Podcasts about Animation

Coyote vs. Acme finally gets its theatrical moment, and Jim Hill and Drew Taylor dig into the surprisingly strong opening weekend for the long-shelved Warner Bros. Animation film. They also reflect on the losses of Tim Curry and Peter Cullen, as well as stop-motion and visual-effects legend Phil Tippett's retirement and the liquidation of Tippett Studio. Plus, the guys run through the latest animation news, from Aardman's new Pokémon series to changes at Warner Bros. Animation and a promising awards run for Tangles. NEWS • Coyote vs. Acme opens to a strong $15.4 million weekend after Ketchup Entertainment's theatrical rescue of the Warner Bros. Animation film. • Jim and Drew remember Tim Curry and Peter Cullen and look back at their lasting contributions to animation and entertainment. • Phil Tippett retires as his legendary Berkeley studio prepares for liquidation, prompting a look back at his remarkable stop-motion and visual-effects career. • Disney+ lands Aardman's new Pokémon animated series, while Sam Register prepares to step down from Warner Bros. Animation and Cartoon Network Studios. • IFC picks up Tangles for an Oscar-qualifying run, and Stranger Things: Tales from '85 returns with a new Season 2 trailer. HOSTS • Jim Hill - X/Twitter: @JimHillMedia - Instagram: @JimHillMedia - jimhillmedia.com • Drew Taylor - X/Twitter: @DrewTailored - Instagram: @drewtailored - drewtaylor.work FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR Planning a Disney or Universal vacation can get complicated fast, and our friends at BeOurGuestVacations.com can help. They're an EarMarked by Disney travel agency at the Platinum level and a Universal U Preferred Platinum Planning Partner. They can help with hotels, tickets, reservations, cruises, and all the little details that come with planning a trip. Best of all, their planning services come at no additional cost to you. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Len Testa and Jim Hill dig into the long road that eventually led Disney to build Art of Animation Resort, from an abandoned Toontown-inspired family suites hotel near the Contemporary to the unfinished half of Pop Century. Along the way, they explore how the success of Nickelodeon's family-suite hotel caught Disney's attention, why Bob Iger brought Steve Jobs into the evaluation process, and how Finding Nemo, Cars, The Lion King, and The Little Mermaid became the resort's defining themes. Plus, Len and Jim discuss Lakeshore Lodge, Disney's latest premium credit card survey, potential Epic Universe annual pass perks, and listener questions about fireworks, cruise ports, Star Tours, and monorail capacity. NEWS • Disney reveals new Lakeshore Lodge room categories ahead of its July 1, 2027 opening. • A Disney credit card survey tests premium perks including Lightning Lane access, resort benefits, complimentary park tickets, and club-level access. • Universal Orlando surveys guests about Epic Universe annual passes, reservations, Express benefits, parking, and Halloween Horror Nights perks. • Epcot adjusts opening hours for select RunDisney Wine & Dine Half Marathon Weekend dates. • Universal Orlando debuts the new Nightmare Fuel: Blood Noir show for Halloween Horror Nights. FEATURE • Disney once considered a highly exclusive Toontown-inspired family suites hotel beside the Contemporary Resort. • The financial troubles surrounding Disneyland Paris helped derail Disney's early family-suite plans. • The success of Nickelodeon's all-suite Orlando hotel convinced Disney there was significant demand for larger themed accommodations. • Disney transformed the long-abandoned Legendary Years section of Pop Century into Art of Animation Resort. • Bob Iger invited Steve Jobs to review prototype Art of Animation rooms before Disney committed to the project. For this episode's full show notes, click here.HOSTS • Jim Hill - X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | jimhillmedia.com • Len Testa - Bluesky: @lentesta.bsky.social | Instagram: @len.testa | touringplans.com FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR Disney Dish news is sponsored by BeOurGuestVacations.com, helping guests plan their next Disney vacation. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Len Testa and Jim Hill dig into the long road that eventually led Disney to build Art of Animation Resort, from an abandoned Toontown-inspired family suites hotel near the Contemporary to the unfinished half of Pop Century. Along the way, they explore how the success of Nickelodeon's family-suite hotel caught Disney's attention, why Bob Iger brought Steve Jobs into the evaluation process, and how Finding Nemo, Cars, The Lion King, and The Little Mermaid became the resort's defining themes. Plus, Len and Jim discuss Lakeshore Lodge, Disney's latest premium credit card survey, potential Epic Universe annual pass perks, and listener questions about fireworks, cruise ports, Star Tours, and monorail capacity. NEWS • Disney reveals new Lakeshore Lodge room categories ahead of its July 1, 2027 opening. • A Disney credit card survey tests premium perks including Lightning Lane access, resort benefits, complimentary park tickets, and club-level access. • Universal Orlando surveys guests about Epic Universe annual passes, reservations, Express benefits, parking, and Halloween Horror Nights perks. • Epcot adjusts opening hours for select RunDisney Wine & Dine Half Marathon Weekend dates. • Universal Orlando debuts the new Nightmare Fuel: Blood Noir show for Halloween Horror Nights. FEATURE • Disney once considered a highly exclusive Toontown-inspired family suites hotel beside the Contemporary Resort. • The financial troubles surrounding Disneyland Paris helped derail Disney's early family-suite plans. • The success of Nickelodeon's all-suite Orlando hotel convinced Disney there was significant demand for larger themed accommodations. • Disney transformed the long-abandoned Legendary Years section of Pop Century into Art of Animation Resort. • Bob Iger invited Steve Jobs to review prototype Art of Animation rooms before Disney committed to the project. For this episode's full show notes, click here.HOSTS • Jim Hill - X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | jimhillmedia.com • Len Testa - Bluesky: @lentesta.bsky.social | Instagram: @len.testa | touringplans.com FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR Disney Dish news is sponsored by BeOurGuestVacations.com, helping guests plan their next Disney vacation. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Adam Orth chats with Jean Nguyen, the creator behind the viral hit Dinoblade. Together they discuss his early work in games through animation; the story of his viral animation featuring a Spinosaurus with a sword; deciding to expand on the concept and make it a full game; learning game development through self-study thanks to online sources like YouTube; and how to create a believable sword-wielding dinosaurs. This episode is sponsored by: Xsolla iam8bit Episode Host: Adam Orth Producers: Claudio Tapia and Josh Chu, The Academy of Interactive Arts & Sciences If you enjoyed this episode, please consider subscribing and leaving us a rating and review. Support the show and get all of our episodes early/ad-free: https://bit.ly/4kU34Lt Follow us: linktr.ee/AIAS Please consider supporting game dev students with: AIAS Foundation

When it comes to Hayao Miyazaki, the ocean is full of mystery and calamity. But one thing is for certain: Ponyo loves ham! This week is Miyazaki's late-career “movie for five-year-olds” that somehow combines the terror of complete environmental catastrophe with… the joy of floating around in a candle-powered speedboat. And cool jellyfish! Topics discussed: delicious-looking tea, delicious-looking ramen, whether or not the mad scientist/wizard Fujimoto represents Miyazaki, the perils of painting backgrounds for Ghibli, prehistoric fish, and Frankie Jonas. Next week we take a brief detour from the late works of Miyazaki and Takahata to cover Hiromasa Yonebayashi's THE SECRET WORLD OF ARRIETTY (2010). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features The Five Geniuses of Ponyo Interview with Toshio Suzuki Behind the Microphone Creating Ponyo Ponyo & Fujimoto The Nursery Scoring Miyazaki The Art of Ponyo The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Turning Point by Hayao Miyazaki Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

   In June of 2021 Jiminy Crickets shared the history, origins, and behind-the-scenes making of the original 1955-1958 Fantasyland dark rides.For this month's Best of show, we proudly bring you the magic behind these classic Disneyland attractions. June 2021 - Come on everybody... Here we go!!!! This episode Chris, Ruthie and Brian discuss the original Disneyland dark rides of the 1950's including Snow White's Adventures, Mr. Toad's Wild Ride, Peter Pan's Flight and Alice in Wonderland. As your journey continues, they will then compare these classic attractions to their Walt Disney World counterparts. So come along for a jolly ride, through an enchanted forest, over moonlit London and down, down, down a magical rabbit hole, but be sure to bring along your imagination as we learn about these famous Disneyland adventures as they existed over six decades ago. Download (right click / save as) Visit our on-line store for exclusive Jiminy Crickets and DisneyChris Website Merch!!!https://jcpodcast.threadless.com/If you would like to help support the Jiminy Crickets podcasts and DisneyChris.com - Please consider becoming a Patreon Subscriber and receive exclusive rewards every month.  https://www.patreon.com/c/DisneyChris

This week's episode features Hell Let Loose: Vietnam, Gallipoli, Lou’s Lagoon, Kaboomania, Sizeable, Jimmy and the Pulsating Mass, and 1964 Operation Velvet Twins.

BATMAN: KNIGHTFALL PT.1 REVIEW Batman is having a very, very bad week. Can't catch a break! If rehabilitating the murderous vigilante Azrael wasn't enough, some jerk named Bane sets all the inmates of Arkham free. Well, not all of them… there are some confusingly notable exceptions. Raised in prison and deluded by his late mother, […]

Ben Pruitt is back with a Brand New Season of Bending Not Breaking Featuring Co-Hosts from Across the BNB Patreon Community! This Week : Ben is joined by returning Patrons Kelly, Maggie, & Rahul to discuss The Legend of Korra S1E10 : Turning the Tides, through the Lens of YIELDING. Follow : @bnb_pod & @thearkofenetwork on Instagram Music : "Skyline" by nARK Produced By Noah Blanchard Released By The ARK of E Network Send Feedback : thearkofe@gmail.com

We're bringing back our Mostly Horror rubric for another movie, this time with the 1987 Disney animated film, The Brave Little Toaster. It's a movie that we watched as young kids, and despite it being a Disney animation, its nightmare scenes, eerie music, and dark undertones still unsettle us to this day. That's why we put it to the test to determine whether we'd consider it not a horror film, horror adjacent, mostly horror, or a certified horror film. We take into consideration its iconography and put it through the campfire test (would it still be horror if it were a story told around a campfire?), the crowd test (how would others react?), and residue test (how much did it haunt you after watching it?) to come to our conclusions. And with its terrifying clown nightmare scene, themes of suicide, and creepy settings, The Brave Little Toaster might have more horror to it than you remember. So come on this journey with us as we dig up this movie from our childhood that still sits unsettlingly with us to this day. Did this movie scare you as a kid? How much of it would you consider horror? Make sure to ... COME HANG OUT!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Batman: Knightfall is an adult animated superhero film trilogy featuring Batman, and based on the DC Comics arc "Knightfall" (1993–1994) itself consisting of three storylines. The films were directed by Jeff Wamester from a script by Jeremy Adams and stars Anson Mount, Michael Mando and Pablo Schreiber. They are installments of the DC Universe Animated Original Movies series. The first installment, Batman: Knightfall – Part 1: Knightfall, follows Batman as he exhausts himself in confronting the escaped inmates of Arkham Asylum who were freed by Bane. Hosted on Ausha. See ausha.co/privacy-policy for more information.

Warner Bros. Animation loses a major figure, Hammerfist mixes crime and occult horror, superheroes face the real world, and we dive into Gou Tanabe's gorgeous Call of Cthulhu to ask: can cosmic horror survive being shown? RSS Feed Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) REVIEWS HAMMERFIST #1 Writer: Rick Remender Artist: Steve Epting Publisher: Image Comics Cover Price: $5.99 Release Date: August 26, 2026 Meet MIKE DENTON: a dirtbag hitman, junkie, and absentee father who's spent his life chasing the easy fix — drugs, cheap sex, and murder for money — while failing the one person who still believes he can be better: his daughter. Now, on the eve of BLACK NOON — an ancient darkness that erases the light in all things — Mike has to drag himself out of the gutter, awaken a supernatural weapon powered only by love, and fight his way through the living embodiment of evil to save her. PROJECT PERSEUS #1 Writer: Jack Mulqueen Artist: Edison Neo Publisher: Vault Comics Cover Price: $3.99 Release Date: Sep 2, 2026 It's a race against time! When a disgraced member of a cryptid hunting squadron vanishes with a time-traveling apparatus, Slug Stephens must sober up from a decade-long bender to track down an all-too-familiar friend turned foe. With a legendary lineup of cover artists, featuring Esad Ribíc, Brett Bean, Pete Carroll, Jorge Corona, and more, Jack Mulqueen (Nightlife Noir) and Edison Neo (TMNT, Godzilla) bring readers a stylish and hilarious adventure across treacherous jungles, frozen oceans, and deadly dive bars. TRADE DISCUSSION H.P. LOVECRAFT'S THE CALL OF CTHULHU Writer/Artist: Gou Tanabe Publisher: Dark Horse Comics Cover Price: $19.99 What links together two bands of worshippers, one deep in the Arctic snows, one hidden in the bayous of Louisiana, is more than their shared practice of blood sacrifice. It is the inhuman phrase they both chant: Ph'nglui mglw'nafh Cthulhu R'yeh wgah'nagl fhtagn--"In his house at R'lyeh dead Cthulhu waits dreaming." Now these nightmares will disturb the sanity of Francis Thurston, a young man pursuing an investigation into the cult of Cthulhu that leads to the most forsaken spot in the vast Pacific...and to Earths supreme terror, the risen corpse-city of Rlyeh. Join the conversation We'd love to hear your thoughts on any of this week's topics. At Major Spoilers, we strive to create original content that you find interesting and entertaining. Producing, writing, recording, editing, and researching require significant resources. We pay writers, podcast hosts, and other staff members who work tirelessly to provide you with insights into the comic book, gaming, and pop culture industries. Help us keep Major Spoilers strong. Become a Patron (and our superhero) today. If you know someone who loves comics, share this post and episode with them! Share

This episode we conclude our extensive look at the groundbreaking and iconic, original 1955-1958 Mickey Mouse Club television series. Ruthie and DisneyChris discuss the origins of the series, behind the scenes production, the show format, memorable segments, serials, the songs, the cast and the ongoing legacy of this beloved Disney classic.  Download (right click / save as)Visit our on-line store for exclusive Jiminy Crickets and DisneyChris Website Merch!!!https://jcpodcast.threadless.com/If you would like to help support the Jiminy Crickets podcasts and DisneyChris.com - Please consider becoming a Patreon Subscriber and receive exclusive rewards every month.  https://www.patreon.com/c/DisneyChris

Fine Tooning is back with a packed post-D23 week of animation news, as Jim Hill and Drew Taylor dig into fresh trailers, release dates, box-office milestones, and one potentially very big Disney revival. The conversation ranges from Laika's long-awaited Wildwood and Warner Bros. Animation's Margie Claus to Blue Eye Samurai, LEGO Star Wars, and the remarkable theatrical run of Toy Story 5. Jim and Drew also discuss Brent Spiner's unexpected suggestion that a new Gargoyles series may be headed to Disney+, and remember Hayden Panettiere and her early voice work as Princess Dot in A Bug's Life. HIGHLIGHTS • Brent Spiner may have accidentally revealed that a Gargoyles revival is in development for Disney+. • Laika unveils the first trailer for Wildwood ahead of its October 23 theatrical release. • Margie Claus sets a November 12, 2027 release date with Melissa McCarthy, Jim Gaffigan, Octavia Spencer, and Andrew Scott. • Blue Eye Samurai previews Season 2 while Netflix announces a third and final season for 2028. • Jim and Drew look at the latest animation-related box-office numbers, including Toy Story 5 and Paw Patrol: The Dino Movie. • Jim remembers Hayden Panettiere and her performance as Princess Dot in Pixar's A Bug's Life. • Panettiere's memoir offers a revealing look at the demanding voice-recording process behind the Pixar film. • Drew reflects on Mission: Impossible - Ghost Protocol and the continuing legacy of Light the Fuse. HOSTS • Jim Hill - X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | jimhillmedia.com • Drew Taylor - X/Twitter: @DrewTailored | Instagram: @drewtailored | drewtaylor.work FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR Planning a fall getaway to Walt Disney World or Universal Orlando? Be Our Guest Vacations can help with hotels, theme park tickets, dining reservations, and the details that can make an Orlando vacation easier to manage. Their vacation-planning services come at no additional cost to you. Visit BeOurGuestVacations.com to start planning.If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailWe walk through Warner Archive's September 29 releases with George Feltenstein, digging into what makes each title special and what the new transfers reveal. We also explain the real-world hurdles behind restorations, from missing footage and lost elements to music rights that kept a beloved cartoon off shelves for decades. All Moviezyng pre-order LinksAmazon Pre-order links:THE QUICK DRAW McGRAW SHOW (1959-60) Blu-raySKYSCRAPER SOULS (1932) Blu-rayMARKED WOMAN (1937) Blu-rayPLEASE DON'T EAT THE DAISIES (1960) Blu-rayNot yet available for pre-order: RYAN'S DAUGHTER (1970) 4K + Blu-ray & RYAN'S DAUGHTER (1970) Blu-rayIf you haven't yet had a chance to listen to the podcast for the September 22nd releases, be sure and look for that, both on audio podcast and on YouTube.  Moviezyng Affiliate LinkThe Extras Facebook pageThe Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog GroupJoin our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases.As an Amazon and Moviezyng Affiliate, The Extras may receive a commission for purchases through our purchase links.  There is no additional cost to you, and every little bit helps us in the production of the podcast.  Thanks in advance.Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers.  Contact us today to see how we can work together to achieve your goals.  info@theextras.tv

Howl may be the worst type of early 2000s emo hunk. But listeners…We! Can! Fix! Him!!! This week is a real doozy. Dom and Adam are not particularly effusive about Miyazaki's moody, dark magic sequel to SPIRITED AWAY. It's bewildering, it's bizarre, and some moments seem completely incomprehensible. But as an animated film, it's a spectacle to behold, and we have a lot to celebrate, too. For instance…Calcifer! Next week, it's Miyazaki's child-friendly disaster film, PONYO (2008). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features: Behind the Microphone The Birth Story of the Film Soundtrack Interview with Diana Wynne Jones Explanation of CG: How to Move Howl's Castle  The Art of Howl's Moving Castle Turning Point by Hayao Miyazaki The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Hayao Miyazaki Takes Over Howl Variety Akihiko Yamashita Interview   Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hello Travelers! This week join host Producer Josh on a walkabout down Hollywood and Sunset Boulevards at Disney's Hollywood Studios. You'll explore signage and overlooked details, hear area music, experience a full ridethrough of the Twilight Zone Tower of Terror (including the queue and preshow), then end with a portion of the nighttime projection show Disney Movie Magic as well as the entire performance of Wonderful World of Animation.    We are listener supported - contribute to the Dole Whip Fund via Google or Apple Pay. Thanks!   Walkabout the World is now on TikTok! Come follow our visual companion to the audio podcast at Walkabout.the.world.pod on TikTok   And of course, visit us on Instagram and at walkabouttheworld.com - find links to all the things - attraction episodes, Insta accounts of all the hosts, and even how to buy your own Walkabout shirt!   Walkabout The World is a weekly Disney podcast, always recorded on property at Walt Disney World or Disneyland Resort with the simple goal of making you feel like you are in the middle of the magic.

Coyote vs. Acme is finally here after one of the most turbulent production processes in Hollywood history. Stars of the film Lana Condor and Will Forte join Ryan Cortero of Agents of Fandom to discuss Director Dave Green and the incredible team behind the film, and why the surprisingly emotional story will resonate with fans.Check out https://www.agentsoffandom.com for the latest TV and Movie reviews!

This week's episode features Pit Panic, Ground Zero Hero, Pro Jank Footy, Moss: The Forgotten Relic, The Lord of the Rings: War in the North - Legacy Edition, With Eyes of Ice, Case Solved: The London Files, and Twisted Tower.

VIVA CARMEN! MOVIE REVIEW Everyone knows the music from Bizet's Carmen—one of the world's most famous operas! Bits of it have riffed their way into everything from trailers to soundtracks and parodies. And of course, everyone knows the classic story of Carmen…Anyone? The story of a beautiful Romani dancer, wanted by the law, who falls […]

Welcome to our Road to Acme Series!! We recently sat down with the multi-talented Carlos Lutterbach who served many roles in the Animation department behind bringing Wile E. Coyote to life in Coyote Vs Acme out August 28th!  You can follow him on instagram here: @cale_lutterbach And follow his company here: http://neblanepictures.com/  

X-Men ‘97 Season 2 - Ep. 409 To us, our Normies! The mutants are back as X-Men '97 returns for another action-packed season of Marvel's animated revival! After the shocking events of Season 1, the X-Men find themselves scattered, tested, and facing new threats that could change the future of mutantkind forever. On this episode of Normies Like Us, your hosts are breaking down all of X-Men '97 Season 2! We're talking Cyclops, Jean Grey, Wolverine, Storm, Rogue, Gambit, Magneto, Professor X, and all the mutant madness packed into the new season. Which returning characters stole the show? Which new mutants have us reaching for our old action figures? And can Season 2 possibly top the emotional highs of the incredible first season? Fire up the Blackbird, put on your best yellow spandex, and prepare for spoilers as we dive into another uncanny adventure! Previously… on Normies Like Us! Insta @Normies_Like_Us https://www.instagram.com/normies_like_us/ @_j__a___c___o__b_ https://www.instagram.com/_j__a___c___o__b_/ @Mike_Has_Insta https://www.instagram.com/mike_has_insta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

We're back to a full house this week as James returns from his holidays, and an even fuller house than that, in fact, as we have a surprise ringer parachuted into this week's line-up. In a bid to address to the team's ongoing reluctance to become au fait with animation, we've invited animation filmmaker John McEwan-Whyte to join us on the show and provide a crash course in all things cell-shaded (31:08). Plus we catch up on the heroic amount of things that we've watched over the past few weeks (including at least one awkward mea culpa) and we jump into this week's shows. To whit: DC superhero-powered crime thriller Lanterns on HBO Max (1:07:49), series 2 of cosy crime procedural Ludwig on BBC1 (1:14:51), and spray-tan crime caper Sunny Nights on ITV (1:19:44).Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

THE OBSESSED MOVIE REVIEW “Are you in love with that girl?”, “No sir, I'm just very obsessed with her!”. Giuseppe loves the things he loves. Whenever something grabs his interest, he throws everything else away and devotes his life to his new passion. From singing and collecting bugs to the oddly specific hobby of “throwing […]

Listeners, it's time to remember your name. We're getting Spirited Away this week to a Studio Ghibli production that is often called the most influential animated film of all time. Joining us to help purify the stink spirits and return the river gods to their kingdom is our old friend Stephen Hilger. Topics discussed this week: the enduring mystery of No-Face, why the Radish Spirit rules, whether or not SPIRITED AWAY is the TENET of Miyazaki's filmography, Ghibli's art style in the digital era, and of course, MARIO ODYSSEY. Next week, it's the most Hot Topic of Miyazaki's oeuvre, the very moody HOWL'S MOVING CASTLE (2004). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References:  The Art of Miyazaki's Spirited Away Sharing a House with the Never-Ending Man by Steve Alpert Turning Point by Hayao Miyazaki The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Spirited Away Making of Documentary Time Magazine Production History Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It’s time to rewatch The Legend of Korra after podcasting on the show every week 14 years ago! This is Part 1 of our discussion on revisiting Book 1: Air of Korra as a whole. We dive into topics like the animation and the music, Korra’ character, and who is the MVP of the season. Hosts for this podcast: Dylan, Mel, & Aly. 0:00 – Podcast Intro 2:10 – Intro to Korra Book 1 10:15 – How was rewatching Book 1? 26:14 – Animation & Music 42:00 – Attachment to Characters 55:23 – Korra’s Character 1:08:23 – Book 1 Overall 1:15:20 – MVP of the season 1:24:27 – Best Episodes

Warner Bros. Pictures Animation arrived at the Annecy International Animation Film Festival with a bold message: the era of canceled releases and corporate caution may be coming to an end. In this episode, we break down WBPA's ambitious new feature slate, from The Cat in the Hat and Bad Fairies to Oh, the Places You'll Go!, Prehistoria, Margie Claus, Dynamic Duo, Hello Kitty, and The Lunar Chronicles. We also discuss the newly announced Powerpuff Girls movie, potential future projects involving Tom and Jerry, ThunderCats, and Meerkats, and whether Bye Bye Bunny could eventually return. On the Looney Tunes front, we take a closer look at Daffy Season, the first theatrical Looney Tunes short in more than a decade, which will play before The Cat in the Hat. We explore its soccer-themed premise, CGI-rendered characters, classic catchphrase humor, and the significance of Warner Bros. Animation reconnecting with the legacy of Termite Terrace. The DC animation slate is just as packed, with updates on My Adventures with Green Lantern, DC Super Powers, Krypto, Starfire!, Mister Miracle, Knightfall Trilogy, Joker: Laugh Riot, and the upcoming Absolute Batman animated series from comic writer Scott Snyder. We also discuss Adventure Time: Bubblegum and Marceline, Genndy Tartakovsky's Conan the Barbarian, and the continuing expansion of Warner Bros. Animation's television universe. Plus, we react to the latest Coyote vs. Acme 101% debut on RT and what this new slate could mean for Warner Bros.' future in animation. Topics include: Warner Bros. Pictures Animation's Annecy announcements The Cat in the Hat and Daffy Season Bad Fairies, Prehistoria, and Dynamic Duo The new Hello Kitty feature and Powerpuff Girls movie DC's upcoming animated projects Joker: Laugh Riot and Absolute Batman The legacy of Termite Terrace and the future of the Looney Tunes Coyote vs. Acme and Warner Bros.' changing animation strategy  

This week's episode features Skatesterre, Plungeez, Verho - Curse of Faces, Kusan: City of Wolves, Go North, Pets Survivors, and John Fox.

Watch our review of the original Shrek here: https://www.podomatic.com/podcasts/alostplot/episodes/2026-03-04T04_00_00-08_00 In this episode, Maverick and Nick delve into the animated classic Shrek 2, exploring its themes of class anxiety, beauty standards, and character development. They discuss the relationship dynamics between Shrek and Fiona, highlighting the importance of compromise and sacrifice. The conversation also touches on the film's antagonists, particularly the Fairy Godmother, and how humor is used to convey deeper societal messages. Ultimately, they reflect on the film's nostalgic value while providing a critical analysis of its storytelling and themes. ----------Highlights:0:00 ‘Shrek 2' Introduction 5:36 Shrek16:12 Plot Holes21:08 A Prince, a King, and a Fairy Godmother29:15 The Climax40:02 Lasting Impact#shrek2 #shrek #farfaraway #animatedclassic #alostplot 

This week, we bring back Xanthe, one of the hosts of the podcast Kindergeist, to talk about children's horror. After catching up on all the latest news with her podcast and her current PhD research on children's perspectives on horror, we put our “Is It Horror?” rubric to the test with another film: Coraline. This time, we break down the film's intent and horror iconography, try out the “campfire test” (would this still be a scary story if told around a campfire?), and more to decide whether this amazing stop-motion animated film is not a horror film, horror adjacent, mostly horror, or a certified horror film. And even though it's considered a “kids' movie,” the button eyes, spider webs, and eerie soundtrack make it much scarier than we might expect from a children's animated film. Do you think Coraline is a horror film? Make sure to tune in for this fun conversation, and … COME HANG OUT!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The hit Marvel show X-Men '97 has returned to Disney+, and Season 2 is sadly coming to an end. Join us LIVE as we break down X-Men '97 Season 2 Episode 9 and discuss all the Easter Eggs from the finale, and theorize about Season 3.(00:00:00) Intro(00:02:00) Whatcha Watching?(00:10:00) X-Men '97 Season 2 Review(00:16:00) Ranking Superhero Cartoons(00:26:00) X-Men '97 Season 2 Finale Breakdown(00:32:00) What to Do With Apocalypse?(00:45:00) X-Men '97 TheoriesCheck out https://www.agentsoffandom.com for the latest TV and Movie reviews!

Host Anthony Desiato and guest Zach Moore (Always Hold On To Smallville) shine a light on the seminal BATMAN: YEAR ONE from Frank Miller & Dave Mazzucchelli — along with its follow-up, BATMAN: YEAR TWO by Mike W. Barr, Alan Davis, & Todd McFarlane.Anthony & Zach also compare notes on the 2011 animated adaptation of Year One and the classic 1993 film BATMAN: MASK OF THE PHANTASM, which seemingly borrowed key story elements from Year Two.Support the show and receive exclusive podcast content at Patreon.com/AnthonyDesiato!Visit BCW Supplies and use promo code FSP to save 10% on your next order of comics supplies.Join the conversation on the social media channels for parent podcast Digging for Kryptonite:FACEBOOK GROUP: Digging for Kryptonite: A Superman Fan GroupFACEBOOK PAGE: @diggingforkryptonitepodINSTAGRAM: @diggingforkryptonitepodTWITTER: @diggingforkrpodBLUESKY: @diggingforkrpod.bsky.socialEMAIL: flatsquirrelproductions@gmail.comWEBSITE: FlatSquirrelProductions.comLighting the Bat-Signal is a Flat Squirrel Production. Key art by Isaiah Simmons. Theme music by Kill Me Kate.Mentioned in this episode:Aw Yeah ComicsFat Moose ComicsPop BreakRick Reason

Disney's live-action remakes continue to spark debate, but I think the bigger conversation isn't whether they're good or bad—it's what they reveal about the strengths of animation as a storytelling medium.I compare a scene from the live-action Moana trailer with the original animated film to explore why certain moments work so much better in animation. We dive into the differences between animation and live action, why translating scenes frame-for-frame often falls flat, and why successful adaptations focus on capturing the spirit of the original rather than copying it beat by beat. Whether you're a filmmaker, animator, writer, Disney fan, or simply interested in visual storytelling, this breakdown explores what each medium does best and why animation deserves to be valued as an art form—not viewed as a stepping stone to live action.

La face cachée de l'iceberg Après la diffusion de son reportage sur les enfants disparus de Pakuashipi, Anne Panasuk est contactée par des Attikameks qui rapportent des histoires similaires vécues dans leur communauté. La journaliste se rend à Manawan, à 250 km au nord de Montréal, où elle constate que le même scénario d'horreur s'est produit. Histoires d'Enquête : Chemin de croix Au début des années 70, neuf enfants d'une toute petite communauté innue de la Basse-Côte-Nord, Pakuashipi, ont disparu. Au fil de ses recherches, Anne Panasuk découvre que le même scénario s'est produit dans d'autres communautés autochtones. Avec : Anne Panasuk (journaliste), Pierre-Paul Niquay, Viviane Echaquan, Alice Echaquan et François St-Jean (intervenants) Animation Anne Panasuk Réalisation Cédric Chabuel

Lancement d'une enquête publique Tous les témoignages que reçoit Anne Panasuk décrivent le même scénario : des enfants autochtones sont envoyés à l'hôpital et ne reviennent jamais. Certains y sont morts, sans que leurs parents aient été avisés, tandis que d'autres ont été placés en adoption. Les Innus de Pakuashipi, qui ont mis au jour cette affaire, demandent une enquête publique. Histoires d'Enquête : Chemin de croix Au début des années 70, neuf enfants d'une toute petite communauté innue de la Basse-Côte-Nord, Pakuashipi, ont disparu. Au fil de ses recherches, Anne Panasuk découvre que le même scénario s'est produit dans d'autres communautés autochtones. Avec : Anne Panasuk (journaliste), Diane Petiquay, Anne-Diane Béliveau, Alice Echaquan, Denis Mestanapeo, Alain Arsenault, Constant Awashish, Richard Kistabish et Marie-Marthe Malec (intervenants) Animation Anne Panasuk Réalisation Cédric Chabuel

L'origine du mal Anne Panasuk a recueilli les témoignages incriminants de 10 oblats, mais sa liste en compte 15 en tout. C'est une véritable organisation de prédateurs sexuels. Sur la Côte-Nord, les Innus ont obtenu gain de cause pour faire reconnaître leur déportation au fédéral et souhaitent maintenant exhumer le corps de Joveneau pour le renvoyer chez les oblats. Histoires d'Enquête : Chemin de croix Au début des années 70, neuf enfants d'une toute petite communauté innue de la Basse-Côte-Nord, Pakuashipi, ont disparu. Au fil de ses recherches, Anne Panasuk découvre que le même scénario s'est produit dans d'autres communautés autochtones. Avec : Anne Panasuk (journaliste), Constant Awashish, Jean-Yves Rousselot, René Lapointe, Rachelle Dominique, Natah Nuna et Alain Arsenault (intervenants) Animation Anne Panasuk Réalisation Cédric Chabuel

Un système corrompu « Chaque communauté semble avoir eu son missionnaire abuseur », constate la journaliste Anne Panasuk. Alexis Joveneau sur la Côte-Nord, Raynald Couture en Mauricie ou encore Edmond Brouillard en Abitibi; tous ces bourreaux ont en commun d'être des oblats puissants, craints et protégés par leur congrégation. Histoires d'Enquête : Chemin de croix Au début des années 70, neuf enfants d'une toute petite communauté innue de la Basse-Côte-Nord, Pakuashipi, ont disparu. Au fil de ses recherches, Anne Panasuk découvre que le même scénario s'est produit dans d'autres communautés autochtones. Avec : Anne Panasuk (journaliste), Marie-Marthe Awashish, Max Gros-Louis, Claude Niquay, Alex Coocoo, Jason Petiquay, Charles Coocoo et Raynald Couture (intervenants) Animation Anne Panasuk Réalisation Cédric Chabuel

Les crimes des oblats L'oblat Alexis Joveneau, surnommé autrefois le « pape de la Côte-Nord », est désormais connu sous le nom de « monstre de la Côte-Nord ». Ses crimes sordides ont été dévoilés lors des audiences de l'Enquête nationale sur les femmes et les filles autochtones disparues et assassinées. La journaliste Anne Panasuk recueille les témoignages de nombreuses victimes de Joveneau. Histoires d'Enquête : Chemin de croix Au début des années 70, neuf enfants d'une toute petite communauté innue de la Basse-Côte-Nord, Pakuashipi, ont disparu. Au fil de ses recherches, Anne Panasuk découvre que le même scénario s'est produit dans d'autres communautés autochtones. Avec : Anne Panasuk (journaliste), Thérèse Lalo, Marie-Christine Joveneau, Francis Mark et Max Gros-Louis (intervenants) Animation Anne Panasuk Réalisation Cédric Chabuel

La revanche du gouvernement ? Au début des années 60, le gouvernement canadien a forcé les Innus de Pakuashipi à quitter leur territoire. Deux ans après cette déportation, ils sont revenus sur leurs terres ancestrales, défiant l'autorité d'Ottawa. Les Innus n'obtenant plus d'aide du fédéral, Anne Panasuk croit que les enfants disparus sont morts faute d'avoir reçu des soins appropriés. Histoires d'Enquête : Chemin de croix Au début des années 70, neuf enfants d'une toute petite communauté innue de la Basse-Côte-Nord, Pakuashipi, ont disparu. Au fil de ses recherches, Anne Panasuk découvre que le même scénario s'est produit dans d'autres communautés autochtones. Avec : Anne Panasuk (journaliste), Laurent Jérôme, Rémi Savard, Mack Shattler, Jérôme Mestanapeo et Mary Mark (intervenants) Animation Anne Panasuk Réalisation Cédric Chabuel

Des disparitions inexpliquées Au début des années 70, neuf enfants d'une toute petite communauté de la Basse-Côte-Nord, Pakuashipi, ont disparu. « Dans une communauté d'alors 80 personnes, [c'était] une véritable saignée », souligne la journaliste Anne Panasuk. Contactée par des membres de la famille de ces enfants disparus, elle se lance dans une quête pour savoir ce qui leur est arrivé. Histoires d'Enquête : Chemin de croix Au début des années 70, neuf enfants d'une toute petite communauté innue de la Basse-Côte-Nord, Pakuashipi, ont disparu. Au fil de ses recherches, Anne Panasuk découvre que le même scénario s'est produit dans d'autres communautés autochtones. Avec : Anne Panasuk (journaliste), Marie-Marthe Malec, Agnès Poker et Mary Mark (intervenantes) Animation Anne Panasuk Réalisation Cédric Chabuel

Enquête à l'hôpital Les enfants disparus de Pakuashipi ont tous été envoyés à l'hôpital de Blanc-Sablon, à la frontière entre le Québec et Terre-Neuve-et-Labrador. Anne Panasuk apprend qu'il reste des traces de leur passage dans les archives de l'établissement. La journaliste se rend sur place en compagnie de femmes innues proches des enfants disparus. Histoire d'Enquête : Chemin de croix Au début des années 70, neuf enfants d'une toute petite communauté innue de la Basse-Côte-Nord, Pakuashipi, ont disparu. Au fil de ses recherches, Anne Panasuk découvre que le même scénario s'est produit dans d'autres communautés autochtones. Avec : Anne Panasuk (journaliste), Charlotte Audet, Harvey Burke, Agnès Poker, Mary Mark, Louisa Mark, Charles Mark, Andrew Poker et Annette Dubé (intervenants) Animation Anne Panasuk Réalisation Cédric Chabuel

Bryan is joined by two great guests Melinda Figueroa and her daughter Leah as they visited the Art of Animation resort for a long awaited trip. Join in as they discuss their visit to WDW , some rides alot of great shows, using fast passes, and some ride closures but an overall excellent trip with some good laughs. Definitely our first big fan of Ursula :)   When is your next trip?? ======================================   If you'd like to join the podcast and discuss your trip or any of the topics we discuss, please reach out to on our Facebook page, Spoonie Nation, Instagram, or Twitter. All episodes, show notes, and other podcast-related information are available  here

Supergirl was a big flop. We all knew that. What we didn't know was just HOW bad it was. This movie lost DC more money than ANY other DC movie. It did worse than Catwoman. CATWOMAN! Watch the podcast episodes on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Get more news, views and reviews on Clownfish TV News - https://more.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629 MORE CLOWNFISH TV - Official Merch Store: http://ClownfishMinus.com Facebook - https://facebook.com/ClownfishTV X - https://x.com/ClownfishTVcom Clownfish TV subreddit: https://www.reddit.com/r/ClownfishTVOfficial/ Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #Podcast #Commentary #News #Reaction #Gaming #Comedy #Entertainment #Hollywood #PopCulture #Tech #Anime #FYP Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 1984, the Walt Disney Company was worth more dead than alive. Disney Animation — the heart of Walt's famous flywheel — had stagnated for years, bleeding away talent while corporate raiders circled, salivating over offers to sell off the film library to MGM and offload the parks to hotel operators. But what followed instead was the greatest turnaround in media history under Michael Eisner and Frank Wells. Beauty and the Beast. The Lion King. Broadway. Bringing the Disney Vault home on VHS and DVD. And the greatest media acquisition of all time — ESPN.And then... it all almost fell apart. Again. Euro Disney turned into a money pit. Boardroom and executive infighting ran rampant. Animation descended into a dumpster fire. (Remember Chicken Little? Us neither.) Comcast — Comcast!! — tried to steal the company via a hostile takeover. Out of the chaos, a new generation of Disney management emerged under Bob Iger to stage yet another epic comeback with Pixar, Marvel and Lucasfilm, creating the defining media empire of the 21st century…until the tech companies came along. Tune in for the ultimate Acquired thrill ride: Disney, Part II.Sponsors:Many thanks to our fantastic Fall '26 Season partners:SierraSentryWorkOSAnthropicLinks:Sign up for email updates, get our takeaways and research photos from each episode, and vote on future topics!The Official Acquired Meetup on Sept 17th with our friends at Sentry. Join us!The Acquired Disney Part II Companion PDFWorldly Partners' Multi-Decade Disney StudyAll episode sourcesCarve Outs:Warby Parker Transitions Extra ActiveMichael Arndt's Toy Story 3 Story PresentationThe Golden State ValkyriesMore Acquired:Get email updates and vote on future episodes!Join the SlackCheck out the latest swag in the ACQ Merch Store!00:00:00 Start00:00:50 Intro00:05:07 Disney in Chaos (1984)00:11:33 Eisner, Wells, Katzenberg Arrive (1984)00:24:30 Animation Renaissance & CAPS Tech (1989)00:37:33 Flywheel Extensions: Home Video, Retail & Broadway00:54:32 Challenges & ABC/ESPN Acquisition (1994-1995)01:05:55 ESPN: Disney's Accidental Goldmine01:21:26 Eisner's Decline & Save Disney Campaign (2001-2004)01:34:53 Comcast Hostile Takeover Bid (2004)01:41:58 Bob Iger's Vision & Pixar Acquisition (2005-2006)01:52:17 Pixar: From Lucasfilm to Steve Jobs (1979-1995)02:03:11 Toy Story, IPO & Eisner Conflict (1995)02:34:30 Disney Acquires Pixar (2006)02:46:37 Marvel & Lucasfilm Acquisitions (2009-2012)02:58:01 Streaming Pivot: Cord Cutting & BAMTech (2015)03:06:30 The Disney+ Strategy & FOX Acquisition (2017-2019)03:19:01 The Disney+ Launch, COVID, & Chapek's Tenure (2019-2022)03:42:15 Iger's Return, Challenges & Parks Revival (2022-2026)03:50:54 The Business Today: Parks & Streaming Focus03:59:22 Analysis: Disney+ Strategy & The New Media Landscape04:10:01 Analysis: Bull/Bear Cases04:21:20 Quintessence04:24:39 Carve-Outs + Outro‍Note: Acquired hosts and guests may hold assets discussed in this episode. This podcast is not investment advice, and is intended for informational and entertainment purposes only. You should do your own research and make your own independent decisions when considering any financial transactions.

I interviewed Négar Motevalymeidanshah & Gwenaelle Clauwaert about Less Than 5gr of Saffron on Saturday, August 30, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Less Than 5gr of Saffron: "Golnaz is a young Iranian immigrant trying to adjust to her new life in Germany. One evening, returning from her job (as an assistant at a migrant reception centre in the Berlin suburbs), she is starving, and her refrigerator is empty. She decides to go to the nearest supermarket. The supermarket has just received a new product: saffron. Even though it is very expensive for her, she cannot resist: she buys a packet of saffron. Emotions overwhelm her. She feels the need to cook a home-cooked meal to help her overcome her homesickness. She prepares rice and adds saffron, a comfort food from her past. But she never expected that this moment would plunge her back into the most traumatic events of her life. Most notably, three years ago, she survived a tragic drowning that took her family while traveling illegally by boat." Here are the contextual domains that are explored: Exile and being a refugee [12]. Takes place in a new [4] home far from home [9] whose memory of family who died [8] all brought back through the embodied experience of food and saffron [1]. "The project evokes our capacity to identify profoundly with a survivor by placing her in a universally familiar-preparing a meal." Here is the Elemental Center of Gravity: 1st Center of Gravity of Earth Element / Environmental and Embodied Presence: Quinitessential and paradigmatic example of spatial storytelling taking through a variety of immersive and spatial contexts with seamless transitions and edits. Also switches between 3rd person and 1st person POV2nd Center of Gravity of Water Element / Emotional Presence: Like living within a Lucid Dream, very dynamic, poetic. It's cut to music, and so it very much has a music video type pacing and rhythm. Some really elegant spatial transitions, and powerful moments that use metaphors that were just extremely visceral and moving. The piece very much relies upon flashbacks and memories of traumatic moments of escaping authoritarian contexts. So you start off in the mudance context of a kitchen from a first-person POV, but then upon smelling the saffron spice, then it immediately transports you into these violent memories of being an exiled refugee. It's also farily brief, and so short and sweet.3rd Center of Gravity of Air Element / Mental and Social Presence: No words, Poetic Dream Logic. Meaning is discerned through the poetic interpretations of the juxtaposition of a visual and spatial storytelling lanuage. Very powerfully done.4th Center of Gravity of Fire Element / Active Presence: No narrative agency or any embodied Interactions Archetypal Themes and Character Explored: Connections to flavors and smells of food to memory. Sadness, harshness, limitations, constraint. Sudden and unexpected trauma -- "she never expected that this moment would plunge her back into the most traumatic events of her life" Artist Statement: "Less than 5 Gr of Saffron tackles a subject we think we've already seen too much of: the often tragic circumstances under which many migrants flee their home countries in search of a better future. A hundred times, stories of shipwrecks and the numbers of those drowned have filled our screens, anonymous people who disappear from our memories with a snap of the fingers. The project evokes our capacity to identify profoundly with a survivor by placing her in a universally familiar-preparing a meal. In today's extremely violent context, this empathetic experience helps to rekindle within us a common humanity, whether we have experienced such trauma firsthand or not." https://www.youtube.com/watch?v=R7VtxTHx_H0 This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Leo Metcalf & Michael Golembewski about The Time Before on Friday, August 29, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for The Time Before: "Trapped between waking life and dreams, Olly delves into his childhood memories, navigating the fantastical dreamscapes his sister created to shield them from a fractured home. A journey into the buried past that shapes who we are. His story unfolds across two realms: raw, hand-drawn memories captured in childhood sketches, and surreal underwater live-action dreamscapes. As memory and imagination blur, The Time Before explores the emotional weight of a volatile father, a mother lost in the fog of memory, and a sister who offered escape through imagination and dreams. A meditation on the stories we tell ourselves to survive, and what is lost in the telling." Here are the contextual domains that are explored: Combination of personal memories [1] as well fantastical dreamscapes [9] created with the help of his sibling / sister [3] in order to preserve identity and Self [1] in the context of a dissolving and traumatic family and home [4]. The neighborhood with nature [3]. Implicit themes of death [8], and the existential suffering from loss & grief [12] Here is the Elemental Center of Gravity: 1st Center of Gravity of Emotional Presence: Narrative-driven, immersive animation that represent memories and juxtaposed with 360 videos that represent dreams. The collision of the past with the future. The struggle to try to feel FEELINGS. Emotional Stuntedness. [MEMORY] [DREAMS]2nd Center of Gravity of Earth Element / Environmental and Embodied Presence: Mash-up of the virtual and the real, combining cinematic 360 video with hand-drawn animations. Also the spatial ambisonic audio mixed with more traditional stereo. Explores the lines between dreams, memories, and the combination of the two. Also created multi-layered montages of 360 video underwater shots to create a surreal, dreamlike texture3rd Center of Gravity of Fire Element / Active Presence: A few embodied interactions that reflect turning points in the narrative4th Center of Gravity of Air Element / Mental and Social Presence: Either Dialogue or narration. The speculative realm of dreams and imagination are core themes. [IMAGINATION] The normal RULES of reality have changed within dreams Archetypal Themes and Character Explored: This is a piece about escape, distortion, and the quiet cost of staying silent. Also, about MEMORY, IMAGINATION, and DREAMS. Dreams and Fantasy: "Olly delves into his childhood memories, navigating the fantastical dreamscapes his sister created to shield them from a fractured home." Ultimately trying to have a cathartic emotional expression. Battling all the ways in which we were shut down, locked up, or dealing with unexamined childhood traumas. "the difficulty many children, especially boys, carry into adulthood when taught to suppress emotion." Themes: "The Time Before explores the emotional weight of a volatile father, a mother lost in the fog of memory, and a sister who offered escape through imagination and dreams." A reckoning with the past and memories : "consider the fragility of their own memory" Artist Statement: "Much of who we are is shaped by childhood memories we can't fully recall, let alone understand — yet their emotional ripples run deep. The Time Before explores this terrain through the eyes of Olly, a boy retreating into shifting inner landscapes shaped by memory, imagination, and loss. The piece invites not just observation but emotional and physical participation. In the darkness of the headset, I hope participants will consider the fragility of their own memory — and the difficulty many children, especially boys, carry into adulthood when taught to suppress emotion. This is a piece about escape, distortion, and the quiet cost of staying silent." https://www.youtube.com/watch?v=-oahwg3hyE0 This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Rose Bond about 1968 on Sunday, August 31, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for 1968: "1968 is communal VR theatre that explores the transformative power of protest through allusions to 1968 — a year charged with societal, cultural and political unrest. Animated from still photographs of both the iconic and the mundane, the piece investigates international interstices of history, human bonding and power in times of socio-cultural upheaval. Rose Bond's 360° hand-drawn animation interacts with Massimiliano Borghesi's spatialisation of inti figgis-vizueta's original recorded tracks of Seven Sides of Fire to ignite a dynamic, evocative and shared immersive experience. 1968 is a collaboration of international creatives and stands as the first movement of a longer, anticipated work. 1968 is experienced collectively under a geodesic sound dome." Here are the contextual domains that are explored: Power of people and culture [11] to change government [10], but also the modes of violence that are used against them [7]. The Transformative Power of Protest Here is the Elemental Center of Gravity: 1st Center of Gravity of Emotional Presence: Story, Music - Visual storytelling language of abstract animatsion - Very tightly coupled with the patterns of music2nd Center of Gravity of Earth Element / Environmental and Embodied Presence: Spatial Audio via the Dome. There's a lot of void spaces here, and you end up seeing some hand-drawn animations that start to sketch out various scenes of political liberation from the 19683rd Center of Gravity of Air Element / Mental and Social Presence: No words, Poetic Dream Logic to evoke the memories based upon these iconic events from 1968. No explanation or discourse about anything, and so it does require the audience to be somewhat familiar with the specific cultural histories being referenced from both the United States as well as in France. This is shown as a group experience, but you don't see anyone else, and so it also feels like a solo experience that you are parallel playing with others as they watch it4th Center of Gravity of Fire Element / Active Presence: No narrative agency or any embodied Interactions Archetypal Themes and Character Explored: Revolutionary change and upheavel of the socio-political order of the 60s: "investigates international interstices of history, human bonding and power in times of socio-cultural upheaval" - Transformative power of Protest Artist Statement: "'VR, when combined with hand-drawn animation and immersive sound, can articulate complex emotional and lyrical dimensions with rare sensitivity.' Coming from a school of animation that values gesture over spoken word, I regard 3D space as a gift — an expansion from the flatness of film, a place for extended choreography. Sound has long inhabited the space between sense and sensation. This communal VR installation, ensconced in a geodesic dome mounted with fifteen acoustic speakers, seeks a shared experience — one that verges on the haptic, with exquisite spatial precision." https://www.youtube.com/watch?v=SPgr1nul4ro This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Naima Karim & Aleena Hanif about Mirage on Saturday, August 30, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Mirage: "Mirage is an interactive Virtual Reality experience of a young girl who is battling depression and anxiety. Set in a desert landscape, it is a metaphorical and stylised adaptation with visuals created by the artist Naima Karim and her lived experience with her daughter's depression and anxiety. The audience embarks on an immersive journey through the young girl's mind, using hand-tracking interactivity, spatial sound design, original music, and a haptic vest. With hand-tracking interaction, they will be encouraged to support her through her challenges. However, accepting struggles and accepting help from others is not easy for a person suffering from depression and anxiety. Mirage sheds light on the often-misunderstood realities of depression and anxiety, inspiring empathy and understanding." Here are the contextual domains that are explored: Mental Health and Depression and anxiety [6], [4] Family, specifically within the context of a parent [4] and their child [5] and her sibling [3], accepting help from others [7] Here is the Elemental Center of Gravity: 1st Center of Gravity of Emotional Presence: Narrative-driven, immersive animation in VR, but the center of gravity as a cinematic experience2nd Center of Gravity of Earth Element / Environmental and Embodied Presence: Spatial Quill Animations, but also quite a lot of Haptic Integrations ( to mimic aspects of chest pain and panic). There are moments where you embody and interact as a parental figure, but also many times you're a ghostly observer3rd Center of Gravity of Fire Element / Active Presence: Some light, hand-tracked interactions spread throughout that serve to gate key moments in the story.4th Center of Gravity of Air Element / Mental and Social Presence: Dialogue amongst the characters, is there narration from one of the character as well? I don't remember Archetypal Themes and Character Explored: Depression, Anxiety: "accepting struggles and accepting help from others is not easy for a person suffering from depression and anxiety. Mirage sheds light on the often-misunderstood realities of depression and anxiety, inspiring empathy and understanding." And to "bring awareness to the experiences of someone with depression and anxiety." Artist Statement: "For many children with depression and anxiety, happiness can feel unattainable and just out of reach, like a Mirage. Mirage is based on our personal experience. It was challenging to create because of how vulnerable we had to be to develop an honest experience. We wanted to leave room for audiences to connect in their own way, but still speak to common experiences they might find through our story. The essential purpose of Mirage is for us to share our story and bring awareness to the experiences of someone with depression and anxiety. Through Mirage, we hope to spark conversation and encourage people to empathise and support those with depression and anxiety." https://www.youtube.com/watch?v=B9unNsHKGEc This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Kenji Ishimaru about If You See a Cat on Tuesday, September 2, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for If You See a Cat: "The boy's only friend was a hallucination of his beloved cat. Concerned for his mental health, his mother admitted him to a psychiatric hospital. After three months of medication-based treatment, the hallucinations fade, and he is discharged — but he has lost his emotional anchor and appears even more lifeless than before. Withdrawing into himself, he shuts his mind to the world and isolates in his room. One day, from his window, he sees a girl playing with a stray cat in the parking lot. This quiet moment becomes the catalyst for his recovering." Here are the contextual domains that are explored: Mental Health in Japan [6] & within various professional medical contexts with doctors [6]. Overall feelings of exile [12] Main scenes take place at home [4], within the context of a local Japense neighborhoods [3], as well as the hospital [6]. Episode triggered by the death [8] of his cat [6]. You watch the experience through the eyes of these cats [6], often low-level to the ground looking up. Here is the Elemental Center of Gravity: 1st Center of Gravity of Emotional Presence: Narrative-driven, immersive animation.2nd Center of Gravity of Earth Element / Environmental and Embodied Presence: Into these different worlds, and often from the perspective of the cat - to get some distance over the dehumanization depicted by the Japanese medical establishment.. Some spatial metaphors of illusions3rd Center of Gravity of Air Element / Mental and Social Presence: Dialogue amongst the characters - English and no subtitles4th Center of Gravity of Fire Element / Active Presence: No narrative agency or any embodied Interactions Archetypal Themes and Character Explored: The Fragility of Mental Health. The oppression from insitutionalization + transgression of boundaries of Human Rights & violations of dignity. Also withdrawling from society and feelings of exile and grieving death and then starting to see Hallucinations. Empathizing with the types of taboos against mental health within the context of Japan - TITLE: If you see a cat, trying to connect to mundane realities of pets we all have. Universal experiences of the death and loss of pets, but also how mental health issues may also ripple out and impact you or people close to you Artist Statement: "Fortunately, I have never experienced mental illness. In depicting the boy who is at the mercy of his surroundings — including being labelled as mentally ill — I portrayed him as a kind of outsider. But I was always aware that I myself could be in the same position tomorrow." https://www.youtube.com/watch?v=FkUwnPSzxHk This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Did Studio Ghibli really make a family sitcom? Kind of! It's Isao Takahata's second-to-last film, and we simply couldn't resist adding it to our series. Joining us to revel in the brilliance (and surprisingly vindictive behavior) of the man they call Paku-San (aka Mr. Munch) is our dear friend and digital producer, Nik Long! Topics covered this week: whether or not YAMADAS is more like EVERYBODY LOVES RAYMOND or MALCOLM IN THE MIDDLE, the long-standing rivalry of Miyazaki and Takahata and its similarities to the film CHALLENGERS, our nostalgia for discovering movies on television, Takahata's love of bananas, and so much more! Next week, at long last, we get SPIRITED AWAY (2001). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features The Secrets of My Neighbors the Yamadas Studio Ghibli: An Industrial History by Rayna Denison Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.