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If technology is ruining the art of conversation, maybe it can save it, too. Anna Gat--poet, screenwriter, playwright, and founder of Interintellect--talks with EconTalk's Russ Roberts on how she's reviving the French salon in the digital age. They discuss why authority, moderation, and clear formats make conversation freer, not more constrained. They also explore why one of the greatest of modern plays--Tom Stoppard's Arcadia--is so resonant not only as a live theatrical performance, but also when read aloud, both alone and in a group. They conclude the episode by connecting Arcadia's themes to Gat's mission at Interintellect: Namely, preserving the value of thinking together across generations, disciplines, and worldviews.
Nicholas Clar is an Ohio native actor and content creator. Alumni of Kent State University School of Theatre and Dance, Neighborhood Playhouse and Atlantic Theatre Company Acting School. Nicholas has worked with Cleveland's Playwright's Local and Ceaser's Forum among other New York and North East Ohio theatre companies. Nicholas has been on staff at Little Known Facts Podcast since 2019. @iamnickclar Learn more about your ad choices. Visit podcastchoices.com/adchoices
Michelle Williams is currently starring in an off-Broadway production of the Pulitzer Prize-winning play '"Anna Christie." The show centers around Anna, a former sex worker and famous character in the history of American theater. The show's director Thomas Kail ("Hamilton"), who also happens to be Williams's husband, and actors Brian d'Arcy James, who playsChris Christopherson, and Mare Winningham who plays Marthy Owen, discuss their production of "Anna Christie," running at St. Ann's Warehouse in Brooklyn through February 1.
Happy New Year! Let's kick off 2026 with another WARNING from Deadline about Netflix's plan to crush movie theaters, before diving into the list of films on our radar for the year, this week on The FliteCast! Contact Ray at: EMAIL: ray@theflitecast.com BLUESKY: @FliteCast THREADS: @TheFliteCast INSTAGRAM: theflitecast FACEBOOK: https://www.facebook.com/TheFliteCast/ Subscribe to The FliteCast: Apple Podcasts / YouTube / Spotify / Pandora / RSS Become a member of The FliteCast on Patreon: https://www.patreon.com/TheFliteCast
Drawing on memory studies and theatrical history, Commemorative Acts: French Theatre and the Memory of the Great War (University of Toronto Press, 2025) analyses a neglected body of plays staged in France after the Great War, between 1918 and 1937, to reveal their profound impact on collective memory and cultural identity. In the aftermath of the Great War, a remarkable wave of collective commemoration emerged, but the aesthetic diversity of this period has often been overshadowed by a singular focus on the combatant experience, primarily conveyed through fiction and memoir. This selective historical narrative has fostered a homogenized memory of the war, neglecting the rich array of cultural productions that also emerged alongside it. Commemorative Acts challenges these prevailing assumptions about the memory of the Great War and its literary expression in interwar France by spotlighting theatrical works that have largely been forgotten. The book uncovers how the dominance of first-person accounts of soldiers' experiences has subtly, yet powerfully, narrowed our understanding of what the memory of the Great War can encompass. It explores how drama, structurally at odds with the first-person perspective and defined by its simultaneous modes of expression and reception, has been lost to collective memory. By examining the unique capacity of the dramatic form to capture war trauma, Commemorative Acts offers insights that differ from those of other literary genres, highlighting the theatre's potential to provide a more expansive and nuanced understanding of interwar memorial culture. Author Susan McCready is Professor of French at the University of South Alabama and the co-director for the Center for the Study of War and Memory at South Alabama; she is also the author of 2016's Staging France between the World Wars: Performance, Politics, and the Transformation of the Theatrical Canon and 2007's The Limits of Performance in the French Romantic Theatre, as well as the co-editor of Novel Stages: Drama and the Novel in Nineteenth-Century France in 2007. She has also co-edited a volume of Lingua Romana on France and Memory in the Great War, and has authored many academic articles and chapters on French theater and related topics, as well as a number of public humanities projects on war and memory. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Join us on the latest Whisper in the Wings from Stage Whisper we welcomed on the creator/conductor/producer Leonard J. Lehrman to talk about his two operas Sima and E.G.: A Musical Portrait of Emma Goldman. These fabulous show were so much fun and so fascinating to learn all about. And as a treat, we were joined by Leonard's wife, the amazing Helene Williams who shared her own experiences in creating and carrying these works. So be sure that you hit play and get your tickets today!Sima and E.G.: A Musical Portrait of Emma GoldmanJanuary 8th-25th@ Theater for the New CityTickets and more information are available at theaterforthenewcity.netAnd be sure to follow our guests to stay up to date on all their upcoming projects and productions: theaterforthenewcity.nettinyurl.com/continuatorpreorderleonardjlehrman.com
"We have to go back! (?)" Remember Shuffle turns to one of the premiere network TV dramas of the 2000s, ABC's "Lost," proof that you can't quite fit the round peg of creator-driven, prestige-style drama into the square hole of a traditional TV network. After introducing the ensemble cast of melodramatically tragic characters, the Shuffle Bois + Sam do season-long plot recaps of a show that became increasingly unhinged as it went on, going from a survival drama to an alternate-universe, time-travelling, metaphysical quest between good and evil. They then analyze the very obvious themes of this show - faith, fate, leadership, and morality - before describing the unique style of this particular cultural artifact. Give Sam a follow at @Thank_u_for_shopping (Follow her here: instagram.com/thank_u_for_shopping )Give Remember Shuffle a follow on Twitter And on Instagram @RememberShufflePod to interact with the show between episodes. It also makes it easier to book guests.And don't forget to check out our Patreon!Use remembershuffle.com to find episodes
Saturday Matinee TheatreEpisode 099: 1955: The Adventures of Robin Hood - The AlchemistNo Pat? No Jarrod!? No problem! This SATURDAY MATINEE THEATRE will still turn out to be gold as the lads discuss ROBIN HOOD and THE ALCHEMIST!AD Break: 1955 Commercial: Dodge Push Button - https://youtu.be/1IlEYoAq2zU?si=iODglz4hgPRp5PKa#ImFollowingRobinHoodLet us know what you think!Leave a comment by sending an email to: contact@longboxcrusade.comThis podcast is a member of the LONGBOX CRUSADE NETWORK:Visit the WEBSITE: http://saturdaymatineetheatre.longboxcrusade.com/ or http://www.longboxcrusade.com/LINKTREE: https://linktr.ee/longboxcrusadeFollow on TWITTER: https://twitter.com/LongboxCrusadeFollow on INSTAGRAM: https://www.instagram.com/longboxcrusadeLike the FACEBOOK page: https://www.facebook.com/LongboxCrusadeSubscribe to the YOUTUBE Channel: https://goo.gl/4LkhovSubscribe on APPLE PODCASTS at:https://itunes.apple.com/us/podcast/saturday-matinee-theatre/id1366937903?mt=2orhttps://itunes.apple.com/us/podcast/the-longbox-crusade/id1118783510?mt=2Intro and Outro music "Maple Leaf Rag" by E's Jammy JamsThank you for listening and we hope you have enjoyed this episode of Saturday Matinee Theatre.#robinhood #theadventuresofrobinhood
When a 10-year-old kid starts taking notes to critique his Aunt's directing of a Severna Park High School play, you know there is a budding theater kid in there. Fast forward about twenty years, and that kid graduated from Severna Park High and has just won an Annie Award in Arts Education from the Arts Council of Anne Arundel County. Along the way, Atticus Boidy has made a huge name for himself in the realm of the theatrical arts in Anne Arundel County. He teaches at the Children's Theatre of Annapolis, consults with many elementary and high schools in the county, and works with AACC and many other theater companies in the region. Along the way, he has launched his own consulting firm-- Theatrical Success Consulting. Truly a fascinating individual! Have a listen! LINKS: Atticus Boidy (Website) Theatrical Success Consulting (Website)
In this intense episode of We're Done Here, comedian Brittany Brave sits down with Meka Mo to talk candidly about domestic violence. Together, they unpack the realities of abuse, the ways it shapes personal and professional life, and the strength it takes to speak openly about experiences often kept in the dark. Raw, thoughtful, and deeply human. Are you ready to be done here? Grab your headphones, hit play, and get ready to laugh, cry, and learn. This is “We're Done Here”, and we're done talking. Now it's your turn to listen.
Drawing on memory studies and theatrical history, Commemorative Acts: French Theatre and the Memory of the Great War (University of Toronto Press, 2025) analyses a neglected body of plays staged in France after the Great War, between 1918 and 1937, to reveal their profound impact on collective memory and cultural identity. In the aftermath of the Great War, a remarkable wave of collective commemoration emerged, but the aesthetic diversity of this period has often been overshadowed by a singular focus on the combatant experience, primarily conveyed through fiction and memoir. This selective historical narrative has fostered a homogenized memory of the war, neglecting the rich array of cultural productions that also emerged alongside it. Commemorative Acts challenges these prevailing assumptions about the memory of the Great War and its literary expression in interwar France by spotlighting theatrical works that have largely been forgotten. The book uncovers how the dominance of first-person accounts of soldiers' experiences has subtly, yet powerfully, narrowed our understanding of what the memory of the Great War can encompass. It explores how drama, structurally at odds with the first-person perspective and defined by its simultaneous modes of expression and reception, has been lost to collective memory. By examining the unique capacity of the dramatic form to capture war trauma, Commemorative Acts offers insights that differ from those of other literary genres, highlighting the theatre's potential to provide a more expansive and nuanced understanding of interwar memorial culture. Author Susan McCready is Professor of French at the University of South Alabama and the co-director for the Center for the Study of War and Memory at South Alabama; she is also the author of 2016's Staging France between the World Wars: Performance, Politics, and the Transformation of the Theatrical Canon and 2007's The Limits of Performance in the French Romantic Theatre, as well as the co-editor of Novel Stages: Drama and the Novel in Nineteenth-Century France in 2007. She has also co-edited a volume of Lingua Romana on France and Memory in the Great War, and has authored many academic articles and chapters on French theater and related topics, as well as a number of public humanities projects on war and memory. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history
Composer Michelle DiBucci is a versatile artist whose work spans theater, opera, dance, and film. Michelle has made significant contributions to contemporary music, having collaborated with renowned ensembles like the Kronos Quartet and created works performed at prestigious venues such as Alice Tully Hall and the Komische Oper in Berlin. Her rich background includes studying under esteemed composers like Louis Andriessen and teaching at Juilliard since 1992, where she shares her passion for music and theater with aspiring artists.In this first part of our conversation, we explore Michelle's early influences, from her childhood experiences with television soundtracks to her pivotal moment of discovering the relationship between music and visual storytelling. She shares her journey from acting to composing, detailing how mentorship shaped her path and the lessons learned along the way. Michelle's insights into music composition reveal the intricate balance between creativity and the realities of the industry.[Subscriber Content] In the second part, we delve deeper into her composition approach and the collaborative process behind her compositions. Michelle discusses memorable projects, including her opera based on Charlotte Solomon's life, and highlights her thoughts on the changing landscape of music education and the impact of technology on future generations of musicians. This section offers valuable perspectives on navigating a career in music, alongside a reflection on the importance of live performances in an increasingly digital world.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!
The SKATCAST Network presents:Truck Driver Theater #70 (made by the Script Keeper)Today's Show:[ Adventures of Gunner Halifax | 0:15 ] - "Arc of the Garmak" - Gunner and the crew deal with even more Garmak related things. Too many probably. There is also some space pirates or something.Thank you for listening! Be safe out there!!!Visit us for more episodes of SKATCAST and other shows like SKATCAST presents The Dave & Angus Show plus BONUS material at https://www.skatcast.com Watch select shows and shorts on YouTube: bit.ly/34kxCneJoin the conversation on Discord! https://discord.gg/XKxhHYwu9zFor all show related questions: info@skatcast.comPlease rate and subscribe on iTunes and elsewhere and follow SKATCAST on social media!! Instagram: @theescriptkeeper Facebook: https://www.facebook.com/scriptkeepersATWanna become a Patron? Click here: https://www.patreon.com/SkatcastSign up through Patreon and you'll get Exclusive Content, Behind The Scenes video, special downloads and more! Prefer to make a donation instead? You can do that through our PayPal: https://paypal.me/skatcastpodcast Hosted on Acast. See acast.com/privacy for more information.
BONUS PODCAST: What should you see in the theatre? See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Lux Radio Theatre first brought “It's a Wonderful Life” to the radio airwaves in 1947. Now Madison steps in as the Angel, Second Class learning all about the Wonderful Life of George Bailey in Bedford Falls, New York. It's the Christmas Classic you remember with sweet Mary Hatch, the forgetful Uncle Billy, and the miserly Mr. Potter all seen through the lens of Madison. Will George find his happy ending and Madison earn her angel's wings? Join us and make Madison a new part of your Holiday traditions! Learn more about your ad choices. Visit megaphone.fm/adchoices
In der Türkei lautet das Motto: All-Inclusive - Gastfreundlichkeit, warme Temperaturen im November, und tolle Sandstrände. Egal in welcher Hotelkategorie: Wer günstig Strandurlaub machen will, ist an der türkischen Riviera richtig. 20 Millionen Gäste lassen es sich jedes Jahr auf den Sonnenliegen bei Antalya und Umgebung gut gehen. Besonders schön: Der weiße Sandstrand in Side. Hier gibt es auch Kultur und Abenteuerurlaub: Sides Altstadt begeistert mit einem antiken griechisch-römischen Theater und einem Apollotempel – erbaut durch die Sklaven der Römer im 1. Jahrhundert nach Christus. Auch ein Abstecher nach Manavgat, wo die Wasserfälle und ein Raftingausflug warten. Die Menschen sprechen überwiegend deutsch und englisch. Nur beim Essen und Trinken sollten Urlauber vorsichtig sein. Gut verdauliche kontinentaleuropäische Küche gibt es auch bei einer Hotelkategorie von 5 Sternen nicht immer „safe“. Hier sollte man unbedingt im Reisebüro oder bei Bekannten fragen und sich vorab Infos über deren Erfahrungen holen. Absolut sehenswert ist das Antalya Aquarium, das ein Lübecker in Leben gerufen hat. Es gibt insgesamt 64 Becken mit einem Wasservolumen von 6.800 Kubikmetern und dem größten Tunnelaquarium der Welt: Es ist in der Mitte 131 Meter lang und 3 Meter breit. Die Dekoration wurde vom italienischen Bildhauer Benedetti in Afrika entworfen und enthält lebensgroße Trümmer von Flugzeugen, Schiffen und U-Booten. Reportagen von Dr. Thorsten Philipps
Drawing on memory studies and theatrical history, Commemorative Acts: French Theatre and the Memory of the Great War (University of Toronto Press, 2025) analyses a neglected body of plays staged in France after the Great War, between 1918 and 1937, to reveal their profound impact on collective memory and cultural identity. In the aftermath of the Great War, a remarkable wave of collective commemoration emerged, but the aesthetic diversity of this period has often been overshadowed by a singular focus on the combatant experience, primarily conveyed through fiction and memoir. This selective historical narrative has fostered a homogenized memory of the war, neglecting the rich array of cultural productions that also emerged alongside it. Commemorative Acts challenges these prevailing assumptions about the memory of the Great War and its literary expression in interwar France by spotlighting theatrical works that have largely been forgotten. The book uncovers how the dominance of first-person accounts of soldiers' experiences has subtly, yet powerfully, narrowed our understanding of what the memory of the Great War can encompass. It explores how drama, structurally at odds with the first-person perspective and defined by its simultaneous modes of expression and reception, has been lost to collective memory. By examining the unique capacity of the dramatic form to capture war trauma, Commemorative Acts offers insights that differ from those of other literary genres, highlighting the theatre's potential to provide a more expansive and nuanced understanding of interwar memorial culture. Author Susan McCready is Professor of French at the University of South Alabama and the co-director for the Center for the Study of War and Memory at South Alabama; she is also the author of 2016's Staging France between the World Wars: Performance, Politics, and the Transformation of the Theatrical Canon and 2007's The Limits of Performance in the French Romantic Theatre, as well as the co-editor of Novel Stages: Drama and the Novel in Nineteenth-Century France in 2007. She has also co-edited a volume of Lingua Romana on France and Memory in the Great War, and has authored many academic articles and chapters on French theater and related topics, as well as a number of public humanities projects on war and memory. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Russlands Staatsmedien feiern die Wiedereröffnung des Theaters in Mariupol. Sie leugnen, dass es 2022 bei einem russischen Luftangriff zerstört wurde. Hinter der Fassade von Nationalismus bleibt die Erinnerung an ein mutmaßliches Kriegsverbrechen. Ein Kommentar von Mariia Fedorova www.deutschlandfunk.de, Kommentare und Themen der Woche
As the new year arrives, Alex and Sarah look forward to some of the exhilarating theatrical treats in store which range from Aidan Turner's return to the stage opposite Lesley Manvill in Les Liaisons Dangereuses at the National Theatre to Mischief Theatre's first musical Thespians and the Royal Court's 70th anniversary season. Hosted on Acast. See acast.com/privacy for more information.
Step into the shadowed corridors of history with the latest episode of Cryptic Chronicles as we unravel the enigmatic world of Renaissance demonology. This was a time when the arcane intersected with the intellectual, as scholars, theologians, and occultists sought to catalog the infernal hierarchy and decode the mysteries of dark spirits. In this episode, we delve into the era's most infamous grimoires, explore the influence of Renaissance magic on the perception of demons, and examine how cultural and religious shifts shaped humanity's understanding of the supernatural. Whether you're fascinated by the lore of infernal pacts or the philosophical debates of the time, this episode shines a light on the Renaissance's complex dance with the demonic. SOURCES: -Mephistopheles: The Devil in the Modern World -Grimoires: A History of Magic Books -Pandemonium: A Visual History of Demonology -In the Company of Demons: https://www.goodreads.com/book/show/879406.In_the_Company_of_Demons -Strozzi Cigogna's The Theater: https://www.abebooks.com/first-edition/Palagio-GlIncanti-Gran-Merauiglie-Spiriti-Tutta/31820564901/bd
The new wave of outrage from lawmakers over Jeffrey Epstein is less a moral awakening than a stage play. For years, these same politicians happily accepted his money, attended his events, and ignored survivors' pleas. Now, with the cameras rolling, they've reinvented themselves as crusaders for justice. Their speeches are choreographed performances — complete with dramatic pauses and crocodile tears — designed to look like courage but reeking of political survival. Survivors don't need applause lines or hashtags; they needed action years ago, when it might have made a difference.What we're really watching is hypocrisy in motion. The very people who enabled Epstein's influence machine now use outrage as a costume to launder their reputations. They hope the public will forget the donations, the fundraisers, and the Rolodex connections, but the record doesn't disappear just because they suddenly discovered empathy. This isn't justice, it's theater — and if they believe they can posture without being called out, they've underestimated how much the audience has been paying attention.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Listen to the Show Right Click to Save GuestsDirectors ForumLacey Canon GonzalesLiz FisherCarl GonzalesPatti Neff TivenMarianna Tolemache Bob Tolaro What We Talked About
LISTEN The second half of our Theater episode. Theater has defined our lives since our late teens. It's how we met and had so much awesome enter our lives. Here is the rest of that conversation! This episode is dedicated to our dear late friend, Vicki. For all things Old Guys: https://linktr.ee/ogwltJoin the conversation (and see our artifact album) on our Facebook: facebook.com/oldguyswholovethings and talk to us via email: oldguyswholovethings@gmail.comFind Shawn online: https://linktr.ee/Grue_GalleryFind Eric online: https://beacons.page/ericpschwartz (all music by Eric)Additional sound effects from https://www.zapsplat.com
Theater owners are concerned about the movie business in early 2026, as their aren't enough major hits to keep the lights on for some. And even The Wrap agrees that the occasional Avatar isn't enough to keep the movie industry healthy. In fact, they think Hollywood is looking at a recession...Watch this podcast episode on YouTube and all major podcast hosts including Spotify.CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles.D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://more.clownfishtv.com/On YouTube - https://www.youtube.com/c/ClownfishTVOn Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvgOn Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629
For over 100 years, a group of lawyers and judges leave the courtrooms behind and take the stage to present classic parody in music, song and skit looking at the events of the day in a way only these talented lawyers can do. This year's show is titled, “Moo Court” as Mrs. O'Leary's cow faces […]
The Director of Marketing for The League of Chicago Theaters Alexis Davis joins Steve Dale (in for Bob Sirott) to preview a wonderful 2026 ahead for theater in Chicago and some of the highlights from 2025.
The Twin Cities are always a major hub for live theater performances and there is a lot ahead in 2026. Dale Stark from Hennepin Arts talks about what is scheduled and when you can see it.
The Director of Marketing for The League of Chicago Theaters, Alexis Davis, joins Steve Dale (in for Bob Sirott) to preview a wonderful 2026 ahead for theater in Chicago and some of the highlights from 2025.
Actor/comedian Jeremy Piven is back for part two of his interview and talks about the ten years it took to get his movie made. "The Performance" is based on an Arthur Miller story in which a Jewish tap dancer is recruited to prance before Hitler. | Jeremy has made the jump from acting to stand-up comedy and still gets ridiculed by other comedians. | He grew up acting with John Cusack in his family theatre company in Chicago at age eight. *To hear the full show to go www.siriusxm.com/bonfire to learn more! FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolf Subscribe to SiriusXM Podcasts+ to listen to new episodes of The Bonfire ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
Originally released March 21, 2025In this episode of Unglossy, Tom and Jeffrey sit down with Keenan Scott II, a prolific playwright, poet, actor, director, and producer from Queens, New York. Keenan delves into his artistic journey, beginning with his early passion for visual arts and comic books, and transitioning into poetry and performance as he navigated his formative years in Maryland. His experiences at open mic nights in D.C. were pivotal, shaping his creative expression and laying the groundwork for his future in theater. Keenan also discusses the genesis of his renowned play, "Thoughts of a Colored Man," which started as college monologues aimed at authentically representing Black experiences absent from mainstream theater.The conversation further explores the complexities and challenges of bringing a play to Broadway. Keenan sheds light on the logistical and financial hurdles, including navigating the influential theater families that control Broadway venues. Despite these challenges and the abrupt end to his play's run due to COVID-19, Keenan's work continues to make a significant impact. Looking ahead, he shares his excitement for future projects through his company, Project Toy Entertainment, aiming to fuse various artistic mediums and empower new creative voices. His advice to emerging artists—to believe in themselves and embrace perseverance—is a testament to his journey and dedication to the arts."Unglossy: Decoding Brand in Culture," is produced and distributed by Merrick Studio and hosted by Merrick Chief Creative Officer, Tom Frank and music industry veteran, Jeffrey Sledge. Tune in to hear this thought-provoking discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @UnglossyPod to join the conversation and support the show at https://unglossypod.buzzsprout.com/Send us a textSupport the show
Ryan's website https://thesecretteachings.info/Forbidden Knowledge Network https://forbiddenknowledge.news/ FKN Link Treehttps://linktr.ee/FKNlinksMake a Donation to Forbidden Knowledge News https://www.paypal.me/forbiddenknowledgenehttps://buymeacoffee.com/forbiddenWe are back on YouTube! https://youtube.com/@forbiddenknowledgenews?si=XQhXCjteMKYNUJSjBackup channelhttps://youtube.com/@fknshow1?si=tIoIjpUGeSoRNaEsDoors of Perception is available now on Amazon Prime!https://watch.amazon.com/detail?gti=amzn1.dv.gti.8a60e6c7-678d-4502-b335-adfbb30697b8&ref_=atv_lp_share_mv&r=webDoors of Perception official trailerhttps://youtu.be/F-VJ01kMSII?si=Ee6xwtUONA18HNLZPick up Independent Media Token herehttps://www.independentmediatoken.com/Be prepared for any emergency with Prep Starts Now!https://prepstartsnow.com/discount/FKNStart your microdosing journey with BrainsupremeGet 15% off your order here!!https://brainsupreme.co/FKN15Book a free consultation with Jennifer Halcame Emailjenniferhalcame@gmail.comFacebook pagehttps://www.facebook.com/profile.php?id=61561665957079&mibextid=ZbWKwLWatch The Forbidden Documentary: Occult Louisiana on Tubi: https://link.tubi.tv/pGXW6chxCJbC60 PurplePowerhttps://go.shopc60.com/FORBIDDEN10/or use coupon code knowledge10Johnny Larson's artworkhttps://www.patreon.com/JohnnyLarsonSign up on Rokfin!https://rokfin.com/fknplusPodcastshttps://www.spreaker.com/show/forbiddenAvailable on all platforms Support FKN on Spreaker https://spreaker.page.link/KoPgfbEq8kcsR5oj9FKN ON Rumblehttps://rumble.com/c/FKNpGet Cory Hughes books!Lee Harvey Oswald In Black and White https://www.amazon.com/dp/B0FJ2PQJRMA Warning From History Audio bookhttps://buymeacoffee.com/jfkbook/e/392579https://www.buymeacoffee.com/jfkbookhttps://www.amazon.com/Warning-History-Cory-Hughes/dp/B0CL14VQY6/ref=mp_s_a_1_1?crid=72HEFZQA7TAP&keywords=a+warning+from+history+cory+hughes&qid=1698861279&sprefix=a+warning+fro%2Caps%2C121&sr=8-1https://coryhughes.org/Become Self-Sufficient With A Food Forest!!https://foodforestabundance.com/get-started/?ref=CHRISTOPHERMATHUse coupon code: FORBIDDEN for discountsOur Facebook pageshttps://www.facebook.com/forbiddenknowledgenewsconspiracy/https://www.facebook.com/FKNNetwork/Instagram @forbiddenknowledgenews1@forbiddenknowledgenetworkXhttps://x.com/ForbiddenKnow10?t=uO5AqEtDuHdF9fXYtCUtfw&s=09Email Forbidden Knowledge News forbiddenknowledgenews@gmail.comsome music thanks to:https://www.bensound.com/ULFAPO3OJSCGN8LDDGLBEYNSIXA6EMZJ5FUXWYNC6WJNJKRS8DH27IXE3D73E97DC6JMAFZLSZDGTWFIBecome a supporter of this podcast: https://www.spreaker.com/podcast/forbidden-knowledge-news--3589233/support.
Send us a textTara and EmKay recap an iconified Season 6 to close out 2025! Awards are given out for the moments that made us laugh, cry, feel gratitution, and more. Thank you for another incredible season, listeners!Show Notes:Wicked: The Graphic Novel Part IOddment and TweakMoonchild TrinketsInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay Shrader Down the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz
In this College Deep Dive, Bill Digneit the Department Head and Professor of Theatre & Dance at Northern Michigan University chats with MTCA Director Charlie Murphy about: How NMU is a place for adventurers Finding your best fit of school comes clear through auditions and conversations with current students. The benefits and tradeoffs of curricular freedom Entrepreneurial mindset: From unique showcases to transferable BFA skills, Bill models the creative problem-solving artists need today. If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtca.com, or on Instagram or Facebook. Follow Us! Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions) TikTok: @mtcollegeauditions Charlie Murphy:@charmur7 About MTCA: Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit. About Charlie Murphy: Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.com], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier, Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Learn more about your ad choices. Visit megaphone.fm/adchoices
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Jon Herold opens the show in a sharp, no-nonsense mood, taking aim at the latest wave of political “accountability” narratives dominating the news cycle. He breaks down the sudden outrage over large-scale fraud cases, questioning why government officials and federal agencies are only acting now, after years of silence, and only once independent journalists forced the issue into the public eye. Jon challenges statements from congressional leadership, arguing that performative investigations and press releases do little to address the deeper problem: systemic fiscal irresponsibility and a political class that benefits from the very corruption it claims to oppose. The episode moves through broader concerns about government spending, ballooning national debt, foreign aid priorities, and the recurring pattern of public problem-solving that quietly creates even larger issues behind the scenes. Jon also touches on media hypocrisy, selective enforcement, and the growing disconnect between the government Americans were promised and the one that currently exists. As always, the conversation blends pointed critique, dry humor, and a call for people to stop outsourcing responsibility to institutions that have repeatedly proven they cannot be trusted.
BONUS EPISODE – We're wrapping up 2025 and headed into a new, exciting year in Venueland!
Theatre kids, rise up! Today we meet John Yates and the young people decide to put on a play. Edmund is NOT a fan of this idea. Julia finally gets her answers about Henry's feelings.Topics discussed include the pettiness of theatre kids, Edmund and Tom's power struggles, Jane Austen's involvement with theatre, Edmund's overall wussiness, the plot of Lovers' Vows, and Julia's comeback.The young people of Mansfield Park are making theatre, and so is our very own audio producer, Graham! Come see him in a brand-new work called The Marble in My Mouth on January 9th and 10th at 7:00 and 8:30 PM! Performances are at Stella Adler Center for the Arts in New York City. Get your tickets HERE! Patron Study Questions this week come from Judith, Diana L., Kaitlyn, and Avi.Topics discussed include the modern equivalence of Lovers' Vows, theatre kids flirting with each other, the characters' feelings about the play, and Fanny's reaction to the play at the end of the chapters.Becca's Study Questions: Topics discussed include how theatre is moving the story along and the scandal of Maria's participation in the play.Funniest Quote(s): “As he said this, each looked towards their mother. Lady Bertram, sunk back in one corner of the sofa, the picture of health, wealth, ease, and tranquility, was just falling into a gentle doze, while Fanny was getting through the few difficulties of her work for her.”“If I must give my opinion, I have always thought it the most insipid play in the English language - I do not wish to make objections, I shall be happy to be of any use, but I think we could not choose worse.”Questions moving forward: Who's watching this play? Will Julia participate? Will Fanny try to stop the play? Will Fanny try to stop it?Who wins the chapters? Julia!!!Glossary of Terms and Phrases: baize (n): a coarse, typically green woolen material resembling felt, used especially for covering pool, snooker, and billiard tables.by the ears: to cause to dispute or quarrelGlossary of People, Places, and Things: Austenland, Only Murders in the Building, Spring Awakening, Spring Awakening, Hair, Rent, Prince Faggot, The Vagina Monologues, ZanessaNext Episode: Mansfield Park Chapters 15-16Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon! Check out our merch at https://podandprejudice.dashery.com.Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/
PLAN GOAL PLAN | Schedule, Mindful, Holistic Goal Setting, Focus, Working Moms
When was the last time you really let yourself DREAM? Like, gave yourself full permission to get wild and audacious about your future?If you're like me, you might think you're a big dreamer—but you're actually thinking smaller than you're capable of. In this solo episode, I'm getting nerdy about the relationship between dreaming big, hope, and your future self. And here's the surprising discovery: hope isn't an emotion—it's a learnable skill. What you'll learn: Why hope is a state of mind, not an emotion (and why that matters for goal-setting) How hopeful people are better problem-solvers with more cognitive flexibility The concept of "utopian performances"—how imagining your future changes your present Why dreaming big might feel arrogant or dangerous (but your utopia always includes community) The 5-year dreaming activity that challenged me to think bigger Here's what the research shows: Hopeful people are more motivated, better at problem-solving, and have brains that can imagine multiple possible futures. The coolest part? Hope is trainable. I geek out a bit on performance studies (my research area!) and talk about how theater creates spaces where people rehearse living different futures. Brazilian theater practitioner Augusto Boal used "Theater of the Oppressed" to help people literally rehearse for revolution. The Big Question: Are you holding back on a goal because it seems too scary? Does naming it out loud feel too hopeful—like you're setting yourself up for disappointment? Your Challenge: Before you set your next goal, check your state of mind. Are you feeling hopeful? If not, cultivate a hopeful mind first—one that's motivated, good at problem-solving, and able to imagine your ideal future self. By just dreaming, you'll find yourself acting differently in the present. Your future self will come together faster than you ever thought possible. Mentioned in this episode: Mitch Matthews (Dream Think Do & Encouraging the Encouragers podcasts) Brené Brown's "Atlas of the Heart" Jill Dolan's "Utopia in Performance" Augusto Boal's "Theater of the Oppressed" Resources: Sense the Possibilities Planner & Journal (20+ worksheets to help you connect with yourself before setting goals) Plan Goal Plan 2026 Weekly Planner Quarterly Plan Goal Plan Your Year Retreats (dates at plangoalplan.com/retreats) Connect with me: Email: support@plangoalplan.com Facebook Group: Join Here Website: PlanGoalPlan.com LinkedIn: (I post most here!) www.linkedin.com/in/danielle-mcgeough-phd-
Couch Potato Theater: GALAXY QUEST (1999) - Fandom Podcast Network Classics Watch: Fandom Podcast Network YouTube Channel Link: https://www.youtube.com/@FandomPodcastNetwork Listen: Couch Potato Theater Audio Podcast Link: https://fpnet.podbean.com/category/couch-potato-theater Welcome to Couch Potato Theater, where we celebrate our favorite movies on the Fandom Podcast Network! We're re-releasing - Couch Potato Theater: GALAXY QUEST (1999), and alumni of our "Fandom Podcast Network Classics". Originally recorded in 2019. For this Couch Potato Theater special presentation of GALAXY QUEST (1999), your CPT co-hosts and Fandom Podcast Network co-founders Kevin & Kyle welcome guests and fellow Union Federation podcast co-hosts Amy and Hayley as we discuss why GALAXY QUEST (1999) became an instant classic, and is considered by fans, as one of the best Star Trek movies! LOL! Sit back and relax on the couch and enjoy this re-release special presentation of Couch Potato Theater: GALAXY QUEST (1999). Plot Synopsis: Galaxy Quest is a 1999 American satirical science fiction comedy film directed by Dean Parisot and written by David Howard and Robert Gordon. It stars Tim Allen, Sigourney Weaver, Alan Rickman, Tony Shalhoub, Sam Rockwell, and Daryl Mitchell. A parody of and homage to science-fiction films and series, especially Star Trek and its fandom, the film depicts the cast of a fictional cult television series, Galaxy Quest, who are drawn into a real interstellar conflict by aliens who think the series is a documentary and have shaped their society around the show. Fandom Podcast Network Contact Information - - Fandom Podcast Network YouTube Channel: https://www.youtube.com/c/FandomPodcastNetwork - Master feed for all FPNet Audio Podcasts: http://fpnet.podbean.com/ - Couch Potato Theater Audio Podcast Master Feed: https://fpnet.podbean.com/category/couch-potato-theater - Facebook: https://www.facebook.com/Fandompodcastnetwork - Email: fandompodcastnetwork@gmail.com - Instagram: https://www.instagram.com/fandompodcastnetwork/ - X: @fanpodnetwork / https://twitter.com/fanpodnetwork -Bluesky: @fanpodnetwork / https://bsky.app/profile/fanpodnetwork.bsky.social Host & Guest Contact Info: - Kevin Reitzel on X, Instagram, Threads, Discord & Letterboxd: @spartan_phoenix / Bluesky: @spartanphoenix - Kyle Wagner on X: @AKyleW / Instagram & Threads: @Akylefandom / @akyleW on Discord / @Ksport16: Letterboxd / Bluesky: @akylew Special Guests: - Amy Nelson on X: @MissAmyNelson / Instagram: @amynelson522 / Blue Sky: @CounselorAmy - Hayley Stoddart on Instagram & Bluesky: @trekkie01D #CouchPotatoTheater #CPT #FandomPodcastNetwork #FandomPodcastNetworkClassics #FPNet #FPN #GalaxyQuest #GalaxyQuest1999 #GalaxyQuestMovie #DeanParisot #TimAllen #SigourneyWeaver #AlanRickman #TonyShalhoub #SamRockwell #DarylMitchell #Sam Rockwell #MissiPyle #JustinLong #RainnWilson #PatrickBreen #1999Movies #KevinReitzel #KyleWagner #AmyNelson #HayleyStoddart New boost
Chapters:0:00 Introduction and the book5:00 Zohran Mamdani9:40 Single greatest sporting achievement in Pakistan14:00 Was Shahid Afridi more popular than Imran Khan?23:53 Wasim Akram vs Imran Khan - Greatest Cricketer36:06 Wasim Akram as a captain and Africi's World Cup40:00 Match Factor and Subjectivity 47:00 Babar Azam 48:20 T20 World Cup XI and the Pakistan Cricket TeamThe Pakistan Experience is an independently produced podcast looking to tell stories about Pakistan through conversations. Please consider supporting us on Patreon:https://www.patreon.com/thepakistanexperienceTo support the channel:Jazzcash/Easypaisa - 0325 -2982912Patreon.com/thepakistanexperienceAnd Please stay in touch:https://twitter.com/ThePakistanExp1https://www.facebook.com/thepakistanexperiencehttps://instagram.com/thepakistanexpeperienceThe podcast is hosted by comedian and writer, Shehzad Ghias Shaikh. Shehzad is a Fulbright scholar with a Masters in Theatre from Brooklyn College. He is also one of the foremost Stand-up comedians in Pakistan and frequently writes for numerous publications. Instagram.com/shehzadghiasshaikhFacebook.com/Shehzadghias/Twitter.com/shehzad89Join this channel to get access to perks:https://www.youtube.com/channel/UC44l9XMwecN5nSgIF2Dvivg/join
Minister of Climate Change and Environmental Coordination Dr. Musadiq Malik comes on the Pakistan Experience to discuss the Floods, Climate Change, Early Warning Systems, the Hybrid Regime, Balochistan, PTI vs the Writ of the State, Imran Khan's sisters being mishandled, deforestation, accountability, electric vehicles, and more.Dr. Musadik Malik holds a BS in Pharmacy from the University of the Punjab.He then went to University of Illinois, where he earned an MBA, an M.S. and a Ph.D. in Healthcare Administration and Policy.In addition, he completed a post-doctoral fellowship in Health Economics and Medical Decision Making at the University of Illinois College of Medicine.The Pakistan Experience is an independently produced podcast looking to tell stories about Pakistan through conversations. Please consider supporting us on Patreon:https://www.patreon.com/thepakistanexperienceTo support the channel:Jazzcash/Easypaisa - 0325 -2982912Patreon.com/thepakistanexperienceAnd Please stay in touch:https://twitter.com/ThePakistanExp1https://www.facebook.com/thepakistanexperiencehttps://instagram.com/thepakistanexpeperienceThe podcast is hosted by comedian and writer, Shehzad Ghias Shaikh. Shehzad is a Fulbright scholar with a Masters in Theatre from Brooklyn College. He is also one of the foremost Stand-up comedians in Pakistan and frequently writes for numerous publications. Instagram.com/shehzadghiasshaikhFacebook.com/Shehzadghias/Twitter.com/shehzad89Join this channel to get access to perks:https://www.youtube.com/channel/UC44l9XMwecN5nSgIF2Dvivg/joinChapters:0:00 Karachi and Motorways6:38 Climate Change, Housing Societies and RUDA25:00 Floods, Early Warning Systems and GLOF34:00 RUDA and Flood prevention Systems44:00 Deforestation, Cutting Trees and Accountability 52:10 Siyaasi Majbooriyan and Petroleum 1:02:12 Balochistan and the Hybrid Regime1:19:00 Military Courts, Institution Strengthening and Writ of the State1:29:40 Imran Khan's sisters being manhandled and writ of the state1:35:20 Gandapur and PTI's incitement to violence1:40:15 Audience Questions
Cameron Mackintosh's new production of Andrew Lloyd Webber's legendary musical “the Phantom of the Opera brings back the show's original design and production. The classic music and staging have returned in all its glamour and glory to the Cadillac Palace Theatre thru February 1st. Phantom changed musical theater forever with it's opera feel and gorgeous music including “Music […]
Rachel and Jacklyn look back at the big news stories out of Broadway in 2025 and share their individual highlights at the theater for the year. Visit onstageblog.com for more Theatre and Broadway News in 2026 and beyond!onstageblog.comfacebook.com/onstageblogtwitter.com/onstagebloginstagram.com/onstagebloghttps://www.youtube.com/@onstageblog8213
Sara Kay Godot is an actress, comedian, and producer. Her and I have collaborated on an awful lot. She was in Loner, Left At Wall, and Termination Fee. Termination Fee began as a read through at a pizza place. It went on to do the Hollywood Fringe, sold out 60% of the run, got nominated for an award, and its film version is currently in post-production. Sara was a driving force behind all of that, so we've had quite a year.
Nick and Hannah look back on a theatre-stuffed 2025, chatting through the shows they saw, loved, questioned and are still thinking about. From West End heavyweights to immersive experiments and concert highlights, this episode is a fast, opinionated tour of the year in musicals. Along the way they discuss everything from Robin Hood at the Palladium, Les Misérables, Matilda, MJ The Musical and Mamma Mia! to newer and quirkier experiences including Grease immersive, Clueless, The Great Gatsby, Edward Scissorhands, Acorn Antiques and Here & Now, Wicked: Part Two, Back to the Future, Paddington, Hercules, and an unforgettable evening with Alan Menken in concert — plus a few theatrical oddities and honourable mentions along the way. A concise, spoiler-light round-up of a very busy year, packed with strong opinions, shared laughs and plenty of musical theatre love.
THEATER, BATTLESHIPS, AND THE ILLUSION OF AMERICAN POWER Colleagues Gaius and Germanicus, Friends of History Debating Society, Londinium, 91 AD. Gaius and Germanicus discuss the theatrical nature of American imperial power under Donald Trump, positing that the administration utilizes military displays—such as missile strikes on empty targets in Nigeria or Venezuela—as symbolic rituals to assert authority without risking the failure associated with actual combat. Germanicus argues that Trump possesses the insight that "theater is the best way to assert American authority," drawing a parallel to Reagan's "Star Wars" initiative, which defeated the Soviets through the illusion of technological superiority rather than its reality. They debate the strategic utility of battleships; while Trump envisions massive vessels for their psychological hold on the "collective imagination," Germanicus predicts the construction of guided missile cruisers that merely project that image of invincibility. The conversation shifts to the Russo-Ukrainian conflict, where Germanicus characterizes the Kyiv government as a "gangster racket" protracting the war for financial gain while Russia solidifies its military reputation. They conclude that the US is transitioning into a phase of empire relying on "demonstration and display" to maintain global dominance, warning that an actual military defeat could be a fatal blow to the system. NUMBER 1 1942 BB58 USS MARYLSND IN ACTION.
In this week's episode of Theatre in the D Jess is joined by Miranda Moffat to talk about the national tour of the musical "Shucked." Do you want to hear how a musical about Corn is compelling, you'll have to listen to find out. Get tickets to Shucked at Broadway In Detroit! Learn more about your ad choices. Visit megaphone.fm/adchoices
Jon Herold kicks off the week with a wide-ranging Daily Herold that blends market watch, political theater, and cultural absurdity into a familiar Badlands-style rundown. After some behind-the-scenes tech hiccups, Jon dives into movements in silver and gold, questioning mainstream narratives around profit-taking and geopolitics while keeping an eye on broader economic instability. From there, the conversation pivots into viral cultural moments, media propaganda fatigue, and the growing public awareness of systemic fraud, including NGO abuse, entitlement programs, and taxpayer-funded corruption. The episode explores the implications of government waste, ballooning national debt, and the unsustainable structure of modern governance, drawing parallels between failing businesses and a failing state. Jon also breaks down ongoing Ukraine developments, Trump's communications with global leaders, and the repetitive cycle of political “breakthrough” headlines that never quite materialize. As always, the show blends sharp commentary, humor, audience interaction, and skepticism toward institutional narratives, closing with reflections on accountability, civic disengagement, and the slow drip of normalization in an increasingly unserious system.
Doomsday Teaser 2 is here! Or at least at the Theater. If you haven't made it out to the theater I am here to describe it. It's a powerful one. Let's talk about it! Patreon https://www.patreon.com/mcucast Join The Stranded Panda Community! https://www.strandedpanda.com/ Facebook Group: https://www.facebook.com/groups/spchat Learn more about your ad choices. Visit podcastchoices.com/adchoices
THE SHIFT TO CONSERVATISM AND THE GOVERNOR'S MANSION Colleague Max Boot. Boot traces Reagan's political evolution from New Deal Democrat to conservative icon while hosting General Electric Theater. He covers Reagan's breakout 1964 speech for Goldwater, his election as California governor, his confrontational handling of student protests, and his complex relationship with President Nixon before the Watergate scandal. NUMBER 4 1952