.” Her new novel is “Call Me Ishmaelle.”Subscribe to the Thread newsletter for the latest book and author news and must-read recommendations.Subscribe to Big Books and Bold Ideas with Kerri Miller on Apple Podcasts, Google Podcasts, RSS or anywhere you get your podcasts.

Antonio Martínez Asensio nuevamente la sala de lectura de tres minutos de 'La Biblioteca' de 'Hoy por Hoy' para contarnos 'Bartleby, el escribiente', de Herman Melville.

Pol Guasch aparca la ficción para relatarnos, en 'Reliquia'  (Anagrama),  su duelo por el suicidio de su padre. Narra todo un proceso de diez años que culmina con la decisión de escribir y publicar la novela.  Va encajando con maestría todas las piezas que conforman el puzle de una muerte violenta, que nadie te explica, que ves venir, pero a la vez no esperas, y , lo más importante, que no se olvida.  Pol nos donó además para nuestra biblioteca  'Cerca del corazón salvaje" de Clarice Lispector (Siruela), de la misma autoría de Clarice Lispector  la novela que va a contar Antonio Martínez Asensio en 'Un libro, una hora', 'La hora de la estrella' . Pero antes, nuestro bibliotecario nos contó en tres minutos “Bartleby, el escribiente” de Herman Melville (Alianza) . Las novedades las trajo Pepe Rubio y fueron 'Textos vivos-Notas de un reencuentro" de José Carlos Mainer (Renacimiento ) y 'Noche blanca' de Úrszula Honek (Lumen). El libro abandonado y rescatado por Pascual Donate fue  'Vida Àvida'  de Ángel Guinda (Olifante Editorial). Finalmente los oyentes donaron: 'Último barco' Domingo Villar (Siruela) , 'He visto ballenas' de Javier de Isusi (Astiberri) y 'Vanguardia es una mujer' de Clara de Frutos (Norma Editorial) . Y terminamos la hora con lo que Pol Guasch, el autor invitado, estaba leyendo en ese momento "Un deseo desmesurado de amistad" de Hélène Giannnecchini (Anagrama) 

A failed 1864 Union raid led by Dahlgren intended to burn Richmond and kill Confederate leaders, prompting a Confederate Secret Service response involving political subversion. Meanwhile, author Herman Melville embedded with Union cavalry, writing poetry about the terror of facing Mosby's elusive rangers in the "shadows."1865 FIVE FORKS

For Tolkien, fairy stories are not stories about fairies, but stories that take place in Faerie. And in doing so, they make Faerie present. They are not escapist fantasies but disclosures of a real mode of being and invitations to live in that mode. In this episode, Phil and JF explore the great writer's radical claims about the nature of story, life, and reality. Upcoming Events Erik Davis and JF's six-week course on Herman Melville's Moby-Dick begins on January 20th. For details and to enroll, visit the Weirdosphere. For information on the upcoming Weird Academia events in Bloomington (Jan 27-29), visit the symposium web page at the Center for Possible Minds. Music in this Episode "What a Load of Gnosis," from Weird Studies: Music from the Podcast, Volume I "Springtime on Ganymede," from Weird Studies: Music from the Podcast, Volume II References J. R. R. Tolkein, “On Fairy Stories”  Immanuel Kant, Critique of Pure Reason  Arthur Schopenhauer, The World as Will and Idea  Franz Liszt, Transcendental Etude No. 4: Mazeppa (played by Lazar Berman)  Dogen, "Instructions for the Cook" Jeff Kripal, Mutants and Mystics  Eric Wargo, From Nowhere J.F. Martel, Review of “From Nowhere” for Journal of Scientific Exploration Richard Wagner, Parsifal  Learn more about your ad choices. Visit megaphone.fm/adchoices

It is better to fail in originality than to succeed in imitation. - Herman Melville Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

In Puritan New England, a young man leaves Faith, his wife, to go into the forest to meet the Devil. It's a story "as deep as Dante," said Herman Melville. In this episode, Jacke reads "Young Goodman Brown," by Nathaniel Hawthorne, then Jacke and Mike discuss the story that Stephen King has called "one of the ten best stories written by an American." Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Act soon - there are limited spots available! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Week 39 of Ted Gioia's Immersive Humanities Course takes on nineteenth-century American literature—and to my surprise, it became one of the most enjoyable weeks so far. I went in dreading familiar names and old high-school resentments, but came out newly energized. Mark Twain's The Adventures of Huckleberry Finn (chapters 1–6) was funny, humane, and immediately engaging. Edgar Allan Poe's The Fall of the House of Usher and “The Raven” used ornate language to heighten unease, while Emily Dickinson's poems felt weightless and startlingly modern. Henry David Thoreau's Walden was quotable and provocative, if ultimately grating, and Herman Melville surprised me most of all: Bartleby, the Scrivener lingered with quiet power, and the opening of Moby-Dick left me eager for more. This week revealed a real shift in voice and sensibility—and changed my mind about American literature. I'm looking forward to going back and reading more, but first we need to move on to Week 40 and Russian Literature!

Some of our favourite guests of the year return to talk about books that helped meaningfully explain 2025. We talk about the evergreen appeal of Plato as well as Jewish identity with former Yale fascism scholar Jason Stanley. The déjà vu of trade wars and Canadian nationalism are tackled by journalist and author Stephen Maher. His pick is a book that details the last election of Sir John A. Macdonald and first election of Wilfrid Laurier.Then the career works of Herman Melville as a blueprint for modern America with historian Rick Perlstein.This is part one, in a series that will continue on tomorrow's show! The books:The Republic Book 8 by Plato Being Jewish After Gaza: A Reckoning by Peter BeinartThe History of Canada Series: The Destiny of Canada by Christopher PenningtonThe Lightning-Rod Man by Herman Melville

Merriam-Webster's Word of the Day for December 11, 2025 is: leviathan • luh-VYE-uh-thun • noun Leviathan is a word with literary flair that can refer broadly to something very large and powerful, or more narrowly to a large sea animal, or a totalitarian state having a vast bureaucracy. // Towering leviathans of the forest, giant sequoias often reach heights of more than 200 feet. See the entry > Examples: “These are dim days for the leviathan merchants. The smart whaling families have diversified and will hang onto their wealth for years to come. ... The less smart, those convulsed by the strange desire to continue doing what had always been done, who consider it a divinely issued directive to rid the waves of great fish, now face a problem: the Atlantic whale that built their houses and ships has seemingly wised up ...” — Ethan Rutherford, North Sun, or The Voyage of the Whaleship Esther: A Novel, 2025 Did you know? Old Testament references to a huge sea monster, Leviathan (in Hebrew, Liwyāthān), are thought to have been inspired by an ancient myth in which the god Baal slays a multiheaded sea monster. Leviathan appears in the Book of Psalms as a sea serpent that is killed by God and then given as food to creatures in the wilderness, and it is mentioned in the Book of Job as well. After making a splash in English in the 1300s, the word Leviathan began to be used, capitalized and uncapitalized, for enormous sea creatures both imagined and real—including as a synonym of whale over 100 times in Herman Melville's Moby-Dick, as in “ere the Pequod's weedy hull rolls side by side with the barnacled hulls of the leviathan.” Today, leviathan can be used for anything large and powerful, from ships to corporations.

Sally Mann is a photographer and a New York Times bestselling writer. She is best known for making large-format black and white photographs of the people and places in her immediate surroundings: her children, her husband, and the rural landscape of her home state and the American South. Sally was born in Lexington, Virginia, the youngest of three children to Robert and Elizabeth Munger. Her father was a doctor and gave Sally his old Leica camera to play with. After university, she wanted to be a poet but she spent more than a decade as a commercial photographer while starting a family of her own and exhibiting her work on a small scale. She published her first book of photographs in 1984. That same year, she began taking pictures of her three children for a series called Immediate Family, which brought her both renown as well as infamy for touching on ordinary moments in their daily lives – playing, sleeping, and eating, sometimes while naked – but also speaking to larger themes such as death and cultural perceptions of childhood, rendering familiar subjects “both sublime and disquieting”. In the mid-1990s, she began to move away from the family pictures in favour of photographing the landscape around her. Much of Sally's body of work comes from observing what is closest at hand because, she says, “The things that are close to you are the things that you can photograph the best.” She has explored the identity of the American South, and her relationship with her place of origin, as well as mortality and decay, and the effects of muscular dystrophy on her husband. In her latest book, Art Work, she considers the challenges and pleasures of the creative process. Sally continues to live on the 800-acre family farm near Lexington with her husband Larry and a number of dogs. DISC ONE: Köln, January 24, 1975, Part I - Keith Jarrett DISC TWO: Take This Hammer - Odetta DISC THREE: Trustful Hands - The Dø DISC FOUR: Oh Holy Night. Composed by Adolphe Adam and performed by Concert Choir of St Andrew's School, Delaware and Virginia Mann (Soprano) DISC FIVE: Moby Dick (an extract of Chapter 3) Written by Herman Melville and narrated by Frank Muller DISC SIX: County Seat - Emmett Mann DISC SEVEN: Vivaldi: Oboe Concerto in C major, RV 452: 2. Adagio. Performed by Heinz Holliger (Oboe), I Musici (Ensemble) DISC EIGHT: You Are My Friend (Live) - Sylvester BOOK CHOICE: In Search of Lost Time by Marcel Proust LUXURY ITEM: Paper and a pencil CASTAWAY'S FAVOURITE: You Are My Friend (Live) - Sylvester Presenter Lauren Laverne Producer Sarah TaylorDesert Island Discs has cast many photographers away over the years including Eve Arnold, Val Wilmer and Vanley Burke. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

We Survived the Night by Julian Brave NoiseCat is a powerful and poignant blend of memoir, poetry, folklore and reportage from an Oscar-nominated director, journalist and champion powwow dancer. Julian joins us to talk about trickster narratives, Coyote stories, art, consideration and more with cohost Isabelle McConville. This episode of Poured Over was hosted by Isabelle McConville and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): We Survived the Night by Julian Brave NoiseCat There There by Tommy Orange Shutter by Ramona Emerson Soft as Bones: A Memoir by Chyana Marie Sage Moby Dick by Herman Melville  

In the final episode of our whale series, we learn about fecal plumes, shipping noise, and why Moby-Dick is still worth reading. (Part 3 of "Everything You Never Knew About Whaling.") SOURCES:Michele Baggio, professor of economics at the University of Connecticut.Mary K. Bercaw-Edwards, professor of maritime English at the University of Connecticut and lead foreman at the Mystic Seaport Museum.Hester Blum, professor of English at Washington University in St. Louis.Eric Hilt, professor of economics at Wellesley College.Kate O'Connell, senior policy consultant for the marine life program at the Animal Welfare Institute.Maria Petrillo, director of interpretation at the Mystic Seaport Museum.Joe Roman, fellow and writer-in-residence at the Gund Institute for Environment, University of Vermont. RESOURCES:Eat, Poop, Die: How Animals Make Our World, by Joe Roman (2023).“Racial Diversity and Team Performance: Evidence from the American Offshore Whaling Industry,” by Michele Baggio and Metin M. Cosgel (S.S.R.N., 2023).“Why 23 Dead Whales Have Washed Up on the East Coast Since December,” by Tracey Tully and Winston Choi-Schagrin (The New York Times, 2023).“Suspected Russia-Trained Spy Whale Reappears Off Sweden's Coast,” by A.F.P. in Stockholm (The Guardian, 2023).“International Trade, Noise Pollution, and Killer Whales,” by M. Scott Taylor and Fruzsina Mayer (N.B.E.R. Working Paper, 2023).“World-First Map Exposes Growing Dangers Along Whale Superhighways,” by the World Wildlife Fund (2022).“Lifting Baselines to Address the Consequences of Conservation Success,” by Joe Roman, Meagan M. Dunphy-Daly, David W. Johnston, and Andrew J. Read (Trends in Ecology & Evolution, 2015).“Wages, Risk, and Profits in the Whaling Industry,” by Elmo P. Hohman (The Quarterly Journal of Economics, 1926).Moby-Dick, by Herman Melville (1851). EXTRAS:“Why Do People Still Hunt Whales? (Update)” by Freakonomics Radio (2025).“How Much Does Discrimination Hurt the Economy?” by Freakonomics Radio (2021).