Podcasts about assistant curator

Ep.240 Rujeko Hockley is the Arnhold Associate Curator at the Whitney Museum of American Art. She co-curated the 2019 Whitney Biennial. Her current project at the Whitney is Amy Sherald: American Sublime. Other projects include Inheritance (2023), 2 Lizards (2022), Jennifer Packer: The Eye Is Not Satisfied With Seeing (2021), Julie Mehretu (2021), Toyin Ojih Odutola: To Wander Determined (2017) and An Incomplete History of Protest: Selections from the Whitney's Collection, 1940-2017 (2017). Previously, she was Assistant Curator of Contemporary Art at the Brooklyn Museum, where she co-curated Crossing Brooklyn: Art from Bushwick, Bed-Stuy, and Beyond (2014) and was involved in exhibitions highlighting the permanent collection as well as contemporary artists. She is the co-curator of We Wanted a Revolution: Black Radical Women, 1965-85 (2017), which originated at the Brooklyn Museum and travelled to three U.S. venues in 2017-18. She serves on the Boards of Art Matters, Institute For Freedoms, and Museums Moving Forward, as well as the Advisory Board of Recess. Photograph by Jody Rogac Whitney Museum ~ https://whitney.org/2019-biennial-curators ~ https://whitney.org/exhibitions/amy-sherald ~ https://whitney.org/exhibitions/amy-sherald-four-ways-of-being ~ https://whitney.org/exhibitions/inheritance ~ https://whitney.org/exhibitions/2-lizards ~ https://whitney.org/exhibitions/jennifer-packer ~ https://whitney.org/exhibitions/julie-mehretu ~ https://whitney.org/press/protest ~ https://whitney.org/exhibitions/toyin-ojih-odutola Time Magazine https://time.com/7210625/rujeko-hockley-hank-willis-thomas-art-inclusivity/ Observer https://observer.com/2025/04/exhibition-amy-sherald-american-sublime-whitney-dinner-opening-party/ Ursula https://www.hauserwirth.com/ursula/inside-the-issue-ursula-issue-11/ Surface Magazine https://www.surfacemag.com/articles/when-i-call-who-listens-rujeko-hockley-excerpt-for-freedoms/# Forbes https://www.forbes.com/sites/natashagural/2025/04/04/amy-sherald-american-sublime-at-the-whitney-re-imagines-american-realism-with-singular-visual-narratives/ M.M.Lafleur https://mdash.mmlafleur.com/most-remarkable-woman-rujeko-hockley/ Frieze https://www.frieze.com/article/rujeko-hockleys-top-picks-frieze-los-angeles-viewing-room-2023 CCL https://www.curatorialleadership.org/participants/ccl-smh-curators-forum/rujeko-hockley/ Artealdia https://www.artealdia.com/News/NEW-APPOINTMENTS-FOR-MARCELA-GUERRERO-AND-RUJEKO-HOCKLEY-AT-THE-WHITNEY-MUSEUM Culture Type https://www.culturetype.com/tag/rujeko-hockley/ artnet https://news.artnet.com/art-world/career-stories-rujeko-hockley-1962842 Athens Now https://athensnowal.net/sharing-the-spotlight/

Singapore's "Rainforest Wild Asia" attraction opening on 12 March with "wild" zones for visitors as Maggie Ang, VP Park Operations, Mandai Wildlife Group and Lua Boon Kong, Assistant Curator, Animal Care, Mandai Wildlife Group tell Saturday Mornings Show host Glenn van Zutphen and co-host Neil Humphreys. The latest eco-attraction in the city-state brings nature and adventure experiences together. Inspired by treks through the rainforest, it explores the layers of the jungle – from the verdant tree canopies to the mysterious hidden caves.See omnystudio.com/listener for privacy information.

The new ‘Leigh Bowery!' Exhibition At Tate Modern celebrates the provocative and boundary-pushing career of one of the most fearless and original artists of the 20th century. In his short but extraordinary life, Leigh Bowery (1961-1994) forged a truly unique path.  For the first time Tate Modern will bring together Bowery's outlandish and dazzling costumes alongside painting, photography and videos to explore how he changed art, fashion and popular culture forever. Charting the journey of a young boy from Australia, who became a globally recognised cultural figure.  During the Press View of ‘Leigh Bowery!' Exhibition On Tuesday 26 February 2025 RNIB Connect Radio's Toby Davey caught up with Jess Baxter, Assistant Curator of the exhibition, for a bit of background to the life of Leigh Bowery, his work during the 80s and up to his death in 1994 along with the impact his work has had on art, culture and much more. The exhibition ‘Leigh Bowery!' continues at Tate Modern until 31 August  2025. Audio described tours of the exhibition with one of Tate's Visitor Engagement Assistants can be booked in advance by either emailing hello@tate.org.uk or calling 020 7887 8888.   More details about ‘Leigh Bowery!' can be found on the following pages of the Tate website - https://www.tate.org.uk/whats-on/tate-modern/leigh-bowery Image Polaroid portrait of Leigh Bowery 1986 © Peter Paul Hartnett / Camera Press. Leigh Bowery wearing white make up with pink blusher, black eye shadow and black lipstick with bright blue paint dripping from his head to resemble hair. The photograph is signed in blue at the bottom by Leigh

On Various Artists i tēnei wiki... Sofia had a kōrero with the Assistant Curator at Te Uru Waitākere Contemporary Gallery, Hester Rowan, about Soft Spot - a new group exhibition showing Claudia Kogachi, Ming Ranginui, and Erica van Zon.  Beth spoke with artists and siblings Oscar and Sophie Bannan about Chicken Poems, a new body of collaborative and parallel work opening today at Gus Fisher Gallery. And for Stage Direction this week, Ahi Karunaharan joined Beth and Sofia in the studio to speak about a mixtape for maladies. Whakarongo mai e te whānau! x

Soft Spot is a new group exhibition showing Claudia Kogachi, Erica Van Zon, and Ming Ranginui at Te Uru Waitākere Contemporary Gallery.  Through their respective practices, Kogachi, Van Zon, and Ranginui engage with the home conceptually and formally, depicting household items and activities while working with craft modes often associated with domestic furnishings such as rug making, carpentry, and needlework. Sofia spoke with curator of Soft Spot, Hester Rowan, about the exhibition, her curation process, and the themes of Soft Spot.

Dr. Martha Muñoz is an evolutionary biologist. She is also an Assistant Professor in the Department of Ecology and Evolutionary Biology at Yale University and an Assistant Curator in the Division of Vertebrate Zoology at the Yale Peabody Museum.Dr. Muñoz spoke with Connect Latino News' Belen Dumont about her work and family.

This week, Phil speaks to us from Friday Harbour, San Juan Island, USA with Assistant Curator of the San Juan Islands Museum of Art Wendy Smith about a very unique artwork, finished by a loom in Belgium thousands of miles from the artist who painted it...  Support the show

Episode No. 689 is a holiday clips episode featuring artist B. Ingrid Olson. Olson's work is included in "Descending the Staircase" at the Museum of Contemporary Art Chicago. The exhibition considers novel artistic approaches to representing the human body. The exhibition is curated by Jadine Collingwood, Associate Curator, and Jack Schneider, Assistant Curator and is on view through July 6. This episode was recorded in 2022 on the occasion of the Carpenter Center for the Visual Arts at Harvard University's presentation of two concurrent B. Ingrid Olson exhibitions, “History Mother,” and “Little Sister.” Each exhibition was on a separate floor of CCVA's building. Olson's exhibitions feature site-specific presentations that engage with doubling and mirroring, gendered forms, the interplay between photography and sculpture, and between the body and the built environment. The exhibitions were curated by Dan Byers. The week this show originally aired, the Secession in Vienna had just closed an exhibition of Olson's work titled “Elastic X.” In addition, Olson's work has previously been featured in solo presentations at the Albright-Knox Art Gallery in Buffalo, NY and at The Renaissance Society at the University of Chicago. For images please see Episode No. 566. Instagram: B. Ingrid Olson, Tyler Green.

The exhibition ‘The 80s: Photographing Britain' at Tate Britain is a landmark survey looking at the decade as a pivotal moment for the medium of photography. The exhibition brings together nearly 350 images and archive materials from the period, exploring how photographers used the camera to respond to the seismic social, political and economic shifts around them. Through their lenses the show considers how the medium became a tool for social representation, cultural celebration and artistic expression throughout this significant and highly creative period for photography. During the Press View of ‘The 80s: Photographing Britain' on Tuesday 19 November 2024 RNIB Connect Radio's Toby Davey sat down with Assistant Curator of the exhibition Jasmine Chohan to find out a bit more about the exhibition, the use of photography during the 80s to document changes that were happening in Britain during this decade and how people were responding to the changes too. The exhibition ‘The 80s: Photographing Britain' continues at Tate Britain until 5 MAY 2025. Audio described tours of the exhibition with one of Tate's Visitor Engagement Assistants can be booked in advance by either emailing hello@tate.org.uk or calling 020 7887 8888.   More details about ‘the 80s:  Photographing Britain' can be found on the following pages of the Tate website - https://www.tate.org.uk/whats-on/tate-britain/the-80s-photographing-britain Image shows 'Joy Gregory, Magenta dress with pink tulips 1985', a figure in a magenta pink dress facing away from the camera, holding a tulip in one hand over their head and leaning with the other hand on a table with a green cloth over it with a vase of tulips on top.

Resident CSI & Nature Conservationist, Tim Neary and Assistant Curator of Mammal and Birds at uShaka Sea World, Kelly de Klerk on news of the IUCN listed the African Penguin as ‘Critically Endangered' with estimates suggesting the aquatic bird has already lost 97% of its population and could be extinct by 2035.  See omnystudio.com/listener for privacy information.

  Early voting has already started in the 2024 presidential election and I just couldn't resist the suggestion by my guests to explore what Samuel Clemens alias Mark Twain, Hartford's greatest Gilded Age humorist, had to say about the United States presidents. Was Twain the John Stewart or John Oliver of his day? Known for his sharp wit and scathing satire, what presidents met with his approval? Corruption, national identity, the power of big business, and America's global role were just as contested then as they are now. His funny, insightful observations about the presidents of his day apply readily to the modern presidency.   Guests on this episode are Twain experts Mallory Howard, Assistant Curator at The Mark Twain House & Museum and Dr. Jason Scappaticci, historian and Associate Dean of Student Affairs at Connecticut State Community College Capital in Hartford.   Looking for a fun and informative event for your library, book club, or historical society? The Mark Twain House & Museum can bring you distinctive, entertaining, and interactive presentations on Mark Twain's life, work, interests, and era. You can book a presentation on the subject of this episode at the Mark Twain House website here: https://marktwainhouse.org/outreach/   -------------------------------- We're almost there! This is our 197th episode. Thanks to our listeners, Grating the Nutmeg is going to hit 200 episodes soon! We love bringing you a new episode every two weeks. In celebration of our 200th episode and to help fund Grating the Nutmeg in 2025, we are holding our first ever Grating the Nutmeg Benefit Online Auction. The auction bidding opens on November 1st. You can bid on art, special one-of -a- kind experiences like a private tour of the Connecticut State Capitol including the Hall of Flags, theater tickets, museum admissions, hands-on genealogy assistance, behind the scenes tours at fascinating places, and restaurant gift cards. You'll be able to bid on a delish lunch at one of Hartford's best restaurants with our publisher Dr. Kathy Hermes and the Connecticut State Historian Dr. Andy Horowitz. All the bidding information is on our website and links to the auction bidding are on our social media pages. Go to the auction here: https://secure.qgiv.com/event/gtn2024/ It's easy to bid on your phone or laptop.   The holidays are coming up-you may find that perfect gift in our auction items for that hard to buy for person!   Toast the start of conservation work with the team working to stabilize the 18th-century wallpaper adorning the Phelps-Hatheway House. Enjoy exclusive access to the expertise of conservators who will explain and demonstrate their work caring for the papers. To reserve your spot for the Nov. 3, 2024 event, go to https://ctlandmarks.org/wallpaper/ To celebrate our 200 episodes, we're asking listeners to donate $20 a month or $200 annually to help us continue to bring you new episodes every two weeks. It's easy to set up a monthly donation on the Connecticut Explored website at ctexplored.org    Click the donate button at the top and look for the Grating the Nutmeg link. We appreciate your support! Subscribe to get your copy of Connecticut Explored magazine delivered to your mailbox or your inbox-subscribe at ctexplored.org.   We've got issues coming up on food, celebrations and the environment with places you'll want to read about and visit.   ---------------------------- This episode of Grating the Nutmeg was produced by Mary Donohue and engineered by Patrick O'Sullivan at https://www.highwattagemedia.com/   Follow GTN on our Facebook, Instagram and Threads pages.   Follow host Mary Donohue on Facebook and Instagram at WeHa Sidewalk Historian. Join us in two weeks for our next episode of Grating the Nutmeg, the podcast of Connecticut history.      

Permissions is Artspace Aotearoa's annual exhibition which commissions three early career emerging artists living in Tāmaki Makaurau, this year showing the works of Yana Dombrowsky-M'Baye, Dayle Palfreyman, and August Ward.  Sofia had a kōrero with Artspace Aotearoa Kaiāwhina Whakaaturanga Assistant Curator, Robbie Handcock, about the exhibition and the artists' practices.

Deirdre Madeleine Smith, Ph.D., Lecturer of Museum Studies at University of Pittsburgh and Assistant Curator, Carnegie Museum of Natural History, talks about the origins of animal art in conjunction with The Jule's exhibition "Radical Naturalism: Daniel Newman" on view through December 8, 2024: https://jcsm.auburn.edu/exhibition/newman/

Journey into the World of Studio Ghibli! This week on the "Saturday Mornings Show," host Glenn van Zutphen and co-host, author Neil Humphreys, take you on an exciting adventure into the magical world of Studio Ghibli! Joining them are Chelsea Chye, Assistant Curator at ArtScience Museum, and Joel Chin, Producer on the Exhibitions Team at ArtScience Museum. Together they explore the groundbreaking Studio Ghibli exhibition captivating audiences in Singapore. Tune in to discover: ●Behind-the-scenes insights into the making of beloved Ghibli films. ●The artistry and storytelling that have made Studio Ghibli a global phenomenon. ●What makes this exhibition a must-see for fans of all ages. Don't miss this episode of the "Saturday Mornings Show," perfect for animation enthusiasts and anyone seeking a touch of wonder. Subscribe and follow for more conversations!See omnystudio.com/listener for privacy information.

David brings research to life through exhibitions David Wright is an Assistant Curator at Durham University where he creates research-based exhibitions for university-owned galleries. Sarah and David talk about Finding the stories, objects and experiences to hook visitors Why endless hours of people-watching were perfect preparation for being a curator The challenges of building a steady career in the museums sector His vision for more creative and radical exhibitions   Find out more Read the show notes and transcript on the podcast website Connect with David via LinkedIn or the Durham University website Explore his online exhibitions including Catch Your Breath, Tunstall and the Tudors and Between Worlds.   About Research Adjacent Follow the podcast on LinkedIn and Instagram Sign up to the podcast newsletter Email Sarah a comment, question or suggestion Leave Sarah a voice message

Named after the radical painter JMW Turner, the Turner Prize was set up in 1984 to celebrate British Contemporary Artists.   On Tuesday 24 September 2024 Tate Britain unveiled the work of the four artists who have been shortlisted for this year's prize: Pio Abad, Jasleen Kaur, Claudette Johnson and Delaine Le Bas. At the press view for the Turner Prize 2024 exhibition RNIB Connect Radio's Toby Davey caught up with one of the Curator's of the exhibition Amy Emmerson Martin, Assistant Curator, Contemporary British Art at Tate Britain to firstly find out a bit more about the history and background to the Turner Prize to then an introduction to each of the four shortlisted Artists along with an overview of their work that impressed the Turner Prize panel which is on display at Tate Britain.   The winner of the Turner Prize 2024 will be announced on 3 December and the exhibition of the four shortlisted Artists work continues at Tate Britain until 16 February 2025. Description tours with one of Tate's Visitor Engagement Assistants can be booked in advance by either emailing hello@tate.org.uk or calling 020 7887 8888. About the four shortlisted Artists: Pio Abad presents a restaging of his nominated exhibition at the Ashmolean Museum, Oxford, which explores cultural loss and colonial histories. Featuring drawings, sculptures and museum artefacts, Abad brings together in-depth research and collaboration to highlight overlooked histories and connections to everyday life, often from the perspective of his Filipino heritage. Newly added works include Kiss the Hand You Cannot Bite 2019, which reimagines an Imelda Marcos bracelet as a three-metre concrete sculpture, are shown alongside works like I am singing a song that can only be borne after losing a country 2023, a drawing that turns the underside of Powhatan's Mantle - a Native American robe in the Ashmolean's collection - into an imagined map of colonised lands. Jasleen Kaur presents works from her nominated exhibition at Tramway, Glasgow. Rethinking tradition, Kaur creates sculptures from gathered and remade objects, each animated through an immersive sound composition. Items including family photos, a harmonium, Axminster carpet and kinetic worship bells are orchestrated to convey the artist's upbringing in Glasgow. A central feature is music, which is used to explore both inherited and hidden histories. Yearnings 2023, is an improvised vocal soundscape of the artist's voice, which is layered over snippets of pop songs playing from the speakers of Sociomobile 2023, a vintage Ford Escort covered with a large doily crocheted from cotton and filling the space with Kaur's own musical memory. Delaine Le Bas presents a restaging of her nominated exhibition at the Secession, Vienna. For her Turner Prize presentation, the artist has transformed the gallery into a monumental immersive environment filled with painted fabrics, costume, film and sculpture. Presented across three chambers, the work addresses themes of death, loss and renewal, and draws on the rich cultural history of the Roma people and the artist's engagement with mythologies. Textile sculpture Marley 2023, for example, reimagines Dickens' ghostly eponymous character as a harbinger of chaos, welcoming the viewer to this carefully constructed and captivating world, whilst the film Incipit Vita Nova 2023, projected onto organdie fabric, transports the viewer deep into a dreamlike sequence, matching the fluidity and distortion of the mirrored walls around it. Claudette Johnson presents a series of works from her nominated exhibitions at The Courtauld Gallery, London and Ortuzar Projects, New York, alongside new works. Using pastels, gouache, oil and watercolour, Johnson creates striking figurative portraits of Black women and men, often depicting family and friends. Her works counter the marginalisation of Black people in Western art history, shifting perspectives and investing her portraits with a palpable sense of presence. Friends in Green + Red on Yellow 2023 represents a recent development in her practice of creating double portraits, whilst Pieta 2024 is one of the artist's first works on wood, made from pastel and oil on bark cloth. You will find out more about the Turner Prize 2024 exhibition by visiting the following pages of the Tate website - https://www.tate.org.uk/whats-on/tate-britain/turner-prize-2024 Image show the entrance to Tate Britain with two red banners reading 'Tate Britain' and  'Free For All'

The Artists Index is an AHA! partner and this is the fourth in our series of livestream podcasts. The September AHA! celebrated AHA! @ 25 on Thursday, September 12th from 6 to 7:30 pm. and was co-hosted by our livestream partner and friend Adam Katz, the owner of Play Arcade. Our September AHA! galaxy of guests included Dave Reis, our Jazz Podcast Series podcast host, Ymelda Rivera Laxton, the Assistant Curator of Contemporary Art & Community Projects at the New Bedford Whaling Museum, artist extraordinaire Kat Knutsen, Christina Maiato Fitz Gerald, our Gallery X Documentation Project Scanner, and the newest podcast host of our newest, soon to be premiered Gallery X Documentation Project Podcast Series, Sean FitzGerald. They all sat down with The Artists Index's co-founder and podcast host, Ron Fortier, about their contributions to and views on the September AHA! theme - Aha! @ 25 and its impact on the phenomenal creative community of New Bedford and the South Coast. Once again, it was very loud and noisy with all the arcade games but we still had great conversation. The Artists Index is an AHA! partner and this is the third in our series of livestream podcasts. The September AHA! celebrated 25 years! This podcast was co-hosted by our livestream partner and friend Adam Katz, the owner of Play Arcade.  Learn more at https://theartistsindex.com/  Consider donating, or becoming a sponsor. 

In this special episode, I am very happy to bring you a walk around Hever Castle, reimagined as Anne Boleyn and her family, who lived here in the 16th century, would recognise it, with assistant curator Kate McCaffrey. Kate is an incredibly talented historian who loves to share her findings and work with as wide an audience as possible and is one of the brains behind this wonderful new permanent exhibition.Watch this episode on YoutubeJoin the British History Club at www.Patreon.com/BritishHistory to enjoy Historical Book Club, early access to content, exclusive blogs, discounts on British History Events and take part in Book Club! All for £5/month. You can also give me one off support by donating at www.buymeacoffee.com/Philippa You can also support me for free by subscribing, liking, commenting and sharing this podcast. Receive weekly history news from me by subscribing to my Substack at https://philippab.substack.com/ Visit https://www.BritishHistoryTours.com for full details of history tours and events. Get full access to British History at philippab.substack.com/subscribe

​The new municipality of Valley Waters is home to a new fossil centre​, in Norton. It's a way for the community to share its rich history of fossil discovery with visitors.​ Khalil Akhtar spoke to Randy McKnight​, mayor of Valley Waters​, and Matt Stimson​, the New Brunswick Museum's Assistant Curator of Geology and Paleontology​.

​The new municipality of Valley Waters is home to a new fossil centre​, in Norton. It's a way for the community to share its rich history of fossil discovery with visitors.​ Khalil Akhtar spoke to Randy McKnight​, mayor of Valley Waters​, and Matt Stimson​, the New Brunswick Museum's Assistant Curator of Geology and Paleontology​.

​The new municipality of Valley Waters is home to a new fossil centre​, in Norton. It's a way for the community to share its rich history of fossil discovery with visitors.​ Khalil Akhtar spoke to Randy McKnight​, mayor of Valley Waters​, and Matt Stimson​, the New Brunswick Museum's Assistant Curator of Geology and Paleontology​.

This interview with Shawn(ta) Smith-Cruz about Grabbing Tea: Queer Conversations on Identity and Libraries and Grabbing Tea: Queer Conversations on Archives and Practice (available in 2024 from the Litwin Books Series on Gender and Sexuality in Library and Information Studies) explores how queerness is centered within library and archival theory and practice. Smith-Cruz and co-editor Sara A. Howard invited library and archives workers to share conversations which became the chapters for these two volumes. These conversations explore a huge range of topics: identity, community practice and outreach, visibility and coming out or being outed in the library, as well as the archive as a site for reclamation, narrative storytelling, ancestral recalling, and historical revisioning within LGBTQ+ communities. Contributions to these volumes integrate interpersonal experiences of professionalism for queer folks in the field, dive into their relationships and points of connection with each other and the communities they serve, and engage with the implications of race and sexuality in archival practice. Readers are invited to listen in and join these conversations that consider the fluidity of our bodies as queer bodies, and our lives as queer lives inside of the library and the archive. Shawn(ta) Smith-Cruz is a volunteer archivist at the Lesbian Herstory Archives, and an Assistant Curator, and Associate Dean for Teaching, Learning, and Engagement at New York University Division of Libraries. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This interview with Shawn(ta) Smith-Cruz about Grabbing Tea: Queer Conversations on Identity and Libraries and Grabbing Tea: Queer Conversations on Archives and Practice (available in 2024 from the Litwin Books Series on Gender and Sexuality in Library and Information Studies) explores how queerness is centered within library and archival theory and practice. Smith-Cruz and co-editor Sara A. Howard invited library and archives workers to share conversations which became the chapters for these two volumes. These conversations explore a huge range of topics: identity, community practice and outreach, visibility and coming out or being outed in the library, as well as the archive as a site for reclamation, narrative storytelling, ancestral recalling, and historical revisioning within LGBTQ+ communities. Contributions to these volumes integrate interpersonal experiences of professionalism for queer folks in the field, dive into their relationships and points of connection with each other and the communities they serve, and engage with the implications of race and sexuality in archival practice. Readers are invited to listen in and join these conversations that consider the fluidity of our bodies as queer bodies, and our lives as queer lives inside of the library and the archive. Shawn(ta) Smith-Cruz is a volunteer archivist at the Lesbian Herstory Archives, and an Assistant Curator, and Associate Dean for Teaching, Learning, and Engagement at New York University Division of Libraries. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

This interview with Shawn(ta) Smith-Cruz about Grabbing Tea: Queer Conversations on Identity and Libraries and Grabbing Tea: Queer Conversations on Archives and Practice (available in 2024 from the Litwin Books Series on Gender and Sexuality in Library and Information Studies) explores how queerness is centered within library and archival theory and practice. Smith-Cruz and co-editor Sara A. Howard invited library and archives workers to share conversations which became the chapters for these two volumes. These conversations explore a huge range of topics: identity, community practice and outreach, visibility and coming out or being outed in the library, as well as the archive as a site for reclamation, narrative storytelling, ancestral recalling, and historical revisioning within LGBTQ+ communities. Contributions to these volumes integrate interpersonal experiences of professionalism for queer folks in the field, dive into their relationships and points of connection with each other and the communities they serve, and engage with the implications of race and sexuality in archival practice. Readers are invited to listen in and join these conversations that consider the fluidity of our bodies as queer bodies, and our lives as queer lives inside of the library and the archive. Shawn(ta) Smith-Cruz is a volunteer archivist at the Lesbian Herstory Archives, and an Assistant Curator, and Associate Dean for Teaching, Learning, and Engagement at New York University Division of Libraries. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

This interview with Shawn(ta) Smith-Cruz about Grabbing Tea: Queer Conversations on Identity and Libraries and Grabbing Tea: Queer Conversations on Archives and Practice (available in 2024 from the Litwin Books Series on Gender and Sexuality in Library and Information Studies) explores how queerness is centered within library and archival theory and practice. Smith-Cruz and co-editor Sara A. Howard invited library and archives workers to share conversations which became the chapters for these two volumes. These conversations explore a huge range of topics: identity, community practice and outreach, visibility and coming out or being outed in the library, as well as the archive as a site for reclamation, narrative storytelling, ancestral recalling, and historical revisioning within LGBTQ+ communities. Contributions to these volumes integrate interpersonal experiences of professionalism for queer folks in the field, dive into their relationships and points of connection with each other and the communities they serve, and engage with the implications of race and sexuality in archival practice. Readers are invited to listen in and join these conversations that consider the fluidity of our bodies as queer bodies, and our lives as queer lives inside of the library and the archive. Shawn(ta) Smith-Cruz is a volunteer archivist at the Lesbian Herstory Archives, and an Assistant Curator, and Associate Dean for Teaching, Learning, and Engagement at New York University Division of Libraries. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

HRBT Expansion Project Communications Director Paula Miller is joined by Project Director Ryan Banas for an update on the project, along with archeological experts David Lewes, Co-Director of William and Mary's Center for Archeological Research, Adam Pritchard, Virginia Museum of Natural History's Assistant Curator of Paleontology, and Will Moore, Virginia Department of Transportation's Lead Archeologist. Learn about the historic and prehistoric finds, from shipwrecks to mastadon bones.

Thoughts of the Wild West illicit imagery of cowboys, miners, railroad workers, land speculators; jobs often held by men. But in the early days of Denver women were also working — businesswomen, called madams, ran parlor houses and brothels that served the growing city, and many women were employed as sex workers at these Lower Downtown establishments. Host Bree Davies sat down last year with History Colorado's Assistant Curator of Serials, Ann Sneesby-Koch, to dig into the nuanced, complicated, and fascinating world of early sex work in late 1800s Denver. For even more news from around the city, subscribe to our morning newsletter Hey Denver at denver.citycast.fm. Follow us on Instagram: @citycastdenver Chat with other listeners on reddit: r/CityCastDenver What do you think? Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418‬ Learn more about the sponsors of this episode: Central City Opera PineMelon Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices

Shana Lopes, PhD, Assistant Curator of Photography at SFMOMA, joins me to talk about how being a curator perfectly combined her love of photography and art history. We talk about working with both historical and contemporary artists and the questions that need to be answered in order to provide proper context for the work whether done posthumously or with a current artist. We mention some past, current, and upcoming show during our conversation and three of those shows are linked below. https://www.instagram.com/lopesshana/ | https://www.sfmoma.org/exhibition/a-living-for-us-all/ | https://www.sfmoma.org/exhibition/zanele-muholi-eye-me/ | https://www.sfmoma.org/exhibition/constellations/ This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com | https://www.chicoreview.com/2025-coming-soon Shana Lopes, PhD, is an Assistant Curator of Photography at SFMOMA. Born and raised in San Francisco, she has curated or co-curated exhibitions such as: Constellations: Photographs in Dialogue, Sightlines: Photographs from the Collection, A Living for Us All: Artists and the WPA, Sea Change, Zanele Muholi: Eye Me, and the upcoming 2024 SECA Art Award. Over the past fourteen years, she has gained curatorial experience at the Center for Creative Photography in Tucson, Arizona, and the Metropolitan Museum of Art in New York. Support Real Photo Show with Michael Chovan-Dalton by contributing to their tip jar: https://tips.pinecast.com/jar/real-photo-show

‘Expressionists - Kandinsky, Münter And The Blue Rider' is a major exhibition at Tate Modern that tells the story of the international circle of friends who came together in the early 20th century to transform modern art. From celebrated artists like Wassily Kandinsky, Gabriele Münter, Franz Marc and Paul Klee, to previously overlooked figures like Wladimir Burliuk and Maria Franck-Marc. On Tuesday 23 April 2024 at the Press View of ‘Expressionists - Kandinsky, Münter And The Blue Rider' at Tate Modern, RNIB Connect Radio's Toby Davey caught up with Genevieve Barton, Assistant Curator of the exhibition, to find out more about the background to the Blue Rider and how this exhibition reveals the multicultural and transnational nature of such a key moment in early modernist art. About the exhibition ‘Expressionists - Kandinsky, Münter And The Blue Rider' - This major exhibition will tell the story of the international circle of friends who came together in the early 20th century to transform modern art. From celebrated artists like Wassily Kandinsky, Gabriele Münter, Franz Marc and Paul Klee, to previously overlooked figures like Wladimir Burliuk and Maria Franck-Marc. The exhibition will reveal the multicultural and transnational nature of this key moment in early modernist art. Drawing on the world's richest collection of expressionist masterpieces at the Lenbachhaus in Munich alongside rare loans from public and private collections, including some never seen before in the UK, it will celebrate their radical experimentation with form, colour, sound and performance. Experience a collection of masterpieces from paintings, sculpture, and photography to performance and sound.  The exhibition ‘Expressionists - Kandinsky, Münter And The Blue Rider' continues at Tate Modern until 20 October 2024.  Description tours are available for blind and partially sighted people but need to be booked in advance via hello@tate.org.uk or on 020 7887 8888. More details about ‘Expressionists - Kandinsky, Münter And The Blue Rider' at Tate Modern can be found by visiting the following pages of the Tate website- https://www.tate.org.uk/whats-on/tate-modern/expressionists (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

Welcome, Ymelda Rivera Laxton, the Assistant Curator of Contemporary Art & Community Projects at the New Bedford Whaling Museum. Ymelda is the newest addition to the Whaling Museum's staff.  She is a museum professional. Ymelda has worked at various cultural institutions in Washington, California, Texas, and Massachusetts. She has always been interested in cultural agency and representation in museums. As the Assistant Curator of Contemporary Art & Community Projects, she brings her experience, love, and appreciation of community storytelling in all of its forms. Ymelda Rivera Laxton is originally from Santa Fe, New Mexico, and credits the amazing cultural arts community there for fostering her love and enthusiasm for museums. She resides in Rhode Island with her husband, daughter, and their beagle mutt named Beemo. Ymelda speaks with The Artists Index's cofounder, documentarian, and podcast host, Ron Fortier, about her broad scope of experience and its importance to her new position at the New Bedford Whaling Museum. This episode was recorded with Zoom. The Artists Index uses Zoom to accommodate our guests' schedules and to allow them to remain in the comfort of their homes, especially those who no longer live on the South Coast of Massachusetts.  Our home base and recording studio is at Spectrum Marketing Group in Howland Place in New Bedford.  If you would like to be a guest on The Artists Index or have a suggestion, please let us know! The Artists Index, offers listeners up close and personal conversations with the artists, supporters, and cultural impresarios of our creative community. Our In-Focus podcasts feature artists who talk about their work, backgrounds, passions, dreams, and accomplishments.  Also featured are those who work in or manage the creative community's economy, promotion, and cultural agenda. If you enjoy this podcast please consider making a donation. https://theartistsindex.com/donate/ 

We're on site this week at the new, fantastic exhibition of Women of the RNLI at the National Maritime Museum in Greenwich, celebrating the 200th anniversary of the RNLI. We talk to former Tower lifeboat station manager Janet, archivist Hayley Whiting, and photographer Jack Lowe about his amazing project to photograph every single lifeboat station in the UK. Join us as we find out more about this wonderful institution and Jack's fascinating project. The exhibition was curated by Royal Museums Greenwich's Laura Boon, Lloyd's Register Foundation Senior Curator: Contemporary Maritime and Aimee Mook, Assistant Curator of Contemporary Maritime Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join us for this discussion about the Deerfield Raid of 1704 on the 320th anniversary with Lindsay Kruzlic, Assistant Curator at the Memorial Hall Museum in Deerfield, MA: Home of the famous door, which we'll talk about in lengths.Links for further research:http://1704.deerfield.history.museum/?fbclid=IwAR3rhnxhC4U03YmkuCxdw7q7LTvPnxZq7r3AKt53B-7Kg07VMs8IER0t2Qshttps://www.wampumchronicles.com/stregis1853.htmlhttps://www.youtube.com/watch?v=V2sxytAiO38Music:Medieval Loop One, Dawn, and Celebration by Alexander Nakarada | https://www.serpentsoundstudios.comMusic promoted by https://www.free-stock-music.comAttribution 4.0 International (CC BY 4.0)https://creativecommons.org/licenses/by/4.0/Support the showEffed Up History is researched, produced, and edited by Krystina Yeager.Contact Me:effeduphistory@gmail.comLinky Things:Book a TourPatreonBuy Me a CoffeeLinktreeSocials:Instagram (Official Instagram I rarely post on) tiktokInterested in starting a podcast of your own? Buzzsprout makes life easy by allowing you to list an host on all platforms! Use my affiliate link for a $20 amazon gift card after 2 paid months.

For transcriptions and more detailed shownotes, please go to: https://swordschool.com/podcast/horse-armour-at-the-royal-armouries-with-eleanor-wilkinson-keys/ To support the show, come join the Patrons at  https://www.patreon.com/theswordguy Today's episode is with Eleanor Wilkinson-Keys, who is Assistant Curator of Arms and Armour at the Royal Armouries Museum in Leeds. She has an MA in Medieval Studies from the University of Leeds, and works with the European armour and edge weapons collections, which makes us all extremely jealous, and the Asian and African collection which also makes us extremely jealous. She works there with Natasha Bennett, who you may recall from Episode 82. In our conversation, we talk about how Eleanor got into her career and why a jousting helmet sparked her interest in working at the Royal Armouries. Ellie's particular interest is in later jousting, when the kit got really weird and wonderful. We chat about some of the fantastic decoration on both the horses' and knights' armour, such as dragons, snails with wings, and even squirrels.  We also talk about the best way to visit a big museum where there is just too much to see. Ellie tells us which pieces at the Royal Armouries she would make a beeline for. Finally, Guy sets Ellie a challenge, and if you are looking at this after 28th November 2024, you'll be able to see the results of that challenge! Photos: https://royalarmouries.org/collection/object/object-20471 https://royalarmouries.org/collection/object/object-1292  

Dressing for the Tudor Court was no simple matter, with rules around who could wear what, the challenge and expense of obtaining fabrics and jewels, and the fine line between being a glittering appendage to the court or a treasonous upstart! Eleri Lynn, Fashion Historian and author of a number of books on Tudor Fashion and Textiles, joined me to talk about the clothes of the Tudors and how they were as central to their world as politics and religion. Eleri Lynn, a fashion and textiles curator, author and historian, specialising in the Tudor period She gained her experience as an Assistant Curator within the Furniture, Textiles and Fashion Department of the Victoria and Albert Museum before becoming Curator of the Royal Ceremonial Dress Collection at Historic Royal Palaces. She has appeared on many TV documentaries including BBC2's ‘Art That Made Us' and BBC1's ‘Elizabeth: Fashioning a Monarch'. Eleri is the author of several monographs: Fashion in Detail: Underwear (V&A Publications, 2010), Tudor Textiles (Yale University Press, 2020), and Tudor Fashion (Yale University Press, 2017) - on which this interview is based. Eleri has curated several major fashion and textiles exhibitions including Diana: Her Fashion Story (Kensington Palace, 2017) and The Lost Dress of Elizabeth I (Hampton Court Palace, 2019).Most recently she was Head of Exhibitions at National Museum Wales and is a Trustee of the Royal School of Needlework, based at Hampton Court Palace. She is currently working   researching and writing a new book on the history of fashion. Get full access to British History at philippab.substack.com/subscribe

Welcome back to Dead Ideas in Teaching and Learning! In our first episode of Season 8, we speak with Drs. Benjamin Rifkin, Rebecca Natow, Nicholas Salter, and Shayla Shorter about their article in The Chronicle of Higher Education titled “Why Doctoral Programs Should Require Courses on Pedagogy” (March 16, 2023). Drs. Rifkin, Natow, Salter, and Shorter make the case for paying far more attention to developing teaching skills in doctoral programs. They share research they conducted to examine the “disconnect between what we are trained to do in graduate school and what we are expected to do in the college classroom,” and offer four next steps to better prepare Ph.D.s to teach. Benjamin Rifkin is Professor of Russian and Interim Provost at Fairleigh Dickinson University, Rebecca Natow is Assistant Professor of Educational Leadership and Policy, and Director of the Higher Education Leadership and Policy Studies program at Hofstra University, Nicholas Salter is Associate Professor of Industrial-Organizational Psychology at Hofstra University, and Shayla Shorter is a Clinical Collaborative Librarian and Assistant Curator for the Medical Library at NYU Grossman School of Medicine. Resource“Why Doctoral Programs Should Require Courses on Pedagogy” (March 16, 2023, Chronicle of Higher Education) by Benjamin Rifkin, Rebecca Natow, Nicholas Salter, and Shayla Shorter

Roman Stollenwerk, Assistant Curator for the Wignall Museum of Contemporary Art at Chaffey College in Rancho Cucamonga, discusses their newest exhibit, Seeing the Unseen: Math and Art, open to the public now through March 9. Then Debra Scacco, Guest Curator for the Ontario Museum of History and Art, talks about their newest art exhibit Conduit, inspired by the recently opened Built on Water exhibit. Conduit is open February 15 – May 19, 2024.

    Did you ever think the universe was trying to tell you something? I just finished reading Anderson Cooper's book on the Vanderbilt family. In it, he describes family patriarch Commodore Vanderbilt's interest in Spiritualism and clairvoyance. Cooper writes “Evidence suggests that the Commodore had begun attending seances as early as 1864, but given the mainstreaming of Spiritualist practices in the 1860s and ‘70s, this was not as unusual as it may sound. The period immediately after the Civil War had seen a dramatic rise in the Spiritualism movement and other alternative modes of healing and perception, driven largely by the staggering loss of life experienced during the Civil War.”  We explored heiress Theodate Pope Riddle's obsession with Spiritualism in Grating the Nutmeg episode #109 but what did Hartford's most famous resident of the Gilded Age, Mark Twain, think about it? And what about the ghosts seen in the Twain House? Whether you  believe in the afterlife, don't believe in it at all, or just want to come to your own conclusions, this is an episode for you!   Guests today are Mallory Howard, Assistant Curator at The Mark Twain House & Museum and Dr. Jason Scappaticci, historian and Associate Dean of Student Affairs at Connecticut State Community College Capital in Hartford.   And if you need more ghostly insight after listening to this episode, the Mark Twain House is sponsoring a book talk on Dec. 14, 2023 at 7:30pm with television's Ghost Hunters Adam Berry and Steve Gonsalves in conversation discussing their debut books. Tickets are available on the museum's website at marktwainhouse.org    If you want more Spiritualism and ghost stories, check out Grating the Nutmeg Episode 109. Communicating with the Spirits: Theodate Pope Riddle. Listen here: https://gratingthenutmeg.libsyn.com/109-communicating-with-the-spirits-theodate-pope-riddle You can purchase author Steve Courtney's book “We Shall Have Them With Us Always” The Ghosts of the Mark Twain House at the Mark Twain House Museum gift shop. Dr. Jason Scappaticci can be reached at jason.scappaticci@gmail.com image: Samuel Clemens experimenting in Nicola Tesla's lab in 1894. Courtesy of The Mark Twain House & Museum, Hartford, Connecticut.   ------------------------------------------------------------------------- Grating the Nutmeg is the podcast of Connecticut history and 2023 winner of an Award of Merit for excellence from the Connecticut League of History Organizations. Brought to you by Connecticut Explored, Connecticut's premiere history magazine. Subscribe now at ctexplored.org     It's almost the end of 2023. Please use your Power of Giving to help us continue to offer the podcast at no charge to our listeners-students, teachers, and CT history fans around the country.  Podcast episodes were downloaded over 29,000 times this year! Could you make a $5 or $10 dollar monthly donation? To make your monthly or one-time donation go https://ctexplored.networkforgood.com/projects/179036-support-ct-history-podcast-grating-the-nutmeg   Thank you so much for your support!   This episode of Grating the Nutmeg was produced by Mary Donohue and engineered by Patrick O'Sullivan at https://www.highwattagemedia.com/   Join us in two weeks for our next episode of Grating the Nutmeg, the podcast of Connecticut history.   

In this episode of PhotoWork with Sasha Wolf, Sasha and Michael travelled to the High Museum of Art in Atlanta, GA to speak with Keough Family Curator of Photography​, Gregory Harris and photographer, Rahim Fortune about the amazing show, A Long Arc: Photography and the American South since 1845, up through January 14, 2024. Greg talks about how he and Sarah Kennel --curator of Photography at Virginia Museum of Art-- collaborated on the curation of the exhibition, some of the history behind the work, and the practical and curatorial decisions needed in order to narrow down the breadth of work made in the south from 1845 to today. Rahim shares his process of writing the afterword to the exhibition catalog, with Dr. Shakira Smith, published by Aperture, and shares his response to the work in the show along with its historical significance to the history of Black photographers in the American South. https://high.org/exhibition/a-long-arc/ https://aperture.org/books/a-long-arc-photography-and-the-american-south/ https://high.org/person/gregory-harris/ https://www.rahimfortune.com Rahim Fortune uses photography to ask fundamental questions about American identity. Focusing on the narratives of individual families and communities, he explores shifting geographies of migration and resettlement, and the way that these histories are written on the landscapes of Texas and the American South. Rahim has published two books of his photographs. His work has been featured in exhibitions worldwide and is included in many permanent collections, including those of the High Museum in Atlanta GA, The LUMA Arles, Nelson Atkins Museum and The Boston Museum of Fine Art. “Fortune's calm and striking photographs provide a compelling glimpse into the daily rhythms of the community, revealing its deep humanity and dignity, at a time when his own personal pain resonated with the experience of the nation. But his images also capture the pain, tensions and relentless everyday reality that have influenced the lives of these people. His portraits are so grippingly engaging because he finds the necessary balance between thoughtful compassion and hard truth.” - Collector Daily Gregory J. Harris is the High Museum of Art's Donald and Marilyn Keough Family Curator of Photography. He is a specialist in contemporary photography with a particular interest in documentary practice. Since joining the Museum in 2016, Harris has curated over a dozen exhibitions including Mark Steinmetz: Terminus (2018), Paul Graham: The Whiteness of the Whale (2017), and Amy Elkins: Black is the Day, Black is the Night (2017). For the Museum's 2018 collection reinstallation, he surveyed a broad sweep of the history of photography through prints from the High's holdings in Look Again: 45 Years of Collecting Photography. His collaborative projects have included Way Out There: The Art of Southern Backroads (2019), a joint exhibition with the High's folk and self-taught art department. Harris was previously the Assistant Curator at the DePaul Art Museum in Chicago, where he curated exhibitions including Sonja Thomsen: Glowing Wavelengths in Between (2015), The Sochi Project: An Atlas of War and Tourism in the Caucasus (2014), and Studio Malick: Portraits from Mali (2012). He also organized and authored catalogues for the exhibitions We Shall: Photographs by Paul D'Amato (2013), Matt Siber: Idol Structures (2015), and Liminal Infrastructure (2015). Harris also held curatorial positions at the Art Institute of Chicago, where he organized the exhibitions In the Vernacular (2010) and Of National Interest (2008). His essay “Photographs Still and Unfolding” was published in Telling Tales: Contemporary Narrative Photography (McNay Art Museum, San Antonio, 2016). Harris has contributed essays to monographs by Amy Elkins, Matthew Brandt, Jill Frank, and Mark Steinmetz. He earned a BFA in photography from Columbia College Chicago and an MA in art history from the School of the Art Institute of Chicago. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Dr Tuan Nguyen has a PhD in Museum Studies with a speciality in LGBTQIA+ inclusion.  Tuan's curatorial practice is with the Powerhouse Museum as an Assistant Curator, working on the recent Absolutely Queer exhibition among others.

Known for his iconic black and white images of Istanbul, Ara Güler was a multi-talented photo legend from Turkey known for his reportages documenting the world. In this episode of Foam Talks, Foam moderator Yasemin Bağcı speaks about Ara Güler's extraordinary oeuvre with curator Claartje van Dijk and exhibition manager of the Ara Güler Museum, Tuana Pulak. Together they explore the lifework of Ara Güler, spanning over 70 years, why he identified as a visual historian, his gigantic archive and his surprising personal work that is shown to the public for the first time. The episode ends with a ‘Photo Recipe': a feature of our podcast where, in the spirit of Ara Güler, Tuana Pulak and Claartje van Dijk share a photographic instruction based on his practice for all the (aspiring) photographers who are listening.  Visit the exhibition Ara Güler: A Play of Light and Shadow at Foam Fotografiemuseum Amsterdam until 8 November 2023 or read about his work on our digital platform Foam Explore. Claartje van Dijk is head of exhibitions and curator at Foam Photography Museum in Amsterdam. She has curated various exhibitions including Ara Güler: A Play of Light and Shadow, Mous Lamrabat - Blessings from Mousganistan, Bebe Blanco Agterberg – Theatre of Broken Memories, Vivian Maier – Works in Color, among many others. Previously, Claartje worked at the International Center of Photography (ICP) in New York as Assistant Curator, Collections. Over time Claartje has been jury of different awards, including PDN: The Curator Award, Critical Mass, and the Lucie Scholarship Program for The Lucie Foundation. Tuana Pulak (Ankara, Turkey, 1993) is the Project Development and Exhibitions Manager at the Ara Güler Museum in Istanbul. She received her B.A in Design and Management from Parsons the New School for Design, with a concentration on photography history. Tuana began her career assisting and working for leading figures in the image making industry, such as Karla Otto, Karl Templer and Fabien Baron. Upon her return to Turkey in 2017, she worked for contemporary art galleries and arts and culture platforms, leading and executing numerous exhibitions and projects. Additionally, Tuana works as a freelance writer and researcher specialising in photography. She has been a writer for Holden Luntz Gallery since 2021 and is currently based in Istanbul. Edit & Mixing: Irene Cassarini

James Stemm has been Curator at the National Museum of Nuclear Science & History since 2021. He began his museum career in 1996 working with the Pima Air & Space Museum in Tucson, Arizona as the museum's Registrar. He remained at Pima for the next twenty-five years while holding several jobs in the museum's Collections Department including Assistant Curator, Curator of Collections, and Director of Collections. James attended The University of New Mexico where he received a bachelor's degree in history and attended graduate school at New Mexico State University receiving a master's degree in public history.EPISODE NOTES:Follow NucleCast on Twitter at @NucleCastEmail comments and story suggestions to NucleCast@anwadeter.orgSubscribe to NucleCast podcastRate the show

A conversation with Los Angeles County Museum of Art curator Diva Zumaya about the new exhibit “The World Made Wondrous: The Dutch Collector's Cabinet and the Politics of Possession” on display now through March 3rd of next year. Zumaya, who is the Assistant Curator, European Painting and Sculpture at LACMA, has brought together over 300 objects for the exhibit, including paintings, prints, sculptures, precious stones, shells, and taxidermy in order to recreate a fictive 17th-century Dutch collector's cabinet. The result is a dialog about the political and colonial histories of European collecting practices in the 17th century which highlights problematic policies, beliefs and visual representations.https://www.lacma.org/art/exhibition/world-made-wondrous-dutch-collectors-cabinet-and-politics-possession

In today's interview episode, we're joined by Kyle Hetze, the Assistant Curator of the Children's Zoo at an AZA accredited zoo on the west coast. He has been an animal trainer for 12 years, working with a wide range of species from birds of prey to walrus, giraffes, goats, and everything in between. He has utilized the Constructional Approach training animals for the past 9 years, specializing in assent with disabled animals.  In this episode, you're going to hear Emily and Kyle talk about:Just because you can doesn't mean you shouldHow training saved $24,000 and got management buy-inA giraffe that loves to be right and giraffe hugsYou can find the full show notes here.

This episode originally aired on February 24, 2021. Ashley Mendelsohn is an architecture curator, educator, and multidisciplinary designer focused on engaging and strengthening communities by demystifying the barriers to access and understanding. From 2015 to 2020, she was the Assistant Curator of Architecture and Digital Initiatives at the Guggenheim Museum and previously founded the 40 Kirkland Gallery at Harvard GSD. In this episode, Jarrett and Ashley talk about moving between design and curation, teaching architecture to high school students, and making architecture more understandable for a general audience. Links from this episode can be found at scratchingthesurface.fm/177-ashley-mendelsohn. — If you enjoy the show, please consider supporting us on Patreon and get bonus content, transcripts, and our monthly newsletter! www.patreon.com/surfacepodcast

This week Maureen Taylor, The Photo Detective, is joined by fashion historian Darnell-Jamal Lisby, who is currently the Assistant Curator of Fashion at the Cleveland Museum of Art, and the first to take this role.They discuss the latest exhibition, “Egyptomania: Fashion's Conflicted Obsession,” and how the fascination with this time period has led to fashion influence throughout the centuries, as well as how it can impact your family photos. Darnell-Jamal and Maureen also delve into the history of fashion, fashion inspiration, and how something in our society and culture inspires and change trends.  Related Episodes:Episode 186: Fashion History on Twitter   Episode 155: Ancestral Handbag History Links:Egyptomania: Fashion's Conflicted Obsession Sign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help organizing your photos? Check out the Essential Photo Organizing Video Course.Need help identifying family photos? Check out the Identifying Family Photographs Online Course.Have a photo you need help identifying? Sign up for photo consultation.About My Guest:Assistant Curator of Fashion Darnell-Jamal Lisby joined the Cleveland Museum of Art in 2021. He develops fashion study projects across the museum's various curatorial departments. Before coming to Cleveland, Lisby was an education coordinator at Cooper Hewitt and the Smithsonian Design Museum, where he organized the museum's first virtual—and best-attended—symposium, “Fashion, Culture, Futures: African American Ingenuity, Activism, and Storytelling.” Lisby previously worked at the Museum at the Fashion Institute of Technology and the Costume Institute of the Metropolitan Museum of Art.  He also taught in the Fashion Institute of Technology master's program in fashion design.About Maureen Taylor:Maureen Taylor, The Photo DetectiveÒhelps clients with photo-related genealogical problems. Her pioneering work in historic photo research has earned her the title “the nation's foremost historical photo detective” by The Wall Street Journal and appearances on The View, The Today Show, Pawn Stars, and others.   Learn more at Maureentaylor.comDid you enjoy this episode? Please leave a review on Apple Podcasts. I'm thrilled to be offering something new. Photo investigations. These collaborative one-on-one sessions. Look at your family photos then you and I meet to discuss your mystery images. And find out how each clue and hint might contribute to your family history. Find out more by going to maureentaylor.com and clicking on family photo investigations. Support the show

The Philadelphia Art Museum is an icon of the City of Brotherly Love, and there's no shortage of art lovers who wouldn't consider a chance to work there to be a dream job. But passion and prestige don't pay the bills, as many museum workers have found while being severely undercompensated for their labor. After a public spreadsheet displaying the vast disparities in salaries at the museum was circulated in 2019 by a group called Art Museum and Transparency, workers at the PMA began to organize for a union. In summer 2022, the PMA Union held a successful three-week strike after two years of contract negotiations. TRNN's Vince Quiles speaks with Adam Rizzo, Museum Educator and President of AFSCME Local 397, and Amanda Bock, Assistant Curator and Co-Lead Shop Steward of the PMA Union.Read the episode transcriptPost-Production: Adam ColeyHelp us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer:Donate: https://therealnews.com/donate-podSign up for our newsletter: https://therealnews.com/newsletter-podLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews

Ari and Chris are excited to be joined by Jennie Janssen, Assistant Curator at National Aquarium and President and Co-Founder of Minorities in Aquarium and Zoo Science (MIAZS)! Jennie shares her history in the aquarium industry, how a case of mistaken identity helped reinforce a lack of diversity in the field, and how her non-profit is providing a resource for people at all levels to help make the professional animal care world a more open, inviting, and equitable place for everyone.  To find out more about MIAZS and the resources avaialble through them, visit miazs.org or email contactmiazs@miazs.org.  Want to suggest a topic for a future show? Have a question you'd like us to answer? Want to join us on the show as a guest? Let us know at podcast@naturalencounters.com!

Katie Francisco, the Assistant Curator of Exhibitions sat down to chat with me on a Saturday. She was also the one who took me around the first day, and so it was especially lovely to be able to chat! Katie is "responsible for the production and installation of exhibitions based on the IQM collections, and for research and disseminating results of research through publications, exhibitions, lectures or other venues. She holds a Master of Arts in Textiles, Merchandising and Fashion Design with dual concentrations in Costume History and Fashion Design from the University of Nebraska-Lincoln, and a Bachelor of Arts in English with an emphasis in Creative Writing from Asbury University. Her most recent project was Under the Sheltering Palms: Vacation Culture and Dress in 1920s and 1930s Florida." https://www.internationalquiltmuseum.org/katie-francisco.

Mystic. Painter. Feminist. Fantasist. Forgotten pioneer. Who exactly was Hilma af Klint? In this very special live episode of The Last Bohemians, as part of Tate Lates, host Kate Hutchinson talks to actor, model and activist Lily Cole and Amrita Dhallu, Assistant Curator of International Art at Tate Modern, to discuss the life (1862-1944) and work of the once forgotten Swedish pioneer of abstract art. Cole stars as one of De Fem ('The Five'), af Klint's Stockholm-based spiritual group who communed with spirits during séances in the late-1800s, in Lasse Hallström's brand new biopic of the artist. Dhallu is part of the team who put together Tate Modern's latest exhibition, boldly pairing Klint's extraordinary paintings with those of Piet Mondrian and asking us to consider the role that the natural world played in their work. Together, they consider how great women artists throughout history have been criminally overlooked, the legacy of af Klint's work today and why the af Klint renaissance is in full-swing. Hilma is streaming now on Viaplay; Hilma af Klint & Piet Mondrian: Forms of Life runs at Tate Modern, London, until 3 September This episode was produced by Sarah Myles and hosted by Kate Hutchinson. The Last Bohemians theme music is by Emmy The Great.

Images of our Wild West past often evoke the work of men: miners, railroad titans, fur trappers, cowboys, and land speculators who wandered the dusty streets of early Denver. But on those same streets we now call LoDo, women were at work, too — businesswomen known as madams ran parlor houses and brothels that catered to a growing city. While life for these women may have seemed glamorous, the sex workers they employed often inhabited a much darker existence. Host Bree Davies sits down with History Colorado's Assistant Curator of Serials, Ann Sneesby-Koch, to dig into the nuanced, complicated, and fascinating world of early sex work in late 1800s Denver. Bree mentioned the Denver Art Museum's decision to take Emma Bunker's name off a gallery; be sure to check out our episode with Denver Post investigative reporter Sam Tabachnik, who broke the story last year.  Read more on the transfer of bison to the Northern Arapaho and Eastern Shoshone tribes.  For even more news from around the city, subscribe to our morning newsletter Hey Denver by texting “Denver” to 66866 Follow us on Twitter: @citycastdenver Or instagram: @citycastdenver Chat with other listeners on reddit: r/CityCastDenver Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: (720) 500-5418‬ Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices