Podcasts about Dionysus

喜歡c+的大家好～本節目很開心迎來首位上節目宣傳戲劇的貴賓——第一屆台北戲劇獎「最佳戲劇類男演員獎」的入圍者——林子恆老師。 馬不停蹄的子恆，這次帶來了果陀劇場製作的《解憂雜貨店》，他在其中一人分飾兩角：阿貴與阿克。這部劇改編自東野圭吾的同名小說，以穿越信件的形式連結不同世代的煩惱、希望與療癒。 為了跟老師找話聊（？）我特地企劃了一個全新的橋段，取名〈星星知我心〉，希望能從演員的星座命盤出發，聊聊表演與人生哲學。天空的行星象徵著我們的生命故事，而舞臺上的星星們，也可以觸動觀眾的心。 評審團如此地説明了林子恆老師的表演： 「演出中內斂的語言與肢體，充分傳達出角色在不同年代跨度氛圍下的無奈與感傷。但在壓抑的表演節奏中，卻又不乏熱情、勇敢與堅毅的力量展現。情感豐沛，細膩精準，演員飽滿的能量在舞臺上建構出了觀眾對本劇的想像。」 這樣的描述，會如何透過命盤反映出來呢？ ▍牡羊＋天蠍——誠實與神秘並存的表演者 他的上升星座是牡羊座，這讓他在舞台上的外在氣質充滿力量與存在感，觀眾一眼就能感受到那股「他來了」的能量。但他的太陽星座在天蠍，這是掌管自我意識的主星——意味著他在內在有著神秘、謙遜與情感深層的特質。 而有趣的是，他的月亮也落在牡羊，這是掌管安全感與情緒的行星——這是一個像孩子一般誠實的配置，讓他在表演中能直接、坦率地傳遞情感，同時也充滿生命的原始動能。 牡羊的誠實與天蠍的神秘，看起來似乎矛盾，會為子恆的生命與表演，帶來怎樣的張力呢？ ▍金星在處女座第六宮 這顆掌管美感與表達愛的行星，讓他在日常的審美上特別講究精準與克制，偏好節奏緊湊、情緒準確、不過度渲染的演出風格。雖然他的身體本能強（牡羊的能量），但對於排練與演出細節卻非常在意「乾淨」、「準確」、「反覆雕刻」。 ▍身體的火焰與酒神的歸來 火星落在射手座，這顆掌管行動與慾望的行星，落在一個熱愛自由與信仰的星座中——他在身體的展現上，有一種無拘無束、追尋真理的本能。這呼應了子恆接受的表演訓練：來自希臘阿提斯劇院《The Return of Dionysus》的系統。酒神戴奧尼索斯，本身就是一位自由、不羈、在表演中帶著靈魂力量的流浪者。戴上面具，才是真正拿下面具。 ▍第五宮在巨蟹：表演是情感的庇護所 既然聊到表演，就必須提到掌管表演創造的第五宮，子恆的第五宮宮頭落在巨蟹座。這意味著，他的創作與表演，是從情感、親密與照護的方式出發的，能讓人感受到一種深刻的共鳴與情感滋養。 感覺有共鳴的話，歡迎關注本次的演出喔～

Join us today with our guest the mystic and bard Sophie Strand as we discuss the Knight of Wands. Like Dionysus, the Knight of Wands arrives from beyond with a message: look for the joy, look for what delights you, even if it's just a small thing, imagine it like a small spark of fire, then blow. We talk about the difference between the Knight and the King, and the ecological relationships they both imply. We talk about ecstasies and where inspiration comes from and what it means for your wand to flower and rituals for working with the Knight of Wands on your morning walks. Join us!To attend the SONNETS FOR THE MUSE workshop in Scotland on July 26th click here.To join Amanda's MYSTERY CULT on Substack click here.Listen to Carolyn's podcast with Beth Pickens Mind Your Practice, and join their Homework Club.**********************************FIND OUT MORE ABOUT OUR GUEST SOPHIE STRANDSophie Strand is a poet and writer with a focus on the history of religion and the intersection of spirituality, storytelling, and ecology. She is the author of four books: the poetry book "Love Song to a Blue God," "The Flowering Wand: a deep exploration of the regenerative and magical secrets of sacred masculinity hidden in familiar myths both ancient and modern", the novel "The Madonna Secret," and most recently the eco-disability memoir "The Body is a Doorway." You can find Sophie on her excellent Substack platform: Make Me Good SoilFind Sophie on Instagram: @cosmogonyOr buy her books here: sophiestrand.com/**********************************SONNETS FOR THE MUSE WORKSHOP with Amanda Yates Garcia and Rebecca SharpJoin Amanda and the poet Rebecca Sharp on Saturday, July 26th for a day-long workshop in Edinburgh, Scotland. This workshop is for you if you have a subject you're passionate about that you'd like to make space for in your life. Especially if you have an interest in learning more about poetry and its relationship to magic.FIND OUT MORE **********************************Learn More About Your Host Amanda Yates GarciaTo join Amanda's MYSTERY CULT on Substack click here.To order Amanda's book, "Initiated: Memoir of a Witch" CLICK HERE.Amanda's InstagramTo book an appointment with Amanda go to www.oracleoflosangeles.com*********************************Original MUSIC by Carolyn Pennypacker Riggs**********************************Get in touch with sponsorship inquiries for Between the Worlds at betweentheworldspodcast@gmail.com.CONTRIBUTORS:Amanda Yates Garcia (host) & Carolyn Pennypacker Riggs (producer, composer). The BTW logo collage was created by Maria Minnis (tinyparsnip.com / instagram.com/tinyparsnip ) with text designed by Leah Hayes. Learn More About Your Host Amanda Yates GarciaTo join Amanda's MYSTERY CULT on Substack click here.To order Amanda's book, "Initiated: Memoir of a Witch" CLICK HERE.Amanda's InstagramTo book an appointment with Amanda go to www.oracleoflosangeles.com*********************************Original MUSIC by Carolyn Pennypacker Riggs**********************************Are you an artist or writer looking for structure, support and community? Check out Carolyn's project - Homework Club -with with arts consultant and author, Beth Pickens:Homework Club offers creative people strategies for keeping their projects and practices a priority with monthly webinars, worksheets, live QnA's, accountability pods, and actual homework (that you'll never be graded on. Ever!). Make 2024 a BIG PROJECT year - first month free with code: YourArtMind Your Practice is our podcast.You can visit https://www.bethpickens.com/homework-club for more details or listen wherever you stream Between the Worlds.**********************************Get in touch with sponsorship inquiries for Between the Worlds at betweentheworldspodcast@gmail.com.CONTRIBUTORS:Amanda Yates Garcia (host) & Carolyn Pennypacker Riggs (producer, composer). The BTW logo collage was created by Maria Minnis (tinyparsnip.com / instagram.com/tinyparsnip ) with text designed by Leah Hayes.

Listen Ad Free https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free!

This is a free demo--Full episode 90 minute episode can be found at: patreon.com/c/RememberShuffleIt's a music episode! The Shuffle Bois turn to an early 2000s artist that NME Magazine called "The Saviour of Music" and Pitchfork Magazine called "A horseman of the apocalypse," Andrew WK. The Shuffle bois first trace the surprisingly interesting life of Andrew WK before the 2001/2002 release of his first album "I Get Wet." They review this seminal album of the 2000s before discussing some themes and big ideas: irony and artifice for performers, the role of technology in music production in the early 2000s, and Andrew WK as modern-day Dionysus. En route, they discuss Andrew WK's afterlife as a meme, explore the conspiracy theories around his identity, and describe the sound of "Jackpot Rock" that he exemplified.

SPONSORS: 1) GhostBed: Use Code "JULIAN" to get 20% GhostBed Sitewide: https://ghostbed.com/julian PATREON: https://www.patreon.com/JulianDorey (***TIMESTAMPS in Description Below) ~ Neal Sendlak (aka "Gnostic Informant") is an Ancient History Researcher & Youtuber. He focuses on History, Mythology and Comparative Religion. GNOSTIC INFORMANT's LINKS: YT: https://www.youtube.com/@UCtdweFMJ5DGj7_q5IcpQhPQ FB: https://www.facebook.com/GnosticInformant X: https://x.com/Gnosisinformant FOLLOW JULIAN DOREY INSTAGRAM (Podcast): https://www.instagram.com/juliandoreypodcast/ INSTAGRAM (Personal): https://www.instagram.com/julianddorey/ X: https://twitter.com/julianddorey ****TIMESTAMPS**** 00:00 – Wes Huff Disagreement, Bible Misconceptions, Ending of Matthew Explained 09:42 – Fascination with Gnosticism in Prison, Bible & Ancient History Studies 15:15 – Hilari Festival, Gospel of John vs Dionysus, Wedding at Cana Parallels 24:34 – Dramatic Worldview Shift, Leaving Christianity, Pentecostal Church Experience 36:14 – Drawn to Gnosticism, Luke Verse on Leaving Family 46:47 – Roman Noblewoman Julia Avita Mamaea, The Great Persecution, Luke's Contradictions 59:11 – Christianity Arrives in Rome, Valentinianism, Holy Trinity Finalized, Marcian, 70 vs 12 Apostles 01:11:11 – 70 Disciples vs 12 Theory, Flavius Josephus, December 25th Debate 01:20:20 – Council of Nicaea Truth, Arius' Letter, Trinity Rejection 01:32:23 – Why Constantine Made Christianity Rome's Religion, Naasenes & Hymn to Attis 01:46:05 – Jewish vs Christian Sin Traditions, Leviticus 16, Alexander the Great vs Dionysus 01:58:39 – Crucifixion History, Roman Empire Divisions, Visiting Israel & Jesus Depictions 02:12:45 – Mystery of Jesus, Biblical Interpretation, Council of Nicaea Power, Drugged Eucharist Theory 02:21:45 – Burning Purple Theory, Ammon Hillman Rebuttal 02:25:49 – Gospel of Mary, Jesus' Relationship with Mary, “Disciple Whom Jesus Loved” 02:33:00 – How the Gospels Were Written, History of Banned Gospels 02:40:45 – Nephilim & Giants, Christianity's Global Impact (Good or Bad) 02:52:30 – Pope Gregory Letter, Understanding Other Faiths, Leaving Gnosticism 03:04:22 – Modern Greece & Ancient Studies, Losing Plato in the West CREDITS: - Host, Editor & Producer: Julian Dorey - COO, Producer & Editor: Alessi Allaman - https://www.youtube.com/@UCyLKzv5fKxGmVQg3cMJJzyQ - In-Studio Producer: Joey Deef - https://www.instagram.com/joeydeef/ Julian Dorey Podcast Episode 318 - Gnostic Informant Music by Artlist.io Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Tower of Nero, ch. 6 to 10 This week on Unwise Girls, we continue to tube down the river of good fortune as The Trials of Apollo continues to find its footing right at the end. We discuss Dionysus's antics (as well as the surprising pathos mined from his familiar relationship with Apollo), Smite That City, the return of the Gray Sisters, meme manufacturing, Just Two Guys, eyeball play, effective fake-outs, and perhaps the most electrifying crossover in Rick Riordan history. Come back next week for The Tower of Nero, ch. 11 to 15! Check out our Patreon! (https://www.patreon.com/unwisegirls) Follow the show (https://twitter.com/unwisegirls) Join our Discord! (https://discord.gg/XnhhwzKQ8d) Hosted by Jacqueline (https://twitter.com/swampduchess) and Jane (https://twitter.com/janeyshivers). Edited by Jacqueline. Cover art by Vera (https://twitter.com/Innsmouth_Inn). Intro/outro: "Super Mariocean" by spacepony (https://ocremix.org/remix/OCR01147) This podcast is powered by Pinecast.

Today on Ascend: The Great Books Podcast, we are joined by Tsh Oxenreider to discuss The Frogs by Aristophanes. The play tells the comedic story of Dionysus deciding all the new tragic poets are terrible, so he travels to Hades to bring back Euripides to help save Athen's from her moral decay. Once in Hades, Dionysus has several adventures, which includes hosting a poetry contest between Aeschylus and Euripides to see who is the best tragedian.Visit thegreatbookspodcast.com for our reading schedule!Visit our Patreon page for our library of written guides to the great books!For those who do not know Tsh Oxenreider, she is wonderful. She's an author, blogger, and podcaster. I was on her podcast a while back to discuss acedia and love of eros. Great conversation. And today, we have a high-level, friendly chat about this The Frongs and our love of the great books in general.So join us today for a enjoyable conversation on Aristophanes' the Frogs.ALSO: We start PLATO on 7.22.25! Check out our website for our reading schedule. Join us!00:00 Introduction01:09 Tish Oxenreider's Background and Love for the Great Books07:07 Introduction to Aristophanes and 'The Frogs'09:17 Appreciating Aristophanes' Comedy18:14 The Role of Comedy in Teaching Lessons21:59 The Humor and Juxtaposition in 'The Frogs'27:18 Comparing Aristophanes and Euripides30:26 The Title 'The Frogs' and its Significance32:51 The Impact of Translation on the Reading Experience34:29 The Power of Lightness34:55 The Relief of Small Pleasures35:54 Remembering the Power of Truth and Beauty37:43 The Transformative Power of Great Works39:00 Dionysus as the Go-Between40:18 Poets as Teachers

Al and Kev talk about whether or not farming game remakes are worth it. Timings 00:00:00: Theme Tune 00:00:30: Intro 00:02:08: What Have We Been Up To 00:38:42: Game Updates 00:58:01: New Games 01:11:11: Farming Game Remakes 01:51:29: Outro Links Research Story 1.0 Tiny Garden Switch Info Go-go Town “Tourist Trap” Update APICO Physical Edition Farming Simulator 16-bit Limited Edition Romestead Contact Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:30) Al: Hello, farmers, and welcome to another episode of the harvest season. My name is Al. (0:00:34) Kev: My name is Kevin (0:00:36) Al: And we’re here today to talk about Cottagecore games. (0:00:39) Kev: You woo supposedly the word on the street is it says on the box (0:00:46) Al: Does it? (0:00:47) Kev: That’s odd, yeah, it does it what does the websites I’m assuming it does (0:00:51) Al: I don’t know. This is a good question. What does it say on the website? (0:00:54) Kev: You know, we’ve never done (0:00:55) Al: It says farming. It says a podcast about farming simulators. (0:00:58) Kev: Well, there you go, I guess we were lying somewhere, you know one of these days (0:01:00) Al: Yeah, classic. (0:01:04) Kev: Not days we should do in April fools and switch it up (0:01:07) Kev: Or we talk about I don’t know something else. I guess we kind of do that sometimes but you know something really different (0:01:12) Al: Something, something else. (0:01:14) Kev: Yeah (0:01:16) Kev: We talk about gotcha games, I mean I already do but you know all in oh (0:01:23) Kev: Yeah (0:01:24) Al: Hello. We are going to talk this episode about, I want to have a discussion about remakes. (0:01:25) Kev: Hello listener (0:01:34) Kev: We don’t oh (0:01:34) Al: Specifically remakes of farming games. (0:01:38) Kev: Oh, that’s well hmm. I mean it’s still in the neighborhood like there’s stuff to be discussed for sure (0:01:47) Al: Well, that’s why we’re doing it. (0:01:51) Al: I don’t tend to have topics that I don’t think I’ll have much discussion. (0:01:55) Kev: That is died and I believe that’s factually not true (0:02:00) Al: Wow, how dare, how dare you, how very dare you. (0:02:04) Kev: Oh (0:02:06) Al: Before that, we have a bunch of news, but first of all, Kevin, what have you been up to? (0:02:13) Kev: Okay, let’s see here when I wrote things down (0:02:16) Kev: Okay, Marvel snap. Okay, I should have talked about this earlier because it ended this week, but I mean all snap goes (0:02:22) Kev: It’s good the the new Fantastic Four (0:02:27) Kev: Season with cards based off the movies coming up (0:02:30) Kev: They’re just doing a whole new season like first step family (0:02:34) Kev: First steps whatever but but that’s coming so you know and that looks good (0:02:38) Kev: But I didn’t talk about maximum voltage overdrive or whatever that thing was called (0:02:45) Kev: You played snap outs been a minute. Did you play maximum voltage? (0:02:49) Kev: Do you remember that mode at all? (0:02:50) Al: I think it was around when I was playing, but I don’t think I played it. (0:02:54) Kev: Uh-huh (0:02:56) Al: I did the Deadpool Diner and I did. (0:02:59) Kev: Yeah (0:03:00) Al: There was one other one that I did, but I don’t think I did maximum. (0:03:02) Kev: Okay, so (0:03:04) Kev: So yeah, every once in a while snap introduces these like alternate modes with different rules or different words or whatever (0:03:12) Kev: And so one that they’ve done is called maximum voltage (0:03:16) Kev: and previously maximum voltage was a three-turn game instead of six turns and (0:03:20) Kev: They would give you a random amount like two to four energy every turn like extra so it was you know (0:03:27) Kev: Not just the one two three four (0:03:29) Kev: So you had you could play cards quickly and you had to do on three turns (0:03:34) Kev: It’s a it’s a different pace a game. It’s fun even shorter. I liked it (0:03:41) Kev: Well this past week or two they did maximum voltage overdrive or overcharge whatever’s over something (0:03:50) Kev: Where it was a four-turn game (0:03:53) Kev: The same rules of okay, you get random two to four energy every turn (0:03:59) Kev: on top of what you already have (0:04:02) Kev: But they (0:04:04) Kev: Also filled your deck out with like was it eight or twelve extra random cards in your deck (0:04:10) Kev: Those extra cards had lower costs and higher power (0:04:15) Kev: So it was it was a wild ride because it was a lot of like kind of RNG really right what you get (0:04:22) Kev: It’s hard to build around like, you know real strategy around it (0:04:26) Kev: and you know, I (0:04:28) Kev: I enjoyed it enough. It was fine enough. You know a lot of people don’t like RNG sort of (0:04:34) Kev: modes or strategy so you know I don’t think as popular as other ones but at (0:04:40) Kev: least they tried something right like I always did they say hey try it and then (0:04:43) Kev: we’ll see how it goes but the bigger fiasco was the rewards because when they (0:04:52) Kev: have these side missions they’ll give you usually like a sort of bonus currency (0:04:56) Kev: or side currency or whatever specific for that mode with a shop or reward tier (0:05:01) Kev: or something like that. (0:05:04) Kev: In this case they gave you a shop, you could earn let’s just call them vault points or whatever they were called. (0:05:08) Kev: And so there was a new card in the shop. (0:05:12) Kev: Kid Omega, I don’t know who that character is but they had a decent enough ability. (0:05:16) Kev: But regardless, so yeah, it was a new card and very cool and all. (0:05:24) Kev: But here’s the thing, for the first time ever in one of these side modes, you could not earn the card for free. (0:05:32) Kev: Um… (0:05:34) Kev: Well, I guess you technically could, but… (0:05:36) Kev: So how it works is every eight hours you get a set of three missions, and you get X number of points for it, right? (0:05:44) Kev: Well, people did the math. (0:05:46) Kev: If you did all the missions, every single set of three for every eight hours for the entire duration of the thing, (0:05:52) Kev: you would still have to win 500 games, I think it was, to earn enough points to earn the new card. (0:05:57) Al: That is so many games. (0:06:04) Kev: But… (0:06:04) Al: I don’t think I’ve ever won 500 games combined in the, like, what, combined what, six months (0:06:06) Kev: Yeah, totally. (0:06:14) Kev: I mean, I might be there with you. (0:06:18) Kev: But yeah, so that was wild. (0:06:24) Kev: And a lot of people were up in arms about it, as you can imagine, and I think understandably so. (0:06:30) Kev: Also, because Marvel Snap, traditionally, has been… (0:06:34) Kev: Play-ish where or at least you if you played enough you could get a decent pool of cards or you could get work (0:06:40) Kev: You know the new cards they were releasing if you kept up you could (0:06:45) Kev: You could you could play for free (0:06:48) Kev: the boat the money was either spent on generally speaking on (0:06:55) Kev: Cosmetics, you know variants and bundles (0:06:57) Kev: I guess the season passed you could unlock a new card and that’s ten bucks a month and like that (0:07:02) Kev: But they would drop for free later (0:07:04) Kev: So you didn’t have to do it. But anyways (0:07:08) Kev: Point is that a lot of players feel like the the snap devs are kind of leaning a little more into (0:07:15) Kev: You know pay to win or pay to get the new cards (0:07:19) Kev: So that was a big (0:07:20) Kev: Yeah, big big bit a little bit of fiasco (0:07:25) Kev: and (0:07:26) Kev: Yeah, it’s over now. We went to another mode called sanctum showdown, which is but it’s much slower paced modes fun (0:07:35) Kev: They’re playing it safe. No crazy (0:07:38) Kev: Expensive card or whatever but (0:07:40) Kev: It’s interesting to see (0:07:43) Kev: kind of a shame that they you know, they’re a little money hungry, but (0:07:48) Kev: Cuz though otherwise the game I think is in still in a decent shape (0:07:52) Kev: They’ve released so many cards like I think it’s almost in a state of we can play whatever you want more or less (0:07:59) Kev: But yeah, I mean I’m still playing it. I’m still enjoying it. I did not get the kiddo-megan card (0:08:05) Kev: You know, it’s wild. I saw somebody with that card on day one (0:08:08) Kev: Which means they must have put a lot of money or gold or whatever. Yeah, there’s always an I found the whale. Oh (0:08:08) Al: Hmm there’s always one. There’s always one. Yeah (0:08:16) Kev: Speaking of not having money or wanting money (0:08:20) Kev: Yes, let’s talk about unicorn overlord. So I reached the end of what’s called best stories. That’s the beast land (0:08:30) Kev: Campaign area there’s basically like five countries in the game or whatever and each one is kind of (0:08:34) Kev: Its own little chapter if you will write its own little story and arc and so I reached the end of the best stories chapter (0:08:41) Kev: Which is fine and all the villain was a rat man a rat where rat I guess. I don’t I don’t know how to describe it (0:08:50) Kev: You know, I’ll show you a picture (0:08:52) Kev: but (0:08:53) Kev: And so I enjoyed it. It was a fun chapter. I think the Beast people were cool, but what is funny and (0:09:00) Kev: I can feel it. I learned about this (0:09:04) Kev: When I went online because it felt something felt like it was changing the writing in unicorn overlord who was pretty alright (0:09:12) Kev: Up until around now because they really just kind of did not give the the rat man’s name (0:09:19) Kev: His name was Elgore and he kind of had an interesting story (0:09:23) Kev: The rats were generally oppressed people and he wanted to rise up and then you know, he became a general (0:09:29) Kev: So it’s kind of an interesting story and there was some evil the evil bad guy team (0:09:34) Kev: We’re doing experiments on him yada yada (0:09:38) Kev: But it was really really rushed. And so I kind of looked into it and it turns out (0:09:45) Kev: That oh (0:09:47) Kev: Hold on one second now (0:09:49) Kev: my mic (0:09:51) Kev: Sorry, there we go. Sorry. My mic had a hiccup and I think we’re good now while checking (0:09:57) Kev: double-checking (0:09:58) Al: Sounds fine to me. (0:09:59) Kev: Yes, okay. I lost a few seconds of the recording, but okay. I’m okay (0:10:03) Kev: I don’t know, at least the– (0:10:03) Al: It’s fine now. (0:10:05) Al: Zoom is pretty good at like starting out. (0:10:05) Kev: Yeah, all right (0:10:09) Kev: Well, anyways, so I looked up that why it started feel rushed and turns out that the unicorn (0:10:15) Kev: Overlord development ran out of money and basically the director producer they started funding it out of their own pocket (0:10:22) Kev: so apparently this last (0:10:25) Kev: quarter or so of the the game is gonna feel very rushed and (0:10:30) Kev: There’s no time for story anymore. Which is sad but (0:10:34) Kev: That said the game is still (0:10:38) Kev: Entertaining. I like it. It’s fun. Yeah, like unicorn overlord to two thumbs up from me (0:10:45) Kev: Let’s see (0:10:47) Kev: So yeah, so that’s good. Um, oh, okay follow up from last week (0:10:50) Kev: So we spent a little time having a fun little chat about magic the gathering and capitalism and the $1,000 (0:10:58) Al: Like 20 minutes. (0:10:59) Kev: pack of set of four packs (0:11:02) Kev: and it was all started as you may recall because (0:11:04) Kev: I was looking at the, or you know, the Final Fantasy set of Magic the Gathering cards came out, (0:11:12) Kev: and I did not want to buy them because I didn’t want to spend them, or spend the money for them. (0:11:17) Kev: Well, this week I bought the Final Fantasy card set from Magic the Gathering, virtually, virtually, there’s my caveat, haha. (0:11:26) Kev: Uh, no, I did not spend money, but… yeah, haha, virtual versions of my cardboard. (0:11:27) Al: Oh, wait, that’s that’s even that’s even all right. (0:11:30) Al: I was going to say that’s even worse if you bought digital cards. (0:11:35) Kev: No, no money spent. So I’ve been, I’ve played Magic the Gathering Arena, though that’s the online client. I fired it up to get in there and try. (0:11:43) Al: Good game. I’ve not played in a long time, but when I was playing, I was doing a lot of arenas. (0:11:49) Kev: Alright, it’s good. It feels comparable, I think, to, you know, Pokemon TCG live. (0:11:54) Al: Oh, I think it’s way better. (0:11:56) Al: I think it’s way, way better. (0:11:57) Al: I think the I mean, it’s been a while since I played it. (0:12:00) Al: But in my experience, the app was much less slow in menus and the effects were much better. (0:12:05) Kev: Yeah. (0:12:08) Kev: I agree with that. It is much, much more polished, right, overall. A little fancier. And you’re right, a little less laggy. (0:12:17) Kev: But, yeah, but I mean, the point is, it serves as a decent online, you know, substitute for the paper game. (0:12:26) Kev: So I got some, yeah, Final Fantasy cards there and played a little, doing a choco bow deck. (0:12:33) Kev: I’m really upset (0:12:35) Kev: Those cards are really good, art-wise and gameplay-wise (0:12:42) Kev: They have, because I mentioned I was playing Final Fantasy, the proper FFTCG (0:12:49) Kev: That game doesn’t have equipment cards (0:12:51) Kev: Magic the Gathering does, so Magic the Gathering can include iconic items and weapons (0:12:57) Kev: Like the Buster Sword, or a cup of instant noodles from Final Fantasy XV (0:13:04) Kev: So I’m more…a little… (0:13:05) Kev: I’m jealous that Magic did it so well. (0:13:07) Kev: Whoever…the people working on the Final Fantasy set, they really love Final Fantasy. (0:13:13) Kev: They have Souplex the Train as a card. (0:13:17) Kev: People who know FF5 understand that reference. (0:13:25) Kev: But yeah, I mean, I try to… (0:13:27) Kev: I’m still thinking about it. I’m looking at it. (0:13:31) Kev: The card’s proper. I’m not gonna buy it yet. (0:13:35) Kev: Oh, it’s been…I’ve been craving it. It’s a siren song. (0:13:38) Kev: So I had to…you know…I had to at least do it virtually to enjoy it a little. (0:13:46) Kev: But I digress. That’s what I’ve been up to this week. (0:13:50) Kev: What about you, Al? What’s going on? (0:13:52) Al: Well, let’s see, what have I been up to? (0:13:56) Al: Shock surprise. (0:13:58) Al: I have been playing some Mario Kart World up. (0:14:00) Kev: Yeah, you’re going for it, man. Getting all those knockouts here. I’ve seen your progress. (0:14:04) Al: Yes, so update on that. (0:14:07) Al: I have done all of the Grand Prix’s 150, three stars and all of the knockout (0:14:13) Al: all of the knockout tours, 150, three stars. (0:14:19) Al: and I have done enough in free. (0:14:22) Al: Rome to unlock mirror mode. (0:14:25) Kev: Okay. (0:14:27) Al: And I have unlocked all of the costumes. (0:14:30) Kev: Oh, you’re- you’ve done it all almost pretty much at this point. (0:14:33) Al: I am still missing three characters. (0:14:36) Kev: Wait, wha- oh. How d- uh- uh-huh. (0:14:38) Al: But that’s because they are the Kamek characters, (0:14:43) Al: so you have to be on a specific course (0:14:47) Al: and someone use the Kamek behind you on that specific course. (0:14:50) Kev: Uh, okay, I did notice that I got some kamiks and I think I got kamiks characters out of that. (0:14:53) Al: There’s a chance that you get one that character, so. (0:15:00) Al: Yeah, yeah, yeah. (0:15:01) Al: So I’ve got most of them, but I’m still missing three of them. (0:15:04) Al: And it’s like they are dreadful to try and force like the bet. (0:15:08) Kev: Yeah, who are they? (0:15:10) Al: How who am I missing? (0:15:12) Al: Let me check my spreadsheet. (0:15:14) Al: I am missing Rocky, wrench. (0:15:18) Al: Peepa and Swoop. (0:15:20) Kev: Oof, oof, oh man, I like swoop. (0:15:21) Al: I have the rest of them. (0:15:22) Al: So that’s I have that’s 15 out of 18 characters unlocked (0:15:26) Al: and 103 out of 103 costumes unlocked. (0:15:31) Al: So, yeah, and I’ve got all the vehicles as well. (0:15:36) Al: All 40 of them. (0:15:37) Al: So I am going to I’m definitely going to do. (0:15:40) Al: I’m definitely going to start doing mirror modes. (0:15:42) Al: I really want to restart all the mirror modes (0:15:45) Al: before I get too much muscle memory for specific courses. (0:15:46) Kev: Yeah. (0:15:49) Kev: Mmm. (0:15:50) Al: Right, because that that’s when it becomes really hard. (0:15:52) Kev: Yeah, you’re right. (0:15:53) Kev: That’s an excellent point. (0:15:53) Al: But I’d love I’d love to three star mirror mode (0:15:56) Al: because I’ve never restarted every mirror mode in a Mario cart. (0:16:00) Kev: I mean you’re like there, you’re wide as well, right? You’ve gone the 90%? (0:16:06) Al: Yeah, it’s I guess the thing is it’s just about like time now, right? (0:16:10) Kev: Uh-huh. (0:16:10) Al: Like we’ve got two and a bit weeks until Donkey Kong comes out. (0:16:15) Al: That’s basically my deadline, right? (0:16:15) Kev: I was about to say, that’s the deadline, right? (0:16:17) Al: Like if it’s if I’ve not done it by (0:16:20) Al: Donkey Kong coming out, it’s probably never happening. (0:16:23) Kev: Yeah, well, maybe they’ll release some DLC, but I understand what you generally say. (0:16:28) Al: Yeah, but at that point, I don’t I think at that point I’ll play the DLC, (0:16:31) Al: but I don’t think I’ll go back and try and do the other mirror modes. (0:16:31) Kev: Yeah, it’ll be out of your system, I get it. (0:16:34) Al: Right. (0:16:36) Al: So we’ll see. We’ll see how I feel. (0:16:38) Al: But I’m going to I’m going to at least try and see how far I get. (0:16:42) Al: But obviously it’s quite few and, you know, I can see I should be able to do them. (0:16:47) Al: Right. Because I’ve done one hundred and fifty. (0:16:49) Al: I should be able to do mirror mode. (0:16:50) Al: I don’t think I’m in use to them enough that I will cause problems. (0:16:53) Al: Although maybe there’s a couple of courses that are recreations of previous ones, (0:16:58) Al: like the Mario Bros circuit, which is just like the continuation from the one (0:17:00) Kev: Yeah (0:17:03) Al: and since the sna is- (0:17:06) Al: right? That one might be trouble because I suspect I’ll have muscle memory for that course (0:17:06) Kev: Yeah (0:17:12) Kev: Sure sure (0:17:12) Al: but we’ll see, we’ll see. I’m gonna try and we’ll see how I go (0:17:17) Al: and I think that’s all I was considering. So have you done much free roam? (0:17:22) Kev: Not too much myself now (0:17:25) Al: So you’ve got the P switches, you’ve got peach medallions and you’ve got the question mark blocks. (0:17:27) Kev: Yeah (0:17:29) Kev: Yeah (0:17:32) Al: the only one that’s actually like shown on the map. (0:17:36) Al: The P switches where each course has a certain number of P switches and it shows you how (0:17:38) Kev: Mm-hmm (0:17:40) Al: many you’ve got. So I’m considering doing the P switches, but there’s no way I’m going (0:17:47) Al: to look for all of the peach medallions and all not not P switches sorry the question mark blocks. (0:17:52) Al: It’s not the P switches the question mark blocks. There’s no way I’m going for the piece all the (0:17:56) Al: P switches and all the peach medallions. I’ll probably do some more just playing around in (0:18:00) Al: free roam and if I see some I will do some, but I’m not going to go out my way to get (0:18:04) Al: every day because it’s like (0:18:06) Al: 300 P switches or something it’s mad how many there are I’m not going to do (0:18:08) Kev: Yeah, you don’t want to collect all the Koroks? (0:18:12) Al: all of them definitely not but I can see myself doing all the question mark (0:18:17) Al: blocks just because they’re like clearly like there’s six on this course six on (0:18:22) Al: this course six on this course I could see myself doing that but I’m not I’m (0:18:28) Al: not going all in on that at this point right like we will see (0:18:31) Kev: man. I gotta say the free roam is a little disappointing from what I’ve experienced and (0:18:39) Kev: seen. I was really hoping for, for lack of a better word, secrets, right? Little nooks (0:18:47) Kev: and crannies you could explore that, you know, you wouldn’t experience on a race or whatever, (0:18:52) Al: - Yeah, yeah, yeah. (0:18:53) Kev: right? Like in, you know, shooting for the stars, like even a handful of courses not in any of the (0:19:01) Kev: pre-write, you know, unofficially labeled, like you enter a cave and all of a sudden (0:19:06) Kev: there’s this little racetrack down there. Stuff like that, but anyways, yeah, there’s not much (0:19:12) Kev: going on other than unlocking mirror mode, I guess, on free roam. Although I do like the (0:19:20) Kev: Princess Peach Castle, the window easter egg, that’s fun. (0:19:23) Al: Yeah, yeah, it’s I will agree that I think free roam is a little bit of a disappointment, but yeah, I am still very much having fun. (0:19:35) Al: And I will definitely be playing this with people in person a lot. (0:19:40) Kev: I’m sure. I mean, it’s Mario Kart. It’s built for that. (0:19:41) Al: No, it’s 100% worth. (0:19:44) Al: Yeah, it’s 100% worth it, especially as, you know, it was what, like 30 quid in the bundle, right? (0:19:49) Kev: Yep. (0:19:50) Kev: Exactly. (0:19:50) Al: Like it was very much worth that. (0:19:53) Al: And just, it is, I still stand by it’s the most fun to control the, with the new physics reactions. Like I feel like all the other ones will feel quite stiff going back to them. (0:20:04) Kev: Yeah, yeah, yeah, I don’t think (0:20:10) Kev: Yeah, I yeah, I don’t think a lot of people are gonna push back on that it does feel very good to control (0:20:16) Kev: I agree (0:20:19) Kev: Yeah, it’s it’s I mean it’s Mario Kart right like it’s still gonna be good (0:20:22) Kev: It’s a but it is funny though that you know insert the the Simpsons sheep gif when Donkey Kong bonanza comes out (0:20:28) Al: Yeah, yeah, yeah, yeah. Definitely. That is going to be like a couple of weeks of just (0:20:34) Kev: Yeah (0:20:37) Al: like that’s the only thing I’m playing. Yeah. And we, has the direct been since we recorded (0:20:39) Kev: It looks so good, I only more (0:20:44) Al: our last episode? I can’t remember. Super fun. I’m so excited for this. I think it’s (0:20:44) Kev: I I can’t remember. We haven’t talked about it either way, but that’s uh (0:20:51) Kev: that’s a (0:20:52) Kev: good looking direct (0:20:53) Al: really, yeah, I think they, that was a great direct because it shows (0:20:58) Al: it kind of confirmed a bunch of the stuff we already knew while also giving us enough (0:21:03) Al: to be like, oh, there’s more. Right. And, and I think it’s really, I think it’s really (0:21:09) Al: good looking. Like I love the different effects that you get in transforming into other animals (0:21:16) Al: and also having Pauline basically be like a parrot on your shoulder. Right. It’s really (0:21:22) Kev: yep it’s it’s so good I i love the online reaction that we the internet gave of like you (0:21:23) Al: fun. (0:21:30) Kev: know the trifecta of uh was it ralph and vanellope uh sully and boo and now we’ve got dk and pauline (0:21:38) Kev: you know big guy and then little girl um it’s it’s fun (0:21:38) Al: Look, it works, right? Like why, why break it? Why try and fix it if it’s not broken, (0:21:47) Kev: Exactly. It’s great. Um, yeah, I’m I’m very pumped. Uh, (0:21:52) Kev: for uh uh the the game or general, I guess. Um, it’s I’m a (0:21:59) Kev: little disappointed that we don’t get the animal buddies (0:22:02) Kev: per se. I mean, I know Rambi’s in there and and it’s kind of (0:22:06) Kev: in there, but you know, it’s it’s the functions been replaced (0:22:09) Kev: by your transformations and the transformations are cool. I (0:22:12) Kev: won’t lie. Um but uh I don’t know. I’m a guy who likes Rambi. (0:22:17) Al: Well, look, I don’t have any real history with the previous DK games other than trying them and not enjoying them. (0:22:23) Al: So I don’t particularly mind. (0:22:27) Al: I’m not a lower muncher. (0:22:30) Kev: Sure, I mean, it’s not even like lore stuff because that’s uh, that’s just uh, you know, I guess mechanics or (0:22:38) Kev: Gameplay traditions, whatever. But if you want to talk about lore, I mean we can get trying to you know (0:22:43) Kev: We can try figure out why on earth (0:22:48) Kev: Does how is Pauline hanging out a DK? How does that timeline work? (0:22:52) Al: Well, I think everything lines up if you just ignore the original DK game. I don’t think (0:22:59) Al: anything else is a problem. I think it’s only that. And I think that this ties in so much (0:23:00) Kev: Yeah. Which… (0:23:05) Al: better to Odyssey, because why would Pauline be the mayor of a city that’s named after (0:23:11) Al: her kidnapper? But she would be the mayor of a city that’s named after her hero. (0:23:12) Kev: Yeah, I like the way you think there that’s a good point, yeah, but and also like this (0:23:28) Kev: is even more so than Odyssey cuz I mean Paulina was in there was you know, she’s first time (0:23:32) Kev: back in forever or whatever but she’s you know, she has a starring role finally, that’s (0:23:40) Al: Yeah, my I also I have another theory that it might be time (0:23:47) Kev: All right, oh well there you are now we’re talking let’s get into that Zelda split timeline (0:23:55) Al: Well, I don’t even think it needs to be a split timeline, right? (0:23:58) Al: Like, if something happens and she gets shot forward and then she goes back in time after this, (0:24:04) Kev: Oh, I like it. I like. (0:24:05) Al: you know, she could still go through the whole thing, because the thing is, right, (0:24:09) Al: Pauline in Donkey Kong, that’s not this Donkey Kong, that’s Cranky Kong. (0:24:14) Kev: that is cranky kong who does exist yeah oh I like that that’s clever yeah there you go all right I like it (0:24:15) Al: So, you know, she’s obviously from the past. (0:24:22) Al: Or, or, here’s another suggestion. (0:24:25) Al: If Donkey Kong, if Donkey Kong and Cranky Kong are both Donkey Kong, then maybe Pauline. (0:24:32) Al: This could be a different Pauline. Maybe this is Pauline’s daughter. (0:24:35) Kev: You know, I mean, that’s well established, right? Bowser Jr. looks just like Bowser when he’s a baby, I guess, so you know. (0:24:45) Al: Pauline Jr. (0:24:46) Kev: Pauline Jr. could be! (0:24:49) Kev: Although, okay, you know what? You know what? I’ll even point the bat at the stands here. (0:24:54) Kev: I bet we get little Pauline here as a character in Mario Kart World War 2. (0:24:58) Al: I hope so. I do hope there is some stuff coming, so I saw someone note that some of the characters (0:25:06) Al: have lots of costumes, and some of them have almost none. In fact, some of them have none. (0:25:11) Al: And the interesting thing is, one of the characters that has almost none is Donkey Kong. He only (0:25:12) Kev: Yeah. (0:25:16) Al: has one costume. Just before a Donkey Kong game comes out, suspicious. So are we interested (0:25:17) Kev: It is very strange considering, you know, he’s… (0:25:21) Kev: Uh-oh, uh-oh! (0:25:28) Al: in a Mario Kart World update coming with some Donkey Kong costumes to encourage you (0:25:34) Kev: I mean (0:25:36) Al: to be interested in the new game? Maybe. Yeah. And we obviously have all the baby characters, (0:25:37) Kev: If if it feels like the most obvious dough in the world, right, um, so yeah (0:25:46) Al: so would we get a young Pauline, as well as the babies that we’ve got of the other characters? (0:25:48) Kev: I like it (0:25:51) Kev: How cute (0:25:51) Al: We don’t have Pauline at all. Oh no, we do have Pauline. But also Pauline only has one (0:25:53) Kev: We do it, Paul (0:25:58) Kev: Like a generic racer costume, so there you go (0:25:58) Al: costume. So, you know, the two of them, both in an upcoming game. You know, I will be very (0:26:05) Kev: Yeah, yeah, yeah (0:26:09) Al: disappointed if there’s not. But this makes you wonder what else could be related to things, (0:26:11) Kev: I you know that’s I don’t think you’re being unreasonable (0:26:16) Al: right? Birdo only has two costumes, so that’s an interesting one. Could there be a Birdo (0:26:22) Al: thing coming up? Who knows? Lakitu only has two costumes, and there is an update to… (0:26:28) Al: Why can’t I remember the name? Goodness me. Mario Party. Which Lakitu obviously has a (0:26:34) Kev: Which Mario what okay? (0:26:40) Al: big part in Mario Party. Maybe I’m stretching at this point. Who knows? But we’ll see. I’m (0:26:41) Kev: Yeah (0:26:48) Kev: We we will see I think that’s the end that’s all we can kind of say really um (0:26:54) Al: I’m sure we can say much more, but let’s not. (0:26:56) Kev: Well, well, okay, yeah, you know, I will say this like each his legs still make me very uncomfortable. I (0:26:59) Al: Fair, very fair. (0:27:03) Kev: Don’t like it (0:27:05) Kev: Get in the car. Don’t look at those freak. Yeah, no, no, I don’t like it. That’s (0:27:08) Al: Don’t put him on a bike. (0:27:15) Al: He should be in the cloud cart. (0:27:19) Al: That’s the only one he’s allowed to be in. (0:27:20) Kev: Yeah, you really or you know, I don’t care I (0:27:23) Al: No, I’m just saying. (0:27:26) Kev: Look, I don’t care if it’s like (0:27:29) Kev: Horrendous I don’t care if it’s horrendous like animation clipping just (0:27:35) Kev: Just stick the the dang (0:27:36) Al: The cloud around every cart you put them in. (0:27:40) Kev: Yeah, yeah, when he’s the bike it’s just clipping right to the cloud (0:27:45) Kev: Okay, you make it it’s worth it (0:27:50) Al: All right, so that’s my car. (0:27:52) Al: I’ve also I don’t want to talk too much about this, but I do want to mention it. (0:27:58) Al: I’ve opened Lens Island again and started playing that. (0:28:02) Al: So for context, I originally backed on. (0:28:06) Al: Kickstarter and I started playing it when it first came out, but it had no controller (0:28:11) Al: support and basically was horrible to use on the steam deck. (0:28:16) Al: So I have started playing it again, and it is less horrible to play on the steam deck. (0:28:24) Kev: But that’s always the bar we want less horrible (0:28:25) Al: And I think that’s as far as I’m going to go on this comp on it just now. (0:28:33) Al: I will probably go into it a lot more in the next. (0:28:36) Al: episode, probably, but no promises. (0:28:38) Kev: Okay, fine. Okay. (0:28:43) Al: So that is a thing that is currently happening that I am not going to give any opinions on right now. (0:28:52) Al: But finally, we are recording this on Saturday, the 28th of June. (0:28:57) Al: I have just finished the first day of Pokémon Go Fest 2025 Global. (0:29:01) Kev: Oh, is that what’s going on? Okay. (0:29:03) Al: That’s what’s today. (0:29:04) Al: Yeah. So, uh, I had. (0:29:06) Al: Fun. I got a few hours where I was allowed to remove my (0:29:14) Al: responsibilities from children and just go play Pokemon in Edinburgh. (0:29:17) Al: And yeah, I got a good amount of stuff done and I enjoyed that. (0:29:20) Kev: Cool. What is going on? What are they releasing? (0:29:24) Al: This is the Crowned in Shield form Zacian and Zamazenta. (0:29:30) Kev: Wait they weren’t in there already that’s weird, but okay (0:29:32) Al: No, they had the base forms, but not this Crowned in Shield form. (0:29:37) Al: Uh, because they’ve got to release them separately to make the most money, right? (0:29:42) Kev: - Oh, yeah, yeah. (0:29:46) Al: But yeah, so, uh, yeah, I think they did this one a lot better than the previous (0:29:52) Al: other forms, because with Curum and with, uh, oh, what’s the other one? (0:29:59) Kev: Uh, uh, uh, Nick Asma. (0:30:03) Al: Nick Rosma, thank you. (0:30:05) Al: with both of them. (0:30:06) Al: You have a certain amount of energy you need to get to fuse them, but if you separate (0:30:15) Al: them, you have to use the same amount of energy again to fuse them again. (0:30:21) Al: It’s like a thousand-fuse energy, or whatever they call it. (0:30:25) Al: I can’t remember and I don’t care. (0:30:26) Kev: Yeah, that’s correct (0:30:29) Al: Once you fuse them, you use up that thousand, but you get like a hundred per raid that you (0:30:33) Al: do. (0:30:34) Al: raids to get enough defuse once (0:30:35) Kev: Okay (0:30:36) Al: set of them. And then if you’re like, “Oh, I fused the wrong one”, and you unfuse it, (0:30:37) Kev: Yeah, oh (0:30:42) Al: you then have to do another 10 raids to do it. But of course, those raids were only available (0:30:45) Kev: It sounds like a lot (0:30:48) Al: for one weekend. They’ve never been available again, so you can’t get the energy anymore. (0:30:55) Al: It’s dreadful! (0:30:56) Kev: That sounds like a lot. (0:30:58) Al: Well, the good thing is that Zamasenta and Zacian, once you turn it into crown form, (0:31:04) Al: If you revere its form, you can… (0:31:06) Al: you can then do it again without using any energy. (0:31:09) Kev: Sure, okay. Okay, I mean, that’s that’s definitely nice. I just, man, I just got to say I didn’t go that long at all. But hearing how like, because I think Megas were kind of the first one where you had, you know, special mega energy or whatever. Like, it’s, oh, it doesn’t sound great. Just the oddest. (0:31:33) Al: The the Megas actually I think is a lot better than it was when it first launched. (0:31:38) Al: So like you you can get one free mega for each of your mega Pokemon once a week. (0:31:45) Al: So once you’ve done the initial one, every week, you can do it once for free. (0:31:49) Al: You only have to pay more energy after the first one (0:31:53) Al: if you want to do it faster than that. (0:31:55) Al: And as you get up the power, like once you can level up the mega and once you get (0:32:00) Al: Mega level 3. It matters. (0:32:04) Al: How much it costs so like every if you were to do it every single day, you wouldn’t be using a huge amount of energy so it’s it’s not it’s it’s much better than it was initially launched and I get why you know it is a bit frustrating that you still have to use it energy at all but it’s a lot less annoying you also get energy if you walk with them as a buddy and stuff like that so you know it’s it’s fine it’s fine it’s these fusing ones that are the most annoying because it’s like. (0:32:33) Al: I know have my necrosimas and my cutums fused and I can never unfuse them because I would never be able to fuse them again right like it’s just that’s it if you chose the wrong one tough and it’s really annoying because one of them I did choose the wrong one and but there’s nothing I can do about that I’m stuffed and that’s just what I have to live with. (0:32:40) Kev: Mm-hmm. Mm-hmm. (0:32:46) Kev: Oh, no! (0:32:50) Kev: Ugh. (0:32:52) Kev: Oh, that’s rough. That’s rough, buddy. (0:32:53) Al: Still. Yeah, that is life but yeah so there’s actions Amazon to was done much better and I got shiny. (0:33:03) Al: And I got my energy and I’ve I’ve powered them up so nice powerful Pokemon looking looking great my shiny shield was it shield form kind of what it’s called and they have new adventure effects so. (0:33:04) Kev: Yeah! (0:33:10) Kev: Yeah, that’s the game! (0:33:18) Kev: That’s cool, that’s good. (0:33:19) Al: There we go. (0:33:22) Al: And they can also be used because they’re when they’re in that form they can be used at power spots, which normally only dynamics Pokemon can be used a pair of spots, but of course you can’t you can’t. (0:33:33) Al: And they can also be used in Dynamax session and Amazon to but when they’re in that form you can use them a pair of spots so that’s fun. (0:33:44) Al: So yeah, I probably do a little bit tomorrow as well because it was Amazon to things action tomorrow, but which is a bit annoying, but if you got the ticket for go fest you do get enough energy to do one of one of the dogs, so I do have enough to do as action, but I probably want to get enough to do another one. (0:34:02) Kev: Sure. Well, I am glad that you’re enjoying it. (0:34:03) Al: Continuing to enjoy Pokemon go despite everything. (0:34:07) Kev: I don’t… (0:34:11) Kev: This, well, that’s kind of, uh, I mean, that’s just a blanket save these days. (0:34:20) Al: They keep trying to ruin the game, but I still somehow enjoy it. (0:34:24) Al: All right, let’s talk about some game use a woo. (0:34:31) Kev: Oh, wait, wait, back up. (0:34:32) Kev: I’m sorry, I just– (0:34:33) Kev: I don’t know why you just clicked something in my mind. (0:34:34) Kev: I forgot. (0:34:35) Kev: I want to follow up my Magic the Gathering thing. (0:34:39) Kev: So as I look, you know, I was dipping my toe in the MTG pool. (0:34:44) Kev: Guess what’s the next secret layer? (0:34:45) Al: I don’t know. (0:34:46) Kev: You know me. (0:34:48) Al: Ah, ah, ah, pressure, um, unicorn over the light! (0:34:53) Kev: Haha, oh, oh, that’d be so (0:34:54) Al: No, ah, no, um, let’s see, so Kevin, something Kevin would like. (0:34:59) Al: Well, it’s not going to be like anything Nintendo. (0:35:02) Kev: No, no it’s just very funny hearing that. (0:35:04) Al: Wait, is it? (0:35:06) Al: No. (0:35:08) Kev: I didn’t intend, I didn’t intend, life log Nintendo Pass. (0:35:09) Al: Well. (0:35:12) Kev: You don’t like Nintendo things, um, but it won’t, uh, MTG, I gotta say, it wouldn’t be (0:35:15) Al: I mean, no, no, no, no, no, no, no, that’s the opposite of what I thought, Kevin. (0:35:19) Kev: in there. (0:35:20) Kev: Yeah, okay. (0:35:21) Kev: Yeah, okay, yes, yeah, I know what you’re saying, but the way it came in my ears, it’s (0:35:21) Al: What I thought was, oh yeah, it could be, you know, you like Nintendo stuff. (0:35:25) Al: And I was like, oh no, but they’re not going to do something with Nintendo. (0:35:27) Al: That was my point. (0:35:30) Kev: It’s not too funny. (0:35:31) Al: Trying to accuse me. (0:35:32) Al: Accuse me of not thinking you like Nintendo stuff. (0:35:34) Al: Ah, no, I’ve not got anything. (0:35:39) Al: Nothing’s coming. (0:35:40) Kev: Ow! The lowest hanging fruit! Gotta go fast! (0:35:44) Al: Oh, Sonic. (0:35:45) Al: What? They’re doing Sonic, Magic the Gathering? (0:35:47) Kev: They’re doing- okay. (0:35:49) Kev: Yeah! Dude, they already did SpongeBob! Who cares? (0:35:53) Al: What? This is what one out all these cards look so good. (0:35:54) Kev: Oh, you missed that! SpongeBob’s in magic! Oh, yeah! (0:36:02) Kev: Don’t they? (0:36:03) Al: Oh, no. Oh, no. (0:36:04) Kev: They look- that’s- that’s the exact reaction. (0:36:10) Al: I don’t want this. Well, no, I do want this. (0:36:14) Kev: And you- and- oh, my- like, Shadow- (0:36:15) Al: I managed to not even look at the Doctor Who and Lord of the Rings ones somehow. (0:36:18) Kev: Oh- oh, yeah. (0:36:20) Kev: Shadow looks busted. It’s insane. (0:36:24) Kev: They’re no big the cats, so point against them for that. No cream, either. (0:36:28) Kev: But overall, it’s- it’s in their- (0:36:31) Kev: Ugh, Sonic’s ability, ‘cause you know, when they have an ability, they have a little, like, name for it. (0:36:36) Kev: It- it’s literally “Gotta go fast.” (0:36:38) Kev: You know “Gotta go fast” isn’t even from the games. (0:36:40) Kev: It’s just from the, uh, the- the dub intro of an anime. [Laughter] (0:36:45) Al: Yeah, I’m not particularly surprised. (0:36:48) Kev: Oh, yeah, Sonic’s going to magic. (0:36:50) Kev: It’s- ugh. I don’t like it. I’m- I’m- I’m- oh, dear. I’m cooked, as the children would say. (0:36:58) Kev: You know, Unicorn Overlord, it- wild as it- it’s not in Magic the Gathering, but in- they have one of those- (0:37:04) Kev: What is it? I think it’s, like, the Overlord edition. You know, one of the big fancy collector’s editions. (0:37:08) Kev: There’s actually a whole (0:37:10) Kev: building card game inside that it’s wild (0:37:16) Kev: Yeah, card games are my vice. They’re my legal addiction. Sonic’s coming to magic (0:37:16) Al: And will this be coming and will this be coming to arenas? (0:37:28) Kev: uh good question I don’t know arena is very weird because arena has (0:37:39) Kev: arena is kind of its own environment it has exclusive arena cards it has its own formats (0:37:45) Kev: and i’ll tell you the the bad ones we’re getting a spider-man set in a few months (0:37:51) Kev: that the spider-man set cards are coming to arena but not with spider-man full (0:37:58) Kev: they’re going to replace them with whatever generic magic card characters or whatever (0:38:02) Al: What? What does that even mean then? (0:38:05) Kev: it means they didn’t get the license to use it digitally (0:38:07) Al: What would be the point in adding the cards then, if they’re not the cards? (0:38:11) Al: So they’re gonna have like the same effects, but not use any names for Spider-Man. (0:38:14) Kev: yeah yeah you you get yeah you get pied or arachnid avatar I don’t know (0:38:18) Al: That’s so stupid. (0:38:20) Al: Just don’t do it. (0:38:28) Kev: uh good old magic together I i joined just this year what a good time to get into this game (0:38:36) Al: Update, I have downloaded Magi the Gathering Eraser. (0:38:39) Kev: yeah oh we gotta play some games um all right let’s go to non sonic base oh or is there (0:38:44) Al: Yes, yeah, news, game news. No, no, no, no, there’s obviously not. Research story have (0:38:47) Kev: is there sonic base news maybe not yet one day it’s inevitable (0:38:56) Al: announced that their 1.0 is coming the 21st of July, so it has been a long time coming. (0:39:00) Kev: Okay (0:39:02) Al: Let’s see, when did this first come into Early Access? February 2023 was when this launched (0:39:04) Kev: Yes, oh wait research, so I don’t know I heard something else okay that that is exciting (0:39:11) Al: in early access. (0:39:12) Kev: Research work takes forever to ask Cody. That’s why the 1.0. It’s it’s forever (0:39:14) Al: So, maybe we need to get our second harvest on this after the 1.0 is out. (0:39:18) Kev: It’s the equivalent of getting their PhD congratulations research story (0:39:23) Kev: I’m sure Cody isn’t triggered by this at all (0:39:31) Kev: Okay, so wait we got let’s see what is the date on the oh July 21st there (0:39:38) Kev: It is but it’s available on the on a beta branch. That’s weird. What do you mean? (0:39:43) Kev: 1.0 will be available in beta before one point (0:39:45) Al: No, no, that’s so. So that’s before launch, you’ll be able to play the beta. (0:39:48) Kev: Yeah, I know that that’s very weird to me like (0:39:52) Al: Well, OK, I see what you mean. I see what you mean. I see what you mean. So (0:39:57) Al: it’s not actually that uncommon in software development where you go, this is our beta for (0:40:05) Al: 1.0 or 1.1 or whatever. That is not that uncommon, actually. I think it’s less common in games, (0:40:07) Kev: Sure. Yeah. Sure. And I mean, like, you know, public betas and test servers, (0:40:12) Al: But it’s definitely something that you see quite a lot. (0:40:18) Kev: like they’re common and I’m not saying it’s unheard of, but I don’t know. (0:40:21) Kev: It just feels weird, especially in game dev, like the 1.0 is the big fitting, right? (0:40:25) Kev: So, uh, I don’t know, but whatever, um, but hey. (0:40:28) Al: You still have to pop the game you can’t just play it’s not just anybody can play it like it’s public (0:40:33) Kev: Yeah. (0:40:34) Al: But public for people who have paid for the game, right? (0:40:37) Kev: That’s true. Good point. (0:40:40) Kev: All right. But hey, it’s here. (0:40:42) Al: Tiny garden the content the (0:40:45) Al: Featured game of last week’s episode have released a statement regarding the Nintendo switch version (0:40:52) Kev: I didn’t think I’d ever hear a statement from Tiny Garden. (0:40:56) Al: This is this is great. I’m just (0:40:58) Al: going to read some of the statement because I don’t think I can really (0:41:01) Al: summarize it better than they have done. “We wanted to clarify some questions (0:41:06) Al: that have arisen regarding the Nintendo Switch version of Tiny Garden. We have (0:41:09) Al: been vague and perhaps not communicated with you as well as we could have, for (0:41:14) Al: which we apologize. We did not want to cause you unnecessary concern or bore (0:41:18) Al: you with technical details. The truth is that the Switch version of Tiny Garden (0:41:23) Al: will be ported by an external company. As we are such a small team it was very (0:41:28) Al: hard for us to do everything in-house. The problem here is we’ve not yet found a (0:41:32) Al: company that can port the game with the polish and quality that we feel (0:41:35) Al: comfortable with. Both our publishers Super Rare Games and us want to deliver (0:41:40) Al: the best possible version of Tiny Garden on Switch. However, we did not (0:41:43) Al: anticipate that this porting would be so complicated.” Hey, I could have told you. (0:41:48) Al: We’ve seen this before. (0:41:50) Kev: What are you talking about? (0:41:52) Kev: It’s katrossi katronfi, it’s fuckies! (0:41:56) Al: And then they go into details about complaining. (0:41:58) Al: About their game engine and that’s the reason. (0:42:02) Al: Sure, fine. (0:42:05) Al: It’s funny because it’s like, oh no, we didn’t know it would be complicated to bring it to a (0:42:10) Al: console. Like what did you expect? Like these things are always complicated. (0:42:14) Kev: Well, yeah, I mean anything game dev is complicated pretty much anything dev software dev is always complicated (0:42:19) Al: Yeah, exactly. (0:42:21) Kev: Well, look here. Here’s your free advice tiny garden people call biting studio (0:42:27) Kev: Those are the guys who make cassette beasts that except beasts is on Godot. They brought it to switch (0:42:32) Kev: It’s awesome on switch. There you go (0:42:33) Al: Yeah, yeah, yeah, that’s the thing. I suspect if you do it in Unity or Unreal, I suspect (0:42:42) Al: it is slightly easier because they are obviously like larger companies use them and so therefore (0:42:51) Kev: They’re established. (0:42:53) Al: need the console support to be as good as it can be, right? Because otherwise there (0:43:00) Al: There would be big problems because Godot is. (0:43:04) Al: open source and therefore more likely to be used by smaller teams, and they are less likely to be focusing on consoles at all more likely to be focusing on just PC because that is the easiest for. (0:43:18) Kev: Uh-huh (0:43:18) Al: I mean, it’s just the easiest to develop for full stop right because there’s no gatekeeper right like that has has been the case for a long, long time. (0:43:20) Kev: Yeah, I mean yes, yes, that’s correct (0:43:26) Kev: And probably will always be the case because just the nature of the beast so yeah (0:43:28) Al: Exactly. (0:43:29) Al: Exactly. (0:43:30) Al: Exactly. (0:43:31) Al: So there’s, they’re probably simplifying. (0:43:33) Al: Things in what they’re saying, you know, these things happen. (0:43:40) Al: I would like to clarify again, please, if you’re backing a game on Kickstarter, if you (0:43:47) Al: want it for console, don’t back it on Kickstarter, right? (0:43:50) Al: Like just, just like it’s the console is always like, it is when the Kickstarter happens normally, (0:43:59) Al: the way that it is happened is there is a working version of the game. (0:44:03) Al: It may not be final. (0:44:04) Al: It may not have all the content, but they have a game and it can run on PC. (0:44:08) Al: There will be nothing running on console at that point. (0:44:11) Al: And it’s very likely, unless they are a team that have ported to console before, it’s very (0:44:16) Al: likely that they have no idea what they’re doing with consoles at all, right? (0:44:20) Kev: Yep. (0:44:21) Al: And this, this isn’t meant to be harsh on them. (0:44:24) Al: This is just a fact that if you have, if you’re not a console developer, you do not know how (0:44:29) Al: complicated it is. (0:44:30) Al: I am not a games developer, right? (0:44:33) Al: I’m a web developer. (0:44:34) Al: And even in web development, there are things that if you don’t know how it works, it is (0:44:38) Al: so much more complicated than you realize. (0:44:42) Al: And there are just certain things that are more awkward. (0:44:45) Al: And if you haven’t started development on it, you don’t know how complicated it is. (0:44:49) Al: And it is likely not going to be done until the game is finished. (0:44:52) Al: That’s the other thing, right? (0:44:55) Al: Even Stardew Valley still doesn’t get updates out day and date on console, right? (0:45:00) Kev: Yeah. (0:45:01) Al: and stardew valley (0:45:03) Al: is one of the biggest indie games, full stop. (0:45:06) Kev: Yeah. (0:45:07) Al: It’s not like he’s only on his own anyway. He has a team that he works with, he worked with (0:45:12) Kev: Nice. (0:45:12) Al: porting companies before, he has done many different things, and even he can’t do it. (0:45:20) Al: It takes so much work, even big companies struggle with that. (0:45:26) Al: It is rare for a game to come out at the same time on PC and console unless you are one of (0:45:31) Al: of the biggest games and they will. (0:45:34) Al: Completely different teams working on the PC version, working on the switch version, working on the PlayStation version Xbox is different because they’re like the Microsoft of well, pretty much Microsoft have done so much work and I, you know, I’m the first to jump on Microsoft a bad bandwagon, but Microsoft have done so much work to make putting games to Xbox so incredibly easy it’s not. It’s still not just as simple as click a button. It does. (0:45:36) Kev: Mm-hmm (0:45:41) Kev: Yeah (0:45:44) Kev: They are a PC (0:46:03) Al: It does it, but it is so much easier than any other console. If you have an existing PC game, especially if you’re using the tools that Microsoft give to make the game on PC. (0:46:07) Kev: Sure. Yeah. Well, I mean, guess. Hi. Hey, I’m still holding out for mighty number nine (0:46:15) Al: All that being said, all that being said, never back a Kickstarter for a switch game. Just don’t do it, right? (0:46:25) Kev: on the 3DS. Uh, but. (0:46:31) Al: I have, I have, when I, when I bought my steam. (0:46:33) Al: Dick, it was so good because it meant that I could go through and like change (0:46:37) Al: all of my kickstarters to use to steam codes instead of switch get codes. (0:46:41) Kev: Mmm, yeah, at least (0:46:41) Al: And you get the game a year before, right? (0:46:44) Al: It’s just every, every, every single one is there’s none of them. (0:46:49) Al: Not a single game that I have backed on Kickstarter has released (0:46:53) Al: on switch at the same time as steam. (0:46:54) Kev: year you’re not wrong not at all ah well you know what though in this (0:47:03) Kev: particular case there’s an easy way to fix this you know what you don’t even (0:47:07) Kev: have to release on the switch tiny garden just so you know what we’re (0:47:11) Kev: canceling it we’re investing everything into the playdate port and we’re all in (0:47:12) Al: Honestly, a Playdate port would probably be quicker, because it would have to lose features, (0:47:17) Kev: we’re good all is forgiven (0:47:24) Al: right? It’s not going to be the same, the graphics are simpler, like honestly, if they started now (0:47:31) Al: from scratch, they could probably get a Playdate version out before they could port their version (0:47:34) Kev: Well, well there you go, Tiny Guard. The path is there. (0:47:34) Al: to Switch. I’m not joking. They would of course get a fraction of the sales, right? There are (0:47:42) Al: Playdates. Yes, it does. I love the Playdate, it’s so good. I just wish I played it more. (0:47:44) Kev: the dozens look I mean I might join the dozens I’ll say that (0:48:00) Kev: Yeah (0:48:05) Al: As far as I can see, the only number I’ve seen on Playdate sales was in May of last year, (0:48:10) Al: They said 70,000 have been sold (0:48:12) Al: But that was one year into it, and we’re now a year later, so who knows

fWotD Episode 2977: Orphic Hymns Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Sunday, 29 June 2025, is Orphic Hymns.The Orphic Hymns are a collection of eighty-seven ancient Greek hymns addressed to various deities, which were attributed in antiquity to the mythical poet Orpheus. They were composed in Asia Minor (located in modern-day Turkey), most likely around the 2nd or 3rd centuries AD, and were used in the rites of a religious community which existed in the region. The Hymns are among the few extant works of Orphic literature (the tradition of texts attributed to Orpheus in antiquity), and recent scholars have observed parallels between the collection and other Orphic works.The collection is preceded by a proem (or prologue), in which Orpheus addresses the legendary poet Musaeus, and calls upon around seventy deities to be present. The individual hymns in the collection, all of which are brief, typically call for the attention of the deity they address, before describing them and highlighting aspects of their divinity, and then appealing to them with a request. The descriptions of deities consist primarily of strings of epithets (titles or adjectives applied to gods), which make up a substantial portion of the hymns' content, and are designed to summon the powers of the god. The deity featured most prominently in the collection is Dionysus, who is the recipient of eight hymns, and is mentioned throughout the collection under various names. Most of the deities featured in the Hymns are derived from mainstream Greek mythology, and a number are assimilated with one another.The Orphic Hymns seem to have belonged to a cult community from Asia Minor which used the collection in ritual, and probably held Dionysus as their central god. The rite in which the Orphic Hymns featured was the teletḗ (τελετή, a term which usually refers to a rite of initiation into mysteries), and this ceremony appears to have taken place at night-time. Most hymns specify an offering to be made to the deity, which was probably burned during the performance of the hymn. Scholars have noted the apparent lack of Orphic doctrines in the Hymns, though certain themes and references have been interpreted as pointing to the presence of Orphic thought in the collection.No external references to the Orphic Hymns survive from antiquity, and they are first mentioned by the Byzantine writer John Diaconus Galenus (who has been dated to the 12th century AD). From perhaps as early as the 5th century AD, the Orphic Hymns were preserved in a codex which also included works such as the Orphic Argonautica and the Homeric Hymns. The first codex containing the Orphic Hymns to reach Western Europe arrived in Italy in the first half of the 15th century, and in 1500 the first printed edition of the Hymns was published in Florence. During the Renaissance, a number of scholars believed that the collection was a genuine work of Orpheus, while in the late 18th century a more sceptical wave of scholarship argued for a dating in late antiquity. In the late 19th and early 20th centuries, a number of inscriptions were discovered in Asia Minor, leading to the ritual function of the collection being established among classicists and historians of religion.This recording reflects the Wikipedia text as of 00:55 UTC on Sunday, 29 June 2025.For the full current version of the article, see Orphic Hymns on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm long-form Ruth.

In this final installment of our three-part series on the Greek god Dionysus, we journey to the influential city of Ephesus—home to the community John was writing to—to examine just how prominent Dionysus worship was in the cultural fabric of this Greek world. John's audience knew Dionysus well. From there, we head north to Pergamum—one of the seven churches mentioned in the Book of Revelation—where the Temple of Dionysus stood in connection with a grand 10,000-seat theater. Each year, worshipers would gather to celebrate Dionysus, the god of wine, transformation, and resurrection. We then explore one of the most striking elements of this worship: the ritual consumption of meat and wine—the symbolic flesh and blood of Dionysus—believed to unite the participant mystically with the god. This ritual provides a powerful backdrop to Jesus' radical statement in John 6: “Eat my flesh and drink my blood.” The Gospel of John presents Jesus turning water into wine—not as a random miracle, but as a deliberate theological claim: Jesus is greater than Dionysus. He offers the true transformation—the kind that leads us back to the image in which we were created. For those seeking authentic change, John points to the one who is the visible image of the invisible God. --------------------------------------------------------- www.figtreeteaching.com Join the Fig Tree Coffee Club: https://www.figtreeteaching.com/store/p3/Fig_Tree_Coffee_Club.html Support Fig Tree Ministries: https://donorbox.org/support-figtree-ministries Fig Tree Amazon Portal: https://amzn.to/3USMelI Lesson Handout: https://www.figtreeteaching.com/blog/jesus-is-greater-than-dionysus The Roman Writer Plutarch commented that Jews Worship Dionysus: https://www.figtreeteaching.com/uploads/1/1/9/7/119763168/plutarch_on_jews_worshiping_dionysus.pdf Explore the first-century and historical context of the Seven Churches in Revelation: YouTube Playlist: https://youtube.com/playlist?list=PLCaBz_NhYH3H__qY2EuB9HmLS05Copopj&si=o9GKZkQKWjIFik72 Fig Tree Website: https://www.figtreeteaching.com/seven-churches-of-revelation1.html More Photos of Ephesus: https://www.figtreeteaching.com/ephesus-asia-minor.html More Photos of Pergamum: https://www.figtreeteaching.com/pergamon-asia-minor.html

This lesson continues our exploration of the striking contrast between Jesus turning water into wine at Cana and the worship of the Greek god Dionysus. We begin by examining key passages from the Old Testament where the vine plays a central role—including Israel itself being portrayed as God's vine. From there, we turn to Greek symbolism, where wine is seen as a divine gift and the vine a sacred image. In Dionysian worship, wine was believed to bring about transformation and communion with the divine. Yet, as we will see, the transformation offered by Dionysus ultimately falls short—it is external, fleeting, and false. In contrast, the transformation Jesus offers is internal, enduring, and authentic. Through the power of the Holy Spirit, Jesus invites us into a process of becoming the image-bearers we were always created to be. --------------------------------------------------- www.figtreeteaching.com Join the Fig Tree Coffee Club: https://www.figtreeteaching.com/store/p3/Fig_Tree_Coffee_Club.html Support Fig Tree Ministries: https://donorbox.org/support-figtree-ministries Fig Tree Amazon Portal: https://amzn.to/3USMelI Lesson Handout: https://www.figtreeteaching.com/blog/jesus-is-greater-than-dionysus The Roman Writer Plutarch commented that Jews Worship Dionysus: https://www.figtreeteaching.com/uploads/1/1/9/7/119763168/plutarch_on_jews_worshiping_dionysus.pdf More Photos of Beit She'an: https://www.figtreeteaching.com/beit-shean.html

This is Part 1 of a series that will explore the Greek god Dionysus and how John's audience in Ephesus would have understood the Water to Wine miracle. Dionysus was well known in both Asia Minor, where John was writing, and in the land of Israel. The Greeks had brought Dionysus to Israel hundreds of years before Jesus was born, and he was a very popular agricultural god. The water-to-wine miracle in John 2 points directly to Dionysus, as he is the god of wine. In this short introduction, we explore the surprising cultural backdrop of Jesus' first sign—how the Greek god Dionysus, known for turning water into wine, had deeply influenced the land of Israel during the first century. We highlight: The mythological connection between Dionysus and the Decapolis city of Scythopolis, said to be founded by the god himself A quick recap of the Cana wedding story: grace precedes ritual, weddings belong to the “third day,” and resurrection imagery is built into the third day of Creation, when plants—symbols of yearly resurrection—were made Join us as we begin to uncover the rich layers behind Jesus' first miracle and what it meant to those living in a world shaped by both Jewish tradition and Greco-Roman mythology. ------------------------------------------------- www.figtreeteaching.com Join the Fig Tree Coffee Club: https://www.figtreeteaching.com/store/p3/Fig_Tree_Coffee_Club.html Support Fig Tree Ministries: https://donorbox.org/support-figtree-ministries Fig Tree Amazon Portal: https://amzn.to/3USMelI Music: Adventurous Life by L-Ray Music - RIXCYIDXXQKRWW3A Lesson Handout: https://www.figtreeteaching.com/blog/jesus-is-greater-than-dionysus The Roman Writer Plutarch commented that Jews Worship Dionysus: https://www.figtreeteaching.com/uploads/1/1/9/7/119763168/plutarch_on_jews_worshiping_dionysus.pdf More Photos of Beit She'an: https://www.figtreeteaching.com/beit-shean.html

Today on Ascend: The Great Books Podcast, we plunge into the second part of Euripides' The Bacchae—a harrowing yet gripping Greek tragedy that leads us deeper into the mystery of Dionysian eros. We'll observe the tragic descent of King Pentheus, the Bacchae as a parasite upon society, and the haunting themes of eros, justice, and the question of piety under an evil god.Check out thegreatbookspodcast.com for our reading SCHEDULE.Check out our Patreon page for our 25 Q&A GUIDE to the Bacchae.From the guide:Why should you read The Bacchae?The Bacchae challenges readers to explore religion, erotics, piety, cosmic order, and human nature in a controversial and unsettling landscape. Euripides' intent is not clear; thus, the reader is left to interpret a drama that seems to test longstanding Greek concepts, like piety and the gods.Dr. Grabowski acknowledges the play as an integral part of the “great conversation” in the Western canon, and Dcn. Garlick agrees by highlighting the play as an important antecedent to Plato's Euthyphro and Symposium. Though the work includes disturbing imagery, it is within those images that Euripides is wrestling with erotics, piety, and the cosmos. Somewhat shockingly, the play presents several parallels to Jesus Christ and invites the reader into challenging comparisons. Overall, The Bacchae stands as an important—though controversial—work in exploring the nature of man and his relation to the divine.How is Agave's death indicative of the destructive eros of Dionysus?The disordered eros of the Dionysian cult manifests as an anti-logos mania that is corrosive to the family and the natural political order. It brings societal instability. Dcn. Garlick explains that this Dionysian eros, unlike Plato's ordered ascent through the ladder of love in the Symposium, is a “disordered erotics” that “spirals down to bestial releases.” It is notable that the first group affected by the Dionysian cult are women, and the first act of these crazed women is to abandon their husbands and children—and then run wild in the woods nursing animals and engaging in orgies. Euripides presents a scene of perversion, a perverted femininity and motherhood. The Bacchae also adopt masculine traits, like strength, a desire to hunt, and acts of violence—like tearing animals apart with their bare hands. Dr. Grabowski observes this all leads to the destruction of the polis, as “if you pervert women… there will be no children… no future generations, and… no polis.” The women's rejection of domestic roles, driven by Dionysus' “erotic mania,” fractures the social fabric, leading to a “complete and utter collapse… of a polis.”The climax of this societal destruction is Agave's horrific act of killing her son, Pentheus, which Dcn. Garlick describes as the “zenith of this Dionysian madness,” epitomizing the cult's perversion of natural relationships. Under Dionysus' influence, Agave, “foaming at the mouth and her crazed eyes rolling with frenzy,” dismembers Pentheus, unaware he is her son until Cadmus restores her sanity. Dr. Grabowski calls this “sadistic” and “hideously perverse,” arguing it ensures “no polis… can survive if the Dionysian cult wins.” The murder of Thebes' king by...

