Podcasts about samuel redman

Our 10th and final episode of Season 2 extends our critique on the history of colonial acquisitions and collections with a focus on the colonial legacies of the institutions of Museums. We focus on the California Indian Museum and Cultural Center, recent movements to 'decolonize' museums as with the Museum of Us in San Diego, and discuss whether it is possible to ultimately decolonize these institutions. Speakers:Dr. Amy Lonetree (enrolled citizen of the Ho-Chunk Nation), Dr. Alírio Karina, Dr. Samuel Redman, Gregg Castro (t'rowt'raahl Salinan / Rumsien & Ramaytush Ohlone), Dr. Cutcha Risling-Baldy (Hupa, Yurok, Karuk), Nicole Lim (Pomo), Dr. Micah Parson, Dr. Chris GreenAudio editing: Daniel StonebloomInterviews: Martin Rizzo-MartinezMusic: G. GonzalesLinks & Further Reading:California Indian Museum & Cultural CenterAcorn BitesDecolonizing Museums: Representing Native America in National and Tribal Museums, Amy LonetreeThe National Museum of the American Indian: Critical Conversations, Edited by Amy Lonetree and Amanda J. Cobb“Decolonizing Museums, Memorials, and Monuments,” The Public Historian, Vol. 43, No. 4, pp. 21–27 (November 2021), Amy LonetreeMuseum of Us“Race: Are we so different?” ExhibitMuseum of Us: Colonial Pathways PolicyAgainst and Beyond the Museum, Alírio Karina

Samuel Redman studies where crises and museums intersect, and he found that crisis moments rarely occurred in isolation, building into complex scenarios that museum security professionals need to help manage to keep the institution resilient and safe. In this episode of SM Highlights, learn how creative thinking and a broad perspective help museums manage financial, security, climate, and cultural challenges. Also, Yan Byalik, CPP, shares how the City of Newport News, Virginia, expanded and evolved its floor warden program to boost incident response capacity and preparedness.

A conversation about the state of museums today with Samuel Redman, author of "The Museum: A Short History of Crisis and Resilience."

From a fire at the Smithsonian in 1865 to the Covid-19 pandemic, museums have faced challenge after challenge, and have survived. That didn't happen by accident. On our final MC episode for Season 6 -- and our 100th overall! -- we survey the general state of museums today with Samuel Redman, author of "The Museum: A Short History of Crisis and Resilience."

Prophets and Ghosts: The Story of Salvage Anthropology (Harvard UP, 2021) is a searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of “vanishing” Indigenous peoples through dispossession of the very communities it was meant to protect. In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objects—crafts, clothing, images, song recordings—by the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the “vanishing Indian” and what we can learn from the complex legacy of salvage anthropology. The salvage catalog betrays a vision of Native cultures clouded by racist assumptions—a vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectors' methods also included outright theft. The resulting portrait of Indigenous culture reinforced the public's confidence in the hierarchies of superiority and inferiority invented by “scientific” racism. Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Prophets and Ghosts: The Story of Salvage Anthropology (Harvard UP, 2021) is a searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of “vanishing” Indigenous peoples through dispossession of the very communities it was meant to protect. In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objects—crafts, clothing, images, song recordings—by the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the “vanishing Indian” and what we can learn from the complex legacy of salvage anthropology. The salvage catalog betrays a vision of Native cultures clouded by racist assumptions—a vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectors' methods also included outright theft. The resulting portrait of Indigenous culture reinforced the public's confidence in the hierarchies of superiority and inferiority invented by “scientific” racism. Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance. Alex Golub is associate professor of anthropology, University of Hawai‘i at Mānoa Learn more about your ad choices. Visit megaphone.fm/adchoices

Prophets and Ghosts: The Story of Salvage Anthropology (Harvard UP, 2021) is a searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of “vanishing” Indigenous peoples through dispossession of the very communities it was meant to protect. In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objects—crafts, clothing, images, song recordings—by the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the “vanishing Indian” and what we can learn from the complex legacy of salvage anthropology. The salvage catalog betrays a vision of Native cultures clouded by racist assumptions—a vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectors' methods also included outright theft. The resulting portrait of Indigenous culture reinforced the public's confidence in the hierarchies of superiority and inferiority invented by “scientific” racism. Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance. Alex Golub is associate professor of anthropology, University of Hawai‘i at Mānoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Prophets and Ghosts: The Story of Salvage Anthropology (Harvard UP, 2021) is a searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of “vanishing” Indigenous peoples through dispossession of the very communities it was meant to protect. In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objects—crafts, clothing, images, song recordings—by the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the “vanishing Indian” and what we can learn from the complex legacy of salvage anthropology. The salvage catalog betrays a vision of Native cultures clouded by racist assumptions—a vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectors' methods also included outright theft. The resulting portrait of Indigenous culture reinforced the public's confidence in the hierarchies of superiority and inferiority invented by “scientific” racism. Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance. Alex Golub is associate professor of anthropology, University of Hawai‘i at Mānoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Prophets and Ghosts: The Story of Salvage Anthropology (Harvard UP, 2021) is a searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of “vanishing” Indigenous peoples through dispossession of the very communities it was meant to protect. In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objects—crafts, clothing, images, song recordings—by the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the “vanishing Indian” and what we can learn from the complex legacy of salvage anthropology. The salvage catalog betrays a vision of Native cultures clouded by racist assumptions—a vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectors' methods also included outright theft. The resulting portrait of Indigenous culture reinforced the public's confidence in the hierarchies of superiority and inferiority invented by “scientific” racism. Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance. Alex Golub is associate professor of anthropology, University of Hawai‘i at Mānoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Prophets and Ghosts: The Story of Salvage Anthropology (Harvard UP, 2021) is a searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of “vanishing” Indigenous peoples through dispossession of the very communities it was meant to protect. In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objects—crafts, clothing, images, song recordings—by the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the “vanishing Indian” and what we can learn from the complex legacy of salvage anthropology. The salvage catalog betrays a vision of Native cultures clouded by racist assumptions—a vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectors' methods also included outright theft. The resulting portrait of Indigenous culture reinforced the public's confidence in the hierarchies of superiority and inferiority invented by “scientific” racism. Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance. Alex Golub is associate professor of anthropology, University of Hawai‘i at Mānoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Prophets and Ghosts: The Story of Salvage Anthropology (Harvard UP, 2021) is a searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of “vanishing” Indigenous peoples through dispossession of the very communities it was meant to protect. In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objects—crafts, clothing, images, song recordings—by the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the “vanishing Indian” and what we can learn from the complex legacy of salvage anthropology. The salvage catalog betrays a vision of Native cultures clouded by racist assumptions—a vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectors' methods also included outright theft. The resulting portrait of Indigenous culture reinforced the public's confidence in the hierarchies of superiority and inferiority invented by “scientific” racism. Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance. Alex Golub is associate professor of anthropology, University of Hawai‘i at Mānoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Prophets and Ghosts: The Story of Salvage Anthropology (Harvard UP, 2021) is a searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of “vanishing” Indigenous peoples through dispossession of the very communities it was meant to protect. In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objects—crafts, clothing, images, song recordings—by the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the “vanishing Indian” and what we can learn from the complex legacy of salvage anthropology. The salvage catalog betrays a vision of Native cultures clouded by racist assumptions—a vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectors' methods also included outright theft. The resulting portrait of Indigenous culture reinforced the public's confidence in the hierarchies of superiority and inferiority invented by “scientific” racism. Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance. Alex Golub is associate professor of anthropology, University of Hawai‘i at Mānoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Prophets and Ghosts: The Story of Salvage Anthropology (Harvard UP, 2021) is a searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of “vanishing” Indigenous peoples through dispossession of the very communities it was meant to protect. In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objects—crafts, clothing, images, song recordings—by the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the “vanishing Indian” and what we can learn from the complex legacy of salvage anthropology. The salvage catalog betrays a vision of Native cultures clouded by racist assumptions—a vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectors' methods also included outright theft. The resulting portrait of Indigenous culture reinforced the public's confidence in the hierarchies of superiority and inferiority invented by “scientific” racism. Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance. Alex Golub is associate professor of anthropology, University of Hawai‘i at Mānoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

We dive into Dr. Samuel Redman's latest book, Prophets and Ghosts: The Story of Salvage Anthropology. Amber and Anna (mostly Amber) have lots of questions about the seemingly paradoxical 19th- and 20th- century urge by American scholars to “rescue” objects and even human remains from “disappearing” Indigenous groups. It's a fascinating window into anthropology viewed as a moral and academic obligation, and the social underpinnings of the development of the discipline in the US. And! You can enter to win your very own copy of Ghosts and Prophets! Harvard University Press generously hooked us up with three copies to give away. The promotion is running via Twitter and Instagram, so keep an eye out for those posts for the extremely low-effort rules for entering. Interested in learning about how to use X-Rays and similar technology in archaeology? Check out the linked PaleoImaging course from James Elliot! Start your own podcast with Zencastr and get 30% off your first three months with code DIRT. Click this message for more information. Links Prophets and Ghosts (via WorldCat) Samuel J. Redman (UMass Amherst) Wendy Red Star's 1880 Crow Peace Delegation (Birmingham Museum of Art) Wendy Red Star's Children of the Large-Beaked Bird (MASS MoCA) Blanket Stories: Transportation Object, Generous Ones, Trek (Marie Watt Studio) Publications of the Bureau of American Ethnology (Smithsonian Institution) Contact Email the Dirt Podcast: thedirtpodcast@gmail.com ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store Affiliates Wildnote TeePublic Timeular

We dive into Dr. Samuel Redman's latest book, Prophets and Ghosts: The Story of Salvage Anthropology. Amber and Anna (mostly Amber) have lots of questions about the seemingly paradoxical 19th- and 20th- century urge by American scholars to “rescue” objects and even human remains from “disappearing” Indigenous groups. It's a fascinating window into anthropology viewed as a moral and academic obligation, and the social underpinnings of the development of the discipline in the US. And! You can enter to win your very own copy of Ghosts and Prophets! Harvard University Press generously hooked us up with three copies to give away. The promotion is running via Twitter and Instagram, so keep an eye out for those posts for the extremely low-effort rules for entering. Interested in learning about how to use X-Rays and similar technology in archaeology? Check out the linked PaleoImaging course from James Elliot! Start your own podcast with Zencastr and get 30% off your first three months with code DIRT. Click this message for more information. Links Prophets and Ghosts (via WorldCat) Samuel J. Redman (UMass Amherst) Wendy Red Star's 1880 Crow Peace Delegation (Birmingham Museum of Art) Wendy Red Star's Children of the Large-Beaked Bird (MASS MoCA) Blanket Stories: Transportation Object, Generous Ones, Trek (Marie Watt Studio) Publications of the Bureau of American Ethnology (Smithsonian Institution) Contact Email the Dirt Podcast: thedirtpodcast@gmail.com ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store Affiliates Wildnote TeePublic Timeular

First this week, Staff Writer Jennifer Couzin-Frankel joins host Sarah Crespi to discuss the paradox of metabolically healthy obesity. They chat about the latest research into the relationships between markers of metabolic health—such as glucose or cholesterol levels in the blood—and obesity. They aren't as tied as you might think. Next, Colin Dayan, professor of clinical diabetes and metabolism at Cardiff University and senior clinical researcher at the Wellcome Centre for Human Genetics at the University of Oxford, joins Sarah to discuss his contribution to a special issue on type 1 diabetes. In his review, Colin and colleagues lay out research into how type 1 diabetes can be detected early, delayed, and maybe even one day prevented. Finally, in the first of a six-patrt series of book interviews on race and science, guest host Angela Saini talks with author and professor of history at the University of Massachusetts, Amherst, Samuel Redman, about his book Bone Rooms: From Scientific Racism to Human Prehistory in Museums. The two discuss the legacy of human bone collecting and racism in museums today. This week's episode was produced with help from Podigy. Listen to previous podcasts. About the Science Podcast Download a transcript (PDF).

First this week, Staff Writer Jennifer Couzin-Frankel joins host Sarah Crespi to discuss the paradox of metabolically healthy obesity. They chat about the latest research into the relationships between markers of metabolic health—such as glucose or cholesterol levels in the blood—and obesity. They aren't as tied as you might think. Next, Colin Dayan, professor of clinical diabetes and metabolism at Cardiff University and senior clinical researcher at the Wellcome Centre for Human Genetics at the University of Oxford, joins Sarah to discuss his contribution to a special issue on type 1 diabetes. In his review, Colin and colleagues lay out research into how type 1 diabetes can be detected early, delayed, and maybe even one day prevented. Finally, in the first of a six-part series of book interviews on race and science, guest host Angela Saini talks with author and professor of history at the University of Massachusetts, Amherst, Samuel Redman, about his book Bone Rooms: From Scientific Racism to Human Prehistory in Museums. The two discuss the legacy of human bone collecting and racism in museums today. This week's episode was produced with help from Podigy. Listen to previous podcasts. About the Science Podcast Download a transcript (PDF). [Image: Jason Solo/Jacky Winter Group; Music: Jeffrey Cook] Authors: Sarah Crespi; Jennifer Couzin-Frankel; Angela Saini See omnystudio.com/listener for privacy information.

First this week, Staff Writer Jennifer Couzin-Frankel joins host Sarah Crespi to discuss the paradox of metabolically healthy obesity. They chat about the latest research into the relationships between markers of metabolic health—such as glucose or cholesterol levels in the blood—and obesity. They aren't as tied as you might think. Next, Colin Dayan, professor of clinical diabetes and metabolism at Cardiff University and senior clinical researcher at the Wellcome Centre for Human Genetics at the University of Oxford, joins Sarah to discuss his contribution to a special issue on type 1 diabetes. In his review, Colin and colleagues lay out research into how type 1 diabetes can be detected early, delayed, and maybe even one day prevented. Finally, in the first of a six-part series of book interviews on race and science, guest host Angela Saini talks with author and professor of history at the University of Massachusetts, Amherst, Samuel Redman, about his book Bone Rooms: From Scientific Racism to Human Prehistory in Museums. The two discuss the legacy of human bone collecting and racism in museums today. This week's episode was produced with help from Podigy. Listen to previous podcasts. About the Science Podcast Download a transcript (PDF). [Image: Jason Solo/Jacky Winter Group; Music: Jeffrey Cook] Authors: Sarah Crespi; Jennifer Couzin-Frankel; Angela Saini See omnystudio.com/listener for privacy information.

First this week, Staff Writer Jennifer Couzin-Frankel joins host Sarah Crespi to discuss the paradox of healthy obesity. They chat about the latest research into the relationships between markers of metabolic health—such as glucose or cholesterol levels in the blood—and obesity. They aren't as tied as you might think. Next, Colin Dayan, professor of clinical diabetes and metabolism at Cardiff University and senior clinical researcher at the Wellcome Centre for Human Genetics at the University of Oxford, joins Sarah to discuss his contribution to a special issue on type 1 diabetes. In his review, Colin and colleagues lay out research into how type 1 diabetes can be detected early, delayed, and maybe even one day prevented. Finally, in the first of a six-patrt series of book interviews on race and science, guest host Angela Saini talks with author and professor of history at the University of Massachusetts, Amherst, Samuel Redman, about his book Bone Rooms: From Scientific Racism to Human Prehistory in Museums. The two discuss the legacy of human bone collecting and racism in museums today. This week's episode was produced with help from Podigy. Listen to previous podcasts. About the Science Podcast Download a transcript (PDF).

Welcome to Friday Evening Fireside, a long-form version of Monday Morning QB. Today's edition features three extended interview cuts: WPFW News Director Askia Muhammad with tenants rights leader Paulette Matthews on displacement from DC's Barry Farm community; reporter Chris Bangert-Drowns with reporter Alexia Fernandez Campbell on labor rights enforcement problems; and reporter Amara Evering with historian Dr. Samuel Redman on the academic abuse of remains from the 1985 MOVE bombing.