Podcast appearances and mentions of Christian Petzold

Április 10-én bejelentették az idei cannes-i hivatalos program nagy részét, pár nappal később Onozó Robival kitárgyaltuk a versenyszekcióba került összes filmet, kitértünk a mellékszekciók felhozatalára, latolgattuk, hogy mi kerülhet még be, elmerengtünk azon, hogy mi történhetett a magyar filmekkel, illetve megvitattuk, hogy miket várunk a legjobban.Még két dolog.Itt lehet megnézni azt a kisfilmet, ami alapján a nyitófilm készült: https://www.arte.tv/en/videos/095687-000-A/bye-bye-partir-un-jour/Azóta kijött a Rendezők kéthete programja, Gregg Araki filmje nem került be, Christian Petzold és Robin Campillo filmje viszont igen.Ezt az adást egy konkrét rádióstúdióban vettük fel, több százezer forintos mikrofonokkal, mégis úgy hallatszik, mintha két damillal összekötött gyufásskatulyán keresztül beszélgetnénk. Sajnáljuk!Jó szórakozást az adáshoz, és ha tetszik, kérlek⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠támogasd a Filmklub podcastot a Patreonon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, egy dollár is nagy segítség! Ha a Patreon túl macerás, támogathatod a podcastot a PayPalon (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferencv1976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) vagy a Revoluton (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferenc7drh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) keresztül is. Nagyon köszönöm!

Christian Petzold awarded with the Lifetime Achievement Award at the 38° Bolzano Film Festival - Bozen The post Christian Petzold, interview with the Lifetime Achievement Award at BFFB appeared first on Fred Film Radio.

Christian Petzold awarded with the Lifetime Achievement Award at the 38° Bolzano Film Festival - Bozen The post Christian Petzold, interview with the Lifetime Achievement Award at BFFB appeared first on Fred Film Radio.

Christian Petzold awarded with the Lifetime Achievement Award at the 38° Bolzano Film Festival - Bozen The post Christian Petzold, interview with the Lifetime Achievement Award at BFFB appeared first on Fred Film Radio.

Christian Petzold awarded with the Lifetime Achievement Award at the 38° Bolzano Film Festival - Bozen The post Christian Petzold, interview with the Lifetime Achievement Award at BFFB appeared first on Fred Film Radio.

Christian Petzold awarded with the Lifetime Achievement Award at the 38° Bolzano Film Festival - Bozen The post Christian Petzold, interview with the Lifetime Achievement Award at BFFB appeared first on Fred Film Radio.

Christian Petzold awarded with the Lifetime Achievement Award at the 38° Bolzano Film Festival - Bozen The post Christian Petzold, interview with the Lifetime Achievement Award at BFFB appeared first on Fred Film Radio.

CHASSIS 15 marzo 2025 live da Fa' la cosa giusta - con Erica Arosio (Sguardi Altrove), Alessandra Speciale (Festival di Cinema Africano d'Asia e America Latina), Fabio Mantegazza (Hollywood e il mito americano) e Federico Osmo Tinelli (FIlmix). Intervista a Christian Petzold ospite al Bergamo Film Meeting. Da Roma Luigi Ambrosio e Anna Bredice, inviati alla manifestazione Una Piazza per l'Europa. Tra le uscite: “La città proibita” di Gabriele Mainetti; “Dreams” di Dag Johan Haugerud; “The breaking ice” di Antony Chan; “Il caso Belle Steiner” di Benoit Jacquot; “Lee Miller” di Ellen Kuras.

Oggi a Cult: "Frankenstein" di Mary Shelley, regia di Ivonne Capece, con Maria Laura Palmeri; il podcast "La via delle Abbazie" (Terre di Mezzo); Begum Erciyas con il suo "Hands Made" al FOG Festival di Triennale Teatro; al BGM il regista Christian Petzold...

Our interview with Christian Petzold, the German director protagonist of the focus on European cinema, Europe, Now!, of the 43rd edition of the Bergamo Film Meeting The post Bergamo Film Meeting: interview with director Christian Petzold appeared first on Fred Film Radio.

Our interview with Christian Petzold, the German director protagonist of the focus on European cinema, Europe, Now!, of the 43rd edition of the Bergamo Film Meeting The post Bergamo Film Meeting: interview with director Christian Petzold appeared first on Fred Film Radio.

Our interview with Christian Petzold, the German director protagonist of the focus on European cinema, Europe, Now!, of the 43rd edition of the Bergamo Film Meeting The post Bergamo Film Meeting: interview with director Christian Petzold appeared first on Fred Film Radio.

Our interview with Christian Petzold, the German director protagonist of the focus on European cinema, Europe, Now!, of the 43rd edition of the Bergamo Film Meeting The post Bergamo Film Meeting: interview with director Christian Petzold appeared first on Fred Film Radio.

Our interview with Christian Petzold, the German director protagonist of the focus on European cinema, Europe, Now!, of the 43rd edition of the Bergamo Film Meeting The post Bergamo Film Meeting: interview with director Christian Petzold appeared first on Fred Film Radio.

Our interview with Christian Petzold, the German director protagonist of the focus on European cinema, Europe, Now!, of the 43rd edition of the Bergamo Film Meeting The post Bergamo Film Meeting: interview with director Christian Petzold appeared first on Fred Film Radio.

The hosts of the left politics and film podcast Pod Casty For Me, Jake Serwin and Ian Rhine, return to Junk Filter for a supersized episode about Christian Gudegast's Den of Thieves films, starring the new King of January movies Gerard Butler in his greatest role as debauched cop Big Nick O'Brien of the Los Angeles County Sheriff's Department. The first Den of Thieves features a cat and mouse plot where Big Nick leads his team of dirty cops against a heist crew planning to rob the Federal Reserve in LA, using their informant Donnie played by O'Shea Jackson Jr., a film that had ardent defenders including the German director Christian Petzold who raised eyebrows when he placed it on his list of the best films of the decade. Coming seven years later, the sequel Pantera takes the story to Europe, where Big Nick tracks Donnie down in the French Riviera as he and his new European gang are planning a complex heist of the World Diamond Center, forcing his way into the crew. We discuss the evolution of the series, how the sequel doubles down on the Dudes Rock qualities of the first film, and reveals how smart this dumb guy series actually is, with all the things it has to say about gang culture in the LA Police, toxic masculinity, and the healing powers of a summer in Europe with your boys as Den of Thieves evolves into an actual action franchise. If the first one feels like a variation on Michael Mann, the second one evokes Rififi, Ronin, Tenet, Clint Eastwood's The 15:17 to Paris and most unexpectedly Richard Linklater's Before series. Plus: we discovered there are two cuts of Pantera in circulation and we discuss their differences. Over 30% of all Junk Filter episodes are only available to patrons of the podcast. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/junkfilter Follow Pod Casty For Me on Twitter, and you can find out more about the show and subscribe to their Patreon feed at their website. “A Tradition of Violence: The History of Deputy Gangs in the Los Angeles County Sheriff's Department” reported by Cerise Castle for Knock LA, March 2021 Final trailer for Den of Thieves (Gudegast, 2018) First trailer for Den of Thieves 2: Pantera (Gudegast, 2025)

Petzold, Christian www.deutschlandfunkkultur.de, Vollbild

In celebration of this holiday, I re-released one of my favorite episodes of last year: my conversation with Jake Fallon & Nick Craven. Their film, CRYING ON COMMAND, is hitting the festival circuit over the next few months. I had a blast re-listening to this episode. Enjoy.In this episode, we talk about...how the duo got involved in filmmaking;whether you can start out just making films or if you can start high-minded;the reasons behind the success of their Seed & Spark campaign(s) for CRYING ON COMMAND;the watershed (see what I did there) short v. feature debate;Brett Kavanaugh (you have to listen);the run time of Martin Scorsese' latest film (again...makes sense after you hear);the importance of improv in indie film;and the depths of their new film, which packs a lot into nine minutes.As you can see (or hear) from their indie film highlights, these two are ingrained into the independent film community and spend a good part of the episode supporting other peoples' projects. These are the kind of people I want to find for the show.Jake's Indie Film Highlight: Cameron Gallagher, director; Armon Mahdavi, director, MOSS BEACH; Liza Renzulli ; Alexander Spenser Gould; Greg Case; Lee SchatzmanNick's Indie Film Highlight: Dillon Schohr; Taylor Silk; Ricardo Burgos; Christian Petzold's AFIRE; Annie Baker; Eliza Hittman; Trey Edward Shults, dir. WAVES (2019)Links:CRYING ON COMMAND Seed and Spark CRYING ON COMMAND InstagramNick Craven's InstagramJake Fallon's InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Dass wir bei Christian Petzold, Angela Schanelec und Christoph Hochhäusler über die "Berliner Schule" sprechen, liegt unter anderem an Marco Abel, der diesen Begriff populär gemacht hat und mit dem wir schon einmal eine Folge dazu gemacht haben. Jetzt hat er ein neues Buch geschrieben. In "Mit Nonchalance am Abgrund" widmet er sich einer in Deutschland fast vergessenen Filmströmung: Der Neuen Münchner Gruppe. Ihre Filmemacher*innen waren sowohl von Godard als auch dem US-amerikanischen Genrekino beeinflusst und haben Filme gemacht, die auch heute noch unglaublich frisch wirken. Wenn man sie denn kennen würde. Es sind mitunter schwelgerische Beziehungsstudien, die auf einmal ins Genre-Kino kippen. Der bekannteste, "Zur Sache, Schätzchen", hat nicht nur Uschi Glas bekannt gemacht, sondern auch die Worte "fummeln" und "Dumpfbacke" im deutschen Sprachgebrauch verankert. In dieser Folge spricht Christian mit Marco über die Neue Münchner Gruppe, sein Buch und die Frage, wieso dieses Kino früher als rechtskonservativ angesehen wurde, aber auf uns heute ziemlich links und feministisch wirkt. CUTS ist komplett unabhängig und werbefrei, deshalb brauchen wir eure finanzielle Untersützung: Ab 3€ im Monat bekommt ihr große mehrstündige Special-Folgen zu Regisseur*innen und Genres sowie Zugang zum CUTS-Discordserver, wo wir jeden Tag über Filme und anderes diskutieren: https://steadyhq.com/cuts Ihr findet CUTS natürlich auch auf Twitter und Instagram und mich auf Letterboxd. Vielen Dank an alle, die uns mit 5€ oder mehr im Monat unterstützen! Hans B., Jens Bahr, Timo Baudzus, Max Baxmann, Björn Becher, Marcel Behrmann, Max Decker, Manuel Deschmann, Maximilian Dietrich, Nikolas Ditz, Heiko Dörr, Jon Eden, Stefan Elipot, Bernhard F, István Faze, Patrick Fey, Hylia Fischer, Tobias Forner, Arne-Leonardo, Lucas Fuchs, Lisabeth Fulda, Danai Gavranidou, Timo Gerdau, Max Gilbert, Johannes Greve, Katharina Günther, Matthias Hagel, Simon Hartmann, Hadi Hawash, Leon Herrmann, Jonathan Hilgenfeld, Dominic Hochholzer, Enola Marina Hoffmann, Paul Höller, Andre Hollstein, Lukas Hoppmann, Jakob Jockers, Anette John, Melanie Juhl, Michael Kandzia, Karl Kaufmann, Martin Kleisinger, Boris Klemkow, Moritz Krien, Moritz Kunz, Thomas Kustermann, Thomas Laufersweiler, René Lehmann, Felix M, Joseph Mayr, Sebo McPowers, Yannick Mosimann, Giancarlo M. Sandoval, Mirko Muhshoff, Flamur Mula, Matthias Nauhaus, Maria Ortese, Nicolai Piuk, Wolfgang Plank, Simon Popp, Philipp R., Jessica Ring, Thomas Roth, Joscha Sauerland, Michael Schill, Jessica Schmidt, Martin Schober, Jesko Schrader, Dominik Schröder, Nils Schuckenberg, Jeremiah Schwarze, Timm Seestädt, Louis Sir-Excel-Lot, Eyk Stankiewicz, Thomas Stehle, Marius Stein, Carolin T, Basil Tardent, Martin Teichert, Valentin Tischer, Dorijan Vukovic, David Wahl, Tobias Walter, Philipp Watermann, Regula Weber, David Wieching, LoLegend Yo, Joseph Z., Florian Zeppenfeld, Stefan Ziede, & meine Oma :)

¿A quién le importa? Encuentros de archivo y patrimonio fílmico, es una propuesta de ciclos temáticos de cine del Colectivo de programación audiovisual Media Distancia que nos detallan dos de sus integrantes, Fidel Enciso y Tania Hérnandez. Elisa McCaulsand plantea cómo reformular los imaginarios a partir de la película El cielo rojo de Christian Petzold.Escuchar audio

El cine tiene la capacidad de abrir una ventana a realidades que escapan al bullicio mediático. Es lo que hace la polaca Agnieszka Holland para retratar la deriva autoritaria y el estado policial de su país contra los refugiados. También el director serbio Vladimir Perisic propone un drama familiar y una coming age en los años 90, en la era de Milosevic y las protestas estudiantiles. Son películas con carga política, al igual que la mirada al colonialismo y los nativos del argentino Lisandro Alonso en 'Eureka' o la visión fatalista del alemán Christian Petzold a una reunión veraniega de jóvenes entre incendios devastadores. Os hablamos de todos estrenos, escuchamos a sus protagonistas y os recomendamos las últimas series de estreno

En este episodio tenemos cine para todos los gustos. Un melodrama camp con Jessica Chastain y Anne Hathaway como dos madres paranoicas y a la gresca, hay un thriller con Russell Crowe, y sobre todo, hay cine de autor muy político. Uno de los grandes estrenos de la semana es 'Green Border', película de la polaca Agnieszka Holland que denuncia la violencia policial contra los migrantes y refugiados en la frontera de su país. Además, el alemán Christian Petzold propone un drama veraniego de artistas ególatras, tenemos una película sobre la Serbia de Milosevic en el 96 y el personal western del argentino Lisandro Alonso. En televisión, vuelve 'La Casa del Dragón', la serie derivada de 'Juego de Tronos', y hemos entrevistado a parte de su reparto. También conversamos con la primera mujer al frente de una producción de Star Wars, 'The Acolyte'.

Laura Fernández, nuestra Premio El Ojo Crítico de Narrativa, viene con un librito para explicarnos lo necesario que es creer. Un novela hecha de otras novelas que se llama 'Hay un monstruo en el lago' y que supone un viaje personal de la autora al lago y una reflexión sobre las leyendas populares. La escritora Annie Ernaux ha charlado con Iñigo Picabea sobre el documental que está presentando en nuestro país, 'Los años de Super 8'.Seguimos con los estrenos de cine que trae Conxita Casanovas: 'Greenborder' de Agnieska Holland, 'El cielo rojo' de Christian Petzold y 'Sombras del pasado' con Russel Crowe. Y terminamos con Leyre Guerrero, directora de NaNaNa de Radio 3, y el nuevo disco de Dellafuente. Escuchar audio

Nesse programa #68, Fernando Machado (⁠@femesmo⁠), Leandro Luz (⁠@leandro_luz⁠), e Pedro Tobias (⁠@pedromtobias⁠) debatem vida e obra do cineasta alemão Christian Petzold. Portanto, pegue o seu fone de ouvido, prepare o café e nos acompanhe nesta jornada, pois a partir de agora você está em um plano-sequência! ================================================ Ficha Técnica: Duração: 02h06min | Pauta: Fernando Machado | Arte da Capa: Marina Oliveira | Edição e Montagem: Fernando Machado | Sonorização: Leandro Luz | Publicação: Fernando Machado ================================================ Caso você queira ouvir os comentários apenas sobre um dos filmes, confira a minutagem em que cada um entra: 00:18:11 - A Segurança Interna (2000) 00:37:39 - Jericó (2008) 00:59:25 - Fênix (2014) 01:15:45 - Em Trânsito (2018) 01:33:39 - Afire (2023) 01:45:13 - TOP 3, Considerações Finais e etc. ================================================ Dúvidas, sugestões, críticas ou feedbacks podem ser enviados para o e-mail ⁠contato@plano-sequencia.com⁠ ou através de nossas redes sociais. Estamos no Twitter ⁠@planoseqcast⁠, no Instagram ⁠@planoseqcast⁠ e no Facebook⁠/planosequenciapodcast⁠. Não deixe de avaliar o podcast no iTunes para que possamos ter mais visibilidade dentro da plataforma. ================================================

Josh is joined by recurring guests John Pulice and Ben Luben for a double feature. First, they talk about Andrew Haigh's “All of Us Strangers” (Beginning-1:05:03). They discuss Haigh's unconventional narrative choices used to tell the story of a man connecting with us long-lost parents, the performances from the loaded cast that included Andrew Scott, Paul Mescal, Jaime Bell and Claire Foy and much more! Then, Josh and Ben talk about the newest film from German filmmaker Christian Petzold, “Afire” (1:05:04-End). They discuss how Petzold created so tension in a movie that on the surface is just some people going to a vacation home to hang out, how the film uses the writing process to tell you a lot about its main characters, the performaces from the cast and much more! Spoilers for “All of Us Strangers” at 35:00 and for “Afire” at 1:44:51.

On this episode, JD and Brendan discuss Christian Petzold's latest film AFIRE, starring Thomas Schubert and Paula Beer! Visit https://insessionfilm.com for merch and more! Visit this episode's sponsor: https://koffeekult.com - Get 15% OFF with the code: ISF Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

Brandon, James, Britnee, and Hanna continue our discussion of the Top Films of 2023 with some honorable mentions, starting with Christian Petzold's creative-block drama Afire https://swampflix.com/2024/01/21/swampflixs-top-10-films-of-2023/ 00:00 Welcome 07:00 The Curse (2023 - 2024) 12:10 Bogus (1996) 14:14 Big Night (1996) 18:00 Heaven Knows What (2014) 21:00 Lone Star (1996) 27:00 Teorema (1968) 32:13 Down By Law (1986) 36:27 Afire (2023) 54:00 Showing Up (2023) 1:13:14 No Hard Feelings (2023) 1:31:30 Shin Kamen Rider (2023)

In this episode of the Cinematologists podcast, we reflect on the pervasive apathy often accompanying the endless influx of new releases and how to combat nagging sense of FOMO which, at times, feels like it can never be satiated. When both of us saw Napoleon and agreed there wasn't much we wanted to talk about, and neither did a raft of art-house films on the various streaming platforms particularly get our juices flowing, we decided to unpack this troubling lassitude. Does the need to be "up with everything" rise and fall with the choppy waves of life? Or does our work as film lecturers naturally impact the pure desire just to watch films for their own sake? Perhaps it was something to do with that old chestnut: end of year "best of" lists. That collective social itch to define the year can seem so performative (having said that our 2023 round up will drop on the 23rd of December) . Never fear though, we work through the malaise; the value of celebrating the films that have demanded attention, spark conversations, and stayed with us, is more important to us that any arbitrary ranking. We do get to some films in this episode. Starting with Christian Petzold's Afire, a situational character portrait from German director Christian Petzold. Two friends, Felix, an art Student and Thomas, a writer, arrive at Felix's holiday home on the Baltic Sea with the intention of working. They arrive to discover the house is occupied by Nadja , played by Petzold regular Paula Beer. Her presence is a triggering point of distraction for the insufferable Thomas, whose loathsome self-involvement is tolerated by Najda, and then gradually deconstructed.   Iranian-British director Babak Jalali's  Fremont is a beautifully measured outsider tale that echoes the spirit of Jim Jarmusch. Anaita Wali Zada's compelling performance takes centre stage in a narrative that challenges Western expectations of immigrant tales. The film's philosophical undertones and political nuances offer something of a reversal of that well worn cliché that posits America as the promised land of freedom. In Leave the World Behind (Sam Esmail) we witness a stellar cast, including Julia Roberts, Mahershala Ali, Ethan Hawke, and Kevin Bacon, navigating a series unexplained events during a family retreat to Long Island. Familiar themes of racial, class and political tensions add edge to a dynamic, unpredictable narrative of social breakdown which is often uncanny and visual striking throughout. This is our penultimate episode of the season. Just our end of year round up to come. As always we hope you enjoy the episode. -- You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

00:00 - 39:20 - House by the River 39:20 - 1:00:46 - Malcolm in the Middle for today's episode, everyone's favorite internal miniseries, The Extended Clip Executive Decision is back. thanks to Cameron Fairchild for producing this episode. we're talking about Fritz Lang's 1950 low budget hothouse dramatic thriller for Republic Pictures, House by the River. we get into writing what you know, making the most out of trash, our Lang inventory, and more. then, on MiTM, Malcolm gives Domo his flowers and talks about Eileen. JT leads the charge on Damon Packard's AI short, The Man Who Couldn't Miss Screenings. finally, Eddie previews the best-of-'23 discussion by getting into the newest from Christian Petzold, Afire.

Godard episode bwah bwah bwah bwaaaaaaah. Jean-Luc Corbard and Jean-Ellis Godard talk about MASCULIN FÉMININ, a bog standard Godard movie about... I honestly don't remember. Topics include: The Boy from The 400 Blows, all grown up, two specific dogs, if modern man can really get Godard, and other stuff, I presume.  Next week's movie is AFIRE, by Christian Petzold. Watch it here. 

This week we discuss Christian Petzold's ‘Afire'. The performances of the incredible leads, unlikeable main characters, and the German version of a “Summer Blockbuster”.   We make a quick detour to psychoanalyze Franz Rogowski and to debate happiness vs. meaning.     Then we get into all things career related. Development as an actor, when to focus on getting an agent, how to actually get good at auditioning when you have no idea what other people's auditions look like, and our different approaches to our careers.  Oh! And Ryan reveals Adult Film's next major production after ‘The Seagull'. There's a whole lot of other stuff in there.  Time codes below: 1:20 Afire discussion  6:30 Unlikeable main characters  15:45 Psychoanalyzing Franz Rogowski Happiness vs joy vs meaning  19:06  Thoughts on how to develop as a younger actor 22:00 Getting an agent  25:55 Role of pay-to-plays with casting directors/agents  27:50 Role of private coaching    31:00 Not delaying life while ur waiting to book something  35:00 Ryan and David's different approaches to career  36:55 David wants to do a play w Ryan  39:00 No Fun improv w/ @reunion  42:50  David went to Ryan's acting class!!  47:50  Seeing ‘Seaguts' at the actors studio  48:25 Ryan reveals Adult Films next production after The Seagull!!!  52:15 Tom Hardy/crazy talk begins  56:30 Fanboying over Peter Rinaldi and his podcast/our favourite podcast @backbone 59:00 Thoughts on why some technically not so good actors are working.  Watchability vs technique 

durée : 00:55:09 - Le masque et la plume - par : Jérôme Garcin - Pour une rentrée cinéma réussie, faut-il aller voir "L'Eté dernier" de Catherine Breillat, "Le Ciel rouge" de Christian Petzold, "Un métier sérieux" de Thomas Lilti, "Visions" de Yann Gozlan, "Le Livre des solutions" de Michel Gondry et "Les Secrets de la princesse de Cadignan" d'Arielle Dombasle ? - réalisé par : Xavier PESTUGGIA

In the latest episode of Captured on Celluloid on Make Time for This, Adam and Andrew discuss Afire, the newest film from podcast favorite Christian Petzold. If you like what you hear, make sure to subscribe, follow on Twitter (@MakeTimeForThis), like us on Facebook, and come back next week for more. Make Time for This and the Gyro Step Podcast Network are proud to call Blue Wire's network of podcasts home. You can also follow Crewsing for a Brewsing, Talk of the Tundra, Gyro Step Podcast and Win in 6 Podcast on Twitter for more from GSPN! Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the latest episode of Captured on Celluloid on Make Time for This, Adam and Andrew discuss Passages, the latest film from Ira Sachs. If you like what you hear, make sure to subscribe, follow on Twitter (@MakeTimeForThis), like us on Facebook, and come back next week for discussion of Afire and the films of Christian Petzold. Make Time for This and the Gyro Step Podcast Network are proud to call Blue Wire's network of podcasts home. You can also follow Crewsing for a Brewsing, Talk of the Tundra, Gyro Step Podcast and Win in 6 Podcast on Twitter for more from GSPN! Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Director Christian Petzold discusses his new film, Afire, with fellow Director Michael Almereyda in a Q&A at the DGA theater in New York. In the conversation, Petzold discusses the autobiographical elements of the film, the meaning and thought process behind the encroaching fire, and its dystopian as well as its pandemic influences. The film tells the story of a group of young friends who vacation in a house by the Baltic Sea as an encroaching forest fire threatens the group. As the days grow hotter and the fire nears, both temperature and tensions rise, allowing emotions of happiness, lust and love to give way to jealousies, resentments and tensions among the group. See photos and a summary of this event below: https://dga.org/Events/2023/August2023/GCS_Afire_0723.aspx

Welcome, one and all, to the latest episode of The Film Stage Show!  Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Scout Tafoya to discuss Christian Petzold's Afire, now in theaters. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Sean discusses ‘Talk to Me,' the horror movie of the summer, and his five scariest summer movies (1:00), before being joined by the directors of the film, Danny and Michael Philippou (10:00). Then, he is joined by ‘Afire' director Christian Petzold to discuss his new film, his career, and the shared interests of arthouse and commercial cinema (41:00). Hosts: Sean Fennessey Guests: Danny and Michael Philippou, Christian Petzold Senior Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

On film and left-wing terrorism.   [Patreon Exclusive]   We talk about Uli Edel's 2008 film The Baader Meinhof Complex, which tells the story of the Red Army Faction in 1960s and 70s Germany. What sorts of myths do films create? Is the attempt to break down myths in fact a way of re-making those myths? Is a Red Army Faction response possible today - and what does terrorism at the End of the End of History look like?   We also discuss the image-sausage-grinder theory of film and reflect on six years of podcast urban guerilla activity. Links: Episode on Berlusconi biopic, Loro: UNLOCKED /87/ Berluscoming   Symptom of the post-political – Terrorism in Contemporary German, British and Hollywood Cinema, Maren Thom (pdf) "The State I Am In", Christian Petzold (2000)

If you're a follower of contemporary world cinema, chances are, you're a fan of Franz Rogowski. Known for his distinctive screen presence and extraordinary physicality, the German actor has blazed a trail through some of the most well-regarded movies of the last few years, including Michel Haneke's Happy End, Christian Petzold's Transit and Undine, Terrence Malick's A Hidden Life, Angela Schanelec's I Was At Home, But…, to name only a few. His latest role is as the lead in Passages, a new film by Ira Sachs. Rogowski stars Tomas, a diva-esque filmmaker and very indecisive queer man, who vacillates erratically between his husband, played by Ben Whishaw, and a new love interest, played by Adele Exarchopoulos. It's a role of chaotic contradictions that seems made for Rogowski: Tomas is self-absorbed, brilliant, repulsive, sexy, vulnerable, and malicious all at once—and Rogowski brings to him a truly unselfconscious, combustible sense of humanity. For today's episode, Film Comment co-editor Devika Girish called up Rogowski on Zoom to chat about his inspirations as an actor and how he crafted his firecracker performance in Passages. Please note that because Rogowski is not a member of SAG-AFTRA, he is not currently on strike.

The heat of summer is here. Kevin and Sarah brave forest fires as they review Christian Petzold's latest movie Afire, about a writer who can't seem to finish his latest manuscript while on vacation. Then, they take on a listener Patreon pick by reviewing the 2022 Irish Best International Feature Oscar nominee, The Quiet Girl. Have thoughts about the movies we reviewed? Send us an email at seeingandbelievingcapc@gmail.com. Follow us on Twitter @SeeBelievePOD Follow us on Letterboxd Support the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

The heat of summer is here. Kevin and Sarah brave forest fires as they review Christian Petzold's latest movie Afire, about a writer who can't seem to finish his latest manuscript while on vacation. Then, they take on a listener Patreon pick by reviewing the 2022 Irish Best International Feature Oscar nominee, The Quiet Girl. Have thoughts about the movies we reviewed? Send us an email at seeingandbelievingcapc@gmail.com. Follow us on Twitter @SeeBelievePOD Follow us on Letterboxd Support the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we're excited to present a conversation with director Christian Petzold about his new film, Afire, now playing in our theaters courtesy of Janus and Sideshow Films. Set against the backdrop of a seaside town threatened by encroaching wildfires, Christian Petzold's latest is a breezy, often funny, yet emotionally layered melodrama of creative and romantic insecurities along the German Riviera. The film centers around Leon, a disgruntled novelist struggling to finish his manuscript while traveling with his photographer friend to a vacation home near the Baltic Sea, where they're met by an unexpected third house guest, Nadja (Paula Beer;, whose presence distracts Leon as much as it cringingly exposes his self-obsessed bubble. Full of sunkissed tints and nocturnal blues, Afire finds the director operating with a deceptively light touch, but what starts as a hangout comedy gradually opens up into something entirely more surprising and psychologically complex. The film is the winner of the Silver Bear Grand Jury Prize at the 2023 Berlin International Film Festival. This conversation was moderated by Film Comment Co-Deputy Editor, Devika Girish.

"Afire" had its world premiere at the 2023 Berlin International Film Festival and is the third collaboration between filmmaker Christian Petzold and actress Paula Beer following their work on "Transit" and "Undine." Christian and Paula were kind enough to spend some time talking with us separately about their work on the film. Please take a listen and be sure to check out the international drama now playing in limited release from Sideshow and Janus films. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Film Comment is reporting from Berlin, where the 2023 Berlinale is currently winding down. Throughout the festival, we'll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year's selection, including new films by Christian Petzold, Angela Schanelec, Hong Sangsoo, James Benning, and many more. On today's episode, FC co-editor Devika Girish is joined by critics Giovanni Marchini Camia (Fireflies Press), Victor Guimarães (freelance), and Frédéric Jaeger (critic.de). Before getting into a broader conversation about German cinema at the Berlinale, the four discuss some of the highlights from the festival's waning days, including Music by Angela Schanelec, In Water by Hong Sangsoo, Bad Living and Living Bad by João Canijo, Ramona by Victoria Linares Villegas, and Someday We'll Tell Each Other Everything by Emily Atef. Stay up to date with all of our Berlin 2023 coverage here: https://www.filmcomment.com/blog/category/festivals/berlin/berlin-2023/

This week, Film Comment is reporting from Berlin, where the 2023 Berlinale is currently underway. Throughout the festival, we'll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year's selection, including new films by Christian Petzold, Angela Schanelec, Hong Sangsoo, James Benning, and many more. On today's episode, FC co-editor Devika Girish is joined by programmers Inney Prakash (Prismatic Ground) and Edo Choi (Musuem of the Moving Image) and critic Caitlin Quinlan to discuss the buzziest premieres from the festival's second half: Lila Avilés's Tótem, Lois Patino's Samsara, Christian Petzold's Afire, Philippe Garrel's The Plough, and James Benning's Allensworth.

This week, Film Comment is reporting from Berlin, where the 2023 Berlinale is currently underway. Throughout the festival, we'll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year's selection, including new films by Christian Petzold, Angela Schanelec, Hong Sangsoo, James Benning, and many more. On today's episode, FC co-deputy editor Clinton Krute sat down with writer/director Dustin Guy Defa and actor Michael Cera to discuss The Adults, which just had its world premiere at this year's Berlinale. The film tells the story of Eric, a youngish man returning for a quick visit to the upstate New York town where he grew up. As he struggles to reconnect with his two sisters, played by Hannah Gross and Sophia Lillis, his obsession with poker, and his drive to beat every player in town, keeps prolonging his stay. The nuanced performances of the three leads, along with Guy Defa's precise dialogue, pull the film off center, destabilizing what might otherwise have been a fairly familiar drama of family reconciliation. Instead, The Adults is something far stranger and resonant.

This week, Film Comment is reporting from Berlin, where the 2023 Berlinale is currently underway. Throughout the festival, we'll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year's selection, including new films by Christian Petzold, Angela Schanelec, Hong Sangsoo, James Benning, and many more. On today's episode, FC co-editors Devika Girish and Clinton Krute are joined by curator and critic Antoine Thirion and critic (and former editor-in-chief of Cahiers du Cinéma) Jean-Michel Frodon to discuss some recent viewings from the festival's mid-point: Giacomo Abbruzzese's Disco Boy, John Trengove's Manodrome, Bas Devos's Here, Zhang Lu's The Shadowless Tower, Margarethe von Trotta's Ingeborg Bachmann – Journey into the Desert, and Manthia Diawara's AI: African Intelligence. Stay up to date with all of our Berlin 2023 coverage here.