Podcasts about east oakland

Yukmouth is a legendary rapper from East Oakland and one half of the Luniz. He grew up in the 65 Village where his entire family was involved in the dope game, and rap became a way out. This led Luniz to sign with C&H, release the smash hit “I Got 5 On It,” and tour with Notorious BIG. As a solo artist he signed with Rap-A-Lot Records and released a string of solo albums and projects with his collective The Regime. Join the Patreon for bonus content: https://patreon.com/dregsone--History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aaOnline Store: https://dregsone.myshopify.com Follow Dregs One:Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlAInstagram: https://instagram.com/dregs_oneTikTok: https://tiktok.com/@dregs_oneTwitter: https://twitter.com/dregs_oneFacebook: https://facebook.com/dregsone4150:00 Intro2:07 The Vill3:57 Felix Mitchell & Black Panthers12:27 Family in the dope game19:34 Rap in Oakland25:58 Founding the Luniz33:14 Five On It38:41 Too Short, Player Hater & Funkin Over Nothin44:40 Master P51:03 Touring with Biggie & Bad Boy55:42 2pac & One Nation57:50 Rap-A-Lot1:00:56 Thugged Out The Albulation1:04:38 The Regime1:07:04 Mac Dre1:16:26 Hyphy movement1:19:02 Moving to LA1:21:14 Numskull

“The energy devoted to treating mental health and reaching people who have mental health conditions is going to be on fire for not just this year, but for a while, because we don't know exactly how deeply this pandemic and the mental health conditions that came out of it… we don't know how long it's gonna affect people yet. We just know it has impacted people and it will be for some time.” — Jennifer Baity - Mental Health Services Expert and Therapist | Find Out More About Jennifer in Episode 71 KEY TAKEAWAYS & TIMESTAMPS [01:09] Mental health workers as frontline heroes—Edgewood Center's 24/7 PPE crisis care for children and the hidden toll on staff [13:08] Shy students find their voice—Women's Audio Mission's Girls on the Mic program transforms virtual learning into unexpected confidence [19:04] California's $235 billion arts economy loses 100,000 jobs—and the innovative funding models fighting to bring them back [45:35] East Oakland builds its own safety net—Roots Community Health Center launches the Bay Area's first walk-up COVID testing site GUEST BIOS & RESOURCES Featuring 19 community leaders including Dr. Noha Aboelata (Roots Community Health Center), Julie Baker (Californians for the Arts), Sekeenah El-Amin (Third Street Youth Center), and Elena Botkin-Levy (Women's Audio Mission). Organizations featured: Edgewood Center for Children and Families (edgewood.org) BM Magic, SF Public Defender's Office SF Arts Commission  |  Yerba Buena Center for the Arts (YBCA) Flower Piano at SF Botanical Garden (sfbg.org) Z Space – The Red Shades (zspace.org) Returning to the Stage Study – AMS Planning & Research / Elon University Check out the Full guest bios, transcripts, of our Highlight Episode 6 and dive into the 105 episodes of the Covid-19 series archive:  Sign up for Voices of the Communities e-Newsletter Make a tax-deductible donation at voicesofthecommunitydotcom—every dollar directly funds the next series. Subscribe to Voices of the Community wherever you listen. Leave a rating and review to help these stories reach more ears.  CREDITS Host & Producer: George Koster   |   Co-Host & Associate Producer: Eric Estrada   |   Design: Kasey Nance, Citron Studios Broadcast Partners: KSFP-LP FM 102.5 (San Francisco)   |   KPCA-LP FM 103.3 (Petaluma) Content Note: This episode discusses mental health, isolation, structural racism, unemployment, and community health disparities. Transcript available at georgekoster.com. #VoicesOfTheCommunity  #COVID19Impact  #BayArea  #MentalHealthMatters  #ArtsAreEssential  #HousingIsHealthcare  #IndependentJournalism  #CommunityHealth © Voices of the Community  |  No corporate sponsors. No gatekeepers. Just the voices that matter.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express Host Miko Lee speaks with Restorative Justice Educator and Author Tatiana Chaterji about her work on the power of tenderness. Tune in!   Tatiana Chaterji's website Show Transcript [00:00:00] Opening Music: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:44] Miko Lee: Good evening. I'm your host Miko Lee, and tonight we are speaking with Tatiana Chaterji about Restorative Justice. Restorative justice is a movement and a set of practices that stands as an alternative to our current punitive justice system. It focuses on people and repairing harm by engaging all the impacted folks working together to repair that harm. RJ is built off of ancient indigenous practices from cultures around the globe, including Native American, African, first Nation, Canadian, and many others. So join us with Tatiana Chaterji.    [00:01:23] Tati, who are your people and what legacy do you carry with you?    [00:01:28] Tatiana Chaterji: Thank you for the question, Miko. The first thing that comes to mind, my people are the people we're, we're, we're coming up on the cusp of a possible teacher strike, and I'm thinking about workers and the labor, movement and comrades in my life from doing, work as a classified school worker for about a decade.   [00:01:49] Then my people are also from my homelands. The two that I feel very close to me are in Finland, from my mom's side, and then in Bengal, both India, west Bengal, and Bangladesh. And my people are also those who are facing facing the worst moments of their life, either from causing harm or experiencing harm as a survivor of violence.   [00:02:11] I think about this a lot and I think about also the smaller conflicts and tensions and issues that bubble up all the time. So my people are those that are not afraid to make it better, you know, to make it right. And I carry, oh gosh, what legacy do I. I wanna say first kind of the legacy of the Oakland RJ movement that really nurtured me and the youth that I've encountered in schools and in detention on the streets in the community. [00:02:41] Youth who are young adults and becoming bigger, older adults and, and, and also elders. To me. So sort of that's whose legacy I carry in shaping the. Society that we all deserve.    [00:02:55] Miko Lee: Thank you for answering with such a rich, well thought out response that's very expansive and worldly. I appreciate that. Can you share what brought you to this work personally?   [00:03:07] Tatiana Chaterji: Sure. As a young activist involved in Insight Women of Color against Violence and aware of the work of Critical Resistance, and I had a pretty clear politics of abolition, but I didn't. Really think that it impacted me as personally as it did when I was in my early twenties and I suffered a brain injury from a vehicular assault, a hit and run that may have been gang affiliated or, a case of mistaken identity. My recovery is, is, is complicated. My journey through various kinds of disabilities has shaped me. But I think the way that I was treated by the police and by the justice quote unquote justice system, which I now call the criminal legal system, it because there was no justice.   [00:03:52] I sort of don't believe that justice is served in the ways that survivors need. yeah, I really, I got very close to the heart of what an RJ process can do and what RJ really is. I got introduced to Sonya Shah and the work of Suha bga and I was able to do a surrogate victim offender dialogue and then later to facilitate these processes where people are kind of meeting at the, at the hardest point of their lives and connecting across immense suffering and layers of systemic and interpersonal internalized oppression.   [00:04:26] Just so much stuff and what happens when you can cross over into a shared humanity and recognition. It's just, it's just so profound and and from that space of healing and, and, and compassion, I've been able to think about. Other ways that RJ can look and have sort of been an advan, what is it evangelical for it?   [00:04:51] You know, I think that because we don't see these options, I, I, because I knew people, I was able to connect in this way and I would just shout out David uim, who's the one who told me that even if I didn't know the person who harmed me, that this was possible. People so often give up, they're just like, well, I have to feel this way.   [00:05:10] I have to just deal with it. Swallow the injustice and the lack of recognition. Just sort of keep going. Grit your teeth. I think we don't have enough knowledge of what's possible and so we harden ourselves My name is Tatiana Chaterji. I'll be reading my flash essay split. Before I didn't know what a traumatic brain injury was. My tongue had not curled the letters TBI together shaping the sound of nightmare. I had not heard the clipping of staples from a scalp fused after it was split to release pressure.   [00:05:46] They said, removing the right cranial bone flap, not conceived of the skull as giving pressure, a living organism of its own, a piece of its stored in a freezer for months after being removed in the dead of night. Attempted murder, vehicular assault under a blanket of fog. This city, these hidden stars.   [00:06:07] Never concerned myself with science or medicine or the mechanics of survival, the filaments of me unbreaking encased as they were in a thick clay from where I stood young and forceful, standing or walking or sitting, because I wanted to willful, bold, joy, stubborn, had not needed to wait for the all clear discharge orders that released me to a world of indifference.   [00:06:33] Before I didn't know life without its sense. Its tastes that the olfactory nerve stretches behind the eyes, vulnerable to bruising or severing from an impact to the head that you won't know until you know an extended game of dice that ultimately rolled no permanent damage. You will smell again, but with loss.   [00:06:52] Unfamiliar associating Jasmine for coffee, revulsion to orange comfort and cinnamon. Before I had not been the target of any physical or lasting harm. Had not thought that victim or survivor would ever describe me. Had not organized a vigil for rape survivors as I did while unconscious dreaming, waking up to pelvic bruises, believing I was one of them.   [00:07:19] The brain injury bisected my life until I realized it was one in a string of paper cuts that stop hurting eventually, that there will be other moments that change me, that there are many ways to slice a life when I pull her to my chest. A sticky, slimy worm, six pounds, four ounces, eyes closed, mulling to find her place on my chest for the first time.   [00:07:44] My chin against the wet mess of hair. When he carries me over the threshold into our suite at the Wise Owl Hotel in South Colta, garlands of sweet Jasmine adorn my hair and my henna painted arms drip with gold. When the drama therapist asks the group to simulate the attack rushing towards me so I can do what I wished I had done, run away.   [00:08:11] It returns my power and I own what's mine Fingertips. Throbbing with the life they can grasp. Sirens through the dark machines. Beeping into a week of unconsciousness, awakening to wonder and madness. One toe at suicide's brink, recovering in this outpatient patient treatment program for depression and anxiety.   [00:08:31] All of it here. The breath and meat and sky. When I walked through the gates of San Quentin State Prison for the first time, shuttering at the cold, heavy clank permanence at my back. The man in front of me breathes nervously in his starched blue uniform, gently meeting my eyes to say, I've never met a real victim before.   [00:08:53] Thank you for coming. He is, of course, a crime victim, but also an offender, and there isn't room to be both in this place. I am here for the penultimate session of Victim Offender Education and Dialogue where the men have met for over a year now, each week to learn empathy and build rigorous self-reflection muscles to take accountability.   [00:09:18] They are ready to present their crime impact statements and to listen to a panel of survivors. None of us directly harmed or were harmed by each other. We are all surrogates. This then is the greatest innocence, the widest Gulf I've crossed before, sitting with men who have killed, who have touched this threshold, this fever wound of life and God and pain.   [00:09:44] My eyes were full of dew. I was blind to the logics of violence, the way the toxins seep under and you merge with its poison that you become dehumanized. Brutal. A mentality of war. The hurt echoing at a different pitch. Copper pebbles in an empty cave. Before I sat alone in confusion, untangling the threads of my trauma with what I knew from a peaceful life of privilege.   [00:10:12] In that first circle at San Quentin and every subsequent circle, I uncloak this ache, hear from men who explain the numbness, danger in every corner under the shadow of each day. I let them hold my story, share its load. Listen to theirs, my witness body lifting off bits of the weight they carry. I welcome insights previously unimaginable.   [00:10:39] Receive apologies I didn't know I needed. It's as if the lights switch on all at once, a brightness. The dialogue melts the isolation of my suffering. Its icy blanket of shame, allowing me to see what had been there all along, not monster. A human did this to me, broken alone, and suddenly I have permission to heal for 10 days.   [00:11:07] Baby birds remain in the nest. Their mother has built. I spent 10 days in a coma from within the protective circle. My family had drawn around me for the entirety of my two plus decades on earth. Infant wind, bone creature before flight 24 years collapsed to 10 days in the coma nest so I could bear free the weight of the universe.   [00:11:33] Soaring my mind at ease. A fresh page appears the dotted line of life's flashpoints waiting to blink on forward cuts and selves.   [00:11:46] Miko Lee: I just finished your new book. Wow.    [00:11:48] Tatiana Chaterji: Oh you did?   [00:11:48] Miko Lee: Yes I did.    [00:11:49] Tatiana Chaterji: Yay!   [00:11:50] Miko Lee: Yes I did. Everyday Restorative justice, moving from crisis Response to positive school culture. Big title, weighty title. It's so much, it's so rich, it's so beautiful. It has so many different elements for, um, for a classroom teacher, an educator, a community organizer. And it has not just like lesson plans, but amazing quotes and rubrics.   [00:12:15] Even rubrics. 'cause you could tell your classroom teacher with real experiences, which is like the land I live in. Stories and Spanish translations. So tell us how this amazing book, what, I mean you've been doing this work for years, but what inspired you to collect this into book form?    [00:12:33] Tatiana Chaterji: Oh, thank you Miko for reading it. That is the biggest gift ever. I want to shout out Heather Manchester Anita Vva and Evelyn Aquino. They wrote a book a few years ago on inter international Intergenerational Restorative Justice and really youth and adult partnership. And in that book, they featured the work that I had been doing at Fremont here in East Oakland.   [00:12:57] And I think that was the first time when I was like, wait, maybe we are really doing something special that deserves to be in a book. You know, like, what is this secret sauce? Or what is the, what is the combination? Things that we're doing that's really working that we want to share out with the world.   [00:13:14] And and so, yeah, so fast forward a little bit of time. There's, I, I've actually now left the district. I've had more time to reflect on what that time was and what it was we were doing. And I had this invitation with Teachers College Press to, uh, to put it forth and really make it legible for classroom teachers who might not have always felt like they were invited into this work for a variety of reasons.   [00:13:41] Miko Lee: Well, one, I think that's fascinating that it took somebody else writing about your work for you to say, Ooh, look at this. I think that's fascinating. Uh, more to that later, but I'm wondering I think many classroom teachers already do this whole, oh, let's come up with our rules for the classroom. It's like respect.   [00:13:58] I mean, it's a lot of the principles around restorative justice, but actually implementing a whole system feels. Overwhelming or like you were just saying, they don't have access to it, so how does this book give them access?    [00:14:14] Tatiana Chaterji: Uh, well, and I, I wanna clarify from the top that I'm actually, I am, I have served in the role of a classroom teacher, but that's not my training or background. And that I've, I've actually seen this schism or this kind of divisiveness between people who are in youth organizing, where I've, that's my background. Youth organ organizing, youth leadership development, sort of student and youth services. Vis-a-vis classroom educators. And I was straddling both of these roles as a classified employee doing restorative justice alongside case managers, the school security officers who are now called culture keepers in Oakland Unified, and and administrators as well.   [00:14:56] And I was partnering with teachers to figure out classroom systems. I ended up co-teaching and then solo teaching a class within the Mandela academy for Law and Public Service. That continued until when that school, when that mini school closed down. But I learned so much from classroom teachers. The educators that I was working with are amazing and they are the original. RJ people, I would say, but they, they are not positioned that way and they aren't often recognized or given the time and space to do circle and to do that culture building in their classrooms because they have any number of deliverables and test you know, requirements that they are responsible for.   [00:15:37] And so what I really saw was a kind of a sidelining of their work into the teaching and then the culture work happening in other pockets and primarily held by people who are not in front of the kids day after day dealing with. Management and communication and all the things that happen when you're bell to bell responsible for so many different combinations of kids and communicating with their parents and making sure everything gets synced up. So I think I really wanted to honor their labor and and open the door. And, and, and I'm sure others have done it as well, but I just felt it wasn't open enough. It wasn't a, a sort of a strong enough like, here, you already do this. Why? What if you could take it a step further or here are some things that are legible for the systems and the, the tasks that you are responsible for, that you have to be responsible for. Let me create it in your, in your language. And really with great humility from my own position is, has not having the same training.    [00:16:41] Miko Lee: Thank you for pointing that out. And those titles of, you know, the classroom educator, the community organizers, the youth development person, people often like separate them, but really it's about the creating the best culture for the students is what we're talking about.   [00:16:56] Tatiana Chaterji: Yeah. We should be on the same page.    [00:16:58] Miko Lee: Yeah.    [00:16:58] Tatiana Chaterji: And I think very often we are pit against each other and there's sort of, you know, being in this violent, extractive society that that's sort of what happens. But it shouldn't happen, in fact. Right. And we should be more hand in hand working together when there's been this smooth handoff between different roles on a campus. That's when it's just the best. And I want to, I hope to see that more.    [00:17:19] Miko Lee: Yeah. Can you talk a little bit about the story behind the, forward to the book? You write in a dedication to a young woman, and can you share a little bit about that story?    [00:17:30] Tatiana Chaterji: Oh gosh. Shamara Young her memory lives within me and with so many people in the Fremont community in Oakland. She was a student leader who was in the very first iteration of this RJ class, this restorative justice class that I taught for ninth graders, which really is the inspiration for this book. And she was killed shortly after we had just come back from distance learning from the pandemic, and it really shocked our, our entire community, an incident of road rage, and just the excess of the excess availability of weapons, you know, and, and firearms.   [00:18:07] So just wanted to honor her legacy, honor honor other students and young people who've been stolen from us, from violence here at home, and also in any number of imperial projects that, that. US government is responsible for just really seeing the interconnection between people's struggle and the loss of life is tragic all the time. And the loss of a student is a particular pain that I just, I wanted to name because it is, it is so tender and other educators, youth organizers, parents, people who've known young ones to, to die in that way. It's just something, a wound that stays and definitely motivates me to, to do this work.   [00:18:49] My name is Tatiana Chaterji. I'll be reading my Vielle, a poem called Losing Shamara. When he tells me she's gone, the air leaves my lungs losing shamara. The adults are loud in their grief. Students' eyes down to forget their own stolen ones. Circles the forced ceremony of blood on false tongues, homage to her memory, her story without relief.   [00:19:15] When he tells me she's gone, the air leaves my lungs. There's enough rage in the streets, enough guns, too many per person drowning dreams. All the beef students' eyes down to forget their own stolen ones. We fend for ourselves, feeding off crumbs, unmet needs of volcano. The lava, a sharp reef. When he tells me she's gone, the air leaves my lungs. [00:19:41] Healing hearts. Now the school spins as she hums her voice and my mind a faint shaking leaf when he tells me she's gone, the air leaves my lungs losing shamara. The adults are loud in their grief.   [00:19:57] Miko Lee: Well, thank you so much for grounding the book in that story, because I think there's something about talking about doing that work, but keeping in mind a real person and the impacts of our violent society and what's going on, but also how we keep moving on. So I, and    [00:20:13] Tatiana Chaterji: to say that, you know, Shaara really embraced this. She already, like so many of us and so many young people, she knew how to communicate through difficult situations, through drama and the gossip and what people are posting. And I saw that clarity and that maturity in her and wanted to just instill this book with that wisdom that, that young people often know how, already how to navigate these complex and oppressive systems. And that if we can offer a spotlight to them or something that's substantive and really honors that intelligence, they're, we, we could learn a lot.   [00:20:49] Miko Lee: Speaking of drama and learning a lot. I know that you have a background in theater and theater of the oppressed, and I'm wondering how you bring that work into your RJ work.   [00:21:00] Tatiana Chaterji: Oh, well that's a big passion of mine. I have not done it as much in the classroom space as I might have liked. But it's it when, when there is the invitation or the, the, the container to really go deep and create stories. Using theatrical forms and, and our bodies, this, this magic of image theater, it can be so powerful.   [00:21:22] The bulk of my work in that area has been inside of prison and doing programming in that highly violent system where there is generative, juicy, beautiful art to be made. And I just shout out all of the incarcerated artists that I've worked with who helped to shape those spaces and do performance in the prison where, where there was kind of like a witnessing and a participation across the audience and the performers who are on stage. That is that that gives me a lot of just light and hope and yeah. Good stuff.    [00:22:02] Miko Lee: I wonder if you could share a bit for folks that are not as familiar with rj uh, restorative justice work, and particularly at school sites, if you could share about the carpet of community building, what is that all about?   [00:22:15] Tatiana Chaterji: Oh yeah. Well, in the book I talk about the standard model of three tiers of restorative justice using kind of a triangle diagram where the, the bottom third, it's not even quite a third, it's the biggest chunk of the triangle, but that bottom layer is tier one. And this is not just in restorative justice, a lot of people will be familiar with this, where tier one is kind of universal. It's supposed to be for everybody. It is supposed to work for everyone, kind of the way that you shape the culture and the conditions of a learning environment.   [00:22:48] Tier two is when things go wrong or rather. People might need more support, more individualized attention in an RJ context, that's often if there's conflict or a pattern of, uh, behavior that is harmful. And then tier three is at the very top where it's the fewest people. But the idea that maybe somebody needs to be removed in a typical school that would be through.   [00:23:15] Expulsion or suspension or even juvenile detention and that they are in a restorative justice framework, they are welcomed back with intention and clarity on what that means. Doing something that's called a cosa, a circle of support and accountability that looks at the ways that a young person can succeed and holds them to account with a lot of love and care.   [00:23:39] So that triangle is great. Kind of, but it also could be Reconceptualized as a carpet of just interconnecting reasons for meeting in Circle. And I really wanna credit one of my mentors and friends, Kamoa Johnson, who helped me to think about this as a sort of, there's so many reasons to get, come together and circle that none of them should be prioritized more than the other. Or rather that every single thing should be grounded in the strength of the community and building relationships. So if I'm meeting with someone because they did something. Wrong, quote unquote, you know, that's also an opportunity for relationship. And there should be, uh, a piece of us getting to know each other as human.   [00:24:23] That is part of that as well. And yeah, so I think like just thinking about the carpet you can think about the different kinds of circles that people practice. That is all happening as community. That community building has to happen first and alongside all of these other interventions. So it's almost like the two top layers of the triangle would actually be situated in the bottom triangle or the bottom little chunk. And that bottom chunk would actually be a circle    [00:24:50] Miko Lee: or just reconfiguring the whole idea of a triangle.   [00:24:54] Tatiana Chaterji: Right, exactly. Yeah.    [00:24:55] Miko Lee: Yeah. So that we are all on one level space working in collective, uh, communication.    [00:25:02] Tatiana Chaterji: Yeah, and I think I might've explained it in sort of a confusing way. You'd have to really look at the book to see the, the reconceptualization, but I wanna emphasize that The reason that this framework and this redesign is so crucial is because people jump into rj, they jump into a circle and they don't do the groundwork to prepare everyone, including themselves to be there. But in a school environment, there's any number of toxic elements that students are absorbing, that teachers are absorbing, that we're all kind of just surviving with, you know, we're hungry, we're tired, we're overstimulated, the lights are too bright. We didn't get enough sleep. There's distractions on our cell phones.   [00:25:44] There's so many reasons that prevent us from sitting with each other and listening and being willing to learn from what another person might say or what their experience might be. And so if we can just go. Backwards and start with authentic connection and community building and skilling people up on how to listen. Then we'll be more successful. Any number of people who have tried to do a circle and it fails, and I count myself in that group as well. It's not. All your fault. In fact, it might not be your fault at all. There's so many reasons why a circle will flop, and I think the assumption that I make is that people are not going to bear their souls to me or be vulnerable to me right off the bat.   [00:26:32] And maybe they won't really ever. But that there are steps that can be taken to soften the hostility, the inherent hostility or harshness that is in our society, and to kind of slowly work towards a, just a, like a, a warmth. A warmth where people feel like it's not dangerous to talk about the icky stuff and the uncomfortable stuff, and that we have to do it very slowly and in a container where students and really anyone can relearn the part of ourselves that we have to strip away when we grow up.   [00:27:11] Miko Lee: So I feel like you're talking about multiple things. One is creating a safe environment for the young people to be able to speak what's on their heart, what's on their mind, and, and to recognize that everybody's coming from such a different space. Even in one school. Even in one classroom. It reminds me of that theater game the moment before. Like you never know what happened to that person the moment before they came to that circle.    [00:27:34] Tatiana Chaterji: Yeah.    [00:27:34] Miko Lee: And so it's just to be very conscious of that, that, uh. All of the environment that they're coming from.    [00:27:41] Tatiana Chaterji: Yeah. Conscious of it and accepting of it, but also not accepting that that's it. Like if someone is showing up and they're on their phone or they're kind of listening in a superficial way, they give a a cheap answer to a question that that's not all they're capable of. And I think we know that and educators would know that, but they might not have the tools to allow the student to go deeper or to, or even the time in their day in the semester to allow that growth to happen. And so I spotlight this experiment that we did at Fremont, which was 12 weeks long, and it rotated three times.   [00:28:18] It was an intro to the Media Academy, introduction to that. Architecture academy, and then it was a restorative justice class. And in those 12 weeks from the start to the finish, I noticed an incredible change in the student's ability to connect with each other, to feel empowered, to take, uh, sort of shape what they understand and shape what they care about and what they might wanna advocate for. And it was an intensive laboratory. I was super strict about phones. You know, I was, it was like, that was the place where you had to listen, learn how to listen, which was, in fact, the, the, my biggest, deliverable for them was that they should know how to listen and that they, of course, knew how, but this was a way to practice it further.   [00:29:02] Miko Lee: Can you name a few other things in that 12 week session that were able to foment this, uh, community?    [00:29:10] Tatiana Chaterji: Yeah, I think because it was a non-academic space, I was really able to prioritize how people are listening and how they are, uh, speaking or communicating. So everybody has a different comfort level with speaking out loud. And being in circle can feel extremely intimidating if you're not someone who likes to talk in front of people or likes to have the spotlight on you. So through the course of the class, there were, there were smaller activities to practice, people's public speaking, and even reflecting and then articulating what it is that you wanna say and practicing what does it mean to divulge something but not too much that you feel exposed.   [00:29:50] That skill, I think, is something that adults often take for granted, that we know how to evaluate a situation and shape our story correctly. And not all adults either, but it's something that for young people that is some that, that they can grow into that. Understand what they might wanna share that would be meaningful without making them feel too naked in front of their peers. So it's sort of like all of these dimensions of what are the pressures that they're feeling among this group of people? What feels comfortable to share? And when we got, when we broke into the more vulnerable and tender territory, it was pretty incredible to see and, and witness the shift in energy and how letting people's guards down could happen, like in a responsible way. I, in no way, am advocating for having students and encouraging students to open up about their trauma and then be let loose into the, to the world. You know, there are so many dangerous things that, that people are dealing with and having to say,    [00:30:53] Miko Lee: especially our social media world.    [00:30:56] Tatiana Chaterji: Right, absolutely. That's a whole other terrain. But to say that there is perhaps more possible than what we accept. So, so we kind of, I think we give up on like, well, you know, people are gonna shut down. They already are shut down and they're guarded, and boom, that's it. Let's just roll with it. Let me give them as many worksheets as possible, but I'm not gonna ask them to talk out loud because that's too much and    [00:31:23] Miko Lee: watch a bunch of movies.    [00:31:25] Tatiana Chaterji: Yeah. Well, I mean, teachers would tell me that they were so grateful that this space was being held because of what I think they understood as like a, a naturally therapeutic environment. And then of course, it's crazy because it wasn't always great. Sometimes it, you know, it didn't, I couldn't contain the space as well as I wanted to, but then students would say that I was the only teacher that would. Require them to speak out loud. Um, and so, and I didn't do    [00:31:48] Miko Lee: what of the whole day? That was the only class?   [00:31:51] Tatiana Chaterji: Yeah. Yeah. That's pretty easy for some of them, you know, some of them and not all of them, but like, it's, it's remarkable to, to understand that education can happen that way. And increasingly with remote learning and with everything being sort of through this technological interface, it is possible to pretty much not communicate out loud. So then what does that mean? We are losing so much of what we're capable of.    [00:32:13] Miko Lee: Yeah. It's not giving voice to students at all. Literally.    [00:32:16] Tatiana Chaterji: Well, right. Yeah. Yeah.    [00:32:19] Miko Lee: I mean, you make me think of a couple things. One, when you talk about the public speaking, clearly that's where your theater training comes in, not just naturally to do the public speaking, but then I also, when you're talking about consent and what you're sharing and how much you're sharing of yourself, 'cause that can be very vulnerable for young folks, especially folks that are survivors. And I'm thinking about Dr. Danielle Allen from Harvard and her work around the youth participatory politics. Are you familiar with her stuff?    [00:32:47] Tatiana Chaterji: No,    [00:32:47] Miko Lee: she's amazing she, she has this whole theory about how youth should share, and one of her components is sharing, um, digitally what they wanna share about who they are in the world. But I was just thinking about these as you're speaking about how you're getting them to talk about who they are. And I'm wondering if you could share a little bit more about youth leadership and how that's part of the development of the program, how important that is.    [00:33:15] Tatiana Chaterji: Absolutely. Um, I have a quote from one of my favorite RJ comrades to BD Gibson where he says that anything a young person can do, they should do that. We should hand it over, you know allow for more scaffolded, kind of shared responsibility. When I think about from the beginning of a school year to the end, that, that there's kind of a, the teacher is, and the, or the youth worker, whoever's holding the space, is doing a lot of the work to, to teach the skills, to transfer, the skills, to mentor and empower or skill up the young people. And that through the course of the year, by the end of it, that the young people are taking it on, shaping it, and they're doing so. In collaboration with the adults. And that it is not so much just youth adult partnership, but that there's a, a sense of intergenerational ness even among young people.   [00:34:08] There might be two people on the same grade level, one of whom has been in a youth leadership program and already kind of feels confident about doing any number of things. And I and a and their peer who could learn from that. Or an upper class person and a younger class person or a recent graduate. Many of the teachers and staff at Fremont were actually alumni of the school, which was really powerful for students to see someone who had gone through those same hallways. I think that's all a, a, a piece of it.   [00:34:38] The other thing about youth leadership is that the model of restorative justice in schools that I'm grounded in and that I would say many of my people in Oakland are grounded in is peer leadership. So when students are leading circles, and not just leading circles, but also kind of having their ears to the ground and listening to what students are worried about, if there are social and political phenomena that are affecting students and staff, how, how can they shape the questions or the activities that might need to happen? And, um,    [00:35:12] Miko Lee: for sure they know what's happening way more than any teacher does.    [00:35:16] Tatiana Chaterji: Right. I mean, often or in a different way.    [00:35:18] Miko Lee: Mm-hmm.    [00:35:18] Tatiana Chaterji: And so to be able to invite their voice in a, in a, in a meaningful container that isn't tokenizing it, that isn't sort of celebrating them just for being young or oppressed. I mean, I see that a lot in, in, in the work of youth leadership even. But to sort of meaningfully integrate them, which also requires training them in various, skills. And that partnership and that kind of coming together and doing things as a community can be transformative for everyone involved. I mean, for the staff that I've worked with, not just at Fremont, but at other schools when I've had students that are leading a training in circle keeping, for example, that can be so magnificent because the teacher gets to literally learn from their students, which I think is a dream that many people already are already want to do.   [00:36:06] Miko Lee: Absolutely. I think that's true.   [00:36:08] Ayame Keane-Lee: We're gonna take a quick break from the interview and listen to Slow Fade by MILCK.   MUSIC   [00:40:26] That was Slow Fade by MILCK.   [00:40:29] Miko Lee: I wanna pull a little bit bigger and talk a little bit more about restorative justice for just a moment. You write in your book about this need for a cultural shift, a paradigm shift because we are living in a capitalistic, uh, you know punishment based world in that we have this whole prison industrial complex and in, in fact the education to prison industrial complex. So can you talk about the different questions that are asked that, that restorative justice uses versus re, re versus like.    [00:41:01] Tatiana Chaterji: retributive.    [00:41:02] Miko Lee: Yes. Cannot say that word. So talk a little bit about the difference in our current system, which is this punishment base versus a restorative justice based. What kind of questions are different?    [00:41:13] Tatiana Chaterji: Yeah, definitely. Uh, uh, and, and to say that it's not just oppressive, capitalistic, it's also very transactional, that our relationships are not human. They're about just what people can get from them. And I'm seeing that just a lot. Um, but Howard Zer, I think is one of the people that I would credit with these contrasting questions in our current system, in, in sort of punitive and criminal or carceral spaces, the questions are who what law or rule was broken?   [00:41:40] Who broke it? You know, who's at fault? And then what should be the consequence? And often consequence means punishment or retribution. It means a payback because you broke a law. And in that system, the law or the institutions, right, is. Is is more important than the person and the victim or survivor is invisible.   [00:42:02] They are not even really of concern. And our, that's how our criminal legal system works. You don't really often have to consult a victim or a survivor around what they want to have happened because they literally don't matter. Their, their voice is taken away. It's the state of California versus the person who is accused of a crime vis-a-vis the person who's hurt or their mother, their community versus someone who, who has caused harm in a restorative approach.   [00:42:30] We ask. What the heck just happened? What, what's going on? You know who was harmed? Who else was affected? And what needs to happen to make things right? And that what needs to happen to make things right? Also includes who needs to do what. So it's going into the impact, the needs that arise from that impact, and then the obligations that. flow from there. So it's a really sort of, it's a more holistic and humanizing approach to situations that are complex. There's always a backstory, and that backstory isn't to justify the harm, it's to give the context.   [00:43:14] It's to understand how things happen. I have, I'm now a mom, I have two kids. If something's going on at school or if my child is blamed for something, I have to ask what prompted this kid to do the thing? I mean, when you're a parent, you really feel it quite closely, but it's there all the time. There's sort of, there's cycles that get played out in any number of of problems that we attend to.   [00:43:38] Miko Lee: Thank you for breaking that down so clearly. We're living in this time right now where the Epstein files are just being released and every day there's a different story in the news. And I'm just wondering for folks right now that may be triggered every time they're listening or reading or what, taking in the news, what are some RJ methods for coping with that?   [00:44:01] Tatiana Chaterji: My gosh, I'm one of these people that is triggered constantly and I just wanna give a shout out to all the survivors of, um, of child sexual exploitation, commercial sexual exploitation, and um, uh, sexual violence, all the, the, um, the predatory stuff that happens on the streets in my community and definitely at the schools where I've been. It is extremely. Unjust on the local level, and we're seeing it at these, at the scale, right? Of power. So blatant,    [00:44:34] Miko Lee: so big, so international, so wild.    [00:44:39] Tatiana Chaterji: Yeah. So in terms of how can RJ help, I mean, I would say that there is such a lack of any kind of accountability right now for the harm doers for people who have caused harm. There's no, there's not, there's not, there's not punishment, right? If you wanna look at retributive justice, there's not sort of    [00:44:57] Miko Lee: no accountability.    [00:44:58] Tatiana Chaterji: There's no accountability, but there's no compassionate encounter with with people who have done harm either. I mean, the framework I guess I would offer is the social relationship window. Um, ol and waktel, Ted Wachtel, various people have reenvisioned it, Dorothy Ving, and if you get the book, you can see all that. So that legacy, but that we sort of, we hold people who are causing harm. We hold them with love, and we also hold them with with a clear structure and boundary around what's acceptable.   [00:45:28] And so we're not sliding into a permissive zone where where we just let it go and enable the behavior to happen. And we're also not trying to dehumanize people who have caused harm and only see them as as monsters. I, I don't know, miko when it comes to people with such. Positional power, privilege, and just impunity. I, I don't know if I would apply that to the, to the perpetrators, right, to the people who, who are responsible for such harm right now. Like, that's not the conversation that I'm interested in having. I think, yeah, I, I don't know. Maybe I'm messing up this question.    [00:46:02] Miko Lee: No, you're not. I's so complicated because as an abolitionist, you know, I don't want these. I don't want people to be incarcerated necessarily, but these are some hideous, awful people that are like, so how do, how do you like wrestle with that?    [00:46:18] Tatiana Chaterji: I think it's like the, there's individuals right, who cause harm, but I think the main thing is that there are systems that allowed this harm and are allowing and have continued this harm to happen. I,  [00:46:29] Miko Lee: and it's perpetrated. It's still going on.    [00:46:30] Tatiana Chaterji: Right? Right. So I think like it's really about dismantling these systems and, and shining the light on what is there that we don't always see because we are caught up in the interpersonal, right. And so much of conversations about oppression will get into interpersonal because that's what we see.   [00:46:46] Miko Lee: Mm-hmm.    [00:46:46] Tatiana Chaterji: So students and community members will feel that someone is racist because someone has made a comment or this, that and the other. They're not seeing the kind of racial capitalism, the structure of poverty and what's baked into our laws that are behind it. So I think what circle and what restorative justice spaces can do is for me as someone who resists.   [00:47:08] Racial capitalism and resists structural inequality and the existence of poverty and racialized poverty in the way that it is, that it is. I think it is a space for dreaming together, for, for identifying shared struggle. What are the common things that we're dealing with? A circle is really good because it breaks people out of isolation that they think they're grappling with a thing on their own, and actually it is shared by other people and perhaps everyone. [00:47:38] So then from that place of shared struggle, what do we dream that, could be different? And how do we, organize together? I see the healing component of storytelling and of channeling grief and rage as connected to action and, and strategy. So that's primarily what I would say. Thank you for that question, for this timeliness. Yeah.   [00:48:02] Miko Lee: I'm wondering what you want folks to understand after reading your book. What do you want them to walk away with?    [00:48:09] Tatiana Chaterji: I think I want people to maybe f feel a, a little bit more confident that they could to the heart of pain with students and with others in your life, that there are frameworks and structures or ideas that can really. Hold you and support you in navigating that hard stuff or that even to study it. Maybe I want people to be curious about how do people create justice? What is, what is healing based justice look like? What's possible? Let's study it together because it takes a lot of work. It's not apparent. Our media and Hollywood, they glamorize, you know, there's propaganda.   [00:48:58] There's just like a glamorous portrayal of vengeance and that humanity, we can have vengeance, but we can also have other things. And those things might be the ones that we, the, the healing based justice systems is what we want when it's representing our best selves and what could help us and future generations.   [00:49:17] So to walk away with a little bit of hope. To not throw away RJ because of your past experiences where it sucked. RJ often sucks because of how, because of any number of factors and that it doesn't, don't give up. Don't give up. It can be better. And it, and, and there's some things that we can all learn, including myself and any of my own mistakes, that there's perhaps, it's still worth fighting for and it's still worth trying, and that we can do it slowly with care, with intention, and to give that.   [00:49:51] Allowance that people aren't going to be always ready, and it's not their fault. They, that doesn't make them less good or smart or wise or politically, you know, savvy. It's that there's so much that we are working against all the time to, and, and our survival mechanisms are very toxic. We don't really treat each other well, and that's on purpose. In fact, we tear each other down and that's, how, systems are allowed to continue to exploit us. So, yeah, that's, it's kind of a mouthful, but maybe a little bit of that, like a little bit of inspiration to try things on.   [00:50:26] Miko Lee: Okay, I wanna go back. Can you give a breakdown of what copaganda is?    [00:50:32] Tatiana Chaterji: Oh, I mean, copaganda is what we all, I mean, I consume it certainly. It's like the, it's Paw patrol, it's my kids getting exposed to superhero dogs that are the police because they quote unquote save the day. So it's these stories that the police are going to help. And in fact, we should look for them. There was a one time at a story circle, this person was reading a book and the, and the refrain was, help is on the way. Help is on the way. It gets kept going through any number of crises. That, anyways, just to say that help is not always on the way, as many of us know from trying to seek police protection from harm.   [00:51:14] And that when it does arrive, if it does, that it can cause harm to us, that we can be the target of it, especially if we're disabled or marginalized in another way. So propaganda is so pervasive, but it's this idea that the police will will help us. And we'll keep us safe. And I know from personal experience, my students know that that's not always true. So then what is the alternative? We kind of like add our voice and creativity into the mix, which is also very hard because it's a lot to work through. People are so culturally accustomed to thinking about external sources of help and protection from the state. You know?    [00:51:52] Miko Lee: And many marginalized communities have created their own pods of safety, like the Black Panthers and queer and trans folks because they knew that they could not rely on the cops to be able to help.   [00:52:04] Tatiana Chaterji: Absolutely. Yep. And that's how I learned with Insight, women of Color against Violence, learning from people, immigrant women, sex workers, people who are not protected, who could not, or undocumented immigrants who couldn't call on the state for help. What. What do they need and how do they create that for themselves?   [00:52:22] Mimi Kim was a big inspiration for me. So in my politics, kind of like trying to bring more people into this, right? Like, what, what does it look like when you talk about abolition? And students are like, no, are you kidding? Like, we can't get rid of prisons. And, and, and that is absolutely okay to have that conversation and to sort of open up the possibilities there, recognizing that many people have not even gotten the kind of justice or protection that a prison might afford for some people and maybe has in some instances. Right? So to start with that and to be like, you deserve better now. You deserved better, your family deserves better.    [00:53:00] Miko Lee: You deserve food and shelter.    [00:53:02] Tatiana Chaterji: Yeah.    [00:53:02] Miko Lee: The basic things. Yes.    [00:53:04] Tatiana Chaterji: Yeah.    [00:53:05] Miko Lee: Thank you so much for sharing. I really appreciate it. So I found this quote in your book by Aurora Levin Morales, and I'm just wondering, please read that quote for me, and then tell me the why. Why you included this, why it's so important. [00:53:20] Tatiana Chaterji: Aurora Elevens Morales is this poet who has given me so much inspiration with her work. And this quote was on the website of Restore Oakland, where I've partnered and I just, uh, shout out to Kari and Tash and everyone. So she says, for what is revolution, if not healing? And I put it, uh, to start off my I think it's the conclusion, breathing in shards from a broken sky, new air, and new lungs.   [00:53:46] And I kind of put forth this idea of RJ lungs, which really like strength are, are, are strong with the power of empathy and connection. And yeah, I think that political work and change making happens with healing, it's before and after and all around that there has to be that synchronicity between healing what's wounded and, and, and giving us space for that while also activating change that they shouldn't happen in these bubbles, which I think is, uh, more and more people are embracing that interplay between the two. It's not just you, you heal over here and therapy. You do your political work where you burn out and people are getting abused and hurt all the time. It's like more we should hold all of our human messy selves in the political work.    [00:54:35] Miko Lee: Thanks so much. And then my final thing is you included a quote by a ninth grade student. Could you share that quote with me and    [00:54:43] Tatiana Chaterji: Yes.    [00:54:43] Miko Lee: Why it's so important?    [00:54:44] Tatiana Chaterji: One of my, um, teacher comrades Danielle Zimmerman, this quote came from one of her students in a writing exercise. And Ms. Z is someone who just really embraces RJ in all, in, in all ways. And so the student says, feed your heart with love, forgiveness, hope, and healing words. There is no other way to survive. And I think for me, it's like if we are supposed to live in this world, if we want to live here, and we are taught that we have to be hard, we have to protect ourselves and be harsh and battle the hostility, uh, what is going to happen to us as a result? How are we shaping the, the, the next generation, our families the school environments that we're part of, so that instead of that hardness feed yourself with this love, with this softness, with the power of of tenderness and and healing and it just, yeah, this student is so brilliant.   [00:55:46] Miko Lee: Thank you so much for listening tonight. Remember to reconnect to your ancestral technologies and hold in the power of tenderness.   [00:55:55] Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night.   The post APEX Express – 3.19.26- The Power of Tenderness appeared first on KPFA.

In 2012, Lester Young, a 34-year-old church handyman, was gunned down in his East Oakland home in front of his teenage nephew. The only eyewitness identified a specific shooter—but the lead detective, Phong Tran, had other plans. Ignoring the witness, Tran pivoted to Steven Buggs, a truck driver who had grown up with the victim. What followed was a 15-hour interrogation filled with racial threats, a decade behind bars, and an 82-year-to-life sentence based on "investigative work" that was rotting from the inside out. --For early, ad free episodes and monthly exclusive bonus content, join our Patreon! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today, a young jazz singer from East Oakland is drawing fans of all ages. Then, an UnCuffed producer recalls a proud childhood moment that stays with him. And, an explosion of flowers! We're digging into “super blooms”

Today, the historical significance behind a special creek in East Oakland. Then, we hear a father in prison sends a love letter to his daughter. Plus, Oakland poet James Cagney draws from Zen Buddhism for his latest collection.

Across the Bay Area, young people—especially youth of color from historically underinvested communities—are coming of age in a moment defined by deep inequities, rapid economic change, and profound social challenges. While the region boasts immense wealth and innovation, it also holds some of the nation's starkest disparities in housing, education, health and opportunity. Our young people are growing up in the shadow of systems that too often overlook their brilliance. Yet we know the truth: these young people are not problems to be solved, they are leaders waiting to be unleashed.  This conversation with Regina Jackson is not just about a book—it's about a blueprint for closing that gap, for building a region where every young person can rise, lead, and thrive. And she says the urgency is real: The choices we make in this decade will shape our youths' opportunities for a lifetime.Youth in communities like East Oakland, Bayview-Hunters Point, and Richmond often face: Displacement and loss of cultural anchors due to gentrification Limited access to mentorship and leadership pathways that reflect their identities and lived experiences Systemic inequities in education, economic mobility, and civic influence At the same time, these youth carry extraordinary resilience, creativity and leadership potential. But potential alone is not enough—it must be recognized, nurtured and resourced to thrive. Without intentional investment and support, do we risk losing a generation's capacity to lead us toward a more equitable future? About the Speakers Regina Jackson's work at the East Oakland Youth Development Center has transformed thousands of lives by combining mentorship, cultural pride, academic readiness, and civic engagement. She is the author of the new book Unleashed Potential: How Youth Lead the Way to a Stronger Future, which distills decades of wisdom into actionable guidance for leaders, educators, parents and policymakers.  Fred Blackwell and the San Francisco Foundation have made advancing racial equity and economic inclusion core to their mission, championing systemic change that aligns directly with Jackson's vision. A Psychology Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. ORGANIZERPatrick O'Reilly & Veronica OrtegaNOTES Learn more about your ad choices. Visit megaphone.fm/adchoices

In response to arrests of street vendors and day laborers by federal immigration authorities, thousands of volunteers have mobilized to ‘adopt' a street corner. KQED's labor correspondent Farida Jhabvala Romero takes us to one corner in East Oakland to meet the volunteers offering their time to watch out for ICE and Border Patrol agents. This episode originally aired on Sept. 5, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to UnMASKing with Male Educators. As we close out the year, we're revisiting some of our most impactful, most downloaded, and most transformative conversations of the season. This episode with Nicholas Ward is one we continue to hear about from teachers around the country, practical, personal, and packed with wisdom. It represents exactly why we started this podcast.Nicholas Ward is a middle school history teacher and Athletic Director in East Oakland, where he has spent the last seven years making U.S. and world history meaningful, relevant, and empowering for students from underserved communities. Beyond the classroom, he is committed to mentorship, student leadership, and using sports and community-building to help young people grow.As we look ahead to a new season of UnMASKing with Male Educators, returning in January with fresh conversations from inspiring educators around the globe, we invite you to slow down, take notes, and enjoy one of our community's favorite episodes.Wishing you a joyful holiday season.In this conversation, we dive into teaching with intention, leading with love, and building systems that help every student feel seen. You'll hear:How becoming a father has impacted Nicholas's work as a teacherHow Nicholas is intentional and consistent with his 1 on 1 check-ins with students outside of the classroomThe mentorship program that Nicholas piloted in his school to empower students across grade levelsHow he instills the idea that “rigor is love” with his students and parents at the beginning of the yearHow Nicholas teaches history, media literacy, and primary sources in the era of “fake news”, AI, and smartphone devicesThe principles and practices that Nicholas implements to start every school year(2:45) Nicholas introduces himself.(4:30) Nicholas and Ashanti share their “teacher personas”(13:00) Being both a father and a male educator(18:30) Building relationships at the beginning of the school year(19:00) The perfect notebook for educators(24:50) The special mentorship program Nicholas piloted at his school(26:20) Communicating to students and parents how “rigor is love”; pushing students to demonstrate what they've learned in multiple modalities(31:55) Teaching history in the era of disinformation(36:10) Tying civic engagement to history(40:45) How mentorship breaks down walls - student to student, teacher to teacher, and student to teacher(45:00) How to start the school year according to an expert---Connect with Nicholas Ward:Instagram: https://www.instagram.com/captovader/---Join/Contribute to our Young Men's Conference: https://everforwardclub.org/global-young-mens-conference-2025 Join our Skool Community: https://www.skool.com/efc-young-mens-advocates-2345 —Email us questions and comments at totmpod100@gmail.com Create your own mask anonymously at https://millionmask.org/ ---Connect with Ashanti Branch:Instagram: https://www.instagram.com/branchspeaks/Facebook: https://www.facebook.com/BranchSpeaksTwitter: https://twitter.com/BranchSpeaksLinkedIn: https://www.linkedin.com/in/ashantibranch/Website: https://www.branchspeaks.com/---Support the podcast and the work of the Ever Forward Club: https://podcasters.spotify.com/pod/show/branch-speaks/support ---Connect with Ever Forward Club:Instagram: https://www.instagram.com/everforwardclubFacebook: https://www.facebook.com/everforwardclubTwitter: https://twitter.com/everforwardclubLinkedIn: https://www.linkedin.com/company/the-ever-forward-club/---#unmaskingwithmaleeducators #millionmaskmovement  #takingoffthemask #totm #doace #UNWME #diaryofaconfusededucator

As BART navigates a financial crisis, some East Bay residents are pushing for a new station in East Oakland by the Nimitz freeway. The agency doesn't have the funds to make it happen. For more, KCBS News Anchor Steve Scott spoke with KCBS Insider Phil Matier.

This episode I sit down with my homie from the old school. Corey Aranaydo aka RED SHADOW from East Oakland is in the house. We talk about the old days growing up, W.O.R. and his solo career.   Follow the Mac-Nez Podcast on Facebook: https://www.facebook.com/macnezpodcast Mac Nez Podcast on Spotify: https://open.spotify.com/show/7jot3LglMA0EuGTUikXejq?si=21b39da4784e4528 Hit up E Society on Facebook. https://www.facebook.com/ESocietyPodcast/ Check out our ESP Spotify For Creators feed: https://podcasters.spotify.com/pod/show/esoc E Society YouTube: https://www.youtube.com/channel/UCliC6x_a7p3kTV_0LC4S10A E Society and Mac-Nez t-shirts Tee Public: http://tee.pub/lic/9ko9r4p5uv X - E Society Podcast - https://x.com/esocietypod Mac Nez Podcast - https://x.com/macnezpod The Zissiou - https://x.com/TheoZissou Instagram - E Society - https://www.instagram.com/esocietypod/ Mac Nez Podcast - https://www.instagram.com/macnez/ The Zissiou - https://www.instagram.com/thezissou/ TikTok - https://www.tiktok.com/@esocietypod   Taylor and Nez new podcast: Old Dawg New Trickz https://open.spotify.com/show/319KRWiJfGpMbFBLTp6E8P YouTube page for Resting Easy with Chris and Breezy https://www.youtube.com/@RECB  

What happens when your first brokerage hits $10M… and then collapses?In this raw and real conversation, Tyson Lawrence, founder of Diablo Freight Ventures, walks us through his 20+ year freight journey — from CH Robinson hustle to drayage grit in East Oakland, and through the gut-wrenching experience of losing his first company and going through personal bankruptcy after a fallout with his largest customer.But instead of quitting, Tyson doubled down — building a second brokerage, this time with a smarter playbook: focused LTL entry, lean processes, and customer fit over customer size. That business scaled to $25M and was ultimately acquired.Today, he runs Diablo Freight Ventures, a freight investment and coaching platform, and he's helping the next wave of founders avoid the mistakes he had to learn the hard way.______________________________________________

Ep #87 : Crafting Narratives: Insights from Filmmaker Kristina ThomasSummary of the episodeThis episode of noseyAF dives into the vibrant and multifaceted world of filmmaking through an engaging conversation with Kristina Thomas, a writer and director whose path in the industry is marked by resilience, creativity, and remarkable achievements. From her beginnings in East Oakland to her work in television and independent cinema, Kristina shares her journey with authenticity and humor.We explore her trajectory from aspiring youth attorney to filmmaker, how her legal background shaped her narrative voice, and the role of mentorship and community in sustaining an artistic career. Kristina opens up about navigating the challenges of the industry—pandemic disruptions, the writers' strike, and the evolving digital landscape—while continuing to inspire and uplift emerging voices.Whether you're a filmmaker, storyteller, or creative of any kind, this episode offers insight, motivation, and an invitation to embrace your own unique story.Chapters• 00:07 - Introduction to Kristina Thomas• 01:24 - Exploring the Journey of Filmmaking• 09:29 - The Importance of Kindness on Set• 14:27 - Growing Up in East Oakland• 23:58 - The Journey to Filmmaking• 28:25 - The Influence of Akira Kurosawa on Filmmaking• 32:44 - Reflections on Mentorship and Loss• 40:00 - The Evolution of Indie Filmmaking• 43:21 - The Journey of a Filmmaker• 51:06 - Transitioning Careers in the Arts• 56:09 - The Importance of Storytelling in the Digital AgeWhat we talk aboutGrowing up in East Oakland and the early spark of storytellingTransitioning from music to filmmaking and nearly signing with Def Jam RecordsThe influence of Akira Kurosawa on her creative lensNavigating mentorship, mentorship loss, and the power of guidanceIndie filmmaking today vs. thenThe role of storytelling in the digital ageThings We MentionedAkira Kurosawa FilmsFilm Independent Project InvolveAll about Kristina ThomasYou're gonna love Kristina Thomas—she's a filmmaker, writer, and educator who blends creativity, intellect, and vision to push the boundaries of storytelling.Kristina Thomas was born in East Oakland, California, and has emerged as a rising talent in film and television. She first made her mark in the documentary world by winning a $50,000 contest to direct a compelling TV pilot in New Orleans for MTV/Endemol. From there, she transitioned into scripted storytelling, working as a script coordinator on acclaimed series including Greenleaf, Lovecraft Country, and The Haunting of Bly Manor (S2).Her feature script Worth It has gained recognition as a semi-finalist in competitions such as Women in Film/The Black List and BET's Project Cre8 Feature. She is actively developing the project while also teaching as an Adjunct Professor of Screenwriting at DePaul University.Kristina's short-form work has also made a strong impact. Her comedy short House of Balls earned lead actress Mariah Robinson Best Actress at the Alt Film Festival, along with Best Actor recognition, and was named a semi-finalist in BET's Project Cre8: TV and the Hollyshorts Festival. The concept short for Worth It screened at festivals including the Toronto Black Film Festival (Canadian Screen Award–qualifying) and earned an honorable mention at Lady Filmmakers Festival. Most recently, her Film Independent

Inspired by Franciscan spirituality and Joanna Macy's body of teachings known as the Work That Reconnects, Canticle Farm in Oakland, California, brings together more than 40 people living into the question of how we heal ourselves and the planet together. In this conversation, host Serena Bian talks with Anne and Terry Symons-Bucher, founders of Canticle Farm, about the role that trauma healing and conflict transformation plays in building towards beloved community. Through the lived experiences of Terry and Anne, we will dive into the journeys that both have taken to steward communities across cultures in practicing love in the face of difference, conflict, and rupture. Anne served as Joanna Macy's executive assistant for over two decades, and this conversation will also serve to honor Joanna's life and work. Anne and Terry Symons-Bucher are the co-founders of Canticle Farm, located in the Fruitvale District of East Oakland. Inspired by the life of Francis of Assisi, Canticle Farm is a community providing a platform for the Great Turning, one heart, one home, and one block at a time. The Great Turning—the planetary shift from an industrial-growth society to a life-sustaining society—is served by Canticle Farm through local work that fosters forgiveness in the human community and compassion for all beings. Canticle Farm primarily focuses on the poor and marginalized as those who most bear the burden of social and planetary degradation, as well as being those who are first able to perceive the need for the Great Turning. Rooted in spiritual practice, Canticle Farm manifests this commitment by engaging in the Work That Reconnects, integral nonviolence, gift economy, restorative justice practices, urban permaculture, and other disciplines necessary for regenerating community in the 21st Century. Anne and Terry are the parents of five children. Find out more about The New School at Commonweal on our website: tns.commonweal.org. And like/follow our Soundcloud channel for more great podcasts.

Hundreds of people are signing up to 'adopt' street corners near where day laborers gather to find work. Their goal? To keep an eye out for ICE agents. KQED labor correspondent Farida Jhabvala Romero takes us to one intersection in East Oakland to meet some of these volunteers. Links: Volunteers ‘Adopt' Street Corners To Monitor For ICE Activity Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to the Contacts Coaching podcast, featuring an insightful conversation with Coach DeMar Lane from KIPP Navigate College Prep. In this episode, Coach Lane shares his journey from East Oakland, California, through his athletic career at Laney College and Southeastern Louisiana University, to his current role as an athletic director. Tune in as Coach Lane discusses the highs and lows of coaching, the influence of club sports, and the importance of intentionality, self-advocacy, and inclusivity in athletics. Learn about his innovative approach to coaching, including the implementation of study halls and fostering a supportive environment for all athletes. This episode is a must-listen for anyone passionate about sports, education, and effective leadership.00:00 Introduction and Guest Welcome00:30 Coach D Lane's Journey into Athletics01:20 Transition to Coaching and Education02:38 Challenges and Rewards of Coaching in California03:42 The Influence of Club Sports05:28 Navigating the Role of Athletic Director14:01 Implementing Study Hall and Academic Standards16:28 The Rise of Girls' Flag Football16:59 Balancing Tradition and New Sports22:04 The Impact of NIL on High School Sports25:03 FIO: Figure It Out27:28 Adversity and Leadership in Coaching30:19 Dealing with a Difficult Parent30:41 Accusations and Confrontations31:29 Meeting with the Parent and Admin33:05 Advice for Navigating Coaching Challenges34:59 Importance of Communication in Coaching36:18 Coaching Philosophy and Student Development50:27 Special Education and Coaching58:19 Intentionality and Leadership01:00:50 Final Thoughts and Reflections

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists.   In this two-part series of Oakland Asian Cultural Center's “Let's Talk” podcast Eastside Arts Alliance is featured. Elena Serrano and Susanne Takehara, two of the founders of Eastside Arts Alliance, and staff member Aubrey Pandori will discuss the history that led to the formation of Eastside and their deep work around multi-racial solidarity.   Transcript: Let's Talk podcast episode 9  [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the ninth episode of our Let's Talk Audio Series. Let's Talk is part of OACC'S Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-Blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight Black and Asian solidarity and community efforts specifically in the Oakland Chinatown area. Today's episode is a round table discussion with Elena Serrano, Susanne Takahara, and Aubrey Pandori of Eastside Arts Alliance.  [00:00:53] Aubrey: Hello everybody. This is Aubrey from Eastside Arts Alliance, and I am back here for the second part of our Let's Talk with Suzanne and Elena. We're gonna be talking about what else Eastside is doing right now in the community. The importance of art in activism, and the importance of Black and Asian solidarity in Oakland and beyond.  So I am the community archivist here at Eastside Arts Alliances. I run CARP, which stands for Community Archival Resource Project. It is a project brought on by one of our co-founders, Greg Morozumi. And it is primarily a large chunk of his own collection from over the years, but it is a Third World archive with many artifacts, journals, pens, newspapers from social movements in the Bay Area and beyond, international social movements from the 1960s forward. We do a few different programs through CARP. I sometimes have archival exhibitions. We do public engagement through panels, community archiving days. We collaborate with other community archives like the Bay Area Lesbian Archives and Freedom Archives here in Oakland and the Bay Area. And we are also working on opening up our Greg Morozumi Reading Room in May. So that is an opportunity for people to come in and relax, read books, host reading groups, or discussions with their community. We're also gonna be opening a lending system so people are able to check out books to take home and read. There'll be library cards coming soon for that and other fun things to come.  [00:02:44] So Suzanne, what are you working on at Eastside right now? [00:02:48] Susanne: Well, for the past like eight or nine years I've been working with Jose Ome Navarrete and Debbie Kajiyama of NAKA Dance Theater to produce Live Arts and Resistance (LAIR), which is a Dance Theater Performance series. We've included many artists who, some of them started out here at Eastside and then grew to international fame, such as Dohee Lee, and then Amara Tabor-Smith has graced our stages for several years with House Full of Black Women. This year we're working with Joti Singh on Ghadar Geet: Blood and Ink, a piece she choreographed, and shot in film and it's a multimedia kind of experience. We've worked with Cat Brooks and many emerging other artists who are emerging or from all over, mostly Oakland, but beyond. It's a place where people can just experiment and not worry about a lot of the regulations that bigger theaters have. Using the outside, the inside, the walls, the ceiling sometimes. It's been an exciting experience to work with so many different artists in our space.  [00:04:03] Elena: And I have been trying to just get the word out to as many different folks who can help sustain the organization as possible about the importance of the work we do here. So my main job with Eastside has been raising money. But what we're doing now is looking at cultural centers like Eastside, like Oakland Asian Cultural Center, like the Malonga Casquelord Center, like Black Cultural Zone, like the Fruitvale Plaza and CURJ's work. These really integral cultural hubs. In neighborhoods and how important those spaces are.  [00:04:42] So looking at, you know, what we bring to the table with the archives, which serve the artistic community, the organizing community. There's a big emphasis, and we had mentioned some of this in the first episode around knowing the history and context of how we got here so we can kind of maneuver our way out. And that's where books and movies and posters and artists who have been doing this work for so long before us come into play in the archives and then having it all manifest on the stage through programs like LAIR, where theater artists and dancers and musicians, and it's totally multimedia, and there's so much information like how to keep those types of places going is really critical.  [00:05:28] And especially now when public dollars have mostly been cut, like the City of Oakland hardly gave money to the arts anyway, and they tried to eliminate the entire thing. Then they're coming back with tiny bits of money. But we're trying to take the approach like, please, let's look at where our tax dollars go. What's important in a neighborhood? What has to stay and how can we all work together to make that happen?  [00:05:52] Susanne: And I want to say that our Cultural Center theater is a space that is rented out very affordably to not just artists, but also many organizations that are doing Movement work, such as Palestinian Youth Movement, Bala, Mujeres Unidas Y Activas, QT at Cafe Duo Refugees, United Haiti Action Committee, Freedom Archives, Oakland Sin Fronteras, Center for CPE, and many artists connected groups.  [00:06:22] Aubrey: Yeah, I mean, we do so much more than what's in the theater and Archive too, we do a lot of different youth programs such as Girl Project, Neighborhood Arts, where we do public murals. One of our collective members, Angie and Leslie, worked on Paint the Town this past year. We also have our gallery in between the Cultural Center and Bandung Books, our bookstore, which houses our archive. We are celebrating our 25th anniversary exhibition.  [00:06:54] Susanne: And one of the other exhibits we just wrapped up was Style Messengers, an exhibit of graffiti work from Dime, Spy and Surge, Bay Area artists and Surge is from New York City, kind of illustrating the history of graffiti and social commentary.  [00:07:30] Elena: We are in this studio here recording and this is the studio of our youth music program Beats Flows, and I love we're sitting here with this portrait of Amiri Baraka, who had a lot to say to us all the time. So it's so appropriate that when the young people are in the studio, they have this elder, magician, poet activist looking at him, and then when you look out the window, you see Sister Souljah, Public Enemy, and then a poster we did during, when Black Lives Matter came out, we produced these posters that said Black Power Matters, and we sent them all over the country to different sister cultural centers and I see them pop up somewhere sometimes and people's zooms when they're home all over the country. It's really amazing and it just really shows when you have a bunch of artists and poets and radical imagination, people sitting around, you know, what kind of things come out of it. [00:08:31] Aubrey: I had one of those Black Power Matters posters in my kitchen window when I lived in Chinatown before I worked here, or visited here actually. I don't even know how I acquired it, but it just ended up in my house somehow.  [00:08:45] Elena: That's perfect. I remember when we did, I mean we still do, Malcolm X Jazz Festival and it was a young Chicana student who put the Jazz Festival poster up and she was like, her parents were like, why is Malcolm X? What has that got to do with anything? And she was able to just tell the whole story about Malcolm believing that people, communities of color coming together  is a good thing. It's a powerful thing. And it was amazing how the festival and the youth and the posters can start those kind of conversations.  [00:09:15] Aubrey: Malcolm X has his famous quote that says “Culture is an indispensable weapon in the freedom struggle.” And Elena, we think a lot about Malcolm X and his message here at Eastside about culture, but also about the importance of art. Can we speak more about the importance of art in our activism?  [00:09:35] Elena: Well, that was some of the things we were touching on around radical imagination and the power of the arts. But where I am going again, is around this power of the art spaces, like the power of spaces like this, and to be sure that it's not just a community center, it's a cultural center, which means we invested in sound good, sound good lighting, sprung floors. You know, just like the dignity and respect that the artists and our audiences have, and that those things are expensive but critical. So I feel like that's, it's like to advocate for this type of space where, again, all those groups that we listed off that have come in here and there's countless more. They needed a space to reach constituencies, you know, and how important that is. It's like back in the civil rights organizing the Black church was that kind of space, very important space where those kind of things came together. People still go to church and there's still churches, but there's a space for cultural centers and to have that type of space where artists and activists can come together and be more powerful together.  [00:10:50] Aubrey: I think art is a really powerful way of reaching people. [00:10:54] Elena: You know, we're looking at this just because I, being in the development end, we put together a proposal for the Environmental Protection Agency before Donald (Trump) took it over. We were writing about how important popular education is, so working with an environmental justice organization who has tons of data about how impacted communities like East Oakland and West Oakland are suffering from all of this, lots of science. But what can we, as an arts group, how can we produce a popular education around those things? And you know, how can we say some of those same messages in murals and zines, in short films, in theater productions, you know, but kind of embracing that concept of popular education. So we're, you know, trying to counter some of the disinformation that's being put out there too with some real facts, but in a way that, you know, folks can grasp onto and, and get.  [00:11:53] Aubrey: We recently had a LAIR production called Sky Watchers, and it was a beautiful musical opera from people living in the Tenderloin, and it was very personal. You were able to hear about people's experiences with poverty, homelessness, and addiction in a way that was very powerful. How they were able to express what they were going through and what they've lost, what they've won, everything that has happened in their lives in a very moving way. So I think art, it's, it's also a way for people to tell their stories and we need to be hearing those stories. We don't need to be hearing, I think what a lot of Hollywood is kind of throwing out, which is very white, Eurocentric beauty standards and a lot of other things that doesn't reflect our neighborhood and doesn't reflect our community. So yeah, art is a good way for us to not only tell our stories, but to get the word out there, what we want to see changed.  So our last point that we wanna talk about today is the importance of Black and Asian solidarity in Oakland. How has that been a history in Eastside, Suzanne?  [00:13:09] Susanne: I feel like Eastside is all about Third World solidarity from the very beginning. And Yuri Kochiyama is one of our mentors through Greg Morozumi and she was all about that. So I feel like everything we do brings together Black, Asian and brown folks. [00:13:27] Aubrey: Black and Asian solidarity is especially important here at Eastside Arts Alliance. It is a part of our history. We have our bookstore called Bandung Books for a very specific reason, to give some history there. So the Bandung Conference happened in 1955 in Indonesia, and it was the first large-scale meeting of Asian and African countries. Most of which were newly independent from colonialism. They aimed to promote Afro-Asian cooperation and rejection of colonialism and imperialism in all nations. And it really set the stage for revolutionary solidarity between colonized and oppressed people, letting way for many Third Worlds movements internationally and within the United States.  [00:14:14] Eastside had an exhibition called Bandung to the Bay: Black and Asian Solidarity at Oakland Asian Cultural Center the past two years in 2022 and 2023 for their Lunar New Year and Black History Month celebrations. It highlighted the significance of that conference and also brought to light what was happening in the United States from the 1960s to present time that were creating and building solidarity between Black and Asian communities. The exhibition highlighted a number of pins, posters, and newspapers from the Black Liberation Movement and Asian American movement, as well as the broader Third World movement. The Black Panthers were important points of inspiration in Oakland, in the Bay Area in getting Asian and Pacific Islanders in the diaspora, and in their homelands organized.  [00:15:07] We had the adoption of the Black Panthers 10-point program to help shape revolutionary demands and principles for people's own communities like the Red Guard in San Francisco's Chinatown, IWK in New York's Chinatown and even the Polynesian Panthers in New Zealand. There were so many different organizations that came out of the Black Panther party right here in Oakland. And we honor that by having so many different 10-point programs up in our theater too. We have the Brown Berets, Red Guard Party, Black Panthers, of course, the American Indian Movement as well. So we're always thinking about that kind of organizing and movement building that has been tied here for many decades now.  [00:15:53] Elena: I heard that the term Third World came from the Bandung conference. [00:15:58] Aubrey: Yes, I believe that's true.  [00:16:01] Elena: I wanted to say particularly right now, the need for specifically Black Asian solidarity is just, there's so much misinformation around China coming up now, especially as China takes on a role of a superpower in the world. And it's really up to us to provide some background, some other information, some truth telling, so folks don't become susceptible to that kind of misinformation. And whatever happens when it comes from up high and we hate China, it reflects in Chinatown. And that's the kind of stereotyping that because we have been committed to Third World solidarity and truth telling for so long, that that's where we can step in and really, you know, make a difference, we hope. I think the main point is that we need to really listen to each other, know what folks are going through, know that we have more in common than we have separating us, especially in impacted Black, brown, Asian communities in Oakland. We have a lot to do.  [00:17:07] Aubrey: To keep in contact with Eastside Arts Alliance, you can find us at our website: eastside arts alliance.org, and our Instagrams at Eastside Cultural and at Bandung Books to stay connected with our bookstore and CArP, our archive, please come down to Eastside Arts Alliance and check out our many events coming up in the new year. We are always looking for donations and volunteers and just to meet new friends and family.  [00:17:36] Susanne: And with that, we're gonna go out with Jon Jang's “The Pledge of Black Asian Alliance,” produced in 2018.  [00:18:29] Emma: This was a round table discussion at the Eastside Arts Alliance Cultural Center with staff and guests: Elena, Suzanne and Aubrey.  Let's Talk Audio series is one of OACC'S Open Ears for Change projects and as part of the Stop the Hate Initiative with funds provided by the California Department of Social Services in consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families and offer prevention and intervention services to tackle hate in our communities. This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media.  [00:19:18] A special thanks to Jon Jang for permission to use his original music. And thank you for listening.  [00:19:32] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow, live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. OACC Podcast [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the eighth episode of our Let's Talk audio series. Let's talk as part of OACC's Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight black and Asian solidarity and community efforts specifically in the Oakland Chinatown area.   [00:00:43] Today's guests are Elena Serrano and Suzanne Takahara, co-founders of Eastside Arts Alliance. Welcome Elena and Suzanne, thank you so much for joining today's episode. And so just to kick things off, wanna hear about how was Eastside Arts Alliance started?   [00:01:01] Susanne: Well, it was really Greg Morozumi who had a longstanding vision of creating a cultural center in East Oakland, raised in Oakland, an organizer in the Bay Area, LA, and then in New York City where he met Yuri Kochiyama, who became a lifelong mentor.   [00:01:17] Greg was planning with one of Yuri's daughters, Ichi Kochiyama to move her family to Oakland and help him open a cultural center here. I met Greg in the early nineties and got to know him during the January, 1993 “No Justice, No Peace” show at Pro Arts in Oakland. The first Bay Graffiti exhibition in the gallery. Greg organized what became a massive anti-police brutality graffiti installation created by the TDDK crew. Graffiti images and messages covered the walls and ceiling complete with police barricades. It was a response to the Rodney King protests. The power of street art busted indoors and blew apart the gallery with political messaging. After that, Greg recruited Mike Dream, Spy, and other TDK writers to help teach the free art classes for youth that Taller Sin Fronteras was running at the time.   [00:02:11] There were four artist groups that came together to start Eastside. Taller Sin Fronteras was an ad hoc group of printmakers and visual artists activists based in the East Bay. Their roots came out of the free community printmaking, actually poster making workshops that artists like Malaquias Montoya and David Bradford organized in Oakland in the early 70s and 80s.   [00:02:34] The Black Dot Collective of poets, writers, musicians, and visual artists started a popup version of the Black Dot Cafe. Marcel Diallo and Leticia Utafalo were instrumental and leaders of this project. 10 12 were young digital artists and activists led by Favianna Rodriguez and Jesus Barraza in Oakland. TDK is an Oakland based graffiti crew that includes Dream, Spie, Krash, Mute, Done Amend, Pak and many others evolving over time and still holding it down.   [00:03:07] Elena: That is a good history there. And I just wanted to say that me coming in and meeting Greg and knowing all those groups and coming into this particular neighborhood, the San Antonio district of Oakland, the third world aspect of who we all were and what communities we were all representing and being in this geographic location where those communities were all residing. So this neighborhood, San Antonio and East Oakland is very third world, Black, Asian, Latinx, indigenous, and it's one of those neighborhoods, like many neighborhoods of color that has been disinvested in for years. But rich, super rich in culture.   [00:03:50] So the idea of a cultural center was…let's draw on where our strengths are and all of those groups, TDKT, Taller Sin Fronters, Black artists, 10 – 12, these were all artists who were also very engaged in what was going on in the neighborhoods. So artists, organizers, activists, and how to use the arts as a way to lift up those stories tell them in different ways. Find some inspiration, ways to get out, ways to build solidarity between the groups, looking at our common struggles, our common victories, and building that strength in numbers.   [00:04:27] Emma: Thank you so much for sharing. Elena and Suzanne, what a rich and beautiful history for Eastside Arts Alliance.   [00:04:34] Were there any specific political and or artistic movements happening at that time that were integral to Eastside's start?   [00:04:41] Elena: You know, one of the movements that we took inspiration from, and this was not happening when Eastside got started, but for real was the Black Panther Party. So much so that the Panthers 10-point program was something that Greg xeroxed and made posters and put 'em up on the wall, showing how the 10-point program for the Panthers influenced that of the Young Lords and the Brown Berets and I Wor Kuen (IWK).   [00:05:07] So once again, it was that Third world solidarity. Looking at these different groups that were working towards similar things, it still hangs these four posters still hang in our cultural, in our theater space to show that we were all working on those same things. So even though we came in at the tail end of those movements, when we started Eastside, it was very much our inspiration and what we strove to still address; all of those points are still relevant right now.   [00:05:36] Susanne: So that was a time of Fight The Power, Kaos One and Public Enemy setting. The tone for public art murals, graphics, posters. So that was kind of the context for which art was being made and protests happened.   [00:05:54] Elena: There was a lot that needed to be done and still needs to be done. You know what? What the other thing we were coming on the tail end of and still having massive repercussions was crack. And crack came into East Oakland really hard, devastated generations, communities, everything, you know, so the arts were a way for some folks to still feel power and feel strong and feel like they have agency in the world, especially hip hop and, spray can, and being out there and having a voice and having a say, it was really important, especially in neighborhoods where things had just been so messed up for so long.   [00:06:31] Emma: I would love to know also what were the community needs Eastside was created to address, you know, in this environment where there's so many community needs, what was Eastside really honing in on at this time?   [00:06:41] Elena: It's interesting telling our story because we end up having to tell so many other stories before us, so things like the, Black Arts movement and the Chicano Arts Movement. Examples of artists like Amiri Baraka, Malaguias Montoya, Sonya Sanchez. Artists who had committed themselves to the struggles of their people and linking those two works. So we always wanted to have that. So the young people that we would have come into the studio and wanna be rappers, you know, it's like, what is your responsibility?   [00:07:15] You have a microphone, you amplify. What are some of the things you're saying? So it was on us. To provide that education and that backstory and where they came from and the footsteps we felt like they were in and that they needed to keep moving it forward. So a big part of the cultural center in the space are the archives and all of that information and history and context.   [00:07:37] Susanne: And we started the Malcolm X Jazz Arts Festival for that same reason coming out of the Bandung Conference. And then the Tri Continental, all of this is solidarity between people's movements.   [00:07:51] Emma: You've already talked about this a little bit, the role of the arts in Eastside's foundation and the work that you're doing, and I'd love to hear also maybe how the role of the arts continues to be important in the work that you're doing today as a cultural center.   [00:08:04] And so my next question to pose to you both is what is the role of the arts at Eastside?   [00:08:10] Elena: So a couple different things. One, I feel like, and I said a little bit of this before, but the arts can transmit messages so much more powerfully than other mediums. So if you see something acted out in a theater production or a song or a painting, you get that information transmitted in a different way.   [00:08:30] Then also this idea of the artists being able to tap into imagination and produce images and visions and dreams of the future. This kind of imagination I just recently read or heard because folks aren't reading anymore or hardly reading that they're losing their imagination. What happens when you cannot even imagine a way out of things?   [00:08:54] And then lastly, I just wanted to quote something that Favianna Rodriguez, one of our founders always says “cultural shift precedes political shift.” So if you're trying to shift things politically on any kind of policy, you know how much money goes to support the police or any of these issues. It's the cultural shift that needs to happen first. And that's where the cultural workers, the artists come in.   [00:09:22] Susanne: And another role of Eastside in supporting the arts to do just that is honoring the artists, providing a space where they can have affordable rehearsal space or space to create, or a place to come safely and just discuss things that's what we hope and have created for the Eastside Cultural Center and now the bookstore and the gallery. A place for them to see themselves and it's all um, LGBTA, BIPOC artists that we serve and honor in our cultural center. To that end, we, in the last, I don't know, 8, 9 years, we've worked with Jose Navarrete and Debbie Kajiyama of Naka Dance Theater to produce live arts and resistance, which gives a stage to emerging and experienced performance artists, mostly dancers, but also poets, writers, theater and actors and musicians.   [00:10:17] Emma: The last question I have for you both today is what is happening in the world that continues to call us to action as artists?   [00:10:27] Elena: Everything, everything is happening, you know, and I know things have always been happening, but it seems really particularly crazy right now on global issues to domestic issues. For a long time, Eastside was um, really focusing in on police stuff and immigration stuff because it was a way to bring Black and brown communities together because they were the same kind of police state force, different ways.   [00:10:54] Now we have it so many different ways, you know, and strategies need to be developed. Radical imagination needs to be deployed. Everyone needs to be on hand. A big part of our success and our strength is organizations that are not artistic organizations but are organizing around particular issues globally, locally come into our space and the artists get that information. The community gets that information. It's shared information, and it gives us all a way, hopefully, to navigate our way out of it.   [00:11:29] Susanne: The Cultural Center provides a venue for political education for our communities and our artists on Palestine, Haiti, Sudan, immigrant rights, prison abolition, police abolition, sex trafficking, and houselessness among other things.   [00:11:46] Elena: I wanted to say too, a big part of what's going on is this idea of public disinvestment. So housing, no such thing as public housing, hardly anymore. Healthcare, education, we're trying to say access to cultural centers. We're calling that the cultural infrastructure of neighborhoods. All of that must be continued to be supported and we can't have everything be privatized and run by corporations. So that idea of these are essential things in a neighborhood, schools, libraries, cultural spaces, and you know, and to make sure cultural spaces gets on those lists.   [00:12:26] Emma: I hear you. And you know, I think every category you brought up, actually just now I can think of one headline or one piece of news recently that is really showing how critically these are being challenged, these basic rights and needs of the community. And so thank you again for the work that you're doing and keeping people informed as well. I think sometimes with all the news, both globally and, and in our more local communities in the Bay Area or in Oakland. It can be so hard to know what actions to take, what tools are available. But again, that's the importance of having space for this type of education, for this type of activism. And so I am so grateful that Eastside exists and is continuing to serve our community in this way.   What is Eastside Arts Alliance up to today? Are there any ways we can support your collective, your organization, what's coming up?   [00:13:18] Elena: Well, this is our 25th anniversary. So the thing that got us really started by demonstrating to the community what a cultural center was, was the Malcolm X Jazz Arts Festival, and that this year will be our 25th anniversary festival happening on May 17th.   [00:13:34] It's always free. It's in San Antonio Park. It's an amazing day of organizing and art and music, multi-generational. It's beautiful. It's a beautiful day. Folks can find out. We have stuff going on every week. Every week at the cultural center on our website through our socials. Our website is Eastside Arts alliance.org, and all the socials are there and there's a lot of information from our archives that you can look up there. There's just just great information on our website, and we also send out a newsletter.   [00:14:07] Emma: Thank you both so much for sharing, and I love you bringing this idea, but I hear a lot of arts and activism organizations using this term radical imagination and how it's so needed for bringing forth the future that we want for ourselves and our future generations.   [00:14:24] And so I just think that's so beautiful that Eastside creates that space, cultivates a space where that radical imagination can take place through the arts, but also through community connections. Thank you so much Elena and Suzanne for joining us today.   [00:14:40] Susanne: Thank you for having us.   [00:15:32] Emma: Let's Talk Audio series is one of OACC'S Open Ears for Change projects and is part of the Stop the Hate Initiative with funds provided by the California Department of Social Services. In consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families, and offer prevention and intervention services to tackle hate in our communities.   This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media. A special thanks to Jon Jang for permission to use his original music, and thank you for listening.   [00:16:34] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow. Live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. The post APEX Express – August 14, 2025 appeared first on KPFA.

I guarantee this episode will make you a better teacher. Practical advice, explicit tools, a clear perspective, and a way to move throughout your school site with intention - our conversation with Nicholas was exactly why we started this series.Nicholas Ward is a middle school history teacher and Athletic Director in East Oakland, where he's been teaching for the past seven years. He focuses on making U.S. and world history meaningful and relevant, especially for students from underserved communities; and he's also passionate about mentorship, student leadership, and using sports and community-building as tools for growth, both in and outside the classroom. We discuss:How becoming a father has impacted Nicholas's work as a teacherHow Nicholas is intentional and consistent with his 1 on 1 check-ins with students outside of the classroomThe mentorship program that Nicholas piloted in his school to empower students across grade levelsHow he instills the idea that “rigor is love” with his students and parents at the beginning of the yearHow Nicholas teaches history, media literacy, and primary sources in the era of “fake news”, AI, and smartphone devicesThe principles and practices that Nicholas implements to start every school year(2:45) Nicholas introduces himself.(4:30) Nicholas and Ashanti share their “teacher personas”(13:00) Being both a father and a male educator(18:30) Building relationships at the beginning of the school year(19:00) The perfect notebook for educators(24:50) The special mentorship program Nicholas piloted at his school(26:20) Communicating to students and parents how “rigor is love”; pushing students to demonstrate what they've learned in multiple modalities(31:55) Teaching history in the era of disinformation(36:10) Tying civic engagement to history(40:45) How mentorship breaks down walls - student to student, teacher to teacher, and student to teacher(45:00) How to start the school year according to an expert---Connect with Nicholas Ward:Instagram: https://www.instagram.com/captovader/ ---Join/Contribute to our Young Men's Conference: https://everforwardclub.org/global-young-mens-conference-2025 Join our Skool Community: https://www.skool.com/efc-young-mens-advocates-2345 —Email us questions and comments at totmpod100@gmail.com Create your own mask anonymously at https://millionmask.org/ ---Connect with Ashanti Branch:Instagram: https://www.instagram.com/branchspeaks/Facebook: https://www.facebook.com/BranchSpeaksTwitter: https://twitter.com/BranchSpeaksLinkedIn: https://www.linkedin.com/in/ashantibranch/Website: https://www.branchspeaks.com/---Support the podcast and the work of the Ever Forward Club: https://podcasters.spotify.com/pod/show/branch-speaks/support ---Connect with Ever Forward Club:Instagram: https://www.instagram.com/everforwardclubFacebook: https://www.facebook.com/everforwardclubTwitter: https://twitter.com/everforwardclubLinkedIn: https://www.linkedin.com/company/the-ever-forward-club/---#unmaskingwithmaleeducators #millionmaskmovement  #takingoffthemask #totm #doace #UNWME #diaryofaconfusededucator

This week on What The Fundraising, Mallory is joined by Lindsey Fuller, a human-centered leadership coach, keynote speaker, and executive director of The Teaching Well, an education administration program based in Oakland, CA. Together they explore a crisis that too many of us are navigating: burnout. Together, we unpack the intersection of workplace wellness, self-awareness, accountability, and systemic barriers to healing. Lindsey doesn't just name the problem, she offers a path forward. From reimagining self-care to fostering collective accountability in organizational culture, Lindsey shares micro-wellness practices that can help leaders and teams sustain themselves through turbulent times. . Lindsey taught in both South Central LA and North Oakland, and then served as a site administrator at a school in deep East Oakland. Lindsey has been a trainer in restorative practices for over a decade and is state certified in mediation, working to build adult working cultures we don't need to heal from. Under Lindsey's visionary leadership, the organization has experienced extraordinary growth in just 4 years—more than doubling its staff, increasing its budget from $800K to $2.6M, and expanding its transformative support for educators from 4 states to 24 nationwide She is a true believer that in order to reach collective liberation, it's a must to find ways to sustain adults in schools to ensure trauma-sensitive continuity of care. She joined us today to talk about the ongoing staffing and burnout crisis in the social sector and philanthropy.  In this episode, you will be able to; - Learn about the importance of mindset shift in the workplace. - Discover practical steps for microdosing wellness.  - Learn about the importance of recognizing and reclaiming individual agency. - Learn about the role of accountability in self-care.  Get all the resources from today's episode here.  Support for this show is brought to you by iDonate!  Their donor-first giving suite, including mobile pop-ups, A/B testing, recurring prompts, makes it easy to convert more donors, faster. Easy to set up & publish with no tech team required! Launch custom giving forms that sync seamlessly with your CRM. Smarter data, better donor journeys. Check them out at iDonate.com Connect with me:  Instagram: https://www.instagram.com/_malloryerickson/ Facebook: https://www.facebook.com/whatthefundraising YouTube: https://www.youtube.com/@malloryerickson7946 LinkedIn: https://www.linkedin.com/mallory-erickson-bressler/ Website: malloryerickson.com/podcast Loved this episode? Leave us a review and rating here: https://podcasts.apple.com/us/podcast/what-the-fundraising/id1575421652 If you haven't already, please visit our new What the Fundraising community forum. Check it out and join the conversation at this link. If you're looking to raise more from the right funders, then you'll want to check out my Power Partners Formula, a step-by-step approach to identifying the optimal partners for your organization. This free masterclass offers a great starting point.

Disappointment can feel so big, it's overwhelming. Today, a poem for the people who keep going, even when it feels impossible. Here's East Oakland poet Tiny Gray-Garcia aka Poverty Skola, reading "this poem is in honor of homeless mothers.” 

Baby Gas is a rapper from East Oakland who has been grinding independently for over a decade. Born to undocumented immigrant parents of Mexican and Salvadorian descent, Gas was one of the only Latinos in his neighborhood and adapted to Black culture. At only age 15, he linked up with Goldtoes and started the Oakland chapter of Thizz Latin. Since then he's been putting out a steady string of projects, became a father, and is currently pushing his latest album "Siempre Ghetto."Baby Gas "Siempre Ghetto" Album: https://music.empi.re/siempreghettoSiempre Ghetto Tour: https://www.eventbrite.com/cc/siempre-ghetto-tour-4381223--For promo opportunities on the podcast, e-mail info@historyofthebay.com--History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aaOnline Store: https://dregsone.myshopify.com Follow Dregs One:Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlAInstagram: https://instagram.com/dregs_oneTikTok: https://tiktok.com/@dregs_oneTwitter: https://twitter.com/dregs_oneFacebook: https://facebook.com/dregsone41500:00 Intro01:32 New album07:48 Family history11:09 Immigration25:20 Father's deportation34:11 Oakland39:18 Black & Brown45:46 Thizz Latin51:04 Being homeless at 1557:42 Latin rappers1:04:27 Connecting with fans

In 2023, Rise East, a collective of East Oakland nonprofits, received a $50 million grant a from national philanthropic organization. But there was a catch: The money could only be unlocked if Rise East could raise more $50 million more from local donors. On Thursday, Rise East announced that they had done it. And East Oaklanders have already begun dreaming about what to do with this money to help reimagine their communities. This episode originally aired on Oct. 11, 2024. Links: Rise East Unlocks $100 Million to Reimagine East Oakland Live From East Oakland: Can $100 Million Revitalize Oakland's Black Community? Learn more about your ad choices. Visit megaphone.fm/adchoices

For several decades, Black residents of East Oakland have watched their once-thriving middle-class community wither in numbers as the rising cost of living pushed out their neighbors leaving the area blighted with empty storefronts, crime and poverty. Now, a plan called Rise East will inject $100 million of privately raised funds into a 40-square-block section of East Oakland over a 10-year period. The plan, led by local nonprofits aims to invest in education, community safety, health care, affordable housing and boost the local economy. For this special edition of Forum, we'll broadcast live from East Oakland to talk to community leaders about the groundbreaking initiative and how it can serve as a model for community revitalization and reparations. Guests: Gregory Hodge, CEO, Brotherhood of Elders Network Carolyn "CJ" Johnson, CEO, Black Cultural Zone Selena Wilson, CEO, East Oakland Youth Development Center Dr. Noha Aboelata, CEO, Roots Community Clinic lower waypoint next waypoint Learn more about your ad choices. Visit megaphone.fm/adchoices

Oakland-based graphic artist Hugh D'Andrade, author of the graphic novel “The Murder Next Door,” talks about: His first graphic novel, The Murder Next Door, including what led him to finally making a graphic novel after being a big fan of them for a long time; studying fine art at the California College of Arts and Crafts back in the 1980s, and then going back to the same school, now called simply California College of the Arts, to get a masters in graphic novels; graphic novelists who have been influential to Hugh, including Adrian Tomine from nearby Berkeley, Chris Ware, who he refers to as both a giant and a genius in the field, as well Art Spiegelman, Thi Bui (whom he had as one of his graphic novel professors), Marjane Satrapi, and Phoebe Glockner; how the graphic novelists he's met have generally been very talkative and have quirky sensibilities, but also have introverted streaks which are necessary for long stretches alone that are necessary for producing their work; how he worked on the beginning of his graphic novel while in grad school, where the crits were very nurturing and supportive, unlike crits from back in the day (undergrad); where graphic novel reading falls in our attention economy; the value he puts on the hand-drawn in comics, with modest digital intervention; and how Vipassana meditation, the first chapter of the book, played a big role in Hugh's healing journey…. [the Conversation continues for another hour in the BONUS episode for Patreon supporters] In the 2nd half of the full conversation (available to Patreon supporters), Hugh talks about: the distinction between cartooning and illustration, and how challenging it is to render a person from multiple views in that style; what feedback he's gotten so far, with at least one reader saying that it was ‘very unique,' probably meaning they found it too dark; the roll his parents played (or didn't play) in healing from his trauma (the murder the book is focused on); his trolling of conspiracy theorists on social media (which is described in the book), which came out of his reaction to people making things up about who was responsible for the murder, along with the pros and cons of engaging with a conspiracy theorist; his description of 3 or 4 major career trajectory paths for artists in big art capitals, inspired by his nephew and students and their impending career paths- the A path/A-train: rock star; B path/B train: you have a partner who has a job/supports you financially;  C path/train: artist with a day job;  D-train: you live just outside of a major city, or in a college town, or rural areas; housing in the U.S., particularly in the art capitals (a sort of passion of both of ours) and how he bought a house in East Oakland, a part of the city he had never been in and he'd been living in the East Bay for decades; how he's in a ‘coffee dessert,' meaning he needs to drive at least 10 minutes to get to a good coffee spot, leading to a beautiful paradox: as a participant in gentrifying his neighborhood, he realizes that as soon as that fancy coffee place pops up in his neighborhood, the gentrification will essentially be complete; the neighborhoods Hugh lived in in San Francisco, particularly the Mission, Hayes Valley and the Tenderloin, and their respective reputations and what he experienced living there as an older young person going to punk shows and the like; his friend Rebecca Solnit's book Hollow City, about how gentrification displaces people of color as well as creative communities; we dig quite a bit into the weeds of the housing crisis, and how he lived on the cheap in the Bay Area for years, including getting around by bike up until 10 years ago; and finally he talks about his music show highlights over the years, including his changing relationship to the Grateful Dead over the decades. 

History of the Bay Podcast Ep. 98: DB Tha General is regarded as one of the most influential rappers to come out of the Bay Area in the early 2000s, but also one of the most controversial. His competitive nature led to public disputes with other East Oakland rappers that crossed over into his music. DB has a strong love for Oakland culture, including the game of the 80s dope era, the militancy of the Black Panthers and BGF, and his own parents' upbringing in the streets. In this podcast episode, DB shares some personal stories for the first time and does a deep dive into his background and influences.--For promo opportunities on the podcast, e-mail: info@historyofthebay.com--History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aaOnline Store: https://dregsone.myshopify.com Follow Dregs One:Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlAInstagram: https://instagram.com/dregs_oneTikTok: https://tiktok.com/@dregs_oneTwitter: https://twitter.com/dregs_oneFacebook: https://facebook.com/dregsone41500:00 Intro01:55 Controversy14:10 Oakland politics21:00 Bay Area speech22:54 Oakland history30:14 Bay Area rap styles35:39 Top 5 Oakland rappers39:26 BGF & African history48:45 Snitches and informants54:03 DB's parents & the streets58:50 Hyphy

While Oaklanders are figuring out who will be their next mayor, Interim Oakland Mayor Kevin Jenkins sat down with us for coffee in a wide-ranging interview. Jenkins, who also serves East Oakland's District 6 council seat, chatted about juggling two big jobs at once, the upcoming budget process, his optimism about the Coliseum deal, a casino by the airport, his background as a county staffer, and telling his son a tall tale about dropping 60 points in a basketball game.

Episode 114: Baby GasWhat's Good Famiglia?! How we doin out there?! This week we have another special guest coming out of East Oakland! A Bay Area native who's been putting on for his people in the Mexican and Hispanic community. Coming up spittin, he was often the only Mexican homie in the cypher so he had to come with it and represent! Gas got into weed at the age of 10 and never looked back. After getting caught up selling tree and pills in middle school, his mom sent him to Mexico for a few years. This is when he started incorporating Spanish into his bars. When Baby Gas returned to East Oakland, his rap career continued to bubble. Gas locked in features with rap legends like E-40 and many more. I met Baby Gas in the cannabis community as he performs at a lot of the larger cannabis shows. He actually dropped a few strains in the CA rec market and is well knows for his crazy stash and dashes! He even hosts a podcast with his wife called Saying What You Won't Podcast. Check it out!! Yall know what time it is… Roll em fat, torch your rigs, pack your bongs, bag up some work, your plants, do what you gotta do because we're about to take a ride through East Oakland with the homie Baby Gas! ✌

01-18-25Support the show: https://www.loveneverfailsus.com/donateSee omnystudio.com/listener for privacy information.

Episode 113: Tucky BluntWhat's Good Famiglia?! How we doin out there?! 2025 is off to a crazy start! Peace and love to our LA family dealing with tremendous loss and devastation from the fires. You are all in our thoughts and prayers and please let us know if we can help in anyway! This week we have a special guest coming straight out of East Oakland! The homie Tucky Blunt came through to tell his story. Tucky grew up in a household that was already selling weed so he was no stranger to the fire chronic at a young age. On his cannabis come up, he figured the best way for him to move his tree was to sell to his coworkers at every job he ever had. Not a bad move actually! You definitely know when they're getting paid! One day he got caught up with a very small amount of cannabis, but the cops still locked him up. That led to an opportunity, when California adult use legalization began, for him to get an equity license because of his previous charges. The dispensary Blunts + Moore was born and Tucky was on the license. What should've been an epic journey for the Homie turned into a bad situation. Unfortunately, his business partners were scammers and stealing from the business. You guys will hear all about the story on this episode. It's pretty wild actually so don't skip anything! Y'all know what time it is… Roll em fat, torch your rigs, your bongs, bag up some work, water your plants, do what you gotta do because we're about to slide though East Oakland with the homie Tucky Blunt!✌

On the latest NFL Players: Second Acts podcast, Peanut and Roman welcome former linebacker Hannibal Navies to the show. The NFC North rivalry comes to life when Hannibal and Peanut sit down for the conversation, though they keep it cordial. Hannibal was on the field for the infamous “4th & 26” play during the Green Bay Packers vs Philadelphia Eagles 2004 NFC Divisional Round Playoff Game and gives us the inside story of the moment. As a kid from East Oakland, Hannibal also shares happier shares what it was like playing for his hometown San Francisco 49ers. He also shares the work he does with the NFL Trust, how he works closely with NFL legends to aid them in their transition, and how he’s also training the next generation of NFL greats. The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Media.See omnystudio.com/listener for privacy information.

On the latest NFL Players: Second Acts podcast, Peanut and Roman welcome former linebacker Hannibal Navies to the show. The NFC North rivalry comes to life when Hannibal and Peanut sit down for the conversation, though they keep it cordial. Hannibal was on the field for the infamous “4th & 26” play during the Green Bay Packers vs Philadelphia Eagles 2004 NFC Divisional Round Playoff Game and gives us the inside story of the moment. As a kid from East Oakland, Hannibal also shares happier shares what it was like playing for his hometown San Francisco 49ers. He also shares the work he does with the NFL Trust, how he works closely with NFL legends to aid them in their transition, and how he’s also training the next generation of NFL greats. The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Media.See omnystudio.com/listener for privacy information.

On the latest NFL Players: Second Acts podcast, Peanut and Roman welcome former linebacker Hannibal Navies to the show. The NFC North rivalry comes to life when Hannibal and Peanut sit down for the conversation, though they keep it cordial. Hannibal was on the field for the infamous “4th & 26” play during the Green Bay Packers vs Philadelphia Eagles 2004 NFC Divisional Round Playoff Game and gives us the inside story of the moment. As a kid from East Oakland, Hannibal also shares happier shares what it was like playing for his hometown San Francisco 49ers. He also shares the work he does with the NFL Trust, how he works closely with NFL legends to aid them in their transition, and how he’s also training the next generation of NFL greats. The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Media.See omnystudio.com/listener for privacy information.

On the latest NFL Players: Second Acts podcast, Peanut and Roman welcome former linebacker Hannibal Navies to the show. The NFC North rivalry comes to life when Hannibal and Peanut sit down for the conversation, though they keep it cordial. Hannibal was on the field for the infamous “4th & 26” play during the Green Bay Packers vs Philadelphia Eagles 2004 NFC Divisional Round Playoff Game and gives us the inside story of the moment. As a kid from East Oakland, Hannibal also shares happier shares what it was like playing for his hometown San Francisco 49ers. He also shares the work he does with the NFL Trust, how he works closely with NFL legends to aid them in their transition, and how he’s also training the next generation of NFL greats. The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Media.See omnystudio.com/listener for privacy information.

Damu Sudi Alii began his musical career playing trombone in junior high school, then switched to piano in the United States Air Force.  He went on the road in 1969 with a group called "The Mint Juleps" led by trumpeter, vocalist, and multi-instrumentalist Clarence Pinckney. The group toured the midwest, southwest, and northwest United States.  Damu later joined a group in Los Angeles called the "Geechie" Smith Allstars" and played the B-3 organ in this group from 1975-1977.  After moving to Oakland around 1979, Damu played in several groups including eight years, 2001 to 2009 with William "Doc" Webster's group, "Jazz Nostalgia" at Les Joulins Jazz Bistro in San Francisco.  He was a sideman for many years with "Hanif and the Sound Voyagers." He also had his own group "First Edition," and occasionally performed with the "Carl Garrett Quartet".  From 1982 -1984, and again briefly in 2008 and 2010, Damu was pianist for the "Stones of Fire," a reggae gospel choir of Wo'Se Community Church in East Oakland. He was also a music teacher at Ile Omode. Damu released Serenity, Spring 2023, to great acclaim.  Damu Sudi Alii Quintet is hosting a tribute concert to two of his favorite musician friends, Kenneth Byrd and Kamau Seitu at Oaktown Jazz Workshop, 3-5 PM PT, 55 Washington Street, Jack London Square, Oakland. Suggested donation is $20.00. There will be special guests that afternoon. It will be a highlight for 2024.  Technical difficulties this afternoon, so we were not able to broadcast live. Damu was going to join me. See you Sunday afternoon. Blessings

History of the Bay Podcast Ep. 87: The Turf Feinz are a dance crew started in Oakland in the early 2000s that helped push the Bay Area style of turf dancing to the forefront. A famous video of them dancing in the rain in East Oakland went viral in 2009, helping push the group and the turfing style to an international audience. Since then, the Turf Feinz have appeared in videos for E-40, Too Short, Mac Miller, and most recently, Kendrick Lamar's "squabble up." On this episode, members Icecold3000 and Turf Kurry explain the origins and styles of turfing, its connection to the hyphy movement, and the experience of being part of a professional dance crew. -- History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aa Online Store: https://dregsone.myshopify.com Follow Dregs One: Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlA Instagram: https://instagram.com/dregs_one TikTok: https://tiktok.com/@dregs_one Twitter: https://twitter.com/dregs_one Facebook: https://facebook.com/dregsone415 00:00 Introduction 02:19 Growing up in the Bay 05:23 Turf Feinz current roster 06:32 What is turfing? 12:51 The Turf Feinz look 17:00 History of Bay Area dance styles 26:00 How Icecold & Kurry discovered turfing 30:09 The Hyphy Movement 33:10 The business side 40:36 Hyphy anthems 45:04 Origins of the Turf Feinz 49:17 Dancing in the rain video 57:31 Kendrick “squabble up” video 1:12:28 Future goals 1:22:06 Dregs' perspective on turfing --- Support this podcast: https://podcasters.spotify.com/pod/show/historyofthebay/support

Send us a textWhat happens when a troubled youth from East Oakland turns their life around to become a leader in diversity, equity, and inclusion? Our guest, Marco Lindsey, dives into his transformative journey from juvenile hall to his esteemed role as the Associate Director of DEI at UC Berkeley's Haas School of Business. Marco's story is a testament to resilience and the power of positive influences. Hear how his father's passing at 14 led him astray and how organizations like the 100 Black Men of the Bay Area helped him find a new path. His narrative isn't just about personal success—it's a beacon of hope for those aiming to effect change in their communities.We unravel the critical importance of diversity, equity, and inclusion, especially within African American culture, and discuss strategies for engaging those in positions of power. Marco shares insights on how these concepts, though often lumped together, hold distinct meanings and how diversity is key to solving global issues through varied perspectives. Additionally, he provides practical approaches to fostering genuine connections within the community, addressing the historical mistrust towards privileged groups, and emphasizing the need for empathy and understanding in DEI work.Through personal anecdotes, Marco highlights the role that therapy and core values have played in his life, offering listeners a glimpse into his passion for travel and cigars as sources of rejuvenation. We explore the significance of building a lasting legacy, both within the Lindsay family and the broader community, as Marco commits to staying in East Oakland to serve as a role model. By the end of this insightful conversation, Marco not only shares his professional journey but reinforces the importance of accessibility, community engagement, and leaving a positive impact for future generations.Support the show

Deep East Oakland used to be a thriving community with movie theaters and bowling alleys. But the crack cocaine epidemic and decades of disinvestment hit the community hard. Now, a $100 million philanthropic investment is coming to this part of Oakland, and people from the community will decide how to use it.  Reporter Olivia Cruz Mayeda joins us to talk about ‘Deep Down,' a new series on KQED Arts and Culture that explores the hopes and dreams of Deep East Oakland residents as they look towards this new investment. Links: Vote for us in the Signal Awards Apply to be our next intern Learn more about your ad choices. Visit megaphone.fm/adchoices

TOP NEWS | On today's Daily Signal Top News, we break down: The Pentagon announces that the U.S. is, “Out of an abundance of caution,” sending additional troops to the Middle East. The Justice Department releases a letter written by the alleged Trump assassination suspect.  The spending fight continues as the House prepares to vote on a Continuing resolution.  The Hilton Hotel by the Oakland, California airport has closed, likely due to crime. Relevant Links Listen to other podcasts from The Daily Signal: https://www.dailysignal.com/podcasts/ Get daily conservative news you can trust from our Morning Bell newsletter: DailySignal.com/morningbellsubscription   Listen to more Heritage podcasts: https://www.heritage.org/podcasts Sign up for The Agenda newsletter — the lowdown on top issues conservatives need to know about each week: https://www.heritage.org/agenda

TOP NEWS | On today's Daily Signal Top News, we break down:   The Pentagon announces that the U.S. is, “Out of an abundance of caution,” sending additional troops to the Middle East. The Justice Department releases a letter written by the alleged Trump assassination suspect. The spending fight continues as the House prepares to […]

In 1973, the Black Panthers opened the Oakland Community School in East Oakland. It is regarded as one of the nation's first community schools — a model where public schools partner with community organizations to provide comprehensive support services alongside academic instruction.  Many of the school's practices formed the blueprint for community schools today. Today, our friends at KQED's Mindshift podcast dive into the pioneering initiatives of the Black Panthers, and show how Oakland schools are using this model now. Learn more about your ad choices. Visit megaphone.fm/adchoices

History of the Bay Day 10.19.24 - ticket link: https://www.tixr.com/groups/midwaysf/events/history-of-the-bay-113087 -- Transitioning from the streets to the rap game after surviving 9 gunshots, 22nd Jim formerly known as Offset Jim has been on a consistent wave for the last few years. His meteoric rise was supported by appearances with ALLBLACK, who hails from the same Murder Dubs section of East Oakland. Jim credits his success in music to his popularity in Oakland and known authenticity to the gritty street life he portrays in his music. This has led to recognition in the Bay and beyond, including shoutouts from NBA all-star Klay Thompson and Drake's OVO label and clothing line. Feeling like he's accomplished everything there is to do in the Bay Area, Jim is now setting his sights beyond the Bay and looking to take his career even further. -- For promo opportunities on the podcast, e-mail: historyofthebaypodcast@gmail.com -- Produced by DEO @deo415, videography by @mvp_kingced --- History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aa Online Store: https://dregsone.myshopify.com Follow Dregs One: Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlA Instagram: https://instagram.com/dregs_one TikTok: https://tiktok.com/@dregs_one Twitter: https://twitter.com/dregs_one Facebook: https://facebook.com/dregsone415 00:00 Intro 01:36 7 years in the rap game so far 04:35 Growing up in Murder Dubs 08:51 Berkeley High 13:29 Getting shot 9 times 17:41 Oakland rap influences 21:34 Starting to rap; “Offset” rap name 29:12 OVO co-sign; Drake vs Kendrick 31:29 Klay Thompson 33:40 Detroit connections 36:11 Limits to the Bay; major labels 41:31 Features 46:02 Upcoming projects --- Support this podcast: https://podcasters.spotify.com/pod/show/historyofthebay/support

Send us a Text Message.East Oakland native Alfonso "Tucky" Blunt opens up about his transformative journey from navigating the streets to becoming a successful legal entrepreneur. If you've ever wondered how to turn life's toughest challenges into stepping stones for success, this episode is a must-listen. Blunt's story of resilience—rooted in his upbringing and emotional compartmentalization—offers valuable insights into maintaining a positive mindset despite adversity. His practice of focusing on smiles and positivity, rather than anger, is something we can all learn from. Host Big Charles also underscores the importance of highlighting success stories from Oakland, reminding us that hope and inspiration are closer to home than we often realize.Hear Tucky's incredible transition from selling weed at 16 to owning the legal dispensary Blunts and More, located just blocks from where he was once arrested. This chapter of his life epitomizes the blurred lines between street smarts and business acumen, shedding light on how those seemingly negative experiences can become the foundation for legitimate entrepreneurial success. Tucky's narrative underscores the importance of adaptability and resilience while navigating legal obstacles and societal expectations. His journey offers a compelling look at how legal equity programs can help rectify past injustices and create new opportunities.Lastly, we delve into the broader themes of community support, youth empowerment, and personal growth. Discover how Tucky emphasizes the need for unity and collaboration within communities, including the often-overlooked power of forgiveness and self-reflection. Whether it's nurturing positive relationships, advocating for youth resources, or maintaining mental health through therapy and spiritual guidance, this episode is packed with actionable advice and heartfelt stories. Tucky's focus on leaving a lasting legacy through faith, family, and integrity will resonate with anyone seeking to make a positive impact in their community. Don't miss this inspiring conversation that promises to uplift and empower.Support the Show.

As the A's wrap up their final season in Oakland, the future of the Coliseum – the team's home for 56 years– may finally be coming into focus. The African American Sports and Entertainment Group (AASEG), a local Black-led development company, is set to purchase the site from the A's and the City of Oakland for over two hundred million dollars. The final signing of those deals, supporters say, will help Oakland balance a tight budget and provide economic opportunities for East Oakland. AASEG plans to fill the complex with housing, sports, entertainment, and retail projects. We'll talk with one of the developers and others about what's next for the site. Guests: Casey Pratt, Chief of Communications, Oakland Mayor Sheng Thao Dan Moore, Bay Area-based freelance writer, his work has appeared in The Atlantic, The San Francisco Chronicle, and The Ringer, where he's a contributor. He's also a nominee for the 2024 Dan Jenkins Medal for Excellence in Sportswriting. Ray Bobbitt, Founder and Managing Member, African American Sports and Entertainment Group David Peters, Founder, West Oakland Cultural Action Network. Oakland native and lifelong Oakland A's fan. -Founder, Black Liberation Walking Tour. Peters is a 3rd generation West Oakland resident and lifelong Oakland A's fan.

MindShift revisits the pioneering initiatives of the Black Panthers, who used a community school approach when they opened a first-of-its-kind school in East Oakland in 1973. Then we focus on Oakland Unified School District's ambitious journey to become a community school district. We'll take a closer look at Oakland International High School (OIHS), a public high school established in 2007 that serves 100% English language learners and how they've successfully used the community school model to support their students.

Philthy Rich has been in the rap game for over 15 years and become a Bay Area legend. Growing up in East Oakland's Seminary hood, Philthy transitioned from the streets to music and gained a huge success through his nonstop work ethic. Starting off with J. Stalin's Livewire Records, Philthy now develops new artists through his label FOD Entertainment. Overcoming prison stints, police harassment, beef with other rappers, haters, and snakes in his circle, Philthy has achieved nationwide success and continues to give back to his community. -- Sponsored by Stem Social https://stemsocial.io https://instagram.com/stem.social Also sponsored by Lost Soul Courier Collective - call or text (415) 275-1922 for free Narcan delivery in San Francisco https://lostsoulcouriercollective.org For more info contact @traceyh415 -- For promo opportunities on the podcast, e-mail: historyofthebaypodcast@gmail.com -- Hat by So Fresh Clothing Soccer jersey by San Francisco City FC -- Produced by DEO @deo415, videography by @mvp_kingced --- History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aa Online Store: https://dregsone.myshopify.com Follow Dregs One: Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlA Instagram: https://instagram.com/dregs_one TikTok: https://tiktok.com/@dregs_one Twitter: https://twitter.com/dregs_one Facebook: https://facebook.com/dregsone415 --- Support this podcast: https://podcasters.spotify.com/pod/show/historyofthebay/support

In this video I discus the absolute disaster that is East Oakland. Recently an entire community was thrown into disarray after crime caused an entire construction crew to mass quit leaving all the roads unpaved Website: https://www.actualjusticewarrior.com/https://linktr.ee/ActualJusticeOdysee: https://odysee.com/@actualjusticewarrior:2Rumble: https://rumble.com/ActualJusticeWarriorInstagram NEW: https://www.instagram.com/actualjustice/Twitch: https://www.twitch.tv/actualjusticewarriorUtreon: https://utreon.com/c/ActualJusticeWarrior2nd Channel: https://www.youtube.com/ajw2dreamscometrueTeeSpring Store: https://teespring.com/stores/actualjusticewarriorNew Store: https://actualjusticewarrior.myspreadshop.com/Gettr: https://gettr.com/user/iamsean90Parler: https://parler.com/profile/Actualjusticewarrior/postshttps://www.minds.com/actualjusticewarriorSupport me on Patreon: https://www.patreon.com/SeanFitzgeraldPaypal: https://www.paypal.me/Iamsean90Venmo: https://venmo.com/iamsean90Support me on Subscribe Star: https://www.subscribestar.com/seanfitzgeraldGab: https://gab.com/Iamsean90Twitter https://twitter.com/iamsean90 Backup Twitter https://twitter.com/AJWSeanBitchute: https://www.bitchute.com/actualjusticewarrior/Discord: https://discord.gg/c7PGFFp3rd: https://www.youtube.com/user/DudeMonkeyHQGet Storable Food: https://www.preparewithajw.comGet Pocketnet: https://pocketnet.app/actualjusticewarrior?report=following&ref=PST4P2KEweDQJ2RAtG3scUmXAgPJJ5JJRLPodcast Links:Spotify: https://open.spotify.com/show/1o0q86AVIzH1ZhCl8pe3du?si=e260b6ab98d64e74Apple: https://podcasts.apple.com/us/podcast/actual-justice-warrior/id1637748971Google Podcast: https://podcasts.google.com/feed/aHR0cHM6Ly9iYWNrLnN0dWRlby5mbS9hcGkvdjEvcG9kY2FzdHMvNzMvcnNzLWZlZWRzSources:Local News Story: https://youtu.be/VsrpVKrKAd0?si=Fip4w-GLTTR9D_WHArticle With Additional Info: https://nypost.com/2024/06/05/us-news/east-oakland-streets-left-unpaved-after-construction-crews-flee-over-safety-concerns/#Oakland #Crime #IamSean90FAIR USE NOTICEThis video may contain copyrighted material; the use of which has not been specifically authorized by the copyright owner. We are making such material available for the purposes of criticism, comment, review and news reporting which constitute the 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. Not withstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work for purposes such as criticism, comment, review and news reporting is not an infringement of copyright.

During his 12 years with The Golden State Warriors, DJ D Sharp has seen it all — from the team's lowest point to the championship rings. Raised in East Oakland, D Sharp talks Rightnowish host Pendarvis Harshaw about his journey, inspiration and a go-to Warriors song. This episode originally aired May 2, 2024 Learn more about your ad choices. Visit megaphone.fm/adchoices

John Mackk talks about going viral with hit song "Slow it Down", sparking a bidding war amongst many labels, and more. ----- Get the latest news & videos http://nojumper.com CHECK OUT OUR ONLINE STORE!!! https://shop.nojumper.com/ NO JUMPER PATREON   / nojumper   CHECK OUT OUR NEW SPOTIFY PLAYLIST https://open.spotify.com/playlist/5te... Follow us on SNAPCHAT   / 4874336901   Follow us on SPOTIFY: https://open.spotify.com/show/4z4yCTj... iTunes: https://itunes.apple.com/us/podcast/n... Follow us on Social Media:   / 4874336901     / nojumper     / nojumper     / nojumper     / nojumper   JOIN THE DISCORD:   / discord   Follow Adam22:   / adam22     / adam22     / adam22   adam22hoe on Snapchat Learn more about your ad choices. Visit megaphone.fm/adchoices

After spending more than three decades working in the underground economy, Titus Lee Barnes compiled his stunning stories of “the street life” into a self-published book titled “Drug Lords of Oakland: The untold stories of California's most notorious kingpins of the 1970s, 80s and 90s.” Starting with the rise of infamous heroin kingpin Felix Mitchell, Barnes traces the trajectory of bloody turf battles and shifting allegiances throughout the emergence and implosion of the crack era. His personal connections with many of the young kingpins he profiles provides a uniquely nuanced view into a world of notorious figures that most people are only familiar with through mugshots. Although “Drug Lords” details the flashy cars and lavish parties that accompanied booming profits, Barnes doesn't shy away from the heartbreaking consequences that inevitably followed. In this interview, he shares his own experiences of being shot and incarcerated as “a cautionary tale” and offers some surprising insights into the Bay Area's ongoing crime woes. Listen now to hear Barnes' memories of growing up in Ghost Town, the improbable romance between a small-time East Oakland hustler and Colombian “cocaine godmother” Griselda Blanco, drug dealer investment strategies, and much more. See images related to this episode at: https://eastbayyesterday.com/episodes/the-streets-have-changed-drastically/ East Bay Yesterday can't survive without your donations. Please make a pledge to keep this show alive: https://www.patreon.com/eastbayyesterday Don't forget to follow East Bay Yesterday's Substack newsletter to stay updated on upcoming tours, events, and other local history news: https://substack.com/@eastbayyesterday

Educator and author Carolina Ixta joins The Stacks to discuss her debut novel Shut Up, This is Serious. Set in East Oakland, the story explores teen friendship, generational cycles and authenticity. Carolina talks about the process of writing about sex in Young Adult fiction, and confronting anti-Black racism in Latine communities. The Stacks Book Club selection for January is Erasure by Percival Everett. We will discuss the book on January 31st with Zach Stafford.You can find everything we discuss on today's show on The Stacks' website:https://thestackspodcast.com/2024/01/17/ep-302-carolina-ixtaEpisode TranscriptConnect with Carolina: Instagram | Twitter | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | SubscribeSUPPORT THE STACKSJoin The Stacks Pack on PatreonTo support The Stacks and find out more from this week's sponsors, click here.Purchasing books through Bookshop.org or Amazon earns The Stacks a small commission.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.