Podcast appearances and mentions of Richard Hell

Green Noise Records is proud to present Prime Primitive: 1976–1977, a vital archival release from legendary New York City punk band Testors, available May 30, 2025. Capturing the essence of the band's earliest studio and live recordings, this LP offers a long-overdue look at one of the rawest and most uncompromising acts to emerge from the original NYC punk underground. Founded by Sonny Vincent in 1975, Testors took shape in the grimy backrooms and sweat-soaked stages of Max's Kansas City and CBGB—two epicenters of the East Village scene that gave rise to the Ramones, Richard Hell, the Heartbreakers, and Television. Testors stayed firmly committed to the fire and fury of pure rock'n'roll, leaving behind a trail of scorched earth and unforgettable shows—including a tour with the Dead Boys that spread their chaotic energy nationwide. Far from lacking recorded material, Testors had a wealth of songs and studio sessions, but due to their fiery temperament and their desire to burn every bridge in sight they simply rejected the compromises demanded by record companies. Their often violent, stripped-down sound helped shape the American punk blueprint that thousands of bands would follow. Testors erupted on the New York scene at the epicenter of the punk rock explosion. Absolutely one of the best raw, catastrophic, and shocking bands to ever grace the stages of Max's Kansas City and CBGB's during the mid-70's punk heyday, Their incendiary sound consisted of dueling guitar noise and Sonny Vincent's street poetry. Testors created music that stands the test of time. Painfully delicate, unabashed, unrepentant, explosive, and savagely persuasive. Their earliest recordings are considerably tougher, louder and more desperate than any other music made at that time (or since) and after you let it latch onto your soul, you're forever indebted to New York's toughest, rawest, REALest punk band for the rest of your fucking life. It's a crime against history that the Testors never got their due: a band like this could and should have changed everything. Prime Primitive captures Testors the way they were meant to be heard—on vinyl, no CDs, no digital downloads, no AI. Just the real-deal slab,  in an exclusive silver foil jacket for true believers to have and to hold. Adding to the celebration, a newly unearthed video titled Testors – 1979—featuring rare 16mm footage of the band and candid backstage moments with Testors, the Dead Boys, and Johnny Thunders at Irving Plaza—will be available via the Green Noise Records YouTube channel. Directed and edited by Robert Luttrell, with words and music by Sonny Vincent, the video offers a raw visual snapshot of an era that refuses to fade. Prime Primitive is a sonic time capsule of Testors at their most volatile and vital. Side A compiles nine of their early studio recordings from 1976–77—taut, feral tracks that hiss with desperation and attitude—while Side B delivers five ferocious live cuts that find the band tearing through their set with unhinged intensity. All tracks were newly remastered for this release by Timothy Stollenwerk (Stereophonic Mastering) in close collaboration with Sonny Vincent, ensuring maximum punch, grit, and clarity. Every song was written, arranged, and produced by Vincent, whose compositions and streetwise lyrics remain as bracing now as they were nearly fifty years ago. These aren't just recordings—they're artifacts of a cultural explosion, finally given the fidelity and sequencing they always deserved. D I S C O V E R Bandcamp:https://sonnyvincenttestors.bandcamp.com/Instagram:https://www.instagram.com/sonnyvincent77/Label:https://store.greennoiserecords.com/products/testors-prime-primitive-1976-1977-new-lpFacebook 1:https://www.facebook.com/sonnyvincentprivatepage.1?mibextid=ZbWKwLFacebook 2:https://www.facebook.com/p/Sonny-Vincent-100057660871484 Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low.

Melanie St. Pierre-Bednis, Neil Bednis, and Fraser McClean from Casper Skulls discuss their new album Kit-Cat, the TV show character Frasier Crane, the significance of alt-rock radio and MuchMusic on young minds, Robert Frost poems and being goth, the Bunnies in Berlin record made at the Romano brothers' studio in Welland, moving from stark post-punk to heartfelt indie-rock, loving bands like Sonic Youth and Silver Jews, inspirations like “Rowdy” Roddy Piper, a Richard Hell biography, and There Will Be Blood, upcoming shows, writing new songs, other future plans, and much more!EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Ep. #958: Nels ClineEp. #910: The Hard QuartetEp. #734: Bonnie TrashEp. #713: Built to SpillEp. #677: PavementEp. #673: Sonic YouthEp. #481: David BermanSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

It's still Punk Rock Time., and it's going to continue to be Punk Rock Time for a while, so we might as well embrace it. Top Ten Punk Rock Iconoclasts Part 2 features picks 5-1 in our epic countdown of the ones we look to for courage to challenge authority, spit in the eye of convention and tell Nazi punks where they can go. Our punker pals Ryan Stockstad and Chris Bickel did their homework, and we're pretty damn proud of this top ten list. If you missed Part 1, go back and get it here:https://podcasts.apple.com/us/podcast/episode-662-top-ten-punk-rock-iconoclasts-part-1-w/id573735994?i=1000701592837The official Top Ten Punk Rock Iconoclasts playlist features every song heard in Parts 1 & 2, bumper songs included.https://open.spotify.com/playlist/070VYk67Gae4Fv3LGe9iYx?si=929fd0bd3dd9405aBetween acting, writing and directing, Ryan's always up to stuff. Follow him on Instagram to keep up.https://www.instagram.com/hollywoodpsychic/Chris Bickel's latest film Pater Noster & Mission Of Light is getting rave reviews. Don't miss it!https://www.indiegogo.com/projects/pater-noster-and-the-mission-of-light-horror-film#/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. The great David Daskal made his return April 1st. No Foolin'!Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting it up about music over on the ATTT Facebook Group. Join us and start a conversation!https://www.facebook.com/groups/940749894391295

Two Hours of trashy garage, punk, rock, soul and fury with host DJ JDub.This week: a bunch of good stuff!Outrage Radio playlist – March 20, 2025[0:00]1.        Stiff Richards – No Fun On The Beaches2.       Detroit Cobras – Slumlord3.       The Ramones – Judy Is A Punk4.       Motorhead – Shut You Down [11:42]5.       Betty Machete And The Angry Cougars – So Fucking What  [2025]6.       Betty Machete And The Angry Cougars – Freak Show  [2025]7.       Pyrex – Face Off  [2025]8.       1186 – Hoy  [2025]9.       Bad Breeding – Blood Manifest  [2025]10.      Split System – On The Edge  [2025]11.       L.A. Witch – The Lines  [2025]12.      The Ghost Wolves - Consumer Waste  [2025] [32:32]13.    Stepmother – Vacant State  [2025]14.    Heart Attack Alley – Cryin'  [2025]15.    The Anomalys – Slaughterhouse  [2024]16.    Spy – Dim  [2025]17.     Mother Nature – An Infinite Sphere  [2025]18.    Chain Cult – Poison Scars  [2025] [50:20]19.     New York Dolls – Jet Boy20.    New York Dolls – Stranded In The Jungle (live)21.     New York Dolls – Subway Train22.    Richard Hell & The Voidoids – Blank Generation23.    Nervous Eaters – Loretta24.    The Real Kids – All Kindsa Girls25.    The Plugz – Berserktown [1:15:54]26.    Dropkick Murphys – Guns Of Brixton27.    DRI – I Don't Need Society28.    Discharge – Protest And Survive29.    Attitude Adjustment – In The Center30.    Agnostic Front – Victim In Pain31.     Attitude Adjustment – Working Class Pride32.    Tenement Rats - Decease & Desist33.    Memo PST – Under Your Chains34.    Hot Load - Die35.    Osees – Terminal Jape36.    Throw Rag – Radio Romantica [1:39:20]37.    The Crystal Method  - Born Too Slow38.    Brian Jonestown Massacre – Anemone39.    Idles – Heel/Heal40.    The Lost Sounds – I'm Not A Machine41.    Cold Meat – Boys Riot [1:56:16]42.    Primus – The Toys Go Winding DownOutrage Radio broadcasts live 9-11PM (Pacific) on Thursday nights from Downtown Los Angeles at the LuxuriaMusic .com radio studio.

Richard Hell is the author of Godlike. And this interview is old, like 2003 or 2004 taping. We met at a bar called The Argus in San Francisco, he was […]

Gang Of Four's moment was dramatic but brief. It was littered with times when the future seemed impossibly bright before disaster crept up with a cosh in their relentless “refusal to do the obvious”. Being a musician, he points out, is a ridiculous life best not taken seriously. His memoir ‘To Hell With Poverty!' rightly describes itself as “rich with stories”, many remembered in this spirited exchange with David and Mark, among them … … the transformational effect of a scholarship to the boarding school where he met GO4 guitarist Andy Gill and future film-makers Adam Curtis and Paul Greengrass. … life-changing records he heard in the school art department – Highway 61 Revisited, the Stooges, the MC5. … “never miss an opportunity to miss an opportunity”. … aged 11, bumping into John Lennon in Sevenoaks who'd just bought his Mr Kite poster. … signing a contract with the manager that robbed them and whose busy and efficient office of “ripped and buffed” staff turned out to be hired actors. … being thrown off Top Of The Pops for not changing an ‘offensive' song lyric – “EMI were “mortified”. … the old hippy world of the ‘70s – Hawkwind, the Whole Earth Catalog and “a Withnailesque flat where we had an airgun to shoot the mice”. … hopeless online misinterpretations of his song lyrics - “there may be soil under fuck all” (aka “there may be oil under Rockall”). … the rigours of trying to promote “outsider music”. … reaching “the point where the game is up”. … the Bourgeois Brothers, the ‘comedy' duo he formed with Andy Gill at Leeds University and why they returned to England to form a band in the mould of Talking Heads, the Ramones and Richard Hell. … and why recording the audiobook moved him to tears. Order ‘To Hell With Poverty!' here:https://www.amazon.co.uk/Hell-Poverty-Class-Inside-Gang/dp/1636142346 Gang Of Four tour dates:https://www.songkick.com/artists/393675-gang-of-four/calendarFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Gang Of Four's moment was dramatic but brief. It was littered with times when the future seemed impossibly bright before disaster crept up with a cosh in their relentless “refusal to do the obvious”. Being a musician, he points out, is a ridiculous life best not taken seriously. His memoir ‘To Hell With Poverty!' rightly describes itself as “rich with stories”, many remembered in this spirited exchange with David and Mark, among them … … the transformational effect of a scholarship to the boarding school where he met GO4 guitarist Andy Gill and future film-makers Adam Curtis and Paul Greengrass. … life-changing records he heard in the school art department – Highway 61 Revisited, the Stooges, the MC5. … “never miss an opportunity to miss an opportunity”. … aged 11, bumping into John Lennon in Sevenoaks who'd just bought his Mr Kite poster. … signing a contract with the manager that robbed them and whose busy and efficient office of “ripped and buffed” staff turned out to be hired actors. … being thrown off Top Of The Pops for not changing an ‘offensive' song lyric – “EMI were “mortified”. … the old hippy world of the ‘70s – Hawkwind, the Whole Earth Catalog and “a Withnailesque flat where we had an airgun to shoot the mice”. … hopeless online misinterpretations of his song lyrics - “there may be soil under fuck all” (aka “there may be oil under Rockall”). … the rigours of trying to promote “outsider music”. … reaching “the point where the game is up”. … the Bourgeois Brothers, the ‘comedy' duo he formed with Andy Gill at Leeds University and why they returned to England to form a band in the mould of Talking Heads, the Ramones and Richard Hell. … and why recording the audiobook moved him to tears. Order ‘To Hell With Poverty!' here:https://www.amazon.co.uk/Hell-Poverty-Class-Inside-Gang/dp/1636142346 Gang Of Four tour dates:https://www.songkick.com/artists/393675-gang-of-four/calendarFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Gang Of Four's moment was dramatic but brief. It was littered with times when the future seemed impossibly bright before disaster crept up with a cosh in their relentless “refusal to do the obvious”. Being a musician, he points out, is a ridiculous life best not taken seriously. His memoir ‘To Hell With Poverty!' rightly describes itself as “rich with stories”, many remembered in this spirited exchange with David and Mark, among them … … the transformational effect of a scholarship to the boarding school where he met GO4 guitarist Andy Gill and future film-makers Adam Curtis and Paul Greengrass. … life-changing records he heard in the school art department – Highway 61 Revisited, the Stooges, the MC5. … “never miss an opportunity to miss an opportunity”. … aged 11, bumping into John Lennon in Sevenoaks who'd just bought his Mr Kite poster. … signing a contract with the manager that robbed them and whose busy and efficient office of “ripped and buffed” staff turned out to be hired actors. … being thrown off Top Of The Pops for not changing an ‘offensive' song lyric – “EMI were “mortified”. … the old hippy world of the ‘70s – Hawkwind, the Whole Earth Catalog and “a Withnailesque flat where we had an airgun to shoot the mice”. … hopeless online misinterpretations of his song lyrics - “there may be soil under fuck all” (aka “there may be oil under Rockall”). … the rigours of trying to promote “outsider music”. … reaching “the point where the game is up”. … the Bourgeois Brothers, the ‘comedy' duo he formed with Andy Gill at Leeds University and why they returned to England to form a band in the mould of Talking Heads, the Ramones and Richard Hell. … and why recording the audiobook moved him to tears. Order ‘To Hell With Poverty!' here:https://www.amazon.co.uk/Hell-Poverty-Class-Inside-Gang/dp/1636142346 Gang Of Four tour dates:https://www.songkick.com/artists/393675-gang-of-four/calendarFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Two Hours of trashy garage, punk, rock, soul and fury with host DJ JDub.This week: it's a trashy valentine episode.Outrage Radio playlist – February 13, 2025[0:00]1.     New York Dolls – Looking For A Kiss2.     The Humpers – Plastic Valentine3.     Flat Duo Jets - Wild Wild Lover [10:33]4.     The Kinks – You Really Got Me5.     The Saints – Wild About You6.     The Rolling Stones – I Just Wanna Make Love To You7.     Danny & The Darleans – Wild About My Lovin'8.     Motorhead – Love Me Like A Reptile9.     The Damned – Love Song10.   Misfits – Some Kind Of Hate11.   The Stitches – My Baby Hates Me [31:15]12.   Richard Hell & The Voidoids – Love Comes In Spurts13.   The Chickenhawks – Stick It In14.   The Cramps – Can Your Pussy Do The Dog15.   The Buzzcocks – Orgasm Adict16.   The BellRays – On Top17.   Wayne County & The Electric Chairs – Fuck Off18.   Nervous Eaters - Just Head19.   Turbonegro – Good Head [53:35]20.   The Real Kids – She's Alright21.   Johnny Thunders and The Heartbreakers – Do You Love Me22.   The Crazy Squeeze – Gimme A Kiss23.   The Briefs – Rotten Love24.   Shanda & The Howlers – I Don't Need Your Love25.   Holly Golightly – Directly From My Heart26.   Big Maybelle – That's A Pretty Good Love27.   Bloodshot Bill – Crazy ‘Bout The Girl28.   The Nuns – Do You Want Me On My Knees? [1:17:21]29.   The Muffs – I Need You30.   Neighborhood Brats – I Want You31.   Amyl & The Sniffers – Pleasure Forever32.   Consolidated featuring the Yeastie Girlz – You Suck33.   The Gossip – Swing Low34.   The Retail Simps – Love Without Friction35.   The Black Mambas – Baby I'll Give It To You36.   The Dead Boys – Caught With The Meat In Your Mouth [1:37:07]37.   Devo – Girl U Want38.   Nirvana – Love Buzz39.   PJ Harvey – This Is Love40.   Oblivians – Sunday You're In Love41.   The Dirtbombs – Ever Lovin' Man [1:54:42]42.   Reigning Sound – Watchin My Baby43.   Link Wray – Ain't That Lovin' You Baby44.   Suicidal Tendencies – I Won't Fall In Love TodayOutrage Radio broadcasts live 9-11PM (Pacific) on Thursday nights from Downtown Los Angeles at the LuxuriaMusic .com radio studio.

%100 Müzik ile Rock Tarihinden Hikayeler'in bu bölümünün konusu "Richard Hell".

Hoy en La Gran Travesía recorremos parte de la Historia del Rock con grupos como The Band, Rancid, Flamin´ Groovies, Cheap Trick, Johnny Cash, Nick Drake, Eric Clapton, Bill Haley.... Desde la semana pasada se puede reservar el ejemplar de La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas. ✨ El libro ya está en "preventa" en la web de NPQ Editores https://npqeditores.com/producto/preventa-la-gran-travesia-del-rock/ hasta el viernes 29 de noviembre, fecha en la que se iniciará la venta oficial. Ojo, tirada inicial muy limitada. Y el jueves 5 de diciembre, en el Casino de Cartagena, presentación oficial del libro y posterior fiesta de presentación en El escondite bar. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Raqyel Parrondo, Javier Gonzar, Eva Arenas, Poncho C, Nacho, Javito, Alberto, Tei, Pilar Escudero, Utxi 73, Blas, Moy, Juan Antonio, Dani Pérez, Santi Oliva, Vicente DC, Juan Carlos Ramírez, Leticia, JBSabe, Huini Juarez, Flor, Melomanic, Noni, Arturo Soriano, Gemma Codina, Raquel Jiménez, Francisco Quintana, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Jesús Miguel, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

Esta semana hemos celebrado Halloween y, como cada año, se celebra una sesión dedicada a los films de terror. En esta ocasión nos hemos centrado en repasar algunos títulos estrenados este año y la segunda mitad del programa ha sido para repasar films de años anteriores. Todo ello recopilando ocho canciones rockeras o heavies. Aquí teneis el listado de temas: 1 - Judas Priest "You've got another thing comin'" (La piscina) 2 - Danzig "Blood and tears" (Abigail) 3 - Richard Hell & The Voidoids "Blank generation" (El exorcismo de Georgetown) 4 - Goldberg "Four boys" (Los vigilantes) 5 - Saxon "Eveybody up" (Demons) 6 - Cavalera Conspiracy "Killing inside" (The Devil's Candy) 7 - Motörhead "The chase is better than the catch" (Halloween II) 8 - W.A.S.P. "Scream until you like it" (Ghoulies II)

El 2 de octubre de 1949 nació Richard Lester Meyers, a quien el mundo conocería como Richard Hell. Hoy cumple 75 años esta figura fundamental en el amanecer de la escena punk del Nueva York de los 70’s. Poeta y rock’n’roller de espíritu beatnik que encarnó como ningún otro el nihilismo más feroz del género. Un sujeto de imagen icónica que inspiró la estética del punk. Co-líder y miembro fundador de dos bandas tan seminales y trascendentales como Television o los Heartbreakers, además de lanzar dos álbumes al frente de los Voidoids, cuyo debut se conserva absolutamente rompedor frente a cualquier otro disco de su tiempo. Este tipo escribió el gran himno de la generación en blanco. Así que sí, es posible que unas cuantas cosas comenzase con Richard Hell.Playlist;RICHARD HELL and THE VOIDOIDS “Liars beware” (Blank Generation, 1977)RICHARD HELL and THE VOIDOIDS “New pleasure” (Blank Generation, 1977)THE NEON BOYS “(That's all I know) right now” (1972)TELEVISION “Blank generation” (Live at CBGB 1974)THE HEARTBREAKERS “Love comes in spurts” (demo, 1975)JOHNNY THUNDERS “Hurt me” (1984)BOB McFADEN “Beat generation” (1959)RICHARD HELL and THE VOIDOIDS “Blank generation” (Blank Generation, 1977)RICHARD HELL and THE VOIDOIDS “You gotta lose” (Electric Lady Studio alternate version, 1977)RICHARD HELL and THE VOIDOIDS “The kid with the replaceable head” (Destiny Street, 1982)RICHARD HELL and THE VOIDOIDS “Lowest common dominator” (Destiny Street Repaired, 2009)RICHARD HELL and THE VOIDOIDS “Ignore that door (demo)” (Destiny Street Repaired, 2009)RICHARD HELL and THE VOIDOIDS “Don’t die” (single 1980)RICHARD HELL “I’ve been sleeping on it” (In New Orleans, 1984)DIM STAR “The night is coming on” (Dim Stars, 1992)RICHARD HELL and THE VOIDOIDS “I'm your man” (single, 1979)RICHARD HELL and THE VOIDOIDS “Time” (Destiny Street Repaired, 2009)Escuchar audio

Avui hem fet una petita classe d'hist

Check Playlist This episode of The Five Count featured an exclusive interview with musician Marky Ramone. Marky is best known as the drummer for The Ramones. He's also played with bands like Dust, Richard Hell and the Voidoids, The Misfits, and is a member of the Rock and Roll Hall of Fame. During the show he discussed the influence The Ramones has had on pop culture, his memories of making the film Rock 'n' Roll High School, and recording with his new band. See Marky Ramone on Aug. 28 and 29 at the Minnesota State Fair!During the rest of the show we defended our love of AC/DC, Ton discussed his impending return to the local art scene, and we talked about sauerkraut. It was punk rock! https://youtu.be/DLiVoBicJuk?si=VfHdtHXuRITxwTMf

Brittany Menjivar is the author of the hit new book Parasocialite. She is also a columnist for the LA Review of Books, and the cofounder of Car Crash Collective, an LA-based reading series. She is also a wonderful guest, as we discuss the great malls of our lives, how she came to found her reading series and meeting Richard Hell. Great episode. Brittany on Twitter: https://x.com/_brittpop_ Brittany on Insta: https://www.instagram.com/brittmenjivar/ Brittany's book (buy it): https://www.dreamboybook.club/store/parasocialite

Rick talks about the life and death of his friend guitarist Robert Quine. Quine was a legendary musician who was remains relatively unknown, but chances are you have heard his playing. His collaborators included Richard Hell & the Voidoids, Lou Reed (notably on The Blue Mask), Brian Eno,[2] John Zorn, Ikue Mori, Marc Ribot, Marianne Faithfull (Strange Weather), Lloyd Cole, Matthew Sweet and Tom Waits. Theme music by Freaky Wilderness

The cover photograph for the second and final Richard Hell and the Voidoids album, Destiny Street features a woman standing in the background. For years, this woman was unfairly credited as "unknown woman." However, the truth is that the woman is Anne Militello, who would go on to become an accomplished lighting designer and professor and CalArts. Anne's journey began while working for the now infamous rapist Harvey Weinstein back when Weinstein and his brother were concert promoters in metro Buffalo. Seeking to leave The Nickel City but not yet prepared for New York City, she embarked on a five-day bus trip to San Francisco, packing a tin of pot brownies, which were completely consumed along the way. Upon arriving on the west coast, Anne leveraged her experience working with lights in college to gain work at a music venue. The manager who hired her was Sylvester, who later became a disco legend. One night outside the Magic Theater, she encountered a man dressed like a trucker who seemed to be out of place and ignored by her cohort of punker rockers. Feeling sympathetic, she struck up a conversation with him.  The man told her he was a playwright and wanted her to read his new play, which she and really liked. The trucker turned out to be Pulitzer Prize winner Sam Shepard and they became great friends. With Shepard's encouragement, she relocated to New York City and immersed herself in the theater scene. Over time, Anne established herself as a world-renowned lighting designer, working with luminaries such as David Lynch, Tom Waits, The Wooster Group, and Lou Reed. Today, Anne resides in Los Angeles, where she operates Vortex Lighting.

durée : 00:28:35 - Les Nuits de France Culture - par : Albane Penaranda - En 2000, Marc-Alexandre Millanvoye propose pour "Les chemins de la musique" sur France Culture une série de cinq émissions sur le critique rock américain Lester Bangs. Ce quatrième volet revient sur l'éclosion du punk à New York au milieu des années 70 dans son lieu emblématique underground le CBGB. - invités : Joey Ramone; Richard Hell

Abrimos con un recuerdo para el dibujante Joaquín Ladrón, ilustrador alicantino fallecido este pasado fin de semana. Anunciamos gira de Subsonics conectando con Richard Hell. Y suenan novedades de los italianos Siouxie and the Skunks, la banda de Denver Fast Eddy o los australianos The Prize.(Foto del podcast por Joaquín Ladrón)Playlist;RAMONES “I’m not afraid of life” (Too tough to die, 1984)BRAD MARINO “Teenage monstrosity” (Ramones and Stones EP, 2024)DEE DEE RAMONE “It’s so bizarre” (Zonked, 1997)SUBSONICS “In the black spot” (Flesh colored paint, 2017)SUBSONICS “Love comes in spurts” (single, 1993)Versión y Original; RICHARD HELL and THE VOIDOIDS “Love comes in spurts” (Blank generation, 1977)RICHARD HELL (DIM STARS) “Baby huey (do you wanna dance)” (3 new songs EP, 1992)SIOUXIE AND THE SKUNKS “Crispy” (Songs about cuddles, 2024)THE SCANERS “No return” (III, 2024)JIM JONES ALLSTARS “You got the best stink (I ever stunk)” (Ain’t no peril, 2023)THE HILLBILLY MOON EXPLOSION “Sudden ring” (Back in time, 2024)THE LIMBOOS “I’m stranded (movin on)” (Off the loop, 2024)FAST EDDY “Grey day” (adelanto del próximo álbum)THE PRIZE “Hotel 44” (split 2024)WESLEY FULLER “Everything is strange” (All fuller no filler, 2024)Escuchar audio

Hey Ho, Let's Go! It's our 100th Episode! Marky Ramone (Marc Steven Bell) is a legendary drummer who began playing drums in bands in the New York City area, before joining pioneering punk rock band Richard Hell and the Voidoids who toured the UK with The Clash and recorded the groundbreaking album "The Blank Generation". He then replaced original Ramones drummer Tommy Ramone in the ⁠Ramones ⁠in 1978, and took on the stage name Marky Ramone. The music of the Ramones has inspired the forming of garage bands around the world. In 2002, the Ramones were inducted into the Rock and Roll Hall of Fame. Marky Ramone continues to keep the Ramones legacy alive around the world with his band Marky Ramone's Blitzkrieg for fans of all ages and they are badass! You can catch Marky and the band at ⁠Temblor Brewing Co. in Bakersfield on Feb. 24, 2024! Episode contains music from Richard Hell and The Voidoids, Ramones, and segments from the 2019 "Punk" documentary press conference, and Late Night with Conan O'Brien. ⁠Sponsored by Chain Cohn Clark - Kern County's leading accident, injury, and workers' compensation law firm. Subscribe to Bakotunes at all podcast outlets and follow our socials!Instagram / More LinksContact: mattomunoz@gmail.com

We take revisit our look at The Heartbreakers Billy Rath in his final years with new details. Join this channel to get access to videos not available on the public channel: ⁠https://www.youtube.com/channel/UC6pX3ePQjr8TKBQqKRiobNQ/join⁠ FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 200 DIECUT STICKERS FOR $69  RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Amos Poe is an American New York City-based director and screenwriter, described by The New York Times as a "pioneering indie filmmaker". Amos Poe is one of the first punk filmmakers and his film The Blank Generation[2] (1976)—co-directed with Ivan Král— is one of the earliest punk films. The film features performances by Richard Hell, Talking Heads, Television, Patti Smith, and Wayne County. Rolling Stone named it number 6 on its list of 25 Greatest Punk Rock Movies of All Time.[3] He is also associated with the birth of No Wave Cinema due to films such as The Foreigner (1978), featuring Eric Mitchell, Debbie Harry, Anya Phillips; and Subway Riders (1981),[4] starring Susan Tyrrell, Robbie Coltrane, and Cookie Mueller.[5] During this time he was also the director of the public-access television cable TV show TV Party hosted by Glenn O'Brien and Chris Stein. Hosted by Zef Cota

Olá, pessoal! Neste episódio vamos falar de um disco muito querido do podcaster: Entertainment (1979)!‌Em 1976, formava-se uma das bandas que, em meio ao cenário punk, iriam definir a sonoridade - ou uma das muitas sonoridades - do universo do pós-punk. O Gang of Four lançou seu primeiro álbum, Entertainment, em 79, já dois ou três anos depois das estreias de Sex Pistols, The Clash, Ramones e do Blank Generation de Richard Hell and the Voivoids. Também mais de 5 ou 6 anos depois de New York Dolls e do Glam, alguns anos depois de Horses da Patti Smith e mais de 10 anos depois das bandas do proto-punk, como The Stooges, Velvet Underground e MC5 sacudirem o mundo do #rock e nublarem o mundo colorido dos anos 60.‌Mesmo anos depois de tudo isso, junto com Fear of Music (do Talking Heads de David Byrne), Metal Box PiL (de Johnny Rotten, ex-Sex Pistols), ou mesmo Y (do The Pop Group, banda experimental representante inglesa da chamada No Wave), Entertainmen revolucionou o rock e o punk, colocando outros estilos como funk, disco, dub e dance no caldo do punk. Foi um dos discos definidores de uma das muitas sonoridades do pós-punk subsequente.Influenciou muitas cenas posteriores, de Red Hot Chilli Peppers a U2, Nirvana, Fugazi a INXX, Franz Ferdinand, Rage Against the Machine. No Brasil, Titãs, Paralamas, Legião ou mesmo bandas do cenário mais underground do pós-punk, como Smack. Muitas bandas bem diferentes em seus estilos manifestaram essa influência.O caldo, o creme do podcast está na análise das letras e da poética fina da banda. Fina e punk, sofisticada e punk. Gang of Four mostrou que isso é possível. Suas letras eram politizadas, mas não recheadas de citações a história e invocações à luta como o The Clash, nem cuspindo impropérios contra a monarquia e o status quo, como o Sex Pistols e sua fúria anarquista. O Gang of Four sempre esteve mais interessado em colocar a política sob um verniz menos direto, mas ao mesmo tempo escancarado em uma poética que refletia uma sociedade do espetáculo doente, em que o fetichismo exacerbado da indústria cultural e do entretenimento criavam uma espécie de disfuncionalidade nas relações afetivas, pessoais e amorosas.Bora dar o play!Segue a gente lá no insta: @umpaposobresom Produção: Baioque ConteúdoRoteiro e apresentação: Pedro SchwarczDireção: Newman CostaEdição: Felipe CaldoRedação: Luiz Fujita e Paulo BorgiaArte: CRIO.LAH

A founding member of the profoundly influential band Television, Richard Lloyd has led a fascinating life. He covers a lot of that life in his book Everything Is Combustible: Television, CBGB's and Five Decades of Rock and Roll: The Memoirs of an Alchemical Guitarist. In addition to his time with Television, he played on albums by Matthew Sweet and John Doe and has produced many albums. It was great, and a great honor to talk with Richard Lloyd.Find tickets for Richard's upcoming shows by linking here. Photo by Ed Rode. See more of Ed's beautiful photography here. And follow him on Instagram here.Save on certified Pre-Owned iPhones, Androids, AirPods, Macs, Smartwatches, accessories, and more at Plug Tech. Enter code DJFEY at checkout to help support Frets with DJ Fey by linking from http://plug.tech/DJFEYEpisode fueled by Stringbean Coffee.Find or Sell Guitars and Gear at Reverb Find great deals on guitars, amps, audio and recording gear. Or sell yours! Check out Reverb.comBuzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms. If you play guitar and are interested in being a guest, or have a suggestion for one, send me an email at davefey@me.com. You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned…

In this episode we welcome the great Kate Simon, who Zooms in from New York City to answer our questions about her stellar career and the new edition of Rebel Music, her book of classic reggae portraits. Kate talks about the formative moments that made her a music photographer, plus the 1972 move to London that brought her into the pages of Disc & Music Echo and Sounds. Her hosts quiz her about her timeless shots of David Bowie, Rod Stewart and the Clash before we hear of her first trip to Jamaica in 1976 and the start of her long association with Bob Marley and his fellow Wailers. We also learn more about Kate's friendships with Sounds colleagues such as Jonh Ingham, Vivien Goldman and art director Dave Fudger. After hearing about Kate's return to her native soil and her '80s work for The Face – as well as her personal preferences as a photographer — we switch coasts to California in order to mark the imminent 80th birthday of Joni Mitchell. Clips from Dave Zimmer's 1983 audio with the First Lady of Laurel Canyon – with her wry observations about Messrs. Crosby, Stills and Nash – prompt more general thoughts on her peerless music from Blue to Hejira to Night Ride Home. With Mark sipping the last of the summer wine in his beloved Crete, Jasper concludes matters with quotes from — and reflections on — newly-added library pieces about Miles Davis, Rod Stewart and Steve Reich... not to mention a priceless Billy Eckstine reminiscence of gigging with John Coltrane. Many thanks to special guest Kate Simon. The new edition of Rebel Music: Bob Marley and Roots Reggae is published by Genesis Publications. Pieces discussed: Kate Simon interviewed by Paul Gorman, Reggae: Black punks on 'erb, Richard Hell, David Bowie, Patti Smith, Joni Mitchell audio, The Seeds, Miles Davis, Rod Stewart, Billy Eckstine, Steve Reich, Queen Latifah and Michael Kiwanuka.

Roaring out of New York City comes Popa Chubby with his unique blend of blues, rock and soul. Born Ted Horowitz, he cut his teeth on the late Seventies' NY punk scene, even joining Richard Hell & the Voidoids for awhile. He issued his first album in 1994, and he's never looked back - 38 albums to his credit. For his latest album, Live at G. Bluey's Juke Joint NYC, Chubby took an unique approach: do a live record in a studio, and invite only 50 friends. The result feels like you're onstage with the musicians. Chubby decided to let those friends help pick some of the songs, resulting in an eclectic mix of hits and rarities, some he hadn't played live in years.No overdubs, just Popa Chubby and band, as it happened. We chat with the guitar slinger, who was in the middle of touring Germany during our talk, about stretching out on some of the songs, interacting with the great musicians, and how he feels about rap music and its lineage to the blues.

Screen Slate travels to Richard Hell's East Village apartment to discuss his latest collection of poetry, What Just Happened. We talk about moving to New York to become a poet and his early jobs in bookstores, including Cinemabilia, the movie memorabilia store whose manager Terry Ork played a key role in early punk. We also get into Richard's film roles, including Smithereens and Nick Zedd's Geek Maggot Bingo, and what he's been watching lately.LinksOrder: What Just HappenedRSVP: Reading Thursday, October 26 at POWERHOUSE ARENARead: Richard Hell, “My Godard” Support the showThe Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.

Episodes 463: Bow down because, one of punk's foremost guitar gods, Ivan Julian is here! Today on the show, listen in as Damian sits down to talk with the punk legend about the start of it all. From Tommy Keene and the DC cover band scene, to high school hash joints with HR, to waiting for punk in the UK with Topper Headon, to arrival of the Blank Generation, and so much more: this is not to be missed! Also, don't miss Ivan Julian's fantastic new solo-album "Swing Your Lanterns", available everywhere now. Also don't miss Ivan on tour! More info HERE

The punks of Gnarcissists are our kind of people. Their sound and sense of humor resonate with us the same way as early Ramones or Richard Hell. Prior to their performance at Bumblefest, these resonating punks from NYC met with us for a manic mini promo episode and it was so fun. 

In this episode we're delighted to invite Vernon Gibbs to look back on his career as a pioneering soul scribe and A&R man. Vernon begins by describing his early years as a scholarship student who took the G train from Brooklyn to school on Manhattan's Upper East Side — and his formative years at NYC's Columbia University. He describes how he fell in with the counterculture and began writing about music for the Columbia Daily Spectator. A discussion follows of pieces he wrote about the death of Jimi Hendrix and — later, for NME — the decline of Sly Stone. He also talks about contributing to Crawdaddy! and other rock publications in the mid-'70s. The 50th anniversary of Marvin Gaye's Let's Get It On gives Vernon's hosts a chance to ask about the 1974 interview he did with the Motown superstar for Zoo World. He then explains how he was hired for A&R positions at Mercury and — more notably — Clive Davis' Arista label, where he worked with P-Funk offshoot Quazar and 'Disco Nights' hitmakers GQ. Vernon's return to music journalism takes us into a discussion of the downtown New York punk scene and a 1983 Creem interview in which Richard Hell defines "the blank generation". This in turn leads to clips from Jim Sullivan's 1996 audio interview with Talking Heads' Tina Weymouth — and Vernon's thoughts on that most un-punk of CBGB bands — in the week when Jonathan Demme's concert documentary Stop Making Sense is given well-deserved a cinematic re-release. After Mark quotes from archive interviews with Philly International legend Kenny Gamble (1976), L.A. bete noire Kim Fowley (1979) and smoooooth jazz man Kenny G (1988), Jasper rounds off the episode with his thoughts on Lloyd Bradley's celebration of London's Harlesden scene (2001), Def Jam rapper Ludacris (2005) and "jazz-rock" trio the Bad Plus (2013). Many thanks to special guest Vernon Gibbs. Pieces discussed: Jimi Hendrix, Sly Stone, Marvin Gaye, Let's Get It On, Richard Hell, Talking Heads' Tina Weymouth audio, Gamble & Huff, Kenny G, Kim Fowley, Do the Harlesden Shuffle, Ludacris and The Bad Plus.

Henry Rollins speaks on his point of view of the big drama between Sex Pistols Johnny Rotten and Marky Ramone from the Ramones at the now infamous blow up during the Epic Punk Documentary series post screening q&a. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 1000 STICKERS FOR $79  RIGHT HERE - NO PROMO CODE NEED! JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

On this episode of Apology, Jesse Pearson speaks with the writer and former musician Richard Hell about physics, the blank page, his new book of poetry, a bad writer who writes great books, crying at his own readings, and much more.

This week Victoria is joined by Sara Brown @saraisnotfamous to discuss female gaze, self-actualization, and why bleached hair makes a man instantly creepy. It's Susan Seidelman's downtown comedy DESPERATELY SEEKING SUSAN. Follow the Show @freshmoviepod Follow Sara on Instagram: https://www.instagram.com/saraisnotfamous/Follow Victoria on Letterboxd: https://letterboxd.com/vicrohar/Email the Show abreathoffreshmovie@gmail.comShow Art by Cecily Brown Theme Music "A Movie I'd Like to See"Arranged & Performed by Katrina EresmanWritten by Al HarleyYouTube Channel Shop the Store: http://tee.pub/lic/bvHvK3HNFhk

It's ImmaLetYouFinish... #145! Court & Amy welcome video pioneers/downtown documentarians Emily Armstrong and Pat Ivers of Go Nightclubbing to dish about clubs, cheap apartments and Richard Hell. ImmaLetYouFinish... is a proud member of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's ImmaLetYouFinish... #145! Court & Amy welcome video pioneers/downtown documentarians Emily Armstrong and Pat Ivers of Go Nightclubbing to dish about clubs, cheap apartments and Richard Hell. ImmaLetYouFinish... is a proud member of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Esta semana, en Islas de Robinson, el cuerpo nos pide punk (falta nos hace). Caemos en 1977, explosión plena de la extrañeza del "háztelo tu mismo" en tierra de nadie. Angustia, fiereza, desahogo desafiante y amenazante... y también, por qué no, puro arte... art punk... Clásicos. Suenan: BUZZCOCKS - "BOREDOM" ("SPIRAL SCRATCH", 1977) / THE ADVERTS - "ONE CHORD WONDERS" (SINGLE 1977) / PENETRATION - "DON'T DICTATE" (SINGLE 1977) / THE OUTSIDERS - "ON THE EDGE" ("CALLING ON YOUTH", 1977) / MOTORHEAD - "WHITE LINE FEVER" (SINGLE 1977) / THE DAMNED - "ALONE" ("MUSIC FOR PLEASURE", 1977) / VIBRATORS - "SHE'S BRINGING YOU DOWN" ("PURE MANIA", 1977) / DOCTORS OF MADNESS - "BULLETIN" (SINGLE 1977) / X-RAY SPEX - "OH BONDAGE UP YOURS!" (SINGLE 1977) / PERE UBU - "MODERN DANCE" (SINGLE 1977) / MX-80 SOUND - "MAN ON THE MOVE" ("HARD ATTACK", 1977) / RICHARD HELL & THE VOIDOIDS - "LIARS BEWARE" ("BLANK GENERATION", 1977) / TELEVISION - "FRICTION" ("MARQUEE MOON", 1977) / WIRE - "LOWDOWN" ("PINK FLAG", 1977) / THE SCRUFFS - "I'M A FAILURE" ("WANNA MEET THE SCRUFFS?", 1977)/ Escuchar audio

“Time On Earth” In the early ‘80s, the British born singer-songwriter Pete Astor was the frontman for the band The Loft and when that outfit split up, he formed the Weather Prophets who put out a trio of albums including the fabulous Diesel River and the miraculous Judges Juries and Horsemen. Astor kept the dream alive after the Prophets split up, emerging with fabulous projects like The Wisdom of Harry and Ellis Island Sound. Currently, Astor is a senior lecturer at the University of Westminster, and in 2014, his book on Richard Hell and the Voidoids' Blank Generation, was published as part of Bloomsbury's ongoing 33⅓ series on seminal rock and roll albums. Over the years Astor hasn't stopped putting out solo albums which are practically peerless. From Submarine to One For The Ghost to his outstanding new one Time On Earth, Pete Astor remains one of the most compelling figures in modern music. He's quietly released a discography that's redolent with thought, lyrical dexterity, observational smarts and hooks galore. Astor is one of the most listenable artists out there. Of Time On Earth, Dave Cantrell of Stereo Embers Magazine wrote, “…it's punchy in the melodic, reassuring way we've come to expect, somehow poignant and unsentimental in equal measure, it's a worthy addition to an already-bursting canon of sublime pop jewels.” www.peteastor.com www.bombshellradio.com www.stereoembersmagazine.com www.embersarts.com www.alexgreenonline.com Twitter: @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com

This is a re-upload of my conversation with the late great Mark Stewart Rest In Power!         For those who don't know  Mark Stewart is an artist, vocalist, producer and songwriter from Bristol. As a founding member of The Pop Group and as a soloist, Stewart has remained an anarchic and pioneering figure since the punk era, a constant source of discordance amongst the frontiers of post-punk, dub, industrial and electronic music. In a body of work driven by an explosive form of lyricism and inspired by radical politics, protest movements, theory, philosophy, technology, art and poetry, Stewart has fearlessly cultivated a revelatory collision of ideas, ideals and influences throughout an indisputably ground-breaking and seditious career. Empowered by the DIY incentives of punk Stewart initiated The Pop Group in 1977, subsequently producing some of the most original and combative music of both the post-punk and contemporary era. From 1977 until 1980 Stewart led the charge in a group that completely eschewed punk's formalism for something far greater. Producing epiphanic, irrepressible anthems, including She's Beyond Good & Evil and We Are All Prostitutes, both in 1979, as well as masterful, seminal albums including Y in 1979 and For How Much Longer Do We Tolerate Mass Murder? in 1980, The Pop Group ignited the revolutionary aesthetic potential of post-punk. The impact of this first incarnation left an immensely significant legacy ultimately leading to the group's reformation in 2010. With 2015's refined return Citizen Zombie and 2016's audacious left-turn Honeymoon On Mars, the group emphatically renewed their relevance, proving as incendiary as ever. Stewart continues to operate as a crucial impetus in the bands ongoing mission. In 1980 Stewart embarked on his solo career inspired by the sounds he had heard during a visit to New York the same year. The virtuosic scratching and early hip hop propagated by Kiss FM's Kool DJ Red Alert, coupled with the impact of a pile driver at a construction site Stewart happened to encounter there, was enough to encourage his visionary next step. In 1982 Stewart consolidated these encounters into coherent possibilities, forming a group called The Maffia and linking up with producer Adrian Sherwood and his cutting edge label On-U Sound. Alongside a rotating cast of session players, initially comprised of members of African Head Charge, Creation Rebel & Dub Syndicate, and later made up of Doug Wimbish, Keith LeBlanc and Skip McDonald (the erstwhile rhythm section of The Sugarhill Gang) Stewart & The Maffia fashioned an abrasive confection of dub reggae, early hip hop and industrial noise that was shattering, seismic and completely ahead of its time. Headed by an iconic version of William Blake's eponymous ancient poem, Stewart & The Maffia unveiled the Jerusalem EP in 1982, swiftly followed by their cult 1983 LP Learning To Cope With Cowardice. Stewart later moved to Mute Records in 1985 for the ferocious proto-industrial militancy of As The Veneer of Democracy Starts to Fade and successive appearances on the label continued to break untold new ground, from 1987's Mark Stewart to 1990's Metatron and 1995's Control Data. Stewart has continued to plot an utterly uncompromising and individual course into the 2000s, with a streak of solo material that has included Edit, The Politics of Envy, The Exorcism of Envy and Experiments. Preserving his vociferous energy and defiant stance whilst advancing, as always, into unfamiliar territories, this work bears all the traces of Stewart's enduring severity and modernism, an exploratory power reinforced by a host of legendary collaborators and artistic descendants including the likes of Primal Scream, Keith Levene (Public Image Ltd / The Clash), Richard Hell, Kenneth Anger, Daddy G (Massive Attack), Lee ‘Scratch' Perry, The Bug, Kahn (Kahn & Neek, Young Echo) and Factory Floor. Stewart continues to exert an inestimable impact on a disparate range of ensuing artists and scenes. His work has been acknowledged and celebrated as a vital inspiration by the likes of Nick Cave, Trent Reznor (Nine Inch Nails), James Murphy (LCD Soundsystem), Tricky, Massive Attack, St Vincent and countless others, while his eye for unorthodox extremity has instigated myriad new evolutions, blueprinting industrial, trip-hop, noise-hop, dance-punk and many other subsequent conceptions. Through a staunch, unrelenting desire to confront, deconstruct and make anew, Stewart has become of the most influential and forward-looking luminaries of post-punk, or indeed, any other form of music. An artist often imitated but never bettered. Mark's Info https://www.markstewartmusic.com/ https://www.facebook.com/markstewartm...

No muchos artistas se librarán de que una canción suya o un detalle de alguna de sus canciones no se parezca a otra anterior. En ocasiones puede ser un guiño, tomar solo una parte del todo y considerarlo como un homenaje. En otras es una copia evidente tachable como plagio. ¿Pueden ser jugadas inconscientes?, ¿existen las coincidencias? Hoy nuestra intención no es tachar a nadie de nada, tan solo nos entretenemos escuchando unos cuantos parecidos razonables. Playlist; (sintonía) THE RUMBLERS “Boss” (1962) THE CRAMPS “Garbage man” (1980) GENERADOR “Voy cuesta abajo” (2023) FREDDY CANNON “Tallahassee Lassie” (1959) JOHN BARRY “Beat girl” (1960) WAU Y LOS ARRRGHS “Carrera especial” (2009) WILLIE COBBS “You don’t love me” (1960) BO DIDDLEY “She’s fine, she’s mine” (1955) LYRES “On fyre” (A promise is a promise) (1988) LOVE “My flash on you” (1966) RICHARD HELL “Blank generation” (1977) BOB McFADDEN “The Beat Generation” (1959) LOS SLEEPERS “Zombie” (1961) SANFORD CLARK “A cheat” (1957) PETER PERRETT “Troika” (2017) SONNY & CHER “It’s the little things” (1965) ALLAH-LAS “Long journey” (2012) THE ROOTS “It’s been a long journey” (1965) Escuchar audio

Julia Gorton in conversation with David Eastaugh http://www.juliagorton.com/coming-new-products/nowhere-new-york With a synthesis of imagery, metaphor and feeling, in a space located between attraction and angst, Julia Gorton's photos of New York's No Wave scene, 1976-1980, capture a fleeting time with unique style. 192 pages and 170 photos. Her beautiful vision of downtown Manhattan, in the moments before AIDS, crack, Disney and condos changed everything forever, focus on subjects including musicians and friends; Debbie Harry, Patti Smith, Tom Verlaine, David Byrne, Lydia Lunch, Iggy Pop, James Chance, Richard Hell, Anya Phillips and many others less well known, but certainly just as memorable. 

Ivan was a founding member of Richard Hell and the Voidoids in 1977, fronted The Outsets in the '80s, and has put out two solo albums while playing with Matthew Sweet, Shriekback, and other projects. We discuss "I am Not a Drone (Alone)" (and listen to "Voodoo Christmas") from Swing Your Lanterns (2023), the title track from Naked Flame (2011), and "Liars Beware," by Richard Hell and the Voidoids from Blank Generation (1977). Other clips: "Everything or Nothing" by Outsets from Punk Voodoo Collection (1984) and "Someone to Pull the Trigger" by Matthew Sweet from Altered Beast (1993). For more, see ivanjulian.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon to get an extra Ivan song with some more interview footage.  Sponsor: Check out the Songs My Ex Ruined podcast.

Ivan was a founding member of Richard Hell and the Voidoids in 1977, fronted The Outsets in the '80s, and has put out two solo albums while playing with Matthew Sweet, Shriekback, and other projects. We discuss "I am Not a Drone (Alone)" (and listen to "Voodoo Christmas") from Swing Your Lanterns (2023), the title track from Naked Flame (2011), and "Liars Beware," by Richard Hell and the Voidoids from Blank Generation (1977). Other clips: "Everything or Nothing" by Outsets from Punk Voodoo Collection (1984) and "Someone to Pull the Trigger" by Matthew Sweet from Altered Beast (1993). For more, see ivanjulian.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon to get an extra Ivan song with some more interview footage.  Sponsor: Check out the Songs My Ex Ruined podcast.

There are those musical careers that follow predictable paths – and then there's Ivan Julian's. The child of a Navy officer, he found himself in far flung corners, including Guantanamo Bay. After spending his early teenage years as the front man of a Led Zeppelin cover band, he found himself in London, as a touring guitarist for The Foundations, eventually leaving the group behind to take up residence in Macedonia. It was his time in New York that ultimately put him on the map, however, as a founding member of Richard Hell and the Voidoids. Subsequent years found him collaborating with a broad range of musicians from Afrika Bambaataa to Matthew Sweet. These days, Julian lives in New York, running Brooklyn's SuperGiraffeSound recording studio. He's also gone on to release solo albums, including his newest, Swing Your Lanterns. Hosted on Acast. See acast.com/privacy for more information.

Welcome Ivan Julian to the podcast. We begin, as usual, by discussing what got him into music. But spending a good part of his childhood in Guantanamo, Cuba, on a military base, his answers are a bit different. Fast forward a bit and he talks about meeting Richard Hell and joining The Voidoids, why he left the band, and what came next. One of the things that came next was working with Matthew Sweet. He reveals what song of his was inspired by Metallica, getting great sounds from cheap equipment, and the draw of Tenafly, NJ. We also talk about his cancer diagnosis and how he's doing now. He's got a great new album out called Swing Your Lanterns, complete with a song inspired by the movie Rollerball! Check him out @ivanjulianofficial on Instagram, @Official_IvanJ on Twitter. But the album anywhere you get music. You can send us a cup of coffee at ko-fi.com/performanceanxiety. Our merch is at performanceanx.threadless.com. We're @PerformanceAnx on social media. And now it definitely time to swing our lantern with Ivan Julian on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

  Ivan Julian has been one of music's most celebrated players and most in-demand collaborators for more than four decades.   Indeed, Ivan Julian has spent his life soaking up a wealth of experiences, musical and otherwise. The son of a Navy officer, he grew up in such exotic locales as Guantanamo Bay, Cuba, nurturing a sensitive, creative streak that quickly manifested itself musically. At the age of 13, while living in Washington, D.C., he became the singer in a Led Zeppelin  cover band; the following year, he began playing guitar. Having already studied bassoon and saxophone, Julian spent his high school years studying music theory as  a part-time student in a college program. At 19, his wanderlust led him to London, where he joined U.K. R&B hitmakers The Foundations, (Build Me Up Buttercup) with whom he toured throughout Great Britain and Europe. It was during one of these tours that he decided to stay on in Macedonia to absorb and study the musical scales and rhythms that would have a major influence on his playing.     Then Julian returned to the U.S. and settled in New York, just in time to become part of the emerging punk rock movement. A founding member of the seminal Richard Hell and the Voidoids, he was now playing alongside trend-setting punk poet Hell, fabled guitarist Robert Quine and drummer Marc Bell (a.k.a. Marky  Ramone). Julian's instrumental and songwriting contributions to the band's classic  album Blank Generation established him as one of the scene's most acclaimed and influential axemen.  After the Voidoids disbanded, Julian stepped out to form the Outsets as a vehicle for his own vocal and songwriting efforts. Combining rock, funk and  African rhythms, the Outsets became a beloved fixture on New York's burgeoning  club scene, winning considerable critical acclaim for such releases as the debut single  “I'm Searchin' for You”/”Fever,” a self-titled EP produced by Garland Jeffreys and  the posthumously released The Punk/Funk Voodoo Collection. Teaming up with Bush  Tetras singer Cynthia Sley Julian's next band, the Lovelies, won substantial  attention with the release of the Mad Orphan LP. Also, during this time he regrouped with former bandmate Richard Hell to do an extensive tour of Japan.  By this point, Julian's abilities as a collaborator had become sought after by a wide array of acts. He plays on “The Call Up” and “Ivan Meets GI Joe” with The Clash (on their Sandinista album), collaborated with Afrika Bambaataa and Bernie  Worrell of Parliament/Funkadelic. He also joined England's Shriekback for two  tours of North America and Europe. Julian spent much of the 1990s touring and recording with Matthew Sweet.   In recent years, Ivan has concentrated mainly on studio work, producing and/or recording artist such as Sean Lennon and producing three albums by The  Fleshtones. He's also developed his recording studio, SuperGiraffeSound into one of New York's hottest new recording facilities, working with numerous local, national and international bands.  His solo LP, The Naked Flame was named one of the best records of the year by several trade magazines in Europe and the states including Trouser Press. Soon after came The Fauntleroys EP, Below the Pink Pony, a collaboration with Alejandro Escovedo, Nick Tremulis and Linda Pittman.     His newest album ‘Swing Your Lanterns' is available on PRAVDA Records. The songs encompass his experiences of the past five years and more; Some of which, we have all lived through.  Ivan's Info Web site home Spotify  5jcYTu6SCsjZnl4AEL5Rc2    

Regresamos al Nueva York de la segunda mitad de los 70. Echamos a la marmita unas cuantas versiones que nos ayuden a perfilar de qué referencias se nutrían aquellas bandas que dieron forma a una de las escenas más agitadas e influyentes en la historia del rocknroll.Playlist;(sintonía) JOHNNY THUNDERS “Pipeline” (The Chantays) (So alone, 1978)NEW YORK DOLLS “Bad detective” (The Coasters) (Too much too soon, 1974)BLONDIE “Out in the streets” (The Shangri-Las) (demo 1975)PATTI SMITH “My generation” (The Who) (directo, 1976)TELEVISION “(I can’t get no) Satisfaction” (The Rolling Stones) (directo 1978)RAMONES “Let’s dance” (Chris Montez) (Ramones, 1976)RICHARD HELL and THE VOIDOIDS “Walking on the water” (The Golliwogs) (Blank generation, 1977)THE VICTIMS “Real wild child” (Johnny O'Keefe) (Real wild child, 1979)THE FLESHTONES “Cara-Lin” (The Strangeloves) (Blast off, grabado en 1978)THE CRAMPS “The way I walk” (Scott Walker) (directo 1977)THE ZANTEES “I thought it over” (Joel Hill) (Out for kicks, 1980)THE DICTATORS “I got you babe” (Sonny & Cher) (Go girl crazy, 1975)WAYNE COUNTY and THE ELECTRIC CHAIRS “I had too much to dream last night” (The Electric Prunes) (Storm the gates of heaven, 1978)SUICIDE “96 tears” (? And The Mysterians) (directo 1978)TALKING HEADS “Take me to the river” (Al Green) (More songs about buildings and food, 1978) Escuchar audio

Ivan Julian is a guitar monster … a punk pioneer … a founding member of Richard Hell & the Voidoids. He's also played with bands and artists like the Clash, Matthew Sweet and Shriekback. We met outside Rattleback Records in Chicago and talked about: *“Swing Your Lanterns,” his new solo release on Pravda. *The emerging New York scene in the 1970s *Ivan's record collection *Ivan's health and recovery (it's all good news) *The things that influenced the songwriting on “Swing Your Lanterns.”   See Ivan Julian at SPACE in Evanston on Wednesday, February 22!   __ Car Con Carne is sponsored by Suburban Roofing and Siding, a family-owned company that provides interior and exterior home remodeling services, offering services to the Chicagoland area. Their staff has more than 40 years of collective experience.   Roofing, siding, windows, gutters...they do it all! Call their friendly team to get started today!    Call 224-677-6149 or visit SuburbanRoofingandSiding.com  __   Car Con Carne is also sponsored by Ninety Days in the 90s: A Rock N Roll Time Travel Story    Ninety Days in the 90s: A Rock N Roll Time Travel Story is the ultimate novel about the '90s and Chicago's music scene.   Join record store owner Darby on her trip back to 1990s Chicago as she jumps on the Grey Line to time travel back to her carefree twenties, soaking up all the pop culture and rock n roll nostalgia you could ever imagine.    https://90daysinthe90s.com/   __  

On this week's podcast, we have another “Listener's Choice,” the 1977 debut by Television - Marquee Moon.  Recorded in the fall of 1976 and released in February of 1977, Marquee Moon was a critical darling and a minor hit in the UK. Music fans in the US outside of New York were indifferent. Which is unfortunate because Marquee Moon is an album worthy of attention.  Over the melodic yet solid rhythm section of drummer Billy Ficca and bassist Fred Smith, duel lead guitarists Tom Verlaine and Richard Lloyd bring their own distinctive styles to the band's music, and create something unlike anything coming out of New York or anywhere else at the time.  Add Verlaine's quirky vocal whine, and you have one of the most incredibly innovative and unique albums ever recorded, and one that influenced the music of late 20th century well beyond the limits of its commercial success. Sadly, Tom Verlaine passed away on January 28, 2023. He was 73 years old.  

Guitarist Ivan Julian is a punk rock lifer. Though born in the states, Ivan became a professional musician when he moved to London and started touring with The Foundations in 1972. Eventually he made his way back to NYC and was a principle of the CBGB scene and founding member of Richard Hell and the Voidoids. Even though their lone album, Blank Generation, is considered  classic, the band didn't last long. Ivan has started a few other bands over the years, played with artists like The Clash, Matthew Sweet and Shreikback, produced bands like the Fleshtones, and released his own solo albums. In fact, he has a new one, Swing Your Lanterns, set for release in February and it's fantastic. Ivan discusses all of it, the uniqueness (or not) of being a black man in the punk world, and more. Enjoy!  www.ivanjulian.com www.patreon.com/thehustlepod