Podcasts about Playhouse

At Giassi's Playhouse, we continue putting on a show. Once it's over, we find ourselves diving into shadows.Get more great MNmaxed and PF2E content on our YouTubeTalk to us and other MNmaxed listeners in DiscordTo support MNmaxed, check out our PatreonAdditional audio is provided by TabletopAudio.comSupport the show

We kick off 2026 with a month-long series of big screen stars who lent their voices to radio detectives. First up is Alan Ladd, the steely star of classic noir dramas like This Gun for Hire and The Blue Dahlia and westerns like the iconic Shane. We'll hear him in his signature radio role of mystery writer and amateur sleuth Dan Holiday in a pair of syndicated episodes of Box 13 - "Treasure of Hang Li" and "Sealed Instructions." Plus, he recreates his big screen role as an old west detective as The Screen Director's Playhouse presents "Whispering Smith" (originally aired on NBC on September 16, 1949).  

The Florida Gators take another hit in the transfer portal — so what does it mean for the roster, the depth chart, and what's next heading into the offseason? In this episode of Stadium and Gale, we break down the latest departures, what it says about the program's trajectory, and where Florida has to respond fast. Plus: the Sumrall-to-Florida transition conversation — what's real, what's noise, and what it could look like if momentum builds. Topics: Portal losses and why they're happening Positions Florida must address ASAP What the next 30 days need to look like for the Gators Drop your thoughts in the comments: How worried are you about the portal trend and what's your confidence level in where Florida goes next?

Leftists across Memphis are bashing Memphis parents who complained about drag queens appearing in what was supposed to be a family-friendly performance of the “Wizard of Oz.” One angry citizen said “There’s a special place in Hell for Todd Starnes.” On today’s show Mike Lindell and Rep. David Kustoff. Listen LIVE Weekdays 7AM Central on the KWAM app, or Mighty990.com See omnystudio.com/listener for privacy information.

" I love shining a light on escape room creators and telling their stories." For the last 10 years, Lisa Spira of Room Escape Artist has been tracking the growth of the US Escape Room industry and publishing industry reports. For our Season 10 finale episode, Lisa joins us to talk about this year's annual report. New this year is a collaboration with previous REPOD sponsor Morty, an app that tracks individual games as well as escape room companies. Through this collaboration, Lisa was able to look at additional metrics, including revenue. The 2025 Industry report is available on the Room Escape Artist website, and Lisa shares deeper analysis on this episode. Some interesting trends noted include consolidation of ownership, and expansion of immersive gaming business models. We also talk about some interesting stats, including which days might be better for an escape room company to go dark; it's not what you would expect! We close out the episode with some musings on exciting new design trends in escape room design, trends we don't care for, and where we think the escape room industry is headed. Whether you're an escape room owner, aspiring to work in the escape room industry, work in the immersive entertainment field, or just a data-loving enthusiast, the REA US Escape Room Industry Report is a must-read. This is the last episode of Season 10. Thanks so much for listening. We'll be back with a new season of REPOD in the spring of 2026. Meanwhile, consider joining our Patreon for access to our library of Bonus Aftershows and Spoilers Club episodes.   Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

Anthologic 244 Four Star Playhouse S1E01 My Wife Geraldine On youtube: Youtube Playlist: Anthologic Feedback to: info@thegoodthebadandtheodd.com Or join the facebook group The Good The Bad And The Odd Or chat with Mark who runs the facebook account athttp://www.facebook.com/the-good-the-bad-and-the-odd

Anthologic 244 Four Star Playhouse S1E01 My Wife Geraldine On youtube: Youtube Playlist: Anthologic Feedback to: info@thegoodthebadandtheodd.com Or join the facebook group The Good The Bad And The Odd Or chat with Mark who runs the facebook account athttp://www.facebook.com/the-good-the-bad-and-the-odd

Parents are very upset over what they considered to be inappropriate content in a rendition of the Wizard of Oz that was marketed to children. Listen LIVE Weekdays 7AM Central on the KWAM app, or Mighty990.com See omnystudio.com/listener for privacy information.

On with the show! We go to Giassi's Playhouse, only to find ourselves as part of the show. How will we perform for an audience? Will Spencer be wearing shoes?Get more great MNmaxed and PF2E content on our YouTubeTalk to us and other MNmaxed listeners in DiscordTo support MNmaxed, check out our PatreonAdditional audio is provided by TabletopAudio.comSupport the show

Space Patrol "The Last Voyage of the Lonesome Lena" 12/27/1952Burns and Allen "Eddie Cantor's Gift" 12/26/1946Screen Director's Playhouse "Alias Nick Beal" 12/28/1950Sherlock Holmes "The Iron Box" 12/31/1945X Minus One "Honeymoon in Hell" 12/26/1956

Do you "get" Pee-wee or not?

A Christmas Carol on Christmas EveFirst, a look at the events of the day.Then, The Campbell's Playhouse, originally broadcast December 24, 1939, 86 years ago, A Christmas Carol starring Lionel Barrymore.  The Dickens classic produced by Orson Welles.  Followed by Richard Diamond Private Detective starring Dick Powell, originally broadcast December 24, 1949, 76 years ago, Diamond's Christmas Carol.   The famous story by Charles Dickens, but done by Richard Diamond, the private detective, and his friends. Then, Treasury Star Parade,  originally broadcast December 24, 1942, 83 years ago, A Modern Scrooge starring Lionel Barrymore.    A wartime "Christmas Carol."Followed by Fibber McGee and Molly, originally broadcast December 24, 1953, 72 years ago, Laura the Lopsided Christmas Tree.   Fibber tells Teeny the story of, Laura, The Lopsided Pine.Finally, Claudia, originally broadcast December 24, 1947, 78 years ago, Christmas Eve.   Partners of Christmas eve!   Kathryn Bard and Paul Crabtree star.Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

The Miskatonic Playhouse presents Ex Libris, a tale of dread and horror for the winter season by SR Sellens. A hired actor uncovers a hidden room in the Miskatonic Playhouse, and the strange man who dwells within.Read by Mr Spike, this story appears in 'From the Library of the Playhouse', a catalogue of Mythos Tomes available on DriveThruRPG.---------From the Library of the Playhouse: a catalogue of Mythos tomes---------Mr Spike's Bedtime Stories • A podcast on Spotify

"A very twist ending. I don't think we were expecting it to go quite that way." The scent of cedar and cloves drift through the air, and all around the lights are twinkling. Boughs of holly and mistletoe decorate the rafters, and you've gathered friends and loved ones to celebrate. It's our first REPOD and PG's Playhouse crossover Holiday Special! To celebrate, we've invited our Podcast Producer, Theresa Piazza, and Room Escape Artist Contributor, Andrew Reynolds to join us for games, trivia, and merriment. Today's game is "It's Not Elf on the Shelf", inspired by an actual toy Snoop on the Stoop. Each answer is a celebrity paired with a rhyming location in the house. We all share some recommendations for games, puzzles, and shows that we've been enjoying. Then David takes us down the rabbit hole of mistletoe trivia, which has sexier origins than any of us imagined. I hope you enjoyed this fun PG's Playhouse-style episode! We're grateful for all of our loyal listeners, and we're thrilled that you've stuck with us for so long. Happy holidays, everyone!       Production Credits Hosted by Peih-Gee Law & David Spira Puzzles by Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Peih-Gee Law Music by Matt Farthing Logo by Theresa Wagner

Charles Dickens’ classic tale of Ebenezer’s life-changing encounter with three spirits on Christmas Eve. Original Air Date: December 24, 193 Read more ...

Another month has passed at the Talking Simpsons Network, and that means we've got another awesome podcast about an animated feature film! This month, our $10 Patreon subscribers get to hear us talk about 1988's Christmas at Pee-Wee's Playhouse! Listen now to this free extended preview, and then subscribe at the $10 level (or up your current pledge to $10) to hear the whole thing and all of our previous What A Cartoon Movie podcasts. Sign up today!  

Celebrate the Christmas holidays with Sunday Night Playhouse on Vintage Classic Radio, featuring a classic Lux Radio Theatre adaptation of "Great Expectations", originally broadcast on October 13, 1947. This elegant radio production brings Charles Dickens' timeless novel to the airwaves with the rich storytelling and star-studded presentation that Lux was known for. Follow young Pip as a single act of kindness sets him on a path from a humble childhood to unexpected riches, complicated relationships, and hard-earned wisdom. In the end, Pip learns that character and compassion matter far more than social standing or money.  Settle in and enjoy this week's holiday edition of Sunday Night Playhouse, only on Vintage Classic Radio.

Send us a textIn this moving Christmas drama, a man endeavoring to visit his aunt in a retirement home is mistaken for a priest. He finds himself providing soothing, spiritual comfort to a woman in hospice care.Bernadette Armstrong directs a cast that includes Goreti da Silva as Mary, Gary B. Lamb as Evan, Gloria Tsai as Millie, and Noelle Evangelisti as Nurse June Allen.Glen Sharpe is the playwright. Glen was born in Toronto, and he has been an educator since 1989. For the past twenty years, Glen has been an Education Professor with Nipissing University in North Bay, Ontario. Glen's many interests include volunteerism, promoting Indigenous initiatives, and athletics. Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

" I appreciated your janitor's slow decline into madness." BLOT needs our help! The Bureau of Legitimate and Otherworldly Troubles has suffered a breach in their laboratory, and they need someone to clean up the mess. In the lab, there's a chalkboard to the left,  a table with beakers and test tubes to the right and a small computer desk. The room is covered with a strange, gunky substance all over the walls and floor. What would you like to do? BLOT was the official game for RECON Remote 25, available to play for all Community, Pro, and Champion ticket holders who opted in. It was created and run by Mark Larson, who was a guest on REPOD S5E11. On this episode, Yannick Trapman-O'Brien and Lyra Levin join us to play BLOT. Lyra was a featured speaker for RECON Remote 25 with her talk, Make Stuff Fast: Rapid Prototyping for Interactive Experiences, now available on YouTube. Yannick originally appeared on REPOD S8E7 to talk about his incredible show for one, Undersigned. They joined us on REPOD for an actual play of BLOT. Lyra and Yannick are both experienced improvisers, and I'd never laughed so hard watching a play-through. Scroll down to the timestamps to follow along with game images. If you missed playing this game during RECON Remote 25, or if you want to relive your glory moments, join us for this final play-through of BLOT.     Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