Ahoy, adventurers! Welcome to the Realms & Nerds podcast! Join our five crewmates- Bartholomew Blackwell, Blood Evening, Tohatu, Ember Horizon, and Tevon "The Butcher"- as they continue their journey in Seafarers & Scallywags! Bronson's illustration of the Vine Island well & cistern Like this episode? Share with friends, and subscribe for more! Don't forget to use the tag #RealmsNerds when posting online about the show! Interested in advertising your product or service on the podcast? Share the show! Support on Patreon! Follow us on Social Media: Twitter Instagram Facebook TikTok Red Blade Productions Discord Bartholomew is lowered into a well. Blood ascends a cistern. Tohatu speaks to the dragon turtle again. Ember finds the resting place of the drinking horn. Tevon gets a drink from Olidammara. Cast: Ash - Ember Horizon Bee - Blood Evening Cosmic Cave Bronson - Dungeon Master, Olidammara, Captain Littlebeard, Captain Talon, Hospitality Manager, Head Servant, Party Bystander, Servant, "The Excess" Cook, Dredge, Dragon Sea Turtle Harrison - Tevon "The Butcher" Aldus Ray - Tohatu Kaiwhai Taniwha RJ - Bartholomew Blackwell Seafarers & Scallywags is an original campaign created by Bronson Proseus Episode edited by RJ Moore Original Realms & Nerds music by RJ Moore Main theme melody by Kyle Rice Closing theme melody by Bee Owens Original sound effects created by RJ Moore Additional songs "In Horto" and "Floralia" by theromancrow (https://www.pixabay.com/users/theromancrow-42411874) Additional sound effect used courtesy of Pixabay Collection (https://www.pixabay.com) "Cannon Fire" by LordSonny Additional sound effects used courtesy of FreeSound (https://www.freesound.org) "Crowd" by Bansmer "Party-People outdoor 01 (german)" by Pfannkuchn "Water splash" by Nilbul "Water hose" by Richard1052 "water_hose" by KenneysGarage

Madness, piety, gore, and reason! Today on Ascend: The Great Books Podcast, host Dcn. Harrison Garlick and the always insightful Dr. Frank Grabowski delve into the first part of Euripides' The Bacchae—a chilling yet captivating Greek tragedy that explores piety, eros, the nature of the divine, and the fragility of societal order.The guys explore Dionysus, a god transformed from Homer's jovial wine deity into a “cruel” and “diabolical” figure worshipped through “frenzied madness and the bestial release of sex and violence." With its graphic imagery, raw intensity, and ambiguous morality, this play offers a rich discussion, serving as a critical antecedent to Plato's Symposium and revealing surprising parallels to Jesus Christ amidst its sordid chaos.Join us as we peel back the “bloody, terrible layers” of this darkly mesmerizing drama.Visit thegreatbookspodcast.com for our reading schedule and more!Visit our Patreon page to view all our guides to the great books!Guest: Dr. Frank Grabowski: At the time of recordin, a professor of philosophy at Rogers State University, third-order Franciscan, and a valued member of the Sunday Great Books group. His profound insights into Greek literature and philosophy illuminate the complexities of The Bacchae. Dr. Grabowski now serves as the Dean of Faculty at Holy Family Classical School.Why should you read The Bacchae?The Bacchae challenges readers to explore religion, erotics, piety, cosmic order, and human nature in a controversial and unsettling landscape. Euripides' intent is not clear; thus, the reader is left to interpret a drama that seems to test longstanding Greek concepts, like piety and the gods. Dr. Grabowski acknowledges the play as an integral part of the “great conversation” in the Western canon, and Dcn. Garlick agrees by highlighting the play as an important antecedent to Plato's Euthyphro and Symposium.Though the work includes disturbing imagery, it is within those images that Euripides is wrestling with erotics, piety, and the cosmos. Somewhat shockingly, the play presents several parallels to Jesus Christ and invites the reader into challenging comparisons. Overall, The Bacchae stands as an important—though controversial—work in exploring the nature of man and his relation to the divine.Next Episodes:Next week, we continue with Part 2 of The Bacchae, diving into Pentheus' tragic fall, the Bacchae's destructive frenzy, and the play's enigmatic conclusion. Upcoming episodes feature Aristophanes' The Clouds with guest Zena Hits and The Frogs with Tish Oxenreider, as we pave the way for Plato's dialogues.Thank You:A heartfelt thank you to Dr. Frank Grabowski for his brilliant insights and to our listeners for joining us on this ascent through the great books. Keep exploring, and we'll see you next week for more of The Bacchae's darkly mesmerizing drama!

Jason Jones joins David Gornoski to talk about his trip to Japan, delivering aid to Gaza, Laura Loomer's naughty list, Peter Thiel, Palantir, Dionysus vs Jesus, LA riots, and more. Follow Jason Jones on X here. Follow David Gornoski on X here. Visit aneighborschoice.com for more

An Irishman named Stef visited Austin recently. We met for a discussion about the revaluation of values, strange brain experiments with magnets, Gnosticism and its relation to the politics of castration, the brain's threat detection matrix as creating the "hard times strong men" cycle, the possibility of neuro-physiological centrism, and how this all relates to Dionysus v/s the Crucified.

I invite you to join me for a special journey through John Chapter 2, a remarkable section of Scripture that contains two profound events: the Wedding at Cana and Jesus' cleansing of the Temple courts. Though seemingly unrelated, these stories are deeply connected—and together, they reveal powerful lessons that still speak to our spiritual journey today. Throughout this series, we will explore the rich layers of meaning found within John 2:

My links:My Ko-fi: https://ko-fi.com/rhetoricrevolutionSend me a voice message!: https://podcasters.spotify.com/pod/show/liam-connerlyTikTok: ⁠https://www.tiktok.com/@mrconnerly?is_from_webapp=1&sender_device=pc⁠Email: ⁠rhetoricrevolution@gmail.com⁠Instagram: https://www.instagram.com/connerlyliam/Podcast | Latin in Layman's - A Rhetoric Revolution https://open.spotify.com/show/0EjiYFx1K4lwfykjf5jApM?si=b871da6367d74d92YouTube: https://www.youtube.com/@MrConnerly

  Synopsis When  and  land in  for another  reading, the Doctor goes to a  to meet an old . There, he discovers a mysterious  trapping the patrons, feeding  with their stories. Plot  sits in a chair, getting a haircut, and tells a story about  the , his village saved by the mysterious man in the blue box. As he speaks, images splay out on the wall behind him, depicting his story to the men listening eagerly. As he finishes, they all look at a pair of lights on the wall in tense anticipation, relaxing when they switch from red to green. Omo tells the others not to worry, the Doctor always comes, and the light switches back to red, alarms blare, and the room shakes.  insists that the  take her home, and he suggests that they head to , , the communications hub of , and a place he loves - home of his favorite barbershop. Belinda expresses confusion at this - the  can do his hair; but he explains that it's about community, about being himself, since it's the first time he's ever been a black man. Belinda understands and sends him off to enjoy himself in Lagos after he takes a  reading. The Doctor winds his way through a market, greeting everyone as he passes, before he comes to his friend Omo's barbershop, , finding those assembled in the middle of a story. As the door closes behind him an alarm goes off in the TARDIS, alerting Belinda that something has gone wrong. The Doctor notices that everyone present is on missing posters outside, and he watches as the man's hair grows back. The light in the barbershop flashes to red, people scramble to decide who still has a story left, and someone sits down, telling the story of  and a , of music and of time. As images flicker on the wall, the Doctor looks on in wonder, and asks how it works, begins testing by throwing out words from his travels. But it has to be a story, it has to be with a haircut. A new  has taken over the shop, he came one day, and as if by magic the shop became his. A woman enters the barbershop, , bringing food, the door closes behind her, and an alarm in the TARDIS sounds again. The Doctor recognizes her, but can't place her. The light switches to red again, and the Doctor sits down, telling the most powerful story he knows, not of  or , but of an ordinary life. Of Belinda Chandra doing her job, helping someone all night long, even on her grandmother's birthday, a simple gesture of thanks two weeks later. Abby watches a screen in another room, seeing it lighting up, noting that they're accelerating, as the story ends. The Barber is impressed with the power of his stories, and tells Abby when she comes out that they need to recalibrate . Omo asks if they can be let free now that the Doctor has come, his stories being effective, his hair having grown in the interim more than any of theirs. But Abby locks the door and the pair leave. The TARDIS sounds an alarm yet again, this time showing Belinda an image of the barbershop. The Doctor is furious that Omo betrayed him, is willing to trap him here, and refuses to listen as everyone tries to tell him not to open the door. He forces it open with his sonic screwdriver, finding a vacuum on the other side. A vacuum with only giant web and a large spider traversing it, the barbershop on the back of the spider. The Doctor closes the door with great effort, and the Barber emerges from the backroom, explaining that the shop is in Lagos and in outer space at the same time, only Abby and himself able to travel between. Outside, Belinda finds herself lost, but is pointed towards the shop by a , entering it, glad to see the Doctor. Reunited, the pair confront the Barber, calling him a coward who hides his face, having no real power. Rising to the taunt, the Barber names himself, calling himself , , , , , the god of stories. The pair burst out laughing - the Doctor has met Bastet, Sága, Dionysus, Anansi. He's partied with them, Anansi even tricked him to marry his daughter. This man isn't any of them. And so the man admits, he's the person who did their work for them. Wherever the gods went, he took their stories, cleaned them up, refined them, wrote them down, all for humans to repeat them, to keep the gods alive. Without him the gods would not exist. The web outside is his creation as well, the , a web that connects cultures and ideas. He was so successful that the gods abandoned him, and now he wants vengeance. The engine winds down, so much power drained from the Doctor opening the door. Abby criticizes him, and the Doctor recognizes her at last - Anansi's daughter, Abena. He's sorry that he was unable to help her, but he was a  at the time, and had his own story. The light turns red, and the Barber insists the Doctor tell a story. The Doctor refuses, demanding to know what vengeance is being planned. The Barber relents - he plans to cut out the gods from memory when he reaches the center of the nexus, erasing them from existence. The Doctor is horrified, this will damage humanity, as it will harm their ability to tell stories, to pass down information, insisting that this is horrific. He refuses to sit down and speak, he won't let the spider go further. As the shop descends into chaos, everyone arguing, Abena proclaims that she will tell a story, and begins to braid the Doctor's hair. And she tells a story of plantation slaves transmitting information through the braids on their hair, maps to freedom for anyone who could escape, hidden in a place where the overseers would never check. As the battery stabilizes, the Doctor and Belinda run into the back room, finding themselves in a maze, a maze for which the Doctor has the map on his head. The pair come to a room full of artifacts from various cultures and the ship's engine, an engine that runs on stories, a heart inside a brain. The Barber enters the room behind them, having cut Abena off from the outside, the Doctor disrupting the flow of power, slowing the spider down but not stopping it. The Barber insists that the Doctor has done nothing. So the Doctor suggests that they consider , who wrote a story in six words. The Doctor's six word story is "I'm born. I die. I'm born." And energy begins to flow into the engine, never-ending energy, as his past lives flicker across the screens. But the Doctor has disrupted the engine, it can't process the power. He tells the Barber that now it's his choice - he can save the people in the shop by opening the door. But the engine will disintegrate. The Barber unlocks the door and Omo, Adena and the rest out front escape. The Doctor sends Belinda back as he sits with the Barber, talking to him, convincing him that he still has more to live for. The pair escape the shop at the last moment as it collapses, the engine exploding, destroying the spider it rode on. Omo apologizes to the Doctor, and says that he should have protected the Doctor, they're part of the same community. The two make up. Omo gives the Barber his shop, saying that he's retiring, and gives him a name, his father's name, . Adétòkunbo steps back into the barbershop, now his. The Doctor and Belinda step back into the TARDIS, one step closer to home. Cast  -   -   -   -   -   -   -   -   -   -   -   -   -   -   -   -  Crew          ,  and  with  and                             by   •   by   Music  by   •  Assistant to  -    •   performed by               General production staff  for the  -   -   -   -   -   -   -   -   -   -   -   -   - ,   - ,   -  Script department  -   -  Camera and lighting department  - ,   -   -   - ,   -   -   -   -   -   -   -   -   -   - , , ,  Art department  - ,   - ,   -   -   -   -   -   -   -   -   -   -   -   - ,   -   - , , , , , ,   -   -   -   -   -   -   -   -   -   - ,   -   - , ,   - ,   - , , , , , , , , , , ,  Costume department  -   -  Make-up and prosthetics Movement  -   -   -  Casting  -   -  General post-production staff  -   -   -   -   -  Special and visual effects  -   -   -   -   - ,   -  Sound  -   -   -   -                                                            Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.     Worldbuilding  claims to be , , , , and . In return, the Doctor relates encounters he had with all of those deities: winning a bet against Anansi, having a drinking contest with Dionysus that caused a  in , watching  movies with Sága, and losing a game of  to Bastet. The  has a large collection of artefacts related to stories. The room of shelves includes a  , several , a  statue of , a life-sized statue of a bearded man, , a helmet, copies of , , and , and a statue of a . The area around the heart has a statue of a dancing  goddess, a , a , a statue of an , a model , several , , and a . Notes The episode has a smooth transition from the "" into the , with the title sequence first appearing in the shop window, and then the camera slowly zooming closer until the image fills the frame and the window fades away. The title of the episode was revealed on official social media on  . On , the prequel short story , also written by , was published on the . Some of the artwork from it was shown on the shop window in this episode when  was telling his story of the Doctor. The story shares many themes and ideas with other work by Ellams. The 2017 play Barber Shop Chronicles prominently explored  as places of friendship and culture. It featured many barber shops, including one in . A version of the story about  and the  was part of this play. The 2019 play The Half-God of Rainfall depicted a world in which the gods of all religions coexist as separate figures who interact and fight with each other.  appeared, presented as the  of stories. Ellams viewed the character  as echoing the title character of this play, as both are newly-invented children of gods. The 2020 poetry book The Actual had a poem about the Yo-Yo Ma story, as well as a poem comparing rapping to time travel which mentions Doctor Who. The Yo-Yo Ma anecdote is based on the musician's trip to  which was filmed for the 1993 documentary Distant Echoes: Yo-Yo Ma & the Kalahari Bushmen. For the UK debut on , the episode was first released as an audio description version only. The standard version of the episode was then released a few minutes later. Episode writer  appears as a , marking the second time a person has written and acted in the same episode, following  in  [+].  as  and  as the  were omitted from the advance credits. The  anecdote of challenging him to write a story in six words appears to be referencing 'For sale: baby shoes, never worn.', a story misattributed to Hemingway. Myths to be added Filming locations to be added Ratings to be added Production errors If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to . to be added   The Doctor uses the , as he previously did in :  [+], :  [+], :  [+] and :  [+]. 's cameo, for the first time, occurs in a flashback rather than the present, in the story the Doctor recounts about how Belinda saved a  life. She's seen walking down the hallway just before Belinda meets the patient again and is given flowers. The Doctor recognises Abby from his encounter with  when he was the , indicating he now has access to some of the memories that were erased by . Belinda sees an apparition of  just before she reaches the barber shop. When she later tells the Doctor about seeing a little girl, he guesses it was due to stories from the Story Engine leaking out. When the Doctor overcharges the engine with his endless story, it is shown with clips of the  from :  [+], the  in :  [+], the  in :  [+], the  in :  [+], the  in :  [+], the  in :  [+] with audio from :  [+], audio of the  from :  [+], the  in :  [+], the  in :  [+], the  in :  [+], the  in :  [+], , , and the  in :  [+] (saying the line heard earlier), the  in :  [+] and the  in :  [+]. Clips of the  in :  [+], the  in : "" [+], the Twelfth Doctor in :  [+] and a still of the Fifteenth Doctor in :  [+] appear in the background of the following scene. in article: External links Official  page on  Footnotes  @BBC (2025-03-22). . YouTube. Archived from  on 2025-03-22.   (2025-05-08). . . Archived from  on 2025-05-08.  Amanda-Rae Prescott (2025-05-10). . Den of Geek. Archived from  on 2025-05-11.  . BBC One. Archived from  on 2025-04-30.

I'm reading and talking about Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics.Ted listed SIX Greek dramas for this week: Bacchae (Euripides), Lysistrata (Aristophanes), Agamemnon (Aeschylus), and the three Theban plays from Sophocles, Oedipus the King, Oedipus in Colonus and Antigone. We discuss how to read drama in general. I tried to read a little bit of background on each play before I dove in. One thing that's easy to forget with Greek drama is that the audience didn't have any spoilers; they knew all of these stories really well. They were there to see HOW it came together. That meant that some of the plot gets treated with shorthand in some ways. I tried to figure out the major players, and how they might have interacted with characters I had met elsewhere. It's astonishing how all of these characters are connected by one or two degrees of separation. Bill and I joke that it feels exactly like when we moved to Charleston a couple of years ago. I swear that every person we meet knows someone else we know through one or two people. It's the strangest thing, and Greek drama is exactly like that.I also flag my books like crazy: one flag for the cast of characters; one for the endnotes; one for a map, even if it's in a different book. As a matter of fact, my Fagles translation of the Odyssey came in handy this week. Not only are there some great maps, there is also a glossary of all the proper names in the Odyssey. Many, many of the characters I came across this week also put in an appearance in the Odyssey.Finally, I kept a brief “plot summary” of each play as I read. Only Bacchae was divided into scenes, but for each play I tried to keep a brief synopsis of the action as I read. This kept me from mixing up characters too much, and also it helped me to get an idea of how the various stories fit together. In addition, I read out loud occasionally, especially if I found myself alone in the house. It's easy to lose the thread of some of these long passages, especially where the chorus has an extended explication of action taking place off stage. Reading out loud helped me capture the rhythm of the language and also the drama of it in a way that reading silently could never do.I started with Euripedes' Bacchae, translated by Paul Woodruff. To be honest, half the reason I bought this edition was that it had Elvis on the cover as Dionysus! Not long after the founding of Thebes, Dionysus appears to bring his cult to the city. Dionysus is a son of Zeus but also the grandson of the founder of Thebes, Cadmus. Dionysus' cousin Pentheus is now king, and he refuses to acknowledge the god-status of Dionysus. Let's just say Pentheus regretted that decision. This play was shockingly brutal to me, even though all the violence always takes place off-stage in a Greek drama. There are ideas of redemption, and lack of it, woven throughout the play. Bacchae left me curious about anything related to the practice of the cult of Dionysus. Apparently the rites were so secret that nothing, not one thing, survives to help us understand what they did.Next I read Aristophanes' Lysistrata. This is a comedy, truly a farce, whose entire plot revolves around the women of Greece coming together to deny all their men sex so they will quit fighting with each other. It is hilarious, and I'd love to see this one performed live. I love a good marriage quote:“No man can live a happy life unless his wife allows it.”—AristophanesHappily, I bought an edition of Lysistrata that also had three other plays translated by Aaron Poochigian. Clouds, in particular, is a send-up of Socrates and that one is...

The cauldron is bubbling, the conversation is flowing, and the peach cider is definitely enchanted. Join Maeve, Margo, Gwen (your resident witches), and Brian (our wise druid) as they gather once more around their famously magical coffee table to explore the wild, wonderful world of women in paganism.This week's episode is a deep as our favourite hosts take a wild ride through the thickets of women in paganism—. From the early days of feminist witchcraft to today's more gender-inclusive circles, we explore the energy that draws people into the Craft. Is it the divine feminine? The call of the wild? Or maybe just the aesthetic? (Let's be honest—flowy robes and candles are a crowd pleaser... )

Episode 163 April 28, 2025 On the Needles 1:08 ALL KNITTING LINKS GO TO RAVELRY UNLESS OTHERWISE NOTED.  Please visit our Instagram page @craftcookreadrepeat for non-Rav photos and info     NoCKRs retreat!   Succulents 2025 Blanket CAL by Mallory Krall, Hue Loco DK in Air Plant   Llama llama duck by Adrienne Fong, C W D: Handcrafted Products for the Mind, Body & Soul BFL Alpaca Nylon Sock in Sutro Baths   March Colorwork Cuff Club socks by Summer Lee, mominoki yarn sock fine 4 ply in aqua flash and teal blast, pink mini from Lemonade Shop Dunks– DONE!!   Would You Rather KAL, Gauge Dyeworks roundtrip sock, Vanilla is the New Black by Anneh Fletcher, Rye Socks panel from Tin Can Knits– DONE!!   Paul Klee sweater by Midori Hirose, Kelbourne Woolens Camper in strawberry heather, light pink heather, graphite heather, plum heather, gray heather   Professor Fungi gnome mkal by Sarah Schira, Canon Handdyes John merino sock in Lamplighter, Plucky Knitter Trusty Fingering in Heartbreaker, Yarn Love Juliet Sock in pizzazz– DONE!! On the Easel 3:15 Daffodil Week! White Flower Farm, Laurel Ridge Daffodils, Alexander Calder, Denver Botanic Garden On the Table 22:55 Miso Brown Sugar Pineapple Upside Down Cake by Yossy Arefi (Have a Little Something)   Gnocchi mac and cheese from Washington Post Eat Voraciously Ep 5: Grilled Cheese of The Recipe with Kenji and Deb   Miso Butter Glazed Turnips and Black Rice from Tenderheart   Tropical Carrot Cake with Coconut Cream cheese frosting Spring Risotto with Ramps, asparagus, garlic, and parmesan Spring Pea Fritters On the Nightstand 33:10 We are now a Bookshop.org affiliate!  You can visit our shop to find books we've talked about or click on the links below.  The books are supplied by local independent bookstores and a percentage goes to us at no cost to you! Quicksilver by Callie Hart Kissed a Sad Goodbye by Deborah Crombie (audio, duncan #6) The Traitor by Ava Glass (audio) emma makepeace #2 Murder by Memory by Olivia Waite The Very Secret Society of Irregular Witches by Sangu Mandanna Maya & Natasha by Elyse Durham My Mother's Boyfriends by Sarah Schoech Dream Count by Chimamanda Ngozi Adichie Hymn to Dionysus by Natasha Pulley   Mid-read on: Paris in Ruins by Sebastian Smee The Jackal's Mistress by Chris Bohjalian   A Guide to Bearded Irises by Kelly D. Norris Daffodils by Naomi Slade  

Earlier this week, I posted this on Facebook and Instagram and received quite a strong response - so I'm publishing here as well to hear from my readers. In my recent interview with Tyson Adams, we explored the phenomenon of pornography and its deep, often hidden, effects on men.You might think it's not so different from what previous generations faced—but after listening to our conversation, you'll see we're living in an era unlike any before.Once upon a time, a young boy's access to pornography required either cunning effort—like sneaking into his dad's hidden stash—or sheer luck, like Tyson stumbling across a Playboy in a field.Today, that mediation is all but gone.Youth can now access an unending stream of pornographic imagery and videos—24/7, in any variation imaginable.And the impact has been nothing short of catastrophic.Martin Shaw, mythteller and rites-of-passage guide, speaks to the mythic loss pornography has inflicted on the male psyche:“There used to be shadowy areas in the imagination that contained passageways for Aphrodite, Dionysus, and lusty Pan to emerge through and ignite the sexual experience. However, that requires an imaginal flow, not the oddly passive imprint of negotiated image, downloaded into the mind by a jaded computer techie in Silicon Valley. […] Porn provides the picture—a very limited one—that short-circuits the entrance of ‘the mind's eye' to the erotic imagination. […] In other words, we fail to develop our own erotic imagery.”And now, with the advent of AI, we are entering exponential territory.The involvement of a human woman is no longer required.Busty, “perfect” AI-generated women now have hundreds of thousands of followers on Instagram, with legions of adoring men. AI porn platforms allow users to conjure whatever woman or scenario they desire—on demand.It's a godlike power, exercised within the confines of a false, synthetic reality.I can't help but return to a common thread in many indigenous traditions: that everything has a spirit.When that spirit is extracted, manipulated, and concentrated, it becomes addictive. Think: sugar cane versus refined sugar. Sacred tobacco versus commercial cigarettes. The same for alcohol, coffee, the list goes on.Pornography, in this light, makes a promise: connection to the Feminine.But it cannot deliver.Instead, it offers a ghost.A distorted, addictive shadow of the feminine.So how does a man break free?The path is not linear—and it involves multiple layers.One is rewiring the nervous system: learning to seek self-regulation not through porn, but through practices like breathwork, meditation, movement, and creative expression.Another is healing the shame that clings to so many men's sexual histories. This is the heart of my work in Stealing the Key: Men, Sex, and the Mother Complex.And finally, a man must expand his relationship to sexuality itself—reclaiming it as a doorway into eros, the primal force of life.He comes to realize that sex is just one channel of this vast current, and that when he stops seeking it solely through women—or through substances—he opens to a cosmos teeming with beauty and inherent purpose.If you're a man who wants to begin this journey, send me a DM. ___ I'd also love to hear your comments on this below! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit themythicmasculine.substack.com/subscribe

NBN host Hollay Ghadery is delighted to speak with Toronto area poet Stedmond Pardy about his newest book, Beached Whales (Mosaic Press, 2024). Stedmond Pardy's first book of poems The Pleasures of this Planet Aren't Enough was published by Mosaic Press in 2020 and launched his career as a boundary-pushing literary and poetic voice. His devoted readers can't get enough of his compelling YouTube and Soundcloud spoken-word performances. Stedmond lives by his own dicta: “ An artist is an instrument through which the Universe reveals itself and word poetry is for every man, but soul poetry, alas, is not heavily distributed.” About Stedmond Pardy: STEDMOND PARDY is a self-educated, left-handed poet of mixed ancestry (Newfoundland and St. Kitts/Nevis). Originally from the Mimico area of Toronto, he now resides in Dionysus knows where… He has performed his work around the Greater Toronto Area and has appeared on stages in Montreal and Washington State. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

NBN host Hollay Ghadery is delighted to speak with Toronto area poet Stedmond Pardy about his newest book, Beached Whales (Mosaic Press, 2024). Stedmond Pardy's first book of poems The Pleasures of this Planet Aren't Enough was published by Mosaic Press in 2020 and launched his career as a boundary-pushing literary and poetic voice. His devoted readers can't get enough of his compelling YouTube and Soundcloud spoken-word performances. Stedmond lives by his own dicta: “ An artist is an instrument through which the Universe reveals itself and word poetry is for every man, but soul poetry, alas, is not heavily distributed.” About Stedmond Pardy: STEDMOND PARDY is a self-educated, left-handed poet of mixed ancestry (Newfoundland and St. Kitts/Nevis). Originally from the Mimico area of Toronto, he now resides in Dionysus knows where… He has performed his work around the Greater Toronto Area and has appeared on stages in Montreal and Washington State. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

NBN host Hollay Ghadery is delighted to speak with Toronto area poet Stedmond Pardy about his newest book, Beached Whales (Mosaic Press, 2024). Stedmond Pardy's first book of poems The Pleasures of this Planet Aren't Enough was published by Mosaic Press in 2020 and launched his career as a boundary-pushing literary and poetic voice. His devoted readers can't get enough of his compelling YouTube and Soundcloud spoken-word performances. Stedmond lives by his own dicta: “ An artist is an instrument through which the Universe reveals itself and word poetry is for every man, but soul poetry, alas, is not heavily distributed.” About Stedmond Pardy: STEDMOND PARDY is a self-educated, left-handed poet of mixed ancestry (Newfoundland and St. Kitts/Nevis). Originally from the Mimico area of Toronto, he now resides in Dionysus knows where… He has performed his work around the Greater Toronto Area and has appeared on stages in Montreal and Washington State. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Sean is the host of @restitutio8765 . He is the pastor of Living Hope Ministries Internal ( @livinghopelatham ) He is also on the board of the Unitarian Christian Alliance ( @UnitarianChristianAlliance ). In this video we discuss his recent series on the history of Corinth the city and what that informs us about the epistles to the Corinthian church and early christianity more broadly. We mention Aquila, Augustus, Bacchus, Bruce Winter, Cayla Mayo, Claudius, Crispus, Cybele, Dale Martin, Dionysus, Gaius (Caesar), Gaius, Hercules, Homer, James Walters, Jerome Murphy O'Connor, Jesus, Job, Joseph Fitzmyer, Josephus, Julius Caesar, Juvenal, Celsus, Lucius Caesar, Mummius, Nero, Paul, Philo, Plato, Pliny the Elder, Pliny the Younger, Plutarch, Priscilla, Sosthenes, Tiberius, Titius Justus, Trajan, Victor Gluckin, Will Barlow, Zach Mayo, Zephaniah and more. Corinthians series - https://youtube.com/playlist?list=PLN9jFDsS3QV2PFMHm0Vd4JWrDPxW8Zvc8&si=gT9abVPqRy0sYn_Q

Send us a textTodays book is written for all the people who need Dionysus in their life. Lauren gets full on bacchic frenzy with Natasha Pulley as they explore The Hymn to Dionysus. Natasha hops into the Greek Myth space for the first time to share a sort of retelling of The Bacchae. She shares her views on why the legacy of Dionysus is so widespread and why people are loving him now. We dive into plot points and of course get full on spoilery in the spoiler section.Follow Natasha on the socials:https://natashapulley.co.uk/Insta @natasha_pulley

In this opening episode of the new series, we take our first breath—together—into the mystery of the houses.We begin at the threshold: the Ascendant, the eastern horizon, the moment of arrival. Before the name, before the role, before even the voice—there is presence. The First House is where the self enters the world, where the daimon is born alongside you, and where the mask you've crafted begins to take shape.We explore the house not as a concept but as a temple: a soul-place with doors, rooms, and echoes. Along the way, we travel with Hermes, Artemis, Chiron, and Dionysus through their birth stories, reflecting on the archetypal imprint left by our own. What were we rewarded for? What mask did we learn to wear? And what name—spoken or unspoken—have we carried since?This is the house of beginnings, of first impressions, and of the great “I am.” But like all things in astrology, it casts a shadow: the seventh house whispers “You are” or even “You are not.”This episode invites you to remember the feel of that first doorway. To re-enter the house of your rising sign. And to meet again—perhaps for the first time—the part of you that's always been becoming.

Lev dives into Nietzsche's Birth of Tragedy with Uberboyo and Essentialsalts as they unravel the war for identity in our chaotic times. Apollo vs. Dionysus & Order vs. ecstasy collide in a fractured world:Boomers cling to a gaudy, Roman-esque past (Trump, MAGA, '80s excess), while Zoomers and Gen Alpha drown in shallow digital noise. Is this cultural bottleneck (stagnation above, degeneration below) killing the art of existence?--

當金曲歌后徐佳瑩發現在 Uber Eats 上（應該）都點得到，居然狂點一波！雖然點不到白馬和失落沙洲，但香水、辣椒或其他吃的用的都點得到～快上 Uber Eats 想要的都點點看⮕ https://fstry.pse.is/786xnp —— 以上為 KKBOX 與 Firstory Podcast 廣告 —— 義大利龐貝古城的考古學家再度發現驚人遺跡！繼年初挖掘出大型公共浴場後，最新出土的巨幅壁畫震撼學界。這幅壁畫可追溯至公元前30至40年，畫面描繪信徒參與希臘酒神戴歐尼修斯（Dionysus）祭祀儀式的場景，包含狂喜舞蹈與狩獵畫面，展現當時宗教儀式的神秘與熱烈氛圍。此發現為研究古羅馬人的宗教活動提供了寶貴的新線索，也進一步揭示龐貝城的社會文化風貌。 留言告訴我你對這一集的想法： https://open.firstory.me/user/cku2d315gwbbo0947nezjmg86/comments YT收看《寰宇全視界》

More at https://www.philosophytalk.org/shows/2025-dionysus-awards. What movies of the past year challenged your assumptions and made you think about things in new ways? Josh and guest co-host Jeremy Sabol present our annual Dionysus Awards for the most thought-provoking movies of the last twelve months, including: • Best Movie About Religious People Who Aren't Entirely What They Seem • Most Moving Meditation on Fierce Female Friendship • Best Film in Which Character Change Is Not All It's Cracked Up To Be

Website: https://chthonia.netPatreon: https://patreon.com/chthoniaMerch: https://chthoniapodcast.creator-spring.com/School: https://instituteforfemininemyth.orgBooks: https://chthonia.net/publicationsThis week's episode is on Serapis, a Graeco-Egyptian deity promoted by Ptolemy I Soter (Macedonian general who became ruler of Egypt) around the 200s BCE. Serapis is a male deity that combines elements of Hades/Pluto, Dionysus, Osiris, Apis, and Helios--and may have some connections to the Jesus myth. We certainly see how Emperor worship becomes folded into the mythology of this period, and its later influence on Christianity. As our current society is going through upheavals and changes in its worldviews, it is worth considering a syncretic deity that was worshipped at another time of upheaval.

***CHARLESTON, SOUTH CAROLINA! Corey is gonna be at Wit's End Comedy Lounge on Feburary 23rd! Get those tix at witsendcharleston.com and get em quick before they are gone! Trae will also be in Charleston a few day's before, so hopefully you can make it a full POA weekend! TraeCrowder.com to grab tickets for that show and everywhere Trae is gonna be!*** In todays chin-wag, Lord Trae and Professor CHO discuss the cultural significance of rugby players and British slang along with the duality of British culture, the unique tradition of the Gurning Championship, and the legacy of ancient playwright Aeschylus. Also mentioned is Ian Nasir, an ancient Sumerian merchant known for selling poor-quality copper, and the modern implications of his legacy through memes and online culture. Oh, and Professor CHO calls BS on some of the things we are meant to believe about Alexander Hamilton as he begins his quest to possibly redeem one of America's most notorious bad boys: Aaron Burr! Snag some POA MERCH at StayFancyMerch.com joinbilt.com/POA, to start earning points on your rent payments today! Learn more about your ad choices. Visit megaphone.fm/adchoices

***CHARLESTON, SOUTH CAROLINA! Corey is gonna be at Wit's End Comedy Lounge on Feburary 23rd! Get those tix at witsendcharleston.com and get em quick before they are gone! Trae will also be in Charleston a few day's before, so hopefully you can make it a full POA weekend! TraeCrowder.com to grab tickets for that show and everywhere Trae is gonna be!*** In todays chin-wag, Lord Trae and Professor CHO discuss the cultural significance of rugby players and British slang along with the duality of British culture, the unique tradition of the Gurning Championship, and the legacy of ancient playwright Aeschylus. Also mentioned is Ian Nasir, an ancient Sumerian merchant known for selling poor-quality copper, and the modern implications of his legacy through memes and online culture. Oh, and Professor CHO calls BS on some of the things we are meant to believe about Alexander Hamilton as he begins his quest to possibly redeem one of America's most notorious bad boys: Aaron Burr! Snag some POA MERCH at StayFancyMerch.com joinbilt.com/POA, to start earning points on your rent payments today! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join Bridget, Caitlin, and Hilda to learn all about "Dark Restraint," book 7 in Katee Robert's Dark Olympus series.  Now let's be honest, you're probably in one of two camps: You may hate this series as much as Hilda does, but you still have FOMO and want to know why Circe has such nefarious plans or you may love the smut the way Bridget and Caitlin do and wish the plot didn't get in the way. Regardless of where you stand, listen now to get all the info.  Join our Patreon for exclusive behind-the-scenes content and let's be friends!Instagram > @Booktokmademe_podTikTok > @BooktokMadeMe

"You always have to work hard, but you also have to feed your soul." How do we balance mastery and play? External and internal validation? Focus on self and audience?In this episode, Emmeline sits down with the legendary French jazz guitarist Stephane Wrembel to tackle these questions and more. Stephane talks about his time studying with the French gypsies, his experiences at the Berklee School of Music, and his time on tour with his band. He also brings some philosophy and mythology into his discussion about what it really means to be a musical artist--even citing Apollo and Dionysus! He and Emmeline also discuss the choices we make as musicians, and how those choices can help us shape our voice.Stephane is on tour and will be in the DFW area on January 18th, 2025! Catch him at:Zounds Sounds B-Side from 2-4 PMScat Jazz Lounge in Fort Worth at 8 PM and 10 PMTo learn more about Stephane, or to follow his musical journey, visit his official website or follow him on Instagram. For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

In this episode, we uncover the Mycenaean roots of Ancient Greek deities and beliefs about death and the afterlife. The Mycenaeans controlled much of Greece and the Aegean Sea starting about 1700 BCE until about 1200 BE, when the Late Bronze Age collapse led to hundreds of years of political, social, and climate upheaval for the entire region. But through their monumental architecture, art, and stories they left behind, Classical Greek mythology was born. Discover the origins of deities like Dionysus, Poseidon, and Hermes and their original underworld associations. Journey into sacred sites the Greeks inherited from the Mycenaeans, like the Sanctuary of Poseidon with caverns that have been associated with sacred burials and the underworld as far back as the Neolithic. Then we'll take a look at Hades and several less famous Greek goddesses, gods, and monsters of death and the underworld.Transcripts For transcripts of this episode head over to: https://archpodnet.com/tpm/09Links See photos related to episode topics on Instagram Loving the macabre lore? Treat your host to a coffee!ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store: https://www.teepublic.com/stores/archaeology-podcast-network?ref_id=5724Affiliates Motion

A greatly spanning discussion on the Indo European Heathen roots of modern Europeans & whether they should embrace these roots instead of chopping them down with the sword of Jesus Christ.Tom Rowsell (Survive the Jive)https://x.com/Tom_Rowsellhttps://www.youtube.com/c/SurvivethejiveGnostic Informanthttps://www.youtube.com/@GnosticInformantLev Polyakovhttps://twitter.com/Levpohttp://youtube.com/levpolyakov---0:00 Intro1:11 How Tom Became Pagan3:53 Pro Indo-Europeans Hypothesis Proven Correct9:05 Dionysus13:05 Differences in Pagan Traditions19:28 Devas VS Asuras - Gods VS Antigods24:27 Prometheus Equivalent to Loki27:10 Germany Possessed by Wotan Odin28:07 The Original Dionysus31:00 Odin Apollo32:09 Man as Mini Universe - Chakras Yggdrasil Kabbalah etc37:33 Dionysus in Judaism42:27 Moloch & Saturn as Yahweh's Sacrificial Canaanite Precursors49:50 Did Plato Create Christianity & even Judaism57:06 Breaking the Cycle of Reincarnation1:07:54 The Afterlife Realms as Different Clubs1:11:25 Afterlife for Atheists1:13:13 What are Fairies1:17:12 Burial Mounds for Heroes1:19:39 Arianism1:21:26 Should Europeans Reject Christianity1:25:42 Is Perennialism also Enslaving1:27:20 Rebirth in a Noble Form from Upholding the Family Name1:28:44 Did Plato Destroy Vitality1:32:59 Why Did Paganism Lose to Christianity1:33:43 How Luck Works---FOLLOW BTR:Patreon - https://www.patreon.com/breaktherulesDISCORD: https://discord.gg/hHTNg3MTwitter - http://twitter.com/breakth3rulesInstagram - http://instagram.com/breakth3rulesFacebook - http://facebook.com/breakth3rulesMinds - https://www.minds.com/breaktherulesOdysee - https://odysee.com/@breaktherules:f/liveTwitch - https://www.twitch.tv/breakth3rules/DLive - https://dlive.tv/breakth3rulesBitchute - https://www.bitchute.com/channel/JfUzQfuQpWc0/Spotify - https://open.spotify.com/show/0yovF9Vo8n1fF1DGlMuWBhApple - https://podcasts.apple.com/us/podcast/break-the-rules/id1543233584

FREE book, social medias & more: https://allmylinks.com/isaacw On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we do our annual wrap up show! We'll review the year of 2024- it was my 10th year of podcasting and we're going to recap some of the biggest pop culture and conspiracy moments of the year- some personal highs and lows, best films, and the highly anticipated results of last year's predictions and some new ones for 2025!MOST POPULAR OSAPC SHOWS 2024:Katt Williams Interview on Club Shay Shay: Conspiracies, Illuminati, Selling Souls, Hollywood Gatekeepers & MUCH MORE! https://illuminatiwatcher.com/katt-williams-interview-on-club-shay-shay-conspiracies-illuminati-selling-souls-hollywood-gatekeepers-much-more/Paris Olympics Opening Ceremony Symbolism: Babylon, Dionysus, Moloch, Apocalypse & Secret Societies! https://illuminatiwatcher.com/paris-olympics-opening-ceremony-symbolism-babylon-dionysus-moloch-apocalypse-secret-societies/Trump Assassination Conspiracy: Symbolism, Illuminati Death Ritual, RNC Satanism, Antichrist, Bohemian Grove and Crowley! https://illuminatiwatcher.com/trump-assassination-conspiracy-symbolism-illuminati-death-ritual-rnc-satanism-antichrist-bohemian-grove-and-crowley/Who is Isaac Weishaupt? https://illuminatiwatcher.com/who-is-isaac-weishaupt/Fire Walk With Me Film Analysis: Twin Peaks' Shadow, Power & the Glory, Sacrifice of the Goddess & Apocalypse TP35https://illuminatiwatcher.com/fire-walk-with-me-film-analysis-twin-peaks-shadow-power-the-glory-sacrifice-of-the-goddess-apocalypse-tp35/OTHER APPEARANCES FROM 2024 YOU MUST HEAR:The Confessionals 714 Enochian Download: https://www.theconfessionalspodcast.com/theconfessionals/714-the-enochian-downloadBreaking Social Norms: Austin Texas Trip: Aleister Crowley, Eclipse, Buc-ees, Driskill Hotel, Homeless vs Isaac's Toe & More! 4/19/24 https://breakingsocialnorms.com/2024/04/17/austin-texas-trip-aleister-crowley-eclipse-buc-ees-driskill-hotel-homeless-vs-isaacs-toe-more/Show sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1 WANT MORE?...Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE More from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links & more: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.  

Links For The Occult Rejects and The Spiritual Gangsters https://linktr.ee/occultrejectsandfriendsOccult Research Institutehttps://www.occultresearchinstitute.org/Links For The Spiritual Gangstershttps://linktr.ee/thespiritualgangsterspodcastCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsHeadless Gianthttps://linktr.ee/headlessgiantpodcastEthan Indigohttps://linktr.ee/ethanindigoTJhttps://linktr.ee/contemporaryproblems_Slickhttps://slickdissident.com/

Subscribe, Rate, & Review on YouTube • Spotify • Apple PodcastsThis week I talk with Jamie Curcio to ask, whom do we serve? Who gives us power, and to whom do we give ours? Where does that power come from? To whom do we sell our stories?We explore the world behind the world, linking Jamie's writing and game world-building in the domain he calls myth punk, and the equally Eldritch complex systems wicked problem of climate action.Studying that link, we can trace the outlines of emergent 21st Century religions — the reinterpretation of axial traditions suited to the digital era, the metamodern revival of land-based animistic traditions, and even weirder novel forms that arise at the end of one world and the effloresence of many others.✨ Jamie's LinksFallen Cycle Podcastmodernmythology.net“Investing In The Unknown”“The Cascade” Part 1, 2, 3Tales From When I Had A Face: B&W EditionTales From When I Had A Face info page✨ Offer Support + Join The Scene• Become a patron on Substack or Patreon• Make a tax-deductible donation to Humans On The Loop• Invite me to work with you as an hourly consultant or advisor on retainer• Join the Holistic Technology & Wise Innovation and Future Fossils Discord servers• Join the Future Fossils Facebook group• Buy the books we discuss from my Bookshop.org reading list• Buy original paintings and prints or commission new work• Tip me with @futurefossils on Venmo, $manfredmacx on CashApp, or @michaelgarfield on PayPal• Buy the show's music on Bandcamp — intro “Olympus Mons” from the Martian Arts EP & outro “Sonnet A” from the Double-Edged Sword EP✨ Chapters1. Jamie's Background (0:05:46)2. Embracing the Unknown and the Role of Artifice (0:11:14) 3. Prometheus, Intentional Mystery, and the Nature of Agency (0:16:21)4. Introducing the Fallen Cycle and its Mythological Framework (0:21:57)5. Exploring Thematic Elements: Gods, Myths, and Consumerism (0:27:32)6. Climate Change, Hyperobjects, and Societal Inertia (0:33:36)7. Festivals, Dionysus, and the Value of Liminal Spaces (0:40:26)8. AI as a Creative Tool and Collaborator (0:46:05)9. Mythology, Role-Playing, and Enacting Change (0:52:16)10. Engaging with Jamie's Work and Final Thoughts (0:56:03)✨ Other MentionsFF 195 — A.I. Art: An Emergency Panel with Julian Picaza, Evo Heyning, Micah Daigle, Jamie Curcio, & Topher SipesA Thousand Years of Nonlinear History by Manuel DeLandaJoseph CampbellFriedrich NietzscheArthur SchopenhauerBuddhismWestern EsotericismEvolving Media NetworkWeird Studies Podcast (with Jamie, with Michael)Tom MorganGilles Deleuze“The Soldier and The Hunchback” by Aleister CrowleyPrometheus (Movie)Alien Romulus (Movie)Eric WargoJohn KeatsUnweaving The Rainbow by Richard DawkinsFF 53 — A Very Xeno Christmas with Evan SnyderStephen BatchelorSamurai Jack (TV show)Fern Gully (Movie)Jitterbug Perfume by Tom RobbinsAmerican Gods by Neil GaimanSandman by Neil GaimanJosh SchreiHell by Timothy MortonThe Book of ExodusThe Demon-Haunted World by Carl SaganCyndi CoonDavid Bowie This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit michaelgarfield.substack.com/subscribe

Like most things Euripides wrote, his treatment of the Olympian gods and what they were capable of (and best of all, how that's received by mortals) is absolutely ripe for interpretation. Euripides walked the line of impiety and seemed to have a ball. CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: The Masque of Dionysus by Helen P Foley; Isabelle Torrance's Euripides; Mary Lefkowitz' Euripides and the Gods; passages read from Hippolytus and Helen, translated by EP Coleridge; Ion, translated by Cecelia Eaton Luschnig; and Bacchae, translated by T. A. Buckley, revised by Alex Sens, and further revised by Gregory Nagy. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

Liv finishes telling the story of the only surviving Satyr play, Euripides' Cyclops and Euripides' take on Odysseus and Polyphemus...and a chorus of d*** swinging satyrs. Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Euripides' Cyclops Companion by Carl A Shaw; Euripides' Cyclops from Six Classical Greek Comedies, translated by Kenneth McLeish and J. Michael Walton; Warwick entry on the Sanctuary of Dionysus. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

Liv looks at some of the more phallic origins of theatre (hint, it's very phallic) and retells the only surviving Satyr play, Euripides' Cyclops. Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Euripides' Cyclops Companion by Carl A Shaw; Euripides' Cyclops from Six Classical Greek Comedies, translated by Kenneth McLeish and J. Michael Walton; Warwick entry on the Sanctuary of Dionysus. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

Sara takes a look behind the forbidden trans curtain to expose the root of the agenda to mock Christianity. Satan-worship appeared to be out in full force, and drag queens recreated da Vinci's classic painting “The Last Supper” at the 2024 Olympics. Why was the vine-covered blue demon Dionysus being worshipped? The answers are shocking. Also shocking are the newly released text messages between local officers who knew the shooter had come in via the law enforcement parking lot 90 minutes before the assassination attempt against Donald Trump. What went wrong? Was this gross incompetence or an inside job? Sara also exposes the woke agenda behind the “White Women for Harris” Zoom call and President Biden's agenda to gut the Supreme Court and get rid of Justice Clarence Thomas. Panelists include Stu Burguiere, BlazeTV host of "Stu Does America," and Blaze TV contributor Matthew Marsden. Today's Sponsors: Ready for a game-changer for your health? Get your 60-day money-back guarantee at CardioMiracle.com/Unfiltered, code SARA. Take your family's health into your own hands at Jase.com and enter code “SARA” at checkout for a discount on your order.  In pain? See how Relief Factor can help with the 3-week quick-start kit for only $19.95. Feel better or your money back at ReliefFactor.com or call 1-800-4-RELIEF. Learn more about your ad choices. Visit megaphone.fm/adchoices