Podcasts about Duran Duran

THIS BOOK IS A COLLECTION OF INTERVIEWS with people who have made records with some of the biggest names in music. Along the way, they might be engineering the recordings, picking the songs, guiding the singers, picking the best takes of songs, balancing egos, fixing the lyrics, booking the studio time, buying lunch, playing instruments, pushing artists further, writing or cowriting the songs, selecting the musicians to use, overseeing the mixes, and many other tasks. Making records is always a combination of many skills and goals, and the producer needs to have what it takes to make the session productive and the music compelling.In this book, interviewees include people who have worked with the Beatles, the Rolling Stones, Public Enemy, Taylor Swift, Bob Dylan, P!nk, U2, Emmylou Harris, Willie Nelson, Wu-Tang Clan, David Bowie, T.Rex, Johnny Cash, Aretha Franklin, Amy Winehouse, Paul McCartney, Dolly Parton, Duran Duran, the Replacements, Christina Aguilera, Alicia Keys, Kendrick Lamar, Tom Petty, and Sabrina Carpenter, plus more. And that's just the beginning of the credits these producers―Brian Eno, Finneas, Glyn Johns, Hank Shocklee, Jack Antonoff, Joe Boyd, Jon Brion, Lee "Scratch" Perry, Linda Perry, Mark Ronson, RZA, Sasami, Steve Lillywhite, Susan Rogers, T Bone Burnett, and many others―collectively hold.All of these interviews come from the pages of Tape Op magazine, founded in 1996 by editor Larry Crane. Over the last thirty years, along with publisher John Baccigaluppi, Tape Op has become the world's deepest archive of conversations about the art and science of recording music, and is still an active, print-based magazine with the highest circulation of any recording magazine in the world.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Nick Richards is the founder and frontman of the iconic '80s band Boys Don't Cry and creator of the world's first A.I. record label. Before the band and record label, Richards got his start by purchasing London's famed Maison Rouge Recording Studios, where he worked with legendary acts like Duran Duran, Queen, Tears For Fears, Wham and so many more incredible artists. It was during this time he launched Boys Don't Cry as an in-house studio project, making the most of late-night downtime. These days, Richards is organizing star-studded '80s benefit concerts and releasing music through his new A.I. label, HEADGAMES. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time for another episode of Trve. Cvlt. Pop! a music podcast. On this weeks show Steve is joined by film maker, music video director and source of all his best hip hop recommendations Luigi Sigbona, who takes us on a road trip with an incredible playlist of some of his favourite tunes.There's also a review of the new album from Madonna, live reports of shows by Metallica, The Offspring, Duran Duran and Vulfpeck, we examine Damon Albarn and his oh so sensitive hearing and there is a lost banger from the very strangest place that the internet has sent us in some time from Ty Parr.

Nick Richards is the founder and frontman of the iconic '80s band Boys Don't Cry and creator of the world's first A.I. record label. Before the band and record label, Richards got his start by purchasing London's famed Maison Rouge Recording Studios, where he worked with legendary acts like Duran Duran, Queen, Tears For Fears, Wham and so many more incredible artists. It was during this time he launched Boys Don't Cry as an in-house studio project, making the most of late-night downtime. These days, Richards is organizing star-studded '80s benefit concerts and releasing music through his new A.I. label, HEADGAMES. Learn more about your ad choices. Visit megaphone.fm/adchoices

A sheepskin chair, Duran Duran, Burnham's Saturday night advice, and Rooney's articulacy. Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine and on Apple Podcast Subscriptions. Get a 7-day full access free trial and pay for 10 months up front for the price of 12 if you like a bargain. Hosted on Acast. See acast.com/privacy for more information.

1. Pupa Nas T & Denise Belfon & James Hype - Work (Extended Mix) 2. Jennifer Lopez, Alok - Everything's Fine (Extended Mix) 3. Jonas Blue - Girl (Extended Mix) 4. Marsolo Feat. O.MMY - Run (Extended Mix) 5. ANOTR 3DDY - Like It (Last Value Remix) 6. HUGEL, Ultra Naté, Imael Angel - Movin' To The Sun (Extended Mix) 7. David Guetta ft. Bebe Rexha - Sad Girls (DJs from Mars Extended Remix) 8. CASSIMM - Always About Love (Extended Mix) 9. HUGEL, French Montana, David Guetta & Aidan Martin - Shine (Extended Mix) 10. Madonna - Danceteria (Teaspillers Mix) 11. Bananarama - Venus (Richard X's Burning Flame '26 Mix) 12. Duran Duran ft. Nile Rodgers - Free To Love (Trixie Mattel Extended Mix) 13. Westend - Feels Better (Extended Mix) 14. Rafael - Gotta Be Cool (Extended) 15. Green Velvet, Meduza, GENESI (ITA), ESSENTIA (IT) - La La Land (Extended Mix) 16. Rhianna - Where Have U Been (HILLS x LOOZBONE Edit)

Kelly and Sharon kick off the show with their 90's Playlist Picks of the Week featuring an early 90's favourite from Duran Duran and a standout track from The Breeders.   They then recap the biggest moments from the 2026 BET Awards including Janet Jackson surprising Teyana Taylor with her Icon Award presentation and Lauryn Hill receiving a star-studded tribute featuring performances from Doechii, Lizzo, Queen Latifah and members of her own family.   The conversation continues with Madonna's revealing interview with Graham Norton ahead of her upcoming album being released in early July. Kelly and Sharon discuss her candid reflections on daughter Lola, reconciling with her brother Christopher before his passing and why she once admitted to being jealous of Kylie Minogue.   Kelly also shares details about a documentary on Windsor Castle and the story behind why David Foster chose not to work with Janet Jackson, a decision that ultimately benefited her career.   See how you do with Kelly's Trivia questions and Sharon takes you back to 1994 with your 90's Rewind. Thanks for listening to 90's NOW!

We're joined this week by producer, musician, technologist, distributor, and CD burner extraordinaire Keith Fullerton Whitman to talk digging for Japan-exclusive Duran Duran mini CDs in the West Village, fine Digitech products, and the kindness of strangers. Video for this episode at our YouTube here https://youtu.be/FMC7VurjMbE Check Keith's work at https://keithfullertonwhitman.com/ JOIN THE PATREON https://www.patreon.com/basecampbeta

This week on The Metro, Rev. Jeff Ivins brings you these bands to satisify your 80s craving: Gleaming Spires, U2, The Go Go’s, Duran Duran, Julie Brown, Nena, Public Image Ltd., Billy Idol, Madness, Human Sexual Response, Rank And File, Peter Gabriel, Pet Shop Boys, and finishing off with Erasure.

Jagged Jungle Radio Show – Episode 3 Episode 3 of Jagged Jungle is a sun-soaked journey through tropical house, melodic grooves, Latin percussion and feel-good dance energy — the kind of soundtrack that takes you from golden hour into the after-dark jungle. This episode opens with Civara – Nala (Bring Me Home) before moving through warm, soulful edits from Duran Duran ft. Nile Rodgers, deep melodic moments from Double Touch, and the cinematic energy of Read the News – Little Jaguar. Our Treasure Track this week is Vazilando by Robbie Rivera, bringing that classic Latin house flavour, while the Tropical Transition heads into the emotional world of Mahmut Orhan with Age of Emotions and Saskin. Expect records from BLOND:ISH, Kurtis Wells, Robin Schulz, Marten Lou, Jerro, Dennis Cartier, Felipe Allenn, Sama, Nawe and more — blending sunshine, rhythm and that unmistakable Jagged Jungle feeling. Follow the jungle. 00:00:00 Civara - Nala (Bring Me Home) 00:02:22 Duran Duran - Free To Love ft. Nile Rodgers (ALISSIA Remix) Tape Modern 00:05:29 Double Touch - Deeper Love (Extended Mix) TMRW Music 00:10:33 Read the News - Little Jaguar (Original Mix) RaRaLand Records 00:14:52 Adem Bogoceli - Wild Water (Extended Mix) Future House Music 00:18:46 - Vazilando (Robbie Rivera) Quantized BPM 124.15 00:23:34 - What I Need (Drega Remix) - Naarly (youtube) 00:27:28 Mahmut Orhan - Age of Emotions (Original Mix) 00:32:06 Ilkay Sencan & Mahmut Orhan - Saskin (Extended Mix) (Clean) 00:35:35 Sama (US) & Nawe (BR) - Sweat (Extended Mix) MAHOOL 00:39:57 Dennis Cartier & Felipe Allenn - Lejania (Extended Mix) On The House 00:43:38 BLOND:ISH, Kurtis Wells - Lovers On The Dancefloor (Extended Mix) (Clean) 00:48:09 Oliver Tree, Robin Schulz & Marten Lou - Miss You (Marten Lou Remix) 00:53:17 Jerro - Irene (Original Mix) This Never Happened

What if the dream you had at five years old was still waiting for you? In this inspiring episode of GenX Journeys, Paul welcomes Stacie Jones, founder of AB & J Travel Agency, certified travel advisor, entrepreneur, stroke survivor, Guinness World Record holder, and someone who proves it's never too late to reinvent your life. As a little girl growing up in the 1970s, Stacie dreamed of seeing the world. Life took her in a different direction, leading her into a successful corporate career. But after suffering multiple strokes in 2022, she was forced to slow down and re-evaluate everything. Instead of giving up, she returned to the dream she'd carried since childhood. Today, Stacie helps others create unforgettable travel experiences while living the life she always imagined. Along the way, she shares why travel is about far more than vacations. It's about healing, perspective, renewal, and finding your way back to yourself. Paul and Stacie also take a nostalgic trip through Gen X memories, including favorite TV shows, music, childhood crushes, and plenty of laughs that every Gen Xer will appreciate. In This Episode: Growing up Gen X in the 1970s and '80s The childhood dream that never disappeared Life after surviving multiple strokes Leaving corporate America to build a dream business Why travel can transform your perspective Common misconceptions about using a travel advisor Affordable bucket-list travel Favorite travel destinations (including Sedona and Vietnam) Dream trips still on the horizon Gen X nostalgia: Dukes of Hazzard, Knight Rider, Buck Rogers, Duran Duran, Men at Work, The Muppets, and much more Whether you're dreaming about traveling, changing careers, or rediscovering the person you always wanted to become, this conversation is a reminder that it's never too late to begin again. Connect with Stacie Jones Facebook: Stacie N. Jones AB & J Travel Agency Phone: (513) 991-2717

Hvordan ser "Hundene" ud med en advokats øjne? Og påvirker tv-serierne, hvordan man ser sig selv, når man lever af at forsvare mennesker, der måske har gjort forfærdelige ting? Vi skal også høre, om violiner hører hjemme i populærmusik, om Duran Duran stadig kan få os til at danse i undergangstider, og om fodboldspillere kan tage patent på deres fejringer. Vært: Morten Runge Medvirkende: Mette Dahl Kristensen: Violinist og arrangør i Who Killed Bambi Asker Hedegaard Boye: Forfatter og journalist på Weekendavisen Roger Taylor: Trommeslager i Duran Duran Jens Lapidus: Krimiforfatter Erbil Kaya: Forsvarsadvokat Producer: David Turner Redaktør: Lasse Lauridsen