Leave Your Email Follow on Spotify  Follow Spotify  This is my part two from last year 2024 Fucking Football Playhouse Season where my Brothers and I give ladies advice to caution them on dating during this season. We old school share what real games are being played during this football season.  The song choice for this topic is "Shut My Damn Mouth.  ....   Song of the week for Podcast Episode   Shut My Damn Mouth Song Choice Subscribe My Apple Podcast  Subscribe My Apple Podcast    

Send us a textShakespeare  Hello Mr. Smith. This is William Shakespeare the action figure, and I would be most remiss if I did not continue my narrative regarding my education in Stratford. You see, like many boys of my station, I probably attended the King's New School in Stratford. It has been so long that I must admit I am a bit foggy. The curriculum would have been heavy on Latin, rhetoric, and the classics. Day after day, I was been drilled in the works of Ovid, Seneca, and Plautus. Later, echoes of those schoolroom authors would resurface in my plays — such as Pyramus and Thisbe in A Midsummer Night's Dream, as well as the Roman senators in Julius Caesar. Night watchmenSo when did you start using the alphabet and language so masterfully?ShakespeareI certainly intend to address that, but for now be patient, my fellow toys, be patient. You see, by 1582, when I was only eighteen, I married a lady by the name of Anne Hathaway,  Some scholars Believe that my wive's name was actually Agnes. In any case, our first daughter, Susanna, was born the following year. Twins, Hamnet and Judith, followed in 1585.  Unfortunately my dear son Hamnet later died as a result of the plague. And then comes the mystery: the so-called “lost years.” Between 1585 and 1592, I completely disappear from the historical record. No plays, no mentions, no documents, but what we do know is that by 1592, I was in the city of London and making a name for myself. A rival playwright, Robert Greene, derided me in print as an “upstart crow.” For all its venom, the insult is proof that I had arrived — I was already challenging the university-trained writers and beginning my rise to the very top of the Elizabethan stage.Support the showThank you for experiencing Celebrate Creativity.

1. Crazibiza, House Of Prayers Let's Play House (2025 Edit)2. Sam Divine, Blaze, UDAUFL, Barbara Tucker Most Precious Love (Extended Mix)3. NutownSoul, Dav Risen, MoreSoul If You Just Hold On4. Daniel Dutton, Mr. Eclectic The Rhythm (Helped Me) (Extended Mix)5. Stacy Kidd, Alia Long Call His Name (Main Mix)6. Rythmic SA, Dav Risen Hallelujah (Original Mix)7. Revival House Project, Imaani, Danny Krivit Best Of My Love (Danny Krivit Edit)8. Soul Avengerz Reachin' (Extended Mix)9. Muzikman Edition Tom Plays The Organ (Muzikman Edition Classic Mix)10. Frits Wentink, Prince Palmer Intentions (Prince Palmer Remix)11. JEREMIAH SMOOVE Only YouSupport this podcast at — https://redcircle.com/gospel-house-podcast/donations

“ The joy of live performance is that we're all experiencing the same thing together and it unites us as a community.” When I think of crossword puzzles, I think of a quiet, cerebral exercise. It's often a solitary activity, maybe occasionally yelling out if anyone knows a four letter word for "milk's favorite cookie." When Zach Sherwin considered crossword puzzles, however, he thought, okay... but what if it also had comedians, rap, music, and just a little bit of chaos, all wrapped up in an epically funny live show? Zach Sherwin has long had a way with words. He cut his teeth performing sketch comedy and honing his rapping skills as MC Mr. Napkins. He eventually found his way to Epic Rap Battles of History, which found a way to make nerdy, boring history feel fun and – dare I say – cool. His love of wordplay and puzzles led him to create The Crossword Show. Zach Sherwin presides as two guest comedians solve a crossword puzzle live onstage, with everything displayed on a big screen so you can follow along. As the solvers decipher the clues, Zach takes the show down rabbit holes of comedy, music, wordplay and trivia, all inspired by the answer words. Everything ties together at the end for a grand finale. It is clever, hilarious, and had me awestruck at the mental gymnastics Zach goes through over the course of the show. Zach joins us on REPOD to talk about how he turned a quiet nerdy activity into something funny, thrilling, and interactive. I really enjoyed hearing him talk about the secret sauce of crafting this show, from how he adjusts the difficulty of the clues, to what makes a live show special. He was a delightful guest. Are you intrigued by how a live crossword stage show works? Zach will be performing at the Reality Escape Convention in Laval in 2026. This is a show you won't want to miss.     Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

We have more Christmas specials coming over the course of December, but first, let's go back to a Christmas special that we reviewed a few years ago.Arloe has us watching Christmas content once again, and so this week we're going to discuss the Pee Wee's Playhouse Christmas Special. And spoiler alert...it's fantastic! Drew joins us for this episode as well!We're available on  all of the standard podcasting platforms and can also be streamed on Spotify. Please give us a follow on Twitter NarbosPodcast or  on Instagram and Tiktok @NarbosAndBroomheadsPodcast, and if you want to watch along, please send your comments to Narbosandbroomheads@gmail.com and we'll make sure to share them on future episodes. You can also join our Narbos And Broomheads Facebook group for information on live episodes being broadcast in the future. If you like the show, please shoot us a 5 star rating on iTunes, and tell all of your Degrassi loving friends!

Well, what's GOOD these daysSee omnystudio.com/listener for privacy information.

Elvis spent countless late nights at the historic Memphian Theatre, and this episode takes you inside his private screening world. Special thanks to the Playhouse on the Square and Thomas, who generously shares his firsthand stories from working here in the 70s. Tours are just $10 and can be booked by emailing Courtney@playhouseonthesquare.org. The proceeds from the tour go back directly into maintaining the playhouse, which is amazing! This episode is only a glimpse of the history you'll experience in person. Please reach out to Thomas, and tell him the Pink Cadillacs sent you!

Author Daniel Swift takes us back to 16th century London with the story of the first playhouse in England, in his new book "The Dream Factory." It's a story about the interplay between money and art at the theater that featured the work of a young William Shakespeare.

This week on Sunday Night Playhouse, Vintage Classic Radio presents Norman Corwin's sharp and spirited 1944 holiday classic, "The Plot to Overthrow Christmas". In this witty rhymed fantasy, a council of history's great villains meets to hatch a plan to destroy Christmas itself. Corwin uses humour and imagination to take aim at tyranny and the forces that thrive on fear, cruelty, and authoritarian power. It's a clever, fast-paced Christmas tale with an unmistakable wartime message: joy, freedom, and human decency are worth defending.

The countdown is on and Hot House Hours has your NYE sorted with 3 hours of nostalgia taking us back to classic songs from Wham, Bobby Brown, The Doors, Pink, Kate Bush, Cyndi Lauper, Maroon 5, Bruno Mars, Dua Lipa, Rihanna, Whitney Houston, Oasis, The Verve and so much more! 1. She Wants (Nu Disco Mix) - Jackers Revenge [Booth Busters]

Send us a textAn elderly, grieving widower, with the help of a friend, searches for an image of his late wife in The Cloud so he can sing his beloved a Heavenly Merry Christmas greeting.Bernadette Armstrong directs a cast that includes Christine Uhebe as Sandra and Daamen Krall as Harry.S.J. Roth is the playwright. Based in Santa Monica, he received an MFA from Carnegie Mellon University. His previous plays include Sutton, Ben and Augie, Hell and Back, Losin' It, Blind Kisses, Venice Love, Bonnie's Wanted Man, and more.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

"Guests have become more sophisticated and our product needs to follow suit." Disney Theme Parks have always been at the top when it comes to large scale, interactive entertainment attractions. Doris Hardoon is a legendary Imagineer, and we don't use that term lightly. Her creative vision has graced every Disney Castle Park on the planet, from EPCOT to Disneyland and Disneyland Paris to Disney's Animal Kingdom, Disney Cruise Line, and beyond. Doris took a break from Disney to run her own design firm working on museums and other interactive design, but she returned to Disney as the executive creative director and producer for Shanghai Disney Resort. Her career at Disney theme parks and entertainment design has spanned over four decades. She joins us on REPOD to share her design philosophy and some life advice for aspiring designers. She's had a very interesting path in her career, starting with working as a model and becoming a well-known folk singer in Hong Kong in the 1960s and 70s. I especially enjoyed hearing her talk about working on the global theme parks and how “It's important to culturally understand who you're creating the happiest places on earth for.” She talks about how to design spaces that appeal to the local audience while still maintaining an authentic Disney experience. She's now turned much of her time to mentoring the next generation of entertainment designers. In this episode, Doris shares some reflections and advice on how to build the right team to support your creative vision. She also talks about how to manage corporate politics, especially when it comes to large creative companies like Walt Disney Imagineering. Doris Hardoon is a true legend, and I hope you find this episode as inspiring as I did.   Full Show Notes   Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

Center Stage Chronicles is back as Kris Zellner is joined by Rob Naylor and Our Good Buddy Charles to discuss the month of November 1990 in the National Wrestling Alliance and pop culture in general. Topics of discussion include:How pending Turner Broadcasting cutbacks will affect the wrestling division.Graffiti Bridge being the true sequel to Purple RainRic Flair putting up his yacht and Rolls Royce against Doom's tag titles.The end of the NWA name being used on TV.Just who the hell is the real Magnum Force, anyway?Madonna releases Justify My Love and the controversy is about to get big.The series finales of Charles In Charge and Pee Wee's Playhouse.WCW and NJPW reach a deal to co-promote a Tokyo Dome show.A wacky as hell Clash of the Champions featuring some terrible matches and a Black Scorpion magic show.The birth of Michael Wallstreet and the York Foundation.Milli Vanilli gets exposed and they pay the price, losing their Grammy Award for Best New Artist.Ole Anderson gets fired as head booker and Dusty Rhodes rumors start to run rampant as a result..This show was a total blast, so we hope you will enjoy it!!!To support the show and get access to exclusive rewards like special members-only monthly themed shows, go to our Patreon page at Patreon.com/BetweenTheSheets and become an ongoing Patron. Becoming a Between the Sheets Patron will also get you exclusive access to not only the monthly themed episode of Between the Sheets, but also access to our new mailbag segment, a Patron-only chat room on Slack, and anything else we do outside of the main shows!If you're looking for the best deal on a VPN service—short for Virtual Private Network, it helps you get around regional restrictions as well as browse the internet more securely—then Private Internet Access is what you've been looking for. Not only will using our link help support Between The Sheets, but you'll get a special discount, with prices as low as $1.98/month if you go with a 40 month subscription. With numerous great features and even a TV-specific Android app to make streaming easier, there is no better choice if you're looking to subscribe to WWE Network, AEW Plus, and other region-locked services.For the best in both current and classic indie wrestling streaming, make sure to check out IndependentWrestling.tv and use coupon code BTSPOD for a free 5 day trial! (You can also go directly to TinyURL.com/IWTVsheets to sign up that way.) If you convert to a paid subscriber, we get a kickback for referring you, allowing you to support both the show and the indie scene.You can also use code BTSPOD to save 25% on your first payment — whether paying month to month or annually — when you subscribe to Ultimate Classic Wrestling Network at ClassicWrestling.net!To subscribe, you can find us on iTunes, Google Play, and just about every other podcast app's directory, or you can also paste Feeds.FeedBurner.com/BTSheets into your favorite podcast app using whatever “add feed manually” option it has.Support this podcast at — https://redcircle.com/between-the-sheets/donationsAdvertising Inquiries: https://redcircle.com/brands

TVC 715.1: Ed welcomes back author, essayist, novelist, and TV historian Mitchell Hadley (The Electronic Mirror, ItsAboutTV.com). Mitchell's latest book, Darkness in Primetime: How Classic-Era TV Foresaw Modern Society's Descent into Hell, is a series of essays that shows how certain episodes of such classic series as The Twilight Zone, The Outer Limits, Star Trek, and The Prisoner, as well as some of the live dramas that originally aired on Studio One, Playhouse 90, and Kraft Television Theatre—all of which were originally written and broadcast in either the 1950s or 1960s—not only envisioned a society of 24/7 surveillance, thought control, disinformation, persecution, and loss of freedom, but portrayed those realities in ways that are disturbingly similar to the world that we currently occupy. Darkness in Primetime is available wherever books are sold through Throckmorton Press and Amazon.com.

Center Stage Chronicles is back as Kris Zellner is joined by Rob Naylor and Our Good Buddy Charles to discuss the month of November 1990 in the National Wrestling Alliance and pop culture in general. Topics of discussion include:How pending Turner Broadcasting cutbacks will affect the wrestling division.Graffiti Bridge being the true sequel to Purple RainRic Flair putting up his yacht and Rolls Royce against Doom's tag titles.The end of the NWA name being used on TV.Just who the hell is the real Magnum Force, anyway?Madonna releases Justify My Love and the controversy is about to get big.The series finales of Charles In Charge and Pee Wee's Playhouse.WCW and NJPW reach a deal to co-promote a Tokyo Dome show.A wacky as hell Clash of the Champions featuring some terrible matches and a Black Scorpion magic show.The birth of Michael Wallstreet and the York Foundation.Milli Vanilli gets exposed and they pay the price, losing their Grammy Award for Best New Artist.Ole Anderson gets fired as head booker and Dusty Rhodes rumors start to run rampant as a result..This show was a total blast, so we hope you will enjoy it!!!To support the show and get access to exclusive rewards like special members-only monthly themed shows, go to our Patreon page at Patreon.com/BetweenTheSheets and become an ongoing Patron. Becoming a Between the Sheets Patron will also get you exclusive access to not only the monthly themed episode of Between the Sheets, but also access to our new mailbag segment, a Patron-only chat room on Slack, and anything else we do outside of the main shows!If you're looking for the best deal on a VPN service—short for Virtual Private Network, it helps you get around regional restrictions as well as browse the internet more securely—then Private Internet Access is what you've been looking for. Not only will using our link help support Between The Sheets, but you'll get a special discount, with prices as low as $1.98/month if you go with a 40 month subscription. With numerous great features and even a TV-specific Android app to make streaming easier, there is no better choice if you're looking to subscribe to WWE Network, AEW Plus, and other region-locked services.For the best in both current and classic indie wrestling streaming, make sure to check out IndependentWrestling.tv and use coupon code BTSPOD for a free 5 day trial! (You can also go directly to TinyURL.com/IWTVsheets to sign up that way.) If you convert to a paid subscriber, we get a kickback for referring you, allowing you to support both the show and the indie scene.You can also use code BTSPOD to save 25% on your first payment — whether paying month to month or annually — when you subscribe to Ultimate Classic Wrestling Network at ClassicWrestling.net!To subscribe, you can find us on iTunes, Google Play, and just about every other podcast app's directory, or you can also paste Feeds.FeedBurner.com/BTSheets into your favorite podcast app using whatever “add feed manually” option it has.Support this podcast at — https://redcircle.com/between-the-sheets/donationsAdvertising Inquiries: https://redcircle.com/brands

"Screenwriting is like a puzzle that the writers are putting together." When a television screenwriter who loves puzzles and immersive experiences turns her attention to creating a boxed puzzle game, the result is beguiling and thoroughly engrossing. The Morrison Game Factory has a deeply intimate and emotional story that pulled at my heartstrings while still engaging my puzzle brain. Screenwriter Lauren Bello created The Morrison Game Factory as puzzle challenge during the pandemic. It would have remained a small one-off game played only by her friends until Rita Orlov of PostCurious played it. She fell in love with the game, and worked with Lauren to produce the game under the PostCurious brand. We originally interviewed Rita of PostCurious on REPOD S2E7 when her award winning game Light in the Mist had just come out. Since then, PostCurious has continually produced hit after hit, including the charming puzzle-focused Ministry of Lost Things series, along with longer epics like Emerald Echoes and Threads of Fate which is a remake of the first game that Rita became known for. PostCurious games are impeccably produced. All the games have authentic-feeling props, heavyweight paper, and a beautiful artistic flair. The puzzles are intriguing, and range from light and playful to complex and layered. The storylines are always interesting and tie into the gameplay. Rita Orlov and Lauren Bello talk about their collaboration. We also spend some time dissecting all the new PostCurious games to hit the market since we last had Rita on Reality Escape Pod. I really enjoyed learning about Lauren's writing process, especially when she described it as a series of waveforms, layering the different plots, storylines, and vibe that she's trying to achieve. If you enjoyed this episode, make sure to check out The Morrison Game Factory and PostCurious' newest game on Kickstarter, Ministry of Lost Things - Case 2: Finders Keypers.   Full Show Notes   Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

TVC 714.1: TV Confidential remembers Ralph Senensky, longtime member of the Directors Guild of America and one of the most prolific directors in TV history (particularly when it comes to episodic television) with an encore presentation of a conversation that originally aired in February 2014. Ralph Senensky passed away on Saturday, Nov. 1, 2025 at the age of 102. Topics this segment include a look at Ralph's early career in television on such live dramas as Playhouse 90, as well as his work with casting directors Marion Dougherty and John Conwell on shows like Route 66 and Naked City.

Lake City Playhouse is bringing a beloved holiday classic to Coeur d'Alene with its production of “Little Women,” opening tonight and running through December 7. This heartwarming story filled with sisterhood, sacrifice, and timeless charm is the perfect way to ease into the spirit of the season. The show is directed by Jessica Peterson, a vibrant force at Lake City Playhouse. Known for her talent on stage as well as behind the scenes, Jessica made her directorial debut earlier this year and now returns with a fresh, heartfelt vision for this iconic production. In addition to joining the Playhouse board, Jessica is a licensed master social worker who brings deep empathy and insight to every project she touches. Theater has long been a passion woven through her life, with memorable performances in both CYT and Lake City Playhouse shows. Tickets are on sale now at lakecityplayhouse.org. Don't miss your chance to experience this cherished classic—beautifully staged and perfectly timed for the holidays. Gather your friends and family and make “Little Women” part of your seasonal tradition.

Ernest Hemingway's short story The Killers was memorably adapted and expanded for the big screen by director Robert Siodmak and an incredible cast. We'll hear the stars of that film - plus a radio recreation - as our "Noirvember" series continues. Ava Gardner slows down for a hitchhiker with murder on his mind in "Lady in Distress" (originally aired on CBS on May 1, 1947). Edmond O'Brien is a streetwise reporter out for the story of the year in "The Argyle Album" (originally aired on CBS on September 4, 1947). Burt Lancaster is in no hurry to get revenge for his brother in "The Long Wait" (originally aired on CBS on November 24, 1949). And the titular killers William Conrad and Charles McGraw reunite in "Two for the Road" (originally aired on CBS on November 9, 1958). Finally, Burt Lancaster reprises his role as The Screen Director's Playhouse presents "The Killers" (originally aired on NBC on June 5, 1949).

Penny Arcade—poet, actress, essayist, spoken word, video and theatre maker—discusses her trajectory from an immigrant family, originally from Basilicata, Italy, to her upbringing in a working-class Connecticut town to her entry into the art world of New York's East Village. Looking back on her life as a homeless teen in the Village, her discovery by Jamie Andrews who introduced her to John Vaccaro's Playhouse of The Ridiculous, becoming a Warhol Factory Superstar, and her departure to Amsterdam, Arcade narrates the story of how she set off for Formentera, in Spain's Balearic Islands, where she started a school for children there, some of whom were children of drug smugglers. Recounting her return to New York City in 1981 and her split from Vaccaro, which marked the beginning of her independent work, Arcade recollects the state of the various art scenes in New York City during the Reagan era, the loss of friends to AIDS, and the censorship of the era. She vituperates the class divisions within the art world and the Manhattan Downtown art scene into which she never fit neatly, while underscoring her desire to “create theatre for people who had no theatre,” a fact which made her extremely unpopular within academia and among arts administrators because her work challenges these very elite systems. Pondering the values she espouses in her art and the fact that her audience has always been unique in maintaining a shared investment in her performances, Arcade considers how the catharsis in reaction to her art takes place well beyond the theatre hall. As an outsider to the art scene, noting how she hasn't received institutional support and has operated without funding, legacy media coverage, or any form of academic sponsorship, Arcade criticises the state of art funding from even before the 1980s, when the Moral Majority took aim at the art world and at the NEA (National Endowment for the Arts) funding structures. Calling out the academic art world as a “pyramid scheme,” Arcade observes how the academic-produced genre of “emerging arts” has become a way for the elite class to ensure that their children would have a guaranteed “entry level position” post-graduation in the arts akin to the professional tracks for finance and law, proclaiming: “Art is not a profession—it's a vocation.” She also delves into the problems of identity politics that have permeated into arts funding and the art world and culture at large, remarking how these institutions recycle not only the same personas and narratives, ultimately limiting the “professionalised” scope of art. Responding to the recent “queering” of Marsha P Johnson, Arcade argues that Johnson was not transgender but was a drag queen, contending that the only reason why Johnson was recategorised as “trans” is because “Marsha is dead and black.” Get full access to Savage Minds at savageminds.substack.com/subscribe

Pee-wee's Playhouse: "Playhouse for Sale"Come on in, and pull yourself up a chair (Like Chairry!) Kevin Cafferty joins us for the series finale of the hugely popular fusion of Saturday Morning kids edutainment and underground surrealist performance art, and its melancholy clip show goodbye inspired by Howdy Doody. We get into the alt-comedy and punk roots of the Pee-wee Herman character, Pee-wee mania in the 80s, the horrible ways Paul Reubens and his sexuality was handled by the media, and why this finale centers on Miss Yvonne and the playhouse puppets rather than Pee-wee himself.Check out Kevin's Podcasts:Gleaming the TubeBest Stuff in the WorldA proud part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tip us on Ko-Fi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Gimmicks Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gimmickspodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Disco Tears" by Raven⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Creative Commons Attribution 3.0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sources: ⁠Inside Pee-wee's Playhouse: The Untold, Unauthorized, and Unpredictable Story of a Pop Phenomenon (2012) by Caseen GainesPee-wee as Himself (2025) a documentary by Matt WolfNo Trick, Just a Treat (2021) by Chris Azzopardi for Philadelphia Gay NewsCritics Notebook: ‘Pee-wee's Playhouse redux: Bonus talk with Paul Reubens” by Robert Lloyd for the LA TimesAlison Mork - Under the Puppet #91Kevin Carlson - Under the Puppet #9

0:30 - Property Taxes 38:50 - Trump on release of Epstein files...all for it so we can get back to touting our successes 01:02:23 - GiGi Gianni, the driving force behind GiGi’s Playhouse, shares a heartfelt message about visibility, achievement, and belonging: “I deserve to be here.” Gigi was joined by her mother and founder of GiGi’s Playhouse Down Syndrome Achievement Centers - gigisplayhouse.org 01:19:49 - In-depth History with Frank from Arlington Heights 01:22:38 - Jonathan Alpert, a psychotherapist practicing in New York, wonders Is ‘Trump Derangement Syndrome’ Real? Jonathan’s forthcoming book Therapy Nation will be out next year! 01:37:12 - Wirepoints founder Mark Glennon on Chicago’s property tax bills, which just posted their biggest jump in three decades. Check out more from Mark substack.com/@markglennon 01:52:57 - Ford needs mechanics 02:15:08 - Thomas Baker, retired FBI special agent and legal attaché, critiques the FBI’s handling of the Thomas Crooks investigation. Thomas is also the author of author of The Fall of the FBI: How a Once Great Agency Became a Threat to DemocracySee omnystudio.com/listener for privacy information.

" We're evolving the [escape room] experience towards something that's more theatrical, with puzzling, gaming, and immersive art all together." Magnifico is currently (as of November 2025) the top escape room in the world, as voted on by experienced escape room enthusiasts. For 2.5 hours, we were transported to another world where magic is real and anything is possible. This game was a culmination of Escaparium's signature style: epically sized and meticulously built sets with large-scale puzzles that involve the whole team, and meaningful stories told through both gameplay and theatrical moments featuring live actors. Jonathan Driscoll and Sacha St. Denis are the owners and driving force behind Escaparium, in Laval, Canada (just outside of Montreal). Since their previous appearance on REPOD, they've cemented their spot as one of the top companies in world. Last year, in 2024, they captured the #1 and #3 spots on the TERPECA rankings, with their games Magnifico and Forgotten Cathedral, respectively. Wardrobe for Sale ranked at #14, and Lost Island of the Voodoo Queen ranked at #37 in the world. It's clearly not a fluke. Escaparium is consistently creating world-class games, year after year, and when they're not busy opening new games, they're renovating and remodeling old experiences. Rain Corp. has been given a make-over into Ctrl Alt Reboot. They are also overhauling their lobby once again, creating an immersive bar experience featuring a crashed space ship. Jonathan and Sacha joined us to talk about their new games, what's driving them, and where they're getting inspiration. My biggest takeaway from this conversation was that they are very involved in the escape room community and industry. They are constantly traveling and playing games. They attend every convention. For them, it's always about the details. If even one small detail inspires their next idea, Jonathan says it's gold. That's the mindset they instill in their whole team as well.   Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

Before Shakespeare became a literary icon, he was a working writer trying to earn a living in an emerging and often precarious new industry. In The Dream Factory: London's First Playhouse and the Making of William Shakespeare, Daniel Swift explores the dream of making money from creating art, a dream shared by James Burbage, who built The Theatre, the first purpose-built commercial playhouse in London, and a young Shakespeare. Nobody had ever really done that before, with playwrights at the time notoriously poor. Swift shows that Shakespeare's creativity unfolded in a rapidly changing London where commercial theater was just beginning to take shape. The Theatre offered Shakespeare the stability, a close team of actors and cowriters, and the professional home that he needed to develop his craft. Swift reveals a playwright who was learning on the job and becoming the Shakespeare we know today. From the Shakespeare Unlimited podcast. Published November 18, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Daniel Swift is an associate professor of English at Northeastern University, London. He is the author of books on Ezra Pound, William Shakespeare, and the poetry of the Second World War, and editor of John Berryman's The Heart Is Strange: New Selected Poems. His essays and reviews have appeared in the New York Times, New Statesman, and Harper's.

Kelvin Abrams, serial entrepreneur and author of Get Uncomfortable or Change Course: Understanding What It Takes to Be an Entrepreneur, has thrived for 15+ years by turning discomfort into destiny. From launching Tiki's Playhouse—a revolutionary doggie daycare with an onsite bourbon lounge and K9 & Coffee pet-friendly spot in Maryland—to weathering the 2008 financial crash and 2020 lockdowns, Kelvin's ventures generate revenue while fostering community, employing locals and indulging passions like fishing and fine spirits. Guided by his “Learn, Earn, Return” mantra, he shares wins and failures in his book to equip aspiring builders with resilience tools. On this episode of The CJ Moneyway Show, Kelvin joins CJ to unpack what drives true entrepreneurial success: strategic pivots, heart-driven tenacity, and the power of getting uncomfortable to grow. From funding hacks to mindset shifts that scale small businesses, discover brick-by-brick strategies to conquer fear and craft your legacy. Tune in—your next bold move awaits. #EntrepreneurGrit #GetUncomfortable #SerialEntrepreneur Listen → https://pod.link/1707761906 Moneyway Merch → https://c.jmoneyway.com Brick-by-Brick Newsletter → https://substack.com/@cjmoneyway?r=3vvrmy&utm_medium=ios&utm_source=profile Watch on YouTube → https://www.youtube.com/@themoneywayshow8493 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"Bringing the escape room to the classroom." I might be just a teeny bit obsessed with disguising learning as play, and being tricked into learning. There is a joy to figuring things out for yourself, and iterating on past knowledge to further your skills. Besides the fun of solving puzzles, there is also a real sense of collaboration and the payoff from combining observation skills with critical thinking. Enter educator Adam Bellow. He saw the potential in escape rooms to hone the soft skills of team-building, communication, and problem solving. So he created his company, Breakout EDU, to bring escape rooms to the classroom. This comes in the form of a kit that includes multiple locks, cipher wheels, and black lights, and other props. Then on the Breakout EDU platform, teachers can choose from thousands of games, resetting the Breakout EDU kit to fit the game format. Adam joins us on Reality Escape Pod to talk about creating escape rooms for kids, especially in an academic setting. The Breakout EDU games all adhere to an academic curriculum, and also incorporate their "4 Cs" - communication, collaboration, critical thinking, and creativity. I really enjoyed learning about the "4 C" cards that students use to explore different concepts after the game. These cards ask follow-up questions like "How would this game work if you didn't play verbally?" Even as an adult, playing escape rooms has helped me learn to be a better team player. I'm glad that school kids today have this opportunity too. To learn more, visit the Breakout EDU website or check out the resources below.   Full Shownotes   Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

In the early hours on a rainy autumn night in 1955, on a lavish country estate in Oyster Bay Cove, esteemed New York socialite Ann Woodward fired both barrels of her custom-made shotgun into the head of her husband, multimillionaire William J. “Billy” Woodward Jr., killing him. She mistook him for a notorious prowler who preyed on the privileged class. At least that was what the official reports stated. The police focused on catching the prowler, as they cast an impenetrable dragnet around the “Playhouse” for the elusive intruder. However, as with many other aspects of Billy and Ann's social circle, things were not always as they appeared. Retired detective Jerry Aylward, author of "Murder on the Gold Coast: The Killing of William Woodward", discusses with us the uncomfortable truths behind one of the Gold Coast's most notorious murders. The author's website: https://www.jerryaylward.com/ The author's Amazon page: https://www.amazon.com/stores/Jerry-Aylward/author/B0841NGVSZ Learn more about your ad choices. Visit megaphone.fm/adchoices

Strange Tales features Author's Playhouse this week. We'll hear Johnny Cartwright's Camera, its broadcast from July 22, 1944. Listen to more from Author's Playhouse https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/StrangeTales824.mp3 Download StrangeTales824 | Subscribe | Spotify | Support Strange Tales Relic Radio is funded solely by listener donations. If you would like to help support it, visit Donate.RelicRadio.com for more information. Thank you.

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Composer and long-time friend, Walt Ribeiro @ForOrchestra, joins Frank and Anthony for this maiden voyage broadcast. We'll talk about the origins of The Playhouse, as well as a number of items: The Musical Brilliance of Mister Rogers; the dawn of AI Record Deals; and general reaction to some of the media being produced by users of OpenAI's latest image generation toys. If there is time, we'll bring the audience in for reaction of their own! Watch the full episode here: https://youtube.com/live/pjfaRRhtGIQ

In this episode Frank and Anthony are joined by @TankTheTech to talk about recent statements made by Shirley Manson, the lead singer of Rock band, Garbage. Shirley spoke on stage about how it's becoming impossible for acts of all sizes to tour, make a living, and to keep cost efficient for fans as well. Tank, being a tour manager himself, is in unique position to talk about the true cost of touring. Extras and audience contribution with whatever time we have left! Watch the full episode here: https://youtube.com/live/9qXil9PRbIg The Playhouse Theme Music by Eddie Hedges