Podcasts about theater

“There Will Come Soft Rains” | A smart home continues making breakfast, cleaning the floors, and reading poetry to a family that was vaporized in a nuclear blast — because no one programmed it to know they were gone. | #RetroRadio #WeirdDarkness | EP0604CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Two Motives For Murder” (June 17, 1977) ***WD00:46:34.701 = Dimension X, “There Will Come Soft Rains” and “Invasion” (June 17, 1950) ***WD01:15:57.012 = The Strange Dr. Weird, “The House Where Death Lives” (November 07, 1944) (LQ)01:29:10.131 = The Eleventh Hour, “Mountain Climber” (1947-1948) ***WD (LQ)01:55:27.092 = Escape, “Finger of Doom” (March 19, 1949)02:24:53.830 = Everyman's Theater, “Cat Wife” (October 18, 1940)02:53:53.236 = Murder By Experts, “It's Luck That Counts” (August 29, 1949) ***WD03:23:23.351 = Exploring Tomorrow, “The Mutants” (March 26, 1958) ***WD03:41:29.971 = Faces In The Window, “Lightning Rod Man” (January 17, 1953) ***WD (LQ)04:05:10.296 = Dark Fantasy, “W Is For Werewolf” (February 13, 1942)04:29:25.917 = Fear on 4, “Blood Of Eva Bergen” (January 23, 1988)04:57:09.801 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0604

1. Guests Gordon Chang and Steve Yatesdiscuss the postponement of the Trump-Xi summit. They examine Chinesenegotiation tactics that prioritize theater over substance and Xi's belief in the inevitable rise of China. (2)1903 TEXAS

Talking the first four Tedeschi Trucks Band shows of 2026 at The Beacon Theatre in New York City, with newcomers to this show, fans Scott Conacher and Rusty Fournier. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠On YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/tedeschitruckspodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tedeschi Trucks Band Official Site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Swamp Family App⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Week 4 | It Is Finished (2015)We're in a series of sermons from Darrell that correspond with Lent and the Easter season. It is called "The Theatre of Glory" and was delivered by Darrell in 2015 at First Baptist Church in Vancouver.In this message from John 19:17–37, Darrell carefully walks us through the scene of the crucifixion and the moment Jesus declares, “It is finished.” Drawing our attention to the details John records, Darrell helps us see how the cross fulfills the whole story of Scripture—revealing Jesus as the true King, the great High Priest, and the Passover Lamb. As he unpacks the text, we're invited to see the cross not simply as a tragic ending, but as the decisive moment where God's saving work is completed and a new world begins.We're also excited to share that a new book from Darrell is being released on March 20. The book is titled It Is Finished: Meditations on the Death of Jesus. This short collection of reflections offers rich perspectives on the cross and the meaning of Jesus' crucifixion. Our team has been working hard to have it ready in time for Good Friday, so it can be something you read and reflect on as you consider Christ's death and what it means for us today. If you'd like, you can enter the giveaway to win a copy below. __⁠2026 Laing Lectures at Regent CollegeRegent College⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠—Enter to win a copy of "It Is Finished: Meditations on the Death of Jesus"⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠—Give to the Ministry of Darrell Johnson⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Darrell's Books⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to Darrell's Mailing List⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Roswitha Quadflieg hatte sich bereits einen Namen als Buchkünstlerin gemacht – etwa mit den Illustrationen für den Welterfolg „Die unendliche Geschichte“ von Michael Ende –, bevor sie angefangen hat, Romane zu schreiben. Ihr neuestes Werk handelt von ihrem Vater Will Quadflieg, der eine beispiellose Karriere als Schauspieler gemacht hat. Aus seinen Tagebüchern von 1945/46 hat sie eine Art Vater-Tochter-Dialog gemacht: In „Ich will lieber schweigen“ versucht sie, dem berühmten Theater- und Filmschauspieler auf die Spur zu kommen. Dazu stellt sie seine Tagebucheinträge ihren Gedanken und Fragen gegenüber. Im „Berliner Zimmer“ erzählt Roswitha Quadflieg, die es über Freiburg und Hamburg nach Berlin verschlagen hat, von ihrem Leben in einer zerrissenen Künstlerfamilie und wie sie sich aus allem herausgeschrieben hat: Ein Gespräch zwischen Bühne, Bellheim und dem Buch der Bücher.

For six terrifying years, a gang of robbers carried out over twenty raids on banks and Post Offices across Merseyside, stealing around £1.5 million. Armed, masked and highly organised, they spread fear among staff and communities whilst evading capture time and time again. In this episode of the UK True Crime Podcast, I look at how the gang operated, the impact on their victims, and how through great police work, the gang were brought to justice.The UK True Crime Podcast releases new episodes every Tuesday and Friday, so please do join me for the next episode on Friday.Buy My New True Crime Content Creators Online Coursehttps://adam-s-site-be58.thinkific.com/products/courses/true-crime-content-creation-courseWriting Credit: Chris WoodYou can buy Chris's second book, 'Death in the Theatre' here: https://www.amazon.com/Death-Theatre-Chris-Wood/dp/1399009117Watch my YouTube channelhttps://www.youtube.com/@Adam-uktruecrime/videosListen/Watch the True Crime Catch Uphttps://audioalways.lnk.to/TrueCrimeCatchUpFind Our More About Mehttps://uktruecrime.comJoin UK True Crime Facebook Grouphttps://www.facebook.com/groups/UKTrueCrime Hosted on Acast. See acast.com/privacy for more information.

In this episode we'll talk about:The difference between loving the craft and loving the spectacle around itWhy many creators feel pressured to chase visibility at any costHealing the need to be seen before the work maturesTrusting your natural pace instead of forcing expansionProtecting your values, joy, and life while creatingLetting God magnify the work instead of chasing recognitionAnd more… CONNECT WITH ME…→ Instagram — @mattgottesman→ My Substack — mattgottesman.substack.com → Apparel — thenicheisyou.comRESOURCES…→ Recommended Book List — CLICK HERE→ Masterclass — CLICK HEREWORKSHOPS + MASTERCLASS:→ Need MORE clarity? - Here's the FREE… 6 Days to Clarity Workshop - clarity for your time, energy, money, creativity, work & play→ Write, Design, Build: Content Creator Studio & OS - Growing the niche of you, your audience, reach, voice, passion & incomeOTHER RELATED EPISODES:Faith Isn't Knowing the Whole Path… It's Taking the Next Honest StepApple: https://apple.co/3MB62IuSpotify: https://bit.ly/4rZw3RN

We LOVE a musical. Just not this one.Host segments: What got Joe's attention?; what's your theology, movie?; mishaps in seltzer; there's really an Apple dance now!; academic snark; Schroedinger's Muppet movie; Harry Styles for Alfie!

Send a textA look at how we approach theatre criticism at OnStage Colorado, plus the week's Top 10 Colorado Headliners and a conversation with the Denver Theatre Ensemble.In this episode of the OnStage Colorado Podcast, hosts Alex Miller and Toni Tresca turn the critical lens on themselves, digging into the craft — and the controversy — of writing honest theatre reviews. As Toni's criticism has grown sharper over five years of covering Colorado's stages, so has the response: from grateful notes to hurt feelings aired on social media. What does it mean to be kind and honest at the same time? And where is the line between candor and cruelty?Toni also catches up on a busy stretch of shows: Steven Dietz's intricate Fiction at Three Leeches in Lakewood, the bracingly timely Just Like Us at Su Teatro, a strong but imperfect A Chorus Line at the Lakewood Cultural Center, and the world premiere of Nina Alice Miller's lyrical Daughtering from Dirty Fish Theatre at the Dairy Arts Center in Boulder.Later, Alex sits down with Rhianna DeVries and Tess Neel, the artistic director and producing director of Denver Theatre Ensemble — a young, DU-rooted company now in its third season and gearing up for an all-world-premieres lineup that includes a collaboration with Picnic Theatre Company in Steamboat Springs.IN THIS EPISODE:- Recent show catchup: Fiction, Just Like Us, A Chorus Line, Daughtering- News: Arvada Center 2025-26 season announcement- News: Yates Theatre in Denver's Berkeley neighborhood moves closer to reopening as a 300-seat indie cinema- News: Can anyone make a living in theatre? A viral Facebook post sparks 115 comments- Main topic: Theatre criticism — honesty, kindness, community theatre and editorial integrity- Interview: Rhianna DeVries and Tess Neel, Denver Theatre Ensemble- Top 10 Colorado HeadlinersTOP 10 COLORADO HEADLINERS:- Phantom of the Opera — Denver Center Buell Theatre, March 18-April 5- Goodnight Moon — Parker Arts (stage production + Fiber Tale exhibit), through March 29- Pen Pals — Theatre Aspen, March 20-21 only- Little Women — Phamaly Theatre Company, Parsons Theatre, Northglenn, March 19-April 4- The Cottage — OpenStage Theatre, Fort Collins, March 21-April 18- Cheap Thrills — Telluride Theatre, Sheridan Opera House, March 20-21- Proof — Magic Circle Players, Montrose, through March 28- Bonnie & Clyde — Bright Heart Stages, The People's Building, Aurora, March 20-29- Women's Theatre Festival — Millibo Art Theatre, Colorado Springs, through March 22- Red Willow — Control Group Productions, South Platte Park, Littleton, March 20-April 4

