Podcast appearances and mentions of Justin D Wright

Hit Parade takes you back to the turn of the millennium when, for a couple of years, it seemed like a Latin pop star was topping Billboard’ Hot 100 every few weeks: Ricky Martin. Jennifer Lopez. Enrique Iglesias. Marc Anthony. Carlos Santana. Shakira. This wave of Latin crossover was hard-fought and a long time coming—from “La Bamba” to “Macarena,” Spanish-language hits in the 20th century had been treated like novelties by record buyers and radio programmers. The Latin boom of 1999 changed all that—but did it go far enough? How did we get from the slick Spanglish of “Livin’ la Vida Loca” to the Spanish-first success of “Despacito” and “Mi Gente”? And how did Ritchie Valens and João Gilberto prepare America for J.Lo and Shakira triumphing at the Super Bowl? Podcast production by Justin D. Wright. Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hit Parade takes you back to the turn of the millennium when, for a couple of years, it seemed like a Latin pop star was topping Billboard’ Hot 100 every few weeks: Ricky Martin. Jennifer Lopez. Enrique Iglesias. Marc Anthony. Carlos Santana. Shakira. This wave of Latin crossover was hard-fought and a long time coming—from “La Bamba” to “Macarena,” Spanish-language hits in the 20th century had been treated like novelties by record buyers and radio programmers. The Latin boom of 1999 changed all that—but did it go far enough? How did we get from the slick Spanglish of “Livin’ la Vida Loca” to the Spanish-first success of “Despacito” and “Mi Gente”? And how did Ritchie Valens and João Gilberto prepare America for J.Lo and Shakira triumphing at the Super Bowl? Podcast production by Justin D. Wright. Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hit Parade takes you back to the turn of the millennium when, for a couple of years, it seemed like a Latin pop star was topping Billboard’ Hot 100 every few weeks: Ricky Martin. Jennifer Lopez. Enrique Iglesias. Marc Anthony. Carlos Santana. Shakira. This wave of Latin crossover was hard-fought and a long time coming—from “La Bamba” to “Macarena,” Spanish-language hits in the 20th century had been treated like novelties by record buyers and radio programmers. The Latin boom of 1999 changed all that—but did it go far enough? How did we get from the slick Spanglish of “Livin’ la Vida Loca” to the Spanish-first success of “Despacito” and “Mi Gente”? And how did Ritchie Valens and João Gilberto prepare America for J.Lo and Shakira triumphing at the Super Bowl? Podcast production by Justin D. Wright. Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eight years after her passing—and 35 years after the release of her debut album—Whitney Houston is about to be inducted into the Rock and Roll Hall of Fame. Predictably, some rock fans have carped that Houston doesn’t belong in the Hall. But they are not the only ones who, historically, have complained about Houston’s bona fides. In the ’80s, at the apex of her success, black fans complained that Houston was courting white pop fans too eagerly, and forgetting her roots in gospel and R&B. On the charts, by contrast, Whitney Houston’s achievements are indisputable. But they also might be underrated. Houston’s chart records offer a window into exactly how she crossed over…and whether she deserved the backlash. In this episode, Chris Molanphy walks step by step through Whitney’s storied chart records—including a couple that have gone unheralded—that help explain why she was a seminal, singular figure among black female crossover stars, from Aretha and Diana to Beyoncé. Podcast production by Justin D. Wright. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eight years after her passing—and 35 years after the release of her debut album—Whitney Houston is about to be inducted into the Rock and Roll Hall of Fame. Predictably, some rock fans have carped that Houston doesn’t belong in the Hall. But they are not the only ones who, historically, have complained about Houston’s bona fides. In the ’80s, at the apex of her success, black fans complained that Houston was courting white pop fans too eagerly, and forgetting her roots in gospel and R&B. On the charts, by contrast, Whitney Houston’s achievements are indisputable. But they also might be underrated. Houston’s chart records offer a window into exactly how she crossed over…and whether she deserved the backlash. In this episode, Chris Molanphy walks step by step through Whitney’s storied chart records—including a couple that have gone unheralded—that help explain why she was a seminal, singular figure among black female crossover stars, from Aretha and Diana to Beyoncé. Podcast production by Justin D. Wright. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eight years after her passing—and 35 years after the release of her debut album—Whitney Houston is about to be inducted into the Rock and Roll Hall of Fame. Predictably, some rock fans have carped that Houston doesn’t belong in the Hall. But they are not the only ones who, historically, have complained about Houston’s bona fides. In the ’80s, at the apex of her success, black fans complained that Houston was courting white pop fans too eagerly, and forgetting her roots in gospel and R&B. On the charts, by contrast, Whitney Houston’s achievements are indisputable. But they also might be underrated. Houston’s chart records offer a window into exactly how she crossed over…and whether she deserved the backlash. In this episode, Chris Molanphy walks step by step through Whitney’s storied chart records—including a couple that have gone unheralded—that help explain why she was a seminal, singular figure among black female crossover stars, from Aretha and Diana to Beyoncé. Podcast production by Justin D. Wright. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sped-up voices. Wacky instruments. Songs about cavemen, bathtubs, bikinis and mothers-in-law. From the very birth of rock-and-roll, novelty songs were essential elements of the hit parade. Right through the ’70s—the age of streaking, CB radios, disco and King Tut—novelty songs could be chart-topping hits. But by the corporate ’80s, it was harder for goofballs to score round-the-clock hits on regimented radio playlists. Until one perm-headed, mustachioed, accordion-playing parodist who called himself “Weird” rebooted novelty hits for the new millennium. A video jokester before YouTube, he just might have ushered in the age of the meme. So join Hit Parade this month as we walk through the history of novelty hits on the charts—most especially if M.C. Escher is your favorite M.C. Podcast production by Justin D. Wright. Follow @cmolanphy on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Sped-up voices. Wacky instruments. Songs about cavemen, bathtubs, bikinis and mothers-in-law. From the very birth of rock-and-roll, novelty songs were essential elements of the hit parade. Right through the ’70s—the age of streaking, CB radios, disco and King Tut—novelty songs could be chart-topping hits. But by the corporate ’80s, it was harder for goofballs to score round-the-clock hits on regimented radio playlists. Until one perm-headed, mustachioed, accordion-playing parodist who called himself “Weird” rebooted novelty hits for the new millennium. A video jokester before YouTube, he just might have ushered in the age of the meme. So join Hit Parade this month as we walk through the history of novelty hits on the charts—most especially if M.C. Escher is your favorite M.C. Podcast production by Justin D. Wright. Follow @cmolanphy on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Sped-up voices. Wacky instruments. Songs about cavemen, bathtubs, bikinis and mothers-in-law. From the very birth of rock-and-roll, novelty songs were essential elements of the hit parade. Right through the ’70s—the age of streaking, CB radios, disco and King Tut—novelty songs could be chart-topping hits. But by the corporate ’80s, it was harder for goofballs to score round-the-clock hits on regimented radio playlists. Until one perm-headed, mustachioed, accordion-playing parodist who called himself “Weird” rebooted novelty hits for the new millennium. A video jokester before YouTube, he just might have ushered in the age of the meme. So join Hit Parade this month as we walk through the history of novelty hits on the charts—most especially if M.C. Escher is your favorite M.C. Podcast production by Justin D. Wright. Follow @cmolanphy on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

If you were an angsty American teenager in the 1980s—whether in real life, or in a John Hughes movie—the rock you loved probably came from the United Kingdom, complete with droning vocals, brooding lyrics, goth hair, and black nail polish. The Cure, Siouxsie and the Banshees, Bauhaus, Joy Division/New Order, the Smiths: All these U.K. postpunk acts were hard-pressed to score American hits in the first half of the ’80s—the era of fun-loving New Romantic bands like Duran Duran. But to Gen X teens, Robert Smith, Siouxsie Sioux, and Morrissey were icons. By the end of the decade, however, these bands became American hitmakers, especially after Billboard launched the music bible’s first alternative rock chart. Depeche Mode sold out a California stadium. New Order dominated dancefloors. The Smiths’ Johnny Marr became a guitar god, Morrissey an MTV crush object. And finally, in 1989, the Cure—dark, doomy, and moody as ever—were challenging Janet Jackson for the top of the Billboard Hot 100. Just in time for Halloween, Hit Parade tells the story of how spooky, spidery, U.K. mope-rock became chart-conquering pop. Podcast production by Justin D. Wright. Hosted by Chris Molanphy Follow @cmolanphy on Twitter / https://www.twitter.com/cmolanphy  Learn more about your ad choices. Visit megaphone.fm/adchoices

If you were an angsty American teenager in the 1980s—whether in real life, or in a John Hughes movie—the rock you loved probably came from the United Kingdom, complete with droning vocals, brooding lyrics, goth hair, and black nail polish. The Cure, Siouxsie and the Banshees, Bauhaus, Joy Division/New Order, the Smiths: All these U.K. postpunk acts were hard-pressed to score American hits in the first half of the ’80s—the era of fun-loving New Romantic bands like Duran Duran. But to Gen X teens, Robert Smith, Siouxsie Sioux, and Morrissey were icons. By the end of the decade, however, these bands became American hitmakers, especially after Billboard launched the music bible’s first alternative rock chart. Depeche Mode sold out a California stadium. New Order dominated dancefloors. The Smiths’ Johnny Marr became a guitar god, Morrissey an MTV crush object. And finally, in 1989, the Cure—dark, doomy, and moody as ever—were challenging Janet Jackson for the top of the Billboard Hot 100. Just in time for Halloween, Hit Parade tells the story of how spooky, spidery, U.K. mope-rock became chart-conquering pop. Podcast production by Justin D. Wright. Hosted by Chris Molanphy Follow @cmolanphy on Twitter / https://www.twitter.com/cmolanphy  Learn more about your ad choices. Visit megaphone.fm/adchoices

If you were an angsty American teenager in the 1980s—whether in real life, or in a John Hughes movie—the rock you loved probably came from the United Kingdom, complete with droning vocals, brooding lyrics, goth hair, and black nail polish. The Cure, Siouxsie and the Banshees, Bauhaus, Joy Division/New Order, the Smiths: All these U.K. postpunk acts were hard-pressed to score American hits in the first half of the ’80s—the era of fun-loving New Romantic bands like Duran Duran. But to Gen X teens, Robert Smith, Siouxsie Sioux, and Morrissey were icons. By the end of the decade, however, these bands became American hitmakers, especially after Billboard launched the music bible’s first alternative rock chart. Depeche Mode sold out a California stadium. New Order dominated dancefloors. The Smiths’ Johnny Marr became a guitar god, Morrissey an MTV crush object. And finally, in 1989, the Cure—dark, doomy, and moody as ever—were challenging Janet Jackson for the top of the Billboard Hot 100. Just in time for Halloween, Hit Parade tells the story of how spooky, spidery, U.K. mope-rock became chart-conquering pop. Podcast production by Justin D. Wright. Hosted by Chris Molanphy Follow @cmolanphy on Twitter / https://www.twitter.com/cmolanphy  Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Shannon Palus talks to Roxanne Leitao, a UK-based designer researching ways to make the smart home gear safer for victims of domestic abuse. They’ll discuss the ways that smart thermostats can be used to gaslight victims, the security measures that can help everyone in a home have agency, and the reason why smart home tech that’s hard to understand is all the more dangerous. They also touch on her other research in designing gig economy platforms that reduce the potential for bias against workers.  Podcast production by Justin D. Wright. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Shannon Palus talks to Roxanne Leitao, a UK-based designer researching ways to make the smart home gear safer for victims of domestic abuse. They’ll discuss the ways that smart thermostats can be used to gaslight victims, the security measures that can help everyone in a home have agency, and the reason why smart home tech that’s hard to understand is all the more dangerous. They also touch on her other research in designing gig economy platforms that reduce the potential for bias against workers.  Podcast production by Justin D. Wright. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Aaron Mak discusses with journalist Nithin Coca his attempt to abstain from using any Google products in his daily life.  They discuss why he did it, the useful alternatives he found for specific apps, the quirks of using different tools abroad, and the surprising benefits he found in starting over.  They also speculate on whether or not a normal consumer could sustainably do the same thing, and what that means for the state of the industry. After the interview, host Aaron Mak joins co-host Shannon Palus for this week’s edition of “Don’t Close My Tabs.”   Podcast production by Justin D. Wright. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Aaron Mak discusses with journalist Nithin Coca his attempt to abstain from using any Google products in his daily life.  They discuss why he did it, the useful alternatives he found for specific apps, the quirks of using different tools abroad, and the surprising benefits he found in starting over.  They also speculate on whether or not a normal consumer could sustainably do the same thing, and what that means for the state of the industry. After the interview, host Aaron Mak joins co-host Shannon Palus for this week’s edition of “Don’t Close My Tabs.”  Podcast production by Justin D. Wright. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Shannon Palus discusses how today’s vaping panic is connected to the rise of the cigarette with Jacob Grier, author of the new book The Rediscovery of Tobacco: Smoking, Vaping, and the Creative Destruction of the Cigarette. Grier argues for a nuanced view of tobacco and nicotine’s place in America, and just how much parents should worry if their teen comes home with a Juul. They’ll also discuss why Sweden’s solution for tobacco risk reduction serves as an enviable model. After the interview Shannon Palus joins co-host Aaron Mak for this week’s edition of “Don’t Close My Tabs.”  Podcast production by Justin D. Wright. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Shannon Palus discusses how today’s vaping panic is connected to the rise of the cigarette with Jacob Grier, author of the new book The Rediscovery of Tobacco: Smoking, Vaping, and the Creative Destruction of the Cigarette. Grier argues for a nuanced view of tobacco and nicotine’s place in America, and just how much parents should worry if their teen comes home with a Juul. They’ll also discuss why Sweden’s solution for tobacco risk reduction serves as an enviable model. After the interview Shannon Palus joins co-host Aaron Mak for this week’s edition of “Don’t Close My Tabs.”  Podcast production by Justin D. Wright. Learn more about your ad choices. Visit megaphone.fm/adchoices

New York Times technology reporter Mike Issac discusses his new book Super Pumped: The Battle For Uber, which traces Uber’s rapid rise and fall under co-founder Travis Kalanick.  He and host Aaron Mak talk about Uber’s fraught relationship with the media, how public perception of the company enabled one of its competitors to stave off extinction, the necessary paranoia required to investigate the company, and how Kalanick’s particular style of leadership helped transform transportation around the world – for better or worse.  After the interview Shannon Palus joins the show for this week’s edition of “Don’t Close My Tabs.”  Podcast production by Justin D. Wright. Learn more about your ad choices. Visit megaphone.fm/adchoices

New York Times technology reporter Mike Issac discusses his new book Super Pumped: The Battle For Uber, which traces Uber’s rapid rise and fall under co-founder Travis Kalanick.  He and host Aaron Mak talk about Uber’s fraught relationship with the media, how public perception of the company enabled one of its competitors to stave off extinction, the necessary paranoia required to investigate the company, and how Kalanick’s particular style of leadership helped transform transportation around the world – for better or worse.  After the interview Shannon Palus joins the show for this week’s edition of “Don’t Close My Tabs.”  Podcast production by Justin D. Wright. Learn more about your ad choices. Visit megaphone.fm/adchoices