POPULARITY
RES : Music is diversity Cette semaine, Reportages VIP, acteur local à la culture internationale, vous propose une émission avec , - les groupes de musique Durry et Astéréotypie lors de Rock en Seine 2024, - une chronique "Image des Jeux" à propos de Marc Spitz, - "1 auto, 1 histoire" concernant "qu'est qu'une voiture rock" Belle semaine ! Prenez soin de vous en écoutant RVVS et Reportages VIP !
This week Lyle Preslar (Minor Threat, Caroline Records) and Jim Shearer (MTV/VH1) discuss the following: Lady Gaga's Super Bowl performance; the upcoming Grammy Awards; 50 Cent getting called out on a mix-tape track from a certain someone; Kaney West deleting tweets; the passing of composer, David Axelrod, and music writer, Marc Spitz; and trying to figure out the definition of "Thrift Shop Synth-Pop."
Today's Guest: Marc Spitz, author, Bowie: A Biography. Order 'Bowie: A Biography' by Marc Spitz, available from Amazon.com by clicking on the book cover above! (2009) Even Marc Spitz admits, in the opening pages of his new book, Bowie: A Biography, that he wasn’t sure the world needed another treatise on the life, loves and music of David Bowie. After all, as a writer for Spin, the New York Times, Maxim, Nylon, and Blender, as well as a long time fan of the singer, he had certainly read many of the already published works. But, convinced there might be a market for a different approach, he attacked his subject with a dual purpose: first, he attempted to out-research and out-interview his predecessors, and second, he provided a personal string of thoughts and experiences to liven up the traditional chronology of who bonked who, when where and for how long. MARC SPITZ podcast excerpt: "I think my book has a real hero's journey in its narrative. You can really see David Bowie becoming the Bowie we know, from the nowhere kid in South London. By the end you feel you've lived through a dozen different zeitgeists. And it's funny. And I'm in it." At this, Spitz certainly succeeded; his Bowie is a smooth, crackling read. And there is one other factor to consider: There are still plenty of people in the world who have not read any of the previous David Bowie histories—like me, and I’m a big fan. Marc Spitz Blog • Facebook • Twitter • Wikipedia • Order Bowie: A Biography from Amazon.com Best of Bowie by David Bowie. Order your copy now by clicking on the CD cover above! Kicking Through the Ashes: My Life As A Stand-up in the 1980s Comedy Boom by Ritch Shydner. Order your copy today by clicking on the book cover above! The Party Authority in New Jersey, Pennsylvania, Delaware and Maryland!
Back in 2005, Trent Reznor sat down with Spin magazine's Marc Spitz in Nothing Studios for an epic piece entitled, The Shadow of Death. Join Alex and TIA's webmaster, Danny, for a reading and spirited discussion of the article in this month's episode.
There’s something slightly surreal in reading a book, knowing the final chapters will dovetail with your own life, if only slightly. By the end of Marc Spitz’s new memoir Poseur, the rock writer found his way into the masthead at SPIN Magazine, and for a few months during his reign as senior writer, I found myself there as well, albeit as lowly intern who’d moved across the country with dreams of one leveraging his love of the written word into New York City rent money. Sarah “Ultragrrrl” Lewitinn plays a major role in those final chapters, first as a coworker and then as a partner in crime. When I arrived at the magazine, hers was a rare friendly face in amongst grizzled rock journalism veterans navigating an anemic industry, inviting us plucky little interns to rock shows and club nights, once sneaking me into a Jarvis Cocker DJ set at her weekly brit-pop night. By the time I got to New York, Ultragrrrl was everywhere, breaking bands like The Killers, managing groups like My Chemical Romance and appearing on the cover of The Village Voice in full ironic martyr mode, a Photoshopped shot of Lewitinn chained to stake as flames lapped at her designer dress. Finishing Spitz’s book, I shot her an email, proposing an opportunity to catch up on mic after a decade or so, and Ultragrrrl jumped at the chance, inviting me over to the East Village apartment building where she’s resided for the majority of her time in the city.
Shane and Pauly sound off on a recent episode of This American Life "I Was So High." Shane has issues with Ira Glass' Us vs. Them theme and Alex Blumberg's segment about his pothead father. Pauly claims he can spot which chefs on Top Chef are high. Shane touches upon recent articles about Harm Reduction in the Guardian and Buzzfeed's Buzzreads, which brought attention to different programs to help heroin users in NYC and cocaine users in the U.K. Dope Media includes Howard Stern's interviewing Doug Stanhope and Billy Joel, and a book on the Oral History of L.A. Punk called We Got the Neutron Bomb by Marc Spitz and Brendan Mullen.
Ahoy! This week's show is the LIVING END. First, NICOLE J. GEORGES is here to talk to us about the story behind her graphic novel, CALLING DR. LAURA. This is a sad and funny tale about family, lies, love, and loss. It fascinates and I recommend listening to it. You will learn things! Then, MARC SPITZ joins Julie to chat about his new memoir, POSEUR, as well as his impression of living in NYC since he was a teen, the kind of "Drugs and Daddy" book he did NOT want to write, the challenges of keeping your bitterness in the professional sphere only, and what his deal is with Richard Hell. Also, some thoughts about EDWARD SCISSORHANDS and its bizarre ideas about women in pastel-hued environments, an avian revelation about the Real Housewives of Miami, some exciting foreshadowing in regards to tonight's HWYW Live, what Helena Bonham Carter would order at brunch, and an inevitable, No. 1 Ladies' Detective Agency-fueled insight. Plus, a hair angel named Kyle! A brunchmate named Siggy Flicker! Kim Richards's enigmatic shit pillow! And the unacceptable darkness of INK MASTERS.
Marc Spitz, author of Jagger: Rebel, Rock Star, Rambler, Rogue, sits down with me to discuss his perspective on the industry of music journalism, the ever-changing climate of the New York arts scene, and his reflections on September 11th.