Podcasts about hitparade

On today's Saturday Matinee, we shine a spotlight on the dazzling career of pop music's shapeshifting extraterrestrial: David Bowie. Link to Hit Parade: https://slate.com/podcasts/hit-parade Support the show! Join Into History for ad-free listening and more. History Daily is a co-production of Airship and Noiser.

   Hit Parade      3/9/2026 20 - Sola (Ti Amo) - CIOFFI, MAR LUCAS 19 - Questa Domenica - OLLY, JULI 18 - Senz'Anima - IRAMA*   17 - Diamante D'Oro - GIGI D'ALESSIO, KHALED, JOVANOTTI 16 - Pronto Come Vá - THE KOLORS* 15 - Brutta Storia - EMMA, JULI* 14 - Dai Che Fai - BRESH 13 - Ritorno Ad Amare - LAURA PAUSINI 12 - Amaro - PENGUINI TATTICI NUCLEARI* 11- Ragazze Facili - CESARE CREMONINI 10 - Sono Un Grande - TIZIANO FERRO 9 - Esibizionista - ANNALISA* 8 - So Solo Che La Vita - JOVANOTTI, FELIPE HOSTINS, GIL OLIVEIRA, RONALDO ANDRADE* 7 - Bianca - NOEMI* 6 - Forse - TOMMASO PARADISO*   5 - Acquario - ULTIMO 4 – Corpi Celesti - GIORGIA 3 - Berlino - ERNIA* 2 - Canzone D'Amore – GEOLIER* 1 - Anche A Vent'Anni Si Muore - BLANCO* *Ex#1  

Olalala les mandales, celles qu'on colle et celles qu'on se prend, dans Absolum, c'est quelque chose. Dans Blightstone aussi d'ailleurs, et dans nos rubriques habituelles encore plus. Mais les plus belles peignées, on se les colle dans le Hit Parade, cette semaine autour de l'année 2006. Bref, ca c'est la béguérre-----------------------------------------------------

These days, country and pop acts regularly invade each other's territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop.John Denver infused his folk balladry with homespun lyrics about country roads and wide-open skies. Olivia Newton-John sang over twangy melodies that belied her British-Australian roots. Both faced backlash—especially when they started topping the country and pop charts simultaneously and winning prizes that used to go to Nashville legends.Eventually, both artists outgrew country music. Denver became a ubiquitous entertainer and beloved Muppet wingman. Newton-John dazzled in the film Grease, then reinvented herself as a leather-clad siren unafraid to get physical.Join Chris Molanphy as he traces the parallel rise of two country-pop titans from the Rocky Mountains to Xanadu.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

These days, country and pop acts regularly invade each other's territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop.John Denver infused his folk balladry with homespun lyrics about country roads and wide-open skies. Olivia Newton-John sang over twangy melodies that belied her British-Australian roots. Both faced backlash—especially when they started topping the country and pop charts simultaneously and winning prizes that used to go to Nashville legends.Eventually, both artists outgrew country music. Denver became a ubiquitous entertainer and beloved Muppet wingman. Newton-John dazzled in the film Grease, then reinvented herself as a leather-clad siren unafraid to get physical.Join Chris Molanphy as he traces the parallel rise of two country-pop titans from the Rocky Mountains to Xanadu.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

These days, country and pop acts regularly invade each other's territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop.John Denver infused his folk balladry with homespun lyrics about country roads and wide-open skies. Olivia Newton-John sang over twangy melodies that belied her British-Australian roots. Both faced backlash—especially when they started topping the country and pop charts simultaneously and winning prizes that used to go to Nashville legends.Eventually, both artists outgrew country music. Denver became a ubiquitous entertainer and beloved Muppet wingman. Newton-John dazzled in the film Grease, then reinvented herself as a leather-clad siren unafraid to get physical.Join Chris Molanphy as he traces the parallel rise of two country-pop titans from the Rocky Mountains to Xanadu.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

   Hit Parade       2/23/2026 20 - Sola (Ti Amo) - CIOFFI, MAR LUCAS 19 - Questa Domenica - OLLY, JULI 18 - Piazza San Marco - ANNALISA, MARCO MENGONI* 17 - Fingo & Spingo - TIZIANO FERRO* 16 - Pronto Come Vá - THE KOLORS* 15 - Brutta Storia - EMMA, JULI* 14 - Dai Che Fai - BRESH 13 - Golpe - GIORGIA* 12 - Amaro - PENGUINI TATTICI NUCLEARI* 11- Ritorno Ad Amare - LAURA PAUSINI 10 - Diamante D'Oro - GIGI D'ALESSIO, KHALED, JOVANOTTI 9 - Acquario - ULTIMO 8 - Senz'Anima - IRAMA*   7 - Bianca - NOEMI* 6 - Forse - TOMMASO PARADISO*   5 - Ragazze Facili - CESARE CREMONINI 4 - Esibizionista - ANNALISA* 3 - Sono Un Grande - TIZIANO FERRO 2 - So Solo Che La Vita - JOVANOTTI, FELIPE HOSTINS, GIL OLIVEIRA, RONALDO ANDRADE* 1 - Berlino - ERNIA                                                                    *Ex#1

Hit Parade         3/2/2026 20 - Sola (Ti Amo) - CIOFFI, MAR LUCAS 19 - Questa Domenica - OLLY, JULI 18 - Senz'Anima - IRAMA*   17 - Diamante D'Oro - GIGI D'ALESSIO, KHALED, JOVANOTTI 16 - Pronto Come Vá - THE KOLORS* 15 - Brutta Storia - EMMA, JULI* 14 - Dai Che Fai - BRESH 13 - Golpe - GIORGIA* 12 - Amaro - PENGUINI TATTICI NUCLEARI* 11- Ritorno Ad Amare - LAURA PAUSINI 10 - Sono Un Grande - TIZIANO FERRO 9 – Acquario - ULTIMO 8 - So Solo Che La Vita - JOVANOTTI, FELIPE HOSTINS, GIL OLIVEIRA,RONALDO ANDRADE* 7 - Bianca - NOEMI* 6 - Forse - TOMMASO PARADISO*   5 - Ragazze Facili - CESARE CREMONINI 4 - Esibizionista - ANNALISA* 3 - Berlino – ERNIA* 2 – Anche A Vent'Anni Si Muore - BLANCO 1 – Canzone D'Amore - GEOLIER          ex#1

NotesYou can listen to the accompanying playlist on Apple Music and SpotifyYou, too, may want to learn about this mahjong situation brewing in the Midwest with Barbara. It's the Olympics. Defector is covering all the news stories we want to know about, including the Curling Drama between Sweden and Canada, the ice dancers are super villains, and this Norwegian skier is an idiot.Happy Black History Month! Jen did something cool at The Newberry Library. It was part of the Douglass Day transcribe-a-thon, transcribing information about the Colored Conventions. You can still participate using Zooniverse, and looking for the Douglass Day Project.Sarah enjoyed learning about the Asking Dumb Questions class at Yale. Tom Breihan writes a column The Number Ones at Stereogum, and Jen also enjoys a similar Slate podcast called Hit Parade. Here's the spreadsheet of February hits, and a playlist of songs we talked about today! The Macarena is a song about love triangles! Bad Romance by Lady Gaga is on this list, but we only talk about books we like. The DJ book Jen couldn't remember was Rival Radio by Kathryn Nolan. The Stud Budz, WNBA players Courtney Williams & Natisha Hiedeman, did a long livestream during the 2025 All...

These days, country and pop acts regularly invade each other's territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop.John Denver infused his folk balladry with homespun lyrics about country roads and wide-open skies. Olivia Newton-John sang over twangy melodies that belied her British-Australian roots. Both faced backlash—especially when they started topping the country and pop charts simultaneously and winning prizes that used to go to Nashville legends.Eventually, both artists outgrew country music. Denver became a ubiquitous entertainer and beloved Muppet wingman. Newton-John dazzled in the film Grease, then reinvented herself as a leather-clad siren unafraid to get physical.Join Chris Molanphy as he traces the parallel rise of two country-pop titans from the Rocky Mountains to Xanadu.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

These days, country and pop acts regularly invade each other's territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop.John Denver infused his folk balladry with homespun lyrics about country roads and wide-open skies. Olivia Newton-John sang over twangy melodies that belied her British-Australian roots. Both faced backlash—especially when they started topping the country and pop charts simultaneously and winning prizes that used to go to Nashville legends.Eventually, both artists outgrew country music. Denver became a ubiquitous entertainer and beloved Muppet wingman. Newton-John dazzled in the film Grease, then reinvented herself as a leather-clad siren unafraid to get physical.Join Chris Molanphy as he traces the parallel rise of two country-pop titans from the Rocky Mountains to Xanadu.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

These days, country and pop acts regularly invade each other's territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop.John Denver infused his folk balladry with homespun lyrics about country roads and wide-open skies. Olivia Newton-John sang over twangy melodies that belied her British-Australian roots. Both faced backlash—especially when they started topping the country and pop charts simultaneously and winning prizes that used to go to Nashville legends.Eventually, both artists outgrew country music. Denver became a ubiquitous entertainer and beloved Muppet wingman. Newton-John dazzled in the film Grease, then reinvented herself as a leather-clad siren unafraid to get physical.Join Chris Molanphy as he traces the parallel rise of two country-pop titans from the Rocky Mountains to Xanadu.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Hit Parade 2/16/2026 20 - Sola (Ti Amo) - CIOFFI, MAR LUCAS 19 - Questa Domenica - OLLY, JULI 18 - Piazza San Marco - ANNALISA, MARCO MENGONI* 17 - Fingo & Spingo - TIZIANO FERRO* 16 - Pronto Come Vá - THE KOLORS* 15 - Brutta Storia - EMMA, JULI* 14 - Dai Che Fai - BRESH 13 - Golpe - GIORGIA* 12 - Lasciamene Un Pó - TOMMASO PARADISO 11- Ritorno Ad Amare - LAURA PAUSINI 10 - Diamante D'Oro - GIGI D'ALESSIO, KHALED, JOVANOTTI 9 - Amaro - PENGUINI TATTICI NUCLEARI* 8 - Senz'Anima - IRAMA*   7 - Bianca - NOEMI* 6 - Forse - TOMMASO PARADISO*   5 - Ragazze Facili - CESARE CREMONINI 4 - Esibizionista - ANNALISA* 3 - Sono Un Grande - TIZIANO FERRO 2 - So Solo Che La Vita - JOVANOTTI, FELIPE HOSTINS, GIL OLIVEIRA, RONALDO ANDRADE* 1 - Berlino - ERNIA        *Ex#1  

Send a textOn this Episode Tom and Bert continue  "The Spotlight Series" on entertainment influencers thru the decades!There are Stories to tell and the Guys will cover and discuss the beginnings and the careers of some of the greatest influencers throughout ALL of the entertainment industry.Today's Podcast will cover 3 more Legends of the Music scene from the 1960's that led the way for the "Girl Groups" era. We present ........Mary Wells, The Marvelettes and Martha and The Vandellas!Listen in as we cover and discuss the "History" of this influential Lady and "Girl Groups" and how they all were the early "Stars" of the Motown Sound led by Berry Gordy out of Detroit AKA "The Motor City"  in the early 1960's. Here we go!CHAPTERS:(1:05) Motown "Girls" in The House!(5:45) Here is Mary Wells!(8:10) "My Guy" sets the tone(18:16) Mary's rough personal life(22:46) Here are the Fabulous Marvelettes!(26:24) "Please Mr. Postman", "Don't Mess with Bill" and the Hit Parade continues(34:46) Berry Gordy and his bias toward "The Supremes" while underselling the Marvelettes(41:28) Here is "Martha and The Vandellas"(45:43) "Heatwave", "Dancing in the Streets", "Quicksand" and "Jimmy Mack" are killing it on the Charts!(50:00) The "seedy" Music Labels , Owners, Publishers were still facing lawsuits from the Groups and Bands and then It's a Wrap!!Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

Hit Parade        2/9/2026 20 - Sola (Ti Amo) - CIOFFI, MAR LUCAS 19 - Questa Domenica - OLLY, JULI 18 - Piazza San Marco - ANNALISA, MARCO MENGONI* 17 - A Me Mi Piace - ALFA, MANU CHAO* 16 - Pronto Come Vá - THE KOLORS* 15 - Brutta Storia - EMMA, JULI* 14 - Dai Che Fai - BRESH 13 - Golpe - GIORGIA* 12 - Lasciamene Un Pó - TOMMASO PARADISO 11- Ritorno Ad Amare – LAURA PAUSINI 10 - Diamante D'Oro - GIGI D'ALESSIO, KHALED, JOVANOTTI 9 - Amaro - PENGUINI TATTICI NUCLEARI* 8 - Senz'Anima - IRAMA*   7 - Fingo & Spingo - TIZIANO FERRO* 6 - Forse - TOMMASO PARADISO*   5 – Ragazze Facili – CESARE CREMONINI 4 - Esibizionista - ANNALISA* 3 - Bianca - NOEMI* 2 - So Solo Che La Vita - JOVANOTTI, FELIPE HOSTINS, GIL OLIVEIRA, RONALDO ANDRADE* 1 - Berlino - ERNIA           *Ex#1  

Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

The Slate Music Club returns, in this special year-end edition of Hit Parade's The Bridge! Host Chris Molanphy joins New York Times pop music critic Lindsay Zoladz, and Julianne Escobedo Shepherd of Hearing Things in a critics' roundtable led by Slate's own Carl Wilson. They discuss their favorite albums and singles, as well as the trends that shaped music in 2025. Among this year's big musical questions: Have we reached peak Bad Bunny yet? Did those animated Demon Hunters reinvent K-pop? Are Geese the saviors of rock, or just muppets with guitars? Is hip-hop ready to move on from Kendrick and Drake? Plus: Rosalia, Water for Your Eyes, Gaga, Wednesday—and of course, Taylor Swift. Note: Slate Plus members can hear this special episode in full. Ad-supported listeners will hear the first half. Want to hear the whole discussion? Sign up for Slate Plus! Unlock monthly early-access episodes, bonus episodes of “The Bridge,” and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Podcast production by Kevin Bendis. Don't miss the rest of this year's Slate Music Club episode! Become a Slate Plus member! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you need confirmation of Hollywood's vast influence on mass culture, look no further than the pop charts. From the 1937 classic Snow White and the Seven Dwarfs through this year's KPop Demon Hunters, soundtracks have launched hits, defined genres—and sometimes even eclipsed the films that inspired them in the first place. Rock classics, funk jams, rap bangers, even Christmas standards: all became hits because we heard them first at the cinema. Join Chris Molanphy as he unspools nearly a century of hit movie music, from Simon & Garfunkel's groundbreaking ode to “Mrs. Robinson,” to the, ahem, titanic tin whistle of “My Heart Will Go On.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The Slate Music Club returns, in this special year-end edition of Hit Parade's The Bridge! Host Chris Molanphy joins New York Times pop music critic Lindsay Zoladz, and Julianne Escobedo Shepherd of Hearing Things in a critics' roundtable led by Slate's own Carl Wilson. They discuss their favorite albums and singles, as well as the trends that shaped music in 2025. Among this year's big musical questions: Have we reached peak Bad Bunny yet? Did those animated Demon Hunters reinvent K-pop? Are Geese the saviors of rock, or just muppets with guitars? Is hip-hop ready to move on from Kendrick and Drake? Plus: Rosalia, Water for Your Eyes, Gaga, Wednesday—and of course, Taylor Swift. Note: Slate Plus members can hear this special episode in full. Ad-supported listeners will hear the first half. Want to hear the whole discussion? Sign up for Slate Plus! Unlock monthly early-access episodes, bonus episodes of “The Bridge,” and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Podcast production by Kevin Bendis. Don't miss the rest of this year's Slate Music Club episode! Become a Slate Plus member! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Slate Music Club returns, in this special year-end edition of Hit Parade's The Bridge! Host Chris Molanphy joins New York Times pop music critic Lindsay Zoladz, and Julianne Escobedo Shepherd of Hearing Things in a critics' roundtable led by Slate's own Carl Wilson. They discuss their favorite albums and singles, as well as the trends that shaped music in 2025. Among this year's big musical questions: Have we reached peak Bad Bunny yet? Did those animated Demon Hunters reinvent K-pop? Are Geese the saviors of rock, or just muppets with guitars? Is hip-hop ready to move on from Kendrick and Drake? Plus: Rosalia, Water for Your Eyes, Gaga, Wednesday—and of course, Taylor Swift. Note: Slate Plus members can hear this special episode in full. Ad-supported listeners will hear the first half. Want to hear the whole discussion? Sign up for Slate Plus! Unlock monthly early-access episodes, bonus episodes of “The Bridge,” and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Podcast production by Kevin Bendis. Don't miss the rest of this year's Slate Music Club episode! Become a Slate Plus member! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you need confirmation of Hollywood's vast influence on mass culture, look no further than the pop charts. From the 1937 classic Snow White and the Seven Dwarfs through this year's KPop Demon Hunters, soundtracks have launched hits, defined genres—and sometimes even eclipsed the films that inspired them in the first place. Rock classics, funk jams, rap bangers, even Christmas standards: all became hits because we heard them first at the cinema. Join Chris Molanphy as he unspools nearly a century of hit movie music, from Simon & Garfunkel's groundbreaking ode to “Mrs. Robinson,” to the, ahem, titanic tin whistle of “My Heart Will Go On.” Learn more about your ad choices. Visit megaphone.fm/adchoices

If you need confirmation of Hollywood's vast influence on mass culture, look no further than the pop charts. From the 1937 classic Snow White and the Seven Dwarfs through this year's KPop Demon Hunters, soundtracks have launched hits, defined genres—and sometimes even eclipsed the films that inspired them in the first place. Rock classics, funk jams, rap bangers, even Christmas standards: all became hits because we heard them first at the cinema. Join Chris Molanphy as he unspools nearly a century of hit movie music, from Simon & Garfunkel's groundbreaking ode to “Mrs. Robinson,” to the, ahem, titanic tin whistle of “My Heart Will Go On.” Learn more about your ad choices. Visit megaphone.fm/adchoices

If you need confirmation of Hollywood's vast influence on mass culture, look no further than the pop charts. From the 1937 classic Snow White and the Seven Dwarfs through this year's KPop Demon Hunters, soundtracks have launched hits, defined genres—and sometimes even eclipsed the films that inspired them in the first place. Rock classics, funk jams, rap bangers, even Christmas standards: all became hits because we heard them first at the cinema. Join Chris Molanphy as he unspools nearly a century of hit movie music, from Simon & Garfunkel's groundbreaking ode to “Mrs. Robinson,” to the, ahem, titanic tin whistle of “My Heart Will Go On.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Madness frontman Suggs sits down with Simon and Brian to talk about the band's new Hit Parade compilation and the writing of their classic hits. From the whimsical charm of 'Baggy Trousers', to the poignant storytelling of 'Embarrassment', Suggs reflects on the balance of joy and pathos in songwriting, the influence of London's rich cultures, and the serendipitous moments that have shaped his artistic expression.

Over-the-top costumes, silly phrases twisted to make catchy hooks, and a backdrop that is not always taken seriously can cause a lot of Eurovision hopefuls to be lumped (or perhaps dismissed) into the category of “joke entries.” We'll explore some examples and try to “get it” in terms of what might be happening under the hood of these songs. Chris Molanphy from Slate's Hit Parade (https://slate.com/podcasts/hit-parade) will join us to help with analyzing the novelty of Eurovision entries. "Joke" Entries Summary What is a novelty song? (1:19) Does "Europop" automatically mean "novelty"? (7:04) Eurovision Joke (or Novelty?) Entries (10:04) When Eurovision hits the Hot 100 (18:57) Subscribe The EuroWhat? Podcast is available wherever you get your podcasts. Find your podcast app to subscribe here (https://www.eurowhat.com/subscribe). Comments, questions, and episode topic suggestions are always welcome. You can shoot us an email (mailto:eurowhatpodcast@gmail.com) or reach out on Bluesky @eurowhat.bsky.social (https://bsky.app/profile/eurowhat.bsky.social). Join the EuroWhat AV Club! If you would like to help financially support the show, we are hosting the EuroWhat AV Club over on Patreon! We have a slew of bonus episodes with deep dives on Eurovision-adjacent topics. Special Guest: Chris Molanphy.

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too. Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit. Podcast production by Kevin Bendis. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers.The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too.Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit.Podcast production by Kevin Bendis.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers.The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too.Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit.Podcast production by Kevin Bendis.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

It's Black Friday at Open Studio! Grab our biggest savings of the year and take your playing to the next level: https://www.openstudiojazz.com/yhi/Songs in the Key of Life stands apart, even next to the other four albums in Stevie Wonder's classic period. It resulted in the most hit singles: "I Wish", "Sir Duke", "As" and "Another Star". Chris Molanphy of the Hit Parade podcast leads us through this album's incredible charts story. Not only did it produce FOUR singles, but it inspired two other chart-topping hits: Coolio's "Gangsta's Paradise" and Will Smith's "Wild Wild West".Plus — Peter and Adam nerd out on the keys, dissecting every track to highlight the musical complexity that makes Songs in the Key of Life a favorite among jazz musicians. You may have heard Songs in the Key of Life ... possibly many times. But you've never heard it quite like this!00:00 - Intro Jam: "As"02:13 - The Chart Story Behind SITKOL05:40 - The Long Wait for Songs in the Key of Life12:45 - "Love's In Need of Love Today"19:40 - Comparing Stevie to Prince20:30 - "I Wish"24:00 - The Ultimate Crossover Hitmaker27:25 - "Sir Duke"32:30 - Making Jazz Fun37:25 - "Passtime Paradise"40:00 - Stevie the Synth Innovator43:50 - How Stevie Commanded the Charts46:40 - How Was This Track Not a Hit Single?52:00 - This Hit Was NOT On an Album56:00 - The SITKOL Jazz Standard1:00:30 - "Another Star"1:04:05 - "As"1:15:00 - How SITKOL Singles Broke Ground1:22:20 - Our Favorite SITKOL Tracks1:25:35 - The Best Moments on SITKOL1:29:50 - Bespoke Spotify Playlists1:32:45 - What to Listen to Next1:35:20 - Quibble Bits1:37:50 - How "Snobby" is This Record?1:40:50 - Is it Better than Kind of Blue?1:42:40 - Packaging Gets a 10/101:45:00 - Outro: "As"

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too. Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit. Podcast production by Kevin Bendis. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too. Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too. Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now, his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs.. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of Millennial and Zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices