Podcasts about Bauhaus

Hoy en La Gran Travesía tenéis un programa donde podréis escuchar algunas grandes versiones de gente como Blondie, The Afghan Whigs, 16 Horsepower, Johnny Cash, Metallica, Pearl Jam, Placebo, Bauhaus, Joe Strummer.... y muchos más. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Daen Cho, Diego Román, Tole, Raquel, Poncho C, Contell Carles, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Die Top-Meldungen am 19. Dezember 2025: Aldi Süd verstärkt die Deutschland-Spitze, Bauhaus sondiert Übernahme von Baywa-Märkten und Iglo räumt seine Marke auf.

« Tendez votre oreille à la musique, ouvrez votre œil à la peinture. Et… ne pensez pas ! », c'est ainsi que Vassily Kandinsky s'exprimait. Sa vocation de peintre est née d'une expérience musicale lors d'un concert qui a changé sa vie. Une exposition «Kandinsky la musique des couleurs» à la Philharmonie de Paris et un documentaire «Voir la musique, réinventer la peinture» célèbrent en même temps ce peintre qui n'a cessé de faire dialoguer les sons et les couleurs. Du « choc » Wagner qu'éprouve Kandinsky en 1896, lors d'une représentation de Lohengrin à Moscou, à la découverte des œuvres atonales de Schönberg en 1911 à Munich ; de ses tentatives d'une nouvelle forme d'« art total » sur scène, à l'enseignement prodigué au Bauhaus, la musique est une clé indispensable pour apprécier l'œuvre de l'artiste russe. En présentant près de deux cents œuvres et objets de l'atelier de Kandinsky, la Philharmonie de Paris et le Centre Pompidou s'associent pour dévoiler la place fondamentale que la musique a jouée dans son quotidien, dans sa vocation d'artiste et dans l'évolution de sa pratique vers l'abstraction.   Marie-Pauline Martin, directrice du Musée de la musique - Philharmonie de Paris et Pierre-Henri Gibert, réalisateur, étaient les invités de Nathalie Amar.   L'exposition « Kandinsky. La musique des couleurs » est à retrouver à la Philharmonie de Paris. Le documentaire « Kandinsky : voir la musique, réinventer la peinture » de Pierre-Henri Gibert est à voir sur Arte.   ► Café Polar :  Catherine Fruchon-Toussaint a rencontré Denis Michelis pour «Mortel Noël» (Notabilia), un conte de Noël macabre et humoristique où l'auteur né en Allemagne et d'expression française s'amuse à détourner les Frères Grimm pour une intrigue policière déjantée et machiavélique.   ► Playlist du jour - Balavoine - Quand on arrive en ville - Charles Trenet - Le jardin extraordinaire.

« Tendez votre oreille à la musique, ouvrez votre œil à la peinture. Et… ne pensez pas ! », c'est ainsi que Vassily Kandinsky s'exprimait. Sa vocation de peintre est née d'une expérience musicale lors d'un concert qui a changé sa vie. Une exposition «Kandinsky la musique des couleurs» à la Philharmonie de Paris et un documentaire «Voir la musique, réinventer la peinture» célèbrent en même temps ce peintre qui n'a cessé de faire dialoguer les sons et les couleurs. Du « choc » Wagner qu'éprouve Kandinsky en 1896, lors d'une représentation de Lohengrin à Moscou, à la découverte des œuvres atonales de Schönberg en 1911 à Munich ; de ses tentatives d'une nouvelle forme d'« art total » sur scène, à l'enseignement prodigué au Bauhaus, la musique est une clé indispensable pour apprécier l'œuvre de l'artiste russe. En présentant près de deux cents œuvres et objets de l'atelier de Kandinsky, la Philharmonie de Paris et le Centre Pompidou s'associent pour dévoiler la place fondamentale que la musique a jouée dans son quotidien, dans sa vocation d'artiste et dans l'évolution de sa pratique vers l'abstraction.   Marie-Pauline Martin, directrice du Musée de la musique - Philharmonie de Paris et Pierre-Henri Gibert, réalisateur, étaient les invités de Nathalie Amar.   L'exposition « Kandinsky. La musique des couleurs » est à retrouver à la Philharmonie de Paris. Le documentaire « Kandinsky : voir la musique, réinventer la peinture » de Pierre-Henri Gibert est à voir sur Arte.   ► Café Polar :  Catherine Fruchon-Toussaint a rencontré Denis Michelis pour «Mortel Noël» (Notabilia), un conte de Noël macabre et humoristique où l'auteur né en Allemagne et d'expression française s'amuse à détourner les Frères Grimm pour une intrigue policière déjantée et machiavélique.   ► Playlist du jour - Balavoine - Quand on arrive en ville - Charles Trenet - Le jardin extraordinaire.

Original Video: https://www.youtube.com/watch?v=G_qSMInuaUs What happens when a culture starts bending truth to fit its desires? We follow that question across surprising terrain—Freud's hidden motives, Wagner's spell over European imagination, Bauhaus boxes that flatten the human spirit, and the concrete politics of highways and housing projects that shattered parish life. Along the way, we challenge the idea that ideas are neutral. People make theories, and those people have desires, wounds, and wagers hidden in their work. We dig into how music can catechize a nation, how architecture preaches a theology, and how postwar social engineering rebranded thick ethnic worlds into a thin “white” identity. The conversation pulls no punches on race as an ideology of management, not heritage, and on why religious belonging often explains American life better than color lines. From the “triple melting pot” to the claims of universal design, we map the choices that made cities brittle and suburbs bland—and why families paid the price. Then we pivot to power, vice, and freedom. Sexual liberation sells itself as emancipation while functioning as a lever of control, especially in a world wired for instant indulgence. The counterweight is old and bracing: you are only as free as you are free from your vices. Finally, we climb to the keystone: Logos. John's audacious claim—Logos is God—offers a language sturdy enough to speak across civilizations. If America moves into a fourth era as Protestant hegemony recedes and new blocs rise, the live question is simple and seismic: will appetite or Logos set the terms? Hear the case, question the links, and decide which story you're living. If this conversation stretches your thinking, share it with a friend, hit follow, and leave a review telling us what challenged you most. https://www.fidelitypress.org/book-products/walking-with-a-bible-and-a-gun Dr. Jones Books: fidelitypress.org/ Subscribe to Culture Wars Magazine: culturewars.com Donate: culturewars.com/donate Follow: https://culturewars.com/links CW Magazine: culturewars.com

The last episode of 2025 is here! And it's about Ludwig Hilberseimer. Never heard of him? No problem! bauhaus faces will help you out. Only few of the houses Hilberseimer planned were built. He was much more concerned about the bigger picture: How does the modern city, especially the metropolis, need to be organized to meet people's needs? His futuristic-looking draft of a Highrise City from 1924 with floating bridge pavements high above the streets, skyscrapers as apartment buildings, and a plant-less, sterile surrounding was certainly a real shocker. A "necropolis" rather than a metropolis. That high-rise apartment buildings would soon become reality, only a few of his contemporaries of the 1920s believed. With the help of the architectural historians Ute Poerschke and Kevin Harrington we will shine a light on Ludwig Hilberseimer.

Robin Schuldenfrei rejoins me to talk more Bauhaus! In this episode, we discuss her book Luxury and Modernism, covering the complexities of the Bauhaus, which had a leftwing ethos but produced luxury objects, and made them by hand to appear machine made. Robin talks us through how the contradiction between luxury and egalitarianism ran from Morris's arts and crafts movement to the Bauhaus, and modernism only became a truly "everyday" part of life during the colossal expansion of middle-class wealth in the midcentury, as celebrated by Life magazine and recreated in the show Mad Men

In this episode of Superlative, host and aBlogtoWatch founder Ariel Adams sits down with Efraim Grinberg, CEO of Movado Group, and Margot Grinberg, President of the Movado brand, for a thoughtful conversation about design heritage, modern consumer expectations, and the ongoing evolution of one of the most recognizable names in the watch industry. Together, they reflect on the enduring cultural impact of the Museum Dial and the Bauhaus principles that shaped it, while also exploring the importance of democratizing luxury and creating watches that connect emotionally with consumers. The discussion spans Movado's deep archive of historic designs, the renewed excitement in the women's watch category, the brand's focus on quality, storytelling, and education, and the strategic balance between appealing to dedicated enthusiasts and a broader mainstream audience. From the rising demand for mechanical pieces in the Heritage collection to the momentum behind new lines such as the Imperiale and the 1917, Ariel, Efraim, and Margot examine how Movado continues to stay in motion while remaining true to the values that have guided the company for more than 140 years. Check out this week's guest and episode sponsor - Movado Watches:- https://www.movado.com/ SUPERLATIVE IS NOW ON YOUTUBE! To check out Superlative on Youtube as well as other ABTW content:- YouTube - https://www.youtube.com/@ablogtowatch To check out the ABTW Shop where you can see our products inspired by our love of Horology:- Shop ABTW - https://store.ablogtowatch.com/To keep updated with everything Superlative, aBlogtoWatch Weekly, and aBlogtoWatch, check us out on:- Instagram - https://www.instagram.com/ablogtowatch/- Twitter - https://twitter.com/ABLOGTOWATCH- Website - https://www.ablogtowatch.com/If you enjoy the show please Subscribe, Rate, and Review!

In this episode of Superlative, host and aBlogtoWatch founder Ariel Adams sits down with Efraim Grinberg, CEO of Movado Group, and Margot Grinberg, President of the Movado brand, for a thoughtful conversation about design heritage, modern consumer expectations, and the ongoing evolution of one of the most recognizable names in the watch industry. Together, they reflect on the enduring cultural impact of the Museum Dial and the Bauhaus principles that shaped it, while also exploring the importance of democratizing luxury and creating watches that connect emotionally with consumers. The discussion spans Movado's deep archive of historic designs, the renewed excitement in the women's watch category, the brand's focus on quality, storytelling, and education, and the strategic balance between appealing to dedicated enthusiasts and a broader mainstream audience. From the rising demand for mechanical pieces in the Heritage collection to the momentum behind new lines such as the Imperiale and the 1917, Ariel, Efraim, and Margot examine how Movado continues to stay in motion while remaining true to the values that have guided the company for more than 140 years. Check out this week's guest and episode sponsor - Movado Watches:- https://www.movado.com/ SUPERLATIVE IS NOW ON YOUTUBE! To check out Superlative on Youtube as well as other ABTW content:- YouTube - https://www.youtube.com/@ablogtowatch To check out the ABTW Shop where you can see our products inspired by our love of Horology:- Shop ABTW - https://store.ablogtowatch.com/To keep updated with everything Superlative, aBlogtoWatch Weekly, and aBlogtoWatch, check us out on:- Instagram - https://www.instagram.com/ablogtowatch/- Twitter - https://twitter.com/ABLOGTOWATCH- Website - https://www.ablogtowatch.com/If you enjoy the show please Subscribe, Rate, and Review!

Der Streit um die Fahrtenregelung des Fachmarkts Bauhaus in Niederwangen geht in eine neue Runde. Die Gemeinde Köniz hat Beschwerde gegen den Entscheid der kantonalen Bau- und Verkehrsdirektion eingelegt. Diese hatte entschieden, dass die Zahl der Autofahrten zum Fachmarkt reduziert werden müsse. Weiter in der Sendung: · Der Kanton Bern ist der Swiss Blockchain Federation beigetreten. Er will damit seine Rolle in der Schweizer Blockchain-Branche stärken, wie er am Montag mitteilte. · Phillippe Allain, Kommandant der Freiburger Kantonspolizei, verlässt auf Ende Juni 2026 seinen Posten.

In this conversation, Mayur Mistry hosts Joshua Schultz and Christian Stutzki, discussing their experiences and insights in lightweight architecture and structural design. They explore their career highlights, the influences of the Bauhaus movement, the collaborative nature of their work, and the challenges faced in the industry. The discussion also delves into the writing process of their upcoming book, which aims to share knowledge and experiences in a fun and engaging way. Key themes include the importance of integrated design, the need for historical documentation in engineering, and the value of collaboration in achieving innovative solutions.   Takeaways   The book is not a textbook but a fun exploration of lightweight structures. Integrated design involves collaboration among all stakeholders. Constraints in design can drive innovative solutions. Historical context is crucial for understanding structural innovations. Practical experience is essential for navigating the industry. Collaboration is key to successful lightweight architecture. Recording engineering history helps future generations. Understanding the design process is vital for problem-solving. Long-term thinking is necessary during project execution. Personal experiences shape professional development.    Chapters   00:00 Introduction to Lightweight Architecture 01:46 Career Journeys and Influences 04:26 The Essence of the Book 06:43 Challenges in Writing and Key Learnings 09:01 Interdisciplinary Approach to Design 11:37 Lessons from Practical Projects 13:53 Navigating Unknowns in Structural Design 16:16 The Importance of Collaboration 18:33 Rapid Fire Round and Personal Insights 26:06 Closing Thoughts and Takeaways  

Want to reach out to us? Want to leave a comment or review? Want to give us a suggestion or berate Anthony? Send us a text by clicking this link!What happens when a culture starts bending truth to fit its desires? We follow that question across surprising terrain—Freud's hidden motives, Wagner's spell over European imagination, Bauhaus boxes that flatten the human spirit, and the concrete politics of highways and housing projects that shattered parish life. Along the way, we challenge the idea that ideas are neutral. People make theories, and those people have desires, wounds, and wagers hidden in their work.We dig into how music can catechize a nation, how architecture preaches a theology, and how postwar social engineering rebranded thick ethnic worlds into a thin “white” identity. The conversation pulls no punches on race as an ideology of management, not heritage, and on why religious belonging often explains American life better than color lines. From the “triple melting pot” to the claims of universal design, we map the choices that made cities brittle and suburbs bland—and why families paid the price.Then we pivot to power, vice, and freedom. Sexual liberation sells itself as emancipation while functioning as a lever of control, especially in a world wired for instant indulgence. The counterweight is old and bracing: you are only as free as you are free from your vices. Finally, we climb to the keystone: Logos. John's audacious claim—Logos is God—offers a language sturdy enough to speak across civilizations. If America moves into a fourth era as Protestant hegemony recedes and new blocs rise, the live question is simple and seismic: will appetite or Logos set the terms?Hear the case, question the links, and decide which story you're living. If this conversation stretches your thinking, share it with a friend, hit follow, and leave a review telling us what challenged you most.Support the showTake advantage of great Catholic red wines by heading over to https://recusantcellars.com/ and using code "BASED" for 10% off at checkout!********************************************************Please subscribe! https://www.youtube.com/channel/UCKsxnv80ByFV4OGvt_kImjQ?sub_confirmation=1https://www.avoidingbabylon.comMerchandise: https://avoiding-babylon-shop.fourthwall.comLocals Community: https://avoidingbabylon.locals.comFull Premium/Locals Shows on Audio Podcast: https://www.buzzsprout.com/1987412/subscribeRSS Feed for Podcast Apps: https://feeds.buzzsprout.com/1987412.rssRumble: https://rumble.com/c/AvoidingBabylon

Stāsta dizainers Klāvs Priedītis; pārraides producente — Inga Saksone Pagājušā gadsimta divdesmitajos un trīsdesmitajos gados iespiestie burti un rakstzīmes aizsāka uzvesties citādi nekā līdz tam laikam bija ierasts. Tie kļuva gluži vai teatrāli. Tas saistīts ar to, ka 20. gadsimta sākumā radošo pasauli satricināja modernisms — mākslas virziens, kas aicināja jaukt pastāvošās robežas starp arhitektūru, fotogrāfiju, dizainu, teātri un citiem mākslas veidiem. Savu nospiedumu modernisma laikmets atstāja arī grāmatu grafikā. Viena no jaunajām vizuālajām tendencēm bija tipomontāža. Tas bija netradicionāls veids, kā domāt par vizuālo elementu salikumu drukātajā lapā. Apdrukātu lapu varam uzskatīt par iespiedgrafikas kompozicionālo telpu. Pirms modernisma grāmatu mākslā vispirms valdīja eklektisks ornamentālisms, bet 19. gadsimta beigās pievienojās jūgendstilam raksturīgs dabas formu vijīgums. Grāmatu vāku noformējums, teksta un ilustrāciju salikums tika veidots pēc vienotiem tipografikas principiem, kas balstījās senās tradīcijās. Tas nozīmēja, ka mākslinieciskais rezultāts lielākoties bija paredzams un kopumā grāmatas tika noformētas visai līdzīgi. Šajos darbos kompozīcijas balstījās klasiskās tipografikas tradīcijās, kur galvenais uzdevums bija nodrošināt salasāmību un vizuālu kārtību. Teksts tika izkārtots horizontāli un grāmatu titulos pārsvarā kārtots pēc centrālās simetrijas principa. Saturs nereti dekorēts ar eklektiskiem ornamentiem, kas iestarpināti starp teksta paragrāfiem un nodaļām. Toties pēc Pirmā pasaules kara aizvien lielāku popularitāti iemantoja modernisms, kas nāca ar uzstādījumu atteikties no visa liekā, par galveno principu izvirzot vizuālu atturību un ornamenta noraidījumu un akcentējot tīru tipografikas lietojuma estētiku. Šajā kontekstā viena no modernisma izpausmēm bija tipomontāža, kas kļuva par revolucionāru rīku. To ieviesa un popularizēja tādi slaveni mākslinieki kā Lāslo Mohojs-Naģs (László Moholy-Nagy), Els Ļisickis (El Lissitzky), Jans Čiholds (Jan Tschichold) un citi, kas darbojās gan Bauhaus dizaina skolā, gan attīstīja savu rokrakstu konstruktīvisma noskaņās ārpus tās. Viņi uzskatīja, ka burti nav tikai vārdu nesēji — tieši pretēji tie paši var kļūt par vizuālu tēlu. Teksts var, piemēram, izteikt kustību līdzīgi kā deja, vai, piemēram, paust ritmu un skaņu, gluži kā mūzika, vai aizņemt telpu kā arhitektūra. Termins “tipomontāža” radās līdzībā ar fotomontāžu, kas tajā laikā bija iemantojusi popularitāti. Tāpat kā fotogrāfijas tika sagrieztas, sadalītas, līmētas un kombinētas jaunās nozīmēs, arī tipografiskie elementi tika “montēti” noteiktās kompozīcijās. Burti vairs neatradās horizontālās rindās, bet šķēla lapu diagonālēs, pārklājās, rotēja, mainīja mērogu un virzienu. Dažkārt teksta līnijas kļuva par kustības trajektorijām, kas virzīja skatienu pa plakātu vai grāmatas vāku. Tā bija dinamiska pieeja informācijas dizainā, kas tika plaši izmantota arī reklāmās un plakātos. Tipomontāža kļuva par instrumentu komunikācijai, kas pārsniedza vārdu nozīmi un ļāva skatītājam ieraudzīt pasauli jaunās noskaņās. Pateicoties jauniem un drosmīgiem māksliniekiem modernisma idejas ienāca arī Latvijas mākslas telpā. Pēc Pirmā pasaules kara Latvijas mākslinieki aktīvi sekoja modernisma strāvām Eiropā, un viens no spilgtākajiem piemēriem bija Niklāvs Strunke — gleznotājs, grafiķis, scenogrāfs, ilustrators un grāmatu mākslinieks. Strunke 20. gadu sākumā uzturējās Itālijā, iepazina futūrisma un konstruktīvisma principus, un, atgriezies Rīgā, tos pielietoja arī grāmatu mākslā. Viņš radīja eksperimentālus, arhitektoniski veidotus virsrakstu izkārtojumus un ilustrācijas tipomontāžas tehnikā. Strunke tipomontāžas tehnikā radoši eksperimentēja daudzos iespieddarbos. Vislabāk viņa talantu var novērtēt tādos izdevumos kā “Domas”, “Dr. Orientācija satīriskais kalendārs”, “Rīgas pilsētas gada grāmata 1931. gadam” un ikgadējā “Preses balles laika grāmata” kā arī citos darbos. Šajos darbos parādās mākslinieka izkoptā spēja apvienot literāro saturu ar modernu, telpisku tipografiku. Strunke uzskatīja, ka grāmatas vizuālā struktūra ir tikpat svarīga kā tās teksts. Daudzo eksperimentu rezultātā viņš kļuva par tipomontāžas tehnikas pamatlicēju latviešu grāmatu dizainā. Tāpat kā viņa laikabiedri Eiropā, Strunke domāja telpiski — lapas virsma viņam bija gluži kā skatuve, kurā burti spēlē lomas, rada kustību un nereti personificējas vai pārtop citos priekšmetos. Šī domāšana ir ļoti tuva tipomontāžas būtībai, proti, burtu kustība ir kā nozīmes radītāja. Tādēļ Strunki var uzskatīt par latviešu tipomontāžas rosinātāju, kurš pārtulkoja no ceļojumiem aizgūtās modernisma idejas vietējā valodā. Bet pati tipomontāža mudināja uz drukāto burtu skatīties plašāk — ārpus pierastajiem noteikumiem.

In this new episode of bauhaus faces, we dive into the life and work of Hans Fischli. Often overlooked in broader Bauhaus stories, Fischli worked across architecture, painting, sculpture, and teaching—leaving a mark that's still felt today. To get a sense of his impact, I spoke with the people who knew him best: his son, the artist Peter Fischli, his grandson, curator Fredi Fischli, who is currently preparing an exhibition on Hans Fischli at Zentrum Paul Klee in Berne, and his granddaughter, the artist Gina Fischli. Together, they share personal stories and reflections on their (grand-)father's architectural and artistic work.

Hoy os dejamos una lista con las 50 canciones más destacadas del año 1981. Es simplemente una playlist, sin comentarios añadidos, y donde podréis escuchar a Hanoi Rocks, Rolling Stones, Kim Wilde, Stevie Nicks, Tom Petty, Ramones, The Gun Club, Siouxsie and the Banshees, Duran Duran, Joan Jett, The Police, Pretenders, Teardrop Explodes, Bauhaus, OMD, The Clash, Plimsouls, Madness, Rush, Birthday Party, U2, Adam and the Ants, Queen, AC/DC ... y muchos más. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Contell Carles, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, JBSabe, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Baxie talks to the legendary David Haskins (David J.) from Bauhaus and Love and Rockets! David talks about his extraordinary career including the release of his powerful new record “The Mother Tree”. He's also just released a book called "Rhapsody, Threnody, and Prayer" which serves as a companion piece to the new also. He also talks about his latest project—the politically charged David J. and The Resistance. Daviid also gives his insight on the possibilities of a future Bauhaus reunion. We also get into what happened that night in Boston with Jane's Addiction and what it means to the future of Love and Rockets! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app. Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee.

We'd love to hear from you! Click here to send us a text. On this episode of the New Wave Music Podcast, Steve sits down with Ian Dench, guitarist and principal songwriter for EMF the band behind the iconic hit “Unbelievable.” Ian reflects on the band's early breakthrough, the whirlwind of success in the '90s, and how that explosive start shaped EMF's journey. He discusses the band's creative evolution, what brought them back together, and why their blend of rock, dance, and electronic energy still resonates today.The conversation also explores their 2024 comeback album The Beauty and the Chaos and their brand-new EP Reach For Something Higher. Ian shares the story of how their recent U.S. tour inspired the new EP and discusses the meaning behind their latest work and their approach to covering iconic tracks by Bauhaus and Depeche Mode. He also reflects on his songwriting legacy and what fans can expect from EMF's next chapter. EMF: https://emf-theband.com/Support the show

Um programa que vai dos anos 80, aos 90 e 00, dos Joy Division aos Romantics, dos Chameleons aos Bauhaus, numa experiência de vida musical e radiofónica. Esta terceira temporada é dedicada aos anos 90. Com Augusto Seabra

Joel's journey from running Impossible Pictures, a successful Denver creative agency, to becoming a business advisor for creative studios reveals the essential truth that creative excellence alone isn't enough. The conversation explores the evolution from vendor to expert, the importance of challenging client briefs rather than simply executing them, and why physical presence and travel remain critical for building relationships in an increasingly digital world.~ Joel's philosophy centers on the concept of "adapting with soul"—bringing humanity to business decisions while embracing change, including technological disruption like AI. Rather than competing in a race to the bottom as vendors, creatives must position themselves as visionaries who solve problems at their source.Through his community Forum, podcast Fabulous, and Fuse dinners, Joel creates spaces where creative founders can share their challenges and solutions, rejecting the scarcity mindset in favor of collective growth. Key TakeawaysCreative excellence starts the journey, but business mastery completes it and unleashes your full potential as a creative professionalThe myth that great creative work will automatically lead to business success is dangerous—you must actively learn and apply business principlesAsking for help is a sign of strength, not weakness, and can accelerate your growth by years rather than figuring everything out aloneVendors execute projects that clients prescribe, while experts challenge the diagnosis and solve problems at their source through strategic questioning"Experts travel" because meaningful business relationships require physical presence, empathy, and walking in your client's shoes beyond Zoom callsHire people smarter and more talented than you—surrounding yourself with excellence elevates your entire operation and creative outputThe transition from working through middlemen to working directly with brands represents a "race to the top" that increases value and impactClosing a successful business chapter can be devastating and liberating—every business has its lifecycle, but you are more than your businessCompetition makes everyone stronger when approached with a growth mindset rather than a scarcity or "prisoner eater" mentalityAI and technological disruption require creatives to imbue machines with soul, much like the Bauhaus movement democratized design through mass productionBusiness longevity comes from "adapting with soul"—making decisions aligned with your deepest values and authentic desires, not just market trendsThe creative industry needs visionaries who lead through change, not vendors who compete on price and execution speedCommunity and peer solidarity provide invaluable support because fellow founders understand the unique challenges of running creative businesses Daring Creativity. Daring Forever. Podcast with Radim Malinic Show questions or suggestions to desk@daringcreativity.com Latest books by Radim MalinicMindful Creative: How to understand and deal with the highs and lows of creative life, career and business Paperback and Kindle > https://amzn.to/4biTwFcFree audiobook (with Audible trial) > https://geni.us/free-audiobookSigned books https://novemberuniverse.co.ukLux Coffee Co. https://luxcoffee.co.uk/ (Use: PODCAST for 15% off)November Universe https://novemberuniverse.co.uk (Use: PODCAST for 10% off)

Um programa que vai dos anos 80, aos 90 e 00, dos Joy Division aos Romantics, dos Chameleons aos Bauhaus, numa experiência de vida musical e radiofónica. Esta terceira temporada é dedicada aos anos 90. Com Augusto Seabra

Send us a textDaniel Ash, along with Peter Murphy and brothers Kevin and David Haskins, formed Bauhaus, a band who were pioneers of goth rock. Their debut single, “Bela Lugosi's Dead” is considered by many to be the first record of the gothic-rock genre.   They released five studio albums, and during that period, Daniel and Kevin formed the post-punk band Tones on Tail in the early 1980s. In 1985, David Haskins, now as David J, rejoined his  Bauhaus bandmates, minus Peter Murphy, and they became Love and Rockets. Where Bauhaus was known for its gothic sound, Love and Rockets' had a brighter, more pop feel. They enjoyed a succesful run in the '80s and '90s, touring internation-ally and were featured prominently in the glory days of MTV. And now, Daniel Ash, along with drummer Bruce Smith of Public Image Ltd. and bassist Paul Spencer Denman who backed Sade, is back. The band is Ashes and Diamonds. The atmospheric sound of their debut album, Ashes and Diamonds are Forever, is fantastic. It releases October 31st and according to my talk with Daniel, the Halloween release is “appropriate”. He was such a pleasure to talk with and I think you'll enjoy…my talk with Daniel Ash.Photo by Regan Catam @raygun1111Ashes and Diamonds Are Forever is available through Cleopatra Records. Get yours here.Save on Certified Pre-Owned ElectronicsPlug has great prices on refurbished electronics. Up to 70% off with a 30-day money back guarantee!Euclid Records – Buy and sell records.A gigantic selection of vinyl & CDs. We're in St. Louis & New Orleans, but are loved worldwide!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms.And now, Frets is available on YouTube. There are a lot of fun extras like videos and shorts and audio of all episodes. Subscribing for FREE at YouTube helps support the show tremendously, so hit that subscribe button! https://www.youtube.com/@DJFey39 You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned… Contact Dave Fey at davefey@me.com or call 314-229-8033

Um programa que vai dos anos 80, aos 90 e 00, dos Joy Division aos Romantics, dos Chameleons aos Bauhaus, numa experiência de vida musical e radiofónica. Esta terceira temporada é dedicada aos anos 90. Com Augusto Seabra

Baxie speaks with internationally acclaimed singer Azam Ali. For the last several decades Azam has been recognized as a major talent whose music has been used in dozens of major films and several collaborations (including with Serj Tankian from System of a Down, Micky Hart from the Grateful Dead, and Peter Murphy of Bauhaus). Her latest album, “Synesthesia” is set to be released on November 14th. And it's amazing! However, the courageous story of how she got to this place in her life is unbelievable. From fleeing her native Iran as a refugee at the age of four (just before the Iranian Revolution), to growing up in India, until finally relocating to US as a teenager---Azam Ali has endured incredible hardship, isolation, and prejudice during her lifetime. Yet it was through her discover of that saved her life. This is an episode that will blow you away. Just incredible! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee.

ATTENTION ghosts, ghouls, and goblins: For your spooky listening pleasure, the annual Dark Nation Radio HALLOWEEN SPOOKTACULAR is back from the grave and ready to party—three full hours of creepy, freaky, and very cheeky tunes for the living and living impaired! Among the tricks and treats are tracks from The Cramps, Type O Negative, Voltaire, Siouxsie, Zombie Girl, Twin Temple, God Module, Bauhaus, The Ramones, Concrete Blonde, The Creepshow, The Brickbats, Groovie Ghoulies, Ghoultown, Blitzkid, The Cryptkeeper Five, The Young Werewolves, The Tomb Tones and, of course, Bloodsucking Zombies From Outer Space. Don't listen alone! DJ cypher's Dark Nation Radio HALLOWEEN SPOOKTACULAR 26 October 2025 Voltaire, “The Skeleton Dance” The Young Werewolves, “Zombie Prom” The Tomb Tones, “My Girlfriend's a Zombie” The Creepshow, “Zombies Ate Her Brains” Twin Temple, “Satan's a Woman” The 69 Cats, “Cocaine Werewolf” The Cramps, “I Was a Teenage Werewolf” The Brickbats, “Mr. Halloween” Kat Robichaud, “Ouija Board” Concrete Blonde, “Bloodletting” Jace Everett, “Bad Things” Zombie Girl, “Go Zombie” Epileptic Hillybillys, “I'm the Wolf-Man” Izzy Reign, “Spooky Scary Skeletons” Switchblade Symphony, “Witches” The Cryptkeeper Five, “I Put a Spell On You” Rocket to Memphis, “Zombie Rumble” The Deep Eynde, “The Haunting” Raygun Cowboys, “One of Them Tonight” Ramones, “Pet Sematary” Rezurex, “Graveyard Girl” MXMS, “Gravedigger” Penis Flytrap, “Cemetery Girl” Groovie Ghoulies, “Graveyard Girlfriend” DieMonsterDie, “Gravedigger Girl” Voltaire, “Zombie Prostitute” Disney, “Disney's Haunted Mansion” SPF1000, “Haunted House” Rasputina, “Transylvania Concubine” Dead Elvis w/ Thee Gravemen, “Munster Boogie Woogie” Type O Negative, “Black #1” Blitzkid, “Werwulf” God Module, “Devil's Night” Shiv-R, “Buried” Ghoultown, “Drink With the Living Dead” The Rosedales, “Ghoulfriend” Bloodsucking Zombies From Outer Space, “Graveyard Blues” Siouxsie & the Banshees, “Spellbound” Oingo Boingo, “Dead Man's Party” Faderhead, “Halloween Spooky Queen” Kill Van Helsing, “The Corpse is Cool” Scarlet & the Spooky Spiders, “Zombie Werewolf” Deathwatch Beetle Repairman, “The Carny of Mr. Dark” Scary Bitches, “Lesbian Vampyres From Outer Space” Serpenteens, “(Please Be My) Zombie Bride” Bauhaus, “Bela Lugosi's Dead” DJ CYPHER'S DARK NATION RADIO—25 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

My set warming up for Luttrell at Bauhaus, Las Vegas on October 18, 2025

We'd love to hear from you! Click here to send us a text. In this episode of The New Wave Music Podcast, Steve takes an in-depth look at the latest albums from The Chameleons and Peter Murphy. From shimmering guitars to brooding vocals, he breaks down how each artist continues to evolve while honoring their signature sound.In music news, there are rumors of a new album from The Cure, new tracks from Pop Will Eat Itself and Daniel Ash's newest band, and an unexpected reinterpretation of a Bauhaus classic by EMF.The Chameleons:https://chameleonsband.comPeter Murphy:https://www.petermurphy.info/Support the show

BastiMasti versinkt im Kleinanzeigen-Wahn zwischen Golf GTD, Designerstühlen und einer kuriosen Oma, während anredo in alten eBay-Gedanken schwelgt und das Promi Big Brother-Finale seziert. In dieser Folge rundfunk 17 wird gefeilscht, geflucht und gefühlt. Basti befindet sich im kompletten Makeover-Modus: neues Auto, neues Ich, neue Stühle. Statt Cabrio jetzt Diesel-GTI, statt Clubnächte endlose Kleinanzeigen-Marathons. Mit Suchalarmen für Tisch, Lampe und Penispumpe (leichte Gebrauchsspuren) verwandelt er die Mayonnaise-Wohnung in ein Moodboard zwischen Bauhaus und Mid-Century-Modern. Doch sein größtes Abenteuer wartet nicht auf dem Parkplatz, sondern bei Roswitha (80), die ihm ein Sideboard und gleich noch eine Portion Alltagsrassismus mitverkauft. Zwischen Rabattjagd und japanischem Geschirr bleibt Basti nur noch die Frage, wie viel Prozent Nachlass ein schlechtes Bauchgefühl wert ist. Ex-Internetstar anredo steuert die passende Portion Nostalgie bei und nimmt uns mit zurück ins eBay der frühen 2000er. In eine Zeit, als Auktionen noch Nervenkitzel bedeuteten und ganze Familien sich gegenseitig hochgeboten haben, nur um am Ende selbst die eigenen Gameboy-Spiele zu ersteigern. Natürlich bleibt auch die Gegenwart nicht verschont: Das Jugendwort 2025 sorgt für Diskussionen, während anredo beim großen Promi Big Brother Fazit gnadenlos abrechnet. Zwischen Botox, Langeweile und der Frage, wer hier eigentlich noch echter ist: die Reality-Stars oder Bastis neue Designerstühle?

Returning guest, singer/songwriter Oscar Herrera (The Sleep of Reason, Black Tape for a Blue Girl), brings us Bauhaus and their 1980 debut full-length: 'In The Flat Field'. Often cited as a foundational release in the Goth-rock genre, there's no denying this darkly theatrical, often ferocious collection of songs STILL packs an unsettling punch. Happy pre-Halloween! Songs discussed in this episode: Dark Entries (Bauhaus cover) - Revolting Cocks (Feat. Gibby Haynes); I Have A Task - Oscar Herrera; God Of Thunder - Kiss; Isolation - Joy Division; Jigsaw Feeling - Siouxsie and The Banshees; His Box - Dalis Car; Castor and Pollux, To The Sea, Validation - Oscar Herrera; Double Dare, Antonin Artaud, In The Flat Field, God In An Alcove, Dive, The Spy In The Cab, Small Talk Stinks, St Vitus Dance, Who Killed Mr Moonlight, Stigmata Martyr, Nerves, Bela Lugosi's Dead, Telegram Sam (T-Rex cover), Ziggy Stardust (David Bowie cover) - Bauhaus; The Black Harvest (Live) - The Sleep Of Reason; Rose Garden Funeral of Sores (John Cale cover, live) - Bauhaus; Vienna (Ultravox cover) - Oscar Herrera

Dans le cosmos qu'est le monde de la joaillerie, GemGenève a construit un univers que j'ai rassemblé dans la 7e saison du podcast thématique de la joaillerie, il était une fois le bijou. Dans cet épisode de podcast, je vous propose d'explorer une nouvelle nébuleuse, celle de l'Art Déco, particulièrement d'actualité en cette année du centenaire de ce mouvement artistique avec Alexandre Fiette, le conservateur d'art appliqué du Musée d'Art et d'Histoire de Genève, et Gaël Bonzon , l'adjointe scientifique spécialisée en Art Nouveau - Art Déco. Né dans les années 1920, l'Art Déco s'inspiration de l'Afrique, l'Asie, l'Égypte ancienne, mais aussi des avant-gardes cubistes et futuristes. L'exposition internationale des Arts Décoratifs de Paris en 1925 propulse ce style à travers le monde, jusqu'aux États-Unis, au Japon, au Canada… Chaque pays s'en empare, le transforme et l'adapte à sa culture. En Suisse, une dualité s'installe : la Suisse romande estinfluencée par la France et Paris tandis que la Suisse alémanique se tourne vers un modernisme fonctionnel proche du Bauhaus.L'Art Déco est avant tout un art total, pensé par des créateurs aux multiples talents. Parmi eux, Jean Dunand, artiste genevois emblématique, formé à l'École des Arts Industriels de Genève. Sculpteur, dinandier, laqueur et bijoutier visionnaire, il collabora avec Jeanne Lanvin, Madeleine Vionnet ou encore Joséphine Baker, à qui il offrit un bracelet manchette . Ses créations mêlent métal, laque et oréum, évoquant à la fois les formes tribales africaines et la modernité des gratte-ciel.Le MAH de Genève conserve un ensemble exceptionnel de pièces Art Déco : bijoux, émaux, ferronneries, textiles, mobilier, sculptures ou encore papiers peints. On y retrouve les œuvres de la famille Vanner, maîtres ferronniers, celles des Grandchamps, spécialistes du papier peint ou Robert Piguet expert du batik, ainsi que des pièces rares de Karl Angst, César Bolle ou Percival Pernet. Symbole d'une ère moderne, l'Art Déco incarne aussi la libération féminine. Les femmes, coupent leur cheveux et fument en public et usent d'objets précieux : minaudières, fume-cigarettes et clips de corsage. Les hommesont leur propre parure : boutons de manchettes, étuis à tabac ou porte-cartes en or.Pour le MAH, Alexandre Fiette rêve de trouver une robe de Robert Piguet, grand couturier vaudois des années 1920, tandis que Gaël Bonzon espère découvrir un chapeau laqué de Jean Dunand — des trésors témoignant du génie créatif de cette période. Je suis Anne Desmarest de Jotemps et je donne une voix aux bijoux dans trois podcasts. Retrouverez aussi sur le podcast Brillante et Bijou comme un bisou. Soutenez les podcasts en mettant des étoiles sur Apple Podcast et Spotify, partager ce podcast sur vos réseaux sociaux . A tout bientôt !Les podcasts de la joaillerie, du savoir-faire et du luxe par Anne Desmarest de Jotemps, fondatrice de Il était une fois le bijouHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Baxie welcomes back the legendary Daniel Ash from Bauhaus, Tones on Tail, and Love and Rockets! After seven years in the making Daniel (along with Sade bassist Paul Denham and former PiL and The Pop Group drummer Bruce Smith) is finally set to release the debut album from Ashes & Diamond! The album comes out on October 31st and is completely worth the wait. Daniel talks about the band, the final Bauhaus tour, that night in Boston with Jane's Addiction, Love and Rockets, and his obsession for motorcycles! Just awesome! Listen on Apple Podcasts, YouTube, Spotify, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee!

Um programa que vai dos anos 80, aos 90 e 00, dos Joy Division aos Romantics, dos Chameleons aos Bauhaus, numa experiência de vida musical e radiofónica. Esta terceira temporada é dedicada aos anos 90. Com Augusto Seabra

In this episode of "Voices on Art", I talk to Daniel Hug, Artistic Director of Art Cologne. Dan's story is deeply rooted in art and culture — born into a Swiss and American family, growing up in an academic and artistic household as grandson of the legendary László Moholy-Nagy, one of the key figures of the Bauhaus.Our conversation flows from his upbringing and personal connections to art, through to his sharp observations of how the art market has developed since the 1980s. We talk about the cycles of the market — the ups and downs that are not necessarily signs of crisis, but part of a normal rhythm — and how galleries have evolved in response to shifting times.Dan shares a wealth of knowledge and experience, and we both bring in plenty of personal reflections and opinions — about what's changed, what remains, and why Art Cologne continues to play such a vital role in the German art landscape.Dan also announces the new Art Palma de Mallorca, which will be inaugurated in April 2025.A rich and honest conversation about art, passion, and the ever-changing world they take place.As always, I end with a book recommendation: "Out of This Century – Confessions of an Art Addict" by Peggy Guggenheim — a fascinating and fearless account of a life entirely devoted to art.Links:https://www.artcologne.com/https://www.moholy-nagy.org/https://van-horn.net/

Synagoga v ulici mnichovské Reichenbachstrasse je jediná, která při řádění nacistů během takzvané Křišťalové noci v Mnichově před skoro 90 lety nelehla popelem. Stavba postavená ve stylu Bauhaus ale roky pustla, než se jí ujal zájmový spolek a v polovině září ji dovedl ke slavnostnímu znovuotevření.Všechny díly podcastu Zápisník zahraničních zpravodajů můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Čilbir je turecky turecké vejce, v samotném Turecku ho ale skoro nikdo nezná. Hua Hin jsou nejstarší přímořské lázně někdejší Francouzské Indočíny, dnes tam s oblibou míří penzisti. Nejvíc bojových letadel na jednom místě najdete v muzeu amerického vojenského letectva v Daytonu.

This week's show kicks off our annual celebration of the spooky month of GOTHTOBER! Join the gruesome twosome as they spin some tunes that show a true appreciation of the grim and ghastly! The days are shorter, and the nights are longer and everything turns grey as they once again explore the dark and ethereal world of Goth Rock…What is it we do here at InObscuria? Every show, Kevin opens the crypt to exhume and dissect an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal from his personal collection. Robert is forced to test his endurance and provide feedback, as he has no idea what he will be subjected to every week. We hope that we turn you on to something that was lost on your ears, or something you've forgotten about, or that (in our opinion) should have been the next big dark thing.Songs this week include:The Drowning Season – “Brighter Than A Thousand Suns” from Brighter Than A Thousand Suns - EP (2018)October Burns Black – “With You” from Fault Line (2018) Vision Video – “Dead Gods” from Modern Horror (2024)Occults – “Hot Crucibel” from Rituals (2024)The Tears Of Ozymandias – “Zero Point” from The Tears Of Ozymandias (2021)Temple – “Ceremonial Incantations” from Past Laments (2021)Black Rose Moves – “Shadow Dance” from Death Dance - EP (2025)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://www.instagram.com/inobscuria/https://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria StoreIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Kunst und Funktion verschmolzen...Mach's dir bequem und kuschel dich ein!Dieser Podcast wird durch Werbung finanziert.Infos und Angebote unserer Werbepartner:https://linktr.ee/EinschlafenMitWikipediaPodcastHier geht's zum Wikipedia-Artikel.Der Artikel wurde redaktionell überarbeitet:https://de.wikipedia.org/wiki/BauhausCC BY-SA 4.0Musik: LAKEY INSPIRED - Better Days:https://soundcloud.com/lakeyinspired/better-daysCC BY-SA 3.0 Hosted on Acast. See acast.com/privacy for more information.

Going Green is a Finalist in the Signal Awards—the largest award solely dedicated to podcasting! Now I need YOUR help: The Listener's Choice Awards are open for voting worldwide through October 9th. Vote here today! This episode of Going Green (a SPACES podcast story) explores the evolution of architectural styles from historic to modern to postmodern. It begins with how buildings throughout history have reflected their region and responded to societal changes. The episode examines the emergence of modernism as a reaction to World War I and the socio-economic aspects of elaborate historic architecture. The Bauhaus movement and the international style are highlighted as major branches of modernism. The episode also explores the rise of postmodern architecture, which emphasized diversity, historical references, and contextual significance.Subscribe to SPACES PodcastEpisode Extras - Photos, videos, sources and links to additional content I found during my research. Check out the Going Green Soundtrack on SpotifyEpisode Credits:Production by Gābl MediaWritten by Dimitrius LynchExecutive Produced by Dimitrius LynchAudio Engineering and Sound Design by Jeff AlvarezArchival Audio courtesy of: Boston Society For Architecture, The Orchard Enterprises, DukeLibDigitalColl-Venturi & Brown, Web of Stories, DukeLibDigitalColl-Robert A.M. Stern, DukeLibDigitalColl - Charles Moore, Zak Ghanim

After being taken under the wing of Commodore Onyx, the crew of the Little Snail were brought up to date on the situation in Calstega Bay and beyond—learning for the first time details about a larger conflict between light and dark. But soon, they'll learn just how limited the protection of this “protective custody” is. As Genuine Sincere begins to pull tight his snare, will Elena, Jonathan, Nicky, and Veile escape the hotel, or will they find their destiny cut short? This week on Perpetua: Sizzling Rivalry, Crashing Waves! 03 Perpetua Guide [In Progress v.04] Some Feedback [Page 15 of 18] CarlsSr But anyway speaking of cooking, I feel like I run out of ingredients with Nicky too much. Is there any way to get more besides traveling? Alukard83 Wow, a useful question from Carl, I never thought I'd see the day. Shouldn't this be its own thread though? CarlsSr They don't let me make threads on the forum for some reason. TheUnforgivenIII The fact that you're having problems is just more PROOF that this faq sucks. And so does this message board, I hope the site closes. Alukard83 You could always just do easy travel in a circle right outside a city where it's safest to try to get some extra ingredients.  Btw why are you always so angry Unforgiven? Must be all that Metallica you listen to. Maybe try listening to some real music for a change, like Bauhaus. Though maybe for someone like you, you should try some BEGINNER stuff, like The Cult or Nine Inch Nails! XxZelgadyskXx I don't know the answer to this one Carl, but for quick questions like this you're always welcome to come hang out on the IRC channel! We're on DALnet! Oh, and I haven't used it yet but try Nicky's. We'll even let you start new conversation topics if you want n.n;;;; TheDiamondRanger What's an IR Channel? CarlsSr It's okay guys, I decided to just give Nicky the “Gathering” camp skill. Seems like that will work FriendofNei Wait, Carl, don't! I haven't had time to update the guide yet, but DON'T TAKE THAT SKILL I hope you keep more than one save file... Hosted by Austin Walker (austinwalker.bsky.social) Featuring Ali Acampora (ali-online.bsky.social), Art Martinez-Tebbel (amtebbel.bsky.social), Jack de Quidt (notquitereal.bsky.social), and Andrew Lee Swan (swandre3000.bsky.social) Produced by Ali Acampora Music by Jack de Quidt (available on bandcamp) Cover Art by Ben McEntee (https://linktr.ee/benmce.art) With thanks to Amelia Renee, Arthur B., Aster Maragos, Bill Kaszubski, Cassie Jones, Clark, DB, Daniel Laloggia, Diana Crowley, Edwin Adelsberger, Emrys, Greg Cobb, Ian O'Dea, Ian Urbina, Irina A., Jack Shirai, Jake Strang, Katie Diekhaus, Ken George, Konisforce, Kristina Harris Esq, L Tantivy, Lawson Coleman, Mark Conner, Mike & Ruby, Muna A, Nat Knight, Olive Perry, Quinn Pollock, Robert Lasica, Shawn Drape, Shawn Hall, Summer Rose, TeganEden, Thomas Whitney, Voi, chocoube, deepFlaw, fen, & weakmint This episode was made with support from listeners like you! To support us, you can go to friendsatthetable.cash.  

Storia della cultura europea nei vent'anni tra la fine della Prima guerra mondiale e l'inizio della Seconda. Letteratura e arte tra sconvolgimenti bellici e crisi economica.

This week on Better Buildings for Humans, Joe Menchefski is joined by biophilic design expert and architect Helena van Vliet for an eye-opening conversation that redefines what it means to design for well-being. Helena shares her deeply personal path from Bauhaus boxes to “buildings as habitat,” and explains how chronic stress, poor air, and flat architecture are failing our health. You'll learn why edge conditions matter, how buildings impact your immune system, and how evolutionary biology proves we need daily awe to thrive. From her pioneering teaching methods to her new book Towards a Nature Positive Built Environment, Helena makes a compelling case for buildings that bloom—and why public health depends on them. If you think natural light and green walls are just nice-to-haves… think again.More About Helena van VlietBorn and raised in Aachen, Germany, in a family of architects and builders, Helena made her way to the US at the age of 20 and eventually found her home in Pennsylvania. She holds a Master of Architecture from the University of Pennsylvania and a Bachelor of Science (Vordiplom) in Architecture from the RWTH Aachen, Germany. Helena is the mother of two precious young adults and a licensed architect in the U.S. as well as in Germany. CONTACT:https://www.helenavanvliet.comhttp://www.biophilly.orghttps://www.linkedin.com/in/helenavanvliet/https://link.springer.com/book/9783031952913https://www.design.upenn.edu/people/helena-van-vlietwww.biophiliccities.org https://www.facebook.com/HelenaVanVlietArchitectLLC/Where To Find Us:https://bbfhpod.advancedglazings.com/www.advancedglazings.comhttps://www.linkedin.com/company/better-buildings-for-humans-podcastwww.linkedin.com/in/advanced-glazings-ltd-848b4625https://twitter.com/bbfhpodhttps://twitter.com/Solera_Daylighthttps://www.instagram.com/bbfhpod/https://www.instagram.com/advancedglazingsltdhttps://www.facebook.com/AdvancedGlazingsltd

Krone, Tobias www.deutschlandfunkkultur.de, Fazit

For one of our first episodes back in 2018 (S1E3), we discussed 'Hunky Dory' by David Bowie with then co-host Barry Stock. Honestly, though, for our first 20 episodes or so we were still finding our way and weren't even playing any music clips at that point. So when this week's guest, musician David J (Bauhaus, Love and Rockets), suggested taking on Bowie's fourth studio album, we couldn't resist revisiting this stone cold classic with such a thoughtful, well-informed guest. Essential listening! Songs discussed in this episode: Changes (David Bowie cover) - The Muffs/Robyn Hitchcock/Shawn Mullins/Cybernauts/Bananarama; Bela Lugosi's Dead - Bauhaus; No New Tale To Tell - Love and Rockets; Mambo Sun - T Rex; 10538 Overture - Electric Light Orchestra; The Shape Of Things To Come - Slade; You Can Get It If You Really Want - Desmond Dekker; Ziggy Stardust, Starman, Changes - David Bowie; Sheep (Pink Floyd cover) - Arthur Brown, Rick Wakeman, Jan Akkerman, David J., Carmine Appice; Oh! You Pretty Things - David Bowie; Oh! You Pretty Things - Peter Noone; The Bewlay Brothers, Eight Line Poem - David Bowie; My Way - Frank Sinatra; Life On Mars - David Bowie; Judy Teen - Steve Harley & Cockney Rebel; Kooks - David Bowie; This Guy's In Love With You - Burt Bacharach; Exquisite Corpse - Bauhaus; Quicksand - David Bowie; An Old Fashioned Love Song - Paul Williams; Fill Your Heart, Andy Warhol, Song For Bob Dylan - David Bowie; Ziggy Stardust (David Bowie cover) - Bauhaus; Waiting For The Man - The Velvet Underground; Amsterdam (Live, Olympia 1964) - Jacques Brel; Queen Bitch, The Bewlay Brothers - David Bowie; Oh No! Not Another Songwriter! - David J  

“Do you have sour balls?” Join us as we raise hell with Night of the Demons (1988)! We dig into how Joe Augustyn's script morphed from Halloween Party into a cult classic, Kevin S. Tenney's scrappy preproduction and casting, Angela's Bauhaus-fueled dance, the infamous lipstick gag and MUCH MORE!

In this episode, we are joined by the legendary Daniel Ash — the iconic English guitarist and songwriter behind goth rock pioneers Bauhaus, Tones on Tail, and alt-rock legends Love and Rockets. Ash has a new project called Ashes and Diamonds that will blow your rock n roll minds! MusicThe Charms "So Pretty"The Dogmatics "I Love Rock N Roll"Gang Green "Out On The Couch"Produced and Hosted by Steev Riccardo

Si vous avez déjà longé une zone industrielle, vous avez sûrement remarqué ces silhouettes caractéristiques : des toits anguleux, en forme de dents de scie. On les associe tellement aux usines que même les emojis d'usine reprennent ce motif. Mais pourquoi cette forme a-t-elle dominé l'architecture industrielle du XIXᵉ siècle ? Et pourquoi tend-elle à disparaître… tout en revenant aujourd'hui sous une autre forme ?Un héritage de la Révolution industrielleL'histoire commence en Angleterre au XIXᵉ siècle, au cœur de la Révolution industrielle. À cette époque, les usines s'agrandissent, mais l'électricité n'est pas encore disponible pour éclairer ces immenses halles. Les lampes à huile ou les chandelles ne suffisent pas. Or, travailler dans la pénombre est impensable pour les ouvriers. La solution viendra des toitures : on invente le “shed roof”, ou toit en dents de scie.Comment ça fonctionne ?La structure est simple : une succession de toits en triangle rectangle. La partie verticale est vitrée, orientée généralement au nord, pour laisser entrer la lumière diffuse, sans éblouir ni chauffer excessivement l'espace. La partie inclinée, elle, est recouverte de tuiles, d'ardoises ou de métal, protégeant de la pluie et de la chaleur. Résultat : une lumière naturelle constante, idéale pour travailler la journée, surtout dans les ateliers de textile ou de métallurgie.Ces toitures avaient d'autres atouts : elles facilitaient l'écoulement des eaux de pluie, répartissaient mieux le poids sur la charpente et rendaient les bâtiments plus solides.Le déclin progressifAvec l'arrivée de l'électricité au début du XXᵉ siècle, la contrainte lumineuse disparaît. On peut désormais éclairer un atelier avec des lampes, sans dépendre de l'orientation du bâtiment. Dès les années 1910, des écoles comme le Bauhaus en Allemagne expérimentent de nouvelles formes, plus modernes et modulables. Peu à peu, les toits en dents de scie déclinent et disparaissent du paysage industriel.Un retour inattenduMais l'histoire ne s'arrête pas là. Depuis quelques années, ces toits reviennent dans les projets de réhabilitation et d'architecture durable. Pourquoi ? Parce que leur face inclinée orientée plein sud est idéale pour accueillir… des panneaux solaires. Ce qui était autrefois une solution de lumière naturelle devient aujourd'hui un levier pour la transition énergétique. Certains architectes, comme Jean Prouvé dès les années 1950, avaient déjà pressenti ce potentiel en réutilisant ce type de structure dans des rénovations.ConclusionLes toits en dents de scie racontent une histoire fascinante : nés d'un besoin d'éclairage, abandonnés avec l'électricité, puis réinventés pour l'énergie solaire. Preuve que l'architecture industrielle, loin d'être figée, s'adapte sans cesse aux défis de son temps. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

La violencia impone sus normas en demasiados rincones de nuestro mapa y de nuestro presente. A gran escala, pero también en los microcosmos. ¿Y si la aparición de un ángel fuera posible para torcer la lógica del mal? Ese anhelo late en la mirada de Alberto Morais, que regresa al cine con 'La terra negra', su quinto largometraje. La película se adentra en un terreno áspero y cargado de preguntas sobre nuestra capacidad de resiliencia frente al dolor y la injusticia.Tras este arranque, el programa se centra en los estrenos de la semana junto a Conxita Casanovas. Entre ellos, 'Romería' de Carla Simón, que compite por representar a España en los Oscar; 'El talento', un drama protagonizado por Ester Expósito y Pedro Casablanc; 'April', procedente de Georgia y centrada en la violencia obstétrica; y 'Acosada', un relato francés sobre inseguridades maritales, relaciones pasadas y autoestima.Desde Las Palmas de Gran Canaria, Jonay estrena sección con un espacio de reflexión sobre el mundo actual a través de notas musicales creadas en su piano, convirtiendo la música en un lenguaje de pensamiento.La actualidad internacional sigue en Italia, con la Mostra de Venecia cubierta por Jordi Barcia, y en paralelo se recuerda el fallecimiento de Giorgio Armani y el centenario del nacimiento de Andrea Camilleri, dos figuras clave de la cultura italiana.En Alemania, Beatriz Domínguez nos acerca al centenario de la Bauhaus. Hace cien años, en 1925, la escuela de arquitectura y diseño fundada por Walter Gropius se trasladaba de Weimar a Dessau, marcando una época de innovación que aún resuena.El programa concluye con otra nueva sección: Elena Rosillo abre una ventana al mundo de la cultura underground, explorando propuestas artísticas que nacen desde los márgenes para interpelar al presente.Escuchar audio

Franzen, Brigitte www.deutschlandfunkkultur.de, Fazit

Baxie talks to legendary drummer Bruce Smith. Since 1979, Bruce has played with the insanely influential post-punk band The Pop Group, Public Image Ltd. with John Lydon, and The Slits. He's also played with Terrance Trent Darby, The The, and Bjork as well! Bruce is currently involved with Ashes and Diamonds—the incredible Super Group with Daniel Ash from Bauhaus, Tones on Tail, and Love and Rockets, and Sade's bass player Paul Denman. After seven years together and loads of interruptions and restarts, their debut album “Ashes and Diamonds and Forever” is finally getting its long overdue release (10/31/25). The final result is a record that Bruce calls “the most satisfying” of his career! Just brilliant! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app. Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee.

durée : 00:30:08 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Par Jean-Jacques Lévêque - Avec Nina Kandinsky (veuve du peintre Vassily Kandinsky) et Nelly Van Doesburg (veuve du peintre Théo Van Doesburg) - réalisation : Massimo Bellini, Vincent Abouchar

In Chapter 25 of The Book of Trump, Ghost welcomes Chris Paul for a high-octane, history-shattering exploration of the UniParty and the “party of false decorum.” They trace the neoconservative movement from its Trotskyite roots to its post-WWII infiltration of American political and academic institutions. Chris unpacks his theory of reputational control, a social currency that binds elites across ideologies, and explains how this dynamic fuels both woke culture and controlled opposition on the right. From the Bauhaus and Frankfurt schools to the CIA's Ukraine exploits, Zionist negotiations with Nazis, and Oppenheimer's role in the nuclear psyop, no narrative is safe. The episode ends with a powerful indictment of identity politics and virtue-signaling within the truth community, urging listeners to ditch reputation games and reclaim principled resistance. A cerebral takedown of elite theater that calls the audience to see beyond the stage, and the actors.