Before Recovery Rocks, Anna hosted Recover Girl, where conversations about addiction often turned into surprisingly deep discussions about ego, identity, fear and why nobody actually feels like a real adult. This Thursday Throwback features John Taylor of Duran Duran—yes, that John Taylor in the flesh.John talks about becoming a global pop star almost overnight, still living in his childhood bedroom after Rio became a massive hit and slowly realizing that alcohol and cocaine had become stronger than he was. He opens up about addiction, shame, resentment, celebrity, Catholicism, recovery and the strange reality that even successful adults are often still wrestling with younger versions of themselves.The conversation covers everything from partying through Duran Duran's peak fame to why 12-step programs helped him stop blaming everyone else for his problems — and why most people have no idea how much work sobriety actually requires.If you've ever been hungry like the wolf to know John Taylor better, this is a can't miss.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on Apex Express, Host Miko Lee talk story with singer-songwriter Thao Nguyen.  Hear about her new album Fossil,  her short documentary, and about her artistic inspirations. Thao's tour starts this week in North Carolina, so listen in to hear from the brilliant Thao, and then check out her website to catch a live show.   SHOW TRANSCRIPT [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:35] Miko Lee: Tonight on Apex Express, we talk story with singer-songwriter Thao Nguyen. Join me, your host, Miko Lee, as I talk with this multi-hyphenated artist. We get to hear about her new album, chat about her short documentary, and hear about her artistic inspirations. Thao's tour starts this week in North Carolina, so listen in to hear from the brilliant Thao, and then check out her website to catch a live show.   [00:01:05] Ayame Keane-Lee: In today's show, you'll be listening to some songs from Thao & The Get Down Stay Down's 2020 album, Temple. First off, let's listen to “Pure Cinema.”   MUSIC     [00:05:44] That was “Pure Cinema” by today's guest, Thao Nguyen. Let's get to the interview.   [00:05:50] Miko Lee: Welcome  Thao Nguyen to Apex Express.    [00:05:54] Thao Nguyen: Thank you. I'm so happy to be here.    [00:05:57] Miko Lee: I love talking with creative people and you're such an amazingly talented singer and songwriter and imagination creator. I'm wanna start with the first question I ask all of my guests, which is, who are your people and what legacy do you carry with you?   [00:06:16] Thao Nguyen: Who are my people? Some of them include the family I was born into. I'm from Virginia. I was born and raised in Virginia. but I'm the daughter of Vietnamese refugees of war. And, I moved out to the Bay in 2006 after my first US tour. And, I'm so fortunate to have such a robust community here in the bay and all of my chosen family here.   [00:06:40] Miko Lee: And what legacy do you carry with you?    [00:06:43] Thao Nguyen: What legacy? I think the legacy I prioritize. I think, you know, [laughs] we inherit a lot and as time goes on and we get older, we realize everything is finite and you have to choose which legacies you choose to continue, and perpetuate and honor and what you have to leave by the wayside. And so the things I choose to continue and celebrate are that of a real ability to be very present and in the moment and available to joy and I think the people I come from are really good at metabolizing joy because they know the flip side of it so well.    [00:07:23] Miko Lee: Ooh, that's so interesting. Can you speak more about what it means to metabolize joy?    [00:07:30] Thao Nguyen: [Laughs] uh, an ongoing practice? I think it is to be truly present and I believe, of course gratitude goes a long way, but I to fully metabolize it is to allow yourself to feel embodied in it. And, you know, there's more somatic practice I think that to actually feel it course through your body, you are allowing it, you're honoring it as completely as possible. And, do you have to acknowledge that it's happening as it's happening? You know, I think that's having true presence with it.   [00:08:08] Miko Lee: Can you roll back with me in time and talk about your earliest childhood memories of being a singer or songwriting? What came first?    [00:08:18] Thao Nguyen: I loved music from a very early age, but I didn't have a lot of access to it, to making it, it was more as a listener. The soundscape that I grew up with, there was a series called Paris by Night, which probably you've heard of within Vietnamese diaspora, uh, community and Culture. And it was this variety show that was, created by, people who had to flee Vietnam. And originally it was in Paris and it showcased A lot of singers and performers, who had fled, either before, during, or right after the fall of Saigon. And, it was this one gathering wherein. entertainers from the different generations, from my grandmother's generation, from my parents were able to coalesce and exist together. And there was just this sampler platter of a lot of different sonic influences. And then you had the younger generation, which was reinterpreting what American pop music was at the time. So you'd have my grandmother who [sang] cải lương which was this incredibly, it's like, almost like folk operatic, very dramatic, theatrical singing with a lot of pitch bending and, which I didn't understand that I was absorbing it in such a way that I would recreate it later on in my playing, but I would go on to credit it to being from Virginia and saying it was more of like an Appalachian influence, which it was as well. But the origins, the true origins were within my soundscape before I understood what that was. You know, so you have that and then you have, an artist named Lynette who's. basically in reinterpreting, like the latest Madonna song and has a cone bra on, so everyone's existing act after act in the same, um, sorry for that ramble. Did I answer that question?    [00:10:13] Miko Lee: Yeah. Uh, I, so what was, do you remember the age or you just grew up hearing all these different kinds of sounds?    [00:10:20] Thao Nguyen: I mean, that was from before I knew what age I was, you know, that was just like, and that was such, um. For the community and within my family it was such an event every time one of these, you know, double VHS things were issued that people would be making copies, someone would drop it off at the house. You know, there, there was always one or two in circulation, but it was this. Event that you'd,    [00:10:43] Miko Lee: are these like bootleg copies?    [00:10:45] Thao Nguyen: Yeah, there's like, wow, there's bootleg. There's also, there was one book in music store in Eden Shopping Center, which was like the hub of, of the Vietnamese community in, in, uh, Northern Virginia. And so someone would buy the original and then go and bootleg it. You don't know how you ended up with what, but just like they would drop off some citrus and and Hennessy or whatever, and then the Paris By Night thing. And um,    [00:11:11] Miko Lee: I love that the combo citrus, Hennessy and some music.   [00:11:16] Thao Nguyen: Everything is a digestif, you know? And, um, so I would have that. But then of course, I, you know, I, I listened to the radio. That was what, that was my main resource and I listened to the oldie station the most, and I loved Motown. And I remember, in this I was like five or six, we had these large speakers that's sat on the floor either side of, of this cassette deck, radio unit. And I would lay down and, every time Smokey Robinson came on, “You really got a hold of me” that was like my favorite song and I would tape it and then so either I would listen to it live or I would play the cassette and I would just lay down and get as close to the speakers as I could. But at that point, I hadn't seen who Smokey Robinson was, and I imagined, because I also am a child of eighties and nineties. I imagined it was Crystal who was Roseanne's best friend from the Roseanne show. You know, I didn't know anything, but I felt all of it.    [00:12:20] Miko Lee: Wow. Yeah. I love that. So, I love that. And I was really wondering, I heard this story about you, that you actually did a rap for on Charlotte's Web when you were in elementary school.   [00:12:33] Thao Nguyen: Okay. Okay. This is a deep cut. You've done some research.    [00:12:39] Miko Lee: Tell me about how that came to be. So you must have been introduced to rap pretty young to be doing that.    [00:12:44] Thao Nguyen: Oh, absolutely. This, so this was another, and this, I'm so glad you brought that up, because all of this is, every genre, every kind of music I, at this point is so vital to me, and it actually goes on to reflect the kind of music I make. And so I have an older brother who's almost eight years older, and around this same time, he's a huge hip hop fan, or that's one of the things he loves, he loves like Duran Duran and like the Fat Boys, you know? And , when I saved money, the first cassette I ever bought was Salt-n-Pepa. And I, yeah, so I was listento the Fat Boys and Queen Latifah. And I loved, I loved every, I loved to hear the flow, the different cadences and in third grade I was voted best rapper. This, and, you know, not coincidentally. This is the year I, I do the book report, the Charlotte's Web, you know, and they gave me the option. You can either write it or you can write a song or whatever. And so I wrote a rap about Charlotte's Web, but I was too shy. I had recorded it and just played it in my presentation. I didn't perform it live.    [00:13:51] Miko Lee: And how was it received?    [00:13:54] Thao Nguyen: I mean, I can still hear the roar. yeah, everyone, [laughs] I think the teachers    [00:14:01] Miko Lee: The crowd roared. The third graders roared.    [00:14:03] Thao Nguyen: Yeah. I mean, everyone's standing on their desks. It's rickety, you know, teachers are worried about child safety, it doesn't matter. They're like, Encore. I'm like, I don't have anything else. Uh, you know, uh,   [00:14:15] Miko Lee: Wait for real?   [00:14:17] Thao Nguyen: No, no. [laughs] the teachers thought it was cute. Probably the kids thought it was funny. I actually don't know because I was so nervous I even pressing play. I was so nervous. I don't know if I registered what, how it was received.    [00:14:34] Miko Lee: That's so sweet. Given your eclectic music knowledge and the music that was around you at the time as a musician, now you've been described with so many different categories, country tinge, indie folk, pop, blues. How would you describe your music?  [00:14:54] Thao Nguyen: I would describe it as. What's embarrassing is I've been doing this a long time now and I've never figured out a way to describe it. I would, I, I generally just say it's, you know, it's under the umbrella of indie rock, but influenced by jazz and hip hop. And because I learned to play guitar by picking out country blues songs. And because I grew up in Virginia, there, there are these, like old time, Country blues picking patterns that I've used. I, you know, it's, yeah. So that, I've never figured out a way to say it succinctly and I continue    [00:15:29] Miko Lee: and you don't need to. That's okay.    [00:15:31] Thao Nguyen: Thank you.    [00:15:31] Miko Lee: Is there a big Vietnamese population in Virginia?    [00:15:35] Thao Nguyen: Yeah, I, I think there is a very healthy population there. And it was one of the first places that people were settling when they were being resettled. And my parents met, in a refugee camp in Guam. And then they were sent to Arkansas. And then from there sponsored out to North Carolina. And then from there of a few friends that they had made, had found work with Metro, which is the public transportation train system in DC and found my dad work there. So that's why people resettle, that's why we ended up in Virginia.    [00:16:16] Miko Lee: So Thao & The Get Down Stay Down you released five studio albums and now you're working primarily as a solo artist. Right?    [00:16:25] Thao Nguyen: Yes. Yeah. I will say I still work record and perform with a band. And a lot of the people who worked and performed with me in that iteration are still with me. it was more I wanted to, just use my name and move beyond what the get down stay down was, which I was never really sure. With things that you choose when you're 22. As time goes, you know, it starts to, and you're lucky if you can kind of shed things and not, not stay beholden too much.   [00:16:57] Miko Lee: Ah, what have you learned to shed?   [00:17:02] Thao Nguyen: Oh my gosh. Thankfully a great deal and it's an ongoing exercise, but. I used to be so much heavier with the weight of what I thought a serious artist was what I thought a serious songwriter should be, who I thought, where I thought my, you know, different benchmarks of what success were. What I should be making versus what people wanted to hear versus what I wanted to hear. I actually never I wasn't always all the way sure about what I wanted. You know, I, I think a lot of people encounter that, but I've thankfully been able to shed as much as I can. It's an ongoing practice, but I, you know, one thing it. Is that I used to think, I can't believe I've been doing this this long. And it's, not necessarily, I didn't understand what I was working towards, but only that I had not gotten there yet. And then, you know, I think pandemic and on, I've been just so and as I get older, the transition into being so sincerely grateful that I'm still here and I get to do this. this is what my job is, and however I can, and whatever I can do to sustain, being able to, to do this for my livelihood and maintain my integrity within it is the greatest gift. So as when I made that switch a a lot of things, a lot of the darkness left me.    [00:18:39] Miko Lee: Oh, that's beautiful. Thank you for sharing.   [00:18:42] Ayame Keane-Lee: Next, let's listen to Temple, the first track off of Thao's album of the same name.   MUSIC   [00:22:56] That was Temple by Thao and the Get Down Stay Down. Back to her interview with Miko.   [00:23:01] Miko Lee: I'm wondering if you could talk a little bit about the 2017 documentary Nobody Dies, a film about a musician, her mom in Vietnam. How did that, and that's a documentary that follows you and your mom as you go to Vietnam. I'm wondering how that project came about.  [00:23:17] Thao Nguyen: Yes, I'm happy to tell you about it. in 2015 I was invited by concert promoters in conjunction with the US Embassy based in Hanoi, to come perform for the, I guess at that point it was the 25th anniversary of the normalization of relations between the US and Vietnam, and I was able to bring my band and I was able to bring my mom, and she hadn't been back in 43 years, and she used to work for the South Vietnamese embassy and was stationed in Lao, when Saigon fell. So she actually left Vietnam in 73, assuming she would go back after her time abroad and then was never able to return. So I was able to bring her, the struggle was would she actually come, you know, and we had, I had, a bear of the time initially convincing her it would be okay. And, it was like, just begging her to come. She's like freaking out. She hangs up on me. I call back. She hangs up. You know, it was a back and forth that I'm trying to convince her of things that I'm not sure of where she's like, I'm still on a list. I'm like, no, you're not. But I don't know that, you know who, how would I know that? But I told her she wasn't on the list. Anyway, my, a friend of mine who's a filmmaker, as this all was happening, he asked if he could come along and document all of it. And he and, his DP traveled with us and it was an incredibly intense trip, and it was beautiful and I am so glad it was documented. And then somewhere along the way I had a performance and, this was all in editing. And then I ran into Don Young at CAAM Center for Asian American Media. Oh, I know what it was. It was something for Sundance and Don Young and I were just in the same shuttle going to the airport and we were talking and I told him a little bit about this and then I sent him some footage and you know, and then CAAM and PBS were gracious enough to co-produce and, Make it so it could be, you know, a a half hour documentary that aired on PBS. Um,    [00:25:21] Miko Lee: so that that was on a bus ride.    [00:25:23] Thao Nguyen: That was on an airport shuttle.    [00:25:25] Miko Lee: Airport shuttle. I love it.    [00:25:26] Thao Nguyen: Yeah [laughs].    [00:25:28] Miko Lee: So was it hard to convince your mom, I know it was hard to convince her to go to Vietnam. Was it hard to convince her also then to be on film? What was her response to that?    [00:25:37] Thao Nguyen: Well, luckily for all of us, my mom loves to be on film and is, um, a total flirt and ham and. Oh,    [00:25:48] Miko Lee: so that was a bonus. That was like a,    [00:25:49] Thao Nguyen: that was a bonus. The camera loves her. As did the film director, my friend Todd, she loved it. And she just, she comes alive and she's a true performer. And, it was really beautiful to see her in this element that I, I didn't know if I'd ever, I actually. Never thought I'd get to see her this way. You know, I grew up, both my brother and I grew up translating for her, it is sort of at every, at every level. And, we'd go out to restaurants and it's not that she, you know, it's like she would get shy and then it would just easier, it always just became easier if we just did it for her. But, so we'd order for restaurants and, and to see her. not to say that she doesn't I mean, she was a small business owner. She owned a laundromat, dry cleaners in Virginia and totally is the reason why everybody is alive, you know? But, to see her move so seamlessly and easily, I'm sorry, it's emotional in the world was this, such a gift I didn't know I'd get. And, You see her haggling with people, you know, and, and she's directing as she's pointing out. Yeah. It was just a really, no matter how long someone has been away from the place they were born, you know, to see them back there is, um, it was, yeah, it was just such a beautiful gift and I'm glad we have it on film.   [00:27:17] Miko Lee: Did you discuss that with your mom? How different that was for you to see her in a different way?    [00:27:22] Thao Nguyen: You know, not, not, um, not directly. I've written about it, but I've not, we don't have the kind of, Yeah. That, that's never come up in those ways. You know, we talk a lot. I basically, I try to call her at least, uh, almost every day, just 'cause she lives across the country. So I wanna just be sure that, you know, I'm just doing these like, casual wellness checks, but we don't often get into those more philosophical conversations. Um, but she did, you know, the, the song Temple, Which would become the lead single of the album Temple was, inspired by this moment of candor that I had never experienced before and I would never experience again. It happened one night when we were in Vietnam and she just said outta nowhere. You have to understand what freedom is and you have to understand why a million people would risk their lives at sea, and I can't. I can't teach you that. I can't help you with it. You have to know for yourself. And that's what became, the song Temple where wherein she's speaking to me about her life before, during, and after war.   [00:28:35] Miko Lee: That's so powerful. Thank you for sharing. I, I appreciate that about your music, the personal, visions and dreams and pain that you experience putting that in. Is there another song of yours that really stands out to you?    [00:28:51] Thao Nguyen: Another one. Aside from that?    [00:28:53] Miko Lee: Aside from that.    [00:28:54] Thao Nguyen: There's. You know, yes, there's a, there's definitely a few from this new album that is, that I just finished and it's releasing in September. From that same album Temple there's, the song Marrow. there's a few. That album is as much, it was, it was this, I just had this, I knew that I had to make it both about, what my Vietnamese identity is and what it is to be queer in Vietnamese and stay in the culture, which is not something that I thought I could do. So yeah, I would say both Temple and Marrow encapsulate, this effort to fully align myself in ways that I hadn't been able to.    [00:29:40] Miko Lee: And what is Marrow about?    [00:29:42] Thao Nguyen: Marrow is about what it means to fully accept yourself so that you could offer yourself to the rest of your life. You know, it's, it's like.   [00:29:54] Miko Lee: That's all.   [00:29:56] Thao Nguyen: That's all. And it's, and it was against the backdrop of getting married. but it was more about me coming to terms with not even coming to terms, like even that language is so, disparaging. It's, it was just about claiming myself and saying to my family, I need to be, you know, I, I need to be my full self and I believe I can be with you still. But you know, the lines are, It's so funny. I sing it all the time and I can't do that. The line I'm thinking of in particular is, at that point I'm apologizing to my partner at the time and saying, you know, I am basically, I couldn't claim us because of this barrier, but I'm sorry to you and I'm sorry to me, and the, you know. I have grief in my marrow. Will you marry me still? So is it, that's a roundabout way of explaining what that, what that song is.   [00:30:54] MUSIC    [00:34:24] Ayame Keane-Lee: You just listened to “Marrow” by tonight's guest, Thao Nguyen.    [00:34:28] Miko Lee: You talk about Temple and how that was based on this trip you took in 2015, right? 2016. How long does it generally take you for a song to germinate?    [00:34:41] Thao Nguyen: You know, that one, um, that's, that is an example of a, a longer, uh, gestation period because it was such an intense, because Vietnam was such an intense time. Uh, it was months, maybe it was two years before I could even think about it, honestly. And there are other things that happen. I wish things happened more instantaneously. It's very rare that a whole song will just present itself. You know, temple, that song in particular, when I started writing it, it took maybe two hours, but it took me two years to get to the point where I could    [00:35:20] Miko Lee: And it just came to you in two hours?   [00:35:22] Thao Nguyen: Yeah. It just came, just the vision. All those, the imagery, everything that I'd wanted to say. It just, I understood how. To present it. And I think I had tried in other forms over that time, but it just wasn't ready. Other songs, um, yeah, anywhere from it's, it's like the chorus or a hook or a verse will come very quickly, and then the time, the more arduous stuff is building around it to make sure that it, it, you know, it's properly bolstered. Like I, if I believe in a hook, then I'll, I'll try to build the house around it.    [00:36:02] Miko Lee: And how, what do you do? Do you just record it straight up right when you get the hook, like on a small device or what's your process?    [00:36:09] Thao Nguyen: It um, typically I'm playing an instrument, either guitar or piano or I've written, you know, sometimes I get bored, I write on other instruments, but primarily it's guitar, piano, and, um. It'll be the melodic hook only on the instrument, and then I'll put words. But yeah, it's, I, I just use voice memos and then as I'm building it, then I'll move into pro tools and, and, and record a more proper demo.    [00:36:40] Miko Lee: And do you have a set working process or you just vibe it whenever you're feeling it? And I ask because I always ask this of artists. Because I think it's so interesting, what is the discipline it takes for your art form? And I remember I interviewed Isabel Allende years ago and she said, yes, I make myself go in my studio at 8:00 AM every day. And even if I can't write, I sit there from this time to this time. So what, what is your process like? Or do you have a set process?    [00:37:05] Thao Nguyen: Yes. Absolutely. And it's taken me so many years to figure out what my set process is and to have the discipline to really, really, um, I do believe it is a daily practice and it is a daily discipline and I'm so afraid of what happens when I slip out of it because I know what happens. I've tumbled into this very dark, deep well of despair and I don't know. You, you start to question what your whole purpose is. It gets bad very quickly, right? So I'm always trying to stay on the side of not completely sliding down. Not to say it isn't very joyful and I mean this a very lucky position to be in. One of the things that's been going on for the last few years is I have multiple projects going on at once and I do have to figure out, I had an, um, the album is just finished thankfully, but I am developing a musical and I'm also writing a book. And so I have to figure out, I divvy out the days. I would like to say that I can work on all three in one day, not possible. So I have to choose, um. And it's always, the morning time is the best for generating something from nothing. And then I try not to edit or revise or question it until that afternoon or later. Actually, you don't question it within that same day. Like the main, I think the main priority for me is maintaining momentum and optimism. So I need to do whatever it is to thwart whatever part of me is trying to take it down. Um, so I'll work in the morning for a few hours and then leave it, you know, and as writers say, leave it no matter if it's songwriting or whatever, like leave it at a place where you, when you start again, you feel good about it and you know what the next step is.   [00:39:08] Miko Lee: Do you have a set time? It's like just the morning from this time to this time. And then do you say musical today? Book today. Album today. How do you do that?    [00:39:17] Thao Nguyen: Well, it depends on the deadlines.    [00:39:21] Miko Lee: Of course.    [00:39:22] Thao Nguyen: I, yeah, I, I work to the deadline. 'cause there's always, thankfully, there's always at least one happening and yeah, I. I love this by the way, because I actually, when I'm stuck, I just look up different routines for writers and artists. It's like my favorite thing to do. So I love to participate in this conversation. Um, but I wake up, I meditate, I try to do a little stretching, and then I do a walk. It depends on where I'm working. Okay? Here's the thing. If I'm working on music, I have to work at home. If I can write, then I'm gonna go to a coffee shop or the library or my friends just opened up local economy, uh, that, that, so I've been going there and because writing is so lonely and miserable that I cannot be in the house, I, I, there's no way I have to be in public. Um, and just at least feeling the energy of other life    [00:40:18] Miko Lee: With songwriting also?    [00:40:19] Thao Nguyen: With songwriting, I have to be home 'cause I'm making all this noise. So what? Yeah, with songwriting I'll be at home, but that's way less miserable 'cause I can just play guitar or piano or something and then, or I'll be in studio with my friends that I'm making the album with. Um, now that I've finished the album and I'm moving and I'm more squarely in the book writing, um, I try to do two hours. You know, not, not solid. I will try, like, for a while, um, I was doing the timer with the, you know, 25 minutes at a time. And then that wasn't, I wasn't getting enough done and then, yeah, and then more than two hours. I, I just can't, it's not sustainable. Um, for me, I feel like I get a solid hour to two. Or maybe you hit like a two page, two or three page, um, quota or something, and then just don't even look at it and then go, and then I go exercise and I need to be outside and, or go on a hike or something.    [00:41:34] Miko Lee: Okay. Tell us about this book. What is it about, what's the timeline? No pressure.    [00:41:41] Thao Nguyen: I would love to tell you what it was about, if I knew better. Um, what it was. It's, it's a collection of essays and I'm calling it, so it's, it's, uh, it'll be out on Gray Wolf, um, into, in spring of 27. And so it is due relatively soon 'cause they, it's a longer lead time. I'm calling it a community memoir, um, because it's a collection of essays from different, it's all through my lens, but it's to celebrate these characters that I grew up with in Foster Virginia, within my family, within the community that I, they're so vivid to me and. Their stories. The quieter sides, the quieter moments of what it means to live in diaspora or what I wanna capture. And also what, you know, part of it is what shaped my musical life. And, and there are all these influences and elements that I, that I just wanted to celebrate and honor and. These people that I remember, but I, I'm, we're all, you know, I'm, I'm turning 42. I'm like, I, we're close to lo I'm close to losing the Hi-Fi detail of them, you know, and, and I don't know who else, is in a position to capture it. You know, and, and also it's this amazing opportunity to talk to my mom's, brothers and sisters. You know, there are tales. There's, of course, you grow up with, I think it's really different to, I was raised, you know, in Virginia by my, primarily by my mom. My grandmother and my aunt didn't come till I was five, but the stories that I heard. Mostly were from my mom who fled in, who left in 73, and her experience is so different than my grandmother, my aunt, all of my mom's siblings who stayed, who had to stay through the fall and, and live in a different regime, you know?    And so to get to hear those stories of just like the more quotidian indignities of what is life after you've lost your. To them they've lost their country, but they're still in it. You know, like, what is it to, with what were the rice rations like? Yeah. So, 50 years on what stays with people, you know, against the backdrop of the most devastating thing that can happen is that like the rice was so broken and it was so rationed and the quality of it was so infuriating and that they and my uncle talks about just for the 50th anniversary, I went back, I had an event, um, I think at the Smithsonian, and I went and I was staying with my uncle, and so I was able to ask them questions and he remembers buying meat on the black market. But you, you'd go to this market, you'd make eye contact with the person. They, you follow them to a behind the stall. They give you this meat wrapped in newspaper. You don't even know what it is. You don't, you can't unwrap it till you get home, you know? Anyway, those are the things that I, I just am so fascinated by, and I, there's just this kind of humanity and life in them that I wanna help. Um, record and if nothing else, just so that I know that it gives me an opportunity to ask these questions. Um, there's stuff about, you know, I'm estranged from my father and I have a lot there, there are things that I, you know, it just, these essays are helping me, better understand and, and process. these open-ended. storylines that, that, have punctuated and haunted me.    [00:45:38] Miko Lee: And this is your first book, right?    [00:45:40] Thao Nguyen: It is, yes.    [00:45:42] Miko Lee: What made you decide to do a book format and also essays, I heard you say? Mm-hmm. Um, as opposed to another album or a series of songs.    [00:45:52] Thao Nguyen: Um, I've always wanted to be a writer. Bef I wanted to be a writer before I was a songwriter, before I wanted to do anything. And I think it scares me the most in my life. And, and it was time to, you know, the opportunity came up, um, very fortunately to get to write a book for Gray Wolf, which of which I'm a huge fan, you know, and, uh, it's a true honor to be affiliated with them. And. Uh, I wanted to do it because it's a lifelong goal and dream, that actually is way scarier to me than making music and performing music. So I, I kind of just needed to see that I, I needed to try.    [00:46:38] Miko Lee: And why an essay format?    [00:46:40] Thao Nguyen: Um, I think that's what naturally. For this, for the first go, it, it, it is what naturally I'm drawn to and what happens most easily. Uh, and I think they're similar to songs in that way. And I, I am very much as a writer, as a songwriter or any or prose writer, I want to try and just capture the, a moment and a feeling and I. Um, that's my main prerogative and my main compulsion when I write. And so for this first go, I'm hoping that there will be more, but this, yeah. Is, is just the, the easiest way to package it.    [00:47:28] Miko Lee: I'm absolutely looking forward to reading it. Now share about a musical. Tell me more    [00:47:34] Thao Nguyen: Musical. I don't know how much I can say besides, uh, it's not been announced yet, but I do, I have been in, I do spend a lot of time in New York, um, and it's an adaptation. Um, I. I shouldn't have. I, I just wanted to mention that it was happening, but I know now that I sh I can't actually say.    [00:47:56] Miko Lee: Okay. That's okay. It's secret, So how can our audiences find out more about you and your work? We'll put a link to your website absolutely. On their webs, on our, program page. But are there other ways that folks can find out more and keep up to date with what you're doing?   [00:48:11] Thao Nguyen: For sure there's, um, well, all the social media, um, outlets were on there @thaogetstaydown. And um, I have a substack called THAO For The Record, which actually was just me sort of documenting my process of making this next record. Um, but that is my preferred way to be in touch in a more long form, um, less harried way. And the new album is coming out in mid to late September. And so I'm really excited about that. And we're, we are gearing up for more touring, starting the summertime.    [00:48:54] Miko Lee: Excellent. Can't wait to listen to you more and hear the new, piece. And thank you so much for joining us on Apex Express.    [00:49:02] Thao Nguyen: Thank you so much for having me. It was such a joy to speak with you.   [00:49:05] Ayame Keane-Lee: The last song we're playing tonight is also the last on the album Temple. It's called “I've Got Something.”   MUSIC [00:53:51] That was “I've Got Something” by Thao & The Get Down Stay Down. [00:53:55] Miko Lee: Thank you so much for listening tonight. Remember to reconnect to your ancestral technologies and hold in the power of tenderness. Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night.            The post APEX Express – 6.18.26 Talk Story with Thao Nguyen appeared first on KPFA.

