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Depending on who you talk to, The Godfather is either a story of an "aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son" or, the "greatest gangster film of all time." We discuss why the film is still watched ... and loved almost 50 years later. Listen as host Erroll Southers discusses the first of the trilogy, The Godfather, with Carla Della Gatta, Aubrey Hicks, and Jonathan Schwartz. Twitter: @reelreviewusc, @esouthersHVE, @CarlaDellaGatta @AubreyHi, @jonHLYP
by Sophocles, Paul Woodruff (Translator) This month, Lisa is joined by Carla Della Gatta and Richard Green to discuss the timeless play by Sophocles: Antigone. The play has clear connections to political struggles we face thousands of years later. The struggle between law and norm, the struggle to define what the state can control, and more. Listen as our three scholars discuss the necessity of reading Antigone today. Read along for next month: Body Horror: Capitalism, Fear, Misogyny, Jokes by Elizabeth Anne Moore. For links and more, check out the showpage.
In Coriolanus, Shakespeare brings us to a Rome in a time of transitional government, leadership, citizenship. Patrician Menenius tries to calm a mutiny among the Roman plebeians over the way they feel they have been treated by the nobles. His friend, the great war hero, Caius Martius Coriolanus agrees to run for counsel. However, Coriolanus treats the plebeians with contempt, giving tribunes Sicinius and Brutus the ability to destroy Coriolanus' governing hopes, to destroy his reputation in Rome. Join us for a conversation on leadership, citizenship, military prowess, and running for elected office. Can Shakespeare still teach us about leadership? Host Jeffery A. Jenkins (@jaj7d) is joined by guests Carla Della Gatta (@CarlaDellaGatta ), Lisa Schweitzer (@drschweitzer), and Donnajean Ward (@DonnajeanWard). @BedrosianCenter To listen to the Bedrosian Book Club discussion of Coriolanus click the arrow in the player on this post. Or you can download it and subscribe through ApplePodcasts, Soundcloud, Google Play, Stitcher or your favorite podcasting app! For links and more, check out the showpage: https://bedrosian.usc.edu/bookclub/coriolanus/
Our nerd quotient is rising with the discussion of Star Wars: The Last Jedi. The latest installment of the Star Wars series brings with it controversy. How well does The Last Jedi fit into the Star Wars franchise? How does this new film show how culture has changed since the first film (A New Hope, 1977)? Our talented panel discuss these questions and more in their nerdy discussion of the continuing saga of Luke, Leia, Kylo, Rey, Poe, Finn, and new characters we meet along the way. How might our own biases distort the way we view the storytelling? Find out the journey our panelists took, featuring host Erroll Southers and guests Alessandro Ago, Carla Della Gatta, and Lt. Col. Olivia Nelson. Let us know what you think of the film and our conversation at Facebook or Twitter. To listen to the Price Projection Room discussion of Star Wars: The Last Jedi click the arrow in the player at the top of this post. Or download and subscribe through Apple Podcasts, Soundcloud, or Google Play. Follow us on Twitter! @BedrosianCenter, @esouthersHVE, @AlessandroAgo , @CarlaDellaGatta What to read/watch next … Planet of the Apes: 50th Anniversary Exhibit and Film Retrospective Interview with Rian Johnson @ USC Interview with Rian Johnson @ USC - working with Carrie Fisher Interview with Rian Johnson @ USC - working with Mark Hamill How Star Wars was saved in the edit The Star Wars Holiday Special (Complete Movie) Tales from The Mos Eisley Cantina This podcast is sponsored by Price Video Services and USC Bedrosian Center, and continues ongoing efforts to bring policy and its impact into the public discourse. Special thanks to Dean Jack Knott, USC Price; Dean David Bridel, USC School of Dramatic Arts; and Dean Elizabeth Daley, USC Cinematic Arts for their support of this interdisciplinary conversation. This podcast was produced by Aubrey Hicks and Jonathan Schwartz, recorded and mixed by The Brothers Hedden, Ryan & Corey Hedden.
Wonder Woman is finally on the big screen! Raised on an island secluded from the world, Diana trained harder than any Amazon before her. Taught that the world of man was corrupted by Ares, the God of War, Diana sees an opportunity to kill Ares and set the world right after a pilot crashes on the island. She journeys into the world of man, accompanying Steve Trevor into the "war to end all wars." Soon, Diana learns that humankind is more complicated than the myths she knew. After dozens of superhero films, has director Patty Jenkins revitalized the DC universe with this superheroine? Amid all the "rep-sweats," did the film do justice to this classic comic heroine? Why is this film so important? What do we think of the women-only showings at Alamo Drafthouse? Did we enjoy this film? Warning: *spoilers!* Featuring Lt. Colonel Olivia Nelson, Carla Della Gatta, Tara McPherson, and Erroll Southers Special thanks to Dean Jack Knott, USC Price; Dean David Bridel, USC School of Dramatic Arts; and Dean Elizabeth Daley, USC Cinematic Arts for their support of this interdisciplinary conversation. The Price Projection Room (PPR) features engaging conversations about film and television with interesting folks and USC experts from across disciplines (public policy, governance, theatre, and cinema) to look at visual storytelling, media literacy, diversity, and the public good. Sponsored by: USC Price Video Services http://www.usc.edu/pvs USC Bedrosian Center http://bedrosian.usc.edu Content Partners: USC School of Dramatic Arts https://dramaticarts.usc.edu/ USC School of Cinematic-Arts https://cinema.usc.edu Recorded at the USC Sol Price School of Public Policy http://priceschool.usc.edu
Our second episode of the Price Projection Room features a discussion of the poignant horror film Get Out, written and directed by Jordan Peele (MADTV, Key and Peele, and Keanu). Get Out follows a young African-American photographer on a visit to his white girlfriend's parents' home. The tag line sums up the deep horror of the film, "Just because you're invited, doesn't mean you're welcome." In modifying the horror genre to service social commentary on race, but still staying within the conventions of the horror genre, the film is simultaneously funny, relevant, and scary. The film has sparked conversations (and even a viral challenge) throughout the country. Warning: *spoilers!* Featuring Alessandro Ago, Carla Della Gatta, Aubrey Hicks, and Erroll Southers Special thanks to Dean Jack Knott, USC Price; Dean David Bridel, USC School of Dramatic Arts; and Dean Elizabeth Daley, USC Cinematic Arts for their support of this interdisciplinary conversation. The Price Projection Room (PPR) features engaging conversations about film and television with interesting folks and USC experts from across disciplines (public policy, governance, theatre, and cinema) to look at visual storytelling, media literacy, diversity, and the public good. Sponsored by: USC Price Video Services http://www.usc.edu/pvs USC Bedrosian Center http://bedrosian.usc.edu Content Partners: USC School of Dramatic Arts https://dramaticarts.usc.edu/ USC School of Cinematic-Arts https://cinema.usc.edu Recorded at the USC Sol Price School of Public Policy http://priceschool.usc.edu