Podcast appearances and mentions of richard iii

Why do we know so little about Anne Neville, despite her significant role in history?Anne Neville led a life shaped by power, tragedy, and shifting allegiances. Daughter of the formidable Warwick the Kingmaker, Anne was widowed at 15 before marrying Richard, Duke of Gloucester - later Richard III. Crowned alongside him in a dazzling coronation, Anne's reign was brief and marred by heartbreak, especially after the death of her only son.Matt Lewis reflects on Anne Neville's life of resilience and sorrow - and the political and social dynamics of Medieval women in power - with historian Joanna Laynesmith.MoreA Voice for Richard IIIhttps://open.spotify.com/episode/0KhcblgXYqBTqfMAaAG18uThe Wars of the Roses: Originshttps://open.spotify.com/episode/3DHhrD90zRN0IppdA29QXkGone Medieval is presented by Matt Lewis. It was edited by Amy Haddow, the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

We all know that in 1485 King Henry VII successfully snatched the throne from king Richard III, but what do we know of henrys ancestry? How did the Tudor name come to be in the first place? Well to discuss all of this, I am pleased to welcome historian Nathen Amin onto the podcast for the first time, to discuss his book, Son of Prophecy, the Rise of Henry Tudor with me. From Henry's 6 x great-grandfather who presented his prince with three severed heads as a present, to Henry Tudors grandfather Owen Tudor nibbling the cheek of Catherine of Valois, all of this and much more will be covered, so settle in and get one hell of a lesson in Welsh and Tudor history!

Ein jahrhundertealtes Shakespeare Drama im kriminellem Milieu einer heutigen Großstadt wie Berlin: diesen Sprung wagt der Filmemacher Burhan Qurban in „Kein Tier. So Wild“.

Kein Tier. So Wild. | Shakespeare im dicken B Mit seinem Spielfilm wagt sich Regisseur Burhan Qurbani erneut an die große Bühne der Weltliteratur – und verlegt William Shakespeares düsteres Königsdrama Richard III. in die Gegenwart, genauer gesagt: in die Schattenwelt eines kriminellen Berliner Clans. Im Zentrum der modernen Tragödie steht diesmal keine männliche Herrschergestalt, sondern die jüngste Tochter eines arabischen Familienimperiums. Klug, skrupellos und entschlossen bahnt sie sich ihren Weg an die Spitze – durch Manipulation, Verrat und Mord. Ab dem 8. Mai ist das ambitionierte Werk bundesweit im Kino zu sehen. Britt-Marie und Sven haben den Film vorab für euch gesehen und sprechen über ihn und stellen sich die Frage, ob Shakespeare im großen B gut funktioniert. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Ali Stroker is a trailblazing actor and advocate who joined the Little Kids, Big Hearts podcast as a guest Qook-a-lacka on our episode focused on inclusion. Today, Ali is back — out of character, as her amazing self — to talk with LKBH Host Todd Loyd about her own experiences with disability and inclusion. ❤️ She reflects on what Scarlett and Zach said on the episode: "When I hear Scarlett talking about horseback riding: It felt like she was explaining something that was so normal. And that, to me, is progress."❤️ She shares her own personal motto — Turning Limitations into Opportunities: "It can apply to somebody with a disability or not because as human beings, we have limitations. It's part of existing in the world."  ❤️ She talks about being a mom with a disability — and how being a mom in a wheelchair affects her parenting and her son's independence. ❤️ She talks about the power of "inclusive playgrounds." "I never had one inclusive playground growing up, and to this day, I still go to the playground and I have this like funny feeling in my stomach because it was a place of confusion and shame and frustration for me as a child ... Every kid deserves that freedom and that ability to play in an outdoor space with their friends."❤️ She talks about a moment when she was in 1st grade and her PE teachers included her in a lesson on "how to skip," which changed her life. "Thirty-one years later, I still remember it because it felt like I was included and someone had taken a little bit of time to get creative and make me feel like I was learning a new school too, and that I could be a part of the group in moving...And that meant everything to me, everything!" ❤️ She talked about her children's book "Ali and the Sea Stars," which was based on her own experience as a six year old being introduced to musical theater by her neighbor on the Jersey Shore. "It basically set my entire life journey of  becoming a musical theater and actress and everything that I do now." ❤️ She shares advice for kids with disabilities who want to try something new that hasn't been done before. Ali Stroker is a Tony Award winner for her role as ‘Ado Annie' in Rodgers and Hammerstein's Oklahoma! She made history as the first actor in a wheelchair to appear on Broadway in Deaf West's acclaimed revival of Spring Awakening and the first actor in a wheelchair to win a Tony. She was a series regular on the Netflix series, Echoes, and starred in the Lifetime holiday film, Christmas Ever After. Ali recurred in the final season of Netflix's Ozark and in Hulu's Only Murders in the Building. She co-wrote the novel, The Chance to Fly and its sequel, Cut Loose!; and she wrote the children's book, Ali and the Sea Stars. She was recently seen opposite Matthew Broderick in Babbitt at Shakespeare Theatre Company in DC and played 'Lady Anne' in the Shakespeare in the Park production of Richard III. She's performed her one woman show all over the country. Her mission to improve the lives of others through the arts is captured in her motto: “Turning Your Limitations Into Your Opportunities.”Learn more on our episode webpage: https://playsparkler.org/inclusion/Watch on our Youtube page: https://www.youtube.com/@LittleKidsBigHearts

Check out Cam's latest novel / audio drama here! Rewatching House of Cards in 2025 is a fascinating and uneven experience — because the titular house never seems to fall. This episode traces the Watergate-like ‘Underwood Exposé' that simmers just below the surface for seventy-three episodes, but never arrives. It's a reflection on implicit promises to the audience, shifting focus, and botched endings (with some Richard III sprinkled on top). LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

Merriam-Webster's Word of the Day for April 28, 2025 is: alacrity • uh-LAK-ruh-tee • noun Alacrity refers to a quick and cheerful readiness to do something. // She accepted the invitation to go on the trip with an alacrity that surprised her parents, who had assumed she wouldn't be interested. See the entry > Examples: “Antipater, about to mount his horse, saw Pollio and Sameas so close to him that the sleeve of Sameas almost touched his own in the crush. … Antipater had graciously invited the two to view his new grandson and sip a cup of wine cooled by snow brought from Mount Hermon. The two accepted with alacrity.” — Zora Neale Hurston, The Life of Herod the Great, 2025 Did you know? “I have not that alacrity of spirit / Nor cheer of mind that I was wont to have,” says William Shakespeare's King Richard III in the play that bears his name. Alas and alack, Richard! Alacrity comes from the Latin word alacer, meaning “lively” or “eager,” and suggests physical quickness coupled with eagerness or enthusiasm. Thus, a spirit that lacks alacrity—like Richard III's—is in the doldrums, in need of a little (to use a much less formal word than alacrity) get-up-and-go.

Verena Altenberger stand bei "Mission Impossible" vor der Kamera, ermittelte als Bessie Eyckhoff im Münchner "Polizeiruf 110" und war bei den Salzburger Festspielen im "Jedermann" als Buhlschaft an der Seite von Lars Eidinger zu sehen. Jetzt spielt die Österreicherin im Film "Kein Tier. So wild" von Burhan Qurbani. Basierend auf dem Shakespeare-Stück Richard III. wird die Geschichte ins Berlin der Gegenwart verlegt. Verena Altenberger kennt die Facetten des Lebens und spielt die großen Frauen auf der Bühne und vor der Kamera. Außerdem hat sie 2021, zusammen mit dem Regisseur und Produzenten Arish Riahi die Präsidentschaft der Akademie des Österreichischen Films übernommen. Diese Sendung ist eine Übernahme von Bremen Zwei "Gesprächszeit".

It's an interesting double bill episode this week, as we contemplate two pieces of evidence for one or two plays on Richard III. The first element comes from the licencing of a play, the other a reported line from a play. Are they the same play? Impossible to tell, but it helps make this episode a little more substantial. You can find the source for our text here. There is also an exposition on the Rowley play at the Lost Plays Database. With Aliki Chapple as the Messenger. Our patrons received this episode in February 2025 - 2 months early! The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton. 

Ever since Shakespeare wrote his tragedy on Richard III the world has thought of him as an evil king with a shriveled soul. But is that actually unjust?See omnystudio.com/listener for privacy information.

Who was Lambert Simnel—the boy who nearly claimed the Tudor throne? In late 15th-century England, identity wasn't just a matter of birth—it could be a political weapon, a tool for rebellion, and sometimes, an outright performance. The story of Simnel, a boy plucked from obscurity and passed off as the York heir, reveals how precarious the Tudor dynasty really was—and how easily the lines between truth and fiction could blur. Author Jo Harkin joins us to explore the strange life of Simnel, the so-called Yorkist “pretender” who nearly toppled Henry VII. In her new novel The Pretender, Harkin imagines Simnel's life beyond the history books, from his childhood on a farm to his years at court. Along the way, she unpacks what it meant to be groomed for kingship, what royal power struggles looked like from a child's point of view, and how historical fiction can fill in the gaps of the past. Though Shakespeare never wrote a play about Henry VII, his portrayal of Richard III helped shape how we remember the Wars of the Roses—and how we understand power, myth, and legacy. Harkin reflects on those cultural inheritances, showing how writing about this era means grappling with historical facts and the fictions we've come to accept. Simnel's story reminds us that what endures isn't always what's real, but what people are ready to believe. Jo Harkin's debut speculative fiction novel, Tell Me An Ending, was a New York Times Book of the Year. Her first historical novel, The Pretender, was published in April 2025 in the U.K. and the U.S. She lives in Berkshire, England. From the Shakespeare Unlimited podcast. Published April 22, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

durée : 00:02:23 - BD bande dessinée - par : Jean-Christophe OGIER - Alain Ayroles et Hervé Tanquerelle ressuscitent Richard III et l'emportent au Groenland, décor de « La Terre verte ».

On this kidventure episode, two kids — Scarlett and Zach — talk about their disabilities and share their experiences with inclusion (on inclusive playgrounds and in other contexts). As Scarlett explains, inclusion "means that everybody can play, no matter your disability or how you walk or how you roll or anything like that."After a chat on Earth, the kids and Todd travel on the colors of the rainbow to the Land of Qook-a-lackas, where they meet a Qook-a-lacka friend, Quinnly, who is trying to figure out how the Qook-a-lackas and their new neighbors, the Link-a-doos, can play TOGETHER. The Qook-a-lacka's favorite sport, Quibble, is played on the ground with a big ball — while the Link-a-doos' favorite sport, Loop-a-launch, is played in the sky with a little bouncy ball. The kids and Todd help Quinnly to brainstorm a whole new game (Quibble Launch!), which has special rules and a two tier playing field that is perfect for the new neighbors to play together!Little Kids, Big Hearts was THRILLED to be joined on this episode by guest star Ali Stroker, who plays the role of Quinnly. Ali Stroker is a Tony Award winner for her role as ‘Ado Annie' in Rodgers and Hammerstein's Oklahoma! She made history as the first actor in a wheelchair to appear on Broadway in Deaf West's acclaimed revival of Spring Awakening and the first actor in a wheelchair to win a Tony. She was a series regular on the Netflix series, Echoes, and starred in the Lifetime holiday film, Christmas Ever After. Ali recurred in the final season of Netflix's Ozark and in Hulu's Only Murders in the Building. She co-wrote the novel, The Chance to Fly and its sequel, Cut Loose!; and she wrote the children's book, Ali and the Sea Stars. She was recently seen opposite Matthew Broderick in Babbitt at Shakespeare Theatre Company in DC and played 'Lady Anne' in the Shakespeare in the Park production of Richard III. She's performed her one woman show all over the country. Her mission to improve the lives of others through the arts is captured in her motto: “Turning Your Limitations Into Your Opportunities.”Sound design and mixing is by Ryan Marth, and the ukulele music you hear is by actor and composer Bill English.The Little Kids, Big Hearts team wants to say a big, public "THANK YOU" to Inclusion Matters by Shane's Inspiration, the amazing organization that helped us find the brilliant, insightful kids who appear on this episode, Scarlett and Zach. Inclusion Matters by Shane's Inspiration is an international non-profit organization that creates play, dignity and social equity for children with disabilities through inclusive playgrounds and education programs that unite children of all abilities. Scarlett and Zach played — and met "buddies" — on inclusive playgrounds created by this organization, which has built these sensory- and literacy-rich playgrounds in the US, as well as Mexico, Israel, Canada, Ecuador, Russia, Argentina, South Africa, Armenia, the Dominican Republic, and beyond. THANK YOU!!! Learn more about Inclusion Matters on its website: https://inclusionmatters.org/Please learn more about the episode online at https://playsparkler.org/inclusion/Also...Little Kids, Big Hearts now has a YouTube channel. Please join our growing community on YouTube! Here's the link: https://www.youtube.com/@LittleKidsBigHearts

In this riveting episode of History Rage, we journey into the mediaeval past with the indomitable Philippa Langley, historian, writer, and the driving force behind the discovery of King Richard III's remains and delve into the myths and misconceptions surrounding one of history's most debated monarchs, Richard III.Introducing Philippa Langley:- Discover Philippa's transition from a career in advertising to becoming a renowned historian, ignited by a renewed passion for Richard III.- Learn about her groundbreaking projects, including the "Looking for Richard" project and the "Missing Princes Project."Richard III's Reign Reassessed:- A deep dive into Richard III's legal reforms and their lasting impact on English law, including the presumption of innocence and blind justice.- Understand Richard's divergence from his brother Edward IV's policies and his efforts to ensure justice and fairness for all subjects.Perceptions and Realities:- Discuss the divide between Richard's support in the North and opposition in the South, and how these regional differences shaped his reign.- Examine the popular support Richard garnered as a just ruler and how his northern roots influenced his governance.Uncovering the Truth:- Philippa shares insights from the "Missing Princes Project," revealing evidence of the survival of Edward IV's sons beyond Richard's reign.- Address the challenges of overcoming entrenched historical narratives and the role of young historians in reshaping our understanding of the past.Join us as Philippa Langley passionately argues for a re-evaluation of Richard III, challenging centuries-old misconceptions with evidence-based research. For more on Philippa's work, explore her books "The Lost King" and "The Princes in the Tower," and visit revealingrichardiii.com.You can check out the Richard III Society of Great Britain at www.richardiii.netYou can follow History Rage on Twitter @HistoryRage or Paul individually @PaulBavill and let us know what you wish people would just stop believing using the Hashtag #HistoryRage.You can join our 'Angry Mob' on Patreon as well. £5 per month gets you episodes 3 months early, access to livestreams, the invite to choose questions, entry into our prize draws and the coveted History Rage mug. Subscribe at www.patreon.com/historyrageFollow History Rage on Social MediaFacebook: https://www.facebook.com/HistoryRageTwitter: https://twitter.com/HistoryRageInstagram: https://www.instagram.com/historyrage/Stay Angry, Stay Informed - History Rage Hosted on Acast. See acast.com/privacy for more information.

This week, we discuss the life and death of Richard III - the last English king to die in battle.

Rebecca, Tori, and guest host Louise embark on a wallow into Shakespeare in honor of the Bard's April birthday. We delve into the 1955 Laurence Olivier adaptation of Shakespeare's Richard III. We chat about Richard's complex character, the portrayal of women, and the historical context surrounding the play. We discuss production choices like what was cut from the play and the use of color and shadow. We can't help but critique character portrayals, including the miscasting of King Edward and the performance of child actors. We end with some reflections on Olivier's vocal performance and its impact on the overall experience of the play.MusicApache Rock Instrumental | by Sound Atelier; licensed from JamendoRemember the Way | by Mid-Air Machine on the Free Music ArchiveSound EffectRecord Scratch Sound Effect free on PixabaySourcesThe Criterion Collection: Richard III: Red-Blooded RichardCriterion: Richard III, 1955 | Criterion Close-UpHistorical Royal Castles | Tower of LondonSt. Paul - Saints & Angels - Catholic OnlineGreat Britain National Archives | Richard IIIThe Royal Household | Richard IIINiccolò Machiavelli (Stanford Encyclopedia of Philosophy)16 Key Figures in the Wars of the Roses | History HitMy thoughts on: Richard III (1955) | Film Music Central

Front Row looks at freedom of expression in the arts. From rows about cancel culture to allegations of censorship and the charge that the arts has become 'woke', we explore what is happening. Samira is joined by art curator, Ekow Eshun, novelist Philip Hensher, poet and author of Hounded, Jenny Lindsay and theatre critic Kate Maltby, who sits on the board of the campaign group Index On Censorship. We hear from David Austin, British Board of Film Classification Chief Exec, about how sex and violence are classified for modern audiences. And Shakespeares Globe Artistic Director Michelle Terry discusses her production of Richard III, which ignited a row over casting. Presenter: Samira Ahmed Producer: Timothy Prosser

John Harding, a founder of Ilbijerri Theatre Company and veteran playwright, recorded 20 hours of Taungurung elder Uncle Larry Walsh recounting his life story. The result is Lazarus, a sold-out theatre show telling a life of tragic beginnings as a stolen child, survival in institutions and fearless activism. We also hear Billy McPherson, playing Larry. Lazarus is on as part of Melbourne /Naarm's Yirramboi festival.Jason Arrow is known to many as the titular character in Hamilton where he had an extraordinary run both in Australia and internationally. Now he has put his breeches and coat tails away and has donned a 1950s dapper suit for the character of Nicely-Nicely Johnson in Opera Australia's Guys and Dolls on Sydney Harbour. He sings for us the showstopper Sit Down, You're Rockin' the Boat!The Player Kings is a show which takes the audience on an 8-hour journey through plays by Shakespeare and Christopher Marlowe that chart the rise and fall of five kings. Liam Gamble is making his professional theatre debut, alongside Emma Palmer who plays the evil Queen Margaret. Liam has cerebral palsy, and talks about playing the villainous Richard III, a character who is disabled and endures cruel treatment.

It's episode 216 and we are lurching back to the north east, to Zululand. The heat is building up, and the conflicted relationship between King Mpande kaSenzanghakhona and his son, Cetshwayo kaMpande, is growing more complex by the minute. But this being Zululand, that wasn't the only competition in town. There was an older son of Mpande, called Hamu, who was his first-born son by Nozibhuku, who in turn was the daughter of the much respected chief Sothondose of the Nxumalo people. If we turn our thoughts to the succession process of the AmaZulu which has always been a tricky trail, this episode will serve to illuminate the razor-sharp line royal heirs must walk. Sothondose you see was Mbuyazi's brother. And if you recall, Mbuyazi was the man who had been killed along with seven of his brothers and half brothers at the Battle of Nondokasuka by Cetshwayo. King Mpande had publicly referred to Mbuyazi as his heir apparent, and Cetshwayo thought he was a better candidate. The plot thickens. It more than thickens, it congeals like thick red blood, spattered many times this episode. There is a Shakespearian correlation between his epic tales and those of the AmaZulu, where both are interlaced with human truths. This week's tale is a mist-mash of Macbeth, Richard the third, Henry the Sixth Part three. Perhaps you could include others, but let's leave it at that for now. IN Zululand, Mpande was king and he was apt to change his mind about his heir apparent. Cetshwayo had worked himself into the position by dint of killing Mbuyazi, and had begun to refer to Mpande as ixegwana, little-old man. Or Oomie which is why calling some middle-aged men Oomie can get you into trouble. Hamu kaMpande was an insidious man, a persevering leader who wriggled about, an indulgent man according to oral tradition as well as the written descriptions we have of him. Flabby, with the immense thighs of the house of Senzangakhona. Hamu led the Ngenetsheni clan, and had supported Cetshwayo during the recent Civil War, where Mbuyazi had been defeated. That was the case even though his grandfather, Sothondose, was Mbuyazi's brother. In other words Hamu fought against his Great Uncle. Blood, it seems, isn't thicker than water—unless it's pooling in a cauldron of treachery and Macbethian dread. Hamu also resented his bad luck, descended from Nzibe who ranked behind Mpande's other sons. He liked to show off his bling so to speak, and gathered a massive isigodlo of women, 300 in all, and bragged about being quasi-independent of Mpande. Cetshwayo kept a beady eye on these two, and there were confrontations with them, one took place in 1857. But nothing was resolved. Initially, Mbuyazi's remaining brothers turned out to be more of a threat than Hamu and Maphitha, and this is where the Shakespearian blood letting began in earnest. Cetshwayo wanted to kill Mbuyazi's thirteen year old brother Mkhungo. Someone tipped off the teen that the death squad was on its way and he fled to safety in Natal across the Thukela River. Other members of his direct family were already seeling refuge there, his mom Monase and Sikhotha his half-brother. shake

It's episode 216 and we are lurching back to the north east, to Zululand. The heat is building up, and the conflicted relationship between King Mpande kaSenzanghakhona and his son, Cetshwayo kaMpande, is growing more complex by the minute. But this being Zululand, that wasn't the only competition in town. There was an older son of Mpande, called Hamu, who was his first-born son by Nozibhuku, who in turn was the daughter of the much respected chief Sothondose of the Nxumalo people. If we turn our thoughts to the succession process of the AmaZulu which has always been a tricky trail, this episode will serve to illuminate the razor-sharp line royal heirs must walk. Sothondose you see was Mbuyazi's brother. And if you recall, Mbuyazi was the man who had been killed along with seven of his brothers and half brothers at the Battle of Nondokasuka by Cetshwayo. King Mpande had publicly referred to Mbuyazi as his heir apparent, and Cetshwayo thought he was a better candidate. The plot thickens. It more than thickens, it congeals like thick red blood, spattered many times this episode. There is a Shakespearian correlation between his epic tales and those of the AmaZulu, where both are interlaced with human truths. This week's tale is a mist-mash of Macbeth, Richard the third, Henry the Sixth Part three. Perhaps you could include others, but let's leave it at that for now. IN Zululand, Mpande was king and he was apt to change his mind about his heir apparent. Cetshwayo had worked himself into the position by dint of killing Mbuyazi, and had begun to refer to Mpande as ixegwana, little-old man. Or Oomie which is why calling some middle-aged men Oomie can get you into trouble. Hamu kaMpande was an insidious man, a persevering leader who wriggled about, an indulgent man according to oral tradition as well as the written descriptions we have of him. Flabby, with the immense thighs of the house of Senzangakhona. Hamu led the Ngenetsheni clan, and had supported Cetshwayo during the recent Civil War, where Mbuyazi had been defeated. That was the case even though his grandfather, Sothondose, was Mbuyazi's brother. In other words Hamu fought against his Great Uncle. Blood, it seems, isn't thicker than water—unless it's pooling in a cauldron of treachery and Macbethian dread. Hamu also resented his bad luck, descended from Nzibe who ranked behind Mpande's other sons. He liked to show off his bling so to speak, and gathered a massive isigodlo of women, 300 in all, and bragged about being quasi-independent of Mpande. Cetshwayo kept a beady eye on these two, and there were confrontations with them, one took place in 1857. But nothing was resolved. Initially, Mbuyazi's remaining brothers turned out to be more of a threat than Hamu and Maphitha, and this is where the Shakespearian blood letting began in earnest. Cetshwayo wanted to kill Mbuyazi's thirteen year old brother Mkhungo. Someone tipped off the teen that the death squad was on its way and he fled to safety in Natal across the Thukela River. Other members of his direct family were already seeling refuge there, his mom Monase and Sikhotha his half-brother. shake

On this week's episode of Local Legends, Martin is joined by author and storyteller Tom “The Tale Teller” Phillips.Leicestershire born and raised, Tom is the county's most celebrated storyteller - even the Leicestershire Guild of Storytellers told us, directly, that he is the person to talk to about Leicestershire's lore. And just a fraction of his knowledge and passion is on show in his collection Leicestershire Folk Tales for Children - but that's only part of the story.Having trained and worked as a primary school teacher with a passion for legends, and with experience, too, as a gardener, groundskeeper and cleaner, over 15 years ago Tom began his work as a professional storyteller and has gone from strength to strength.Through his use of puppets, traditional storytelling techniques, and a head full of tales, he has been enrapturing audiences of all ages. He then wrote his second book, with the third now on its way, as we discuss during the episode.As such, gather round the Three Ravens campfire for a warm, open, friendly conversation which ranges from Black Annis and Richard III to Lady Jane Grey, haunted country houses, and kidnapping giants.We really hope you enjoy it, and will be back on Monday with our brand new County Episode all about the history and folklore of Essex!Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Head to https://squarespace.com/jonsolo to save 10% off your first purchase of a website or domain using code JONSOLO! Thanks to Squarespace for sponsoring the show! ► Follow Messed Up Origins™! » TikTok: https://www.tiktok.com/@messeduporigins » Instagram: https://www.instagram.com/messeduporigins/ » Facebook: https://facebook.com/TheRealJonSolo » Twitter: https://twitter.com/MessedUpOrigins ▼ Podcast Links! ▼ » Apple: https://podcasts.apple.com/us/podcast/jon-solos-messed-up-origins-podcast/id1631064271 » Spotify: https://open.spotify.com/show/0zC1NxCX576HHQUoYCuGDo » Amazon Music: https://music.amazon.com/podcasts/e2ab5016-5166-4670-b0a3-7c6ade06947d/jon-solos-messed-up-origins-podcast » Stitcher: https://www.stitcher.com/podcast/jon-solos-messed-up-origins-podcast » iHeartRadio: https://iheart.com/podcast/99117988/ ▼ Chapters ▼ » 0:00 - Who is Humpty Dumpty? » 1:06 - The History of Humpty Dumpty » 9:27 - Egg-Head theories ► Want more? » ALL Messed Up Origins: https://bit.ly/MessedUpOrigins » ALL Disney Explained: https://bit.ly/DisneyExplained » Featured Folklore (the animated series!): https://bit.ly/featuredfolklore » ALL Mythology Explained: https://bit.ly/MythologyExplained » For Urban Legends and Scary Stories: https://bit.ly/scarystoriesexplained » Folklore Explained: https://bit.ly/FablesExplained » Astrology: http://bit.ly/AstrologyExplained » Messed Up Murders: https://bit.ly/MurderPlaylist ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ► Follow Jon Solo: » TikTok: https://www.tiktok.com/@messeduporigins » Facebook: https://www.facebook.com/TheRealJonSolo » Instagram: https://www.instagram.com/JonSolo » Twitter: https://twitter.com/JonSolo » Official Subreddit: https://www.reddit.com/r/jonsolo ► Join the Official Channel Discord: » https://www.patreon.com/JonSolo ► Send Fan Mail to: » SoloFamMail@gmail.com ► Business: » biz@MessedUpOrigins.com (Business Inquiries ONLY) ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ▼ Credits ▼ » Jon Solo - Creator, Host » Meredith Walker - History Consultant https://tiktok.com/@professormeredith https://twitter.com/theprofmeredith » Dillon Bowen - Lead Editor » Payton Swan - Editor ▼ Resources ▼ » my favorites: https://messeduporigins.com/books » The Humpty Dumpty Myth, Mike Sutton:https://dysology.blogspot.com/2017/12/the-humpty-dumpty-myth.html » Anonymous (1701) A rod for Tunbridge beaus:https://books.google.co.uk/books?id=Jw8UAAAAQAAJ&pg=PA28&dq=#v=onepage&q&f=false » A Classical Dictionary of the Vulgar Tongue (1785): https://books.google.co.uk/books?id=zLAJs0_prpwC&pg=PT114&dq=#v=onepage&q&f=false » Juvenile Amusements (1797): https://play.google.com/store/books/details?id=TFNmbob_1lEC&rdid=book-TFNmbob_1lEC&rdot=1&pli=1 » The Pictorial Humpty Dumpty (1843): https://nonsenselit.com/2013/08/27/humpty-dumpty-by-aliquis/ » The Rise and Fall of Richard III (1868):https://www.google.com/books/edition/The_Rise_and_Fall_of_Richard_III_Or_a_Ne/kOBZAAAAcAAJ?hl=en&gbpv=0 » Yale Songs (1882): https://books.google.com/books?id=MVoWAAAAYAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false » Children's literature. Part II. Forms and Genres – 20. Playground rhymes and the oral tradition: https://schoolbag.info/literature/children/73.html » Humpty Dumpty Wiki: https://en.wikipedia.org/wiki/Humpty_Dumpty » The Jottings of David Daube (2008): https://www.google.com/books/edition/The_Jottings_of_David_Daube/vUyF7FN-uxoC?hl=en&gbpv=1&pg=PA44&printsec=frontcover » Albert Jack Website: https://albertjack.com/2021/05/21/humpty-dumpty-history/ ▼ Art Sources ▼ » If I used your art in the thumbnail or any portion of this video please send a message to my business email with proof that you're the original artist so I can give you credit! ▼ Music Sources ▼ » Kevin Macleoud - https://incompetech.com » @co.agmusic - https://www.youtube.com/@co.agmusic » https://artlist.io #humptydumpty #messeduporigins #nurseryrhymes

ABOUT RACHEL:Rachel McVay is an American actor rooted in UK training. Classically trained, with an MFA from the prestigious Bristol Old Vic Theatre School and a BFA in Theatre & Dance, Rachel also studied with the Royal Shakespeare Company and RADA. She has made her mark as a dynamic stage, TV, & film actor, often employing her skills in stunts, stage combat, and dance.With an affinity for Shakespeare, Tarantino, and Ryan Murphy, Rachel's proudest roles include the "fierce" Queen Elizabeth in Richard III, the "magnificent" & "regal" Beatrice in Much Ado About Nothing ("McVay stands out as Beatrice"), and the lead in the award-winning film, Broken Nails, in which she plays a boxer/dancer who struggles with self love in overcoming cancer.Some of her TV credits include Westworld, Forever, and The United States of Tara. Teaching/directing credits include Northern Stage, Stagedoor Manor, Bristol Old Vic Theatre School's Young Artists Academy, A Noise Within, Blue Lake Fine Arts Camp, amongst others across the country.Connect with Rachel on social:https://www.instagram.com/therachelmcvay/www.imdb.me/rachelmcvayConnect with me and learn about my services at Hollywood Bound Actors:⁠https://hollywoodboundactors.com/⁠Learn about my signature course Book More TV ® https://bookmoretv.com/

Southwest is basically Spirit Plus now, which makes this podcast Spirit Minus, but don't worry– we'll never charge you for all that baggage you're carrying around. Zero guarantees this plane stays on course, because right after liftoff we veer right into King Richard III, Baltimore ice cream trucks, and our favorite variations of the Mandela Effect. Also, a couple of us signed up for the JFK 50 Miler, for better or for worse. Finally, we talk about the Tracksmith Eliot Racer, a surprisingly capable race day shoe with a super bouncy, dual layer ATPU and PEBAX midsole. Support our sponsors!SAYSKY X PUMAExperience the premium quality and unique design of the PUMA x SAYSKY collection. Check it out now at saysky.com and use code DROP15 to save. SWIFTWICKThe best running socks in the game, Swiftwick just launched their new spring collection this week, and Drop listeners can get 15% off their first purchase with code BELIEVE15. Shop here: https://swiftwick.com/collections/believeWAHOO FITNESS We've got a new series on YouTube that follows Thomas' training to London using the Wahoo Kickr Run Treadmill. Follow along every Frida, and watch episode 2 here. You can learn more about the runner-focused treadmill (including seamless elevation and pace changes) and purchase one here.LMNTIt's warming up, which means you're sweating more, which means you need more salt. Like, a lot more. Luckily, LMNT has 1000 mg of the stuff, as well as potassium and magnesium. Get your free 8-count LMNT Sample Pack with any purchase: http://drinklmnt.com/thedropINDEX00:00 - Intro4:11 - Richard III found under parking lot 18:43 - Baltimore Ice Cream Trucks21:28 - Southwest Airlines newest baggage policy 27:41 - Nerds Gummy Clusters30:58 - JFK 50 Miler42:58 - Training Talks / Wahoo Kickr RUN56:21 - The Mandela Effect1:00:46 - Horror Movies1:02:47 - Puma x Saysky 1:06:47 - Canadian Bacon vs. Bacon1:12:00 - Shoe talk (Tracksmith Eliot Racer)

On this episode, we'll be talking about Royal Couples that truly fit the trope of Friends to Lovers.The title of the episode is Give Me Your Hand and Let Me All Your Fortunes Understand, meaning our couples today knew each other of old and had to get married for practical reasons, but they grew to love each other with time.  On the Royal Menu today we have:The Fair Maid Joan of Kent & Edward, the Black Prince (elder son of Edward III), as well as Anne Neville & Richard III.To help us understand these couples better, we've enlisted Sharon Bennett Connolly. Find Sharon here:@sharonbennettconnolly on InstagramWomen of the Norman Conquest:https://www.amberley-books.com/silk-and-the-sword.htmlHeroines of the Medieval World by Sharon:https://www.amberley-books.com/heroines-of-the-medieval-world-9781445689449.htmlWomen of the Anarchy by Sharon:https://www.amberley-books.com/discover-books/women-of-the-anarchy.htmlHeroines of the Tudor World :https://www.amberley-books.com/heroines-of-the-tudor-world.htmlScotland's Medieval Queens:https://www.pen-and-sword.co.uk/Scotlands-Medieval-Queens-Hardback/p/51759/aid/1238More Books by Sharon:https://www.pen-and-sword.co.uk/Sharon-Bennett-Connolly/a/3883Sharon's Website:https://historytheinterestingbits.com/silk-and-the-sword-the-women-of-the-norman-conquest/For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/To book a walking tour with Natalie https://www.getyourguide.com/s/?q=supplier:252243 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

What happens when history, activism, and theater collide? The producers of The Return of Benjamin Lay break it down. What happens when a story refuses to be forgotten? The Return of Benjamin Lay isn't just a play—it's a powerful lesson in courage, creativity, and using your voice for change. In this episode of Your Creative Mind, I sit down with the producers of the production coming to The Sheen Center this March to talk about bringing this revolutionary abolitionist's story to the stage. You'll hear how bold storytelling can challenge the status quo, why creative work has the power to shift perspectives, and what you can do to make your own impact. If you're a storyteller, entrepreneur, or changemaker, this episode is for you. And if you can, go see the show at The Sheen Center, March 14 – April 6, 2025—it's one you won't forget. JOSEPH W. RODRIGUEZ is an actor, writer, and Producing Artistic Director of Playhouse Creatures (where he has produced over thirty plays). For PCTC: STILL LIFE (with Ancram Opera House), EXECUTION OF JUSTICE, The Two-Character Play ( 2017 New York/ The Duo Theatre), New Orleans (2018 Southern Rep); Mrs. Packard (with Bridge Rep), One Flea Spare, More Stars Then There Are In Heaven, Hunter/ Gatherers, Charlotte The Destroyer, Love Song, 6xTenn, Closer, The Libertine (The Kirk, Theatre Row), and The Libertine (with Bridge Rep – IRNE Nomination, Best Actor). Other NYC: Buffalo Hair with Jeffrey Wright (The Public Theater); The Normal Heart with Bobby Cannavale (The Duo Theatre); Richard III with Austin Pendleton, Macbeth – title role (New Perspectives); Linnehan's Daughter (Naked Angels); Landscape of the Body, Hurlyburly (T. Schreiber Studios); Innocent Erendira – world premiere with Miriam Colon (Repertorio Espanol). Regional: Hamlet with Mark Rylance, King Lear with F. Murray Abraham (A.R.T.); Iphigenia (The Huntington); Children of the Sun (The Kennedy Center); A Streetcar Named Desire, American Buffalo, Safe Sex, A Christmas Carol (The New Ehrlich Boston); Vieux Carre, Breaking the Code – Best Supporting Actor, Boston Herald (The Triangle Theatre); The Boys Next Door with Lance Reddick (Worcester Forum Theatre). TV/ FILM: Glory, The Opposite of Sex, Desolation Angels, Against the Law, Guiding Light, As the World Turns, Another World, the titular character in Sci-Fi Channel's Cameron Grant. He is a proud member of AEA and SAG-AFTRA.    ARSALAN SATTARI PRODUCTIONS: Since 2012 Arsalan Sattari Productions has commissioned, developed, licensed, and produced shows by world-class artists, to critical acclaim and commercial success, within the London fringe, West End, and festivals. They are interested in new writing, UK and European premieres, historical plays and characters rarely portrayed on stage. They are proud to have built a reputation of producing top acclaimed American playwrights in the UK. Arsalan is an Honorary Associate Producer at the multi-award winning Finborough Theatre, London, and Creative Director and CEO of StageBlock, working with some of the most renowned talents and global institutions to bring performing arts into the wider art market.  Learn more and get tickets. https://playhousecreatures.org/events/the-return-of-benjamin-lay/ https://www.sheencenter.org/events/detail/the-return-of-benjamin-lay   Connect with Izolda Website: https://IzoldaT.com BlueSky: https://bsky.app/profile/izoldat.bsky.social. Book Your Discovery Call: https://calendly.com/izoldat/discovery-call New Play Exchange: https://newplayexchange.org/users/90481/izolda-trakhtenberg Submit a Play to the Your Creative Table Read Podcast Series One Minute Movies A Close Shave Career Suicide Diz Wit   Flip Your Inner Script to Stop Negative Thoughts From Ruining Your Day.   This episode is brought to you by Brain.fm. I love and use brain.fm! It combines music and neuroscience to help me focus, meditate, and even sleep! Because you listen to this show, you can get a free trial and 20% off with this exclusive coupon code: innovativemindset. (affiliate link) URL: https://brain.fm/innovativemindset It's also brought to you by my podcast host, Podbean! I love how simple Podbean is to use. If you've been thinking of starting your own podcast, Podbean is the way to go!** Are you getting anything out of the show? I'd love it if you would buy me a coffee.   Listen on These Channels Apple Podcasts | Spotify | Stitcher | Podbean | MyTuner | iHeart Radio | TuneIn | Deezer | Overcast | PodChaser | Listen Notes | Player FM | Podcast Addict | Podcast Republic |

Welcome to our Royal Romance season.On this episode, we'll be talking about Royal Pairs that never got together. The couples in question were considered by the powers that be, or they took a fancy to each other, but they either weren't allowed to follow through with their plans, or fate decided otherwise. We're looking at four such couples today, Richard III & Isabella of Castile,George I & Queen Anne, Emperor Alexander II of Russia and Queen Victoria,And finally, Prince Eddy a.k.a. Prince Albert Victor, Duke of Clarence and Avondale & Empress Alexandra.It is always curious to ponder how different history would be if certain events had developed differently. To talk of these would-be couples, as well as touch upon the alternative history that we never got to know, we have historians Chris Riley and Catherine Curzon.Our Favourite Books by Catherine: The Crown: https://www.pen-and-sword.co.uk/The-Royal-Family-vs-The-Crown-Hardback/p/51893/aid/1238Georgian Queens: https://www.pen-and-sword.co.uk/Queens-of-Georgian-Britain-Hardback/p/14066/aid/1238Georgian Kings: https://www.pen-and-sword.co.uk/Kings-of-Georgian-Britain-Hardback/p/12904/aid/1238Wives of Prince Regent: https://www.pen-and-sword.co.uk/The-Wives-of-George-IV-Hardback/p/20127/aid/1238Life in the Georgian Court: https://www.pen-and-sword.co.uk/Life-in-the-Georgian-Court-Hardback/p/12109/aid/1238The Real Bridgerton: https://www.pen-and-sword.co.uk/The-Real-Bridgerton-Hardback/p/23199/aid/1238Our fangirling over Catherine's first book:https://www.ifitaintbaroquepodcast.art/post/life-in-the-georgian-court-the-long-18th-centuryWe are now on Patreon!Join our Baroque Kingdom and become a peer of the realm:https://patreon.com/Ifitaintbaroquepodcast?utm_medium=social&utm_source=twitter&utm_campaign=creatorshare_creator&utm_content=join_link Join Natalie on her London walking tours:Monarchy Anglo-Saxons to Stuarts: https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/Monarchy Stuarts to Windsors: https://www.getyourguide.com/london-l57/royal-london-georgian-and-windsor-monarchs-walking-tour-t481355Naughty London: https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/and a new one Royal Love Stories:https://www.getyourguide.com/london-l57/royal-love-stories-walking-tour-t481358/https://www.ifitaintbaroquepodcast.art/https://www.reignoflondon.com/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this first of a series of 3 episodes, recorded live, discussing the factors going on in Rome which effected Henry VIII's ultimately failed attempt to secure a divorce from his first wife Katherine of Aragon, we focus on the events which led up to Imperial troops at the walls of Rome, bent on violence. As well as out main topic for today we also have the 3-minute explainer - why is Richard III so popular? and AI attempts to recreate historical moments.You can also watch this episode on the British History Youtube Channel - click hereYou can join me for the next episode, streaming live on 17th March by clicking here.British History is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit philippab.substack.com/subscribe

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain's national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII's life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it's possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain's national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII's life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it's possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain's national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII's life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it's possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain's national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII's life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it's possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain's national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII's life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it's possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain's national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII's life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it's possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain's national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII's life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it's possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

From the poison apple to the kiss that awakens Snow White to a philosophical and scientific exploration of the nature of love itself, this episode has it all!“Zzzzzzz…”Snow White (circa 1939)Ah, love is in the air. Someday, YOUR prince (or princess) will come, dear Does it Fly? fans. Of this, we are certain. Why? Because even something as seemingly metaphysical as love, like everything else in the universe, is governed by certain scientific principles! Crazy, right?When we first started thinking about the concept of “true love's kiss” as most famously depicted in the 1939 Disney animated classic Snow White and the Seven Dwarfs (not to mention countless other versions of the story), we were more concerned with the actual mechanisms of the poison in the apple that renders poor Snow White comatose, and what it would take to deliver an antidote solely via a gentle kiss on the lips. And while we do indeed cover all of that in the latest episode, our discussion spirals outward into broader philosophical discussions about the very nature of love itself! In the process, we learn a bit more about both of our hosts, and maybe (choking back tears) a little about ourselves, too!Check out the latest weirdly romantic and wistful episode of Does it Fly? now!SUGGESTED VIEWING We based the main part of our discussion for this episode on the Disney's 1939 Snow White and the Seven Dwarfs. But while you're at it, give 2007's Enchanted a look, which gives a number of the classic Disney princess (and Snow White specifically) tropes a new spin!To take things a little further afield, if you want to know the origins of the term “true love's kiss” as far as we know, it goes back to William Shakespeare's Richard III. Sir Laurence Olivier's 1955 screen version is generally considered to be the finest version of it to make it to film. Get some culture in your life!And if you really want to get out there, Hakeem mentions Sam Harris' exploration of MDMA and the concept of love in many forms, which is explored here.FURTHER READING Do you want to delve a little deeper into the facts, concepts, and stories Hakeem and Tamara referenced in today's episode? Of course you do! Smelling SaltsWe're willing to bet that everyone has seen smelling salts used in cartoons or old movies but few of you have actually experienced them. Here's how they work, though.“Love Brain”Ah, say those words that every girl longs to hear… “oxytocin, dopamine, serotonin.” OK, maybe not those words exactly. That being said, the matter of “chemistry” when it comes to love and sexual attraction is in fact a literal thing! Let the big brains at Harvard explain.Consent and Snow WhiteFor a nuanced take on one of the questions that has come up around the matter of “true love's kiss” check out this article Tamara found in The Princess Blog!WANT MORE FROM DOES IT FLY?You know what pairs really well with this episode? Our exploration of Elphaba in Wicked, which you can watch right here!Another fairy tale trope (albeit one that was used to much more spooky effect) is the concept of the “familiar”, something we explored in detail in our episode about The Crow. Check it out!FOLLOW US!Stay in the loop! Follow DoesItFly? on YouTube and TikTok and let us know what you think! And don't forget to follow Roddenberry Entertainment:Instagram: @RoddenberryOfficial Facebook: RoddenberryBluesky: @roddenberrypod.bsky.socialFor Advertising Inquiries: doesitfly@roddenberry.comCheck out the official Does it Fly? playlist, too!

On this day in Tudor history, 11th February 1466, Elizabeth of York was born—a woman whose bloodline shaped the future of England. She was the daughter of a king, the sister of the Princes in the Tower, the wife of Henry VII, and the mother of Henry VIII. Yet, despite her importance, she is often overshadowed by the powerful men and women she was connected to.     But Elizabeth wasn't just a passive figure in their stories. She played a key role in uniting England, bringing an end to the Wars of the Roses, and founding the Tudor dynasty.     - Did she really want to marry Richard III?   - How did she go from being a Yorkist princess to the first Tudor queen? - What was her influence on her son, Henry VIII, and the future of England?   Her life was full of political intrigue, uncertainty, and personal tragedy. But was she merely a pawn in a bigger game, or was she the true heart of the Tudor dynasty?     Her tragic death on her own birthday left Henry VII devastated—he never remarried. But her legacy lived on through the Tudors and beyond.     Discover the full story of Elizabeth of York—her survival, her power, and her influence. What do you think? Was Elizabeth a forgotten queen or the true foundation of the Tudors?   #TudorHistory #ElizabethOfYork #OnThisDay #TudorQueens #WarsOfTheRoses #TudorDynasty #RoyalHistory #HistoryMatters

Derek Wilson is an actor who can currently be seen recurring on both GEN V and THE BOYS as fan favorite “Tek Knight.” He starred opposite Josh Hutcherson and Eliza Coupe for 3 seasons of Seth Rogen and Evan Goldberg's Hulu comedy, FUTURE MAN. Other television credits include a series regular on AMC's PREACHER, recurring roles on BILLIONS, THE GOOD WIFE, and RECTIFY, and guest stars on PERSON OF INTEREST and AQUARIUS. Features include THE LAST GIRL and the upcoming OXALIS. Derek holds a MFA from NYU's Tisch School of the Arts. He started his career on stage appearing in such productions as ANNA CHRISTIE as well as 22 of Shakespeare's plays including Henry IV, Richard III and the Broadway revival of MACBETH. We chat about doing over 20 Shakespeare plays, Future Man, going to acting school at 29, previously being a ‘serious actor' guy, human messiness, perfection, anxiety, David Koechner, his life changing call after Preacher, his soul dog, plus plenty more! The video footage of this entire chat is now out as well (one day after release)! So check them out on YouTube under Michael Kahan Check Derek out on: Instagram: https://www.instagram.com/_derekwilson ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

Actor Michael Patrick has just picked up an award for his unique portrayal of Shakespeare's Richard III, which gives the play a fresh twist inspired by his own experience of living with motor neurone disease (MND).Michael is no stranger to MND. His father died from the condition and his sister is also living with it, although drug trials for the siblings have given them more hope for the future.Also on this episode, the charity Mencap says it fears for peoples lives after the NHS dropped annual health checks for people with learning disabilities from its priorities plan.We speak with Mencap CEO, Jon Sparkes, as well as Nigel and Rahima about their experiences of the Health MOTs.And we meet Japan's Nobuyuki Tsujii, a blind pianist who's played at concert venues around the world including the Sydney Opera House.Presented by: Emma Tracey Produced by: Daniel Gordon, Alex Collins and George Sharpe Sound recording and design by: Dave O'Neill Editors: Beth Rose and Ben Mundy

Join host Natalie Grueninger as she welcomes historian and author Philippa Langley to the "Talking Tudors" podcast. This episode dives into Langley's extensive research on the enigmatic disappearance of the Princes in the Tower during Richard III's reign. Discover the meticulous forensic approach Langley employs in the Missing Princes Project, an investigation that questions the long-held beliefs about the fate of these royal boys. Langley shares insights from her detective-like inquiry that challenges traditional Tudor narratives and presents new evidence regarding the surviving heirs of Edward IV. Listen in to explore how Tudor propaganda shaped historical accounts and learn about the unique methods used to uncover truths buried in history. Visit Philippa Langley's official website.  https://www.philippalangley.co.uk/index.html Find out more about your host at https://www.nataliegrueninger.com Buy Talking Tudors merchandise at https://talkingtudors.threadless.com/ Support Talking Tudors on Patreon Learn more about The Katharine of Aragon Legacy Lectures https://www.eventbrite.co.uk/e/historians-supporting-peterborough-cathedral-tickets-1222676521389?aff=oddtdtcreator  

On this day in 1495, Anne of York, daughter of Edward IV and sister of Queen Elizabeth of York, married Thomas Howard, the future 3rd Duke of Norfolk. But this was far more than just a royal love story—it was a political gamble that shaped the future of the powerful Howard family.   Just ten years earlier, Thomas Howard's family had been on the losing side at the Battle of Bosworth. His father and grandfather had fought for Richard III against Henry Tudor, and yet now, Henry VII had approved a marriage between his own sister-in-law and the son of a former enemy.   - Why did Henry VII allow this match? - How did it shape the Howards' future at the Tudor court? . And what happened to Anne after this grand wedding?   Listen now to uncover the strategic marriage that helped forge one of Tudor England's most powerful families!   #TudorHistory #AnneOfYork #ThomasHoward #TudorCourt #RoyalMarriage #HistoryLovers #MedievalHistory 

It's one of the greatest murder mysteries in British history - the disappearance of the Princes in the Tower - and we'll debate whether they were killed by their uncle Richard III or indeed survived, with our guests Philippa Langley (behind the documentary 'The Princes In The Tower: The New Evidence') and Prof Tim Thornton (behind the documentary 'Princes in the Tower: A Damning Discovery').

Prepare to dive into the tumultuous world of Tudor politics in this special episode of History Rage, brought to you in partnership with the Catherine of Aragon Festival. Host Paul Bavill is joined by Nathan Amin, author, historian, and renowned critic of historical misconceptions, as they embark on a spirited discussion about the often overlooked reign of Henry VII.The Tudor Tantrum:- Nathan Amin passionately argues for a re-evaluation of Henry VII's legacy, challenging the prevailing perception of him as a mere bridge between Richard III and Henry VIII.- Discover why Henry VII's reign deserves more attention, as Nathan details his significant contributions to England's stability and prosperity, overshadowed by his more infamous successors.Restoring Royal Authority:- Learn how Henry VII consolidated power and restored royal authority, navigating the treacherous political landscape left by the Wars of the Roses.- Explore the measures he implemented to centralise government and reduce the influence of overambitious nobles, ensuring lasting peace and stability.Financial Reforms and Misconceptions:- Nathan debunks the myth of Henry VII as a miserly king, highlighting his strategic financial policies that strengthened the crown's independence.- Uncover the truth behind Henry's avaricious reputation and how his financial acumen laid the groundwork for a prosperous Tudor dynasty.Diplomacy and Foreign Policy:- Delve into Henry VII's foreign policy strategies, which prioritised peace and alliances over warfare, securing England's continental reputation.- Understand the significance of his diplomatic ties with France, Scotland, and the Spanish Trastamara dynasty, which bolstered England's position in Europe.Join us as Nathan Amin sheds light on the complexities of Henry VII's reign, advocating for a more nuanced understanding of this pivotal Tudor monarch. To explore Nathan's work further, visit the History Rage bookshop for his latest book, "Son of Prophecy: The Rise of Henry Tudor," and follow him on social media at @NathanAmin.Support the rage that fuels our historical deep dives by clicking the Apple Subscription link or at patreon.com/historyrage, and don't forget to leave us a review on Apple Podcasts, Spotify, or wherever you get your podcasts.To catch up on all the rage from bygone times, visit our website at www.historyrage.comIf you want to get in touch with History Rage, email historyragepod@gmail.comFollow History Rage on Social MediaFacebook: https://www.facebook.com/HistoryRageTwitter: https://twitter.com/HistoryRageInstagram: https://www.instagram.com/historyrage/Bluesky: https://bsky.app/profile/historyrage.bsky.socialStay informed, stay passionate, and let the rage for truth in history rage on! Hosted on Acast. See acast.com/privacy for more information.

Chapter 1 What's The Princes in the Tower by Philippa Langley"The Princes in the Tower" by Philippa Langley explores one of the most enduring mysteries in British history: the fate of the two young princes, Edward V and his brother Richard, Duke of York. Disappearing in 1483, shortly after their uncle Richard III took the throne, their whereabouts remain unknown. Langley's work delves into historical records, examining the political climate of 15th-century England while analyzing various theories surrounding their disappearance. She also investigates the implications of their deaths on the monarchy and explores the psychological aspects of their likely murder, underscoring how their story has captivated historians and the public alike for centuries. Langley's narrative combines historical facts with a suspenseful inquiry that raises questions about truth, power, and the innocence of youth in the face of political machinations.Chapter 2 The Princes in the Tower by Philippa Langley Summary"The Princes in the Tower" by Philippa Langley delves into the historical mystery surrounding the fate of the two young princes, Edward V and his brother Richard, Duke of York, who disappeared from the Tower of London in 1483. Both boys were the illegitimate children of King Edward IV and were placed in the tower for their safety amidst political turmoil following their father's death.Langley explores the theories regarding their disappearance, which has led to much speculation over the centuries. One of the most prominent theories suggests that they were murdered on the orders of their uncle, Richard III, who sought to secure the throne for himself. The book examines various historical records, accounts, and the political climate of the time to piece together the events leading up to their vanishing.Furthermore, Langley emphasizes the emotional and psychological impact of the princes' story on the English psyche and how it reflects broader themes of power, betrayal, and the innocence of youth caught in the machinations of royal politics. The narrative is marked by meticulous research, aiming to shed light on a dark chapter of history while fostering a deeper understanding of the historical significance surrounding the mysterious fate of these two young boys.Chapter 3 The Princes in the Tower AuthorPhilippa Langley is a British author and researcher, best known for her work on historical subjects particularly related to the English monarchy. She gained notable attention for her contributions to the story of King Richard III and the discovery of his remains in a Leicester car park in 2012. Langley is also known for her passionate advocacy surrounding the life and legacy of Richard III. The Princes in the TowerRelease Date: "The Princes in the Tower" was released in 2013. In this book, Langley explores the mystery surrounding the disappearance of the Princes Edward and Richard, the sons of King Edward IV, who disappeared in 1483. Other WorksAside from "The Princes in the Tower," Philippa Langley has authored several other books and works related to historical themes, including: "Richard III: The Woman Who Would Be King" (2018) A biography of Richard III that examines his life and the circumstances of his death. "The Lost Prince: The Survival of Richard of York" (2019) A book delving into theories about Richard of York's potential survival after the events surrounding the Princes in the Tower."The Search for Richard III" A work on the archaeological discovery of Richard III's remains, co-authored, which details the efforts made to locate and identify the king. Best EditionsIn terms of the editions of her best works, enthusiasts often refer to the first editions of her books as most collectible. For example: "The Princes in the Tower" has several editions, but the hardcover first edition typically holds the...

Erik Passoja shares his dynamic career journey, highlighting his experiences as an actor, comedian, martial artist, and voice artist. From playing serial killers and Nazis to embodying the infamous Charles Manson, Erik offers fascinating insights into the preparation and challenges behind such roles. He discusses his passion for martial arts, his training in Japan, and how it shapes his approach to acting. Erik also explores his transition from comedy to acting, his love for Shakespeare, and the unique blend of humanity and villainy in his characters. Additionally, he provides behind-the-scenes glimpses into his work on shows like "The Flight Attendant," "Hunters," and "Firefly," and shares anecdotes from his time as a voice actor in video games and animated series. Episode Highlights: Portraying iconic villains, including Charles Manson and complex Nazi characters. Insights into method acting and the preparation required for challenging roles. Discussing martial arts and its influence on his acting philosophy. Behind-the-scenes stories from "The Flight Attendant" and working with Kaley Cuoco. Reflections on his comedy career, including inspirations like Robin Williams. The creative process behind his music video project, "Guru Money." Insights into his voice work in games like "Medal of Honor" and "LEGO Star Wars." Exploring the craft of Shakespeare and his love for performing Richard III. Fun anecdotes from working on cult shows like "Firefly" and "Doom Patrol." A lighthearted look at his multilingual skills and international experiences.   You're going to love my conversation with Erik Passoja IMDB Instagram Guru Money (Guru$$) Facebook YouTube Channel Follow Jeff Dwoskin (host): Jeff Dwoskin on Twitter The Jeff Dwoskin Show podcast on Twitter Podcast website Podcast on Instagram Join my mailing list Subscribe to my Youtube channel (watch Crossing the Streams!) Yes, the show used to be called Live from Detroit: The Jeff Dwoskin Show Ways to support the show: Buy me a coffee (support the show) TeePublic Store: Classic Conversations merch and more! Love the books I talk about on the show? Here is my Amazon store to shop.  

THE LORD OF THE RINGS PREQUEL TRILOGY BEGINS!! The Hobbit: An Unexpected Journey Full Reaction Watch Along:  https://www.patreon.com/thereelrejects Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@thereelrejects?lang=en Twitter: https://x.com/thereelrejects Facebook: https://www.facebook.com/TheReelRejects/ Now that they've seen The Lord of the Rings Trilogy & with The War of the Rohirrim out now, Roxy Striar & Tara Erickson RETURN to Middle Earth to give their FIRST TIME Reaction, Commentary, Analysis, Breakdown, & Full Movie Spoiler Review for the JRR Tolkien adaptation which, once again, sees Peter Jackson (Dead Alive, The Lovely Bones) at the helm as co-writer & Director along with contributions from Guillermo Del Toro (Hellboy, Frankenstein) & More! The Hobbit stars Martin Freeman stepping into the role of a young Bilbo Baggins, enticed upon an epic adventure by the Wizard Gandalf (Ian McKellen - X-Men, Richard III) and a band of Dwarves led by Thorin Oakenshield (Richard Armitage - Captain America: The First Avenger, Star Wars Episode 1: The Phantom Menace) in a quest to reclaim their long-lost treasure from the evil dragon, Smaug (Benedict Cumberbatch - Sherlock, Doctor Strange). The cast also features Andy Serkis as Gollum, Cate Blanchet as Galadriel, Hugo Weaving as Elrond, Christopher Lee as Saruman, Sylvester McCoy as Radagast the Brown, & MORE! Roxy & Tara REACT To all the Best Scenes & Most EPIC Moments including The Legend of the Misty Mountain Scene, What Bilbo Baggins Hates Scene, Hunted By Orcs Scene, The Misty Mountains Cold Scene, Battling the Trolls Scene, The Necromancer Has Come Scene, Riddles in the Dark Scene. Orcs and Eagles Scene, The Goblin Horde Scene, & Beyond!! NOTE FOR YOUTUBE: All Footage Featured From "The Hobbit: An Unexpected Journey" Is From A FICTIONAL Epic Fantasy Movie. Any & All References To "Mature Content" Is NOT Real Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

In this History of Prints (HoP) episode, Tru and I finish talking about the life and work of William Hogarth, the father of Western sequential art.  We look at and pick apart three series: Industry and Idleness, The Four Stages of Cruelty, and Humours of an Election. Timely, no? Hogarth continues to point out society's faults and baser instincts. He never stopped trying to teach the masses about comportment and judgment. Episode image: William Hogarth (British, 1697–1764). Gin Lane, 1751. Etching and engraving. Sheet: 15 1/16 x 12 1/2 in. (38.3 x 31.7 cm.). Metropolitan Museum of Art, New York. Useful Links Harlot's Progress video from Paul Mellon Centre for Studies in British Art. https://youtu.be/VPQze0EbpdQ Harlot's Progress video from Reading the Past. https://youtu.be/u1rtBD0qvPY?si=DkVatOJ5-vEyrIqF Beer Street and Gin Lane from Reading the Past. https://youtu.be/A3-Je-lSKrE?si=C9igJSDSvYVyRabY After Allan Ramsay (British, 1713–1784). Portrait of William Hunter, 1760. Engraving. Wellcome Collection. Jean-Baptiste-Siméon Chardin (French, 1699–1779). Saying Grace, c. 1740. Oil on canvas. 49.5 x 38.5 cm. (19 ½ x 15 ¼ in.). Musée du Louvre. Paris. Jean-Baptiste Greuze (French, 1725–1805). The Village Bride, 1761. Oil on canvas. 92 x 117 cm. (36 x 46 in.). Musée du Louvre. Paris. Inigo Jones (British, 1573–1652). Banqueting House, 1622. London. William Hogarth (British, 1697–1764). The South Sea Scheme, 1722. Etching and engraving. Sheet: 10 ¼ x 12 15/16 in. (26.1 x 32.8 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Harlot's Progress, 1732 or before. Series of 6 etchings with engraving. Sheet (each): 12 5/16 x 15 1/8 in. (31.3 x 38.4 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, 1735. Series of 8 paintings. Sir John Soane's Museum, London. William Hogarth (British, 1697–1764). A Rake's Progress, 1735. Series of 8 etchings with engraving. Sheet (each): 13 7/8 x 15 7/8 in. (35.2 x 40.4 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). Marriage A-la-Mode, c. 1743. Series of 6 paintings. Each: 66.9 x 90.8 cm. The National Gallery, London. After William Hogarth (British, 1697–1764). Marriage A-la-Mode, 1745. Series of 6 etchings with engraving. Plate (each): 15 1/4 x 18 1/2 in. (38.7 x 47 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). Mr. Garrick in the Character of Richard III, 1746. Etching and engraving. Sheet: 16 3/8 x 20 1/2 in. (41.6 x 52 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Analysis of Beauty, written with a view to fixing the fluctuating ideas of taste. London: J. Reeves, 1743. S curves from The Analysis of Beauty, written with a view to fixing the fluctuating ideas of taste. London: J. Reeves, 1743. William Hogarth (British, 1697–1764). Plate I from The Analysis of Beauty, written with a view to fixing the fluctuating ideas of taste. London: J. Reeves, 1743. William Hogarth (British, 1697–1764). Plate II from The Analysis of Beauty, written with a view to fixing the fluctuating ideas of taste. London: J. Reeves, 1743. William Hogarth (British, 1697–1764). The Fellow ‘Prentices at their Looms, plate 1 from the series Industry and Idleness, 1747. Etching and engraving. Plate: 10 3/8 x 13 7/16 in. (26.4 x 34.2 cm.); sheet: 10 5/8 x 14 in. (27 x 35.5 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Industrious ‘Prentice Performing the Duty of a Christian, plate 2 from the series Industry and Idleness, 1747. Etching and engraving. Sheet: 10 3/8 x 13 3/4 in. (26.4 x 34.9 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Idle ‘Prentices at Play in the Churchyard, plate 3 from the series Industry and Idleness, 1747. Etching and engraving. Sheet: 10 1/4 x 13 9/16 in. (26 x 34.5 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Industrious ‘Prentice a Favourite and Entrusted by his Master, plate 4 from the series Industry and Idleness, 1747. Etching and engraving. Plate: 10 3/8 x 13 1/2 in. (26.3 x 34.3 cm.); sheet: 10 11/16 x 13 7/8 in. (27.1 x 35.2 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Idle ‘Prentice Turned Away and Sent to Sea, plate 5 from the series Industry and Idleness, 1747. Etching and engraving. Sheet: 10 3/8 x 13 11/16 in. (26.4 x 34.8 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Industrious ‘Prentice Out of his Time and Married to his Master's Daughter, plate 6 from the series Industry and Idleness, 1747. Etching and engraving. Plate: 10 3/8 x 13 9/16 in. (26.4 x 34.4 cm.); sheet: 10 9/16 x 13 7/8 in. (26.8 x 35.2 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute, plate 7 from the series Industry and Idleness, 1747. Etching and engraving. Sheet: 10 5/16 x 13 5/8 in. (26.2 x 34.6 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Industrious ‘Prentice Grown Rich and Sheriff of London, plate 8 from the series Industry and Idleness, 1747. Etching and engraving. Plate: 10 1/4 x 13 1/2 in. (26 x 34.3 cm.); sheet: 10 3/8 x 13 3/4 in. (26.3 x 35 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Idle ‘Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplices, plate 9 from the series Industry and Idleness, 1747. Etching and engraving. Plate: 10 5/16 x 13 9/16 in. (26.2 x 34.4 cm.); sheet: 10 9/16 x 13 3/4 in. (26.9 x 35 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Industrious ‘Prentice Alderman of London, The Idle One Brought Before Him and Impeached by his Accomplices, plate 10 from the series Industry and Idleness, 1747. Etching and engraving. Sheet: 10 3/16 x 13 11/16 in. (25.8 x 34.8 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Idle ‘Prentice Executed at Tyburn, plate 11 from the series Industry and Idleness, 1747. Etching and engraving. Sheet: 10 3/8 x 15 3/4 in. (26.4 x 40 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Industrious ‘Prentice Lord Mayor of London, plate 12 from the series Industry and Idleness, 1747. Etching and engraving. Sheet: 10 9/16 x 15 13/16 in. (26.9 x 40.2 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). Gin Lane, 1751. Etching and engraving. Sheet: 15 1/16 x 12 1/2 in. (38.3 x 31.7 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). Beer Street, 1751. Engraving. Sheet: 15 1/8 x 12 11/16 in. (38.4 x 32.2 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The First Stage of Cruelty, 1751. Etching and engraving. Sheet: 14 3/4 x 12 1/2 in. (37.5 x 31.7 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Second Stage of Cruelty, 1751. Etching and engraving. Plate: 15 1/4 x 12 9/16 in. (38.8 x 31.9 cm.); sheet: 16 1/16 x 13 1/4 in. (40.8 x 33.7 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). Cruelty in Perfection, 1751. Etching and engraving. Plate: 15 1/4 x 12 11/16 in. (38.8 x 32.2 cm.); sheet: 15 13/16 x 13 3/16 in. (40.2 x 33.5 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Reward of Cruelty, 1751. Etching and engraving. Plate: 15 1/4 x 12 5/8 in. (38.8 x 32 cm.); sheet: 15 3/4 x 13 1/16 in. (40 x 33.2 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Humours of an Election I: An Election Entertainment, 1754–55. Oil on canvas. 101 x 128 cm. Sir John Soane's Museum, London. William Hogarth (British, 1697–1764). The Humours of an Election II: Canvassing for Votes, 1754–55. Oil on canvas. 102.3 x 131.4 cm. Sir John Soane's Museum, London. William Hogarth (British, 1697–1764). The Humours of an Election III: The Polling, 1754–55. Oil on canvas. 102.2 x 131.1 cm. Sir John Soane's Museum, London. William Hogarth (British, 1697–1764). The Humours of an Election IV: Chairing the Member, 1754–55. Oil on canvas. 103 x 131.8 cm. Sir John Soane's Museum, London. William Hogarth (British, 1697–1764). The Humours of an Election I: An Election Entertainment, 1755. Engraving. 40.5 x 54 cm. Royal Academy of Arts, London. William Hogarth (British, 1697–1764). The Humours of an Election II: Canvassing for Votes, 1755. Engraving. 40.5 x 54 cm. Royal Academy of Arts, London. William Hogarth (British, 1697–1764). The Humours of an Election III: The Polling, 1755. Engraving. 40.5 x 54 cm. Royal Academy of Arts, London. William Hogarth (British, 1697–1764). The Humours of an Election IV: Chairing the Member, 1755. Engraving. 40.5 x 54 cm. Royal Academy of Arts, London. George Caleb Bingham (American, 1811–1879). The Verdict of the People, 1854–55. Oil on canvas. 46 x 55 in. (116.8 x 139.7 cm.). Saint Louis Art Museum, St. Louis. George Caleb Bingham (American, 1811–1879). Stump Speaking, 1853–54. Oil on canvas. 42 1/2 x 58 in. (108 x 147.3 cm.). Saint Louis Art Museum, St. Louis. George Caleb Bingham (American, 1811–1879). The County Election, 1852. Oil on canvas. 38 x 52 in. (96.5 x 132.1 cm.). Saint Louis Art Museum, St. Louis. William Hogarth (British, 1697–1764). Tailpiece, or the Bathos, 1764. Engraving. 261 x 323 mm. Royal Academy of Arts, London.

Recreating Richard III's Voice: A Journey Through TimeJoin us as we dive into the fascinating project of reconstructing the voice of King Richard III, last heard in 1485.Music from Epidemic sound and All3 Media.Matt Lewis discovers the interdisciplinary efforts involving AI, history, science and linguistics that have gone into this decade-long endeavour. Featuring in-depth interviews with experts Professor David Crystal, Professor Caroline Wilkinson, Yvonne Morley-Chisholm, and the voice of Richard III - Thomas Dennis, discover how they have brought the 500-year-old voice of Richard III back to life. Gone Medieval is presented by Matt Lewis and edited by Amy Haddow. The senior producer is Anne-Marie Luff.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of ad-free podcasts and original TV documentaries including the film following this project step-by-step; A Voice for King Richard III, presented by Matt Lewis. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK

TVC 667.3: David Koenig, author of Unshot Columbo: Cracking the Cases That Never Got Filmed, talks to Ed about how “Old-Fashioned Murder,” the sixth-season episode featuring Joyce Van Patten as the murderer, was originally conceived as a modern-day Richard III that would have featured Burgess Meredith as the lead character, and why Peter Falk always wanted female murderers on the series to be seen as sympathetic characters. Both Shooting Columbo and Unshot Columbo are available through Bonaventure Press.

Henry VII has gone down in history as the miserable miser who, rightly or wrongly, seized the English Crown from the hands of Richard III at the battle of Bosworth. But, according to historian and author Nathen Amin, Henry's rise to power was unprecedented – and his rotten reputation blown out of proportion. In this 'Life of the week' episode, Nathen speaks to Emily Briffett about the life and legacy of the first Tudor monarch – from his major political successes to his close family bonds. (Ad) Nathen Amin is the author of Son of Prophecy: The Rise of Henry Tudor (Amberly, 2024). Buy it now from Amazon: https://www.amazon.co.uk/Son-Prophecy-Rise-Henry-Tudor/dp/1398110477/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices