Podcasts about Bi Gan

Torna Blow-Up in sala, la rubrica del podcast dedicata alle nuove uscite, per parlare dei seguenti film:(01:00) Disclosure Day, il ritorno alla fantascienza aliena di Steven Spielberg, con Josh O'Connor, Emily Blunt e Colin Firth.(01:38:06) Amarga Navidad, scritto e diretto da Pedro Almodovar, presentato in concorso all'ultimo Festival di Cannes.(01:44:06) Resurrection (Kuángyě shídài), di Bi Gan, vincitore di un Premio speciale a Cannes nel 2025.Iscriviti al canale YouTube del podcast per non perderti live e contenuti ulteriori rispetto a quelli settimanali pubblicati qui su Spotify: https://youtube.com/@blowupodcast?si=I1-WJcv_pDSZaACd

Bi Gan www.deutschlandfunkkultur.de, Vollbild

Steven Spielberg keert met Disclosure Day terug naar het scifi-genre. Hoe beviel dit door Spielberg zelfbenoemde slotstuk van zijn zoektocht naar het buitenaardse leven de MovieInsiders John en Coen? Zagen zij de kroon op Spielberg's werk? Of is de meester misschien toch de kunst om te verwonderen verloren? Na dit ultieme Amerikaanse popcornvermaak richten de heren hun blik op het Oosten waar uit China het overweldigende Resurrection van Bi Gan komt. Wat vonden John en Coen van deze 2,5 uur durende wandeling door de Chinese geschiedenis en filmgeschiedenis? Support the show: https://www.patreon.com/movieinsidersSee omnystudio.com/listener for privacy information.

We bespreken in deze maandag-aflevering vol SPOILERS Steven Spielberg's DISCLOSURE DAY en we praten kort over Bi Gan's RESURRECTION, de Cineville Previewdagen en nieuwe trailers. Enjoy!Redactie: Don Zwaaneveld Bedankt voor het luisteren!Volg @dononfilm op Instagram & Letterboxd en op de Award Expert app voor de meest actuele Oscar voorspellingen. 

     This week- two films about dreams showing terrifying futures.     In the distant future, humanity has given up dreaming for immortality. An anthology following one dreamer's last four dreams with each dream connecting to ayatana, the six sense recognized in Buddhist philosophy, and told through a century of the evolving language of cinema. Bi Gan's third feature is nothing short of a masterpiece of constantly changing style and narrative techniques- Resurrection.     Smith, a film student, had been having strange dreams featuring people he hasn't met yet. Meanwhile, his best friend, Stella, gets involved with a violent obsessive who possesses strange powers. A sex comedy mystery presented as a mischievously open and mostly carefree adventure that, in typical Greg Araki fashion, celebrates multiple facets of human sexuality and expression- Kaboom.     All that plus Dave, Kevin, and Craig find themselves in multiple luminal spaces and Tyler meets with old friends. Join us, won't you?   Episode 469- To Sleep Perchance To Ream

Esta semana venimos a la moda Empezamos con la moda como eje central de la secuela de “El Diablo se viste de PRada 2” donde volveremos a ponernos modelazos para que Meryl Streep nos insulte. La tenemos en los cines De ahí a la moda como un sueño en Resurrection, la nueva cinta del cineasta chino Bi Gan que prima la estética sobre el fondo También en los cines seguimos con la terrible moda de hacer deporte. En este caso en un campamento de waterpolo en “La Plaga” Terminamos con la moda woke con la nueva adaptación de “mi querida señorita” que lleva a los javis detrás en Netflix Todo ello, como siempre, sin spoilers. Únete a nuestro grupo de Telegram: https://t.me/PodcastEnSerio Y estamos en Twitter: https://twitter.com/PodcastEnSerio ⌨️Correo: ivodelgadorivero@gmail.com Instagram: https://www.instagram.com/criticoenserio/?hl=en-gb

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Premio della Giuria a Cannes 2025, Resurrection di Bi Gan è metacinema puro: frammentato, volutamente incoerente, costruito su immagini che restano più delle parole. Un film difficile da spiegare ma impossibile da dimenticare. Episodio senza Spoiler, anche perchè farli sarebbe difficile.Seguici anche su Instagram: @effettovertigo_podcast

Más allá de ‘El diablo viste de Prada 2' y su retrato del lujo y la decadencia del periodismo, hay otros estrenos en las salas que merecen la pena. El cineasta alemán Fatih Akin explora la culpa histórica alemana por el nazismo a través de los ojos de un niño en ‘La isla de Amrum' y Jorge A. Lara y Fer Pérez dirigen ‘Los justos', la historia de un jurado popular que indaga en nuestras contradicciones con la corrupción. Además, en este episodio analizamos la premiada película de Bi Gan y os recomendamos varias series para el puente. 

La comunitat cin

Per fi tenim a les sales l'esperadíssima seqüela llegat d'un dels films més icònics dels '00 com 'El diablo viste de Prada' que torna amb tota la trouppe al complet. En aquest programa analitzem la pel·lícula i altres estrenes com la 'Resurrección' de Bi Gan, 'La Plaga' i recuperem la colombiana 'Un poeta'.

Es uno de los grandes estrenos de la primavera, vuelve Miranda Priestly y el universo de ‘El diablo viste de Prada' con su segunda parte. En este episodio analizamos cómo ha evolucionado esta historia que ahora quiere defender el periodismo en tiempos de redes sociales, memes y la dictadura del click. Además, hay otros estrenos interesantes en cartelera como ‘La isla de Amrum', lo nuevo de Fatih Akin que explora la culpa alemana, y ‘Resurrection', el monumental recorrido del director chino Bi Gan por la historia del cine. Del cine español, ‘Los justos' pone a Carmen Machi, Vito Sanz o Pilar Castro a debatir sobre sus dilemas en un jurado popular. En televisión nos visitan Nicole Wallace y Alfonso Herrera, los protagonistas de ‘La casa de los espíritus', la serie de Prime Video que adapta la novela de Isabel Allende. 

Insieme a Federico Pontiggia (Il Fatto Quotidiano, Cinematografo) ed Emanuele Polverino (Point Blank) parliamo di Resurrection di Bi Gan. A seguire, Marco e Simone parlano del nuovo La Mummia di Lee Cronin.Argomenti:00:00 Resurrection (Bi Gan, 2025)37:38 The Mummy (Lee Cronin, 2026)Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatariSpotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cwApple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw==Logo creato da:Massimo ValentiSigla e post-produzione a cura di:Alessandro Valenti / Simone MalaspinaPer il jingle della sigla si ringraziano:Alessandro Corti e Gianluca NardoPer la gestione dei canali social si ringrazia:Selene Grifò

Parliamo dei film Michael su Re del Pop Michael Jackson, Resurrection di Bi Gan e La mummia di lee Cronin.Stanze di Cinema è la trasmissione di Ciao Como Radio dedicata a cinema, cultura e spettacoli. A cura di Marco Albanese, Carlo Cairoli e Daniele Valsecchi.Vi ricordiamo infine il libro di Stanze di Cinema "Oltre il Novecento: 25 anni di cinema in 100 film" disponibile qui: https://www.amazon.it/Oltre-Novecento-anni-cinema-film/dp/B0GW8F477J/

In un mondo in cui l'umanità ha barattato la sua capacità di sognare con l'immortalità, un giovane sognatore intraprende un'odissea onirica attraverso le epoche e i generi. Una ragazza, determinata a scoprire la realtà che si nasconde tra le pieghe del sogno, lo segue nelle sue peregrinazioni.Bi Gan firma un capolavoro cinefilo ipnotico, potente e immaginifico che trascende ogni confine, una maestosa ode al cinema come portale aperto sull'inconscio e àncora di salvezza, Premio speciale della Giuria al Festival di Cannes.

Arriviamo un po' in ritardo a parlare del grosso film di questa stagione, quel Project Hail Mary che si è imposto come classico istantaneo della fantascienza speculativa, con un Ryan Gosling tremendamente in parte che lo porta quasi da solo sulle sue spalle.Recuperiamo poi il film di Mona Fastvold che rappresenta il controcanto di The Brutalist, che lei aveva cosceneggiato, e che trova nella biografia di una leader carismatica di una setta protestante un altro tassello per parlare della natura profonda degli Stati Uniti.Chiudiamo con un film di prossima uscita, Resurrection, che sedimenta la figura del giovane regista cinese Bi Gan nel pantheon degli autori da festival da seguire con particolare attenzione.Timestamp dei film in scaletta:[01:25] Project Hail Mary[08:00] The Testament of Ann Lee[20:10] ResurrectionPer supportarci: ⁠⁠⁠ko-fi.com/incompetentipodcast⁠⁠⁠Per contatti: gliincompetenti@gmail.com

On Truth & Movies this week, we discuss Bi Gan's dreamlike sci-fi epic Resurrection and Felipe Bustos Sierra's documentary Everyone to Kenmure Street.For Film Club, we revisit Andrei Tarkovsky's philosophical classic Stalker.Joining host Leila Latif are Kambole Campbell and Josh Slater-Williams.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

(00:00) Co powiedział Timothée Chalamet?(12:10) Ponowne „Zmartwychwstanie”, reż. Bi Gan(28:59) Segment o miłości(52:20) „To był zwykły przypadek”, reż. Jafar Panahi

List miłosny do kina? Próba ocalenia sztuki w czasach pędzącej technologii? A może hipnotyczna podróż przez gatunki, zmysły i historię Państwa Środka? W najnowszym odcinku Podkastu Pięciu Smaków rozmawiamy o jednym z najgłośniejszych azjatyckich filmów ostatnich lat – nagrodzonym w Cannes i ubiegłorocznym przeboju festiwalu Pięć Smaków, czyli „Zmartwychwstaniu” Bi Gana. To niemal trzygodzinna filmowa odyseja: zmysłowa, szkatułkowa, balansująca gdzieś między medytacją a hołdem dla ponadstuletniej tradycji kina. Bi Gan pozostaje jednym z najodważniejszych współczesnych twórców – reżyserem, który potrafi połączyć epickość z melancholią, nie tracąc przy tym własnego, wyrazistego języka. Jego kino wyrasta z czystej potrzeby tworzenia: z miłości do samego medium i do widzów. W odcinku zastanawiamy się, jak odbierać kino Bi Gana, gdy nie wszystko układa się w logiczną całość. Jak poddać się filmowi, który mniej apeluje do intelektu, a bardziej do czucia, nastroju i subiektywnego przepływu obrazów. Mówimy też o tym, dlaczego na końcu każdego z jego filmów musi być kilkudziesięciominutowy mastershot. Gościem odcinka jest Jakub Popielecki – krytyk filmowy i redaktor Filmwebu.

(00:00) Sprawy różne - o Krzyku i filmie, który mogłaby nakręcić Sylvia Plath(17:22) Wartość sentymentalna, reż. Joachim Trier(38:10) Zmartwychwstanie, reż. Bi Gan

Hello, Hello, Hello!This first International Language Features Round-Up focuses on 5 features -- 4 from Asia, and 1 from the Middle East (technically, a European production, but we're counting it as Middle Eastern because of its setting, language spoken, and director). One of these is up for awards-season consideration ("It Was Just An Accident"); others probably ought to have been ("No Other Choice," "Happyend," "Left-Handed Girl"). And then there's Bi Gan's "Resurrection" -- which we spend an entire hour trying to make sense of...Listen to the full episode to hear more detailed, spoiler-filled thoughts on these -- and, well, us trying our best to learn (and fail) how to pronounce a number of South Korean and Chinese names.TIME CODESIntroduction – [00:00 - 11:00]“No Other Choice” – [11:00 - 48:44]“Happyend” – [48:44 - 01:03:27]“It Was Just An Accident” – [01:03:27 - 01:31:14]“Left-Handed Girl” – [01:31:14 - 01:49:30]“Resurrection” – [01:49:30 - 02:50:37]Outro (aka More Recommendations!) - [02:50:37 - 03:10:54]Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: https://instagram.com/queenisdead.filmpodcastSupport this podcast: https://anchor.fm/queenisdead/supportYou can also follow us on Letterboxd at -CRIS: https://letterboxd.com/crislim/.ASHWIN: https://letterboxd.com/ashwindev/.AMARTYA: https://letterboxd.com/amartya/.DHRUV: https://letterboxd.com/aterminalcinema/.Audio Excerpts are taken from the respective trailers (promotional material) of the five films listed in the time codes.

Original Release Date: Monday 19 January 2026    Description:   Phil gets things started by singing the praises of “The Lowdown” (and its emotional intelligence), and of Marc Hershon, who had this Sterlin Harjo-created Ethan Hawke-starring series on his list of the best television of 2025. Some casting news (regarding season 4 of “The White Lotus”) has Phil greatly enthusiastic. Then, for the first time in ages, but as they used to do on the regular back in the day, Dean and Phil analyze the long four-day weekend's domestic box office, paying particular attention to the lack of performance by (the supposedly excellent) 28 Days Later: The Bone Temple and the milestone achieved by bona fide movie star Timothée Chalamet. Then, the conversation about IMDB's list of the 20 most anticipated movies of 2006 picks up where it left off last week. The incredible achievement Sentimental Value pulled off at the European Film Awards gets placed in a historic perspective. Two movies get reviewed: Dean wags his finger at the Edgar Wright remake The Running Man and Phil doffs his cap to Bi Gan's masterful Resurrection. This week's show is EXCELLENT, but don't take our word for it – just hit “play”!

Hear 'Deliriants' Josh and Andrew describe their dream of Bi Gan's long-awaited follow-up to Long Day's Journey into Night, the arthouse celebration/eulogy to cinema Resurrection. The hosts go into the weeds of the head-scratching metaphor and genre-bending ode to the five senses that is the Chinese wunderkind's epic “porterhouse steak" of a cinematic meal. Throughout, prepare to ask the important questions, such as, “Do your dreams have film cuts?”Next, Josh and Andrew go into One More Thing, recommending Stephen Frears' Terrance Stamp-starring 80s crime film The Hit and the hidden gems of cult film streaming service Eternal Family.Until next time, read on at thetake-up.com and follow us @thetakeupstl on Instagram, Twitter, Letterboxd, and Facebook. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella. Theme music by AMP.

We're putting a big beautiful bold bow on the films of 2025 with a little help from our friends. Joshua talks to previous guests Elliott Collins of MovieFiles and Webster University Film Series Director Pete Timmermann about a few of their favorites from last year, and new-to-the-pod friends Taylor Blake of ZekeFilm.org and filmmaker Stephen Tronicek are on deck to discuss their choices. After that, Producer Ethan and Joshua count down their top 10 films of 2025. Want a preview of the films discussed? Listen to find out who shares the critical love for The Mastermind and Sorry, Baby; and who's stumping for The Naked Gun; The Phoenician Scheme; and Resurrection. Of course, Joshua can't give quit ⁠The Secret Agent⁠, ⁠One Battle After Another⁠, and ⁠Misericordia⁠—all previously covered on the podcast. On next week's episode, Andrew returns to expand upon Bi Gan's latest, the aforementioned mind-trip meta-movie Resurrection. Until then, read on at ⁠thetake-up.com⁠ and follow us @thetakeupstl on ⁠Instagram⁠, ⁠Twitter⁠, ⁠Letterboxd⁠, and ⁠Facebook⁠. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella. Theme music by AMP.

durée : 00:55:02 - Le Masque et la Plume - par : Rebecca Manzoni - "Mektoub my love, canto due" d'Abdellatif Kechiche, "Résurrection" de Bi Gan, "Dites-lui que je l'aime" de Romane Bohringer, "La Condition" de Jérôme Bonnell, "Gérald Le Conquérant" de Fabrice Eboué, quels sont les films à voir cette semaine selon les critiques du Masque ? - invités : Marie SAUVION, Nicolas SCHALLER, Ariane Allard, Christophe Bourseiller - Marie Sauvion : Journaliste à Télérama, Nicolas Schaller : Journaliste pour L'Obs, Ariane Allard : Critique française de cinéma, Christophe Bourseiller : Journaliste France Inter et Transfuge - réalisé par : Stéphane LE GUENNEC Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

"Resurrection" is a science fiction drama film written and directed by Bi Gan. It follows Miss Shu (Shu Qi) in a future where most of humanity has lost the capacity to dream, who discovers that one inhuman creature (Jackson Yee) is still able to experience them. She enters the monster's dreams, using her ability to perceive illusions to determine the truth in its visions of Chinese history. The film is structured into six chapters, each corresponding to one of the six senses recognized in Buddhist thought: sight, hearing, smell, taste, touch, and mind. The film had its world premiere in the main competition of the 2025 Cannes Film Festival, where it won the Prix Spécial. Bi Gan was kind enough to spend some time talking with us about his work and experience making the film, which you can listen to below. Please be sure to check out the film, which will open in theaters on December 12th from Janus Films. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Film critic Dr. Diane Carson spills the beans on director Kleber Mendonça Filho's latest political thriller The Secret Agent! Together with Josh and Andrew, the trio give praise to its pointed commentary on the Fifth Brazilian Republic and darkly comedic portrayal of a political refugee. Featuring a disembodied leg, Carnival, Mendonça's love of cinema, and so many other things, listen in on our hosts gushing over this wild thriller before it drops in theatres this Christmas. Later, they make sure to have One More Thing to say about this year's film turnout, recommending Bi-Gan's upcoming sci-fi film Resurrection, last summer's A24 horror film Bring Her Back, the Cannes Grand-Prix-winning family drama Sentimental Value, and 90's Iraq period piece The President's Cake.Speaking of holidays, we here at The Take-Up decided to give our listeners the best fitting yuletide gifts of the season: Dancing! Goblin! The Color Red! Arkadin Cinema & Bar owners Keith Watson and Sarah Barabas come in to discuss their first love of cinema, the Italian horror classic Suspiria. Get cozy by the excessive amount of razor wire and grab a glass of blood-building wine for what will be a fun discussion on everyone's favorite giallo fairy tale.Until then, read on at thetake-up.com and follow us @thetakeupstl on Instagram, Twitter, Letterboxd, and Facebook. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella. Theme music by AMP.

durée : 00:13:28 - Les Midis de Culture - par : Marie Labory - Avec "Résurrection", le cinéaste Bi Gan signe un voyage cinématographique audacieux à travers six époques, récompensé au Festival de Cannes 2025, mêlant poésie, mémoire et temps qui s'étire. - réalisation : Laurence Malonda - invités : Antoine Guillot Journaliste, critique de cinéma et de bandes dessinées, producteur de l'émission "Plan large" sur France Culture; Philippe Azoury Journaliste, critique et auteur

durée : 00:27:26 - Les Midis de Culture - par : Marie Labory - Aujourd'hui, au menu de notre débat critique on parle cinéma comme tous les mercredis avec la sortie du film "Resurrection" de Bi Gan, prix spécial du jury au Festival de Cannes 2025 & du livre "Au travail avec Duras, Robbe-Grillet, Rivette et quelques autres" de Luc Béraud aux éditions Marest - réalisation : Laurence Malonda - invités : Philippe Azoury Journaliste, critique et auteur; Antoine Guillot Journaliste, critique de cinéma et de bandes dessinées, producteur de l'émission "Plan large" sur France Culture

We're excited to present a conversation from the 63rd New York Film Festival with director Bi Gan as he discusses the NYFF63 Main Slate selection Resurrection. Resurrection opens at Film at Lincoln Center on Thursday, December 11. Get tickets at filmlinc.org/resurrection This phantasmagoric dream machine from visionary Chinese director Bi Gan is an elusive yet monumental love letter to a century of cinema. Unfolding over five chapters that feature a dazzling array of styles, Resurrection is a cascade of imagery united by a luminous mythopoetic conceit: in a sci-fi-coded world where people have lost the desire to dream in the hopes of prolonging life, rogue “fantasmers” continue to stoke their imaginations and exist within unreality. From this magical premise, the film sends its ever-morphing protagonist through a series of genres, from Méliès-inflected silent fantasy to wartime thriller to con-artist buddy picture to millennial vampire romance—the latter depicted in one of Bi's customary, and ever astonishing, single takes. Resurrection is one of the most audacious and ambitious gifts for cinematic thrill-seekers in many a moon. And before you get to that conversation between Resurrection director Bi Gan and NYFF programmer Florence Almozini, please listen to a brief programmer's preview of our new retrospective Kōzaburō Yoshimura: Tides of Emotion, now in progress at FLC through December 11! The conversation is between FLC Programmer Dan Sullivan and FLC Digital Marketing Manager Erik Luers. To view the complete schedule and secure tickets to the retrospective Kōzaburō Yoshimura: Tides of Emotion, please visit filmlinc.org/yoshimura

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Eli joins the other boys hot off of his Lincoln Center press screenings to tell us the must-watches and the maybe-skip-overs of this year's New York Film Festival. But before that, Wilson and Ben briefly get their words in for the latest Paul Thomas Anderson joint, One Battle After Another. Catch Eli talk about other NYFF titles like Park Chan-wook's No Other Choice, Olivier Laxe's Sirāt, and possible film of the year: Bi Gan's Resurrection. Links:Secret Goldfish - Bi Gan short filmI'm walking here at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro04:46 One Battle After Another (2025, dir. Paul Thomas Anderson)13:32 No Other Choice (2025, dir. Park Chan-wook)16:58 Sirāt (2025, dir. Oliver Laxe)20:18 Queen Kelly (1932, dir. Erich von Stroheim)25:29 Angel's Egg (1982, dir. Mamoru Oshii)31:27 Japanese Film Festival (in Singapore)34:34 The Arch (1968, dir. T'ang Shushuen)35:09 The Mastermind (2025, dir. Kelly Reichardt)38:03 Mare's Nest (2025, dir. Ben Rivers)41:13 Jay Kelly (2025, dir. Noah Baumbach)42:22 Back Home (2025, dir. Tsai Ming-liang)44:49 Ecce Mole (2025, dir. Heinz Emigholz)48:15 Peter Hujar's Day (2025, dir. Ira Sachs)50:34 What Does That Nature Say To You? (2025, dir. Hong Sang-soo)53:10 A House of Dynamite (2025, dir. Kathryn Bigelow)57:40 Resurrection (2025, dir. Bi Gan)

Welcome back Snobbies. It's……been a while. We're here to bring you a little treat. Welcome back to the Fireside Chats 2. Here we talked about Sinners, Mountainhead, Mission Impossible: Final Reckoning, Fountain of Youth, Friendship, Moana 2, and Adolescence. These were films both Jared and Eric watched and they discuss them here. Jared also talks through a few things he wanted to feature, Eddingnton, The Phoenician Scheme, Happy Gilmore 2, The Count of Monte Cristo, We also talk about a short film by Bi Gan called, “A Short Story,” and it's a very beautiful thing to watch and we discuss what we think it's about. Check it out on Mubi. Enjoy!Letterboxd: Eric Peterson:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cody Martin: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Five star reviews left on the pod get read out loud!

Welcome back to our coverage of the 78th Cannes Film Festival!For episode five, Łukasz Mańkowski join us (Patrick and Eliana) to discuss programming for Five Flavors film festival and the following films on day eleven of twelve:Renoir ルノワール by Chie Hayakawa 早川千絵 (Competition)Left-Handed Girl 左撇子女孩 by Shih-Ching Tsou 鄒時擎 (Semaine)A Useful Ghost ผีใช้ได้ค่ะ by Ratchapoom Boonbunchachoke รัชฏ์ภูมิ บุญบัญชาโชค (Semaine de la Critique * Winner)Brand New Landscape 見はらし世代 by Yuiga Danzuka 団塚唯我 (Quinzaine)Love on Trial 恋愛裁判 by Kōji Fukada 深田晃司 (Cannes Première)Resurrection 狂野时代 by Bi Gan 畢贛 (Competition)Łukasz Mańkowski is a film scholar, film critic, and film programmer for the annual Five Flavours Asian Film Festival which will be taking place in November this year in Warsaw. You can follow him on Twitter/X here!Thanks for listening!If you have any comments, suggestions, or want to get in touch: cannesversations@proton.meCredits:Image: Resurrection Film PosterOfficiel du 78e Festival de Cannes : © Les Films 13 – Un homme et une femme de Claude Lelouch (1966) / Création graphique © Hartland VillaFrame by Kumiko Shimuzu - Free to use under the Unsplash LicenseSound:Intro: EFF Open Audio License for Le Carnaval des Animaux (Saint-Saëns, Camille - Aquarium) by Neal O'Doan (Piano) Nancy O'Doan (Piano), and Seattle Youth Orchestra Pandora Records/Al Goldstein Archive.Extro: Quinzaine des Cineastes Intro Extract Music: Cyril Moisson | Piano: Frédéric Fortuny

It's our 3rd episode on the 2025 Cannes Film Festival as we discuss award winners like It Was Just An Accident and Sentimental Value. Plus, we enjoy awards talk on Highest 2 Lowest, The History of Sound, etc. CANNES FILM FESTIVAL COVERAGE PART III: Palme D'or Winner - It Was Just An Accident - 1:47 Sentimental Value gets a 19? Minute Standing Ovation - 8:06 Recapping other winners like The Secret Agent - 16:30 The Young Mother's Home wins Best Screenplay for the Dardenne Bros - 18:15 Resurrection from Bi Gan - 19:23 The Little Sister wins best Actress - 20:21 Highest 2 Lowest Oscars Talk - 22:55 A Private Life and Splitsville are comedies getting strong reviews - 29:58 The Mastermind from Kelly Reichardt - 33:48 Alpha from Julia Ducournau - 36:55 The History of Sound from Oliver Hermanus - 39:35 Eleanor The Great from Scarlett Johansson & June Squibb - 42:10 Un Certain Regard Winner - The Mysterious Gaze of the Flamingo - 44:32 Pillion + Urchin wins several + this year's Palme Dog section - 45:35 A Cannes Acquisitions Summary makes the Neon/Mubi rivalry a real thing - 47:31 The Standing Ovations Tally from MMO - 50:20 Best International Films Possibilities - 51:35 OUTRO - What's coming next from us includes more Oscar Race Checkpoints and Oscar Profile Reviews. Plus, we'll be sending out the Bat Signal soon to a returning guest. Otherwise… and as always, we want to hear your thoughts on which films you're most excited to see from Cannes. https://linktr.ee/mikemikeandoscar

Ep. 323: Jessica Kiang on Bi Gan's Resurrection and Kelly Reichardt's The Mastermind Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I'm back at the Cannes Film Festival to talk about the highlights with another all-star cast of guests. This episode I sat down with Jessica Kiang who kindly gives virtuosic readings of two standouts from late in the festival: Resurrection (directed by Bi Gan) and The Mastermind (Kelly Reichardt), plus some thoughts on what films she'd like to see win awards. Kiang is as usual writing reviews for Variety at Cannes; she is also programmer at Belfast Film Festival and a member of the selection committee of the Berlinale. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Cannes 2025 is wrapping up this weekend—and our intrepid on-the-Croisette crew of Film Comment contributors has been high-tailing it from screening to screening, cutting through the noise with a series of thoughtful dispatches, interviews, and podcasts. For our ninth episode from the sunny shores of southern France, all-star critics Justin Chang, Tim Grierson, and Allison Willmore join Editor Devika Girish for our final on-the-ground panel conversation from this year's edition. The four dig into two of the most anticipated films from the festival's later days, including Bi Gan's Resurrection (4:30) and Kelly Reichardt's The Mastermind (26:10), before touching on some heretofore undiscussed competition selections: Wes Anderson's The Phoenician Scheme (45:00), Saeed Roustayi's Woman and Child (46:25), the Dardenne Brothers's Young Mothers (50:40), and Mario Martone's Fuori (1:02:05). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our fifth episode from the French Riviera, Film Comment Editor Devika Girish is joined by critics Abby Sun, Beatrice Loayza, and Giovanni Marchini Camia to discuss some late-festival premieres, including Joachim Trier's Sentimental Value, Carla Simón's Romería, Oliver Hermanus's The History of Sound and Nadav Lapid's Yes. Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

On today's show, the 78th annual Cannes Film Festival has kicked off in the south of France, so Derick and I will discuss some of the films competing for the coveted Palme d'Or prize. But, before that we will get into some film and tv news, do some what we've been watching, and finish up with our Letterboxd assignments.Write into the show at MidnightFilmSociety@gmail.com and @midnightfilmpod on Threads, Instagram and Bluesky. Subscribe on Pocketcasts, YouTube Podcasts, and Spotify. Rate and review it on Apple Podcasts. Tell a friend, family member, or stranger.HBO Max RebrandSuperman, Alien Earth, The Bear S4 Trailers78th Cannes Film Festival; Richard Linklater, Lynn Ramsey, Wes Anderson, Bi Gan, Christian Petzold, Julia Ducournau, Kelly Reichardt. Secret Agent, Full List Of Film Competing For Palm d'Or Film Comment Cannes CoverageWhat Damian's Been Watching: Andor, Thunderbolts*What Dereck's Been Watching: A Minecraft Movie, Thunderbolts*, Fight or Flight, Final Destination Bloodlines, AndorNew Letterboxd: Dericks Almost FamousLetterboxd Assignments: Damian - Kaili Blues, Derrick - The Right StuffFor next time: May 23rd - More Last Of Us, Love Death Robots, Mission: Impossible – The Final Reckoning, Lilo & Stitch, Friendship May 30th: Karate Kid: Legends, Bring Her Back, The Phoenician Scheme, May 30th: MountainheadCheck out Dericks Socials HereCheck Out Damian's Socials Here

Hoy se ha fallado el Premio Princesa de Asturias de las Artes, y precisamente la gala de entrega de estos premios fue la que plantó la semilla de 'El guitarrista de Montreal', la última novela de Manuel Barrero editada por Galaxia Gutenberg. Todo comenzó cuando el autor cubrió la gala de los entonces Premios Príncipe de Asturias, celebrada en 2011, año en que Leonard Cohen recibió el galardón de las letras. La figura del músico canadiense y la atmósfera del evento quedaron grabadas en la memoria de Miguel Barrero, y más de una década después se han convertido en el eje de su nueva obra.Desde Cannes, Conxita Casanovas nos informa de los últimos títulos que se proyectan en el Festival Internacional de Cine. El director chino Bi Gan presenta 'Resurrection', mientras que el iraní Saeed Roustaee llega con 'Woman and Child'. Cate Blanchett también ha sido vista en la ciudad del cine, aunque el foco del día está sobre los hermanos Dardenne, que desfilan por la alfombra roja con 'Jeunes mères'. Ganadores ya de dos Palmas de Oro, su regreso genera gran expectación.El paseante de Jesús Marchamalo nos lleva hoy al encuentro con Enric Satué, historiador, académico y uno de los diseñadores gráficos más importantes de nuestro país, reconocido con el Premio Nacional de Diseño. Su último libro, 'El príncipe de la imprenta', repasa una vida dedicada a la historia del diseño editorial.La sesión musical de Leyre Guerrero nos traslada al Museo Reina Sofía, donde Radio 3 celebra el Día de los Museos con 17 horas de música en directo y más de 30 actuaciones.Escuchar audio

durée : 00:08:55 - Les Midis de Culture - par : Lucile Commeaux - Nos critiques discutent de "Résurrection" de Bi Gan. Pour son troisième long-métrage, le réalisateur chinois mêle des esthétiques multiples avec grandiloquence, dans un monde postapocalyptique. - réalisation : Laurence Malonda, Anne-Laure Chanel - invités : Raphaëlle Pireyre Critique de cinéma, elle publie régulièrement des articles sur le site AOC; Yal Sadat Journaliste et critique de cinéma

durée : 00:27:11 - Les Midis de Culture - par : Lucile Commeaux - Au programme de ce débat critique consacré au cinéma, en direct du 78ᵉ festival de Cannes, deux films, un bilan et des pronostics, avec "Yes" de Nadav Lapid et "Résurrection" de Bi Gan. - réalisation : Laurence Malonda, Anne-Laure Chanel - invités : Raphaëlle Pireyre Critique de cinéma, elle publie régulièrement des articles sur le site AOC; Yal Sadat Journaliste et critique de cinéma

Cannes 2025 is in full swing—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our seventh episode from the film world's grandest event, Film Comment Editor Devika Girish is joined by critics Kong Rithdee (back by popular demand!) and Inney Prakash to debate two recent premieres from legendary auteurs: Jafar Panahi's It Was Just an Accident (2:33) and Lav Diaz's Magellan (14:12). Next, the group discusses one of the highlights of this year's Cannes Classics section, T'ang Shu Shuen's 1968 film The Arch (23:14), before turning to Ratchapoom Boonbunchachoke's A Useful Ghost (29:09), which just won the Grand Prize at Cannes Critics' Week. Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition. Note: Around 18:00, we experienced some equipment problems that resulted in slight glitches on the audio track. We apologize for the inconvenience.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our sixth episode from the French Riviera, Film Comment Editor Devika Girish is joined by critics and FC stalwarts Miriam Bale, Robert Daniels, and Jessica Kiang to discuss their recent viewing at the fest, including Spike Lee's Highest 2 Lowest, Julia Ducournau's Alpha (23:09), Akinola Davies Jr.'s My Father's Shadow, and Hlynur Pálmason's The Love That Remains (49:25). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our fifth episode from the French Riviera, Film Comment Editor Devika Girish is joined by critic Kong Rithdee and scholar Neta Alexander to discuss some of the most highly anticipated premieres to screen to date, including Christian Petzold's Mirrors No. 3 (2:30), Sebastián Lelio's The Wave (16:50), and Kleber Mendonça Filho's The Secret Agent (27:14). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our fourth episode from the sunny shores of southern France, Film Comment contributor Mark Asch and critics Kong Rithdee, and Isabel Stevens join Editor Devika Girish to discuss some of the festival's buzziest titles, including Kristen Stewart's The Chronology of Water (3:35), Lynne Ramsey's Die My Love (12:00), Richard Linklater's Nouvelle Vague (29:22), and Harris Dickinson's Urchin (40:35). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our third episode from the sunny shores of southern France, Film Comment contributors Mark Asch and Beatrice Loayza join Editor Devika Girish to unpack two of the most go-for-broke selections to screen so far—Oliver Laxe's Sirât (2:25) and Ari Aster's Eddington (21:20)—before turning to the more modest charms of Hafsia Herzi's The Little Sister (41:20). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our second Podcast from the French Riviera, Isabel Stevens and Thomas Flew from Sight and Sound sit down with Film Comment Editor Devika Girish to discuss Mission: Impossible – The Final Reckoning, the purported final installment of the long-running action series. To set things up, Isabel talks about her recent career-spanning interview with Tom Cruise, the cover story of the latest issue of Sight and Sound, before the group leans into the high-octane pyrotechnics of the film. Next, they turn to two other hotly anticipated premieres: Two Prosecutors (19:55), from Ukrainian auteur Sergei Loznitsa, and Left-Handed Girl (32:20), directed by longtime Sean Baker–collaborator Shih-Ching Tsou. Subscribe today to the Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Cannes 2025 has at last arrived—and while news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood your feed, you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. To kick off our patented daily Cannes Podcasts, Film Comment Editor Devika Girish gathered FC Podcast veterans Jonathan Romney and Guy Lodge to discuss the first day's offerings. Jonathan begins by describing the Opening Night selection, Amélie Bonnin's Leave One Day (7:00), before the group debates other early festival premieres like Robin Campillo's Enzo (11:20) and Mascha Schilinski's Sound of Falling (22:17).