Podcasts about detek

Ray Nicholes is our guest for episode 23 - EXTENDED!!! We are proud to present our first extended episode with an incredible Black Nation artist based in Miami but coming from the Detroit underground!!! Below you will find some insights of your returning guest!!! ENJOY Starting out playing the drums and early years interest in rock, industrial, and hip-hop Ray realized quickly that he had an unparalleled edge to his creativity. He continued to built the foundation of his sound while developing his roots in west Michigan as he bounced between the underground techno scenes of Chicago, Detroit, and Toronto in the early ’90s. With the rapidly evolving techno scene Ray kept his focus on producing tracks. His EPs Black Kamanche, Confessions, Tentación, and Caja de Ultima Hora “the remixes” are all released on Black Nation Records. Over 14 years of influence by some of the icons of techno he has been able to fine tune and master his style that he coins “machine gun techo” with sound and style that is dark, deep, heavy on drums and percussion, somewhat moody and tribal with lifting sexy vocals and intrinsic loops. Since moving to Miami in 2009, Ray has been featured in a number of clubs and private events including multiple gigs during WMC. He headlined at Space Techno Loft, Grand Central, Treehouse, and Overkill Warehouse Party Art Basel (Miami Beach); but also performed for Detek at The Works during Movement Festival 2011 in Detroit while keeping busy with international gigs at Decapolis, Pure, and Club Velvet in Panama City, Panama headlining with Marco Carola; and the Laberinto Producciones Music Festival @ La Planicie in Lima, Peru.

Hintergrund: Präeklampsie ist weltweit eine der Hauptursachen perinataler Morbidi- tät und Mortalität für Mutter und Kind. Die frühe und zuverlässige Identifikation von Patientinnen mit erhöhtem Erkrankungsrisiko ist demnach eines der erstrebenswerte- sten Ziele in der heutigen Geburtshilfe. Die Verfügbarkeit hochsensitiver und hoch- spezifischer physiologischer wie biochemischer Marker würde nicht nur die Erken- nung von Risikopatientinnen ermöglichen, sondern auch den Weg für eine frühe Dia- gnosestellung und rechtzeitige therapeutische Intervention ebnen sowie die Entwick- lung neuer therapeutischer Möglichkeiten vorantreiben. Ziele: Vorliegende Arbeit enthält die Analyse der Serummarker sFlt-1, PlGF und sEng und deren Vergleich mit dopplersonographisch erhobenen Daten. Signifikante Unterschiede zwischen dem gesunden Normalkollektiv und den Gruppen „Milde Prä- eklampsie“ und „Schwere Präeklampsie“ sollen gezeigt werden. Methoden: Im Zeitraum von 2006 bis 2008 wurden 108 Patientinnen ab 23 + 0 SSW bis zum Zeitpunkt der Entbindung in einer randomisierten prospektiven Studie unter- sucht, es ergaben sich daraus für die Gruppen Milde Präeklampsie, Schwere Prä- eklampsie und Normalkollektiv 11, 21 respektive 274 Datensätze. Dabei wurden je- weils die Serummarker sFlt-1, PlGF und sEng mittles ELISA Immunoassay quantifi- ziert und dopplersonographisch der Pulsatilitäts-Index der A. umbilicalis und Aa. ute- rinae erhoben sowie auf Persistenz eines persistierenden spätsystolischen Notch der Aa. uterinae geprüft. Ergebnisse: Vorliegende Arbeit ergab signifikante Unterschiede zwischen den Grup- pen Milde und Schwere Präeklampsie und dem Normalkollektiv bezüglich der Se- rumwerte sFlt-1, PlGF und sEng sowie der dopplersonographischen Daten. Schlussfolgerung: Die Kombination von Dopplersonographie und den Serummar- kern sFlt-1, PlGF und sEng stellt einen vielversprechenden Ansatz zur frühen Detek- tion von Präeklampsie dar, der zur Verbesserung von Diagnostik und therapeutischen Möglichkeiten in größer angelegten Studien unbedingt weiter verfolgt werden sollte.

Ray Nicholes is our guest Artist this week recording an exclusive 2 hour mix for Owls Dance. This episode features the best 60 mins and as a gift to all our followers we will release the full version shortly, Stay tuned! Starting out playing the drums and early years interest in rock, industrial, and hip-hop Ray realized quickly that he had an unparalleled edge to his creativity. He continued to built the foundation of his sound while developing his roots in west Michigan as he bounced between the underground techno scenes of Chicago, Detroit, and Toronto in the early '90s. With the rapidly evolving techno scene Ray kept his focus on producing tracks. His EPs Black Kamanche, Confessions, Tentación, and Caja de Ultima Hora "the remixes" are all released on Black Nation Records. Over 14 years of influence by some of the icons of techno he has been able to fine tune and master his style that he coins "machine gun techo" with sound and style that is dark, deep, heavy on drums and percussion, somewhat moody and tribal with lifting sexy vocals and intrinsic loops. Since moving to Miami in 2009, Ray has been featured in a number of clubs and private events including multiple gigs during WMC. He headlined at Space Techno Loft, Grand Central, Treehouse, and Overkill Warehouse Party Art Basel (Miami Beach); but also performed for Detek at The Works during Movement Festival 2011 in Detroit while keeping busy with international gigs at Decapolis, Pure, and Club Velvet in Panama City, Panama headlining with Marco Carola; and the Laberinto Producciones Music Festival @ La Planicie in Lima, Peru. Ray recently returned from playing at Amsterdam Dance Event 2011 as guest DJ for Dream Spinners showcasing TMR. Stayed tuned for Ray's next release, a remix of Tony Kasper's "Changes".