"You're in despair. You just don't know you're in despair." — Peter RollinsOn this episode of Podsongs, John Kunkel of The New Division takes the guest-host chair to interview Northern Irish writer, philosopher and theologian Peter Rollins as inspiration for a brand new song. John opens up on his influences — Depeche Mode, New Order, Echo & the Bunnymen, Duran Duran — before the conversation turns to Rollins' work: questioning certainty, exposing the contradictions we live by, and finding freedom from the relentless "tyranny of happiness," with Los Angeles cast as a spiritual "Mecca" selling wholeness to anyone who can afford it. Along the way Rollins unpacks desire, sacrifice, work and alienation, ideology, AI and the unconscious, the films that shaped him, and the parables behind his "pyrotheology" — and the talk becomes the seed of "Idols," a song about the things we all end up worshipping, good and bad.New single "Idols" by The New Division — out 26 June. Stream/pre-save: https://ffm.to/tnd_idolsTOPICSPeter Rollins on desire, contradiction, and ideologyThe tyranny of happiness and the demand to enjoyLos Angeles as a spiritual marketplaceLacanian psychoanalysis and the unconsciousWhy desire needs obstaclesSacrifice, meaning, and fulfillmentAI, consciousness, and the technological singularityFilms, storytelling, and creative inspirationJohn Kunkel's influences: Depeche Mode, New Order, Echo & the Bunnymen, Duran DuranWriting a song live on the podcastTIMESTAMPS00:00 Intro: welcome to Podsongs01:29 Why UK music hits different (New Order, Depeche Mode, Echo & the Bunnymen)04:45 Keeping new wave alive06:18 Moving abroad: music logistics09:47 Writing 150 song demos14:41 Who is Peter Rollins?28:17 Peter joins the call31:50 LA and the demand to enjoy37:01 The tyranny of happiness38:35 The superego's demand to enjoy40:19 Why fulfilling your dreams can backfire41:53 The enjoyment hidden in sacrifice44:33 Why desire needs obstacles47:39 The unconscious and Lacan's "object a"52:56 Filmmaking and prohibition57:43 Negative universality and politics01:01:16 The church of contradiction01:05:29 AI, singularity and the unconscious01:12:42 Music tastes and influences01:14:08 Film picks: They Live and ideology01:19:49 Who inspires Peter now01:20:34 Writing the song live01:21:20 The Vegas parable and unknowing01:26:02 Where to find Peter Rollins01:28:43 The profane temple and lack01:34:51 Post-interview debrief01:39:07 "Idols" — song outroGUEST & MUSICIANPeter Rollins: https://peterrollins.comThe New Division: https://www.newdivisionmusic.comGet the newsletter, support the show, and download the song for just €/$1:https://podsongs.comWebsite: https://podsongs.comPodcast Episodes: https://podsongs.com/podcast-episodesMusic: https://podsongs.com/musicInstagram: https://instagram.com/podsongsTwitter/X: https://twitter.com/podsongsFacebook: https://facebook.com/podsongs#PeterRollins #JohnKunkel #NewDivision #Philosophy #Theology #Psychoanalysis #Lacan #ArtificialIntelligence #AI #Consciousness #Ideology #Desire #Happiness #Spirituality #Songwriting #SynthPop #NewWave #PostPunk #Podsongs #JackStafford

On today's show, Bob Dylan does the greatest song ever recorded, Carlos Santana's biggest album debuts, along with debut albums from the Offspring and Joy Division. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history12:05 Music award ceremonies that were held on this date in music history17:26 Albums released on this date in music history 36:23 Singles released on this date in music history 42:53 Birthdays of music artists on this date in music history 58:47 Passings of music artists on this date in music history 1:03:13 What's on tomorrow's episode

Duran Duran's eponymous debut not only established their sound with funky bass and new wave synths but coincided with the launch of new US cable station, MTV. With their danceable beats, the boys stylish brand of new wave was perfect fot the 80s and perfect for MTV. It introduced a whole new generation of American music fans into Anglophiles including your hosts The Wolf & Action Jackson. We, like all of the MTV Generation, were not only grooving to John Taylor's funky bass but were fascinated by their fashion, haircuts and models that always seemed to find them. In the UK, they got on the charts and even went Top 10 in Australia with Planet Earth in the spring of 1981. But it was MTV that launched them to superstardom in the US. Simon LeBon's vocals complemented the textures coming from Nick Rhodes synths and Andy Taylor's guitar but his presence in the videos gave them a wider audience. The videos shot in Antigua for the Rio album are MTV greats but the macabre Night Boat was also filmed there and is creepier than Anyone Out There or Careless Memories. The Girls On Film video was censored in parts of the US and a racier edition could be found on Showtime, much to the delight of two young suburbanites. To give the US market more material in 1983 ahead of the Seven and the Ragged Tiger album which would come out in the fall, the debut was rereleased with a slightly different order and the new single Is There Something I Should Know? It went to #1 in the UK and went into heavy rotation on MTV, helping to drive the album platinum. We recall the first time seeing them on MTV, review the entire 1983 US version (with plenty of time for all the songs surrounding the debut) and rediscover some old faves. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bit.ly/UAWILROCKS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Duran Duran's eponymous debut not only established their sound with funky bass and new wave synths but coincided with the launch of new US cable station, MTV. With their danceable beats, the boys stylish brand of new wave was perfect fot the 80s and perfect for MTV. It introduced a whole new generation of American music fans into Anglophiles including your hosts The Wolf & Action Jackson. We, like all of the MTV Generation, were not only grooving to John Taylor's funky bass but were fascinated by their fashion, haircuts and models that always seemed to find them. In the UK, they got on the charts and even went Top 10 in Australia with Planet Earth in the spring of 1981. But it was MTV that launched them to superstardom in the US. Simon LeBon's vocals complemented the textures coming from Nick Rhodes synths and Andy Taylor's guitar but his presence in the videos gave them a wider audience. The videos shot in Antigua for the Rio album are MTV greats but the macabre Night Boat was also filmed there and is creepier than Anyone Out There or Careless Memories. The Girls On Film video was censored in parts of the US and a racier edition could be found on Showtime, much to the delight of two young suburbanites. To give the US market more material in 1983 ahead of the Seven and the Ragged Tiger album which would come out in the fall, the debut was rereleased with a slightly different order and the new single Is There Something I Should Know? It went to #1 in the UK and went into heavy rotation on MTV, helping to drive the album platinum. We recall the first time seeing them on MTV, review the entire 1983 US version (with plenty of time for all the songs surrounding the debut) and rediscover some old faves. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bit.ly/UAWILROCKS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Fear is the new faith, bones are the new money, and so are the worms! That's right, it's knife crime after prime time as we speak to Old Nick about one of 2026's best horror flicks so far, Nia DeCosta's 28 YEARS LATER: THE BONE TEMPLE! Along the way, we discuss how Duran Duran can shape an apocalypse, debate why Patrick can't pull off a blonde wig, reminisce about Sigourney Weaver's insanely hot Alien³ fashion shoot, and explore how we're relating to the zombie genre as parents. All this, plus zooming doomerism, shifty grifters, chest fileters, bone credenzas, and then we go full heavy metal on an all-new edition of Choose Your Own Deathventure! We've got the number of the beast off the wall, and we're dialing it once you listen to this new episode of Kill By Kill! Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Join Patrick's new newsletter SCREAM SHARE for weekly new/classic/and "free to watch" streaming horror picks, and join him for a virtual watch party on the 3rd Friday of every month!! Check out Gena's newsletter on Ghost!! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today!Join the new Discord Server Convo here! Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out the films we've covered & what might come soon on Letterboxd! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pat and "The Daves" referee a battle between three 9 song 80's albums by Duran Duran, Billy Idol and Queen! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week the Troika delve into the Shogun of male-pattern baldness, Yakub.We also discuss Duran Duran, Spongebob, and more. Enjoy!

On l'a appris en début de semaine ! Duran Duran va venir en France pour une date unique à Paris en octobre prochain ! Quels sont vos tubes préférés du groupe ?

Hoje temos encerramento de temporada com estreia de Duran Duran (Can you believe it?!) ✅ Procurando um curso de inglês passo a passo? VENHA PARA O MEU CURSO INTENSIVO

In this opening episode of Style DNA Season 11 I go on a style journey with my old friend the legendary Duran Duran frontman, the wonderfully charismatic Simon Le Bon. From their early days in Birmingham to global stadium tours, Simon has spent decades at the centre of music, fashion and pop culture. We talk about making his own punk clothes as a teenager, auditioning for Duran Duran in pearlescent pink Chelsea boots and leopard print drainpipes, the psychology of performing on stage, Savile Row tailoring, Japanese selvedge denim and why he once didn't wash a pair of jeans for over ten years…This is a conversation about individuality, creativity and the enduring power of personal style. Thank you Simon for such a fascinating conversation xDuran Duran's new single Free To Love is out now. They headline London's BST Hyde Park on July 5th. Tickets for the full summer and autumn tours are at duranduran.com/tour.

On this week's show, we spend quality time with new records by Social Distortion and Kacey Musgraves, spin fresh tracks from The Waterboys, The Rolling Stones and Caroline Rose, and celebrate 50 years of one of the greatest protest songs of all time. All this and much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Anthony J. Resta is a Canadian composer, producer and multi-instrumentalist. He's worked on the film soundtracks for Twilight, Scream 2 and 3, and Varsity Blues. And he's worked with artists like Duran Duran, Blondie, Elton John and Collective Soul. Now he's going out front as a solo performer with his version of Bread's classic, “The Guitar Man”. My featured song is my reimagined version of “The ‘In' Crowd” from the album PGS 7 by my band Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here for Reflections Click here for Special Collections Click here for Legends Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH ANTHONY:www.onepagelink.com/anthonyjresta —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

The Big Pig is back!As July, turned into August in 1985, the world was still basking in the afterglow of, what was already being called the event of the decade. No, not the ceasing production of the Sinclair C5, or even the latest episode of Blind Date with our Cilla. Live Aid had defined the coming together of all things pop for a generation, in the name of raising money for African famine. And those bands and artists who graced the stages in London and Philadelphia (well, perhaps not Adam Ant, as we say) were feeling the seismic effect of not only the public's affection - but also their pocket money. Duran Duran, Paul Young, Simple Minds, U2 and others (still, sorry , not you Adam) were enjoying plenty of success. And the loudest and most exciting shirt of the summer did not belong to BBC's Mark Ellen or David Hepworth, it was the iconic NOW pig. Yes, NOW That's What I Call Music 5 not only provided THE soundtrack to our summer in 1985, it also gave us the most gloriously techicoloured album cover. How exciting was that list of stars?And joining me for this episode to share his memories of this classic summer of music is journalist and author Graeme Thomson.And what can you expect? Duran Duran climb the Eiffel Tower. UK funk and soul makes a move for the charts through the fantastic sounds of Fine Young Cannibals, Simply Red and Jaki Graham. Graeme shares why 80s Bowie deserves attention, how Marillion (and a band T-Shirt!) made an early impact on his listening, what Jim Kerr told him about Don't You Forget About Me and why U2 needed to evolve to survive. But significantly, join us as we discuss how compilation albums take us back, tell real stories of a period and revel in how important pop music for all of us in our formative years and has the ability to stay with us as we move through our lives.And enjoy Graeme's reflections on his latest book, In Another World: The Four Seasons of Talk Talk, and the iconic sounds of a quite unique band.Step aside from life in 2026 for an hour or so, and join us back in a time when it really was great to be alive. Hosted on Acast. See acast.com/privacy for more information.

