Podcasts about st ambroise montreal fringe festival

The St-Ambroise Montreal Fringe Festival is back! That means our Fringe podcast is back! Sarah and I are super excited for this year's Fringe lineup and to celebrate we sat down with the artists behind 3 incredible sounding shows that[…]↓ Read the rest of this entry... The post Go Fringe Yourself 2023: 9 Lives, 8 Near Misses + Hey Bitch, Love You + Who, Me? appeared first on 9to5 (dot cc).

The St-Ambroise Montreal Fringe Festival is back! That means our Fringe podcast is back! Sarah and I are super excited for this year’s Fringe lineup and to celebrate we sat down with the artists behind 3 incredible sounding shows that[…]↓ Read the rest of this entry... The post Go Fringe Yourself 2023: 9 Lives, 8 Near Misses + Hey Bitch, Love You + Who, Me? appeared first on 9to5 (dot cc).

The Montreal podcast that asks the cast of “The Adoption”: What's a story of you being romantically rejected? That question submitted by fellow Montreal Fringe performer Leighland Beckman back in episode 256. The St-Ambroise Montreal Fringe Festival is in full[…]↓ Read the rest of this entry... The post The Adoption (Eve Parker Finley, Nicky Fournier & Amanda McQueen) – GPYS 257 appeared first on 9to5 (dot cc).

The Montreal podcast that asks the cast of “The Adoption”: What’s a story of you being romantically rejected? That question submitted by fellow Montreal Fringe performer Leighland Beckman back in episode 256. The St-Ambroise Montreal Fringe Festival is in full[…]↓ Read the rest of this entry... The post The Adoption (Eve Parker Finley, Nicky Fournier & Amanda McQueen) – GPYS 257 appeared first on 9to5 (dot cc).

'We have a national data set that's about to emerge and that's a really powerful thing. If we can gather data from across the country from arts and culture organizations across the country and build a data set over time, then we'll actually be able to understand what kind of programming we need for environmental sustainability in the arts and culture sector. We can actually do that based on the demonstrated needs of the community.'I first met Devon when she was working freelance doing environmental assessment for theatre companies in Montreal. I was impressed by her commitment to both the arts and the sciences. Since then, we have had many conversations with Devon about her work with Creative Green tools adaptation project and the importance of measurement tools for the arts sector in the climate emergency. I wanted to share this knowledge with listeners, so I went for a walk with Devon in December 16th 2021 and combined this conversation with her presentation at the CPAMO National Cultural Policy and arts in Response to Climate Change panel on December 10. At the very end of the episode, you hear my phone ring. It was my daughter telling me about a Covid outbreak of the Omicron variant in her university. A sign of the times… Devon's educational background includes a bachelor's degree in Environmental Sciences and a master's degree in Integrated Water Resources Management (IWRM). For the last several years, she has been working to combine her technical knowledge of environmental sciences and impact measurement with her involvement in the arts community by collaborating on various sustainability initiatives in partnership with Ecosceno, the St-Ambroise Montreal FRINGE Festival, the Quebec Drama Federation, the Centre for Sustainable Practice in the Arts and Climatable, among others. She is currently manager of the Creative Green project. This is one of 6 episodes recorded during the Gathering Divergence Multi-Arts Festival & Conference Fall 2021 | Art in the Time of Healing: The Importance of IBPOC Arts in Planetary Renewalevent from December 8 to 10, 2021 in Toronto.The others are:episode 90, my conversation with dance artist, choreographer, director and embodiment facilitator Shannon Litzenberger and reading her State of Emergence: Why We Need Artists Right Now essayepisode 91, my conversation with Keith Barker, artistic director of Native Earth Performing Arts, including a reading of his new 5 minute Climate Change Theatre Action play, Apology, My at the end of this episodeepisode 92, a presentation (including audience questions) by Santee Smith, artistic director of Kaha:wi Dance Theatre from the National Cultural Policy and arts in Response to Climate Change panelepisode 93, a presentation (including audience questions) by Anthony Garoufalis-Auger from the National Cultural Policy and arts in Response to Climate Change panelepisode 95, my conversation with CPAMO Executive Director Charles Smithand artistic programmer Kevin Ormsby from a keynote address including excerpts from their conversation about the Living in the Skin I am In: Experiential Learnings, Approaches and Considerations Towards Anti-Black Racism in the Arts publicationSantee Smith, me (from laptop and room camera), Anthony Garoufalis-Auger and Devon Hardy *END NOTES FOR ALL EPISODESHere is a link for more information on season 5. Please note that, in parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays for those frightened by the ecological crisis'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also. please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on April 2, 2024

Caleigh Crow is a queer Métis writer, musician, and performer from Calgary. Her work tends towards themes of metaphysics, class struggle, magic, and joy. Previous topics include: a talking crow with magical powers who transforms a grocery store clerk into the agent of her own freedom, the Antifa Supersoldier, the intersection between 12th century Franciscan nuns and Britney Spears, witch revenge, and a landlord musical. Playwriting credits include HEXEN, The Order of the Poor Ladies, Kill Time Before Time Kills You, and There is Violence and There is Righteous Violence and There is Death; or The Born Again Crow, most recently performed in partnership with Gwaandak Theatre in Whitehorse. Her latest play, Hucksterland: The Musical, is in development with the support of Chromatic Theatre’s inaugural BIPOC Playwrights Unit. She wrote and performed in Betch-A-Sketch at the St Ambroise Montreal FRINGE Festival, and was the assistant director for Gender? I Hardly Know Them’s HTTPEEPEE this summer, marking her entry into sketch comedy. She has performed in the Revolution They Wrote: Feminist Short Works Theatre Festival, the Montreal Anarchist Theatre Festival, and Sage Theatre’s Ignite! Festival. You can hear her in the Alberta Queer Calendar Project’s Without You by Elena Belyea, in the role of Andrea, wherever you get your podcasts. She also plays bass guitar in the band Pope Joan. Her work tends towards themes of metaphysics, class struggle, magic, and joy. www.thumbsupgoodwork.com Instagram: @thumbsupgoodwork Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

Sarah and Keith made it out to another couple of shows at the St-Ambroise Montreal Fringe Festival, and that obviously means that we will talk about them. Keith checked out “Settle This Thing” from Bick/Antzis and Sarah saw “Flute Loops”[…]↓ Read the rest of this entry... The post What We Did At The Fringe – Part 2 appeared first on 9to5 (dot cc).

Amy Blackmore and Véronick Raymond basically eat, sleep and breath the Montreal Fringe Festival. Amy is the Executive and Artistic Director of the St-Ambroise Montreal Fringe Festival and Véronick is this year’s Official Spokesperson (a role she was born to[…]↓ Read the rest of this entry... The post GPYS 157: Amy Blackmore & Véronick Raymond (Montreal Fringe) appeared first on 9to5 (dot cc).

Montreal’s Fringe Podcast returns with our special “Out of Town” series of “Go Fringe Yourself”! First up is Australian (who seem to represent an ever growing number of shows here at the St-Ambroise Montreal Fringe Festival) performer Telia Nevile who[…]↓ Read the rest of this entry... The post Poet vs Pageant – Go Fringe Yourself appeared first on 9to5 (dot cc).

Hot off the back-to-back hit installments of “Captain Aurora” Trevor Barrette returns to the St-Ambroise Montreal Fringe Festival with something a little darker. This time Kaleidoscope shows us the support group for the dead as the recently deceased share stories about[…]↓ Read the rest of this entry... The post Memento Mori – Go Fringe Yourself 2017 appeared first on 9to5 (dot cc).

Go Fringe Yourself returns! To kick off this year’s coverage of the St-Ambroise Montreal Fringe Festival we have two of the amazing talents from Glam Gam Productions entry into this year’s festival “Peter Pansexual”. Offering a modern, queer interpretation of[…]↓ Read the rest of this entry... The post Peter Pansexual – Go Fringe Yourself 2017 appeared first on 9to5 (dot cc).

Victoria Laberge is an arts administrator with her fingers in many pies. Originally from Montreal, she worked with the St-Ambroise Montreal FRINGE Festival and Centaur Theatre for several years in addition to running the arts and culture blog Bloody Underrated. Since moving to Toronto in 2015, she has taken on the roles of Director of Development for Nightwood Theatre, Canada’s flagship feminist theatre; Co-Producer for the monthly storytelling series Confabulation; and Publicist for the award-winning comedy troupe Sex T-Rex.Twitter: @victorialabergeStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Amy Blackmore is the Executive & Artistic Director of MainLine Theatre and the St-Ambroise Montreal FRINGE Festival and the Artistic Director of the Bouge d’ici. An award-winning creator, she has produced, choreographed, performed and assisted the work of many companies, including The Montreal Highlights Festival, Kidd Pivot, Just For Laughs and RUBBERBANDance. Her work has been seen in MainLine Theatre's The Mid-Life Crisis of Dionysus, MTL Shakespeare Theatre Company's Macbeth, The Rocky Horror Picture Show and Unseamly by Infinitheatre. Amy sits on the board of Quebec's English Language Arts Network.twitter: @_amyblackmoreMainline Theatre@mainlinetheatrehttp://www.mainlinetheatre.ca/Montreal Fringehttp://2016.montrealfringe.ca/@fringemtlStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

On our mission to cover dance at the 25th St-Ambroise Montreal FRINGE Festival we encountered Pepper Fajans from the Brooklyn Touring Outfit. They are presenting the show Co.Venture as a [ … ]

This episode is part 2 of our St-Ambroise Montreal FRINGE Festival coverage. We focus on out-of-town artists presenting dance, physical theatre, puppet shows and multidisciplinary productions. We start with an [ … ]

In celebration of the 25th St-Ambroise Montreal FRINGE Festival the Dirty Feet Podcast has invited a pile of local artists who are performing dance, or movement-related shows as a part [ … ]

We discuss the art of non-curation in the particular context of the St-Ambroise Montreal FRINGE Festival. The artists presented by the festival are chosen by lottery or on a first [ … ]

This week, we bring you a story from Al Lafrance, who is gearing up for the Canadian FRINGE Festival circuit, with his new show The Quitter! He’ll be kicking of his tour at the St-Ambroise Montreal FRINGE Festival.Al is also the founder of Bloody Underrated, and co-founder of Solos, an annual festival that celebrates solo creations in theatre.

Recorded in May 2013, this interview with storyteller, performer, writer and improvisor Jeff Gandell, who premiered is show The Balding at the St-Ambroise Montreal FRINGE Festival, last summer.This coming week, Jeff is remounting The Balding at MainLine Theatre in Montreal, so we resurrected this interview, where in which Confabulation‘s Matt Goldberg discusses the many aspects of storytelling with Jeff.

This is the second of a pair of episodes dedicated to dance at the 2013 St-Ambroise Montreal FRINGE Festival. It was recorded and broadcasted live from the Fringe outdoor site! [ … ]

In this first of two episodes dedicated to the 2013 St-Ambroise Montreal FRINGE Festival, we speak with representatives of eight different productions and events taking place during the festival. The common thread is there inclusion of movement and/or dance! We start of by speaking with Kati Bélanger from the company Sacra, who has choreographed the dance piece, MADE of MEAT. Next, choreographer Gabrielle Coulter & performer Phoenix Wood tell us about Glam Gam’s variety show, The Little Beau Peep Show.