Stageworthy

About This Episode In this episode of Stageworthy, host Phil Rickaby speaks with Virginia Woodall, producer at the Toronto Sketch Comedy Festival. With the festival entering its 21st year, Virginia shares the story of how she moved from volunteer to producer, how 164 submissions become a 12-day lineup of 78 troupes, and why sketch comedy deserves recognition as its own artistic discipline. In this episode: The evolution of the Toronto Sketch Comedy Festival How the programming committee evaluates 160+ submissions Why sketch comedy is a distinct art form — not just “theatre adjacent” Community-building within the sketch scene The role of monthly comedy cabarets Why Virginia calls Sketchfest “Comedy Christmas” And more! Guest:

About This Episode In this episode of Stageworthy, host Phil Rickaby speaks with acclaimed playwright, actor, and screenwriter Anusree Roy about her newest play, Through the Eyes of God, now onstage at Theatre Passe-Muraille. The conversation explores Roy's evolving artistic process, the deeply personal roots of her storytelling, and her journey between theatre and television writing. In this episode: Writing as an act of witnessing and responsibility The emotional and ethical weight of socially engaged theatre Navigating the Canadian theatre landscape as a playwright of colour Collaboration, trust, and the rehearsal room as community Sustaining an artistic life while carrying urgent stories And much more! Guest:

About This Episode: In this episode of Stageworthy, host Phil Rickaby sits down with Dienye Waboso Amajor — a Dora-nominated Nigerian actor, writer, and interdisciplinary artist living and working in Ontario. With an academic background in theatre and performance studies and ongoing doctoral research, Dienye's practice bridges performance, scholarship, and cultural storytelling. This Episode Explores: Dienye's journey as a Nigerian artist working in Canada The relationship between scholarship and performance practice Creating work grounded in lived experience and research The role of voice — personal, cultural, and artistic Balancing academic study with creative practice And much more! Guest:

About This Episode: In this episode of Stageworthy, host Phil Rickaby sits down with Tim Porter, founding Artistic Director of Tweed & Company Theatre, to talk about what it means to build a sustainable professional theatre company outside of major urban centres. This Episode Explores: Founding Tweed & Company and building a company from the ground up Why regional and rural theatre matters in Canada Audience relationships outside major urban centres Sustainability, scale, and expectations in Canadian theatre The difference between serving a community and chasing prestige And much more! Guest:

About This Episode: In this episode of Stageworthy, host Phil Rickaby speaks with Jack Burrill, actor, director, acting coach, and Artistic Director of Unchained Theatre. What begins as a shared nerd-out over Shakespeare quickly becomes a wide-ranging conversation about why these 400-year-old plays still matter - and how indie theatre is often where their most exciting reinventions happen. This episode explores: Founding Unchained Theatre during the pandemic Modernizing classic texts without losing their soul Performing Shakespeare in small, intimate spaces Why indie theatre matters in Toronto's ecosystem Theatre as an irreplaceable live experience And much more! Guest:

About This Episode: In this solo Stageworthy episode, host Phil Rickaby takes a deep dive into the idea of “nation-building” — and why Canada keeps getting it wrong. Sparked by post-election rhetoric around pipelines, railways, housing, and AI infrastructure, Phil argues that these are construction projects, not nation-building ones. True nation-building, he suggests, happens through culture — and specifically through the arts. Drawing on Canadian history, from the Massey Commission to the creation of the Canada Council for the Arts, Phil traces how arts funding was once understood as a form of national defence — a way of protecting Canadian identity from cultural erasure. He contrasts that history with today's fixation on GDP, ROI, and “bankable” outcomes, and asks what happens to a country when its soul is treated as discretionary. This episode is part rant, part cultural history lesson, and part call to action — urging Canada to remember that theatres, music, film, and storytelling don't just entertain us. They define us. Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Subscribe & Follow:

About This Episode: In this episode of Stageworthy, host Phil Rickaby sits down with Gabrielle Martin, Artistic Director of Vancouver's PuSh International Performing Arts Festival. Gabrielle discusses her unconventional path into arts leadership, the realities of curating large-scale interdisciplinary work, and the responsibility of presenting challenging, global performance within a local context. This episode explores: Gabrielle's journey into arts leadership and festival direction The role of PuSh Festival within Vancouver's cultural ecosystem Curating interdisciplinary and international performance Audience engagement and accessibility in contemporary performance The realities of producing large-scale work in Canada Care, sustainability, and leadership in the performing arts And much more! Guest:

About This Episode: In this episode of Stageworthy, host Phil Rickaby sits down with theatre producer and arts leader Reid Vanier for a candid conversation about producing, leadership, and building sustainable theatre ecosystems. Reid reflects on his path into the industry, the realities of working behind the scenes, the theatre scene in Whitehorse, and the evolving responsibilities of producers in today's cultural landscape. This episode explores: Reid's journey into theatre producing and arts leadership Balancing artistic ambition with organizational sustainability Leadership styles within theatre companies and cultural institutions Supporting artists while managing limited resources The evolving landscape of Canadian theatre production Collaboration, trust, and communication in creative teams And more! Guest:

In this episode of Stageworthy, host Phil Rickaby sits down with Joe Szekeres, founder of Our Theatre Voice, for an in-depth conversation about theatre criticism, community theatre, and why live performance still matters. As Stageworthy enters its tenth year, this discussion reflects on the changing landscape of Canadian theatre journalism, the responsibilities of reviewers, and the importance of constructive, thoughtful criticism. This episode explores: Joe's path from community theatre to theatre criticism The founding and philosophy behind Our Theatre Voice The value of training and mentorship in theatre criticism Constructive criticism versus negativity Funding pressures and their impact on production choices Championing Canadian stories and homegrown work And much more! Guest:

About This Episode: In this special roundtable episode of Stageworthy, host Phil Rickaby is joined by theatre critics and podcasters Janine Marley (A View From the Box) and Ryan Borochovitz (The Cup / Cup of Hemlock Theatre) for an in-depth conversation reflecting on the past year in Toronto theatre. Connect with Janine and A View From the Box:

About This Episode: This week, Phil Rickaby welcomes Stephanie Malek, performer and producer, to discuss the magic of improvised musicals, the history of Bad Dog Theatre, and the power of finding community through art. Stephanie, who is involved in the show Holiday, an improvised musical, shares insights into the rigorous training required for musical improv, the importance of nurturing other artists, and more! In this episode: Holiday, the Improvised Musical at Factory Theatre Bad Dog Theatre, Improv and the community The Fandom Show Podcast And more! Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby welcomes Kanika Ambrose, an award-winning playwright, librettist, and screenwriter whose work spans theatre, opera, and television. Kanika shares her path from writing poetry as a child to becoming one of Canada's most exciting multidisciplinary storytellers, known for blending sharp social insight with bold, imaginative worlds. She discusses her three plays in production right now: our place, at Black Theatre Workshop, The Christmas Market at Crow's in association with b Current and Studio 180 Theatre and Moonlight Schooner at Canadian Stage, in association with Necessary Angel and Tarragon Theatre. This episode explores: Kanika's creative beginnings and path to becoming a playwright Finding her voice in writing after initially pursuing acting How motherhood reshaped her creative life Creating space for Black women and Caribbean stories in Canadian theatre and much more! Guest: ✍️ Kanika Ambrose Kanika Ambrose is a two-time Dora Award winning playwright, opera librettist, and screenwriter.  Her play “our place,” was first produced by Cahoots Theatre and Theatre Passe Muraille in November 2022 and received a Dora Mavor Moore Award for “Outstanding New Play” in 2023. She received a second “Outstanding New Play” Dora in 2024 for “Truth” which premiered at Young People's Theatre earlier the same year. Moonlight Schooner Tickets:

About This Episode: This week on Stageworthy, host Phil Rickaby welcomes Fiona Sauder, co-founder and Artistic Director of Bad Hats Theatre. Known for their inventive, musical, family-friendly adaptations of classic literature, Bad Hats has become one of Toronto's most celebrated indie theatre companies. Fiona shares the origin story of the company, beginning with a serendipitous brewery production of Peter Pan and growing into a long-standing partnership with Soulpepper, as well as their upcoming production of Narnia. This episode explores: The origins and evolution of Bad Hats Theatre How Fiona approaches adapting iconic children's literature Theatre as a space of joy, presence, and shared imagination Fiona's artistic journey from Ottawa to George Brown to Soulpepper And much more! Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by Dian Marie Bridge, Artistic Director of the Black Theatre Workshop (BTW) in Montreal. Dian discusses the legacy of BTW, which is celebrating its 55th anniversary this year , as one of Canada's oldest Black and ethnocultural theatre companies. The conversation delves into the company's commitment to community service and fostering new talent through its influential program, as well as BTW's production of Kanika Ambrose's Our Place at Montreal's Segal Centre for Performing Arts (Studio) from Nov. 19-30. This episode explores: BTW's 55th Anniversary and Mission The Play Our Place, by Kanika Ambrose BTW's Club Zed Festival, featuring work by Black writers The Theatre scene in Montreal BTW's Artist Mentor Program And much more! Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby welcomes Aaron Joel Craig (Same Boat Theatre) and Stephanie Hope Lawlor (Rooks Theatre) to discuss their co-production of Ibsen's A Doll's House in Hamilton. This episode explores: Reimagining A Doll's House as a story for 2025 audiences The intersection of feminism, capitalism, and personal freedom Building independent theatre in Hamilton's evolving arts scene The power of site-specific and intimate performance spaces Collaboration between Rooks Theatre and Same Boat Theatre Creating sustainability and opportunity for indie theatre artists How theatre can thrive outside major city centers Turning creative frustration into community impact Guests:

About This Episode: This week on Stageworthy, host Phil Rickaby welcomes Will Parry, actor, singer, and content creator based in Toronto. Known for his work as a musical theatre performer and social media consultant for artists and theatre companies, Will shares insights into how creatives can better express their authentic selves online while building stronger connections with audiences. This episode explores: Balancing social media and theatre careers Authenticity and “brand voice” for artists and theatre companies Finding confidence in sharing your work online Discovering puppetry through The Wizard of Oz and beyond The art of cabaret and creating personal connection on stage Writing for young audiences and exploring digital culture through theatre and more! Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby welcomes Steven Hao, actor, director, and artistic director of Puckers Theatre Company. Currently in his second season at the Stratford Festival, Steven shares his journey from Victoria, BC, to the national stage, performing in acclaimed productions like Anne of Green Gables, Forgiveness, Salesman in China, and Romeo and Juliet. This episode explores: Steven's journey from improv and high school musicals to the Stratford Festival Building a company (Puckers) to champion new voices and sustainable theatre The need for long-term investment in Canadian plays and playwrights Artistic leadership and the challenges of developing the next generation of ADs Balancing performing, directing, and leadership And much more Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by Emily Dix, artistic executive director of Bygone Theatre and the lead behind their mixed use affordable arts space, The Bridge. Emily shares the company's journey from its beginnings in classic theatre to its evolution into original Canadian works that blend vintage aesthetics with contemporary themes. She discusses her creative process, the importance of atmosphere and design, and the challenges and rewards of running an independent theatre company. This episode explores: The evolution of Bygone Theatre Building immersive, design-driven theatre experiences Challenges and opportunities of running an indie company in Toronto The role of aesthetics, nostalgia, and storytelling in Emily's work Directing, producing, and writing for small-scale theatre Fostering community and mentorship in the theatre scene Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by actor, singer, and producer Michael Esposito II. Michael discusses the challenges and rewards of mounting Daniel MacIvor's solo play, Monster, which he is producing and performing in Kelowna, B.C. He shares the creative process of integrating projections and music into the show to make it feel more like an immersive "monster experience" than a traditional one-person play. Michael also talks about his background in Toronto and New York, the evolving theatre scene in Kelowna, and his other work in the Okanagan Valley, including themed jazz shows at a local speakeasy winery. This episode explores: Bringing Daniel MacIvor's Monster to life in Kelowna The creative freedom and risks of solo performance Using projection in live theatre Building independent theatre outside major city centres The importance of community and adaptability for artists The joy and discipline of performing across genres—from MacIvor to musical theatre and jazz Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by Michael Kras, playwright, director, and one of Canada's busiest magic designers. Michael has designed magic and illusions for theatres across the country and is the resident magic and illusions lead for the North American tour of Harry Potter and the Cursed Child. He also joins the Tarragon Theatre's Greenhouse Residency to develop his new solo play Love Me Back, a piece that blends sleight-of-hand magic with storytelling. This episode explores: Michael's path from magician to playwright and director Integrating magic into theatre in meaningful ways The role of magic design in Harry Potter and the Cursed Child The Hamilton theatre scene and its challenges Writing for young audiences and why those stories matter The creation of his magic book Synthesis and Secrets Developing his new play Love Me Back at Tarragon's Greenhouse Residency Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by Chloë Whitehorn, who is currently based in Kingston, Ontario. Chloë, a former actor, discusses her journey to becoming a prolific writer, focusing on themes of women's rights and mental health. She talks about how her plays—which include The Pigeon, Blood River, and Fall After Midsummer —are driven by characters and their emotions rather than just issues. Chloë also offers a glimpse into the Kingston theatre scene, her unique writing methods, and her perspective on why Canadian theatre struggles with second productions. This episode explores: How Chloë's approach to playwriting is rooted in character and emotion, stemming from her acting background. The challenge of tackling dark themes and how she judges where to stop when exploring traumatic topics. Her writing process, which involves working well with deadlines and puzzling pieces together rather than outlining. Why she returned to Canada after living in the US and the cultural differences she observed. The atmosphere and supportive community of the Kingston theatre scene compared to Toronto. The difficulty Canadian plays face in securing a second production after their premiere. Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by Courtney Stoltz, the production manager for a new community theatre company in Kenora, Ontario, called So I guess we're doing this. Courtney shares her journey from actor to production manager. She provides a look into the theatre scene in Northwestern Ontario and the experience of taking their original play, Finding Richard Close, to the Winnipeg Fringe Festival. Courtney also discusses the unique balance of working in health promotion in remote Indigenous communities while pursuing her passion for theatre, highlighting the company's commitment to community wellness and their ambitious plans for the future. This episode explores: The formation of So I guess we're doing this, a theatre company founded by two family physicians in Kenora. The themes of community, family, and healing in their original play, Finding Richard Close. The challenges and triumphs of a new company performing at the Winnipeg Fringe Festival. The state of the theatre scene in Northwestern Ontario and the passion of its artists. The company's future vision, including a potential regional tour and their goal of becoming a professional theatre company. Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by Liz Buchanan, a Hamilton-based actor, writer, and director who is also the artistic director of 9M Theatre. Liz shares her journey as a playwright and performer, focusing on her two Hamilton Fringe shows Gnomes A Traumatic Comedy (2023) and Liz A Traumatic Comedy (2024). She discusses her long-standing fascination with gnomes, how she uses humour and absurdity to explore personal trauma on stage, and more. This episode explores: The creative process behind Liz's two fringe shows, which use comedy to explore themes of trauma and healing. The personal and surprising history of her fascination with gnomes, stemming from her childhood and the show Fraggle Rock. The decision to transition from a multi-cast show (Gnomes) to a solo performance (Liz) to tell a more personal story. The unique pressures and catharsis of performing a solo show, especially when the material is autobiographical. The founding of her theatre company 9M Theatre, and its focus on a mix of original work and small-scale, intimate productions of Shakespeare Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by playwright Chelsea Woolley. Chelsea discusses her latest play, Enormity, Girl, and the Earthquake in Her Lungs, which is being produced by Nightwood Theatre. She shares the fascinating, eight-year journey of the play's development, from its original concept to a workshop production with theatre students, and the challenges of being a playwright in the rehearsal hall. Chelsea also talks about her unique approach to writing, which involves infusing humor and absurdity into a serious subject to create a piece that can only exist as live theatre. This episode explores: The development of Enormity, Girl, and the Earthquake in Her Lungs, from its original idea to its current form. Chelsea's collaborative process with director Andrea Donaldson and the cast during rehearsals. The strategic use of humor and absurdity to make a serious play more engaging and a unique theatrical experience. Her theatre origin story, from writing plays in grade school to her realization that playwriting could be a career. Guest:

About This Episode: In a solo episode of Stageworthy, host and producer Phil Rickaby discusses the looming threat to Canadian theatre and arts due to government funding cuts. He reflects on the recent mandate that all government departments, including the Canada Council for the Arts, must find 15% in savings, which will result in significant cuts to arts programs. Phil explores why the arts in Canada are so vulnerable to these cuts, citing a long-standing public perception that they are not essential or relevant to the average Canadian. He poses critical questions about the future of theatre in Canada, including what companies will do to survive and how the arts community can better articulate its value to the public and to the government. This episode explores: The significant impact of a mandated 15% cut to the Canada Council for the Arts. The challenge of public perception that the arts are for "elites" and are not relevant to most Canadians. The historical context of Canadian-made content being seen as inferior to that of the US or UK. The importance of the arts in defining Canadian identity and what it means to be a nation. Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Subscribe & Follow:

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by Toronto-based actor Virgilia Griffith, who is currently appearing in two shows at the Shaw Festival: Blues for an Alabama Sky and Murder on the Lake. In this conversation, Virgilia discusses the unique demands of each production and how they complement one another, keeping her acting practice fresh and present. She shares her journey from aspiring dancer to award-winning actor, the importance of mentorship, and how she found her calling in theatre. This episode explores: Virgilia's path to becoming a theatre artist The power of mentorship and the artists who shaped her career What it means to bring authenticity and lived experience to performance The importance of representation and telling underrepresented stories How she approaches the creative process as an artist. Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by Iain Moggach, former Artistic Director of Theatre by the Bay in Barrie, Ontario. In this thoughtful conversation, Iain shares his journey from actor, administrator, and ultimately artistic director, reflecting on what it means to build theatre outside of a major city centre. He speaks to the unique challenges and opportunities of working in Barrie, and the importance of creating space for regional stories. This episode explores: Iain's journey to theatre leadership The role of mentorship and community in his career path The challenges of running a theatre company outside major urban centres Building partnerships and engaging new audiences in Barrie The importance of perseverance, adaptability, and curiosity in theatre-making Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by Nancy Kenny, an actor, writer, and producer whose latest show, I Don't Feel Pretty/Chu pas cute, will have readings at the 2025 Halifax Fringe Festival. In this warm and insightful conversation, Nancy shares the deeply personal inspiration behind her show, the balance between humour and vulnerability in storytelling, and the journey of shaping a one-person play from lived experience. This episode explores: The origins of I Don't Feel Pretty/Chu pas cute and its autobiographical elements Using humour to explore challenging personal topics The Fringe Festival as a space for experimentation and connection Lessons learned from workshopping solo performance Building audience trust and creating space for shared vulnerability Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by Evan Bawtinheimer, a Toronto-based, Dora Award winning playwright. Evan shares the inspiration behind his play award winning play, Patty Picker. In this candid and thoughtful conversation, Evan opens up about playwriting, his journey of personal growth and mental health, and why vulnerability and connection are central to his artistic work. This episode explores: Evan's evolution from musical theatre performer to playwright The value of personal storytelling and creating space for others Navigating imposter syndrome and artistic doubt Building a theatre company rooted in honesty, humour, and support Why community matters more than perfection in indie theatre Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by Michelle Langille, an actor, director, and burlesque performer whose journey has taken her from Toronto to Cape Breton. In this deeply personal and wide-ranging conversation, Michelle talks about her roots in musical theatre, what it means to redefine success on your own terms, and how returning to a smaller community reignited her creative spark. From lessons in understudy generosity to creating her burlesque persona "Honey de Mele," Michelle shares insights about art, sustainability, and joyful reinvention. This episode explores: Michelle's early inspirations and love of musical theatre The journey through multiple theatre schools and cities How a move to Nova Scotia shifted her career trajectory Her experience as a burlesque performer and fundraiser producer Making theatre in small communities and the power of local talent Lessons in kindness, mentorship, and the importance of joy in the rehearsal room Her directorial journey leading to upcoming work at Neptune Theatre Thoughts on work-life balance and the future of Canadian theatre Guest:

About This Episode: This week on Stageworthy, host Phil Rickaby welcomes ted witzel, Artistic Director of Buddies in Bad Times Theatre, to discuss the company's 2025–2026 season and the vital role Buddies plays locally and globally. In this wide-ranging and passionate conversation, ted talks about the curatorial ethos behind the season, how queerness informs both aesthetic and practice, and why Buddies remains a radical, necessary space in an increasingly conservative climate. This episode explores: The inspiration and process behind curating the 2025–2026 Buddies season Why queerness is more than representation—it's a creative methodology The value of festivals (Rhubarb, Nuit Blanche, Queer Pride) in Buddies' identity Longing as a theme: desire, intimacy, revolution, and more Highlights from the season including The Green Line, Make Banana Cry, The Herald, and The Begging Brown Bitch Plays The importance of unruliness, disobedience, and disrespectability in queer theatre The enduring legacy and global uniqueness of Buddies in Bad Times Guest:

This week on Stageworthy, host Phil Rickaby welcomes Aisling Murphy, theatre reporter for the Globe and Mail. In a wide-ranging and engaging conversation, Aisling shares the journey from musical theatre student to one of Canada's leading theatre critics. They discuss her early roots in Baltimore, her move to Canada, and how a moment of personal upheaval redirected her path from performing to criticism. Now six months into her role at the Globe, Aisling offers sharp insights into the world of Canadian theatre and the delicate balance of being both a critic and a supporter of the art form. This episode explores: Aisling's transition from performer to theatre critic Her journey from Ottawa to Toronto, and eventually to the Globe and Mail The challenges of reviewing peers and staying impartial Differences between Canadian and American theatre ecosystems The unique opportunities and responsibilities of being a national critic Her thoughts on critical integrity, honesty, and theatre as public record The importance of documenting Canadian theatre for the future Guest:

This week on Stageworthy, host Phil Rickaby welcomes annemieke wade, Executive Director of the Toronto Alliance for the Performing Arts (TAPA). annemieke shares insights from her first six months in the role, her vision for TAPA's future, and her deep commitment to building frameworks of care and collaboration in Toronto's arts sector. From revitalizing artist support programs to reimagining rehearsal and performance norms, this conversation highlights the evolving landscape of Canadian theatre and the importance of intergenerational dialogue. This episode explores: The challenges and steep learning curve of succeeding a 21-year ED at TAPA The role and scope of TAPA, from the Dora Awards to mentorship and training programs The B Street Arts Hub and its community resources annemieke's career journey from Vermont to Toronto and into arts leadership The impact of her late ADHD diagnosis and the power of self-understanding Her vision for more flexible, sustainable work practices in the arts The importance of bridging generational divides in the theatre community Guest:

This week on Stageworthy, host Phil Rickaby brings you a fourth and final Toronto Fringe Extra episode, featuring interviews with 4 Toronto Fringe Artists, in advance of the Toronto Fringe Festival, running July 2-13 at various locations around Toronto. In this episode: Ronit Rubenstein, creator and performer of Things My Dad Kept SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/things-my-dad-kept Alice Lundy, director and producer of The Adding Machine SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/adding-machine Nam Nguyen one of the writers and performers of Q_uiz Icarus_ SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/quiz-icarus Sara Mayfield, writer and performer of Who Drinks Mocktails on the Beach?! SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/who-drinks-mocktails-beach If you value thoughtful conversations about Canadian theatre, consider supporting the podcast on Patreon: patreon.com/stageworthy Backers get early access to episodes and help shape future roundtable discussions. Subscribe & Follow:

This week on Stageworthy, host Phil Rickaby welcomes Rachel Kennedy and Laura Paduch, the co-leads of the Toronto Fringe Festival. With the 2024 edition just days away, Rachel and Laura share insights into what makes this year's festival unique, including the exciting new partnership with Soulpepper Theatre, the return of beloved venues, and the community-building magic that Fringe fosters year after year. They also reflect on their personal journeys with Fringe, the evolution of self-producing in theatre, and the vital role that Fringe plays in launching careers. This episode explores: What a Fringe Festival is and how the Toronto Fringe operates The 2024 move to a central hub at Soulpepper in the Distillery District The return and growth of unconventional venues across the city The evolution and merging of the Next Stage Festival into Fringe Peer mentorship and producer pods supporting first-time creators Why Fringe is vital for risk-taking, experimentation, and community-building Guests:

This week on Stageworthy, host Phil Rickaby brings you a third Toronto Fringe Extra episode, featuring interviews with 4 Toronto Fringe Artists, in advance of the Toronto Fringe Festival, running July 2-13 at various locations around Toronto. In this episode: Laura Piccinin, co-creator and producer of the new musical Apothecary SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/apothecary From Regarding Antigone, Dramaturg esi calendar and Assistant Director, Sarah Larmony SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/regarding-antigone Alicia Payne, playwright and co-prodcer of Justice for Maurice Henry Carter SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/justice-maurice-henry-carter Writer and performer of Terrible Fish, Montreal's Caitlin Murphy. SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/terrible-fish Watch for another Toronto Fringe Extra on Thursday, Next week! If you value thoughtful conversations about Canadian theatre, consider supporting the podcast on Patreon: patreon.com/stageworthy Backers get early access to episodes and help shape future roundtable discussions. Subscribe & Follow:

This week on Stageworthy, host Phil Rickaby welcomes Ben Yoganathan, a Toronto-based actor, writer, and director whose latest work, Zeitgeist, will premiere at the 2024 Toronto Fringe Festival. In a lively and wide-ranging conversation, Ben shares the inspiration behind Zeitgeist, his theatre journey from Guelph to Toronto, his experience with unconventional venues, and his recent creation residency in Zurich. This episode dives into the highs and lows of making independent theatre and what it means to be a young artist in an overwhelming world. This episode explores: The inspiration behind Zeitgeist and its cinematic influences The creative process behind developing a play about navigating life in your 20s The benefits and challenges of unconventional fringe venues Ben's experience at a creation residency in Zurich Thoughts on the shifting pedagogy of theatre education The value of Fringe festivals in building a theatre career Guest:

This week on Stageworthy, host Phil Rickaby brings you another special Toronto Fringe Extra episode, featuring interviews with 4 Toronto Fringe Artists, in advance of the Toronto Fringe Festival, running July 2-13 at various locations around Toronto. In this episode: Emma Golden the writer and producer of the true Halifax story, Potato Potato SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/potato-potato Laura Anne Harris the writer and performer of the raw, tender, and quietly radical, Have Fun Kids. SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/have-fun-kids Matti Mclean, creator and performer of A Canadian Explains Eurovision to other Canadians SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/canadian-explains-eurovision-other-canadians  Sashoya Simpson, writer of LULU takes us into a world of Afro-Caribbean folklore, legacy and ancestry. SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/lulu  Watch for another Toronto Fringe Extra on Thursday, Next week! If you value thoughtful conversations about Canadian theatre, consider supporting the podcast on Patreon: patreon.com/stageworthy Backers get early access to episodes and help shape future roundtable discussions. Subscribe & Follow:

This week on Stageworthy, host Phil Rickaby assembles a who's who of Toronto theatre podcasters, to talk about Toronto Fringe, shows you should see, the Next Stage Festival, ticket prices and much more! This episode features podcasters: Alison Mullings from Creative Full Time Janine Marley from A View From the Box Alexandra Lean from Being Dramatic Ryan Borochovitz from Cup of Hemlock Theatre Podcast. This episode was live streamed on youtube on July 17, 7:30pm. Support Stageworthy If you value thoughtful conversations about Canadian theatre, consider supporting the podcast on Patreon: patreon.com/stageworthy Backers get early access to episodes and help shape future roundtable discussions. Subscribe & Follow:

This week on Stageworthy, host Phil Rickaby brings you a special Toronto Fringe Extra episode, featuring interviews with 4 Toronto Fringe Artists, in advance of the Toronto Fringe Festival, running July 2-13 at various locations around Toronto. In this episode: Dawna Wightman, playwright and performer in HOODY, an edgy retelling of Little Red Riding Hood for people who have kept their child soul. SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/hoody Adam Bailey, creator and performer of Adam Bailey: My Three Deaths in which Adam learns that no matter how many times you die - you only live once. SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/adam-bailey-my-three-deaths Composer and comedian Eli Pasic on Screamin in the Rain, in which he sings his tasteless, original ditties! SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/screamin-rain Fuschia Boston talks about String of Pearls, an exploration of how a shift of power influences the lives of a theatre company shaping both their artistic journeys and their personal relationships. SHOW INFO AND TICKETS: https://fringetoronto.com/fringe/show/string-pearls Watch for another Toronto Fringe Extra on Thursday, Next week! Support Stageworthy If you value thoughtful conversations about Canadian theatre, consider supporting the podcast on Patreon: patreon.com/stageworthy Backers get early access to episodes and help shape future roundtable discussions. Subscribe & Follow:

This week on Stageworthy, host Phil Rickaby presents a solo episode. With the Toronto Fringe Festival on the horizon and multiple episodes currently in production, Phil takes a moment to reflect on the state of Canadian theatre, the importance of building audiences, and the challenges facing the industry today. In a passionate and thought-provoking monologue, he explores the need for better marketing in theatre, the limitations of current outreach strategies, and the urgency of cultivating a theatre-going audience that extends beyond industry insiders. Phil also shares his frustrations with streamer platforms and their limited contributions to Canadian content, as well as his deep belief in the value of Canadian stories. Support Stageworthy If you value thoughtful conversations about Canadian theatre, consider supporting the podcast on Patreon: patreon.com/stageworthy Backers get early access to episodes and help shape future roundtable discussions. Subscribe & Follow:

This week on Stageworthy, host Phil Rickaby welcomes back actor, singer, playwright, and producer Rebecca Perry, marking a full-circle moment as Rebecca was Phil's very first podcast guest nearly eight years ago. Rebecca shares the journey of her acclaimed solo show Confessions of a Redheaded Coffee Shop Girl, which debuted at the Toronto Fringe ten years ago and has since toured internationally, including a sold-out run at the Edinburgh Fringe. Rebecca discusses the evolution of the show over the years, her preparation for returning to Edinburgh and Toronto Fringe for the show's 10th anniversary, and the realities of crowdfunding and producing as an independent artist. She also reflects on the importance of adapting material in response to live audiences, the sense of community on the Canadian Fringe circuit, and the challenges and joys of international touring. This episode explores: How Confessions of a Redheaded Coffee Shop Girl has evolved over a decade The distinct culture and audience vibe of different Fringe festivals (Toronto, Edinburgh, Winnipeg, Edmonton) Preparing for the marathon that is Edinburgh Fringe Navigating grants, crowdfunding, and financial challenges as an indie artist Building an international touring career and the importance of networking The excitement of bringing the show to a new generation of audiences Guest:

This week on Stageworthy, host Phil Rickaby welcomes Javier Vilalta, a Mexican-Canadian interdisciplinary artist, stage director, movement coordinator, translator, and co-founder of 8ROJO Theatre. Based in Calgary, Javier shares his journey through performance, directing, and devising unique and often non-verbal theatre experiences. He reflects on his early challenges as an immigrant artist, the evolution of his creative voice, and his mission to help shape Calgary's cultural identity. This episode explores: Javier's early artistic influences and his pivot from acting to directing The founding and philosophy behind Ocho Rojo Theatre Creating intimate, high-concept work for small audiences His experience directing across Canada and internationally Thoughts on diversity, representation, and creative freedom in Canadian theatre His recent production of Mary Stuart and the upcoming queer retelling of Romeo and Juliet with The Shakespeare Company Guest:

This week on Stageworthy, host Phil Rickaby welcomes Nicole Obidiaka, a passionate playwright, arts advocate, and business professional based in St. John's, Newfoundland. Nicole shares her journey from Lagos, Nigeria, to Newfoundland, her work as a playwright amplifying Black voices, and her mission to make theatre more inclusive. She also discusses her play Blank Page, her upcoming work Beauty Behind the Norms, and her advocacy for mentorship and community building in the arts. This episode explores: Nicole's journey from Lagos, Nigeria, to St. John's, Newfoundland How Blank Page brought representation to the stage in St. John's Her new play Beauty Behind the Norms and its exploration of polygamy and womanhood in Nigeria The importance of mentorship and amplifying Black voices in Newfoundland's theatre community Her plans for a Black Theatre Festival to support emerging Black playwrights Guest:

This week on Stageworthy, host Phil Rickaby welcomes Ethan Persyko, a multi-talented actor, playwright, and theatre creator. Ethan shares their journey in the theatre world, their creative process, and the inspiration behind their latest projects. They also discuss their experience working across different genres and the importance of storytelling that reflects diverse perspectives. This episode explores: Ethan's journey into theatre and their early inspirations. Their approach to playwriting and character development. Their work on recent projects and upcoming shows. The importance of community and collaboration in theatre. Navigating the challenges of independent theatre production. Guest:

This week on Stageworthy, host Phil Rickaby welcomes Amanda Lin and Julia Dickson, the co-leadership team behind the Paprika Theatre Festival, now celebrating its 24th season. Amanda and Julia share the story of Paprika's evolution, recent strategic programming changes to prioritize artist and staff well-being, and the organization's commitment to supporting emerging artists. They dive into how the Paprika Festival fosters professional development, provides paid opportunities, and creates space for experimentation and growth — a vital contribution to the Canadian theatre community. Amanda and Julia also talk about their own journeys into arts administration, their long-standing collaboration, and what's coming up at this year's festival. This episode explores: How the Paprika Theatre Festival empowers emerging artists and administrators Why Paprika shifted its programming to prevent burnout and better support artists The importance of paid training opportunities in building a more inclusive theatre industry Amanda and Julia's creative and leadership journeys Highlights and exciting events for this year's Paprika Festival (May 13–17, 2025, at Aki Studio in Toronto) How community programming, including a neighbourhood lemonade stand and a pre-prom dance, builds lasting local connections Guests:

This week on Stageworthy, host Phil Rickaby speaks with Newfoundland-based actor, writer, director, producer, and self-described instigator Ruth Lawrence. Ruth reflects on a career deeply rooted in community, mentorship, and creative activism. In this rich and thoughtful conversation, she discusses her early theatre influences, why she returned to Newfoundland after studying in Ontario, her passion for mentorship, and how theatre can be a catalyst for social change. This episode explores: Why Ruth describes herself as an “instigator” and how theatre can inspire change The value of mentorship and fostering the next generation of theatre artists Her return to Newfoundland and how she built a thriving arts career from scratch The vibrant and collaborative theatre scene in St. John's Her extensive experience in both theatre and film, and how the two intersect Writing her new play If She Runs, an interactive exploration of women in politics Guest:

In this episode of Stageworthy, host Phil Rickaby speaks with Toronto-based performer, voice educator, and multidisciplinary artist Tahirih Vejdani. Born in Saint John, NB, and raised in Regina, Tahirih shares the inspiring and non-traditional journey that led her from classical music training in the Prairies to becoming a sought-after artist and educator in Canada's theatre scene. They discuss her early connection to choirs, her work as a singer and actor at Stratford Festival, and the founding of Ground Floor Team, an organization devoted to care-based rehearsal practices and conflict transformation in theatre. Tahirih also reflects on returning to school for vocal pedagogy and the evolving nature of her touring career. This episode explores: How classical music shaped Tahirih's performance journey Transitioning from musician to actor in the world of Shakespeare The founding and mission of Ground Floor Team and the ARCS methodology Touring across Canada with Catalyst Theatre's The Invisible: Agents of Ungentlemanly Warfare Her return to school to complete a Master's in Vocal Pedagogy Insights on fostering healthier rehearsal spaces in Canadian theatre Guest:

In this episode of Stageworthy, host Phil Rickaby speaks with Cole Hayley, a theatre artist known for his innovative work and dedication to the Canadian theatre scene. Cole shares insights into his creative journey, the challenges and triumphs of working in theatre, and his latest projects. This episode explores: Cole's path into theatre and his artistic influences. The challenges of creating and sustaining theatre work in Canada. Insights into his latest projects and what excites him most. Thoughts on collaboration and artistic growth. Advice for emerging theatre artists. Guest:

This week on Stageworthy, host Phil Rickaby speaks with actor, director, and casting professional Mariel Kathryn Hunter. Based in Saint John, New Brunswick, Mariel has worked extensively in theatre, film, and television, both as a performer and behind the scenes. Mariel shares her journey from Saint John to Vancouver and back, discussing how an unexpected dream pushed her to pursue acting. She also talks about her work in casting, her approach to directing, and why storytelling is essential in regional theatre. This episode explores: How a vivid dream convinced Mariel to become an actor. Her experiences in Vancouver's theatre and film industry. Why she chose to return to Saint John to continue her work in the arts. The challenges and rewards of directing in a smaller theatre community. The importance of mentorship and supporting emerging artists. Her insights into casting and helping actors bring their best performances. Guest:

This week on Stageworthy, host Phil Rickaby sits down with actor, writer, and theatre creator Scott Garland. A fixture in Toronto's theatre community, Scott is passionate about playwriting, dramaturgy, and fostering creative spaces. He was one of the curators of Sing for Your Supper, a monthly play reading series that gave playwrights a chance to hear their work performed. Scott is also a founding member of Silent Protagonist, a puppet theatre company that gained attention with Frankensteinesque at the Toronto Fringe. In this conversation, he shares insights on theatre school, the challenges of independent theatre, and the importance of building artistic community. This episode dives into: Scott's early theatre influences and what led him to pursue acting. His experience in multiple theatre schools and how training shaped his career. The evolution of Sing for Your Supper and its role in supporting new playwrights. Why Toronto's theatre community needs more development opportunities before production. His work with Silent Protagonist and the art of puppetry in theatre. His experience in voice acting, including People Watching. The emotional impact of the pandemic on artists and why we need bold, fearless creativity. Guest: