Podcasts about Bauhaus

The Accidental Empire: Marmol Radziner on Preservation, Prefab, and Fighting the Tyranny of the Nimby. Leo Marmol and Ron Radziner discuss the 36-year evolution of their design-build firm, tracing its roots in a student co-op to becoming a leader in modern residential architecture, restoration, and the urgent need for sustainable urban density in Los Angeles. The conversation features Leo Marmol and Ron Radziner, co-founders of Marmol Radziner, detailing the firm’s history, their design philosophy, and their views on the current state of preservation and sustainability in LA. Origin Story and The Return to Modernism: The co-founders met as students at Cal Poly, San Luis Obispo, living in “The Ark,” a condemned co-op. This environment of free rein to alter the building foreshadowed their later design-build approach. They founded their firm in 1989 during the “dying days of postmodernism,” quickly committing to the modernist ideal of clarity, reduction, and the connection between design and craft (Bauhaus). They attribute the firm’s early success to aligning with the eventual return to California modernism, driven by its rich history in the region. Milestone Projects and Preservation: The first major flag-planting project was the Gutentag Studio (a small, pure concrete block and cedar studio), followed by the new Ward Residence. Their watershed moment in preservation was the Kaufmann House restoration (1993) in Palm Springs. At the time, there was virtually no industry for modern restoration, forcing the firm to develop the roadmap for approaching these aging buildings. They view restorations as “classrooms” that inform their new work, maintaining a healthy split of one-third restoration and two-thirds new construction. Preservation Today: The Fetish vs. Functionality: Marmol and Radziner argue they are often at odds with the preservation community because they believe historic properties must evolve to remain functional and relevant, cautioning against a “fetish” that prevents necessary change. They criticize the current situation where every modern building is deemed “sacred,” citing the contentious, successful fight to demolish the Barry Building on San Vicente as an example of overreach where the building’s significance did not rise to the level requiring preservation. The Problem of Scale (“McModerns”) and Efficiency: They express concern over the proliferation of “McModerns” and elephantine houses, driven by high property values and the pressure to “max out the buildable area” on a site. They emphasize that their modern perspective is less about style and more about the fundamental importance of connection—internal open plans and connecting the home to the landscape and exterior rhythm of nature (a concept that is lost when properties are overbuilt). Sustainability and the Nimby Problem: While California leads the country in robust, fire-resilient, and energy-efficient building codes (which have been a success), they gave the state’s housing policy an “F.” Leo Marmol asserted that the greenest thing the city can do is densify and allow more housing in the urban core, calling out the NIMBY (Not In My Back Yard) mentality as the primary political failure that forces sprawl and long commutes. The Return to Prefabrication (Prefab 2.0): Marmol Radziner initially experimented with prefab from 2004–2012 but stopped after the 2008 crash. They are now returning to prefabrication—Prefab 2.0—as a response to the current “crisis of construction costs” and the need for quick, affordable, and sustainable housing solutions, particularly for fire rebuilds in Altadena and the Palisades. Design-Build Practice Scale: The firm combines Architecture, Construction Services (design-build), Landscape Architecture, and Interior Design under one roof. They support their construction services with their own dedicated cabinet shop and metal shop in El Segundo, allowing for control over craft and execution. Fire Resilience and Landscape: The fires are affecting landscape rules, particularly regarding Zone Zero (the 0–5 feet immediately surrounding the building). They argue against the extreme position of “no planting” in Zone Zero, believing the right, well-irrigated planting can help against embers, which they identify as the biggest culprit in mass fires, more so than direct flame. Home hardening (sealing every vulnerability) is considered the single most important factor, with modern energy codes being an accidental but highly effective form of fire hardening.

El antiguo mercado, durante décadas punto de encuentro de vecinos y corazón social del barrio, inicia una nueva etapa convertido en símbolo de una idea más ambiciosa: construir un espacio más verde, más accesible y pensado para las personas. Es el primer paso de la estrategia conocida como Nueva Bauhaus Europea.Se trata de una iniciativa que propone repensar nuestras ciudades desde tres principios fundamentales: sostenibilidad, inclusión y calidad de vida. Una transformación que no solo busca mejorar el paisaje urbano, sino también recuperar algo esencial: el orgullo de barrio y el valor de lo cotidiano.Junto con nuestra compañera Patricia Jiménez escuchamos a la alcaldesa de Jumilla, Severa González; Victoria Artés, de Eurovértice, y Rosario Contreras y Víctor Pérez, de Tramo Arquitectura.

BONUS EPISODE – FRANCAIS Deuxième épisode bonus de bauhaus faces — et une conversation résolument multilingue ! Autour de la peintre et photographe Florence Henri, j'échange avec Giovanni Battista Martini, Paola Rosina et Roberto Lacarbonara dans un dialogue mêlant français et anglais, fidèle à l'esprit du Bauhaus et au croisement des cultures. Il existe également un épisode principal entièrement en anglais, ainsi qu'un premier bonus en anglais dans lequel les trois invités présentent et analysent chacun leur photographie préférée de Florence Henri. Un triptyque d'épisodes pour explorer en profondeur l'œuvre et l'héritage de Florence Henri — entre langues, perspectives et regards passionnés.

My guests this week are two absolute legends, Jackie Sharp and Jill Hoffman-Kowal of the punk rock video team Target Video (who documented hundreds of incredible live performances by Iggy Pop, The Screamers, Black Flag, Throbbing Gristle, minutemen, The Cramps, Hüsker Dü, Survival Research Laboratories, Bauhaus, Dead Kennedys, Lydia Lunch, and Young Marble Giants to name just a few). They are lifelong friends to this day… so get ready for jaw-dropping stories galore!We discuss Target Video's origin story & meeting head honcho Joe Rees, how they got their first old-school video camera at the time, Joe's unusual approach to documenting bands, the origin story of The Mutants, their initial cable TV show, how their first color shoot was filming the iconic performance of The Screamers, how they shot The Cramps at the Napa State Mental Hospital, Glenn O'Brien's TV Party, Jello Biafra staying in fancy hotel rooms in the UK, crashing on the floor of The Members, The Stray Cats playing the UK for the first time, how Jackie and Jill gained the trust of bands to film them in an era when bands were suspicious of being filmed, how the SF punk scene changed when Circle Jerks first came up from LA to play there, using fake addresses to keep the cops away from the Target headquarters, having eight-hour viewing parties in Paris, touring Europe with Dead Kennedys, the powerful footage of Throbbing Gristle playing a basketball court, CRIME playing San Quentin, Black Flag being nerds in the studio and making comedy videos with Target, shooting the TV PARTY music video, Target documenting rarely seen tours by Devo and Iggy Pop, being P.I.L.'s tour guides in NYC, Target video reunion shows, hooking up your VHS player to your stereo and more!So let's fly the Target flag high and play this episode loud on this week's episode of Revolutions Per Movie!TARGET VIDEO: targetvideo.blogspot.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it and keep it going is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

In this very short episode, Giovanni Battista Martini, head of the Florence Henri Archive in Genoa, and the Italian art historians Paola Rosina and Roberto Lacarbonara will describe their favourite photo by Florence Henri in more detail for you. Please look out for the images on your smartphone or tablet while listening. As always, I added the photos to the chapters.

Maintenant Vous Savez, c'est aussi ⁠Maintenant Vous Savez - Santé⁠ et ⁠Maintenant Vous Savez - Culture⁠. Le Bauhaus, un nom que l'on entend parfois pour parler du design d'un meuble, d'un objet de décoration. Mais tout le monde ne connait pas l'histoire de l'école dont a découlé tout un mouvement artistique. Pour retracer l'histoire du Bauhaus, il faut revenir à l'après-guerre en Allemagne, du côté de Weimar. Un architecte de l'époque, Walter Gropius, a une idée en tête : celui de réunir l'art et l'artisanat, mais d'une manière plus moderne. Ce projet se traduit sous la forme d'une école qui deviendra rapidement une référence en la matière. Comment expliquer ce succès ? Quelle est l'influence du Bauhaus aujourd'hui ?  Ecoutez la suite de cet épisode de "Maintenant Vous Savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Jonathan Aupart. Première diffusion : octobre 2023 A écouter aussi : ⁠Pourquoi les gens ne sourient-ils (presque) jamais sur les peintures ?⁠ ⁠Comment Disney a-t-il contribué à l'effort de guerre en 1939-1945 ?⁠ ⁠Pourquoi le studio d'animation Ghibli porte-t-il un nom italien ?⁠ Retrouvez tous les épisodes de ⁠"Maintenant vous savez - Culture"⁠. Suivez Bababam sur ⁠Instagram⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hören, was wichtig ist: Wir fassen für Sie die spannendsten Nachrichten des Tages aus Handel und Konsumgüterindustrie zusammen. Von Montag bis Freitag, kompakt und prägnant.

Schiffers, Antje www.deutschlandfunkkultur.de, Fazit

Harnoncourt-Fuchs,Marie-Therese www.deutschlandfunkkultur.de, Fazit

Lazar Jovanovic is a full-time professional vibe coder at Lovable. His job is to build both internal tools and customer-facing products purely using AI, while not having a coding background. In this conversation, he breaks down the tactics, workflows, and framework that let him ship production-quality products using only AI.We discuss:1. Why having no coding background can be an advantage when building with AI2. Why most of your time should go to planning and chat mode, not prompting3. What to do when you get stuck: his 4x4 debugging workflow4. The PRD and Markdown file system that keeps AI agents aligned across complex builds5. Why kicking off four or five parallel prototypes is the best way to clarify your thinking6. Why design skills and taste are going to be the most important skills in the future7. His “genie and three wishes” mental model for making the most of AI's limitations8. How product, engineering, and design roles are converging—and what that means for your career—Brought to you by:Strella—The AI-powered customer research platform: https://strella.io/lennySamsara—Saving lives with AI built for physical operations: https://samsara.com/lennyWorkOS—Modern identity platform for B2B SaaS, free up to 1 million MAUs: https://workos.com/lenny—Episode transcript: https://www.lennysnewsletter.com/p/getting-paid-to-vibe-code—Archive of all Lenny's Podcast transcripts: https://www.dropbox.com/scl/fo/yxi4s2w998p1gvtpu4193/AMdNPR8AOw0lMklwtnC0TrQ?rlkey=j06x0nipoti519e0xgm23zsn9&st=ahz0fj11&dl=0—Where to find Lazar Jovanovic:• X: https://x.com/lakikentaki• LinkedIn: https://www.linkedin.com/in/lazar-jovanovic• YouTube: https://www.youtube.com/@50in50challenge• Starter Story course: https://build.starterstory.com/build/ai-build-accelerator?via=lazar (code LAZAR15 for 15% off)—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Introduction to Lazar and professional vibe coding(04:53) What a professional vibe coder actually does day-to-day(09:26) Why non-technical backgrounds can be an advantage(12:24) The importance of self-awareness(14:42) His “genie and three wishes” mental model(17:43) Developing taste and judgment in the age of AI(21:46) The parallel project approach for better outcomes(29:30) Creating dynamic context windows with PRDs(36:56) Why elite vibe coders focus on planning, not coding(44:43) Creating MD files to guide AI development(50:57) Why prototyping still matters(56:50) Why “good enough” is no longer good enough(01:00:53) The future of engineering in an AI world(01:05:14) What to do when you get stuck: his 4x4 debugging workflow(01:14:27) Helping agents learn from their mistakes(01:15:35) Why watching agent output is more important than code(01:19:08) The incredible pace of AI development(01:22:55) Why emotional intelligence will become more valuable(01:28:30) How to become a professional vibe coder(01:30:10) Why building in public is the fastest path to opportunities(01:37:03) Final thoughts on focusing on quality over tech stack—Referenced:• The new AI growth playbook for 2026: How Lovable hit $200M ARR in one year | Elena Verna (Head of Growth): https://www.lennysnewsletter.com/p/the-new-ai-growth-playbook-for-2026-elena-verna• Elena Verna on how B2B growth is changing, product-led growth, product-led sales, why you should go freemium not trial, what features to make free, and much more: https://www.lennysnewsletter.com/p/elena-verna-on-why-every-company• The ultimate guide to product-led sales | Elena Verna: https://www.lennysnewsletter.com/p/the-ultimate-guide-to-product-led• 10 growth tactics that never work | Elena Verna (Amplitude, Miro, Dropbox, SurveyMonkey): https://www.lennysnewsletter.com/p/10-growth-tactics-that-never-work-elena-verna• Lovable: https://lovable.dev• Lovable + Shopify: https://lovable.dev/shopify• Everyone's an engineer now: Inside v0's mission to create a hundred million builders | Guillermo Rauch (founder and CEO of Vercel, creators of v0 and Next.js): https://www.lennysnewsletter.com/p/everyones-an-engineer-now-guillermo-rauch• Mobbin: https://mobbin.com• Dribbble: https://dribbble.com• 21st.dev: https://21st.dev• Lovable base prompt generator: https://chatgpt.com/g/g-67e1da2c9c988191b52b61084438e8ee-lovable-base-prompt• Lovable PRD generator: https://chatgpt.com/g/g-67e1e85fbeac8191a69b95c6d5c42ef6-lovable-prd-generator• Felix Haas's newsletter: https://designplusai.com• Bauhaus: https://en.wikipedia.org/wiki/Bauhaus• Glassmorphism: https://www.figma.com/community/plugin/1197106608665398190/glassmorphism• UI style guide: http://uistyle.lovable.app• Cloudflare: https://www.cloudflare.com• Ben Tossell on X: https://x.com/bentossell• The rise of Cursor: The $300M ARR AI tool that engineers can't stop using | Michael Truell (co-founder and CEO): https://www.lennysnewsletter.com/p/the-rise-of-cursor-michael-truell• Peter Thiel says AI will be ‘worse' for math nerds than for writers: https://www.businessinsider.com/peter-thiel-ai-worse-for-math-professionals-than-writers-2024-4• Andrej Karpathy on X: https://x.com/karpathy• The 100-person AI lab that became Anthropic and Google's secret weapon | Edwin Chen (Surge AI): https://www.lennysnewsletter.com/p/surge-ai-edwin-chen• Why experts writing AI evals is creating the fastest-growing companies in history | Brendan Foody (CEO of Mercor): https://www.lennysnewsletter.com/p/experts-writing-ai-evals-brendan-foody• Slumdog Millionaire: https://www.imdb.com/title/tt1010048—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. To hear more, visit www.lennysnewsletter.com

Il Bauhaus è diventato un mito della modernità.Un'idea, uno stile, un modo di abitare il mondo. Ma chi ha trasformato quell'idea in un racconto capace di attraversare il tempo?In questo episodio vi porto alla scoperta di Ise Frank Gropius, una donna fondamentale e a lungo rimasta nell'ombra.Intellettuale, organizzatrice, custode della memoria del Bauhaus, Ise ha contribuito a costruire uno dei movimenti più influenti del Novecento senza mai firmarlo.Un viaggio tra modernità, esilio, lavoro invisibile e donne dimenticate del Bauhaus.Perché la Storia non è fatta solo di grandi nomi, ma anche di chi li ha resi possibili.Musica: Paul Hindemith - Piano Sonata No. 1 “Der Main”Bibliografia:Ise Frank Gropius​Ise Frank Gropius, The Bauhaus in PerspectiveTesto fondamentale scritto da Ise stessa. Offre uno sguardo diretto sulla nascita, lo sviluppo e la filosofia del Bauhaus. Indispensabile per comprendere il suo ruolo di narratrice e custode del movimento.​Walter Gropius, The New Architecture and the Bauhaus, MIT PressAnche se firmato da Gropius, questo volume riflette il lavoro editoriale e concettuale di Ise, soprattutto nella versione inglese.Il Bauhaus: storia e contesto​Magdalena Droste, Bauhaus, 1919–1933, TaschenTesto internazionale di riferimento: chiaro, ben illustrato, accessibile ma rigoroso.​Frank Whitford, Bauhaus, Thames & HudsonUna delle introduzioni più solide e diffuse in ambito anglosassone.Le donne del Bauhaus​Ulrike Müller, Bauhaus Women: Art, Handicraft, Design, FlammarionVolume fondamentale per restituire centralità alle donne del Bauhaus, con attenzione alle dinamiche di genere e alla divisione dei ruoli.​Patrick Rössler, Bauhaus Women: A Global Perspective, Herbert PressApproccio internazionale che mostra l'influenza globale delle donne formate al Bauhaus dopo l'esilio.Figure chiave femminili​Anni Albers, On Weaving, Princeton University PressUn classico che rivela come la tessitura sia diventata linguaggio moderno.​Marianne Brandt, Marianne Brandt, Hatje CantzMonografia essenziale su una delle designer più importanti del Bauhaus.Risorse museali e archivi internazionali​Bauhaus-Archiv / Museum für Gestaltung (Berlino)​The Harvard Art Museums – Bauhaus Collection​MoMA – Bauhaus and Modern Design CollectionSITOGRAFIA ​https://www.deutschlandfunkkultur.de/serie-frauen-im-bauhaus-ise-gropius-partnerin-auf-augenhoehe-100.html​https://de.wikipedia.org/wiki/Ise_Gropius​https://www.harpersbazaar.com/it/lifestyle/a35640952/ise-frank-gropius-bauhaus/​https://www.artribune.com/professioni-e-professionisti/who-is-who/2022/01/ise-frank-bauhaus-gropius/

In our first episode of 2026, we turn the spotlight on Florence Henri. Drawn to the Bauhaus less by its curriculum than by its people, Henri discovered photography through Lucia Moholy and never looked back. What began as an experiment became a radical reinvention: mirrors, props, fractured spaces — images that redefined modern photography. Henri stayed fiercely artistic, while mentoring a generation of women who would go on to shape the medium themselves: Dora Maar, Lisette Model, Gisèle Freund, Ilse Bing, and more. In this episode I was joined by the head of the Florence Henri Archive Giovanni Battista Martini, art historian Paola Rosina, and curator Roberto Lacarbonara — in a truly Bauhaus-style multilingual conversation, recorded in Switzerland and brought to you in English. And there's more to come: bonus episodes with deep dives into Henri's most iconic photographs, and the full original interview in French/English.

I might overuse this word a little bit, but on this week's episode we do have a true pair of legends in conversation on the Talkhouse Podcast this week: Maynard James Keenan and Daniel Ash. Keenan is of course best known as the frontman for Tool, the dark, complex, heavy band he formed way back in 1990—but whose records come few and far between. Keenan is also the frontman for A Perfect Circle, but the reason for today's chat is yet another band, Puscifer. This one started out almost as a solo outlet for Keenan's weirdest ideas: There are comedic elements, and—fun fact—Puscifer actually sprung to life as part of a Mr. Show sketch. (Google it, it's a good story.) But the band has evolved over the years into a steady trio that features Keenan alongside Carina Round and Mat Mitchell, and that more recently has explored Keenan's most theatrical and straightforward impulses. It's funny, weird, and heavy, and the brand new Puscifer album, Normal Isn't, even nods sonically to UK post-punk bands like Killing Joke. Check out “Self Evident” right here. The other half of today's conversation is Daniel Ash, whose resume also includes a remarkable number of incredible bands, starting with Bauhaus, moving directly into Tones on Tail, and then heading for a long stretch into Love and Rockets, which reunited a couple of years ago for some very welcome shows. Ash's guitar playing over the years has been quietly influential on a ton of players; you can hear his tone in a remarkable swath of bands. Last year, he released the first album by his latest outfit, Ashes & Diamonds. Called Ashes & Diamonds Are Forever, it's unmistakably Ash's voice and tone, though in some flashier dressing on occasion. It's a lot of fun. Check out “Teenage Robots” right here. In this wide-ranging conversation, Ash and Keenan talk about Keenan's wine business—he was nice enough to send Ash some bottles in advance of this chat—as well as touring, making videos, and the seemingly inevitable future of AI. Ash thinks it's going to be good, so even if he's wrong, it's nice to hear some optimism. Ash is also obsessed with motorcycles, leading Keenan to suggest an intervention. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Maynard James Keenan and Daniel Ash for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the other great shows in our network. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by The Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

Dessau feiert hundert Jahre Bauhaus. Was 1926 los war, als das Bauhaus und mit ihm zahlreiche Studenten in die Stadt kamen: ein Blick in die Geschichte.

Quatre-vingt deuxième épisode de Jeux d'Ombres, le podcast d'Ombres Portées 2.0 consacré aux parties jouées de Shadowrun. Cet épisode poursuit la campagne Netzgewitter située à Berlin en 2080, jouée avec Shadowrun : Anarchy.Dans les épisodes précédents : Tandis que Wizzle s'enfonce dans les égouts du Kreuzbasar à la suite d'une goule pour entrer en contact avec la communauté d'infectés, DMG et Gentle cherchent à percer les intentions des Shaders. Leur enquête les conduit à Gropiusstadt, ancien projet utopique devenu le QG de la Horde. Un puissant gang berlinois qui, pour une raison encore obscure, a choisi de prêter main forte au Vieux Fritz.Vous pouvez trouver sur la Matrice un plan de Caligarikiez et un de ses alentours.Remerciements particuliers à Scott Buckley (https://www.scottbuckley.com.au) dont nous utilisons les morceaux accessibles sous licence CC-BY 4.0.Crédits :Andreas AAS Schroth pour les illustrations de Netzgewitter et notamment la vignette de cette série de podcasts.Pegasus Press, éditeur allemand de Shadowrun et de la campagne Netzgewitter.Catalyst Game Labs, éditeur de Shadowrun.Black Book Editions, éditeur français de Shadowrun et de Shadowrun : Anarchy dont les règles sont utilisées dans cette série de podcast.Shadowrun et la Matrice sont des marques déposées et / ou des marques de fabrique de The Topps Company, Inc. aux États-Unis et / ou dans d'autres pays.

Quatre-vingt deuxième épisode de Jeux d'Ombres, le podcast d'Ombres Portées 2.0 consacré aux parties jouées de Shadowrun. Cet épisode poursuit la campagne Netzgewitter située à Berlin en 2080, jouée avec Shadowrun : Anarchy.Dans les épisodes précédents : Tandis que Wizzle s'enfonce dans les égouts du Kreuzbasar à la suite d'une goule pour entrer en contact avec la communauté d'infectés, DMG et Gentle cherchent à percer les intentions des Shaders. Leur enquête les conduit à Gropiusstadt, ancien projet utopique devenu le QG de la Horde. Un puissant gang berlinois qui, pour une raison encore obscure, a choisi de prêter main forte au Vieux Fritz.Vous pouvez trouver sur la Matrice un plan de Caligarikiez et un de ses alentours.Remerciements particuliers à Scott Buckley (https://www.scottbuckley.com.au) dont nous utilisons les morceaux accessibles sous licence CC-BY 4.0.Crédits :Andreas AAS Schroth pour les illustrations de Netzgewitter et notamment la vignette de cette série de podcasts.Pegasus Press, éditeur allemand de Shadowrun et de la campagne Netzgewitter.Catalyst Game Labs, éditeur de Shadowrun.Black Book Editions, éditeur français de Shadowrun et de Shadowrun : Anarchy dont les règles sont utilisées dans cette série de podcast.Shadowrun et la Matrice sont des marques déposées et / ou des marques de fabrique de The Topps Company, Inc. aux États-Unis et / ou dans d'autres pays.

La Bauhaus no fue solo una escuela de arte, sino un proyecto radical que buscó unir arte, técnica y sociedad, transformando la educación, el diseño y la manera en que habitamos el mundo moderno.

Can it really be ten years since David Bowie died? This week, Pop Screen dives back into the prolific screen career of the Thin White Duke with one of his sexiest, most stylish and silliest films - Tony Scott's 1983 debut The Hunger. A story of vampirism, lesbianism and extremely '80s stylistic mannerisms, it co-stars Susan Sarandon and Catherine Deneuve.Join Graham and Mick as they discuss the movie's place in Bowie's then-rapidly-mainstreaming career, his artiest music videos and tour promos, the film's position in the '80s neon-and-smoke-machines canon, and who - if anyone - could pull off a performance like this today. We also talk about Bowie's fabled gift for reinvention, the film's electrifying Bauhaus performance, and insult Morrissey.If you want to hear more of this - the Bowie discussion, not the Morrissey-insulting, although... - we're prepping a bonus episode on his 1978 film Just a Gigolo. You can get that over on our Patreon, as well as weekly articles about The Twilight Zone and Doctor Who, plus our end-of-month round-up podcast Last Night... Follow us on Instagram, BlueSky and Facebook to find out more.

What if the most groundbreaking watchmaker of the 20th century wasn't Swiss—but German? In a sleepy Black Forest town, Junghans rose to become the world's largest clockmaker… then nearly disappeared. But just when it seemed over, they came back with atomic precision and Bauhaus elegance. Stay tuned—the twist in their story might just change how you see time itself.

Ce jeudi 15 janvier, Marjorie Hache propose une soirée dense, entre classiques et actualité. La sélection navigue de Jefferson Airplane à Black Sabbath, en passant par Neil Young, Kiss, Weezer et Foo Fighters. Les nouveautés ne sont pas en reste avec Father John Misty et Adam Jones, le guitariste de Tool est mis à l'honneur pour son anniversaire avec "Stinkfist". La programmation se poursuit avec des nouveautés signées Headkeys et Megadeth, avec "I Don't Care", prélude à la sortie imminente de leur nouvel album. La cover du soir revisite "Telegram Sam" de T. Rex dans la version goth rock de Bauhaus, ajoutant une touche sombre et rétro à la soirée. En seconde partie, RTL2 Pop-Rock Station élargit encore le spectre avec Shivaree, The Smiths, Savages, The Rolling Stones ou Violent Femmes. La nouveautée Fresh Fresh Fresh met en avant Mandy, Indiana et leur titre "Magazine". L'émission se termine entre psychédélisme californien avec The Electric Prunes, indie rock contemporain avec Geese et une note plus folk et épique portée par Don McLean. Jefferson Airplane - Somebody To Love Father John Misty - The Old Law Tool - Stinkfist The Strokes - Heart In A Cage Kiss - Rock And Roll Hell (2022 Remaster) Black Sabbath - Paranoid Weezer - Buddy Holly Dry Cleaning - Rocks Neil Young - Rockin In The Free World Headkeyz - The Keys Moon Martin - Bad News (Chorus Version) Sleaford Mods - The Good Life Ft. Gwendoline Christie & Big Special Bauhaus - Telegram Sam Shivaree - Goodnight Moon Foo Fighters - Everlong Blackshape - Break Me The Smiths - Girlfriend In A Coma Savages - Evil Megadeth - I Don't Care The Rolling Stones - Fool To Cry Violent Femmes - Do You Really Want To Hurt Me Mandy, Indiana - Magazine The Chemical Brothers - Hey Boy Hey Girl The Electric Prunes - I Had Too Much To Dream (Last Night) Geese - Cobra Don Mclean - American Pie (Full Length Version)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

A kedden elhunyt Tarr Bélára emlékezve hallgassuk meg azt a podcastadást, amit több mint tíz évvel ezelőtt, 2015. július 26-án készítettünk a Sátántangó és A torinói ló legendás rendezőjével.Ezt írtam akkor a beszélgetésről:"Történelmi adásához érkezett a Filmklub podcast, egy élő legenda volt a vendégünk. Filmstílust neveztek el róla, a The Guardian szerint ott a helye a legnagyobb ma élő rendezők között, visszavonulása sokakat meglepett. Tarr Béla híresen morcos interjúalany, minket is ledorongolt párszor, de ez nem tántorított el attól, hogy megkérdezzük, melyik volt az a pillanat, amikor rádöbbent, hogy a Sátántangó hétórás lesz, és mit szólt ehhez az egészhez az apja. Az is kiderült, miért szerepel minden filmjében egy táncjelenet, fél-e a haláltól, és hogy mi a legnagyobb baja Andy Vajna rendszerével.Nemrég töltötte be a hatvanat, ennek ellenére még mindig forradalmibb és radikálisabb, mint a mai fiatal rendezők - ezt ő maga mondja. Tarr Béla szerint "nem olyan nagy dolog megrendezni egy filmet", nem érti, miért nem bombázzák a nézőket a fiatalok ütős művekkel. Hiányolja az energiát, meg is hirdette műsorunkban a "low budget, high energy" programját. A filmkészítésnek egy módját tartja hitelesnek, abban az irányban ő eljutott a végpontig, így hiába sugalmaztuk, nem fog keserédes vígjátékot rendezni a tengerparton."Nem találtam föl semmit, csak másképp kezdtem összerakni" - véli, majd azon tanakodtunk, melyik a legviccesebb filmjelenet az életművében. A Sátántangón lehet kacagni, ismerte el, de ahogy fogalmazott, ez az a humor, "amikor feláll a hátunkon a szőr".Két évig csak a magyarországi vidékeket járta, hogy megértse a Krasznahorkai-regény, a Sátántangó igazságát. Kiderült az is, a csillagok milyen együttállása kellett ahhoz, hogy állami pénzből megszülethessen egy őrült hosszúságú remekmű, és hogy mi történt volna a folytatásában, ha valaha elkészül.A brand mögött, amit mi "Tarr Béla"-ként ismerünk, több ember áll, ezt sokszor hangsúlyozta, mégis úgy tűnt, ő a főnök, arról is ő határozott, hogy nincs tovább. Most Szarajevóban "nem tanít, hanem bátorít" fiatalokat, olyan filmes sulit hozott létre, amilyen a Gropius-féle Bauhaus volt régen."Készítette: Varga Ferenc és Pozsonyi JankaZene: Hegyi OlivérHa a Patreon túl macerás, támogathatod a podcastot a PayPalon (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferencv1976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) vagy a Revoluton (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferenc7drh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) keresztül is. Nagyon köszönöm!

Happy New Year's Eve!! On the December 31 edition of the Music History Today podcast, Journey, the Kinks, AC/DC, & Bauhaus play their first gigs, Dick Clark starts a tradition, a couple people & groups leave, & happy birthday to Donna Summer & John Denver For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:16 What happened on this date in music history 08:07 Albums released on this date in music history 08:22 Singles released on this date in music history 08:35 Podcast advertisement 08:54 Birthdays of music artists on this date in music history 10:00 Passings of music artists on this date in music history 11:03 What's on tomorrow's episode

Original Video: https://www.youtube.com/watch?v=G_qSMInuaUs What happens when a culture starts bending truth to fit its desires? We follow that question across surprising terrain—Freud's hidden motives, Wagner's spell over European imagination, Bauhaus boxes that flatten the human spirit, and the concrete politics of highways and housing projects that shattered parish life. Along the way, we challenge the idea that ideas are neutral. People make theories, and those people have desires, wounds, and wagers hidden in their work. We dig into how music can catechize a nation, how architecture preaches a theology, and how postwar social engineering rebranded thick ethnic worlds into a thin “white” identity. The conversation pulls no punches on race as an ideology of management, not heritage, and on why religious belonging often explains American life better than color lines. From the “triple melting pot” to the claims of universal design, we map the choices that made cities brittle and suburbs bland—and why families paid the price. Then we pivot to power, vice, and freedom. Sexual liberation sells itself as emancipation while functioning as a lever of control, especially in a world wired for instant indulgence. The counterweight is old and bracing: you are only as free as you are free from your vices. Finally, we climb to the keystone: Logos. John's audacious claim—Logos is God—offers a language sturdy enough to speak across civilizations. If America moves into a fourth era as Protestant hegemony recedes and new blocs rise, the live question is simple and seismic: will appetite or Logos set the terms? Hear the case, question the links, and decide which story you're living. If this conversation stretches your thinking, share it with a friend, hit follow, and leave a review telling us what challenged you most. https://www.fidelitypress.org/book-products/walking-with-a-bible-and-a-gun Dr. Jones Books: fidelitypress.org/ Subscribe to Culture Wars Magazine: culturewars.com Donate: culturewars.com/donate Follow: https://culturewars.com/links CW Magazine: culturewars.com

Robin Schuldenfrei rejoins me to talk more Bauhaus! In this episode, we discuss her book Luxury and Modernism, covering the complexities of the Bauhaus, which had a leftwing ethos but produced luxury objects, and made them by hand to appear machine made. Robin talks us through how the contradiction between luxury and egalitarianism ran from Morris's arts and crafts movement to the Bauhaus, and modernism only became a truly "everyday" part of life during the colossal expansion of middle-class wealth in the midcentury, as celebrated by Life magazine and recreated in the show Mad Men

In this episode of Superlative, host and aBlogtoWatch founder Ariel Adams sits down with Efraim Grinberg, CEO of Movado Group, and Margot Grinberg, President of the Movado brand, for a thoughtful conversation about design heritage, modern consumer expectations, and the ongoing evolution of one of the most recognizable names in the watch industry. Together, they reflect on the enduring cultural impact of the Museum Dial and the Bauhaus principles that shaped it, while also exploring the importance of democratizing luxury and creating watches that connect emotionally with consumers. The discussion spans Movado's deep archive of historic designs, the renewed excitement in the women's watch category, the brand's focus on quality, storytelling, and education, and the strategic balance between appealing to dedicated enthusiasts and a broader mainstream audience. From the rising demand for mechanical pieces in the Heritage collection to the momentum behind new lines such as the Imperiale and the 1917, Ariel, Efraim, and Margot examine how Movado continues to stay in motion while remaining true to the values that have guided the company for more than 140 years. Check out this week's guest and episode sponsor - Movado Watches:- https://www.movado.com/ SUPERLATIVE IS NOW ON YOUTUBE! To check out Superlative on Youtube as well as other ABTW content:- YouTube - https://www.youtube.com/@ablogtowatch To check out the ABTW Shop where you can see our products inspired by our love of Horology:- Shop ABTW - https://store.ablogtowatch.com/To keep updated with everything Superlative, aBlogtoWatch Weekly, and aBlogtoWatch, check us out on:- Instagram - https://www.instagram.com/ablogtowatch/- Twitter - https://twitter.com/ABLOGTOWATCH- Website - https://www.ablogtowatch.com/If you enjoy the show please Subscribe, Rate, and Review!

Want to reach out to us? Want to leave a comment or review? Want to give us a suggestion or berate Anthony? Send us a text by clicking this link!What happens when a culture starts bending truth to fit its desires? We follow that question across surprising terrain—Freud's hidden motives, Wagner's spell over European imagination, Bauhaus boxes that flatten the human spirit, and the concrete politics of highways and housing projects that shattered parish life. Along the way, we challenge the idea that ideas are neutral. People make theories, and those people have desires, wounds, and wagers hidden in their work.We dig into how music can catechize a nation, how architecture preaches a theology, and how postwar social engineering rebranded thick ethnic worlds into a thin “white” identity. The conversation pulls no punches on race as an ideology of management, not heritage, and on why religious belonging often explains American life better than color lines. From the “triple melting pot” to the claims of universal design, we map the choices that made cities brittle and suburbs bland—and why families paid the price.Then we pivot to power, vice, and freedom. Sexual liberation sells itself as emancipation while functioning as a lever of control, especially in a world wired for instant indulgence. The counterweight is old and bracing: you are only as free as you are free from your vices. Finally, we climb to the keystone: Logos. John's audacious claim—Logos is God—offers a language sturdy enough to speak across civilizations. If America moves into a fourth era as Protestant hegemony recedes and new blocs rise, the live question is simple and seismic: will appetite or Logos set the terms?Hear the case, question the links, and decide which story you're living. If this conversation stretches your thinking, share it with a friend, hit follow, and leave a review telling us what challenged you most.Support the showTake advantage of great Catholic red wines by heading over to https://recusantcellars.com/ and using code "BASED" for 10% off at checkout!********************************************************Please subscribe! https://www.youtube.com/channel/UCKsxnv80ByFV4OGvt_kImjQ?sub_confirmation=1https://www.avoidingbabylon.comMerchandise: https://avoiding-babylon-shop.fourthwall.comLocals Community: https://avoidingbabylon.locals.comFull Premium/Locals Shows on Audio Podcast: https://www.buzzsprout.com/1987412/subscribeRSS Feed for Podcast Apps: https://feeds.buzzsprout.com/1987412.rssRumble: https://rumble.com/c/AvoidingBabylon

Baxie talks to the legendary David Haskins (David J.) from Bauhaus and Love and Rockets! David talks about his extraordinary career including the release of his powerful new record “The Mother Tree”. He's also just released a book called "Rhapsody, Threnody, and Prayer" which serves as a companion piece to the new also. He also talks about his latest project—the politically charged David J. and The Resistance. Daviid also gives his insight on the possibilities of a future Bauhaus reunion. We also get into what happened that night in Boston with Jane's Addiction and what it means to the future of Love and Rockets! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app. Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee.

We'd love to hear from you! Click here to send us a text. On this episode of the New Wave Music Podcast, Steve sits down with Ian Dench, guitarist and principal songwriter for EMF the band behind the iconic hit “Unbelievable.” Ian reflects on the band's early breakthrough, the whirlwind of success in the '90s, and how that explosive start shaped EMF's journey. He discusses the band's creative evolution, what brought them back together, and why their blend of rock, dance, and electronic energy still resonates today.The conversation also explores their 2024 comeback album The Beauty and the Chaos and their brand-new EP Reach For Something Higher. Ian shares the story of how their recent U.S. tour inspired the new EP and discusses the meaning behind their latest work and their approach to covering iconic tracks by Bauhaus and Depeche Mode. He also reflects on his songwriting legacy and what fans can expect from EMF's next chapter. EMF: https://emf-theband.com/Support the show

Um programa que vai dos anos 80, aos 90 e 00, dos Joy Division aos Romantics, dos Chameleons aos Bauhaus, numa experiência de vida musical e radiofónica. Esta terceira temporada é dedicada aos anos 90. Com Augusto Seabra

Joel's journey from running Impossible Pictures, a successful Denver creative agency, to becoming a business advisor for creative studios reveals the essential truth that creative excellence alone isn't enough. The conversation explores the evolution from vendor to expert, the importance of challenging client briefs rather than simply executing them, and why physical presence and travel remain critical for building relationships in an increasingly digital world.~ Joel's philosophy centers on the concept of "adapting with soul"—bringing humanity to business decisions while embracing change, including technological disruption like AI. Rather than competing in a race to the bottom as vendors, creatives must position themselves as visionaries who solve problems at their source.Through his community Forum, podcast Fabulous, and Fuse dinners, Joel creates spaces where creative founders can share their challenges and solutions, rejecting the scarcity mindset in favor of collective growth. Key TakeawaysCreative excellence starts the journey, but business mastery completes it and unleashes your full potential as a creative professionalThe myth that great creative work will automatically lead to business success is dangerous—you must actively learn and apply business principlesAsking for help is a sign of strength, not weakness, and can accelerate your growth by years rather than figuring everything out aloneVendors execute projects that clients prescribe, while experts challenge the diagnosis and solve problems at their source through strategic questioning"Experts travel" because meaningful business relationships require physical presence, empathy, and walking in your client's shoes beyond Zoom callsHire people smarter and more talented than you—surrounding yourself with excellence elevates your entire operation and creative outputThe transition from working through middlemen to working directly with brands represents a "race to the top" that increases value and impactClosing a successful business chapter can be devastating and liberating—every business has its lifecycle, but you are more than your businessCompetition makes everyone stronger when approached with a growth mindset rather than a scarcity or "prisoner eater" mentalityAI and technological disruption require creatives to imbue machines with soul, much like the Bauhaus movement democratized design through mass productionBusiness longevity comes from "adapting with soul"—making decisions aligned with your deepest values and authentic desires, not just market trendsThe creative industry needs visionaries who lead through change, not vendors who compete on price and execution speedCommunity and peer solidarity provide invaluable support because fellow founders understand the unique challenges of running creative businesses Daring Creativity. Daring Forever. Podcast with Radim Malinic Show questions or suggestions to desk@daringcreativity.com Latest books by Radim MalinicMindful Creative: How to understand and deal with the highs and lows of creative life, career and business Paperback and Kindle > https://amzn.to/4biTwFcFree audiobook (with Audible trial) > https://geni.us/free-audiobookSigned books https://novemberuniverse.co.ukLux Coffee Co. https://luxcoffee.co.uk/ (Use: PODCAST for 15% off)November Universe https://novemberuniverse.co.uk (Use: PODCAST for 10% off)

Um programa que vai dos anos 80, aos 90 e 00, dos Joy Division aos Romantics, dos Chameleons aos Bauhaus, numa experiência de vida musical e radiofónica. Esta terceira temporada é dedicada aos anos 90. Com Augusto Seabra

Send us a textDaniel Ash, along with Peter Murphy and brothers Kevin and David Haskins, formed Bauhaus, a band who were pioneers of goth rock. Their debut single, “Bela Lugosi's Dead” is considered by many to be the first record of the gothic-rock genre.   They released five studio albums, and during that period, Daniel and Kevin formed the post-punk band Tones on Tail in the early 1980s. In 1985, David Haskins, now as David J, rejoined his  Bauhaus bandmates, minus Peter Murphy, and they became Love and Rockets. Where Bauhaus was known for its gothic sound, Love and Rockets' had a brighter, more pop feel. They enjoyed a succesful run in the '80s and '90s, touring internation-ally and were featured prominently in the glory days of MTV. And now, Daniel Ash, along with drummer Bruce Smith of Public Image Ltd. and bassist Paul Spencer Denman who backed Sade, is back. The band is Ashes and Diamonds. The atmospheric sound of their debut album, Ashes and Diamonds are Forever, is fantastic. It releases October 31st and according to my talk with Daniel, the Halloween release is “appropriate”. He was such a pleasure to talk with and I think you'll enjoy…my talk with Daniel Ash.Photo by Regan Catam @raygun1111Ashes and Diamonds Are Forever is available through Cleopatra Records. Get yours here.Save on Certified Pre-Owned ElectronicsPlug has great prices on refurbished electronics. Up to 70% off with a 30-day money back guarantee!Euclid Records – Buy and sell records.A gigantic selection of vinyl & CDs. We're in St. Louis & New Orleans, but are loved worldwide!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms.And now, Frets is available on YouTube. There are a lot of fun extras like videos and shorts and audio of all episodes. Subscribing for FREE at YouTube helps support the show tremendously, so hit that subscribe button! https://www.youtube.com/@DJFey39 You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned… Contact Dave Fey at davefey@me.com or call 314-229-8033

Baxie speaks with internationally acclaimed singer Azam Ali. For the last several decades Azam has been recognized as a major talent whose music has been used in dozens of major films and several collaborations (including with Serj Tankian from System of a Down, Micky Hart from the Grateful Dead, and Peter Murphy of Bauhaus). Her latest album, “Synesthesia” is set to be released on November 14th. And it's amazing! However, the courageous story of how she got to this place in her life is unbelievable. From fleeing her native Iran as a refugee at the age of four (just before the Iranian Revolution), to growing up in India, until finally relocating to US as a teenager---Azam Ali has endured incredible hardship, isolation, and prejudice during her lifetime. Yet it was through her discover of that saved her life. This is an episode that will blow you away. Just incredible! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee.

ATTENTION ghosts, ghouls, and goblins: For your spooky listening pleasure, the annual Dark Nation Radio HALLOWEEN SPOOKTACULAR is back from the grave and ready to party—three full hours of creepy, freaky, and very cheeky tunes for the living and living impaired! Among the tricks and treats are tracks from The Cramps, Type O Negative, Voltaire, Siouxsie, Zombie Girl, Twin Temple, God Module, Bauhaus, The Ramones, Concrete Blonde, The Creepshow, The Brickbats, Groovie Ghoulies, Ghoultown, Blitzkid, The Cryptkeeper Five, The Young Werewolves, The Tomb Tones and, of course, Bloodsucking Zombies From Outer Space. Don't listen alone! DJ cypher's Dark Nation Radio HALLOWEEN SPOOKTACULAR 26 October 2025 Voltaire, “The Skeleton Dance” The Young Werewolves, “Zombie Prom” The Tomb Tones, “My Girlfriend's a Zombie” The Creepshow, “Zombies Ate Her Brains” Twin Temple, “Satan's a Woman” The 69 Cats, “Cocaine Werewolf” The Cramps, “I Was a Teenage Werewolf” The Brickbats, “Mr. Halloween” Kat Robichaud, “Ouija Board” Concrete Blonde, “Bloodletting” Jace Everett, “Bad Things” Zombie Girl, “Go Zombie” Epileptic Hillybillys, “I'm the Wolf-Man” Izzy Reign, “Spooky Scary Skeletons” Switchblade Symphony, “Witches” The Cryptkeeper Five, “I Put a Spell On You” Rocket to Memphis, “Zombie Rumble” The Deep Eynde, “The Haunting” Raygun Cowboys, “One of Them Tonight” Ramones, “Pet Sematary” Rezurex, “Graveyard Girl” MXMS, “Gravedigger” Penis Flytrap, “Cemetery Girl” Groovie Ghoulies, “Graveyard Girlfriend” DieMonsterDie, “Gravedigger Girl” Voltaire, “Zombie Prostitute” Disney, “Disney's Haunted Mansion” SPF1000, “Haunted House” Rasputina, “Transylvania Concubine” Dead Elvis w/ Thee Gravemen, “Munster Boogie Woogie” Type O Negative, “Black #1” Blitzkid, “Werwulf” God Module, “Devil's Night” Shiv-R, “Buried” Ghoultown, “Drink With the Living Dead” The Rosedales, “Ghoulfriend” Bloodsucking Zombies From Outer Space, “Graveyard Blues” Siouxsie & the Banshees, “Spellbound” Oingo Boingo, “Dead Man's Party” Faderhead, “Halloween Spooky Queen” Kill Van Helsing, “The Corpse is Cool” Scarlet & the Spooky Spiders, “Zombie Werewolf” Deathwatch Beetle Repairman, “The Carny of Mr. Dark” Scary Bitches, “Lesbian Vampyres From Outer Space” Serpenteens, “(Please Be My) Zombie Bride” Bauhaus, “Bela Lugosi's Dead” DJ CYPHER'S DARK NATION RADIO—25 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

We'd love to hear from you! Click here to send us a text. In this episode of The New Wave Music Podcast, Steve takes an in-depth look at the latest albums from The Chameleons and Peter Murphy. From shimmering guitars to brooding vocals, he breaks down how each artist continues to evolve while honoring their signature sound.In music news, there are rumors of a new album from The Cure, new tracks from Pop Will Eat Itself and Daniel Ash's newest band, and an unexpected reinterpretation of a Bauhaus classic by EMF.The Chameleons:https://chameleonsband.comPeter Murphy:https://www.petermurphy.info/Support the show

BastiMasti versinkt im Kleinanzeigen-Wahn zwischen Golf GTD, Designerstühlen und einer kuriosen Oma, während anredo in alten eBay-Gedanken schwelgt und das Promi Big Brother-Finale seziert. In dieser Folge rundfunk 17 wird gefeilscht, geflucht und gefühlt. Basti befindet sich im kompletten Makeover-Modus: neues Auto, neues Ich, neue Stühle. Statt Cabrio jetzt Diesel-GTI, statt Clubnächte endlose Kleinanzeigen-Marathons. Mit Suchalarmen für Tisch, Lampe und Penispumpe (leichte Gebrauchsspuren) verwandelt er die Mayonnaise-Wohnung in ein Moodboard zwischen Bauhaus und Mid-Century-Modern. Doch sein größtes Abenteuer wartet nicht auf dem Parkplatz, sondern bei Roswitha (80), die ihm ein Sideboard und gleich noch eine Portion Alltagsrassismus mitverkauft. Zwischen Rabattjagd und japanischem Geschirr bleibt Basti nur noch die Frage, wie viel Prozent Nachlass ein schlechtes Bauchgefühl wert ist. Ex-Internetstar anredo steuert die passende Portion Nostalgie bei und nimmt uns mit zurück ins eBay der frühen 2000er. In eine Zeit, als Auktionen noch Nervenkitzel bedeuteten und ganze Familien sich gegenseitig hochgeboten haben, nur um am Ende selbst die eigenen Gameboy-Spiele zu ersteigern. Natürlich bleibt auch die Gegenwart nicht verschont: Das Jugendwort 2025 sorgt für Diskussionen, während anredo beim großen Promi Big Brother Fazit gnadenlos abrechnet. Zwischen Botox, Langeweile und der Frage, wer hier eigentlich noch echter ist: die Reality-Stars oder Bastis neue Designerstühle?

Returning guest, singer/songwriter Oscar Herrera (The Sleep of Reason, Black Tape for a Blue Girl), brings us Bauhaus and their 1980 debut full-length: 'In The Flat Field'. Often cited as a foundational release in the Goth-rock genre, there's no denying this darkly theatrical, often ferocious collection of songs STILL packs an unsettling punch. Happy pre-Halloween! Songs discussed in this episode: Dark Entries (Bauhaus cover) - Revolting Cocks (Feat. Gibby Haynes); I Have A Task - Oscar Herrera; God Of Thunder - Kiss; Isolation - Joy Division; Jigsaw Feeling - Siouxsie and The Banshees; His Box - Dalis Car; Castor and Pollux, To The Sea, Validation - Oscar Herrera; Double Dare, Antonin Artaud, In The Flat Field, God In An Alcove, Dive, The Spy In The Cab, Small Talk Stinks, St Vitus Dance, Who Killed Mr Moonlight, Stigmata Martyr, Nerves, Bela Lugosi's Dead, Telegram Sam (T-Rex cover), Ziggy Stardust (David Bowie cover) - Bauhaus; The Black Harvest (Live) - The Sleep Of Reason; Rose Garden Funeral of Sores (John Cale cover, live) - Bauhaus; Vienna (Ultravox cover) - Oscar Herrera

Baxie welcomes back the legendary Daniel Ash from Bauhaus, Tones on Tail, and Love and Rockets! After seven years in the making Daniel (along with Sade bassist Paul Denham and former PiL and The Pop Group drummer Bruce Smith) is finally set to release the debut album from Ashes & Diamond! The album comes out on October 31st and is completely worth the wait. Daniel talks about the band, the final Bauhaus tour, that night in Boston with Jane's Addiction, Love and Rockets, and his obsession for motorcycles! Just awesome! Listen on Apple Podcasts, YouTube, Spotify, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee!

In this episode of "Voices on Art", I talk to Daniel Hug, Artistic Director of Art Cologne. Dan's story is deeply rooted in art and culture — born into a Swiss and American family, growing up in an academic and artistic household as grandson of the legendary László Moholy-Nagy, one of the key figures of the Bauhaus.Our conversation flows from his upbringing and personal connections to art, through to his sharp observations of how the art market has developed since the 1980s. We talk about the cycles of the market — the ups and downs that are not necessarily signs of crisis, but part of a normal rhythm — and how galleries have evolved in response to shifting times.Dan shares a wealth of knowledge and experience, and we both bring in plenty of personal reflections and opinions — about what's changed, what remains, and why Art Cologne continues to play such a vital role in the German art landscape.Dan also announces the new Art Palma de Mallorca, which will be inaugurated in April 2025.A rich and honest conversation about art, passion, and the ever-changing world they take place.As always, I end with a book recommendation: "Out of This Century – Confessions of an Art Addict" by Peggy Guggenheim — a fascinating and fearless account of a life entirely devoted to art.Links:https://www.artcologne.com/https://www.moholy-nagy.org/https://van-horn.net/

Čilbir je turecky turecké vejce, v samotném Turecku ho ale skoro nikdo nezná. Hua Hin jsou nejstarší přímořské lázně někdejší Francouzské Indočíny, dnes tam s oblibou míří penzisti. Nejvíc bojových letadel na jednom místě najdete v muzeu amerického vojenského letectva v Daytonu.

This week's show kicks off our annual celebration of the spooky month of GOTHTOBER! Join the gruesome twosome as they spin some tunes that show a true appreciation of the grim and ghastly! The days are shorter, and the nights are longer and everything turns grey as they once again explore the dark and ethereal world of Goth Rock…What is it we do here at InObscuria? Every show, Kevin opens the crypt to exhume and dissect an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal from his personal collection. Robert is forced to test his endurance and provide feedback, as he has no idea what he will be subjected to every week. We hope that we turn you on to something that was lost on your ears, or something you've forgotten about, or that (in our opinion) should have been the next big dark thing.Songs this week include:The Drowning Season – “Brighter Than A Thousand Suns” from Brighter Than A Thousand Suns - EP (2018)October Burns Black – “With You” from Fault Line (2018) Vision Video – “Dead Gods” from Modern Horror (2024)Occults – “Hot Crucibel” from Rituals (2024)The Tears Of Ozymandias – “Zero Point” from The Tears Of Ozymandias (2021)Temple – “Ceremonial Incantations” from Past Laments (2021)Black Rose Moves – “Shadow Dance” from Death Dance - EP (2025)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://www.instagram.com/inobscuria/https://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria StoreIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Kunst und Funktion verschmolzen...Mach's dir bequem und kuschel dich ein!Dieser Podcast wird durch Werbung finanziert.Infos und Angebote unserer Werbepartner:https://linktr.ee/EinschlafenMitWikipediaPodcastHier geht's zum Wikipedia-Artikel.Der Artikel wurde redaktionell überarbeitet:https://de.wikipedia.org/wiki/BauhausCC BY-SA 4.0Musik: LAKEY INSPIRED - Better Days:https://soundcloud.com/lakeyinspired/better-daysCC BY-SA 3.0 Hosted on Acast. See acast.com/privacy for more information.

Going Green is a Finalist in the Signal Awards—the largest award solely dedicated to podcasting! Now I need YOUR help: The Listener's Choice Awards are open for voting worldwide through October 9th. Vote here today! This episode of Going Green (a SPACES podcast story) explores the evolution of architectural styles from historic to modern to postmodern. It begins with how buildings throughout history have reflected their region and responded to societal changes. The episode examines the emergence of modernism as a reaction to World War I and the socio-economic aspects of elaborate historic architecture. The Bauhaus movement and the international style are highlighted as major branches of modernism. The episode also explores the rise of postmodern architecture, which emphasized diversity, historical references, and contextual significance.Subscribe to SPACES PodcastEpisode Extras - Photos, videos, sources and links to additional content I found during my research. Check out the Going Green Soundtrack on SpotifyEpisode Credits:Production by Gābl MediaWritten by Dimitrius LynchExecutive Produced by Dimitrius LynchAudio Engineering and Sound Design by Jeff AlvarezArchival Audio courtesy of: Boston Society For Architecture, The Orchard Enterprises, DukeLibDigitalColl-Venturi & Brown, Web of Stories, DukeLibDigitalColl-Robert A.M. Stern, DukeLibDigitalColl - Charles Moore, Zak Ghanim

After being taken under the wing of Commodore Onyx, the crew of the Little Snail were brought up to date on the situation in Calstega Bay and beyond—learning for the first time details about a larger conflict between light and dark. But soon, they'll learn just how limited the protection of this “protective custody” is. As Genuine Sincere begins to pull tight his snare, will Elena, Jonathan, Nicky, and Veile escape the hotel, or will they find their destiny cut short? This week on Perpetua: Sizzling Rivalry, Crashing Waves! 03 Perpetua Guide [In Progress v.04] Some Feedback [Page 15 of 18] CarlsSr But anyway speaking of cooking, I feel like I run out of ingredients with Nicky too much. Is there any way to get more besides traveling? Alukard83 Wow, a useful question from Carl, I never thought I'd see the day. Shouldn't this be its own thread though? CarlsSr They don't let me make threads on the forum for some reason. TheUnforgivenIII The fact that you're having problems is just more PROOF that this faq sucks. And so does this message board, I hope the site closes. Alukard83 You could always just do easy travel in a circle right outside a city where it's safest to try to get some extra ingredients.  Btw why are you always so angry Unforgiven? Must be all that Metallica you listen to. Maybe try listening to some real music for a change, like Bauhaus. Though maybe for someone like you, you should try some BEGINNER stuff, like The Cult or Nine Inch Nails! XxZelgadyskXx I don't know the answer to this one Carl, but for quick questions like this you're always welcome to come hang out on the IRC channel! We're on DALnet! Oh, and I haven't used it yet but try Nicky's. We'll even let you start new conversation topics if you want n.n;;;; TheDiamondRanger What's an IR Channel? CarlsSr It's okay guys, I decided to just give Nicky the “Gathering” camp skill. Seems like that will work FriendofNei Wait, Carl, don't! I haven't had time to update the guide yet, but DON'T TAKE THAT SKILL I hope you keep more than one save file... Hosted by Austin Walker (austinwalker.bsky.social) Featuring Ali Acampora (ali-online.bsky.social), Art Martinez-Tebbel (amtebbel.bsky.social), Jack de Quidt (notquitereal.bsky.social), and Andrew Lee Swan (swandre3000.bsky.social) Produced by Ali Acampora Music by Jack de Quidt (available on bandcamp) Cover Art by Ben McEntee (https://linktr.ee/benmce.art) With thanks to Amelia Renee, Arthur B., Aster Maragos, Bill Kaszubski, Cassie Jones, Clark, DB, Daniel Laloggia, Diana Crowley, Edwin Adelsberger, Emrys, Greg Cobb, Ian O'Dea, Ian Urbina, Irina A., Jack Shirai, Jake Strang, Katie Diekhaus, Ken George, Konisforce, Kristina Harris Esq, L Tantivy, Lawson Coleman, Mark Conner, Mike & Ruby, Muna A, Nat Knight, Olive Perry, Quinn Pollock, Robert Lasica, Shawn Drape, Shawn Hall, Summer Rose, TeganEden, Thomas Whitney, Voi, chocoube, deepFlaw, fen, & weakmint This episode was made with support from listeners like you! To support us, you can go to friendsatthetable.cash.  

For one of our first episodes back in 2018 (S1E3), we discussed 'Hunky Dory' by David Bowie with then co-host Barry Stock. Honestly, though, for our first 20 episodes or so we were still finding our way and weren't even playing any music clips at that point. So when this week's guest, musician David J (Bauhaus, Love and Rockets), suggested taking on Bowie's fourth studio album, we couldn't resist revisiting this stone cold classic with such a thoughtful, well-informed guest. Essential listening! Songs discussed in this episode: Changes (David Bowie cover) - The Muffs/Robyn Hitchcock/Shawn Mullins/Cybernauts/Bananarama; Bela Lugosi's Dead - Bauhaus; No New Tale To Tell - Love and Rockets; Mambo Sun - T Rex; 10538 Overture - Electric Light Orchestra; The Shape Of Things To Come - Slade; You Can Get It If You Really Want - Desmond Dekker; Ziggy Stardust, Starman, Changes - David Bowie; Sheep (Pink Floyd cover) - Arthur Brown, Rick Wakeman, Jan Akkerman, David J., Carmine Appice; Oh! You Pretty Things - David Bowie; Oh! You Pretty Things - Peter Noone; The Bewlay Brothers, Eight Line Poem - David Bowie; My Way - Frank Sinatra; Life On Mars - David Bowie; Judy Teen - Steve Harley & Cockney Rebel; Kooks - David Bowie; This Guy's In Love With You - Burt Bacharach; Exquisite Corpse - Bauhaus; Quicksand - David Bowie; An Old Fashioned Love Song - Paul Williams; Fill Your Heart, Andy Warhol, Song For Bob Dylan - David Bowie; Ziggy Stardust (David Bowie cover) - Bauhaus; Waiting For The Man - The Velvet Underground; Amsterdam (Live, Olympia 1964) - Jacques Brel; Queen Bitch, The Bewlay Brothers - David Bowie; Oh No! Not Another Songwriter! - David J  

“Do you have sour balls?” Join us as we raise hell with Night of the Demons (1988)! We dig into how Joe Augustyn's script morphed from Halloween Party into a cult classic, Kevin S. Tenney's scrappy preproduction and casting, Angela's Bauhaus-fueled dance, the infamous lipstick gag and MUCH MORE!

In this episode, we are joined by the legendary Daniel Ash — the iconic English guitarist and songwriter behind goth rock pioneers Bauhaus, Tones on Tail, and alt-rock legends Love and Rockets. Ash has a new project called Ashes and Diamonds that will blow your rock n roll minds! MusicThe Charms "So Pretty"The Dogmatics "I Love Rock N Roll"Gang Green "Out On The Couch"Produced and Hosted by Steev Riccardo

Si vous avez déjà longé une zone industrielle, vous avez sûrement remarqué ces silhouettes caractéristiques : des toits anguleux, en forme de dents de scie. On les associe tellement aux usines que même les emojis d'usine reprennent ce motif. Mais pourquoi cette forme a-t-elle dominé l'architecture industrielle du XIXᵉ siècle ? Et pourquoi tend-elle à disparaître… tout en revenant aujourd'hui sous une autre forme ?Un héritage de la Révolution industrielleL'histoire commence en Angleterre au XIXᵉ siècle, au cœur de la Révolution industrielle. À cette époque, les usines s'agrandissent, mais l'électricité n'est pas encore disponible pour éclairer ces immenses halles. Les lampes à huile ou les chandelles ne suffisent pas. Or, travailler dans la pénombre est impensable pour les ouvriers. La solution viendra des toitures : on invente le “shed roof”, ou toit en dents de scie.Comment ça fonctionne ?La structure est simple : une succession de toits en triangle rectangle. La partie verticale est vitrée, orientée généralement au nord, pour laisser entrer la lumière diffuse, sans éblouir ni chauffer excessivement l'espace. La partie inclinée, elle, est recouverte de tuiles, d'ardoises ou de métal, protégeant de la pluie et de la chaleur. Résultat : une lumière naturelle constante, idéale pour travailler la journée, surtout dans les ateliers de textile ou de métallurgie.Ces toitures avaient d'autres atouts : elles facilitaient l'écoulement des eaux de pluie, répartissaient mieux le poids sur la charpente et rendaient les bâtiments plus solides.Le déclin progressifAvec l'arrivée de l'électricité au début du XXᵉ siècle, la contrainte lumineuse disparaît. On peut désormais éclairer un atelier avec des lampes, sans dépendre de l'orientation du bâtiment. Dès les années 1910, des écoles comme le Bauhaus en Allemagne expérimentent de nouvelles formes, plus modernes et modulables. Peu à peu, les toits en dents de scie déclinent et disparaissent du paysage industriel.Un retour inattenduMais l'histoire ne s'arrête pas là. Depuis quelques années, ces toits reviennent dans les projets de réhabilitation et d'architecture durable. Pourquoi ? Parce que leur face inclinée orientée plein sud est idéale pour accueillir… des panneaux solaires. Ce qui était autrefois une solution de lumière naturelle devient aujourd'hui un levier pour la transition énergétique. Certains architectes, comme Jean Prouvé dès les années 1950, avaient déjà pressenti ce potentiel en réutilisant ce type de structure dans des rénovations.ConclusionLes toits en dents de scie racontent une histoire fascinante : nés d'un besoin d'éclairage, abandonnés avec l'électricité, puis réinventés pour l'énergie solaire. Preuve que l'architecture industrielle, loin d'être figée, s'adapte sans cesse aux défis de son temps. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Baxie talks to legendary drummer Bruce Smith. Since 1979, Bruce has played with the insanely influential post-punk band The Pop Group, Public Image Ltd. with John Lydon, and The Slits. He's also played with Terrance Trent Darby, The The, and Bjork as well! Bruce is currently involved with Ashes and Diamonds—the incredible Super Group with Daniel Ash from Bauhaus, Tones on Tail, and Love and Rockets, and Sade's bass player Paul Denman. After seven years together and loads of interruptions and restarts, their debut album “Ashes and Diamonds and Forever” is finally getting its long overdue release (10/31/25). The final result is a record that Bruce calls “the most satisfying” of his career! Just brilliant! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app. Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee.