Podcasts about U2

In this episode of Kissing Lips and Breaking Hearts, the Garden Tarts wrap up their Songs of Innocence era with tour memories from Toronto, Boston, Chicago, and Madison Square Garden, plus a look back at the Innocence and Experience tour and the unforgettable ways U2 made each show feel personal. They also share standout moments involving Bono, Edge, surprise guests, rail stories, and the fan-community energy that made this tour so special. What They CoverToronto show memories, including “Every Breaking Wave,” “Shine Like Stars,” and the now-legendary Bono-in-traffic moment.Chicago and Madison Square Garden highlights, including surprise guest moments, “Gloria,” “Lucifer's Hands,” and the band's evolving stage presence.Reflections on how U2's performance style shifted across eras and why the Innocence and Experience shows felt so different.Featured MomentsBono telling “dad jokes” while Edge fixed a guitar hiccup.A fan being brought up to play guitar on “All I Want Is You.”Surprise guest energy at MSG, including Jimmy Fallon's “Singer with a broken finger” moment.The hosts' reflection that this tour felt more intimate and emotionally direct than earlier eras.Listen and ShareListen to the full episode, then share it with your U2 friends and subscribe for more Kissing Lips and Breaking Hearts coverage from the Garden Tarts. Keyword TargetsU2 Songs of Innocence tourGarden Tarts podcastMadison Square Garden U2Bono live storiesBoston U2 concert recapToronto U2 concert recapU2 fan podcast

Stephen Starr didn't plan to get into the restaurant business.He set out to be a radio DJ. Then a nightclub owner. Then a music promoter.Along the way, he booked a young Jerry Seinfeld for $75, promoted shows for U2 and Madonna, and spent years pretending to be more successful than he really was.Then, in his late 30s, Stephen walked into a glitzy martini bar in New York.He was so taken with it, he decided to start his own version in Philadelphia.Today, Starr Restaurant Group generates nearly half a billion dollars in annual revenue and includes some of the most successful independent restaurants in America: Pastis, Buddakan, Le Diplomate, Parc, Makoto, and dozens more.The surprising part?Stephen did not start out as a foodie.Instead, he became obsessed with the theatre of dining: design, upholstery, lighting, music. A “wow!” feeling when you walk in the door.In this conversation with Guy, Stephen talks about the hard lessons he learned in the comedy and music business, and the unexpected path he took to redefining dining.What You'll Learn:The unglamorous economics of rock concerts and restaurantsHow rejection, romantic heartbreak, and failure can become powerful motivatorsWhy he believes he's spent his career "throwing the party" without attending itHow building the right team of designers can make a restaurant feel magicalWhy Stephen says today's entrepreneurs have a much harder path than his generation didThe model Stephen says new restaurateurs should follow todayTimestamps:00:06:03 — A lonely childhood: Making up skits in his room00:09:49 — Losing his mother at age 1900:11:17 — Starting a comedy club: Deli by day. Stand up at night00:20:49 — Going broke and reneging on a bank loan00:28:26 — Music promotion: Feeling like a fraud while promoting U2, Madonna00:36:52 — A New York martini bar inspires Stephen to start his own00:42:20 — The bold design behind a line-out-the-door restaurant01:03:31 — Opening Buddakan in New York: “I can't do anything better. This is Sgt. Pepper”01:09:08 — Starting a restaurant today: “I would say don't do it … but if you do, keep it smaller”This episode was produced by Alex Cheng with music composed by Ramtin Arablouei. It was edited by Neva Grant with research by Sam Paulson. Our audio engineers were Patrick Murray and Robert Rodriguez.Follow How I Built This:Instagram → @howibuiltthisX → @HowIBuiltThisFacebook → How I Built ThisFollow Guy Raz:Instagram → @guy.razYoutube → guy_razX → @guyrazSubstack → guyraz.substack.comWebsite → guyraz.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We are proud to welcome Rock PR veteran Sharon Chevin who has been in the music business for more than 4 decades. What began as a deep love for rock music became a sustaining career which has taken her around the world and helped her forge friendships with some of the biggest artists on the planet. These days, Sharon manages prog rock legends Yes (and she wants me to remind everyone that Aurora is out now) and Steve Hackett (she teases his new collaboration with Marillion's Steve Rothery) but has worked with and hung around some of the biggest stars of all time. Her stories are amazing and funny as she shares how Alice Cooper will work a 14 hour day as long as you give him a couple of hours to shop. Hear how she had to convince hotel staff in Germany that she needed corn flakes for Tom Petty and George Harrison at 1 AM. She talks going to see a new band at Hammersmith called U2 with Pete Townshend and Bruce Springsteen. Mostly, Sharon lets us know that most of the top talent are marvelous people who are great to work with. But not all of them are and she drops a couple of names onto the jerk list. But mostly we hear about how Chris Squire invited her to stay with his family after an earthquake or how John Lord would always drop by her local pub for a glass of wine when he was in town. She admits she fell in love with Billy Idol the moment she met him and how Bryan Adams talked her out of getting Bonnie Raitt's picture taken with Madonna. We're just glad Sharon is still doing PR for bands we love and that she's still sharing her stories of her rock n roll odyssey. Learn more about Sharon and her clients at ⁠www.thepublicityconnection.com⁠ Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bit.ly/UAWILROCKS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The emergence of America's ruling class in Chicago to celebrate the Obama Presidential Center Museum hit like a gust of hot, wet wind. Just days before, tornadoes tore through Illinois and Iowa, upending homes and wreaking havoc on the landscape. By the time Barack Obama and his Royal Court were ready to roll out the red carpet, the skies had cleared.The building perfectly reflects how Obama might see himself, but certainly how he's ruled over the past 15 years. He still can't let go of his position as God and King of the once-mighty utopia, one I devoted most of my life to building, protecting, and defending. I was a true believer and a good soldier.Obtuse, mysterious, and opaque, the building, like its inspiration, towers over the indistinguishable figures below, the swirling paths and gardens, not blending into the landscape but rather projecting outward, with a kind of bulk you could even see from space. Not even a tornado could make a dent.The quote on the side of the mighty beast reads:You are America. Unconstrained by habit and convention. Unencumbered by what is, ready to seize what ought to be. For everywhere in this country, there are first steps to be taken, there is new ground to cover, there are more bridges to be crossed. America is not the project of any one person. The single most powerful word in our democracy is the word ‘We.' ‘We The People.' ‘We Shall Overcome.' ‘Yes We Can.' That word is owned by no one. It belongs to everyone. Oh, what a glorious task we are given to continually try to improve this great nation of ours.”The quote comes from Obama's speech, not in Chicago, but at the Edmund Pettus Bridge in Selma, Alabama. Most of the rest of it has been trimmed away to make the statement appear more inclusive, shall we say.But note the use of the word “We.” His speech was full of flowery language about how we have to come together as a country.The sitting president of the United States and the majority of Americans who voted for him were not invited to the party. Not only weren't they invited, but they're also not allowed anywhere at any time in a society largely controlled by the Left.No, Trump would not be allowed in, and he never really was, which goes a long way toward explaining why he won the second time. Trump feels like one of us, who have taken the shape of Obama's sworn enemies. We are rejected outsiders because this America, their America, depends on and is built around race and gender identity.Both Barack and Michelle Obama made a point of elevating the illegal immigrants who crossed over under Joe Biden and celebrated the citizen army that went to war on Federal officers, even after condemning such actions on January 6th.They prioritize the illegal immigrants because they are mostly non-white and thus have special protective status, as long as they vote blue no matter who, of course. And yet, for most Americans, they still don't understand why they've been sidelined like this. Once you understand the rules of utopia, where an endless supply of oppressed people, along with an endless supply of racists, is what powers their engine.It's an ideology that comes from Western countries overtaken by global elites, who need this form of virtue signaling to justify their power and their worldwide alliance, but it doesn't do much for ordinary Americans, who don't have the luxury of putting themselves last.It is a kind of class system that pretends to be about equality, about inclusion, and diversity, but really, it's a way of categorizing us and deciding our worth. If you can participate in this game, you can go far. But if you don't, out you go.Nate Bargatze dared to show up alongside RFK, Jr., and his wife, Cheryl. The internet found out about it, and things got so bad his publicist had to issue a statement that he wasn't a Trump supporter. What kind of America is this? If they want to talk about unity, they have to call off their attack dogs.It didn't used to be this way. Those of us who have been alive a long time remember when what mattered was the majority of Americans, the free market, democracy, and all that. Box office, ratings, and elections all decided the direction of our country and our culture. Not anymore.They want our country to look a lot like Obama's kingdom, epitomized by his Brutalist monument - he's way up there, and we're all way down here. If you worship that way, we'll all get along fine, they say, but don't you dare vote in a way we don't like, or we will go to war.So is that the plan from here on out? Must all elections be sanctioned and approved by the Democrats, or else?From Utopia to DystopiaObama was not born in Chicago, but his monument will reside there as a showcase of his preferred legacy. He's the Chicago guy, not the Hawaii guy.The fortress will be a place for travelers driving across this country to stop and admire, along with other historic landmarks in Illinois, like the birthplace of Abe Lincoln and Ronald Reagan, two of Obama's strongest influences, or so he has said.The Obama museum event was a reminder of how we all shaped this story, the bad guys and the good guys of Obama's Camelot - Obamalot - the height of the glory days, where everyone had a seat at the table and we'd mostly eradicated the “ists” and the “phobes.”I think Obama thought that making history as the first Black president meant more than just winning an election, and that the influence he had and the power he attained made him more than just a two-term public servant. He was, after all, living history, and everywhere we look, we can see his fingerprints.It was the play, Hamilton. It was Bruce Springsteen before he shrank into a bitter old prune. It was Tom Hanks when he could still open movies. It was when Oprah still had influence.They think that showcasing their high status while locking out so many Americans is enviable. It's U2 and Oprah. It's Julia Roberts and George Clooney. It's Jennifer Hudson and Steven Spielberg. It's all four former presidents and their First Ladies. Obama made a point of saying that they are all of like minds except one president, the one who defeated them again after their ten-year war.Who do these people think they are? They don't have the right to tell the American people who they can and can't vote for. It is their job to make their best case to us to earn our votes, and either they do, or they don't, but they work for us, not the other way around.Are we all supposed to cheer seeing them standing there as a united front against the sitting president? They have absolutely no self-awareness about how tone-deaf this appears to most people.Do they think we've forgotten? Do they think we don't remember Michael Moore calling George W. Bush a war criminal at the Oscars?Their terrible, blatant propaganda films like Oliver Stone's W.And Adam McKay's truly awful film about Dick Cheney, Vice, one of the worst films ever made, with the sole exception of his next movie, Don't Look Up.They're not finished. They expect the other half of the country to choke down more of it, unending amounts of it, in hopes of forcing all of us into compliance through the worst art the film industry has ever seen because it is under the complete control of a totalitarian movement.Next year, we'll be tortured with a sure-to-be-terrible Sean Penn film on January 6th.They still see themselves as fighting the oppressive forces against them when the truth is that they are the oppressive force. Trump was the way out.The clocks were striking thirteenIf any of us had been paying attention, we'd have known what we built mirrored Orwell's 1984 and where it would ultimately take us.Every word of 1984 was a cautionary tale. Co-opting and distorting language, check. A Goldstein-like figure to sell two minutes of hate, check. A mandate to love Big Brother or else, check. An inside of accepted citizens ruled by the party elites and policed by the children spies, check, the abandoned working class, the Proles, outside of it, check.Trump's win, to me, was like Winston Smith's hope for the future, should the Proles rise up.That Obama and the rest of the establishment did worse than refuse to step aside but went to war on the duly elected president in an attempt to impeach, indict, discredit, and destroy him is the smoking gun that they no longer believe in American democracy. It's their way or nothing. Americans have no way out.All the people ever had was Trump, and indeed, he was and remains a mighty force. He is the troll to Obama's virtue signal, the two internet presidents who led whole armies online, facing off against each other for 15 years.Obama's ten-year plea to the American people to choose him feels desperate by now. Choose me, love me, follow me, worship me. It doesn't mean America is racist because they didn't. That has been the Left's method of policing all of us for far too long, and this country can unify the minute they snap out of it.They want us to see them as the better side, the special people, our gods and goddesses. But I look at them and see people who have long since cut themselves off from the rest of the country and have no plans to ever change. The museum reflects that better than anything ever has. What is inside? It doesn't matter. It looms large.// This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Activist Ali Hewson is among several Killiney residents objecting to plans for a new luxury apartment complex near her home. ­ The wife of U2's Bono says the development “goes against the natural character” of the affluent south Dublin suburb. ­ But Hewson is far from the first high-profile figure to weigh in on what gets built nearby. ­ From celebrities to senior politicians, planning objections can quickly become contentious. ­ So where do we draw the line between legitimate local concerns and the urgent need for housing? ­ On today's The Indo Daily, Tessa Fleming is joined by Irish Independent multimedia reporter Darragh Nolan to examine the planning battles that made headlines and who gets a say in what is built.See omnystudio.com/listener for privacy information.

At the start of 1982, the Glasgow band, Simple Minds, were deeply in debt and contemplating breaking up. But a surprise hit single in the spring of that year changed their minds and their fortunes. They then went into the studio that summer to record the album that would become their masterpiece. To herald the arrival of summer, Randy Renaud has the story behind an album that radiates summer warmth: Simple Minds' New Gold Dream 81-82-83-84.

We are proud to welcome Rock PR veteran Sharon Chevin who has been in the music business for more than 4 decades. What began as a deep love for rock music became a sustaining career which has taken her around the world and helped her forge friendships with some of the biggest artists on the planet. These days, Sharon promotes and manages media for prog rock legends Yes (and she wants me to remind everyone that Aurora is out now) and Steve Hackett (she teases his new collaboration with Marillion's Steve Rothery) but has worked with and hung around some of the biggest stars of all time. Her stories are amazing and funny as she shares how Alice Cooper will work a 14 hour day as long as you give him a couple of hours to shop. Hear how she had to convince hotel staff in Germany that she needed corn flakes for Tom Petty and George Harrison at 1 AM. She also talks about going to see a new band at The Hammersmith Palais called U2 with Pete Townshend and Bruce Springsteen. Mostly, Sharon lets us know that most of the top talent are marvelous people who are great to work with. But not all of them are and she drops a couple of names onto the jerk list. But mostly we hear about how Chris Squire invited her to stay with his family after an earthquake or how Jon Lord would always drop by her local pub for a glass of wine when he was in town. She admits she was instantly charmed by Billy Idol the moment she met him and how Bryan Adams talked her out of getting Bonnie Raitt's picture taken with Madonna. We're just glad Sharon is still doing PR for bands we love and that she's still sharing her stories of her rock n roll odyssey. Learn more about Sharon and her clients at www.thepublicityconnection.com Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bit.ly/UAWILROCKS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Jésus clashe-t-il vraiment la Cananéenne ? Pourquoi refuse-t-il d'abord de l'aider ? Et que viennent faire des "petits chiens" et des "miettes" dans cette histoire ?Dans cet épisode, on parle d'une mère courageuse, d'un silence très gênant, d'une métaphore canine assez bizarre, et d'une foi qui ramasse les miettes… pour en faire un festin.Alors, Jésus est-il xénophobe ? Pourquoi rembarre-t-il cette femme qui vient à lui ?Réponse avec U2, Giaches de Wert, Peter Tosh, Delta 5, Sam MacCabe et les Beatles !Bonne écoute !!Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Episode 166. The Emporium brings you the music of  Uriah Heep, Stevie Nicks, U2, Soul Asylum, The B-52's, Christina Aguilera, Marillion, Christone 'Kingfish' Ingram and Sam Fender.

Bono was in New York for a weekend packed with U2-adjacent moments, from presenting Bruce Springsteen with the Harry Belafonte Social Justice Award to attending the premiere screening of Guggi's documentary at the Tribeca Film Festival. The Garden Tarts break down the big moments, the fan frenzy around Bono, and the reminder that keeping artists safe matters.Plus, we hear firsthand voice memos from PJ of Achtoon Baby and Kristen, who were both there and share vivid details from the room.This mini-episode also celebrates the ongoing friendship between Bono and Guggi, Ali Hewson's impeccable style, and the emotional impact of seeing Bruce, Bono and Patti Smith together onstage.If you love U2 history, music moments, and candid fan perspective, this one is for you.Subscribe for more U2 content from The Garden Tarts, and follow us on social media at @thegardentarts.

Steve Katz is known as a founding member of Blood, Sweat & Tears as well as a guitarist, singer, songwriter, producer and author.Steve shares incredible stories from a career that spans more than six decades, taking listeners inside the birth of folk-rock, the Greenwich Village music scene, the formation of Blood, Sweat & Tears, Woodstock, Monterey Pop and beyond. Steve recalls his early days studying under folk and blues legends Dave Van Ronk and Reverend Gary Davis, spending time with Mississippi John Hurt, and joining Danny Kalb's influential band The Blues Project. He describes the excitement of discovering electric music in the mid-1960s and how that experience eventually led him to help create one of the most innovative bands of the era. The conversation explores the formation of Blood, Sweat & Tears with Al Kooper, the decision to incorporate a horn section, and the band's meteoric rise following the arrival of vocalist David Clayton-Thomas. Steve discusses the enormous success of hits including "Spinning Wheel," "You've Made Me So Very Happy," and "And When I Die," as well as the Grammy-winning album that made the band international stars. Listeners will also hear fascinating stories about performing at Monterey Pop Festival, the realities of Woodstock, sharing food backstage with Jimi Hendrix, meeting Otis Redding, and navigating the political pressures that resulted in Blood, Sweat & Tears undertaking a controversial State Department tour of Eastern Europe during the Nixon era. Steve also opens up about leaving Blood, Sweat & Tears, producing Lou Reed, working with Beatles producer George Martin, his years in the record business, discovering new artists, passing on U2, and why he remains grateful for every twist and turn in his extraordinary career. The episode also highlights Steve's memoir, Blood, Sweat and My Rock 'n' Roll Years, and his continuing work as a musician and creative artist.A fascinating listen for music fans of all generations.

The Poobah Aaron Martel and Seth Miller from AppleMill educate us on the masterpiece that is the 1987 release The Joshua Tree from U2.  Rock On!U2 - The Joshua Tree Tour, 1987-11-18 Los Angeles, CA (Full Show) [Pro-Shot VHS] [1080p60 Upgrade]https://youtu.be/P9qwI8fS644?list=RDP9qwI8fS644Theme music is NEW from The Steepwater Band.  Follow them @steepwaterband.Also follow Seth @AppleMillMusicWebsite: https://ridiculousrockrecordreviews.buzzsprout.comContact us! e-mail: ridiculousrockrecords@gmail.comFacebook: https://www.facebook.com/R4podcastTwitter/X: @r4podcasterInstagram: https://www.instagram.com/r4podcaster/

What if the thing standing between you and your dream... is your fear of failing?(Watch the full video interview on YouTube here. https://youtu.be/nEINMa-lDJU)Scott Scovill (www.scottscovill.com and https://tenaciousbook.com/ ) was flunking out of college, waiting tables, and terrified to try when a chance encounter with a touring crew from U2 changed everything. Two years later, he was on tour with the Rolling Stones.  (whaaaaat??!) But this isn't a story about fame.It's a story about what happens when you stop letting fear make your decisions...true Dancing in the Discomfort Zone territory.In this powerful conversation, Scott shares how he learned to keep going despite anxiety, rejection, setbacks, and self-doubt, and why tenacity isn't about stubbornly and stupidly banging your head against a wall. It's about refusing to give up on the destination, even when you need a new route. In this episode we talk about: Why fear can be both your greatest enemy and your greatest motivator  The difference between being stubborn and being tenacious  What the Rolling Stones taught Scott about chasing impossible dreams  The fact that successful people fail more often than most people realize  How to know when it's time to pivot instead of quit  The surprising truth Taylor Swift shared about success and fear  Why life is a team sport—and you shouldn't do it alone If you've ever wondered if you should keep going, change direction, or finally take the leap, this episode is for you.Because the dream isn't found in the comfort. It's on the other side of trying. Want more from Scott?Get the book.  https://tenaciousbook.com/ Hit his socials: https://www.instagram.com/scottscovillcreative https://www.facebook.com/scottscovillcreativehttps://www.linkedin.com/in/scott-scovill-943a4022/Scott Scovill is an award-winning entrepreneur and creative powerhouse, founder of Moo TV, and author of Tenacious: The Art of Relentlessly Pursuing Your Wildest Dreams. Anne Bonney is a keynote speaker and emcee who helps organizations lead through change by building resilience, emotional intelligence, and courageous communication.

This week we are looking at the ideologies that kill in our society and the antidote to them.    Including anti-racism; Queer and Trans; Anti-Semitism; Autonomy - euthanasia and abortion; Statism, Facism and Communism; Islam; The Green ideology; Christian Heresies;  and the solutions given by Christ, the Gospel and the Church, Schaeffer on No Little People' and the Final Word - Colossians 2;8 with music from Coldplay, Gary Moore; Paul Macartney and Stevie Wonder; U2;  Leonard Cohen; Dean Martin and Helen O'Connell;  Bob Marley; Geoff Bullock; 

The conclusion of the 4-parter featuring Debut Album Openers, that is first cuts from first sides from first albums, and we're into bands beginning with the letters S-Z, with trips to Detroit's Cobo Hall, Pistols and Stooges, Patti Smith does Van Morrison, The Hip, Wilburys, U2, Van Halen and the song that set the stage for ZZ Top. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

U2 nerds unite: the Garden Tarts dig into the deluxe edition of Songs of Innocence, praise Bono's vocal surprises, argue about punk cred, reveal listener poll winners, and deliver acoustic hot takes with fireworks-level enthusiasm. And of course, Questions for Bono over Whiskey and Cake™️This episode, the Garden Tarts review the deluxe edition of U2's Songs of Innocence — deep dives on Lucifer's Hands, Crystal Ballroom, and Invisible, plus a Side B rundown of the acoustic mixes and alternate versions. We read listener poll results (Every Breaking Wave wins!), trade live-show anecdotes, and serve affectionate, goofy U2 analysis for superfans and casual listeners alike.Show notes — what we cover:Lucifer's Hands deep dive: origins, 1984 Unforgettable Fire roots, punk energy, and lyric questions about “Lucifer”Crystal Ballroom obsession: the building backstory, dancing beats, family memories, and why this track shoulda been amain-album favorite (four thumbs up, fireworks).Invisible origin story: 2014 Super Bowl debut, iTunes fundraiser tie-in (Bank of America + (RED)), hidden-track status on the deluxe edition, and touring stats (played 82 times).Intermission listener poll: top picks — Every Breaking Wave (winner), Iris and Raised by Wolves tied for second; every album track received at least one vote (fan engagement!).Side B acoustic & alternate takes: Every Breaking Wave (stunning acoustic vocal), California (album vs acoustic tie), Raised by Wolves & Cedarwood Road takeaways, Song for Someone acoustic, The Miracle of Joey Ramone (Busker vs album), and The Troubles alternate mix (female vocal lift).Live show thoughts: why mistakes are charming, why live ≠ studio, and how Bono's voice surprised us on acoustic versions.Listener love: funniest poll replies, emotional fan stories, and weird office anecdotes (U2 cameo video scoop).U2 Songs of Innocence deluxe, Lucifer's Hands analysis, Crystal Ballroom meaning, Invisible U2 hidden track, U2 acoustic versions, Every Breaking Wave winner, Garden Tarts U2 podcast, Kissing Lips and Breaking Hearts, U2 fan poll results, Bono vocal review.Quotes to highlight:“I can change the world, but I can't change the world in me” — lyric moment we can't stop thinking about.“This song made my grandparents look cool — old people are secretly legendary dancers” — Crystal Ballroom reaction.“Invisible: punk-city arrival anthem — sleeping in the station, screaming to be seen” — origin take.“Every Breaking Wave acoustic: Bono's voice, naked and refined” — Side B mic drop momentWHERE TO FIND US:➡️ http://www.thegardentarts.com➡️ wearethegardentarts@gmail.com➡️ facebook: https://www.facebook.com/thegardentarts➡️ instagram: https://instagram.com/the_gardentarts➡️ http://buymeacoffee.com/thegardentartsKISSING LIPS & BREAKING HEARTS: AN IRREVERENT U2 PODCAST is produced by us, The Garden Tarts. Production by: Jenny SteadmanGraphic design by: Hillary FrankAll music is by December

On episode 100 of the show, I'm joined by South African multi instrumentalist/producer and 'Just Jinjer' bassist - Denholm Harding.Denholm began his musical career in Cape Town at the age of 5, when he appeared on a nationally televised talent show open to all ages called ‘Follow That Star' where he made it through to the finals. By Grade 7, he joined popular kids program K-TV as the ‘K-TV Kids' Band drummer and moved up to Johannesburg to pursue his musical career. The band toured Southern Africa extensively for 3 years and appeared numerous times on multiple television shows.Barely out of his teens he then joined South African Multi-Platinum super group Just Jinjer shortly after the release of their critically acclaimed debut album.Just Jinjer are considered one of the most successful Rock bands to ever come out of South Africa and have shared stages with artists like U2, Counting Crows, Stevie Wonder, Maroon 5, Goo Goo Dolls, Def Leppard, Spice Girls and Live… just to mention a few.In taking the next step Denholm coupled his deep understanding of music and instruments with his spectacular ear and began producing albums for other artists and bands like Jesse Clegg and Prime Circle,. He has since been nominated multiple times for “Best Producer” and “Best Engineer” at the South Africa's music awards the SAMA's numerous times.For more information on Denholm or his work, please search for him across all socials or visit https://ardmatthews.com/just-jinjerFor further information on Travis Marc or 'Musicians-Mentor' website, please visit www.musicians-mentor.com As usual, thanks for checking out the channel and if you're getting anything useful from my content, please feel free to comment, like, share and subscribe, thank you. Additionally, for those interested - you can support this channel by - 'Buying Us Coffee'. https://buymeacoffee.com/musiciansmentor Or visiting our affiliate page with the lovely folks over at - 'Soundbrenner'. https://www.soundbrenner.com where you can use code TRAVISMARC-DEAL for 20% off of their products.

Whisp Turlington and Geoff “The Angry Man” Garlock kick off the 7 a.m. hour with The Cars, a debate over how to pronounce Ric Ocasek, and a full investigation into Val Verde's most confusing regional candy, Candy-O's. Some bites are chocolate. Some are gummy. Some might be Vegemite. None of them are labeled, and that is exactly how Candy Time Candies wants it. Whisp introduces a game called Real, Real, Real Classic Rock Rock Rock Lyric, Lyric, Lyric Or Something Kegstand Said and Geoff's weekly radio paycheck is once again on the line in a game he plays against himself.This week's broadcast also brings Val Verde News about Shetland Creamery's pony getting lodged in a tractor tire, the Oddities and Curiosities Expo at the Val Verde Civic Center, 77 dogs removed from one RV behind Crafty Jack's, Bruce Springsteen's Land of Hope and Dreams tour, Bono's 25 unfinished U2 songs, and Food Gulch's eternal promise: all of the food that fell in the gulch.Also on this week's broadcast:Geoff reveals a Good Rock Fact about The Cars' Candy-O and the unknowable contents of Candy-O's candy.Dave Navarro runs the “Don't Ask About The Jaw” booth at the Val Verde Oddities and Curiosities Expo.Big Truck heads to Mike and the Mechanics while Greg Lemonsour broadcasts from the terrifyingly organized new record store, The Record Dump.Listen and watch 108.9 The Hawk on YouTube, Apple Podcasts, Spotify and more. Support Val Verde's second favorite classic rock radio station at Patreon.com/1089thehawk. Keep your hands away from the jaw, your pants out of politics, and never stand under a vertical stack of Herb Alpert records. Hosted on Acast. See acast.com/privacy for more information.

ATTT has been beyond honored to have had the immortal Fuzzbee Morse as a special guest on 9 of our episodes, and Top Ten Fuzzbee All-Stars is the best possible send off for the man who has everything. Fuzzbee is truly the Zelig of rock n roll, but with as much talent as the luminaries he has chummed around with over the decades. Fuzzbee's got this whole top ten list to himself, and his All-Stars are some true heavy hitters - some of the greatest to ever do it. Picks 5-1 are revealed here in Part 2.If you missed the fun we had in Part 1, go back!https://podcasts.apple.com/us/podcast/episode-723-top-ten-fuzzbee-all-stars-part-1-w-fuzzbee-morse/id573735994?i=1000770565677Please be enjoying the official Top Ten Fuzzbee All-Stars Playlist, featuring all songs heard in parts 1 & 2:https://open.spotify.com/playlist/1a1nl8jMDh4MT9lMmERSzZ?si=abe2d81b11b74f74For more Fuzzbee, consult your local https://www.fuzzbee.com/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Emergency Pod 28 is out now, June 1st, featuring the Queen Of Emergency Pod, the great Shannon Hurley! Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting about music over on the ATTT Facebook Group. Join us and start a conversation about music! https://www.facebook.com/groups/940749894391295The official ATTT1000 In Reverse playlist is here, featuring our list of the 1,000 Greatest Songs We've Ever Heard, presented in reverse order - from 1 - 1,000. Follow along here:https://open.spotify.com/playlist/6dlj1XfYJdciz6GIORYWkM?si=74d675e86ba342f8

Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 2076: Kristoffer Carter explores the tension between relying on tools and developing true mastery, arguing that creativity, skill, and meaningful work come from the practitioner rather than the equipment. Through examples ranging from The Edge of U2 to writing, music, and meditation, he makes a compelling case for simplifying, focusing on craft, and investing in better work instead of accumulating more gear. Read along with the original article(s) here: https://www.becomingminimalist.com/choose-yourself/ Quotes to ponder: "On our best days we remember that our tone, our art, our work resides in us, in our hands, not in our tools." "Notes actually do mean something. They have power. I think of notes as being expensive." "Tools can sometimes hack proficiency, but you can't hack mastery. Period." Episode references: Vox AC30: https://voxamps.com/product/ac30/ U2 Official Website: https://www.u2.com/ It Might Get Loud: https://www.sonyclassics.com/itmightgetloud/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, we're putting The Tonearm's needle on Stephen Emmer, a Dutch composer and musician based in Amsterdam. Stephen came up in the late 70s post-punk underground, and his band Minny Pops was the first international act signed to Factory Records. He is a curious genre-explorer who has worked with Lou Reed, Chaka Khan, Tony Visconti, Trevor Horn, Flood, and many others.His latest album, Asymmetrical Dot, is a chamber work rooted in his Dutch-Indonesian heritage, built around sustained tones, wordless vocals, vibraphone, and strings. The record came out of a year when his mother died, and his first grandson was born, and the contracting themes of grief and arrival appear throughout the work.We cover the album, his hearing loss, and why he walked away from commercial work to make the most personal music of his career.(The musical excerpts heard in the interview are from Stephen Emmer's Asymmetrical Dot)—Dig Deeper• Artist and Albums:Visit Stephen Emmer at stephenemmer.com and follow him on Bluesky, Instagram, and YouTubePurchase Stephen Emmer's album Asymmetrical Dot from Bandcamp or Qobuz and listen on your streaming platform of choiceThe two previous installments in the 'introspective trilogy': Maison Melody (2020) and Mt. Mundane (2024)• Key Collaborators:Tony Visconti — Producer of Recitement; longtime producer of David BowieBeth Hirsch — Vocalist and co-writer on Asymmetrical Dot, Track 5; best known for AIR's Moon SafariFernando Aponte — Grammy-winning mixing engineer, HoustonEverton Nelson — Concertmaster and violinist; has performed with the LSO, BBC Concert Orchestra, and on recordings for Radiohead, U2, and Paul McCartneyPatricia Sullivan — Mastering engineer at Bernie Grundman Mastering, Los Angeles• *Recitement* and Its Voices:Recitement — Emmer's 2007 spoken-word album, produced by Tony Visconti.Ken Nordine — Voice-over artist and "Word Jazz" pioneer; voiced "Absolutely Grey" on RecitementColors — Ken Nordine's 1966 album, originally commissioned as radio spots for the Fuller Paint CompanyLou Reed — Rock musician and poet; voiced "Passengers" on RecitementAllen Ginsberg — Beat poet; voiced "Disconnected" on RecitementRichard Burton — Welsh actor; voiced "The Leaden Echo" and "Boy with a Cart" on Recitement• Musical Influences and References:Gamelan — Traditional Indonesian percussion ensemble; central to the sonic concept of Asymmetrical DotDave Brubeck — American jazz pianist; one of the first musicians Emmer heard as a child, via his mother's ballet teachingHeitor Villa-Lobos — Brazilian composer; among the diverse influences Emmer's mother brought to her ballet classesClaude Debussy and Gamelan — Referenced by Emmer as a historical predecessor in integrating gamelan into Western composition• Contextual References:Holiday on Ice — International touring ice show for which Emmer served as music directorMotörhead — British heavy metal band; Emmer's hearing damage traces to a backstage encounter with their sound systemCharles Ives — American modernist composer who ran a successful insurance business alongside his musical career; referenced in the episode's discussion of portfolio careersAmbon, Indonesia — Island in the Maluku province of Indonesia, historically known as Amboina; birthplace of Emmer's mother and inspiration for the album's track "Amboina (for Roekie Aronds)"—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on Stephen Emmer, a Dutch composer and musician based in Amsterdam. Stephen came up in the late 70s post-punk underground, and his band Minny Pops was the first international act signed to Factory Records. He is a curious genre-explorer who has worked with Lou Reed, Chaka Khan, Tony Visconti, Trevor Horn, Flood, and many others.His latest album, Asymmetrical Dot, is a chamber work rooted in his Dutch-Indonesian heritage, built around sustained tones, wordless vocals, vibraphone, and strings. The record came out of a year when his mother died, and his first grandson was born, and the contracting themes of grief and arrival appear throughout the work.We cover the album, his hearing loss, and why he walked away from commercial work to make the most personal music of his career.(The musical excerpts heard in the interview are from Stephen Emmer's Asymmetrical Dot)—Dig Deeper• Artist and Albums:Visit Stephen Emmer at stephenemmer.com and follow him on Bluesky, Instagram, and YouTubePurchase Stephen Emmer's album Asymmetrical Dot from Bandcamp or Qobuz and listen on your streaming platform of choiceThe two previous installments in the 'introspective trilogy': Maison Melody (2020) and Mt. Mundane (2024)• Key Collaborators:Tony Visconti — Producer of Recitement; longtime producer of David BowieBeth Hirsch — Vocalist and co-writer on Asymmetrical Dot, Track 5; best known for AIR's Moon SafariFernando Aponte — Grammy-winning mixing engineer, HoustonEverton Nelson — Concertmaster and violinist; has performed with the LSO, BBC Concert Orchestra, and on recordings for Radiohead, U2, and Paul McCartneyPatricia Sullivan — Mastering engineer at Bernie Grundman Mastering, Los Angeles• *Recitement* and Its Voices:Recitement — Emmer's 2007 spoken-word album, produced by Tony Visconti.Ken Nordine — Voice-over artist and "Word Jazz" pioneer; voiced "Absolutely Grey" on RecitementColors — Ken Nordine's 1966 album, originally commissioned as radio spots for the Fuller Paint CompanyLou Reed — Rock musician and poet; voiced "Passengers" on RecitementAllen Ginsberg — Beat poet; voiced "Disconnected" on RecitementRichard Burton — Welsh actor; voiced "The Leaden Echo" and "Boy with a Cart" on Recitement• Musical Influences and References:Gamelan — Traditional Indonesian percussion ensemble; central to the sonic concept of Asymmetrical DotDave Brubeck — American jazz pianist; one of the first musicians Emmer heard as a child, via his mother's ballet teachingHeitor Villa-Lobos — Brazilian composer; among the diverse influences Emmer's mother brought to her ballet classesClaude Debussy and Gamelan — Referenced by Emmer as a historical predecessor in integrating gamelan into Western composition• Contextual References:Holiday on Ice — International touring ice show for which Emmer served as music directorMotörhead — British heavy metal band; Emmer's hearing damage traces to a backstage encounter with their sound systemCharles Ives — American modernist composer who ran a successful insurance business alongside his musical career; referenced in the episode's discussion of portfolio careersAmbon, Indonesia — Island in the Maluku province of Indonesia, historically known as Amboina; birthplace of Emmer's mother and inspiration for the album's track "Amboina (for Roekie Aronds)"—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Nikki goes solo for a fascinating conversation with spiritual mentor, medium, and intuitive tarot reader Niamh McCarthy—just minutes after sitting down for a private one-on-one tarot reading herself. Together, they dive into intuition, signs from the universe, spirit guides, and Niamh's powerful Soul Team Method, all while unpacking some of the biggest takeaways from Nikki's personal reading. From Niamh's surprising journey from touring the world with artists like Madonna and U2 to becoming one of today's most sought-after spiritual mentors, this episode explores how intuition, alignment, and self-trust can help guide us through life's biggest questions. Plus, Nikki and Niamh play a fun round of “Mindful or Mind Games?” separating real spiritual guidance from internet woo-woo. Whether you're deeply spiritual or simply curious, this conversation is full of insight, perspective, and a little magic. Press play. Call Nikki & Brie at 833-GARCIA2 and leave a voicemail! Follow Nikki & Brie on Instagram, follow the show on Instagram and TikTok and send Nikki & Brie a message on Threads! Follow Bonita Bonita on Instagram Book a reservation at the Bonita Bonita Speakeasy To watch exclusive videos of this week's episode, follow The Nikki & Brie Show on YouTube, Facebook, and TikTok! You can also catch The Nikki & Brie Show on SiriusXM Stars 109! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jenny and Hillary continue their Tart Talk on U2's Songs of Innocence with Side B, covering “Volcano,” “Raised by Wolves,” “Cedarwood Road,” “Sleep Like a Baby Tonight,” “This Is Where You Can Reach Me Now,” and “The Troubles”. They dig into grief, rage, domestic violence, Catholic abuse, friendship, and the band's personal memories behind the songs. Along the way, they talk about live performances, Bono, Edge, Larry Mullen Jr., Guggi, Joe Strummer, and how U2 turns pain into music.And of course, Questions for Bono over Whiskey and Cake™️LEAVE US A 5-STAR REVIEW! It helps people find the show.• ⭐⭐⭐⭐⭐ (5 stars only, please) on SPOTIFY ➡️ https://open.spotify.com/show/2zSuKUbHaQgsKFjEmyG8jo?si=8244b36bcc734ca8• ⭐⭐⭐⭐⭐ (5 stars only, please) on APPLE ➡️ https://podcasts.apple.com/us/podcast/kissing-lips-and-breaking-hearts-the-irreverent/id1478584991WHERE TO FIND US:➡️ http://www.thegardentarts.com➡️ wearethegardentarts@gmail.com➡️ facebook: https://www.facebook.com/thegardentarts➡️ instagram: https://instagram.com/the_gardentarts➡️ threads: https://www.threads.com/@the_gardentarts_u2podcast➡️ https://thegardentarts.com/#subscribe to our newsletter➡️ http://www.patreon.com/thegardentarts➡️ http://buymeacoffee.com/thegardentartsKISSING LIPS & BREAKING HEARTS: AN IRREVERENT U2 PODCAST is produced by us, The Garden Tarts. Production by: Jenny SteadmanGraphic design by: Hillary FrankAll music is by December

Chasing the shade and slapping the Sunscreen on this week's overheated news, we pour a tinkling drink and reflect upon the following … … British people in hot weath-ah! … when rock stars you haven't seen for 50 years pop up on Zoom … Lennon's tooth? Timberlake's toast? Mooney's school report? Weird things sold at auction … Paul Horn playing in the Taj Mahal, Sonny Rollins on the Williamsburg Bridge, U2 in Slane Castle … are new vinyl albums now ‘luxury goods' and old ones ‘antiques'? … where you can hear the Abbey Road building on the Dark Side of the Moon … the cinematic records Daniel Lanois made in an abandoned movie theatre near Santa Barbara … Summer In The City: the Lovin' Spoonful's road-drill and Regina Spektor's cleavage … Cat-calming music! Gym motivation! Stress-busting songs for Spurs fans on Judgement Day! The age of the prescriptive playlist … the new dawn of instrumental music, “a public utility like turning on a tap” … and the single Sinatra recorded for Maureen Starkey (only one copy made!).Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

An impossibly compelling songs from one of the most important writers and performers in American music, and a great band tries something different. Dancing Barefoot, originally by the Patti Smith Group, covered by U2.  Outro music is Desire, also by U2. 

Chasing the shade and slapping the Sunscreen on this week's overheated news, we pour a tinkling drink and reflect upon the following … … British people in hot weath-ah! … when rock stars you haven't seen for 50 years pop up on Zoom … Lennon's tooth? Timberlake's toast? Mooney's school report? Weird things sold at auction … Paul Horn playing in the Taj Mahal, Sonny Rollins on the Williamsburg Bridge, U2 in Slane Castle … are new vinyl albums now ‘luxury goods' and old ones ‘antiques'? … where you can hear the Abbey Road building on the Dark Side of the Moon … the cinematic records Daniel Lanois made in an abandoned movie theatre near Santa Barbara … Summer In The City: the Lovin' Spoonful's road-drill and Regina Spektor's cleavage … Cat-calming music! Gym motivation! Stress-busting songs for Spurs fans on Judgement Day! The age of the prescriptive playlist … the new dawn of instrumental music, “a public utility like turning on a tap” … and the single Sinatra recorded for Maureen Starkey (only one copy made!).Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Ce 1er juin, dans RTL2 Pop-Rock Station, Marjorie Hache convoque PJ Harvey, Ozzy Osbourne, Billy Idol, Guns N' Roses, Cage The Elephant, Iggy Pop, Deftones, Charli XCX et Nada Surf. L'animatrice célèbre le 54e anniversaire de la sortie du premier disque des Eagles, avec le titre "Take It Easy". La sélection réunit également The Velvet Underground, The Cure, Frankie Goes to Hollywood et The Faces. Les Foo Fighters font résonner "Your Favourite Toy", tandis que Massive Attack et Tom Waits récidivent avec "Boots On The Ground". The Strokes, Lana Del Rey et les Vendéens de Dynamite Shakers répondent présents. Le duo électro-rock écossais Boards of Canada annonce son grand retour avec "Prophecy At 1420 MHZ". La primeur de la soirée met en lumière le duo irlandais Dea Matrona, qui offre le morceau "My Own Party", abordant le thème du syndrome de l'imposteur. L'album de la semaine se penche sur le troisième disque du trio londonien Saint Agnes, "Your God Fearing Days Are About To Begin", dont on découvre aujourd'hui le titre "The Beast", confirmant leur puissance métal. Enfin, la reprise du jour s'annonce envoûtante : les Canadiens de Cowboy Junkies revisitent avec délicatesse le célèbre hymne "One" de U2, sorti initialement en 1992. Foo Fighters - Your Favorite Toy Guns N' Roses - Paradise City The Eagles - Take It Easy P.J. Harvey - A Place Called Home Cage The Elephant - Shake Me Down Iggy Pop - Lust For Life Deftones - My Own Summer Saint Agnes - The Beast Ozzy Osbourne - Mr. Crowley Billy Idol - Eyes Without A Face Charli XCX - Rock Music Cowboy Junkies - One Nada Surf - Always Love Massive Attack & Tom Waits - Boots On The Ground The Velvet Underground - I'm Waiting For The Man Starcrawler - Road Kill Dynamite Shakers - Cinema Frankie Goes To Hollywood - Relax Boards Of Canada - Prophecy At 1420 MHz Dea Matrona - My Own Party Alt+J - Left Hand Free Faces - Ooh La La The Cure - A Forest Lana Del Rey - First Light The Strokes - Falling Out Of LoveHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Chasing the shade and slapping the Sunscreen on this week's overheated news, we pour a tinkling drink and reflect upon the following … … British people in hot weath-ah! … when rock stars you haven't seen for 50 years pop up on Zoom … Lennon's tooth? Timberlake's toast? Mooney's school report? Weird things sold at auction … Paul Horn playing in the Taj Mahal, Sonny Rollins on the Williamsburg Bridge, U2 in Slane Castle … are new vinyl albums now ‘luxury goods' and old ones ‘antiques'? … where you can hear the Abbey Road building on the Dark Side of the Moon … the cinematic records Daniel Lanois made in an abandoned movie theatre near Santa Barbara … Summer In The City: the Lovin' Spoonful's road-drill and Regina Spektor's cleavage … Cat-calming music! Gym motivation! Stress-busting songs for Spurs fans on Judgement Day! The age of the prescriptive playlist … the new dawn of instrumental music, “a public utility like turning on a tap” … and the single Sinatra recorded for Maureen Starkey (only one copy made!).Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

We're back and diving straight into the harsh realities of creating content when the algorithm clearly prefers confirmation bias over the actual, frustrating truth. Zac gives us the rundown on a speaker build that required way more technical tweaking than those viral DIY videos ever admit, and we debate if the new Kreg joinery tool actually has what it takes to dethrone the Festool Domino, or if we're all just victims of influencer marketing.We also swap notes on the absolute best ways to handle door-to-door salespeople, the mystery of Carhartt's transition into high fashion, deep pour epoxy that decides to smoke in the cup, the devastating results of taking a Japanese pole saw to aluminum extrusion, and the shared global trauma of having a U2 album forcefully injected into our iPods. Grab your favorite MP3 player and settle in.Got questions? Email us at offthecutpodcast@gmail.comJoin the Aftershow: https://www.patreon.com/offthecutpodcastWatch Live: https://www.youtube.com/channel/UCcRJPIp6OaffQtvCZ2AtWWQMerch: https://www.spencleydesignco.comStart a Podcast: https://streamyard.com/pal/c/5926541443858432Follow the Hosts:Zac: @ZacBuildsEric: @SpencleyDesignCoDeric: @PecanTreeDesignProudly Sponsored By: KM Tools (kmtools.com/SPENCLEYDESIGNCO)WTB Woodworking (wtbwoodworking.com/giveaway)#Woodworking #DIY #3DPrinting #Maker #ContentCreation #OffTheCutPodcast #Sponsored #KMTools #WTBWoodworking

"I want to underline my own belief that art must carry man's craving for the ideal, must be an expression of his reaching out towards it; that art must give man hope and faith. And the more hopeless the world in the artist's version, the more clearly perhaps must we see the ideal that stands in opposition to it—otherwise life would become impossible! Art symbolises the meaning of our existence." ― Andrei Tarkovsky, Sculpting in Time (1986) The Cold War Cinema team is joined by guest Taylor R. Genovese to discuss Andrei Tarkovsky's debut feature film, Ivan's Childhood (1962), a Soviet masterpiece about the Great Patriotic War and prime example of Thaw–era cinema. Taylor R. Genovese is an assistant professor of philosophy at Dutchess Community College in Poughkeepsie, New York. He has also been a filmmaker and photographer for over a decade. His multimodal and transdisciplinary research focuses on Marxism, historical memory, and borderlands. He is also an editor and board member at Iskra Books, a nonprofit scholarly publisher that releases original works of revolutionary theory, history, ecology, and art.  In this episode we discuss:  Andrei Tarkovsky's life and career The historical and political context of Ivan's Childhood Tarkovsky's aesthetic vision and theological concerns How the concept of "toska" shapes the sensibilities of the literary and cinematic arts in the Slavic world, including in Tarkovsky's films. The moving image representation of trauma and transcendence in Ivan's Childhood. The poetry of Andrei's father, Arseny Tarkovsky, and its influence on the filmmaker. The Soviet astethetics of Alexander Bogdanov (1873–1928), as articulated in his book Art and the Working Class, which Genovese translated from the Russian in 2022. To purchase the book (or download a free PDF), click this link.   _____________________ We love to give book or film recommendations on the podcast, so here are ours for this episode:  Taylor recommends the films Come and See (1985, dir. Elem Klimov) and Dead Man's Letters (1986, dir. Konstantin Lopushanskiy). Paul recommends a film and a record: Sergei Eisenstein's Strike (1925) and U2's War (1983). Tony recommends the book Freudianism: A Marxist Critique, by Valentin Voloshinov, and the new essay "The Enchanted Biopolitics of Dark Cosmism" by our guest Taylor R. Genovese. Jason recommends the film Kes (1969, dir. Ken Loach) _____________________ Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.  For more from your hosts: Follow Taylor uses the handle @trgenovese on X, Instagram, and Letterboxd. Information on his scholarship and visual art can be found on his website at taylorgenovese.com. Follow Jason on Bluesky at @JasonChristian.bsky.social, on X at @JasonAChristian, or on Letterboxed at @exilemagic.  Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas. Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com  _____________________ Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Happy listening!

Rizz is having an existential crisis after discovering his son's feet are officially bigger than his. The gang dives headfirst into the emotional rollercoaster of watching kids grow up, the weird realization that childhood doesn't last forever, and why parents secretly measure their self-worth against shoe sizes.A family in California is desperately searching for answers after a delivery driver allegedly walked off with their cat. Yes, their actual cat. Not a package. Not a box. The cat. The crew debates whether the world's chillest feline was simply too trusting and whether every pet owner should now be suspicious of compliments from delivery drivers.Then there's the woman who somehow handed over her debit card and nearly ten thousand dollars in cash after falling for an unbelievable rideshare scam. The gang attempts to understand how these scams work while also wondering how many red flags a person can ignore before reality taps them on the shoulder.Meanwhile, an airline passenger claims a cup of coffee caused life-changing injuries in the absolute worst place imaginable. What follows is an in-depth discussion on airplane coffee, turbulence, questionable beverage decisions, and why nobody wants to gamble with hot liquids at 35,000 feet.The conversation takes another turn when Rizz discovers a tick between his toes and immediately starts worrying about Alpha-Gal Syndrome. Because apparently adulthood is just a series of increasingly specific fears.As if that wasn't enough, the crew uncovers one of the strangest side hustles on the internet: cosplay models selling "foot juice" to convention attendees. Yes, exactly what it sounds like. No, nobody is proud of humanity after hearing this story.Rizz finally gets the results from his sleep study. Will he officially become a CPAP guy? Is he about to start "microdosing life support" every night? Or will doctors somehow discover an entirely new category of terrible sleep? The crew weighs in with equal parts concern, medical expertise they definitely don't have, and relentless roasting.Things somehow spiral into a discussion about waking up twenty times a night, cortisol overload, testosterone levels, hormone therapy, NAD shots, and the possibility that everyone on the show is slowly becoming a science experiment. Basically, if you've ever hit your 40s and wondered what happened, this conversation is for you.Then it's on to movie theater controversy as Alamo Drafthouse sparks outrage by replacing their old-school paper ordering system with QR code phone ordering. The crew debates whether phones belong anywhere near a movie screen, whether glowing screens ruin the experience, and if Elijah Wood might be the most passionate movie theater defender on Earth.Meanwhile, Riz and his wife are considering a rare date night at the movies, leading to a surprisingly intense discussion about movie choices, theater etiquette, and whether anyone should ever be playing a game on their phone during a film.In Crap On Celebrities, the gang dives into music festival drama as performers start dropping out of the America 250 celebration while Vanilla Ice somehow remains standing. There's also talk about Riot Fest's loaded lineup, Tom Morello's latest festival announcement, Violet Grohl's debut album, Willie Nelson making chart history, and upcoming movies that might actually be worth leaving the house for.The entertainment world doesn't escape unscathed either. The crew discusses Brad Pitt family drama, Nicolas Cage changing his name to avoid riding the Coppola family coattails, Toy Story 5 preparing to emotionally destroy an entire generation again, and the strange reality that kids today would rather stare at a tablet than play with actual toys.Then comes one of the day's biggest debates: the Mount Rushmore of arena rock. Queen, Journey, Van Halen, Bon Jovi, AC/DC, KISS, Led Zeppelin, Aerosmith, U2, and more all enter the argument as the crew tries to determine which bands truly deserve arena rock immortality.What began as a normal conversation about wedding presents quickly turned into an absolutely ridiculous debate over what happens when a group of radio personalities starts shopping online with zero adult supervision. One minute we're talking about gift registries. The next minute we're researching blow-up dolls, discussing payment plans, comparing shipping options, and wondering whether a fully wrapped mystery package would instantly become the most talked-about item at the reception.Because apparently that's where our brains go.Would the bride find it funny? Would the groom appreciate the joke? Would security escort us from the venue? These are the important questions tackled by your favorite collection of professional broadcasters pretending to be functioning adults.Then things somehow become even more competitive with a packed edition of The Riz Quiz.Listeners step up to test their knowledge against the clock in a rapid-fire battle featuring geography, sports, movies, history, fast food, random facts, and several questions that instantly made people question everything they thought they knew. There were strong performances, surprise eliminations, and at least one answer that will live in infamy among breakfast cereal enthusiasts.We also discover that some questions are a lot easier when you're listening from your car than when you're the one actually under pressure. As always, confidence levels ranged from "I've got this" to "Why did I call in?" in record time.The result is exactly the kind of chaos you've come to expect from The Rizzuto Show: random conversations, questionable logic, competitive trivia, and a group of friends somehow turning ordinary topics into complete nonsense.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Amazon Driver Caught on Camera Taking Family's Cat During a DeliveryWoman loses nearly $10K after giving envelope of money to Uber driver in Lebanon CountyMan Says He Suffered 'Excruciating Pain' and Scarring After 'Boiling' Coffee Spilled on His Lap During FlightCosplay stars caught hawking truly revolting products at California anime festival — and they sold outShrey Parikh bounces back, battles nerves and dominates spell-off to win the National Spelling BeeMan tries to tear down Butler County home with excavator after argumentCrimeMan Back In Trouble Over Crack PunDrunk driver caught with 'homemade cannon' in VernonFlorida Man Allegedly Smashed Store Window With Chainsaw to Steal Pokémon Cards Worth $12,000Man Turns Himself in for Allegedly Vandalizing Restaurant Deck and Then Taking a Nap After Surveillance Photo Goes ViralPennsylvania man cuts pickleball nets at parks after injury ruined his summerBaked dirt accidentally served at Maine high school supperWearing only a watch, a headlamp and flip-flops isn't a great disguise when trashing a neighbor's motion lightTrespasser rescued after getting stuck in smoking chimney, arrested by Everett policeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today's episode starts with one of the biggest cliffhangers in recent Rizzuto Show history: Riz finally gets the results from his sleep study. Will he officially become a CPAP guy? Is he about to start "microdosing life support" every night? Or will doctors somehow discover an entirely new category of terrible sleep? The crew weighs in with equal parts concern, medical expertise they definitely don't have, and relentless roasting.Things somehow spiral into a discussion about waking up twenty times a night, cortisol overload, testosterone levels, hormone therapy, NAD shots, and the possibility that everyone on the show is slowly becoming a science experiment. Basically, if you've ever hit your 40s and wondered what happened, this conversation is for you.Then it's on to movie theater controversy as Alamo Drafthouse sparks outrage by replacing their old-school paper ordering system with QR code phone ordering. The crew debates whether phones belong anywhere near a movie screen, whether glowing screens ruin the experience, and if Elijah Wood might be the most passionate movie theater defender on Earth.Meanwhile, Riz and his wife are considering a rare date night at the movies, leading to a surprisingly intense discussion about movie choices, theater etiquette, and whether anyone should ever be playing a game on their phone during a film.In Crap On Celebrities, the gang dives into music festival drama as performers start dropping out of the America 250 celebration while Vanilla Ice somehow remains standing. There's also talk about Riot Fest's loaded lineup, Tom Morello's latest festival announcement, Violet Grohl's debut album, Willie Nelson making chart history, and upcoming movies that might actually be worth leaving the house for.The entertainment world doesn't escape unscathed either. The crew discusses Brad Pitt family drama, Nicolas Cage changing his name to avoid riding the Coppola family coattails, Toy Story 5 preparing to emotionally destroy an entire generation again, and the strange reality that kids today would rather stare at a tablet than play with actual toys.Then comes one of the day's biggest debates: the Mount Rushmore of arena rock. Queen, Journey, Van Halen, Bon Jovi, AC/DC, KISS, Led Zeppelin, Aerosmith, U2, and more all enter the argument as the crew tries to determine which bands truly deserve arena rock immortality.Add in celebrity birthdays, bizarre movie facts, festival announcements, old concert memories, and enough sarcasm to power a small city, and you've got another completely normal day with The Rizzuto Show.If you're looking for a daily comedy show packed with ridiculous conversations, pop culture commentary, music news, and the kind of friendship that only comes from years of roasting each other on the radio, this episode delivers.The Rizzuto Show remains the daily comedy show where sleep studies become comedy material, movie theater policies become national debates, and arena rock rankings become blood feuds.Thanks for making us part of your daily comedy show routine.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Daniel Lanois built a studio in his basement in Quebec and began producing local acts when a teenager. Through work with Brian Eno, he went on to record U2, Bob Dylan, Arcade Fire, Emmylou Harris and scores of others with a method that's unique, cinematic and utterly extraordinary, a brand of sonic architecture that creates settings to accommodate the songs, often in exotic and stimulating places. And he's made nine albums of his own, the latest the magical instrumental suite ‘Belladonna Nocturne' – “hear this and you may never go home again”. This rich and fascinating conversation includes … … how the place you record affects the way you think ... producing Dylan and Willie Nelson in an abandoned Mexican cinema … why the first record he bought was Wipe Out by the Surfaris … the process of “printing sound” and his Music Minus One theory … “Songs are doorways to another dimension” … Eno's working method: “he walked round the studio for 45 minutes ringing bells to map out the length of the album” … drawing song sketches to stop everyone having to crowd round a laptop … making the Unforgettable Fire with U2, “expanding Slane Castle ‘til there were little critters crawling out of the walls!” … conjuring the tropical heat of Robbie Robertson's Somewhere Down the Crazy River … and what Hells' Angels like to do to his music. Order Belladonna Nocturne here: https://artsmusic.lnk.to/BelladonnaNocturneHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Daniel Lanois built a studio in his basement in Quebec and began producing local acts when a teenager. Through work with Brian Eno, he went on to record U2, Bob Dylan, Arcade Fire, Emmylou Harris and scores of others with a method that's unique, cinematic and utterly extraordinary, a brand of sonic architecture that creates settings to accommodate the songs, often in exotic and stimulating places. And he's made nine albums of his own, the latest the magical instrumental suite ‘Belladonna Nocturne' – “hear this and you may never go home again”. This rich and fascinating conversation includes … … how the place you record affects the way you think ... producing Dylan and Willie Nelson in an abandoned Mexican cinema … why the first record he bought was Wipe Out by the Surfaris … the process of “printing sound” and his Music Minus One theory … “Songs are doorways to another dimension” … Eno's working method: “he walked round the studio for 45 minutes ringing bells to map out the length of the album” … drawing song sketches to stop everyone having to crowd round a laptop … making the Unforgettable Fire with U2, “expanding Slane Castle ‘til there were little critters crawling out of the walls!” … conjuring the tropical heat of Robbie Robertson's Somewhere Down the Crazy River … and what Hells' Angels like to do to his music. Order Belladonna Nocturne here: https://artsmusic.lnk.to/BelladonnaNocturneHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Garden Tarts kick off their 2026 Tart Talk with part one of a two-part discussion of U2's Songs of Innocence. In this episode, Hillary and Jenny dig into the album's release controversy, the Apple/iPhone backlash, the cover art, and the first five tracks, “The Miracle of Joey Ramone,” “Every Breaking Wave,” "California (There is No End to Love)," "Song For Someone" and "Iris (Hold Me Close)." And of course, Questions for Bono over Whiskey and Cake™️.This side A conversation goes song by song through the first half of the album, with music analysis, U2 lore, live show memories, and plenty of shots along the way. Stay tuned for part two next week.TAGS:U2, Songs of Innocence, U2 Songs of Innocence, The Garden Tarts, Tart Talk, U2 podcast, U2 album review, Miracle of Joey Ramone, Every Breaking Wave, Songs of Innocence Side A, U2 deep dive, music podcast, Bono, The Edge, Larry Mullen Jr, Apple U2 albumLEAVE US A 5-STAR REVIEW! It helps people find the show.• ⭐⭐⭐⭐⭐ (5 stars only, please) on SPOTIFY ➡️ https://open.spotify.com/show/2zSuKUbHaQgsKFjEmyG8jo?si=8244b36bcc734ca8• ⭐⭐⭐⭐⭐ (5 stars only, please) on APPLE ➡️ https://podcasts.apple.com/us/podcast/kissing-lips-and-breaking-hearts-the-irreverent/id1478584991WHERE TO FIND US:➡️ http://www.thegardentarts.com➡️ wearethegardentarts@gmail.com➡️ facebook: https://www.facebook.com/thegardentarts➡️ instagram: https://instagram.com/the_gardentarts➡️ threads: https://www.threads.com/@the_gardentarts_u2podcast➡️ https://thegardentarts.com/#subscribe to our newsletter➡️ http://www.patreon.com/thegardentarts➡️ http://buymeacoffee.com/thegardentartsKISSING LIPS & BREAKING HEARTS: AN IRREVERENT U2 PODCAST is produced by us, The Garden Tarts. Production by: Jenny SteadmanGraphic design by: Hillary FrankAll music is by December

Miss Heard celebrates Season 7, Episode 352, we dive into U2's iconic anthem “Where the Streets Have No Name”, the soaring opening track from The Joshua Tree that nearly fell apart in the studio before becoming one of the band's defining live performances. From Bono's vision of a world beyond division to the Edge's late-night burst of inspiration and the chaotic rooftop video shoot in downtown Los Angeles, we explore the passion, ambition, and near-disaster behind one of rock music's most unforgettable songs. You can listen to all our episodes at our website at: https://pod.co/miss-heard-song-lyrics Or iTunes, Stitcher, Spotify and many more platforms under Podcast name “Miss Heard Song Lyrics” Please consider supporting our little podcast via Patreon at https://www.patreon.com/MissHeardSongLyrics or via PayPal at https://www.paypal.com/paypalme/MissHeardSongLyrics #missheardsonglyrics #missheardsongs #missheardlyrics #misheardsonglyrics #podcastinavan #vanpodcast #U2 #Bono #TheEdge #WhentheStreetsHaveNoName #JoshuaTree https://www.youtube.com/watch?v=GzZWSrr5wFI https://en.wikipedia.org/wiki/Where_the_Streets_Have_No_Name https://en.wikipedia.org/wiki/U2 https://www.songfacts.com/facts/u2/where-the-streets-have-no-name https://en.wikipedia.org/wiki/Cecil_Hotel_(Los_Angeles)

In this mini episode of Kissing Lips and Breaking Hearts, the Garden Tarts dig into U2's whirlwind time in Mexico City, including the Street of Dreams video shoot, fan reports from the set, and the growing excitement around new music tied to the FIFA World Cup. Jenny and Hillary also talk about Bono dancing and drinking in public, Larry's welcome return to the spotlight, and what it all says about this joyful new U2 era.Plus, the Random Song of the Week is “Shadows and Tall Trees,” which leads to a thoughtful conversation about loss of innocence, atmosphere, and the emotional world of Boy. And of course, there's one very important question for Bono over whiskey and cake: could he throw us a bone, please, sir?And of course, Questions for Bono over Whiskey and Cake™️LEAVE US A 5-STAR REVIEW! It helps people find the show.• ⭐⭐⭐⭐⭐ (5 stars only, please) on SPOTIFY ➡️ https://open.spotify.com/show/2zSuKUbHaQgsKFjEmyG8jo?si=8244b36bcc734ca8• ⭐⭐⭐⭐⭐ (5 stars only, please) on APPLE ➡️ https://podcasts.apple.com/us/podcast/kissing-lips-and-breaking-hearts-the-irreverent/id1478584991WHERE TO FIND US:➡️ http://www.thegardentarts.com➡️ wearethegardentarts@gmail.com➡️ facebook: https://www.facebook.com/thegardentarts➡️ instagram: https://instagram.com/the_gardentarts➡️ threads: https://www.threads.com/@the_gardentarts_u2podcast➡️ https://thegardentarts.com/#subscribe to our newsletter➡️ http://www.patreon.com/thegardentarts➡️ http://buymeacoffee.com/thegardentartsKISSING LIPS & BREAKING HEARTS: AN IRREVERENT U2 PODCAST is produced by us, The Garden Tarts. Production by: Jenny SteadmanGraphic design by: Hillary FrankAll music is by December

Parents everywhere know there's a level of frustration where you stop talking… and start blasting Huey Lewis in the garage like your life depends on it. This episode starts with Rizz admitting one of his kids pushed him so far over the edge that he had to activate the emergency happy playlist — and honestly, that may be the most relatable thing ever said on a daily comedy show.The gang dives deep into the songs guaranteed to rescue your mood, including Bermuda by John Linnell, “Your Love Keeps Lifting Me Higher,” “Power of Love,” “Stayin' Alive,” Wilson Phillips, Grateful Dead deep cuts, and enough Motown to heal emotional damage from modern life. Somehow the conversation turns into Michael Jackson hiding under your bed, CPR training from The Office, and whether Poison's “Nothing But a Good Time” should legally qualify as antidepressants.Then things escalate exactly the way they always do around here.There's major concert news with the Smashing Pumpkins launching a massive anniversary tour for Melancholy and the Infinite Sadness, plus Sonic Temple highlights featuring Shinedown, Daughtry, and Lzzy Hale absolutely crushing live performances. The crew also debates legendary tours after a “greatest concerts of all time” list sparks chaos because apparently U2 and Garth Brooks got disrespected so hard that Moon nearly launched himself through a wall.Speaking of questionable life decisions, Moon opens up about tattoo regret and realizing some of his old ink now resembles “a Walmart quarter-machine mistake.” The gang breaks down famous rock stars with zero tattoos, including Lars Ulrich, Alice Cooper, Trent Reznor, and Dave Mustaine. Meanwhile, Moon's tattoos are slowly evolving into what the show describes as “touched-up church Jesus art.” Honestly, no notes.Celebrity nonsense also reaches elite levels in this episode. Tom Brady apparently debuted a new look that made listeners compare him to Patrick Bateman, an animatronic billionaire, and a rejected Zoolander villain. The crew debates whether Brady's “perfect guy” magic is finally wearing off after another bizarre fashion appearance. There's also fake celebrity dating rumors involving Pamela Anderson and Tom Cruise, SNL madness with Chad Smith impersonating Will Ferrell, Paul McCartney showing up with new music nobody expected, and Casey Musgraves performing breakup songs on top of a washing machine because country music symbolism has fully left Earth.As always, this daily comedy show somehow mixes music nerdery, parenting meltdowns, celebrity gossip, nostalgic chaos, weird news, and absolutely unnecessary side conversations into one giant sarcastic fever dream. It's basically group therapy for people who laugh at inappropriate moments and still think “Stayin' Alive” is a medically useful song.If you love comedy podcasts, funny celebrity gossip, weird stories, sarcastic humor, music debates, and total morning show chaos straight out of St. Louis, this episode has everything except emotional maturity.And yes… somebody absolutely ends the show talking about porno birthdays. Because professionalism is dead.This daily comedy show is proudly brought to you by the beautiful dysfunction known as The Rizzuto Show.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Feliz día a todos los maestros de México que hacen todo para que este país salga adelante. Ya "cayeron" los primeros del caso "Rocha Moya", mientras tanto 'ajoloBono' y los U2 visitaron a la Presidenta. La 'Gober' de Campeche reacciona tras ser exhibida con joyería valuada en 1 mdp. Fan llora trans conocer al 'HormiGol'. Y por fin sabemos qué significa "Arrabababababababaseiiiiii" de Reyli. 

Amigos, de verdad gracias, gracias por todo el apoyo que nos brindaron para ganar los #SpotifyPodcastAwards son neta la onda.... Y en Baja, que les bajan la luz en plena conferencia de prensa. U2 ya se ajolotizó y una Senadora de Morena se burla de que otros no saben lo que ella... ¡tampoco sabe! Julio César Jr le ganaría a Aldito y a Poncho con una sola mano, ¿ustedes qué dicen?

Point Fest is almost here, and the crew is fully locked into concert-season chaos. The gang talks meet-and-greets, side stages, local bands, and the Road to Point Fest competition — including an accidental on-air mix-up that somehow made things even more Rizz Show-y. Trevor May & The Nomads get some love, Sideshow gets their rightful victory lap, and everyone agrees Highland, Illinois may secretly be manufacturing musicians in a lab somewhere.Then things take a surprisingly philosophical turn when the show debates whether adults are actually cooler now than they were in high school. What starts as a simple question becomes a full therapy session involving acne glow-ups, fake confidence, bus-seat politics, floating between social groups, and why being a jerk in high school somehow counted as “cool.” Rafe drops accidental wisdom, Lern gets deep about authenticity, and King Scott proudly explains that he still doesn't get invited to parties… but now at least he hears about them. Growth. Beautiful growth.The conversation somehow escalates into midlife-crisis accusations after truck purchases, homeowner flexes, and dangling accessories become evidence in the court of Cool Dad Law. Which honestly makes this the exact kind of daily podcast people come here for: emotionally unstable grown adults trying to justify their hobbies while roasting each other into dust. That's friendship, baby.In Crap on Celebrities, the gang covers Tool reportedly being approached before U2 for the Las Vegas Sphere, celebrity “Game of Thrones politics,” and why Tool fans may need to start saving money immediately. There's also Amazon TV announcements, Fallout casting news, Reacher updates, and an absolutely brutal listen to Vince Neil performing on American Idol alongside Carrie Underwood. Nobody survives that audio clip emotionally. Nobody.The crew also dives into celebrity jail history including Martha Stewart, Robert Downey Jr., Tim Allen, Lindsay Lohan, Khloe Kardashian, Wesley Snipes, Mark Wahlberg, and Matthew McConaughey's legendary naked bongos incident. Which somehow becomes one of the most relatable celebrity stories discussed all morning. That sentence alone should tell you exactly what kind of daily podcast this is.And because this show refuses to stay on topic for more than six seconds, the episode closes with an unexpected Steve Winwood appreciation session complete with singalongs, nostalgia, and the now-unforgettable lyric: “Bake me a pie of love.” Sorry in advance for that getting stuck in your head forever.If you love music news, hilarious fails, celebrity chaos, sarcastic humor, St. Louis energy, and a daily podcast that sounds like your funniest friends trapped in a group chat with microphones, welcome home.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Adam Scott joins the guys to talk about his nightmare Coachella experience—especially after Justin Bieber's concert—along with his love of “Church Chat” and the origins of Severance. He shares stories about Christopher Walken and why making he just wants to make him proud, reflects on Rob Lowe's good looks, and Step Brothers. Plus, they dive into their shared love of U2 and his upcoming horror film Hokum. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices