Podcasts about Genji

Romanen som vi känner den föds i slutet på 1700-talet och slår på några årtionden ut verseposet och poesin. Ny tryckteknik, fotogenlampan och moderna kommunikationer gjorde romanen tillgänglig för en större publik. Särskilt kvinnorna drogs till romanerna, som också varandes för konsekvenserna av allt för omfattande romanläsning.Romanen krävde inte samma klassisk bildning som eposet och svarade på borgarklassens behov av identifikation och individualitet.  Romanen passade in den nya offentligheten av tidningar, magasin och förläggare där många kända verk skrevs och publicerades som följetonger.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med Ingrid Elam professor emerita i litterärgestalning vid Göteborgs universitet och aktuell med boken Romanens segertåg.Världens första kända roman, Berättelsen om Genji, skrevs av den japanska hovdamen Murasaki Shikibu strax efter år 1000. Men den moderna romanens segertåg började i slutet på 1700-talet som ett barn av upplysningen. Romanen var inledningsvis en föraktad genre, men den tog snabbt över från episka hjältedikter och teater som lånade stil och format från antiken.Där eposet var ett färdigt format med stilmallar som förfinats under 2000 år var romankonsten öppen och sökande. När vi började läsa romaner gick läsandet från kollektiv högläsning till en ensam sysselsättning för individen. I takt med att samhället och vetenskapen utvecklas förändras romanen i fråga om perspektiv och berättande.Eftersom romanen säljs till läsarna på en växande marknad blir läsarna allt viktigare för författarna som tidigare försörjts av mecenater och sinekurer. Och en stor del av läsarna och författarna var tidigt kvinnor.Bild: Läsande kvinna av Anna Nordgren 1882, Wikimedia Commons, Public Domain.Musik: Schubert: Moment Musical Op. 94, No. 3, D780 av Audio Waves - Eliche Remblon, Storyblocks AudioLyssna också på När sprätthökar och rangsjuka fruntimmer hotade samhällets överlevnad Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.

This episode we are looking at the early years of the official reign of Naka no Oe, aka Tenji Tenno, including the building of a brand new capital on the shores of Lake Biwa. For more information, see: https://sengokudaimyo.com/podcast/episode-126 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is episode 126:  New Beginnings The local farmers couldn't help but talk.  There was so much construction, but it wasn't entirely clear what was being built.  The land between the mountains and the lake had been neatly groomed fields, but now that the government workmen had moved in, all of those fields were being cleared.  This new construction was much larger than anything that people had seen before.  Rocks were coming in from far flung quarries, and local kilns were being set up to create tiles, while woodcutters were sent into the forests to bring logs to the site. There were various stories about what was going on—a new provincial government office, or perhaps a new temple, but perhaps the most outlandish was that this was going to be some kind of royal palace.  The sovereign himself was taking in interest in this little slice of Afumi, and he was going to abandon the Home Territories of Yamato and bring his entire court to the shores of Lake Biwa. What a far-fetched story!  …Wasn't it? Last episode we recapped a lot of the history of Prince Naka no Oe and how he had come to this point: the Isshi Incident, the Taika reforms, as well as the reigns of his uncle, Prince Karu, aka Koutoku Tennou, and his mother, Takara Hime, aka Saimei Tennou.  With Takara Hime's death, Naka no Oe was now – finally, as he might have thought -- running things officially.  He had prosecuted the war in Baekje, and with that loss, he had turned his focus back to the archipelago.  He now had refugees to settle, and defenses to set up.  And then there were the embassies that would be coming, in an apparent attempt to normalize relations post-conflict.  That could only go so far, however, given that Tang and Silla had simply turned their war efforts against Goguryeo.  So one imagines that any diplomatic discussions were held with the understanding that the international order was still in flux. And so we arrive in the 8th month of 665, as some of the first defensive castles were being erected.  That same month, Tamna—the kingdom on the modern island of Jeju—sent ambassadors to the Yamato court.  The diplomatic ties between Yamato and Tamna were a relatively recent occurrence, but with Baekje gone, one wonders if Yamato wasn't feeling out a new alliance on the continent.  That said, Tamna does not appear to have been a major player on the international stage.    They had been a tributary of Baekje, and may have even been one of the last holdouts of the proto-Japonic language for a long time.  Indeed, a 15th century Joseon history records a foundation myth of Tamna that emphasizes close early ties with the Japanese archipelago. The following month saw another visit by Tang ambassadors, only a year after Guo Wucong had come to the court.  Guo Wucong had been wined and dined, and things seem to have gone well, as this time he returned, but he wasn't the one leading the embassy this time.  That honor went to Liu Degao, sub-prefect of Yizhou, among his many titles.  Yizhou is the same location where the previous missions from Yamato to the Tang court had made landfall.  Presumably, Liu Degao would have had experience with the embassies that passed through Yizhou, so he seems a logical choice to be sent over to the archipelago. This seems like an escalation, with a more titled ambassador leading the party. It is possible that the Tang were trying to not only reset their relationship with Yamato, but also attempt to woo them to their side.  The Tang likely knew that if they defeated Goguryeo, then they would have another problem to work out:  The alliance with Silla.  At the moment both Tang and Silla were in a partnership of convenience, but the Tang empire didn't get where it was by just giving up territory. And Silla was, itself, ambitious.  It would be in the Tang dynasty's best interest to have Yamato on its side in case Silla became a problem.  At the very least, the Tang court could have just been trying to make sure that Yamato would stay out of any continental entanglements, such as by supporting Goguryeo. Within the Yamato court, it is unclear which way, exactly, they were leaning at this point.  The court was clearly building defensive positions—fortresses and more.  At the same time, there were likely those who welcomed any return to stable relations with the Tang.  After all, there were still Wa in Chang'an and elsewhere, and there was still a hunger in the archipelago for the books and other goods that the Silk Road could provide.  On the other hand, they may have felt more at home with Goguryeo, or even Silla.  The bonds with the Korean peninsula were older and likely stronger.  And, as long as the Tang Empire was busy with other states, then perhaps they would be too preoccupied to attack Yamato. Liu Degao and his entourage had arrived at Tsushima on the 28th day of the 7th month.  They would have been put up there for a time, and entertained.  If this embassy followed later conventions, they would have likely pulled into a harbor, like the one near Kofunakoshi.  This is a narrow spot between the two parts of Tsushima, where we know that in the 9th century, ships from the Tang empire would stop, register goods and people, and likely have them transferred to Japanese ships.  All of the checking and cataloging would happen  at nearby Bairinji temple. Even if they didn't have to transport everything to another ship, it is likely that they would held at Tsushima for a while for security purposes.  Tsushima was ideal, both for its distance, halfway between the Korean peninsula and the Japanese archipelago, but also for its shape, with numerous places that ships could sit at anchor in secluded bays away from any weather or rough seas that could otherwise cause problems. We don't know exactly what the Tang embassy's stay was like, but we know that they were at Tsushima for roughly two months, which was probably the time it took to get a message to the Yamato court and back.  We know how long it was because we learn that it is on the 20th day of the 9th month that they finally made landfall at Tsukushi, or Kyushu, and two days later they forwarded a letter-case to the Yamato court. Two months later, we know they were at the court, as there was a banquet held for Liu Degao on the 13th day of the 11th month, and then a month after that, Liu Degao and the rest of the mission were presented gifts, after which they left and returned to the Tang court.  We are also told that Mori no Kimi no Ohoishi, along with Sakahibe no Muraji no Iwashiki and Kimi no Kishi no Harima all went to the Tang court that same month, no doubt traveling with Degao and Wucong. On the first month of the following year, Neungnu of Goguryeo was sent to the Yamato court to offer tribute.  On the same day, the 11th day of the first month, Tamna also sent someone identified as Prince Siyeo to offer presents.  Immediately, I'm wondering about the way that this is presented.  Both of these states – Goguryeo and Tamna - were allies of the former Baekje kingdom.  I have to wonder how the Goguryeo ships made their way—did they come down the western side of the peninsula, through the Bohai sea, and thus past possible Tang patrols between their peninsular and continental territories, or did they head through the East Sea, aka the Japan Sea, where they would have to pass by the coast of Silla, whom they were also not on great terms with?  The fact that both missions are mentioned at the same time suggests that maybe the Goguryeo embassy sailed down to Tamna, on Jeju Island, and then the two groups made their way over to Yamato together from there. Other things about this entry to note is that the Chroniclers use different terms for these visits to the Yamato court.  Goguryeo uses a term that Aston translates as “offering tribute” while Tamna uses a different term indicating that they were “offering presents”.  This may be as simple as the difference in the various relationships between the polities, as viewed by the Chroniclers.  After all, there was a long relationship between Yamato and Goguryeo, which was considered one of the three Han, or Samhan.  Whether true or not, I could certainly see the Chroniclers feeling that Goguryeo was in a subordinate relationship with Yamato.  Tamna, on the other hand, was a more recent addition to the Yamato diplomatic sphere.  As such, it would be understandable, to me if the Chroniclers still saw it as a more independent entity. It also may hint at different messages being communicated.  As far as we can tell, Tamna wasn't under direct threat by the Tang empire—though they may have been feeling a little bit of heat, given the fall of Baekje and the Tang empire's new outpost on the peninsula.  Goguryeo, however, was under more direct threat, and had been in conflict with the Tang for years.  On top of that, based on what we can tell, it seems that Yeong Gaesomun, the despot who had been ruling Goguryeo and helping it defend against the Tang, had just passed away.  It may have been that the Goguryeo court was seeking support against Tang and Silla, as they were in a moment of instability, themselves.  As such, “Tribute” might indicate that they were more formally petitioning Yamato for support. Goguryeo envoy Neungnu left about 5 months later, on the 4th day of the 6th month but then another envoy, this time Minister Eulsyang Oemchu, arrived a little more than four months later.  Much like with the Tang, this feels like Goguryeo was upping the ante, sending higher ranking officials to negotiate with Yamato.  That lends some credence to the theory that there was something of a bidding war going on for Yamato's involvement in international affairs.  For Yamato, however, it would seem that getting involved in continental affairs was hardly something they were itching to do.  Instead, they continued their moves to fortify. In local events, we know that on the 11th day of the 10th month of 665, while the Liu Degao delegation was still in Yamato, there was a great “review”, by which they seem to mean a sutra reading, at Uji.  It is unclear just where this was held, as I haven't found reference to any particular temple.  However, it does indicate that there was activity in the area. Uji is probably most popular, today, for its role as a setting in the Tale of Genji.  There indeed numerous reminders there of the Heian period, including the hall of Ujigami Shrine, and the famous Hou-ou-do, or Phoenix Hall, of the Byoudouin. In 1053, Fujiwara Yorimichi inherited the villa from his father, Fujiwara Michinaga, and he converted it into a Pure Land temple.  Michinaga is thought to have been one of the people on whom Murasaki Shikibu based the character of the Shining Prince, Hikaru Genji.  That's all too late for this moment in the Chronicles, of course., but we do have earlier references to Uji as a place, as well as in various names.  It seems to have been part of the territory of the Hata, who controlled much of the area of modern Kyoto and environs.  There is a temple, Houjouin, also known as Hashidera, which claims to date back to the 7th century, and may have been the site of the above-mentioned sutra reading in 665.  According to the Temple's own legend, it was built around 604, when Hata no Kawakatsu built the famous Uji bridge, or Hashi, on the orders of Prince Umayado, aka Shotoku Taishi.  Other sources give the date as 646.  The temple was rebuilt in the 13th century, and as far as I can tell, nothing remains of the original temple, but it is possible that it was the site of this review. The next non-Diplomatic record of the Chronicles is from the 3rd month in 666.  The Crown Prince went to the house of Saheki no Komaro no Muraji, paying a sympathy call as Saheki appears to have passed away after having been gravely ill.  Saheki no Komaro no Muraji was one of those who had helped Naka no Oe in the Isshi Incident.  He had been introduced to the plot by Nakatomi no Kamatari, and then critical in the literal execution at the court.  He later led forces against Furubito no Oe, assuming that “Sahekibe no Komaro” is the same as “Saheki no Muraji no Komaro”.  There is also a relative, possibly his son, Takunaha, who was one of the Yamato court's overseas envoys.  Thus, one can understand that he had some importance to the Royal family, and we can probably assume that he had been involved in much more.  The Crown Prince, we are told, lamented him on account of his loyal service from the very beginning. One of the confusing things in this part of the Chronicle is the term “Crown Prince”.  It doesn't help that the Chroniclers were pulling from different records, and sometimes using anachronistic titles for individuals.  Naka no Oe had been known as the Crown Prince since the time of Takara Hime, whether he actually was or not.  Now he was in charge of the government, but it isn't clear that he had been formally invested as tennou.  More than that, there is mention of an investiture in either 667 or 668, several years after his quote-unquote “reign” had begun.  This makes some sense.  After all, when Takara Hime passed away, there was a foreign war to prosecute, and that probably took a fair bit of resources.  Plus, Naka no Oe had been running things for a while before that, or so we are told.  It would make sense if things just kept on going as they had been, and they held the actual investiture when they got around to it. We also know that he was busy with building projects: not just for the defense of the archipelago, but even a new capital and a new palace.  We'll talk about it a bit more, later, but suffice it to say that he may have been taking his time and gathering everything together. All of this makes the Chronicles themselves somewhat confusing.  They throw around the terms “Crown Prince” and “Sovereign”—well, “Sumera no Mikoto”—almost interchangeably.  Meanwhile, they've also stated that the Crown Prince was Prince Ohoama, Naka no Oe's younger brother. Based on my read of things, I believe we can distinguish between the two by whether or not it specifically calls them out as just “Crown Prince”, or “Crown Prince, younger brother to the sovereign”.  The latter is clearly Prince Ohoama, and the first is most likely Naka no Oe.  After all, in this instance, why would Prince Ohoama be the one so struck by the death of Saheki no Muraji?  Based on the story the Chronicles have told us, wouldn't it make more sense that it was Naka no Oe lamenting the death of one who had helped put him on the throne, rather than sending his brother? So keep that in mind as we go through the narrative.  I'll try to point out whom I believe they are speaking about, at least until we reach the point where Naka no Oe actually is invested. Getting back to the Chronicles, in the 7th month of the year 666, some four months after the illness and death of Saheki no Komaro no Muraji, another disaster struck—this time a natural disaster.  Great floods were reported—how widespread we aren't told.  This is often a problem in a land with many mountains that often gets large rains.  It is especially problematic when much of your agriculture is based on being just at or below the level of the rivers and streams so that it can be flooded on purpose.  We are told that the government remitted the land-taxes and commuted taxes that year, likely as a form of disaster relief to those affected by the flooding. In 666, we are also told a story that actually links this reign to the previous.  We are told that a monk, named Chiyu, gave the sovereign something called a south-pointing chariot.  I'll talk about what this was in another episode.  What's important here is to note that there was a previous entry in the era attributed to Saimei Tennou, aka Takara Hime, where a monk named Chiyu, or something similar, using different characters, also created a south-pointing chariot.  Likewise, we are later told in this reign how Naka no Oe installed a clepsydra, a water clock.  This is also mentioned in the previous reign.  It is possible that these reference completely different accounts.  Or they could be connected in some way. The south-pointing chariot is probably not something that we'll have evidence of, as it would have been mobile and probably deteriorated over time.  However, the water clock would have been a fixed installation with some clear architectural remnants, and indeed we think we know where at least one was built in Asuka.  Both of the water clock entries say that it was the “first” time, so make of that what you will. Also in 666, we see that some 2000 people of Baekje were settled in the East, possibly meaning the Kanto region, though this could be anywhere between modern Nagoya out to the far eastern edge of Honshu.  They were maintained at the government expense for three years, after which they were expected to have built new lives for themselves. In later periods, there is much to be said about “Men of the East”.  There are those that point to this region as being the origin point of many of the warrior traditions that would arise and become the military samurai.  Some of the weapons and fighting styles, especially some of the horse-riding archery seems to point to continental influences that made their way to the Kanto region and beyond.  One has to consider just how much did they bring with them and how did it grow, often beyond the view of the court and the court chronicles.  For now, though, it seems to have largely been a form of a refugee program, since the Baekje no longer had a kingdom to return to. Finally, we have an omen.  In the winter of 666, the rats of the capital, in Asuka, headed north to Afumi.  As with previous entries about rats departing a capital for a direction, this is again meant as an omen.  It probably didn't happen.  But it does foreshadow an account in the following year, when, on the 19th day of the 3rd month, the capital, surprise-surprise, moved to Afumi. And perhaps I shouldn't be flippant.  It was a surprise to have the capital move to Afumi.  There are accounts of legendary sovereigns that had their palace outside of the Nara Basin or Kawachi area, but at this point Yamato had been really building up those areas.  So why would they suddenly relocate to Afumi, of all places? Well, probably because of the same thing that had been driving the rest of their large-scale building projects during this period—from the Water Castle protecting the Dazai to the various Baekje style fortresses from Tsushima down to the Nara Basin.  Afumi was a naturally defensive position.  And in such an uncertain time, having a well-defended capital must have seen like a very good idea.  In fact, though they didn't formally change the capital until the 3rd month of 667, they probably had started work on it as soon as they got back from the loss at Hakusukinoe. As far as locations go, it wasn't necessarily a bad choice.  There were still routes to the port at Naniwa, which could still house various delegations when they arrived.  There were also routes to the east, leading to Owari and the rest of central and eastern Honshu, as well as mountain passes to get to the Japan Sea.  The area where the new palace was located was in the district of Ohotsu.  Ohotsu means something like “Big Port” and I don't know if it was already a major port along the banks of Lake Biwa or if that was a name that came from having the capital there.  Ohotsu was a long-inhabited area, even well before the 660's, and an important site for trade.  In the southern end of modern Ohotsu city is Ishiyama-dera, the stone mountain temple, it which was built in the 8th century, but in front of the temple are the remains of the largest freshwater shellmound in Asia.  As you may recall from some of our earliest episodes talking about the prehistoric period in the Japanese archipelago, shell mounds are typically evidence of ancient settlements, remnants of dump sites where they could throw their detritus.  This probably included a lot more than just shells, but shells, bones, and sometimes things like pottery sherds, would remain.  And while much of the wood and waste of the period would have disintegrated over time, shells do not.    These shell mounds accordingly provide important insight into the lives of people back in that day, and the size can also help us understand things about how large a settlement might have been or how long it was there.  The sheer size of the shellmound at Ishiyama-dera likely indicates that the region had been settled for many centuries prior to the 600's. In addition to the shellmound, and more closely related to the current times we are discussing, is evidence of a rock quarry found at the temple site and showing evidence of techniques familiar to people of the 6th to 8th centuries. You see, Ishiyama is a source of a particular white stone called wollastonite.  The quarry sits below the main hall of the temple, and so it probably would not have been quarried after the hall was built, which was in the 700s, so the site is believed to have been active before that.  From the composition of the stone and the markings on the remnants, we can see similarities to stones in the base of one of the buildings at Kawaradera, in Asuka, which we've talked about before and which was one of the pre-eminent temples of its day.  So this demonstrates a link between the region and the court even before the construction of the new Ohotsu palace. Speaking of the palace, we've known of its exact position since 1974,  when archeologists found evidence of the foundation of a large complex in a residential district in Nishikori.  While some initially suggested it was an old temple, further evidence makes it pretty clear that it was the dairi, or inner sanctum, of a palace.  This is very much in the same mould as the Toyosaki Palace in Naniwa and the various palaces in Asuka from around the same period.  In front of the dairi would have been the actual government buildings, but that area has not been excavated. That brings up another question: was this a full-on capital city, Ohotsu-kyo, or just a palace, the Ohotsu-no-miya?  So far we have only found the palace, But since the area is fairly built up, it may take time to find more, assuming it hasn't been destroyed by previous urban development in the area.  There are some hints that there was more: while there were already at a couple of temples that had been built by the mid-7th century, we see several temples built in ways that not only borrow features from important Asuka temples, like the layout of Kawaradera, but they also match the alignment of the Otsu palace ruins, hinting that they were built at the same time.  For example, there is are the ruins of an abandoned temple in Shiga-Minami – actually once thought to have been the Otsu palace. There was also Soufukuji, a temple in the mountains nearby meant to protect the Northwest from malign influences, likely based on continental geomantic concepts, part of what we might today think of as Feng Shui. This same kind of protective temple building is what we see in later capital cities. Of course, we know that this would not be a permanent capital for the nation of Yamato or of Japan—we aren't that far off from the Nara period, and then, a century later, the capital at Heian-kyo.  But that couldn't have been known at the time.  There was no way to know how long tensions with the continent would last, and it was just as possible that people at the time expected this to be a permanent move.  Its preeminence lasted, too: we do have evidence that even centuries later, the region was still known as an ancient “capital”. No matter what Naka no Oe's intentions were in moving the capital to Afumi, however, it didn't exactly go over well.  It was apparently quite unpopular—so unpopular that the move was mocked in song of the time.  That said, Naka no Oe's mind was made up, and the move took place regardless.     Before moving the capital, however, there was still business to attend to.  Takara Hime and Princess Hashibito were reinterred together in the Misasagi on Wochi Hill.  We are told that men of Goguryeo, Baekje, and Silla all mourned along the processional route.  The Crown Prince—I'm assuming Naka no Oe, this time given his connection to both of these women—apparently had started the work on a stone sarcophagus.  By this was probably meant the actual stone vault of the tomb, rather than just the coffin, which was also likely made of stone.  This was in Kuramaki, in Takatori, in the Takaichi District of the Nara Basin. Three months after the move to the new capital, the district of Kadono, in the west of modern Kyoto, presented to the sovereign a white swallow—an omen of some sort. The following month, on the 11th day of the 7th month, Tamna sent another embassy, led by a Minister known as Cheonma, with presents for Yamato.  This may have been the first envoy to actually visit the new Ohotsu capital, but certainly not the last. Cheonma stuck around for a few months.  In the intercalary 11th month, which is to say the extra 11th month of 667, inserted to keep the lunar and solar calendars at least partially aligned, Cheonma and his companions were presented with brocade and other cloth, as well as axes, sickles, and swords, presumably to take home to Tamna. While Cheonma was at the court, there was apparently another bit of diplomatic ping-pong going on.  Liu Jenyuan, the Tang general in charge of Baekje, sent Szema Facong and others to escort Sakahibe no Iwashiki and those with him to the Dazai in Tsukushi.  They didn't stay long, though—we are told they arrived on the 9th day of the 11th month and left only 4 days later, on the 13th day of the same.  When they left, however, they, themselves, were given escorts of Yuki no Muraji no Hakatoko—the same one whose memoirs we relied on for that previous trip to the Tang court—as well as Kaso no Omi no Moroshi.  So I guess they were escorting the escorts?  At what point does it end?  Hakatoko and others made it back about three months later, on the 23rd day of the first month of 668, and reported on their own escort mission.  That suggests that they didn't escort them that far.  They may have just seen them back to the Korean peninsula and that was it. Hakatoko's escort mission did mean that he missed a rather important event—the Crown Prince assuming the dignity.  That is to say, Naka no Oe finally took the title of sovereign.  A note in the text suggests that there were other sources that said it was the third month of the previous year—the same time that the Otsu capital was built.  Four days later they held a banquet in the palace for all of the court ministers. A little over a month later, his wife, Yamato bime, was appointed queen.  We are then told of his other wives and consorts. To be clear, Naka no Oe had been collecting consorts for ages.  So let's talk about a few of them. To start with there was Yamatobime, the Yamato Princess, daughter of none other than Naka no Oe's half-brother, Prince Furubito no Oe, his former rival to the throne. Then there was Wochi no Iratsume, aka Princess Miyatsuko, the daughter of Soga no Kurayamada no Ishikawa Maro.  She had a son, Prince Takeru, who died in 651 at the age of 8.  That suggests that she and Naka no Oe had been together since at least 643, two years before the Isshi Incident.  Another one of her daughters, Princess Uno, would go on to marry Naka no Oe's younger brother, Prince Ohoama, the new Crown Prince. Wochi no Iratsume seems to have died of grief in 649, after her father and much of her family were destroyed on the orders of her husband, Naka no Oe.  We are told that Naka no Oe also married Wochi no Iratsume's younger sister as well, Mehi no Iratsume.  She had two daughters, Princess Minabe and Princess Abe.  At this point Abe was only about 7 or 8 years old, herself, but she would eventually be married to Prince Kusakabe, the son of Prince Ohoama and Princess Uno, whom we just mentioned. Naka no Oe also had two other consorts.  Tachibana no Iratsume was the daughter of Abe no Kurahashi no Maro no Oho-omi—he was the first Sadaijin, or Minister of the Left, at the start of the Taika reforms, immediately following the Isshi Incident.  And then there was Hitachi no Iratsume, the daughter of Soga no Akaye. Soga no Akaye is an interesting figure.  You may recall the name from Episode 118.  Soga no Akaye was the acting minister in charge in Yamato when Prince Arima tried to start up a revolt against Takara Hime.  It was in his house where Prince Arima laid out his plan, but a broken armrest convinced Soga no Akaye to turn against the conspirators and turn them in.  And so it is interesting to hear that his daughter was married to Naka no Oe. We are also told of four “palace women” that Naka no Oe is said to have had children with.  The implication seems to be that these were women at the palace but they were not formally recognized with the same status as that of the formal consorts and, of course, the queen, his primary wife.  This fits in with at least one theory I've seen that Naka no Oe was something of a ladies' man.  It seems he got around even more than Murasaki Shikibu's fictional “Shining Prince”, Hikaru Genji.  We are told that there were at least 14 children among the nine official wives—and one has to consider that they were unlikely to record many of the women whom he may have slept with that he didn't also have children with.  And there is a theory that one of those not mentioned, may have been his own sister, full blooded sister.  Specifically, his sister Princess Hashibito, who was married to none other than Naka no Oe's uncle, Prince Karu, aka Jomei Tennou. To be clear:  we have no clear evidence that they were anything other than close siblings, but as you may recall how we mentioned back in Episode 114 that there was something that caused a falling out between Prince Karu and Naka no Oe, such that Naka no Oe disobeyed the sovereign's direct order in moving himself and the royal family back to Asuka.  That meant Naka no Oe, his wives, his mother, AND his sister, Princess—now Queen—Hashibito.  So, yeah, he absconded with Prince Karu's wife who was Naka no Oe's full-blooded sister.  And, as we've noted before, ancient Yamato's concept of incest was pretty narrow.  It was only if you had the same mother that you were considered full siblings—even if the father were someone else.  I suspect that this is related to the matrilineal nature of succession as well, which is why it was so important to insist that the ancient sovereigns had a direct lineal connection to the royal line through their mother as much as through their father. So if Naka no Oe and his sister were having any kind of relationship that was considered wrong or scandalous, then that could also help explain why he didn't take the throne sooner, and why it passed over to his mother.  But now, both Takara Hime and Hashibito were quite literally dead and buried, and Naka no Oe had ascended to the throne. Of the so-called “Palace Women” that  are listed as being likewise married to—or at least in a relationship with—Naka no Oe, I'd like to focus on one:  Iga no Uneme no Yakako.  For one, she is specifically mentioned as an uneme—one of the women sent to the court specifically to serve in the palace.  But her parentage isn't further illuminated other than the name “Iga” which is probably a locative, possibly referring to the area of Iga. This is also interesting because we are also told that she gave birth to a son named Prince Iga, also known as Prince Ohotomo.  Despite his mother's apparently unremarkable status, Prince Ohotomo seems to have been quite the apple of his father's eye.  He was born in 648, so in 668 he was about 20 years old, meaning that around this time he was probably just coming into his own at court.  He was married to his cousin, Princess Touchi, daughter of his uncle, Crown Prince Ohoama.  He was also married to Mimotoji, who appears to have been a daughter of Nakatomi no Kamatari, meaning that he was pretty well connected. But we'll get into that in a future episode.  For now, I think we'll leave it here: with the move of the capital to Ohotsu and the formal ascension of Naka no Oe to the throne. We'll talk about what that might mean in the future.  Until then, thank you once again for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

In this episode, Trevor and Paul are joined by Chris Via of Leaf by Leaf to celebrate the experience of reading big books. From the books that once intimidated us to the ones we now can't imagine our overburdened shelves without, we dive into what makes a book feel "big." Along the way, we share personal stories, favorite strategies for tackling doorstoppers, the books that stretched us as readers, and reflect on why some big books stay with us for life. Whether you're a lifelong lover of big books or someone who's still building up your wrist strength, this is an episode for you.We'd love to hear from you, too—what are your favorite big books? Which ones are still looming on your to-be-read pile, daring you to pick them up? Let us know!Join the Mookse and the Gripes on DiscordAn easy place to respond to our question above is over on Discord!We're creating a welcoming space for thoughtful, engaging discussions about great novellas—and other books things. Whether you want to share insights, ask questions, or simply follow along, we'd love to have you.ShownotesBooks* War and Peace, by Leo Tolstoy, translated by Anthony Briggs* 2666, by Roberto Bolaño, translated by Natasha Wimmer* The Guermantes Way, by Marcel Proust* FEM, by Magda Carneci, translated by Sean Cotter* Blinding, by Mircea Cărtărescu, translated by Sean Cotter* Solenoid, by Mircea Cărtărescu, translated by Sean Cotter* Novel Explosives, by Jim Gauer* Bookwork: Conversations with Michael Silverblatt* The Recognitions, by William Gaddis* The Dying Grass: A Novel of the New Perce War, by William T. Vollmann* Faust, Part One: A New Translation with Illustrations, by Johann Wolfgang van Goethe, translated by Zsuzsanna Ozsváth and Frederick Turner* Invidicum, by Michael Brodsky* The Ice-Shirt, by William T. Vollmann* The Aesthetics of Resistance, by Peter Weiss, translated by Joachim Neugroschel* Middlemarch, by George Eliot* Great Granny Webster, by Caroline Blackwood* Pilgrimage, by Dorothy Richardson* Lonesome Dove, by Larry McMurtry* Moby Dick, by Herman Melville* Train Dreams, by Denis Johnson* Magpie Murders, by Anthony Horowitz* Nausea, by Jean-Paul Sartre, translated by Richard Howard* Schattenfroh, by Micheal Lentz, translated by Max Lawton* The Sword of Shannara, by Terry Brooks* The Brothers Karamazov, by Fyodor Dostoevsky, translated by Andrew R. MacAndrew* It, by Stephen King* The Stand, by Stephen King* Shogun, by James Clavell* Tom's Crossing, by Mark Z. Danielewski* Women and Men, by Joseph McElroy* Swann's Way, by Marcel Proust* Lies and Sorcery, by Elsa Morante, translated by Jenny McPhee* Miss MacIntosh, My Darling, by Marguerite Young* The Blue Room, by Hanne Ørstavik, translated by Deborah Dawkin* Against the Day, by Thomas Pynchon* Ulysses, by James Joyce* 4 3 2 1, by Paul Auster* Invisible Man, by Ralph Ellison* Shadow Ticket, by Thomas Pynchon* The Tunnel, by William H. Gass* A Suitable Boy, by Vikram Seth* The Golden Gate, by Vikram Seth* The Story of a Life, by Konstantin Paustovsky, translated by Doug Smith* The Tale of Genji, by Murasaki Shikibu, translated by Royall Tylor* A Little Life, by Hanya Yanagihara* The People in the Trees, by Hanya Yanagihara* Stone Upon Stone, by Wiesław Myśliwski, translated by Bill Johnston* Needle's Eye, by Wiesław Myśliwski, translated by Bill JohnstonOther* Leaf by Leaf* Episode 1: Bucket List Books* Episode 99: Books We Think About All the Time, with Elisa Gabbert* The Untranslated: Schattenfroh by Michael LentzThe Mookse and the Gripes Podcast is a bookish conversation hosted by Paul and Trevor. Every other week, we explore a bookish topic and celebrate our love of reading. We're glad you're here, and we hope you'll continue to join us on this literary journey!A huge thank you to those who help make this podcast possible! If you'd like to support us, you can do so via Substack or Patreon. Subscribers receive access to periodic bonus episodes and early access to all new episodes. Plus, each supporter gets their own dedicated feed, allowing them to download episodes a few days before they're released to the public. We'd love for you to check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe

At the height of Imperial Japan, during a golden age of court intrigue, obsessive hierarchy, and fabulous sophistication, who was the legendary lothario and emperor's son, Genji? What can the Tale of Genji - a great masterpiece of Japanese literature - tell us about this remarkable and alien world, and the imperial family at the heart of it? Who was the woman who wrote it, at a time when in the West it would have been unthinkable? What was the influence of China, Japan's powerful neighbour, on the world the text describes? And, does the story hold the secrets to the divine power of the Japanese emperors…? Join Tom and Dominic as they discuss the thrilling and romantic Tale of Genji; the historical man behind the myth, and the glorious world of Imperial Japan, with its glittering court.  _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Aaliyah Akude  Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

It is late winter in the year 1185, and the Genji general Yoshitsune is leading a group of samurai through a raging storm at sea. Yoshitsune has been given an imperial command to seek out and destroy the Heike - the powerful samurai clan that has taken charge of the infant Emperor and the Three Imperial Treasures. But to take on the Heike at their island stronghold of Yashima, Yoshitsune must pull off a daring surprise attack -  despite being outnumbered ten to one...Written and presented by Sean BerminghamMusic and sound effects from Pond 5: www.pond5.comThe First Shogun podcast website: https://firstshogun.buzzsprout.com

After their victory at the battle of Ichi-no-Tani, the Genji present their trophies - and a valuable captive - in a parade through the streets of the Japanese capital. Meanwhile the surviving Heike clansmen recover their strength in a fortress on the island of Yashima, where they are given an ultimatum by the Emperor: return the Three Imperial Treasures in exchange for their captured brother...Written and presented by Sean BerminghamMusic and sound effects from Pond 5: www.pond5.comThe First Shogun podcast website: https://firstshogun.buzzsprout.com

In a rare Darfox absence, the remaining gang discusses Princess Mononoke, F THE TRIBUTE, Rock Is a Lady's Modesty, and more! Then we celebrate(?) Morgana's birthday with a wild and emotional Morgana's Manga Makeup through Mushishi, The Tale of Genji: Dreams at Dawn, and Sensei's Pious Lie!!! Send us emails! mangamachinations@gmail.com  Follow us on Twitter! @mangamacpodcast Check out our website! https://mangamachinations.com Support us on Ko-fi! https://ko-fi.com/mangamac  Check out our YouTube channel! https://www.youtube.com/mangamactv Check out our new commentary channel! https://www.youtube.com/@MangaMacWatches Timestamps: Intro - 00:00:00 Princess Mononoke - 00:05:16 F THE TRIBUTE - 00:09:35 Rock Is a Lady's Modesty - 00:22:16 Anime Music Quiz with Dawn - 00:28:00 Next Episode Preview - 00:32:14 The Tale of Genji: Dreams at Dawn - 00:33:50 (CONTENT WARNING: Sexual Assault) Sensei's Pious Lie - 00:58:27 *SPOILER WARNING: Sensei's Pious Lie - 01:21:45 Mushishi - 01:31:01 Our Rankings - 01:57:09 Outro - 01:59:3 Song Credits: “Hopscotch” by Louis Adrien “Jiggin the Jig” by Bless & the Professionals “Green Light” by Emily Lewis “Tasty Bites” by ZISO

Episode 164 Chapter 25, Electronic Music in Japan and The Asia-Pacific. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 25, Electronic Music in Japan and The Asia-Pacific from my book Electronic and Experimental music.   Playlist: ELECTRONIC MUSIC IN JAPAN AND THE ASIA-PACIFIC   Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1.     Toshiro Mayuzumi, “Les Œuvres Pour La Musique Concrète X, Y, Z” (1953). Early work of tape music. 13:50 01:36 2.     Toru Takemitsu, “Vocalism Ai (Love)” (1956). For magnetic tape (condensed from a 72-hour tape montage. 04:11 15:22 3.     Makoto Moroi and Toshiro Mayuzumi, “Shichi No Variation (7 Variations)” (1956). Tape music for sine wave generators. 14:51 19:32 4.     Toru Takemitsu, “Sky, Horse And Death (Concrete-Music)” (1958). For magnetic tape. 03:28 34:24 5.     Group Ongaku, “Object” (1960). Recorded on May 8, 1960, at Mizuno's house. Performers were Chieko Shiomi, Mikio Tojima, Shukou Mizuno, Takehisa Kosugi, Yasunao Tone, and Yumiko Tanno. 07:34 37:50 6.     Toru Takemitsu, “Water Music” (1960). For magnetic tape. 09:41 45:26 7.     Michiko Toyama, “Aoi No Ue (Princess Hollyhock) (Music Drama for Tape and Narration).” For magnetic tape and reader. 07:05 55:06 8.     Group Ongaku, “Metaplasm Part 2” (1961). Live performance, 1961, at Sogetsu Kaikan Hall, Tokyo. Tadashi Mori (conductor), 09:08 01:02:10 9.     Akira Miyoshi (composer), opening excerpt to Ondine (1961). For orchestra, mixed chorus and electronic sounds. 04:32 01:11:18 10.   Joji Yuasa ‎– “Aoi No Ue” (1961). For voice and tape and based on The Tale of Genji written by Murasaki Shikibu in 11th century. Tape parts realized at NHK Electronic music studio. 29:50 01:15:50 11.   Kuniharu Akiyama, “Noh-Miso” (track 1) (1962). Tape music. Hitomi-Za is an experimental puppet theatre group. They had performed in February 13-17 in 1962 at Sogetsu Kaikan Hall. This program was consisted of three parts, and Joji Yuasa, Kuniharu Akiyama and Naozumi Yamamoto composed background sound for each part. 01:44 01:45:40 12.   Toshi Ichiyanagi, “Parallel Music” (1962). Tape music recorded at NHK Electric Music Studio, Tokyo Japan. 09:12 01:47:22 13.   Kuniharu Akiyam, “Demonstration of Nissei Theater” (excerpt) (1963). “Demonstration of Nissei Theater” composed in 1963 for a public demonstration of the stage machinery of the newly opened Nissei Theatre in Tokyo. 05:15 01:56:36 14.   Toshi Ichiyanagi, “Sound Materials for Tinguely” (1963). “Music For Tinguely” was composed at the studio of Sogetsu Art Center. This rare track comprises sound materials used for that composition. 03:31 02:01:54 15.   Joji Yusa, Tracks 1-4 (1963). Incidental music for NHK Radio, based on Andre Breton's "Nadja". "The actual chart of constellations was played by three players (violin, piano, vibraphone) which was supposed as the music score. And birds' voices, electronic sound, sound generated from inside piano, through music concrete technique and constructed at the NHK Electronic Music Studio." 04:24 02:05:26 16.   Maki Ishii, “Hamon-Ripples (For Chamber Ensemble, Violin And Taped Music)” (1965). Tape piece for violin and chamber orchestra. 10:01 02:09:46 17.   Joji Yuasa, “Icon on the Source Of White Noise” (1967). Tape work using white noise as material and designed for a multi-channel system. In the original version, several sound images of various widths (e.g. three loudspeakers playing simultaneously) moved at different speeds around the audience, who were positioned inside the pentagonal loudspeaker arrangement. 12:13 02:19:44 18.   Makoto Moroi, “Shosanke” (1968). Tape work fusing electronic sounds with those of traditional Japanese instruments. 13:20 02:31:54 19.   Minao Shibata, “Improvisation for Electronic Sounds” (1968). Tape piece for electronic sounds. 09:27 02:45:12 20.   Toshi Ichiyanagi, “Love Blinded Ballad (Enka 1969)” from the Opera "From The Works Of Tadanori Yokoo" (1969). Tape collage. 06:57 02:54:40 21.   Toshi Ichiyanagi, Music for Living Space (1969, Bijutsu Shuppan-Sha), composed for the Electric Faculty of Engineering of Kyoto University. Early Computer Music combined with Gregorian chant for Osaka Expo '70. 08:49 03:01:34 22.   Toshiro Mayuzumi, “Mandara” (1969). Tape piece for electronic sound and voices. 10:22 03:10:24 23.   Takehisa Kosugi,  “Catch-Wave” (Mano Dharma '74)” (1974). “Mano-Dharma '74” is an excerpt from a meta-media solo improvisation performed by Takehisa Kosugi. From his notes: “Sounds speeding on lights, light speeding on sounds music between riddles & solutions. ‘the deaf listen to sounds touching, watching.” 26:32 03:20:42 24.   Yoshi Wada ‎– Earth Horns with Electronic Drone, excerpt, (1974). Electronics by Liz Phillips. Pipehorn players Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada. Composed by, recorded by Yoshi Wada. Recorded at Everson Museum of Art, Syracuse, New York, Sunday 2-5pm, February 24, 1974. 10:51 03:47:10 25.   Matsuo Ohno, Takehisa Kosugi, “B.G.M. Parts A-F” (1963). Music and effects later used for Astroboy. 06:59 03:57:48 26.   Joji Yuasa, “My Blue Sky (No. 1)” (1975). Tape parts realized at NHK Electronic music studio. 15:43 04:05:00   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

The young Genji general Yoshitsune receives a command from the Retired Emperor: Protect the imperial line and retrieve the Three Sacred Treasures! But to achieve his mission, Yoshitsune must first face the might of the Heike army, which is now just one day from the capital...Written and presented by Sean BerminghamMusic and sound effects from Pond 5: www.pond5.comThe First Shogun podcast website: https://firstshogun.buzzsprout.com

Yoshitsune rides into battle—and into legend—while the Heike scramble to save the Emperor and the imperial treasures, before the Genji can capture them. The momentous clash on the beach between two samurai clans will go down in history as one of the great turning points of the Gempei War: The Battle of Ichi-no-Tani!Written and presented by Sean BerminghamMusic and sound effects from Pond 5: www.pond5.comThe First Shogun podcast website: https://firstshogun.buzzsprout.com

In this episode we recap the story so far: Which key characters remain? Who is in control of the capital - and of the Emperor? And how will Yoritomo achieve his dream of becoming Japan's first Shogun? We'll explore the balance of power in medieval Japan as two great samurai clans - Genji and Heike - prepare to face each other in their final battles for control of the nation.Written and presented by Sean BerminghamMusic and sound effects from Pond 5: www.pond5.comThe First Shogun podcast website: https://firstshogun.buzzsprout.com

A samurai rider charges through the streets of the Japanese capital, carrying urgent news: After his triumph at the Battle of Kurikawa Pass, the Genji general Kiso Yoshinaka is approaching the capital with 50,000 troops. But lying in wait for Kiso is a new challenge: a wily and scheming Retired Emperor who is not prepared to give up his power so easily.Written and presented by Sean BerminghamMusic and sound effects from Pond 5: www.pond5.comThe First Shogun podcast website: https://firstshogun.buzzsprout.com

Two massive samurai armies clash in a battle that will decide the future of Japan.Genji vs Heike - for the first time, the two samurai clans are about to clash.In a mountain valley, the first great battle of the Gempei War will take place. Who will emerge as victor?Written and presented by Sean BerminghamMusic and sound effects from Pond 5: www.pond5.comThe First Shogun podcast website: https://firstshogun.buzzsprout.com

最近目にしたニュースなどを話題にした雑談回です！平成レトロブームについて、たまごっちのこと、中居くんやジャニーズのこと、WOWOW「7 S.T.A.R.S. ～7つの答え～佐藤アツヒロが繋ぐ光GENJIの現在」を観たなど […] The post 2025 最近のネットニュースなど｜百六段 first appeared on 白と水色のカーネーション.

The TV series "Shogun" brings Japanese history to life, but who was the first Shogun? In this season of The First Shogun, Sean Bermingham explores the dramatic rise of the Genji, Japan's most famous samurai clan. We begin the story in 1180, at the start of the Gempei War, an epic 5-year clash between two samurai families that shook medieval Japan and led to the founding of Japan's first Shogunate. Written and presented by Sean Bermingham Music and sound effects from Pond 5: www.pond5.comCharacters mentioned in this episode:Genji clan:Yoritomo - the future First ShogunHojo Masako - Yoritomo's wifeYoshitsune - Yoritomo's half-brotherYoshitomo - Yoritomo's fatherTameyoshi - Yoritomo's grandfatherMitsunaga and Yorimitsu - ancient warriorsSasaki Sadatsuna - samurai retainerHeike clan:Kiyomori - Lord of the HeikeSatake no Yoshimasa - regional warlordThe First Shogun podcast website: https://firstshogun.buzzsprout.com

The Lord of the Heike, Kiyomori, has a disturbing vision that sets in motion a shift in the balance of power between the two great samurai families of Heike and Genji. In a fit of anger he then orders an attack on Japan's greatest Buddhist temple. The reason? The temple monks had dared to play a game of football with "Kiyomori's head" - an act of defiance that will change the history of Japan forever. Written and presented by Sean BerminghamMusic and sound effects from Pond 5: www.pond5.comThe First Shogun podcast website: https://firstshogun.buzzsprout.com

Voilà, Tsukimi fait enfin sa rentrée, après de 8 mois de pause ! Nous inaugurons par la même occasion un nouveau cycle. Tandis que les interviews mensuelles vont continuer comme d'habitude, les épisodes courts quant à eux évoluent : nous allons cette année plonger dans l'histoire japonaise. Chaque épisode sera ainsi dédié à la découverte d'une tranche de l'histoire japonaise par le biais d'une figure historique dont je ferai le portrait.Et pour inaugurer cette série, nous allons parler de ma figure historique japonaise préférée : il s'agit d'une dame de cour ayant vécu au Xe siècle, et qui est considérée comme l'une des plus fines plumes du Japon, car elle aurait écrit rien moins que le tout premier roman de l'histoire : nous allons dresser le portrait de la remarquable Murasaki Shikibu, autrice du Dit du Genji. Bonne écoute !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Comme à chaque mois, chaque épisode, on vous présente nos aventures de lecteur manga ! N'hésitez pas à partager sur les réseaux sociaux, à noter, à commenter et à vous abonner ! Le lien du discours du collectif de l'imaginaire : https://discord.gg/SeNVBAXm - Les lectures de Julien : Mobile suit Gundam tome 1 God slaying démon king tome 1 - Les lectures d'Adrien : My broken mariko one shot Le dit du Genji tome 1 Jésus tome 1 - Lectures communes : Kojiro du clan fuma tome 1 Losers tome 1 - la série terminée Les enfants d'Hippocrate Team phoenix - A part le manga ? bd les guerres de Lucas Séries TV et film en vrac - les archives du club Assassinstion classroom Gto Et à bientôt !

about, it's its significance and its fascinating manga adaptations.

Welcome back to the Namco Museum Tour! In this second installment of this three-part series, Andre and Vin visit Vol. 3 and Vol. 4 of this classic PlayStation compilation series. Enjoy the sights, sounds and wonders of the museum along with us! If you missed Part 1, you can listen to it here. Twitter: @FineTimePodcast Andre: @pizzadinosaur.fineti.me Vin: @lucentai.bsky.social [00:00] We're Back! (A Dinosaur Story) [00:38] Welcome to Namco Museum Vol. 3! (Ms. Pac Man, Galaxian, Phozon, Pole Position II, Dig Dug, Tower of Druaga) [04:12] Vol. 3: CGI Intro and Loading Animation [09:20] Vol. 3: Museum Layout and Game Rooms [21:38] Vol. 3: Cool Stuff To Look At [30:36] Vol. 3: The Games [41:16] Vol. 3: Wrap-Up, Questions, and Thoughts [52:54] Welcome to Namco Museum Vol. 4! (Pac-Land, The Return of Ishtar, The Genji and Heike Clans, Ordyne, Assault) [55:37] Vol. 4: CGI Intro and Loading Animation [01:01:47] Vol. 4: Museum Layout and Game Rooms [01:16:44] Vol. 4: Cool Stuff To Look At [01:21:05] Vol. 4: The Games [01:29:54] Vol. 4: Wrap-Up, Questions, and Thoughts [01:38:09] See You Next Time in Part 3!

Was Mulan real? Did Mulan exist? And, if so, how accurate is the movie Mulan? This week we get down to business to uncover the history behind our favorite female warrior. We meet other important women from East Asian history. Tamoe Gozen, a Japanese Samurai from the 12th century, whose bravery and romances were featured in Heike monogatari (The Tale of Heike), and Murasaki Shikibu, the author of what's thought of as the world's oldest novel, Genji monogatari (The Tale of Gengi). And, of course, we sing a couple of lines from that killer movie soundtrack (singing podcast?). Women in history had something worth fighting for!

Even in adversity, Catholics exercised considerable agency in post-Reformation Utrecht. Through the political practices of repression and toleration, Utrecht's magistrates, under constant pressure from the Reformed Church, attempted to exclude Catholics from the urban public sphere. However, by mobilising their social status and networks, Catholic Utrechters created room to live as pious Catholics and honourable citizens, claiming more rights in the public sphere through their spatial practices and in discourses of self-representation. Catholic Survival in the Dutch Republic: Agency in Coexistence and the Public Sphere in Utrecht, 1620-1672 (Amsterdam University Press, 2024) by Dr. Genji Yasuhira explores how Catholic priests and laypeople cooperated and managed to survive the Reformed regime by participating in a communal process of delimiting the public, continuing to rely on the mediaeval legacy and adapting to early modern religious diversity. Deploying their own understandings of publicness, Catholic Utrechters not only enabled their survival in the city and the Catholic revival in the Dutch Republic but also contributed to shaping a multi-religious society in the Northern Netherlands. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Even in adversity, Catholics exercised considerable agency in post-Reformation Utrecht. Through the political practices of repression and toleration, Utrecht's magistrates, under constant pressure from the Reformed Church, attempted to exclude Catholics from the urban public sphere. However, by mobilising their social status and networks, Catholic Utrechters created room to live as pious Catholics and honourable citizens, claiming more rights in the public sphere through their spatial practices and in discourses of self-representation. Catholic Survival in the Dutch Republic: Agency in Coexistence and the Public Sphere in Utrecht, 1620-1672 (Amsterdam University Press, 2024) by Dr. Genji Yasuhira explores how Catholic priests and laypeople cooperated and managed to survive the Reformed regime by participating in a communal process of delimiting the public, continuing to rely on the mediaeval legacy and adapting to early modern religious diversity. Deploying their own understandings of publicness, Catholic Utrechters not only enabled their survival in the city and the Catholic revival in the Dutch Republic but also contributed to shaping a multi-religious society in the Northern Netherlands. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Even in adversity, Catholics exercised considerable agency in post-Reformation Utrecht. Through the political practices of repression and toleration, Utrecht's magistrates, under constant pressure from the Reformed Church, attempted to exclude Catholics from the urban public sphere. However, by mobilising their social status and networks, Catholic Utrechters created room to live as pious Catholics and honourable citizens, claiming more rights in the public sphere through their spatial practices and in discourses of self-representation. Catholic Survival in the Dutch Republic: Agency in Coexistence and the Public Sphere in Utrecht, 1620-1672 (Amsterdam University Press, 2024) by Dr. Genji Yasuhira explores how Catholic priests and laypeople cooperated and managed to survive the Reformed regime by participating in a communal process of delimiting the public, continuing to rely on the mediaeval legacy and adapting to early modern religious diversity. Deploying their own understandings of publicness, Catholic Utrechters not only enabled their survival in the city and the Catholic revival in the Dutch Republic but also contributed to shaping a multi-religious society in the Northern Netherlands. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Even in adversity, Catholics exercised considerable agency in post-Reformation Utrecht. Through the political practices of repression and toleration, Utrecht's magistrates, under constant pressure from the Reformed Church, attempted to exclude Catholics from the urban public sphere. However, by mobilising their social status and networks, Catholic Utrechters created room to live as pious Catholics and honourable citizens, claiming more rights in the public sphere through their spatial practices and in discourses of self-representation. Catholic Survival in the Dutch Republic: Agency in Coexistence and the Public Sphere in Utrecht, 1620-1672 (Amsterdam University Press, 2024) by Dr. Genji Yasuhira explores how Catholic priests and laypeople cooperated and managed to survive the Reformed regime by participating in a communal process of delimiting the public, continuing to rely on the mediaeval legacy and adapting to early modern religious diversity. Deploying their own understandings of publicness, Catholic Utrechters not only enabled their survival in the city and the Catholic revival in the Dutch Republic but also contributed to shaping a multi-religious society in the Northern Netherlands. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Even in adversity, Catholics exercised considerable agency in post-Reformation Utrecht. Through the political practices of repression and toleration, Utrecht's magistrates, under constant pressure from the Reformed Church, attempted to exclude Catholics from the urban public sphere. However, by mobilising their social status and networks, Catholic Utrechters created room to live as pious Catholics and honourable citizens, claiming more rights in the public sphere through their spatial practices and in discourses of self-representation. Catholic Survival in the Dutch Republic: Agency in Coexistence and the Public Sphere in Utrecht, 1620-1672 (Amsterdam University Press, 2024) by Dr. Genji Yasuhira explores how Catholic priests and laypeople cooperated and managed to survive the Reformed regime by participating in a communal process of delimiting the public, continuing to rely on the mediaeval legacy and adapting to early modern religious diversity. Deploying their own understandings of publicness, Catholic Utrechters not only enabled their survival in the city and the Catholic revival in the Dutch Republic but also contributed to shaping a multi-religious society in the Northern Netherlands. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Even in adversity, Catholics exercised considerable agency in post-Reformation Utrecht. Through the political practices of repression and toleration, Utrecht's magistrates, under constant pressure from the Reformed Church, attempted to exclude Catholics from the urban public sphere. However, by mobilising their social status and networks, Catholic Utrechters created room to live as pious Catholics and honourable citizens, claiming more rights in the public sphere through their spatial practices and in discourses of self-representation. Catholic Survival in the Dutch Republic: Agency in Coexistence and the Public Sphere in Utrecht, 1620-1672 (Amsterdam University Press, 2024) by Dr. Genji Yasuhira explores how Catholic priests and laypeople cooperated and managed to survive the Reformed regime by participating in a communal process of delimiting the public, continuing to rely on the mediaeval legacy and adapting to early modern religious diversity. Deploying their own understandings of publicness, Catholic Utrechters not only enabled their survival in the city and the Catholic revival in the Dutch Republic but also contributed to shaping a multi-religious society in the Northern Netherlands. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Even in adversity, Catholics exercised considerable agency in post-Reformation Utrecht. Through the political practices of repression and toleration, Utrecht's magistrates, under constant pressure from the Reformed Church, attempted to exclude Catholics from the urban public sphere. However, by mobilising their social status and networks, Catholic Utrechters created room to live as pious Catholics and honourable citizens, claiming more rights in the public sphere through their spatial practices and in discourses of self-representation. Catholic Survival in the Dutch Republic: Agency in Coexistence and the Public Sphere in Utrecht, 1620-1672 (Amsterdam University Press, 2024) by Dr. Genji Yasuhira explores how Catholic priests and laypeople cooperated and managed to survive the Reformed regime by participating in a communal process of delimiting the public, continuing to rely on the mediaeval legacy and adapting to early modern religious diversity. Deploying their own understandings of publicness, Catholic Utrechters not only enabled their survival in the city and the Catholic revival in the Dutch Republic but also contributed to shaping a multi-religious society in the Northern Netherlands. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

In this week's episode, Aaron, Bob, Carolyn, Joey, and Steve become seat-fillers at the Tony Awards! After that, Joey loses his voice during karaoke, Steve gets emotional about Inside Out 2, Bob gets down with the sickness, Aaron disrespects Screech's robot Kevin, and Carolyn educates us with a Cultural History of The Punisher.Books: Lawful #1, Godzilla: Skate or Die #1, Napalm Lullaby #4, X-Men: Heir of Apocalypse #1, Hard Style Juice #3, Lady Murasaki's Tale of Genji and Tale of Genji, Dreams at Dawn, Avatar the Last Airbender: The Rise of Kyoshi, Making It So, A Cultural History of The Punisher: Marvel Comics and the Politics of Vengeance, Fantastic Four #21, Blood Hunters #1-2, Scarlet Witch #1Other Stuff: Inside Out 2, The Beekeeper, X-Men Origins: Wolverine, X-Men: First Class, and The Wolverine, Star Trek Picard: FirewallThe Comic Book Podcast is brought to you by Talking Comics (www.talkingcomicbooks.com). It is hosted by Steve Seigh, Bob Reyer, Joey Braccino, Aaron Amos, Chris Ceary, and John Burkle, who weekly dissect everything comics-related, from breaking news to new releases. Our Twitter handle is @TalkingComics, or you can find us on Instagram and Threads @talkingcomicspodcast. You can email us at podcast@talkingcomicbooks.com.

Join Us on the Decisive Podcast Series: A Munich Exclusive with Genji Yoshida!

Join Us on the Decisive Podcast Series: A Munich Exclusive with Genji Yoshida!

In this week's show, John talks to Marie Mutsuki Mockett about her exquisite new novel, The Tree Doctor, which leads us to the topics of Japanese literature, The Tale of Genji, and how the ancient world is surprisingly like our own.

When the unnamed narrator of Marie Mutsuki Mockett's stirring second novel returns to Carmel, California, to care for her mother, she finds herself stranded at the outset of the disease. With her husband and children back in Hong Kong, and her Japanese mother steadily declining in a care facility two hours away, she becomes preoccupied with her mother's garden--convinced it contains a kind of visual puzzle--and the dormant cherry tree within it. Caught between tending to an unwell parent and the weight of obligation to her distant daughters and husband, she becomes isolated and unmoored. She soon starts a torrid affair with an arborist who is equally fascinated by her mother's garden, and together they embark on reviving it. Increasingly engrossed by the garden, and by the awakening of her own body, she comes to see her mother's illness as part of a natural order in which things are perpetually living and dying, consuming and being consumed. All the while, she struggles to teach (remotely) Lady Murasaki's eleventh-century novel, The Tale of Genji, which turns out to resonate eerily with the conditions of contemporary society in the grip of a pandemic. The Tree Doctor (Graywolf Press, 2024) is a powerful, beautifully written novel full of bodily pleasure, intense observation of nature, and a profound reckoning with the passage of time both within ourselves and in the world we inhabit. Marie Mutsuki Mockett is the author of a previous novel, Picking Bones from Ash, and two books of nonfiction, American Harvest, which won the Nebraska book award, and the northern California book award, and Where the Dead Pause, and the Japanese Say Goodbye, which was a finalist for the Pen Open Book Award. A graduate of Columbia University in East Asian studies she has been awarded NEA – JUSFC and Fulbright Fellowships, both for Japan. Recommended Books: Royall Tyler, The Disaster of the Third Princess: Essays on The Tale of Genji Emily Raboteau, Lessons for Survival: Mothering Against "The Apocalypse" Martin Puchner, Culture Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

When the unnamed narrator of Marie Mutsuki Mockett's stirring second novel returns to Carmel, California, to care for her mother, she finds herself stranded at the outset of the disease. With her husband and children back in Hong Kong, and her Japanese mother steadily declining in a care facility two hours away, she becomes preoccupied with her mother's garden--convinced it contains a kind of visual puzzle--and the dormant cherry tree within it. Caught between tending to an unwell parent and the weight of obligation to her distant daughters and husband, she becomes isolated and unmoored. She soon starts a torrid affair with an arborist who is equally fascinated by her mother's garden, and together they embark on reviving it. Increasingly engrossed by the garden, and by the awakening of her own body, she comes to see her mother's illness as part of a natural order in which things are perpetually living and dying, consuming and being consumed. All the while, she struggles to teach (remotely) Lady Murasaki's eleventh-century novel, The Tale of Genji, which turns out to resonate eerily with the conditions of contemporary society in the grip of a pandemic. The Tree Doctor (Graywolf Press, 2024) is a powerful, beautifully written novel full of bodily pleasure, intense observation of nature, and a profound reckoning with the passage of time both within ourselves and in the world we inhabit. Marie Mutsuki Mockett is the author of a previous novel, Picking Bones from Ash, and two books of nonfiction, American Harvest, which won the Nebraska book award, and the northern California book award, and Where the Dead Pause, and the Japanese Say Goodbye, which was a finalist for the Pen Open Book Award. A graduate of Columbia University in East Asian studies she has been awarded NEA – JUSFC and Fulbright Fellowships, both for Japan. Recommended Books: Royall Tyler, The Disaster of the Third Princess: Essays on The Tale of Genji Emily Raboteau, Lessons for Survival: Mothering Against "The Apocalypse" Martin Puchner, Culture Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When the unnamed narrator of Marie Mutsuki Mockett's stirring second novel returns to Carmel, California, to care for her mother, she finds herself stranded at the outset of the disease. With her husband and children back in Hong Kong, and her Japanese mother steadily declining in a care facility two hours away, she becomes preoccupied with her mother's garden--convinced it contains a kind of visual puzzle--and the dormant cherry tree within it. Caught between tending to an unwell parent and the weight of obligation to her distant daughters and husband, she becomes isolated and unmoored. She soon starts a torrid affair with an arborist who is equally fascinated by her mother's garden, and together they embark on reviving it. Increasingly engrossed by the garden, and by the awakening of her own body, she comes to see her mother's illness as part of a natural order in which things are perpetually living and dying, consuming and being consumed. All the while, she struggles to teach (remotely) Lady Murasaki's eleventh-century novel, The Tale of Genji, which turns out to resonate eerily with the conditions of contemporary society in the grip of a pandemic. The Tree Doctor (Graywolf Press, 2024) is a powerful, beautifully written novel full of bodily pleasure, intense observation of nature, and a profound reckoning with the passage of time both within ourselves and in the world we inhabit. Marie Mutsuki Mockett is the author of a previous novel, Picking Bones from Ash, and two books of nonfiction, American Harvest, which won the Nebraska book award, and the northern California book award, and Where the Dead Pause, and the Japanese Say Goodbye, which was a finalist for the Pen Open Book Award. A graduate of Columbia University in East Asian studies she has been awarded NEA – JUSFC and Fulbright Fellowships, both for Japan. Recommended Books: Royall Tyler, The Disaster of the Third Princess: Essays on The Tale of Genji Emily Raboteau, Lessons for Survival: Mothering Against "The Apocalypse" Martin Puchner, Culture Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

If you enjoy this show and would like to help me spread the word about it, or support it financially, you can find out more at nuancespod.com/support GUEST BIO Prof. Sachi Schmidt-Hori is interested in investigating how gender, sexuality, corporeality, and power are represented and negotiated in pre-seventeenth-century Japanese narratives and illustrations. Her first book, Tales of Idolized Boys: Male-Male Love in Medieval Japanese Narratives (University of Hawai`i Press, 2021) is on medieval chigo monogatari (Buddhist acolyte tales), which often depict romantic relationships between Buddhist priests and adolescent boys. These tales challenge a host of normative and moral standards we (academics, especially) internalize, including such ideas as "sexual orientation," "transgenerational sex," and "sexual agency." Her current project is on the literary representations of "milk kinships" in pre-seventeenth Japanese tales, in cluding the Tale of Ochikubo, the Tale of Genji, the Tales of the Heike. She is also the director of the Springboard Japan Project, a multi-purpose open-access forum for Japan Studies. Web MENTIONED YOASOBI (J-Pop duo) The Tale of Ochikubo (Ochikubo Monogatari) The Tale of Genji (Genji Monogatari) Tales of Idolized Boys: Male-Male Love in Medieval Japanese Buddhist Narratives TAKEAWAYS The equation of your career/life choices is for you to solve. It doesn't have to make sense to anyone else if it makes sense for you. You can seek out spaces where being you is a plus instead of a minus. Don't settle. If you're not a white man, emulating white men probably won't help. Be goofy :-) Language shapes our discussions. Identity is seen as static, whereas actions are choices that we could change in the future, not immutable character traits. How integrity is perceived is one of many things that can vary widely outside the West. In Japan, parenting is about taming the child's ego. In the U.S., parenting is about nurturing the child's ego. Do not talk to cats and babies in Japan. CONTACT Instagram | TikTok | Web | LinkedIn | Twitter Host: Lazou --- Send in a voice message: https://podcasters.spotify.com/pod/show/nuancespod/message Support this podcast: https://podcasters.spotify.com/pod/show/nuancespod/support

ぬるぽ放送局投稿フォーム https://docs.google.com/forms/d/e/1FAIpQLScwYSAEyRhDCHd-JRk9dLA05JKnGINgvnDhY3Xmkw2lwwDjQw/viewform 2023年12月パワープレイ 曲名：03. Shanghaihai／Alicemetix 原曲：明治十七年の上海アリス 収録アルバム：IO-0339 TOHO BOOTLEGS 7 Release　2023.10.10 https://www.iosysos.com/discographyportal.php?cdno=IO-0339 番組時間：119分21秒 出演者：夕野ヨシミ、たくや ---- 2023/12/21 公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・あのー ・あのー ・あのー（エコー） ・甥っ子の接待の話なんですけどね ・新千歳空港に行ってみてはどうだ？ ・空港と言えばでっかい飛行機 ・アッ！！ビジネスジェットだよ珍しいね！！ ・興奮してたのは大人だけ ・働く車に子供が興味をわかない ・最近の子はYouTubeなんじゃないのかな？ ・新千歳空港にアニメイトはもうない ・５年前ですね ・空港の温泉は高い ・甥っ子の選んだのはスラムダンク ・スラムダンクの１巻は３冊くらい置いといてほしい ・前枠のつづきみたいな感じになってます ・それじゃない ＜Aパート＞ ・ふつおたです ・漢は黙って伯方の塩 ・今週のポコ ・年末年始は忙しいポコさん ・もちつきします？ ・ヨガマットの上で餅を搗く ・餅によせてきたリングフィットアドベンチャー ・ゲームオーバーになったら「やっちまったなぁー」が聞ける ・ウエストのもつ鍋 ・もつ鍋2人前580円 ・博多のイメージは熊本の辺のイメージ ・阿佐ヶ谷の忘年会の話 ・手ぬぐいは1000枚作っちゃって ・7人って光GENJIのフルメンバーですよ ・渋谷はロシア ・前川「ロフト9の店長やると2キロ痩せるよ」 ・ボウネンカイのボウは暴力のボウ ・クフ王とは ・あのイベント長くやってますよね ・電子レンジだと湯はどこにいったの？ ・どこまでが湯豆腐なのか ・〆パフェ鍋 ・お姉さんとおばさんの中間 ・100年後？来年にしよう ・明日何食べます？ ・みんな大好き前回のアレ ・年取るといいことしかない ＜Bパート＞ ・引き続きふつおたです ・ホロライブの話 ・ビジネスショタコン ・ためになったねー ・お世話になってます ・イオシス25周年おめでとうございます ・いたいなーたいなー ・はじめてのギブス ・結婚式のあいさつみたい ・間違って夕野ヨシミを消してしまいました ・病院に行けない事情でもあったんですか？ ・病院はいいぞ ・入院中のゲームの話 ・深夜の病院で号泣 ・去年の5月じゃん ・病室で8番出口 ・骨を折って入院しなきゃ ・SteamDeckの排気口の匂い ・ギルドなくなっちゃたね ・入院中にやるゲーム募集します ・2年後くらいに読みます ・みつをたです ・具体的な社名を出すのはよくないです ・すみぺのサンタフェ ・脱 ・すみぺ応援してます ・クリスマスパーティーのキックバック欲しいな ・みつおかん ・​みつを-1グランプリ ・重圧を感じるM-1グランプリ ・ウーバー取りに行った夕野さんが帰ってこない ・売れてほしいけど売れてほしくない ・年越し何します？ ・埼玉の金持ちが歌う番組 ・ガヤをやらされてる社員を見る番組 ・村長はレア ・年末ですね ＜エンディング＞ ・大泉さんは今何歳？ ・はかせの大学の先輩 ・お知らせです ・東方ステーション生放送がありました ・D.wattが歌うYAH YAH YAH ・IOSYSくま牧場公開録音のスタジオ観覧チケット発売中です！ ・明日はコバヤシ会です ・月曜日、久々のIOSYS桃鉄王決定戦をやります！ ・年末年始はゆっくりできるね ・夕野さんはコバヤシ会をお休みするかも？ ・インフルエンザかも ・ヨシ、一旦おわろう

Découvrez l'abonnement "Au Coeur de l'Histoire +" et accédez à des heures de programmes, des archives inédites, des épisodes en avant-première et une sélection d'épisodes sur des grandes thématiques. Profitez de cette offre sur Apple Podcasts dès aujourd'hui ! [INTERVIEW] Le Dit du Genji est un chef d'œuvre de la littérature japonaise, ses illustrations aussi ! Au XXe siècle, le grand maître tisserand japonais Itarô Yamaguchi se lance dans la confection de quatre rouleaux pour mettre en image le roman de Murasaki Shikibu. Ils lui demanderont plus de trente ans de travail, et vous pouvez admirer le résultat à l'occasion de l'exposition 'À la cour du Prince Genji, 1000 ans d'imaginaire japonais' qui se tient du 22 novembre 2023 au 25 mars 2024 au musée Guimet, le musée national des arts asiatiques ! Au cœur de l'Histoire vous fait la visite ! Partez à la découverte de l'art japonais du tissage de la soie et des liens qu'il a permis de tisser avec la France en écoutant l'entretien entre Virginie Girod et Aurélie Samuel, la commissaire de l'exposition.> À l'occasion de l'exposition 'À la cour du Prince Genji, 1000 ans d'imaginaire japonais' qui se tient du 22 novembre 2023 jusqu'au 25 mars 2024 au musée Guimet à Paris , Virginie Girod vous propose une excursion japonaise au cœur de l'histoire. Itarô Yamaguchi est un maître tisserand qui a fait ses armes dans le quartier de Nishijin à Kyoto, très réputé pour ses productions textiles. Elles ont la particularité de tisser la soie en insérant des feuilles de papier doré ou argenté pour donner du relief et rigidifier le tissu. Alors que le secteur est en difficulté, le Japon s'ouvre au monde à partir de 1868 : c'est l'ère Meiji. 'Les Européens vont arriver au Japon, les Japonais vont venir en France. Trois japonais de Kyoto arrivent à Lyon et apprennent à tisser à la mécanique Jacquard', raconte Aurélie Samuel. Fonctionnant grâce à un système de cartes perforées, ils sont bien moins coûteux que les anciens métiers à la tire et leur déploiement au Japon va redynamiser l'industrie textile à Nishijin.Pour réaliser son chef d'œuvre, Itarô Yamaguchi va jusqu'à perfectionner le métier Jacquard pour réaliser ses tissus sophistiqués, 'des étoffes façonnés'. Il a déjà 70 ans lorsqu'il se lance dans l'illustration du Dit du Genji. Ce monument de la littérature japonaise, considéré comme le premier roman psychologique de l'histoire, a été écrit au XIe siècle. C'est la période Heian qui correspond à 'l'avènement d'une culture spécifiquement japonaise, il faut savoir que jusqu'à lors c'est essentiellement l'influence chinoise en fait qui dominait la culture japonaise', précise Aurélie Samuel.'Dès le XIIe siècle, le Dit a été illustré par des artistes : peintres, sculpteurs, laqueurs, considéré comme un trésor national. Lorsqu'au XXe siècle, Itarô Yamaguchi décide de livrer un chef-d'œuvre digne de ce nom sur l'art du tissage, pour montrer qu'il s'agit d'un art majeur, il décide de reproduire ces peintures. Ce n'est pas une copie, c'est un vrai travail historique'. C'est aussi un travail monumental qui demandera plus de trente ans. Aurélie Samuel détaille : 'il va teindre jusqu'à 14 fois le même fil pour avoir toutes les subtilités de la teinture qui vont accrocher la lumière d'une manière différente à chaque fois'. Ces rouleaux, Itarô Yamaguchi va les offrir à la France. 'Justement parce que c'est la patrie de Joseph-Marie Jacquard. Le métier Jacquard a totalement sauvé l'industrie Nishijin, dont lui-même fait partie, il a voulu remercier la France !'.Thèmes abordés : tissage peinture japon soie 'Au cœur de l'histoire' est un podcast Europe 1 Studio- Présentation : Virginie Girod - Production : Camille Bichler et Nathan Laporte- Réalisation : Pierre Cazalot- Composition de la musique originale : Julien Tharaud - Rédaction et Diffusion : Nathan Laporte- Communication : Kelly Decroix- Visuel : Sidonie Mangin

Découvrez l'abonnement "Au Coeur de l'Histoire +" et accédez à des heures de programmes, des archives inédites, des épisodes en avant-première et une sélection d'épisodes sur des grandes thématiques. Profitez de cette offre sur Apple Podcasts dès aujourd'hui ! Connaissez-vous Murasaki Shikibu ? Elle est l'auteure de la saga littéraire du Le Dit du Genji. Monument de la littérature japonaise, ce roman de plus d'un millier de pages raconte l'ascension et les passions amoureuses d'un prince impérial. Murasaki Shikibu a elle-même vécu à la cour impériale japonaise à son apogée, durant la période Heian, qui s'étend du VIIIe au XIIe siècle.> À l'occasion de l'exposition 'À la cour du Prince Genji, 1000 ans d'imaginaire japonais' qui se tient du 22 novembre 2023 jusqu'au 25 mars 2024 au musée Guimet à Paris , Virginie Girod vous propose une excursion japonaise au cœur de l'histoire. L'histoire de la femme de lettres Murasaki Shikibu commence dans 'un monde au-dessus des nuages', le monde de la cour impériale dans le Japon de l'époque Heian. Sous l'influence de la Chine, le Japon se réforme et connaît une période de prospérité, ce qui favorise les arts et les lettres. La capitale est déplacée à Heian-Kyô, l'actuel Kyôto, et une famille en particulier s'impose dans les plus hautes sphères du pouvoir : le clan Fujiwara. Murasaki Shikibu naît pendant cet âge d'or. Elle appartient à la noblesse moyenne, sans doute une branche cadette du clan Fujiwara. Brillante, elle maîtrise le chinois dont l'apprentissage est alors réservé aux garçons. Sa réputation de jeune fille savante a déjà fait le tour de Kyôto : autour des années 1000, l'homme le plus puissant de son clan, le ministre Fujiwara no Michinaga, lui propose de devenir dame de compagnie de sa fille, la toute jeune impératrice Shōshi. C'est là qu'elle se consacre à la rédaction de son chef-d'œuvre, Genji monogatari, Le Dit du Genji. Riche de 54 livres, de plus de 1000 pages et de 500 personnages, cette grande fresque qui se veut réaliste raconte la vie du Genji, qui désigne un fils d'empereur ne pouvant pas prétendre au trône. Le Dit du Genji est considéré comme le premier roman psychologique de l'histoire. Pour l'écrire, Murasaki Shikibu s'inspire des aristocrates qu'elle côtoie à la cour, où ses livres rencontrent un vif succès. Murasaki Shikibu meurt vers l'âge de 38 ans, on ignore la cause de son décès. Son Genji Monogatari devient immédiatement un classique. Les manuscrits sont sans cesse recopiés, puis imprimés. Ils sont encore aujourd'hui à la base de la culture littéraire nippone et inspirent de nombreux artistes dans tous les domaines, jusqu'aux mangas pour les adaptations les plus récentes. Thèmes abordés : Japon, littérature, Dit du Genji, cour impériale 'Au cœur de l'histoire' est un podcast Europe 1 Studio- Présentation : Virginie Girod - Production : Camille Bichler - Réalisation : Pierre Cazalot- Composition de la musique originale : Julien Tharaud - Rédaction et Diffusion : Nathan Laporte- Communication : Kelly Decroix- Visuel : Sidonie Mangin Sources : Ressources en ligne : https://histoiredujapon.com/2021/01/26/reperes-epoque-heian/ https://www.persee.fr/doc/dhjap_0000-0000_1989_dic_15_1_926_t1_0008_0000_4 Bibliographie : Daniel Struve, Sumie Terada et Christopher Lucken (dir.), « Roman du Genji et société aristocratique du Japon ancien », Médiévales, 72, Printemps 2017, 190 p.

durée : 00:28:45 - Poésie et ainsi de suite - par : Manou Farine - Considéré comme une œuvre majeure de la littérature japonaise du XIᵉ siècle et comme le premier roman psychologique, le "Dit du Genji" de l'écrivaine japonaise Murasaki-Shikibu a suscité une iconographie foisonnante et est une source d'inspiration toujours d'actualité pour artistes et artisans.

I remain haunted by the ghost of a weeb, a shitlib superspy who, after cutting his chops as a naval intelligence officer in U.S.-occupied Hiroshima and Tokyo, wrote some of the first English-language scholarship of any depth on the Tale of Genji and the martial ballads, published geopolitical strategic analysis on how the Fourth Reich might best rule Japan, and was the preferred translator and lifelong friend of aesthetic GLADIO agent Mishima Yukio—all at the same damn time. On this outing we begin to deal with his parents: I promise you'll never guess what they did for a living. Hosted on Acast. See acast.com/privacy for more information.

Furigana and English scripts are on my website: https://www.nihongoforyou.com/episodes/149the-tale-of-genji[Japanese script]みなさん、日本のドラマは好きですか？アニメが好きな人は多いと思いますが、アニメだけではなくて、ドラマにも面白い作品がたくさんあります。その中でも長い間日本で根強い人気があるのが、NHKドラマ。平日毎日15分だけ放送される朝ドラというものや、大河ドラマと呼ばれる、一年間にわたり放送される歴史ドラマなどあります。ちなみに、2024年の大河ドラマは「光る君へ」。光る君というのは、世界最古の物語である源氏物語の主人公、光源氏と、そのモデルのひとりといわれている歴史上の人物、藤原道長のことです。源氏物語は全54巻もあるので、このポッドキャストですべて紹介することはできませんが、気になる人はぜひ調べてみてください。さて、今日はそんな源氏物語とその著者紫式部について、少しだけ探ってみましょう。 源氏物語とは、どんな物語なんでしょう？舞台は、平安時代の貴族社会。輝くばかりの美貌と才能に恵まれた貴族、光源氏の一生を描いた物語です。西暦1008年頃に執筆されたとされているので、世界最古の物語と言われています。光源氏が数多の恋愛を経験しながら、貴族として最高の栄誉を極める前半、恋愛や人間関係のほころびを知り、やがて出家を志す後半と、彼の子孫たちの人生までが書かれています。さて、これを書いた紫式部という人は、いったいどんな人なのか？実は、『源氏物語』彼女の最初にして最後の作品なんです。彼女は下級貴族の生まれで、夫と死別し、その現実を忘れるために物語を書き始めたと言われています。当時、紙は貴重だったので、物語を書く機会もあまりありませんでした。そのため、紙をくれる人がいる度に物語を書き進め、それを仲間内で披露して楽しんでいたんです。そんなある日、その物語の評判を時の人、藤原道長が耳にして、娘の家庭教師として紫式部を宮中に呼び入れました。それを機に、紫式部は宮仕えをしながら藤原道長の支援を受けて物語を書き続け、54帖もの『源氏物語』を書き上げました。それが瞬く間に天皇や貴族の間で大ベストセラーとなったんです。源氏物語は今でも、日本文学の傑作と言われていて、たくさんの研究者や愛読者がいます。では、この物語がこれほど長い間読みつがれる理由はどこにあるんでしょう？それは、共感のしやすさ。源氏物語では、主人公の光源氏と、彼を取り巻く登場人物たちの性格や感情が、とても繊細に表現されています。そのため、読者は登場人物の誰かしらに自分の心情を重ねることができるんです。源氏物語を読んだら、きっとみなさんも、誰か一人には共感できると思います。「54帖なんて長くて読めない！」という人は、「まろ、ん？」という漫画もおすすめです。それぞれの帖が4コマ漫画にまとまっていて、とっても読みやすいですよ。=======================================

Recorded by Genji Amino for Poem-a-Day, a series produced by the Academy of American Poets. Published on September 28, 2023. www.poets.org

I interviewed Meta XR producer Ryan Genji Thomas at Venice Immersive 2023. Check out all of the Quill pieces, narrative apps, and Horizon worlds that Ryan has produced down below and check out more context in the rough transcript below as well. Narrative animation experiencesYearTitleStudio/Creator2019The RemedyDaniel Martin Peixe2020Tales from Soda Island - Chapter 1: The Multiverse BakeryStudio Syro2020The ReservoirMaiden InteractiveRic Carrasquillo2020Cube Farm (ep 1)Two Trick PonyDir. Tory Stanton, Scott McCabe2020Cube Farm (ep 2)Two Trick PonyDir. Tory Stanton, Scott McCabe2020Cube Farm (ep 3)Two Trick PonyDir. Tory Stanton, Scott McCabe2020Tales from Soda Island - Chapter 2: The Neon JungleStudio Syro2020Goodbye Mr. OctopusAtlas V x Studio GepettoDir. Amaury Campion2020The BeastBlue Zoo AnimationDir. Grant Berry, Dave Winn2020Lifetime AchievementParade AnimationDir. Yonatan Tal2020Four StoriesNick Ladd2020Tales from Soda Island - Chapter 3: The Quantum RaceStudio Syro2021Peace of MindBlue Zoo AnimationDir. Ben Steer2021Kteer TayyebSamia Khalaf2021Tales from Soda Island - Chapter 4: The Golden RecordStudio Syro2021RebelsFederico Moreno Breser2021NightMara Ep.1So Meta StudiosDir. Gianpaolo Gonzalez2021_HELLOSamuel Klughertz, Nicolas Capitane2021Tales from Soda Island - Chapter 5: The School TripStudio Syro2021NamooBaobab StudiosDir. Eric Oh2022Lustration Ep.1New CanvasDir. Ryan Griffen2022Lustration Ep.2New CanvasDir. Ryan Griffen2022Lustration Ep.3New CanvasDir. Ryan Griffen2022Lustration Ep.4New CanvasDir. Ryan Griffen2022Mescaform HillEdward Madojemu2022NightMara Ep.2So Meta StudiosDir. Gianpaolo Gonzalez2022Tales from Soda Island - Chapter 6: SilenceStudio Syro2022Tales from Soda Island - Chapter 7: The First IngredientStudio Syro2023ReImagined - Volume I: NyssaVery CavaliereDir. Julie Cavaliere2023ReImagined - Volume II: MahalVery CavaliereDir. Michaela Ternasky Holland NARRATIVE APPSYearTitleCreator(s)2017Dear AngelicaOculus Story StudioDir. Saschka Unseld2017Baba YagaBaobab StudiosDir. Eric Darnell2023Wallace & Gromit in "The Grand Getaway"Atlas V x AardmanDir. Finbar Hawkins, Bram Ttwheam2023(confidential)(confidential) HORIZON WORLDSYearTitle2022Creepy Cabin2022Dead End Drive-In2022Neon Arena2022Shaqtacular Spectacular2023(confidential)2023(confidential)2023(confidential) This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Whether it's dogs, cats, birds, fish, lizards – all kinds of pets today are a frequent inspiration for artistic expression, from Instagram photos to movies. And that's always been true. As long as humans have had pets, we've wanted to work them into the stories we tell! In this episode of Myths & Muses, we look at some of mythology's most daring dogs and fabulous felines. This week's interview features a very special guest, joining us straight from the depths of Tartarus! [Transcript for Episode 6] If you'd like to submit a story or artwork to be featured on Myths & Muses, use this form (with a Mortal Guardian's permission!). Stuff to Read: Cerberus on Mythopedia "No, Internet, Kerberos is Probably Not 'Spot'" An introduction to Garm and Xolotl Bastet on Mythopedia "Cats in Ancient Egypt: The Wild Companions Who Became Gods" "Cats in Japanese History and Art" "The fascinating history of Japan's railway station cats" Stuff to Watch:  Our YouTube playlist for Episode 6, featuring spotlights on Cerberus, hellhounds, Japanese train station cats, and more! Cool Images:  The Third Princess with her Cat, from The Tale of Genji, by Tsukioka Settei (18th century) The Story of Nippondaemon and the Cat, by Utagawa Toyokuni (1835) Hazy Moon Cats, by Utagawa Toyokuni (1846) Maneki-neko in Tokyo (2005) A collection of maneki-neko: 

Did you know that a woman wrote the very first novel ever? (We didn't!) In this week's mini, we learn more about Murasaki Shikibu's master work “The Tale of Genji.” The novel's blend of passion, intrigue, and psychological depth has earned this ancient Japanese work comparisons to modern sensations like "Sex in the City" and "50 Shades of Grey," while also drawing parallels to the literary genius of Proust. In this episode: Murasaki Shikibu: Japanese author of "The Tale of Genji”Eleanor of AquitaneHenry VIII"Sex and the City""50 Shades of Grey"Marcel Proust"Six” (musical)Elizabeth Smart: Canadian-born author of "By Grand Central Station I Sat Down and Wept""The Sopranos" (TV series) Virginia WoolfTyler Translation: Recommended English translation of "The Tale of Genji"For episodes and show notes, visit: LostLadiesofLit.com Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

This week on A Novel Console, Chris and Karradyne announce the winners of the Backlog of Doom, Pt. 9. They do another taste test of both Hot Habanero and Dill Pickle chips sent in by Burgerchamp! Afterwards, Karradyne talks thirsty vampires in The Witch and the Vampire, a donut-y, gay romance in The Dos and Donuts of Love, and the third entry in a STEM romance series, Love, Theoretically. Chris almost beats classic Gameboy platformer Super Mario Land, gets samurai'd in Genji: Dawn of the Samurai, and becomes a punchy monk in Mortal Kombat: Shaolin Monks. They end the show with a letdown/winner of a dinner from Fuzzy's Taco Shop.You can contact us at:anovelconsole@gmail.comFacebook.com/anovelconsoleTwitter.com/anovelconsoleInstagram: @anovelconsolePatreon.com/anovelconsoleOther Streaming Platforms:anovelconsole.carrd.coSupport the show

Welcome to the CodeX Cantina where our mission is to get more people talking about books! Was there a theme or meaning you wanted us to talk about further? Let us know in the comments below! Ryunosuke Akutagawa does it again with "Kesa and Morito." A 1918 retelling of the classic "The Rise and Fall of the Genji and Heike." Ryunosuke Akutagawa Playlist: https://www.youtube.com/watch?v=4Swl-3ma8Lk&list=PLHg_kbfrA7YD4J02nxwzNMelsm5Cv5Ld_ ✨Do you have a Short Story or Novel you'd think we'd like or would want to see us cover? Join our Patreon to pick our reads.

Hasekura Rokuemon Tsunenaga was a samurai who led a diplomatic delegation to New Spain, Spain and Rome in the 17th century. But many of the Japanese records about their mission were lost or destroyed after they returned. Research: Carl, Katy. “Aiming for Japan and Getting Heaven Thrown In.” Genealogies of Modernity. 12/2/2020. https://genealogiesofmodernity.org/journal/2020/11/25/scales-of-value-shusaku-endos-the-samurai Christensen, Thomas. “1616: The World in Motion.” Counterpoint. 2012. https://archive.org/details/1616worldinmotio0000chri/ Corradini, Piero. “Some Problems concerning Hasekura Tsunenaga's Embassy to the Pope." From Rethinking Japan Vol. 2. Routledge. 1995. Frederic, Louis. “Japan Encyclopedia.” Translated by Käthe Roth. 2002. https://archive.org/details/japanencyclopedi0000loui/mode/1up Fujikawa, Mayu. “Pope Paul V's global design.” Renaissance Studies, APRIL 2016, Vol. 30, No. 2 (APRIL 2016). Via JSTOR. https://www.jstor.org/stable/10.2307/26618847 Gessel, Van C. “Historical Background.” From The Samurai by Shusaku Endo. Gutierrez, Ed. “Samurai in Spain.” Japan Quarterly, Jan. 1, 2000. Jones, Josh. “The 17th Century Japanese Samurai Who Sailed to Europe, Met the Pope & Became a Roman Citizen.” Open Culture. 11/29/2021. https://www.openculture.com/2021/11/the-17th-century-japanese-samurai-who-sailed-to-europe-met-the-pope-became-a-roman-citizen.html Kamens, Edward. “'The Tale of Genji' and ‘Yashima' Screens in Local and Global Contexts.” Yale University Art Gallery Bulletin , 2007, Japanese Art at Yale (2007). Via JSTOR. https://www.jstor.org/stable/40514681 KCP International. “Hasekura Tsunenaga and his Travels.” KCP International Japanese Language School. 9/6/2017. https://www.kcpinternational.com/2017/09/hasekura-tsunenaga-and-his-travels/ Lee, Christina H. “The Perception of the Japanese in Early Modern Spain: Not Quite ‘The Best People Yet Discovered'.” eHumanista: Volume 11, 2008. Massarella, Derek. “The Japanese Embassy to Europe (1582–1590).” The Japanese Embassy to Europe (1582–1590). February 2013. https://www.hakluyt.com/downloadable_files/Journal/Massarella.pdf Mathes, W. Michael. “A Quarter Century of Trans-Pacific Diplomacy: New Spain and Japan, 1592-1617.” Journal of Asian History , 1990, Vol. 24, No. 1 (1990). Via JSTOR. https://www.jstor.org/stable/41925377 Musillo, Marco. “The Borghese papacy's reception of a samurai delegation and its fresco image at Palazzo del Quirinale, Rome.” From Western visions of the Far East in a transpacific age, 1522-1657. Ashgate, 2012. Pasciuto, Greg. “Hasekura Tsunenaga: The Adventures of a Christian Samurai.” The Collector. 12/7/2022. https://www.thecollector.com/hasekura-tsunenaga-christian-samurai/ Sanabrais, Sofia. “'Spaniards of Asia': The Japanese Presence in Colonial Mexico.” Bulletin of Portuguese Japanese Studies. 2009, 18/19. https://www.redalyc.org/pdf/361/36129851009.pdf Shigemi, Inaga. “Japanese Encounters with Latin America and Iberian Catholicism (1549–1973): Some Thoughts on Language, Imperialism, Identity Formation, and Comparative Research.” The Comparatist, Vol. 32 (MAY 2008). Via JSTOR. https://www.jstor.org/stable/10.2307/26237176 Strusiewicz, Cezary Jan. “The Samurai Who Met the Pope.” Tokyo Weekender. 4/26/2021. https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-samurai-who-met-the-pope/ Theroux, Marcel. “The samurai who charmed the courts of Europe.” The Guardian. 6/7/2020. https://www.theguardian.com/travel/2020/jun/07/hasekura-rokuemon-tsunenaga-japan-samurai-charmed-courts-europe Tucci, Giuseppe. “Japanese Ambassadors as Roman Patricians.” East and West , JULY 1951, Vol. 2, No. 2. Via JSTOR. https://www.jstor.org/stable/29757935 See omnystudio.com/listener for privacy information.

Are you a lover of long fiction novels? Well, did you know that you have Lady Murasaki to thank for starting the trend? Often known as Murasaki Shikibu, the lady of the chronicles was born in a time and place in Medieval Japan when the lady's court was so secluded. If it wasn't for her novel (Tale of Genji) and collections of poetry, we might have never known the intricate ins and outs of the Japanese court! We pair this girl with a sake-flavored mimosa and a whole lot of laughs. The story really starts at 4:30Some sourceshttps://libraryguides.bennington.edu/courtly/shikibuhttps://www.nippon.com/en/views/b09002/https://www.nancyduong.com/portfolio/junihitoe/Want more Queens? Head to our Patreon, check out our merch store and follow us on Instagram!Our awesome new intro music is thanks to @1touchproduction !Support this show http://supporter.acast.com/queenshistorypodcast. Hosted on Acast. See acast.com/privacy for more information.