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Depending on who you talk to, The Godfather is either a story of an "aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son" or, the "greatest gangster film of all time." We discuss why the film is still watched ... and loved almost 50 years later. Listen as host Erroll Southers discusses the first of the trilogy, The Godfather, with Carla Della Gatta, Aubrey Hicks, and Jonathan Schwartz. Twitter: @reelreviewusc, @esouthersHVE, @CarlaDellaGatta @AubreyHi, @jonHLYP
2016 brought us back to the Wizarding World of Harry Potter in the prequel to the beloved books and movies: Fantastic Beasts and Where To Find Them. 6 fictional months and two real life years later, we return to in Yates' Fantastic Beasts: The Crimes of Grindelwald. Reviews have been decidedly mixed. What do our geeks think of the new addition to the Potterverse? Voldemort-lite or complex look at the "Banality of Evil?" If you haven’t seen the movie, beware, this conversation has spoilers. Host Jonathan Schwartz is joined by Alex Ago and Aubrey Hicks. Find us on Twitter: @BedrosianCenter, @AubreyHi, @jonHLYP, @USCCinema, @USCSDA, @USCPrice Showpage: http://bit.ly/pprbeasts
The latest remake of A Star is Born is, well … is getting mixed reviews. Some are rapturous (like this, this, or this and especially this) others not so much (for instance: this, this, or this). Our panel discuss this latest version in the "there is always a possibility of getting discovered" American myths. This version stars Bradley Cooper and Lady Gaga with Cooper also directing. It is the story of a musician who meets and falls for a young singer. He helps her find fame, as age and addiction send his own career into a downward spiral. Jonathan Schwartz fills in for host Erroll Southers and is joined by veteran panelists Alex Ago, Ange-Marie Hancock Alfaro, and Anita Dashiell-Sparks @BedrosianCenter, @AngeMarieH, @AlessandroAgo Email: bedrosian.center@usc.edu This podcast is brought to you by Price Video Services and USC Bedrosian Center, and continues ongoing efforts to bring policy and its impact into the public discourse. Sound editing by the Brothers Hedden.
Following the 2012 death of Trayvon Martin, the trial and eventual acquittal of George Zimmerman, New York-based theatre company The New Black Fest responded by hiring a diverse group of accomplished playwrights to write about themes of race and privilege in America. What resulted are six gorgeous 10-minute plays, some hilarious, some sorrowful: Facing Our Truth: Ten Minute Plays on Treyvon, Race and Privilege. Join us for our second episode of Policy at the Playhouse, as we turn to the state of race in America and the question of the role of theatre in civic discourse.
Our inaugural episode of the Policy at the Playhouse podcast features a discussion the Latino Theater Company’s production of Rules of Seconds at the Los Angeles Theatre Center – presented in association with The Temblors. Set in Boston around 1855, the play, written by John Pollono, centers on a confrontation between a wealthy business man and a young man, resulting in weapons drawn at dawn. In our discussion of the world premiere of John Pollono's Rules of Seconds, we discuss how a period piece can and should reflect the present, how growing up in Boston brought aspects of toxic masculinity to the forefront of John's thinking about the world and how he explores those issues in his writing. We touch on many themes in this conversation about the play, including gender norms, immigration, the role of rules in civil society, and the notion of blind allegiance to those rules/norms. Can breaking rules be the better option? Sponsored by the USC Bedrosian Center http://bedrosian.usc.edu/ Check out our other podcasts at: http://bedrosian.usc.edu/podcasts/ Recorded at the USC Sol Price School of Public Policy http://priceschool.usc.edu/