Podcasts about Depeche Mode

Blogger and model The Strange Goth and comedian Dave Carter joined Hannah and Mark for a fun show and found that they had a lot in common.   The Strange Goth talked about her parents recognizing the darkness within her at an early age. How she initially found he goth scene in the Bay Area but has now found a home in the Los Angeles scene. She talks about what it was like to be on the cover of LA Weekly's goth issue, why she doesn't wear black all the time, what it is like being a woman of color in the goth scene and set the scene for her future wedding where she will walk down the aisle on fire.   Dave talked about how he discovered death rock and darker music while serving in the Air Force (where he was assigned to play volleyball), his beginnings doing improv in the hallowed halls of Second City in Chicago, his work as a voice over actor as the voice of dramas on FreeForm among others, how his wife reacts to him making jokes about her in his stand up act and how he is at a point now where his 5 year old daughter gives him advice on how to audition and survive in show business.   And we discussed the eternal arguments…are The Smiths, Marilyn Manson and Depeche Mode goth?

Depeche Mode - Enjoy The Silence Dua Lipa - Houdini Sombr - Undressed Chappell Roan - Good Luck Babe Elton John & Dua Lipa - Cold Heart (Pnau Remix) Bruno Mars - I Just Might The Soup Dragons - I'm Free Blue Boy - Remember Me Kid Rock - All Summer Long White Town - Your Woman Fun Lovin' Criminal - Scooby Snacks Alphaville - Big In Japan Red Hot Chili Peppers - Aeroplane Coldplay & BTS - My Universe George Michael - Fastlove Oasis - Supersonic Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans ce troisième épisode de notre série de l'été, Lena nous parle d'un concert de Depeche Mode, au cabaret Futura, c'était en février 1981 !—Crédits :Couverture épisode : Enardan (crédit photo : © Lowri-Ann Richards & Depeche Mode Classic Photos and Videos)Musiques originales : YohanMontage : Enardan—Sources : 1981-02-16 Cabaret Futura, London, England, UK/Source 1 - Depeche Mode Live Wiki—Extraits musicaux (par ordre d'apparition) :Before We Drown - captation audience du 2024-04-03 Lanxess-Arena, Cologne, GermanyTelevision Set - 1981-02-16 Cabaret Futura, London, England, UKPhotographic - 1981-06-11 Richard Skinner Session, BBC Radio 1, London, England, UKThe Price of Love - 1981-06-27 Crocs, Rayleigh, Essex, England, UKIce Machine - 1981-02-16 Cabaret Futura, London, England, UK puis 1984-11-02 Hammersmith Odeon, London, England, UKNew Life - 1981-02-16 Cabaret Futura, London, England, UKBig Muff - 1981-02-16 Cabaret Futura, London, England, UKTora ! Tora ! Tora ! - 1981-02-16 Cabaret Futura, London, England, UK—Retrouvez la précédente participation de Lena dans l'épisode 23 : https://www.youtube.com/watch?v=0qOK2r50ha4&list=PLe6bR99aP6_4ijpY8Y7C8Hn4Px3HF4rxf—Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

For Martin Gore’s 65th birthday, another set of amazing DM covers! (76 minutes)

For Martin Gore’s 65th birthday, another set of amazing DM covers! (76 minutes)

In dieser Episode erzähle ich, warum du mit deinem Business nicht jedem gefallen solltest – und was du von einer einzigartigen Bar in Tallinn lernen kannst. Ich zeige, wie radikale Positionierung und klare Abgrenzung echte Fans anziehen, statt in der Austauschbarkeit unterzugehen. Anhand der Depeche Mode-Bar wird deutlich: Wer mutig für etwas steht, wird sichtbar und unvergesslich. Ich teile meine Erfahrungen aus der Arbeit mit Unternehmen und gebe Impulse, wie schon kleine Veränderungen in deiner Positionierung große Wirkung erzielen können. Du erfährst, warum fünf Prozent treuer Kunden oft mehr wert sind als die Masse – und wie du sie für dich gewinnst.

Magician On Duty Journey Series welcomes Miami-based selector Ricardito (@ric_dimensions) for a deeply personal recording that reflects the places, people and moments that have shaped his musical path. Drawing inspiration from the underground cultures of London, New York and South Florida, Ricardito has cultivated a sound that effortlessly drifts between organic house, deep grooves and hypnotic rhythms. His approach is less about chasing genres and more about creating emotional movement—building sets that invite listeners into a shared experience where dance, introspection and connection coexist. Over the years, Ricardito has become a familiar presence across Miami's vibrant electronic music community, soundtracking sunset beach gatherings, intimate boat parties on Biscayne Bay and immersive experiences at Love Burn as part of the CYMATICA camp. His journey has also taken him through beloved collectives including Fun the Pain Away, Lunarcrats, Sky Bar and Banana Hammocks, while appearances at venues such as Sable, M2, Mad Radio, ZeyZey and Do Not Sit On The Furniture have further established his reputation as a thoughtful and versatile selector. His contribution to the Magician On Duty Journey Series captures that same spirit of exploration. Carefully woven together, the mix moves through organic textures, melodic storytelling and late-night energy, balancing introspective moments with uplifting grooves. Featuring music from Temple Step Project & Darpan, Roze, Fernn, Jon.K, Eternal Moment, Space Food, BOg, Danny Tenaglia, Booka Shade, Patrice Bäumel, Boris Brejcha and many more, the journey also includes unexpected reinterpretations of Portishead, Depeche Mode and Nelly Furtado, creating a seamless narrative that feels both nostalgic and forward-looking. Rather than simply presenting a collection of tracks, Ricardito treats the recording as a living memory—one inspired by friendships, places and fleeting moments that continue to resonate long after the music fades. It's an invitation to slow down, lose yourself in the journey and reconnect through rhythm. Follow Ricardito here: SoundCloud: [https://soundcloud.com/ric_dimensions] Instagram: [https://www.instagram.com/crirgcito] Website: [https://www.ricardito.net/]

Dans ce deuxième épisode de notre série de l'été sur Depeche Pod, Alex va nous parler de sa découverte du groupe.—Crédits :Couverture épisode : Enardan (crédit photo : Alex et ses cassettes de Depeche Mode)Musiques originales : YohanMontage : Enardan—Extraits musicaux (par ordre d'apparition) :A Question of Time - album Black Celebration, 1986Everything Counts - album Construction Time Again, 1983Never Let Me Down Again - album Music For The Masses, 1987I Feel You - album Songs Of Faith And Devotion, 1993A Pain That I'm Used To - album Playing The Angel, 2005—Retrouvez sa précédente participation dans l'épisode 29, partie 3 : https://youtu.be/2zHJVDAmk6M—Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Music doesn't have to fit neatly into a genre, and neither does Melody Zenith.In this episode of MyMusic, host Graham Coath sits down with the independent artist to explore the influences, ideas and experiences behind her music. From growing up on the sounds of Kate Bush, Depeche Mode and The Cure to finding inspiration in disco, trip-hop, R&B and beyond, Melody explains why she's more interested in emotion than labels.The conversation dives into songwriting as therapy, the vulnerability of finding a melody with nothing but your own voice, and why imperfections are often where the magic happens. Melody also shares her thoughts on AI, creativity, artistic ownership, burnout, editing her own videos, building an independent career, and why sometimes the most powerful thing a musician can play is... nothing at all.Along the way, there are conversations about vinyl records, Twitch DJ sets, cats interrupting recording sessions, Bandcamp, touring, and the importance of creating music that genuinely makes people feel something.If you enjoy thoughtful conversations about creativity, songwriting and the realities of being an independent artist, this is an episode you won't want to miss.Listen now and discover Melody Zenith's music after the interview. If it resonates with you, consider supporting independent music by buying merch, following her work and sharing her songs.Check out the new show sponsor https://13thfloorsound.bandcamp.com/merch

Hoy en La Gran Travesía podréis escuchar a Florence and the Machine, Kyuss, Ramones, David Bowie, Fleetwood Mac, Depeche Mode, Bon Jovi, Soul Asylum, Everclear... ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Alul, JBsabe, Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Jose Antonio Moral, Juanito, Octavio Oliva, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Moy, Dani Pérez, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

"1991. Antonia, de dieciséis años, responde al llamado de su madre enferma, la misma que la abandonó cuando era una niña. Con el corazón agitado y la música de Depeche Mode en sus oídos, la joven aborda un bus sin imaginar que encontrará mucho más que respuestas a sus interrogantes en un viaje que cambiará para siempre su destino."Conversamos en el #TraficantesDeCultura con la escritora y editora Lilian Flores Guerra, autora de Antonia, el fuego, su nuevo libro editado por EDICIONES DEL GATO.Conduce: Humberto Fuentes

Send us Fan Mail  - FOLGE 107Wie wurde ALEXANDER HACKE mit gerade einmal 15 Jahren zum Mitglied bei den EINSTÜRZENDEN NEUBAUTEN?Und warum ist er es seit 2025 nicht mehr?Weshalb haben ALEXANDER HACKE und DANIELLE DE PICCIOTTO 14 Jahre als Nomaden gelebt?Was stimmt an den Vorwürfen DEPECHE MODE hätte die Samples der EINSTÜRZENDEN NEUBAUTEN für das Album SOME GREAT REWARD geklaut?Wie kam es 1989 zur Gründung der LOVEPARADE?Wer hat heute bei MUTE-RECORDS eigentlich das Sagen?  -       Fun facts, hard facts & Nerd Facts Konzerte und Lesungen von ALEXANDER HACKE und DANIELLE DE PICCIOTTO findet ihr hier: https://www.hackedepicciotto.deHier das Video zu ZEITENWENDE, der neuen Single von HACKEDEPICCIOTTO: https://tinyurl.com/4hsj8vtmDas neue Album LICHTUNG von HACKEDEPICCIOTTO und auch die Autobiographie KRACH von ALEXANDER HACKE hört und/oder kauft ihr am besten bei BANDCAMP hier: https://hackedepicciotto.bandcamp.com -       Ganz unverschämte Werbung in eigener Sache: Hier findet ihr unsere neue Facebook Seite: https://tinyurl.com/36btmena, Instagram hier https://tinyurl.com/5c4rt7wnund ganz neu sogar TIKTOK: https://tinyurl.com/3mcw9tzpOder wenn es unbedingt sein muss, hier unsere brandneue Band HELDAUTOMAT: https://tinyurl.com/33hf2hzj.Unsere nagelneue Homepage für den Podcast findet ihr hier: https://disko80.deBesucht unbedingt unseren neuen Partner Zillo hier: https://www.facebook.com/zillo1989 -       LinksPodcast Disko 80: https://disko80.deRSS-Feed: https://feeds.buzzsprout.com/1754816.rssHomepage P&K: http://www.purwienundkowa.comHomepage Heldautomat: https://heldautomat.comMusik von Purwien & Kowa: https://purwienkowa.bandcamp.comBücher von Purwien & Kowa: https://amzn.to/2W9Ftj8Videos von Purwien & Kowa: https://bit.ly/3QVfTbRFollow us on Facebook: https://tinyurl.com/36btmenaSpotify Playlist Folge 107: https://tinyurl.com/yukyfm8v  

Bienvenue dans ce premier épisode de notre série de l'été de Depeche Pod ! Nous vous proposons d'écouter Carine qui nous confie quelques anecdotes autour de sa participation au documentaire Spirits in the Forest !—Crédits :Couverture épisode : Enardan (crédit photo : Carine, aux côtés d'Anton Corbijn)Musiques originales : YohanMontage : Enardan—Extrait musical : Going Backwards, LiVE SPiRiTS Soundtrack, 2020.—Liens :Bande-annonce sur la chaîne YouTube de Depeche Mode : https://youtu.be/EN31oGIrOHwLa précédente intervention de Carine dans Depeche Pod : https://youtu.be/RK78Qe1N7u4—Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

U2 - Pride (In The Name Of Love) The Rasmus - In The Shadows Chumbawamba - Tubthumping EMF - Unbelievable Run Dmc Feat. Aerosmith - Walk This Way Spin Doctors - Two Princes Teddy Swims - The Door Michael Jackson - Pretty Young Thing Chromeo - Jealous (I Ain't With It) Mika - Love Today Madonna - Hung Up Empire Of The Sun - Walking On A Dream Depeche Mode - Policy Of Truth Visage - Fade To Grey Pet Shop Boys - West End Girls Moby - We Are All Made Of Stars Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Fireworks are already flying, Missouri is apparently competing for the national championship of "Things You Shouldn't Light With Your Hand," and somehow that's only the beginning.The crew kicks things off trying to figure out whether it's Wednesday, Thursday, or simply the longest week in human history before diving headfirst into Fourth of July survival tips that probably won't save anybody's fingers. Backyard fireworks, neighborhood explosions, and some horrifying statistics make everyone question whether buying fireworks by the shopping cart was ever a good national tradition.Meanwhile, Moon relives the story of becoming "that weird guy in the neighborhood" after climbing a massive tree to rescue his son's drone and accidentally introducing himself to strangers as "Moon." Unsurprisingly, the neighbors were left convinced a celestial being...Road rage, unbearable heat, geese holding up traffic, Gary Busey somehow becoming Gary Goosey, and an absolutely ridiculous debate over whether honking at geese is ever acceptable all collide into one giant conversation that somehow still makes perfect sense on this daily comedy show.Just when everyone thinks the episode has peaked, along comes the legend of the mysterious Mexican Batman—a real-life vigilante allegedly duct-taping motorcycle thieves to light poles before leaving police to clean up the mess. The crew immediately begins casting Alfred, Robin, and debating exactly how Batman's alter ego translates into Spanish.As if that wasn't enough, Dry July officially begins, prompting discussions about drinking culture, whether wine has ever actually been healthy, bizarre proposals limiting alcohol sales, and the eternal struggle of surviving social events while staying sober. It's heartfelt, ridiculous, and exactly what you'd expect from people who can somehow turn alcohol policy into comedy.Ancient pinball laws finally disappear, bizarre yearbook pranks make national news, forgotten movie trivia takes over the studio, and somehow the gang finds itself laughing through one completely unbelievable story after another. The result is exactly what longtime listeners expect: organized chaos disguised as a radio show.If you love weird news, sarcastic humor, pop culture commentary, ridiculous debates, and a daily comedy show that somehow finds comedy hiding inside every headline, you're in the right place. Whether you're listening during your commute, pretending to work, or recovering from your own backyard fireworks adventure, we've got you covered.This daily comedy show dives headfirst into the weird power of 80s advertising as the gang discovers they somehow remember every lyric from Mentos, Big Red, Toys "R" Us, Crossfire, Mousetrap, Mountain Dew, and just about every commercial that interrupted Saturday morning cartoons. Apparently your brain forgets passwords but permanently stores gum jingles from 40 years ago.Then things take a surprisingly emotional turn as news breaks that St. Louis broadcasting legend Joe Buck is officially moving his family to Colorado. The crew debates whether the city should feel betrayed, whether Denver's mysterious airport conspiracy finally claimed another celebrity, and why St. Louis residents can be hilariously possessive of anyone they consider "one of us."Of course, it wouldn't be The Rizzuto Show without diving into celebrity chaos. The crew discusses Nikki Sixx reigniting an old feud with Godsmack, Tommy Lee proving he's somehow still the same guy after all these years, Rush postponing tour dates, Lizzo opening up about disappointing album sales, Bam Margera continuing his recovery journey, and the internet somehow finding a reason to get angry about Fiona's appearance in the new Shrek movie.Then comes one of the funniest conversations of the day as everyone debates the greatest comedy movies ever made. Does Monty Python and the Holy Grail deserve the top spot? Should Bridesmaids replace The Hangover? Is Dumb and Dumber secretly a perfect comedy? Naturally, absolutely nobody agrees.Finally, the show debuts a brand-new game that perfectly captures the generational divide. Teenagers are handed a list of legendary 80s and 90s band names and asked to pronounce them out loud. The results are exactly as gloriously awkward as you'd hope, leaving everyone wondering whether classic rock history has officially become another foreign language.If you've ever looked at the spelling of Queensrÿche, INXS, Kajagoogoo, Björk, Hüsker Dü, Portishead, Chumbawamba, Oingo Boingo, or Yngwie Malmsteen and wondered who lost a bet naming these bands... this episode is for you.Rizz recruits his kids and their friends for what seems like a simple challenge: read a list of famous artists from the '80s and '90s out loud. Easy... until they actually see the spellings.What follows is an absolutely glorious game of confidence, confusion, lucky guesses, and pronunciations that make every Gen Xer simultaneously laugh and feel incredibly old. The crew debates every answer before callers place their bets on whether today's teenagers can figure out names that older music fans have spent decades taking for granted.Some artists turn out to be easier than expected. Others become instant comedy gold. Hearing "Inks" instead of INXS, watching everyone overthink Depeche Mode, the surprising victories with Chumbawamba and Oingo Boingo, and the complete surrender when Yngwie Malmsteen enters the chat all make for one hilarious ride.Along the way, Moon, King Scott, Rafe, and Rizz roast each other almost as much as they roast the contestants, making every guess funnier than the last. It's nostalgia, music trivia, generational chaos, and live game-show energy all rolled into one episode.Whether you're screaming the correct answers from your car, discovering some of these bands for the first time, or realizing your favorite artists have names that make absolutely no phonetic sense, this comedy podcast delivers nonstop laughs from start to finish.If you grew up watching MTV, collecting CDs, or arguing over whose dad had the better record collection, you'll love seeing how today's generation handles these iconic names. And if you're Gen Z... don't worry. We promise we're laughing with you.Follow The Rizzuto Show → https://linktr.ee/rizzshowConnect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on 105.7 The Point | Hubbard Radio in St. Louis, MO.1 killed in shooting after altercation on I-64 exit ramp in O'Fallon, MissouriSuspects face charges after car break-in spree in Maryland HeightsMexican ‘Batman' vigilante wanted for chasing down suspected motorbike thieves, taping them to lamppostsCambridge bar owner fights proposed 30-minute drink rule and other restrictions: "It's kind of wild"SC law legalizes pinball for youth, ending decades-old prohibitionAdolf Hitler baby photo in New Jersey middle school yearbook sparks investigationMissouri St. Louis spot earns title of ‘Best Sandwich in America'Joe Buck, family moving to Denver, with 'partial home base' in St. LouisSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you've ever looked at the spelling of Queensrÿche, INXS, Kajagoogoo, Björk, Hüsker Dü, Portishead, Chumbawamba, Oingo Boingo, or Yngwie Malmsteen and wondered who lost a bet naming these bands... this episode is for you.Rizz recruits his kids and their friends for what seems like a simple challenge: read a list of famous artists from the '80s and '90s out loud. Easy... until they actually see the spellings.What follows is an absolutely glorious game of confidence, confusion, lucky guesses, and pronunciations that make every Gen Xer simultaneously laugh and feel incredibly old. The crew debates every answer before callers place their bets on whether today's teenagers can figure out names that older music fans have spent decades taking for granted.Some artists turn out to be easier than expected. Others become instant comedy gold. Hearing "Inks" instead of INXS, watching everyone overthink Depeche Mode, the surprising victories with Chumbawamba and Oingo Boingo, and the complete surrender when Yngwie Malmsteen enters the chat all make for one hilarious ride.Along the way, Moon, King Scott, Rafe, and Rizz roast each other almost as much as they roast the contestants, making every guess funnier than the last. It's nostalgia, music trivia, generational chaos, and live game-show energy all rolled into one episode.Whether you're screaming the correct answers from your car, discovering some of these bands for the first time, or realizing your favorite artists have names that make absolutely no phonetic sense, this comedy podcast delivers nonstop laughs from start to finish.If you grew up watching MTV, collecting CDs, or arguing over whose dad had the better record collection, you'll love seeing how today's generation handles these iconic names. And if you're Gen Z... don't worry. We promise we're laughing with you. Mostly.This comedy podcast proves that some band names were never meant to be read by human eyes. The pronunciations may be questionable, but the laughs definitely aren't.Thanks for listening to another comedy podcast from The Rizzuto Show—where every day somehow turns into organized chaos, and somehow that's exactly how we like it.Follow The Rizzuto Show → https://linktr.ee/rizzshowConnect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Noel catches up with Susan Ottaviano, the lead singer of Book of Love. The Philadelphia-based synthpop group is celebrating the 40th anniversary of their self-titled debit album with a newly remastered vinyl. This is the first official vinyl reissue since the album's original release in 1986. It features the band's iconic tracks "Boy,” and “I Touch Roses,” Susan reveals when she believes the band started to be taken seriously. The band have had their songs featured in some big movies. "Modigliani (Lost in Your Eyes)", was featured in the 1987 John Hughes' movie "Planes, Trains, and Automobiles," and 'Sunny Day" was featured in the 1991 Oscar-winning movie "The Silence of the Lambs" The quartet opened for Depeche Mode on their 1985 and 1986 tours. They released four albums in total and broke up in the 1990s. They reunited and will tour to celebrate the 40th anniversary of the debut album. Is new Book of Love music on the way? Stay tuned...