Banned In Sparta”- Collaborative Album with Classical Greek Poets and Modern Folk Singers Helmed by Robin BatteauRobin Batteau's “Banned in Sparta” is a collaborative album of songs based on poems by Classical Greek poets and recorded by a number of friends Tom Paxton, Eric Andersen, Livingston and Kate Taylor, Matt Nakoa, Robin Lane, 2-time Tony winning actor James Naughton and his gifted children Keira and Greg, plus Carolyn Hester.  Robin was inspired by an Ancient Greek History class he took when he returned to Harvard during the Pandemic to finish a degree he started in the 1960s. Robin earned the World Record of taking a 50-year break (between 1970 to 2021) to return to Harvard and finish his degree in 2022.   “Banned In Sparta” focuses almost entirely on poets from Ancient Greece between 700 and 400 BC.  One poet, Gaius Valerius Catullus (84 – 54 BC), as smitten with the ghost of Sappho as Robin or Alcaeus, is from Rome during Julius Caesar's reign, for whom Eric Andersen performs “Cross (of Gold),” an ode to interlaced and conflicted feelings, “Odi et Amo"— I hate and I love.The title “Banned in Sparta” finds its name from Archilochus, the Bob Dylan of the 7th century B.C., a warrior-poet so irreverent he was “Banned in Sparta.”  James Naughton sings the song “Archilochus Re-Deemed (I Am a Servant of the Lord God of War).” Kate Taylor performs “Telesilla's On the Wall,” from the female poet Telesilla, who led her fellow women warriors to victory against those same renowned Spartans. “The Greek Lyric poets performed live, and were the stars of their day,” says Robin. “They were singer/songwriters, they played the lyre (hence "Lyric") and danced around the stage like Tom Paxton and Taylor Swift.”Robin, who studied Ancient Greece and Integrative Biology at Harvard, found that most of what was left of the poems were fragments and myth, “So I mosaic-ed songs to reflect their expressions and intentions— who they were, and are to me.”         A range of female poets contributed to the lyrical history of Greece including Corrina, whose “In Her Loving Arms” is sung by Carolyn Hester, and Praxilla's “The Most Beautiful Thing in the World,” a hymn to Adonis, sung by Keira Naughton.  Sappho's writing inspires “Terra Cotta Heart,” sung by Robin Lane.  Livingston Taylor sings “My Sappho, Sweetly Smiling” from the smitten neighbor and rival Alcaeus. The fun and frolicking “Shake your Hair (You Thracian Filly),” sung by Tom Paxton. Pianist and folk singer Matt Nakoa offers a Bruce Hornsby-like treatment for Simonides of Ceos's “Theatre of Memory (Man of Gold).”    Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Phil and Shaun are back with their weekly podcast as they review the excellent win v Villa and other Utd related news

TONY AWARD®, United States Congressional Record & National Recording Registry of the Library of Congress, Hollywood Walk of Fame InducteePresidential Life Time Achievement Award, In Addition, Joseph Biden Public Service Award.The Music Historian in ME Loves to Talk to the Legends.Melba has a Music Compilation called "Imagine'. Already Topping the American & British Soul charts.Melba Moore has done it all, twice. At the tender age of 10, Melba notes that it was then that she was introduced to music and that “I didn't have any music in my life before my mother married my stepfather. He introduced music into our home and into my life.” From that moment forward, Melba began to develop her 5-octave, note-holding soprano that would soon bring audiences to their feet. Theater: Won a Tony Award for best featured actress in a musical for her role in the musical "Purlie," Replaced  Diane Keaton in  the Broadway musical "Hair" Was first African American woman to play the female lead in the musical "Les Misérables" on Broadway. The Newark, NJ Arts High School graduate started doing recording sessions after a chance meeting with singer/songwriter/composer Valerie Simpson (of Ashford & Simpson).  That opportunity in the studio led Melba in the company of the Broadway musical “HAIR!” First in the ensemble of the show, Melba's name was tossed into the conversation when actress Diane Keaton left the show and Melba took the female lead and broke all the rules, being the first Black woman to replace a white actress in a featured role on Broadway. The journey of Melba's career took her meteorically from there to the lead of “PURLIE,” a musical adaptation of a play written by acting husband and wife pioneers Ossie Davis and Ruby Dee.  That role and its musical soundtrack would earn Moore a Grammy nomination as Best New Artist in 1971 and a Tony Award for Best Featured ActressTelevisionStarred in her own sitcom, "Melba Melba's Career continues with2024  Live Apperances at 54 Below in New York City this Spring.   MelbaMoore.com© 2026 Building Abundant Success!!2026 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASA

Spring is finally here, and with it comes the promise of warmer weather, longer days, and plenty of opportunities to get out and explore with your family. In this episode, Megan and Sarah share the spring activities and outings currently sitting at the top of their family bucket lists. From quick Kansas City outings to a fun road trip idea, they're talking through experiences they hope to check out this season- and inviting you to add them to your list, too! Whether you're looking for a day trip, a unique museum experience, a fun show for the kids, or a special spring event around the city, this episode is packed with ideas to help you make the most of the season. Here are some of the spots and events mentioned in today's episode: Wonders of Wildlife National Museum & Aquarium (Springfield, MO) If you're looking for a memorable family road trip, Megan recommends heading down to Springfield to visit this incredible aquarium and wildlife museum connected to the flagship Bass Pro Shops Outdoor World. Consistently ranked among the best aquariums in the United States, this massive attraction takes visitors on a 1.5-mile journey through immersive exhibits featuring sharks, stingrays, freshwater fish, and wildlife habitats from around the world. Highlights include: A walk-through underwater tunnel Interactive touch pools where kids can touch stingrays Beautifully designed exhibits that make you feel like you're stepping into different ecosystems Admission:Adults: about $45.99Children (ages 4–11): about $25.99Children 3 and under: Free Most families spend 2–3 hours exploring the aquarium and wildlife galleries at a relaxed pace. Fantastic Caverns Another fun stop while visiting Springfield is this one-of-a-kind cave experience. It's America's only ride-through cave, where visitors board a Jeep-drawn tram and travel through the cavern while a guide shares the history of the cave and points out stunning rock formations created by an ancient underground river! The guided tour lasts about 55 minutes, and the cave stays a comfortable 60°F year-round, making it a great activity no matter the season. Admission:Adults: about $36Children (6–12): about $18Children 5 and under: Free with a paying adult Best of all, no walking or stairs are required, making it a great option for families with kids or grandparents. KingCade Located inside Oak Park Mall, KingCade is a casual, all-you-can-play arcade that mixes retro favorites with modern games. Instead of paying per game, guests pay a flat fee and can play unlimited games during their visit. Pricing:Ages 10+: $9.99Under 10: $4.99 It's a fun, easy outing if you're already at the mall or looking for a quick entertainment option on a rainy spring day. Theatre for Young America at Union Station Kansas City If your kids love live theater, this children's theater company produces engaging shows designed specifically for young audiences. This spring they're performing Diary of a Wimpy Kid from March 17 – April 18. Tickets:General Admission: $12Union Station Members: $10 Showtimes typically include weekday morning performances and Saturday afternoon shows. Titanic: An Immersive Voyage Now through April 19, families can experience the story of the Titanic like never before at Union Station. This immersive exhibition allows visitors to walk through recreated rooms from the ship, explore artifacts, and hear powerful stories from passengers who were aboard the ill-fated voyage of the RMS Titanic. It's a powerful and fascinating historical experience for older kids and adults alike. Planet Comicon Kansas City One of Kansas City's biggest fan conventions returns March 27–29 with celebrity guests, cosplay, comics, gaming, and more. Family perks include: Kids 7 and under free on Friday and Saturday Family Day on Sunday, when kids 12 and under are free If your kids love superheroes, comics, or pop culture, this event is a blast! Parade of Hearts Kickoff Kansas City's beloved public art experience returns this spring. The kickoff event celebrates the start of the 2026 Parade of Hearts, where beautifully designed heart sculptures are displayed across the metro to highlight local artists and support Kansas City nonprofits. The April 4 event includes: A first look at the new heart-inspired artworks Family friendly activities Community celebrations of Kansas City's vibrant arts scene Spring always feels like a fresh start, and there's no shortage of fun ways to explore Kansas City and beyond with your family. Whether you're planning a road trip, checking out a new exhibit, or just looking for something fun to do on a Saturday, we hope today's episode gives you a few new ideas to add to your list! Be sure to check out our 101 Things To Do list, as well! Connect with Megan and Sarah We would love to hear from you! Send us an e-mail or find us on Instagram or Facebook!        

Show Notes:This week I have an awesome conversation with filmmaker Addison Heimann about his new movie TOUCH ME. He revealed his all-time favorite horror movie, what life event led to him discovering his love for horror and watching 500 horror movies, and where the inspiration for Touch Me came from. He also spoke about how his cast came together, how Japanese exploitation films inspire his own filmmaking, and so much more. Touch Me will be released in theatres only in New York on this Friday, March 20th, then it will have a limited theatrical run on March 27th, and on April 2nd you'll be able to rent it on VOD. Addison's Socials: Website: https://www.addisonheimann.com/ Who's There? Socials:Bluesky: https://bsky.app/profile/whostherepc.bsky.social Instagram: https://www.instagram.com/whostherepcTwitter: https://www.twitter.com/whostherepcLetterboxd: https://letterboxd.com/thatgirlallison/ Email: whostherepc@gmail.com Website: https://www.whostherepodcast.com Join the Email List: https://mailchi.mp/4a109b94d3bc/newsletter-signup

This week thousands of podcasters around the world take part in Podcastathon, a global effort that shines a spotlight on nonprofit organizations doing meaningful work in their communities. For one week, hosts swap their usual topics for stories about causes they care about and invite their listeners to learn more, get involved, or lend support. This episode is my contribution to that global event, and it gave me the perfect excuse to talk about one of my favorite nonprofits. Sometimes the hardest part of marketing isn't getting attention. It's helping people feel comfortable enough to try something new. That is exactly the challenge when you run a Fringe theater festival. In this episode, I chatted with Paul Daly, Executive Director of the IF Theatre in Indianapolis. IF Theatre is the home of the Indy Fringe Festival, one of the largest fringe festivals in the world, bringing dozens of performers and hundreds of shows to Mass Ave every summer. The festival celebrates creativity, experimentation, and the kind of performances you will not see anywhere else. But that same freedom can make newcomers hesitate. When audiences are not quite sure what they are getting into, they may stay home. Paul shared a simple marketing approach designed to make the experience easier to say yes to. Takeaways Give people a path into the experience Fringe festivals can feel overwhelming. With so many shows and styles, first timers do not always know where to start. This year IF Theatre plans to introduce curated show lists. Want a day of comedy? There is a list for that. Prefer serious drama or an eclectic mix? There are paths for those too. Instead of asking people to sort through dozens of options, the festival gives them a starting point. • Help people understand what to expect Younger audiences especially want clarity before they commit. What will this experience feel like? Is it funny, thought provoking, weird, or a little bit of everything? Clear descriptions and curated experiences remove uncertainty and make it easier for someone to buy that first ticket. • Tell the bigger story behind the brand Many people know Indy Fringe as a ten day festival. What they may not know is that IF Theatre runs year round programs, classes, and performances. One key message they continue to repeat is simple. IF Theatre is the organization. Indy Fringe is its biggest event. The lesson here is straightforward. When people feel unsure, they hesitate. When you guide them, they step forward. And sometimes all it takes is showing them where to start.              

ABOUT JOE PINE: Joe's LinkedIn profile; linkedin.com/in/joepine Websites: strategichorizons.com (Blog) StrategicHorizons.com (Company) strategichorizons.com (Personal) SHOW INTRO: Today, EPISODE 86… I talk with Joe Pine Joe Pine, an internationally acclaimed author, speaker, and management advisor to Fortune 500 companies and entrepreneurial start-ups alike... *                     *                          *                          * I've been in the world of retail place-making for a few decades. 3 would qualify as ‘a few' I guess. I took a detour for a few years in the late 20-teens, shifting from retail design into the play space of hospitality – a wonderful diversion. The transition was transformative to be sure. I got to re-imagine what I knew about customer experience place making in terms of retail stores and turn my lens towards another fascination – hotels. The interesting thing that emerged was the recognition that in the world of retail everyone, brands, and retail designers and architects alike, were all going on about experience.  Now this in and of itself was curious because I'd been designing stores for a couple decades, and I couldn't recall one client who had ever come to the game and said – ‘hey lets create a really miserable experience for our customers…' ‘…Let's make it hard to understand the assortment, hard to read the labels, bathe the product in bad lighting, have people walk the store not being able to find the thing they came in for, etc…' Not one. Ironically though, while many clients never asked for that, we have all had the experience of that exactly being the case in many stores we go to. So no,… creating a bad experience was never the strategy. We retail designers always sought to create places where positive experience was key. The stuff was important to be sure, but the experience - the emotional residue of the retail interaction - was what was critically important. The stuff was supposed to deliver on what it purported to do, fit well, wear well, not break down, taste good, make you feel better, whatever… it was supposed to work. Otherwise why buy it? In some cases, the stuff just had to deliver on its practical, functional level, it didn't need to give you more than that. It was a commodity that lived up to its promise. In other cases the stuff delivered on function but gave you oh so much more on an emotional, socio-cultural, psychological, spiritual, level… and all of that is about brand relevance and emotional impact of owning the thing – what it says about you. It's like looking at the difference between a paper bag which you could get for about 5 cents and a Birkin bag for which you'd drop $50,000. They both provide the same functional use – they carry other stuff – I think we could make a pretty sound argument that that is true. But now the Birkin bag, well… it is supposed to offer you so much more about who you are, and what tribe you run with and a host of other non-tangibles that deeply connect us to a brand. Things way beyond function. And if the paper bag got wet and fell apart, well… you could be confident that for the price of the Birkin bag you could literally get a million replacements. The interesting thing about the stuff, or services, in retail places whether a commodity or something altogether magnificent and magical was that in either case we had to wrap it in positive experience. Mess up the experience and you've damaged the relationship. And repairing that rupture can take some time.  So, experience matters because the overt and subtle messaging that accompanies a shopping trip is important in fostering the long-term connection between a customer, product (or service) and the brand. The value proposition that determines my choice of one brand or retailer over another can't just be they have lots of whatever it is at low prices. Price point and SKU count are not differentiators in an economy where you can get virtually anything on Amazon and have it delivered to your door and, as a brand or retailer, you are hoping to engage an emerging cohort of customers who craves more than getting a good deal. Now... the interesting thing about hospitality is that industry never really sold stuff. You didn't take home the hotel room (at least not until more recently). You took in, and took home, experience - the body memory and emotional residue of being there. Your stuff, as it were, was a camera full of images and tchotchkes bought along the way during the trip that serve as a conduit or a link to, or a trigger of memories and emotional responses to experiences previously lived. You don't bring home the hotel room, though you can now buy the Westin Heavenly bed and all of the linens – I have often wondered why, if I love the room décor, I can't just walk around with my phone and point it at QR codes on everything and in a flash have the whole thing purchased and sent off to my home or apartment to redo the guest room – or my own bedroom for that matter? So…in the end retail sells stuff and wraps it in experience and hotels only sells experience though the industry is starting to get it that selling stuff may extend the brand experience beyond the hotel stay into your home…. Another interesting distinction between hospitality and retail is time. In the hospitality world you spend an overnight or maybe a few days immersed in the brand experience. In a retail store dwell time is often measured in seconds or minutes. This matters because it suggests that retail has to come on strong and be impactful quickly, capturing interest and trying to hold it. Everyone in retail knows the longer the stay the more conversion – larger basket size. Get customers to linger longer and their consideration of other things that were not on their primary shopping list begin to be a little more interesting.  There are environments that sell spectacle, the digitally immersive environments that we see emerging into the market like Moment Factory Lumina walks, meow wolf, the Monet digital experiences and things like Artechouse. While they are visual captivating, what is being sold is time in the form of 20-minute shows and 2 hour walks in a midnight forest. Time is the currency of experiences, and more companies should figure out how to charge for it. The both challenge and opportunity here is that in an economy that seems to be time starved because our attention is so fractured into micro moments,  time and attention are intricately intertwined.  And the rules of basic economics are at play suggesting that the more scarce something is the more expensive it becomes to acquire it. Customer acquisition when pedaling time becomes a costly endeavor. But then time seems to pass by without notice when experience is built on a good story. All good experiences engage the imagination in narrative. We are built for story more than logic though we have believed the at later is the dominant prowess of our species.  And stories directly effect our neurobiology in remarkable ways that allow the narrative to come alive in us. Remember, that we came to understand the world through dance, rhythm  and stories told around fires for millenia - even before language became a prime vehicle for expression. Our affinity for story is deeply woven into our very beings. So, all great experiences are built on great stories.  Narrative manifest become brand experience places.  These places for selling goods and services are like stage sets for stories to unfold.  I love the theatre and have always felt that retailers and brands should instruct their sales associates to act out their parts in the brand narrative and embrace the idea of theater as a customer interaction strategy.  I've always thought of the theatre as something into which I dove for a time, becoming full emersed in the story and emerged somehow changed. I learned something I didn't know previously, saw the world from a different point of view, I would become one of the characters in the story and was, may be, in some way transformed.  Certainly during the performance, I was definitely in and out of body state – no longer me. The world beyond the story unfolding in front of me disappeared for a time. And so great experiences can also be transformative... The NXTLVL Experience Design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production is by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

PSHS Theatre Director Allyson Boylan and stars of "Alice in Wonderland"

J. S. Puller is a playwright and author from the Windy City, Chicago. She has a master's degree in elementary education and a bachelor's degree in theatre from Northwestern University. She is an award-winning member of the American Alliance for Theatre and Education and has written about the social-emotional benefits of arts education with the University of Chicago Consortium on School Research. When not writing, she can usually be found in the theatre. She is the author of two novels, CAPTAIN SUPERLATIVE and THE LOST THINGS CLUB, both published by Little, Brown Books for Young Readers. She also has several published plays, including: WOMEN WHO WEAVE (Playscripts, Inc.), PERSEUS AND MEDUSA - IT'S ALL GREEK TO ME! (Lazybee Scripts), THE DEATH OF ROBIN HOOD (Stage Rights), and five titles with Plays for New Audiences.Website: https://pullerwrites.wordpress.com/ Link Tree: https://linktr.ee/pullerwritesTell Me What Happened features the music of Susan Salidor.More information about Susan Salidor can be found at her website Get Susan Salidor's One Little Act of Kindness Children's BookGet Susan Salidor's I've Got Peace in My Fingers Children's BookMore Information about our sponsor's 10 x 10 Blackhole Chess game can be found at www.blackholechess.com

In Episode 527, Jose and Ryan go over some Hellraiser and Nightbreed news, and rumors of a new Clive Barker project. Plus the first of our segments of Clive Barker Portrait discussions, with special guest, Don Bertram.    This is the Clive Barker Podcast, where long-time fans Ryan and Jose interview guests, bring you the news, and take deep dives into Barker-related stuff.  This episode will be available in Podcast Audio and Youtube Video.  Sponsor : Don Bertram's Celebrate Imagination | Pinterest | ETSY Store Check out his recent painting,  Untitled Abstracts, The Messenger and Falling Stars Sponsor : Ed Martinez YouTube Channel 2001: The Future's Not What it Used to Be Sponsor : The Now Playing Podcast News from the Reef Hellraiser Revival Official 'Origins' Developer Diary 30th Anniversary of Hellraiser Bloodline (march 8th) Gary Tunnicliffe's post about Bloodline's 30th Anniversary Cris Velasco upcoming Podcast Cue & A Nightbreed UHD Arrow Release 5/25/26 Bryan Fuller of Hannibal TV series says he is working on a TV Series with Clive Barker Segment: Clive Barker Portrait Discussion - Self Portrait, 2007 Link on Revelations Web Site Show Notes Ryan's Shorts How Many Nightbreeds TikTok | YouTube How Many Hellraisers TikTok | YouTube The Incredible and Harrowing Journey of my copy of Hellraiser 2022  TikTok | YouTube Patreon Members Shout-Out (Become a Patron) David Anderson Erik Van T' Holt Daniel Elven Amanda Stewart Bradley Gartz Matthew Batten Bennett Jesse Timothy Ramakers Terry Murdock Sponsor: Don Bertram's Celebrate Imagination Sponsor, Ed Martinez YouTube Channel Sponsor : The Now Playing Podcast   Coming Next Hellraiser 2022 UHD Blu-Ray Review News and Interviews Book Club of Blood - Human Remains Clive's Contemporaries: 1986 And this podcast, having no beginning will have no end.  web www.clivebarkercast.com Apple Podcasts,  Android,  Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian  BlueSky | Reddit | Discord Community Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian  Hardcover | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt Music is by Ray Norrish All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com   AI Summery (Art) Quick recap The group discussed Clive Barker's 2007 self-portrait, examining its artistic style and potential meanings. They analyzed the painting's composition, colors, and techniques, considering whether it was truly a self-portrait or perhaps a character study. Don Bertram shared insights as an artist and collector, while José and Ryan explored themes of transformation and creativity. They also briefly discussed the 2022 Hellraiser movie release and its special features. The conversation concluded with plans to vote on future art pieces to analyze. Summary Clive Barker Self-Portrait Discussion The group discussed a self-portrait painting by Clive Barker from 2007, which was selected through a listener vote. José provided context about the painting, including its size (60x48 inches), medium (oil on canvas), and exhibition history at the Bert Green Gallery. The painting sold for $8,000 and was described as a beautiful character portrait. The discussion concluded with José inviting the participants to share their analysis of the portrait's style and emotional impact, though specific reactions were not captured in the transcript. Clive Barker Self-Portrait Discussion Don and Ryan discussed a large self-portrait by Clive Barker, noting its similarities to his "Abarat" style and comparing it to earlier works. Don expressed a preference for Barker's more cerebral images over this illustrative piece, suggesting the large size (4 by 5 feet) might be intended to command attention rather than being a traditional self-portrait. José proposed that the size creates a sense of confrontation and demands engagement, while Don speculated that the piece might originally have been intended for a different character in the Abarat series before being repurposed as a self-portrait. Clive Barker Painting Analysis Discussion The group discussed a painting that appears to depict Clive Barker, with José arguing it's a self-portrait while Don suggested it might be a portrait of another character. José analyzed the artistic elements, describing the symmetrical composition and expressionistic style with bold brushstrokes and flames as an aura rather than a setting. The discussion included comparisons to other Barker works and references to specific book editions, with Don suggesting the painting might be used as a dust jacket or limited edition book cover. Clive Barker Painting Interpretation Discussion The group discussed a painting of Clive Barker, interpreting the fire surrounding him as representing transformation, danger, or creative intensity. José and Ryan connected this to Barker's recurring theme of characters being forged or transformed through proximity to powerful or high-stakes events, while remaining intact. They noted the painting's medium of oils, which allows for layers and revisions similar to how people build their self-identity, and expressed interest in seeing a higher quality image of the painting. Gallery Exhibition Art Discussion The group discussed a painting that was part of a gallery exhibition called "New Paintings and Works on Paper" in 2007. They clarified that the $8,000 price listed on Phil and Sarah's website represents the original asking price rather than a confirmed sale price. José shared his screen to show other paintings from the same exhibition, including "She Waits" and "Voices of the Damned," which was possibly related to Barbie Wilde's book. The discussion also touched on other works by Aberet, including some black and white pieces and drawings. Clive Barker Self-Portrait Analysis The group discussed a self-portrait painting by Clive Barker, examining its artistic techniques and comparing it to other Barker self-portraits. They analyzed specific elements like the use of color, eye details, and the symbolic representation of a monster inside the artist's head. The conversation concluded with a brief discussion about the Hellraiser 2022 Blu-ray release, including its special features and the inclusion of one of Barker's paintings in the film, though it was covered with plastic and barely visible. AI Summary (News) Quick recap Ryan and José recorded episode 527 of their Clive Barker podcast, focusing on recent news updates about Hellraiser-related projects. They discussed a new developer diary for the Hellraiser Revival video game, which showed promising gameplay mechanics and featured Doug Bradley's voice work as the Hellpriest. The hosts also covered Hellraiser Bloodline's 30th anniversary celebrations and Gary J. Tunnicliffe's reflections on working on the film. They examined a new YouTube series by composer Chris Velasco, noted an upcoming 4K release of Nightbreed from Arrow Films, and discussed Brian Fuller's announcement of a potential new TV series collaboration with Clive Barker. The episode concluded with plans for future content including an upcoming discussion about Clive Barker's self-portrait with Don Bertram. Summary Hellraiser 30th Anniversary Updates José and Ryan discussed updates related to the 30th anniversary of Bloodline and Hellraiser, including a new TV series collaboration between Brian Fuller and Clive Barker. They also reviewed a developer diary for the Hellraiser Revival game, noting its 6-minute length and content featuring Doug Bradley. José expressed concerns about the game's marketing as "very explicit" and questioned the focus on explicit content versus storytelling. Hellraiser Game Development Discussion José and Ryan discussed a Hellraiser game and its development, focusing on the challenges of depicting violence and sex in the game while staying true to the franchise's lore. José expressed optimism about the game's potential, noting the strong story and powerful narrative. They also discussed finding a specific social media post about the game and planned to continue their conversation later. Clive Barker Podcast News Episode Ryan and José discussed comments on a social media post about a game, with José noting the significant engagement it received. They shared experiences with previous games, including "Agony" and "Hellraiser," with both expressing disappointment in their quality. The conversation then transitioned to preparing for recording the 527th episode of the Clive Barker Podcast, which would be a news episode. Hellraiser Game and Film Discussion Ryan and José discussed the Hellraiser Revival game, including a recent developer diary featuring Doug Bradley. They expressed excitement about the game's mechanics and graphics but noted the lack of a confirmed release date, speculating it might be around Halloween. The conversation also touched on the 30th anniversary of Hellraiser Bloodline and included reflections from Gary J. Tunercliffe about the film's impact and his experiences working on it. They debated criticisms of the Hulu Hellraiser movie, particularly regarding the Cenobites' threat level and story elements. Hellraiser Franchise and Podcast Discussion José and Ryan discussed the Hellraiser franchise, including criticism of certain characters and the recent anniversary of Hellraiser Bloodline. They also talked about supporting Chris Velasco's new YouTube content, though Ryan noted it's not a traditional podcast since it lacks an RSS feed. The conversation concluded with a discussion about the advantages of audio podcasts over video content for convenience and accessibility. Nightbreed 4K Release Plans Ryan and José discussed the upcoming 4K release of Nightbreed by Arrow Films on May 25th, 2026, which will include both the theatrical and director's cuts in Ultra HD. They noted that while the director's cut was originally scanned in HD, the 4K release will feature new content including a feature-length documentary and interviews with critics. Ryan also shared news from Screen Rant about Brian Fuller working on a new TV series with Clive Barker, though details about the project are still unknown. Film Projects and Podcast Plans Ryan and José discussed various film and television projects, including a potential Mick Garris and Clive Barker collaboration titled "Theater of Blood." They also talked about their podcast content, including an upcoming episode about the Hellraiser 2022 Ultra HD Blu-ray release and a future discussion about Clive Barker's character portraits with Don Bertram. The conversation touched on the challenges of keeping track of all announced projects and the disappointment when some don't materialize.

Three of our favorite segments from the week, in case you missed them. Christiane Amanpour on the War With Iran (First) | A $30 Hourly Minimum for NYC? (Starts at 33:07) | Oscar Talk: Streaming vs Theaters (Starts at 1:08:02 ) If you don't subscribe to the Brian Lehrer Show on iTunes, you can do that here. Photo: A general view of Tehran with smoke visible in the distance after explosions were reported in the city, on March 02, 2026 in Tehran, Iran. (Photo by Contributor/Getty Images)

Mit den ersten Sonnenstrahlen stellt sich doch direkt wieder die Frage: Wer werde ich denn diesen Sommer wohl sein? Wieder mal das Rad rausholen? Den Sommer des Lebens forcieren? Oder nur an vermeintlich hippen Orten rumlungern? Laura sollte derweil in Vorurlaubsstimmung sein. Aber ein Papageno, der im Publikum Wein ausschenkt und Wuthering Heights aka Das singende klingende Bäumchen haben sich noch fest im Kopf verankert. Papageno? Ja, sie war in der Oper. Irgendwie in der falschen, aber schon in der richtigen. Simon denkt auch an ein frivoles erstes Mal in der Zauberflöte zurück und war auch noch im Theater. Ist das hier ein Kulturpodcast? Absolut nicht. Aber diesmal irgendwie schon.

The SKATCAST Network presents:Truck Driver Theater #82 by the Script KeeperToday's Skit-SKATs:It's a Marnia Marathon with five episodes continuing from the last marathon.Thank you for listening and be safe out there! Happy Saturday!Visit us for more episodes of SKATCAST and other shows like SKATCAST presents The Dave & Angus Show plus BONUS material at https://www.skatcast.com Watch select shows and shorts on YouTube: bit.ly/34kxCneJoin the conversation on Discord! https://discord.gg/XKxhHYwu9zFor all show related questions: info@skatcast.comPlease rate and subscribe on iTunes and elsewhere and follow SKATCAST on social media!! Instagram: @theescriptkeeper Facebook: https://www.facebook.com/scriptkeepersATWanna become a Patron? Click here: https://www.patreon.com/SkatcastSign up through Patreon and you'll get Exclusive Content, Behind The Scenes video, special downloads and more! Prefer to make a donation instead? You can do that through our PayPal: https://paypal.me/skatcastpodcast Hosted on Acast. See acast.com/privacy for more information.

Synopsis:  If you're worried about authoritarianism, this episode reminds you that people-powered resistance still wins. Indivisible's Ezra Levin and Hungarian organizer László Upor share creative, community-driven tactics — from joyful protests to bold campus actions — that pushed back against autocratic agendas. Their message: you have more power than you think. This show is made possible by you!  Make a tax deductible donation and become a member, go to LauraFlanders.org/donate.  Description [orignal airdate December 2025]: If you care about resisting autocracy and building democracy, the U.S. has much to learn from Hungary. While Donald Trump rails against Europe, he and Hungary's strongman leader, Viktor Orbán, have praised each other for years. Anti-democratic, anti-immigrant, anti-woman, anti-queer — Orbán and Trump came to power on parallel tracks with similar values. In their first interview together, Ezra Levin, the co-founder of Indivisible (the group behind No Kings!) and László Upor, a leader in one of Hungary's most creative and visible resistance efforts, share their experiences of resisting authoritarianism. Upor is former Vice Rector and Acting Rector of the University of Theatre and Film Arts in Budapest — the one university that fought back when the Orbán administration began taking control of Hungary's universities. Levin is the co-founder and co-executive director of Indivisible, the grassroots movement behind such protests as the historic Hands Off and No Kings rallies. From the principles of their organizing to frog suits and caution tape, today's episode is a masterclass in creative resistance. Plus a commentary from Laura. “Our enemy in this isn't Trump, it's not the Republicans. It's not the broader regime. Our enemy is this sense of cynicism or fatalism or nihilism . . . I do think a core principle in our communication philosophy is convincing people, you have power, you just gotta use it. The best way to use it is in concert with a lot of other people in your community.” - Ezra Levin “You have to laugh at them, not be afraid of them . . . They don't understand mirth. They don't understand the derision. They think they are invincible. And when we don't give in, they don't understand what's going on.” - László Upper Guests: • Ezra Levin: Co-Founder & Co-Executive Director, Indivisible • László Upor: Former Vice Rector & Acting Rector, University of Theatre and Film Arts (SzFE), Budapest, Hungary   Watch the episode released on YouTube; PBS World Channel Sundays 11:30am ET, and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio (check here to see if your station airs the show) & available as a podcast. Full Episode Notes are located HERE. Music Credit:  'Thrum of Soil' by Bluedot Sessions, 'Steppin' by Podington Bear, and original sound design by Jeannie Hopper Support Laura Flanders and Friends by becoming a member at https://www.patreon.com/c/lauraflandersandfriends   RESOURCES: * Recommended Book: “We Are Indivisible: A Blueprint for Democracy After Trump” by Leah Greenberg and Ezra Levin, Get the Book* (*Bookshop is an online bookstore with a mission to financially support local, independent bookstores. The LF Show is an affiliate of bookshop.org and will receive a small commission if you click through and make a purchase.)   Related Laura Flanders Show Episodes: • Congresswoman Jayapal & Marine Veteran Goldbeck: Standing Together Against the Administration's War on Civilians:  Watch / Listen:  Full uncut interview and Episode cut • Masha Gessen & Jason Stanley: Is it Doomsday for U.S. Democracy?: Watch / Listen:  Full uncut interview and Episode cut  • Dolores Huerta & Ellen Gavin: Creative Courage in the Face of Fascism:  Watch / Listen:  Full uncut interview and Episode cut     Related Articles and Resources: •  Indivisible:  A Practical Guide to Democracy on the Brink:  Strategies, Tactics, & Tips for How Everyday Americans Can Fight Back Together Wherever We Live, lead authors Leah & Ezra -co-founders of Indivisible, Download the PDF and Audio Version •  The Three R's Framework by Scot Nakagawa, October 1, 2025, Substack •. Countering Authocratization:  Lessons from the 2025 Harvard Nonviolent Action Lab Summit, October 16, 2025, Harvard Kennedy School:  Ash Center for Democratic Governance and Innovation •  Learning Republic: Students and Teachers from Hungary's Theater and Film University Build an Alternative to Autocracy, by Alisa Solomon, Theater Magazine •  The Government Took Over Their University.  Here's How These Students Fought Back, by Todd London, September 16, 2025, Howlround Theatre Commons • How to save the news.  The internet has become a tool of misinformation and mass surveillance.  A global initiative seeks to change that. by Marta Peirano, November 5, 2025, Prospect Avenue •  Artists Against Authoritarianism: A Talk by László Upor, September 2, 2025, Columbia University School of the Arts  Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

The playwright, originally from Wisconsin, discusses her company, influences, exposure therapy, and the challenges of being an 'emerging' artist.

In this episode, we're diving deep into the two ends of the entertainment spectrum: the "I need to sleep with the lights on" horror and the "I can't believe they're back" nostalgia.​First up, we break down the newly released A24 thriller Undertone (2026). Is sound design the new jump scare? We discuss Nina Kiri's haunting performance as a podcaster who hears something she shouldn't, and why this movie might make you rethink your own audio setup.​Then, we shift gears to the trailer that has everyone talking: Malcolm in the Middle: Life is Still Unfair. It's been 20 years, and while Malcolm thought he escaped the madness, Hal and Lois's 40th anniversary party proves that you can never truly outrun your genes. We talk about the new Dewey, Bryan Cranston's return as the ultimate dad, and why the "unfair" life still feels so right.

Matt and Eric dig into the news about the KING CONAN movie (with Arnold returning), the STEWIE spinoff series, a big Hollywood grump joining THE LOWDOWN Season 2, Bradley Cooper directing and starring in Margot Robbie's OCEANS 11 prequel, and more...

"Roman theatre" is a term often used to describe the theatre of ancient Italy during the second and third century BCE. Plautus and Terence are referred to as ‘Roman playwrights,' and Rome itself is generally regarded as the driving force behind the development of theatrical culture in Italy. But was this early theatre in Italy specifically or characteristically Roman? Using previously marginalised archaeological source material and placing it in constructive dialogue with the surviving ancient literature, A New History of Ancient Roman Theatre (Liverpool UP, 2025) offers a significant reinterpretation of how theatre developed in the Italian peninsula, as well as a radical reappraisal of the role of Republican Rome as the impetus for cultural change. Challenging a long-held scholarly consensus, it is argued that whilst Rome would eventually rise to political and cultural dominance, the archaeological evidence does not encourage us to view Rome as a significant factor in the development of theatre in Italy until at least the end of the first century BCE and the construction of the Theatre of Pompey. Our attention is directed instead to other cities in the Italian peninsula during the third and second centuries BCE, which have hitherto been greatly overshadowed by imperialistic narratives of Roman cultural development. Jessica Clarke is a historian and archaeologist specialising in ancient Roman theatre and entertainment culture. She was awarded her PhD by University College London in 2024. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

"Roman theatre" is a term often used to describe the theatre of ancient Italy during the second and third century BCE. Plautus and Terence are referred to as ‘Roman playwrights,' and Rome itself is generally regarded as the driving force behind the development of theatrical culture in Italy. But was this early theatre in Italy specifically or characteristically Roman? Using previously marginalised archaeological source material and placing it in constructive dialogue with the surviving ancient literature, A New History of Ancient Roman Theatre (Liverpool UP, 2025) offers a significant reinterpretation of how theatre developed in the Italian peninsula, as well as a radical reappraisal of the role of Republican Rome as the impetus for cultural change. Challenging a long-held scholarly consensus, it is argued that whilst Rome would eventually rise to political and cultural dominance, the archaeological evidence does not encourage us to view Rome as a significant factor in the development of theatre in Italy until at least the end of the first century BCE and the construction of the Theatre of Pompey. Our attention is directed instead to other cities in the Italian peninsula during the third and second centuries BCE, which have hitherto been greatly overshadowed by imperialistic narratives of Roman cultural development. Jessica Clarke is a historian and archaeologist specialising in ancient Roman theatre and entertainment culture. She was awarded her PhD by University College London in 2024. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Theater, Museen, Kirchen - seine Bauwerke stehen für Klarheit, Maß und klassizistische Strenge: Karl Friedrich Schinkel, geboren am 13. März 1781. Aber zunächst macht ihn nicht seine Architektur berühmt. Von Almut Finck.

I am absolutely thrilled to announce a powerhouse collaboration of storytelling and stagecraft! The incredibly talented Atlanta Playwright Jacob York stopped by The Ash Said It Show for an exclusive, deep-dive conversation about his highly anticipated world premiere of INITIATIVE. This isn't just a play; it's a groundbreaking theatrical event opening at the end of this month at the prestigious Aurora Theatre in Lawrenceville, GA. Running from March 26 through April 19, 2026, this production is already the talk of the Atlanta arts community, and I cannot wait for you to hear the heart and soul behind this script. Directed by the visionary Katie Erin Chambers, Initiative is a brilliant exploration of friendship, legacy, and the power of imagination. The story follows a tight-knit group of friends who gather around a gaming table for one final, epic campaign—one that beautifully transcends the boundaries of fantasy and reality. As the character Dave battles an aggressive illness, he turns to the legendary world of Dungeons & Dragons to manufacture the milestones he fears he'll never reach. With every roll of the d20, his companions craft a quest that encompasses a lifetime of memories, from the profound responsibilities of fatherhood to the simple wonder of seeing the ocean for the first time. This play is the ultimate "crit hit" for theater lovers and tabletop gamers alike. It delivers the perfect combination of unapologetic nerdiness, deep-seated pathos, and genuine joy. Audiences can expect a rollercoaster of emotions—complete with thrilling sword fights, menacing orcs, and those heavy moments of existential dread that make us human. It is a testament to how we use play and community to navigate the hardest parts of our lives. Whether you are a seasoned Paladin or have never touched a character sheet, York's writing ensures that the human element is front and center. I'm diving into the creative process with Jacob to discuss how he balanced the mechanics of RPG gaming with such a high-stakes emotional narrative. This is the must-see world premiere of the season, and you'll want to hear every detail right here before the curtain rises at the Aurora Theatre.

Morgan Porter, a performer in EMU theatre's upcoming musical theatre cabaret "Good Vibes Only!", tells host Caroline Buxton about the show and their role in it.Music by Cassia ReillyProduced and hosted by Caroline Buxton

 Listen to the Show Right Click to Save GuestsAustin Playhouse Camila Full of WishesWhat We Talked About   Broadway in Austin Season What We Did Before our Moth Days Olivier Award Nominations B'way in your hotel room Hip Hop B'way – Tik Tok Fameblack (Cut 2) Solo Seating at the theatre Millennials are Killing Musicals GLAAD Media Awards Schmigadoon Vlog The Man Who Would Be kingThank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

Christchurch's Court Theatre is selling off a collection of oddities including props, costumes and even a fake horse? The theatre lost its home at the Art Centre after the 2011 earthquake and moved to a shed in Addington. They're now back in the central city and having a bit of clean out..with a public garage sale tomorrow. Court Theatre operations and facilities manager Flore Charbonnier spoke with LIsa Owen.

In this week's mini-sode we are shining the spotlight on Broadway's Twelfth Night- inspired, Elvis Presley jukebox musical "All Shook Up"! Yeah, you heard that right! A Broadway musical inspired by a Shakespeare play, set to the tunes of Elvis Presley! What more could you ask for??Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

The wind off the Red River doesn't just howl, it tells stories. We're in Fargo, North Dakota, digging into the haunted lore that clings to a city built on railroads, fast growth, and the parts of history people try to bury. First stop is the Hollow, Fargo's original red light district, where Malvina Macy built the Crystal Palace and became a “well-known character” in town history. Today the building is long gone, but the reports haven't faded: security guards describing women in long gowns who vanish, and strange small items like gloves and satin buttons found exactly where an apparition stood.Then we step under the Art Deco marquee of the Fargo Theater, a landmark since 1926 and home to the Mighty Wurlitzer organ. The place is packed with classic haunted theater stories: the lady in white near the balcony, phantom children near the concessions, the smell of burnt sugar tied to old fire legends, and a projection booth that seems to come alive after hours. We also go beyond the scares by talking about EMF, old wiring, and the “fear cage effect,” because not every chilling feeling is a spirit.We wrap with a crucial paranormal investigation lesson: bad sources spread fast, and misreported hauntings can become “truth” if nobody fact-checks. If you love Fargo ghost stories, haunted theaters, and practical paranormal skepticism, hit play, share this with a friend who'd brave the basement, and leave a review. And tell us, why do you think theaters are haunted?Thank you for listening to the Paranormal Peeps Podcast. Check us out on Facebook Paranormal Peeps Podcast or Coldspot Paranormal Research and on Instagram coldspot_paranormal_researchSupport the show

"Roman theatre" is a term often used to describe the theatre of ancient Italy during the second and third century BCE. Plautus and Terence are referred to as ‘Roman playwrights,' and Rome itself is generally regarded as the driving force behind the development of theatrical culture in Italy. But was this early theatre in Italy specifically or characteristically Roman? Using previously marginalised archaeological source material and placing it in constructive dialogue with the surviving ancient literature, A New History of Ancient Roman Theatre (Liverpool UP, 2025) offers a significant reinterpretation of how theatre developed in the Italian peninsula, as well as a radical reappraisal of the role of Republican Rome as the impetus for cultural change. Challenging a long-held scholarly consensus, it is argued that whilst Rome would eventually rise to political and cultural dominance, the archaeological evidence does not encourage us to view Rome as a significant factor in the development of theatre in Italy until at least the end of the first century BCE and the construction of the Theatre of Pompey. Our attention is directed instead to other cities in the Italian peninsula during the third and second centuries BCE, which have hitherto been greatly overshadowed by imperialistic narratives of Roman cultural development. Jessica Clarke is a historian and archaeologist specialising in ancient Roman theatre and entertainment culture. She was awarded her PhD by University College London in 2024. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Where in the world am I? In San Diego, talking about Thessoloniki Greece, Part 1 Welcome to the  Dr. Mary Travelbest Guide podcast. I returned from a 90-day journey around the world, and I'm excited to connect with fellow travelers and share experiences for world peace. Here is an FAQ about plane or train travel, Thessoloniki Greece, Part 1, and also about a health issue you don't want when you travel. Give a listen. I guide you to solo travel experiences to bring out your best. The FAQ is: If you could take a plane or a train, which would it be and why? Answer:  If I have the choice between a plane and a train, Most of the time… I choose the train. Now let's be practical. If the distance is extreme — say, cross-country or intercontinental — the plane wins on efficiency. At this stage of life, I value my energy. Six hours in the air may beat twenty hours of transfers. But when are both realistic options? Train. Here's why. First, the train allows me to arrive gently. There's no stripping down at security, no liquid anxiety, no rushing to a distant gate. I walk onto the train. I keep my water. I keep my dignity. That matters. Second, the scenery. At 50+, we understand that the journey is not separate from the destination. On a train, I see villages, farmland, people waiting on platforms, laundry on balconies. I watch life unfold. A plane gives me clouds. Third, ease of movement. I can stand up. Walk. Stretch. Visit the café car. Talk to someone if I choose — or not. For solo women, that flexibility feels empowering. Fourth, arrival point. Trains typically drop you in the center of town. Planes drop you 40 minutes away, followed by taxis, shuttles, and more logistics. Simplicity wins. Now — here's where I get skeptical of my own bias. If I'm exhausted… If connections are complicated… If safety or night travel becomes a concern…Going from Oslo to Bergen this past summer, we had a 7-hour delay, stranded in Voss due to the heated tracks. That was not unusual, I later learned. Side note: I did enjoy my time in Voss and learned to slow down. If I anticipate a delay like this, I will absolutely take the plane. Comfort and safety override romance. So my answer? If time is short and distance is long,,,,, fly. If time is flexible and distance is reasonable, take the train and let the world move past your window. At this stage of life, we're not just getting somewhere. We're experiencing how we get there. And that is the difference.   60-second confidence challenge Your challenge today  Confidence Challenge in Greece and on trains. If you like today's Confidence Challenge, my book series delves deeper into train travel while walking through the 5 steps to solo travel, from easy to more challenging, with foreign-language communication tips. You can find the series at the link in the description.    See Book A for addressing this concern..  Find it on the website​​ at https://www.5stepstosolotravel.com/ or on Amazon. It's a several-part series. Today's destination is Thessaloniki, Greece Part 1 of 2   Greece: my bucket list trip: Arrival, Ancient Echoes, and Modern Reality Welcome to my planned Step 5 travel — the kind where you don't just visit a place… you live inside it. This week and next week, I'm taking you to Thessaloniki, Greece's second-largest city — layered with Roman ruins, Byzantine churches, Jewish history, and modern-day contradictions.    

"Roman theatre" is a term often used to describe the theatre of ancient Italy during the second and third century BCE. Plautus and Terence are referred to as ‘Roman playwrights,' and Rome itself is generally regarded as the driving force behind the development of theatrical culture in Italy. But was this early theatre in Italy specifically or characteristically Roman? Using previously marginalised archaeological source material and placing it in constructive dialogue with the surviving ancient literature, A New History of Ancient Roman Theatre (Liverpool UP, 2025) offers a significant reinterpretation of how theatre developed in the Italian peninsula, as well as a radical reappraisal of the role of Republican Rome as the impetus for cultural change. Challenging a long-held scholarly consensus, it is argued that whilst Rome would eventually rise to political and cultural dominance, the archaeological evidence does not encourage us to view Rome as a significant factor in the development of theatre in Italy until at least the end of the first century BCE and the construction of the Theatre of Pompey. Our attention is directed instead to other cities in the Italian peninsula during the third and second centuries BCE, which have hitherto been greatly overshadowed by imperialistic narratives of Roman cultural development. Jessica Clarke is a historian and archaeologist specialising in ancient Roman theatre and entertainment culture. She was awarded her PhD by University College London in 2024. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

"Roman theatre" is a term often used to describe the theatre of ancient Italy during the second and third century BCE. Plautus and Terence are referred to as ‘Roman playwrights,' and Rome itself is generally regarded as the driving force behind the development of theatrical culture in Italy. But was this early theatre in Italy specifically or characteristically Roman? Using previously marginalised archaeological source material and placing it in constructive dialogue with the surviving ancient literature, A New History of Ancient Roman Theatre (Liverpool UP, 2025) offers a significant reinterpretation of how theatre developed in the Italian peninsula, as well as a radical reappraisal of the role of Republican Rome as the impetus for cultural change. Challenging a long-held scholarly consensus, it is argued that whilst Rome would eventually rise to political and cultural dominance, the archaeological evidence does not encourage us to view Rome as a significant factor in the development of theatre in Italy until at least the end of the first century BCE and the construction of the Theatre of Pompey. Our attention is directed instead to other cities in the Italian peninsula during the third and second centuries BCE, which have hitherto been greatly overshadowed by imperialistic narratives of Roman cultural development. Jessica Clarke is a historian and archaeologist specialising in ancient Roman theatre and entertainment culture. She was awarded her PhD by University College London in 2024. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices

Send a textWhat happens when a Los Angeles theater commits to inclusion not just onstage, but in leadership, vision, and long-term impact?In this episode of The Cultural Curriculum Chat™, host Jebeh Edmunds sits down with Ben Zingos to discuss why a Los Angeles theatre is making history in 2026—and what it means for the future of theater, cultural leadership, and representation in the arts.This conversation explores how theater functions as a space for cultural storytelling, community engagement, and equity-driven leadership. Ben shares insight on moving beyond performative DEI in arts organizations, building trust with communities, and leading cultural institutions with intention during times of social change.This episode is ideal for educators, artists, nonprofit leaders, and anyone interested in inclusive leadership, arts equity, cultural institutions, and representation in theater.Topics include:Diversity, equity, and inclusion in the artsLeadership and governance in cultural institutionsRepresentation and storytelling in theaterWhy 2026 marks a pivotal moment for arts organizations

The Trump administration’s messaging around the war with Iran feels reminiscent of stuff like … cowboy movies. And video games. And the manosphere. This hour, a look at the rhetoric around the war and where it’s all coming from. GUESTS: Casey Ryan Kelly: Professor of Rhetoric and Public Culture in the Department of Communication Studies at the University of Nebraska-Lincoln. He is also Editor of the Quarterly Journal of Speech, and author of books including Manifesting Violence: White Terrorism, Digital Culture, and the Rhetoric of Replacement Jonathan Guyer: Program Director at the Institute for Global Affairs at Eurasia Group, and a reporter and editor focused on foreign policy, national security, and the Middle East. He is host of the podcast “None of the Above” Roger Stahl: Author and Professor of Communication Studies at the University of Georgia. He is director of the documentary Theaters of War Music featured (in order): “Hoe-Down” from Rodeo – Aaron Copland, NYO-USA, Michael Tilson Thomas You Should Have Seen the Other Guy – Nathaniel Rateliff Under My Thumb – Rolling Stones Son of Your Father – Elton John Cowboys Are Frequently Secretly Fond of Each Other – Orville Peck and Willie Nelson I Am a Rock – Simon and Garfunkel Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Phil and Shaun are back with their weekly pod

China just unveiled an ambitious plan to shake up theater. It's probably not what you think. Forget dusty relics. This is ancient art meeting the algorithm, with vertical screen dramas, a youth surge, and serious momentum building. Can any of it turn traditional performance into the next big cultural wave? On the show: Steve, Fei Fei & Yushan

Dana Stevens, film critic at Slate.com, co-host of the Slate Culture Gabfest podcast and the author of Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century (Atria Books, 2022), weighs in on Timothée Chalamet's comments about the importance of movie-going vs streaming for the future of the industry, plus the social/political meaning of two of the best picture frontrunners. Photo by Frazer Harrison/Getty Images: Timothée Chalamet speaks during the Valentine's Day weekend special screening of "Call Me By Your Name", hosted by Cinespia, at Los Angeles Theatre on February 13, 2026 in Los Angeles, California. 

Rosamund Pike! What a woman. Famed for her portrayals of razor-sharp, morally complex and deliciously unpredictable characters, she brings that same intriguing duality to this conversation. Thoughtful and quietly rebellious, she reflects on a career that has defied neat narratives from the very beginning. After taking a year out from studying English at University of Oxford to pursue acting, she graduated and stepped straight into the global spotlight as Bond girl Miranda Frost in Die Another Day. From there came a string of unforgettable movies: Pride & Prejudice, Jack Reacher, A Private War and Saltburn. Her chilling performance in Gone Girl earned her an Oscar nomination and she took home a Golden Globe for I Care a Lot. In 2025, she returned to the stage for the first time in 15 years in the National Theatre's production of Inter Alia. In this episode, she talks about her ‘failure' to get married, the realities of raising two sons and her decision not to read a single review of her work for the past 25 years. Plus why she's ‘constantly in battle' with her own fear, her failure to be an action movie hero, her miserable attempt to cook a rabbit and whether or not she's ‘cool'. ✨ IN THIS EPISODE: 00:00 Intro 03:18 No reviews rule 06:57 Early perfectionism and stage craft 07:58 Inter Alia and modern womanhood 10:09 Luminate meditation mask 12:42 Failure to learn Chinese 19:09 Onstage mishaps and acting roles 28:59 What Cool Really Means 29:26 Cool Girl vs Amy 32:21 Failing at Being An Action Star 36:52 Failure to Get Married 45:17 Mothering Two Boys 47:28 Smells and Teen Hygiene 48:44 Rabbit Dinner and Being Enough

Wednesday's The A.M. Update with Aaron McIntire covers Senate Majority Leader John Thune's realism on the Save America Act, explaining the lack of votes to bypass the filibuster and framing a floor vote as a chance to force Democrats on record regarding non-citizen voting, despite the bill's simpler path from the House. White House Press Secretary Caroline Leavitt pitches the Act's popular provisions like voter ID, proof of citizenship, restricted mail-in ballots, and bans on men in women's sports and child transgender surgeries. In the Iran conflict, Secretary of War Pete Hegseth previews intense strikes while noting Iran's reduced missile fire, and President Trump warns of severe consequences over reported Strait of Hormuz mining before announcing destruction of Iranian mine-laying vessels. Oil prices stabilize after sharp volatility. Domestic angles include White House guidance to temper mass deportation rhetoric for political reasons, echoed by House Speaker Mike Johnson on a "course correction" with new DHS leadership. More James Talarico clips surface highlighting his views on fascism and trans issues. Positive ADP job data offers labor market hope amid corporate relocations from California and New Jersey to Georgia and Texas. Virginia's new gun control measures head to the governor, and Congressman Tim Burchett calls gasoline pricing a corporate scam.   A.M. Update, Aaron McIntire, Save America Act, John Thune, voter ID, Iran war, Operation Epic Fury, Strait of Hormuz, Pete Hegseth, mass deportations, James Talarico, oil prices, gas scam, corporate relocations, Virginia gun control, Tim Burchett

This week Jess and Miranda talk about the National Tour of "The Outsiders" based on S.E. Hinton's novel of the same name. You can see the show at the fisher theater from Mar 3 - 15, 2026. You can buy your tickets here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ronnie Burkett, the Governor General Award-winning puppeteer, is back with a new show Little Willy. He joins Garvia Bailey to talk about why he wanted to do a provocative, comedic take on Shakespeare's Romeo and Juliet. Ronnie reflects on 40 years of doing puppet shows for adults with his Theatre of Marionettes and why audiences make the puppets “real.”

In episode 2019, Jack and Miles are joined by comedian and host of Intercepts, David Huntsberger, to discuss… Trump Administration Blames Rising Oil Prices On Bad Vibes, Predator / Conan / Commando, Ballet And Opera Lovers Sure Are Pissed At Timothée Chalamet, Pentagon Has Been Havana Syndrome-ing Rats? And more! As oil prices spike, G7 opts not to dip into emergency reserves for now Trump's energy chief blames oil price spike on market fear 'Night turned into day': Iranians tell of strikes on oil depots As Iran chokes Strait of Hormuz, U.S. vows $20B for maritime reinsurance Scoop: U.S. dismayed by Israel's Iran fuel strikes, sources say US military tests on secret weapon bought from Russian criminal network reveal Havana Syndrome-like symptoms: report Unsurprisingly, tonight's 60 Minutes episode covering Havana Syndrome didn't offer a smoking gun because it was a sales pitch for a book coming out in September. The authors? Two 60 Minutes producers. All we've got to say is... use promo code TIMOTHEE to save 14% off select seats for Carmen, through this weekend only. Timmy, you're welcome to use it too