Podcasts about Cultural center

Tony Bucher and Paul Cunnie represent the United Irish Cultural Center in San Francisco in this week's episode of the podcast.  Learn about the influence of the Irish in the Bay Area and hear about the disappointment with the exit of the Oakland Atheletics.

First, we'll tell you how the county's $9 billion dollar recommended budget addresses federal funding cuts. Then, the Bonita Museum and Cultural Center has a fresh new look. Next, we'll tell you why Iran's World Cup training base has been moved to Mexico. Also, our resident Cinema Junkie reviews Boots Riley's new film.

Mexican Cultural Center Philadelphia Today, we're celebrating culture, community, and the growing impact of the Mexican Cultural Center Philadelphia. Joining us is Araceli Guenther, Board Chair of the organization, to reflect on the recent Friends of Mexico Awards Luncheon and discuss the vision for the future — including plans for a permanent cultural home and upcoming programs that will continue highlighting the rich contributions of Mexican and Hispanic communities throughout the region.For more than 30 years, the Mexican Cultural Center Philadelphia has preserved and shared Mexican arts, culture, and traditions across Greater Philadelphia, South Jersey, and Delaware. As Philadelphia prepares for major global events like America's 250th anniversary and the FIFA World Cup, MCC is helping ensure Mexican and Hispanic voices, culture, and stories remain an important part of the region's future.Learn more:• Mexican Cultural Center PhiladelphiaFollow on social media:• Instagram: @mccphilly  

WBZ NewsRadio’s Shari Small reports.See omnystudio.com/listener for privacy information.

Mike Cohen, Trustee of the Bonita Museum and Cultural Center, is joined by renowned artist Michael Leaf, to talk about Leaf's transformative, world-class Sculpture Garden at the museum.  Leaf and Cohen explore arts-driven placemaking, public–private collaboration with Chula Vista and San Diego County, and how creative vision elevates community, education, and regional pride. Listen Where You Live!About Spotlight and Cloudcast Media  "Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 20 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local.   For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us. Cloudcast Media | the national leader in local podcasting.   About Mission Fed Credit Union  A community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

ICE deportations mean criminal suspects in Colorado are not always held accountable. CPR justice reporter Allison Sherry shares her investigation. Then, Denver Health serves people across the state as a "safety net" hospital, which makes it particularly vulnerable to federal cuts. Plus, how an atmospheric scientist at Colorado State University is keeping us safe from "rain bombs." And “12 Tablecloths” by artist Chloé Duplessis tells stories long overlooked of labor, resilience and survival. It's now at the Fort Garland Museum and Cultural Center through May 30.

TUMUA: TESTIN' EM OUT Presented by Island 985. He has 2 Shows, Wednesday, May 13th at 6 pm and 8:30 pm. Come see Tumua live in an exclusive, one-night-only pop-up show as he gears up for his brand new tour. This is a rare chance to catch fresh, never-before-heard material in an intimate setting—raw, unfiltered, and straight from the notebook. Be part of the process, feel the energy up close, and experience the jokes before they hit the big stage. Get your tickets at BlueNoteHawaii.com He's also doing shows on outer islands. Bamp Project is bringing you Tumua, Das'How Tour. Performing in Kona at the Outrigger Kona Resort and Spa on Saturday July 11th. Performing 2 shows in Hilo at the Crown Room at the Grand Hilo Naniloa on Saturday July 25th. Performing in Maui at Maui Arts & Cultural Center on Saturday, September 5th. Performing in Kaua'i at Kaua'i Community College on Saturday, September 19th. Get your tickets at BampProject.com

The latest season of 'The Pitt' is a wrap! And we're still doing our best Nurse Dana, "Baby Jane Doe" impressions. City Cast's Megan Harris and Mallory Falk are with Josh Axelrod, a local film critic and comms director at the Lindsay Theater and Cultural Center. We're talking about our favorite moments of the season, how the writers room rep'ed Pittsburgh, and what we think just barely missed the mark. Plus, our City Cast colleagues from across the country are sharing their impressions of the city based solely on watching the show. Haven't caught up with the finale yet? Listen to our review of the first half of Season 2 here. Learn more about the sponsors of this Wednesday, April 22nd episode: Pittsburgh Opera Allegheny County Poll Workers Brewhouse Arts PGH Cultural Trust Serial Killer Become a member of City Cast Pittsburgh at membership.citycast.fm. Want more Pittsburgh news?  Sign up for our daily morning newsletter. We're on Instagram @CityCastPgh. Text or leave us a voicemail at 412-212-8893. Interested in advertising with City Cast? Find more info here. 

Tom Pruss spoke with Fred about two upcoming events for the NWO Polish Cultural Center

You're standing in front of a monumental building made of concrete and glass. The wind blows dry leaves across a small square paved with stone tiles arranged in a pattern that looks like your grandmother's living room rug. Under a wide canopy, an old-fashioned sign glows with cold neon light: "Cultural Center." A young man in a turtleneck sweater—with a strikingly familiar face—dashes out of the lobby, only to be called back by a girl in thick glasses: "Borya, what nonsense are you up to now?" But Boris disappears into a shady alley lined with towering firs. The wind picks up, and an unusually large moon peeks out from behind the clouds. Swarms of young people rush past you toward the building. You catch fragments of conversation: "I don't need a lab assistant job—I need to lie on a pebble beach." "Lyubochka, you don't pine over men in hideous shoes like those." Suddenly, a captivating voice over the speakers announces that they're about to play the call weirdo's mix for 5/8: radio — and your feet carry you forward, straight toward the Cultural Center. Because missing something like this is simply not an option.

4/14/2026- Muralists Pablito Something and Pablo Pescador, SF Cuba Caribe Festival, La Peña Cultural Center by Cronicas de la Raza

Reverend A.R. Bernard, the Founder of Christian Cultural Center - Brooklyn Campus, joins Sid on this Holy Thursday to discuss Holy Week and its significance leading up to the Easter celebration come Sunday. Learn more about your ad choices. Visit megaphone.fm/adchoices

For years, Alma Rodriguez and her late daughter Ana Rodriguez brought the Beatles Fair to San Diego's North Park.This year, it's coming to the desert. The new location is one of several ways Alma is honoring her daughter. The festival is also supporting Alma's new advocacy mission around pedestrian safety.On Midday Edition Thursday, we talk to Anna about the inspiration behind this year's event.Plus, KPBS Cinema Junkie Beth Accomando sits down with an author about the history and evolution of Black representation in film.And, more young people are turning to so-called 'grandma hobbies' to disconnect from social media — from knitting and gardening, to pottery and needlepoint.We hear from two local crafters to hear how they're building community for hobbyists.Guests: Alma Rodriguez, owner of Queen Bee's Art and Cultural Center and organizer of the San Diego Beatles FairDavid F. Walker, author of "Black Film: A History of Black Representation and Participation in the Movies"Marlee Drake, co-founder of Queer Crafting San DiegoKimberly Molin, co-founder of MoMo Craft Club

Feliks Banel's guests on this LIVE BROADCAST of CASCADE OF HISTORY include Marriah Thornock, Executive Director of the Wenatchee Valley Museum & Cultural Center in Wenatchee, Washington on the museum's expansion and renovation plans, and their upcoming major effort to serve the community while the work is underway; and Michael Calhoun of Vernonia, Oregon on efforts in his community to support the Banks/Vernonia State Trail - Oregon's first rails-to-trails project – which Mr. Calhoun recently helped get designated as a “National Recreation Trail” by the National Park Service. We also listened to vintage Iraq War audio, including CBS Radio News' coverage of the March 19, 2003 announcement by President George W. Bush that the war had begun, and analysis by CBS' Bill Whitney and Dr. Stan Weeks of what might happen next. More info about Wenatchee Valley Museum & Cultural Center: https://www.wenatcheevalleymuseum.org/ More info about the Banks/Vernonia State Trail: https://stateparks.oregon.gov/index.cfm?do=park.profile&parkId=104 Links to more information about most topics discussed on the show are often available at the CASCADE OF HISTORY Facebook page: www.facebook.com/groups/cascadeofhistory This LIVE broadcast of CASCADE OF HISTORY was originally presented at 8pm Pacific Time on Sunday, March 8, 2026 via SPACE 101.1 FM and gallantly streaming live via www.space101fm.org from historic Magnuson Park - formerly Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes. "LIKE" the CASCADE OF HISTORY Facebook page and get updates and other stories throughout the week, and advance notice of live remote broadcasts taking place in your part of the Old Oregon Country.

There was an issue with this podcast where the wrong file was originally uploaded. If you are listening on an app or in a browser... and find yourself listening to that incorrect file, please either delete the downloaded version from your device and download it again, OR try another browser, as it's likely just saved in the cache. If you have any problems getting this to work, please email us at info@filmireland.ie. Thanks for your patience. In this Film Ireland podcast, recorded live on location in Washington, D.C. at the Capital Irish Film Festival, we chat with author, playwright and screenwriter Sheena Lambert about her feature Báite.Presented annually by Solas Nua, the 20th edition of the Capital Irish Film Festival ran from 26th February to 1st March 2026, presenting one of the largest programmes of Irish cinema in North America. Irish-language feature Báite tells the story of a rural village during an All-Ireland weekend in 1975. Blending murder mystery with family drama, the film follows Peggy Casey as her life begins to unravel after a body surfaces in the local man-made lake.In this episode, we catch up with Sheena Lambert about her journey as a writer, the origins of the story, and the ins and outs of adapting a project from page to screen.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.Sheena LambertDublin-based screenwriter, playwright and novelist Sheena Lambert has an exciting few months ahead with the 2025 release of her debut feature film, BÁITE, an adaptation of her own novel The Lake (HarperCollins, 2015) which was filmed in Galway and produced by Danú Media under TG4/Screen Ireland's Cine4 Scheme. Following a hugely successful, sold-out, extended summer run, Sheena's stage play COSIMA, based on her Screen Ireland supported feature screenplay of the same name, is scheduled for an Irish tour via Breda Cashe Productions, with some pre-Christmas Dublin dates already announced. Cosima was the daughter of Franz Liszt, who refused to allow her to perform publicly; she married Richard Wagner to get away from her controlling father and helped him become a much greater success than her father had ever been.BáiteWinner of Best Irish Language Feature Film at the 2025 Galway Film Fleadh and nominated in four categories at the 2026 Irish Film & Television Academy Awards, Báite arrives in cinemas nationwide on 6th March 2026 to coincide with Seachtain na Gaeilge (1–17 March). Directed by Ruán Magan (The Hunger, Our Blue World – A Water Odyssey), the film is a haunting Irish-language mystery set in rural Ireland in September 1975.When a body is discovered in the receding waters of a lake, the find sends shockwaves through a small community. For 23-year-old Peggy Casey, who runs the local pub, the revelation threatens to upend not just her life, but an entire town built on secrets long submerged.About Capital Irish Film FestivalSolas Nua's annual Capital Irish Film Festival in Washington, D.C., presents one of the largest programmes of Irish cinema in North America, showcasing the latest Irish dramatic and documentary features, shorts, art films and animation releases by Irish and Ireland-based filmmakers. The 20th edition of the four-day festival takes place 26 February – 1 March 2026 in partnership with the prestigious American Film Institute's Silver Theatre & Cultural Center.The festival provides a US platform that amplifies the work of independent filmmakers working in Ireland and beyond, and celebrates the strength of Ireland's contemporary cinematic culture. The programme highlights the country's rich cultural heritage while fostering an inclusive and diverse community of Irish filmmakers. Capital Irish Film Festival champions emerging voices on Irish screens, showcases the exceptional talent and craft within Irish filmmaking, and reflects the robust and vibrant screen industry that has grown in Ireland in recent years.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

For nearly 50 years, Mission Cultural Center for Latino Arts has been a community anchor in San Francisco's Mission district. In January, the center shut down indefinitely because of financial troubles. Activists and community members have been rallying to reopen it. The city owns the 37,000-square-foot building that's now under the control of the San Francisco Arts Commission. Paul S. Flores is a poet and educator. He serves on a programming committee to help save the center. Jenee Darden is the host of KALW's Sights and Sounds Show. She spoke with Paul to get an update and clarity on what's happening with the center. 

Today, a San Leandro council member has pleaded guilty to charges of corruption. Could there be more indictments ahead? Then, artists and activists are working to reopen the Mission Cultural Center after its sudden shutdown. Plus, the favorite songs of a KALW music programmer.

Bay Area hip-hop icon Lyrics Born talks about his new song and upcoming concert. Then, we get an update on the fate of the Mission Cultural Center for Latino Arts. And a young Oakland singer is gearing up for his first SFJazz Show.

OldR explains H.O.T's 1999 Sejong Cultural Center Concert, as the second installment of the H.O.T concert series. If you want to be informed and confused about H.O.T, this is the episode for you.ᅟContent Warning (Suicide Talk): 11:48-13:25--Check out our website!kpopsunbaes.com--Our Scripthttps://tinyurl.com/sshotsejongconcert–Link to Concert videoPart 1: https://www.youtube.com/watch?v=adpX6E6tx3M&t=3sPart 2: https://www.youtube.com/watch?v=qrca-4mMeQc--Where To Find UsInstagram: kpopsunbaes Twitter: kpopsunbaesYouTube: The K-Pop SunbaesFacebook: The K-Pop SunbaesOur Main Podcast: The K-Pop Sundae PodcastConsider tipping us on Ko-fi: Your K-Pop Sunbaes--AttributionsCover Art - Elyse Shewan (Instagram: @es.graphic.design)Music by Joystock - https://www.joystock.org--Check out our main podcast on any podcast platform! Search K-Pop Sundae for group breakdowns, the history of things like award ceremonies, and much more!Intro (0:00)Rundown (0:39)Opening (3:30)The First Songs (5:17)1st Break and Follow Up Songs (6:23)Heejun's News Dateline (7:32)The Oldies Medley (9:14)Solo Stages (10:21)Monade (CW: Suicide) (11:48)Haengbok and Goofs (13:25)Line Up ! & THe the End of the Concert (13:57)Comparison to the Previous Concert (14:57)Wrap Up (15:49)Ending (16:07)

On today's show, using technology to make school buses safer for everyone, and a new cultural center is helping our community celebrate the Year of the Horse.

The Oscars are coming up on March 15 and while hometown favorite Jeff Goldblum didn't receive a nod for his dazzling turn as the Wizard of Oz in "Wicked: For Good," there are still plenty of local connections to this year's nominees. Plus, now is the time to catch any films you may have missed, as Pittsburgh's indie theaters hold special screenings with nominees for best picture, best animated short, and more. Host Megan Harris is joined by Josh Axelrod, founding member of the Pittsburgh Film Critics Association and director of communications at The Lindsay Theater and Cultural Center, to discuss the nominated films with Pittsburgh connections, which ones are worth your time, and where to watch them. Feeling good about your Oscars predictions? Enter the Lindsay Theater and Cultural Center's annual Oscars contest for a chance to win free movie tickets for the rest of the year. And if you need some help filling out your ballot, check out their Oscars Talk on Feb. 15. Learn more about the sponsors of this February 10th episode: AIDS Free Pittsburgh Family House Become a member of City Cast Pittsburgh at membership.citycast.fm. Want more Pittsburgh news?  Sign up for our daily morning newsletter. We're on Instagram @CityCastPgh. Text or leave us a voicemail at 412-212-8893. Interested in advertising with City Cast? Find more info here.

Elyse Stevens earned a reputation as a New Orleans doctor who provided flexible care. She sought out patients who were experiencing homelessness, had histories of addiction, or other issues, and aimed to provide them with treatment plans. But in 2024, the treatment she had once been praised for was suddenly scrutinized by her supervisors. And Stevens eventually left the city of New Orleans, and her patients, behind.KFF Health News reporter Aneri Pattani tells us more about Stevens' story and what it says about addiction treatment.Between oil spills, land loss and other consequences of climate change, times haven't been easy for the small, largely indigenous town of Dulac. Thankfully, one resource has long helped keep the Terrebonne Parish town afloat — the Dulac Community Center. It served as a hub for emergency response during disasters and was also an important cultural resource for the Indigenous residents of the town.But now, after almost a hundred years, the center is closing its doors. Coastal reporter Eva Tesfaye went down to Dulac to talk to board member Bette Billiot, along with former board member Kirby Verret. They discussed the center and what closing it means for the Native community.___Today's episode of Louisiana Considered was hosted by Alana Schreiber. Our managing producer is Alana Schreiber. Aubry Procell is our assistant producers. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, Google Play and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Guest host Jovelyn Richards presents White Switch   WHITE SWITCH Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Jovelyn Richards: [00:01:07] Hi, this is Jovelyn Richards and I'm happy to be here on Apex. Some of you may know me from Cover to Cover, which is every Tuesday at two o'clock, which I, um, spend time with artists, filmmakers, uh, writers, play writers, poets, to bring that to my audience. And on every third Monday you would hear me on Women's Magazine and my colleagues. We all take one Monday and Tuesday on different topics from a feminist perspective, from a global perspective. And my specific way of approaching that is to look at writings and, um, that's either from fiction or either it is nonfiction, but at the core of it, because my interest really is getting to the story of what it's like to be human.   Jovelyn Richards: [00:02:05] Those reflect characters topics that really dig inside of that written by women who was in search of, in their research, their lives of highlighting either known people or ordinary people who are. Living in ways in which moves humanity forward. So that's where you'll find me. And so why am I here? I'm here because I did a project, uh, over a year ago, and this, this, uh, tape is, uh, this program is a long time coming. I partnered with this particular project with, so when you would be familiar with, and that's Preeti Shekar last name is spelled S-H-E-K-A-R. And we began this story, uh, of looking at anti-blackness in the South Asian community together. So what I'm going to do is let you listen to a clip, not from Preeti or myself. But from someone else's doing this anti-blackness work in South Asian communities with Ritu Bhasin, and the last spelling of her name is B-H-A-S-I-N. So we'll take a listen to that and then I will be right back and have that discussion.   CLIP PLAYS   Jovelyn Richards: [00:04:46] All right, so here we go. And so one of the things I appreciated seeing and listening to her video when I first was introduced to her, that aligned with the work that myself and Preeti was doing in our project curriculum called The White Switch, and we'll dig into that. What is the White Switch? What is the curriculum of the White Switch and how it came about? And so what I appreciate, the continuous work, you may wanna Google, if you don't already know, you probably do with Ritu Bhasin, uh, because she speaks directly about anti-black, uh, racism within South Asian communities, especially among professionals and leaders. And as you've heard in the video, she shares what that experience has been. And I was so happy to be able to offer that in the beginning of this. Uh, broadcast so that it, uh, to break the sense of isolation just in myself. Speaking of it as a black woman, I was hoping that Preeti would be here, but she's, um, back in India and I'll talk a little bit about what that's like for me, uh, that my co-create, um, my partner on this here.   Jovelyn Richards: [00:05:59] So the white switch and the history of it for years. Uh. Probably like close to 15 years now. We were part of the beginning of white, uh, women's magazine and we had wanted to do something together. We knew that we wanted to work together without knowing the why, but every time we were in conversation in the building, uh, women's magazine and the way I approach the topics, uh, as a collective. And where the resistance was, where the fun of it was at. Uh, and then her way she approached it, there was place the, the connected dots. So example would be for any of our lives, when you're in very difficult conversations, you pay attention to the other, uh, uh, collaborators or whatever the, what the team is made of. And even if it's to people and you see whether or not they're coming from a place of inclusiveness, you're seeing how, how hard they are holding on to their opinion, whether it's negotiable, whether they're really deeply listening. And what was really interesting to where we connect the is that we found that both of us and we were relatively new to each other.   Jovelyn Richards: [00:07:20] What we both found is that the humor. That in the heat of it all, or the conflict of it all, there was, we relied on this part of humor to not, to deflate and deflect from the situation, not to deflate it, like take off the, the, the fullness of the topic, but to give us all a moment to breathe in humor. Right? And, and that's, that is part of my go-to as a standup comedian. So that's real for me. So. Let's talk about the white switch. So the, oh, so the, how it began, how we came up with that since we wanted to do a project together, how did we come up with the white switch anti-blackness in South Asian community Preeti, uh, was in New York over a year ago, and she was taking a Lyft in Harlem to wherever else she was going, or she was going to Harlem and the Lyft driver. South Asian, uh, driver asked her why was she going there or coming from there. Then she said, what do you mean? And he began to have a conversation around the dangers of that even. He didn't always like to pick up folks there and he was referring to black folks. And so pretty him not knowing that she's an independent journalist, she's also an activist.   Jovelyn Richards: [00:08:48] Begin to ask important questions and starting with what has been your experience, your personal experience, and then your experience with others close to you that might have shared that is informing these thoughts. You have these feelings, you have these decisions you're making, these things you're telling me not to do, and he had nothing, none to offer. So the next question would be, so then, then. Why, and then from, if I got the story right, there was a, um, uh, moments of silence and so I think he was sort of processing, processing in his own mind. Why am I telling, why am I feeling this way? Why am I hesitant to go to areas where I know there'll be black folks? Why am I telling a woman who is South Asian, particularly identifying with his own, uh, identity, wanting her not to go? And in that emptiness, one would hope that. Once he did self-reflection, uh, with that question that he was discovering, like he really didn't have anything substantial to go by. And so when she got back from her trip, we were talking and she said this was very important to her, to talk about that.   Jovelyn Richards: [00:10:15] And uh, and I told her at the time, surprisingly enough that I was. Actually had been working on a project in my isolation, uh, called the White Switch, and that this coincidence, we wanted to take advantage of both of our energy of importance towards the matter. So the thesis statement within it is that the whites, which is a healing curriculum. This innovative program designed for activists very specifically anyone can, can be involved in the curriculum of, of essentially looking at the anti-blackness in any community outside of the black community. Specifically for activists and then, but anyone can do that if you, if they're, you don't have to be actively considering yourself an activist just by wanting to, to think about and look at the curriculum on some level. Something is activating inside and looking at that, and then to, in the curriculum to recognize as this, this Lyft driver did that there was no logical reason for him. To not only have that stance, but to offer it to strangers, then spreading that untruth or have no validity to it, right? And so the curriculum addresses that and to begin as, as to, to eradicate the deeper feelings despite being activists, despite education around anti-blackness.   Jovelyn Richards: [00:12:12] That even among the most astute South Asians, there are the deeper roots, the deeper roots of anti-blackness. And that is the white switch. The white switch. And so the, the pattern. The reoccurring pattern that one has seen politically in black communities. As we also heard in the, um, video, which were two of us seen, uh, has been, that is, is even after years of political education, community organizing, or DEI, where there's a sudden internal shift that occurs. This shift is not intellectual, it is somatic. Emotional and rooted in the proximity to whiteness. And that switch, the white switch goes on immediately for survival purpose. So when confronted. By anti-blackness in conversation and actions, there's a switch that goes off. Fight or flight, fight or flight. And when that happens, there are things that happen again in the activist. In, in communities that have, uh, fought for years for political education through community organizing. But the, the, the roots of the proximity to whiteness globally is no joke because literally it is saying, this is for your survival.   Jovelyn Richards: [00:14:18] You are invested here in this proximity to whiteness. For your survival, economically, social placement, accessibility, back to safety for all of the above, and this buried there even while you're doing the, the, the radical work, however you show up, is sitting there with those deep roots, right? And so the workshop curriculum was created. I had started it before Preeti and I began doing it, um, writing about it. And I'll give you that history. This is a good place to do the history of that. I had been doing political education around anti-blackness and around many issues, but what, this is what we're speaking about, right? And educating around domestic. Other things were like hunger, domestic violence, um, community organizing, and specifically that, that came out of anti-blackness, holding workshops, creating workshops. And what I discovered is, um. Most of the people, the audience that was there, I'm thinking example of the Stockton Unified School districts district where myself and peer advocates went in, uh, to do the work of anti-blackness over some incidences that had happened in in Stockton in the public school system that was quite serious and quite painful for the black students and black community.   Jovelyn Richards: [00:16:07] And when I was there doing a workshop, and this was in my particular, um, um, curriculum that we was, we was doing, uh, but I was implementing it and what I noticed was more pronounced, I had noticed it before. And had even talked about it, had, um, had dialogues about it, uh, with others. What I noticed in those, the, those times that there's a point. Where in the, that particular workshop, I could see where there was staff that was really wanting to get to the bottom of their own anti-blackness for their students. So the teacher part of them and the diversity of the students. And there was activated and then there was those, uh, that were not engaged with the caring of, they were there to teach and they brought, they. Didn't have an issue with their behavior that spoke to anti-blackness. Example would be two students are talking and one non-black. Black. And these are just random examples. Very, they're not mild, but compared to what had happened, what brought us there that was so extreme, it involved death. Um, uh. I shouldn't just say it like that without giving more backdrop to it, but, and maybe I will.   Jovelyn Richards: [00:17:43] But here's in the daily classroom that then this black student would be called out and removed more times than not from a classroom. And so by the teachers that did not take up responsibility, that in their teaching they had a responsibility to be teaching themselves. By listening to the students that would call, would call them out and, and stay forth and say, why, why? This person started talking to me? Why are you only pointing out at me? So this, this is not new. I'm sure this happened throughout the teaching person teaching career. Why am I have to go to office? And so now we can see what happens when students are constantly in the office, how that impacts them. So. That is part of when I started making more notes on this here. And then I, uh, worked with, and probably you're very familiar with this organization in the Bay Area, surge showing up for racial justice. And they were, uh, we worked together on a project. That I was doing as a writer. I was writing the Play 911: What's your emergency? And it was in response to white communities, particularly women calling the police on Brown and black people. And most notable in the Bay Area was barbecue, Becky and Permit Patty. So I met La Peña. I was a resident artist at La Peña Cultural Center. Hopefully you're all aware of that. Uh, of the center and its beauty that it, uh, and work is done over the decades. And I, so in writing the play and working with community folks, uh, actors, performers, and interested and impacted by these phone calls, and we worked in Workshop to create together, I did. I wanted to. Dig more into the psychology now of the barbecue Becky and permit Patty.   Jovelyn Richards: [00:20:10] That means I wanted to look at the racism within white women. And again, I wanted to look at that from, of. White women who have done work and fight for anti-blackness and other, uh, social ills. And so I went to search and, uh, they agreed immediately, which is kudos and kudos, uh, that, uh, they were willing to even think to themselves, yes, I can look, I can get, I, there's, there's roots in here. There's something in here. And so we, um. Created, I created the curriculum for the workshop that lasted over the weekend, and I found out some very interesting things and they found out more importantly, some very interesting things being activists themselves. And as we dug deeper using healing curriculum, for example, uh, there's, uh, healing, uh, um. Theater is based in theater, similar to, um, not similar to, but another theater thing you could think of that deals, which social ills would be theater of the press, uh, playback theater. And I also use that in some of the work I do. That's part of the White Switch. But I had created a thing called two Tiers Telling. Jovelyn Richards: [00:21:38] And in the chairs, two chairs telling the facilitator being me and the, the person who is working on, and this, in this case, women from s would sit in the chair and the others are the witness. They hold the space. Right. And again, this is a healing, uh, process. And then we go into some reflection questions, right. The same way. Preeti did with the Lyft Driver. But these particular questions, because I'm working with activists who are very savvy in the work they do, and very knowledgeable and, uh, the political, uh, things that are happening are happening in the world, then I created those questions to dig past the intellect. Pass the work into the personal, right? So we go into to memory, we go into early memory, and that became really a wonderful experience, as I said, for everybody, right? And I took those notes again, collecting that. And over the years, other workshops I've done. And so again, by the time it circled to pretty us looking forward. Uh, work to do together. It came up. Now I even in this rec, this, um, programming, it was odd when I 'cause this, this recording, this program was due like almost a year ago. We started this program in this 20, 20, 26. Now we started together in late 2024. We presented this at the DESI Conference in 2024, south Asian uh, DESI Conference.   Jovelyn Richards: [00:23:41] We presented at that conference, right? And we were building the curriculum looking for, um, support for it, and Kamala Harris spoke at that conference. There was some political uproar from some of the folks there. They had their own feelings about her and the, the, the, what was, what was happening, what was not happening in the, uh, Biden and her administration with Biden. And there happened to be a moment when I got into, uh, an argument with one of the people who wanted to disrupt the moment she was speaking. I had an issue with that and wanted to, um, ask more questions and in the questioning the person was, was crying and so upset, and then I asked them what work they had been doing in their, in anti-blackness, and their response to me was, I don't have time for that right now.  That was very concerning. Very concerning. And so when I talk about this now, I'm recording this. It's actually Martin Luther King's Day where I'm recording it at air, uh, later and, and I'm sitting here reflecting on where we're at as a whole. Jovelyn Richards: [00:25:14] And I know that a lot of that was, we're here now, whatever, wherever you're thinking about where we're at, because of anti-blackness, because of anti-blackness. So, so much feels kind of odd to be talking about the work we were doing and wanting to do, and then more fiercely leading up to the election. Right? So again, this was, uh, 24. 2024 when we started the story in the, the spring of, and it just turned 2024. The conference was in the spring, I think it was May, late spring, and we came back wanting to do workshops and I left the conference. It was a wonderful. And I love the diversity of the conference in terms of the way diversity and how they was approaching it. Different topics, whatever the topics they were using. It was a different, it was different than most conference where the talking hads and, and then you go to break room, then you come back to another workshop on the program and then you go on the talking hat. You take notes or. And then you come out and then there's a, another break or lunchtime, you go back in and you meet people. There were hundreds of people and there were, there were people approaching difficult subject matters with comedy. And I'm a comedian, so I know that, and we all know on some level the comedians can tell you the best of the best stuff in terms of, um, political social ills, and they get you with that punch.   Jovelyn Richards: [00:26:50] That's another way to get people to sort of pay attention to where they're at in the world, where they're at within the subject matter and what or what not they want to do. Richard Pryor would be a good one, uh, most notable. Uh, and Eddie Murphy to some degree. Yeah, to some degree, but definitely Richard Pryor. Um. And so, and then they also had the dance. They have so much, they had so much of, they brought themselves their culture to the conference and it was one, it was the best conference I had been to. Uh, in a long time. 'cause it brought the, the, the one beautiful thing about many communities is that if, if the conference is put on by them, uh, and for whatever the topics, some, a lot of communities bring their culture into it, right? It's not a template of traditional conference, which very cut, very linear, et cetera. And that was absolutely fantastic. And I enjoyed it deeply and that was my takeaway from it. My takeaway from what we presented, very active listeners, very painful. As I was listening to some of the panelists, I was on the panel, discussed the work they do and gave, uh. Examples, like, uh, one woman was an his attorney and deals with, uh, prison reform and she was giving case cases that she had shared and the disparity of an justice system and the pain of, and then it was, it was, um, very, uh, emotional for me because I know these things occur, but when you hear, hear them in a case study and the results of them.   Jovelyn Richards: [00:28:47] So I was. How very, I was feeling that very deeply. And when it was my, someone asked a question, it was my, and I was speaking again. I'm feeling a certain kind of way. And I'm much, much, uh, I mean at this point my, you can hear and feel my passion when I was answering the question and the frustration that the story of the prison system. Uh, the, the racial, uh, inequality, the punitive measures, and I, and frustrated because this is not new. We know that in the different presidential folks, uh, say the Reagan administration, the Clinton three strikes, we know that's been going on and on, and yet the same stories being told over and over again. Uh, the sameness is like the, the, that different, different, different zip codes, different people, et cetera. But the same story of the injustice. The injustice, right? Going all the way back for some of you that are familiar with history. Going back to, uh, emancipation when the, um, black folks were, the, this sort of system we're working on now was created from that, that system doing emancipation with black folks, had nowhere to go with no resource, no money, and that no land.   Jovelyn Richards: [00:30:19] And that wandering the roads of trying to, to make up a life. And they created a system, a law that if you were the, what is the fragrant of fragrant frequency law, lot loitering, L-O-I-T-E-R-I, in order to re imprison them. So they had choices either go to prison or go work on Mr. X Farm of Land. And so it's been a continuation of, of creating systems, of imprisonment, of enslavement, of brown and black folks. And then so that came out and one of the people facilitating the conference when I, I just, my impatience of keep dis of discussion, my impatience of intellectual approach, my impatience and my bottom line question is, is what is taking this so long? If everybody, if we have attorneys and politicians and all these folks working on the same thing, why are we still here? What is that? And the persons, and so whatever I said after that was really about being more radical, more clear, more intolerant of it. And the person said, we are not ready yet. Meaning we are not we, we are not ready. We don't have all those pieces in place. And then I said, we are. And why? And why are we on the timeframe of others?   Jovelyn Richards: [00:31:50] Right. Why is it we're looking at the clock of others? What is that about other than anti-blackness? The deeper woods where the white switch clicked on? Why are you, why would anyone or any bodies of people talk about the atrocities of the prison system? The injustice? Talk about it, the atrocities. Then when approached to say, meet it, meet it where it's at, it turns the intensity to say, we are not ready yet. What does that, what did that mean? Jovelyn Richards: And what I learned even in that statement that at the conference, and as men pretty came back and talked about and realized that even after years of political education, the community organizing or DEI, a sudden internal shift occurs. The shift is not intellectual, it's somatic. Emotional and again rooted in proximity to whiteness and despite activists stated commitments to racial justice, many South Asians activists experience a movement with their nervous system over rise their politics. Fight or flight response activation. Instead of leaning into accountability, they retreat.   Jovelyn Richards: [00:33:23] Retreat into defensiveness, fragility or self-protection. And when I say those words, we see that more. We think about in the, what is the book? White fragility. So it's the same thing, right? The same characteristic. 'cause again. It's that close proximity to whiteness. So of course you're taking the, the, the, when you, and this, I think it's across the board when anyone is confronted on anything and don't take the word confronted, um, and begin to think of it just as confront, like it seems like a hard word, word and English language doesn't always offer enough words to express. One thing without making it as heavy, because confront, confront could be simply in a conversation and someone says, do you know what you just said is very offensive to me? And, and say, why? And then suddenly the possibility of the white switch, this reflective, turned toward whiteness. Toward innocence. Jovelyn Richards: [00:34:29] Rural more purity and distance from blackness is the white switch. And so when in my experience, uh, south Asian activist is confronted with their own anti-blackness, does the switch may show up as defensiveness. Words like, I've done so much work on this. I, you know, I do the work. It's like proving, here's my resume, here's my, this, I've done the work and, and, and that's not me. I've taken anti-racism training. I work every day my and, and bring credentials into it. I teach workshops. I'm dismantling racism, volunteer in prison reform. I've marched, donated, organized, centering my, uh, centering, centering. And that I wanna say is what people do in any situations, not just a topic like anti-blackness. It's in a relationships you can, and we call, what do people call it now? Uh, you're deflecting, you're being a narcissist. It's all these other things that cover it up. So it's a, it is, it appears to be something that human beings do in constant protection. So I wanna make that clear, but now we're talking about.   Jovelyn Richards: [00:35:50] In a way of the social pains of this world that we are trying as activists, uh, as people trying to get, not just get a handle on, but to eradicate it. Like right where, just take a moment. Where are we at right now? Where are we at in Minnesota? Where are we at in any state? DC Chicago? Where are we at? This is the thing that we're dealing with. And so it, if the answer is to look at the things that, the look at, the things that the government is saying, it is saying, we clearly, we are racist, and everything we about to do was about to be about that. I'm so happy. Again, you're going to hear this after, uh, today, which is Martin Luther King's Day. I'm so happy on social media where everyone is celebrating. Not everyone, but those that I see are, are celebrating and they're honoring. And they're ignoring any, any kind of dismissal. Erasure, ain't nobody. Yeah. You can forget what you wanna forget. You can have what you want to hide, but, but everybody out here knows the truth.   Jovelyn Richards: [00:37:18] We just gotta get to their truth of humanity. Other ways of dis defensiveness is the feeling in a sense of, of almost like being dismissed as all that they've done. Like, I've done all this, I do all this. And then to hear that and in, in, in that moment, I have, uh, witnessed we're almost as if in the mind, you know, if they say we are not mind Raiders, but if you. You don't have your mind reader to pay attention to the, the flesh of a person, the eyes of a person to be able to get cold. Where they're running, where they're hiding, which, where what, what, what are they doing to survive the moment? Right. To be seen and not seen. Right. And it's not intentional. It's not malicious. It again, it is a, it is the umbrella psychology that we exist under and. When a person works so hard to, to show up their best self as an activist in anti-blackness, and then someone, and particularly a black person, joins in their huge effort to say, Hey, this, this ain't this. This is not working here. Let's work with this here. It's almost like they just threw out their. Whole journey of sense of, of what they're proud of, what they're, what makes them feel good about themselves inside this human life. And it should, oh, and they should absolutely adore, feel good because we're out here doing the work.   Jovelyn Richards: [00:39:09] And so these are the things that is important for us to know. And we're going to listen to another, um, video, and you are going to hear, I, I appreciated this video because it asked a question, what would I have been if I had not been doing this? So take a listen and then I will be right back.   CLIP PLAYS   Jovelyn Richards: [00:41:55] So what would. Right. What would we be doing? I ask myself as a black woman, if a lot of what I do as a writer, as a performance artist, as a community, um, activist, whatever the title is, how much energy it takes, and right now. The energy is taken again in a very different faith. This hurts, this hurts, this really hurts. Right? In a way that almost the thinking about again, the timeframe of when we were doing the work and then where we at now. Being in the conference where we at now, how many people voted against Kamala, where we are now after the conference, um, I got a text message and this was when they were, uh, folks was holding, uh, zoom.   Jovelyn Richards: [00:43:20] And it was really exciting. So many people from so many different communities was doing Zoom calls to talk about the, the elections that were coming up. And when she became the primary chosen person to run as a democratic party and people were talking, people raising money. Oh, did you see the excitement, the energy. I got a text message from one of the people from the DESI conference and, and was very, they were in pain. He said, I feel so hurt right now because on the zoom that she was uh, on, there were many people saying that they weren't gonna vote for her, or no, this is South Asian Zoom. They weren't going to vote for her. Or they weren't gonna vote at all. My re I was so my livid, which is really not as important as the liveness of now. But I was just surprised given what everybody understood and knew about her opponent. And so I said to the person in text. I said, go back to the Zoom, and I said this, everyone, there's a slogan that people are saying as if it's, uh, the, the, you know, there's always this new thing to say.   Jovelyn Richards: [00:44:58] And the slogan was, listen to black women. Listen to black. So I said to her, which, which I, I think people really don't get it, don't understand the history of what that means. They don't understand history with that. They don't care. And, and I'm saying, I shouldn't just say I, it's not that they don't care. I don't think they, they, they take, they don't look at what that meaning. That means listen to black women means the story of black women in this country, how the, how our arrival, and then the story after that. They're not gonna even get into you. You know that if you know anything, if you listen to KPFA, you know, and the MA mechanisms of how that happens, the template of how that works is the, the ask black women, the template, right? We, we know that the, the intimate details of how that works, right? And so the thought that people were literally not wanting to. I not wanting to, and that was disturbing.   Jovelyn Richards: [00:46:19] And so that happened. And then we did, oh, then I was, um, watching a couple ones that were white women were getting together. On these zooms, and they were so excited, so excited. And in their excitement, they were talking about, they were connecting. They, they were having so much fun talking about this, this, the leading up to the election, the support, the, the, and they felt some sisterhood. They felt energized. They felt all of this stuff and the energy I got from that. The energy I got from that is this is about y'all having fun, connecting, laughing, having a project. This is a project, and I asked, what I didn't hear them say is how much they had raised. They weren't talking about any of the practicalities of the next step.   Jovelyn Richards: [00:47:28] It was just about. It was a, and I put it in the way I took it. Good, bad or different. You can agree or not agree, but I'm telling you what I experienced. It felt like it was a big party, a really big fun party that they had experienced and being able to see people, they and strangers, and laugh and talk and, and go on and on and on, that it was a party, right? But it really wasn't about the truth. It had something to do. And then, and I said, and I left that, that when I saw that, I wasn't in the Zoom, but this was people talking afterwards, like on social media, about how excited they were. And I had asked, what did you raise? What are your next steps? They had nothing.   Jovelyn Richards: [00:48:14] Well, we are gonna have another one in a couple weeks. We can figure that out. Really interesting. You got two weeks to figure it out. You got, oh, you got that kind of time. Interesting. Right. And then, uh, we saw how that happened and I see that they're working right outside my window. So let me just day. I apologize for those. Got a little bit of that noise out, said that, oh, I think that happened a little bit. And so that's how that went. And now we are here. So again and again, we, I think to find a way, even though there's a sense of probably hopelessness that some of us are feeling and we are not gonna go into, um, the hopelessness of it all. We are gonna go into, uh, not in this here, um, thing, but I think all of us needs to go into, uh, the, not even about the hope, but the necessity. Hope is wonderful. Necessity. They're going to the necessity, right? They go into that place like, and find where do you live, where it's like this is the urgency, the necessity to it.   Jovelyn Richards: [00:49:42] Uh, other quotes that I'm gonna give you a few of them. A few quote, anti-blackness is foundational, not peripheral. And that's Frank B Wilderson. The third on the limits of allyship. So as we go into this, uh, we're in this thing right now. I think it's important for, uh, connectiveness, interconnectiveness in groups, intubated, dig. Inside, um, those roots to be the most effective on the nervous system and racial conditioning, the body keeps the score. I think that's, um, something that's important. And then when the, when I bring that up, the body keeps the score because what does proximity to whiteness doom where it literally dismantles parts of you no matter how deep you've been educated.   Jovelyn Richards: [00:50:43] That it can dismantle you. Um, and where does that go? Example, the nervous system and racial conditioning I speak about That is the, you lose the ability to see, hear, and speak that racial conditioning, proximity to whiteness. You give up the ability to hear. To see and to speak. You are muted and your critical thinking skills is dismantled in areas of, of, uh, anym. So I'm gonna broaden it anym, and it dismantles those parts of you energetically. Like here we are on this human experience. And, and all the, the human properties that belong to us. All the gifts of being human and to come into a circumstance, uh, where you are immediately given isms and in this story, anti-blackness. And I think some of you have, you, you may have heard of the book cast and we know it South. Asian communities coming from a caste system and then coming to America. If you came here to America with, or a history of, however, the story is that you, it's, you have a built in template for anti-blackness. I mean, it's already set thousands of years of being set.   Jovelyn Richards: [00:52:27] And so coming here, it's not so hard, uh, to even, no matter how hard when you work to be educated. And to work in systems, uh, it gives you, working in systems and anti-blackness gives you sort of the oodles and feel a sense of pride when you sit down at the table. Right. But that white switch is there that you, the, the hearing, the saying, and the knowing is gone speaking, and so it's at what percent. What percent are you really doing the work if you are embedded with anti-blackness? You, so, like I said, the co. The co, the conference, I asked that questions. I asked a question like, why is it taking so long? Because people operating, operating at 40%. It's like being in a burning building and people in the burning building, you say, okay, I'm gonna go get, um, uh, enough water for half the building to be, um, uh, fire to be put out.   Jovelyn Richards: [00:53:45] So stand on that part of the building. The building's still on fire. So you're gonna put that out. So you're kind of running around in a burn, a, a burning building, and that's not okay. And so in creating the curriculum to do work, I think is really relevant. Now, I would fe I think February, um, 20, uh. 20 something, there's gonna pop the white switch, uh, ebook is coming out and it'll be on Amazon.  I know. Um, and that's not the best thing. Um, it'll be on, but it'll be out there and it will be the curriculum, it'll be the self-reflection, it'll be stories. And I, one of the things that I'm wanting of folks is to start partnering with. Like, if you're listening to this as a South Asian activist, what would it be like to get to, to hook up, which probably folks in your circle, um, black activists and there, and, and you may say what you, you may, I'm pretty sure you, you connected, but some folks have said, well, what if they're, they're not an activist.   Jovelyn Richards: [00:55:15] Um, very difficult to be breathing in black and not be an activist, if that's even before this time being aware of your activism. 'cause if you gotta move through space every day, you're fighting for yourself. You endure, uh, worlds. You are code switching, you are being aware of and mindful of and of your activities. You are an activist and always saving yourself. Saving yourself, saving your family, aware of signs of, uh, like, uh, signs that are out movies, you're always looking after anti-blackness that exists, even if it's not conscious on that level. Right. And so as I come to an end, I must say that, uh, it would've been nice to have done this with pretty, uh, one of the things that I think we both was learning an I that was.   Jovelyn Richards: [00:56:11] We were working on the anti-blackness and our work together that was, that couldn't be helped, uh, in working together. And as she shared with me one time, and she does a lot of fantastic work on herself, she said, you know, I am, I am the white woman in India. And I appreciated that knowledge and how that might work out with us. I work and it did show up and we were able to discuss some things, some things I, my own stuff kept silent. Right. And that's something I gotta work on. And I'll leave you with that. It's been traveling. Again, the ebook called We Switch by Joplin, uh, late February. Uh, curriculum exercises, thoughts, reflections, Self-Reflection, uh, and I'll see you on Cover, the cover of Women's Magazine. Until then, be mindful. Be conscious. Goodbye.   Miko Lee: [00:57:18] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important.   Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Preeti Mangala Shekar and Swati Rayasam. Thank you so much for joining us.   The post APEX Express – 1.29.26 – White Switch appeared first on KPFA.

Martin Luther King, Jr. visited Richmond several times and the documentary “Echoes of a Dream: MLK's Legacy in Richmond, Virginia” is playing around the state to celebrate his connections to our city. The film's director is Tyrone Nelson, Jr., who's the Founder and CEO of Newviews Agency, a local creative agency and production company. Our discussion includes: – How he got noticed by Adidas – The Newviews Agency explained – How his former jobs for VCU sports & Dominion Energy prepared him – What inspired Echoes of a dream? – Tyrone what's background and how did u start agency (16): – Varina HS video got noticed by Adidas – How jobs for VCU sports and Dominion Energy prepared him – What inspired “Echoes of a Dream” – Using motion graphics to increase interest – The premiere at RIFF LINKS Newviews Agency Echoes of a Dream: MLK's Legacy in Richmond, Virginia Black History Museum & Cultural Center of Virginia Podcast on Training actors to become Thespian Equestrians

The story of the Fendika Cultural Center in Addis Ababa, Ethiopia is the story of Melaku Belay and his journey from homelessness to international acclaim as a community leader.READ MORE IN THE ATLAS: https://www.atlasobscura.com/places/fendika-azmari-betWe always want to hear from you! If you have a question or story for us, give us a call at 315-992-7902 and leave a message, or send an email to hello@atlasobscura.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Green Fee Advisory Council Chair Jeff Mikulina shares how the $100 million in anticipated revenue from the green fee may be spent; the Pā‘ia Youth and Cultural Center is trying to relocate its facilities out of the way of sea level rise

Erie County Legislator Lindsay Lorigo speaks on her request for an independent review of the African American Cultural Center full 173 Fri, 09 Jan 2026 15:30:00 +0000 tHQkY0WQMY9rRGhhbgu1JJsAXl5HBoXU buffalo,news,wben,erie county,erie county legislature,lindsay lorigo,african american cultural center WBEN Extras buffalo,news,wben,erie county,erie county legislature,lindsay lorigo,african american cultural center Erie County Legislator Lindsay Lorigo speaks on her request for an independent review of the African American Cultural Center Archive of various reports and news events 2024 © 2021 Audacy, Inc. News Fal

What happens when disabled artists, activists, and scholars finally have a space of their own? Pushing Limits radio presents its first program featuring the San Francisco Disability Cultural Center. This new venue will host a wide range of activities—from art exhibits and “café crip check-ins” to a collective quilt and a space for disabled and disgruntled academics to air it all out. Plus, the renowned Superfest Disabled Film Festival is now under the auspices of the San Francisco Disability Cultural Center, marking a major new chapter for disability culture in the Bay Area. Tune in so you don't miss any details! This program is hosted and produced by Eddie Ytuarte. For a transcription of the entire program, click here The post Claiming Space: SF Disability Cultural Center – Pushing Limits – January 9, 2026 appeared first on KPFA.

Lucy Rymer has always had a "what have I got to lose?" mindset, and it's shown up at some of the most pivotal moments in her career. In this episode, Lucy shares how growing up with stage fright taught her to push through fear anyway, why she ultimately chose a more practical path even when encouraged to pursue theater professionally, and how a career in banking eventually led to a full-circle moment that brought her back into the arts. Lucy Rymer is the Executive Director of Cleveland's Museum and Cultural Center at 5ive Points. You can connect with her on LinkedIn (https://www.linkedin.com/in/lucy-rymer-37506b21).  If you like this episode, we think you'll also like: Virginia Anne Sharber's Morning Cup (E59) Andy Wood's Morning Cup (E124) Mayor Kevin Brooks's Morning Cup (E154) My Morning Cup is hosted by Mike Costa of Costa Media Advisors and produced by SpeakEasy Productions.  Subscribe to the weekly newsletter and be the first to know who upcoming guests are: http://eepurl.com/iGJzII 

What's next for Discovery Park of America? In this special Reelfoot Forward episode, CEO Scott Williams sits down with senior collections and exhibits director Jennifer Wildes and manager of marketing and PR Zac Willis for a look at what's ahead in 2026 at the museum and park. The conversation offers a behind-the-scenes preview of upcoming exhibits, major events and cultural celebrations, including plans tied to America's 250th anniversary, new permanent exhibitions, expanded educational programming and returning events that have become regional traditions. Listeners will hear how Discovery Park selects exhibits, balances popular demand with mission-driven storytelling and plans year-round experiences for children and adults. As Discovery Park commemorates the 230th anniversary of Tennessee's statehood and the national America 250 celebration, several new exhibits will open next year. The museum will host "Home, Heart, Heritage: Quilt Exhibition Celebrating Black History," a traveling exhibition from Monthaven Arts and Cultural Center that features five double-sided quilts celebrating Black American contributions to Tennessee and the nation. Listeners will also learn more about "Brushstrokes of a Young Nation: The Art of David Wright," which will be on display in the Southern Artist Showcase Gallery. The exhibition will include prints by celebrated Tennessee artist David Wright, whose paintings of early settlers, frontier life and America's expansion offer a vivid visual journey through the nation's formative years. Another major highlight of Discovery Park's Tennessee America 250 programming discussed in the episode is the Celebrating 250 Years of Independence event July 3–4, 2026. On Friday, July 3, country music artist Mo Pitney will headline a free outdoor concert as part of Discovery Park's Rhythm on the Rails series. Whether you're a longtime member, a first-time visitor or simply curious about how a regional museum plans for the future, this episode offers a candid, informative look at how Discovery Park continues to evolve while staying rooted in the stories of West Tennessee and the Reelfoot Lake region. This episode is sponsored by Main Street Union City.

Host: Carol MacAllister Guests: Tim Ryan & David Clingan Description: Tim Ryan (Lakes) and David Clingan (Manor) are the Managers of Maintenance on our two Willow Valley campuses. They share with host Carol MacAllister the breadth and depth of the work their departments do. Residents can SEE that they fix what is broken and replace what can't be fixed in their homes, but in fact, they do so much more. Everything that has to do with the Brick and Mortar of WV, inside and out, is their domain. For every activity, function, or special event that requires setup and teardown (e.g., Cultural Center and Chautauqua Hall), the maintenance department is present. Holidays such as Christmas double their workloads, although the staff does not increase. They put up all those Christmas Trees, live and artificial! Winter snows create round-the-clock efforts. This is a well-oiled operation, often invisible to the residents.

The African American Cultural Center has completed phase one of its renovation, marking a major moment for this historic East Side institution. Interim dance and drum director Robin Hibbert, Board Chairwoman Thembi Duncan, and Executive Director Leah Angel Daniels join Jay Moran to discuss the challenges of rebuilding, the community's response, and what lies ahead as the center prepares for new programs and its upcoming Kwanzaa celebration.

Artspeak Radio, Wednesday, December 17, 2025, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes Jenny Mendez and Betsabeé Romero. JENNY MENDEZ, Cultural Arts Director Mattie Rhodes Arts Center and Gallery was born and raised in Kansas City, Missouri. Growing up in a neighborhood filled with family and friends on Kansas City's West Side. As a young girl Jenny enjoyed hearing stories from her grandmother, these stories were such an inspiration to Jenny in her love of her culture and heritage. Jenny attended the Kansas City Art Institute majoring in painting, she also studied both printmaking and photography. She was involved in community mural projects as a high school student and into college. She has always given back to her community. She has been employed with the Mattie Rhodes Center for the past twenty- five years and is responsible for all arts programming for the agency as the Cultural Arts Director. Through her work she is able to educate the community on the Latino culture through art. Being able to inspire children through art is what she is most passionate about – giving children and young artists a place to learn, create, express themselves, imagine, and grow in the arts. She has served and participated on many boards and committees through the years advocating for the arts and community. Her most valued appointment was to the board of the National Association of Latino Arts and Culture (NALAC). Most recently in March of 2020 as part of Women's History Month she was awarded the Nuestra Latina Award for the Arts by the Hispanic Chamber of Commerce. Her work in the community is valued and shows her commitment to being a voice for the Latinx artists, students and individuals. Showing her expertise in the creative process and authenticity to arts and culture through her work and partnerships with the Kansas City Museum and the Nelson Atkins Museum of Art. She is very committed to continue to be a voice for the Latinx and arts communities at large. Mattie Rhodes Art and Cultural Center is located at 1701 Jarboe, KCMO www.mattierhodes.org BETSABEÉ ROMERO- Knitting Ties, Project Description: The installation features the creation of two sculptural soccer goals with nets crafted from metal lattices. These lattices will showcase characters that represent both soccer and the pre-Hispanic ball game, creating a bridge between contemporary sports and ancient cultural traditions. The metallic lattices will be interwoven with threads of various fibers, with the characters cut along the length and width of each goal's net. All elements will be handcrafted by migrants and local artisans, emphasizing community collaboration and cultural exchange. Elements of the Sculptural Objective: Metallic Lattices-metal cutouts are interconnected in a lattice configuration, forming modular structures that provide a sculptural foundation for artistic interventions. Community Networks-Fabrics crafted by volunteers and artisans interweave with lattices, forming distinctive patterns that narrate the stories of their communities. Athletic Emblems-Symbolic figures associated with soccer are integrated into the sculptural design, linking artistic expression with the passion for football. Betsabeé Romero; Education: Bachelor's Degree in Communication with a specialization in Participatory Communication, Universidad Iberoamericana (1984) Master's Degree in Visual Arts, Universidad Nacional Autónoma de México (1986) Diploma from l'École Supérieure des Beaux-Arts (1989) Art History Studies at l'École du Louvre (1988-1989) Doctoral studies in Art History, Universidad Nacional Autónoma de México, no degree completed (1990-1993) Exhibitions: Romero has held over 100 solo exhibitions across five continents, with notable shows at the British Museum (2015), Grand Palais (2019), Royal Botanic Gardens Kew (2022), York Avenue in Washington (2018), Place Vieille Bourse in Lille, France (2019), Nevada Museum of Art (2014), Neuberger Museum (2011), Nelson-Atkins Museum of Art (2012), Canberra University Museum (2002), La Recoleta, Buenos Aires (2019), Mexico Pavilion at Expo Dubai 2020 (2021), and Place du Louvre (2021). In 2024, her exhibition "Huellas para Recordar" featured five monumental sculptures on Park Avenue (81st, 82nd, and 83rd Streets) by invitation of NYC Parks & Recreation. Also in 2024, "The Endless Spiral" was featured at the Venice Biennale Official Collateral Event at Galeria Belacqua LaMassa, St. Mark's Square, by invitation of MOLAA. In Mexico, highlights include the Mega Ofrenda at Mexico City's Zócalo (2016), Museo Frida Kahlo (2019, 2013), Museo Anahuacalli (2015), Antiguo Colegio de San Ildefonso (2014), Museo Amparo, Puebla (2008), MARCO, Monterrey (2009), and Museo Carrillo Gil (1999). Collections: Her work is part of major collections including the British Museum, Museum of Contemporary Art Houston, Phoenix Art Museum, Musée des Beaux-Arts de Montréal, Daros Collection (Switzerland), Nelson-Atkins Museum, Nevada Museum of Art, World Bank Collection, LACMA California, FEMSA, Irish Museum of Modern Art, El Museo del Barrio, Museo de Arte Moderno de México, MUAC, and Michigan State University. Biennials: Monterrey Biennial, Tamayo Biennial, inSite (Tijuana-San Diego), La Courneuve Biennial, Puerto Rico Graphics Triennial, Polygráfica Philadelphia, Ljubljana Graphics Biennial, Havana Biennial, Porto Alegre Biennial, Cairo Biennial, Sur Buenos Aires Biennial, Bogotá, and United Arab Emirates. Official selection for collateral projects at the 2024 Venice Biennale with the solo exhibition "Endless Spiral" with MOLAA Museum at the Bellaacqua La Massa Foundation in St. Mark's Square. Awards: Prix Oric'Art, Neuilly-sur-Seine, France, 1988 Grand Acquisition Prize in Installation, Second Monterrey Biennial, Museo de Monterrey, Nuevo León, Mexico, 1994 First Prize, Cairo Biennial, 2006 Millésimé Prize in Visual Arts, 2018 Chevalier des Arts et des Lettres, France, 2020 First Prize in Pavilion Design

This episode Nez and Mike are here to rundown Mike's time down in Hollywood at the LA Skins Fest 2025. Mike was there to screen the new short doc BLACKTOP POETS: The Story of Without Rezervation. Plus Nez talks about his time at the SIHASIN show at La Peña Cultural Center in Berkley California. To check more on the LA Skins Fest and Sihasan click the links below.LA Skins Fest -https://laskinsfest.comSihasin -https://sihasin.comHit up E Society on Facebook.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/ESocietyPodcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ESP Podbean feed:https://macnezpodcast.podbean.comE Society YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCliC6x_a7p3kTV_0LC4S10A⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E Society and Mac-Nez t-shirts Tee Public:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://tee.pub/lic/9ko9r4p5uvE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X:E Society Podcast -⁠https://x.com/esocietypod⁠Mac Nez Podcast -⁠https://x.com/macnezpod⁠The Zissiou -⁠https://x.com/TheoZissou⁠Instagram -E Society -⁠https://www.instagram.com/esocietypod/⁠Mac Nez Podcast -⁠https://www.instagram.com/macnez/⁠The Zissiou -⁠https://www.instagram.com/thezissou/⁠TikTok -⁠https://www.tiktok.com/@esocietypod⁠ Taylor and Nez new podcast:Old Dawg New Trickz⁠https://open.spotify.com/show/319KRWiJfGpMbFBLTp6E8P⁠YouTube page for Resting Easy with Chris and Breezy⁠https://www.youtube.com/@RECBIntro/Outro Music by MESTIZO.

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Does "Die Hard" count as a Christmas movie? We're stretching the definition of "Pittsburgh holiday movie" to its limits and talking about the many films loosely connected to our city this festive season. Host Megan Harris is with Josh Axelrod, a founding member of the Pittsburgh Film Critics Association and director of communications at The Lindsay Theater and Cultural Center, to talk about the most famous holiday movies, the one corner of Sewickley popping up over and over in Hallmark films, and why one small part of "The Perks of Being a Wallflower" makes it a Christmas watch.  The Lindsay Theater is screening holiday classics from December 19-25. Check out the full schedule here. Learn more about the sponsors of this November 19th episode: Pittsburgh Cultural Trust Handmade Arcade The Frick Family House Become a member of City Cast Pittsburgh at membership.citycast.fm. Want more Pittsburgh news?  Sign up for our daily morning Hey Pittsburgh newsletter. We're on Instagram @CityCastPgh. Text or leave us a voicemail at 412-212-8893. Interested in advertising with City Cast? Find more info here.

Our First Alert Team is tracking deep tropical moisture, which will continue to stream over the eastern end of the state today. Loved ones, friends, and colleagues gathered at the Castle Theater at the Maui Arts and Cultural Center for a celebration of life service for Maui County Councilmember Tasha Kama. And a lawsuit has been filed claiming a boy was sexually assaulted and bullied at a popular after-school program.See omnystudio.com/listener for privacy information.

Host: Carol MacAllister Guest: WV VP of Resident Life, Stacy Musser Description: Stacy Musser started at Willow Valley part-time in Culinary when she was 17 years old. Since that fateful first job, she has grown with the organization, progressively wearing many hats and now multiple hats simultaneously. The breadth of her responsibilities, which grew as the organization grew and grew, is staggering when you spread them all out as we attempted to do in this podcast. Musser discusses her family background, her reliance on mentorship and collaboration in her leadership style, and the complexities of managing multiple calendars and budgets to serve a diverse resident population. Talking fast, taking nary a breath, we get a glimpse of what Stacy does for the 2600 residents, who take the seamless operation of all our amenities for granted. Listen closely, and maybe more than once, then stop by her office in the Upper Level of the Cultural Center to say thank-you. go to: https://vimeo.com/909183218/230aa7e1ff to understand what Stacy does.

Join host Dr. Mario Espinoza-Kulick for a conversation with Nakia Zavalla, Cultural Director for the Santa Ynez Band of Chumash Indians. They will discuss how the new Santa Ynez Chumash Museum and Cultural Center celebrates Native history through storytelling, language revitalization, and cultural preservation. The museum's exhibits offer visitors an immersive experience that connect the past, present, and future of the Chumash people.Hear the conversation Thursday from 1-2pm on KCBX or online at KCBX.org.

  For over 20 years, the Jacklin Arts & Cultural Center, also known as The JACC, has brought the Post Falls community together through the transformative power of the arts. What began as a mission to save a historic building has blossomed into a thriving hub where creativity, connection, and culture flourish in the heart of Post Falls. Darla Dreyer has been the Executive Director for the last eight of those years, and she talks to us about the upcoming events, exhibits and classes happening there this fall and winter. To find out more visit thejacklincenter.org or on Facebook @JacklinArts.

10102025 Willow Valley's Full-Service Day Spa Host: Carol MacAllister Guest: Diamondo Wallace, Team Manager of WV Day Spa Description: Nestled in the core of the lower level of the Cultural Center is Willow Valley's full-service Day Spa. Full service means manicures, pedicures, full body massages, foot massages, and facials. Mondo, as she is affectionately called by all her customers, began working for WV at the age of 14 as a food server at the Glen. After receiving her license from the Lancaster Cosmetology School and completing several years of apprenticeship at a hair and nail salon, she returned to Willow Valley to begin her career in the newly established Cultural Center. That was in 2003. For 18 years, she worked alone, providing all the nail services, but in the last seven years, her staff has grown appreciably, as has the breadth of the services. As she likes to say, the WV Spa is not about “fluff,” it is about total wellness care because feeling good physically makes you feel good emotionally, and we all need that! For more information, please stop by for a brochure of their services.

We discuss the exhibit Unfinished Woman at the Cultural Center of Cape Cod

In this nonprofit spotlight, we interview Jordan Johnson, COO of the Christian Cultural Center of Atlanta. They discuss the importance of alignment and transparency in nonprofit organizations, the challenges of growth, and the role of a COO in fostering interdepartmental connectivity.Jordan shares insights from his experience with the Veritas Schools and his consulting firm, Alfred Nguyen, emphasizing the need for clear messaging and brand strategy in the nonprofit sector. The conversation highlights the significance of hospitality in creating a welcoming environment for community members and donors.Charity Charge is a financial technology company serving the nonprofit sector. From the Charity Charge Nonprofit Credit Card to bookkeeping, gift card disbursements, and state compliance, we help mission-driven organizations streamline operations and stay financially strong. Learn more at charitycharge.com.

In the fall of 2024 Kayte had the chance to talk with Nicole Keith, Food Sovereignty Coordinator of the Nottawasepi Huron Band of the Potawatomi (also known as NHBP) and Kevin Harris, Culture Specialist with the NHBP.They visited Bloomington in the fall of 2024 to share a film about wild river rice with The First Nations Educational and Cultural Center on the IU campus, in partnership with the IU Media School. The film is called Mnomen | Wild Rice "From the River Banks to the Table.”The interview that appeared in the last episode of our Eats Wild series was cut for time, here is an extended version. 

Throughout Hispanic Heritage Month, we are profiling trailblazers in the community about their commitment to their craft and contributions to the San Diego region.Thursday on Midday Edition, the executive director and CEO of the San Diego Museum of Art talks about her journey into the arts and what she sees for the future of San Diego's thriving, binational arts and culture scene.Then, a unique Halloween attraction puts its own spin on the haunted maze by bringing attention to real-world issues like climate change, animal cruelty and pollution. KPBS arts reporter Beth Accomando previews the socially conscious haunt.And finally, the Chicano Park Museum and Cultural Center celebrates its third anniversary this weekend. KPBS arts reporter Julia Dixon Evans speaks with a local printmaker who is featured at the event and previews other events on her radar.Guests:Roxana Velásquez, Maruja Baldwin Executive Director and CEO, San Diego Museum of ArtJaidacyn Madrigal, founder, Fright for FutureJohn Hansen, haunt crew member, Fright for FutureIrie Zepeda, artist, printmaker, Por La Mano Press y Arte founderJulia Dixon Evans, arts reporter and "The Finest" host, KPBS

The Cultural Centers of Lincoln Collaborative is one step closer to its new home. The building, located on a site at 21st and Vine streets, will connect four initiatives: the Good Neighbor Community Center, the Asian Community and Cultural Center, El Centro de las Américas and the Malone Center.

The John F. Kennedy Center for the Performing Arts has long been an important cultural landmark in D.C., bringing a variety of arts programming to the region while also serving as “the Nation's Cultural Center.” Since it opened in 1971, the Kennedy Center has also been largely apolitical. It receives some federal dollars, but sitting presidents have allowed the Kennedy Center's board of directors to operate and curate programming without any influence from the executive branch.That changed earlier this year, when President Donald Trump made himself the chair of the Kennedy Center board. And just this week, he inserted himself into the center's annual marquee event by announcing this year's recipients of a lifetime achievement award, the Kenney Center Honors. Host Colby Itkowitz speaks with style reporter Travis Andrews about Trump's move to shake up the Kennedy Center, as well as his broader goals of reshaping arts and culture institutions in the United States.Today's show was produced by Thomas Lu. It was edited by Reena Flores and mixed by Sean Carter. Subscribe to The Washington Post here.

Black self-determination and liberation requires a holistic and strategic integration of political power, cultural memory, and economic self-determination. Across a week of reflection, convenings, and engagement, from Birmingham's Civil Rights Historical District to Atlanta's Sweet Auburn Avenue to Daytona's Paul Laurence Dunbar House and Wilberforce Ohio's National Afro American Museum and Cultural Center, we center the urgency of reclaiming and redefining learning, community, citizenship, institution building and governance on African terms.The Ballot represents more than just voting, though that is an essential element of civic participation: It symbolizes collective potential power. The long fight against voter suppression is revealed by the fracturing myth of inclusion within a settler colonial state to be a potent weapon for realizing collective power. As W.E.B. Du Bois and others demonstrate, the struggle for political power is communitarian, not individualist—and the US South remains a battleground, not of defeat, but of underutilized potential.The Book highlights the liberatory role of education, historical memory, and cultural knowledge. Case studies of figures like Martin Delany show how Black communities must resist erasure and re-center themselves as global actors in a world system undergoing transformation. Reclaiming narratives that fostering an understanding of internal governance formations is necessary to recover agency.The Buck calls for an economic awakening—exposing capitalism's lie of meritocracy and the theft of public wealth. Reimagining collective economics through community interdependence, strategic ownership, and global solidarity becomes a compelling path forward. From the ruins of racial capitalism, a new economic ethos must emerge, rooted in mutual aid and sovereignty.Voting, reading, and spending must be done with vision and unity. “We'll find a way, or make one” is not merely a slogan—it's a generational imperative in the ongoing struggle to complete the unfinished work of Black freedom and transformation.JOIN KNARRATIVE: https://www.knarrative.com it's the only way to get into #Knubia, where these classes areheld live with a live chat.To shop Go to:TheGlobalMajorityMore from us:Knarrative Twitter: https://twitter.com/knarrative_Knarrative Instagram: https://www.instagram.com/knarrative/In Class with Carr Twitter: https://twitter.com/inclasswithcarrSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

New York–based architect Andrea Steele joins Architectural Record's DESIGN:ED podcast to discuss the design of the L10 Arts and Cultural Center in Brooklyn, the benefits of combining typologies, and successful strategies in implementing human centered design