On this episode, Marc talks Barry Walters, author of "Mighty Real: A History of LGBTQ Music, 1969-2000," published in May of 2026. It's a fascinating version of music history focused on LGBTQ musicians and audiences, with chapters centered on specific artistsm from the Velvet Underground through David Bowie up to Judas Priest, Diana Ross, Prince, Depeche Mode, and so many more. Walters delves into each with the eye of a seasoned rock critic and the skill of a journalist, telling their stories and measuring their impact on LBGTQ culture and society as a whole. As he writes, "Straight critics have been telling us how to hear our music for ages, so I'm simply offering a queer alternative—based on forty years of professional research and two prior decades of fandom, with insights gleaned not only from when these records were new and we experienced them in the moment but also from retrospection and insider information."We hope you enjoy Marc's conversation with Barry Walters!

Surf robótico, boogie rock desde la tierra de Oz, power pop, ritmos para la pista de baile, country punk, sugar daddies, la voz de Iggy Pop, un recuerdo a Silvio y Barra Libre, canciones bonitas, canciones de protesta, canciones desde el porche y Depeche Mode flotando en la brisa para recordarnos que disfrutemos del silencio.(Foto del podcast por Jon Tarry; Datura 4)Playlist;LES ROBOTS “When Hank-B and R-John collide”” (Intermission Optigan)DATURA 4 “Under a rock” (High on the low brow)THE STEMS “Your kind of love”JON SPENCER “Wet and wild” (Songs of personal loss and protest)JOAN AS A POLICE WOMAN feat IGGY POP “Save me” (Real life evolution)EZEZEZ “Zaunk”TY SEGALL “Black paint” (Chrome)NINE POUND HAMMER “Too outlaw for outlaw country”PIKE and DELTA “Tri-tri-tristeza” (Rockin’ bomb #3)OLD CROW MEDICINE SHOW feat JESSE WELLES “Howdy do America” (Union made)JESSE WELLES “The ballad of big balls” (Masks off)THE HANGING STARS “Big red car” (Just a day)MOD LANG “What I can’t have” (Borrowed time)THE LEMON TWIGS “Friday I’m gonna love you”THE CROOKED RUGS “Back porch” (ST)NOUVELLE VAGUE “Enjoy the silence” (A date with Depeche Mode)Escuchar audio

This week in the world we live in and life in general w/ host Jon Justice - Celebrating the Rose Bowl Show- 3 songs that redefined pop - Listener feed back SUPPORT JON JUSTICE BY PICKING UP YOUR COPY OF THE EMBARK, THE SCIENCE FICTION SERIES WRITTEN BY JON JUSTICEAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70's - 1990'sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) EMBARK: The Vanishing War (Book 3) Gahan Corbijn and the Asteroid of Misfortune, The Rocket Queen (Book 5) Fear the Dangerous Night (Book 6) are available now in ebook, paperback, audiobook and free on Kindle Unlimited!EMBARK Battle Planet (Book 7) is now available!https://www.amazon.com/dp/B07K7LLFZY50'S DEPECHE MODEhttps://youtu.be/Vt69FeFz-ko?si=xmqmYcxCZa4q9P_GLatest drink and chat with Rob Rohm https://youtu.be/rXs7iZX1tfUEmail: TalkShowNerd@gmail.com@X @JonJusticeInstagram TheJonJusticeFacebook Jon Justice

"You're in despair. You just don't know you're in despair." — Peter RollinsOn this episode of Podsongs, John Kunkel of The New Division takes the guest-host chair to interview Northern Irish writer, philosopher and theologian Peter Rollins as inspiration for a brand new song. John opens up on his influences — Depeche Mode, New Order, Echo & the Bunnymen, Duran Duran — before the conversation turns to Rollins' work: questioning certainty, exposing the contradictions we live by, and finding freedom from the relentless "tyranny of happiness," with Los Angeles cast as a spiritual "Mecca" selling wholeness to anyone who can afford it. Along the way Rollins unpacks desire, sacrifice, work and alienation, ideology, AI and the unconscious, the films that shaped him, and the parables behind his "pyrotheology" — and the talk becomes the seed of "Idols," a song about the things we all end up worshipping, good and bad.New single "Idols" by The New Division — out 26 June. Stream/pre-save: https://ffm.to/tnd_idolsTOPICSPeter Rollins on desire, contradiction, and ideologyThe tyranny of happiness and the demand to enjoyLos Angeles as a spiritual marketplaceLacanian psychoanalysis and the unconsciousWhy desire needs obstaclesSacrifice, meaning, and fulfillmentAI, consciousness, and the technological singularityFilms, storytelling, and creative inspirationJohn Kunkel's influences: Depeche Mode, New Order, Echo & the Bunnymen, Duran DuranWriting a song live on the podcastTIMESTAMPS00:00 Intro: welcome to Podsongs01:29 Why UK music hits different (New Order, Depeche Mode, Echo & the Bunnymen)04:45 Keeping new wave alive06:18 Moving abroad: music logistics09:47 Writing 150 song demos14:41 Who is Peter Rollins?28:17 Peter joins the call31:50 LA and the demand to enjoy37:01 The tyranny of happiness38:35 The superego's demand to enjoy40:19 Why fulfilling your dreams can backfire41:53 The enjoyment hidden in sacrifice44:33 Why desire needs obstacles47:39 The unconscious and Lacan's "object a"52:56 Filmmaking and prohibition57:43 Negative universality and politics01:01:16 The church of contradiction01:05:29 AI, singularity and the unconscious01:12:42 Music tastes and influences01:14:08 Film picks: They Live and ideology01:19:49 Who inspires Peter now01:20:34 Writing the song live01:21:20 The Vegas parable and unknowing01:26:02 Where to find Peter Rollins01:28:43 The profane temple and lack01:34:51 Post-interview debrief01:39:07 "Idols" — song outroGUEST & MUSICIANPeter Rollins: https://peterrollins.comThe New Division: https://www.newdivisionmusic.comGet the newsletter, support the show, and download the song for just €/$1:https://podsongs.comWebsite: https://podsongs.comPodcast Episodes: https://podsongs.com/podcast-episodesMusic: https://podsongs.com/musicInstagram: https://instagram.com/podsongsTwitter/X: https://twitter.com/podsongsFacebook: https://facebook.com/podsongs#PeterRollins #JohnKunkel #NewDivision #Philosophy #Theology #Psychoanalysis #Lacan #ArtificialIntelligence #AI #Consciousness #Ideology #Desire #Happiness #Spirituality #Songwriting #SynthPop #NewWave #PostPunk #Podsongs #JackStafford

Further reading: https://elephantartgallery.com/blogs/meet Desmond Morris with his favorite Congo painting: Peter/Pierre Brassau and some of his paintings: The so-called donkey painting, and I described it wrong in the episode: Pockets at work: Show transcript: Welcome to Strange Animals Podcast. I'm your host, Kate Shaw. Back in the early days of the podcast I did an episode about animal musicians, which for a long time was my favorite episode. Today let's visit a similar topic, animals who are visual artists. Back in the 1950s through the 60s, researchers studying how humans make art studied monkeys and apes who were taught how to use a brush and paints. The studies caught the public's fancy and it became something of a fad to own a piece of art created by an animal—whether it was a monkey or ape, an elephant, or some other animal. One of the earliest big name animal artists was a chimpanzee named Congo. Zoologist Desmond Morris, who was studying creativity in apes and humans, and who was also an artist himself, offered Congo a pencil and paper when he was two years old in 1956. Congo enjoyed drawing and especially liked to draw circles. When Morris eventually gave the chimp paints, Congo was even more enthusiastic. But while he was considered a novelty, he only had one art exhibition while he was alive, a 1957 event arranged by Morris. It wasn't until 2005 that the remaining paintings were exhibited, along with the art of some other apes, and some of them sold for thousands of dollars. A new exhibit appeared in December of 2019 in the Mayor Gallery in London. One interesting thing is that Morris worked with several apes to see how they drew and painted, but only Congo showed enthusiasm and skill for art. Congo died of tuberculosis in 1964 when he was only ten years old. Also in 1964, a French avant-garde artist named Pierre Brassau exhibited four of his paintings at an art show in Sweden. No one knew who Brassau was, but his paintings were critically acclaimed—except for one critic who wrote, “Only an ape could have done this.” Ahem, yes. That is correct. The artist turned out to be a West African chimpanzee named Peter who lived in a zoo in Sweden. The whole thing started with a Swedish journalist who apparently wasn't much of a fan of modern art. The journalist persuaded a zookeeper to give Peter a canvas, paints, and brush. At first Peter just ate the paint, but eventually he started making marks on the canvas. The journalist ultimately chose four of the paintings and submitted them to the exhibition under the name Pierre Brassau. One of the paintings sold for the equivalent of about $750 today. But animal artists making modern art isn't limited to the 1950s and 60s. In 1905 a painting by an unknown artist, J.R. Boronali, went on display in a Parisian salon. It didn't cause any kind of stir, though, because it was nothing special, until 1910 when word got out that the painting had been made by a donkey. According to the story, an art critic tied a paintbrush to the donkey's tail and fed the donkey carrots, which made it wag its tail, which dabbed paint on a canvas. I've seen the painting, though, and it seems clear that a human artist prepped the canvas by slapping a coat of background paint on it that resembles a red sea and blue sky. There are some dabs and blobs of paint over that in yellow and red, presumably from the donkey. In this case, of course, the donkey wasn't trying to paint a picture and didn't even know what was going on behind it, just that it was getting lots of carrots. An avant-garde Russian school of art named itself The Donkey's Tail in 1912 as a result, though, so that's pretty neat. More recently, a capuchin monkey named Pockets has become a big-name artist in the animal world. Pockets was donated to a Canadian animal sanctuary after his owner finally realized that capuchin monkeys are wild animals and don't actually make very good pets. One of the volunteers at the sanctuary gave Pockets the nickname Warhol because of his white hair, which reminded her of the artist Andy Warhol. That gave her the idea to give Pockets some paints and see what he would do with them. It turns out that Pockets really likes to paint. In 2011 the sanctuary held an exhibit of his paintings to help raise money, and since then his paintings have been exhibited in art shows around the world. He's collaborated with a human artist, who basically paints something and then gives the canvas to Pockets to add to it. His art recently appeared on the cover of an album released by a member of Depeche Mode too. Not all animal artists are apes or monkeys, though. Bini the Bunny stars in a lot of videos where he plays basketball, dances, plays the guitar, and does a lot of other things you would not expect a bunny to do. He also paints. Bini, of course, has been trained to make certain movements, including picking up a paintbrush in his mouth and moving it upward with the paint-covered bristles sometimes touching a canvas, but sometimes not. Bini isn't choosing what paint colors to use and doesn't even really look at the canvas while he's working. He's cute, but he's not making art spontaneously the way Pockets and his predecessors do. Elephants also make art, holding a paintbrush with the tip of the trunk. The most famous elephant artist was named Ruby, an Asian elephant who lived at the Phoenix Zoo in Arizona in the United States, although she was born in Thailand in 1973. When her keepers saw her using a stick to draw in the dirt, they gave her painting supplies to see what she would do with them. Ruby enjoyed painting, choosing her colors carefully, and some of her paintings sold for as much as $25,000. Ruby died from complications of a failed pregnancy in 1998, sadly. So many artists die young. Sometimes you'll see videos of elephants painting a picture of an elephant, but these aren't spontaneously created. The elephant has always been taught to make the same brush strokes, and sometimes the training is cruel. An authentic elephant painting looks abstract, with lines and dots that the elephant places in a shape it finds pleasing, not to resemble something specific. This is the same with ape and monkey artists too. If you listened to the episode about animal musicians, you will probably remember the Thai Elephant Orchestra. Well, the same conservation center that hosts the elephant orchestra also has some elephant artists. The Elephant Art Gallery sells paintings made by various of the elephants who live in the sanctuary. They're allowed to choose their own paints and decide if they want to paint at all that day. Elephants who don't show interest in learning to paint don't have to try, and instead get to do different activities. The main difference between human art and art made by non-human animals is that humans naturally create representational art without being taught. Little kids draw wobbly stick people with big smiles and no one has to show them how. Humans can make abstract art, of course, but a skilled abstract artist chooses colors, textures, and patterns carefully to invoke a feeling in the people who look at the finished painting. This is different from a little kid finger-painting who is just having fun making a mess, although of course you can make art with finger paints too. Animals never create representational art spontaneously, and we can't know if their choice of colors, textures, and patterns is intended to invoke a particular feeling because we can't ask them. (I mean, we can ask them but they wouldn't understand the question and we wouldn't get an answer.) But it does seem obvious that animals who enjoy painting and who make deliberate marks on paper or canvas are taking pleasure from the process of creation. And when you come right down to it, that's the most important thing about making art. Finally, you may remember the court case about the monkey selfie from 2014. Nature photographer David Slater was taking pictures in a nature reserve in Indonesia when he stepped away from his camera, which was set up on a tripod. A Celebes crested macaque monkey investigated the camera and ended up taking a number of photos, one of which was a selfie that became almost instantly famous online. Slater tried to claim copyright to get paid for the photograph as it became more and more popular. In August of 2014 the United States Copyright Office decided that the owner of camera equipment can't claim copyright for a photo taken by an animal. Neither can the owner of an animal who takes a photograph or otherwise produces artwork. Only a human can hold copyright, but if the human doesn't actually create the art, they don't get the copyright. Hey, this would be a great day to make a drawing or a painting! Thanks for your support, and thanks for listening!

Ce 15 juin, Marjorie Hache met à l'honneur Jimi Hendrix, Placebo, The Velvet Underground, Kate Nash, Rival Sons, Mungo Jerry, Cold War Kids, Paramore, Pink Floyd, The Bloodhound Gang, Iggy Pop et Alice Cooper. L'animatrice célèbre par ailleurs le 37e anniversaire de la sortie du cultissime album "Bleach" de Nirvana en diffusant "About A Girl". Deep Purple lance les nouveautés avec "Arrogant Boy", et Graham Coxon propose "Alright" à l'approche de la sortie de son disque "Castle Park". Mike D des Beastie Boys confirme son retour avec "What We Got". Les rockeurs belges de Ghinzu et les Toulousains de Slift sont également de la partie. La primeur de la soirée met en lumière l'Australienne Ecca Vandal avec le titre cyberpunk "Vertical Worlds". L'album de la semaine s'attarde sur "I Built You A Tower", 11e disque des Américains de Death Cab For Cutie, avec l'excellent titre "Punching For Flowers". Enfin, la reprise du jour s'annonce surprenante : le collectif français Nouvelle Vague réinvente "Enjoy The Silence" de Depeche Mode dans une version bossa nova apaisante, portée par la voix de Skye Edwards, la chanteuse de Morcheeba. Deep Purple - Arrogant Boy Jimi Hendrix - Crosstown Traffic Nirvana - About A Girl The Bangles - Walk Like An Egyptian Placebo - Battle For The Sun The Velvet Underground - Heroin Kate Nash - Foundations Death Cab For Cutie - Punching The Flowers Gary Glitter - I'm The Leader Of The Gang (I Am!) Rival Sons - Company Man Mungo Jerry - In The Summertime Graham Coxon - Alright Nouvelle Vague, Larry Love & Skye Edwards - Enjoy The Silence Cold War Kids - Hang Me Up To Dry Paramore - Still Into You Ghinzu - Out Of Control Pink Floyd - Comfortably Numb Biffy Clyro - Wolves Of Winter Mike D - What We Got Herman's Hermits - No Milk Today Bloodhound Gang - The Bad Touch Ecca Vandal - Vertical Worlds Hole - Skinny Little Bitch Iggy Pop - Real Wild Child Alice Cooper - School's Out Foo Fighters - Your Favorite Toy Slift - FantasiaHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

“I think as artists, we help people connect with themselves and feel their feelings.” - Jennifer Sklias-Gahan Finding Creativity in the Darkness Actor, filmmaker, and author Jennifer Sklias-Gahan joins the AU Podcast for a thoughtful conversation about creativity, resilience, and the winding path that leads us back to the work we're meant to do. From growing up in Queens as the daughter of a Greek immigrant to finding her voice as a writer, actor, and storyteller, Jennifer shared how journaling, reading, meditation, and even a little piano each morning help fuel a creative life that has been decades in the making. from her growing career in film to her debut novel, The House in the Middle of the Street. We also explore the role of darkness in art, why stories can help us better understand ourselves, the balance between family and creative ambition, and her belief that art remains one of the most important ways we connect to our humanity. During our discussion, we touch on her husband's work in Depeche Mode, vinyl records, theater, AI, and why the imperfections of human creativity may be exactly what make it so valuable. images: ©jennifer sklias-gahan jennifer sklias-gahan website the house in the middle of the street website Subscribe: iTunes | Android | Spotify | Email | RSS MORE ART UNKNOWN PODCASTS

Hocus Focus Mix met Depeche Mode, Brainpower, David Guetta, Alphaville, Ava Max, Swedish House Mafia & Xavier Rudd

When people ask how to find new music, I hope you'll point them toward DJ cypher's Dark Nation Radio! This week's show--#446 on Mixcloud and #294 on HearThis--is now available for streaming and includes new tracks from Peter Murphy, Makes My Blood Dance, Mortes, Extize, The City Gates, Georgi, Octavian Winters, and Thin Eater, among others, plus some excellent requests for KMFDM, Depeche Mode, IAMX, and Voltaire. I hope you'll give it a listen and thanks for your support! DJ cypher's Dark Nation Radio Playlist 7 June 2026 Mortes, “Join Me in Death” Extize, “I Don't Wanna Be Me” Wingtips, “After the Storm” Cold Showers, “Measured Man” Bellhead, “Nothing as It Seems (Loveless Love remix)” KMFDM, “Juke-Joint Jezebel” The City Gates, “Radium Love” Ships in the Night, “I Was Your Body” Depeche Mode, “Ghosts Again” Solmen Assembly, “Halo of Fire” Jesus on Exstasy, “Something Far Away” Affect Effect, “Saturday Night Shootout” Demonwarp, “Warlock Second Coming” GunFight, “Street Sweeper” Makes My Blood Dance, “Time and a Place” Peter Murphy, “Swoon (Magic Wands remix)” Navaja, “El Silencio” Incirrina, “Careworn Faces” Esses, “Little Mouse” Voltaire, “It's Always Wednesday” Balduvian Bears, “Hill (Past Dream)” Eisbrecher, “Everything is Wunderbar” IAMX, “Surrender” Thin Eater, “Silently Quitting at the Speed of Light” Damien Hearse, “Sick of You” Taxi Girls, “Rainy” Octavian Winters, “By the Stars” Georgi, “Reign (Glass)” Darkswoon, “Blood Let” Xenturion Prime, “As One Forever” DJ CYPHER'S DARK NATION RADIO—25 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Inquiries to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

Ce 8 juin, Marjorie Hache convoque dans RTL2 Pop-Rock Station Depeche Mode, The Black Keys, Janis Joplin, Iron Maiden, Linkin Park, Rage Against The Machine, Joan Jett et The Libertines. Led Zeppelin, Elvis Presley et Daft Punk s'ajoutent à cette belle liste. L'animatrice célèbre surtout le succès de Tears For Fears il y a 41 ans avec la diffusion de l'hymne new wave "Everybody Wants To Rule The World". S'agissant des nouveautés, le trio Saint Agnes fait résonner "The Ghost", Tricky dévoile "Out Of Place" et Fat Dog dégaine le provocateur "Go Fuck Urself". Static Dress et Pain complètent ce panorama électrique. La primeur de la soirée met en lumière le duo franco-américain Faux Real, qui offre la pépite pop avant-gardiste "That Far". L'album de la semaine explore le sixième disque des Danois d'Iceage, "For The Love Of Grace and hereafter", dont on découvre aujourd'hui un puissant extrait dépeignant l'amour comme une force violente. Enfin, la reprise du jour s'annonce culte : le groupe hip-hop Fugees s'approprie avec brio le mythique "Killing Me Softly With His Song", popularisé par Roberta Flack dans les années soixante-dix. Depeche Mode - A Pain That I'm Used To Saint Agnes - The Ghost Tears For Fears - Everybody Wants To Rule The World The Band - The Night They Drove Old Dixie Down The Black Keys - Gold On The Ceiling Roy Orbison - Oh, Pretty Woman Elvis Presley - A Little Less Conversation Iceage - Ember Janis Joplin - Move Over Iron Maiden - Can I Play With Madness Stevie Wonder - Free Tricky & Marta - Out Of Place The Fugees - Killing Me Softly With His Song Linkin Park - Overflow Rage Against The Machine - Bombtrack Static Dress - ...Hospice Joan Jett - Bad Reputation Daft Punk - Robot Rock Fat Dog - Go Fuck Urself The Beach Boys - Wouldn't It Be Nice The Libertines - Gunga Din Faux Real - That Far Talking Heads - Psycho Killer Pain - Party In My Head The Distillers - Hall Of Mirrors Archive - Fuck U Led Zeppelin - KashmirHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Steve Hillage and Miquette Giraudy talk to Kevin Paul about their techno project System 7 and ambient project Mirror System, discussing their studio setup, live performances and creative approach to making music.Chapters00:00 - Introduction00:38 - Current Projects01:20 - System 7 and Mirror System02:20 - Songwriting Process04:27 - Using Gong-Influenced Sounds05:17 - Main Creative Tools06:19 - Learning From DJ Experience06:55 - Collaborative Workflow08:49 - Structuring Albums09:27 - Streamlined Studio Setup11:20 - Limitations and Finishing Tracks13:31 - Live Performances16:58 - 10 Records and Collaborations21:02 - The Future Of System 726:18 - Mirror System for Ambient Music#HelixLT #Logic #ProTools #Ableton #AnimoogZhttp://www.a-wave.comhttps://www.facebook.com/System7pagehttps://www.facebook.com/MirrorsystemSteve Hillage BiogSteve Hillage is an English guitarist, producer and electronic music pioneer best known for his work with the psychedelic prog band Gong, his influential solo albums of the 1970s and the electronic duo System 7. Renowned for his distinctive “glissando” guitar style, Hillage later became a key figure in ambient techno and psychedelic dance music, blending electronic production with live guitar performance alongside longtime creative partner Miquette Giraudy.http://stevehillage.comhttps://www.facebook.com/stevehillagebandhttps://www.instagram.com/stevehillageMiquette BiogMiquette is a French keyboardist, vocalist and composer known for her work with Gong, Steve Hillage and System 7. A major creative force behind System 7's ambient and techno sound, she has collaborated with Hillage since the 1970s, contributing keyboards, vocals, programming and production across a wide range of psychedelic, ambient and electronic music projects.https://www.instagram.com/miqui7777https://www.facebook.com/p/Miquette-Giraudy-100063115306402Kevin Paul BiogKevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records' in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp's 'Felt Mountain', David Bowie's 'Hours' and Nick Cave's 'No More Shall We Part'. He also worked in 5:1, mixing Moby's 'Hotel', Goldfrapp's 'Black Cherry' and more for DVD.In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK's Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark's “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.http://www.kevin-paul.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

This week, we dive into the Golden Age of Synthesizers, the period from the mid‑'70s to the mid‑'80s when synths became smaller, cheaper, and powerful enough to transform popular music forever. From early experimental machines that filled entire rooms, to the groundbreaking work of innovators like Bob Moog and Don Buchla, we trace how synthesizers moved from academic curiosity to pop‑culture force. Along the way, we hear key moments from artists who helped define the era: Wendy Carlos, Hot Butter, Kraftwerk, Depeche Mode, MGMT, and more. We explore how techno‑pop emerged alongside punk's DIY spirit. Our guides through this electronic frontier are Andy McCluskey and Paul Humphreys of Orchestral Manoeuvres in the Dark (OMD), who were right at the center of the movement. They share insights into the gear, the sounds, and the creative mindset that shaped a generation of music, and still echoes through today's electronic and alternative scenes. From Autobahn to Electricity, from Mellotrons to MIDI, this is the story of how machines rewired music, and how the studio itself became an instrument. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Dutch photographer and art director on his longtime collaboration with Depeche Mode, moving into feature films and 50 years of documenting music culture.In 1979, the 24-year-old Dutch photographer Anton Corbijn talked his way into a Joy Division shoot in a London Underground tunnel by citing a magazine assignment he didn't have. The band posed with their backs to the camera, and subsequently, no magazine accepted the photo. Within a year, Ian Curtis was dead, and the picture became one of the defining images of post-punk.Corbijn has since become one of the world's best known music photographers, capturing artists like Tom Waits, Nick Cave, Bowie, Captain Beefheart and nearly every major name to enter the pop realm. In this RA Exchange, he reflected on a life spent documenting music culture and his new retrospective at Fotografiska, Corbijn, Anton, which spans five decades of his work.He also spoke in depth about his longtime relationship with Depeche Mode. As the band's creative director, he has worked on all of their music videos, stage design, album covers and more for over 40 years. Corbijn's retrospective will be on display until September 20th, 2026, and his new feature length film, Switzerland, will land in theatres this year. Listen to the episode in full. Hosted on Acast. See acast.com/privacy for more information.

Ce 2 juin, Marjorie Hache convoque dans RTL2 Pop-Rock Station T. Rex, Björk, Depeche Mode, Fatboy Slim, The B-52's, The Beatles, Interpol, Blur, Thin Lizzy, Eels, David Bowie, Joan Baez, The Undertones, James et Jimi Hendrix. L'animatrice rend par ailleurs un bel hommage au pionnier du rock'n'roll Bo Diddley, disparu en 2008, en diffusant l'un de ses premiers tubes, "I'm A Man". En matière de nouveautés, Fat Dog ouvre la marche avec "Go Fuck Urself", suivi par The Strokes avec "Going Shopping". Lykke Li, les métalleux d'Architects, Ed O'Brien ou encore les bluesmen de GA-20 répondent également présents. La primeur de la soirée met en lumière le duo écossais Arab Strap, qui célèbre ses trente ans de carrière avec le morceau électro-rock "You You You". L'album de la semaine se penche à nouveau sur "Your God Fearing Days Are About To Begin", troisième album du trio londonien Saint Agnes, illustré aujourd'hui par le titre "Everything You Denied" aux accents industriels rappelant Nine Inch Nails. Enfin, la reprise du jour est signée par le regretté chanteur belge Arno, qui s'approprie avec singularité le célèbre "All The Young Dudes", hymne composé par David Bowie pour Mott The Hoople. Fatboy Slim - The Rockafeller Skank Fat Dog - Go Fuck Urself Bo Diddley - I'm A Man Jet - Are You Gonna Be My Girl The B-52's - Love Shack The Beatles - Can't Buy Me Love Blur - Country House Saint Agnes - Everything You Denied Interpol - The Heinrich Maneuver T. Rex - Children Of The Revolution Björk - Army Of Me The Strokes - Going Shopping Arno - All The Young Dudes Thin Lizzy - Whiskey In The Jar Eels - Novocaine For The Soul GA-20 - The Blues Never Die (With Charlie Musselwhite) Joan Baez - Here's To You David Bowie - This Is Not America Lykke Li - Lucky Again The Undertones - Teenage Kicks Architects - Tear Gas Arab Strap - You You You Depeche Mode - Little 15 James - Laid Jimi Hendrix - Purple Haze Korn - Reward The Scars Ed O'Brien - ObrigadoHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week we're talking to Doublespeak, a synthpop supergroup featuring Vince Clarke of Erasure, Yazoo and Depeche Mode, Neil Arthur of Blancmange, and producer and synthesizer expert Benge. They've just released their self-titled debut album which features electropop covers of songs by The Carpenters, The Magnetic Fields, David Essex, Young Marble Giants, ABBA, and more.   We talked separately with Vince Clarke first, and then Neil and Benge together and we all talked about how the project came to be, how they picked which songs to cover and which were the most difficult to do. We also discussed the projects future, including writing and recording a few Doublespeak originals, plus updates on new albums from Erasure, Blancmange, and Benge's band Wrangler, plus a little food talk, five records they think everyone should own, and more. -- Credits: Hosted & produced by Bill Pearis Mixed and mastered by Nick Gray Theme music by Michael Silverstein

Paul McCartney got dragged for writing “silly love songs” and then turned the criticism into a No. 1 anthem. We start with that 1976 chart run, the irony baked into the lyrics, and the way one summertime hit can glue itself to your memory, right down to the bicentennial vibe and what was playing everywhere you went. From there we jump 50 years forward to McCartney closing out Saturday Night Live with Will Ferrell, and we get real about what it means to watch a living legend perform at 83. We talk vocals, stamina, song selection, and why it matters that Paul isn't trying to “fix” aging with tech. Then the night gets even better: the Chad Smith confusion joke, the classic Ferrell deadpan, and the surprise after-show energy where cowbell and Beatles staples (“Help” and “Drive My Car”) light up the room. We round things out with what we're listening to now and what still holds up, including our new “What's Mooving Me” pick from Drivin N Cryin, plus “Minute with Jimmy” on The Rolling Stones' “In the Stars.” That opens the door to Sticky Fingers at Muscle Shoals, the legacy issues around “Brown Sugar,” the story behind “Wild Horses,” and a quick run through Heart, Yoko Ono, Pet Shop Boys, and Depeche Mode's media critique in “New Dress.” If you like classic rock history, pop culture moments, and music talk that's equal parts funny and thoughtful, subscribe, share this with a friend, and leave a review so more listeners can find us. What song instantly takes you back to a specific summer?Learn Something New orRemember Something OldPlease like and follow the Music in My Shoes Facebook and Instagram pagesReach out to us at musicinmyshoes@gmail.comSend us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

This week in the world we live in and life in general w/ host Jon Justice - Pictures of Martin suggest that Depeche Mode might be getting busy again.- Listener feed back SUPPORT JON JUSTICE BY PICKING UP YOUR COPY OF THE EMBARK, THE SCIENCE FICTION SERIES WRITTEN BY JON JUSTICEAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70's - 1990'sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) EMBARK: The Vanishing War (Book 3) Gahan Corbijn and the Asteroid of Misfortune, The Rocket Queen (Book 5) Fear the Dangerous Night (Book 6) are available now in ebook, paperback, audiobook and free on Kindle Unlimited!EMBARK Battle Planet (Book 7) is now available!https://www.amazon.com/dp/B07K7LLFZY50'S DEPECHE MODEhttps://youtu.be/Vt69FeFz-ko?si=xmqmYcxCZa4q9P_GLatest drink and chat with Rob Rohm https://youtu.be/rXs7iZX1tfUEmail: TalkShowNerd@gmail.com@X @JonJusticeInstagram TheJonJusticeFacebook Jon Justice

In 1994 a band from Bakersfield, California (our home town!) would release an album that would redefine heavy metal and pop culture for the next decade. That album was "Korn" by....KORN.  Mixing funk and hip hop rhythms with Groove Metal riffs ,Steve Vai meets Dr. Dre's G Funk sound effects, and New Romantic lyrics influenced by The Cure and Depeche Mode, Korn would create what would be called Nu Metal and go on to become the biggest band in the world by decades end! Produced by past guest of the show, Ross Robinson, "Korn" is one of the cornerstones of both of our child hoods join us as we review As always follow us on the stuff Merch Store- http://tee.pub/lic/doEoXMI_oPI Patreon- https://www.patreon.com/Artandjacobdoamerica Website- https://artandjacobdoamerica.com/ Instagram- https://www.instagram.com/artandjacobdoamerica Facebook- https://www.facebook.com/artandjacobdoamerica/  

Baja la inflación en la primera quincena de mayo Noche de Museos tendrá tributo gratuito a Depeche Mode  OMS alerta por aumento de casos sospechosos de ébola en Congo  Más información en nuestro podcast#grc

Alessandro Cortini är den italienska hårdrocksgitarristen som drömde om att bli en ny Steve Vai när han började på Musician's Institute i Los Angeles. Där upptäckte han syntar och fick snart jobb som keyboardist i Nine Inch Nails. Som soloartist har han blivit känd för hotfulla och harmoniska ljudlandskap, en sorts dystopisk ambient. Nu hälsar han på hemma hos Strage där han bland annat pratar om antika syntar och den "alkemiska" ljudmaskinen Strega ("häxa" på italienska) som han själv utvecklat, om att turnera med Nine Inch Nails och remixa Depeche Mode, om att medverka i tredje säsongen av "Twin Peaks", om sin kärlek till Kents fyra första album, om att skriva soundtracket till Netflix-serien "Il mostro" (om Italiens mest ökända seriemördare) och om sitt nya uppdrag: att producera Kites första riktiga studioalbum. Hosted on Acast. See acast.com/privacy for more information.

For this episode of the podcast David sat down with two super fans, Tony Aiken and Tommy Ellis, to discuss Depeche Mode's 1986 album Black Celebration. This is part two of the conversation in which they discuss the songs of the album.

Ce 19 mai, au rayon des incontournables de Pop-Rock Station, Marjorie Hache convoque Jimi Hendrix, Buzzcocks, Garbage, Deportivo et Royal Blood. L'animatrice souligne également le succès historique du tube "Vogue" de Madonna, arrivé au sommet des charts américains en 1990. The Dandy Warhols, Red Hot Chili Peppers, Def Leppard, The Slits et Linkin Park viennent parfaire cette riche sélection musicale. En matière de découvertes, Graham Coxon dévoile "Billy Says" et Jack White propose "Derecho Demonico". Les métalleux de Korn, les légendaires Deep Purple et Dan Byrne répondent aussi présents. La primeur de la soirée met en lumière la Californienne Jesca Hoop, qui offre le morceau folk expérimental "Designer Citizen", extrait de son septième disque porteur d'espoir. L'album de la semaine continue d'explorer le disque "Little Wide Open" de Kevin Morby avec l'extrait "One Hundred Thousand", un titre tristement d'actualité sur la jeunesse du Midwest partie à la guerre. Enfin, la reprise du jour s'annonce envoûtante Natasha Khan alias Bat For Lashes, s'approprie avec grâce la célèbre chanson "Strangelove" de Depeche Mode. Jimi Hendrix - All Along The Watchtower Graham Coxon - Billy Says Madonna - Vogue The Black Keys - Fever Buzzcocks - Ever Fallen In Love (With Someone You Shouldn't 'Ve) Garbage - Stupid Girl Deportivo - Parmi Eux Kevin Morby - 100,0 The Stranglers - No More Heroes Royal Blood - Out Of The Black Dusty Springfield - Son Of A Preacher Man Jack White - Derecho Demonico Bat For Lashes - Strangelove The Dandy Warhols - Get Off Red Hot Chili Peppers - Suck My Kiss Dan Byrne - She's The Devil George Thorogood & The Destroyers - Bad To The Bone Starcrawler - Road Kill Korn - Reward The Scars The Offspring - Original Prankster (Feat. Redman) Def Leppard - Love Bites Jesca Hoop - Designer Citizen Franz Ferdinand - Take Me Out The Slits - Instant Hit Linkin Park - Papercut Deep Purple - Arrogant Boy Primal Scream - Settlers BluesHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Talking about his band American Football's latest return following a long absence, frontman Mike Kinsella invokes the notorious D.B. Cooper, saying, “I feel like we jumped out of a plane with a suitcase of money, except it was old demos, and then we faked our own death. We didn't know we were faking it, we thought we were dead, everybody thought we were dead, and then it's like, oh we're alive, we have a new identity, we can do whatever we want.” American Football has just returned with an excellent fourth self-titled album (aka LP4), seven years after the previous one. Famously, earlier on for American Football, after the midwest emo legends released their genre defining self-titled debut album in 1999, they immediately broke up and it was 17 years before we got their next album. So Mike and I talk about that in this interview, we also discuss his personal creative history and his evolution as a songwriter, the influence of his older brother Tim, with whom he had the band Cap'n Jazz back in the day, and how artists like Depeche Mode and Dinosaur Jr. have deeply impacted his songwriting. American Football are on tour in North America right now, and you can get tickets here.

For this episode of the podcast David sat down with two super fans, Tony Aiken and Tommy Ellis, to discuss Depeche Mode's 1986 album Black Celebration. This is part one of the conversation and a general discussion on Depeche Mode's career, seeing them perform live and getting to meet the band.

In this episode, we're jamming with the legendary 80s and 90s anthems we know by heart, but through a modern, funky lens. It's the sounds of our youth - iconic tracks I was listening to many years ago, transformed by modern producers to give them a fresh nu-disco heartbeat. Featuring reimagined hits from: Madonna, Haddaway, 2 Unlimited, Blur, Faithless, Genesis, Bronski Beat. Depeche Mode.. Whether you're warming up for a night out or just need some productive cleaning motivation, these remakes bring the perfect balance of vintage soul and modern bass. 📺 This is Episode 227 of the Summer Fondue Sessions radioshow, originally an audio‑only show, now in the video format → watch this mix on YT at https://www.youtube.com/@summerfondue 🌐 More information and show archive with tracklists → https://www.summerfondue.com 🙏🏼 Please support the artists making this great music: follow them, stream their work, and buy their releases to help keep the scene thriving!

Robert meets legendary photographer ANTON CORBIJN to discuss his major retrospective opening this weekend in Berlin at Fotografiska museum.The story of Anton Corbijn begins in the quiet corners of a small Dutch island, where he grew up as the son of a vicar. For a young Corbijn, music was an escape, a passion that consumed him. His camera soon became both a tool and a companion, a way to channel his fascination with music and, perhaps more importantly, a means to navigate his own shyness.When Corbijn moved to London in 1979, the city was electric with the energy of bands like The Clash, The Jam, and Joy Division. Within ten days of arriving in England, he managed to photograph Joy Division claiming he was on assignment for a major Dutch magazine, even though he hadn't been officially commissioned.Now, having celebrated his 70th birthday last year, Corbijn looks back on over five decades of work that spans photography, music videos, and film. Corbijn, Anton celebrates his 50-year career and revisits his extensive body of work. Here, you will encounter nearly 150 pieces: iconic portraits of legends like Depeche Mode, Tom Waits, U2, the Rolling Stones, Martin Scorsese, and Marlene Dumas, as well as German icons Nina Hagen, Herbert Grönemeyer, Einstürzende Neubauten and Wim Wenders. His signature black-and-white grainy aesthetic became a defining visual language in his work.A polymath in photography, music videos, feature films, graphic design, and commercials, Dutchman Anton Corbijn is perhaps best known for immortalizing some of the greatest artists of our time. His iconic portraits of musicians, directors, and artists, such as Joy Division, Depeche Mode, Tom Waits, U2, the Rolling Stones, Martin Scorsese, Clint Eastwood, Gerhard Richter, Ai Weiwei, Marlene Dumas among others, are praised for the way they capture the soul and charisma of his subjects.Effortlessly moving in the early 80s from photography into music videos, Corbijn has since made over 80 promos for people like U2, Johnny Cash, Arcade Fire, Depeche Mode, Nirvana, Metallica, Nick Cave, Coldplay, and The Killers. He is the Artistic Director behind the visual output of Depeche Mode. For U2 he has done the principal promotion and sleeve photography for four decades.In 2006 Corbijn started working on his first feature film Control about the life, and death, of Ian Curtis, Joy Division's lead singer. The film won many awards worldwide, including 5 BIFAs and the Camera d'Or Special Mention at Cannes Film Festival 2007. Corbijn has since made The American starring George Clooney (2010), A Most Wanted Man, based on the novel by John Le Carré and featuring the late Philip Seymour Hoffman (2014), and Life, about James Dean and photographer Dennis Stock, which stars Robert Pattinson and Dane DeHaan (2015).In 2023, Corbijn released his first feature documentary Squaring The Circle about the iconic album art design studio Hipgnosis. In 2025, he directed his fifth feature film titled Switzerland starring Helen Mirren.Follow: @AntonCorbijn4RealVisit the exhibition: @Fotografiska.Berlin Hosted on Acast. See acast.com/privacy for more information.

"But What Time Is It Really?" Because their legacy is so vast, their musical output so singular and their influence so far-reaching, telling you a little bit about Cabaret Voltaire is like telling you a little bit about outer space. A long tine ago, say 1973, in a galaxy far, far away, say Sheffield, England, Richard H. Kirk, Stephen Mallinder and Chris Watson got together to, in their words, make music without musical instruments. What did that mean? Well, it meant innovation because this was not a three-piece banging away in a garage, it was three guys experimenting with tape loops, custom-built kit oscillators, keyboards and wind instruments. Although traditional instruments were included, Cabaret Voltaire were anything but a traditional band. Falling somewhere between performance art and industrial music, Cabaret Voltaire remain one of the most innovative, idiosyncratic and unique bands of all time. Incorporating elements of techno, house, funk, synthpop, electronica and dub, the band's striking soundscapes were massively influential to bands like Depeche Mode, New Order, Skinny Puppy, David J. and Nine Inch Nails. Watson left the band in 1981 but Mallinder and Kirk soldiered on, keeping up Cabaret Voltaire's unbelievable working pace. The band put out fifteen albums in as many years, including classics like Mix-Up, Red Mecca, The Crackdown and Micro-Phonies. Kirk died in 2021 at 65 and to celebrate the 50th anniversary of the band, Mallinder and Watson started touring, put out a live album and will be on the road until year's end, taking their valedictory bow. A journalist, an academic, a studio owner, a producer and a filmmaker whose videos have been exhibited at MOMA in New York, Mallinder remains a busy man and I'll let him tell you all about that. But let me say this: if you listen to Cabaret Voltaire, it's like listening to the future before it happened. Their work is an astounding blend of multi-media and post-punk that eludes the timeline--their records aren't fixed to any point on the map and instead sound like they come from a universe that is at once both distant and familiar. www.cabaretvoltaire.bandcamp.com www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers: IG + THREADS + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

This is an addendum to the recent ‘Reverse Karma' monologue, focusing on the profound lyrical content of the Depeche Mode song ‘Blasphemous Rumours' from 1984. The scenario portrayed sums up the dynamic I addressed last time around with searing candidness.*If you have found value in my work and would like to support its continuation, please consider becoming one of my Patreon supporters which gets you access to exclusive content that I don't post elsewhere. You can join up here:https://www.patreon.com/user?u=113137448To support my output through Buy Me A Coffee:https://buymeacoffee.com/markdevlinTo support me via Paypal.com donation, find me at paypal.com under the e-mail address markdevlinuk@gmail.com

Communion After Dark - features the latest and best in Dark Alternative-Electronic Music. This week's show features music from Culture Kultur, Diorama, Faderhead, Mesh, Chainreactor, and many more artists from around the world.

The Music That Made WE welcomes FEM APPEAL who has chosen 10 songs that up her story, with a soundtrack that includes John Newman, Bronski Beat, Depeche Mode, and more. + Stick around for Viktor's hidden bonus track. more Fem: https://www.instagram.com/theladyappeal/ The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque

A transitional champion in wrestling is one that only holds the title for a short amount of time before they drop it to someone else. Typically it's a way to get the belt from one wrestler to another without them wrestling each other, or in cases where the title win is the most important part of the story as opposed to the actual reign itself. On this episode, Andrew and first-time guest Anthony Puhl (a.k.a. foolinc from the VOW Discord) look at bands who have had transitional bandmates, so to speak, where certain members are only in the group for a short amount of time. Artists played include The Clash, Thin Lizzy, Blink-182, Metallica, Iron Maiden, Depeche Mode, The Moody Blues, and many more. These band members are here for a good time, not a long time, so listen and enjoy!Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrewAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this week’s After Party, we dive into the near-death experience of Depeche Mode’s Dave Gahan. After a harrowing moment in 1996, he floated above his body, witnessing paramedics trying to save him. But where do rock stars really go when they die? Is it a dark void or a realm of love? Plus, we hear from you about your favorite unlikely cover songs. Welcome to the After Party, Disgos!See omnystudio.com/listener for privacy information.

Machines, eyeliner, ecstasy, and a West Hollywood overdose that left their frontman clinically dead—Depeche Mode were never just a synth-pop band. From cops in riot gear to an onstage heart attack, from stigmas about softness to the hard edge of addiction, this is the story of Dave Gahan’s descent into heroin, his two minutes on the other side, and the band’s unlikely resurrection as one of the most dangerous—and enduring—acts in rock history. This episode was originally released on September 24, 2025. To see the full list of contributors, see the show notes at www.disgracelandpod.com. To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) Facebook Fan GroupSee omnystudio.com/listener for privacy information.