Bryce Miller is looking like his old self (2:22). ... Kumar Rocker was awesome in Coors Field (10:30). ... Nolan McLean got rocked by the Nats (13:10). ... Drake Baldwin and Ryan Jeffers went on the IL (20:28). ... News (24:41): Gerrit Cole is returning on Friday. ... How to rank Griffin Jax, Zebby Matthews and Ben Brown (33:25). ... Zack Gelof continues to hit (43:07). ... Are we buying these breakouts (47:50)? ... Buy-low or heck no (1:01:50)? ... Duran Duran (1:04:36)! ... We wrap up with leftovers, bullpens and streamers (1:07:05). Subscribe to our YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/FantasyBaseballToday⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Download and Follow Fantasy Baseball Today on Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sptfy.com/QiKv⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow our FBT team on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@FBTPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CPTowers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CBSScottWhite⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ...

Mixing it up (ha) with the roster for this one, as special guests Sam and Alli stop in to reminisce about the good old days.  Today's songs are pulled from Billboard's Top 20 around this time in 1985.Lots of fun options here, but we boiled it down to Madonna, the Power Station, Tears for Fears, and Sam's beloved Bryan Adams.  We'll have to take a raincheck on Animotion, DeBarge and Diamond Dave.Put on your Jams and rubber bracelets and join us for this 41-year rewind!----Find the Playlist on Spotify + Apple Music.  If you like what you hear, please share, rate and review us!For mini playlists and additional content, follow us on The Mixtape Diaries Substack.Give us a follow on Twitter and Insta or send us an email at themixtapediariespodcast@gmail.com. For more music content:Check out Carla's Substack, Wax Puddle. Check out Brad's Substack, Take Take the Noise in My Head.Credits: Intro/Outro — the Februarys, "Does Your Father Know" / "...in a Letter"

Reel Big Fish takes on Duran Duran with this lounge meets ska classic as we cover "Hungry Like The Wolf" from the Duran Duran Tribute Album.

Hour 1: Bob's Movie Club Presents: There's Something About Mary (1998). It's Cameron Diaz and Ben Stiller! If this is one of your favorite movies, probably just skip this segment. A woman who wrote a children's book about grief has been found guilty of murdering her husband. Summer is almost here! For some, that means the fear of men in flip flops. Vinnie's doing a story about ostriches, and, no surprise, Matty hates them. Hour 2: Steph Curry's ‘Goat' is now on Netflix. Big Brother Season 28 is happening. Sarah and Bob will be locked in. A ‘Survivor Greece' contestant suffered a serious injury and halted production. The Sia Fan Favorite Prize is back on Survivor. Let this be a lesson to all of the drug dealers. Matthew Perry's death leads to another prison sentence. A California woman is anguished after her son's e-motorcycle caused a fatality. Do these words need to go? Literally. Hour 3: Sarah is diving into all the TV announcements coming out of up-fronts. Nick Cannon is getting a reality show about his 12 kids. Will Ferrell's got a new movie, Aaron Paul is joining Fallout. Vinnie is looking forward to the Muhammad Ali story. ANOTHER Yellowstone spin-off. YouTube is promoting Alex Cooper and Trevor Noah. These things are VERY cool. But first, coffee. You know what's NOT cool? Pop-ups and junk calls. Oh, and sports betting. Should we be learning street-smarts at school? Here are some tips! Hour 4: Glastonbury showed Duran Duran no respect. KPop Demon Hunters is going on tour! There's already a waitlist. Dua Lipa is suing Samsung. Free ice cream ALL SUMMER! Kids need recess! Why is it getting shorter? $270,000 for buttons? Cannabis: is it medically helpful? Krispy Kreme launches orange dreamsicle donuts. We're just glad they're still in business.

Glastonbury showed Duran Duran no respect. KPop Demon Hunters is going on tour! There's already a waitlist. Dua Lipa is suing Samsung. Free ice cream ALL SUMMER! Kids need recess! Why is it getting shorter? $270,000 for buttons? Cannabis: is it medically helpful? Krispy Kreme launches orange dreamsicle donuts. We're just glad they're still in business.

Good Morning, E News: Stephen Colbert reveals who is the most beautiful, Lizzo says social media is ruining music, Duran Duran headlining a music festival, CBS Evening News Emergency, Fake or For Real, Jeff's Italian Word of the Day: Ride or Die, Brono Mars Contest, News That Didn't Make the News: Women are begging men to stop wearing flip-flops, Do you have street smarts?, Students need more recess, How much does it cost to raise a kid? Second Date Update: Thanks for that, 1K Letter of the Day, and more… See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

E News: Stephen Colbert reveals who is the most beautiful, Lizzo says social media is ruining music, Duran Duran headlining a music festival, CBS Evening News Emergency, and more... See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Howdy y'all, It's Thursday again! and I have some morally and politically neutral news for you! He's back! the DJ you may or may not have asked for, surprising everyone or no one, coming up from a deep dive under the radar, it's the marginally anticipated return of The Backseat DJ! Truly a whelming individual, The Backseat DJ lusts for old pop tunes with nearly new-ish twists; painstakingly picked to please mostly, nearly, nobody but himself, which neither pleases nor displeases anyone or everyone else. The Backseat DJ is always filling his setlist with too many bangers and forever playing timeslots that are marginally too short - The Backseat DJ knows how to select tracks and also play them. He has an encyclopedic knowledge of music -- both marginally unknown and obviously well known, the likes of which may or may not appear in this set. The set likely and probably does include artists such as Salin, Duran Duran, Michael Jackson, Everything but the Girl, and Lizzo. I could go on, but I can tell you're are marginally bored with this now perhaps too long maybe not long enough gribbling of text/light roast, so I'll the let the Backseat DJ take the front seat and we hope you enjoy the tunes! A few words from the artist. "It's really a throwback mix. I'm pretty sure the newest track in here is at least a couple years old and there are tracks in here that i've been spinning for 20 years or more. I wanted to do an uplifting, vocal heavy, accessible, and genre jumping set and I think I pulled that off, so I'm happy with it as it is presented in this mix. To be clear, this is the set that I imagined playing. The set that I played at the Badlander was about a half hour shorter with an awkward placement of the epic trance track… and a couple stinkers of a trainwreck. There's a couple moments that were inspired by my late friend, DJ Corey Croft, who shared my love for Ferry Corsten and who thought it would be funny to loop the chorus break bassline of “Funkytown” for a whole night at a party. " - The Backseat DJ Tracklist: Moon Boots - I Want Your Attention Roosevelt - Night Moves Salin - Si Chompu Titeknots - In Trouble Mylo - In My Arms Naked Ape - Fashion Freak Soulwax - NY Lipps The Avalanches - Live at Dominoes Beatfreaks - Test Press Bonobo - Munchies (I-wolf ft. DJ Collage remix) Green Velvet - Shake and Pop Louis Cole - Weird Part of the Night Incredible Bongo Band - Apache 79.5 - Terrorize My Heart Michael Jackson - P.Y.T. Lizzo - Juice Prince - Erotic City Mos Def - Umi Says Mama Look Crew - Oh No No No (Mama Che Mix) Kendrick Lamar - i Ferry Corsten ft. Simon Le Bon - Fire Dead Prez, Talib Kweli, J Ben - Shuffering and Smiling Four Tet - 23mins36sec BoilerRoom Ravyn Lenae - Free Room Todd Edwards, Shermanology, Rudimental - Rain Utah Saints - Something Good (Pro & Fitch Remix) Noel Sanger vs. Everything But the Girl - Wrong Perfection (Nick Wax Mashup)

This week on The Metro, Rev. Jeff Ivins brings you more tunage from the 1980s with: The Alarm, The Police, U2, The Cars, Roxette, Quarterflash, Alphaville, Dollar, Dexy’s Midnight Runners, Stray Cats, Duran Duran, Haircut 100, The Jam, and finishing up with some Jane Wiedlin.

Martina tried to get in touch with Duran Duran via Jim'll fix it.

While films had been made to promote music dating back to at least the 1960s, the music video became a fixture of pop culture in the 1980s. Accelerated by the birth of MTV, MuchMusic, and VH1, music videos in the 80s experienced extraordinary growth in both popularity and artistic creativity. The decade would produce countless iconic music videos, giving renowned artists a second shot at relevancy, launching a whole new wave of aesthetically minded pop stars, and providing unlikely artists a shot at ubiquity with wild conceptual videos. So join the Great Pop Culture Debate as we attempt to name the Best 1980s Music Video!Videos discussed: “Take On Me” by A-HA!; “Thriller” by Michael Jackson; “Like a Prayer” by Madonna”; “Sledgehammer” by Peter Gabriel; “Love Shack” by The B-52s; “Addicted to Love” by Robert Palmer; “Girls Just Want to Have Fun” by Cyndi Lauper; “You Can Call Me Al” by Paul Simon; “Money for Nothing” by Dire Straits; “Hungry Like the Wolf” by Duran Duran; “When Doves Cry” by Prince; “Video Killed the Radio Star” by The Buggles; “(You Gotta) Fight for Your Right (To Party)” by Beastie Boys; “Faith” by George Michael; “I Wanna Dance With Somebody” by Whitey Houston; “Total Eclipse of the Heart” by Bonnie TylerJoin host Eric Rezsnyak and panelists Derek Mekita, John Higgins, and Kate Racculia as they discuss and debate 16 of the most iconic music videos that defined 80s airwaves.For the warm-up to this episode, in which we discuss additional 1980s videos that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks.EPISODE CREDITSHost: Eric RezsnyakPanelists: Derek Mekita, John Higgins, Kate RacculiaProducer: Bob ErlenbackEditor: Bob ErlenbackIntro & Outro Music: "Dance to My Tune" by Marc TorchSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In episode 17 of the Record Shop, Keith discusses Duran Duran, Ringo Starr and Quincy Jones' opinion of him. Plus his love for Adam Ant and a new plan for the return of Mtv. Set to a retro Goth soundtrack. Dig it!

The Fork Report Hour 1 (05/02) - The Fork Reporter is live from this years Beach Life Festival in Redondo Beach, showcasing acts from The Chainsmokers, James Taylor, Sheryl Crow, The Offspring, Duran Duran and more! Plus, The Fork Reporter gives a deep dive into Wonder Bread and how they are now producing bagels into their brand. Chris Brown, Head of Membership Surf Club, joins the show.See omnystudio.com/listener for privacy information.

Penny Kiley moved to Liverpool in 1976, ran into punk rock and “became the person I'd never been allowed to be”, as vividly remembered in her memoir, Atypical Girl. It's a moment of liberation mapped out by records, nights at Eric's and the big personalities in the city's Second Coming, the beat she later covered for Melody Maker. She looks back here at some unconquerable moments, among them … … the impact of Marc Bolan and David Cassidy - and later Patti Smith, Siouxsie, Pauline Murray and Poly Styrene … punk's “bad taste aesthetic” and the clothes she wore … boomtown Liverpool in the late ‘70s – “everyone had a film script or a demo tape” … how Boy George stole Pete Burns' act … the Clash, Talking Heads and the Ramones at Eric's … why her book is “like an historical novel about the way journalism changed” … first reviews, front covers and life as Melody Maker's Liverpool correspondent, “which could be awkward with friends in bands” … Orange Juice and the ground-breaking NME C81 tape … and the adjustment to the ‘80s – “the Royal Wedding, Live Aid, Duran Duran, yuppies, a decade where I didn't feel I fitted in” Order a copy of Atypical Girl here: https://birlinn.co.uk/product/atypical-girl/ https://www.waterstones.com/book/atypical-girl/penny-kiley/9781846976919Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

We'd love to hear from you! Click here to send us a text.  On this episode of The New Wave Music Podcast, Steve and Don dive deep into two major new releases, going track by track through Hope and Fury from Joe Jackson and the long-awaited Trixies from Squeeze, an album over 50 years in the making. From sharp songwriting to the signature sounds that defined a generation, they take a closer look at these albums, highlighting the standout moments and how they fit into each artist's legacy. In music news, there's a wave of fresh releases and exciting returns, including new music from Haircut 100, Soft Cell, Duran Duran, The Alarm, and Kon Kan, along with Doublespeak, a brand-new collaboration between Vince Clarke and Neil Arthur that brings a fresh synth-driven twist to classic tracks. Joe Jackson: http://joejackson.com/Squeeze:  https://www.squeezeofficial.com/Support the show

Listen without ADS for 25 Cents a game: www.patreon.com/dopeypodcast Summary  This Week on the Wednesday Dose! Linda is away - single parenting is on! Shoutout to all the single parents out there! We play a nuts voicemail from Taylor in Austin about relapsing on crack after moving in with a guy from AA who turned out to be schizophrenic and deep into crack psychosis. The story escalates into paranoia, guns, police, and hooking up with your dealer.   Then Amanda de Cadenet joins the show. She talks about being a teenage wild child in London, starting drugs young, hosting live TV at 16, being sexualized in the public eye, marrying John Taylor from Duran Duran, partying with Courtney Love, and nearly dying before getting sober at 22. Amanda and Dave dive deep into recovery, psychedelics, trauma healing, sponsorship, group texts, meditation, defects, gratitude, and the idea that talk therapy alone often isn't enough. Amanda shares her daily routine, what keeps her grounded after decades sober, and why kindness and service remain central to recovery. A funny, smart, honest, and surprisingly deep Dopey episode. ALL THAT AND A TINY BIT MORE ON THIS WEDNESDAY DOSE OF DOPEY! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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Richard Barbieri has been pushing the boundaries of synth-based music for almost 50 years. Japan may have originally been lumped in with the likes of Duran Duran and Ultravox, but they evolved in a way few bands outside of Talk Talk could even understand. After they ended and Richard evolved even further in groups like Dolphin Brothers and Rain Tree Crow, he was then snatched up by Steven Wilson and hopped on the Porcupine Tree train for a few more decades. He's continued to release music under various guises whenever he felt like it and he recently dropped a new solo album called Hauntings that shows him exploring even deeper.  He joins us this week to explain it all and discuss how he got from point A to Z in a hugely diverse career. Enjoy!  www.kscopemusic.com/artists/richard-barbieri www.patreon.com/c/thehustlepod  

This week on the Rockonteurs podcast, we are BACK and joined by founding member of Duran Duran, Nick Rhodes. In a fascinating and utterly original conversation he talks to Gary Kemp and Guy Pratt about his early influences, starting the band in Birmingham and he tells a great story about hanging out with Andy Warhol in New York in the 80s.Nick also talks about Duran Duran's live show in Hyde Park this summer and the new music from the band that continues with the latest single ‘Free to Love' featuring Nile Rodgers out on the 23rd April.Listen to the new track here: https://orcd.co/freetoloveSee Duran Duran live in London this summer and get tickets here: https://duranduran.com/Instagram @rockonteurs @guyprattofficial @garyjkemp @duranduran @gimmesugarproductions Hosted on Acast. See acast.com/privacy for more information.

The pop culture Sassy covers in the September issue includes some venerable names: Prince, Duran Duran, Violent Femmes. But there are some thrilling new ones, too. All the women who work in the music industry that Christina profiles, getting readers hyped about how to get jobs like theirs. Reese Witherspoon, a mere 14 years old in her breakout movie, The Man In The Moon! All the Commitments from The Commitments! And, probably most importantly, a show whose fortunes Sassy will continue to track until it, amazingly, outlives the magazine: Beverly Hills, 90210. Sure, you've seen their pinup pages in Teen Beat and Bop, but you've never seen them like this: in their underwear, just waiting for you to cut them out along with their clothes and put their paper dolls in situations Darren Star never dreamed of. Fact-checking Christina's blurbs is but one of the many orders of business in our latest episode -- listen!QUICK LINKS

Hosts Nate Wilcox and Ed Legge continue their discussion of Michaelangelo Matos' "Can't Slow Down: How 1984 Became Pop's Blockbuster Year" with a look at the so-called "second British invasion" of the early 1980s with a special focus in MTV's role in breaking acts like Culture Club, Eurythmics, Duran Duran and Kajagoogoo in the United States. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Buy the book and support the show. Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmmaker Russell Mulcahy (RAZORBACK, HIGHLANDER, RICOCHET, RESURRECTION, RESIDENT EVIL: EXTINCTION) joins Adam and Joe to discuss his incredible career journey from directing music videos for some of history's most iconic artists (AC/DC, Queen, Duran Duran, Elton John, Paul McCartney, Bonnie Tyler, Rod Stewart) to directing feature films and television. Tired of commercials? Support THE MOVIE CRYPT for just $1 a month and start getting every episode commercial-free! Visit www.Patreon.com/TheMovieCrypt to sign-up today!