Podcasts about asian department

We discuss the V&A’s ‘Kimono: From Kyoto to Catwalk’ exhibition and the varied meanings of this fascinating garment. See links below. Collina Strada: https://collinastrada.com/ Ian Kelly, Beau Brummell: The Ultimate Man of Style (2006): https://www.hodder.co.uk/titles/ian-kelly/beau-brummell/9780340836996/ Duro Olowu: https://www.duroolowu.com/ Arles – Les Rencontres de la Photographie: https://www.rencontres-arles.com/en Julien Faure: https://www.instagram.com/julienfaure1864/ Les choses de Paul Poiret / vues par Georges Lepape (1911): https://www.vmfa.museum/piction/108734640-160584885/ Kimono: Kyoto to Catwalk, Victoria & Albert Museum (to 25 October 2020): https://www.vam.ac.uk/exhibitions/kimono-kyoto-to-catwalk Storey Studio (exhibition designers): https://www.storeystudio.com/project/va/kimono-kyoto-catwalk-exhibition Curator Tour led by Anna Jackson, Keeper of the Asian Department: https://youtu.be/oEf0iFNTVGw https://youtu.be/hG6UVZexmc8 https://youtu.be/dvyC_pqYhvw https://youtu.be/oz1AzscxHjk https://youtu.be/OSgNdkcg9To Netsuke & Inro, V&A: http://www.vam.ac.uk/content/articles/n/netsuke-inro/ Sheila Cliffe, The Social Life of Kimono: Japanese Fashion Past and Present (Bloomsbury 2020): https://www.bloomsbury.com/us/the-social-life-of-kimono-9781350211186/ Jennifer Craik, The Face of Fashion (Routledge 2003): https://www.taylorfrancis.com/books/9780203409428 Kimonos in the Khalili Collections: https://www.khalilicollections.org/all-collections/japanese-kimono/ Kitsuke: How to wear kimono (August 2017): https://youtu.be/gVdwYM75oLI Wasoukan, How to wear a kimono (September 2020): https://www.youtube.com/playlist?list=PLZyw9a9Ouji03DOIT2SlTUyrDJbKP7hBL Ome Kimono Museum, Tokyo: http://www.omekimono.jp/

Noelle Giuffrida’s book, Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America (University of California Press, 2018), tells the history of collecting and exhibiting Chinese art through the story of renowned curator and museum director Sherman E. Lee (1918-2008). This book provides one of the first forays into post-war North American collecting and exhibiting, carefully reconstructing the rise of the USA as the scholarly hub on Chinese art, in many ways displacing Europe’s dominance in this area. As such, Separating Sheep from Goats, contributes hugely to the historiography of the field of East Asian art and gives sense of individuals and their contributions, rather than institutions. Relying on extensive archival research, Noelle Giuffrida shines light on the so-called ‘Monuments Men’ and namely their time in East Asia in this engaging and lavishly illustrated book. In this podcast, Noelle and I talk about we talk about the archival research that went into writing this book, the generosity of scholars, such as James Cahill, who shared notes and documents before passing away as well as Sherman E. Lee’s unique role as curator and museum director, his relationship with the ‘old guard’ of Harvard-educated scholars who came before him, the fascinating yet barely-known history of the ‘Monuments Men’ in East Asia, as well as the need for connoisseurship and contextual scholarship in the study and understanding of Chinese painting. Ricarda is an Assistant Curator at the Victoria & Albert Museum’s Asian Department, East Asia section. She is also a part-time PhD candidate at the Courtauld Institute of Art looking at Chinese court art from the first half of the nineteenth century. Find out more via Twitter @RicardaBeatrix Learn more about your ad choices. Visit megaphone.fm/adchoices

Noelle Giuffrida’s book, Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America (University of California Press, 2018), tells the history of collecting and exhibiting Chinese art through the story of renowned curator and museum director Sherman E. Lee (1918-2008). This book provides one of the first forays into post-war North American collecting and exhibiting, carefully reconstructing the rise of the USA as the scholarly hub on Chinese art, in many ways displacing Europe’s dominance in this area. As such, Separating Sheep from Goats, contributes hugely to the historiography of the field of East Asian art and gives sense of individuals and their contributions, rather than institutions. Relying on extensive archival research, Noelle Giuffrida shines light on the so-called ‘Monuments Men’ and namely their time in East Asia in this engaging and lavishly illustrated book. In this podcast, Noelle and I talk about we talk about the archival research that went into writing this book, the generosity of scholars, such as James Cahill, who shared notes and documents before passing away as well as Sherman E. Lee’s unique role as curator and museum director, his relationship with the ‘old guard’ of Harvard-educated scholars who came before him, the fascinating yet barely-known history of the ‘Monuments Men’ in East Asia, as well as the need for connoisseurship and contextual scholarship in the study and understanding of Chinese painting. Ricarda is an Assistant Curator at the Victoria & Albert Museum’s Asian Department, East Asia section. She is also a part-time PhD candidate at the Courtauld Institute of Art looking at Chinese court art from the first half of the nineteenth century. Find out more via Twitter @RicardaBeatrix Learn more about your ad choices. Visit megaphone.fm/adchoices

Noelle Giuffrida’s book, Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America (University of California Press, 2018), tells the history of collecting and exhibiting Chinese art through the story of renowned curator and museum director Sherman E. Lee (1918-2008). This book provides one of the first forays into post-war North American collecting and exhibiting, carefully reconstructing the rise of the USA as the scholarly hub on Chinese art, in many ways displacing Europe’s dominance in this area. As such, Separating Sheep from Goats, contributes hugely to the historiography of the field of East Asian art and gives sense of individuals and their contributions, rather than institutions. Relying on extensive archival research, Noelle Giuffrida shines light on the so-called ‘Monuments Men’ and namely their time in East Asia in this engaging and lavishly illustrated book. In this podcast, Noelle and I talk about we talk about the archival research that went into writing this book, the generosity of scholars, such as James Cahill, who shared notes and documents before passing away as well as Sherman E. Lee’s unique role as curator and museum director, his relationship with the ‘old guard’ of Harvard-educated scholars who came before him, the fascinating yet barely-known history of the ‘Monuments Men’ in East Asia, as well as the need for connoisseurship and contextual scholarship in the study and understanding of Chinese painting. Ricarda is an Assistant Curator at the Victoria & Albert Museum’s Asian Department, East Asia section. She is also a part-time PhD candidate at the Courtauld Institute of Art looking at Chinese court art from the first half of the nineteenth century. Find out more via Twitter @RicardaBeatrix Learn more about your ad choices. Visit megaphone.fm/adchoices

Noelle Giuffrida’s book, Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America (University of California Press, 2018), tells the history of collecting and exhibiting Chinese art through the story of renowned curator and museum director Sherman E. Lee (1918-2008). This book provides one of the first forays into post-war North American collecting and exhibiting, carefully reconstructing the rise of the USA as the scholarly hub on Chinese art, in many ways displacing Europe’s dominance in this area. As such, Separating Sheep from Goats, contributes hugely to the historiography of the field of East Asian art and gives sense of individuals and their contributions, rather than institutions. Relying on extensive archival research, Noelle Giuffrida shines light on the so-called ‘Monuments Men’ and namely their time in East Asia in this engaging and lavishly illustrated book. In this podcast, Noelle and I talk about we talk about the archival research that went into writing this book, the generosity of scholars, such as James Cahill, who shared notes and documents before passing away as well as Sherman E. Lee’s unique role as curator and museum director, his relationship with the ‘old guard’ of Harvard-educated scholars who came before him, the fascinating yet barely-known history of the ‘Monuments Men’ in East Asia, as well as the need for connoisseurship and contextual scholarship in the study and understanding of Chinese painting. Ricarda is an Assistant Curator at the Victoria & Albert Museum’s Asian Department, East Asia section. She is also a part-time PhD candidate at the Courtauld Institute of Art looking at Chinese court art from the first half of the nineteenth century. Find out more via Twitter @RicardaBeatrix Learn more about your ad choices. Visit megaphone.fm/adchoices

Noelle Giuffrida’s book, Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America (University of California Press, 2018), tells the history of collecting and exhibiting Chinese art through the story of renowned curator and museum director Sherman E. Lee (1918-2008). This book provides one of the first forays into post-war North American collecting and exhibiting, carefully reconstructing the rise of the USA as the scholarly hub on Chinese art, in many ways displacing Europe’s dominance in this area. As such, Separating Sheep from Goats, contributes hugely to the historiography of the field of East Asian art and gives sense of individuals and their contributions, rather than institutions. Relying on extensive archival research, Noelle Giuffrida shines light on the so-called ‘Monuments Men’ and namely their time in East Asia in this engaging and lavishly illustrated book. In this podcast, Noelle and I talk about we talk about the archival research that went into writing this book, the generosity of scholars, such as James Cahill, who shared notes and documents before passing away as well as Sherman E. Lee’s unique role as curator and museum director, his relationship with the ‘old guard’ of Harvard-educated scholars who came before him, the fascinating yet barely-known history of the ‘Monuments Men’ in East Asia, as well as the need for connoisseurship and contextual scholarship in the study and understanding of Chinese painting. Ricarda is an Assistant Curator at the Victoria & Albert Museum’s Asian Department, East Asia section. She is also a part-time PhD candidate at the Courtauld Institute of Art looking at Chinese court art from the first half of the nineteenth century. Find out more via Twitter @RicardaBeatrix Learn more about your ad choices. Visit megaphone.fm/adchoices

Noelle Giuffrida’s book, Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America (University of California Press, 2018), tells the history of collecting and exhibiting Chinese art through the story of renowned curator and museum director Sherman E. Lee (1918-2008). This book provides one of the first forays into post-war North American collecting and exhibiting, carefully reconstructing the rise of the USA as the scholarly hub on Chinese art, in many ways displacing Europe’s dominance in this area. As such, Separating Sheep from Goats, contributes hugely to the historiography of the field of East Asian art and gives sense of individuals and their contributions, rather than institutions. Relying on extensive archival research, Noelle Giuffrida shines light on the so-called ‘Monuments Men’ and namely their time in East Asia in this engaging and lavishly illustrated book. In this podcast, Noelle and I talk about we talk about the archival research that went into writing this book, the generosity of scholars, such as James Cahill, who shared notes and documents before passing away as well as Sherman E. Lee’s unique role as curator and museum director, his relationship with the ‘old guard’ of Harvard-educated scholars who came before him, the fascinating yet barely-known history of the ‘Monuments Men’ in East Asia, as well as the need for connoisseurship and contextual scholarship in the study and understanding of Chinese painting. Ricarda is an Assistant Curator at the Victoria & Albert Museum’s Asian Department, East Asia section. She is also a part-time PhD candidate at the Courtauld Institute of Art looking at Chinese court art from the first half of the nineteenth century. Find out more via Twitter @RicardaBeatrix Learn more about your ad choices. Visit megaphone.fm/adchoices

The Genji Album (1510) in the Harvard Art Museums is the oldest dated set of Genji illustrations known to exist. In The Tale of Genji. A Visual Companion, published by Princeton University Press in 2018, Melissa McCormick discusses all of the fifty-four paintings by Tosa Mitsunobu and calligraphies in the album, thus providing a unique companion to Murasaki Shikibu’s eleventh century masterpiece of prose and poetry, The Tale of Genji. Ricarda Brosch is an Assistant Curator at the V&A’s Asian Department, East Asia section. You can follow her on Twitter: @RicardaBeatrix. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Genji Album (1510) in the Harvard Art Museums is the oldest dated set of Genji illustrations known to exist. In The Tale of Genji. A Visual Companion, published by Princeton University Press in 2018, Melissa McCormick discusses all of the fifty-four paintings by Tosa Mitsunobu and calligraphies in the album, thus providing a unique companion to Murasaki Shikibu’s eleventh century masterpiece of prose and poetry, The Tale of Genji. Ricarda Brosch is an Assistant Curator at the V&A’s Asian Department, East Asia section. You can follow her on Twitter: @RicardaBeatrix. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Genji Album (1510) in the Harvard Art Museums is the oldest dated set of Genji illustrations known to exist. In The Tale of Genji. A Visual Companion, published by Princeton University Press in 2018, Melissa McCormick discusses all of the fifty-four paintings by Tosa Mitsunobu and calligraphies in the album, thus providing a unique companion to Murasaki Shikibu’s eleventh century masterpiece of prose and poetry, The Tale of Genji. Ricarda Brosch is an Assistant Curator at the V&A’s Asian Department, East Asia section. You can follow her on Twitter: @RicardaBeatrix. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Genji Album (1510) in the Harvard Art Museums is the oldest dated set of Genji illustrations known to exist. In The Tale of Genji. A Visual Companion, published by Princeton University Press in 2018, Melissa McCormick discusses all of the fifty-four paintings by Tosa Mitsunobu and calligraphies in the album, thus providing a unique companion to Murasaki Shikibu’s eleventh century masterpiece of prose and poetry, The Tale of Genji. Ricarda Brosch is an Assistant Curator at the V&A’s Asian Department, East Asia section. You can follow her on Twitter: @RicardaBeatrix. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Genji Album (1510) in the Harvard Art Museums is the oldest dated set of Genji illustrations known to exist. In The Tale of Genji. A Visual Companion, published by Princeton University Press in 2018, Melissa McCormick discusses all of the fifty-four paintings by Tosa Mitsunobu and calligraphies in the album, thus providing a unique companion to Murasaki Shikibu’s eleventh century masterpiece of prose and poetry, The Tale of Genji. Ricarda Brosch is an Assistant Curator at the V&A’s Asian Department, East Asia section. You can follow her on Twitter: @RicardaBeatrix. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Genji Album (1510) in the Harvard Art Museums is the oldest dated set of Genji illustrations known to exist. In The Tale of Genji. A Visual Companion, published by Princeton University Press in 2018, Melissa McCormick discusses all of the fifty-four paintings by Tosa Mitsunobu and calligraphies in the album, thus providing a unique companion to Murasaki Shikibu’s eleventh century masterpiece of prose and poetry, The Tale of Genji. Ricarda Brosch is an Assistant Curator at the V&A’s Asian Department, East Asia section. You can follow her on Twitter: @RicardaBeatrix. Learn more about your ad choices. Visit megaphone.fm/adchoices

Melvyn Bragg and guests discuss the rise of the Sikh Empire at the end of the 18th Century under Ranjit Singh, pictured above, who unified most of the Sikh kingdoms following the decline of the Mughal Empire. He became Maharaja of the Punjab at Lahore in 1801, capturing Amritsar the following year. His empire flourished until 1839, after which a decade of unrest ended with the British annexation. At its peak, the Empire covered the Punjab and stretched from the Khyber Pass in the west to the edge of Tibet in the east, up to Kashmir and down to Mithankot on the Indus River. Ranjit Singh is still remembered as "The Lion of the Punjab." With Gurharpal Singh Professor in Inter-Religious Relations and Development at SOAS, University of London Chandrika Kaul Lecturer in Modern History at the University of St Andrews And Susan Stronge Senior Curator in the Asian Department of the Victoria and Albert Museum Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the rise of the Sikh Empire at the end of the 18th Century under Ranjit Singh, pictured above, who unified most of the Sikh kingdoms following the decline of the Mughal Empire. He became Maharaja of the Punjab at Lahore in 1801, capturing Amritsar the following year. His empire flourished until 1839, after which a decade of unrest ended with the British annexation. At its peak, the Empire covered the Punjab and stretched from the Khyber Pass in the west to the edge of Tibet in the east, up to Kashmir and down to Mithankot on the Indus River. Ranjit Singh is still remembered as "The Lion of the Punjab." With Gurharpal Singh Professor in Inter-Religious Relations and Development at SOAS, University of London Chandrika Kaul Lecturer in Modern History at the University of St Andrews And Susan Stronge Senior Curator in the Asian Department of the Victoria and Albert Museum Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the rise of the Sikh Empire at the end of the 18th Century under Ranjit Singh, pictured above, who unified most of the Sikh kingdoms following the decline of the Mughal Empire. He became Maharaja of the Punjab at Lahore in 1801, capturing Amritsar the following year. His empire flourished until 1839, after which a decade of unrest ended with the British annexation. At its peak, the Empire covered the Punjab and stretched from the Khyber Pass in the west to the edge of Tibet in the east, up to Kashmir and down to Mithankot on the Indus River. Ranjit Singh is still remembered as "The Lion of the Punjab." With Gurharpal Singh Professor in Inter-Religious Relations and Development at SOAS, University of London Chandrika Kaul Lecturer in Modern History at the University of St Andrews And Susan Stronge Senior Curator in the Asian Department of the Victoria and Albert Museum Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the Mughal Empire which, at its height, stretched from Bengal in the East to Gujarat in the West, and from Lahore in the North to Madras in the South.  It covered the whole of present day northern India, Pakistan, Afghanistan and Bangladesh, and became famous for the Taj Mahal, the Koh-i-Noor and the Peacock Throne.  In 1631 a Dutch naturalist Johannes de Laet published his account of the vast Empire, “the nobles live in indescribable luxury and extravagance, caring only to indulge themselves whilst they can, in every kind of pleasure.  Their greatest magnificence is in their women’s quarters, for they marry three or four wives or sometimes more”.But were they really the opulent despots of European imagination?  If so, how did they maintain such a vast territory?  And to what extent was the success of the British Raj a legacy of their rule? With Sanjay Subrahmanyam, Professor of Indian History and Culture at the University of Oxford; Susan Stronge, Curator in the Asian Department of the Victoria and Albert Museum, London; Chandrika Kaul, Lecturer in Imperial History at the University of St Andrews.

Melvyn Bragg and guests discuss the Mughal Empire which, at its height, stretched from Bengal in the East to Gujarat in the West, and from Lahore in the North to Madras in the South.  It covered the whole of present day northern India, Pakistan, Afghanistan and Bangladesh, and became famous for the Taj Mahal, the Koh-i-Noor and the Peacock Throne.  In 1631 a Dutch naturalist Johannes de Laet published his account of the vast Empire, “the nobles live in indescribable luxury and extravagance, caring only to indulge themselves whilst they can, in every kind of pleasure.  Their greatest magnificence is in their women's quarters, for they marry three or four wives or sometimes more”.But were they really the opulent despots of European imagination?  If so, how did they maintain such a vast territory?  And to what extent was the success of the British Raj a legacy of their rule? With Sanjay Subrahmanyam, Professor of Indian History and Culture at the University of Oxford; Susan Stronge, Curator in the Asian Department of the Victoria and Albert Museum, London; Chandrika Kaul, Lecturer in Imperial History at the University of St Andrews.