Podcasts about siouxsie

Cathi Unsworth was a teenage Goth, enthralled as much by Joy Division and the Banshees as by the Brontës, Bram Stoker and Aubrey Beardsley. We loved her book ‘Season of the Witch' and she's since put together a soundtrack album, ‘Dressed In Black', featuring the Goth divas she most admires and adores. And talks to us here about everything from murder ballads, the Industrial Revolution and Victorian literature to … … John Peel, Siouxsie, Joy Division and her teenage Goth conversion among the “hedge-goths” and “field-goths” of rural Norfolk … the phenomenal life, lyrics and mysterious disappearance of ‘Swamp-witch' Bobbie Gentry … has Goth eaten Punk? … why BBC banned Billie Holiday's “Gloomy Sunday” … the ‘death discs' of John Layton, the Shangri-Las and Twinkle … how Cabaret and Julie Driscoll coloured Siouxsie and the Banshees … Shirley Collins' Death And The Lady – “now that's what I call a pandemic!” … did Liz Fraser speak fluent Faerie? … Nico – “if I had a machine-gun I'd kill you all!” … and how Juliette Gréco looked the devil in the face. Order copies of ‘Dressed In Black: Goth Divas From The Dark Side' here: https://acerecords.co.uk/various-artists-dressed-in-blackHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Cathi Unsworth was a teenage Goth, enthralled as much by Joy Division and the Banshees as by the Brontës, Bram Stoker and Aubrey Beardsley. We loved her book ‘Season of the Witch' and she's since put together a soundtrack album, ‘Dressed In Black', featuring the Goth divas she most admires and adores. And talks to us here about everything from murder ballads, the Industrial Revolution and Victorian literature to … … John Peel, Siouxsie, Joy Division and her teenage Goth conversion among the “hedge-goths” and “field-goths” of rural Norfolk … the phenomenal life, lyrics and mysterious disappearance of ‘Swamp-witch' Bobbie Gentry … has Goth eaten Punk? … why BBC banned Billie Holiday's “Gloomy Sunday” … the ‘death discs' of John Layton, the Shangri-Las and Twinkle … how Cabaret and Julie Driscoll coloured Siouxsie and the Banshees … Shirley Collins' Death And The Lady – “now that's what I call a pandemic!” … did Liz Fraser speak fluent Faerie? … Nico – “if I had a machine-gun I'd kill you all!” … and how Juliette Gréco looked the devil in the face. Order copies of ‘Dressed In Black: Goth Divas From The Dark Side' here: https://acerecords.co.uk/various-artists-dressed-in-blackHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Cathi Unsworth was a teenage Goth, enthralled as much by Joy Division and the Banshees as by the Brontës, Bram Stoker and Aubrey Beardsley. We loved her book ‘Season of the Witch' and she's since put together a soundtrack album, ‘Dressed In Black', featuring the Goth divas she most admires and adores. And talks to us here about everything from murder ballads, the Industrial Revolution and Victorian literature to … … John Peel, Siouxsie, Joy Division and her teenage Goth conversion among the “hedge-goths” and “field-goths” of rural Norfolk … the phenomenal life, lyrics and mysterious disappearance of ‘Swamp-witch' Bobbie Gentry … has Goth eaten Punk? … why BBC banned Billie Holiday's “Gloomy Sunday” … the ‘death discs' of John Layton, the Shangri-Las and Twinkle … how Cabaret and Julie Driscoll coloured Siouxsie and the Banshees … Shirley Collins' Death And The Lady – “now that's what I call a pandemic!” … did Liz Fraser speak fluent Faerie? … Nico – “if I had a machine-gun I'd kill you all!” … and how Juliette Gréco looked the devil in the face. Order copies of ‘Dressed In Black: Goth Divas From The Dark Side' here: https://acerecords.co.uk/various-artists-dressed-in-blackHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Ce 27 mai, au rayon des incontournables de Pop-Rock Station, Marjorie Hache convoque Led Zeppelin, The Rolling Stones, James Brown, Nine Inch Nails et The Dead Weather. L'animatrice célèbre également l'anniversaire de la grande Siouxsie Sioux en diffusant le titre "Kiss Them For Me" de Siouxsie and the Banshees. Amyl and the Sniffers, The Clash et Grace Jones complètent cette riche sélection musicale. En matière de découvertes, les métalleux de Saint Agnes, les Anglais de Fat Dog, les Vendéens de Dynamite Shakers et les Américains de Korn sont à l'honneur. La primeur de la soirée met en lumière Mike D, membre des Beastie Boys, qui se lance en solo avec le titre "What We Got", un morceau qui renoue avec l'ADN du mythique trio new-yorkais. L'album de la semaine continue d'explorer "Blue Morpho", le deuxième disque solo d'Ed O'Brien, guitariste de Radiohead, illustré aujourd'hui par l'envoûtant morceau "Sweet Spot". Enfin, la reprise du jour s'annonce surprenante : les Suédois de The Cardigans s'approprient avec audace le mythique "Iron Man" de Black Sabbath, troquant la puissance d'Ozzy Osbourne contre la voix douce de Nina Persson. Placebo - Pure Morning Saint Agnes - The Ghost Siouxsie And The Banshees - Kiss Them For Me James Brown - Get Up I Feel Like Being A Sex Machine Tina Turner - Goldeneye Eugene Mcguinness - Shotgun Ed O'brien - Sweet Spot The Rolling Stones - Hot Stuff Amyl And The Sniffers - Guided By Angels Human League - Don't You Want Me Fat Dog - Go Fuck Urself The Cardigans - Iron Man Empire Of The Sun - Walking On A Dream Stiltskin - Inside Talurre - Mira Ten Years After - I Woke Up This Morning Nothing But Thieves - Forever And Ever More Dynamite Shakers - Cinema Led Zeppelin - Communication Breakdown Nine Inch Nails - March Of The Pigs Mike D - What We Got The Clash - The Guns Of Brixton The Dead Weather - I Cut Like A Buffalo Grace Jones - Pull Up To The Bumper Viagra Boys - Sports Korn - Reward The Scars Ethel Cain - Dust BowlHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Guest Review - Michael Storm appeared on Political Cadence with Maxx Payne"I had a great time visiting with Phil and Lisa. The casual but organized conversation was open and honest and fair and important. So many conversations are lopsided or just not worth participating in and it's refreshing to just talk and share thoughts and be in the moment while meeting some new and interesting people."August 1980Steve Howe -Lead GuitarTrevor Horn - Lead VocalsGeoff Downs - KeyboardsChris Squire - “Base guitar”10th Studio albumReached no. 2 on UK chartsNo Jon Anderson, no Rick WakemanTrevor Horn - from The Buggles (Video Killed the Radio Star) on vocals. Trevor Horn replaced Wakeman.Jon Anderson is not on this album - Jon tended to bring his family and nanny on tour to great expense, and this grated on the band.The album was more of a new wave transition from albums like songs from topographic oceans, but it is also heavier than other Yes albums.Yes might have been the greatest example of a classic rock band trying to survives the new wave.Roger Dean designed the album cover, who was responsible for most of Yes' covers.Machine Messiah - opening reminds me of Sabotage, then goes into “Big Bottom” riff - Ascends to a very light keyboard track as Jon Anderson's voice surfaces. - 3:19 Lyrical Passage is great "Friends make their way into systems of chance (echo "friends make their way of escape into systems of chance") - Escape to freedom I need to be there - Waiting and watching the tables are turning" - The whole passage is lyrically perfect, with the echoes and call backs - - Pink Floyd sound at 5:24 mark (Tear Down the Wall”) Orchestral composition - very serene chant towards end “Machine Messiah take me into the fire” - Ends as it begins. I assumed it was John Anderson when I listened for the first time.Man in a White Car - Very brief interlude- Chimes at beginning - “Man in a White Car” are the only lyrics. It is supposed to be a call to Gary Neuman's “Cars”.Does it Really Happen - Funky rhythm at the beginning, good drumming (Jungle Boogey) - Reminds me in parts of a song called "It Can Happen" from 90125 - “Live for Pleasure, Live for fun”. - Around 5:15 it becomes a completely different instrumental, almost with a disco beat. - long fade out, which I am not a huge fan of. - Chris Squire's vocals were strong on this. Why didn't he sing more on Yes albums?Into The Lens - “I am a camera” - “Camera Camera” - Like the guitar at about the 4:00 mark. - Too much keyboard for me. - "Memories How they Fade so fast" was such a wilting, strange lyrical beginning - But “I am a camera” was a pretty lame lyric. “Camera, camera”. Musically, it had strong moments, but I found it's transitions kind of disorienting. But “Monitor” by Siouxsie and the Banshees did this better.Run Through The Light - Could not help but think of The Police and Sting during the “Run Into The Light” part - Some guitar shredding during the last minute of the song, garnished by keyboard.Tempus Fugit - Literally means ‘Time Flies' - Might have inspired Tommy Shaw/Styxx - The harmonies and rapidity of the lyrics are off the hook. “The Way That You answer with ‘Yes'! - It might just be the “Yes” song, almost reminds me of a super hero for some reason, with love as the protagonist. - I love the fast crawling of the baseline. It us a great song.Yeah Uh Huh Social Stuff:Yeah Uh Huh on Linktr.eehttps://linktr.ee/yeahuhhuhpodYeah Uh Huh on TikTok  / yeahuhhuhpod  Yeah Uh Huh on Facebook  / yeahuhhuhpod  Yeah Uh Huh on Twitter  / yeahuhhuhpod  Yeah Uh Huh on Spotifyhttps://open.spotify.com/show/7pS9l71...Yeah Uh Huh on Apple Podcastshttps://podcasts.apple.com/us/podcast...Yeah Uh Huh Website:https://yeah-uh-huh.wixsite.com/yeahu...Yeah Uh Huh WebsiteHome | YeahUhHuhPod (yeah-uh-huh.wixsite.com)Yeah-Uh-Huh on YoutubeYeah Uh-Huh -YouTubeYeah Uh Huh on Apple Podcastshttps://podcasts.apple.com/us/podcast...

USE CODE 'STREAM7' FOR A FREE WEEK OF ADULT TIME!For the second instalment of 2026 AVN Awards special episodes, guest-host Siouxsie Q takes over the mic to interview your favourite stars! Siouxsie is joined by August Skye, Lily Labeau, Scarlette Moon, Satine Summers, Madelynn May, & Olivia Would to talk all things monster hentai, circus p*rn, footj*bs, and SO MUCH MORE!August Skye: https://www.instagram.com/_august_skyexx/Lily Labeau: https://www.instagram.com/lilylabeau/Scarlette Moon: https://www.instagram.com/scarlettemoonofficial/?hl=enSatine Summers: https://www.instagram.com/satinesummers/Madelynn May: https://www.instagram.com/brattybubblez_/Olivia Would: https://www.instagram.com/_OliviaWould/Bree Mills: https://www.instagram.com/thebreemills/ The Adult Time Podcast: https://bemyfan.com/TheAdultTimePodcastABOUT ADULT TIME:Adult Time is a digital subscription platform for a new era of adult entertainment. We are a brand built by people who believe in a future where mature audiences can safely, securely, and proudly have a place in their lineup for premium adult content. In addition to our addictive programming, Adult Time is dedicated to creating a personalized content experience for all our viewers with 400+ channels, 60,000 episodes, and VR and interactive toy integration.

WORLD GOTH DAY is May 22nd, so put on your blackest black for the annual WGD edition of DJ cypher's Dark Nation Radio! The first of two back-to-back expanded broadcasts, this one offers three hours of new and classic goth, including London After Midnight, Ritual Howls, Autumn-U.S., Kill Shelter, Depeche Mode, Corpus Delicti, Black Angel, Lunar Paths, Requiem in White, Then Comes Silence, New Model Army, Ashes Fallen, House of Harm, Valentine Wolfe, Peter Murphy, Frenchy & the Punk, Nox Novacula, and Siouxsie & the Banshees. Enjoy and may your World Goth Day be suitably dark. And I hope you'll join me again this coming Sunday, May 24th, for the annual Dark Nation Radio GOTHIC BEACH PARTY--A 3-hour anything goes mix of goth, new wave, psychobilly, dark wave, surf rock, and general mayhem to kick off the unofficial start of summer in the northern hemisphere. BYO Tiki drinks of despair. 9 PM EDT on sorradio.org. As always, if you like what you hear, I hope you will support the bands and consider following me on your preferred platform. Reposts of the show so that others can find out about it are particularly appreciated. Questions and promo materials may be directed to darknationradio@gmail.com. Thanks for your support! DJ cypher's Dark Nation Radio Playlist 17 May 2026 WORLD GOTH DAY 2026 Shadows Hold, “Nosebleed” Nox Novacula, “Disappear” Amulet, “When Winter Comes” Ashes + Diamonds, “Boy or Girl” Frenchy & the Punk, “Not Under Your Spell” Corpus Delicti, “Room 36” Kill Shelter & Antipole, “Burn Bright” David Galas, “You're a Needle in My Arm” Octavian Winters, “By the Stars” London After Midnight, “Nothing's Sacred” Requiem in White, “Reckless in Misery” Then Comes Silence, “Strangers” Autumn-U.S., “Still Breathing” Lunar Paths, “Afterlight” Cemetery Sex, “Pain” Ritual Howls, “Follow the Sun” The Bolshoi, “Happy Boy” Reptyle, “Souls' Damnation” Darkswoon, “Antivenom” Peter Murphy, “Sherpa” Black Angel, “Alchemy” Still Patient? “Looking Glass” Hunter as a Horse, “Obey” Bellhead, “The The Empty” Scary Black, “American Gothic” Depeche Mode, “Halo” House of Harm, “Carousel” Isabel Shrine, “Always” Siouxsie & the Banshees, “Peek-a-Boo” Reversed Chakra, “Game of Chess” Vikowski, “Pollution” New Model Army, “Family” Red Lorry Yellow Lorry, “Driving Black” Christ vs. Warhol, “Welcome Home” Rosegarden Funeral Party, “Ghost of You” Valentine Wolfe, “Somnus Aeterna” Hangwire, “The Trial” Amaranth, “Ghost in the Rain” Ashes Fallen, “Vampira—the Ballad of Mailia (William Faith remix)” The Sisters of Mercy, “Black Planet” 404 Error, “What is Goth” DJ CYPHER'S DARK NATION RADIO—25 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

Buzz Kull – “Dancing With Machines”, 2022. And One – “Love You to the End”, 2006. Click Click – “Mekanakill”, 2015. Melotron – “Dein Meister”, 2001. Tempers – “Carried Away”, 2022. Neocoma – “Mirror in Your Eyes”, 2017. Visceral Anatomy – “Flowers In Wax”, 2020. Switchblade Symphony – “Wallflower (WLDV Edit)”, 2022. Cranes – “Jewel (12” Mix)”, 1993. Echo & the Bunnymen – “All My Colours”, 1981. The Cold – “Summernight”, 2003. Siouxsie and the Banshees – “Spellbound”, 1981. Bloc Party – “She’s Hearing Voices”, 2005. Control Room – “War”, 2020. Website link: https://skullandcrossfades.com/if-i-could-keep-this-hour

