Podcast appearances and mentions of eric joyner

You are never too far gone for God's Grace.

Robots and Donuts with Eric JoynerThis week Skye Becker-Yamakawa and Catherine Moore have a delightful conversation with the incredibly talented Eric Joyner!  Eric joins us from Hunters Point in San Francisco.  His oil paintings have been featured on album covers, as set backdrops for TV shows “The Big Bang Theory,” on “The Stephen Colbert Show,” and in exhibitions across the U.S. and internationally.  Eric describes his art journey and how the Robots and Donuts became his main subject.  He explains what inspires him and shares where to get the best donuts in San Francisco.  Check out Skye's and Catherine's work at:Skye Becker-Yamakawa IG: https://www.instagram.com/skyesartshop/ Web: http://www.skyesart.com/ Catherine Moore IG: https://www.instagram.com/teaandcanvas/ Web: http://teaandcanvas.com/ Polka Dot Raven IG: https://www.instagram.com/polkadotraven/

Robots and Donuts to express humanity and a gateway to joyful memories – that's just some of the unexpected topics we discuss with Eric Joyner at Corey Helford Gallery in this fantastic interview. REFERENCES@rxburdenhttps://www.robertburden.comhttps://www.shipyardartists.com/?s=eric+joynerEric Joyner@eric_s_jhttps://ericjoyner.comCheck out our website at:http://www.clss.studioEmail:leah@leahsmithson.comchanningsmithson@gmail.comHang out with us on Instagram:@leahsmithsonart@justglazechanningSupport the show (https://www.paypal.me/leahsmithson)

From the Eiffel Tower to your dining room wall, listen to how art is being used to gather, nurture, and travel through time while stimulating economic growth.In this prelude we have clips of upcoming interviews with artist Randi Matushevitz. We also have clips from Eric Joyner's interview at Corey Helford Gallery in Los Angeles. We conclude our discussion with a snippet of "The Reluctant Collector" Thomas Storesund. References:Benefits of Murals: http://crpbayarea.org/painting/benefits-of-muralsSearching for the True Price of Public Paintings in Oakland: https://psmag.com/magazine/searching-for-the-true-price-of-public-paintings-in-oaklandAmericans for the Arts: https://www.americansforthearts.org/by-program/reports-and-data/research-studies-publications/arts-economic-prosperity-5Lynn Basa's 'The Artist Guide to Public Art: https://www.amazon.com/Artists-Guide-Public-Art-Commissions-ebookRandi Matushevitz:Instagram: @randimatushevitzWebsite: http://www.randimatushevitz.comEric JoynerInstagram: @eric_s_j/Website: http://www.ericjoyner.comThomas StoresundMark Bryan's Interview: https://youtu.be/63jkhU-jdHsEric Joyner's interview: https://youtu.be/mqYSD6xlgVwYoutube: https://youtu.be/9OnZTpyXKbUCheck out our website at:http://www.clss.studioEmail:leah@leahsmithson.comchanningsmithson@gmail.comHang out with us on Instagram:@leahsmithsonart@justglazechanningSupport the show (https://www.paypal.me/leahsmithson)

Eric Joyner - Fine Artist. We talk to Eric about his new show at Corey Helford Gallery - “Machine Man Memories”, which features a large body of new work for what he is best known for - Realistic paintings with robots and donuts. We also chat about how his work can be seen in episodes of The Big Bang Theory, and a few tips for younger artists. IG: @eric_s_j

Eric Joyner - Fine Artist. We talk to Eric about his new show at Corey Helford Gallery - “Machine Man Memories”, which features a large body of new work for what he is best known for - Realistic paintings with robots and donuts. We also chat about how his work can be seen in episodes of The Big Bang Theory, and a few tips for younger artists. IG: @eric_s_j

My guest today is Eric Joyner @eric_s_j on Instagram and he is a contemporary American artist who is best known for his artwork which focuses on robots and donuts with beautiful background imagery. He has created over 350 paintings of them, some of which were purchased by praised by renowned film directors J.J. Abrams as well as George Lucas. Some of his artwork has been featured in the hit TV show The Big Bang Theory and has made international headway like when Duncan Donuts from Korea pitched him do contribute to their promotional products. Please enjoy my all-inclusive conversation with Eric Joyner.   SHOW NOTES:   [2:30] Interview beings [7:45]  Eric's Kickstarter Campaign Eric’s endeavor for Donut and Robotic video game; And donuts on OG The Simpsons Nintendo game -Donut Section (8:45) [15:15] Staying creative and Eric's rules for financial transactions Eric's Books Robots and Donuts book  and Robotic Existentialism Book [18:00] Eric’s first professional experience as an artist The Final Blow - Early 2003 Painting [29:15] Angry robots and stomping donuts - Man Vs Machine [31:30] Eric’s advice for starting out painting; 2 inch by 1 inch bass wood,  Miter Saw, Plywood lane board or birch wood. Basic Gesso for ground [36:30] Rules for Eric’s art  [39:00] “You gotta do something” Rebel Without a Cause [39:30] Dunkin Donuts in Korea [42:45] Influencing the Android Operating company [45:20] Recharging after too many donuts and robots [47:00] Researching art for your inspiration [49:00] Massive professional printer Eric uses Epson Stylus Pro 9900   [50:30] Mentors and resources [52:30]  Eric’s creative ambiance inside his studio [54:30]  MAD MAGAZINE -Alfred E. Neuman and  Submission area for MAD Magazine  [101:30] Inspiring art to see art in the USA  [104:00] www.ericjoyner.com @eric_s_j Instagram  @robotsanddonuts on Facebook and twitter Twitter [105:00] Discipline and final thoughts  DuoLing App for learning languages https://www.duolingo.com/

We’re a man down this week, but the solemn duty of being a cultural anarchist cannot be stopped by a mere superhero movie, no matter how justified the antagonist is.  Two Thanoses (is that the correct plural, or is it like octopus so it would be Thani?), do not make a right.  Kicking things off is the unsurprising (seriously, if you’re still shocked by this where have you been?), news that Grr Martin will not release the Winds of Winter in 2018, but will release another, Westeros-related book - which is actually something we kind-of sort-of already knew …  In other news there’s a lot of legal argy-bargy with To Kill A Mockingbird’s stage adaptation, a judgement on Richard III, Amazon reviews of James Comey’s scandalous tell-all book, and a couple of studies that tell us things we already knew.  After all of that it’s time to kick back and relax with pictures of toy robots and doughnuts (other deserts are there as well), in our featured book Robotic Existentialism: The Art of Eric Joyner. If you've enjoyed this podcast, then please follow us on Twitter @TGS_TheGeekShow or on other social media by searching for The Geek Show. If you want to show your support then head over to https://www.patreon.com/thegeekshow and give whatever you can. Alternatively, we have a shop up and running so head over http://thegeekshow.co.uk/thegeekshop and partake in some of our lovely wares. #LiteraryLoitering #TheGeekShow #Books #Novels #TheArts #Theatre #News #Reviews #Podcasts #CulturalAnarchy #Culture #JamesComey #AHigherLoyalty #Amazon #RoboticExistentialism #EricJoyner #Art #Robots #ScienceFiction #SciFi #Doughnuts #Donuts #GeorgeRRMartin #TheWindsOfWinter #ASongOfIceAndFire #GameOfThrones #ToKillAMockingbird #Stage #Research #Reading #RichardIII 

Our theme song "Shane and Sonia Ride The Bus" was written and recorded by Shane IzykowskiShow Notes: Chillin' Productions: http://chillinproductions.com/Wonderland SF: http://www.wonderlandsf.com/Mission Local Article: https://missionlocal.org/2010/11/dress-code-wonderland-sf-on-24th-street/111 Minna Gallery: http://111minnagallery.com/Mezzanine: https://mezzaninesf.com/Juntos Somos One: www.instagram.com/juntos_somos_one/Alec Huxley: http://alechuxley.com/Luna Rienne Gallery: http://www.lunarienne.com/Modern Eden Gallery: https://www.moderneden.com/Jeremy Mann: http://redrabbit7.com/John Wentz: www.johnwentz.comHashimoto Contemporary: www.hashimotocontemporary.com/Eric Joyner: https://ericjoyner.com/Amanda Lynn: http://www.alynnpaint.com/Monty Guy: https://www.facebook.com/Monty-Guys-Art-205107252968168/Joshua Lawyer: https://www.instagram.com/joshuathelawyer/?hl=enMJ Lindo: http://mjlindo.storenvy.com/Art Opening @ WonderlandSF: https://www.facebook.com/events/133447780834552/Ian Reynold: https://www.ianreynold.com/Jeremiah Allen Welch: http://www.jeremiahallenwelch.com/Alexa Fourier: https://www.instagram.com/4eyay/?hl=enWaiting to Dry Podcast: http://www.waitingtodry.com/Sergio Lopez: https://www.themainloop.com/Olympia Altimir Gálvez: https://www.olympiaaltimir.com/  

Distro 1 011: Dial 01010010 for Robot Justin and Fronz discuss robots in today's culture and the history of their origins as well as playing with Transformers! See our T-shirt of the month: Dr. Light's Research Lab from ThinkGeek Check out Eric Joyner our artist of the month! Keeping it real or at least Robot! […]

For this label Curator JoAnne Northrup talks about how art history has influenced the work of Eric Joyner. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots.

Robot/Donut artist Eric Joyner invited us to his studio in San Francisco where he talks about his process and why he chose robots and donuts as subject matter. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots.

Kinetic sculptor Nemo Gould took us on a fascinating tour of his studio/workspace. He talks about his robot creations and talks about the robot that he is specifically building for the exhibition Robots: Evolution of a Cultural Icon. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots.

Photographer David Pace speaks in his studio about his "Collection" series of photographs, of which there are two works from in the Robots exhibitions, and robots as an influence in his life and work. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots.

Robots Curator JoAnne Northrup talks about the work of Lisa Solomon and how she transforms the notion of robots through the use of domestic processes like quilting. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots.

We headed up to East Oakland to speak with artist Lisa Solomon at her studio for this label. She talks about her work in Robots as well as her place in the lineage of feminist artist. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots.

Senior Curator JoAnne Northrup talks about what sets new media artist Gail Wight apart from other new media artists. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots.

For this label we interviewed artist Gail Wight in her studio at Stanford University. We spoke with her about her scientific influences, her fascination with robots, and two of her works in the exhibition. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots.

Senior Curator JoAnne Northrup speaks of artist Nemo Gould and his early influence by artist Clayton Bailey. She also talks about his works in the Robots exhibition, "Little Big Man" and "General Debris". For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots.

We traveled to Port Costa where we spent the better part of the morning touring Clayton Baileys property and studio. The morning was entertaining and interesting. Bailey talks here about his robot sculptures - how they are made and creating a personality in them. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots.

JoAnne Northrup, Senior Curator at the San Jose Museum of Art, talks about artist Clayton Bailey, whose robot family in the SJMA Permanent Collection will be featured in the exhibition Robots: Evolution of a Cultural Icon. She talks about his influence on the exhibition and his popular robot sculptures. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots.

Brief introduction to Senior Curator JoAnne Northrup's exhibition Robots: Evolution of a Cultural Icon. In it she talks about how the exhibition came about and the influence of popular culture. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots.

Talking about the unique quality of David Pace's photographic work, Senior Curator JoAnne Northrup, touches on his post-modernist ideas of taxonomies and deconstruction. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots.