Podcast appearances and mentions of richard iii

We discuss the 1955 film version of Richard III. Listen to or watch the full episode at patreon.com/barnaclecast

Hot off the presses and straight to you, it's a brand new Whisper in the Wings from Stage Whisper! And on our show today we welcomed on the actors Bradley Nowacek, Charlotte Blacklock, Matt Tiemstra and Joscelyne Wilmouth, to talk about Atlas Shakespeare Company's upcoming presentation of Richard III. This was such a fun conversation about tone of Shakespeare's histories. So be sure you tune in and turn out to support these wonderful artists!Atlas Shakespeare PresentsRichard IIINow- March 1st@ The Wild Project Tickets and more information are available at thewildproject.org And be sure to follow our guests to stay up to date on all their upcmoing projects and productions: atlasshakespearecompany.com josswilmouth.comcharlotteblacklock.commattiemstra.combnradleynowacek.com

Join hosts John Drew and Jim Beard, along with special guest Alan J. Porter, as they tackle one of Classic Who's most controversial stories - and discover they might be more divided on it than expected! Production Overview: This 1985 two-part adventure was written by Glen McCoy (his only Doctor Who story) and directed by Pennant Roberts in his final work on the series. The production faced several challenges, including John Nathan-Turner pulling Colin Baker and Nicola Bryant out of rehearsals twice - once for a US convention and once for pantomime rehearsals. Robert Ashby's Borad makeup took three hours to apply daily and prevented him from eating, though he was given creative freedom to rewrite his own dialogue. The story originally featured the First Doctor, Susan, Ian, and Barbara, but was changed to reference the Third Doctor and Jo Grant at JNT's insistence. The Paul Darrow Factor: Guest star Paul Darrow (Blake's 7's Avon) deliberately over-acted as revenge for Colin Baker's bombastic portrayal of Bayban the Butcher on Blake's 7. When JNT asked him to play Tekker like Avon, Darrow refused and instead played him like Richard III - even asking if he could wear a hump! Eric Saward described the character as "a Roman Emperor who's been sniffing glue all day." Fan Reception vs. Host Opinions: Despite ranking 199th out of 200 in Doctor Who Magazine's 2009 poll (just above "The Twin Dilemma"), the hosts find themselves surprisingly divided. Alan defends the story as one of his favorites, particularly praising the H.G. Wells subplot and the Doctor's use of temporal mechanics. Jim finds it uneven but leans more positive than negative, enjoying Part 2 more than Part 1. John remains the dissenting voice, giving it his lowest rating and arguing it should have been condensed to a single episode. What Works: The Borad's makeup design and Robert Ashby's restrained performance The Doctor actively using time manipulation as a tool (the "time slip" device) The Third Doctor/Jo Grant backstory and photo reveal H.G. Wells as Herbert, with the reveal of his identity The Bandril aliens as an attempt at something visually different Colin Baker's performance showing the Doctor's arrogance and self-assurance Peri's relatively conservative and flattering outfit The concept of time technology used as a weapon (aging doors, etc.) References to the Doctor being President of Gallifrey What Doesn't Work: Twenty-one minutes before the TARDIS actually arrives on Karfel Excessive padding, particularly the extended TARDIS arguing scenes The "Morlocks" name being too on-the-nose from H.G. Wells' "The Time Machine" Plot holes regarding mirrors, reflective surfaces, and androids The unnecessary subplot about the impending Bandril war The clone reveal feeling like a tired trope Peri's character arc diminishing from agency to damsel in distress Questions about how the Doctor knew there was a mirror behind the mural The Borad's similarity to Davros (wheelchair, arm weapon, disfigurement) Behind the Sofa Reception: Interestingly, all three Behind the Sofa pairings enjoyed the story, with Janet Fielding calling it the best of Season 22 and Peter Davison saying it was "bad enough to be good." Special Effects: The Blu-ray release is the only Colin Baker Season 22 story to receive updated special effects, particularly within the Timelash corridor itself. However, the hosts debate whether the original effects were actually any worse than typical for the era, with some defending them as perfectly acceptable for 1985. The Third Doctor Connection: The story's references to an unseen Third Doctor adventure generate discussion about whether this needs to be explored further. Some Big Finish audios and novels have addressed different aspects of this backstory, though no single story covers the complete adventure. The reveal of Jo Grant's photo in the locket creates a memorable moment, though questions remain about the logistics of the wall/mural/mirror setup. Colin Baker as the Sixth Doctor: All three hosts praise Colin Baker's performance, with discussion about how he represents a return to the "classic" Doctor archetype - combining arrogance, self-assurance, and alien behavior in ways that callback to earlier incarnations. Alan notes that the Sixth Doctor has become his favorite classic Doctor, particularly in Big Finish audios where the character develops further. Jim agrees that Baker brings back an edge and arrogance that had been missing from the Fifth Doctor's portrayal. H.G. Wells Subplot: The reveal of Herbert as H.G. Wells divides the hosts. Alan loves this aspect and wishes Wells could have become a companion, noting that expanded media has hinted at further travels with the Doctor. The hosts discuss the 1979 film "Time After Time" covering similar territory. The Loch Ness Monster connection provides a subtle Easter egg at the story's conclusion. Nicola Bryant's American Accent: The discussion reveals interesting perspectives - Alan, who lived in Britain during the original broadcast, thought she was genuinely American for years. Now living in the US for 30 years, he can hear her straining with the accent. The hosts share the behind-the-scenes story of how Bryant and her agent maintained the deception for nearly a year before revealing the truth to Colin Baker. The Violence Debate: The hosts attribute Season 22's increased violence to Eric Saward's script editing philosophy and his particular vision of science fiction, suggesting he didn't fully understand the Doctor's character. They note that the 18-month hiatus may have saved the show by allowing time to reassess and tone down the violence. Production Value Discussion: The hosts debate whether Timelash deserves its reputation for poor effects and production values, with most agreeing the special effects are no worse than surrounding stories. The Timelash corridor interior set receives mixed reviews - an "A for effort" but questioned execution that might have benefited from filters or different lighting approaches. Viewership: Part 1: 6.7 million viewers Part 2: 7.4 million viewers Coming Up Next: Patreon Exclusive (Monday): John and Jim cover all three parts of Steve Parkhouse's "Polly the Glot" comic strip, spin the Memory TARDIS, and discuss more theme music variations. The hosts express relief that only two more Parkhouse stories remain in their comic journey. Next Main Episode: The hosts continue through Colin Baker's Season 22 with "Revelation of the Daleks," featuring the return of Davros. John handles narration duties, and they're joined by special guest Felicity Kusinitz, who has recovered from her previous illness and will bring her "much better voice" to the discussion. Hashtags: #DoctorWho #Timelash #ClassicWho #SixthDoctor #ColinBaker #NicolaBryant #Peri #PaulDarrow #BlakesSeven #HGWells #ThirdDoctor #JoGrant #TheBorad #Season22 #1985 #DoctorWhoReview #DoctorWhoPodcast #Whovian #ClassicDoctorWho #TimeLords #TARDIS #TemporalMechanics #GlenMcCoy #PennantRoberts #Karfel #Bandrils #Morlocks

Send a textWe explore the 2nd half of The Wars of the Roses and meet with a host of disloyal figures including Warwick, Stanley, Clarence and most of all, Richard III 

Sentenced to death for treason against his brother King Edward IV, George, Duke of Clarence was executed on 18th February, 1478 - and, according to legend, chose to be drowned in a butt of his favorite tipple: malmsey wine.  It was apt punishment for years of plotting against his brother alongside his father-in-law, the Earl of Warwick - most notably by claiming that the King's two children were illegitimate. In this episode, Arion, Rebecca and Olly reveal how close George came to actually seizing the throne; consider how Shakespeare sexed things up for ‘Richard III'; and investigate the financial outlay required if you wanted to drown yourself in a butt of malmsey wine in 2022… Further Reading: • ‘Duke of Clarence: A title through time' (The History Press): https://www.thehistorypress.co.uk/articles/duke-of-clarence-a-title-through-time/ • ‘Malmsey - Madeira Wine and Dine': https://www.madeirawineanddine.com/malmsey/ • ‘On This Day: the execution of George, Duke of Clarence' (Matt Lewis, 2020): https://www.youtube.com/watch?v=3teyJXLduCM Love the show? Support us!  Join 

** Contains strong language**What would Britain look like today if Richard III had won at Bosworth? What did medieval people sing when they were drunk and hanging out? What is the most historically accurate part of Monty Python and the Holy Grail?For this special 500th episode of Gone Medieval, Matt Lewis and Dr. Eleanor Janega get stuck into the questions at the forefront of the minds of our listeners.MOREWhy the Early Middle Ages MatterListen on AppleListen on SpotifyWhat are the High Middle Ages?Listen on AppleListen on SpotifyGone Medieval is presented by Dr. Eleanor Janega and Matt Lewis. Edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit to watch Matt and Eleanor's documentary on Medieval Midwinter, and for hundreds of hours of other original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe Hosted on Acast. See acast.com/privacy for more information.

durée : 00:11:09 - Les Midis de Culture - par : Marie Labory - Cédric Gourmelin s'attaque non pas à "Richard III" mais bien à "Edouard III", une pièce récemment attribuée à Shakespeare. - réalisation : Laurence Malonda - invités : Zoé Sfez Productrice de "La Série musicale" sur France Culture; Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O

Angleški kralj Richard III. je slovel po svoji okrutnosti in krvoločnosti. Znebil se je vseh svojih nasprotnikov, celo svoja dva nečaka je vrgel v ječo, da ne bi ogrozila njegovega prestola. Shakespeare ga opiše kot pošastnega tirana grbavega in nelepega videza. Ko je na bojnem polju videl, da se bliža konec – njegovi dinastiji in njemu samemu – naj bi, da bi se rešil, vzkliknil: Kraljestvo za konja! No, tako bi po dveh deževnih in oblačnih tednih tudi mi lahko vzdihnili, da damo karkoli za nekaj sončnih dni. Richardovo dinastijo so potem nadomestili Tudorji, njegovo slečeno pretepeno telo z vdrto lobanjo pa so naslednji dan vrnili, pripasano na konja. (Zgodovina zna biti okrutna.) Bliža se nedeljski večer in v zvezi s tem je imel Richard III. dober slogan, ki ga je posvojila tudi voditeljica Mojca: Zvestoba me veže.

On the latest Whisper in the Wings from Stage Whisper, we welcomed on the director Guillermo Cienfuegos and the actress Ann Noble, to talk about their current mounting of the Shakespearean classic Richard III. This wonderful rendition of the play, was so wonderful to chat about. So make sure you hit play and get your tickets today!A Noise Within PresentsRichard IIINow- March 8th@ A Noise Within (Pasadena, CA)Tickets and more information are available at anoisewithin.org And be sure to follow our guests to stay up to date on all their upcoming projects and productions: anoisewithin.orgroguemachinetheatre.org @sparksjacks

Often in the history of science, myths overrun scientific findings and take hold with such force that they are difficult or nearly impossible to dislodge from public understanding. Perhaps no example of this phenomenon is more pronounced than that of the societal collapse of Easter Island, also known as Rapa Nui. With us to unravel the myth from the science is Mike Pitts. Mike is a writer and broadcaster (a frequent voice on BBC radio), archaeologist (directing excavations at Stonehenge), and one-time museum curator. He has written for The Times, Telegraph, Sunday Times, Observer, and Guardian, and many magazines including New Scientist, Archaeology, and BBC History. He edited British Archaeology magazine for 20 years and has written books on topics ranging from the discovery of Richard III's grave to How to Build Stonehenge. His original research has been published in peer-reviewed journals such as Nature, World Archaeology, and Antiquity. He is a Fellow of the Society of Antiquaries.

Whitney White is a theatrical powerhouse. A director, writer, actor, and musician, White's work has been seen on Broadway, Off Broadway, and at major institutions including The Public Theater, the Brooklyn Academy of Music, and, most recently, the Royal Shakespeare Company. Her projects include Jaja's African Hair Braiding, The Last Five Years, Macbeth in Stride, and By The Queen, which was featured in the Folger's 2025 Reading Room Festival. In this episode, White discusses All Is But Fantasy, her four-play musical cycle created for the RSC, where it's now receiving its world premiere. The high-energy, gig-theater show investigates Shakespeare's women and ambition, focusing on Lady Macbeth, Emilia, Juliet, and Richard III. Each piece combines performance with original music, using sound and rhythm as a way into the text and as a tool for rethinking these characters whose inner lives are often cut short or overlooked. White reflects on why Shakespeare's women so often meet tragic ends, how those stories continue to feel familiar, and what it means to keep staging them now. She considers the ways that music, performance, and adaptation can help us better understand Shakespeare today. From the Shakespeare Unlimited podcast. Published February 10, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica, with Garland Scott serving as executive producer. It was edited by Gail Kern Paster. Technical support was provided by Melvin Rickarby in Stratford, England, and Voice Trax West in Studio City, California. Web production was handled by Paola García Acuña. Transcripts are edited by Leonor Fernandez. Final mixing services were provided by Clean Cuts at Three Seas, Inc. Whitney White is an Obie and Lily Award-winning and Tony Award-nominated director, actor, and musician, celebrated for her bold, innovative storytelling across both Broadway and off-Broadway. She recently received the Drama League's 2025 Founders Award for Excellence in Directing and an Obie Award for Sustained Achievement in Directing. All Is But Fantasy, White's four-part musical exploration of Shakespeare's women and ambition, commissioned by the Royal Shakespeare Company, marks her RSC debut as a writer, director, and actor. The two-part high-energy gig theater show is receiving its world premiere at The Other Place in Stratford-upon-Avon in January and February 2026. White's other directing credits on Broadway include The Last Five Years and Jaja's African Hair Braiding, off-Broadway credits include Liberation, Walden, Jordan's, Soft, On Sugarland, What to Send Up When It Goes Down, Our Dear Drug Lord, and For All the Women Who Thought They Were Mad. She recently opened Saturday Church, a new musical featuring songs by Sia and Honey Dijon at New York Theatre Workshop. She also created Macbeth In Stride at Brooklyn Academy of Music, writing the book, music and lyrics. Additional directing work includes The Secret Life of Bees, By The Queen, The Spectacularly Lamentable Trial of Miz Martha Washington, A Human Being of a Sort, An Iliad, The Amen Corner, Othello, Canyon, and Jump. On screen, White has appeared in Ocean's Eight, Single Drunk Female, Louie, and The Playboy Club, and she contributed as a writer to Boots Riley's acclaimed series I'm A Virgo for Prime Video.

Vanemuise draamatrupi aastavahtuspeol selgus, kes kolleegide hinnangul tegid eelmisel aastal kõige säravamad rollid. Parimaks naispeaosaks hääletati Marika Barabanštšikova, parimaks meespeaosatäitjaks Ken Rüütel. Saates räägime tunnustuse toonud rollidest: Marika kehastatud Ellen Niidust lavastuses „Elleni sekund“ ja Keni nüansirikkast kuningas Richardist Vanemuise suvelavastuses „Richard III“.

Send us a textA large National Council of Teachers of English teacher survey reported by Education Week lists Romeo and Juliet, Macbeth, and Hamlet among the most frequently assigned texts in U.S. And Folger Shakespeare Library notes its edition sales (a good “what schools buy” proxy) had Romeo and Juliet first, followed by Hamlet, Macbeth, then A Midsummer Night's Dream, Othello, and Julius Caesar.But before I start talking about British school subject matter, I better describe one certificate and one assessment of skills that are more or less standard in the United Kingdom.First, there is the GCSE or General Certificate of Secondary Education.It's the main set of school qualifications students typically take in England, Wales, and Northern Ireland, usually at age 15–16 (Year 11). Students take several subjects (like English, Math, Sciences, History, etc.), and the results are used for next steps such as A-levels or vocational courses.And then there is the AQA -  which stands for Assessment and Qualifications Alliance an exam board in England, Wales, and Northern Ireland that creates the syllabuses, sets the exams, and award qualifications for subjects such as English, History, Sciences, etc.).Now back to the Shakespearean plays most frequently studied in the United Kingdom.Most-studied in UK secondary schools - In the UK, the gravitational center is Macbeth—especially at GCSE level. A UK secondary teaching survey reports Macbeth as the most popular overall, and one study cited within the literature reports ~65% teaching it for GCSE (with Romeo and Juliet next).Exam boards also list Macbeth, Romeo and Juliet, The Tempest, The Merchant of Venice, Much Ado About Nothing, Julius Caesar and Twelfth Night.  12th night is sometimes add it to the list.So before I start going into some of the modern productions of Shakespeare's plays, I thought it might be more fun, as well as instructional, to go back and look at the originals.But first I'm going to give you what I hope is a simple timeline - about a minute - that roughly puts Romeo and Juliet into perspective date wise.Early 1590s: early blood-and-thunder tragedy + first big history hits (think Henry VI plays, Richard III).1594–1596: lively early comedies and experiments as his voice sharpens (e.g., Love's Labour's Lost, A Midsummer Night's Dream).c. 1594–1596: Romeo and Juliet (mid-1590s), one of his early breakthrough tragedies.1595–1596: Richard II (another key mid-1590s work).1596–1597: The Merchant of Venice (often placed around this period).1598–1599: Much Ado About Nothing (late-1590s “mature comedy”).1599–1600: Julius Caesar (turn-of-the-century political tragedy).1599–1601: Hamlet (written around this window; many place it at 1601).Early 1600s: the “big tragedy” period ramps up (including Macbeth, usually dated after James's 1603 accession).1610–1611: late “romance/magic” phase, including The Tempest and The Winter's Tale.1613: very late career work like Henry VIII.Support the showThank you for experiencing Celebrate Creativity.

Twentieth Century (1934) is a screwball comedy that moves like a runaway train and we are delightfully tied to the tracks. John Barrymore's audacious performance as director Oscar Jaffee is awe-inspiring; Carole Lombard is equal to the task of pushing back against the man who, in a sense, created her. It's Frankenstein meets His Girl Friday; it's ninety minutes of screaming and yelling; it's filled with as many coincidences as a Wodehouse novel; it's a great portrait of theatrical types; and it's laugh-out-loud funny from the first scene to the last. Join us for a ride! Incredible bumper music by John Deley. Michael Morrison's John Barrymore, Shakespearean Actor tells the story of Barrymore's triumphs as Hamlet and Richard III, which informed his performance as the overly-dramatic Oscar Jaffee. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Twentieth Century (1934) is a screwball comedy that moves like a runaway train and we are delightfully tied to the tracks. John Barrymore's audacious performance as director Oscar Jaffee is awe-inspiring; Carole Lombard is equal to the task of pushing back against the man who, in a sense, created her. It's Frankenstein meets His Girl Friday; it's ninety minutes of screaming and yelling; it's filled with as many coincidences as a Wodehouse novel; it's a great portrait of theatrical types; and it's laugh-out-loud funny from the first scene to the last. Join us for a ride! Incredible bumper music by John Deley. Michael Morrison's John Barrymore, Shakespearean Actor tells the story of Barrymore's triumphs as Hamlet and Richard III, which informed his performance as the overly-dramatic Oscar Jaffee. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Merriam-Webster's Word of the Day for January 31, 2026 is: short shrift • SHORT-SHRIFT • noun Short shrift means “little or no attention or thought” or “quick work.” In religious use it refers to barely adequate time for confession before execution. // Certain neighborhoods have received short shrift from the city government. See the entry > Examples: “[Charlie] Caplinger echoed the concerns of many speakers at the meeting, with charter captains saying the recreational fishing industry's economic contributions were being given short shrift.” — Mike Smith, NOLA.com (New Orleans, Louisiana), 6 Nov. 2025 Did you know? We've got a confession to make, but we'll keep it brief: while it's technically possible to make “long shrift” of something, you're unlikely to find long shrift in our dictionary anytime soon. Short shrift, on the other hand, has been keeping it real—real terse, that is—for centuries. The earliest known use of the phrase comes from Shakespeare's play Richard III, in which Lord Hastings, who has been condemned by King Richard to be beheaded, is told by Sir Richard Ratcliffe to “Make a short shrift” as the king “longs to see your head.” Although now archaic, the noun shrift was understood in Shakespeare's time to refer to the confession or absolution of sins, so “make a short shrift” meant, quite literally, “keep your confession short.” However, since at least the 19th century the phrase has been used figuratively to refer to a small or inadequate amount of time or attention given to something.

Distinguished actor and educator SHIRINE BABB joins host Nathan Winkelstein for a conversation about inhabiting the formidable Margaret of Anjou from Shakespeare's Henry VI and Richard III. Babb delivers the iconic “molehill” speech from Henry VI, Part III, Act I, Scene IV — “What, was it you that would be England's king?” — and unpacks her process: a rigorous cross-examination of Margaret's historical reality alongside Shakespeare's portrayal, tracing their points of alignment to arrive at a deeply rich and fully realized character.

fWotD Episode 3166: Exhumation and reburial of Richard III of England Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Sunday, 4 January 2026, is Exhumation and reburial of Richard III of England.The remains of Richard III, the last English king killed in battle and last king of the House of York, were discovered within the site of the former Greyfriars Friary in Leicester, England, in September 2012. Following extensive anthropological and genetic testing, the remains were reinterred at Leicester Cathedral on 26 March 2015.Richard III, the final ruler of the Plantagenet dynasty, was killed on 22 August 1485 in the Battle of Bosworth Field, the last significant battle of the Wars of the Roses. His body was taken to Greyfriars, where it was buried in a crude grave in the friary church. Following the friary's dissolution in 1538 and subsequent demolition, Richard's tomb was lost. An erroneous account arose that Richard's bones had been thrown into the River Soar at the nearby Bow Bridge.A search for Richard's body began in August 2012, initiated by Philippa Langley and the Looking for Richard project with the support of the Richard III Society. The archaeological excavation was led by University of Leicester Archaeological Services, working in partnership with Leicester City Council. On the first day, a human skeleton belonging to a man in his thirties was uncovered showing signs of severe injuries. The skeleton, which had several unusual physical features, most notably scoliosis, a severe curvature of the back, was exhumed to allow scientific analysis. Examination showed that the man had probably been killed either by a blow from a large bladed weapon, probably a halberd, which cut off the back of his skull and exposed the brain, or by a sword thrust that penetrated all the way through the brain. Other wounds on the skeleton had probably occurred after death as "humiliation injuries", inflicted as a form of posthumous revenge.The age of the bones at death matched that of Richard when he was killed; they were dated to about the period of his death and were mostly consistent with physical descriptions of the king. Preliminary DNA analysis showed that mitochondrial DNA extracted from the bones matched that of two matrilineal descendants, one 17th-generation and the other 19th-generation, of Richard's sister Anne of York. Taking these findings into account along with other historical, scientific and archaeological evidence, the University of Leicester announced on 4 February 2013 that it had concluded beyond reasonable doubt that the skeleton was that of Richard III.As a condition of being allowed to disinter the skeleton, the archaeologists agreed that, if Richard were found, his remains would be reburied in Leicester Cathedral. A controversy arose as to whether an alternative reburial site, York Minster or Westminster Abbey, would be more suitable. A legal challenge confirmed there were no public law grounds for the courts to be involved in that decision. Reinterment took place in Leicester on 26 March 2015, during a televised memorial service held in the presence of the Archbishop of Canterbury and senior members of other Christian denominations.This recording reflects the Wikipedia text as of 00:33 UTC on Sunday, 4 January 2026.For the full current version of the article, see Exhumation and reburial of Richard III of England on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Brian.

Book a call with Command Your Brand: https://commandyourbrand.com/book-a-callThis episode explores a significant "historical scandal" involving "english kings" and the "royal family." We examine the account of a "secret marriage" that predates King Edward's union with Elizabeth Woodville, making his subsequent marriage bigamous. This pivotal event in "history" significantly impacted the succession and reputation of "Richard III" and "Edward IV."Our guest today is Matt Lewis from Gone Medieval on History Hit.

The unsolved mystery of what happened to the Princes in the Tower - Edward V and Richard, Duke of York - is possibly English history's greatest cold case. Were they murdered by their paternal uncle Richard III?Recent findings have raised new questions about the 540-year-old mystery. Professor Suzannah Lipscomb explores the evidence with Nathen Amin and Matt Lewis.MOREHenry VII: Rise of the Medieval TudorsListen on AppleListen on SpotifyTudor True Crime: Murder in the Stuart CourtListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

James Gunn has announced the actor playing Brainiac in Man of Tomorrow, the sequel to Superman, and the role is going to Lars Eidinger. In this quick update, we break down who Eidinger is, why his background as a major German stage actor stands out, and what that might mean for the way Brainiac is portrayed.We also talk through the classic Brainiac vibe, the “smarter than Lex” angle, and why this casting choice could lean into a colder, more philosophical version of the character.00:00 New Brainiac casting announced for Man of Tomorrow00:20 Who Lars Eidinger is and what he's known for00:37 Why a stage actor could shape Brainiac's voice and presence00:43 What you think about this castingJames Gunn revealed Lars Eidinger as the new Brainiac for Man of Tomorrow.Eidinger's résumé includes major stage work, including roles like Hamlet and Richard III.The casting could point to a Brainiac that feels calculated, philosophical, and genuinely intimidating.A strong “presence” villain is exactly what you want opposite Superman and Lex.“We have our new Brainiac. It's Lars Eidinger.”“Brainiac is usually the super smart supercomputer, right?”“I wonder if he's going to have, like, a philosopher speaking voice.”“Somebody who can seem smarter than even Lex Luthor.”“What do you guys think about Lars joining the cast for Man of Tomorrow in this version of Brainiac?”If you enjoyed the update, make sure you're subscribed to Geek Freaks Headlines so you never miss a breaking story. Ratings and reviews help a ton, and if you share this episode, tag it with #GeekFreaksHeadlines.GeekFreaksPodcast.com (Source of all news discussed on our podcast)Facebook: https://www.facebook.com/thegeekfreakspodcastInstagram: https://www.instagram.com/geekfreakspodcast/Threads: https://www.threads.net/@geekfreakspodcastTwitter: https://twitter.com/geekfreakspodPatreon: https://www.patreon.com/GeekFreakspodcastGot a take on this Brainiac casting, or a story you want us to cover next? Send it our way on social media and we'll hit the best ones in a future episode.Geek Freaks Headlines, DCU, DC Studios, James Gunn, Superman Sequel, Man of Tomorrow, Brainiac, Lars Eidinger, Casting News, Superhero Movies, DC Comics, Entertainment NewsTimestampsKey TakeawaysMemorable QuotesCall to ActionLinks and ResourcesFollow UsListener QuestionsApple Podcast Tags

William the Conqueror used them to devastating effect in 1066. Robert the Bruce worked out how to neutralise them. And when Richard III was knocked from his, England would never be the same again. Here, in conversation with Spencer Mizen, Robert Liddiard and Oliver H Creighton discuss the decisive role of the warhorse in key turning points of medieval history (Ad) Robert Liddiard and Oliver H Creighton are editors of Medieval Warhorse: Equestrian Landscapes, Material Culture and Zooarchaeology in Britain, AD 800–1550 (Liverpool University Press, 2025). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fmedieval-warhorse%2Foliver-h-creighton%2Frobert-liddiard%2F9781836243359. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The de la Pole family were one of the great noble houses of Tudor England, who awkwardly possessed a big dollop of York royal blood, tracing direct descent from Elizabeth of York, a sister of Kings Edward IV and Richard III. It was the de la Pole family whom Richard III intended to be his successors, and would in turn become figureheads of rebellion against the Tudors. Today, I am pleased to welcome historian and author Richard Anderton, onto the podcast, for a discussion based on his latest book, The Last Yorkists, Edmund and Richard de la Pole. We discuss these two brothers lives, early days, their connections to the other noble houses, their roles in rebellion against the Tudors and of course, how this would, inevitably, lead to their destruction.

Was Richard III really the child-murdering villain Shakespeare portrayed…or the victim of one of history's greatest smear campaigns?In this deep-dive conversation, I'm joined by historian and Gone Medieval host Matt Lewis to unpack the truth behind Richard III, the Princes in the Tower, Tudor propaganda, and the infamous bigamy claim that changed the English succession.We dig into:* Did Richard III order the deaths of the Princes in the Tower?* How Henry Tudor rewrote history to justify his own reign* Shakespeare's role in cementing Richard as the ultimate villain* The bigamy allegation against Edward IV and what it really meant* New research and projects challenging the traditional storyIf you're obsessed with the Wars of the Roses, the Tudors, medieval power politics, or just love overturning the “official” version of history, this episode is for you.

“When you're disabled you have to use underhanded means to get what you want”: Actor Mat Fraser talks about why the character of Richard III isn't much of a leap for him, his career as a disabled actor, his encounters with Peter Farrelly, Ryan Murphy, punk rock, Sealo The Sealboy, Coney Island, and how he wooed his wife with a rear naked chokehold. All this and much more! Learn more about your ad choices. Visit megaphone.fm/adchoices

Pesl, Martin Thomas www.deutschlandfunk.de, Kultur heute

Pesl, Martin Thomas www.deutschlandfunkkultur.de, Fazit

The Bizarre Death of Sir Marmaduke Constable   On this day in Tudor history, 20th November 1518, a seasoned soldier and loyal servant of four Tudor kings met one of the strangest deaths ever recorded: Sir Marmaduke Constable supposedly died after swallowing a frog or toad that had slipped into his drinking water. Yes… you read that correctly. I'm historian and author Claire Ridgway, and in today's video I reveal the incredible life, and legendary death, of this remarkable Tudor knight. Before the bizarre tale that made him a Yorkshire legend, Marmaduke Constable had lived a life of true service and courage. He fought in France under Edward IV, earned a knighthood at Berwick, served as Knight of the Body to both Richard III and Henry VII, and commanded the left wing of the English army at Flodden, one of the great military victories of Henry VIII's reign. But it was the story of his extraordinary death that captured imaginations for centuries. Local tradition claimed that a frog or toad lodged itself near his heart and killed him, and his tomb at St Oswald's Church, Flamborough, even includes a carving said to show the creature believed to have ended his life. Was this legend rooted in truth? A misunderstanding? Or just a macabre Tudor tale that grew in the telling? In this episode, you'll discover: • Marmaduke's rise through the great northern families • His service under four monarchs • His command at the Battle of Flodden • Why Henry VIII personally thanked him • How a strange rumour turned into a centuries-old legend • The real history behind “the knight who died of a toad” Join me as we dive into bravery, loyalty, and one unforgettable Tudor mystery. If you enjoyed today's story, don't forget to like, subscribe, and ring the bell for more daily Tudor history videos. #TudorHistory #OnThisDay  #WeirdHistory  #ClaireRidgway #TheAnneBoleynFiles #StrangeDeaths #StupidDeaths

***This show is brought to you by Quince. Go to ⁠⁠http://quince.com/playonpod ⁠⁠for free shipping on your order and 365-day returns.*** Next Chapter Podcasts presents the complete Play On Podcast series, RICHARD III, in its entirety. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 331 This week sees the broadcast on Channel 4 in the UK of a documentary called Hitler's DNA: Blueprint of a dictator. Geneticists have managed to find a DNA sample from Adolf Hitler and have sequenced it and verified it, and now we have his genome. The big question is what does this really tell us – what can we tell from someone's genome?  In this special episode of the podcast, Rowan Hooper is joined by two of the lead figures on the documentary. Turi King is a geneticist at the University of Bath and is best known for the identification of the remains of Richard III, and Alex Kay is a historian of Nazi Germany based at Potsdam University in Germany.  Rowan also discusses the documentary with New Scientist reporter Michael Le Page. To read more about these stories, visit https://www.newscientist.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

The Wars of the Roses began their final spasm, and in this chapter we explore how Richard, Duke of Gloucester, Lord Protector of England, sitting in the mansion of a rich London Grocer near Bishopsgate, would, over a series of a few weeks, turn into Richard III, King of England. But more than the traditional narrative, it is an exploration of London in those weeks- what did they hear, what did they see, and above all, how did they respond. From mobs pouring into Westminster Abbey, to a significant moment of silence in the Guildhall, from crowds listening in stunned silence around St Paul's Cross, to cheering the coronation, London witnessed and partook in all events. How loyal were they to this man? Were they indeed, as Shakespeare later called them, his ‘duteous citizens'? Cover contains a detail of The Princes in the Tower by John Everett Millais (1878).

***This show is brought to you by Quince. Go to ⁠http://quince.com/playonpod ⁠for free shipping on your order and 365-day returns.*** King Richard gets an onslaught of bad news as he prepares for battle in York's House Garage. The only glimmer of hope is the news that Buckingham's army was dispersed by floods and he was taken prisoner. Richard tells Stanley to muster men but to leave behind his son, George, so he can be sure of Stanley's loyalty. Stanley secretly sends word to Richmond that he will come to his aid once he secures his son's safety. Richmond rallies her army outside a “A Bus Named Larry” as Richard spends the night in an empty warehouse. Both leaders sleep and dream in their separate camps. Richard is haunted by the ghosts of the people he murdered, Richmond is blessed by those same ghosts. The moment of truth arrives when Richard meets Richmond in battle the next day. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to http://quince.com/playonpod for free shipping on your order and 365-day returns.*** Richard hires the murderer Tyrell to finish off the Princes in the Tower. Richmond demands his Earldom but flees when Richard brushes him off. Ratcliffe brings news that the Bishop of Ely has joined Richmond. When Elizabeth and the Duchess confront him, Richard uses the opportunity to convince Elizabeth to give him her daughter in marriage in order to preserve her line. He celebrates his triumph until Stanley informs him that Richmond is on his way to England, sending him into a rage. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe” Learn more about your ad choices. Visit megaphone.fm/adchoices

Prepare for an insightful episode as we take a deep dive into "The Crossfire Hurricane Plot" and uncover the fascinating lessons it holds from Ancient Rome. Joined by historian and energy advocate Daniel Turner, we critically examine key historical parallels between modern political intrigue and figures like Julius Caesar and Sejanus. Together, we analyze how power dynamics, justice, and cultural shifts from Roman history mirror today's societal challenges, revealing profound insights for America's future.In this must-watch discussion, we tackle the implications of the Crossfire Hurricane investigation, exploring how it parallels historical events that shaped empires, and dissect the consequences of political tit-for-tat cycles throughout history. Learn why uniting principles, national pride, and economic prosperity are pivotal for societal stability and discover how history's lessons can guide us forward.Join the conversation and share your thoughts on these timely topics. Don't forget to like, comment, and subscribe to explore more of History's Mysteries with Jeremy Ryan Slate, where we uncover the stories and ideas that shape our world. Upcoming episodes include a riveting look at Richard III and the boys in the tower, as well as firsthand accounts of the Bermuda Triangle. Stay tuned and be part of the journey!#caesarhistory #trumpcomparison #energyworkers #regimechange #trumppresidency___________________________________________________________________________⇩ SUPPORT OUR SPONSORS ⇩BRAVE TV HEALTH: Parasites are one of the main reasons that so many of our health problems happen! Guess what? They're more active around the full moon. That's why friend of the Show, Dr. Jason Dean, developed the Full Moon Parasite Protocol. Get 15% off now by using our link: https://bravetv.store/JRSCOMMAND YOUR BRAND: Legacy Media is dying, we fight for the free speech of our clients by placing them on top-rated podcasts as guests. We also have the go-to podcast production team. We are your premier podcast agency. Book a call with our team https://www.commandyourbrand.com/book-a-call MY PILLOW: By FAR one of my favorite products I own for the best night's sleep in the world, unless my four year old jumps on my, the My Pillow. Get up to 66% off select products, including the My Pillow Classic or the new My Pillow 2.0, go to https://www.mypillow.com/cyol or use PROMO CODE: CYOL________________________________________________________________⇩ GET MY BEST SELLING BOOK ⇩Unremarkable to Extraordinary: Ignite Your Passion to Go From Passive Observer to Creator of Your Own Lifehttps://getextraordinarybook.com/________________________________________________________________DOWNLOAD AUDIO PODCAST & GIVE A 5 STAR RATING!:APPLE: https://podcasts.apple.com/us/podcast/the-create-your-own-life-show/id1059619918SPOTIFY: https://open.spotify.com/show/5UFFtmJqBUJHTU6iFch3QU(also available Google Podcasts & wherever else podcasts are streamed_________________________________________________________________⇩ SOCIAL MEDIA ⇩➤ X: https://twitter.com/jeremyryanslate➤ INSTAGRAM https://www.instagram.com/jeremyryanslate➤ FACEBOOK: https://www.facebook.com/jeremyryanslate_________________________________________________________________➤ CONTACT: JEREMY@COMMANDYOURBRAND.COM

***This show is brought to you by Quince. Go to http://quince.com/playonpod for free shipping on your order and 365-day returns.*** In the parking garage outside The Tower, Richard coaches Buckingham on how to act distraught. The Mayor arrives with Catesby and recoils in horror when Ratcliffe delivers Hastings' head. In order to keep her own, she promises to tell the citizens that Hastings was a traitor who deserved to die. Once she leaves, Richard tells Buckingham to spread the word that King Edward was father to countless illegitimate children, including the two Princes. Later, Richard is planted as a guest on the Maximum Rock-n-Roll Radio Show to pose as a devout Christian and give the impression that he does not want to be King unless the people demand it. Buckingham stages a call into the show to plead with Richard to take the throne, saying that if he doesn't, there will be rebellion. Richard pretends to be reluctant but eventually gives in. Later, outside The Tower parking garage, the Duchess, Elizabeth, Anne and Dorset assemble to visit the Princes, but Brackenbury refuses to let them in. Dorset flees to France to join forces with Richmond. Anne agrees to be crowned in order to save the Princes. Elizabeth goes to Sanctuary to save herself and the Duchess goes to her death. Later, King Richard sits on the throne at The Temple Beautiful with Buckingham at his side, celebrating their rise to power. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor Reese Witherspoon on why she's teamed up with thriller writer Harlan Coben to write a novel called Gone Before Goodbye, about a struck-off army surgeon who uncovers a global conspiracy. Colin Farrell discusses his new film Ballad of a Small Player, about a gambler on the verge of losing everything, which is directed by Oscar winner Edward Berger. What is the best amount of time to look at a work of art? Professor Jennifer Roberts from Harvard University has the answer. Today University Academic Richard Taylor was awarded "substantial damages" after a court ruled the portrayal of him in a Steve Coogan film about the discovery of a Richard III's remains did have a defamatory meaning. We talk to Richard about his win.Presenter: Tom Sutcliffe Producer: Harry Graham

Long before Shakespeare became a household name, there was Richard Burbage. As the first actor to play Hamlet, Macbeth, Richard III, and King Lear, Burbage helped define what it meant to be a Shakespearean actor. A commanding performer, he became one of early modern England's first celebrities—celebrated for his emotional power and versatility, as well as his entrepreneurial savvy as an early theater owner. In her new book "Richard Burbage and the Shakespearean Stage: A ‘Delightful Proteus,'" scholar Siobhan Keenan explores the actor's remarkable career and his pivotal partnership with Shakespeare. Together, they transformed the English stage. Siobhan Keenan is Professor of Shakespeare and Renaissance Literature at De Montfort University, UK, and the author of several books on early modern theatre history and performance culture, including Richard Burbage and the Shakespearean Stage: A ‘Delightful Proteus' (2025), The Progresses, Processions and Royal Entries of King Charles I, 1625-1642 (2020), Acting Companies and their Plays in Shakespeare's London (The Arden Shakespeare, 2014), and Travelling Players in Shakespeare's England (2002). From the Shakespeare Unlimited podcast. Published October 21, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

The young Prince Edward arrives at The Temple Beautiful and complains to Richard about his uncles imprisonment. Richard tells him his uncles Rivers and Dorset were dangerous. Edward protests but is interrupted by the arrival of the Mayor of London who greets him with flattery. Edward asks about the whereabouts of his mother and brother, the Duke of York. Hastings arrives and tells Edward his mother and brother are in sanctuary. Buckingham orders Hastings to bring York to them by force. The Cardinal protests but Buckingham convinces him there's no need for sanctuary under these circumstances. Alone with his uncle Richard, Edward asks where he and his brother will be staying before their coronation. Richard tells him they're to stay in the Tower. Edward protests but is interrupted by the arrival of his younger brother. Little York teases Richard until he learns they're going to the Tower. He starts to argue but Edward tells him not to fear. They're taken away. Richard and Buckingham call in Catesby to test Hastings' loyalty. Once alone, Richard promises Buckingham the Earldom of Hereford. Later that night, a messenger from Stanley arrives at Barrington Hall to warn Hastings that Richard is going to kill him. Hastings reassures him that Richard won't harm him. Catesby arrives and hears from Hastings that he won't support Richard taking the throne, even though he had his enemies (Rivers and Dorset) killed. Stanley rolls up and warns Hastings not to trust Richard. Buckingham saunters out to meet them and takes them to the Tower for the coronation. Elsewhere, in a warehouse basement in Pomfret, Rivers begs for his life as Ratcliffe drowns him. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Inside the Tower, Clarence begs for his life. Later, at the Gilman DIY Music Venue, King Edward secures a reluctant peace between his family's rival factions, but collapses in grief when Richard arrives with news of Clarence's death. In the ensuing chaos, Richard secures the alliance of Buckingham and Ratcliffe. That night, Elizabeth and the Duchess grieve the deaths of Edward and Clarence. Richard enters to offer his condolences and Buckingham suggests a quiet coronation for the young prince Edward in order to avoid civil unrest. Meanwhile, Dorset and Rivers rush to secure the safety of Prince Edward in Ludlow. At Rasputin Records, citizens fret over being ruled by a child King with Richard as his Protector. At home with her younger son, the Prince of York, Elizabeth gets a tattoo as she ruminates with the Duchess over their horrible state of affairs. A messenger arrives with the news that Dorset and Rivers have been imprisoned in Pomfret by Richard and Buckingham. Elizabeth grabs York and withdraws in despair to sanctuary, leaving the Duchess behind. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shakespeare's plays are filled with unforgettable women—but too often, their voices are cut short. Ophelia never gets to defend herself. Gertrude never explains her choices. Lady Anne surrenders to Richard III in silence. In her new book, She Speaks: What Shakespeare's Women Might Have Said, acclaimed actor Dame Harriet Walter imagines what those characters might tell us if given the chance. Through original poems, Walter reimagines moments of silence, expands on fleeting lines, and provides depth to women who were left without a final word. Walter invites us to see Shakespeare's plays in a new light—reconsidering how we understand his female characters, and how their voices might transform the stories we thought we knew. From the Shakespeare Unlimited podcast. Published October 7, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Dame Harriet Walter, DBE, is one of Britain's most esteemed Shakespearean actors, whose roles include Ophelia, Viola, Lady Macbeth, Cleopatra, Brutus, King Henry IV, and Prospero, among others.. She has received a Laurence Olivier Award, as well as numerous nominations, including a Tony Award nomination, three Primetime Emmy Awards, and a Screen Actors Guild Award. Walter is also well-known for her appearances in Sense and Sensibility, Atonement, Downton Abbey, The Crown, Succession, Killing Eve, and Ted Lasso, among many other notable projects. In 2011, she was appointed Dame Commander of the Order of the British Empire (DBE) for services to drama.

Direct descendants of the Plantagenets were once at the very heart of Tudor politics, yet their story is often overlooked. From Margaret Pole, niece of Edward IV and Richard III, to her son Cardinal Reginald Pole, the family's fortunes mirrored the turbulent shift from Plantagenet to Tudor rule.Professor Suzannah Lipscomb is joined by Adam Pennington to uncover the dynasty's dramatic journey from survival after the Wars of the Roses to Margaret Pole's shocking execution in the Tower of London.More:Henry VIII's Nemesis, Cardinal PoleHenry VII: Rise of the Medieval TudorsPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.

Queen Elizabeth replays a tape of her husband King Edward's band as she obsesses over his failing health. Her brother, Lord Rivers, tries to comfort her, as do her two sons from a previous marriage, Gray and Dorset. She tells them that the sons she conceived with Edward are still too young to rule, and that if her husband dies, the throne will go to Richard until the oldest son comes of age, putting her safety in jeopardy. Buckingham and Derby arrive to report that King Edward's health is improving and that he wants to make peace between Richard and Elizabeth's clans. Richard barges in with Hastings at his side, railing that he's being disrespected and that people are telling lies about him. Elizabeth does her best to defend herself against his accusation that she put Clarence in jail and that she is vying for the throne. As they argue, the old Queen Margaret arrives unseen and listens to them from outside the house, commenting bitterly to herself about how quickly power is lost. She finally confronts the group and berates Richard for the murders of her family before cursing everyone in the room, one by one. After she departs, Catesby enters to say that King Edward wants to talk to his family. Richard, left alone, celebrates his mischief, then hires two murderers to kill his brother Clarence in the Tower. There, Clarence tells Brackenbury (the jailer) about a nightmare he had in which he drowned trying to rescue Richard and was dragged down to hell. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this day in 1452, a boy was born at Fotheringhay Castle who would become England's last Plantagenet king: Richard III. I'm Claire Ridgway, and in today's episode we trace Richard's short, stormy road from noble son to fallen king, and the remarkable afterlife of his story, from Bosworth Field to a Leicester car park and DNA confirmation centuries later. In this podcast: Birth & family: the House of York and Cecily Neville, the “Rose of Raby” 1483: the pre-contract claim, Edward V's disinheritance, and Richard's coronation Challenges to the crown: Buckingham's rebellion & Henry Tudor's invasion Battle of Bosworth (22 Aug 1485): tactics, the Stanleys' decisive move, Richard's last charge Burial at Grey Friars, the 2012 discovery & DNA, scoliosis, and reinterment (2015) Legacy: usurper, reformer, courageous warrior, or a king made by brutal times? What's your take on Richard III—pragmatic protector, ruthless usurper, courageous warrior, or a product of his age? Tell me in the comments. If you enjoyed this On This Day, please like, subscribe, and ring the bell for more daily Tudor and late-medieval history. #OnThisDay #RichardIII #WarsOfTheRoses #Bosworth #Plantagenet #Fotheringhay #PrincesInTheTower #AnneNeville #Leicester #MedievalHistory #TudorHistory #History #Yorkist #DNA

As his older brother, the newly crowned King Edward, weakens with illness, Richard, Duke of Gloucester, lays out his plans to take the throne. He frames his brother Clarence for conspiring to kill Edward, then convinces Lady Anne, the widow of the previous King Henry, to marry him, even though he killed her husband and their son. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLA. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

The St. Louis Shakespeare Festival is wrapping up its 25th season with its annual "Shakespeare in the Streets" production. This year, the play “Power” explores East St. Louis — a city that carries the legacy of legendary artists and athletes, as well as the stigma of political corruption and the 1917 Race Massacre. Loosely inspired by Shakespeare's Richard III, “Power” follows "Richard" on his attempted rise to East St. Louis mayor. We talk with actor RobWood, an East St. Louis Native who plays Richard, and the play's director, Kathi Bentley.

Shakespeare's tragedy about an unwelcome outsider who uses his genius to destroy his enemies before they destroy him. Translated into modern English verse by Migdalia Cruz and set in San Francisco at the height of the Latin Punk movement, directed by Lisa Rothe with original music composition and Sound Design by David Molina and Lindsay Jones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep 261 is loose and we are tackling the huge, haunting mystery at the heart of the War of the Roses - what happened to the princes in the tower?What led to the young boys' disappearance? Was Richard III responsible? And why did all these cousins keeping slapping each other?The secret ingredient is...a tower!Get cocktails, poisoning stories and historical true crime tales every week by following and subscribing to The Poisoners' Cabinet wherever you get your podcasts. Find us and our cocktails at www.thepoisonerscabinet.com Join us Patreon: https://www.patreon.com/thepoisonerscabinet Find us on TikTok: https://www.tiktok.com/@thepoisonerscabinet Follow us on Instagram: https://www.instagram.com/thepoisonerscabinet/ Find us on Facebook: https://www.facebook.com/ThePoisonersCabinet Listen on Youtube: https://www.youtube.com/@ThePoisonersCabinet Sources this week include the extensive Wiki entries for the Princes In The Tower, War of the Roses, Elizabeth Woodville, Henry VII, Richard III, Edward IV, Lambert Simnel and Perkin Warbeck, as well as archives from Historic Royal Palaces, History Journal, BBC Culture, History Today and History Extra. Hosted on Acast. See acast.com/privacy for more information.

Shakespeare's Julius Caesar feels urgently contemporary in Rosa Joshi's new production at the Oregon Shakespeare Festival—one of America's largest and longest-running theater festivals, now in its 90th season. Staged in partnership with Seattle's upstart crow collective, the production explores the threat of autocracy, drawing on global histories of dictatorship. Performed entirely by women and nonbinary actors, Joshi's Julius Caesar offers new perspectives on a historically male-dominated political landscape. The result is a fresh reading of Shakespeare's classic tale of power, loyalty, and betrayal. In this episode, Joshi reflects on the production, the politics of performance, and why Shakespeare's plays continue to illuminate moments of crisis. >> Discover more about Julius Caesar at the Oregon Shakespeare Festival From the Shakespeare Unlimited podcast. Published August 25, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Rosa Joshi (she/her) is a director, producer and educator. She currently serves as Associate Artistic Director of Oregon Shakespeare Festival. Rosa's directing work spans from Shakespeare to modern classics and contemporary plays. Throughout her career she has created work independently through self-producing, and in 2006 she co-founded upstart crow collective a company that produces classical plays with diverse casts of women and non-binary people. With upstart crow, she has directed King John, Bring Down the House, Richard III, Titus Andronicus, and Coriolanus. She is committed to creating ambitious productions of classical work featuring women, non-binary, and BIPOC artists. As Interim Artistic Director of Northwest Asian American Theatre, Rosa produced a range of Asian American performances, including: A-Fest, an international performance festival; Traces, a world premiere multi-disciplinary, multi-media, international collaborative work. She was also a Resident Director and Artistic Director of the Second Company at New City Theater, where she directed and produced various classical and contemporary plays. Rosa has been a faculty member at Seattle University and has also taught at The Old Globe University of San Diego Shiley Graduate Theatre Program, Hong Kong University, Hong Kong Academy of Performing Arts, and Cornish College for the Arts. Rosa holds an MFA in Directing from the Yale School of Drama and a BA in Theatre and Psychology from Bucknell University.

A King clinging to his right to rule. A young Tudor ready to snatch the crown and begin a new dynasty.With immersive sound design and cinematic story-telling; Matt Lewis brings to life one of the pivotal moments in English history—the Battle of Bosworth.On August 22, 1485, Richard III faced off against Henry Tudor, a clash that culminated in the end of the Wars of the Roses and marked a turning point for the English crown. From the strategic moves on the battlefield to the dramatic death of Richard III and the rise of Henry VII, Matt delivers a vivid recounting of the events that reshaped England's monarchy.MORERichard IIIPrinces in the Tower: New Evidence RevealedWatch Matt Lewis at Bosworth on History Hit's YouTube channelGone Medieval is written and presented by Matt Lewis. Sound design by Amy Haddow. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries including Matt Lewis' two part documentary on Richard III. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.

July 17, 1674. During renovations at the Tower of London, construction workers digging beneath a stone staircase make a chilling discovery—two child-sized skeletons buried ten feet underground. And King Charles II believes he knows who they are. The remains reignite one of the most enduring mysteries in British history: the fate of the Princes in the Tower. For over 500 years, historians have debated what happened to King Edward V and his younger brother, Prince Richard. Were they murdered—perhaps by their uncle, Richard III? Or did they simply vanish from the historical record? This week, Sally Helm speaks with Philippa Langley, author of The Princes in the Tower: Solving History's Greatest Cold Case. Langley shares why she believes we've been looking at this mystery the wrong way—and how new evidence could finally bring the truth to light. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices