Podcasts about Herman Melville

Episode No. 747 of The Modern Art Notes Podcast features artist Bethany Collins and curator Edouard Kopp. Collins is included in "Monuments," at the Museum of Contemporary Art, Los Angeles. The exhibition juxtaposes decommissioned Lost Cause monuments with commissioned artworks that address the histories the Lost Cause aimed to whitewash. Collins' contribution to the project is Love is dangerous (2024-25), a sculptural installation that remakes the base of the Stonewall Jackson monument that was installed in Charlottesville, Virginia. The exhibition, which is on view through May 3, was curated by Hamza Walker, Kara Walker, and Bennett Simpson with Hannah Burstein and Paula Kroll. The museum says that a catalogue is forthcoming. On March 5 the Museum of Contemporary Art Denver opens "Bethany Collins: The Deluge," a presentation of Collins works that each address -- and navigate -- an existential storm. Across several media, Collins addresses major literary works such as Herman Melville's Moby Dick, and Sophocles' Antigone -- and the US songbook too. The exhibition was curated by Leilani Lynch and is on view through July 5. Among the many museums presenting solo exhibitions of Collins' work are the Seattle Art Museum, the Peabody Essex Museum, Salem, Mass., the Contemporary Art Museum Saint Louis, the Van Every and Smith Galleries at Davidson College, the Birmingham Museum of Art, and the Jule Collins Smith Museum of Fine Art at Auburn University. Edouard Kopp is the curator of "Wall Drawing Series: Gladys Nilsson" at the Menil Drawing Institute, Houston. The site-specific exhibition features an enormous Nilsson drawing that features fantastical, hybrid beings surrounding one monumental figure engaged in the act of drawing. It's on view through August 9. Nilsson's work has been the subject of dozens of exhibitions, including a 1973 solo exhibition at the Whitney Museum of American Art. Her work is in the collection of museums such as the Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Art Institute of Chicago. Instagram: Bethany Collins, Tyler Green.

Support Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://libri-vox.org/donateBartleby, the Scrivener (version 2)Herman Melville (1819 - 1891)Bartleby, the Scrivener: A Story of Wall Street is a novella by the American novelist Herman Melville (1819–1891). It first appeared anonymously in two parts in the November and December 1853 editions of Putnam's Magazine, and was reprinted with minor textual alterations in his The Piazza Tales in 1856. ( Summary by Wikipedia )Read by Bob NeufeldGenre(s): General FictionLanguage: EnglishKeyword(s): melville , wall street , bartleby Support Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://libri-vox.org/donate

Send a textIn tonight's episode, with the help of a few of our listeners, I continue to reflect on life aboard the Erica and how it might have changed our lives as well as go on a hunt for the elusive 'Seventh Word'. There is often a lot of talk about how canal-life is helpful for mental wellbeing. Is this really the case? We also go in hunt for some mysterious bramble cutting vandals. Journal entry:21st February, Saturday“A silvered dawn. Milder air With the promise of Spring. Plum blossom and cowslips.”Episode Information:In this episode I read two short poems by Wendell Berry; ‘Song (2)' and ‘Woods'. I also refer to a line by WH Auden from his poem ‘Herman Melville'.With special thanks to our lock-wheelersfor supporting this podcast. Ana McKellar Susan BakerMind Shambles Clare Hollingsworth Kevin B. Fleur and David Mcloughlin Lois Raphael Tania Yorgey Andrea Hansen Chris Hinds Chris and Alan on NB Land of Green Ginger Captain Arlo Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Orange Cookie Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsThe intro and the outro music is ‘Crying Cello' by Oleksii_Kalyna (2024) licensed for free-use by Pixabay (189988). Narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.Contact Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Bluesky: https://bsky.app/profile/noswpod.bsky.social Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

Guest: Patrick K. O'Donnell. This segment introduces the "Jesse Scouts," a Union special forces unit formed by John Frémont and named after his wife. Led by figures like John Charles Carpenter, these men wore Confederate disguises to infiltrate enemy lines. Despite their effectiveness as commandos, their lack of discipline led to friction with the regular Army. Guest: Patrick K. O'Donnell. Richard Blazer leads the "Legion of Honor," a hunter-killer team using Jesse Scout tradecraft to fight Confederate partisans in West Virginia. Blazer employs detective work to track down the ruthless Thurman brothers, who attack Union supply lines in the rugged terrain of the Appalachians. Guest: Patrick K. O'Donnell. A failed Union raid on Richmond carrying orders to kill Jefferson Davis prompts the Confederacy to escalate irregular warfare and political influence operations. As the Confederate Secret Service aids the Copperhead movement, author Herman Melville embeds with Union cavalry to witness the hunt for the elusive John Mosby. Guest: Patrick K. O'Donnell. Confederate General Jubal Early threatens Washington, D.C., where Lincolnwitnesses the battle at Fort Stevens. Meanwhile, partisan leader John Mosby operates independently, capturing Union forces at Mount Zion Church. O'Donnell notes that better coordination between Early and Mosby could have endangered the capital. Guest: Patrick K. O'Donnell. Grant orders total war in the Shenandoah Valley to crush Mosby's Rangers. Although Richard Blazer's scouts initially have success with Spencer carbines, they are eventually lured into a trap and annihilated by Mosby's men at Kabletown, where Blazer is captured by Ranger Lewis Powell. Guest: Patrick K. O'Donnell. Lewis Powell, the Ranger who captured Blazer, is revealed to be a Confederate Secret Service operative working with John Wilkes Booth. Powell returns to Baltimore to aid in a plot to kidnap Lincoln, while Mosby deploys troops to secure a potential escape route for the conspirators. Guest: Patrick K. O'Donnell. Harry Harrison Young takes command of the Jesse Scouts, serving as Sheridan'sstrategic eyes in Confederate uniforms. These daring scouts deceive enemy forces and carry messages through enemy lines, enabling Sheridan to move his army effectively to join Grant and trap Lee. Guest: Patrick K. O'Donnell. Robert E. Lee rejects the option of guerrilla warfare at Appomattox, choosing surrender to preserve the nation. Years later, former partisan John Singleton Mosby becomes close friends with U.S. Grant and joins the Republican Party, earning the enmity of many Southerners but symbolizing reconciliation. Guest: Michael Vorenberg. At Appomattox, Grant offers generous terms allowing Confederates to keep horses and sidearms. However, Lincoln does not immediately declare the war over; in his final speech, he focuses on the complex path to peace and suffrage, viewing the surrender as a step rather than a conclusion. Guest: Michael Vorenberg. Following Lincoln's assassination, General Sherman negotiates a surrender with Confederate General Johnston at Bennett Place. Sherman attempts to secure a comprehensive peace including civil matters, but officials in Washington, seeking stricter retribution, reject the terms as too generous, forcing a second, purely military surrender. Guest: Michael Vorenberg. While the Grand Review celebrates victory in Washington, General Sheridan is sent to the Texas border with 50,000 troops to counter French imperial ambitions in Mexico and suppress remaining Confederate resistance. Meanwhile, Confederate General Kirby Smith flees to Mexico rather than surrender his western forces. Guest: Michael Vorenberg. The government utilizes military tribunals to try Lincoln's assassins and Andersonville commandant Henry Wirz, arguing the war is ongoing. Prosecutors hope to pressure Wirz into implicating Jefferson Davis in prisoner atrocities to justify hanging the Confederate president, but Wirz refuses and is executed alone. Guest: Michael Vorenberg. Vorenberg discusses Richard Henry Dana's "Grasp of War" speech, which argued the war could not end until the victor secured guarantees against future conflict. This philosophy, demanding the enemy be held down, contrasted sharply with Lincoln's "let 'em up easy" wrestling metaphor, fueling Congressional debates over reconstruction. Guest: Michael Vorenberg. Vorenberg explains how President Johnson's racism and desire for a hasty peace alienated Congress. Johnson vetoed the Civil Rights and Freedman's Bureau Acts, arguing the war was over. Republicans, however, insisted war powers remained necessary to protect freedmen, leading them to override Johnson and unite against him. Guest: Michael Vorenberg. To undercut radicals, Johnson followed Seward's advice to declare the insurrection ended by executive proclamation in 1866. Vorenberg notes this "official" peace ignored realities like the New Orleans massacre. Simultaneously, Senator Doolittle was misled by General Carlton regarding the mistreatment of the Navajo at Bosque Redondo during his peace commission tour. Guest: Michael Vorenberg. General Grant found himself caught between a hostile President Johnson and Secretary Stanton. Vorenberg describes the disastrous "swing around the circle" tour, where Johnson used Grant'spopularity as a shield while making embarrassing speeches. Witnessing Johnson's behavior, Grant ultimately sided with Stanton, realizing the President was unworthy of his loyalty.

Guest: Patrick K. O'Donnell. A failed Union raid on Richmond carrying orders to kill Jefferson Davis prompts the Confederacy to escalate irregular warfare and political influence operations. As the Confederate Secret Service aids the Copperhead movement, author Herman Melville embeds with Union cavalry to witness the hunt for the elusive John Mosby1880 GAR PICNIC MN

DEFENDANT: Herman Melville  EVIDENCE: Melville Estate Pinot Noir SCENE OF THE CRIME: Santa Rita Hills, and the Big Blue Sea -- Hey friend — pour yourself a glass and come sit with us. In this episode Judge Topher and Judge Rachel finally introduce themselves (yes, really) and then proceed to hijack a $75 Santa Rita Hills Pinot Noir, talk glassware, sniff cherries, sage, pepper and a little eucalyptus, and declare that yes: this bottle is absolutely worth the fuss.   We wander from tasting notes (garnet color, plums, violets, forest-floor complexity) to winery vibes — estate-grown, sustainable farming, family stories — then slip into full literary chaos as we roast, admire, and gently disembowel Herman Melville. Expect idle mutiny, a ridiculous cross‑examination quiz, surprising Melville facts (Mocha Dick!), and the sacred power of the line "Call me Ishmael."   There's a lot of laughing, a little spilled wine, a bonus boxed-Pinot for scientific — ahem, comparative — purposes, and lots of off‑topic delights: antique store finds, dog shenanigans (Hermes is a star), and the kind of tangents you only get when two people drink nice wine and refuse to act like sober adults.   By the end we deliver our verdict: not guilty — this Pinot is a winner. Whether you're here for the wine geekery, the Melville deep dive, or just to feel like you're in the room with two pals roasting each other and solving the mysteries of the sea, this episode's for you. Tell us your White Whale (or your favorite Pinot) — we'll trade you a story and maybe some podcast swag if you're brave.

"Sincerely held religious belief" is now a common phrase in discussions of American religious freedom, from opinions handed down by the US Supreme Court to local controversies. The "sincerity test" of religious belief has become a cornerstone of US jurisprudence, framing what counts as legitimate grounds for First Amendment claims in the eyes of the law. In Sincerely Held: American Secularism and Its Believers (U Chicago Press, 2022), Charles McCrary provides an original account of how sincerely held religious belief became the primary standard for determining what legally counts as authentic religion. McCrary skillfully traces the interlocking histories of American sincerity, religion, and secularism starting in the mid-nineteenth century. He analyzes a diverse archive, including Herman Melville's novel The Confidence-Man, vice-suppressing police, Spiritualist women accused of being fortune-tellers, eclectic conscientious objectors, secularization theorists, Black revolutionaries, and anti-LGBTQ litigants. Across this history, McCrary reveals how sincerity and sincerely held religious belief developed as technologies of secular governance, determining what does and doesn't entitle a person to receive protections from the state. This fresh analysis of secularism in the United States invites further reflection on the role of sincerity in public life and religious studies scholarship, asking why sincerity has come to matter so much in a supposedly "post-truth" era. Dr. Charles McCrary is a scholar of American religion, focusing on secularism, religious freedom, race, and science. His work has been published in academic journals including the Journal of the American Academy of Religion, Religion & American Culture, and Religion. He also has written for popular outlets such as Religion & Politics, The Revealer, and The New Republic, many of which are linked in the show notes of this episode. Before coming to ASU, he was a postdoctoral research associate at the John C. Danforth Center on Religion and Politics at Washington University in St. Louis. Read more by Charles McCrary: "The Supreme Court and the Strange Politics of the 'Sincere Believer,'" Religion & Politics, Apr. 2022 "The Antisocial Strain of Sincere Religious Beliefs Is on the Rise," The New Republic, Apr. 2022 "The Baffling Legal Standard Fueling Religious Objections to Vaccine Mandates," The New Republic, Sept. 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

"Sincerely held religious belief" is now a common phrase in discussions of American religious freedom, from opinions handed down by the US Supreme Court to local controversies. The "sincerity test" of religious belief has become a cornerstone of US jurisprudence, framing what counts as legitimate grounds for First Amendment claims in the eyes of the law. In Sincerely Held: American Secularism and Its Believers (U Chicago Press, 2022), Charles McCrary provides an original account of how sincerely held religious belief became the primary standard for determining what legally counts as authentic religion. McCrary skillfully traces the interlocking histories of American sincerity, religion, and secularism starting in the mid-nineteenth century. He analyzes a diverse archive, including Herman Melville's novel The Confidence-Man, vice-suppressing police, Spiritualist women accused of being fortune-tellers, eclectic conscientious objectors, secularization theorists, Black revolutionaries, and anti-LGBTQ litigants. Across this history, McCrary reveals how sincerity and sincerely held religious belief developed as technologies of secular governance, determining what does and doesn't entitle a person to receive protections from the state. This fresh analysis of secularism in the United States invites further reflection on the role of sincerity in public life and religious studies scholarship, asking why sincerity has come to matter so much in a supposedly "post-truth" era. Dr. Charles McCrary is a scholar of American religion, focusing on secularism, religious freedom, race, and science. His work has been published in academic journals including the Journal of the American Academy of Religion, Religion & American Culture, and Religion. He also has written for popular outlets such as Religion & Politics, The Revealer, and The New Republic, many of which are linked in the show notes of this episode. Before coming to ASU, he was a postdoctoral research associate at the John C. Danforth Center on Religion and Politics at Washington University in St. Louis. Read more by Charles McCrary: "The Supreme Court and the Strange Politics of the 'Sincere Believer,'" Religion & Politics, Apr. 2022 "The Antisocial Strain of Sincere Religious Beliefs Is on the Rise," The New Republic, Apr. 2022 "The Baffling Legal Standard Fueling Religious Objections to Vaccine Mandates," The New Republic, Sept. 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

"Sincerely held religious belief" is now a common phrase in discussions of American religious freedom, from opinions handed down by the US Supreme Court to local controversies. The "sincerity test" of religious belief has become a cornerstone of US jurisprudence, framing what counts as legitimate grounds for First Amendment claims in the eyes of the law. In Sincerely Held: American Secularism and Its Believers (U Chicago Press, 2022), Charles McCrary provides an original account of how sincerely held religious belief became the primary standard for determining what legally counts as authentic religion. McCrary skillfully traces the interlocking histories of American sincerity, religion, and secularism starting in the mid-nineteenth century. He analyzes a diverse archive, including Herman Melville's novel The Confidence-Man, vice-suppressing police, Spiritualist women accused of being fortune-tellers, eclectic conscientious objectors, secularization theorists, Black revolutionaries, and anti-LGBTQ litigants. Across this history, McCrary reveals how sincerity and sincerely held religious belief developed as technologies of secular governance, determining what does and doesn't entitle a person to receive protections from the state. This fresh analysis of secularism in the United States invites further reflection on the role of sincerity in public life and religious studies scholarship, asking why sincerity has come to matter so much in a supposedly "post-truth" era. Dr. Charles McCrary is a scholar of American religion, focusing on secularism, religious freedom, race, and science. His work has been published in academic journals including the Journal of the American Academy of Religion, Religion & American Culture, and Religion. He also has written for popular outlets such as Religion & Politics, The Revealer, and The New Republic, many of which are linked in the show notes of this episode. Before coming to ASU, he was a postdoctoral research associate at the John C. Danforth Center on Religion and Politics at Washington University in St. Louis. Read more by Charles McCrary: "The Supreme Court and the Strange Politics of the 'Sincere Believer,'" Religion & Politics, Apr. 2022 "The Antisocial Strain of Sincere Religious Beliefs Is on the Rise," The New Republic, Apr. 2022 "The Baffling Legal Standard Fueling Religious Objections to Vaccine Mandates," The New Republic, Sept. 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

"Sincerely held religious belief" is now a common phrase in discussions of American religious freedom, from opinions handed down by the US Supreme Court to local controversies. The "sincerity test" of religious belief has become a cornerstone of US jurisprudence, framing what counts as legitimate grounds for First Amendment claims in the eyes of the law. In Sincerely Held: American Secularism and Its Believers (U Chicago Press, 2022), Charles McCrary provides an original account of how sincerely held religious belief became the primary standard for determining what legally counts as authentic religion. McCrary skillfully traces the interlocking histories of American sincerity, religion, and secularism starting in the mid-nineteenth century. He analyzes a diverse archive, including Herman Melville's novel The Confidence-Man, vice-suppressing police, Spiritualist women accused of being fortune-tellers, eclectic conscientious objectors, secularization theorists, Black revolutionaries, and anti-LGBTQ litigants. Across this history, McCrary reveals how sincerity and sincerely held religious belief developed as technologies of secular governance, determining what does and doesn't entitle a person to receive protections from the state. This fresh analysis of secularism in the United States invites further reflection on the role of sincerity in public life and religious studies scholarship, asking why sincerity has come to matter so much in a supposedly "post-truth" era. Dr. Charles McCrary is a scholar of American religion, focusing on secularism, religious freedom, race, and science. His work has been published in academic journals including the Journal of the American Academy of Religion, Religion & American Culture, and Religion. He also has written for popular outlets such as Religion & Politics, The Revealer, and The New Republic, many of which are linked in the show notes of this episode. Before coming to ASU, he was a postdoctoral research associate at the John C. Danforth Center on Religion and Politics at Washington University in St. Louis. Read more by Charles McCrary: "The Supreme Court and the Strange Politics of the 'Sincere Believer,'" Religion & Politics, Apr. 2022 "The Antisocial Strain of Sincere Religious Beliefs Is on the Rise," The New Republic, Apr. 2022 "The Baffling Legal Standard Fueling Religious Objections to Vaccine Mandates," The New Republic, Sept. 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/secularism

"Sincerely held religious belief" is now a common phrase in discussions of American religious freedom, from opinions handed down by the US Supreme Court to local controversies. The "sincerity test" of religious belief has become a cornerstone of US jurisprudence, framing what counts as legitimate grounds for First Amendment claims in the eyes of the law. In Sincerely Held: American Secularism and Its Believers (U Chicago Press, 2022), Charles McCrary provides an original account of how sincerely held religious belief became the primary standard for determining what legally counts as authentic religion. McCrary skillfully traces the interlocking histories of American sincerity, religion, and secularism starting in the mid-nineteenth century. He analyzes a diverse archive, including Herman Melville's novel The Confidence-Man, vice-suppressing police, Spiritualist women accused of being fortune-tellers, eclectic conscientious objectors, secularization theorists, Black revolutionaries, and anti-LGBTQ litigants. Across this history, McCrary reveals how sincerity and sincerely held religious belief developed as technologies of secular governance, determining what does and doesn't entitle a person to receive protections from the state. This fresh analysis of secularism in the United States invites further reflection on the role of sincerity in public life and religious studies scholarship, asking why sincerity has come to matter so much in a supposedly "post-truth" era. Dr. Charles McCrary is a scholar of American religion, focusing on secularism, religious freedom, race, and science. His work has been published in academic journals including the Journal of the American Academy of Religion, Religion & American Culture, and Religion. He also has written for popular outlets such as Religion & Politics, The Revealer, and The New Republic, many of which are linked in the show notes of this episode. Before coming to ASU, he was a postdoctoral research associate at the John C. Danforth Center on Religion and Politics at Washington University in St. Louis. Read more by Charles McCrary: "The Supreme Court and the Strange Politics of the 'Sincere Believer,'" Religion & Politics, Apr. 2022 "The Antisocial Strain of Sincere Religious Beliefs Is on the Rise," The New Republic, Apr. 2022 "The Baffling Legal Standard Fueling Religious Objections to Vaccine Mandates," The New Republic, Sept. 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices

It takes courage to reimagine a classic. Xiaolu Guo was drawn to Herman Melville's “Moby-Dick,” from the first time she read it in her native Chinese. The writing was lyrical — hard to translate — and the descriptions of sailing were dense. But the symbolism of the great white whale and the sea-faring captain obsessed with revenge captivated her. Her new novel is a retelling of this classic with a young girl at its center. Protagonist Ishmaelle goes to sea, disguised as a boy, in a desperate grasp for freedom. She wants to leave poverty, gender norms and religious traditions behind. When she ends up on a whaling ship, captained by a free Black man named Seneca, she meets a swash-buckling crew of people who broaden her world — and ours. Guo joins host Kerri Miller this week to talk about her reimagined “Moby-Dick” which probes gender, race, humanity's connection to animals and the nature of belonging.Guest: Xiaolu Guo is the author of “Radical” and “Nine Continents.” Her new novel is “Call Me Ishmaelle.”Subscribe to the Thread newsletter for the latest book and author news and must-read recommendations.Subscribe to Big Books and Bold Ideas with Kerri Miller on Apple Podcasts, Google Podcasts, RSS or anywhere you get your podcasts.

Antonio Martínez Asensio nuevamente la sala de lectura de tres minutos de 'La Biblioteca' de 'Hoy por Hoy' para contarnos 'Bartleby, el escribiente', de Herman Melville.

Pol Guasch aparca la ficción para relatarnos, en 'Reliquia'  (Anagrama),  su duelo por el suicidio de su padre. Narra todo un proceso de diez años que culmina con la decisión de escribir y publicar la novela.  Va encajando con maestría todas las piezas que conforman el puzle de una muerte violenta, que nadie te explica, que ves venir, pero a la vez no esperas, y , lo más importante, que no se olvida.  Pol nos donó además para nuestra biblioteca  'Cerca del corazón salvaje" de Clarice Lispector (Siruela), de la misma autoría de Clarice Lispector  la novela que va a contar Antonio Martínez Asensio en 'Un libro, una hora', 'La hora de la estrella' . Pero antes, nuestro bibliotecario nos contó en tres minutos “Bartleby, el escribiente” de Herman Melville (Alianza) . Las novedades las trajo Pepe Rubio y fueron 'Textos vivos-Notas de un reencuentro" de José Carlos Mainer (Renacimiento ) y 'Noche blanca' de Úrszula Honek (Lumen). El libro abandonado y rescatado por Pascual Donate fue  'Vida Àvida'  de Ángel Guinda (Olifante Editorial). Finalmente los oyentes donaron: 'Último barco' Domingo Villar (Siruela) , 'He visto ballenas' de Javier de Isusi (Astiberri) y 'Vanguardia es una mujer' de Clara de Frutos (Norma Editorial) . Y terminamos la hora con lo que Pol Guasch, el autor invitado, estaba leyendo en ese momento "Un deseo desmesurado de amistad" de Hélène Giannnecchini (Anagrama) 

A failed 1864 Union raid led by Dahlgren intended to burn Richmond and kill Confederate leaders, prompting a Confederate Secret Service response involving political subversion. Meanwhile, author Herman Melville embedded with Union cavalry, writing poetry about the terror of facing Mosby's elusive rangers in the "shadows."1865 FIVE FORKS

Llega a la Biblioteca de Antonio Martínez Asensio en Hoy por Hoy ' el último Premio Tusquets , 'el corazón revolucionario del mundo' de Francisco Serrano. Durante una hora este espacio radiofónico dedicado a los libros se convirtió en una célula anticapitalista de los años setenta. Una locura literaria a la que se sumaron más libros. El primero donado por el propio Fancisco Serrano que nos trajo como donación 'La perra de Alejandría' de Pilar Pedraza (Valdemar). Pero antes de todo esto, nuestro bibliotecario Antonio Martínez Asensio nos contó en tres minutos 'Moby Dick'  de Herman Melville (DeBolsillo)  y nos anunció su programa 'un libro, una hora' con  'El pequeñoi héroe' de Fiodor Dostoyevski (Galaxia Gutemberg). Las novedades las colocó en las estanterías Pepe Rubio y fueron 'Diecinueve garras y un pájaro oscuro' de Agustina Bazterrica (Alfaguara) y 'El guillomo' de Robin Wall Kimmerer (Capitán Swing) . Y los libros perdidos, en este caso en plural porque eran tres, los rescató como siempre Pascual Donate "El huerto de una holgazana: confesiones de una aprendiz. ' el jardín que querría'  y 'Aún no se lo dicho a mi jardín' de Pia Pera (Errata Naturae). Y finalmente las donaciones de nuestros oyentes: 'La piel' de Curzio Malaparte (Galaxia Malaparte) , 'Hamnet' de Maggie O´Farrel (Libros del Asteroide) y 'El tiempo amarillo' de Fernando Fernán Gómez (Debate/ Capitán Swing) . 

Antonio Martínez Asensio nuevamente la sala de lectura de tres minutos de 'La Biblioteca' de 'Hoy por Hoy' para contarnos 'Moby Dick', de Herman Melville.

Le célèbre cachalot Moby-Dick en créant une internationale cétacés a trouvé la solution pour libérer le militant écologiste Paul Watson des prisons groenlandaises et échapper ainsi à une extradition vers le Japon. Musique : Led Zeppelin - Moby-Dick Tryo - Watson Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Paul hat Pech im Leben und dann scheitert er auch noch mit seinem Roman über Herman Melville. Wie sich all das trotzdem in einen vielschichtigen Erzähltext verwandeln lässt, das zeigt Thomas Lang in „Melville verschwindet“. Rezension von Eberhardt Falcke

For Tolkien, fairy stories are not stories about fairies, but stories that take place in Faerie. And in doing so, they make Faerie present. They are not escapist fantasies but disclosures of a real mode of being and invitations to live in that mode. In this episode, Phil and JF explore the great writer's radical claims about the nature of story, life, and reality. Upcoming Events Erik Davis and JF's six-week course on Herman Melville's Moby-Dick begins on January 20th. For details and to enroll, visit the Weirdosphere. For information on the upcoming Weird Academia events in Bloomington (Jan 27-29), visit the symposium web page at the Center for Possible Minds. Music in this Episode "What a Load of Gnosis," from Weird Studies: Music from the Podcast, Volume I "Springtime on Ganymede," from Weird Studies: Music from the Podcast, Volume II References J. R. R. Tolkein, “On Fairy Stories”  Immanuel Kant, Critique of Pure Reason  Arthur Schopenhauer, The World as Will and Idea  Franz Liszt, Transcendental Etude No. 4: Mazeppa (played by Lazar Berman)  Dogen, "Instructions for the Cook" Jeff Kripal, Mutants and Mystics  Eric Wargo, From Nowhere J.F. Martel, Review of “From Nowhere” for Journal of Scientific Exploration Richard Wagner, Parsifal  Learn more about your ad choices. Visit megaphone.fm/adchoices

It is better to fail in originality than to succeed in imitation. - Herman Melville Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

In Puritan New England, a young man leaves Faith, his wife, to go into the forest to meet the Devil. It's a story "as deep as Dante," said Herman Melville. In this episode, Jacke reads "Young Goodman Brown," by Nathaniel Hawthorne, then Jacke and Mike discuss the story that Stephen King has called "one of the ten best stories written by an American." Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Act soon - there are limited spots available! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Week 39 of Ted Gioia's Immersive Humanities Course takes on nineteenth-century American literature—and to my surprise, it became one of the most enjoyable weeks so far. I went in dreading familiar names and old high-school resentments, but came out newly energized. Mark Twain's The Adventures of Huckleberry Finn (chapters 1–6) was funny, humane, and immediately engaging. Edgar Allan Poe's The Fall of the House of Usher and “The Raven” used ornate language to heighten unease, while Emily Dickinson's poems felt weightless and startlingly modern. Henry David Thoreau's Walden was quotable and provocative, if ultimately grating, and Herman Melville surprised me most of all: Bartleby, the Scrivener lingered with quiet power, and the opening of Moby-Dick left me eager for more. This week revealed a real shift in voice and sensibility—and changed my mind about American literature. I'm looking forward to going back and reading more, but first we need to move on to Week 40 and Russian Literature!

Some of our favourite guests of the year return to talk about books that helped meaningfully explain 2025. We talk about the evergreen appeal of Plato as well as Jewish identity with former Yale fascism scholar Jason Stanley. The déjà vu of trade wars and Canadian nationalism are tackled by journalist and author Stephen Maher. His pick is a book that details the last election of Sir John A. Macdonald and first election of Wilfrid Laurier.Then the career works of Herman Melville as a blueprint for modern America with historian Rick Perlstein.This is part one, in a series that will continue on tomorrow's show! The books:The Republic Book 8 by Plato Being Jewish After Gaza: A Reckoning by Peter BeinartThe History of Canada Series: The Destiny of Canada by Christopher PenningtonThe Lightning-Rod Man by Herman Melville

Merriam-Webster's Word of the Day for December 11, 2025 is: leviathan • luh-VYE-uh-thun • noun Leviathan is a word with literary flair that can refer broadly to something very large and powerful, or more narrowly to a large sea animal, or a totalitarian state having a vast bureaucracy. // Towering leviathans of the forest, giant sequoias often reach heights of more than 200 feet. See the entry > Examples: “These are dim days for the leviathan merchants. The smart whaling families have diversified and will hang onto their wealth for years to come. ... The less smart, those convulsed by the strange desire to continue doing what had always been done, who consider it a divinely issued directive to rid the waves of great fish, now face a problem: the Atlantic whale that built their houses and ships has seemingly wised up ...” — Ethan Rutherford, North Sun, or The Voyage of the Whaleship Esther: A Novel, 2025 Did you know? Old Testament references to a huge sea monster, Leviathan (in Hebrew, Liwyāthān), are thought to have been inspired by an ancient myth in which the god Baal slays a multiheaded sea monster. Leviathan appears in the Book of Psalms as a sea serpent that is killed by God and then given as food to creatures in the wilderness, and it is mentioned in the Book of Job as well. After making a splash in English in the 1300s, the word Leviathan began to be used, capitalized and uncapitalized, for enormous sea creatures both imagined and real—including as a synonym of whale over 100 times in Herman Melville's Moby-Dick, as in “ere the Pequod's weedy hull rolls side by side with the barnacled hulls of the leviathan.” Today, leviathan can be used for anything large and powerful, from ships to corporations.

Send us a textIn this episode we examine the life and work of two authors who actually knew each other and corresponded as they wrote their literary masterpieces. Nathaniel HawthorneFrom a modern perspective, Nathaniel Hawthorne's writing tips emphasize the importance of deep psychological exploration, moral complexity, and meticulous craft. His advice challenges writers to move beyond simple storytelling and engage with the more difficult truths of the human condition. Embrace the difficulty of good writingHawthorne's most famous writing maxim is: "Easy reading is damn hard writing". Editing is keyThe illusion of easeFocus on psychological and moral depthAs a key figure in Dark Romanticism, Hawthorne's work delves into the complexity of the human mind and its dark side. Explore complex inner strugglesExamine sin and guiltUncover hypocrisyUse symbolism and allegoryHawthorne masterfully used symbolic imagery and allegorical narratives to create layered, meaningful stories. Go beneath the surfaceEmploy symbolsCraft evocative narrativesDevelop a strong writing ritualHawthorne was known for his very structured, solitary, and monotonous daily routine, which created the ideal conditions for deep and sustained thought. Embrace solitudeMake it a habitRecognize the power of wordsHawthorne viewed words as an instrument of immense power that a writer must learn to wield skillfully. Combine words carefullyLet the narrative unfold naturallyHis storytelling technique was focused on telling a story as a process, allowing it to reveal itself naturally. Character-driven choicesCreate richly detailed narrativesHawthorne's elaborate, ornate prose style was intentional, designed to force readers to examine every word. Craft intricate sentences: His notoriously long, winding sentences were used to add layers of meaning and complexity to his ideas.Encourage reader interpretationHerman MelvilleFrom his letters, essays, and fictional works, Herman Melville's writing tips emphasize originality, ambition, and the pursuit of truth beneath surface appearances. He encouraged a deep, unyielding commitment to art, even if it meant commercial failure. Pursue originality over imitationMelville deeply valued originality and considered it a measure of a writer's potential for greatness. "It is better to fail in originality than to succeed in imitation".Choose a "mighty theme"For Melville, a book's substance was directly related to the ambition of its topic. He advised writers to grapple with "great and enduring" subjects "To produce a mighty book, you must choose a mighty theme".- Uncover the truth beneath the surfaceTruth is often elusiveChallenge assumptions Embrace creative struggle and even failureUse your own experiencesBe prepared for your work to be misunderstoodWriting from the heart, Melville was famously undervalued in his lifetime, and in a letter to Nathaniel Hawthorne, he resigned himself to this fact.   Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

Changelings aren't the only ones who step outside the fleshly realm from time to time. Human magi have also been known to wander the farther spaces, and it's not unreasonable that a fae might encounter one of these upstart travelers. Mage: the Ascension's 2nd edition supplement Book of Worlds provides an in-depth treatment of how these willworkers perceive and navigate the Otherworlds. The text mainly deals with the Umbrae, but also contains the first detailed description of the Dreaming—or "Maya", to use their term. (It was early 1996, so very little had even been written for Changeling: the Dreaming at that point.) In this episode, Josh and Pooka pull some highlights from the book that are most relevant to CtD players, from the dreamscapes of Hollywood to mysterious spirit-muses, a smattering of those corners of the Dreaming mages have thus far explored, a space that is indeed vast... but what percentage of infinity is that? If you'd like to flip through the Otherworldly gazetteer yourself, check out https://www.storytellersvault.com/en/product/62217?affiliate_id=3063731 for options. Other links you might wish to click include our socials, such as: Discord: https://discord.me/ctp Email: podcast@changelingthepodcast.com Facebook: https://www.facebook.com/profile.php?id=100082973960699 Mastodon: https://dice.camp/@ChangelingPod Patreon: https://www.patreon.com/changelingthepodcast YouTube: https://www.youtube.com/@ChangelingThePodcast your hosts Josh Hillerup (any pronoun) is only two planets away from a free gift on the Magrathea punch-card! Pooka G (any pronoun/they) grudgingly accepts Leibniz's principle that this is the best of possible worlds, but only because baklava exists. As for me, I am tormented with an everlasting itch for things remote. I love to sail forbidden seas, and land on barbarous coasts. —Herman Melville, Moby-Dick

Sally Mann is a photographer and a New York Times bestselling writer. She is best known for making large-format black and white photographs of the people and places in her immediate surroundings: her children, her husband, and the rural landscape of her home state and the American South. Sally was born in Lexington, Virginia, the youngest of three children to Robert and Elizabeth Munger. Her father was a doctor and gave Sally his old Leica camera to play with. After university, she wanted to be a poet but she spent more than a decade as a commercial photographer while starting a family of her own and exhibiting her work on a small scale. She published her first book of photographs in 1984. That same year, she began taking pictures of her three children for a series called Immediate Family, which brought her both renown as well as infamy for touching on ordinary moments in their daily lives – playing, sleeping, and eating, sometimes while naked – but also speaking to larger themes such as death and cultural perceptions of childhood, rendering familiar subjects “both sublime and disquieting”. In the mid-1990s, she began to move away from the family pictures in favour of photographing the landscape around her. Much of Sally's body of work comes from observing what is closest at hand because, she says, “The things that are close to you are the things that you can photograph the best.” She has explored the identity of the American South, and her relationship with her place of origin, as well as mortality and decay, and the effects of muscular dystrophy on her husband. In her latest book, Art Work, she considers the challenges and pleasures of the creative process. Sally continues to live on the 800-acre family farm near Lexington with her husband Larry and a number of dogs. DISC ONE: Köln, January 24, 1975, Part I - Keith Jarrett DISC TWO: Take This Hammer - Odetta DISC THREE: Trustful Hands - The Dø DISC FOUR: Oh Holy Night. Composed by Adolphe Adam and performed by Concert Choir of St Andrew's School, Delaware and Virginia Mann (Soprano) DISC FIVE: Moby Dick (an extract of Chapter 3) Written by Herman Melville and narrated by Frank Muller DISC SIX: County Seat - Emmett Mann DISC SEVEN: Vivaldi: Oboe Concerto in C major, RV 452: 2. Adagio. Performed by Heinz Holliger (Oboe), I Musici (Ensemble) DISC EIGHT: You Are My Friend (Live) - Sylvester BOOK CHOICE: In Search of Lost Time by Marcel Proust LUXURY ITEM: Paper and a pencil CASTAWAY'S FAVOURITE: You Are My Friend (Live) - Sylvester Presenter Lauren Laverne Producer Sarah TaylorDesert Island Discs has cast many photographers away over the years including Eve Arnold, Val Wilmer and Vanley Burke. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

In this episode of The Classical Mind, Junius and Wesley dive deep into Herman Melville's Billy Budd, Sailor — a haunting naval novella exploring innocence, evil, law, mutiny, and biblical symbolism aboard a British warship during the Napoleonic era.Melville's final, posthumously published work blends gripping maritime drama with profound moral and theological questions. We unpack what Makes Billy Budd a Great (and Strange) Work, Historical and Naval Context, Biblical Themes, and how memory and myth are related. Endnotes:* Junius: Bartleby, the Scrivener* Wesley: Billy Budd (1962) Get full access to The Classical Mind at www.theclassicalmind.com/subscribe

photo by Colin Outridge. The exhibition Change of Scenery,  marks the painter's third solo show with the gallery. It is the culmination of a year's worth of travel across the U.S., as Brennan Hinton spent extended time in residency in Corsicana, TX, Martha's Vineyard, MA, and Fishers Island, NY. Brennan Hinton's practice focuses on the sustained act of observation, the plein-air discipline, and painting's ability to capture the essence of a place. The time spent in three distinctive towns, each in its own ways divergent from Brennan Hinton's familiar Ontario, required the artist to meet each place with open eyes and a fresh palette. To situate himself, Brennan Hinton leaned on two formative texts, Lonesome Dove by Larry McMurtry and Moby Dick by Herman Melville, which are each set in the same landscapes in which he painted. Keiran Brennan Hinton (b. 1992, Toronto) lives and works in Toronto and Elgin, Ontario. He received his BFA from Pratt Institute in 2014 and his MFA from Yale University in 2016. His work is held in the permanent collections of the Ogunquit Museum of Art, Ogunquit, ME and The Dennos Museum Center, Traverse City, MI. Past international solo shows of Brennan Hinton's work include exhibitions at MAKI Gallery, Tokyo, Japan (2022); Thomas Fuchs Gallery, Stuttgart, Germany (2021); Charles Moffett, New York, NY (2023, 2021); Nicholas Robert Gallery, Ontario (2022); and Francesco Pantaleone Gallery, Palermo, Italy (2019) among others. His paintings have been featured in institutional exhibitions at the Art Gallery of Ontario, Toronto, Ontario; James Castle House, Boise, Idaho; and Katonah Museum of Art, Westchester, NY. Keiran Brennan Hinton, The White Pine, 2025. Oil on linen, 70 x 60 in. Photo by Lauren Finlay. Courtesy the artist and Charles Moffett. Keiran Brennan Hinton, Texas Sky (Sunrise), 2024. Oil on linen, 56 x 44 in. Photo by Daniel Greer. Courtesy the artist and Charles Moffett. Keiran Brennan Hinton, Fishers Island Living Room, 2025. Oil on linen, 9 x 12 in. Photo by Zeshan Ahmed. Courtesy the artist and Charles Moffett.

Send us a textJoin us starting November 25, 2025 for a Christmas Holidays Special 16th Season as we venture into new territory. Over the end of November and through out December we will spend 16 episodes looking at the Great American Authors, From F. Scott Fitzgerald to Stephen King and all points in between. We hope you will join us as we take a little break from American Political History and take a deep dive into American Literature, its history, and learn some writing tips from some of the greatest authors our country has ever produced. This sixteen episode season will feature F. Scott Fitzgerald, Edgar Allan Poe, Dr. Suess, John Steinbeck, Thomas Wolfe, Mark Twain, Toni Morrison, Maya Angelou, Harper Lee, J. D. Salinger, Margaret Mitchell, Nathaniel Hawthorne, Herman Melville, William Faulkner, Ian Fleming, J. K Rowling, Pat Conroy, Gene Hackman, Kurt Vonnegut, Walter Mosley, Lee Child, Stephen King, John Grisham, Joyce Carol Oats, Sinclair Lewis, Tennessee Williams, Ernest Hemingway, Jimmy Carter, Marilyn Quayle,  Newt Gingrich, Bill Clinton, James Patterson, and the announcement about our hosts own three books, a history companion book to this podcast, and two novels by Randal Wallace. We hope you will join us starting November 25 for The Great American Authors Special Season and Bob Dole will return in "Bob Dole The Life That Brought Him There" in January, 2026. Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

20.11.1820: Ein Pottwal rammt ein Walfangschiff - der Gejagte schlägt zurück. Melville macht daraus Moby Dick. Eine Geschichte von Gier, Kannibalismus und Überleben. Von Stephan Beuting.

This is the true story of the 1821 whaleship Essex, the doomed Nantucket vessel whose catastrophic encounter with a massive sperm whale helped inspire Moby-Dick. After the Essex was rammed by the massive whale, the Essex was destroyed, leaving its crew stranded thousands of miles from land.During their harrowing struggle for survival in their open-boat journey. Some of the men would survive, but only by engaging in the "custom of the sea." The story of the whaleship Essex is one of the most haunting tales from maritime history, and was the inspiration behind Herman Melville's novel Moby Dick.**No AI was used in the production of this podcast.Written, edited, and produced by Rich Napolitano.All episodes can be found at ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.shipwrecksandseadogs.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Original theme music by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sean Sigfried⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Listen AD-FREE by becoming an Officer's Club Member ! Join at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/shipwreckspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shipwrecks and Sea Dogs Merchandise is available! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠https://shop.shipwrecksandseadogs.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can support the podcast with a donation of any amount at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://buymeacoffee.com/shipwreckspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the Into History Network for ad-free access to this and many other fantastic history podcasts! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠https://www.intohistory.com/shipwreckspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Shipwrecks and Sea Dogs ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow on BlueSky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow on Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow on Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we delve into Peter Ustinov's adaptation of Billy Budd based on Herman Melville's novella and the critiques he received based on his choice to portray it in black and white. We try to make sense of why the use of black and white feels more "realistic" in films as such rather than the use of color. Does our background and culture affect the way we portray these colors or is it a natural reaction? Please join our conversation as we attempt to solve this mystery of reality and illusion.

Mark Maddox Joins Jim for a duscussion of the 1956 classic based on the immortal novel by Herman Melville – “Moby Dick,” starring Gregory Peck, Richard Baseheart, Leo Genn, Orson Welles, James Robertson Justice, Harry Andrews, Friedrich von Ledeur, Francis Wolf, Royal Dano, and directed by John Huston. This well-known tale involves the observations of […] The post Moby Dick | Episode 490 appeared first on The ESO Network.

We Survived the Night by Julian Brave NoiseCat is a powerful and poignant blend of memoir, poetry, folklore and reportage from an Oscar-nominated director, journalist and champion powwow dancer. Julian joins us to talk about trickster narratives, Coyote stories, art, consideration and more with cohost Isabelle McConville. This episode of Poured Over was hosted by Isabelle McConville and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): We Survived the Night by Julian Brave NoiseCat There There by Tommy Orange Shutter by Ramona Emerson Soft as Bones: A Memoir by Chyana Marie Sage Moby Dick by Herman Melville  

In this rich and reflective conversation, Tim Brown, Heath Hardesty, and Brian Daly answer questions from attendees and discuss the spiritual dynamics of sermon preparation. Together they explore how worship, prayer, and delight in Scripture form the heart behind preaching that reveals rather than merely informs.Tim shares how Psalm 29 inspired his allegory comparing sermon preparation to the formation and venting of a storm – a vivid picture of how preaching can humble, refresh, and awaken new vision. Brian speaks about cultivating intimacy with God so that the preacher delivers a word received in worship, not a performance shaped by pressure. Heath reflects on the joy and labour of study, reminding us that the best preaching flows from delight in the Word rather than duty alone.Drawing on imagery from Moby Dick, Heath Hardesty describes how the harpooner's stillness before the strike mirrors the preacher's call to quiet readiness before God. It's a striking reminder that the power of preaching is found not in frantic effort, but in calm, focused communion.The episode closes with encouragement to treasure the abundance of biblical tools available today, and to let the preacher's soul be shaped first by the voice of the Lord before speaking to others.OutlineThe Storm and the Voice of the LordTim Brown's Psalm 29 allegory: sermon preparation as the formation and venting of a storm.Preaching as revelation that births new desire and exposes pride.“Preaching helps people see with their ears” – Haddon Robinson.Worship and the Preacher's SoulAvoiding “drizzling” on listeners by preparing the heart in worship.Brian Daly on preaching from intimacy and dependence, not routine.Heath Hardesty on delight and labour: studying as worship.Stillness Before the StrikeThe Moby Dick metaphor: the harpooner's stillness as a model for prayerful focus.Learning to be still before God, letting Him shape the message.Tools for Deeper StudyBlue Letter Bible, Logos, The Bible Project, and E-Sword.Encouragement to explore design patterns, word studies, and accessible commentaries.Final ReflectionsThe joy of seeing the beauty of Christ in Scripture.Preaching as overflow from worship, not just output from study.Resources MentionedBlue Letter Bible – blueletterbible.orgLogos Bible Software – logos.comE-Sword – e-sword.netMoby Dick by Herman Melville – https://www.amazon.ie/Moby-Dick-Herman-Melville/dp/0198853696 Biblical Preaching by Haddon Robinson – “Preaching is the ability to make people see with their ears.” https://bakerpublishinggroup.com/products/9781540967916_biblical-preaching All Things Together by Heath Hardesty – https://www.penguinrandomhouse.com/books/776336/all-things-together-by-heath-hardesty/Further Listening: Tim Brown: Preaching Up A Storm: https://cgnmedia.org/podcast/expositors-collective/episode/preaching-up-a-storm-tim-brown Tim Brown: After The Storm:  https://cgnmedia.org/podcast/expositors-collective/episode/after-the-storm-with-tim-brown Heath Hardesty: Symphonic Preaching : https://cgnmedia.org/podcast/expositors-collective/episode/symphonic-preaching-bad-sermons-consistent-improvement-with-heath-hardesty Heath Hardesty: Meditation, Delight and the Full Counsel of God: https://cgnmedia.org/podcast/expositors-collective/episode/meditation-delight-and-the-full-counsel-of-godFor information about our upcoming training events visit ExpositorsCollective.com The Expositors Collective podcast is part of the CGNMedia, Working together to proclaim the Gospel, make disciples, and plant churches. For more content like this, visit https://cgnmedia.org/Join our private Facebook group to continue the conversation: https://www.facebook.com/groups/ExpositorsCollectiveDonate to support the work of Expositors Collective, in person training events and a free weekly podcast: https://cgn.churchcenter.com/giving/to/expositors-collective

Quit your scratching and bleeding and put down the rosary, the cure of all your anxieties has arrived! At long last, the Mapping the Zone Review of Shadow Ticket, Spoilerful Edition, has been released, and it's packed with more hot takes and thrilling twists than any diehard fans of the storied Spoiler-free episode could have imagined. The hype is NOT TOO HIGH!If you like what we're doing and want to support the show, please consider making a donation on Ko-Fi. Funds we receive will be used to upgrade equipment, pay hosting fees, and help make the show better.https://ko-fi.com/mappingthezoneIf you enjoyed our discussion, please check out the following media that relates to these chapters:Books: Moby-Dick by Herman Melville, Ulysses by James JoyceMusic: The Third Man (OST) by Anton Karas, Green Street, Grant's First Stand, Idle Moments, Nigeria by Grant GreenTV/Film: Brazil (dir. Terry Gilliam, 1985), The Third Man (dir. Carol Reed, 1949), The Long Goodbye (dir. Robert Altman, 1973)As always, thanks so much for listening!Email: ⁠mappingthezonepod@gmail.com⁠Bluesky: https://bsky.app/profile/mappingthezone.bsky.socialTwitter: https://twitter.com/pynchonpodInstagram:https://www.instagram.com/mappingthezonepodcast/Merch: mapping-the-zone.myspreadshop.comShow art by Brad Wetzel: @bradspersecond (on IG and Reddit)bradspersecond.com

Gender, race and identity collide on the open seas in Xiaolu Guo's Call Me Ishmaelle (Chatto), a powerful, feminist reimagining of Herman Melville's Moby Dick. She was in conversation with Philip Hoare, author of Leviathan: Or the Whale, who has described Guo's latest novel as being ‘as animal and visceral and shape-shifting and subversive as the broad back of the mythic whale themselves.'

Ever felt like you're moving through life half-asleep...safe, familiar, but not fully alive?In this episode of Sarah's Thoughts, Sarah Grynberg reflects on Herman Melville's haunting words about the “half known life” and what it means to step out of fear and into the fullness of living.You'll learn:*Why safety and certainty can keep us stuck in half-lived lives.*How to reconnect with the place of peace and joy that already exists within you.*Simple shifts that can move you from playing small into living with courage, love, and presence.This isn't an episode about chasing perfection. It's about choosing aliveness over fear—and why the greatest risk is not that we fail, but that we never truly live.Purchase Sarah's book: Living A Life Of Greatness here.To purchase Living A Life of Greatness outside Australia here or here.Watch A Life of Greatness Episodes On Youtube here.Sign up for Sarah's newsletter (Greatness Guide) here.Purchase Sarah's Meditations here.Instagram: @sarahgrynberg Website: https://sarahgrynberg.com/Facebook: facebook.com/sarahgrynbergTwitter: twitter.com/sarahgrynberg Hosted on Acast. See acast.com/privacy for more information.

Fotograaf Stephan Vanfleteren heeft heel veel bekende mensen geportretteerd. Nick Cave, iemand die goed tot zijn recht zou komen in zijn kenmerkende stijl, hoort daar niet bij. De rechterhand van de beroemde zanger fotografeerde hij wél. Hij vertelt er meer over in Bar miroir, leest ook voor uit de klassieker Moby Dick van de Amerikaanse schrijver Herman Melville en vertelt waarom de film Skunk van Koen Mortier aan zijn ribben bleef plakken. In onze cultuurpodcast Bar Miroir brengen bekende gasten elke week drie dingen mee die hen raken, inspireren of een impact hebben op hun denken of leven. Je kan de podcast ook bekijken op het Youtubekanaal van De Standaard. CREDITS Gast Stephan Vanfleteren | Presentatie Lise Bonduelle | Redactie Fien Dillen, Lise Bonduelle | Eindredactie Fien Dillen | Audioproductie Pieter Santens | Muziek Azertyklavierwerke | Chef podcast Alexander LippeveldSee omnystudio.com/listener for privacy information.

INNER REVOLUTION is a podcast series where we walk through the fire of inner transformation and awakening together. The purpose of this series is to help you shed ANYTHING AND EVERYTHING that isn't a true reflection of Who You Really Are, so you can fully embody your Divinity, Light, and Sacred Mission. Join me for this bonus episode, where we'll talk about: what a short story by Herman Melville can teach us about setting boundaries taking the stress, over-complication, and anxiety out of setting and enforcing boundaries claiming your RIGHT to say no whenever you want or need! holding steady to your boundaries regardless of others' reactions setting boundaries from a place of empowerment, calm, and kindness for yourself (and to be honest with yourself & others) ******* You're lovingly invited to join my email community and get access to my free Akashic Records Mini Course + weekly newsletter: https://josephinehardman.com/akashic-records-intro/ Explore the next round of my Akashic Records Certification Program: https://josephinehardman.com/work-with-me/akashic-records-certification-program/ Connect through my website: https://josephinehardman.com Thank you for being here, doing your inner work, and leading the way for others with your light. It makes a difference! Inner Work 2025 All Rights Reserved.

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on September 28, 2025. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 322: Beau Travail Released 24 September 2025 For this episode, we watched Claire Denis's 1999 story of three men in the French Foreign Legion, drawn in part from Herman Melville's unfinished novella Billy Budd. The film stars Denis Lavant, Michel Subor and Grégoire Colin and Denis also wrote the script along with Jean-Pol Fargeau. It has an 87% rating on Rotten Tomatoes and it's at number seven in the 2022 Sight & Sound poll. We also feature an exclusive clip from Tom's new podcast All British Comedy Explained. Check it out here. https://podfollow.com/all-british-comedy-explained Next time we will be discussing 2001: A Space Odyssey. If you want to watch it before listening to the next episode, you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can stream it via Apple TV+ (UK) or Apple TV+ (USA). Blood Shine https://mubi.com/en/gb/films/blood-shine The One I Love https://www.netflix.com/gb/title/70299863 https://www.earwolf.com/episode/the-snowman-live-w-erin-gibson-bryan-safi/ BEST PICK the book is available now from all the usual places, and the paperback is out now. From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, email us on bestpickpod@gmail.com, or find us on Bluesky. You can also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month.

In this episode, we ask one of the greatest music writers of the rock and roll era to talk about Mystery Train as he celebrates its 50th anniversary with a brand-new edition of his classic book. Talking to us from Oakland, 6,000 miles away in his native Northern California, Greil Marcus looks back on the pivotal moments that led to his starting work on Mystery Train in the fall of 1972: his experiences as a student at Berkeley, his discovery of film critic Pauline Kael and his early writing for Rolling Stone. From there we focus on the book's extraordinary chapters about Sly Stone and Elvis Presley before relating its overarching theme – America as an "invented nation" – to the Trump administration's assault on the diversity that produced so much great art from Walt Whitman and Herman Melville to Robert Johnson and Randy Newman. A somewhat abrupt switch takes us over to our side of the pond and our guest's second book: the vast "secret history of the 20th Century" that was 1989's Lipstick Traces, along with the 1993 collection of his punk writings entitled In the Fascist Bathroom. Clips from Paul Moody's 2018 audio interview with Jamie Reid – the subversive graphic designer who became Malcolm McLaren's principal partner in iconographic crime – prompt Greil's reflections on what made (the) Sex Pistols such a vital sea-change in the subculture of rock and roll.  Many thanks to special guest Greil Marcus. The 50th anniversary edition of Mystery Train is published by Faber and available now. Pieces discussed: Greil Marcus⁠, ⁠Greil Marcus: A Life In Writing⁠, ⁠The Band: We Can Talk About It Now⁠, ⁠Jamie Reid audio⁠, The Beatles: Sgt. Pepper's Lonely Hearts Club Band (Parlophone)⁠, Ray Davies: A Study In Frustration, The Pet Shop Boys: Hip, Clever and Pop and The Black Keys Acknowledge Their Muses on Delta Kream.

Melville's classic is always right at the top of BEST EVER novels lists. We really dig into what is so appealing about this masterpiece: its weird structure, its likeable, unique narrator, an open-mindedness that seems pretty radical for 1851 (including some serious homoeroticism)--and, of course, the appeal of Queequeg, everyone's favorite harpooner.

The weakness of our current version of AI is that it extracts its knowledge only from what we have taught it.Things that are rarely done are difficult for AI to imitate.AI has confidence in things that are repeated online ad infinitum.*Predictable ads follow the orthodox guidelines taught in every college in America. AI can find countless examples of these ads online. This is why AI can write predictable ads that look, feel, sound and smell like all those other predictable ads.Predictability is a thief that robs you in broad daylight.If you want your ads to remarkably outperform the predictable ads written by AI; if you want your ads to be noticed and remembered; you must do what is rarely done.Enter your subject from a new angle, a surprising angle, a different angle.Write an opening line that makes no sense.Cause that opening line to make perfect sense in less than 30 seconds.This technique is known as Random Entry and almost no one ever uses it.“I'm John Hayes and I'm talking today with GoGo Gecko.”“I was a 10-year-old boy holding a flashlight for my father.”“Mr. Jenkins?”“Yes, Bobby.”“How much should a hamster weigh?”“There's Elmer Fudd, Elmer's Glue, and me, Elmer Zubiate.”Random Entry is not orthodox. Random Entry is not predictable.“What makes our company, our product, our service different from our competitors?”If you ask yourself that question, you will come up with the same 3 or 4 opening lines that each of your competitors will come up with when they ask those same questions. Your ads, and their ads, will look, feel, sound and smell like ads.When you begin in a predictable way, it is hard to be unpredictable.AI ads feel like ads because AI cannot (1.) identify, (2.) justify, or (3.) rectify Random Entry.Identify.AI cannot find examples of what does not exist. But you can create it.Justify.AI cannot bridge a random opening line into an unrelated subject. But you can build that bridge.Rectify.AI cannot reconcile a random opening line so that it makes perfect sense. But you can create a metaphor out of thin air.When a novel becomes a bestselling book that gets made into a movie, you can be certain that it was built upon a weird and unexpected – but highly engaging – opening line.“Call me Ishmael.”– Herman Melville, Moby-Dick“Where's Papa going with that axe?”– E.B. White, Charlotte's Web“Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.”– Gabriel García Márquez, One Hundred Years of Solitude“It was a bright cold day in April, and the clocks were striking thirteen.”– George Orwell, 1984“Happy families are all alike; every unhappy family is unhappy in its own way.”– Leo Tolstoy, Anna KareninaChoose any one of those opening lines and tell your favorite AI to write an ad for your business using EXACTLY that line as the opening line. If your AI is successful, it will be due to the fact that you gave it a series of extremely insightful prompts. (Probably based on some of the things you learned in this Monday Morning Memo.)Srinivas Rao recently wrote, “Confessions of a Master Bullshit Artist, aka ChatGPT.”You think I'm a genius. I'm not. I'm an overconfident parrot in a lab coat.I don't know anything, check anything...

In the final episode of our whale series, we learn about fecal plumes, shipping noise, and why Moby-Dick is still worth reading. (Part 3 of "Everything You Never Knew About Whaling.") SOURCES:Michele Baggio, professor of economics at the University of Connecticut.Mary K. Bercaw-Edwards, professor of maritime English at the University of Connecticut and lead foreman at the Mystic Seaport Museum.Hester Blum, professor of English at Washington University in St. Louis.Eric Hilt, professor of economics at Wellesley College.Kate O'Connell, senior policy consultant for the marine life program at the Animal Welfare Institute.Maria Petrillo, director of interpretation at the Mystic Seaport Museum.Joe Roman, fellow and writer-in-residence at the Gund Institute for Environment, University of Vermont. RESOURCES:Eat, Poop, Die: How Animals Make Our World, by Joe Roman (2023).“Racial Diversity and Team Performance: Evidence from the American Offshore Whaling Industry,” by Michele Baggio and Metin M. Cosgel (S.S.R.N., 2023).“Why 23 Dead Whales Have Washed Up on the East Coast Since December,” by Tracey Tully and Winston Choi-Schagrin (The New York Times, 2023).“Suspected Russia-Trained Spy Whale Reappears Off Sweden's Coast,” by A.F.P. in Stockholm (The Guardian, 2023).“International Trade, Noise Pollution, and Killer Whales,” by M. Scott Taylor and Fruzsina Mayer (N.B.E.R. Working Paper, 2023).“World-First Map Exposes Growing Dangers Along Whale Superhighways,” by the World Wildlife Fund (2022).“Lifting Baselines to Address the Consequences of Conservation Success,” by Joe Roman, Meagan M. Dunphy-Daly, David W. Johnston, and Andrew J. Read (Trends in Ecology & Evolution, 2015).“Wages, Risk, and Profits in the Whaling Industry,” by Elmo P. Hohman (The Quarterly Journal of Economics, 1926).Moby-Dick, by Herman Melville (1851). EXTRAS:“Why Do People Still Hunt Whales? (Update)” by Freakonomics Radio (2025).“How Much Does Discrimination Hurt the Economy?” by Freakonomics Radio (2021).

“There's something I find strangely moving about the ‘Extracts' section of Moby Dick—before we even get into the text—by virtue of the attention that has been paid to the whale,” writer Wyatt Mason says in this episode of The World in Time. “It's astonishing as you're reading through. It's proof of two kinds of life. It's proof of the life of the creature itself. But it's also proof of the life of the mind and the attention that we pay—meaning, we readers and we writers pay—through time to this creature, which is very different from the elephant because most of us never see one in our lifetimes. If we're fortunate, we might, but for the most part, no. So they reside or they live in texts.” With this episode, the second in an intermittent series on the literature, history, and science of the sea, The World in Time launches onto the waters of Moby Dick. The episode begins with excerpts from a pair of conversations Lewis Lapham recorded during his final years as host. First, Lapham speaks with Richard J. King about his 2019 book, Ahab's Rolling Sea: A Natural History of Moby-Dick. In the second excerpted interview, recorded in 2022, Lapham talks with Aaron Sachs about Up From the Depths: Herman Melville, Lewis Mumford, and Rediscovery in Dark Times. The episode concludes with a new conversation. Wyatt Mason and Donovan Hohn talk about the first time they read Moby Dick, about teaching Melville's novel to incarcerated students enrolled in the Bard Prison Initiative, and then, like a pair of sub-sub-librarians, they swim through two curious documents, “Etymologies” and “Extracts,” that precede the famous first sentence of Melville's tragic Leviathan American novel.