Podcasts about U2

In this episode, Jenny and Hillary share their Apple Music replays for 2025, discussing their top artists, songs, and albums. They reflect on their music listening habits, concert experiences, and engage with their audience by inviting them to share their own music insights. The conversation is light-hearted and filled with humor, as they explore their diverse tastes in music and the nostalgia associated with certain artists.SIDE A: Jenny's ReplaySIDE B: Hillary's ReplayAnd a question for Bono over whiskey and cake. Sound bites"I like your sweater too.""I did not like them one bit.""Just say chicken."Chapters00:00 Introduction and Personal Updates03:25 Hillary makes an executive decision03:59 SIDE A: Jenny's Replay 202508:04 Diverse Musical Tastes and Nostalgia08:46 SIDE B: Hillary's Replay 202516:13 Question for Bono over whiskey and cake16:41 Just say, "chicken!"music, Apple Music, playlists, concert experiences, holiday greetings, podcast, U2, Taylor Swift, Lumineers, nostalgia

The Lumineers are heading out on a world tour in January, 2026, so it feels right to encore our delightful conversation with the band's co-founder, drummer, and piano player Jeremiah Fraites. Jer loves Radiohead and an unexpected side-bar about the infamous 1993 MTV Beach House performance, which TMEP co-host Alex attended as Radiohead's tour manager, nearly hijacked the interview. Fortunately, we got back to Spinal Tap Moment stories and Jer lit us up with tales of the time Elton John gave him a love tap on the Grammy Awards red carpet; what it was like to fly on U2's private 747; and why Alice Cooper thinks The Lumineers need to "go and eat a steak." Find Lumineers' tour dates and ticket information: https://www.thelumineers.com/tour Lumineers IG & FB: @thelumineers --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective is supported by DISTROKID - the best way for Musicians, Songwriters, Producers, DJs to get their original music into Spotify, Apple, TikTok, and all the major platforms. Get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Join our Mailing List: https://tmepshow.com Follow us on Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey there, everyone. I'd like to welcome you to a special edition of the podcast - a joint creation between Why Music Matters and The Buffalo History Museum.  This episode, which we've named 12/8/80 (In the Name of Love), was created with my good friend Anthony Greco, Director of Exhibits at The Buffalo History Museum, and creator and host of the Museum's podcast. The episode explores an evening that changed the world for the worse. And it turns out that there's an interesting Buffalo angle to the story of this tragic night. On December 8, 1980, as a then-unknown band called U2 played to a sparse crowd as they opened for the power trio Talas at Stage One, just outside Buffalo, the world was upended by the murder of John Lennon. Lennon's death transformed an ordinary evening into a defining moment in music and cultural history. This episode tells the story of that night. I'd like to thank Anthony Greco for his outstanding work on this joint venture. And shout-outs are in order to Willie Nile and Billy Sheehan, both of whom were kind enough to share their memories of that fateful evening with me. Additional thanks to WKBW in Buffalo, who shared with us an excerpt of their 2017 interview with Bruce Moser - a Buffalo promoter and dear friend who played a significant role in breaking U2 in the American Northeast, way back in 1980. Bruce passed away in 2020. This joint podcast is dedicated to his memory, with thanks for all he gave - to Buffalo, and to the world. We all miss you, Bruce. Thanks for joining us. Take it away, Anthony Greco…

Today, Ceri speaks the extraordinary Memo Akten — artist, researcher, computer scientist. For more than a decade, he has worked with emerging technologies, AI, Big Data, and our Collective Consciousness as scraped and shaped by the internet, to explore consciousness, perception, ecology and the politics of our techno-lifestyles. He won the Golden Nica at Prix Ars Electronica, became Google's first artist-in-residence in their Artists & Machine Intelligence programme, and has exhibited at the Venice Biennale, Tribeca, the Barbican, ACMI, Mori Art Museum, and the Academy Museum in LA. His collaborations span U2, Lenny Kravitz, Depeche Mode, Max Cooper, Richard Dawkins, Google, Apple and McLaren. KEY TAKEAWAYS Technology is never neutral. It shapes us as much as we shape it. Memo reminds us that behind every dataset is a culture, behind every model is a worldview, and behind every technological leap is a chain of ecological, political and emotional consequences. The world can only meet your ideas if you let them out of hiding. Memo's story is a masterclass in releasing the work before you feel ready. If you are wrestling your way through a project remember - the destination is just the documentary still. Gathering the threads that eventually become something whole is where the real art is. BEST MOMENTS “We can use technology to understand ourselves more deeply, to pay attention to the world more carefully, and to ask bigger, braver questions.” “I very rarely begin a project with an end goal of this is what it should look like, in mind. I usually begin with this is how I want it to behave.” AN UNMISSABLE OFFER If the art world feels confusing, you're not imagining it. Most artists are guessing their way through it and staying stuck far longer than they need to. Inside the Ceri Hand Coaching Membership, you get straight answers and real support. Each week, I run live sessions where you can bring any problem and I'll help you cut through it fast — creative blocks, pitches, pricing, all of it. You'll get coaching with me, the chance to host or attend a virtual studio visit, portfolio reviews, monthly art world experts, and a community who genuinely get it. It's the kind of guidance most artists wish they'd had years ago. Right now, you can join or gift a full year for £99, our only discount of the year, available until the first of January. Join the Membership, or gift it to someone who needs it. We'll get there faster together. Just click here: cerihand.com/membership. EPISODE RESOURCES https://www.memo.tv https://www.instagram.com/memo_akten HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Artworld Network Self Study Course Our self-study video course, 'Unlock Your Artworld Network', offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com ** This Podcast has been brought to you by Disruptive Media https://disruptivemedia.co.uk/

Welcome back to Transmissions with Jason P. Woodbury. This week on the show, a return guest: Steve Wynn of The Dream Syndicate and solo fame. He last joined the show part of a trio: in 2018, we taped with him, Howe Gelb of Giant Sand, and Robyn Hitchcock live at the KXCI studio at Hotel Congress in Tucson Arizona. That talk also made it into the Transmissions feed again in 2020.  This time, Steve is with us to discuss the 40th anniversary reissue of The Dream Syndicate's second album, 1984's Medicine Show, which has been reissued in expanded form by Fire Records. Produced by Blue Öyster Cult and Clash associate Sandy Pearlman, the album found the Syndicate jumping from the smaller Slash indie label to A&M. But it also found Wynn shifting his songwriting approach into darker territory, embracing a kind of pulp fiction, hardboiled crime aesthetic that paired well with the group's rangy, intense sound, which had been amplified and solidified during the tours that followed the band's debut,  1982's The Days of Wine and Roses.  Wynn is a tremendous conversationalist, and this convo opened us up to plenty of fascinating terrain, from record store lore to interactions with bands like R.E.M. and U2, as well as lots of behind the scenes info on Medicine Show. Transmissions is created in partnership with the Talkhouse Podcast Network. We're brought to you by ⁠⁠⁠⁠⁠⁠⁠⁠⁠Aquarium Drunkard⁠⁠⁠⁠⁠⁠⁠⁠⁠, an independent music media crew headed by Justin Gage. Over at Aquarium Drunkard, you'll gain access to 20 years of music writing, playlist, essays, mixtapes, radio special, podcasts, videos and more.

Part 1 of my conversation with guest Phil Stacey as we pick our favorite songs released in the 21st century. Listen to the episode below or download directly (right click and "save as"). Show notes: We're a quarter through this century Phil: Thought this would be easy but came up with a long list What about a song grabs you? Jay: Original top 10 list was all songs from the 00s Songs that didn't make our top 10 Phil: Tribe Called Quest, Vampire Weekend, Meatbodies, Wilco, Ryan Adams and the Cardinals, TV On the Radio, Wet Leg, Franz Ferdinand, Michael Kiwanuka, MJ Lenderman, U2, Frances Forever, Patrick Sweeney, Mudcrutch, Sufjan Stevens, Shearwater, Jason Isbell, Songs: Ohia Jay: Radiohead, Bowie, At the Drive-In, Drive-By Truckers, Sloan, Sleater-Kinney, Death from Above 1979, Jay-Z, Hold Steady, Gord Downie, Tragically Hip, Living Colour, Outkast, Wild Flag, White Stripes, PJ Harvey, Parquet Courts, Spoon, M.I.A., Kaiser Chiefs Jay: Found out about a lot of new music from MP3 blogs in the early 00s Phil's #10: Spoon breaks through Song was a cover of a song by The Natural History Jay's #10: Last song from Bowie's iconic farewell album Love the album but it's hard to listen to because of the sadness Phil's #9: Mournful ballad from Mark Lanegan Jay: My favorite Lanegan song Mixing bubblegum and chewing tobacco is a bad idea A duet with Chris Goss of Masters of Reality Jay's #9: A fiery hip hop blast from Run the Jewels and Zach de la Rocha Waiting for their next album; last one was in 2020 Phil's #7: Bluegrass turn from Billy Strings Strings is winning over a lot of fans of other genres Phil's #8: Protest song from Drive-By Truckers Band chronicles a lot of real-life injustices Jay's #8: Angry ripper from Superchunk Commentary on the political climate of 2018 Sometimes fans don't like the message Jay's #7: White Stripes hit the mainstream Took a year for their third album to become a hit To be continued Completely Conspicuous is available through wherever you get podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

The Trump administration is touting progress in brokering a Ukraine peace deal, with claims that Ukraine has tentatively signed on and only a few details needing to be sewn up to get Russia on board.  Guest host Chris Keene and Americans' Comedian Kurt Metzger discuss the ongoing political theater around a war that could have ended years earlier if Western powers hadn't intervened to sabotage diplomacy mere weeks after the war begain.  As mainstream outlets praise or panic over the proposal, the hosts highlight the staggering human toll—1.4 million dead—contrasting it with U.S. officials now admitting Ukraine faces imminent defeat and unsustainable military support.  With blistering commentary, they shred both parties for fueling endless war, exploiting Ukraine's suffering, and pretending sudden urgency after years of burying peace negotiations. The segment closes with the hosts blasting the hypocrisy, corruption, and geopolitical gamesmanship from both Democrats and Republicans keeping the conflict alive while ordinary people pay the price. Plus segments on newly minted CBS News head Bari Weiss explaining that she wants to be an informational gatekeeper, the reaction to Joe Rogan suggesting that cultural issues are being used to divide us, Tucker Carlson saying he now "hates" the Republican Party and U2's Bono's declaration of Trump Derangement Syndrome. Also featuring Mischa Paullin!

In this episode of the XS Noize Podcast, Mark Millar is joined by legendary producer Steve Lillywhite — the Grammy-winning studio mastermind behind iconic records by U2, The Rolling Stones, Talking Heads, The Smiths, The Killers, Peter Gabriel, and many more. Steve talks about the release of a brand-new 4-track EP featuring a completely unreleased live version of "Fairytale of New York" — recorded at Glasgow Barrowlands in December 1987. This historic performance captures the first time The Pogues ever played the song live, and the first time Kirsty MacColl performed it onstage with the band. The EP is released on 12 December. Recorded by Steve himself — producer of the original version and then-husband of Kirsty MacColl — the Barrowlands tape offers a rare window into the early live life of what has become the UK's favourite Christmas song for over a decade. Originally charting at No. 2 in 1987, "Fairytale of New York" has returned to the UK Top 20 every year since 2005. Steve reflects on the making of the classic track, the energy of that unforgettable night in Glasgow, and key moments from across his remarkable career. Listen to Steve Lillywhite discuss the new EP, the legacy of Fairytale of New York, and the stories behind his legendary productions — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

Dans cet épisode d'Une date, une histoire, Philippe Legrand reçoit Camille Berthollet, violoniste et violoncelliste virtuose. Elle revient sur le décès de la reine Élisabeth II, survenu le 8 septembre 2022, et partage son admiration pour cette figure emblématique. L'entretien explore aussi son nouvel album « Légendes », inspiré par la musique celtique et enrichi de reprises d'artistes comme Sting ou U2. Entre hommage historique et passion musicale, cet épisode offre un double voyage émouvant et captivant.À retenir :Réflexions de Camille Berthollet sur la disparition de la reine Élisabeth II.Présentation de son album « Légendes » et son univers celtique.Les coulisses des reprises de grands noms comme Sting et U2.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

I am so excited to bring you this conversation with the extraordinary Es Devlin, who joined me at Liberty last week to celebrate the release of How to Live an Artful Life. Es Devlin is an artist and stage designer renowned all over the world for her large-scale performative sculptures and environments – from theatre and opera design for the National Gallery and Royal Opera House, to kinetic stage sculptures for musicians like Beyoncé, U2 and Lady Gaga. She has also created luminous installations at the V&A, Serpentine Galleries, Somerset House, and more. Whether designing for Beyoncé, the opera, or creating public artworks, Es Devlin's works dissolve the boundaries between art, architecture and performance, and encourage us to rethink our position in the world. Expertly led by the wonderful Hannah Macinnes, we touched on all things to do with living an artful life – Es's morning routine; how we can get better at focusing our attention on one thing; artmaking as an expression of love; the artist hustle – and so much more. I can't wait for you to hear it. Pick up your copy of How to Live an Artful Life: https://www.waterstones.com/book/how-to-live-an-artful-life/katy-hessel/9781529155204 An Atlas of Es Devlin https://www.waterstones.com/book/an-atlas-of-es-devlin/es-devlin/andrea-lipps/9780500023181

This week on Reelin' In The Years... The Featured Five Theme is What's The Deal: The Shopping Theme... Also, music from a new rock supergroup that's fronted by Darius Rucker... Ronnie Spector's attempt at a comeback (thanks to George Harrison)... What song by The Police is an example of a mondegreen? Who is Sue Lawley?... A duo that chose a music career instead of working for their hometown tire manufacturer... New music from Christone "Kingfish" Ingram, and John Fogerty... Deep cuts Tom Petty, U2, Leo Kottke & Mike Gordon, Young Rascals, The Peter Frampton Band, and much more... For more info on the show, visit reelinwithryan.com

What's up, dudes? There's nothing like a Christmas jazz house song to kick off a party. I've got Steve Beech of Uplifting House Sessions with me to dive into the opening track of Winter Warnerland! Yes, we're talking Jeff Lorber “God Rest the House!”Jeff Lorber is an American keyboardist and composer specializing in jazz and fusion. After attending the Berklee College of Music, he played with Michael Brecker and John Scofield. Eventually he started Jeff Lorber Fusion and released his first album in 1977. He frequently played on Rhodes, Minimoog, and Prophet 5 keyboards. He subsequently went solo and had several singles on Billboard Dance charts.As the Winter Warnerland liner notes state:“He's the guy who first brought you Karen White with their smash hit, The Facts of Love. Kenny G, his former sax player and right now is one of the hottest session cats out there. You can hear his magic touch on current hits from U2, Pebbles, New Edition, Giant Steps, New Shoes, The California Raisins, Sheena Easton and Jeffrey Osborne. Those are just the ones he's played on this month. And you know he's saving up the good stuff for his next WB LP due sometime in 89. Even though he's a busy guy, he managed to crank out a hot house mix version of God Rest Ye Merry, Gentlemen for us. Turn it up!”Driving bass line? Check. Syncopated version of the melody? Got it. Minor pentatonics, blues scale embellishments, and occasional chromatic triplets? Definitely! So grab your Yamaha GS-1, and jam out to this episode on Jeff Lorber “God Rest the House!”Uplifting House SessionsYouTube: @UpliftinghouseSessionsIG: @upliftinghousesessionsGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

I'm feeling a tiny bit too gassed to look it up, but I think this is maybe the fourth-consecutive episode of the podcast to drop on Thanksgiving.Thursdays aren't fantastic for metrics it seems, but what's more likely is that this thing just isn't really marketable in terms of audience growth.And that's okay. There was never a pipe dream to have it all blow up. It's always been about connecting with people and sharing stories. And I'm pretty proud to be closing in on 200 episodes/four years of sittin' down with folks to talk about life and music.Point being, nobody's really paying attention to anything on Thanksgiving; they're all movin' around and preparing and whatnot. Most folks, anyway. And I want to give a special shoutout to those that aren't: To those that have spent or do spend this particular holiday without friends or without loved ones -- shouts out to you. You are loved, even if sediments of solitude occupy a portion of your day. Or your life.I don't know how the way current times feel compares to The Depression or Civil Rights or the late '70s when there were gas lines or any of the rest of it. I just know that it makes me a little sad everyday that people are being ugly to each other.It almost feels criminal to discover yourself enjoying something like a little time away from the grind when there are people out there that would give anything to have the grind be a part of their lives.So, I'd like to just...share a human moment, and say that I appreciate all of you that are currently inhabiting the planet. I mean, if you're fuckin' with other people and doin' creepy shit that ain't kosher -- well -- knock that off.People in traffic annoy me often. Same with comments-section campers. And don't get me started on the homeslices and the girlfriends that think that what's happening in the United States right now is fine. Lemme tell ya': Fine would be fantastic. Shit's "pretty fuckin' far from okay."So hopefully today some of you can wiggle yourself into that once-familiar feeling of things being okay, and you can enjoy your sweet potatoes, and compliment the pie crust, and -- of course -- offer to do the dishes.Anyway...Matthew Naquin is this week's guest. He was kind enough to share some of a Tuesday evening with me a couple of weeks ago, and together we hammered out Episode No. 192.We talked about his illustrations (Check him out on Instagram at @thesanmateo.), his music (thesanmateo.com plus Bandcamp, Spotify, and Apple Music), life, family, comedy, and a bunch more, including a few of his favorite records, which were these:U2's The Joshua Tree (1987)Gentlemen (1993), The Afghan WigsPortishead's Dummy (1994)F# A# Infinity (1997), Godspeed You! Black EmperorRadiohead's Amnesiac (2001)Check out our chat, and check out all things Matthew Naquin/San Mateo. Cheers and thank you.Copyright Disclaimer Under Section 107 of the Copyright Act 1976: Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. That being said, I do not own the rights to the audio clips contained within this episode. They are snippets from a DJ Shadow tune called, "What Does Your Soul Look Like, Pt. 1 (Blue Sky Revisit)," and you can find this cut on his 1996 release, Endtroducing, c/o Mowax Recordings, A&M Records, Ltd.

Welcome to part 2 of our first (and only) TART TALK of the year, where we dive deep into U2's No Line on the Horizon. Side B, this time! If you want to play along, grab a shot glass for our Good Enough shooter. Whether you are a fan of this album or not, we think you'll enjoy this listen. If you missed Side A, just look at last week's episode! www.thegardentarts.comSUPPORT: www.patreon.com/thegardentarts AND www.buymeacoffee.com/thegardentartstwitter: @the_gardentartsinstagram: @the_gardentartswatch this ep on YouTube: @thegardentarts

Let Us Know What You Think of the Show!Date: November 26, 2025Name of podcast: Backstage Pass RadioS9: E10: dUg Pinnick (Kings X / Grinder Blues) Motown Roots to Metal TruthsSHOW SUMMARY:A voice that can shake a room and a bass tone you can feel in your ribs—dUg Pinnick of King's X joins us for a candid, wide-open conversation about art, survival, and building a sound that refuses the mold. From a childhood spent glued to record players to the thunder of Led Zeppelin and Deep Purple, dUg traces how Motown roots and gospel grit fused with heavy riffs to form the King's X blueprint. We talk about the business as he's lived it—70 years of evolution and disruption—why validation culture can starve the soul, and how a band can stay small on charts yet massive in people's lives.dUg breaks down his uniquely architectural approach to writing: drum groove first, guitars and bass next, and lyrics last, pulled straight from lived emotion. He opens the hood on tone design, too—signal splitting for grit and chime, frequency carving that lets bass feel huge without drowning guitars, and why a 12‑string bass keeps his hands honest. We revisit the Dogman era with producer Brendan O'Brien, tuning choices that made the record hit like their live show, and the stubborn love that fuels a cult following decade after decade.There's warmth and wit here—AC/DC dinner stories, the joy of seeing U2 at the Rose Bowl, and the humility of knowing fans bring their own history to every chorus. dUg shares what's next: final tweaks on his solo record, the spark of a rock-and-roll cooking show, and a stack of ideas ready for the next King's X chapter. If you care about songwriting, bass tone, heavy music history, or simply staying true when trends shift, this conversation delivers depth you can use and heart you can feel.If this moved you, follow the show, share it with a friend, and leave a quick review so more music fans can find it.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web Pagewww.kingsxrocks.comCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer.  Thank you for being a part of Backstage Pass Radio Your Host,Randy Hulsey 

Live from The Hyderabad Public School, a private high school in India which features notable alums 1) Microsoft CEO Satya Nadella, 2) Adobe CEO Shantanu Narayen 3) former Mastercard CEO Ajay Banga, 4) Fairfax Financial CEO Prem Watsa, and 5) Procter & Gamble CEO-designate Shailesh Jejurikar, it's an all-new Terrific Tuesday edition of Business Pants, featuring Analyst-Hole Matt Moscardi! On today's Lead Independent Turkey called November 25th, 2025: the Who Do You Blame? Game!Our show today is being sponsored by Free Float Analytics, the only platform measuring board power, connections, and performance for FREE.DAMIONCampbell's Places VP on Leave Following Viral 'Poor People' RantMartin Bally, Campbell Soup Company's vice president and chief information security officer: “"We have s--- for f---ing poor people. Who buys our s---? I don't buy Campbell's products barely anymore. Bioengineered meat — I don't wanna eat a piece of chicken that came from a 3-D printer."He also allegedly made derogatory comments about Indian coworkers and – according to the recording – claimed he sometimes came to work under the influence of marijuana: "F---ing Indians don't know a f---ing thing," the voice on the recording says. "They couldn't think for their f---ing selves."The statement follows claims made by former Campbell's security analyst Robert Garza, who filed a lawsuit in Wayne County Circuit Court alleging that Bally launched into an hour-long tirade during what was meant to be a discussion about Garza's salary.Campbell's: “We are proud of the food we make, the people who make it and the high-quality ingredients we use ... The comments on the recording are not only inaccurate—they are patently absurd.Campbell's also noted that Bally is not involved in food development. “Keep in mind, the alleged comments are made by an IT person, who has nothing to do with how we make our food,” the statement concluded.WHO DO YOU BLAME?The founding families:Voting power: (35%) Mary Alice D. Malone - 18% Bennett Dorrance- 15% Archbold D. van Beuren - 2%Board influence (76%): Mary Alice Dorrance Malone (61%; board member since 1990); Archbold Dorrance van Beuren (9%; wealth management); Bennett Dorrance (6%: bachelor's degree in art history from Princeton University and a master's degree in sustainable leadership from Arizona State University); Mary Alice Dorrance Malone Jr (accomplished equestrian, and a luxury fashion entrepreneur) MMInvestors: 11/18/2025 AGMAverage director support 98% (9 over 99%): 43% yes simple majority vote; regenerative agriculture program including pesticide reduction outcomes 11% yes; say on pay 99% yesAn unserious food board of 9 non-family board members:No food: Fabiola R. Arredondo (family investment trust); Howard M. Averill(former Time Warner CFO); Maria Teresa (Tessa) Hilado (former CFO Allergan); Grant Hill (NBA); Sarah Hofstetter (e-commerce sales); Marc B. Lautenbach (global shipping); Chair Keith R. McLoughlin (appliances); Kurt T. Schmidt (weed and pet food); CEO Mick J. Beekhuizen: 13 years with Goldman Sachs in roles including Managing Director in the merchant banking divisionAmerican pop-artist Andy Warhol for somehow making Campbell's Food company eternally relevant Q3 2025 Gender Diversity IndexLittle Movement on Boardroom Gender Diversity: 30% of Russell 3000 board members are women, a figure that has stayed within a narrow 30% to 30.3% range over the past five quarters.Percentage of Boards with 50% Women: Across the Russell 3000, 6% (175) of boards are composed of at least 50% women, while the remaining 94% (2,736) have less than 50% female representation.New Female Director Appointments Hit Record Low: 22.3% of new directors on Russell 3000 boards are women. This represents the lowest percentage recorded in the study (since Q12017)WHO DO YOU BLAME?The anti-DEI MAGA movementNominating Committees, specifically their Chairs MMPassive Investors (BlackRock, Vanguard, etc)The proxy experts: ISS, Glass Lewis, etc.Previous female board members who retired or died: if they were immortal maybe the numbers would be better?OpenAI announces shopping research tool in latest e-commerce pushOpenAI announced a new tool called “shopping research” that will generate detailed, in-depth shopping guides.The guides include top products, key differences between the products and up-to-date information from reliable retailers, OpenAI said.“With these new abilities, we can have shared prosperity to a degree that seems unimaginable today; in the future, everyone's lives can be better than anyone's life is now.”WHO DO YOU BLAME?The sycophants: open letter sent to the board of directors“We are unable to work for or with people that lack competence, judgement and care for our mission and employees,” the letter continues before demanding that “all current board members resign,” appoint “two new lead independent directors.”signed by a whopping 700 of the company's 770 employees — including CTO Mira Murati, who the board briefly named interim CEO only to be replaced just a few days later, and Altman's fellow cofounder Ilya Sutskever, who initially appeared to be one of the forces behind his ousterNew Initial Board (Nov 2023)Bret “Salesforce” Taylor (Chair), Larry “Epstein” Summers, and Adam “voted to fire him in the first place” D'AngeloNew Board Members (Mar 2024)Sue Desmond-Hellmann (former CEO, Bill “Epstein” & Melinda Gates Foundation); Nicole “Iran Contra” Seligman (former Sony GC); Fidji Simo (CEO of Instacart) MMThe wafflers: Ilya Sutskever and Adam D'AngeloNOT Helen Toner: Director of Strategy at the Georgetown Center for Security and Emerging Technology and Tasha McCauleySam:San Francisco, CA (Russian Hill): A historic mansion purchased for $27 million in 2020.San Francisco, CA (Adjacent Homes): Three adjacent houses purchased for $12.8 million each (totaling $38.4 million) in January 2024. These purchases appear to be consolidating a potential mega-compound next to his original Russian Hill home.Kailua-Kona, Hawaii (Big Island): A large, 22-acre oceanfront estate, quietly purchased in 2021 for $43 million (later listed for $49 million in 2025). It features multiple houses, a private marina/beach, helipadNapa, CA (Ranch): A 950-acre ranch, reportedly purchased for $15.7 million in 2020.Kohl's names Michael Bender as permanent CEO after a turbulent year and sales declines. WHO DO YOU BLAMEAshley Buchanan: On May 1, 2025, Kohl's board terminated Buchanan “for cause” following an outside investigation overseen by its Audit Committee. The investigation found that Buchanan directed Kohl's to do business with a vendor founded by someone with whom he had a personal relationship. He also caused Kohl's to enter into a multimillion-dollar consulting agreement involving that same person. Crucially, he did not disclose this personal relationship, which was a violation of Kohl's code of ethics.Golden hello: $17m equity and $3.75m cashFormer director Christine Day: Shortly after Buchanan was fired, Day resigned, citing “lack of transparency” and governance concerns. Day said she was frustrated that not all board members were kept informed of risks and that decisions seemed centralized (“Michael ‘handles' everything … then ‘tells' everyone what the decision is”). Kohl's strongly disputed her characterization, saying her resignation was not “due to any disagreements” over operations or practices.Investors: chair Bender named interim CEO 4/30/25… AGM 5/14/2595% yes bender; 55% yes pay; 89% yes Prising; 92% average; new chair 91% John E. Schlifske (2011-, longest-tenured)Compensation Committee: “regularly and actively reviewing and evaluating our executive management succession plans and making recommendations to the Board with respect to succession planning issues”Chair Jonas Prising (2015-)Member Michael BenderMichael Bender, who was the Board Chair and sat on COmp Committee and director since 2019, was named interim CEO$1.475M/175% target up to 350%/$9.5M equity ($500k more than ashley) target/$200k aircraft (up from $180k for ashley)/$160k relocationone-time award of restricted stock units (“RSUs”) valued at $3,775,000The glass cliff: women and POC promoted to precarious leadership positions, such as the CEO or a board seat, during times of crisis, organizational turmoil, or poor performance MMMATTWatchdog group warns AI teddy bear discusses sexually explicit content, dangerous activities. This is the $99 Kumma bear made by FoloToy using OpenAI's service. OpenAI said it was suspending Folotoy for violations of usage of ChatGPT. WHO DO YOU BLAME?:Folotoy, who's founder and CEO Larry Wang calls himself “Chief Geek Officer” and has a background in child psychology and behavioral science… oh, wait, not, he has background in computer science and was founder of a tech telecomm company and was a software developer for insurance before that. But he's obviously qualified to do this: “Kumma, our adorable bear, combines advanced artificial intelligence with friendly, interactive features, making it the perfect friend for both kids and adults. From lively conversations to educational storytelling, FoloToy adapts to your personality and needs, bringing warmth, fun, and a little extra curiosity to your day.”OpenAI - obviously Sam Altman's commitment to “the benefit of humanity” stopped short of “sex advice from baby toys,” even though he says having kids of his own will help him not destroy humanity. I assume he's not getting Sammy Jr a Kumma bear? DROpenAI's board - obviously if they had fired Sam Altman, there wouldn't be sex bears using ChatGPT. But Helen Toner was forced out by the rest of the board, investors, and public pressure - she's since said, “But for years, Sam had made it really difficult for the board to actually do that job by withholding information, misrepresenting things that were happening at the company, in some cases outright lying to the board,” and that Altman gave them, “inaccurate information about the small number of formal safety processes that the company did have in place.” Perhaps Altman said, “no, that teddy bear didn't just say he loved oral sex, that's just a misinterpretation.”Microsoft - Satya, despite misgivings from Bill Gates, threw $10bn at OpenAI in January 2023. In November 2023, the board removed Sam Altman. Turns out Microsoft had released a version of ChatGPT in India that Altman sanctioned outside of safety protocols - the board should have signed off, but Altman lied to them and hid it. But rather than Microsoft pulling back the release and recognizing the damage it could do, they swooped in and “hired” Sam Altman 3 days after his firing. Their $10bn investment might have been the first cog in a sex bear wheel.I'm the Chief People Officer at Walmart. I always wake up to the same U2 song and watch the 'Today' show. That is Donna Morris listening to U2's “Beautiful Day”, the first thing she does is go online, she doesn't drink coffee but drinks Diet Coke (“I've just never been a hot drink type of girl, I guess. I try to limit myself to two Diet Cokes a day, although every once in a while, I sneak in a third.”), she likes buying cookbooks but doesn't use them. Not mentioned: Walmart's DEI rollback, the new CEO coming in, working for a family dictatorship, and any of her colleagues - as chief people officer, there are almost zero people mentioned. WHO DO WE BLAME FOR THIS EXISTING?Professional Conservative Snowflake Robby Starbuck - he claimed Walmart as his first “victory” after Trump's election in the DEI rollback. Post-Starbuck snowflake-ism, Morris might have had a job managing humans, but now her job is basically to send pink slips and make sure there aren't TOO many swastikas in the bathroom stall. A few is fine, but c'mon. So to pass the time, Morris is stuck giving interviews to Business Insider.Business Insider, who must have known Morris had the potential to give an insipid review of her day when this was her excuse for Walmart's DEI rollback: "When you talk about diversity, equity, inclusion, all in part, there can be communities, and often the largest communities, that step back and say, 'Geez, I'm not sure if I'm even actually included'," Morris explained of the decision. Which echoes… ROBBY FUCKING STARBUCK, who said to anyone who would listen: "This is the biggest win yet for our movement to end wokeness in corporate America. This won't just have a massive effect for their employees who will have a neutral workplace without feeling that divisive issues are being injected but it will also extend to their many suppliers."Donna Morris, because as only we covered here when discussing the corporate move to blame the employees for every problem and getting fired, had this to say of her biggest red flag on an employee: “Nobody wants [to hire] a Debbie Downer. [Someone who is] constantly negative. You know they're going to show up [and] they're going to bring the problem, never the solution.” Literally, the JOB of HR is to field COMPLAINTS from employees about how their managers treat them - or is it too Debbie Downer to complain about racial discrimination of employees?Walmart's board - they must have signed off on Morris getting hired, right? Or a Walton? Someone somewhere thought this was a good idea? Take your pick:CFO of OpenAI Sarah Friar (who said OpenAI would need a government backstop, then clarified)Brian Niccol, the CEO of Starbucks who was given a golden hello, a golden parachute, and probably a golden shower, who just named to a “worst CEO” listThe current AND former CEO of WalmartSteuart Walton, who couldn't bother to even be named “Stuart” (he had to spell it with an extra “E”) with a claim to fame of marrying a Baywatch reboot actress, and Greg Penner, the son-in-law of a different Walton and snuck his way onto the board AND as co-owner of the Denver BroncosTom Horton, retired American Airlines CEO who was CFO of American for years right before they declared bankruptcy, but somehow is remembered for “restructuring” them instead of bankrupting them?Marissa Mayer - yes, that Mayer, formerly of YahooNot one, but TWO different consultantsRandall Stephenson, ex AT&T CEO, who, if I'm honest, seems to have actual integrity and I'm not sure why he's here, plus two DEI directors (because they're not white, so probably not qualified)

For a relatively small country, Ireland has had its fair share of mainstream international success in the music business over the years: U2, Van Morrison, Westlife, Thin Lizzy. These have all been familiar to radio listeners around the world for decades.But, an article in The Guardian on Friday suggested that we now have the world's best alternative music scene. Is that true?Dylan Murphy is a Music Journalist and Host of the ‘Mabfield' podcast. He joins Seán to discuss.

Gerry and Aaron take center stage this week in a new segment we're calling "The Dank Tank". The gruesome twosome ask each other video game trivia questions and for every wrong answer, they have to share an embarrassing story. Oh, and we talk about becoming the #1 U2 podcast, the Potato Oles from Taco John's (non-Midwesterners won't understand), and lots more garbage.

A huge hit at the start of a really complicated career, and a band who knows where to take their inspiration. Your Love Is My Drug, originally by Kesha, covered by Blusher.  Outro music is Sunday Bloody Sunday by U2.

Will and Anurag discuss new releases by Dust, Liiek, and Fanclubwallet, plus live reports, a death of the week, and bonus songs.

A fast-moving tour through concerts, songs, and stories that still echo: REM's 1995 blowout, U2's 2005 highs, a supergroup surprise with Darius Rucker, Mike Mills, and Steve Gorman and how a ballad helped change maritime safety. We end with a spirited look at 80s alt gems and one notorious number-one.• deep dive into REM's 1995 Omni shows and rare covers• U2's 2005 setlist peaks, “Miss Sarajevo,” and a proposal during “One”• Howl Owl Howl live review with Darius Rucker, Mike Mills, Steve Gorman• airport chat about McCartney, Rod Stewart, and a Rick Astley ritual• Gordon Lightfoot's Edmund Fitzgerald and Great Lakes safety changes• 70s–80s track talk: KC, Echo and the Bunnymen, The Cure, Oingo Boingo, Big Audio Dynamite• hot take on Starship's "We Built This City"Learn Something New orRemember Something OldLike and follow our Facebook and Instagram pages and spread the word if you enjoy the podcast. Contact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

What if the people we idolise are far more ordinary than we imagine?In this Bite Size from episode #154, Dr Bill Anseline pulls back the curtain on life with some of the world's biggest celebrities. He explains why, beneath the fame, pressure and spectacle, the thing they crave most is to be treated like everyone else.Bill also shares a story he's never told publicly: the night he took U2 to Mardi Gras… and Bono ended up halfway up a lighting tower, watching Kylie Minogue bring the house down at the after-party.A rare look at what really happens when the spotlight switches off. You can find Dr Bill at his website:https://drbillanseline.com.au/Follow Dr Bill on Instagram:https://www.instagram.com/drbillanseline/?hl=en Use Code "PQPODCAST10" to get 10% off your Lumo Coffee order:https://lumocoffee.com/ Interested in sharing your story? Email Producer Shannon at support@performanceintelligence.com today with your story and contact details. Learn more about Andrew and Performance Intelligence: https://performanceintelligence.com/Find out more about Andrew's Keynotes : https://performanceintelligence.com/keynotes/Follow Andrew May: https://www.instagram.com/andrewmay/Watch the Performance Intelligence Podcast on Youtube: https://www.youtube.com/@performanceintelligencepodcastIf you enjoy the podcast, we would really appreciate you leaving a short review on Apple Podcasts, Spotify or Google Play. It takes less than 60 seconds and really helps us build our audience and continue to provide high quality guests.

Michael Brown undertakes a thorough study of Eyeliner's Eyeliner's Buy Now (Bloomsbury 2025) a vaporwave homage to the kitsch electronic sounds of the 1980s and 1990s. Eyeliner's BUY NOW (2015) belongs to a new genre for our times: vaporwave. Emerging in the early 2010s on the internet, vaporwave originated with a cohort of millennial artists who reimagined the musical soundtracks of 1980s-1990s consumerism with an adroit mixture of irony and sincerity. One of these was Eyeliner, the alias of New Zealand computer musician Luke Rowell (a.k.a. Disasteradio). For his vaporwave masterpiece, Rowell harnessed computer software to craft a unique album, a catchy, funky, and witty tour through the utopias of advertising at "the end of history." BUY NOW epitomizes a new kind of album for the internet age: made DIY-style, all digital, free, licensed under Creative Commons, and released to a "virtual" community, an online scene without geographic center. Drawing on original interviews and the album's production archive, Eyeliner's BUY NOW (Bloomsbury 2025) uses BUY NOW's story to investigate what it means to create, distribute, and consume independent music in an era of global networks and digital technology. It places the album in both the real-world and online contexts of Rowell's life and career, from early websites to the Spotify era, from Lower Hutt to the world. Michael Brown on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Michael Brown undertakes a thorough study of Eyeliner's Eyeliner's Buy Now (Bloomsbury 2025) a vaporwave homage to the kitsch electronic sounds of the 1980s and 1990s. Eyeliner's BUY NOW (2015) belongs to a new genre for our times: vaporwave. Emerging in the early 2010s on the internet, vaporwave originated with a cohort of millennial artists who reimagined the musical soundtracks of 1980s-1990s consumerism with an adroit mixture of irony and sincerity. One of these was Eyeliner, the alias of New Zealand computer musician Luke Rowell (a.k.a. Disasteradio). For his vaporwave masterpiece, Rowell harnessed computer software to craft a unique album, a catchy, funky, and witty tour through the utopias of advertising at "the end of history." BUY NOW epitomizes a new kind of album for the internet age: made DIY-style, all digital, free, licensed under Creative Commons, and released to a "virtual" community, an online scene without geographic center. Drawing on original interviews and the album's production archive, Eyeliner's BUY NOW (Bloomsbury 2025) uses BUY NOW's story to investigate what it means to create, distribute, and consume independent music in an era of global networks and digital technology. It places the album in both the real-world and online contexts of Rowell's life and career, from early websites to the Spotify era, from Lower Hutt to the world. Michael Brown on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

link Трек-лист: 01. The Blinders — I Can't Breathe Blues 02. Ron Gallo — Young Lady, You've Scaring Me 03. FONTAINES D.C. — Big 04. Shania Twain — Man! I Feel Like A Woman 05. Make The Girl Dance — Baby Baby Baby 06. Vitalic — Poney Part 1 07. U2 — I Still Haven't … Продолжить чтение Lofstrom loop 425 (22.11.2025)

Michael Brown undertakes a thorough study of Eyeliner's Eyeliner's Buy Now (Bloomsbury 2025) a vaporwave homage to the kitsch electronic sounds of the 1980s and 1990s. Eyeliner's BUY NOW (2015) belongs to a new genre for our times: vaporwave. Emerging in the early 2010s on the internet, vaporwave originated with a cohort of millennial artists who reimagined the musical soundtracks of 1980s-1990s consumerism with an adroit mixture of irony and sincerity. One of these was Eyeliner, the alias of New Zealand computer musician Luke Rowell (a.k.a. Disasteradio). For his vaporwave masterpiece, Rowell harnessed computer software to craft a unique album, a catchy, funky, and witty tour through the utopias of advertising at "the end of history." BUY NOW epitomizes a new kind of album for the internet age: made DIY-style, all digital, free, licensed under Creative Commons, and released to a "virtual" community, an online scene without geographic center. Drawing on original interviews and the album's production archive, Eyeliner's BUY NOW (Bloomsbury 2025) uses BUY NOW's story to investigate what it means to create, distribute, and consume independent music in an era of global networks and digital technology. It places the album in both the real-world and online contexts of Rowell's life and career, from early websites to the Spotify era, from Lower Hutt to the world. Michael Brown on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. Have you made your guesses yet? If so, you can scroll down and look at the answers.Okay, answers coming. Don't peek if you haven't made your guesses yet!Intro song: 21st Century Schizoid Man by King Crimson (1969)Song 1: Thick as a Brick (Pt. 1) by Jethro Tull (1972)Song 2: The Miracle (of Joey Ramone) by U2 (2014)Song 3: More Bounce to the Ounce by Zapp & Roger (1980)Song 4: Suburban Home by Descendants (1982)Song 5: Miracles by Jefferson Starship (1975)Song 6: Overture - The Phantom of the Opera by Andrew Lloyd Webber (1986/2004)Song 7: Raid by MF Doom (feat. MED) (2004)Song 8: Miracle Drug by A.C. Newman (2004)Song 9: The Next Episode by Dr. Dre (feat. Snoop Dogg) (1999)Song 10: Parkbench Chameleon by Cat's Pajamas (2024)

This week is the penultimate broadcast episode of Suburban Underground. It is a countdown show of the top 15 years from which songs were played in the history of the show.  These artists are played in this episode The Accidentals, The Black Keys, Yeah Yeah Yeahs, Two Door Cinema Club, Florence + the Machine, U2, The Wombats, The Smiths, The Damned, Red Rockers, The A's, 4 Out of 5 Doctors, Original Mirrors, The National, Hippo Campus. AI-free since 2016! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

In the studio with Kody Frederick, Director and Head of Marketing at Julien's Auctions, and we are talking about a special 'Played, Worn & Torn' auction featuring the personal collections of Adam Clayton, Kirk Hammett and Tommy Lee (just imagine if U2, Metallica and Motley Crew all in one concert!! Whew!) The auction takes place November 20 and 21 ONLY (limited time) with not only memorabilia from the above mentioned rockstars, but the auction also features over 800 pieces of music and stage memorabilia from rock and roll's most celebrated legends ever like Elvis, Keith Richards, the Beatles and more. And what's even cooler? A portion of the proceeds go to nonprofits like MusiCares. Join us!About the Spotlight Conversations podcast:Tune in as I invite friends inside my cozy linoleum free recording studio to talk about all things media - radio, television, music, film, voiceovers, audiobooks, publishing - if guests are in the spotlight, we're talkin'! Refreshingly unscripted and unusually entertaining, listen in as each guest gets real about their careers in the entertainment biz, from where they started to how it's going. Settle into my swanky studio where drinks are on ice and the conversation starters are music + media - always a deal breaker for the rock and roll homemaker! Listen to Donna every night starting at 9 on Houston Radio Platinum, along with a special program she hosts every Tuesday and Thursday night at 10 called 'Late Night Music Stories'. Love the conversations? Follow @donnareedvo @spotlightconversations @rockandrollhomemaker New episodes drop every Tuesday. Social media links, website and more hereFollow and subscribe to my podcast hereBooth Announcer: Joe Szymanski ('Joe The Voice Guy')Theme Song Composer: Mark Sparrow, SongBird Studios...

08 20-11-25 LHDW La Platea: Música, Aitor indignado con la lista de las 50 mejores bandas y el puesto 20º de U2, también por la no aparición de Dire Straits

Ce 18 novembre, Marjorie Hache ouvre Pop-Rock Station avec The Charlatans avant de faire monter l'intensité avec Bob Marley et l'anniversaire de Kim Wilde, célébrée avec "Kids in America". La soirée file ensuite vers l'énergie garage de The Hives, puis retrouve The Zombies et "Time Of The Season". The Libertines rappellent 2003, juste avant l'album de la semaine : "Chapter 04: Red Falcon Super Battle! Neo Paris War!!" signé Rise Of The North Star, illustré par "Back To Basic". Gwen Stefani prend le relais avec "Rich Girl", suivie par "A Forest" de The Cure et par Florence + The Machine. La reprise du jour met en lumière Jack White revisitant "Love Is Blindness" de U2. La suite déroule The Subways, Depeche Mode, une recommandation de Francis Zégut avec Bleach, puis les Four Tops. Kasabian, The Smiths et Happy Mondays offrent une séquence très mancunienne. La nouveauté Fresh Fresh Fresh présente Luje avec "Yeah", avant une fin de soirée marquée par Slade, puis Romy de The XX avec "Love Who You Love", juste avant Weezer et Black Sabbath. The Charlatans - Deeper And Deeper Bob Marley - Get Up Stand Up Kim Wilde - Kids In America Royal Blood - Trouble's Coming The Hives - Tick Tick Boom The Zombies - Time Of The Season The Libertines - Don't Look Back Into The Sun Rise Of The Northstar - Back To Basics (Feat. Florent Salfati De Landmvrsk) Anthrax & Public Enemy - Bring The Noise Gwen Stefani - Rich Girl The Cure - A Forest Florence + The Machine - Sympathy Magic Jack White - Love Is Blindness The Subways - Rock & Roll Queen Depeche Mode - I Feel You Bleach - Gasoline Four Tops - Reach Out I'll Be There Marianne Faithfull - Broken English Kasabian - Hippie Sunshine The Smiths - This Charming Man Happy Mondays - Step On Luje - Yeah Limp Bizkit - Break Stuff Slade - Cum On Feel The Noize Romy - Love Who You Love Weezer - Say It Ain't So Black Sabbath - God Is DeadHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Join Buzz Knight and Harry Jacobs, the Master of Music Mayhem, as they explore pivotal moments from the week of November 17th in rock history. This episode dives deep into Pink Floyd’s groundbreaking double album The Wall, released in the UK on November 17, 1979, examining Roger Waters’ creative vision, the band’s intense seven-studio recording sessions, and the controversial firing of keyboardist Richard Wright. Discover the bizarre Star Wars Holiday Special that aired once on CBS in 1978 and became an infamous stain on the franchise. Learn how guitarist Danny Whitten’s tragic 1978 heroin overdose inspired Neil Young’s haunting classic “The Needle and the Damage Done.” The hosts celebrate U2’s experimental Achtung Baby (1991), Led Zeppelin’s Houses of the Holy going 11x platinum, and The Who’s complex rock opera Quadrophenia (1973), which represented each band member’s personality across its four album sides. Plus: Michael Jackson’s game-changing Thriller video MTV premiere, The Beatles’ iconic White Album UK release (1968), Pearl Jam’s Vitalogy vinyl-first strategy, and an incredible story about young Jon Bon Jovi witnessing David Bowie and Freddie Mercury recording “Under Pressure.” Keywords: Pink Floyd The Wall, Roger Waters, David Gilmour, Quadrophenia, Beatles White Album, Thriller video, Achtung Baby, Led Zeppelin, Neil Young, music history podcast, classic rock, 1970s music, 1980s music, rock opera​​​​​​​​​​​​​​​​Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Andy eats a peanut butter cookie for dinner and talks about being tricked by a skeleton in a blonde wig, sugar writing all his novels, the Banh Mi Panini, his neighbor's dog taking Prozac, the passing of Jimmy Kimmel's bandleader, and Johnson Wen AKA Pyjama Man striking again. Then he sings along with Curtis Sliwa and plays a clip of Tracy Morgan singing a U2 song at the top of his lungs while waiting to board a plane. On Rachel's Chart Chat, Rachel from Des Moines shares listener stories of full-album concerts, follows Rage Against the Machine across the pond, and looks at a new singles collection from Christopher Cross. Follow Rachel on Last.fm here.

Join Buzz Knight and Harry Jacobs, the Master of Music Mayhem, as they explore pivotal moments from the week of November 17th in rock history. This episode dives deep into Pink Floyd’s groundbreaking double album The Wall, released in the UK on November 17, 1979, examining Roger Waters’ creative vision, the band’s intense seven-studio recording sessions, and the controversial firing of keyboardist Richard Wright. Discover the bizarre Star Wars Holiday Special that aired once on CBS in 1978 and became an infamous stain on the franchise. Learn how guitarist Danny Whitten’s tragic 1978 heroin overdose inspired Neil Young’s haunting classic “The Needle and the Damage Done.” The hosts celebrate U2’s experimental Achtung Baby (1991), Led Zeppelin’s Houses of the Holy going 11x platinum, and The Who’s complex rock opera Quadrophenia (1973), which represented each band member’s personality across its four album sides. Plus: Michael Jackson’s game-changing Thriller video MTV premiere, The Beatles’ iconic White Album UK release (1968), Pearl Jam’s Vitalogy vinyl-first strategy, and an incredible story about young Jon Bon Jovi witnessing David Bowie and Freddie Mercury recording “Under Pressure.” Keywords: Pink Floyd The Wall, Roger Waters, David Gilmour, Quadrophenia, Beatles White Album, Thriller video, Achtung Baby, Led Zeppelin, Neil Young, music history podcast, classic rock, 1970s music, 1980s music, rock opera​​​​​​​​​​​​​​​​Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Eventjes terug naar 17 oktober 1980… Een destijds onbekende band staat op het punt van zijn echte doorbraak en komt na optredens in de Melkweg in Amsterdam en Vera in Groningen, naar de Gigant in Apeldoorn. Het was voor het eerst dat deze band te horen en te zien is buiten de UK. Maar erg onder de indruk was men in Apeldoorn niet van het eerste geluid van U2… Lokale punk-types uit Arnhem en Deventer waren wel op de poster afgekomen. Maar toen U2 het livegeluid van ‘Boy' ten gehore bracht, bleek het een complete mismatch tussen Bono en de omgeving Apeldoorn. Er gaan zelfs verhalen rond over LP's van het debuutalbum van de legendarische band die na het concert als frisbees door de zaal vlogen… Vandaag in Spijkers met Koppen eren we het Apeldoornse poppodium GIGANT - Goede Ideeën Gaan Alsnog Nooit Teloor. Want naast een piepjonge U2 staan ook Simple Minds en Nirvana op het gigantische podum, maar toch hadden ze het zonder Herman Brood nooit overleefd... Nu, vijftig jaar later kunnen we door het boek ‘Gigantisch Luid en Tegendraads' allemaal meegenieten van drugs, bloed, zweet en tranen in een plaats waar niets te doen was. Schrijvers Jan Westerhof en Siwert Hoogenberg praten over die gouden dagen van poppodium Gigant.  Verder: * Alles over de stoelendans in de nieuwe Tweede Kamer * Waar in vredesnaam is Apie?? * En Pas op! Pieter Derks heeft zeker 100x een mening. Presentatie: Dolf Jansen en Willemijn Veenhoven Cabaret: Owen Schumacher, Aron Elstak, Kiki Schippers, Marcel Harteveld, Shariff Nasr. Column: Hans Sibbel Livemuziek: Waylon

Mark Van Buren gets you ready with Top 10 Thanksgiving Movies.  Juan Almanza from El Taco Rustico!!!  Top Cities for DUIs.  California College Students with less than middle school math skills.  Music Acts that no one can convince your are good. U2 is taking a whooping on our socials!  Only on the Live the Dream Media Network.

Send us a textHello, passionate cruisers! This is Paul and this week on The Joy of Cruising Podcast i am delighted to welcome back a special guest, my cohost Cheryl.As you know we are largely in the bucket list checking stage of our lives, and just got the opportunity to check one off. We recently traveled to Las Vegas. That's not the bucket list check I am referring to—we have been to Vegas a zillion times. An aside, we used to own a chain of video stores—memba them—and the annual conference and trade show of the Video Software Dealer's Association was held in Vegas and were can't miss events. What made this trip to Vegas a bucket list checking opportunity was the allure of the Sphere, the iconic spherically shaped venue built by the owners of the NY Knicks and Madison Square Garden. The Sphere, costing about 2.3 billion opened in 2023 with a 40-night residency by U2.Support the showSupport thejoyofcruisingpodcast https://www.buzzsprout.com/2113608/supporters/newSupport Me https://www.buymeacoffee.com/drpaulthContact Me https://www.thejoyofcruising.net/contact-me.htmlBook Cruises http://www.thejoyofvacation.com/US Orders (coupon code joyofcruisingpodcast)The Joy of Cruising https://bit.ly/TheJoyOfCruisingCruising Interrupted https://bit.ly/CruisingInterruptedThe Joy of Cruising Again https://bit.ly/TheJoyOfCruisingAgainIntl Orders via Amazon

This week on The Garden Tarts:Side A: U2 news and new books!Side B: Hillary shares the story of an unexpected U2-fan encounterAnd questions for Bono over whiskey and cake!www.thegardentarts.comSUPPORT: www.patreon.com/thegardentarts AND www.buymeacoffee.com/thegardentartstwitter: @the_gardentartsinstagram: @the_gardentartswatch this ep on YouTube: @thegardentarts

In this episode of LEGENDS: Podcast by All Day Vinyl, host Scott Dudelson sits down with Steve Wynn — singer-songwriter and founding member of The Dream Syndicate — to celebrate the 40th anniversary deluxe edition of their sophmore album Medicine Show. Wynn revisits the band's origins in early-1980s Los Angeles, tracing how punk energy and the Paisley Underground scene shaped their sound and the band's first rehearsal at Dennis Duck's house in 1982, which set the creative direction leading to their classic debut The Days of Wine & Roses. The conversation dives deep into the making of Medicine Show after signing with A&M Records — from working with producer Sandy Pearlman and experimenting with slower, more dynamic arrangements to enduring five grueling months of recording that strained band relationships. Wynn reflects on the record's darker, Southern-Gothic-inspired lyrics born from life on the road. They also explore the band's major tours (opening for U2 and touring with R.E.M.), lineup changes, near breakups, and eventual reunions that produced new albums and a revitalized modern lineup. Wynn opens up about the long legal battle to reclaim the Medicine Show masters, the 35-year reversion process that made this reissue possible, and what fans can expect from the deluxe box set — including remasters, live shows, rehearsal tapes, and rarities. He also explains why the original album remains unavailable on streaming despite the reissue. Thank you for tuning in! If you enjoyed this episode, please subscribe, rate, and follow All Day Vinyl on Instagram and YouTube for more conversations with rock legends.

The lights drop in Atlanta and Paul McCartney steps into a room full of memory—and invention. We unpack how an icon in his eighties still delivers a two-hour-forty marathon by leaning on tight harmonies, a punchy horn section, and the kind of live tech that lets Being for the Benefit of Mr. Kite explode off a modern stage. The show's emotional peak arrives when Paul sings I've Got a Feeling with John via Get Back footage, a moment that proves technology can connect past and present without cheapening either one.From there we chase the thread of discovery. Remember when The Doors felt brand new again in 1980? A radio deep dive, Apocalypse Now, and a greatest hits record turned Hello, I Love You and Riders on the Storm into fresh obsessions for a new generation. We map that rush forward and backward: how L.A. Woman and Morrison Hotel still punch, how Mr. Mojo Risin' became every teenager's riddle. Along the way, we decode the stories behind The Rolling Stones' Get Off of My Cloud and Neil Diamond's Cracklin' Rosie, and how fame, loneliness, and late-night singalongs sneak into pop myth.Then we give American Beauty the close listen it deserves. From Box of Rain's tenderness to Ripple's campfire wisdom and Truckin's road-scarred grin, we talk sequencing, sunshine daydream codas, and the tradition behind I Know You Rider. We round out the tour with U2's Boy—lean, urgent, and still startling—and a Ramones reappraisal that finds great songs beneath Phil Spector's glossy wall. Through it all, one idea keeps returning: artists adapt, listeners evolve, and the best songs keep meeting us where we are.If that resonates, hit play, follow the show, and share it with a friend who loves live music and music history. Leave a review to tell us which song hit you differently this time—we'll feature our favorite takes on a future episode.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Years before a free album made them the most unpopular popular band on the planet, U2 ran into the arms of America. In 1987, touring behind their blockbuster album The Joshua Tree, their songs became lightning rods for violence. They received death threats in the States and became targets of terrorists back in their native Ireland. But it was the song “Exit,” written from the POV of a killer, that was linked with pure evil. That song allegedly inspired a man to hop an overnight bus to Los Angeles, carrying a loaded .357 Magnum and a copy of The Joshua Tree, ready to do whatever it took to meet the women he was obsessed with. This episode contains themes that may be disturbing to some listeners, including descriptions of stalking. This episode was originally published on November 14, 2023. To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The United States may have an official day of gratitude every November with Thanksgiving, but for many of us, most every day could be a day of appreciation. A sincere "thank you" is rewarding for everyone: It feels good to say it and it feels good to hear it. However, appreciation can be complicated and "thank you" may come with a twist. Sometimes we're grateful (in hindsight, at least) for the lessons we've learned from difficult people. Sometimes we feel generalized happiness for family and/or friends. Sometimes we're just thankful to no one in particular that we're happy for no reason in particular. And of course sometimes expressions of gratitude are just a cover for dark feelings. In this episode of "How We Heard It" your hosts sift through an array of old and new songs that directly or indirectly express gratitude. Artists include Ariana Grande, Harry Styles, The Kinks, Sly and the Family Stone, The Beatles, Big Star, Natalie Merchant, Taylor Swift, Bob Hope, Elton John, Louis Armstrong, Rihanna, Gwen Stefani, The Beach Boys, Backstreet Boys, Alanis Morissette, James Taylor, Small Faces, Kool & the Gang, U2, Spice Girls, Boyz II Men and many more. Thanks for listening!

This episode is being published for the first time on Friday, November 7th. An episode of the same title was mistakenly published previously. The media blamed AC/DC for inspiring a serial killer. Rebecca Shaefer's murderer claimed inspiration from a U2 song. When the next incel murder happens, will we blame Morrissey? Radiohead? Or will we finally learn our lesson and treat the music as a mirror, and not a weapon? This topic, along with your voicemails, texts, and emails, and in the All Access portion, Jake and Zeth look into one of the weirdest social phenomena, “The My Way Killings,” where, for some reason, this mega Frank Sinatra hit has triggered numerous murders in the Philippines. You can become an All Access member and hear this and more exclusive content, along with ad-free listening of all Disgraceland episodes, by going to disgracelandpod.com and signing up via Patreon or Apple Podcasts. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The media blamed AC/DC for inspiring a serial killer. Rebecca Shaefer's murderer claimed inspiration from a U2 song. When the next incel murder happens, will we blame Morrissey? Radiohead? Or will we finally learn our lesson and treat the music as a mirror, and not as a weapon? This topic, along with your voicemails, texts, and emails, and in the All Access portion, Jake and Zeth look into one of the weirdest social phenomena, “The My Way Killings,” where, for some reason, this mega Frank Sinatra hit has triggered numerous murders in the Philippines. You can become an All Access member and hear this and more exclusive content, along with ad-free listening of all Disgraceland episodes, by going to disgracelandpod.com and signing up via Patreon or Apple Podcasts. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Dr. Jeff Spencer, an Olympian, author of multiple books, an award-winning chiropractor, a renowned glass artist, and a human performance coach, joins me on this episode. Jeff's client roster includes Lance Armstrong, Tiger Woods, the rock group U2, Richard Branson, and many others.

This week Jeremy welcomes Bren Lukens of Modern Baseball for their first interview in eight years.  On this episode, Jeremy and Bren talk life updates, Florida, System of a Down, falling in love with singing, U2, bootleg shirts, MP3 trading, starting Modern Baseball, writing their album "Holy Ghost", early touring as a duo and transitioning into a full band, international touring, the last Modern Baseball show so far, and so much more!!! SUBSCRIBE TO THE PATREON for a bonus episode where Bren answered questions that were submitted by subscribers! FOLLOW THE SHOW ON INSTAGRAM / X

Ya se viene el Jalogüín y sale el nuevo éxito mundial: "Thriller" versión La Tigresa del Oriente; y en más historias macabronas, Enrique Guzman platica con la Sra Pinal todos los días. Nicolás Maduro se va contra U2, no es tan fan de su música la parecer. Y MoyMu23 nos cuenta de sus ídolos y de por qué no dejaron pasar a LazyBoy a una feria en Veracrú.

Burnie and Ashley discuss the World Series, Jonas Brothers, U2, Cam Skatebo, NY Giants, the precious resource of public attention, and thoughts about the Halo Campaign Evolved announcement.

Adam talks with British musician and artist John Foxx, about a few of the pioneers of electronic music, forming the band Ultravox!, working with legendary producers Brian Eno (Bowie, Talking Heads, U2, Coldplay, etc.) and Conny Plank (Kraftwerk, NEU! Cluster, Harmonia, etc.), the relationship between art, music and comedy, his encounters with Keith Richards and performance artist Leigh Bowery, what he and Fall frontman Mark E Smith would talk about on their drinking sessions together and how his parents didn't screw him up.Conversation recorded face-to-face in London on 11 March, 2025List of the music clips used in this episode on Adam's website HEREADAM TALKS 90s TV AND PLAYS MUSIC @ LONDON LITERATURE FESTIVAL @ Royal Festival Hall, Sunday 26th October 2025, 7.30pmThanks to Séamus Murphy-Mitchell for production supportPodcast illustration by Helen GreenListen to Adam's album 'Buckle Up' Order Adam's book 'I Love You Byeee' Sign up for the newsletter on Adam's website (scroll down on homepage)RELATED LINKSMETAMATIC - SIGNED 45th ANNIVERSARY GREY VINYL - 2025 (BURNING SHED)JOHN FOXX - UNDERPASS - 1980 (YOUTUBE)ELECTRICITY AND GHOSTS The Visual Art of John Foxx - 2024WENDY CARLOS - VOCODER QUESTIONS (WENDY CARLOS WEBSITE)STRANGE JOURNEY: THE STORY OF ROCKY HORROR (TRAILER) - 2025 (YOUTUBE)LEIGH BOWERY - SOUTH OF WATFORD PT 1 - 1986 (YOUTUBE)LEIGH BOWERY - SOUTH OF WATFORD PT 2 - 1986 (YOUTUBE)LEIGH BOWERY - SOUTH OF WATFORD PT 3 - 1986 (YOUTUBE)MICHAEL CLARKE AND MARK E SMITH ON NEWSNIGHT - 2011 (YOUTUBE)THE DAMNED - NEW ROSE - 1977 (YOUTUBE)LEIGH BOWERY GIVES BIRTH AT WIGSTOCK - 1993 (YOUTUBE) Hosted on Acast. See acast.com/privacy for more information.