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Penny Kiley moved to Liverpool in 1976, ran into punk rock and “became the person I'd never been allowed to be”, as vividly remembered in her memoir, Atypical Girl. It's a moment of liberation mapped out by records, nights at Eric's and the big personalities in the city's Second Coming, the beat she later covered for Melody Maker. She looks back here at some unconquerable moments, among them … … the impact of Marc Bolan and David Cassidy - and later Patti Smith, Siouxsie, Pauline Murray and Poly Styrene … punk's “bad taste aesthetic” and the clothes she wore … boomtown Liverpool in the late ‘70s – “everyone had a film script or a demo tape” … how Boy George stole Pete Burns' act … the Clash, Talking Heads and the Ramones at Eric's … why her book is “like an historical novel about the way journalism changed” … first reviews, front covers and life as Melody Maker's Liverpool correspondent, “which could be awkward with friends in bands” … Orange Juice and the ground-breaking NME C81 tape … and the adjustment to the ‘80s – “the Royal Wedding, Live Aid, Duran Duran, yuppies, a decade where I didn't feel I fitted in” Order a copy of Atypical Girl here: https://birlinn.co.uk/product/atypical-girl/ https://www.waterstones.com/book/atypical-girl/penny-kiley/9781846976919Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Penny Kiley moved to Liverpool in 1976, ran into punk rock and “became the person I'd never been allowed to be”, as vividly remembered in her memoir, Atypical Girl. It's a moment of liberation mapped out by records, nights at Eric's and the big personalities in the city's Second Coming, the beat she later covered for Melody Maker. She looks back here at some unconquerable moments, among them … … the impact of Marc Bolan and David Cassidy - and later Patti Smith, Siouxsie, Pauline Murray and Poly Styrene … punk's “bad taste aesthetic” and the clothes she wore … boomtown Liverpool in the late ‘70s – “everyone had a film script or a demo tape” … how Boy George stole Pete Burns' act … the Clash, Talking Heads and the Ramones at Eric's … why her book is “like an historical novel about the way journalism changed” … first reviews, front covers and life as Melody Maker's Liverpool correspondent, “which could be awkward with friends in bands” … Orange Juice and the ground-breaking NME C81 tape … and the adjustment to the ‘80s – “the Royal Wedding, Live Aid, Duran Duran, yuppies, a decade where I didn't feel I fitted in” Order a copy of Atypical Girl here: https://birlinn.co.uk/product/atypical-girl/ https://www.waterstones.com/book/atypical-girl/penny-kiley/9781846976919Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Penny Kiley moved to Liverpool in 1976, ran into punk rock and “became the person I'd never been allowed to be”, as vividly remembered in her memoir, Atypical Girl. It's a moment of liberation mapped out by records, nights at Eric's and the big personalities in the city's Second Coming, the beat she later covered for Melody Maker. She looks back here at some unconquerable moments, among them … … the impact of Marc Bolan and David Cassidy - and later Patti Smith, Siouxsie, Pauline Murray and Poly Styrene … punk's “bad taste aesthetic” and the clothes she wore … boomtown Liverpool in the late ‘70s – “everyone had a film script or a demo tape” … how Boy George stole Pete Burns' act … the Clash, Talking Heads and the Ramones at Eric's … why her book is “like an historical novel about the way journalism changed” … first reviews, front covers and life as Melody Maker's Liverpool correspondent, “which could be awkward with friends in bands” … Orange Juice and the ground-breaking NME C81 tape … and the adjustment to the ‘80s – “the Royal Wedding, Live Aid, Duran Duran, yuppies, a decade where I didn't feel I fitted in” Order a copy of Atypical Girl here: https://birlinn.co.uk/product/atypical-girl/ https://www.waterstones.com/book/atypical-girl/penny-kiley/9781846976919Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In Episode 356 of History in Five Songs with Martin Popoff, Martin explores his personal “renaissance” of rediscovering music by using tools like Discogs and curated album runs to acquire and reconnect with the rich, often overlooked histories of bands—from The Pretenders and Siouxsie and the Banshees. He argues that diving into these back catalogs is one of the most rewarding ways to truly get into music. The Pretenders – “Popstar” Midge Ure – “Answers to Nothing” Pete Shelley – “I Surrender” Urban Verbs – “The Angry Young Men” Siouxsee and the Banshees – “Halloween” Learn more about your ad choices. Visit megaphone.fm/adchoices

Fred de Vries, zelf punk in de jaren zeventig, over de Sex Pistols, Crass, Siouxsie, Pussy Riot en Bob Vylan. Vijftig jaar verzet. Punk heeft geen uiterste houdbaarheidsdatum: de weigering om het bestaande als norm te accepteren is tijdloos. Kees van den Bosch in gesprek met Fred de Vries over de betekenis van muziek, de tijdloosheid van verzet, de recente heropleving van hard, snel en kort, en de geschiedenis van vijftig jaar punk. Productie: Kees van den Bosch.See omnystudio.com/listener for privacy information.

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In Episode 356 of History in Five Songs with Martin Popoff, Martin explores his personal “renaissance” of rediscovering music by using tools like Discogs and curated album runs to acquire and reconnect with the rich, often overlooked histories of bands—from The Pretenders and Siouxsie and the Banshees. He argues that diving into these back catalogs is one of the most rewarding ways to truly get into music. The Pretenders – “Popstar” Midge Ure – “Answers to Nothing” Pete Shelley – “I Surrender” Urban Verbs – “The Angry Young Men” Siouxsee and the Banshees – “Halloween” Learn more about your ad choices. Visit megaphone.fm/adchoices

SIOUXSIE & THE BANSHEES "Dear Prudence" from Hyaena 1984PLAY DEAD "Pale Fire" from Sacrosant b-side 1985THE CHAMELEONS "Up the Down Escalator" from Script Of The Bridge 1983ECHO & THE BUNNYMEN "The Killing Moon" from Ocean Rain 1984ULTRAVOX "Reap the Wild Wind" from 12" single 1982THE CHURCH "Dropping Names" from Seance 1984LOVE & ROCKETS "An American Dream" from Express 1986MODERN ENGLISH "Someone's Calling" from After the Snow 1982NEW ORDER "Your Silent Face" from Power, Corruption And Lies 1983THE CURE "Primary" from Staring At the Sea - The Singles 1981THE SMITHS "There Is a Light Than Never Goes Out" from The Queen Is Dead 1986THE HOUSEMARTINS "Anxious" from London 0 Hull 4 1986MIGHTY LEMON DROPS "Inside Out" from World Without End 1988THE THREE O'CLOCK "I Go Wild" from Baroque Hoedown EP 1982WIRE TRAIN "Love, Love" from Between Two Words 1985TRANSLATOR "Un-Alone" from No Time Like Now 1983THE LIFE "The One" from Alone 1987X "4th of July" from See How We Are 1987DUMPTRUCK "Walk Into Mirrors" from Positively Dumptruck 1986THE PIXIES "Here Comes Your Man" from Doolittle 1989GUADALCANAL DIARY "Litany" from 2X4 1987RIGHT AS RAIN "Rain" from Undertown 1988THE CONNELLS "Something To Say" from Fun & Games 1989GRAPES OF WRATH "O Lucky Man" from Treehouse 1987THE GO-BETWEENS "Bye Bye Pride" from Tallulah 1987JULIAN COPE "St. Julian" from Saint Julian 1987XTC "Earn Enough For Us" from Skylarking 1986SPLIT ENZ "One Step Ahead" from Waiata 1981

Now in its 25th year, DJ cypher's Dark Nation Radio is my weekly “dark music” broadcast. It leans heavily toward new and recent releases, but should appeal to fans of bands such as Depeche Mode, The Cure, The Sisters of Mercy, New Order, Front 242, Ministry, Skinny Puppy, Bauhaus, Siouxsie & the Banshees, and the like. This week's show features fantastic new tracks from Finnish act Kirke, South Africa's Hunter as a Horse, Sweden's Thing Eater, the Italian act The Spoiled, Oregon's Hexxes, and the UK's 404 Error. I hope you'll give it a spin! DJ cypher's Dark Nation Radio Playlist 12 April 2026 Hunter as a Horse, “Paradise Lost” Advocatus Dei, “Morgenlicht” The Spoiled, “Two Souls Apart” Balduvian Bears, “Regret” The Violent Youth, “Sledy” Project .44, “Never – Nothing” Nuclear Invertebrate, “Colonist” 404 Error, “Fallout (Retro Future mix)” Admore ad Lunem x Bam Magera, “Behind the Green Door” Ritual Howls, “Follow the Sun” Octavian Winters, “Elements of Air” Byronic Sex & Exile, “Your Name on the Wind” Reviser, “Dead Eyes” Black Rose Burning, “Retro” Isabel Shrine, “Somewhere” Cold Cause, “Das Gespenst” Miss Trezz, “Fade Into the Black” Hexxes, “Fragile Thing” Thin Eater, “Half of a Double Giving Birth” Lowsunday, “Call Silence” J:dead, “Silence Calls” Sorrow Stories, “Too Early” Starsign, “Shiver” The Witch Said No, “Dead Cat” Shadows Hold, “Nosebleed” Kirke, “Demoni” Traumabond, “Mating Ritual” Dead Lights, “When the Lights Come Down” The Sisters of Mercy, “Flood II” DJ CYPHER'S DARK NATION RADIO—25 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

This week, Steve pulled from out of the archives of his 80s college radio show, songs that he played on the air in college and probably SHOULD HAVE played on the air during Suburban Underground's run, but never did.  In this show you will hear some familiar artists and some unfamiliar: Eighth Route Army, Mission Of Burma, O Positive, This Mortal Coil, The Things, Miracle Legion, Simple Minds, Ministry, Cabaret Voltaire, Siouxsie & The Banshees, Squirrel Bait, Naked Prey, Shriekback, Volcano Suns, Flesh For Lulu and Devo. On most podcast platforms. Facebook: SuburbanUndergroundRadio     Instagram: SuburbanUnderground     #newwave #altrock #alternativerock #punkrock #indierock

Locks' exhibition operates as a split composition: the back gallery leans into layered, exploratory collage rooted in his teaching experience with Prison + Neighborhood Arts/Education Project at Stateville Correctional Center, while the front gallery delivers sharper, declarative works built around text and figuration. The conversation frames this as a kind of A-side / B-side logic, with one space functioning like improvisational jazz and the other like a stripped-down, urgent punk track. Locks pushes back on easy analogies, but embraces the underlying idea: that both bodies of work are driven by different modes of attention and response. A major thread is process. Locks describes an almost anti-archival system of working, where stacks of Xeroxes, prints, and sampled sounds are mentally cataloged rather than digitally organized. This produces a practice grounded in rediscovery and accident, closer to crate-digging than database searching. Equally central is pedagogy. His decade-plus engagement with incarcerated students becomes a generative force, not a side project. The "homework" he assigns becomes his own studio method, expanding into the work shown here and into related musical output like List of Demands. Throughout, Locks positions his work within a lineage that moves fluidly between comic books, punk ephemera, Black radical print culture, and contemporary art. The result is a practice that refuses clean categorization, operating instead as an ongoing negotiation between sound, image, politics, and community. Names Dropped  Duncan MacKenzie — https://kurasmackenzie.com/ Ryan (Peter Miller) — http://ryanpetermiller.com/ Damon Locks — https://damonlocks.black/ Goldfinch Gallery — https://goldfinch-gallery.com/ Lumpen Radio — https://lumpenradio.com/ Prison + Neighborhood Arts/Education Project — https://pnaep.org/ Stateville Correctional Center — https://en.wikipedia.org/wiki/Stateville_Correctional_Center Artists / Art References Charles White — https://www.artic.edu/artists/23067/charles-white Raymond Pettibon — https://gagosian.com/artists/raymond-pettibon/ Emory Douglas — https://www.moma.org/artists/13246 Kerry James Marshall — https://kerryjamesmarshall.com/ Music / Punk References Bad Brains — https://www.badbrains.com/ Minor Threat — https://dischord.com/band/minor-threat Government Issue — https://dischord.com/band/government-issue The Clash — https://www.theclash.com/ Siouxsie and the Banshees — https://www.siouxsieandthebanshees.co.uk/ The Damned — https://www.officialdamned.com/ Big Black — https://touchandgorecords.com/bands/big-black/ Naked Raygun — https://www.nakedraygun.org/ Black Flag — https://sstsuperstore.com/collections/black-flag Comics / Illustration Influences John Byrne — https://www.lambiek.net/artists/b/byrne_john.htm Neal Adams — https://nealadams.com/ George Pérez — https://www.marvel.com/comics/creators/126/george_perez Marshall Rogers — https://www.lambiek.net/artists/r/rogers_marshall.htm

Happy Easter! Episode 161. The Emporium brings you the music of Terrorvision, The Jacksons, Y & T, Orchestral Manoeuvres In The Dark, Jenny Tolman, Uriah Heep, Siouxsie & The Banshees, Madonna, Clannad & Bono and The Eagles.

In today's insightful and extremely fun episode of Synthetic Dreams, I'm joined by singer, actor , author and pop icon Clare Grogan.We had a really lovely chat that covered a lot of ground — from classic 80s synth pop to touring stories, acting memories, and brand new music.Clare talks about the upcoming Altered Images Happy Birthday 50th Anniversary Tour, which celebrates the legendary debut album Happy Birthday. On the tour, Altered Images will perform the album in full — a record that still sounds as fresh and joyful today as it did when it was first released in 1981.We also go back to the early days of the band, including what it was like touring with their heroes Siouxsie and the Banshees, and working with Banshees bassist Steve Severin on the Happy Birthday album.Away from music, we share a laugh about Clare's brilliant — and very funny — appearance in the classic comedy Father Ted.We also dive into the making of the band's latest album Mascara Streakz — a record that acts as both a love letter to Clare's daughter and a reflection on life, family, and growing older.The Altered Images 50th Anniversary Happy Birthday Tour kicks off at the Norwich Waterfront on 3 September and finishes at Liquid Rooms on 25 September.For the full list of dates and ticket information visit:alteredimages.bandAltered Images - Happy Birthday (Official Video) Altered Images - Don't Talk To Me About Love (Official Video)Clare Grogan on Father TedGregory's Girl film trailer Synthetic Dreams is presented and produced by Scott ZverblisFollow Synthetic Dreams on ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠Follow Synthetic Dreams on ⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠

This week on The Metro, Rev. Jeff Ivins brings you the following artists for your weekly time warp to the 1980s: Stray Cats, Icehouse, Jane’s Addiction, The B-52’s, Nu Shooz, Siouxsie & The Banshees, Robert Hazard, Klark Kent, U2, Dave Edmunds, English Beat, Single Bullet Theory, Rick Astley, Uncanny X-Men, Violent Femmes, and finally with […]

DJ one3 - Flashback 2 the 80s/iHeart80s      (an hour & a half of Time Travel) • iHeart Special Presentation • Kurtis Blow • Back 2 the 80s Intro featuring Christopher Lloyd (2026) yes it's him!• New Order- Bizarre Love Triangle (feat. DJ one3 Dance Mix 4 Shell)• Donna Summer & INXS - I Feel Love/Need u 2nite feat. DJ one3 (1977 & 1987 reMixes mashUp)• Prince & Sheila E. - Love Bizarre (DJ one3 Club Mix 1985 recorded in Cincinnati, Ohio)• Ultravox - Dancing with Tears in My Eyes (feat DJ one3 '1984 Atomic Dance Mix')• Judas Priest & James Brown - Sex Machine feat. DJ one3 (1982 reMix)• Madonna - Borderline (12 inch) yes, that's Madonna talking in the beginning...• Madonna & ABC - Holiday (1987 reMix)• Yaz & Foreigner - Situation: Urgent feat. DJ one3 (1982 reMix)• Echo & the Bunnymen - The Killing Moon (DJ one3 Club Vampire reMix)• The Fixx - One Thing Leads to a DJ one3 Dance Mix feat. Porkey's (1984 reMix)• Rick James, Ozzy Osborne & Metallica - You, I & Whom the Bell Tolls (feat. DJ one3)• Michael Jackson & Iron Maiden- Beat Trooper (DJ one3 1983 reMix)• The Cult & Siouxsie and the Banshees - Sanctuary Mash feat. DJ one3 (1986)• Wham - Everything She Wants (DJ one3 1985 Club edit)• Talking Heads - Once in a Lifetime (DJ one3's Summer 1980 reMix)• Sly & the Family Stone feat. Peter Gabriel & Stevie Wonder- Thank YOU for letting DJ one3 be Himself (1986 reMix)• GOODBYE feat. Matthew Broderick DJone3.com & Apple Music & iHeartRadio Social: @theRealDJone3 

Our first show! Focuses on David Bowie's Station to Station, celebrating its 50th anniversary this year. Features tracks from throughout Bowie's 70s output. Also includes contemporary tracks from Iggy Pop/The Stooges and Lou Reed/The Velvet Underground, as well as songs by Prince, The Cure and Siouxsie and the Bansheees (all influenced by Bowie)!

For this episode we welcome former Q/Kerrang! editor-in-chief Paul Rees to RBP Towers to discuss his riveting new book Raised on Radio: Power Ballads, Cocaine & Payola. An oral history of AOR (or Album-Oriented Rock), Raised on Radio gives us an eagerly-awaited chance to enthuse about an oft-maligned genre we all happen to adore. The conversation takes in most of AOR's major practitioners, from Kansas and Toto to Journey and Survivor, and incorporates clips from John Tobler's 1979 audio interview with Tom Scholz and Brad Delp of Boston. After we've exhausted these guilty-till-proved-innocent pleasures, Mark quotes from newly-added library pieces about Siouxsie & the Banshees (1982) and Chic's Bernard Edwards (1987), then Jasper talks us out with his reflections on archive interviews with George Clinton (1997) and Brutalist composer Daniel Blumberg (2025). Many thanks to special guest Paul Rees. Raised on Radio is published by Constable and available now from all good bookshops. Pieces discussed: More Than a Feeling: The 20 Greatest AOR Tracks of All Time!, American revolution: Aerosmith, Boston, Kansas and co., Hard Pop, Suburban Rock, Hall & Oates: Blue-Eyed Philadelphia Soul, The Buzz On Boz Scaggs, Nirvana: Smells like Success, Boston (1979), Heart, Siouxsie & the Banshees, Bernard Edwards, George Clinton: Funkamental and The Brutalist's score.

On this week's Talkhouse Podcast, we've got two women whose singing styles are similar in that they're both absolutely singular, unmistakable, and wonderfully out of step—just don't call it spoken-word. It's Florence Shaw of Dry Cleaning and Sue Tompkins of Life Without Buildings. As you'll hear in this chat, Dry Cleaning sort of fell together in London around 2017, when the three instrumentalists approached their friend Florence Shaw to add some vocals to the music they had been writing. It turned out that Shaw's approach—speaking dense, clearly crafted but never obvious words—slotted in perfectly with the sort of nervous-yet-precise songs they had been working on. By 2020, Dry Cleaning had signed with the venerated 4AD label and the next year released a debut album, New Long Leg, that earned comparisons to post-punk greats like Siouxsie and Sonic Youth. For their third studio album, Secret Love, Dry Cleaning worked with producer-slash-musician Cate Le Bon, and they stretched out a bit, mellowing the sharp corners a bit while Shaw experiments more with vocal melody than before. Check out “Cruise Ship Designer” from Secret Love right here. Another person that eagle-eared listeners have compared Florence Shaw to is Sue Tompkins of the legendary, kinda-lost Scottish band Life Without Buildings. Life Without Buildings only released one album, Any Other City, in their brief three-year run, but it had a focused impact. Shaw remembers hearing the record as a teen. “It blew my mind that you could free yourself from the pressure of making traditional sense in lyrics,” she told the website Hearing Things, before mentioning that she'd love to meet Tompkins one day and thank her. Well, with some recent activity on the Life Without Buildings front—Tompkins contributed vocals to a new Sleaford Mods song, and the band just announced a couple of reunion shows—it seemed like the perfect time to get them together. In this delightful chat, Tompkins and Shaw talk about the similar origins of their respective bands, how genuinely kind the dudes of Sleaford Mods are, and their understandable reticence about the term “spoken word.” They also chatted a bunch about the TV shows Dragons' Den and Eastenders, but we had to trim that in the interest of time. Trust me, it was great. Enjoy.  Thanks for listening to the Talkhouse Podcast, and thanks to Sue Tompkins and Florence Shaw for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

Grief has a soundtrack—and so does joy. We open with a heartfelt salute to Catherine O'Hara, tracing how a single scene, a laugh line, or a voice can linger long after the credits, then wander into the wild terrain where memory and music meet. From Beetlejuice's dinner table possession to Home Alone's enduring comfort, we reflect on how film and song become the waypoints we use to navigate time. That doorway leads us to a run of resonant passings and timeless cuts: Demond Wilson's place in Sanford and Son and the instant-transport power of Quincy Jones' Street Beater, the exuberant lift of Three Dog Night's Joy to the World, and a trip through New York's CBGB with Television's Fred Smith, Marquee Moon, and the creative stubbornness that forged a landmark record.We trace another kind of legacy through Lynn Blakey—muse behind Left of the Dial—and the thrill of literally finding a friend on college radio while touring dark highways. Her voice in Salt Collective's recent release becomes proof that “new” music thrives when veterans share a room, a pen, and superior instincts. Along the way we spotlight the Pretenders' crisp poetry, Dolly Parton's ever-true 9 to 5, and Siouxsie and the Banshees turning the ash of Pompeii into a dance-floor revelation. These are touchstones that explain why a Pink Floyd joke can still land and why Mount Vesuvius can power a chorus.Then the lens widens to the Blitzkrieg Bop at 50—a hook first shouted in downtown clubs that now rattles stadiums and commercial breaks—and ask how simple phrases become lifelong companions. It's a tour through what lasts, why it lasts, and how it keeps finding us—left of the dial and right in the heart.If this journey moved you, tap follow, share it with a friend who loves great stories about music and film, and leave us a quick review with your favorite “timeless” track—we'll feature picks in a future mailbag.Learn Something New orRemember Something OldPlease like and follow the Music in My Shoes Facebook and Instagram pagesReach out to us at musicinmyshoes@gmail.comSend us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Two Hours of trashy garage, punk, rock, soul and fury.  This week: a bunch of good stuff!  Guest DJ Missgruntled sits in with JDub. Outrage Radio playlist – February 12, 2026[0:00]1.        Motorhead – Ace Of Spades2.       The Buzzcocks – Something's Gone Wrong Again3.       Dead Moon – Dead Moon Night4.       The Vendettas – Hex On Me5.       Lazy Cowgirls – Bad News6.       The Reverend Horton Heat – The Devils Chasing Me [25:03]7.       The Victims – Horror Smash8.       The Chats – Struck By Lightning9.       Siouxsie and The Banshees – Spellbound10.      Pink Floyd – Lucifer Sam11.       Twin Temples – I Am A Witch12.    Thee Michelle Gun Elephant – Satanic Boom Boom Head13.    Jimi Hendrix – Mr. Bad Luck [47:25]14.    Adolescents – Creatures15.    The Stitches – My Baby Hates Me16.    Cadillac Tramps – Shake17.     Greg Antista & The Lonely Streets – Monster18.    The Bags – Violence Girl19.    Kid Congo & The Pink Monkey Birds – La Arana20.   The Queers – This Place Sucks21.    Hot Load – Accursed22.    Carnage Asada – Germs Reborn23.    Electric Children – Wake Up [1:17:06]24.    Pansy Division – Flower25.    The Chicken Hawks – Stick It In26.    Turbonegro – Good Head27.    Black Mambas – Baby I'll Give It To You28.    Suicidal Tendencies – I Won't Fall In Love Today29.    The Stooges – T.V. Eye [1:34:11]30.    The Humpers – Plastic Valentine31.     Arre! Arre! – Sit On My Face32.    Richard Hell & The Voidoids – Love Comes In Spurts33.    Amyl & The Sniffers – Pleasure Forever34.    Wayne County – (If You Don't Wanna F+#k Me, Baby) F*+k Off35.    Alice Donut – The Tingler [1:51:10]36.    The Briefs – Rotten Love37.    Nikki & The Corvettes – Back Seat Love38.    The Dirtbombs – Do You See My Love For You GrowingOutrage Radio is a live radio show that broadcasts on Thursday nights, 9-11PM from Downtown Los Angeles at the LuxuriaMusic .com radio studio. 

Com que sabem que has tingut un dia dif

Steve Lillywhite first got a foot in the studio door aged 17 making demos for Ultravox and became a producer with credits on over 500 records. He doesn't have a copy of any of them but kept his Grammys and his CBE. The job involves being a lightning-rod, cheer-leader, editor, finisher and “as diplomatic as Henry Kissinger”. He looks back here from his ‘Lillypad' in Bali at the milestones along the way, among them … … “I'd done my 10,000 hours by the age of 22” ... “If it ain't broke, break it!” … when he screwed up as a tape-op: “you only do it once” … why bands never want to leave the studio … breakthrough hits with Johnny Thunders, Siouxsie and the Psychedelic Furs … “there's been no new technology in the last ten years” … the radio plugger who heard Sunday Bloody Sunday and said “sounds like a hit but you'll have to lose the word Bloody” … “when Mick and Keith weren't talking they communicated through me” … why Muff Winwood wanted to fire Larry Mullen … why producers can't hear a hit … Adam Clayton and Nick Rhodes “aren't musicians” … “make the drums less Huntley & Palmers!” … the Wrecking Crew versus the “One-Man Show" production of today … and memories of making Vertigo, Fairytale of New York and Making Plans for Nigel.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Steve Lillywhite first got a foot in the studio door aged 17 making demos for Ultravox and became a producer with credits on over 500 records. He doesn't have a copy of any of them but kept his Grammys and his CBE. The job involves being a lightning-rod, cheer-leader, editor, finisher and “as diplomatic as Henry Kissinger”. He looks back here from his ‘Lillypad' in Bali at the milestones along the way, among them … … “I'd done my 10,000 hours by the age of 22” ... “If it ain't broke, break it!” … when he screwed up as a tape-op: “you only do it once” … why bands never want to leave the studio … breakthrough hits with Johnny Thunders, Siouxsie and the Psychedelic Furs … “there's been no new technology in the last ten years” … the radio plugger who heard Sunday Bloody Sunday and said “sounds like a hit but you'll have to lose the word Bloody” … “when Mick and Keith weren't talking they communicated through me” … why Muff Winwood wanted to fire Larry Mullen … why producers can't hear a hit … Adam Clayton and Nick Rhodes “aren't musicians” … “make the drums less Huntley & Palmers!” … the Wrecking Crew versus the “One-Man Show" production of today … and memories of making Vertigo, Fairytale of New York and Making Plans for Nigel.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Steve Lillywhite first got a foot in the studio door aged 17 making demos for Ultravox and became a producer with credits on over 500 records. He doesn't have a copy of any of them but kept his Grammys and his CBE. The job involves being a lightning-rod, cheer-leader, editor, finisher and “as diplomatic as Henry Kissinger”. He looks back here from his ‘Lillypad' in Bali at the milestones along the way, among them … … “I'd done my 10,000 hours by the age of 22” ... “If it ain't broke, break it!” … when he screwed up as a tape-op: “you only do it once” … why bands never want to leave the studio … breakthrough hits with Johnny Thunders, Siouxsie and the Psychedelic Furs … “there's been no new technology in the last ten years” … the radio plugger who heard Sunday Bloody Sunday and said “sounds like a hit but you'll have to lose the word Bloody” … “when Mick and Keith weren't talking they communicated through me” … why Muff Winwood wanted to fire Larry Mullen … why producers can't hear a hit … Adam Clayton and Nick Rhodes “aren't musicians” … “make the drums less Huntley & Palmers!” … the Wrecking Crew versus the “One-Man Show" production of today … and memories of making Vertigo, Fairytale of New York and Making Plans for Nigel.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Beta band - dry the rain The fat white family - Kim's sunset  Absent music - akahito Onra - Mrs. Ho  Ryskinder - sod heshek Lena piatonos - mekong David Bowie - rocknroll suicide  Bikini - nasich hahosech // ביקיני - נסיך החושך  Spirit - the other song  Karen marks - cold cafe (demo) Anna domino - land of my dreams  Siouxsie and the banshees - Dear Prudence  Molly Nilsson - I Hope you die (by my side) rystal castles - Vanished  Jockstrap - greatest hits Interpol - untitled  Groove Armada - at the river Department of Eagles - Noam Chomsky spring break 2002 Dengue fever - sleepwalking through the Mekong  Pitaj klince - životinje Red hot chilli peppers - pea  Serge Gainsbourg - Melody  Trex - tenement The raptures - how deep is your love? Love sculpture - summertime

This is Garrett Chaffin-Quiray's summation of GATEWAY CINEMA, a multi-part series of conversations centered on key ideas in film studies. In these conversations, Garrett and Ed Rosa have interpreted and celebrated a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie à Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 20:“La Haine” (Mathieu Kassovitz, 1995)“Drum” (Steve Carver, 1976)“Alien 3 (Assembly Cut)” (David Fincher, 1992)“Come and See” (Elen Klimov, 1985)“Perfect Days” (Wim Wenders, 2023)“Sweet Smell of Success” (Alexander Mackendrick, 1957)“The Swimmer” (Frank Perry, 1968)“The Assassination of Jesse James by the Coward Robert Ford” (Andrew Dominik, 2007)“Amadeus (Director's Cut)” (Miloš Forman, 1984/2002)“Bring Me the Head of Alfredo Garcia” (Sam Peckinpah, 1974)“Friday” (F. Gary Gray, 1996)“Marie Antoinette” (Sofia Coppola, 2006)“The Night of the Hunter” (Charles Laughton, 1955)“Crank” (Mark Neveldine and Brian Taylor, 2006)“Crank 2: High Voltage” (Mark Neveldine and Brian Taylor, 2009)“Portrait of a Lady Fire” (Céline Sciamma, 2019)“The Fabulous Baron Munchausen” (Karel Zeman, 1962)“Joker: Folie à Deux” (Todd Phillips, 2024)“Welcome to the Dollhouse” (Todd Solondz, 1995)“Heathers” (Michael Lehmann, 1988)“The Death of Stalin” (Armando Iannucci, 2017)"Star Trek" (Gene Roddenberry, 1966-1969)Audio quotation in GATEWAY CINEMA, Episode 20:“Also sprach Zarathustra” (1896) by Richard Strauss, performed by Berliner Philharmoniker, https://www.youtube.com/watch?v=Szdziw4tI9o“Eugene's Lament” by Beastie Boys, Nishita, Bobo, and Eugene Gore for the album “Ill Communication” by Beastie Boys (1994), used in “La Haine” (Mathieu Kassovitz, 1995)“Drum” (Steve Carver, 1976)“Alien 3 (Assembly Cut)” (David Fincher, 1992), including “End Credits” composed by Elliott Goldenthal“Come and See” (Elem Klimov, 1985)“Perfect Days” (Wim Wenders, 2023), including “Perfect Day (Piano Komorebi Version)” (2024) by Patrick Watson, https://www.youtube.com/playlist?list=PLhC3YPiBwS9Vc9nbBG1Dl6y4AfZPD23lm“Sweet Smell of Success” (Alexander Mackendrick, 1957)“The Swimmer” (Frank Perry, 1968), including “Theme from ‘The Swimmer' (Send for Me in Summer) / Big Splash” and “My Kids Love Me / Traveling Home / Closer to Home / Home / Marcia Funebre” by Marvin Hamlisch, https://www.youtube.com/playlist?list=PLkAUJkbhd-RgA8zSAa_Uqqq45GMl_ONci“Amadeus (Director's Cut)” (Miloš Forman, 1984/2002)“Bring Me the Head of Alfredo Garcia” (Sam Peckinpah, 1974)“Friday” (F. Gary Gray, 1996)“Marie Antoinette” (Sofia Coppola, 2006), including the song “Hong Kong Garden” (1978) by Siouxsie and the Banshees, https://www.youtube.com/playlist?list=PLkTESLJ1DzwVuwneRvZRNBzJkbNQsX-sP“The Night of the Hunter” (Charles Laughton, 1955)“Crank” (Mark Neveldine and Brian Taylor, 2006), including “Don't Stop” by Paul Haslinger,

Prepareu-vos per a una sessi

DANSE SOCIETY - Somewhere (Heaven Is Waiting) 1984BREEDING GROUND - Reunion (Revisited) 1983XMAL DEUTSCHLAND - Augin.Blick (Tocsin) 1984CHAMELEONS UK - Looking Inwardly (What Does Anything...) 1985LEAGUE OF NATIONS - Fade (Music for the New Depression) 1984MOEV - Alibis (Dusk & Desire) 1986ULTRAVOX - Dancing With Tears in My Eyes (Lament) 1984PICTURES LIKE THIS - A Night's Vendetta (Single) 1983SLOW CHILDREN - Vanessa Vacillating (Mad About Town) 1982MAGAZINE - A Song From Under the Floorboards (After the Fact) 1980DOLCE VITA - Beginning All Over (s/t EP) 1984U2 - Rejoice (October) 1981INXS - One Thing (Shabooh Shoobah) 1982MIDNIGHT OIL - Only The Strong (10-1) 1983LOVE & ROCKETS - Mirror People (Earth.Sun.Moon) 1987 *request*RED LORRY YELLOW LORRY - Generation (Chance 12" single) 1985LITTLE NEMO - Blue Years (Private Life EP) 1988THE CURE - Primary (Singles-Staring at the Sea) 1981A CERTAIN RATIO - The Fox (To Each) 1981GANG OF FOUR - I Find That Essence Rare (Entertainment) 1979SYSTEM 56 - Life on a Cool Curve (single) 1983PETE SHELLEY - Waiting For Love (Heaven and the Sea) 1986SHRIEKBACK - Lined Up (Care) 1984 *request*THE THE - Infected (Infected) 1986 *request*SIOUXSIE & THE BANSHEES - The Killing Jar (Peepshow) 1988SPLIT ENZ - Hard Act to Follow (Waiata) 1981THE UNDERTONES - Fascination (Positive Touch) 1981

In the Rocker Death series, Tessa continue in part 7 with a new lineup of rockers who left us too damn soon. From MS to murder and more, it all starts now. ROCKER LINEUP: Clive Burr, Teresa Nervosa, John Lennon and Felix Pappalardi CREDITS & LINKS  MUSIC COURTESY OF: Fading Point "Gasoline” Alien Manner "Listen Official” Destined to Fail "The Sin is Enough” Liars Handshake "Stockholm” Alien Manner "Green Dragon” Fading Point "Trigger” Destined to Fail "Dead Man's Orgy” CITY SHOUT OUT:

0:00:00 Introduction Richard Saunders 00:07:18 The Think Tank Our international team spent time with Dr Siouxsie Wiles from New Zealand. Dr Siouxsie has been the victim of outrageous harassment after her efforts to promote vaccines and good science during the Covid-19 pandemic. Dr Siouxsie is joined by Adrienne Hill, Kat McLeod, Kate Thomas and Lara Benham. Support Dr Siouxsie https://www.pledgeme.co.nz/projects/8521-support-dr-siouxsie-after-she-supported-us Ms. Information - 1h 44m Documentary https://ondemand.arovideo.co.nz/film/ms-information 00:26:58 Woo Watch! With Kate Thomas Questioning the Qualifications of Naturopaths In Australia anybody can call themselves a Naturopath. You don't need any formal training, you don't need to know which end of the stethoscope is which, you don't need to know anything about biology or physiology. Kate looks at why so many people in our society think Naturopaths are just like doctors and other real healthcare professionals. Kate Thomas on TikTok and Instagram https://linktr.ee/PrescribeorPass 0:35:00 Australian Skeptics Newsletter What skeptical news has caught the eye of Dee this week? Read by Adrienne Hill. http://www.skeptics.com.au 0:47:46 The TROVE Archives A wander through the decades of digitised newspapers on a search for references to the quackery of Reflexology. 2000.12.25 - Boca Raton News 1999.01.24 - The Item http://www.trove.nla.gov.au Also Sydney Skeptics in the Pub "Why Smart Women Zone" live podcast recording - 4 December https://www.meetup.com/austskeptics  

In this episode David sat down with friend of the pod and music critic Tommy Ellis to discuss the debut album by Siouxsie and the Banshees, The Scream from 1978.

Musicians have flirted with Nazi imagery since the ‘60s, lampooning its theatre, absorbing its style, exploiting its shock value, even promoting its ideology. Daniel Rachel's new book ‘This Ain't Rock ‘N' Roll' points up extraordinary examples – “from Tommy Steele to Kanye West” - and how our reaction intensified over the years. Which leads us to … … parallels between stadium rock and the Nuremberg rallies … hearing the Sex Pistols' Belsen Was A Gas and seeing their Nazi insignia at the age of 12 … David Bowie's German memorabilia and belief that “Hitler was the first rock and roll superstar” – and the doctored photo of his “Nazi salute” at Victoria Station … Bernie Rhodes versus Malcolm McLaren on the “reclaiming of the swastika” … the lyrics and imagery of the Siouxsie & the Banshees … Viv Stanshall and Keith Moon's atrocious visit to Golders Green ... the German invention of the tape machine that started the record business … “I'm not the Simon Wiesenthal of rock and roll!” … Joy Division, New Order, K-Pop, Brian Jones and his SS uniform, Ron Asheton of the Stooges, John Lennon, Lemmy, Blue Oyster Cult, “Adolf Hitler on vibes”… “Rock and Roll has a duty to recognise its downfalls”. Order ‘This Ain't Rock ‘N' Roll: Pop Music, the Swastika and the Third Reich' here: https://www.waterstones.com/book/this-aint-rock-n-roll/daniel-rachel/9781399635721Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Musicians have flirted with Nazi imagery since the ‘60s, lampooning its theatre, absorbing its style, exploiting its shock value, even promoting its ideology. Daniel Rachel's new book ‘This Ain't Rock ‘N' Roll' points up extraordinary examples – “from Tommy Steele to Kanye West” - and how our reaction intensified over the years. Which leads us to … … parallels between stadium rock and the Nuremberg rallies … hearing the Sex Pistols' Belsen Was A Gas and seeing their Nazi insignia at the age of 12 … David Bowie's German memorabilia and belief that “Hitler was the first rock and roll superstar” – and the doctored photo of his “Nazi salute” at Victoria Station … Bernie Rhodes versus Malcolm McLaren on the “reclaiming of the swastika” … the lyrics and imagery of the Siouxsie & the Banshees … Viv Stanshall and Keith Moon's atrocious visit to Golders Green ... the German invention of the tape machine that started the record business … “I'm not the Simon Wiesenthal of rock and roll!” … Joy Division, New Order, K-Pop, Brian Jones and his SS uniform, Ron Asheton of the Stooges, John Lennon, Lemmy, Blue Oyster Cult, “Adolf Hitler on vibes”… “Rock and Roll has a duty to recognise its downfalls”. Order ‘This Ain't Rock ‘N' Roll: Pop Music, the Swastika and the Third Reich' here: https://www.waterstones.com/book/this-aint-rock-n-roll/daniel-rachel/9781399635721Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

LOVE & ROCKETS “All In My Mind” from Express (1986) THE CHURCH “Dropping Names” from Seance (1983) PSYCHEDELIC FURS “Forever Now” from Forever Now (1982) JULIAN COPE “Trampolene” from Saint Julian (1987) FLESH FOR LULU “Baby Hurricane” from Big Fun City / Blue Sisters Swing (1985) LORDS OF THE NEW CHURCH “Live for Today” from Is Nothing Sacred? (1983) ROSE OF AVALANCHE “Conceal Me” from L.A. Rain (The Singles Album) (1985) DANSE SOCIETY “Hide” from Seduction (The Society Collection) (1983) THE CURE “Primary” from Singles/Staring at the Sea (1981) SIOUXSIE & THE BANSHEES “She's a Carnival” from A Kiss In the Dreamhouse (Bonus Track Version) [Remastered] (1982) PLAY DEAD “Walk Away” from From The Promise Land (1985) THE THE “Uncertain Smile” from Soul Mining (1983) AZTEC CAMERA “All I Need Is Everything” from Knife (1984) THE SMITHS “Nowhere Fast” from Meat Is Murder (1985) THE HOUSEMARTINS “Anxious” from London 0 Hull 4 (1986)THE ACES “One Way Street” from One Way Street (1981) THE LAMBRETTAS “Living for Today” from Beat Boys in the Jet Age (1981) THE JAM “Just Who Is the 5 O'Clock Hero?” from The Gift THE GODFATHERS “Cause I Said So” from Birth, School, Work, Death (1988) DRAMARAMA “Lullabye” from Stuck In Wonderamaland (1989) DEL FUEGOS “It's Alright” from Boston, Mass. (1985) THE REPLACEMENTS “Achin To Be” from Don't Tell A Soul (1989) JASON & THE SCORCHERS “White Lies” from Lost & Found (1985) X “White Girl” from Wild Gift (1981) BEAT FARMERS “Girl I Almost Married” from Poor & Famous (1989)HOUSE OF FREAKS “My Backyard” from Monkey on a Chain Gang (1987) SOUL ASYLUM “Sometime to Return” from Hang Time (1988) DRIVIN N CRYIN “House for Sale” from Mystery Road (1989) GUADALCANAL DIARY “Litany (Life Goes On)” from 2x4 (1987)

I do think of my formative years a lot – and I think this started to happen more when my parents died in 2022. Music started to become huge for me around 1976 when I was 8 and started playing the cello…but I did have some music differences of opinion let's say as I got a bit older and started to  listen to “bang and thump music” as my dad used to call it  – I really struggled to reconcile what I now know is a beautiful instrument with the Ramones, who were changing my life and pulling me in the other direction – it was like I had an alter ego. I mean, it's not a big deal in the whole scheme of things, but you know, each to their own.  Anyway, I just devoured more and more music – bands like Killing Joke, Siouxsie, Au Pairs, Minutemen, Husker Du - and as I found more and more stuff through, mainly listening to Peel and other local radio – like Steve Barker's On The Wire and Tony Michaelides on Piccadilly or just taking a chance based on whether I liked the sleeve, I started to get into more of the avant garde, off kilter, skrunky, weird – Neubauten, Alien Sex Fiend, Bush Tetras, The Fall, Butthole Surfers and then there was a bit of a lightbox moment with Tackhead's Hard Left around 86, I think before Public Enemy came along and changed things again. There was also another band who completely flummoxed, intrigued and excited me - and that was Fini Tribe. There was the underground and there was Fini Tribe. I had no idea how to describe them. They didn't sound like anyone else. I had no idea what they looked like. And I didn't know much about them. And I had no idea what to expect. And of course, we lived in an age of genre obsession – still do - so they were real genre party poopers. So, by the time I was listening to Splash Care or Detestimony, there were frequent shouts of “turn that shit off”. I was very used to this. Especially from the fella that liked Dire Straits. But Fini Tribe awakened an excitement in me – listening to them was like Alice Through The Looking Glass stepping into another world that felt as distant and exciting to me as when I got those first Killing Joke records… I never got to see them live so to now have a wonderful compilation of their 1982-1987 years called The Sheer Action of Fini Tribe, diligently and lovingly brought to life by the band with tracks I've never heard before including some live tracks, well, it's well worth the wait. This is such an exhilarating and fascinating insight with Christopher Connelly and Davie Miller.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

In music, experimentalism is more than just "that one time in college." This week, we cover the albums that dared to be different, were fearless in their pursuit of breaking new ground, and subverted traditional expectations of what music should sound like. The spirit of experimental music is alive and well on The Sound, the debut solo album by guitarist, cellist, composer producer, arranger, painter, and educator Knox Chandler. This project is a musical memoir depicting the shift in his surroundings from the urbanism of New York, London, and Berlin to the serene rural setting of the Connecticut shoreline. Through 10 diaristic and transportative soundscapes, The Sound incorporates Knox's "Soundribbon" style of meditative, powerfully cinematic guitar, accompanied by upright bass and percussion, and is paired with a book of paintings, sketches, and writings. You no doubt have heard Knox Chandler's work throughout a career that has spanned four decades, as a member of The Psychedelic Furs, Siouxsie & The Banshees, Cyndi Lauper's band, and The Golden Palominos. He's also played, composed, produced, and arranged on dozens of records including REM's Automatic For The People, Depeche Mode's Exciter, David Gahan's Paper Monsters, Paula Cole's Harbinger, and many more. Special thanks to Howard Wuelfing from Howlin' Wuelf Media for the introduction and coordination. Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Metro, Rev. Jeff Ivins brings you the following artists: Billy Ocean, Scandal, Rank And File, Miracle Legion, Kim Wilde, Iggy Pop, Dave Edmunds, The J Geils Band, Flirts, Panza Division, Siouxsie & The Banshees, Public Image, Lena Lovich, Japan, and finishes off with Haircut One Hundred.

This week we're discussing every album by Magazine. Led by vocalist Howard Devoto and guitarist John McGeoch (before he left to join Siouxsie and the Banshees), Magazine is one of the most underrated punk bands to come out of England in the late 70s. Their style, which was in large part characterized by prominent synths, was unlike any other band at the time. Best of all, the songs still hold up today.   Intro/Band Overview 00:00 Real Life 7:22 Secondhand Daylight 20:13 The Correct Use of Soap 33:40 Books and Movie Adaption Talk 41:42 John McGeoch's Departure 45:40 Magic, Murder and the Weather 49:33 No Thyself 1:04:27 Outro 1:14:54   ----------------------------------------------------------------------------------------------------------   Patreon https://www.patreon.com/everyalbumever   Merch https://pandermonkey.creator-spring.com/   Mike's EP: Pander Monkey on Bandcamp, Spotify, Apple,   Mike on Instagram @pandermonkey Alex on Bluesky @octatron3030 Tom on Instagram @tomosmansounds   History Tom's stuff: Music on Spotify, Apple Podcast on Spotify, YouTube Substack Website   ----------------------------------------------------------------------------------------------------------   Mike's Picks: Real Life (1978) -- Best Album, Personal Favorite Magic, Murder and the Weather (1981) -- Worst Album, Least Favorite   Alex's Picks: Real Life (1978) -- Best Album Secondhand Daylight (1979) -- Personal Favorite The Correct Use of Soap (1980) -- Worst Album, Least Favorite   Albums we discussed this episode... Real Life (1978) Secondhand Daylight (1979) The Correct Use of Soap (1980) Magic, Murder and the Weather (1981) No Thyself (2011)

Crush was an alternative rock[1] band with East West Records from 1991 to 1993.[2] Original members included singer-songwriter Michael Bramon, English guitarist-songwriter John Valentine Carruthers (formerly of Siouxsie and the Banshees), English drummer-songwriter Paul Ferguson (formerly of Killing Joke), and American bassist/backing vocalist/songwriter John Micco.[3] -- Audiomorphs is an Animorphs podcast which is actually not so much a podcast as a bootleg Animorphs audiobook. Releases every Friday. Visit https://www.theapodcalypse.com/ Twitter: @audiomorphs

SIOUXSIE & THE BANSHEES - Spellbound (Singles) 1981MODERN EON - Euthenics (Fiction Tales) 1981NEW ORDER - Procession (Movement) 1981THE SOUND - Skeletons (From The Lion's Mouth) 1982XMEAL DEUTSCHLAND - Matador (Viva) 1987NEW MODEL ARMY - Brave New World (single) 1985FRONT 242 - Operating Tracks (Geography) 1982ADAM & THE ANTS - Picasso  (Prince Charming) 1981BOW WOW WOW - Do You Wanna Hold Me? (When The Going Gets Rough...) 1983SHRIEKBACK - Hand on My Heart (Jam Science) 1984GLEAMING SPIRES - Big Surprise (Walk On Well Lighted Streets) 1983LORDS OF THE NEW CHURCH - Black Girl White Girl (Is Nothing Sacred?) 1983WALL OF VOODOO - Me & My Dad (Dark Continent) 1981OINGO BOINGO - Grey Matter (Nothing To Fear) 1982SOFT CELL - Bedsitter (Nonstop Erotic Cabaret) 1981HULA - Cut Me Loose (Voice) 1986OUR DAUGHTER'S WEDDING - Auto Music (s/t) 1982MICRODISNEY - Birthday Girl (The Clock Goes Down the Stairs) 1985THE SMITHS - Ask (Single) 1986THE HOUSEMARTINS - Sheep (London O Hull 4) 1986THE BLOODY MARYS - Dance (More Swamp Than Elvis EP) 1988THE WOODENTOPS - It Will Come (12" single) 1985RED LORRY YELLOW LORRY - Monkey's On Juice (single) 1985THE BOLSHOI - Please (Lindy's Party) 1987BAUHAUS - Honeymoon Croon (Burning From The Inside) 1983THAT PETROL EMOTION - Can't Stop (Manic Pop Thrill) 1986POP WILL EAT ITSELF - Love Missile F1-11 (Now For a Feast) 1988JESUS & MARY CHAIN - Sidewalking (12" single) 1988ROSE OF AVALANCHE - World Is Ours (Never Another Sunset) 1989WIRE - It's a Boy (A Bell Is a Cup...) 1988CAMOUFLAGE - The Great Commandment (Voices & Images) 1988

On this week's episode of the Talkhouse Podcast we've got the leader of a killer Chicago band and the co-director of one of the biggest movie franchises in history in a fantastic conversation: It's Alicia Gaines of Ganser and Lilly Wachowski, best known for The Matrix. The Matrix you surely know, but Ganser perhaps you don't. They're a Chicago band that's been around for the last decade or so, but really seemed to snap into focus about five years ago with a startling stew of post-punk and art-rock sounds that snarl like some of my favorite elder statesbands—Gang of Four, Siouxsie—but updated. Their third and latest album, Animal Hospital, was produced by Angus Andrew of Liars, which makes sense. Oh, and they're fierce live: I saw them last year opening for Mclusky and was blown away. Check out  “Stripe” from Animal Hospital right here. Lilly Wachowski cut a winding path through Hollywood; along with her sister Lana, she made the 1996 thriller Bound—it comes up in this conversation—but took the film world by surprise with 1999's The Matrix and of course its sequels. The Wachowskis, as they're known professionally, took their films to weirder places after that rather than trying to go mainstream, with the unfairly maligned Speed Racer—an anti-capitalist blockbuster—and Cloud Atlas, a strange, moving epic. Both Wachowskis also came out as trans in the years after The Matrix, and Lilly, as you'll hear, has a serious interest in getting that aspect of her life onto the silver screen. In this deep and friendly chat, Lily and Alicia talk about their shared experience at Chicago's School of the Art Institute—aka SAIC—as well as Animal Hospital, using original music versus well-known pop songs in movies, finding yourself through art, a painting of a suicidal duck, and Lilly's next project, which is “wall to wall trans people and trans rage.” I hope she can get it made. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Alicia Gaines and Lilly Wachowski for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the great stuff in our podcast network. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.