Podcast appearances and mentions of jodie mack

They made the chimps watch too much LiveLeak and it infected them with Rage, cut to 28 days later and the entire British Isle is fucked. That's right, we're getting our MiniDV cams out and going back to the glorious days of post-9/11 with 28 DAYS LATER. This film reinvented a genre when it came out... but how does it hold up now?Joining us are the three lads from a new screening series in Toronto: Truth and Dare. Each month Nick Armstrong, Adam Bovoletis, and Sacha Kingston-Wayne program cutting-edge documentaries that challenge the idea of what a doc needs to be. Before we talk about this weeks film we also discuss some recent stuff we've been watching: VULCANIZADORA, THE PHOENICIAN SCHEME, MOUNTAINHEAD, and of course the actual first film in this franchise, the Sandra Bullock comedy 28 DAYS. Adam also walks us through his 29th birthday movie marathon and we all try out Shaq-a-licious XL gummies to determine whether or not they truly taste like Shaq.Come see Ben's film CHERUB next week on June 22nd at 3pm at the Paradise Theatre and then head to the latest Truth and Dare screening TREASURED STACKS OF JODIE MACK, a retrospective of the incomparable experimental filmmaker Jodie Mack. That screening is also on June 22nd at 7pm at CineCycle, PWYC.CHERUB tickets: https://www.goelevent.com/FOFS/e/CherubTREASURED STACKS OF JODIE MACK info: https://theseventhart.org/treasured-stacks-of-jodie-mack/Follow us @thefranchisees on Instagram and Twitter and email us at thefranchiseespod@gmail.com

For the final episode of Pod Year 1, animator Jodie Mack visits Screen Slate HQ to spread holiday cheer and talk about ghosts, spiritualism, ecoplasm, orgasms, and favorite Christmas movies. Midway thru we take a break to call up filmmaker Michael M. Bilandic for a live report from the East Village on SantaCon 2022. Plus chatter on the Sight & Sound and the yet-to-be-released superior Screen Slate poll.Thank you to our listeners for a great first year!Support the showThe Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.

Vampires in Havana (1985) / The Grand Bizarre (2018) This week we're getting animated as we stop-motion around the world in Jodie Mack's intricately woven textile tapestry travelog and get bitten in Havana by Juan Padrón's revolutionary vampire comedy

Sometimes planning and recording a podcast every week gets so daunting that you decide its Shorts Week so you and your co-hosts don't have too much homework to do! We all brought some short films that played festivals to get into the short film and its merits and what better way to explore the range of the medium than with Michael Robinson's AND WE ALL SHINE ON, Benny Safdie's THE ACQUAINTANCES OF A LONELY JOHN, Jodie Mack's YARD WORK IS HARD WORK, and Marshall Curry's THE NEIGHBORS WINDOW! So throw your best pair of sunglasses on and watch along with us! Also Andy gets promoted to head of our Letterboxd account!  Our twitter is @CannesIKickIt Our letterboxd is CIKIPod Enjoying the show? Feel free to send a few bucks our way on Ko-fi. Thanks to Tree Related for our theme song Our hosts are @andytgerm @clatchley @imlaughalone @jcpglickwebber

Part 1: Zach, Ash, Nathan and Andrew discuss movies they saw this week, including: Breakaway, The Critic, Dirty Dancing and Goth Angel: The Story of Lil Peep.Part 2 (30:52): The group concludes their Intro to Avant-Garde series with a selection of short films by director Jodie Mack.See movies discussed in this episode here.Film list for the Intro to Avant-Garde series.Also follow us on: Facebook Twitter Letterboxd Spotify Stitcher Radio Radio Public ★ Support this podcast on Patreon ★

Part 1: Zach, Dylan and Lindsay discuss movies they saw this week, including: a selection of Jodie Mack films, The Peanut Butter Falcon and South Mountain.Part 2 (23:36): The group continues their Young Critics Watch Old Movies v.5 series with 1970's Wanda.Read Lindsay's essay on Wanda here.See movies discussed in this episode here.Also follow us on: Facebook Twitter Letterboxd Spotify Stitcher Radio Radio Public ★ Support this podcast on Patreon ★

Rebel Wilson hits her head and wakes up to a life inside a romantic comedy in director Todd Strauss-Schulson’s ISN’T IT ROMANTIC. In recommendations, Mark Pfeiffer reports on the True/False Film Festival, with highlights including Steven Bognar and Julia Reichert’s AMERICAN FACTORY, Brett Story’s THE HOTTEST AUGUST,  Todd Douglas Miller’s APOLLO 11, and Jodie Mack’s THE GRAND BIZARRE. Paul Markoff is in favor of Jeff Nichols’ LOVING, which tells the story behind the landmark Supreme Court case.. Send your comments, questions, and feedback to filmboundpod@gmail.com. Twitter: @filmbound Facebook: https://www.facebook.com/filmboundpod/ ISN’T IT ROMANTIC clip courtesy Warner Bros. COLD CASE HAMMARSKJÖLD clip courtesy Danish Film Institute AMAZING GRACE and APOLLO 11 clips courtesy Neon LOVING clip courtesy Focus Features Music: "Parasail" by Silent Partner Recorded March 9, 2019.

At the New York Film Festival, Film Comment presents a series of talks that includes our reliably energizing and insightful conversation with a group of directors. Our 2018 Filmmakers Chat—posted for the first time now—featured a unique and invigorating mix of talents in a discussion about the art and craft (and anxieties and rewards) of making movies. I was honored and delighted to be joined at the Film Society of Lincoln Center by Louis Garrel, director of A Faithful Man; Jodie Mack, director of The Grand Bizarre; Alex Ross Perry, director of Her Smell; and Albert Serra, director of Roi Soleil.

Sean and Evan discuss some of the films they saw at this year's Vancouver International Film Festival, including Christian Petzold's Transit, a variety of Moody Asian Noirs (Manta Ray, Lush Reeds, A Land Imagined), Bi Gan's Long Day's Journey Into Night, Ulrich Köhler's In My Room, Derek Chiu's No. 1 Chung Ying Street and Jodie Mack's The Grand Bizarre.

Jodie Mack is an experimental animator who makes colorful, abstract films with a vintage Bolex film camera. Tag along as she works on a new film and talks about her process.

With over 200 films spread over 40+ programs, how does one even begin to approach the New York Film Festival's Views from the Avant-Garde, especially someone as novice as Peter? Well, the only way is to dive in head first, as he did this year, and now brings on experimental film expert James Hansen to talk through approaches to these truly unique films. The two dish it out on canonical artists like Luther Price, Peter Hutton, and Nathaniel Dorsky, and rhapsodize about other favorites they've found along the way, including Peter's favorite film of the festival - a stop motion rock opera set to Dark Side of the Moon. Finally, they finish off with an appropriate feature, Stephanie Barber's Daredevils, which engages viewers in how to think about new ways to take risks and see things differently. (Make sure to check the notes below for a handful of excellent links to writings and videos of the various films). 0:00-8:00 Opening / Approaching the Avant-Garde9:24-17:49 Luther Price24:07-32:20 Landscapes, Peter Hutton, and Three Landscapes32:20-37:52 Nathaniel Dorsky38:51-48:26 Jodie Mack and Dusty Stacks of Mom53:26-1:08:25 Stephanie Barber's Daredevils1:08:27-1:10:24 Close / Outtake

"One of the benefits of studying arts at Dartmouth," says Assistant Professor of Film and Media Studies Jodie Mack, "is being able to apply the arts to so many other disciplines on campus. On any given day I could work with an engineer, a musician, a sculptor, or a painter. Under one roof we find harmony together and create together."

On this episode of Hear in the City, we get down to the nitty gritty of a brand new city ordinance protecting bicyclists from harassment by drivers in Los Angeles with Sergeant David Krumer, the bicycle liason at the LAPD, and we preview the quirky animations of independent filmmaker Jodie Mack before the screening at L.A. Film Forum this Sunday.