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PODCAST: This Week in Amateur Radio Edition #1354 - Full Version Release Date: February 8, 2025 Here is a summary of the news trending...This Week in Amateur Radio. This week's edition is anchored by Denny Haight, NZ8D, Steven Sawyer, K1FRC, Chris Perrine, KB2FAF, Alan Shephard, WK8W, Will Rogers, K5WLR, Don Hulick, K2ATJ, Eric Zittel, KD2RJX, George Bowen, W2XBS, and Jessica Bowen, KC2VWX. Produced and edited by George Bowen, W2XBS Approximate Running Time: 1:45:17 Podcast Download: https://bit.ly/TWIAR1354 Trending headlines in this week's bulletin service 1. AMSAT: MO-122 - Newest OSCAR Alive and Well 2. AMSAT: SO-120 Antennas Deployed 3. AMSAT: Fram2Ham SSTV Simulation Onboard The International Space Station 4. RW: Austria's Historic Moosbrunn Shortwave Transmission Site Dismantled 5. RW: SiriusXM's SXM-9 Satellite Is Now Operational 6. FCC: FCC Upholds Forfeiture Order Against Amateur Licensee 7. RI: Pallone, Bilirakis Reintroduce AM Radio Act In the US House of Representatives 8. PROP: The Magnetic North Pole Has Officially Shifted Position 9. ARRL: Learning Opportunity - On the Air Live - How To Use Your Handheld Radio 10. ARRL: Training The Next Generation Of Net Controllers 11. ARRL: Hurricane Watch Net Turning 60, Seeking Net Control Operators 12. ARRL: Las Vegas, Nevada, American Legion Paradise Post 149, Will Operate Special Event Station NV7AL 13. ARRL: Young Ladies Radio League, K4LMB, Will Host The 2025 SSB/CW/Digital YL-OM Contest 14. World Radio Day Is Just Ahead On February 13th 15. First Archipelago DxPedition In 23 Years Is Given The Thumbs Up By The Brazilian Navy 16. SSTV Images From First Polar Orbit Space Flight To Be Transmitted By Amateur Radio 17. ACMA Finalizes License Fee Changes For Australian Amateurs 18. Living The Good Life In A Senior Living Community Ham Radio Club 19. In Memory Of Earthquake Victims - Amateurs In Turkey Activate 20. Software Award Nominees Deadline Is Approaching 21. Late Breaking: Senators Wicker, Blumenthal Reintroduce Legislation to Protect Amateur Radio Operators 22. HACK: Parcae: A Trio of Spy Satellites 23. ARRL: Upcoming RadioSport contests and regional convention listings 24. HACK: Sony ends manufacturing of Blu-Ray, Mini-Disk, and MiniDV media. 25. WIA: Carnarvons decommissioned NASA satellite dish back in service after forty years 26. WIA: Amateur radio has been a hobby for well over 100 years 27. RAC: ISED Canada releases new basic amateur radio question bank 28. ARRL: ARRL Teachers Institute is a success on Staten Island 29. ARRL: Long time Ham Radio Outlet employee is honored for sixty years in amateur radio 30. ARRL: News shorts from the ARRL 31. Transportation contracts are signed for the Bouvet Island 3Y0K team 32. RAC: 70 centimeter mesh network project to begin in Canada 33. RSGB: Radio Society of Great Britain releases new syllabus 16. RSGB: Radio Society of Great Britain is looking for an Assistant Editor to fill a recent vacancy 35. Monthly Volunteer Monitoring System Report Plus these Special Features This Week: * Working Amateur Radio Satellites with Bruce Paige, KK5DO - AMSAT Satellite News * Foundations of Amateur Radio with Onno Benschop VK6FLAB, will be here with advise on how to find your path in the amateur radio hobby. * The DX Corner with Bill Salyers, AJ8B with news on DXpeditions, DX, upcoming radio sport contests and more. * Weekly Propagation Forecast from the ARRL * Will Rogers - K5WLR - A Century of Amateur Radio. This week, will takes us all aboard The Wayback Machine to the year 1919 when in late December, radio was blacked out again. But this time it was nature's doing, not a government edict. Hams discovered, the shorter wavelengths were dead despite the fact that 600 meter signals were still pounding in. Amateurs were in the process of learning about solar cycles, and atmospheric propagation in an episode simply called, 'Freaks'. ----- Website: https://www.twiar.net X: https://x.com/TWIAR Bluesky: https://bsky.app/profile/twiar.bsky.social Facebook: https://www.facebook.com/groups/twiari YouTube: https://bit.ly/TWIARYouTube RSS News: https://twiar.net/?feed=rss2 Automated (Full Static file, updated weekly): https://twiar.net/TWIARHAM.mp3 Automated (1-hour Static file, updated weekly): https://www.twiar.net/TWIAR1HR.mp3 ----- This Week in Amateur Radio is produced by Community Video Associates in upstate New York, and is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. If you would like to volunteer with us as a news anchor or special segment producer please get in touch with our Executive Producer, George, via email at w2xbs77@gmail.com. Thanks to FortifiedNet.net for the server space! Thanks to Archive.org for the audio space.
Chuck Joiner, David Ginsburg, Brian Flanigan-Arthurs, Marty Jencius, Eric Bolden, Web Bixby, Jim Rea, and Jeff Gamet discuss the “forever chemicals” (PFAS) lawsuit against Apple for their watch bands, and look at how, if you drive a Subaru, someone may know where you are going and where you have been. Some speculation on why some organizations may not be on Bluesky (yet) and the end of the MiniDisc and what industries it matters to finish off the conversation. MacVoices is supported by the new MacVoices Discord, our latest benefit for MacVoices Patrons. Sign up, get access, and jin the conversations at Patreon.com/macvoices. Show Notes: Chapters: 00:07 This is MacVoices01:29 Apple Watch Band Lawsuit10:20 Subaru Tracking Concerns22:46 Goodbye Mini-Discs and Blu-Rays27:21 Nostalgic Memories of Music Formats Links: Apple Watch Bands Are Safe to Wear, Says Apple, After Lawsuit Filedhttps://www.macrumors.com/2025/01/23/apple-says-its-watch-bands-are-safe-to-wear/ Per- and Polyfluoroalkyl Substances (PFAS)https://www.epa.gov/pfas Subaru Security Flaws Exposed Its System for Tracking Millions of Carshttps://www.wired.com/story/subaru-location-tracking-vulnerabilities/ NFL teams can't use Blueskyhttps://www.theverge.com/2025/1/22/24349499/nfl-patriots-bluesky-accounts-not-allowed-x-meta-threads Sony is halting production of recordable Blu-ray, MiniDiscs and MiniDV cassetteshttps://www.engadget.com/home/home-theater/sony-is-halting-production-of-recordable-blu-ray-minidiscs-and-minidv-cassettes-140030225.html Guests: Web Bixby has been in the insurance business for 40 years and has been an Apple user for longer than that.You can catch up with him on Facebook, Twitter, and LinkedIn. Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him on Twitter, by email at embolden@mac.com, on Mastodon at @eabolden@techhub.social, on his blog, Trending At Work, and as co-host on The Vision ProFiles podcast. Brian Flanigan-Arthurs is an educator with a passion for providing results-driven, innovative learning strategies for all students, but particularly those who are at-risk. He is also a tech enthusiast who has a particular affinity for Apple since he first used the Apple IIGS as a student. You can contact Brian on twitter as @brian8944. He also recently opened a Mastodon account at @brian8944@mastodon.cloud. Mark Fuccio is actively involved in high tech startup companies, both as a principle at piqsure.com, or as a marketing advisor through his consulting practice Tactics Sells High Tech, Inc. Mark was a proud investor in Microsoft from the mid-1990's selling in mid 2000, and hopes one day that MSFT will be again an attractive investment. You can contact Mark through Twitter, LinkedIn, or on Mastodon. Jeff Gamet is a technology blogger, podcaster, author, and public speaker. Previously, he was The Mac Observer's Managing Editor, and the TextExpander Evangelist for Smile. He has presented at Macworld Expo, RSA Conference, several WordCamp events, along with many other conferences. You can find him on several podcasts such as The Mac Show, The Big Show, MacVoices, Mac OS Ken, This Week in iOS, and more. Jeff is easy to find on social media as @jgamet on Twitter and Instagram, jeffgamet on LinkedIn., @jgamet@mastodon.social on Mastodon, and on his YouTube Channel at YouTube.com/jgamet. David Ginsburg is the host of the weekly podcast In Touch With iOS where he discusses all things iOS, iPhone, iPad, Apple TV, Apple Watch, and related technologies. He is an IT professional supporting Mac, iOS and Windows users. Visit his YouTube channel at https://youtube.com/daveg65 and find and follow him on Twitter @daveg65 and on Mastodon at @daveg65@mastodon.cloud. Dr. Marty Jencius has been an Associate Professor of Counseling at Kent State University since 2000. He has over 120 publications in books, chapters, journal articles, and others, along with 200 podcasts related to counseling, counselor education, and faculty life. His technology interest led him to develop the counseling profession ‘firsts,' including listservs, a web-based peer-reviewed journal, The Journal of Technology in Counseling, teaching and conferencing in virtual worlds as the founder of Counselor Education in Second Life, and podcast founder/producer of CounselorAudioSource.net and ThePodTalk.net. Currently, he produces a podcast about counseling and life questions, the Circular Firing Squad, and digital video interviews with legacies capturing the history of the counseling field. This is also co-host of The Vision ProFiles podcast. Generally, Marty is chasing the newest tech trends, which explains his interest in A.I. for teaching, research, and productivity. Marty is an active presenter and past president of the NorthEast Ohio Apple Corp (NEOAC). Jim Rea built his own computer from scratch in 1975, started programming in 1977, and has been an independent Mac developer continuously since 1984. He is the founder of ProVUE Development, and the author of Panorama X, ProVUE's ultra fast RAM based database software for the macOS platform. He's been a speaker at MacTech, MacWorld Expo and other industry conferences. Follow Jim at provue.com and via @provuejim@techhub.social on Mastodon. Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Mastodon: https://mastodon.cloud/@chuckjoiner Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss
Chuck Joiner, David Ginsburg, Brian Flanigan-Arthurs, Marty Jencius, Eric Bolden, Web Bixby, Jim Rea, and Jeff Gamet discuss the “forever chemicals” (PFAS) lawsuit against Apple for their watch bands, and look at how, if you drive a Subaru, someone may know where you are going and where you have been. Some speculation on why some organizations may not be on Bluesky (yet) and the end of the MiniDisc and what industries it matters to finish off the conversation. MacVoices is supported by the new MacVoices Discord, our latest benefit for MacVoices Patrons. Sign up, get access, and jin the conversations at Patreon.com/macvoices. Show Notes: Chapters: 00:07 This is MacVoices 01:29 Apple Watch Band Lawsuit 10:20 Subaru Tracking Concerns 22:46 Goodbye Mini-Discs and Blu-Rays 27:21 Nostalgic Memories of Music Formats Links: Apple Watch Bands Are Safe to Wear, Says Apple, After Lawsuit Filed https://www.macrumors.com/2025/01/23/apple-says-its-watch-bands-are-safe-to-wear/ Per- and Polyfluoroalkyl Substances (PFAS) https://www.epa.gov/pfas Subaru Security Flaws Exposed Its System for Tracking Millions of Cars https://www.wired.com/story/subaru-location-tracking-vulnerabilities/ NFL teams can't use Bluesky https://www.theverge.com/2025/1/22/24349499/nfl-patriots-bluesky-accounts-not-allowed-x-meta-threads Sony is halting production of recordable Blu-ray, MiniDiscs and MiniDV cassettes https://www.engadget.com/home/home-theater/sony-is-halting-production-of-recordable-blu-ray-minidiscs-and-minidv-cassettes-140030225.html Guests: Web Bixby has been in the insurance business for 40 years and has been an Apple user for longer than that.You can catch up with him on Facebook, Twitter, and LinkedIn. Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him on Twitter, by email at embolden@mac.com, on Mastodon at @eabolden@techhub.social, on his blog, Trending At Work, and as co-host on The Vision ProFiles podcast. Brian Flanigan-Arthurs is an educator with a passion for providing results-driven, innovative learning strategies for all students, but particularly those who are at-risk. He is also a tech enthusiast who has a particular affinity for Apple since he first used the Apple IIGS as a student. You can contact Brian on twitter as @brian8944. He also recently opened a Mastodon account at @brian8944@mastodon.cloud. Mark Fuccio is actively involved in high tech startup companies, both as a principle at piqsure.com, or as a marketing advisor through his consulting practice Tactics Sells High Tech, Inc. Mark was a proud investor in Microsoft from the mid-1990's selling in mid 2000, and hopes one day that MSFT will be again an attractive investment. You can contact Mark through Twitter, LinkedIn, or on Mastodon. Jeff Gamet is a technology blogger, podcaster, author, and public speaker. Previously, he was The Mac Observer's Managing Editor, and the TextExpander Evangelist for Smile. He has presented at Macworld Expo, RSA Conference, several WordCamp events, along with many other conferences. You can find him on several podcasts such as The Mac Show, The Big Show, MacVoices, Mac OS Ken, This Week in iOS, and more. Jeff is easy to find on social media as @jgamet on Twitter and Instagram, jeffgamet on LinkedIn., @jgamet@mastodon.social on Mastodon, and on his YouTube Channel at YouTube.com/jgamet. David Ginsburg is the host of the weekly podcast In Touch With iOS where he discusses all things iOS, iPhone, iPad, Apple TV, Apple Watch, and related technologies. He is an IT professional supporting Mac, iOS and Windows users. Visit his YouTube channel at https://youtube.com/daveg65 and find and follow him on Twitter @daveg65 and on Mastodon at @daveg65@mastodon.cloud. Dr. Marty Jencius has been an Associate Professor of Counseling at Kent State University since 2000. He has over 120 publications in books, chapters, journal articles, and others, along with 200 podcasts related to counseling, counselor education, and faculty life. His technology interest led him to develop the counseling profession ‘firsts,' including listservs, a web-based peer-reviewed journal, The Journal of Technology in Counseling, teaching and conferencing in virtual worlds as the founder of Counselor Education in Second Life, and podcast founder/producer of CounselorAudioSource.net and ThePodTalk.net. Currently, he produces a podcast about counseling and life questions, the Circular Firing Squad, and digital video interviews with legacies capturing the history of the counseling field. This is also co-host of The Vision ProFiles podcast. Generally, Marty is chasing the newest tech trends, which explains his interest in A.I. for teaching, research, and productivity. Marty is an active presenter and past president of the NorthEast Ohio Apple Corp (NEOAC). Jim Rea built his own computer from scratch in 1975, started programming in 1977, and has been an independent Mac developer continuously since 1984. He is the founder of ProVUE Development, and the author of Panorama X, ProVUE's ultra fast RAM based database software for the macOS platform. He's been a speaker at MacTech, MacWorld Expo and other industry conferences. Follow Jim at provue.com and via @provuejim@techhub.social on Mastodon. Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Mastodon: https://mastodon.cloud/@chuckjoiner Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss
BrainDrain Skateboarding show with Toby Batchelor and Forde Brookfield
Brain Drain Episode 49 with Toby Batchelor & Forde Brookfield
A few weeks ago, Dave dropped the shocking news that he had canceled Amazon Prime. Last week he hinted that maybe he was back in. For many people, Amazon Prime seems like a no-brainer, but is it? We take a look at what benefits you get for the price. There's also an impressive new AI, DeepSeek, from China that is making headlines. Samsung also had their Unpacked event to announce new technology, and some people got to check out their upcoming Moohan XR headset. Plenty of technology to get caught up on this week to help you get out there and tech better! Watch on YouTube! INTRO (00:00) Followup: Nate's pick from last week (04:05) MAIN TOPIC: Is Amazon Prime worth it in 2025? (06:50) Dave dumped Prime but couldn't stay away? Amazon Prime membership fees Prime membership benefits DAVE'S PRO-TIP OF THE WEEK: (37:50) iOS 18.3 Update Apple “Intelligence” on by default JUST THE HEADLINES: (47:40) Vandals in Southern California attack Waymo driverless taxi Report of newly-discovered asteroid turns out to be a Tesla Roadster eBay sellers asking $2k to $50k for iPhones with TikTok installed Subaru security vulnerability allowed millions of cars to be tracked, unlocked, and started Meta officially starts showing ads on Threads Netflix raises prices again Solar-charging backpacks are helping children to read after dark Sony ends production of Blu-ray media, MiniDiscs, and MiniDV cassettes TAKES: China's DeepSeek hits #1 on App Store, shocks AI researchers, sends US tech shares tumbling - Jevons AI Paradox (51:10) OpenAI introduces Operator to perform web tasks for you (57:10) Everything Samsung announced at the Galaxy S25 Unpacked event - Samsung Moohan XR headset (58:40) Microsoft Patch Tuesday, January 2025 (01:02:45) BONUS ODD TAKE: Stimulation Clicker Neal.fun (01:04:00) PICKS OF THE WEEK: Dave: Anker Nano 3-in-1 Portable iPhone Charger, 10,000mAh Power Bank with Built-in USB-C Cable and Foldable Wall Plug, 30W Max Battery Pack, Travel Essentials for iPhone 16/15 Series, Galaxy, MacBook (01:09:35) Nate: INKEE GC12 Portable LED Photography Light Wand,Bi Color Magnetic Handheld Video Wand Stick 2700K-6500K,2500mAh Built-in Rechargable Inflatable Light for Video Recording Dimmable Camera Light Tube (01:15:55) RAMAZON PURCHASE - Giveaway! (01:18:45)
“Szokásos.Egyik utolsó dögmeleg az évben, milliónyi szúnyog, folyamatos hajóforgalom, lemerülő MiniDv kamerák, kifogyó kazetták, folyamatosan változó fényviszinyok...Tehát valóban, ez egy szokásos első forgatási napja volt egy új műsornak.Mivel nem vitaműsort szeretnénk csinálni, ezért nagy vállalás volt Emíliával kezdeni. Más szempontból talán mégis pont ő a legalkalmasabb erre, hiszen - sokakkal ellentétben - soha nem félt képviselni magát az övétől eltérő véleményekkel szemben. Bárhogy is, szerintem valamennyire túl tudtunk lépni azon, amit a közéletben amúgy képvisel, és beleláthattunk abba, hogy mik a sarokkövei a meggyőződéseinek. Más szóval miért gondolja azt, amit.”– Kilián, rendező
Today on the show I welcome filmmaker Sara Summa. Sara's film Arthur & Diana will have its world premiere at the Toronto International Film Festival. I loved the film! Keep this one on your radar. Great film, great chat! Thanks for listening. Kyler --- Synopsis: "Writer-director Sara Summa stars alongside her real-life brother Robin Summa, in this playful auto-fictional road trip from Berlin to Paris." "Siblings Arthur and Diana are en route from Berlin to Paris in their late father's Renault with Diana's adorable two-year-old son in tow. On a mission to renew an expired MOT — a certificate confirming a vehicle's compliance with road safety and environmental standards — on their shared car, a rusty childhood relic, they also plan on visiting their aging mother along the way. With no topic off the table, Arthur — who is younger, with a bohemian air, and into geocaching — is adjacent to intense and pragmatic Diana, who's just looking to get from point A to point B. Between bantering and bickering, and with a flat tire to boot, the pair encounter a beautiful vagabond, have a run-in with the police, party, attend a funeral, and detour through Italy. Charming every step of the way, the family will wind up with a few more friends and hopes than they departed with. Sara Summa constructs a playful and intimate sophomore feature following her debut The Last to See Them, which screened in the Berlinale's Forum programme in 2019. A European road movie on the surface, Arthur&Diana is the autofictional brainchild of Summa, who plays the headstrong lead alongside her real-life brother, Robin Summa. Accompanied by Ben Roessler's delightful score and shot on MiniDV, Betacam, and 16mm by Faraz Fesharaki (who follows his work on Alexandre Koberidze's What Do We See When We Look at the Sky?), Arthur&Diana moves constantly between the tension and stasis that bonds all families and sometimes propels us to stay on course." (SOURCE: 2023 TIFF) --- --- SLD Podcast Info: www.saltlakedirt.com Radio Broadcast every Monday on KPCR 101.9 FM Santa Cruz - 6PM - 8PM PST Listen on APPLE Podcasts Listen on SPOTIFY Instagram: @saltlakedirt
So I directed a small action short film a few years back called "BROKEN." I shot the film on MiniDV Tape (yes I'm old) on the Panasonic DVX 100a, the indie film workhorse of its day. My team and I filmed it in West Palm Beach Florida (not exactly the Mecca of the film industry) and it starred only local, non named actors. Now once the filming was over I marketed the living hell out of that little short. It went on to screen at over 250 international film festivals, win countless awards and be covered by over 300 news outlets. That little film had a life of it's own. I even got a review of legendary film critic Roger Ebert:"BROKEN is essentially a demonstration of the mastery of horror imagery and techniques. Effective and professional." - Roger EbertNow you must be asking, "But Alex how the hell did you make money with it?" Well, I knew that no one would pay real money for a 20 minute short film, shot on MiniDV, with no name actors and from a first time director to boot. So I planned to create a guerrilla indie film school with over 3 hours of footage, tutorials, commentaries and more. For the whole story take a listen.
This episode contains major spoilers and deals with difficult subject matter, so please watch the film before you listen to this discussion. Freelance film critic and programmer Rafa Sales Ross joins me from Scotland to discuss Charlotte Wells' debut feature Aftersun, starring newcomer Frankie Corio and Paul Mescal in an Academy Award-nominated performance as Calum, a Scottish single father who takes his 11 year old daughter Sophie on a trip to a resort in Turkey in the late nineties, a story told partly through the use of MiniDV holiday footage but more importantly refracted from the perspective of a grown-up Sophie, now at the same age her father was on this fateful vacation and reconsidering her memories. As a film critic who saw Aftersun at its tear-soaked screening at Cannes and as part of the programming team that later selected the film to open the Edinburgh International Film Festival, Rafa is uniquely equipped to speak about this powerful drama about what gets captured in the “mind camera”; parenthood, loss, depression, empathy, memory, nostalgia and the hard-won wisdom children experience when they transform into adults and finally start to understand their parents as people. There are over three dozen premium episodes of the show available exclusively to patrons: some notable previous Patreon guests include Jared Yates Sexton, Jacob Bacharach, David Roth, Bryan Quinby and Sooz Kempner. More to come! Sign up at https://www.patreon.com/junkfilter Follow Rafa Sales Ross on Twitter and visit her website. Trailer for Aftersun (Charlotte Wells, 2022) Rafa's interview with Charlotte Wells on Aftersun, for “Little White Lies”, November 15, 2022
Indie Film Hustle® Podcast Archives: Film Distribution & Marketing
So I directed a small action short film a few years back called "BROKEN." I shot the film on MiniDV Tape (yes I'm old) on the Panasonic DVX 100a, the indie film workhorse of its day. My team and I filmed it in West Palm Beach Florida (not exactly the Mecca of the film industry) and it starred only local, non named actors. Now once the filming was over I marketed the living hell out of that little short. It went on to screen at over 250 international film festivals, win countless awards and be covered by over 300 news outlets. That little film had a life of it's own. I even got a review of legendary film critic Roger Ebert:"BROKEN is essentially a demonstration of the mastery of horror imagery and techniques. Effective and professional." - Roger EbertNow you must be asking, "But Alex how the hell did you make money with it?" Well, I knew that no one would pay real money for a 20 minute short film, shot on MiniDV, with no name actors and from a first time director to boot. So I planned to create a guerrilla indie film school with over 3 hours of footage, tutorials, commentaries and more. For the whole story take a listen.
24 Hour Party People (2002) / The Forest for the Trees (2003) This week we're rolling the tape back to the MiniDV era as we get lost in the proverbial forest with Maren Ade and fly high in Madchester with Michael Winterbottom
For the first time in years, both Griffin and David are in agreement on a new Steven Spielberg film - what a picture! We're playing both film critics and armchair psychologists in this episode as we unpack THE FABELMANS, a movie that is less sentimental and more complex than one would assume based on the poster. What sets this film apart from the ever-growing stack of filmmaker origin stories? Is this the de-facto Best Picture frontrunner? Why the hell was Griffin shooting on super 8 in the early 2000s when MiniDV was available? This episode is sponsored by: MasterClass (masterclass.com/check) DadGrass (dadgrass.com/check) Bombas (bombas.com/check CODE: CHECK) Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! Buy some real nerdy merch at shopblankcheckpod.myshopify.com or at teepublic.com/stores/blank-check
Mark Schwab is a writer, director, producer, actor and film maker. He is the owner of DITR Films and creator of the award winning film "Brotherly Lies" Along with Co-Owner, Mark Balunis, they've had a thirty-five year road of Super8mm filming, 16mm filming, MiniDV tape, RED cameras, SONY cameras and BlackMagic cameras. It's been location shooting, digital assets, Adobe Premiere, Adobe After Effects, Final Cut Pro and DaVinci Resolve. It's been film festivals, road trips to Los Angeles, taking questions from audiences and accepting awards.Diamond in the Rough Films can take any project from concept through deliverables. They pride themselves on being that one-stop-shop for independent filmmaking.Brotherly Lies is a film where the viewer can be taken in by the characters and wonder how it'll get resolved. It is what movies used to be; transporting you for 90 minutes into a world that isn't your own. It's a love story, a mystery and a human story that almost all of us can relate to.It's a movie where you can turn down the lights, have a glass of wine and put your arm around someone you deeply care about — never taking the experience for granted as it all unfolds.I loved having this conversation with you Mark and welcome to the Hey Gurl family! You are welcome back on the show anytime!!! I had such a wonderful time. Follow Mark:Instagram: @ditrfilms Website: https://ditrfilms.comBrotherly Lies on Fearless: https://watch.fearless.li/programs/brotherly-lies Bill Janisse Instagram: @billjanisseBill FB: @billjanisse Hey Gurl! Instagram: @heygurl.podcastHey Gurl! FB: @heygurlpodcast Hey Gurl! Tik Tok: @heygurlpodcastHey Gurl! Website: www.heygurlpodcast.com Hey Gurl! YouTube: Here
Dallas and Lee welcome filmmaker and critic Billie Melissa to review Aftersun.Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between miniDV footage as she tries to reconcile the father she knew with the man she didn't.We bring you red carpet interviews with Aftersun stars Paul Mescal, Frankie Corio and writer/director Charlotte Wells and preview an upcoming bumper interview with Sally Messham.
Dallas and Lee welcome filmmaker and critic Billie Melissa to review Aftersun. Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between miniDV footage as she tries to reconcile the father she knew with the man she didn't. We bring you red carpet interviews with Aftersun stars Paul Mescal, Frankie Corio and writer/director Charlotte Wells and preview an upcoming bumper interview with Sally Messham.
Aftersun director Charlotte Wells and editor Blair McClendon visit Screen Slate HQ to talk about the remarkable new film, opening this weekend from A24. We get into the genesis of the father-daughter story, casting the remarkable young actress Frankie Corio, how MiniDV is the look of childhood memories for a certain generation, and constructing a turn-of-the-millennium period piece without overplaying it. Plus Wells and McClendon discuss the needle drops that did and didn't make it into the film, and Blair ignites beef with Liam Gallagher.Aftersun trailerSupport the showThe Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.
Why are a caller's Wyze cameras calling the cops randomly? Affordable laptops for a trucker on the go? Why is my printer not connecting to my network? Is Starlink better than a cellular network, such as T-Mobile, for wireless coverage? What is Cellular at Sea? How do you extract footage from a miniDV tape? Plus, conversations with Sam Abuelsamid, Chris Marquardt, and Rod Pyle! The Ethereum merge: from proof-of-work to a proof-of-stake. A caller's Wyze cameras are calling the cops randomly. What could be causing that to happen? Sam Abuelsamid and his ride in the Cruise driverless cars. Cheap laptop suggestions for on-the-road usage. The sale of Figma to Adobe for $20 billion. Apple iOS 16.0.1 update. Why is my printer not connecting to my network? Chris Marquardt and getting kids excited about photography. Should I use Starlink over T-Mobile / AT&T cellular networks for wireless coverage? The passing of Lowry Mays, founder of Clear Channel Communications. What is Cellular at Sea, and how does it work? Apple's Internet Sharing. Rod Pyle and the next Artemis 1 launch attempt & NASA's work with SpaceX Bluetooth Helmets for biking? How to extract footage from miniDV tapes? Host: Leo Laporte Guests: Sam Abuelsamid, Chris Marquardt, and Rod Pyle Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Show notes and links for this episode are available at: https://twit.tv/shows/the-tech-guy/episodes/1928 Download or subscribe to this show at: https://twit.tv/shows/the-tech-guy Sponsor: UnifyMeeting.com code TECHGUY
Why are a caller's Wyze cameras calling the cops randomly? Affordable laptops for a trucker on the go? Why is my printer not connecting to my network? Is Starlink better than a cellular network, such as T-Mobile, for wireless coverage? What is Cellular at Sea? How do you extract footage from a miniDV tape? Plus, conversations with Sam Abuelsamid, Chris Marquardt, and Rod Pyle! The Ethereum merge: from proof-of-work to a proof-of-stake. A caller's Wyze cameras are calling the cops randomly. What could be causing that to happen? Sam Abuelsamid and his ride in the Cruise driverless cars. Cheap laptop suggestions for on-the-road usage. The sale of Figma to Adobe for $20 billion. Apple iOS 16.0.1 update. Why is my printer not connecting to my network? Chris Marquardt and getting kids excited about photography. Should I use Starlink over T-Mobile / AT&T cellular networks for wireless coverage? The passing of Lowry Mays, founder of Clear Channel Communications. What is Cellular at Sea, and how does it work? Apple's Internet Sharing. Rod Pyle and the next Artemis 1 launch attempt & NASA's work with SpaceX Bluetooth Helmets for biking? How to extract footage from miniDV tapes? Host: Leo Laporte Guests: Sam Abuelsamid, Chris Marquardt, and Rod Pyle Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Show notes and links for this episode are available at: https://twit.tv/shows/the-tech-guy/episodes/1928 Download or subscribe to this show at: https://twit.tv/shows/all-twittv-shows Sponsor: UnifyMeeting.com code TECHGUY
Why are a caller's Wyze cameras calling the cops randomly? Affordable laptops for a trucker on the go? Why is my printer not connecting to my network? Is Starlink better than a cellular network, such as T-Mobile, for wireless coverage? What is Cellular at Sea? How do you extract footage from a miniDV tape? Plus, conversations with Sam Abuelsamid, Chris Marquardt, and Rod Pyle! The Ethereum merge: from proof-of-work to a proof-of-stake. A caller's Wyze cameras are calling the cops randomly. What could be causing that to happen? Sam Abuelsamid and his ride in the Cruise driverless cars. Cheap laptop suggestions for on-the-road usage. The sale of Figma to Adobe for $20 billion. Apple iOS 16.0.1 update. Why is my printer not connecting to my network? Chris Marquardt and getting kids excited about photography. Should I use Starlink over T-Mobile / AT&T cellular networks for wireless coverage? The passing of Lowry Mays, founder of Clear Channel Communications. What is Cellular at Sea, and how does it work? Apple's Internet Sharing. Rod Pyle and the next Artemis 1 launch attempt & NASA's work with SpaceX Bluetooth Helmets for biking? How to extract footage from miniDV tapes? Host: Leo Laporte Guests: Sam Abuelsamid, Chris Marquardt, and Rod Pyle Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Show notes and links for this episode are available at: https://twit.tv/shows/the-tech-guy/episodes/1928 Download or subscribe to this show at: https://twit.tv/shows/total-leo Sponsor: UnifyMeeting.com code TECHGUY
Why are a caller's Wyze cameras calling the cops randomly? Affordable laptops for a trucker on the go? Why is my printer not connecting to my network? Is Starlink better than a cellular network, such as T-Mobile, for wireless coverage? What is Cellular at Sea? How do you extract footage from a miniDV tape? Plus, conversations with Sam Abuelsamid, Chris Marquardt, and Rod Pyle! The Ethereum merge: from proof-of-work to a proof-of-stake. A caller's Wyze cameras are calling the cops randomly. What could be causing that to happen? Sam Abuelsamid and his ride in the Cruise driverless cars. Cheap laptop suggestions for on-the-road usage. The sale of Figma to Adobe for $20 billion. Apple iOS 16.0.1 update. Why is my printer not connecting to my network? Chris Marquardt and getting kids excited about photography. Should I use Starlink over T-Mobile / AT&T cellular networks for wireless coverage? The passing of Lowry Mays, founder of Clear Channel Communications. What is Cellular at Sea, and how does it work? Apple's Internet Sharing. Rod Pyle and the next Artemis 1 launch attempt & NASA's work with SpaceX Bluetooth Helmets for biking? How to extract footage from miniDV tapes? Host: Leo Laporte Guests: Sam Abuelsamid, Chris Marquardt, and Rod Pyle Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Show notes and links for this episode are available at: https://twit.tv/shows/the-tech-guy/episodes/1928 Download or subscribe to this show at: https://twit.tv/shows/the-tech-guy Sponsor: UnifyMeeting.com code TECHGUY
Why are a caller's Wyze cameras calling the cops randomly? Affordable laptops for a trucker on the go? Why is my printer not connecting to my network? Is Starlink better than a cellular network, such as T-Mobile, for wireless coverage? What is Cellular at Sea? How do you extract footage from a miniDV tape? Plus, conversations with Sam Abuelsamid, Chris Marquardt, and Rod Pyle! The Ethereum merge: from proof-of-work to a proof-of-stake. A caller's Wyze cameras are calling the cops randomly. What could be causing that to happen? Sam Abuelsamid and his ride in the Cruise driverless cars. Cheap laptop suggestions for on-the-road usage. The sale of Figma to Adobe for $20 billion. Apple iOS 16.0.1 update. Why is my printer not connecting to my network? Chris Marquardt and getting kids excited about photography. Should I use Starlink over T-Mobile / AT&T cellular networks for wireless coverage? The passing of Lowry Mays, founder of Clear Channel Communications. What is Cellular at Sea, and how does it work? Apple's Internet Sharing. Rod Pyle and the next Artemis 1 launch attempt & NASA's work with SpaceX Bluetooth Helmets for biking? How to extract footage from miniDV tapes? Host: Leo Laporte Guests: Sam Abuelsamid, Chris Marquardt, and Rod Pyle Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Show notes and links for this episode are available at: https://twit.tv/shows/the-tech-guy/episodes/1928 Download or subscribe to this show at: https://twit.tv/shows/all-twittv-shows Sponsor: UnifyMeeting.com code TECHGUY
Why are a caller's Wyze cameras calling the cops randomly? Affordable laptops for a trucker on the go? Why is my printer not connecting to my network? Is Starlink better than a cellular network, such as T-Mobile, for wireless coverage? What is Cellular at Sea? How do you extract footage from a miniDV tape? Plus, conversations with Sam Abuelsamid, Chris Marquardt, and Rod Pyle! The Ethereum merge: from proof-of-work to a proof-of-stake. A caller's Wyze cameras are calling the cops randomly. What could be causing that to happen? Sam Abuelsamid and his ride in the Cruise driverless cars. Cheap laptop suggestions for on-the-road usage. The sale of Figma to Adobe for $20 billion. Apple iOS 16.0.1 update. Why is my printer not connecting to my network? Chris Marquardt and getting kids excited about photography. Should I use Starlink over T-Mobile / AT&T cellular networks for wireless coverage? The passing of Lowry Mays, founder of Clear Channel Communications. What is Cellular at Sea, and how does it work? Apple's Internet Sharing. Rod Pyle and the next Artemis 1 launch attempt & NASA's work with SpaceX Bluetooth Helmets for biking? How to extract footage from miniDV tapes? Host: Leo Laporte Guests: Sam Abuelsamid, Chris Marquardt, and Rod Pyle Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Show notes and links for this episode are available at: https://twit.tv/shows/the-tech-guy/episodes/1928 Download or subscribe to this show at: https://twit.tv/shows/total-leo Sponsor: UnifyMeeting.com code TECHGUY
This is a very special episode of the NFT Stories Podcast for two reasons:One, this is the first time we're dropping an episode with NFT creators while there is a drop currently going. That is, if you're listening on June 21st. And if not, reminder, episodes are every Tuesday.And two, this is the first time we're dropping an episode with an NFT project that I actually worked on.In my previous life, I was a comedian who also happened to get a film degree. This turned out to be my biggest blessing and curse.It was a blessing because I graduated right at the start of the digital revolution. I didn't need to travel to film festivals to get 50 people to view my short film. YouTube would host for free and get me hundreds of views. Okay, maybe 50 is about right, but still, no travel.And it was a curse because I quickly learned my ability to shoot and edit digital video, mostly on MiniDV tapes at the time, meant I would be spending a lot more time behind the camera than in front.Hence my career in digital media instead of hanging out in Will Ferrell's entourage.I stayed tied into the comedy community throughout the years and, along with my friend Jordan Pomaville and Sam Kimbrell, we started thinking about how web3 may be able to re-create the feeling of a comedy club online.The result: minting every word as a one-of-one NFT, giving each one a funny definition and pronunciation, then using the words in comedic fill-in-the-blank game shows on Twitch to bring the community together, with plenty of funny and weird airdrops along the way.So let's dive into the story behind this project Own Every Word, or, if you want to check it out for yourself, go to owneveryword.com.FOR MORE INFO:Phil Ranta's Twitter: https://twitter.com/philrantaPodcast Twitter: https://twitter.com/NFTStoriesPodYouTube: https://www.youtube.com/channel/UCwuexPh0bx-6jXQMRv3iq1gCopyright 2022 - We Are Verified, LLC
Notre critique du film "Aftersun" réalisé par Charlotte Wells avec Paul Mescal, Francesca Corio et Celia Rowlson-Hall. Un film présenté à la Semaine Internationale de la Critique au Festival de Cannes 2022. Regardez l'émission sur YOUTUBE : https://bit.ly/3nm7Oy9 --- Titre : Aftersun Sortie : Prochainement De : Charlotte Wells Avec : Paul Mescal, Francesca Corio et Celia Rowlson-Hall. Synopsis : Sophie contemple les moments de joie partagée et la nostalgie intime des vacances qu'elle a passées avec son papa vingt ans plus tôt. Des souvenirs, réels et imaginés, comblent les vides entre les enregistrements avec son miniDV, alors qu'elle tente de concilier le père qu'elle a connu et l'homme qu'elle ignorait. #CINECAST #Podcast #Critique
The bright smiling friendly face that greets you at the beginning of each YACHT ROCK episode is that of my guest. Among other things, he's a former writer for Allmusic.com & Disney pirate, who one day would trade pirate ships for smooth rock yachts. He spent a few latter years bringing MiniDV magic to 101 at the DTI and continues working with the gang on the ULTIMATE YR book. He's a brilliant, talented and kind fella! Steve Huey on Channel 101 (Legacy Site) http://www.channel101.com/talent/211 Hollywood Steve on Twitter Starburns Audio podcast 'Beyond Yacht Rock' Yacht Or Nyacht? RS article "Sail Away: The Oral History of 'Yacht Rock'" Todd Donald (host) Postmodern Machine (music) Channel 101 Podcasts (network)
Coming off a stellar 2000 Autocross campaign, 2001 goes...good and bad all at the same time. This episode has some unique production value as I end up narrating over some old miniDV footage, that has in-camera narration provided by my camera-woman "Sophia". You'll actually hear cars on the Auto-x course as I'm describing my car's trek amongst the cones.
What does it mean to never have a plan B? For veteran award winning DP Nancy Schreiber it meant continuing the grind, but also adjusting to the opportunities and realities she was presented with. How can you do the same? When getting DP jobs was less likely because of her gender, she took more gaffing jobs. When she got the chance to shoot video (VHS or otherwise) she grabbed it, and she wrote her own playbook on how to make it look good. She expanded on that as the video medium expanded. Continuing to shoot on her beloved celluloid, but also winning AWARDS for shooting on... wait for it... MiniDV. Nancy is a true veteran of the industry, one of the first few female members of the ASC, and a trailblazer to this day. Best of all she's humble, positive, and excited about all the new projects on her slate of all variety. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Quando per una sciocca legge i costruttori sono obbligati a castrare il funzionamento di un dispositivo, al fine di non avere tassazioni diversificate, ecco che scatta la ricerca per riottenere il completo funzionamento di un dispositivo, che per sua natura non dovrebbe avere tale blocco.Informazioni sul DV-INhttps://www.appuntisuldigitalvideo.it/cam_dvin.htmlSito con 'ancora' risorse sul DV-INhttp://lea.hamradio.si/~s51kq/DV-IN.HTMhttps://dvzone.tripod.com/id8.htmLa mia vecchia pagina HARDTOFIND su webarchivehttps://web.archive.org/web/20020924182404/http://hardtofind.cjb.net/Ad ogni modo mi trovate qui:https://t.me/technopillzriothttp://www.survivalhacking.itSostenete Runtime Radio:http://runtimeradio.it/ancheio/Sostenete Survival hackinghttps://www.paypal.me/SurvivalHackingLe mie BGM suPond5https://www.pond5.com/artist/thoroide#1/2064 Spotifyhttps://open.spotify.com/artist/1coeUect3UnQ4HjRQQu6EO Apple Musichttps://itunes.apple.com/us/album/presentation/1461490308?app=music https://itunes.apple.com/us/album/magic-ep/1461486916?app=music https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=music Ituneshttps://itunes.apple.com/us/album/presentation/1461490308?app=itunes https://itunes.apple.com/us/album/magic-ep/1461486916?app=itunes https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=itunes Youtubehttps://music.youtube.com/playlist?list=OLAK5uy_mH3bw9JFuGk1BvhWluht0ao-LDSHuwKNw https://music.youtube.com/playlist?list=OLAK5uy_kU6l_g3Y4mgJP0B7PFJ4SP3mCIUiiocTQ https://music.youtube.com/playlist?list=OLAK5uy_l5Px6E2_RSq6V7LgjHpYrWGYOF6W7QGzs Deezerhttps://www.deezer.com/it/artist/5504122?utm_source=deezer&utm_content=album-94957612&utm_term=0_1556297485&utm_medium=web
Night Listeners -December 2020 could not come soon enough! Here we are with some weird rippers to start of the month. I am going to be putting a call out soon for video archives as I want to launch the Iowa Basement Tapes Youtube Channel. So if you stuff on VHS, Hi8, MiniDV or whatever please drop me a note at kristianday@gmail.comIowa Basement Tapes has its own archive of Iowa music. Be sure to check out iowabasementtapes.bandcamp.com and download any of the releases for free. If you would like to contribute any music please send an email to kristianday@gmail.com.Hear us every Thursday at 9PM on 98.9FM KFMG – Des Moines and every Friday at 11PM on 90.3FM KWIT – Sioux City & 90.7FM KOJI – Okoboji. If you miss the show please subscribe to the podcast archives: https://apple.co/2MzdH5eFind me on twitter @kristianmday#trustkristiandayRitual of Agony - "Pariah" / Half Past Dead (Des Moines)Roze - "Strangest Color Blue" / Born to Rock, Live to Roll (Des Moines)Threeskin - "Slacker Deathcamp" / One Less Than Foreskin (Ottumwa)Zuul - "No Room" / Zuul (Iowa City)Grubby Ernie - "Cyclone City" / Discography 1997-2000 (Ames)Blist Her - "With Breath You Couldn't Keep" / Lines (Burlington)Sammy Dimera - "red pill" / No Regrets (Sioux City)Henry C. Cobb Jr - "Something to Keep" / I'll See You Tomorrow (Ottumwa)Bigby Woods - "Obsessed" / Bigby Woods (Des Moines)Big Fist Johnny - "Minimal Sacrifices", "Cookie-Cutter Politics", "Involuntary Cannibalism", "Animatronic Nightmares", & "Looks are Important" / split with Frank Goshit (Ottumwa)Distant Trains - "I Like To Get Right Up To Your Face And Hoot At You" / Complications 2010 - 2012 (Des Moines)Billy Crystal Meth - "Amish Drug Dealer" / split with Grand Old Lady (Ottumwa)
Today on the show, Paul and Ben talk more about live-streaming the show, making plans but never following through, remote learning in Illinois, Loren Culp’s gubernatorial platform for Washington, the police aren’t compelled to help you, Reggie Watts and drum machines, Animals in Pants, David Nixon’s new album, miniDV tapes … Continue reading →
He began making films in his teens. Episode 87 of the SBP Podcast is an in-depth discussion with Anthony Z James, who filmed a crime drama feature film with his iPhone.When you watch his film “Ghost,” you are left without doubt that Anthony Z James made a crime drama, a gritty film which captures the viewer through to the end. What inspired him to become a filmmaker was his first experience attending camp as a kid. One of the kids had a MiniDV camera and they all began to make a “little” movie. But it wasn’t so much the moviemaking experience, even though that has a lot to do with it, that really made him want to do it again. It was the camaraderie in the process that inspired him to want to make films. And this is where Anthony’s story begins. The film is about 85 minutes shot entirely with an iPhone in London. The film will have you on the edge of your seat during some scenes. The drama unfolds with the story as the plot develops and unfolds into a very intense development in the story. The film was shot in two weeks in different locations in London.Anthony is a passionate storyteller and filmmaker and he shares his experience making this film in-depth. What motivates someone to work hard to create films has always been something the average person is not able to understand. Why someone who has a great story and embarks to make a feature length film would choose an iPhone, or any smartphone, to film is even more incomprehensible to traditional filmmakers. Anthony Z James does a great job expressing why a good story is so important in your journey to create a film from beginning to end. “Ghost” is available now on Amazon Prime: https://www.amazon.com/gp/video/detail/B086P4W1F1/Learn more about Anthony on his website and follow him on social media:Website: https://www.story-image.com Instagram: https://www.instagram.com/storyimagefilms/ Twitter: https://twitter.com/storyimagefilmsFacebook: https://www.facebook.com/storyimageYouTube: https://www.youtube.com/c/storyimage Vimeo: https://vimeo.com/storyimage Our Links: The NEW Video Streaming Service & Community for Mobile Filmmakers: https://mobilefilmstories.com Subscribe, support and listen to bonus episodes and more on Patreon: http://patreon.com/sbppodcast SBP Podcast Website: http://sbppodcast.studio iTunes/Apple Podcasts: https://itunes.apple.com/us/podcast/sbp-podcast/id1296673665 International Mobile Film Festival Website: http://internationalmobilefilmfestival.com Facebook: http://facebook.com/sbppodcast Twitter: http://twitter.com/sbppodcast Instagram: https://www.instagram.com/mobilefilmsd/ MFTV - Mobile Film Network Distribution Channel: http://MobileChannel.TV Susy Botello on Twitter: http://twitter.com/susybotello SBP Podcast on Spotify: https://open.spotify.com/show/4ISEF0SZOLyRpw20loXzlo#upsell Podchaser: https://www.podchaser.com/podcasts/sbp-podcast-mobile-filmmaking-928180 Smartphone Filmmaking Publication on Medium: https://medium.com/smartphonefilmmaking YouTube: https://www.youtube.com/user/mobilfilmfestival?sub_confirmation=1 © Copyright 2020 S. Botello Productions™. All rights reserved.
Developing Film And Converting MiniDV Developing a roll of film. Converting Mini DV tapes from 2006. Camping around Mt. Jefferson. Viewing the meteor shower. 154 Developing Film And Converting MiniDV Tapes Produced by Billy Newman and Marina Hansen Link Website Billy Newman Photo https://billynewmanphoto.com/ YouTube https://www.youtube.com/billynewmanphoto Facebook Page https://www.facebook.com/billynewmanphotos/ Twitter https://twitter.com/billynewman Instagram https://www.instagram.com/billynewman/ About https://billynewmanphoto.com/about/ Developing Film Converting MiniDV If you’re looking to discuss photography assignment work, or a podcast interview, please drop me ...
Developing Film And Converting MiniDV Developing a roll of film. Converting Mini DV tapes from 2006. Camping around Mt. Jefferson. Viewing the meteor shower. 154 Developing Film And Converting MiniDV Tapes Produced by Billy Newman and Marina Hansen Link Website Billy Newman Photo https://billynewmanphoto.com/ YouTube https://www.youtube.com/billynewmanphoto Facebook Page https://www.facebook.com/billynewmanphotos/ Twitter https://twitter.com/billynewman Instagram https://www.instagram.com/billynewman/ About https://billynewmanphoto.com/about/ Developing Film Converting MiniDV If you’re looking to discuss photography assignment work, or a podcast interview, please drop me ...
Developing Film And Converting MiniDV Developing a roll of film. Converting Mini DV tapes from 2006. Camping around Mt. Jefferson. Viewing the meteor shower. 154 Developing Film And Converting MiniDV Tapes Produced by Billy Newman and Marina Hansen Link Website Billy Newman Photo https://billynewmanphoto.com/ YouTube https://www.youtube.com/billynewmanphoto Facebook Page https://www.facebook.com/billynewmanphotos/ Twitter https://twitter.com/billynewman Instagram https://www.instagram.com/billynewman/ About https://billynewmanphoto.com/about/ Developing Film Converting MiniDV If you’re looking to discuss photography assignment work, or a podcast interview, please drop me ...
THE ATP STORE IS BACK!! Make your purchases until June 7th. Pre-show: ATP has a new website. (Neutral too!) John talks about Flatland on Sophomore Lit Follow-up: MiniDV import details HandBrakeCLI exiftool Causes for soliciting promo codes Lime-a-Rita Destiny & Cursors iOS 13.4 adds Shared iPad for Business (via Sir Cathy) Are Casey’s Raspberry Pis hardened? John’s smoke detector story from Hypercritical Joe Rogan takes his show to Spotify NetNewsWire #askatp What clipboard managers do we use? (via Play My Jam) Alfred Pastebot LaunchBar Is iOS 13 ready yet? (via Luke Arthur) Would dropping Boot Camp bring backlash? (via someone) Post-show: Life at home status updates Sponsored by: Squarespace: Make your next move. Use code ATP for 10% off your first order. Linode: Instantly deploy and manage an SSD server in the Linode Cloud. New accounts get a $20 credit with code atp2020.
Extreme Genes - America's Family History and Genealogy Radio Show & Podcast
Host Scott Fisher opens the show with David Allen Lambert, Chief Genealogist of the New England Historic Genealogical Society. The guys begin with a brief look at how the new EU privacy law, “GDPR,” is affecting the genealogy world. Next, most genealogists have found connections to royalty, which has increased interest in the recent royal wedding. As such, the guys delve into the sacrifices Meghan Markle is having to make to become a member of the Royal Family. (It suddenly doesn’t sound so glamorous!) Then a shipwreck off the coast of Colombia is being called “The Holy Grail” of shipwrecks and may contain some $17 billion in treasure. Hear how it was found and how it got there. David then fills us in on the latest that he has learned about his distant cousin, Douglas Lambert, who died in World War II. David’s blogger spotlight this week shines on Jana Iverson Last. Go to janasgenealogyand familyhistory.blogspot.com. Jana talks about the various cultures in her background and how they weave together. Next, Fisher visits with “Your Genetic Genealogist” CeCe Moore about how her DNA research recently led police to an arrest in a three-decade-old cold case. It’s a first for CeCe who felt she had to consider the ethics and legality of such an action, and the feelings of the genealogy community. In the end, though, as she explains, it came down to one important factor. Hear what she had to say about it. In a second segment, Fisher and CeCe discuss the controversy surrounding the use of GEDMatch.com in the genealogy world. She addresses some of the concerns discussed with Paul Woodbury last week. It’s a fascinating discussion you need to hear. Then, Tom Perry from TMCPlace.com answers another listener question on preserving old video from a MiniDV. That’s all this week on Extreme Genes, America’s Family History Show.
Vendere foto e video online può diventare un lavoro a tempo pieno per chi si ritrova improvvisamente disoccupato? Forse no, ma può essere un ottimo modo per iniziare un percorso nel business digitale, pur nella necessità di trovare inizialmente un'altra occupazione per arrivare ad uno stipendio che garantisca di tirare avanti.In questo episodio Daniele Carrer risponde anche alle seguenti domande:Cosa si può usare come software per creare stock footage in alternativa ad After Effects e Premiere?E' possibile utilizzare riprese fatte in formato HI8 e miniDV per creare stock footage?Esiste un modo per aggiungere i metatag ai video un po' come si fa con le foto?In che formato è meglio creare i video?Come si fa a capire quali foto vuole il mercato?Vale la pena creare microstock con l'iphone 7?Trovi i testi dell'episodio e i link citati in questa pagina:https://stockfootage.it/che-la-forza-sia-con-te/
Vendere foto e video online può diventare un lavoro a tempo pieno per chi si ritrova improvvisamente disoccupato? Forse no, ma può essere un ottimo modo per iniziare un percorso nel business digitale, pur nella necessità di trovare inizialmente un'altra occupazione per arrivare ad uno stipendio che garantisca di tirare avanti.In questo episodio Daniele Carrer risponde anche alle seguenti domande:Cosa si può usare come software per creare stock footage in alternativa ad After Effects e Premiere?E' possibile utilizzare riprese fatte in formato HI8 e miniDV per creare stock footage?Esiste un modo per aggiungere i metatag ai video un po' come si fa con le foto?In che formato è meglio creare i video?Come si fa a capire quali foto vuole il mercato?Vale la pena creare microstock con l'iphone 7?Trovi i testi dell'episodio e i link citati in questa pagina:https://stockfootage.it/che-la-forza-sia-con-te/
Should You Own Your Own Film Gear?Happy New Year IFH Tribe! We are now in 2017 and this will be ana amazing, creative and monumental year for us all. I wanted to start off the year with an "Ask Alex" episode. On this episode I answer the follow tribe member questions:Though I plan on hiring a DP for my movies, I'd like to invest in my very own camera equipment and lights. (Was thinking about investing in that BlackMagic Cinema you keep raving about.)However, I'm being advised NOT to buy my own camera and lights! I was told that unless I'm planning on being a DP myself, and unless I plan on keeping up with all the new models of cameras coming out (which can be expensive), that buying camera equipment makes no sense.What say you? Shouldn't an independent filmmaker seek to have his or her own filmmaking arsenal, just in case? Shouldn't directors at least try to go out, shoot, get a feel for the camera, etc., so that they are better directors, even if they'll never be DPs? What advice would you give someone working with non-acting actors who will be getting little to no pay?So If I go to submit my film to contests and festivals will I have problems with people in public in background shots? Would making the background more out of focus help? I have scenes in stores. Do I need to blur product labels?When is the perfect time in pre-production should you start casting?How important do you feel it is to shoot on film if your plan is to go to the big film festivals hoping to get a distribution deal? Taking Dov Simens DVD class he stresses its important, but the content is in the age of miniDV, so technology has changed quiet a bit since those DVDs were produced. Although I know the story is really more important than digital vs film, which do you feel the major film festivals are looking for today or does it matter any more? I'm looking to shoot mostly film (~75%) and mix some shots and coverage that are shot digitally (~25%).Let's get to answering some questions.Right click here to download the MP3Download on iTunes DirectSlamdance Workshop Discussed on the ShowJoin Blackmagic Design, Slamdance Grand Jury Award winner Andrew McPhillips, and filmmaker and host of Indie Film Hustle Alex Ferrari on Saturday, January 21 from 2:30pm to 4:30pm at the Filmmaker Lounge in the Treasure Mountain Inn for an in-depth workshop on the tools and techniques essential to the independent filmmaker.Andrew McPhillips will discuss lessons learned from shooting his upcoming film “The Doll,” including how to seamlessly switch from production to post. Andrew used an URSA Mini 4.6K to shoot the film, DaVinci Resolve for editing and grading, and Fusion for the VFX. Along with serving as CG Supervisor at SPINVFX, Andrew’s work includes his animated short film “Blood Will Tell” which previously premiered at the Toronto International Film Festival and took home top awards at Slamdance.Alex Ferrari will discuss how filmmakers can make the most of DaVinci Resolve as a professional editing solution. Alex recently shot, edited and graded his new film “This Is Meg” using Blackmagic Design. He will dive into the ins-and-outs of what filmmakers need to know when editing with Resolve and how it can best fit into their workflows.A brief Q&A will follow the presentations along with raffles for prizes, including a Micro Cinema Camera, DaVinci Resolve Studio and Fusion Studio!Join Blackmagic Design afterward from 5:00pm to 7:00pm for a happy hour in th
So I directed a small action short film a few years back called "BROKEN." I shot the film on MiniDV Tape (yes I'm old) on the Panasonic DVX 100a, the indie film workhorse of its day. My team and I filmed it in West Palm Beach Florida (not exactly the Mecca of the film industry) and it starred only local, non named actors. Now once the filming was over I marketed the living hell out of that little short. It went on to screen at over 250 international film festivals, win countless awards and be covered by over 300 news outlets. That little film had a life of it's own. I even got a review of legendary film critic Roger Ebert:"BROKEN is essentially a demonstration of the mastery of horror imagery and techniques. Effective and professional." - Roger EbertNow you must be asking, "But Alex how the hell did you make money with it?" Well, I knew that no one would pay real money for a 20 minute short film, shot on MiniDV, with no name actors and from a first time director to boot. So I planned to create a guerrilla indie film school with over 3 hours of footage, tutorials, commentaries and more. For the whole story take a listen.
Objectif Numérique - Épisode #71 - Un compétiteur chinois pour la GoPro // Ricoh retourne des photos aux victimes du Tsunami de 2011 (de Maxime S.) // La société de stockage Hubic (de Ali B.) // Leonard Nimoy était photographe // Comment photographier en noir et blanc (de JFO Ferguson) // Test du Sony a6000 // Un lecteur miniDV qui ne lit plus (d'Alexandre Vallières-Lagacé) // Suggestions de la semaine: - Un photographe italien de cosplay (de Sébastien Delort) - Outil ARTI pour l'Aspect Ratio (de Marin Dumont) - Instagram lance Layout (GeeksAndCom.com)’
This is our recording of the cosplay masquerade from Anime Expo 2002. This was originally recorded to miniDV tape by Patrick Delahanty of ADEQUATE.com and has been digitized from that original high-quality copy.
This is our recording of the cosplay masquerade from Anime Expo 2002. This was originally recorded to miniDV tape by Patrick Delahanty of ADEQUATE.com and has been digitized from that original high-quality copy.
This is our recording of the cosplay masquerade from Anime Expo 2002. This was originally recorded to miniDV tape by Patrick Delahanty of ADEQUATE.com and has been digitized from that original high-quality copy.
This is our recording of the cosplay masquerade from Anime Expo 2002. This was originally recorded to miniDV tape by Patrick Delahanty of ADEQUATE.com and has been digitized from that original high-quality copy.
The most successful Adudathuda Joint so far, The Obligatory Star Wars Rip-Off was a finalist in iFilm's "Countdown to the Clones" competition and was also voted one of the best Star Wars fan films on the web. Written by Stephen Sonneveld and Mike Walsh, and Directed by Mike Walsh, this is THE fan film for fans of fan films. What? Just Watch.
William Koenig's salute to classic film-making, "M.O.S." has been a darling of film festivals since its creation in 2001. Shot in beautiful Malibu, CA and featuring the song, "Step Behind the Metaphor" by Captain Hero. Enjoy.
Mike Walsh's "Ode to Pepsi" song was first featured in "Korean Mart Chronicles". One year later, it was re-recorded and this video was produced. The first Adudathuda short film to be available on the internet in 2000, it remains popular to this day.
Another darling of the film festival circuit, William Koenig's "True Love" explores relationships from two points of view. Then, like life, throws the viewer a curveball.
WOW. It took a while, but here it is. Mike Walsh's shot-on-film, SAG contract, 3 months of pre-production opus.Starring Senta Moses, Darren T. Mangler, Angela Landis, William Koenig, Matthew Senko, and Mike WalshMore info is available at http://imdb.com/title/tt0457558/(File is 196MB)
Today's interview takes us to the fine state of Indiana, where director/producer/writer Mark Racop and the MagicHouse Productions team is based.A full production house with a studio facility, MagicHouse Productions is readying an exciting new science fiction movie, Starship II. The film features an extraordinary amount of special effects elements, and returns many fan favorites from the first Starship film (titled Rock N Roll Starship).For the indie film world, Mark Racop and MagicHouse Productions represents an intelligent approach to developing films and a production company. Mark has spearheaded a methodical path that has built a solid foundation for current and future projects, one that draws upon previous projects and has established an in-house production infrastructure. This approach enables growth in each progressive project, something demonstrated strongly in Starship II with its arsenal of special effects and increased production value.The buzz has been building for Starship II at conventions across the country, and is well on the way to becoming a growing indie movie franchise. Working with an array of talented individuals in Indiana such as Jeff Ello (the mastermind behind the CGI) and Chuck Budreau (sound and music wizard who is also with Indy Film News, a networking and resource site for Indiana Filmmakers), Mark has worked to establish the nucleus of an outstanding independent movie team.Mark Racop is a filmmaker to watch, and MagicHouse Productions is definitely on the indie movie map. Watch out for Starship II in the very near future, and hop on board a great new indie movie series!-by Stephen Zimmer, for Indie Movie Masters, September 6, 2009 SZ: What is your background in terms of filmmaking/production? MR: The filmmaking bug bit me at an early age. My father John remembers that I was interested in making movies even at the age of two, always asking, "How do they DO that?" Dad could only answer, "Trick photography." So while other children were reading short stories, I was busy reading–check that–studying Stephen Whitfield’s "The Making of Star Trek." My filmmaking life was changed permanently when "Star Wars: A New Hope" was released when I was twelve-years-old. I knew from the first scene of that movie that I HAD to make movies. I voraciously read everything I could about movie making. As a huge1966 Batman fan, it was no surprise to my friends that I decided to make Batman the focus of my movies while learning my craft. I collected a rag tag group of misfits from Logansport High School–and I'm quick to add myself to the list of rag tag misfits–to make my first movie in 1980, a 60 minute short film. We didn’t have a clue what we were doing when we started, but we figured things out pretty quickly. Shot on Super 8 movie film, and edited by hand with a Kmart splicer, it truly was a labor of love. It lacked big time, but as a first film, it was rather ambitious–there were several fight scenes, and the movie was made at many locations throughout Logansport, including the vault of the First National Bank. Logansport Mayor Jone Wilson even played a cameo in the film. The movie was rough, but well-received, and won some awards in high school. Bolstered by the completion of my first effort, the following summer I made a second Batman film, a 30 minute short. The titles, fight scenes, and editing were much more sophisticated, and I was learning from my mistakes. Mayor Jone Wilson again made herself available for a cameo. And again, I received some awards. There was little doubt that I would be going to college, and there was even less doubt that filmmaking would be the major. Majoring in telecommunications with a film emphasis at Ball State, I worked on several short films for classes, and networked with students that shared my passion for filmmaking. It didn’t take long for students to figure out that I was very serious about making movies. I was the only one that owned my own equipment. Even though I was ahead of my class, I still had a lot to learn. Before diving into professional filmmaking I knew I needed to learn more about lighting, sound, editing, and overall pacing. My third and final Batman film was entered in the David Letterman Scholarship Contest at Ball State, and won a $3,500 award. Logansport Mayor John Davis played a cameo this time. This film was certainly different than my previous two. Acting, sound effects, and lighting improved tremendously. I built sets for the first time, which provided for better camera angles. And the ultimate prop was added–the Batmobile. Built by five seventeen-year-olds, we transformed a 1974 Monte Carlo into the world-famous Batmobile and used it in my very first car chase. The David Letterman Scholarship award opened a lot of doors. It gave me credibility to deal with people in Hollywood as well as local investors. Without the scholarship, I don't think I would have made it on the set of my "big break," a terrible action/terrorist movie called "Terror Squad," made in Kokomo, Indiana, in1986. The final film was horrible, but I learned so much from being on a professional set. As the head production assistant, I learned the ins and outs of just every single department. I helped the camera and grip departments lug equipment, helped stuntmen with prepping cars for stunts, built a storefront for an explosion, landed product placement for clothing for the movie’s star, Chuck Connors, and I ferried film from the airport to the editor. I learned about special effects makeup, safety requirements for explosions and bullet hits, and how the same shots can be accomplished with different camera techniques–and how to choose the best one. I was invited to Hollywood by some of the crew from "Terror Squad," so my friend Jeff Johnson and I departed in a 1976 Dodge Colt with stars in our eyes. 41 hours later, we arrived in the usually sunny state to find that we had somehow brought snow with us. Yep, that’s right--for the first time in ten years, Los Angeles experienced snow! I spent time on several movie sets and at camera stores, and talked with professionals in the business to learn what it really takes to make it in the business. I also learned that I didn’t want to live in LA. It just wasn’t right for me. SZ: When was MagicHouse Productions formed, and what was your mission with the company when it began? MR: I formed MagicHouse Productions in 1987 and raised money to shoot my first professional movie, the ultra-low budget spoof, "Rock N Roll Starship." The up-front budget was $5,000, and the final cost of the film was $25,000. Dark Star and Hardware Wars were major inspirations as we put the movie together. The movie featured cheesy sets, cheesy dialogue, and cheesy acting–but it was all part of the plan. SZ: As independent production companies often need to pay the bills while developing a feature film project, what kind of production work do you engage in outside of your film endeavors? MR: I shoot documentaries, commercials, promotional videos, music videos, and even legal depositions to keep the lights on. SZ: Give us a little history leading up to the production of Starship II, in terms of when the first film was produced, the response to it, and when you made a decision to do a sequel (and when you began pre-production on it). MR: "Rock n Roll Starship" has played well to science fiction audiences across the Mid-west. I am truly amazed at our fan following. While we never received national distribution, we have self-distributed over 1,500 copies on tape and DVD, from Georgia to Minneapolis.I am my toughest critic, and I am really tough on the film, but it is nice to see a crowd of 400 people rolling in the aisles with laughter. It helps remind me that it was worth all of the hard work. While we were shooting Starship 1, we joked about the possibility of a sequel, and the ideas that could be incorporated into it. While everyone else went to sleep, I was writing down hundreds of tiny notes on scrap paper, napkins, placemats--anything I could get my hands on. People everywhere demanded the sequel. The beautiful Leslie Culton is one of our biggest fans. It was really weird. She met us at a con, quoting dialogue from Starship! And then all of the planets aligned to allow us to make the sequel. I lost my job as a manager of a movie theater--and it was the best thing that ever happened to me. Chuck Budreau and I took those hundreds of scrap notes and used them as an outline to create the script for "Starship II." We finished the first draft in three weeks, and did a script readthrough at the 1998 Inconjunction science fiction convention. Actors that had moved to New York and Ohio moved back to Indiana. At a chance meeting in a movie theater in Lafayette, watching the end credits of "Phantom Menace," I found our special effects team. SZ: For those that may not have seen the first Starship film, catch us up to speed on events pertaining to the beginning of the story in Starship II, as well as a little about the plot of the new movie. MR: Because "Starship II" involves time travel, it is both a sequel and a prequel--making it a sprequel. Bob, Doug, and Jorge are well-known throughout the galaxy as the ones that blew up the Ramses Colony. In a freak accident, they accidentally go back in time to right before the blew up the colony. They now have the opportunity to stop themselves from blowing up the colony, and clearing their names...but you know how changing things in the past in a time travel has a way of screwing things up in the future, right? Bob, Doug, and Jorge discover that they have to go back in time to stop themselves from stopping themselves, or the entire universe will be taken over by robots! SZ: What cast members returned from the first film for the 2nd? Who are some of the key new additions? MR: Rob Hinkle, Michael Allen Williams, and Logan Michaels reprise their original roles of Bob, Doug, and Jorge. Christopher Tracy returns for a cameo as the evil golden android Zake, and Robert Hubbard reprises his role as Leiutenant Ed. Scream queen Leslie Culton joins the cast as the female lead, Captain Jane Wey, and we were fortunate enough to land John Astin (Gomez from The Addams Family, Attack of the Killer Tomatoes 2) as Professor Peabody. Babylon 5 alumni Jason Carter and the late Richard Biggs play Commander Deckins and Sergeant Franklin. And to finish off the cast, we hired Richard Hatch (Battlestar Galactica) to play cloned news reporters John Alpha and John Beta.SZ: Highlight a few key members of your production group involved withStarship II. MR: Three people made a significant difference from the first film to the second--Jeff Ello, director of photography and also the post production special effects supervisor; Greg Fauvergue, set designer and builder; and key grip Eric Ridge, who provided camera booms, dolly track, and other great toys for me to play with.Jeff ElloGreg FauvergueEric RidgeSZ: What lessons did you learn out of the process of the first film that you have applied to help improve the process of making the 2nd? MR: I am always learning from my successes and failures, and I knew that we had to overcome the shortcomings from the first film. We shot the first movie on film, and the cost was astronomical for negative and developing and transferring to video. The sets were built from white beaded styrofoam. We built the lights from foamcore and hung them from the rafters with twine. Even minor setups sometimes took an hour. We did the special effects on the Amiga Videotoaster. The sequel had to have better sets. It had to have exteriors, and it had to have a much larger cast. We shot on miniDV with Canon XL1s and GL1s. We had professional lighting. The sets were made from plywood. Camera setups took minutes instead of hours. "Starship 2" was a radical step up from the original film, featuring a much more sophisticated script, great sets, great special effects, and most importantly, some great actors from Hollywood. The up-front budget for Starship II was $50,000, and the final budget is coming in around $100,000. SZ: How has having a studio facility helped the process in Starship II? What has it enabled that would have otherwise been too surmounting to attempt otherwise? MR: We bought the 8,300 square foot building a few years after we wrapped Starship II, but the studio has changed our filmmaking forever. We have shot five movies, two shorts, and several commercials at our facilities. It has allowed us to build sets and leave them standing much longer than borrowed warehouses. I hate to shoot in interior locations any more because the studio is so much more controllable. From electrical to makeup to office space and our kitchenette, everything is right here.SZ: Your team is tackling an extraordinary amount of effect shots for a film, whether independent or not. Tell us about the number of FX shots estimated in Starship II and some of the challenges you have faced in this area of the production. MR: Ugh! Yes, Starship II has an exceptional number of effects, that's for sure! At last count, there are over 800 visual effects shots. I made the mistake of allowing the FX guys on set. They got me so excited that we added 100 visual effect shots that weren't in the script! Raising the money to make the movie was a snap. Finding competent special effects artists that can generate usable material to assist Jeff Ello has been nearly impossible. With the exception of Staffon Norling and Ian Strandberg, he has had to scrap or completely redo almost every single effect that was delivered to him.SZ: Do you have an estimate as to when Starship II will be finished? MR: Jeff Ello has passed the most difficult portions of the effects work, so we expect completion "around the end of the year." In the meantime, I have worked on five more movies, and one that I co-produced, A Time For the Heart, was premiered at the Imax theater in Indianapolis this past spring to a sell out crowd. I am also in preproduction on three more films, so there is never a dull moment around here.SZ: When finished, what kind of path are you looking to take Starship II on?(festival circuits? Distribution goals? Etc.) MR: A successful film producer in Hollywood happens to be the cousin of my primary investor, and we expect that he will be able to point us in the right direction when he sees the completed movie. We are planning a limited theatrical run, and hoping for Sci Fi Channel or Lions Gate to pick us up. Festivals and science fiction conventions are definitely part of the future for Starship II, I'm sure.SZ: Are there plans already for a Starship III? MR: Absolutely! Starship II ends with a cliffhanger, so we are compelled to make a Starship III to wrap up the mystery. The script is halfway completed. And Jeff Ello has said that he didn't spend the past several years of his life making special effects for just one movie. With 90% of the effects work already done, the next movie will go much faster in post this time!SZ: Give us some links for folks to use to find out more and connect with MagicHouse Productions and Starship II online. MR: You can find Starship II online at: www.starship2.com, and MagicHouse Productions at www.magich.com. (Starship II Trailer)
This week we spent preparing for our first weekend of shooting. I've got some comments to pass along about how to work with the talent, especially if you're crew. We've also made our lives more difficult by not having put more time into preproduction. Everything is connected, from Producer to production assistant. Things go all bass ackward if you don't communicate . We're going to be using a Panasonic HVX200, which is an HD camera that has many benefits over the camera we've been using up to now, the Panasonic DVX100. The first thing is that the menu controls and switches on the outside are mostly the same, so the learning curve is limited to working with the media. The HVX can record to tape, but only standard definition. To record high definition you record to solid state memory cards, called P2 cards. Here are a few reasons on why HD is a better format: Images are 2 to 4 times the size of standard definitionThere is more color in the videoIt captures real slow motion and accelerated motionThe format is easy to transfer to drive, and easy to edit Disadvantages include: You can't capture to both tape and P2 card at the same timeThere is no archival medium in HD, you wipe the card and reuse it after you transfer it to your driveThe P2 card is expensiveThe life of a P2 card is unknownHD footage takes up 2 to 3 times more disk space In this episode I take a shot at explaining the difference between HD format and HDV format and frankly I don't think I made anything clear. It's useful to know, but not critical, so I'm going to lay it out here. If you need to know more, do some research on your own, otherwise, skip the next three paragraphs. HD and HDV are capture formats. They're good formats for compressing data so you can fit as much data as possible on what ever medium they require, HD requires P2 cards, HDV can use MiniDV tapes, same as for standard definition. Both HD and HDV record the same resolution, and for all I've been told, the same 4.2.2 color space. Standard definition video records in 4.1.1 color. What qualifies as high end digital video, approaching film quality, is 4.4.4 color. I don't need to explain how it works, it's enough to understand that the capacity to capture all the available color is limited as you move from film, to HD, to SD. By the way, film is a poor second to the color capture capability of our own eyes. HDV cameras are less expensive than HD cameras for the reasons already mentioned in the advantage list above, real slow motion, etc. HD is easier to edit immediately after capture compared to HDV due to the different compression formats they each use. HDV captures footage in groups of 15 frames, called GOP - Group Of Pictures. The first frame contains all the picture information inside the frame, then each frame following that contains only those pixels that have changed. Take a picture of a wall with HDV and the first frame contains all the info, each of the following frames have no new information and so have no additional data. That keeps the file size down so it will fit on the the tape. If a person or even a fly moves through the frame every frame that records changed information has to record it, because it's not on the first frame. But only the pixels that changed need to be recorded. And thats fine until you need to edit the video. Then you find you can't cut inside the GOP sections, they're like a single unit. To get past this problem you need to convert the digital video to an intermediate codec that reconstitutes each frame, completely restoring the data to each frame. This of course makes the files larger, but that's the price you pay for editing this format on a digital nonlinear editor like Avid or Final Cut Pro. Next week we shoot the bar scene Saturday and Sunday.
Mr. Mose - I am a recent fan of your podcast and I am a film and video nut. My aptitude lacks however and I want to know if you can help me. Episode 29 skipped a lot on my ipod and i don't know if it was the original recording or what. Let me tell you how crazy i was when this happened. The conversion for my Sony HVRA1 HDV Camera sounded much like the problem I am having with FCP. I need to know what the optimal settings for importing and converting are. I am using an IMAC with plenty of memory, but as i understand it, the 1080i is 1 gig for 20 seconds of footage. That I got from your podcasts. Maybe you can tell me a little about my own camera and whether or not I should be using an external harddrive for all my projects. If so, how large? I am looking to produce feature film quality material as well as TV or otherwise. I like using 24fps and maintaining the highest quality I can obtain. I may even upgrade to the Sony FX camera at some point. Please let me know. Your podcast rocks. I am 36 years old and would love to start my own production studio. Is my Sony HVRA1 a good enough camera or should I be using something with CCCD? I am presently recording on MiniDV tape. Thanks for you expertise and the way you communicate with those of us with real questions. Jamie
La photo numérique semi-pro se démocratise. Un branché qui parle au monde entier grâce à sa radio-amateur. Comment faire du chaud et du froid à l'aide de pompes, et enfin la dernière trouvaille de Bernard. Le top branché Êtes-vous de ceux qui changent d'appareil photo numérique à tous les ans pour avoir les dernières options? Et vous êtes de ceux qui n'ont pas peur d'investir en grand? Pour Bernard, c'est terminé. Il s'est acheté un appareil Reflex de dernière génération de Panasonic, le DMC-L1, considéré comme un appareil semi-pro. Le top branché Il est vrai qu'il vaut la peine d'investir plus cher dans un appareil de bonne qualité. Par contre, ça ne veut pas dire que l'appareil le plus dispendieux est nécessairement celui qui nous conviendra le mieux. Eza Paventi nous propose deux nouvelles options : le Evolte-330 d'Olympus. et le P850 de Kodak. C'est beau, mais c'est quoi? De taille très réduite, il tient dans une main. C'est le compagnon idéal de mes clés d'auto. Grâce à lui, j'ai une information directe sur les réseaux sans fil. Ce détecteur de réseau sans fil Bluetooth ou WIFI est le WIFI Finder plus de la compagnie Kensington. L'attrape techno Bernard pense avoir trouvé l'aubaine du siècle avec cette dernière trouvaille : une caméra minuscule, miniDV... Encore une fois, Eza brise le rêve de Bernard. Elle répond aux vraies questions que l'on doit se poser avant de faire l'achat d'un tel gadget.
Cette semaine à Ça s'branche où?, nous voyons des souris transgéniques sans queue, un caméscope mini mini, comment choisir la bonne prise et de l'encre plus cher que de l'essence. Notre Branché de la semaine, Patrick Masbourian, nous présente un appareil qui vous permet d'enregistrer vos émissions préférées sur DVD et un système de stabilisation pour caméra miniDV ou caméra semi-professionnelle. Le top branché, 1re partie À l'ère du sans fil, notre vieille souris optique à fil peut nous sembler désuette. Voici la nouvelle souris sans fil LASER série 6000 de Microsoft. Grâce aux explications de Bernard, vous allez découvrir les avantages de ce modèle face à ses prédécesseurs. Le top branché, 2e partie Microsoft n'est pas unique sur le marché, d'autres compagnies proposent aussi de nouvelles souris très performantes. Nathalie Pelletier, notre chroniqueuse de la semaine, nous présente des alternatives et aborde les questions de poids, de compatibilité et des besoins spécifiques. C'est beau, mais c'est quoi? Il parle anglais, français, allemand et il comprend les langues asiatiques. Il a des fonctions multiples, car il fait de la photo, de la vidéo, des enregistrements sonores et il sert de console de jeux. Sa grosseur est comparable à une carte de crédit. Intriguant? C'est le baladeur multimédia Gmini402 Camcorder de la compagnie Archos. Découvrez cet outil qui est un idéal pour les jeunes voyageurs branchés. L'attrape techno Bernard, en tant que consommateur averti, soucieux, sensible, prévoyant et surtout prudent, ne tient pas à mettre l'existence de son imprimante en péril en achetant une autre marque de cartouche d'encre que celle désignée par son manufacturier. Nathalie lui remet les choses en perspective.
Cette semaine, Ça s'branche où? nous présente des caméras vidéo qui enregistrent sur autre chose que du ruban magnétique. Des périphériques qui rendent l'expérience du jeu plus sensuelle. Un centre de divertissement portable. Et enfin, qu'est-ce qui fait qu'un câble est un bon câble. Le top branché, 1re partie Bernard nous présente le SDR-S100 de la compagnie Panasonic qui offre toutes les caractéristiques habituelles d'un caméscope, mais qui tient dans le creux de la main en plus d'enregistrer la vidéo SANS cassette sur une toute petite carte mémoire. Le top branché, 2e partie Traditionnellement, les caméscopes enregistrent la vidéo sur un ruban magnétique comme celui des cassettes miniDV. Voilà que maintenant ces caméras vidéo enregistrent sur des supports autres que des bandes magnétiques. Cindy Synnett nous présente une sélection de caméscopes qui risque de satisfaire les besoins de chacun. C'est beau, mais c'est quoi? Il redonne la voix à ceux qui chuchotent, il permet à celui qui est épuisé de reprendre ses forces... voilà les enceintes acoustiques autonomes MM50 de Logitech pour lecteurs mp3 maintenant accessibles à tous. L'attrape techno Fonctionnant sous la norme FRS pour Family Radio Service, les Talkabout 1500 de Motorola permettent de communiquer sur les ondes radio comme sur les radios professionnelles. Cindy les présente à Bernard qui désire annuler son service de cellulaire.
Once a sensation on iFilm, now available for download via podcasting! Directed by Mike Walsh.
The one that started it all for Adudathuda Studios. Directed by William Koenig.
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