Podcasts about spin magazine

In this exclusive episode of Lipps Service by Spin Magazine, Scott sits down with the dynamic Nathy Peluso to delve into her decade-long journey in the music industry.From her early days in Argentina to becoming a five-time Latin Grammy winner, Nathy shares the highs and lows of her career.She opens up about the bold decision to scrap an entire album, the inspiration behind her latest single "EROTIKA," and her passion for blending genres like salsa, jazz, and hip-hop.Discover how she navigates fame, self-doubt, and the creative process that fuels her artistry.​

We talk the NCAA national championship games for men's and women's basketball on the latest Jagbags. Plus we talk the start of the MLB season, NBA playoff preview, Robert Christgau's review of Gogol Bordello's album Super Taranta, and Greil Marcus' latest book on Bob Dylan. Plus Len tears up the dance clubs of Chicagoland with "Mr. Washing Machine", talks a little Rosanne Cash, and Nile Rodgers' latest interview in Spin Magazine. It's a true grab bag of a recap episode -- tune in!

On this episode of Lipps Service, Scott sits down with three members – vocalist Vic Fuentes, guitarist Tony Perry, and bassist Jaime Preciado – of San Diego-bred rockers Pierce The Veil! The four get into the band's early days in music, using MySpace in the early 2000s, and the band's forming. They discuss the Southern California music scenes, their experiences at Warped Tour, and the influence of grunge. They also share insight into songs like "Karma Police" and "King For A Day," and how the latter went viral on TikTok. The three talk about some collaborations, and their headlining stints at Madison Square Garden and The Forum. To close, they list their top 5 rock records, films, and Radiohead songs. Tune into a great, exciting chat with Pierce The Veil! CREDITS (Instagram handles)Host @scottlippsEdited by @toastycakesMusic by @robby_hoffProduced by @whitakermarisaRecorded at Melrose Podcasts LA Sonos makes it so easy to fill your home with incredible sound! Check out the new Sonos Ace headphones, which are Bluetooth-enabled and have three buttons. The content key allows you to play, pause, accept calls, and control the volume. Plus, they feature noise cancellation and voice assist!These headphones are exceptionally well done and sound incredible, whether listening to your favorite playlist, chatting on a call, watching a movie, or even recording a podcast like this one. They sound particularly fantastic when listening to Lipps Service!Sonos has great gifts for everyone on your list. Visit sonos.com/Lipps to save 20% on select products. 00:00 - Intro02:00 - Flying2:50 - New babies03:33 - Blink 182 tour 05:05 - "Karma Police"08:40 - Early covers and music beginnings10:00 - MySpace 12:00 - How the band started 14:00 - San Diego scene 17:40 - Vic finding his voice 19:30 - Early influences and grunge22:10 - Warped tour 26:00 - Debut album, A Flair for the Dramatic27:25 - Collaborations31:00 - "King For A Day" 34:00 - Process35:21 - "Pass the Nirvana" 36:58 - Ghosts40:25 - Never meet your idols 42:30 - Touring vs the studio 43:00 - Fan gifts44:00 - MSG and the Forum 47:30 - Top 5 rock records 50:17 - Top 5 films53:00 - Top 5 Radiohead songs 

Journalist and blogger Celia Farber started out covering the AIDS crisis in the 1980s as a staff writer for Spin Magazine. She went freelance in 1997 writing for Esquire, Harper's, Rolling Stone, Salon, Observer, and more. Her 2006 article in Harpers exposing the activities of Anthony Fauci at US NIAID was followed by a “career-ending” coordinated attack on her from the medical research establishment. She started her blog, The Truth Barrier, in 2009. It was attacked and taken down in 2020, and she has since relocated it to the Substack platform. Her books are Serious Adverse Events: An Uncensored History of AIDS (2023) and Sacrifice: How the Deadliest Vaccine in History Targeted the Most Vulnerable, With Dr. James Thorp (2025). She served as AIDS historian and researcher for Robert Kennedy, Jr., on his book, The Real Anthony Fauci. The KunstlerCast theme music is the beautiful Two Rivers Waltz written and performed by Larry Unger

Le Tigre originally formed in 1998. They released their self-titled debut album in October 1999. Spin Magazine called it one of the best albums of the past 30 years, and Pitchfork called it one of the best albums of the 90s. I listened to that album a lot when it came out, and 25 years later, I still hear songs from it everywhere, on TV and in movies, and just out in the world – especially the song “Deceptacon.” For this episode, I talked to Kathleen Hanna and Johanna Fateman from Le Tigre about how they wrote it, and how they put the track together.For more, visit songexploder.net/le-tigre. 

Amanda Warner a/k/a MNDR is a Grammy Award winning Electro-Pop artist, songwriter and producer. She's featured on Mark Ronson's hit “Bang Bang Bang”. Her debut album Feed Me Diamonds was named a Top 10 pop album by Spin Magazine. Her credits include Kylie Minogue, Rita Ora and Carly Rae Jepsen. One of her songs is featured in an ad for the Google 6 phone. She's toured with Duran Duran. She has a song with Mavis Staples that's on the charts. And she produces Halloween songs too.My featured song is “Yeah Yeah” from the album PGS 7 by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“THE GIFT” is Robert's song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Amanda at:www.mndr.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

In this episode, Scott sits with one of the best singers in rock and roll known for being the frontman of Alter Bridge, and Slash and the conspirators, and his amazing solo career...Kerrang magazine called him one of rocks finest vocalists! The incredible…Myles Kennedy!Myles major breakthrough came as the lead vocalist and guitarist for Alter Bridge, formed in 2004 with former members of Creed. And Since 2010, he has also served as the lead vocalist for Slash's and The Conspirators,He's got a new album The Art Of Letting Go , his third solo album scheduled for release on October 11th- This is Myles'  15th full length release of his career:In this interview, we'll dive into his career journey, his collaborations with rock icons like Slash and even a  Led Zeppelin story, and his upcoming solo album- Welcoming to Lipps Service … Myles Kennedy!  

Susanna Styron is a writer and director for film and television, and a documentary filmmaker.  Her latest documentary short, MY FATHER'S NAME, won Best Documentary in the NYWIFT Online Shorts Festival and is on the 2024-25 festival circuit. Susanna's documentary feature, OUT OF MY HEAD, premiered in MoMA's Doc Fortnight and went on to win Best International Documentary at the Melbourne Documentary Film festival. Her other documentary credits as writer/director include 9/12: FROM CHAOS TO COMMUNITY; IN OUR OWN BACKYARDS; and SUSPENDED SENTENCE. She began her documentary career as an Associate Producer for ABC-TV's documentary division, Close-Up. Susanna's debut feature, Sony Pictures' SHADRACH, starring Harvey Keitel and Andie MacDowell, which she directed and co-wrote, premiered at the Venice Film Festival and was one of New York Press critic Armond White's top ten films of the year. She wrote and directed for Sidney Lumet's TV series 100 CENTRE STREET, and wrote for Tom Fontana's BORGIA. Susanna co-authored several TV movies for Hallmark Hall of Fame and Lifetime, including an adaptation of Ann Tyler's BACK WHEN WE WERE GROWN-UPS, with Blythe Danner, Peter Fonda and Faye Dunaway; and the award-winning TAKING BACK OUR TOWN, with Ruby Dee. Her dramatic short, HOUSE OF TEETH, which she wrote and directed, won numerous awards on the festival circuit, aired on Shorts TV, and is available on Amazon. She directed several episodes of Brooke Adams and Lynne Adams' web series ALL DOWNHILL FROM HERE. Susanna's personal essays have appeared in The Yale Revue, SPIN Magazine, The New York Times and Real Simple magazine. She serves on the Special Projects Committee of the Directors Guild of America, and the Executive Committee of the Writers Guild Initiative, where she conducts writing workshops with underserved communities such as caregivers of wounded veterans, undocumented immigrant youth and LGBTQ asylum seekers, among others. She currently has projects in development with The Levinson/Fontana Company, Cinetic Media, and EP/Showrunner Carol Barbee.   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Gene and cohost Tim Swartz present James Reich, a novelist, essayist, and journalist, and ecopsychologist. He is the author of The Moth for the Star (7.13 Books, September 2023), The Song My Enemies Sing, Soft Invasions, Mistah Kurtz! A Prelude to Heart of Darkness (Anti-Oedipus Press), I, Judas, and Bombshell (Counterpoint/Soft Skull). On the agenda is his psychoanalytic monograph, Wilhelm Reich Versus The Flying Saucers. And, no, they are not related. Also on the agenda: How James first discovered the flying saucer mystery and the controversial work of Wilhelm Reich. There is also a discussion of how the classic 1951 sci-fi film, The Day the Earth Stood Still, and its allusions to a Christ-like figure in the person of its protagonist, Klaatu, which greatly influenced Reich. James and his work have been published and commissioned by Literary Hub, SPIN Magazine, Brooklyn Rail, CrimeReads, Salon, Huffington Post, National Book Review, Vol.1 Brooklyn, The Rumpus, International Times, Sensitive Skin Magazine, Entropy, Fiction Advocate, The Weeklings, The Nervous Breakdown, Heavy Feather Review, Poet Republik, Largehearted Boy, Sleeping Fish / Calamari Press, Shelf Awareness, Full Stop, and others.  Most recently, James has co-written a screenplay for a film in pre-production, and is working on freelance writing, editing, and book design projects. His second science fiction novel, Skinship, was due to be published in 2024 by Anti-Oedipus Press. His website: www.jamesreichbooks.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-paracast-the-gold-standard-of-paranormal-radio--6203433/support.

This week on the pod, jD sits down with Ross to discuss his Pavement origin story and reveal track 15. Transit: Track 2:[0:00] Previously on the Pavement Top 50. Coming in at number 16, it's Fill More Jive. It's the third song from Crooked Rain, Crooked Rain, behind Stop Breathing at 28 and Cut Your Hair at 21. So this song actually beats Cut Your Hair, which is, I don't know, is that surprising? Is that surprising to you? You no i'd rather pick bill more jive over over cut your hair but i mean cut your hair is the pop song so yeah yeah that's why i was surprised it wouldn't be in the top five or something i was you know just looking at the spotify uh the spotify plays you know uh-huh cut your hair is like way up there and bill more jive is not right right so is is it do you consider it like a deep cut like when you guys went to it on the most recent tour was it um was it a deeper cut in the bag of songs that you brought yeah i say a deeper cut because i don't think we we did it in 2010, okay and we hadn't done it for years in the 90s like i think we did it in 94 and maybe they did it with Gary too before me.Track 2:[1:23] So I would say it's a deep cut live, but in terms of, you know, records, you know, for people to really enjoy, it's a pretty great number.Track 3:[1:46] Hey, it's Shady here, back for another episode of our Top 50 Countdown for sentimental indie rock band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the results using an abacus and an abacus for dummies book. How will your favorite song fare in the rankings? Well, you'll need to tune in to find out. So there's that. This week, I'm joined by Pavement superfan, Ross from Fife. How the fuck are you doing, Ross from Fife? I'm good. Good from Fife.Track 3:[2:24] Excellent. This is good news. It's always nice to talk pavement with somebody, especially when they're doing well. Well, I don't get enough chances here to talk about anything pavement, so. Well, we're going to do that right now. Let's hear your pavement origin story. Story um well the very first time i heard pavement and this only came back to me in the last couple of weeks uh as i was thinking about you know this interview um and either it was either late 99 or early 2000s my high school girlfriend put major leagues on a mixtape you remember when you used to make mixtapes for you know for sure for your crush or your significant other at the time or whatever yeah she she made me a mixtape with uh major leaks and i i liked it it didn't set me off on my journey or anything you know but that's that's the first time i'm definitely aware of having heard Pavement. Right. A couple of years later, one of my friends.Track 3:[3:38] It was right about the time of, like, Eminem was huge. Dr. Dre had just released 2001. Yeah. Snoop Dogg was big. One of my friends flipped almost overnight from being an indie rock fan to a hip-hop fan. Oh, wild. So, yeah, I guess he was giving away his old CDs that he didn't listen to anymore or whatever. And he gave me Terror Twilight. It was a... I can't remember if he thought, right, Ross would like this or if he was just getting rid of it, you know? Yeah. But it really took me by surprise. I really liked it.Track 3:[4:27] At the time I was technically homeless. I wasn't living on the streets or whatever. I was crashing on people's couches. I was going through the sort of system like halfway houses and whatever. So I didn't have much possessions. but one of the one things I did have was Terror Twilight, and I would listen to it all the time while playing my Nintendo Game Boy or whatever and, it kind of felt like a it felt like a secret you know like my secret, because I'd never met another single living soul who had heard of Not just the album, but the band. I remember round about, it would have been the back end of 2001.Track 3:[5:28] Just pre-9-11, which seems weird, but that's the way that I remember this particular. I was on a lunch break at my first job, and I read a review of the first Malcolm A Soul album.Track 3:[5:49] And the review spent more time talking about Pavement than it did, you know, his new band, basically stating that, you know, these guys are legends, just they didn't get their due or whatever. No, I agree with that. So, yeah, a year later or whatever, I've got Terra Twilight, I love it. These guys are such enigmas to me you know this is before I was on the internet I couldn't Wikipedia them, I couldn't you know, there was no YouTube, stuff like that and by the way all this is, well some of this is on your 17th or 18th episode Krelvid User, you read out my letter oh gosh I had totally forgotten about that I remember I have a terrible memory you asked for submissions because back then a lot of the songs were quite short or even non-existent so yeah I got day drunk one day.Track 3:[7:10] I'd been out with colleagues and I thought I'm going to write JD a letter and tell him how I yeah so.Track 3:[7:20] My next the next part of the story is, I knew about the re-releases I think at some point, I don't know why I bought Sebado 3, the re-release of that album and, the album on the front it had a sticker with some sort of blurb from a music journalist saying that, This album, along with Pavement, created the blueprint for American indie. Jesus, high praise. Again, that just put it in my head. And I didn't even like Sebado Free that much. I quite like the band altogether, but I don't think it's a great album. So round about that time we're still talking about 2002 3, 4 maybe I don't have a great memory either, I go to Glasgow to watch a British band Rubin, I don't think they're around.Track 3:[8:30] Anymore but their first couple of albums were pretty good we go to King Tut's Wawa Hut, which is quite a famous venue because it's where uh oasis got signed by creation really yeah oh cool um it's a tiny place you can only fit you know two three hundred people in it maybe even then that might be a fire hazard uh but even before before the gigs played and the the venue's underground, it's like in a basement, before the gig me and a couple of friends are upstairs and I'm going through the jukebox, they've got one of these sort of.Track 3:[9:20] They're old fashioned now, but at the time they were quite modern, the jukeboxes where the album covers flip over in front of you, you know? Yeah. And I find a pavement, Slandered and Enchanted, and it's like, oh, that's that band, that's Territorial, you know, I keep hearing about them. So I stick five songs on, don't even hear them because, you know, the bar's so crowded, so noisy. But still it sticks in my head I want to learn more you know so a short time after that, I'm shopping locally in the nearest sort of large town.Track 3:[10:09] And I go into MVC it's a I don't know if it was an offshoot of HMV. I don't know if you've got any of this in Canada or not. You did have HMV at one time. Yeah, but they're all gone now anyway. And I find a copy of the Crooked Rain re-release. Okay. But it's like £25 or something. I was making decent money at the time. I had my first proper well-paying job. I had disposable income I was no longer homeless, But I'm not going to spend £25 on this CD I've got no idea if it's good or it's bad There's like 50 tracks So I know I'm probably going to get some sort of value for money.Track 3:[11:06] I leave. I think nothing else of it. About half an hour later, I go around the corner, and there's this independent record store sleeves. People in Fife will mourn it forever. It's gone now as well, as most independent record stores probably are. But in there, I find a copy of the re-release for £5. What? yeah it's a bit battered it's a bit broken as I think all pavement records should be, but yeah no questions asked I immediately buy it.Track 3:[11:52] I read on the bus home I read the, sort of the booklet that comes with it which just the whole time it's just adding to the mystique you know because I think Malkmus writes, I think it's from an old like, article he writes like an explanation for each song and it's never quite clear if he's just taking the piss or not, he says about stop breathing is a bit of a tennis match I was like, why wouldn't it be, you know? So, yeah, that night, the Saturday night, it burned in my memory. I mentioned this in the Creelvid user video as well.Track 3:[12:46] All my friends are going out on the town which was never an exciting occasion, but this night especially I put my foot down and said I'm not coming out I've got to paint a wall which I did, I had a wall to paint in my living room or wherever but my main reason for staying in was I wanted to listen to Crooked Ruin, Wow So I get everything ready I get A couple of beers ready Like take a couple of bong hits Or whatever I used to do that by then.Track 3:[13:28] And I get the I get the CD ready And the stereo you know And as soon as I switch it on I'm just transfixed, Like The intro to Silent Kid Or Silent Kit whatever they call it is still one of the most exciting pieces of music to me. It's fucking spectacular. Yeah, but I'd never heard a band do that. I know they've got a reputation of not giving a fuck, and a lot of bands tried to affect that feeling back then, but this is the first time I'd ever truly heard it. Yeah, yeah. Just the build-up and you hear them talking to each other and it's like, we're just going to leave that in? And it's like, yeah, of course we are. That's the recording, you know. And I just sat down on the edge of the couch, just staring at the stereo.Track 3:[14:35] And then every song after that just added to the... It was... Yeah, it was the most exciting night of music I've ever had. Oh, Jesus, that gives me goosebumps. And for, like, a good maybe six months after that, I think it's all I listened to. Crooked Rain, Crooked Rain, Crooked Rain. And of course there was a lot to listen to because it was the re-release so I got all the.Track 3:[15:10] I got all the demos of B-Sides as well and this was, perhaps, you could call it their golden era you know it had another one of my favourite pavement tracks Grounded, it had the demo of that so you got like a sort of, you know a sneak peek of what was to come, but yeah after that I think all my friends got sick of me, talking about pavement going on about pavement and it still happens quite a lot these days, you'd hear a new song on the radio and I'd say that's just a fucking pavement rip off, you know it still happens to this day I hear a song and I think, nah, you're the biggest band in Britain just now, probably, or Wet Lake, you heard them? No, I've not. Oh, they went really viral a couple of years ago with their first video, which is She's Long. Yeah. But yeah, they're big. They're quite popular in my work. I'll run Night Shift. Sometimes the radio sucks. Sometimes it's pretty cool.Track 3:[16:33] But yeah, they were getting played in the radio quite a bit. I went and listened to their album. And the final track on the album is called Supermarket. Okay. And I'm not going to call it a pavement ripoff, but it's definitely pavement inspired. Really? Yeah. It's like they sat down and thought, like, let's write a pavement song, you know? Not rip off a Pavement song, but let's write an homage. Yeah. You can go and check it out afterwards. It's kind of Wally's Alley-ish. Huh. But yeah. What's your go-to record at this point? Oh, that's always going to be Crooked Rain. Yeah? Always. Just because of those memories? Because of the night it blew me away, you know? Yeah. Second, I would say, was Slanted. That's the record I came to next.Track 3:[17:27] Believe it or not, probably my least favorite, and there is no least favorite, it's still a pavement record. Probably the one I go to least is Wowie. Oh, yeah? And I think that's just because that's the one I came to last. Right.Track 3:[17:46] But yeah, I was thinking of weird pavement stuff to tell you. After all, the very first time I listened to WALL-E, or not the first time I listened to it, but probably my favorite song on WALL-E is Father.Track 3:[18:04] Father to a Sister of Thought. Fucking brilliant song, yeah. And in that song, they mention Corpus Christi. Right. Right. The very first time I heard that song, I was driving my car. And they mentioned the Corpus Christi part. And straight away, I receive a phone call from my dad who was working in Corpus Christi. Get out of here. Yeah, seriously. That's fucked. He was in Texas, and he phones me, and I've just heard this Corpus Christi line. Like, what the hell? and I didn't even pull over to take the phone call, which is technically illegal. Well, I'm going to turn you in. Another thing is it was weird with pavement. Once I knew of them, once I... Go into them i saw them everywhere it's like oh yeah it's like when you've never heard a word before and you hear a new word and suddenly you just hear it everywhere you know right um so yeah the other sort of weird kind of thing is uh a couple years after that i'm moved to.Track 3:[19:26] They call it a city it's not really a city dundee in scotland not a nice not a nice place, so I'd start sort of dating this girl I can't even remember if we were dating at the time, she was a bit weird I realised far too late that she was highly autistic but we were math students so that comes to the territory, and one of the weirdest things about her is she was obsessed with this cartoon from the 90s, Space Ghost. Okay, yeah. So one day we go out for coffee, and just before we go to the coffee shop, I go and buy the Bright in the Corners re-release. And what are the last two songs on it? Space Ghost. Space Ghost theme, yeah. I think that made her like me more, you know. So it went in my favor. Nicely done. Well, what do you say we get into listening to track number 15? What is that? Well, we're not going to tell you until after this break. Okay. All right, we'll be right back.Track 2:[20:53] Hey, this is Bob Mustanovich from Pavement. Thanks for listening, and now on with a countdown.Track 3:[25:25] And there it is at track 15 from Wowie Zowie, Rattled by the Rush. What are your thoughts on Rattled by the Rush, Ross, from Fife? Well, I already said since I came to it last, Wowie's not my jam.Track 3:[25:47] I love it. It's still a pavement album. It's never the one that I go to. Right. and Rattled by the Rush might be the last pavement hit that I actually heard. Oh, really? Yeah. I don't think I heard it until at some point in the early 2000s. I bought, I can't remember what it's called now, the DVD. Slow Century. Slow Century, yeah. Yeah. I think maybe that's the first time I ever heard it. Oh because they showed the video on that right yeah I can't remember if it's the proper video or not I know that they had to re-release the video because it was making people sick, people used to be such fucking pussies, yeah um and I don't dislike the song or anything um if it's number 15 that's kind of surprising it wasn't in my top 20 No. It probably would be in my top 50. Okay. It sounds like I'm hating here. I'm not hating. No. At all.Track 3:[27:07] Well, you definitely think it's overrated at 15, so that's... Oh, yeah, definitely. Yeah. Definitely. The most interesting thing is obviously the lyrics. It's like a typical sort of malchemist crossword yeah I would agree with that I took a few notes, the opening line oh that I could bend my tongue outwards leave your lungs hurting.Track 3:[27:42] Could be sexual. Could be? It could also pertain to that tongue trick thing where people can fold their tongue up, you know? Oh, yeah, yeah, yeah. I did a little research and apparently 73% of adults can do it. I cannot do it. I can't either, but I've learned that you can teach yourself to do it. Oh, really? yeah i was i i work night shift so you've got to find ways to pass the time yeah exactly um and that was a thing that was going about work a couple of years ago everybody asking can can you do it can you not and i can't do it but i have learned that you can teach yourself but you haven't taught yourself well I, I got I got halfway there but I forgot to keep like doing it you know gotcha it was it was never, maybe if I put it together for a pavement song that would have helped.Track 3:[28:53] Yeah after that we've got leave your lungs hurting tuck in my shirt and pints I wear so well cross your t-shirt smell well, that's just good malchus wordplay, right? Yeah. Maybe there's a specific meaning. Obviously, there's a theme there, clothing.Track 3:[29:16] After that, we come on to the best line in the song, maybe the best line in Pavement's entire discography, caught my dad crying. Yes. I wrote down here maybe it's better we don't know what it means yeah I mean I don't think for a single second Malcolm has walked in on his dad crying, but just the imagery the thoughts it's, The crucial word is caught. He could have said, saw my dad crying. He could have said, found my dad crying. But he says caught. Right. Like it's a bad thing, you know.Track 3:[30:03] So, yeah, God knows what to say about that. It's just a great line, you know. I agree. After that, we've got, Loose like the wind from the rough we get par. This is one of my favorite things about Pavement. They like to make sports metaphors they do yeah and we've got a whole song about sports and London Lions that was in my top 20, we've got bring on the major leagues possibly their biggest hit yeah but also just the line from the rough we get par, that would indicate to me after a bad start things have turned out alright right.Track 3:[30:47] And I know there's a prevailing feeling that the whole song is about their career or where their career has taken them I didn't know that well just the whole rattled by the rush just them being affected by, whatever level of fame they'd built up I didn't hear Pavement until 99 so I didn't get to witness the, right the ascent or the rise or whatever right you know right but yeah i've heard in doing a lot of research i did that this the whole song was about their you know them struggling to cope with you know whatever rise the rise to fame yeah and i do know from reading the liner notes and uh.Track 3:[31:39] In both Crooked Reign and Huawei re-releases that they were kind of fighting back against it. Maybe not fighting back against it, I think that gets overplayed sometimes. But I think Mark missed his explain. Maybe on Huawei or the Crooked re-release that they were kind of scared.Track 3:[32:08] You know how could you not be they were like a couple dudes from Stockton you know that were that recorded some noise art and next thing you know cut your hair comes out and that I would say is the biggest song oh yeah definitely I find that at the time as well it was just a really big time for music yeah a lot of majors were looking for the next Nirvana that's right Pavement were never going to be that. But they could have filled a hole, filled a gap. Spin Magazine named them the best band, pardon me, the best album of 2000, no, not 2000, 1992. Before the album even came out, right? Before it was chanted, yeah. No, no, it had come out. It had come out. It was the number one record of the year for 1992. So they came with a lot of buzz, like a lot of buzz. I remember reading the sort of tapes that they sent out for slanted they didn't send many out but every single one found its way to someone influential that's right I don't know if they were friends but they were fucking around with Sonic Youth.Track 3:[33:27] Certainly helped they opened for Sonic Youth on the UK tour yeah first time in the UK in 92 so that was there's a great Nostanovich podcast with another Canadian guy.Track 3:[33:42] There's like music journalism online oh is it creative control I think that's what it is I think that's what it is he explains that him Malkmus and Berman got a Nirvana show, cancelled, not cancelled but shut down in New York because they were being so boisterous. Really? Yeah, and this was before Nirvana took them to Redden and stuff, you know? Wow. So they were in that... They were in that space. Yeah. Yeah, definitely.Track 3:[34:17] They probably were getting a lot bigger than they thought they'd ever be, were ever prepared to be. Absolutely. Especially, you know, Slanted came out with a lot of hype, but Crooked Rain all of a sudden was this record that had hits on it, gold sounds and cut your hair. So, you know, I think a lot of people got maybe a bit carried away about what they could be. Well, one of the things, it doesn't fit into the hype, one of the things I wanted to mention about Crooked Rain maybe one of the reasons I liked it so much is it's a little bit what I call country fried, okay yeah I can see that father to sister of thought especially right well that's wowie, Crooked Rain's got his own range life I'm sorry but whenever an indie rock band, introduces a little element into country, I call it Country Frights. Country Frights.Track 3:[35:14] Crookheads and while we are definitely Country Frights, one of my favourite modern bands, Parkey Courts, they're a bit Country Frights. I've heard a lot of comparisons to Pavement with them. Well, the reason I first listened to Parkey Courts is I've seen an article where Malchmus was in a record store and he heard Parkey Courts and he thought it was Pavement. Jesus Christ, really? That's the reason I first listened to them, you know? Yeah. And? What do you think?Track 3:[35:50] Their first album, definitely, I could see the comparisons. The same kind of attitudes, like not really caring about tunings or you know. Just the first take's good enough no matter what. But that is a real good album. You should listen to Lie Up Gold, Parquet Courts. I'll check it out. Yeah, it's very, very good. I was trying to think. Meat Puppets, they were kind of country fried. Yeah, yeah. Have you got anything else on Brattled by the Rush? Well, it might destroy every argument I've already made, but the first chorus, I'm Drowning for Your First, that reads to me like being desperate for someone's attention, And that's not pavement at all, you know? No, no. Maybe that's something very personal to Malchus. Yeah, I'm drowning for your... The second album's kind of... The second verse, I think he's just showing off. Rhyming candelabra with Barbara.Track 3:[37:12] There's other lines. get all those hard hats and sing us some scat. I just think he's scatting himself there, you know? Yeah. Although the very last line, again, it's one of their best. I don't need a minister to call me a groom. I love it. What does that mean to you? What does it mean to me? I think, well, I don't need a minister to call me a groom. Like, you can, like, fuck religion. and you can go and get married or you can do whatever you want.Track 3:[37:47] Well, this is maybe just completely personal to me. Have you ever been in a sort of strictly friends with benefits relationship? No. No. Well, I have. I was for a couple of years. And to be honest, it was maybe the healthiest relationship I've ever been in. But um i noticed during that time that friends of mine who were in traditional relationships, they fucking hated it oh wow because i was getting all the good stuff without, all the bad stuff you know and i never had to meet her parents i never had to go on any any dates with Ikea. See what I did there? I got it. Yeah, so every time I hear, I don't need a minister to call me a groom. That's what comes to mind. Really? That's just maybe because of, you know, where I was at the time. Yeah.Track 3:[38:53] But yeah, again, I've seen that linked back to the music industry. And I guess Malcomus doesn't need I don't know who the minister is but to call me a groom would be to call me a star you know, okay I can he's already a star selling you know a quarter of what other bands are, and then of course they go on I'm rattled by the rush I'm rattled by the rush etc that that.Track 3:[39:29] And I know that Pavement's writing is sometimes a bit obtuse or weird, but that has to be a reaction to whatever level of fame or popularity they've gained by that point. I can see it. We've got the interlude, no soap in the John. That's very funny. I know that John's a sort of Americanism for toilet. Yeah. So to me, that would mean no sort of airs or graces.Track 3:[40:06] Or they're not going to clean themselves up for whatever, whoever. You've done a deep dive on some of these. I've thought about it a little bit. Yeah, you have. I've had a lot of time recently.Track 3:[40:23] Well, dude, speaking of time, it's been a great time hanging out with you talking pavement. I really appreciate you making some time for me and doing this, hearing your pavement origin story and talking about Song 15. Next week, we're going to hit Song 14, and I'm going to tell you what it is right now. No, I'm not. I'm just kidding. All right everybody is there any clue is there any clues you can give to like not what's in the top 10 or not a bit no way is there anything that took you by surprise, it all took me by surprise so far yeah we're gonna at the end of the series we're gonna do some sort of round table with people who haven't got a chance to be on and they will um, discuss the list as a whole because they'll have the entire list at that point. It's difficult, you know, recording this and you don't know all the songs that come before it. But hey, that's part of the game. I should point out that with my whole Crooked Re experience, Gold Sounds is my number one favorite song from anyone of all time and it's probably never going to change. It's a fucking great song. And if it's not number one, I'm going to write.Track 3:[41:44] All right, dude. Talk to you soon. Wash your goddamn hands.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this episode of Lipps Service, Scott Lipps sits down with Jackson Hamm from Telescreens for a deep dive into the current New York City music scene. The conversation begins with Jackson sharing his insights on the state of NYC's music landscape, discussing how it has evolved and the role of community among bands in the city. They then explore Jackson's personal relationships with other bands, as well as his key musical influences, and making money as an artist in today's industry. Finally, Jackson shares his favorite NYC record and discusses Telescreens' upcoming tour.In the second half of the episode, Scott interviews Sid Simons of The Darlings. Sid begins by discussing his early influences, then his experience forming The Darlings and the relationships with other bands in the scene. Throughout the interview, Sid also shares insight on his upcoming projects, discusses  his favorite NYC bands and venues, and talks about bands he finds underrated. Tune in for and entertaining and informative episode on today's New York City music scene!

On today's episode of Lipps Service, Scott sits down with four members of the contemporary New York City music scene: manager Ryan Gentles, singer-songwriter Bec Lauder of Bec Lauder & The Noise, and frontman Zane Acord and guitarist Jack Bradley of The Thing. The first conversation is with Ryan, who explores his time managing The Strokes and several other bands of the “indie sleaze” era. Ryan talks about securing The Strokes' record deal and helping craft the band's image. He also discusses the current state of the music business and the role played by social media in discovering new bands. Next, Scott talks with Bec about her career beginnings, favorite spots in NYC, and her top 5 NYC artists of the 2000s. Finally, Scott is joined by Zane and Jack of The Thing, an up-and-coming four-piece rock band, who talk about their musical influences, the modern touring industry, and how radio continues to play a role in bringing artists widespread exposure. This episode is sponsored by Magic Mind! They have a limited offer you can use now, that gets you up to 48% off your first subscription or 20% off one time purchases with code LIPPS at checkout. You can claim it at: https://www.magicmind.com/lipps CREDITS (Instagram handles) Host @ScottLipps Edited by @toastycakes Music by @Robby_hoff Recorded at Melrose Podcasts NY Ryan Gentles0:03:00 – Managing the Strokes0:05:40 – The Strokes' image 0:09:40 – The Strokes' rise in popularity 0:11:50 – 2000s NYC scene 0:14:00 – The Strokes' popularity in London0:15:10 – The Strokes first record deal0:16:50 – Other record deals for NYC bands 0:18:16 – Indie sleaze0:20:10 – The role of social media in discovering bands 0:22:20 – Being in a band now versus back then 0:27:45 – Other artists Ryan is managing0:29:25 – Top 5 current NYC bandsBec Lauder0:32:38 – Start0:33:39 – Bec's career beginnings0:35:10 – Current NYC scene0:38:50 – Favorite NYC spots 0:42:45 – Top 5 2000s NYC artistsZane Acord and Jack Bradley of The Thing0:45:50 – Start0:47:30 – Career beginnings0:48:20 – The Strokes' influence0:51:30 – The role of radio0:53:00 – Current NYC scene0:55:30 – Modern touring industry0:57:00 – Upcoming shows and projects0:58:05 – Top 5 2000s NYC bands 1:00:10 – Top 5 current NYC bands 

This week on the show jD welcomes Vish from his own Kreative Kontrol, if you haven't checked it out get after it!Vish discusses song 18 and shares his Pavement origin story.Transcript:Track 1:[0:00] Previously on the Pavement Top 50.Track 2:[0:02] This week we're going deep on Box Elder. How are you feeling about song number 19, Kyra, from the COWI? I fucking love Box Elder so much. It's a great song. It's one of the earlier Pavement songs. I think it's a very early Pavement song, which is cool. And it's one that really holds up.Track 1:[0:25] I think, too. you. Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown.Track 3:[0:34] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballads. I then tabulated the results using an abacus, a wet towel, and some scrawny kid from 10th grade gym class. How will your favorite songs fare in the rankings? You'll need to tune in to find out. So there's that. This week I'm joined by Pavement superfan Vish from Creative Control with Vish Khanna. Dude, thanks for taking some time to do this. It means a lot. How the hell are you doing? I'm well, JD. Thanks for having me on your show. How are you doing? I'm great today. It's a little overcast here, but it's about five degrees so i'm gonna go for a walk later and uh.Track 3:[1:24] And that's a, that's, those are good times for me. Very nice. That's good. Going outside. Can't beat it. Yeah. No, you can't at all. Well, let's not beat around the bush, speaking of beat it, and get right into your Pavement Origins story.Track 3:[1:38] Talk to me about that, Vish. Well, I was trying to, you know, I knew I was coming on your show, so I figured I should try to ponder this, you know, and I, I was trying to remember. Remember, I think I first came upon the band when I read about them in Spin Magazine, like, I think before Crooked Rain came out. And I don't know what it was about that piece. This is right around the time I started getting to go to record stores. You know, I'm, what would I have been then? I would have been 15, 16. Some of us were driving so we could leave Cambridge, Ontario, where I'm from, and we could go to Kitchener and Waterloo and Toronto. They had the cooler record stores those were like uh college university towns so then we started going to record stores and then you start talking to the record store people and they tell you what they like and you respect them because they're your surrogate parents so somebody somebody somewhere along the line told me about pavement i i'm pretty sure it was the spin magazine article that i was i started devouring more and more music journalism and i think it was that so i remember owning uh slanted and enchanted and also uh the record store had the trigger cut single so i think i bought both things and i'm fairly certain about both things and uh i will say that that first single got me completely obsessed with their singles um because i think they're.Track 3:[3:07] I don't know, they're one of the greatest treasure troves of any band I can think of. I know you've probably talked about this with others, but I really value Pavement B-Sides. Like, I wasn't that surprised. I mean, I was surprised that Harness Your Hopes went kind of bonkers recently, but like, I'm not surprised. Like, Pavement B-Sides, I know some of them better than I know the album songs, to be honest with you. I just became so obsessed with how great, like, the the quality of their B-sides really spoke to me. And then, yeah, that's one of the, and then I feel like that was a gateway into like, what is Silver Jews? Like, why is this, what is Silver Jews in the pavement section? What is it? Oh, it's a, it's a project. Oh, there's Bob and Steve on the back of the album covers. So they're in this, I guess. And so, yeah, the B-side alternate pavement universe if you will really spoke to me and still does uh i find myself uh kind of you know mumbling song lyrics and and tunes and melodies from you know humming them from from all the b-side so yeah i i would i would position myself that way as someone who i get a little obsessive so it wasn't just the album uh the albums it was like i want to get all the singles so i owned every single.Track 3:[4:24] On mostly on compact disc when i was coming up of age and now i've got them all on actually you know what i ordered i ordered that thing that you ordered the box that i ordered the singles box that i have a bunch of them but i was like what the hell i'm gonna do it so the book looks good yeah everything about it looks good i love pavement so uh i just thought i would get that too and uh yeah i think that's pretty much it that's where i discovered them and then of course they blew up uh you know they're one of those bands that all your cool uh heroes were talking talking about before you even heard them you know so you'd read a interview with somebody you liked and they'd mention pavements you're like what is this pavement so really have a time and place for me word of mouth and then actually digging in i have still a sense memory of playing slanted and enchanted and hearing summer babe and you're just like what the hell so yeah i'd say that's that that that's that's got to be it i think that's it and you got to be there for the release of watery then did you as somebody who was like sort of ep and single obsessed did you pick that up when it came out i did i did pick it up i don't know if i got it right when it came out i can't say that for sure because i feel like i still came to them a little bit later um because i'm sure they were that article was 93 like i don't think it was about slanted it was just mentioned so but i got it yeah and as you may have heard me talk about it's yeah it's my it's like my favorite thing, really, in some ways. I love, and yeah, I miss Gary Young.Track 3:[5:51] I never got to meet or talk to Gary Young, but yeah, the drumming as a drummer as well, as a budding drummer, like hearing Gary's playing, that had a huge influence on me too. So yeah, that era. Put your finger on what it is, isn't it?Track 3:[6:06] Like, what it is about Gary's drumming. I love Westy. I love him. He's a great guy, and he's a great drummer. But there's something about Gary. There's something about the looseness and the showmanship of people like Gary Young. I would say here in Canada, we have Mark Gaudette, who was in Eric's trip, and his drumming, too. Like, it's punk rock, but it's a bit more technical. And it's precise, but it's loose. And it just has it. He's making an instrument. you know they have their own voice i suppose as drummers they have their own like you hear it and you're like oh that's that's that's either gary or as i mentioned mark for two examples uh or it's someone copying them you know it's someone someone kind of ripping them off so i certainly was of this learning how to play the instrument and getting into some really amazing drummers at the time uh just because i didn't take drum lessons i would just listen to things or go see bands and And certain people and their drumming had a huge impact on me. And certainly early pavement drumming, you know, I think it's an underrated facet of that band. Did you get a chance to see the Gary Dock?Track 3:[7:18] No, you know what? I haven't seen that doc. That's a good call. I've been rather swamped of late and I need to do that. Have you seen it? Yeah, it's really, it's, it's pretty fabulous. Yeah, I can imagine. You're right. I should, I don't know. I'm at a thing where I got to do so much and I process so much information and music and I can't keep up with everything. So yeah, I saw it come through and I was like, yeah, I will watch that eventually. And then before you know it, I don't think I'm alone in this where there's just so much stuff to consume, but yeah, good Good call. Good call. I'll try to track it down on, I don't know if it's on a thing, a service or whatever, a streaming service, but I'll try and watch that. Yeah, I think it is because I don't know how I would have seen it. I forgot. Yeah. Um, when, when did you finally get to, uh, see them live or did you see them live in the original sort of run? I saw them for the first time in Barrie, Ontario at Lollapalooza in 1995. This was the. Wow. Lollapalooza curated by Sonic Youth.Track 3:[8:18] So also on the bill was, it was supposed to be Sinead, or sorry, it was supposed, yeah, it was supposed to be Sinead O'Connor, but I think I attended the first show that she couldn't play because she was pregnant. And so Elastica filled in, but the day was like a mighty, mighty Boston's first time I got to see the Jesus lizard. Blizzard, uh, uh, Pavement obviously played during the day, uh, Hole played. Beck was on the lineup too, wasn't he? Yeah, I saw Beck play two sets, one on the main stage, uh, this was just ahead, uh, ahead of Odile coming up, and, um, he also did a side stage, uh, performance where I actually spoke to him, he, he came down and, uh, signed autographs, so he signed, I don't know where it is but he signed my Lollapalooza ticket stub and I asked him I actually I think I, I tripped him out a little because I'd heard that he was going to be collaborating with a Toronto musician. And when I mentioned it, he was like, oh, yeah, we have been talking about that. Like he was I kind of nardwired him.Track 3:[9:23] I didn't mean it was just a rumor. I just said it. And he was like, oh, yeah, we were talking about that. So anyway. Yeah. So, yeah. And the Far Side played and Moby played and all sorts of amazing eclectic. Yeah. Yeah, Cypress Hill was one of the headliners. Bob Nastanovich, when he was on my show, I did a little documentary about Bright in the Corners. And he talked extensively about their experiences with some of the artists and their experiences playing Lollapalooza. And Bob's amazing innovation of suggesting that instead of getting a bus, they would each get minivans. He got a great deal in some rental minivans and that way they could play and then just drive ahead to the show and not worry about the gear and all that stuff and and and they could kind of travel at their leisure and uh yeah anyway so Lollapalooza 95 is the first show then I saw them at the Phoenix in Toronto for the Bright in the Corners tour and then I saw them play uh you remember the cool house and the, sorry, for those wondering in Toronto.Track 3:[10:33] There was a venue and it had two rooms. It was called the Warehouse. And then beside it was something called the Government, a smaller room. And then the Warehouse became, it was like the RPM Warehouse or something like that. That's right. And then it changed names. It was the Cool House, but I think the Government was still there. So for Terror Twilight, as I recall, Pavement played the Government. So the smaller room on that tour. So I saw them there. And then I saw them on Toronto Island on the first reunion tour with the Broken Social scene.Track 3:[11:08] And I think that's the last time I was invited or I was supposed to go see them in Austin, Texas. And Bob hooked me up. And I think I might have even been able to attend the Austin City Limits taping. But unfortunately, I couldn't make it at the last minute. So that was a bit of a bummer. But I regret it. But, you know, it was weird, still weird pandemic times then. And I, I think there was also other stuff going on. So I didn't get to see them on this current reunion, but it still seems to be going as we're speaking. So who knows?Track 3:[11:42] Maybe I can see them somehow. now yeah yeah and we are recording this in early april so yeah there's we're not uh that's not a scoop people just in case you're listening to this in october and you're like oh christ they're coming back um they may they very may well be i just edited the bob episode and you know i sort of teased him because he's like we're done after south america and i was like come on come on yeah i'll believe you're done when i when when you're done yeah but um enough about me back to you uh i'm curious about the lola performance like so you got to see them in a government isn't intimate but it's nice um and then you got to see them in um lollapalooza in front of a big crowd what do you think of the the festival version of pavement well i mean obviously it's well documented that they didn't have the best time on that tour on some level uh in slow century there's obviously the the fracas uh you know uh where people are throwing mud at them and all sorts of a rock at steven actually uh you know i i was a kid i mean that was sensory overload i i was just going to how old was I? So 95 I was had I even turned.Track 3:[13:08] Yeah, I was not even, what was I, seven, 16 or something like that? I don't know. I was not an old, I was young. You were 76? No, wait a minute. Yeah, I was 17. So I was born, no, I was born in 77. So I hadn't yet turned 18. So I was 17. And yeah, it was just, that was a bonkers year, to be honest with you. That summer, I went to everything. I went to so many festivals.Track 3:[13:31] For all my bellyaching about my parents not letting me do stuff, they let me do a lot of stuff that summer so uh yeah i don't i think i was just overwhelmed by how many people were surrounding me and and and i got up as close as i could for pavement um and we got up really close like seeing the jesus lizard was a bit i love the jesus lizard already at that point i just love them and to see them was like they were larger than life and you know yeah for those who've never seen them or footage of them at that point, Yao would come into the crowd, you know, he would leap off the stage and crowd surf and all that kind of stuff and sing while he was doing it. So it was very immersive. And then Pavement, relatively the opposite, you know, they're on stage and the songs are great and they played well, as I recall. But on some level, I remember just making a point of getting up as close as possible and trying not to, at the same time, you know, be conscious of not bothering people as you move your way up, you know, because I was kind of annoyed at everyone running around and pushing their way forward and all that stuff. So, uh... Never made sense to me. Yeah, it just... That's my main memory of just, like, trying to... I was probably... For the Jesus Lizard and Pavement, I was probably... That was the closest I was probably, uh, to the stage. And, uh... And then otherwise, yeah, I don't know. I mean, I have...Track 3:[14:57] I have a real sense memory of the Phoenix show for Bright in the Corners for a few reasons. And I've talked about them with Bob, at least.Track 3:[15:05] Bob did an interpolation of a Cool Keith song, which I just, I was like, oh, I didn't know people knew about Cool Keith. Like I had only started listening to Cool Keith at that time. And he did. I have no clue. blue cool keith is a a really uh innovative uh underground hip-hop superstar he was in a group called ultra magnetic mcs and then he went solo as dr octagon and as cool keith has all these pseudonyms and uh to be precise uh and oh yeah black elvis like he had all these cool names so to be precise i believe as i recall bob was quoting dr the dr octagon project and he just did it in the middle of a song and then also the other thing that occurred to me and it's sort of relevant to the song today is during uh stereo when steven malcolm is saying the lines about getty lee and his voice being so high he shot his voice up super high like a comically high effect how did it get so like just pitch perfect super high i think it's i think it's documented in a much music interview that they did that day or whatever, like while they were in town. And then obviously afterwards, they interspersed some live footage of the band playing.Track 3:[16:26] And Stephen singing, you know, on this song that we're here to talk about today is so remarkable to me. And I remember that I had this sense memory of him singing that and thinking it was very amusing. I thought it was more amusing than impressive at the time. but over over time as i um have come to value steven's singing voice and his range and his ability, And just instincts as a singer, I view it as more impressive now than, I still think it's funny because I think he's got a comical element to his choices and certainly live anything can happen, but they were just, I think that Bright in the Corner show is the, it's certainly one of the best shows I've ever seen. So I would also say it's one of the, if not the, it was the best time I saw Pavement probably. Oh, that's a great venue. That's what I, that's, I think the Phoenix is phenomenal. I don't want to discount the reunion show I saw because I think with age and time away from each other, they actually have, I don't know, I don't know how many reunion shows you've seen, but often I find that these bands that, particularly for us, you know, the bands around in the 90s, when they come back, they're better. Yeah. They seem more at ease with themselves as people and as players.Track 3:[17:45] And so the absence, I don't know what it is. They just seem more relaxed. And I think when you're more relaxed, you play better. I think 20-something angst, we'll call it. I think if you're not relaxed with each other, you don't play as well. You're just a little uptight. And then as you sort of resign yourself to, well, not resign yourself, but as you sort of get, yeah, you let go of things. I guess that is a way of putting it. You kind of let go of any little grudges and you don't have that angst, whether it's your own or whether it's about yourself or whether it's interpersonal. And I think you just play better. So when I saw the Jesus Lizard on the reunion tour, having seen them several times in the 90s, I just was like, I think they're better. You know, they might be better. better and pavement as i recall from the toronto island show it felt good they played so well you know together um but up until that point yeah i would say that bright in the corners show i saw at.Track 3:[18:46] The phoenix in toronto was just like they were just on fire it was brilliant so yeah cool yeah well before we get into song number 18 i gotta ask you as one of the only people i know that has interviewed Mark Eibold, the reclusive Mark Eibold, how the hell did you do it? And that interview, by the way, was phenomenal. It was great.Track 3:[19:09] Well, that's very kind of you to say. I have to draw back on my memory for this. So the occasion was the Terror Twilight reissue from a year or two or a couple of years ago, whenever it was. Yeah, who knows? And like you, I think my social entry point into this band is Bob Mstanovich.Track 3:[19:32] Absolutely. So Bob is, uh, I've gone on record saying this to others. I think I said it maybe to him during our terror twilight discussion. Bob is the greatest podcast guest of all time. You don't even have to ask him a question and he starts. He's so funny and he's so frank and he says things that I surprised he might say. I love him so much and he's been very kind to me over the years as well. I first spoke with Bob, uh around the time of that reunion uh tour um uh and so what was that 2009 10 thank you very much yeah sorry i think the jesus lizard was 2009 so yeah i spoke to bob around that period and then we've maintained contact basically ever since that was for my college radio show actually and then so that was here in toronto yes that's right yeah well i lived when i was living in ontario at at the time. Um, I had a college radio show and would play some pavement and Bob was a guest on that show. And he's, and I probably wrote a magazine article for exclaim magazine as well. That's what I do and used to do more often. Anyway. Um.Track 3:[20:43] Yeah. So the Tara Twilight thing came about by this point, Bob and I had, he'd been on my podcast a few times. And so I just, I'm sure I went through the proper channels to get, try to figure out the interview and get the music and the, and you know, all the assets and all that. But Bob, I think I was like, Bob, like, can we get everyone? Let's just get everyone on the show. Probably like you have done, like you just, you know, you're, you're trying to do this now. You're trying to talk to as many of the members as you possibly can. Absolutely. And in the loop. So, yeah, you know, I'm emailing Stephen and I think I texted Stephen because, you know, he wasn't responding.Track 3:[21:22] And so we sort of landed on Westy and Bob and Mark and then Jesper, who was involved in the reissue for Matador, was going to take part. And then at the day of, Mark couldn't do it. He was in transit. He couldn't join us for the group call. But yeah, Bob connected us over email, I believe, and maybe text, I don't recall. And so Mark and I, Mark felt, I think, kind of badly that he couldn't do it, like that he said he would do it and that he didn't end up doing it. And uh i i assume bob vouched for me you know um and so that was kind of it uh really we corresponded uh he felt badly that he couldn't make the group call we arranged a time we had a good talk you heard it uh and then i believe i put it out the right after i had put out that that group call uh so back to back it was like pavement week on my show for terror twilight light. Um, so, uh, yeah, I don't, can't recall cause I do so many of these, uh.Track 3:[22:37] Exactly what mark and i talked about i think we talked about some of his, radio listening habits you did yes he still uses a radio yeah you might actually have a better perspective on it than me at this point because i just don't remember uh you know i jd i'm sure you're familiar with this you do so many of them uh interviews uh episodes you're just like oh yeah, i forgot i had so and so on the show what the hell did we talk about again i that happens to me all the time when i edit i'll be listening and i'll be like it sounds like a conversation between somebody who doubles my voice and my guests because i don't recall virtually anything about what we talked about well i remember realizing it was um a real kind of rarity for mark to do such a thing i think at the time um a sonic youth uh archival compilation had had just come out that mark appeared on so there's just a fair amount to talk about it was a lot of memory jogging unfortunately for him like you know trying to remember the terror twilight sessions trying to remember playing with sonic youth like all about a decade out from doing it you know or more a decade or more 20 years um so uh yeah i i he was very lovely and uh and forthcoming and um.Track 3:[23:59] I really appreciate it. I think I've spoken to everyone but Gary, I suppose. I never got a chance to speak to Gary Young. But in terms of the, I guess, whatever, core or original lineup, yeah, I've talked to all of them at some points in my life. And I hope to talk to them again.Track 3:[24:20] Yeah, I do adore them. So it's, yeah. You can tell. You can really tell. And we should have said this off the top, but Viche is, Creative Control is a podcast, if you haven't listened to it, you should listen to it. If you like music, if you're maybe a bit obsessive about music, Viche does a really phenomenal job of, you know, conversations with famous people. People uh for people who listen to this show you might want to start with some of the david berman stuff because it's it's pretty spectacular and uh and then work your way through the pavement but it's all it's all good from the stuff that i've heard for sure well thank you for the kind words and for saying so yeah i uh i do love doing the show and uh it has uh you know it's granted me access and insight, uh, to, and from people I really, truly admire and adore. And, uh, yeah, I marvel at, uh, what I've been able to, uh, accomplish and get away with, uh, it is, it is, I don't really understand it, but certain people like Bob and others, uh, uh, have a fondness for me and return to the show and all that sort of stuff. And, uh, so yeah, it means a lot. Thanks for saying that. No, no, I should have said it off the top. but uh what do you say we talk about the the song this week song number 18 let's do it okay we'll be back right after this hey.Track 1:[25:48] This is bob mistanovich from pavement uh thanks for listening and now on with a countdown 18.Track 3:[29:27] So today we're talking all about song number 18 from the masterpiece Wowie Zowie. It's the absolutely gorgeous Father to a Sister of Thought. Vish, what are your initial thoughts about this song? Well, you know, I was so happy that we landed on this as a song to talk about because I do love Wowie Zowie. I have a sense memory of picking it up when it came out. I think the day it came out. um and um obviously a strange sort of a strange record uh an eclectic record uh and this is interesting it's a really fascinating song because in some ways it's super accessible uh musically it leans with the pedal steel and some of the other moves it leans towards country music.Track 3:[30:18] I will say, as I was pondering it, I mean, I know we are in a vacuum here of people who love Pavement and who love Stephen Malcomus, but as I was listening to this in preparation for our chat, I'm like, Malcomus is like an underrated everything. I really feel that way. And in particular, I think he's a remarkable singer. And, you know.Track 3:[30:51] And this song, I think, exemplifies that. He makes super fascinating choices with his phrasing, I think, and just the notes he's going to go for on words. Like, I don't know how to put it. I'm not super adept at maybe talking about music on that level. But it's just very dynamic, the way he shoots his voice up and sort of speaks, sings one line.Track 3:[31:17] And I think aside from missing his sort of grittiness, he also is a great screamer, great yeller. He really is. Like Paul McCartney level dynamic range, I think, with Steven when he wants to. Like he can sing. I don't know if that resonates with you. Like McCartney, to me, can sing anything. He can sing a ballad. He can sing like a Little Richard Rocker and sound like a punk. Like it's bonkers, that guy's vocal range. And I think Malcomus is in that, totally in that vein. So he's not yelling on this song but i think if anyone is interested like this song is a perfect showcase for what he can do as a vocalist and before i go much further jd does that resonate with you it certainly does i when i think of this song you know the word i used right off the bat was gorgeous uh and it's gorgeous in a number of ways the vocal the melody uh like his ability as a songwriter. I don't know how much of the arranging he did, or if it was Easley who said, let's use this pedal steel.Track 3:[32:25] But nevertheless, it just works so well with the timbre of his voice. And it all comes together in a really lovely ball.Track 3:[32:36] Yeah, and I think the little contrarian aspect to, or I don't know how to describe it, this little element of, yeah, it's a little contrary, I think, you know, I don't think I'm saying anything untoward where there's an element of self-sabotage sometimes in the pavement realm where everything's going fine, and then all of a sudden, let's pull the plug and do something wild and nuts or crazy, you know what I mean? And then yeah so this song has this really jaunty country vibe and then it ends with this like, minimalist noise rock stomp damn yeah yeah yeah like it gets it suddenly becomes a little more punk after the sort of so it's kind of this and it's all part of this it's that end it has nothing to do with anything else we've heard no instrumentally nothing but it works like it works so perfectly and i think it's a way of being like all right i think i think we're getting a little saccharin here it's too gentle or something let's end a little more raucous and uh so to me i hadn't really pondered it as such before but between malchumus i think singing his ass off and and really showing his range uh the band also ends up playing very dynamically and really beautifully and and also grit like as i say there's some grit towards the end so in a weird way.Track 3:[34:03] And again i hadn't thought of it like this was a single as i recall um like there was a video for it and whatnot and they're all dressed up in like country western garb and all these sorts of things, but uh no it's a nice exemplification like this is a pretty good gateway in the pavement if you were like yeah listen to this song again you never heard of this band try this song just try it it's got humor it's enigmatic lyrically the arrangement itself is beautiful but funny uh yeah i i really think uh 18 this should be in the top five it's really wonderful wow yeah i would have it in my top 10 yeah i know you top 10 sure i don't know what these ratings mean i don't believe in ratings and awards but it's water cooler talk no it's i'm just saying as i think about it more first of all uh anyone out there listening uh once i dig into a topic i get a little excitable. So, uh, you can make the argument like, what about these other 10 songs? And I'd be like, yeah, yeah, those are also great. But this, this to me, I think, as I say, it's got a nice balance of earnestness, irreverence, beautiful singing, wonderful playing. Uh, yeah, I just think all across the board, it's beautiful. Yeah. Uh, well said.Track 3:[35:20] When you think back to buying Wowie Zowie, you said you got it on the day it came out. First of all, that's very cool.Track 3:[35:29] And second of all, I wonder, just to go on a tangent for a moment.Track 3:[35:34] I wonder if your penchant for B-sides helped you with that record. Because it's almost constructed to me where there's like a song and then more of a b-side song than a song than more of a b-side song uh you know i'm thinking like brink's job and and and stuff like that um yeah you know so that that would have really helped but what were you thinking the first time and this is asking you to really stretch your brain i apologize but what were you thinking the first time you heard this song on this wicked roller coaster ride of a record you know what it's i know this song gets come or rather the album why always how he gets compared a lot to the white album sure by the beatles um who are from liverpool uh and are no longer around but they were uh that album was um i think it's rightly regarded as this uh odd pastiche niche of sounds and ideas and somehow it it only coheres because contextually they made it cohere like it doesn't really make a ton of sense as an album but it's one of those albums where like i couldn't tell you what the best song on it is because i almost view it conceptually as a whole Oh, wow. Wow. So, there's some of it, like, you can, there are singles from it and whatnot.Track 3:[37:01] But I have a weird, this is more about me, I suppose, JD, than maybe most people, but like, I'm an albums person. So, when an artist or a band puts out an album, I assume, rightly or wrongly, in some cases it's not the case, but I assume it's a unified statement that they're making of a time, of.Track 3:[37:25] Rolling Stones, certain bands, you'll be like, yeah, this album is actually like odds and sods from the previous couple of albums that they just reworked or whatever, revisited. Um, and they still count as albums, you know, certainly Stones in the seventies, you can make that argument. There's a few records where, yeah, like just what I'm describing, it's an album, but it's really like leftovers from some ideas they had. Um, I would put Wowie Zowie in that white album category of like, it's a whole thing. Like, the way it's sequenced, the way songs blend together.Track 3:[38:04] As soon as you hear an artist do that, where the songs kind of barely, there's barely any air between them. Right. That's a sequencing choice. That's a mastering choice. That's all sorts of choices they're making. but there's then tends to be this coherence between them this isn't the case all across wowie zowie but there are songs as you know where it's just the next one just starts you're just right into another song um so it becomes a sort of sweet like thing all this to say uh i might be stalling to answer your question because i haven't listened to the whole album in some time this is going to prompt me to i listened to this song on its own and i will say it was a bit weird.Track 3:[38:48] To hear it on its own because i don't listen to pavement sorry as i've tried to just maybe exemplify i generally don't listen to um bands i got a friend pointed out to me a few years ago he was we were in a band together and he said yeah you once said you don't like greatest hits compilations i said i said that said yeah we were driving we were listening to like acdc or something and you were just it came up in conversation and you said you don't like greatest hits compilations because the context of the music is all out of order and i said right that makes sense to me yeah you're i said yeah okay i don't remember saying that sometimes i say things and i don't remember that i said them and i said oh yeah well i mean i said i said it and it stuck with him like he said yeah i've started to listen that way now because you're right like the context of an album is so important to it so when you asked me to be on the show and and suggested uh you know that we were going to talk about this particular song i just listened to it on its own.Track 3:[39:52] Totally weird. Totally weird to hear it out of the album context. So I think going back to my sense memory, I don't know. I mean, it starts with We Dance, which is weird. And then you're right. Some of the songs seem, I mean, to some people, they would seem like half finished ideas. That's right. Right. Or just like little jabs of things, you know. So you're absolutely right too, like Serpentine Pad, Brink's Job, those sound like they could be B-sides, but I would argue that the pavement B-sides are never really, they don't feel like throwaways to me. I agree. Sometimes they're a little looser and more fun, like things happen and that you wouldn't really hear. No I don't even you know what I'm just going to retract that I think they are all fully.Track 3:[40:48] Realized songs that stand on their own but yeah Wowie Zowie I suppose might have been the first sort of inkling that this band could do anything and they weren't afraid to try anything, I'm sure some people were disappointed after Crooked Rain Crooked Rain to hear this, band be a little more punk but also as we're talking about a song that like I say who knows I don't know I I've not really thought about this in a long time but I'm sure making the construction of wowie zowie and the sequencing was potentially a reaction to how much success and how they broke through with crooked rain.Track 3:[41:34] Yeah, I can get behind that thought because, I mean, it's almost outlined in Cut Your Hair, right? Yeah. That's sort of the blueprint for Wowie Zowie in a way. Yeah, like not deliberately self-sabotaging themselves, but being like, we're maybe a little too big. Let's do something a little less accessible. Like, let's do something a little more. I just want to be clear. I think it's brilliant. I don't find it confusing. But if you got into Cut Your Hair or Gold Sounds or got into that band that you saw freak out on The Tonight Show, you know... And then listen to Pueblo. Yeah, yeah. I think you're kind of like... Yeah. You would just be like, as a band, I doubt it was even conscious, but maybe it was. Maybe we should do something that's a little more like wild. And if that was the case, I'm not sure it was, I'm sure there's literature and I should have maybe revisited some of the liner notes and reissues and things to read about where their mindset was at. But, you know, even describing father to a sister of thought, it has that mix of totally, totally accessible. I could play this for my country music loving grandfather, but then it ends with like, Hey, grandpa, we're still kind of a punk band. You know what I mean? Yeah. Yeah.Track 3:[43:02] Oh, that's great. Going back to the theory of potentially sabotaging themselves, which I'm with you, I don't think they did it on purpose.Track 3:[43:13] I almost think it's like a sound and style change. You're right, Crooked Rain, Crooked Rain was so accessible, and it had a familiar sound. It had sort of a California classic rock kind of vibe to it. It crooked rain is i will interject only to say that i think crooked rain is also super weird.Track 3:[43:35] It is it helped them break through but it is a weird album like it starts weird it has like a full studio sound like it sounds like i know that was made in a bit of a patchwork as well but like it sounds more like a studio record um sure they went they went to a place that that it wasn't going to be noisy and hissy and ambient even though it has elements of that like it has a warmth to it but it's a weird and wildly arranged album too but this is even well coming off a slant coming off a slanted though it seems it just seems more you know readily available i suppose to to a wider birth of people yeah but what i was going to say is it almost reminds me of what sm did when he went solo that first record is so accessible and so poppy and so hooky and so earwormy it's amazing and then he did piglib after that which i fucking adore but it's so off the wall compared to the self-titled debut yeah and if we're viewing malcolm as you know uh obviously obviously the main driver of of their songs then yeah it's it's his whims and it's his.Track 3:[44:50] His notions for a batch of songs like you know i think bright in the corners is uh on some level it's the cleanest sounding pavement album but it's also the most esoteric and and you know i the songs sprawl and they're all over the place as well but it's also somehow more coherent and contained than wowie zowie like but but the songs stretch out that's their what did we talk about with somebody recently uh maybe it was with the pavement guys uh grateful dead type stuff yeah sure yeah like it it has a it's it's a little more zen it's less frenetic even though the imagery and whatnot is pretty intense and some of the arrangements are too so yeah i think it's just modes again this goes back to my argument i love albums i love knowing that we're hearing where a band was at, at that given time. Uh, and, and that, that batch of songs, however, like wowie zowie, however disparate the songs might be from one another, that's what they were into. Like, that's what was going on with them at the time, whether it had anything to do with external considerations or perceptions about who they were, uh, how successful they wanted to be. Like Like, that might just be all bullshit I'm making up. It could just be that's just what he had, what Malcomus and what the band had going.Track 3:[46:18] And this is it. You know, why waste it? This is, it's all over the place. Let's put it out as one thing. The next album, a little, like, I think it's, it's fair to say, uh, Bright in the Corners. Well, you know, maybe it's not fair to say, I'll ask you. Bright in the Corners, probably safe to say a more coherent sounding album than Why We Sowie. Absolutely. Yeah. It's, it's a more album-y album. Right. In a sense. But I also think Slanton and Enchanted all sounds like it's from the same expression, too. Sure, I guess I mean album to album. I just love the way it opens. There's a middle, and then there's an end. There's a finite end with Finn. Yeah yeah well i mean maybe i don't know like we we mentioned lollapalooza uh there was something going on in the in the moment in the cultural moment where you it was really cool to be an open-ended music listener it was really cool to be like yes we're playing with a folk musician we're playing with shanae o'connor and cypress hill on the same day bonkers and the jesus lizard like on some level that is a culture saying everyone is welcome every sound has merit.Track 3:[47:34] We're sick of the orthodoxies we're sick of there being camps um and so maybe wowie zowie reflects that too uh on a musical level it can be noise damaged it can be a beautiful if strange folk song, it can be a country song, it can be a goddamn screamer where Malcolm clearly loses his voice you know, on Half a Canyon or whatever. Like, it's.Track 3:[48:01] Yeah, as we speak of it, I love that album. And like I say, though, I'm having trouble decontextualizing this song from the whole. Right. And that's more about me. But if we really dial into it, when I say this is a good exemplification of Pavement as a whole, maybe it's a good exemplification of Wowie Zowie as a whole. It has that beauty and thoughtful lyricism where you're like, what's he talking about? What's going on? this is really interesting imagery. Is he talking about Corpus Christi, Texas? Or is he talking about Corpus Christi, the kind of event? Like, I remember just thinking right away, why is he singing about Texas? Like, I have that sense memory. And I have this song and some, I'm just a man. Like, I have just little bits of lyrics that are just always with me that I just hum to myself. And yeah, I, this is one of those songs where I just have sort of mindlessly sung it out loud to myself as i'm sort of tooling around my my life you know i don't know if you have that where you just have these lyrical lyrical fragments but this is definitely one of those songs.Track 3:[49:08] And uh i think um yeah it exemplifies both the band and the album in a really fascinating way for me cool well is there anything you want to say uh more about father to a sister of thought or, well you know i'm a lyrics guy and we didn't uh have a chance to get too far into it but i also i know that i mean it's on the surface it seems to be about spirituality and uh people's relationships to that but with malcolm is also you never really know um on some level i think he's spoken about this song and whatnot but um no i don't know all i'll say is i marvel at the guy and i don't think uh he's one of these people i don't think we marvel at enough as a guitar player as a musician as a as a lyricist and particularly on this song as a singer and i hope uh this isn't uh some people don't find this to be a hyperbole but you know i think we take him for granted as He's a vocalist, and this is a great example of what he can do.Track 3:[50:15] Agreed. Well, Vish, it's been dynamite to talk to you today. We went off on a few different directions, and I'm glad we got to do that. Do you want to talk a little bit more about you and the podcast? And I want to say right off the bat that I said it earlier, Creative Control, it's with K's, Creative Control. So if you're searching for it on the Google, you're going to want to spell it correctly. Correctly well thank you thank visha style of correctly well i will uh immediately say that this is a reference to a hot snake song of the same name creative control um so that's why i didn't make up the case thing and now there's like a fashion company called creative control and i think someone like fashions themselves a rapper and they call themselves creative control but they kind of show up and they don't show up i don't know what's going on but anyway yeah that's my show i mean on the internet they'll be like tweeting ramp like rabidly and then they just disappear. And then I don't know what's going on. Anyway. Yeah. Nothing to do. I, Hey, I copped the name from a band I like, so I can't really complain. Complain spelled with a K by the way.Track 3:[51:23] So, uh, yeah, I have this podcast and as we're speaking, uh, you know, it's, it's still going, uh, and it's more important to me than ever because, uh, it is now my main, job at the moment as maybe by October it won't be, but, um.Track 3:[51:41] Yeah, so all I can say is if you support the work of people like me and JD and want to support podcasters, crowdfunding, I don't know about you, JD, and we don't have to talk too much shop, but the advertising revenue is very minimal and it's honestly a little gross. No offense to your sponsors.Track 3:[52:01] I'd rather just not have it. Yeah, I'd rather not have it. But yeah, the crowdfunding and the Patreon that I have is particularly important to me at the moment. So I have different incentives and different tiers and all that kind of stuff, like pay tiers, and it's flexible and monthly and all that kind of stuff. So sorry to make this about the money. We've already talked about some of the content or whatever, like the people I talked to. Yeah, I'm proud of it. It seems to be relentless. It's never going to stop unless I do and stop making it. That sounded morbid. uh by the way if i die the show will likely die too i i just want to be clear about that but no i i love doing the show it's afforded me um some wonderful experiences and both in the conversations and then just from people like you jd reaching out wanting to talk i mean it means a lot to me so thank you for giving me a time to some time to plug and thank you for having me on this wonderful show of yours and for the the lovely conversation it means a lot yeah for me Me too. Thank you so much. All right, everybody, that's what we've got today. So be cool. Make sure you're safe and wash your goddamn hands.Track 1:[53:15] Thanks for listening to Meeting Malcolmists, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at MeetingMalcolmists.com. You.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, Scott sits down with culinary icon Andrew Zimmern. Over the course of the conversation, they dive into Andrew's journey from his early passion for food, his beginnings in radio, and his eventual success as a household name in the culinary world with his TV show, Bizarre Foods. Andrew also discusses meeting the legendary Anthony Bourdain, his early music memories, and his struggles with homelessness and drug addiction. Finally, the interview ends with Andrew sharing his top 5 food cities, highlighting the places around the world that have impressed him the most.Tune in for an inspiring and entertaining conversation with a culinary legend!0:35 – Andrew's career beginnings2:55 – Andrew's early passion for food 4:56 – Homelessness and drug addiction 9:18 – The success of Bizarre Foods 12:47 – Music discussion16:37 – Meeting Anthony Bourdain24:00 – Top 5 food cities 33:05 – Anthony Bourdain Singapore story/hidden gems in NYC  This episode is sponsored by Magic Mind! They have a limited offer you can use now, that gets you up to 48% off your first subscription or 20% off one time purchases with code LIPPS at checkout. You can claim it at: https://www.magicmind.com/lipps

Prominent Austin music journalist, author, and historian Michael Corcoran passed away. He was best known for writing for The Austin American-Statesman, The Dallas Morning News, SPIN Magazine, The National Lampoon and many more. He'll be missed by the Austin music and arts community. Rest in peace, Michael.    This conversation in from episode 133 released on January 1, 2013. 

In this episode, Scott sits down with skateboarding legend Tony Hawk. They dive into Tony's journey from a young skateboarder to a household name. Tony shares several stories about turning pro at a remarkably young age, buying a house in high school, and eventually landing the 900 trick that made him famous.Beyond skateboarding, Tony also discusses the creation of The Skatepark Project (formerly the Tony Hawk Project), and the iconic Tony Hawk's Pro Skater video game series. Tony provides behind-the-scenes insights into the development of the game and its influence on both the gaming industry and skateboarding culture. Finally, the episode ends with some of Tony's top 5's, including his top 5 punk bands and top 5 skating slang terms. Tune in for an inspiring and entertaining conversation with a skateboarding legend!  Get up to 48% off your first subscription or 20% off one time purchases with code LIPPS at checkoutwww.magicmind.com/lipps#sponsored #Ad

Legendary music photographer and Grammy nominated director Danny Clinch joins the podcast to talk about how he went from a kid growing up in a blue collar family in Toms River, NJ to falling in love with photography and music at an early age, to pursuing an education at the New England School of photography, to working with and assisting Annie Leibovitz, Steven Meisel, Mary Ellen Mark, Timothy White, and others, to finding his own voice as an artist and building an incredible career as one of most sought after photographers in the music business.  During our conversation Danny talks about his early days with Spin Magazine, shooting the record cover for Nas's "Illmatic", being on tour with Blind Melon, booking shoots for Bob Dylan and Bruce Springsteen on the same day, building long lasting relationships and friendships with some of the most well known musicians in the world that has given him a level of access all music fans dream about, and so much more.  It's a beautiful conversation on a life well lived.  So sit back and enjoy.   To Learn More About Danny Clinch Visit: http://www.dannyclinch.com And Follow Him on Instagram At: https://www.instagram.com/dannybones64/ To Learn More About the Transparent/Clinch Gallery Visit: https://www.instagram.com/transparentclinchgallery/ To Learn More About the Sea/Hear/Now Festival Visit: https://www.seahearnowfestival.com

Part 2On today's episode, Scott is joined by Adam Duritz, the frontman and lead songwriter of famed rock band Counting Crows. Together, the pair delve into Adam's childhood and early days as a musician, exploring his earliest musical influences and some of the first songs he wrote during his college years. He also offers a candid glimpse into his mental health struggles, and how he adjusted to fame early in his carer. Throughout the episode, Scott inquires about Counting Crows' journey towards getting a record deal in the ‘90s, and the success of singles like “Mr. Jones” and “A Long December.” Adam also gives some insight into the band's latest record, Butter Miracle, Suite One, and the upcoming follow-up. Finally, the episode closes with some of Adam's Top 5's, including his top5 underrated rock bands, and top 5 favorite albums of all time.  10% off cookware at www.hexclad.com/lipps #Sponsored #ad 20% off shipping and handling at www.manscaped.com Use the code Lipps#sponsored #Ad

Efrain and David go over the bridge looking for, among other things, details about this mysterious Velvet Underground track and the first cover from Tori's 2001 album Strange Little Girls. Dive into the new season as an old debate emerges: that's right, the Sick Little WHAT debate is back and as ferocious as ever! Includes a fantastic interview with Lou Reed biographer Will Hermes, who also profiled Tori in Spin Magazine twice, as well as a chat with two New Age super fans, Matthew Barney and Stina Duval. Go deep inside the mind of this strange little girl through Neil Gaiman's words, Macy Rodman's voice, Reggie Doherty's costume sketches, and even a personalized song birth chart reading by our Resident Witch Amy K. As always there's a ton of sound clips, rare interviews, forgotten moments and more, as well as a complete study of the live evolution of the song in our A-M-O-S Live Lounge™️. Last but not least, enjoy a brand new New Age remix by the legendary Joshua Speedbliss. Quit waiting for the phone to ring and come running to us now! We want you! All your next three hours start here.

On today's episode, Scott sits down with English singer-songwriter Griff! After she signed to Warner Records in 2019, Griff's music has steadily grown in popularity, attracting a sizable fanbase (including her childhood idol, Taylor Swift), and earning her tour dates with Coldplay, Dua Lipa, Ed Sheeran, and more. Scott asks her about some of her collaborations, recent singles, and how she's adjusted to the music business. They also discuss her early days as a musician, and the process of trying to secure a record deal at a young age. Griff provides insight into her creative process, detailing the backstories behind some of her biggest hits and discussing how she designs her own stage clothes. She also reflects on her 2021 performance at the Brit Awards, where she won the Rising Star award and received flowers from Taylor Swift. And, as always, the episode closes with some of her Top 5's, including her top 5 guilty pleasures, and her top 5 songs that she would love to cover. Tune in for a riveting chat with a rising star!  10% off cookware at www.hexclad.com/lipps 10% off cookware at www.hexclad.com/lipps

Phil Ek is an American record producer, engineer and mixer. Ek began his career in Seattle, Washington in the early 1990s recording live sound in clubs. He then moved into studio recording, recording small projects and demos for local bands. Around this time, Ek was frequently working with influential producer Jack Endino. Producing Built to Spill's second album, There's Nothing Wrong with Love, proved to be Ek's mainstream breakthrough (the album has since ranked in the Top Ten of Spin Magazine's top indie records of all time). Phil Ek has worked with such indie rock bands as Band of Horses, Fleet Foxes, Modest Mouse, The Shins, Built to Spill, Duster, 764-HERO, Big Business and Mudhoney. IN THIS EPISODE, YOU'LL LEARN ABOUT: Working in Seattle during the 90's Prioritizing instruments when recording The legacy of Build To Spill's “There's Nothing Wrong With Love” Overdubbing vs. recording live off the floor Getting the right scratch tracks in order to capture the true energy of a song Editing for feel vs perfection Should you track with or without reverb? Setting up room mics for options How to make reverb sound big but without being muddy Creating a 3D sound To learn more about Phil Ek, visit: https://philek.com/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Get your copy of The Recording Mindset: A Step-By-Step Guide To Creating Pro Recordings From Your Home Studio by visiting: https://therecordingmindset.com Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Scott sits down with Sugar Ray frontman, reality TV star, and music connoisseur Mark McGrath!  They discuss the early days of Sugar Ray, the success of singles like “Fly” and “Every Morning,” Mark's obscure music knowledge, and more. They also reflect on the music of the ‘90s, discussing some of the best songs and bands of the decade. Along the way, Mark shares several entertaining stories about his early musical influences, Sugar Ray's first appearance on the Howard Stern Show, and adjusting to life as a rock star. Along with all the music talk, Mark also discusses his roles on reality TV shows like Big Brother and The Celebrity Apprentice, as well as his time co-hosting Extra. Tune in for a fun chat filled with music trivia and ‘90s nostalgia!

Brittany Davis - "Sepricon" from the 2024 album Image Issues on Loosegroove Records Last we spoke with Seattle artist Brittany Davis, they had released an EP via Loosegroove Records, the label ran by Pearl Jam guitarist Stone Gossard (who is also Davis's bandmate in the side project, Painted Shield). Now, they've returned with their debut full-length album, titled Image Issues, out March 1st on Loosegroove. It's an ambitious 26-track, concept-driven release, interspersed with spoken word pieces by Davis, and with deeply personal lyrics touching on their "discrimination as a Black, non-binary, blind musician, to traumatic family experiences touching on abuse, gun violence, and the prison system." The LP was co-produced by Josh Evans (Pearl Jam, Soundgarden, Brandi Carlile), with Gossard's full support. (“He is everywhere in spirit and conception and love and vision,” Evans told Spin Magazine.) Davis describes today's Song of the Day as "definitely born to funk...to soul funk! The record is an ode to James Brown and filled with thoughtless greatness...there really is no rhyme or reason to it...all primal instinct." Check out the music video below, directed by Tony-nominated modern dance choreographer Donald Byrd (The Color Purple, The Minstrel Show).  Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On this episode, Scott is joined by Interpol frontman Paul Banks! They get into Paul's current life in Berlin, the rock music scene in New York, the early days of Interpol, and the band's journey to success. They also discuss the stories behind songs like “Slow Hands,” and the creation of Interpol's latest record, The Other Side of Make-Believe. Throughout the conversation, Paul shares plenty of insight into his creative process, discussing how he channels his influences, and how Interpol's fame came about organically. He also reflects on Interpol's discography, and shares some of the band's future plans. And, of course, the episode closes with some of Paul's Top 5s, including his top 5 favorite films and top 5 N.Y.C. rock bands. Tune in for an insightful and fun discussion with Paul!

On today's episode of Lipps Service, Scott sits down with his good friend and music industry legend, Matt Pinfield! Throughout the conversation, Scott and Matt discuss their favorite albums and songs released in 2023. Some of the albums discussed include Foo Fighters' But Here We Are, The Rolling Stones' Hackney Diamonds, and Metallica's 72 Seasons. The two friends also share their thoughts on the latest and final Beatles song, “Now and Then.” Additionally, they touch on certain trends that took the music world by storm over the past year, including the prevalence of country rock, and some of their favorite live shows they attended. Along the way, they each share several entertaining stories about meeting some of their favorite musicians, including Paul McCartney and the Rolling Stones, and reflect on their longtime friendship. Matt also shares some insight behind his current projects, his near-fatal accident in 2018, and how this impacted his life outlook. Tune in to hear Scott and Matt share some intimate memories, and, of course, dig into their favorite music from the past year! 

Rob Harvilla is the host / author of 60 Songs That Explain the '90s and a senior staff writer at The Ringer; he's been a professional rock critic for 20-plus years with stops at the Village Voice, SPIN, Deadspin, and various other alt-weeklies that generally no longer exist. Based out of Columbus, OH- he is one of my personal favorite podcasters and it was nothing short of a pleasure having him on the show.

Zach Schonfeld is a freelance writer, journalist, and critic based in New York. He writes about culture for Pitchfork, Vulture, Spin Magazine, and many other publications. He was formerly a senior writer for Newsweek, where he was on staff for five years. His first book, Ghetto: Misfortune's Wealth, was published in 2020 as part of the 33 1/3 series. How Coppola Became Cage is his second book. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this special holiday episode of Lipps Service, Scott sits down with music critic and 60 Songs That Explain The ‘90s podcast host Rob Harvilla and SPIN editorial director Daniel Kohn! Rob has been a professional music journalist for over 20 years, is currently a senior staff writer at The Ringer — and is a life-long ‘90s music fanatic. The three music geeks get into Rob's upbringing, his stint writing for SPIN in the mid-2000s, his growing up in Ohio and the state's music scene, and his podcast and new book of the same name. They also talk about Rob's detailed memory of the era, all three of their stories of first listening to “Smells Like Teen Spirit,” including some takes on some of the best bands, songs, and albums of the ‘90s — including Third Eye Blind, Pinkerton, “Wonderwall,” Nine Inch Nails, and Courtney Love. They also dive into what they miss about the pre-internet music era and its listening formats, debate if Die Hard is a Christmas movie, reminisce on the Tibetan Freedom Concerts, and, of course, they wrap up the conversation with some “Top 5s.” Tune in for a music-trivia-filled chat, some debate, and a very nostalgic episode with Rob Harvilla and Daniel Kohn! 

On this episode of Lipps Service, Scott sits with Eric Burton and Adrian Quesada of the Austin-bred psychedelic soul duo Black Pumas. ... They get into the duo's upbringings in California and Texas, early music inspirations such as Willie Nelson and Nirvana, and the story of how they formed after Eric sang to Adrian over the phone. They also talk about Adrian's time playing in Prince's backing band, Eric's days busking along the Santa Monica Pier and his stint on American Idol, and the quick success of their Grammy-winning self-titled 2019 debut. They dive into the making of their latest album, Chronicles Of A Diamond, how they received blessings from Rodríguez and Tracy Chapman to cover "Sugar Man" and "Fast Car," and, of course, some "Top 5s." Tune in for an exciting and inspirational conversation with the coolest to ever do it — Black Pumas! (... And you'll even get to hear Eric sing a bit of their record-breaking hit song, "Colors")

A listener tagged us in the Spin Magazine Instagram post about the Spin Magazine list of 88 Best Alternative Songs from 1998 saying they'd love to hear what our thoughts were on the listing. Since Matt and Jim Logrando were staying at Chris' house before the Punchline Holiday show this weekend they decided to go through the list and give you just that! Enjoy!! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Scott sits with Pelle Almqvist, front man of the eclectic Swedish rock band The Hives. They get into the band's over 30-year-long career, Pelle's early rock and punk influences like AC/DC and Skid Row, odd jobs he had growing up, and how the band first met and formed when they were in their teens growing up in Sweden. They also discuss the physicality of performing during their incredible live shows, leaning into the overblown showbiz vibe during early gigs, their suit-bearing aesthetic, and the success of Veni Vidi Vicious and songs like “Hate To Say I Told You So.” They explore the making of and some of the songs on the Hives' latest album, The Death of Randy Fitzsimmons, including the lore behind the figure of Randy, who has guided the band since its inception. They also talk about the influence of the early punk of the Sonics', working with Cyndi Lauper and Jack White, and when Pelle threw up at Dave Grohl's house on New Years Eve. And, of course, in Lipps Service fashion, they wrap up the conversation with Pelle listing some impressive “Top 5s.” Tune in for a witty, insightful, and wide-ranging conversation with one of the coolest front men in rock, Pelle Almqvist!

Scott sits with long time friends and blistering rock duo The Kills (Alison Mosshart and Jamie Hince) just ahead of the release of their latest album God Games. They get into their experiences living in LA and NYC, the story of how they met and their instant chemistry, booking and driving themselves on early tours, and early inspirations like Fugazi and Bad Brains. Along the way, they tell hilarious stories about performing for small audiences, their pseudonyms for each other, working with Steve Aoki early on, and how they got to sign with Rough Trade. They also dive into their individual music ventures, from working with Jack White to Iggy Pop, and, of course, some giggle-filled Top 5s. Tune in for a funny and friendly chat with The Kills!

Interview with Bill Million of The Feelies Formed in Haledon NJ in the 1970's, The Feelies have now released six albums including their critically acclaimed and influential debut Crazy Rhythms, which was voted 49 in the top 100 albums of the 1980s by Rolling Stone magazine and chosen by Spin Magazine as #49 of the best alternative records of all time. Their music has left an indelible mark on the landscape of rock and roll. Supporting the release of their first four albums the band appeared on the The Late Show With David Letterman and in concerts with The Patti Smith Group, R.E.M., and Bob Dylan as well as touring with Lou Reed. In 2008, the Feelies ended a 17-year sabbatical as a group to open for long-time admirers Sonic Youth at Battery Park and then resurrected their tradition of playing low key gigs at strategic intervals throughout the year rather than doing lengthy tours. In 2009, they were invited by R.E.M. to perform at Carnegie Hall in “The Music of REM” charity concert benefitting music education programs for underprivileged youth, then by the artist Dan Graham to play an acoustic set at the opening of his first American retrospective, held at the Whitney Museum: Dan Graham: Beyond at the Whitney Museum of American Art. That same year Bar/None re-issued Crazy Rhythms and The Good Earth, this being the first band-sanctioned CD release of the former. In 2011, they released a new studio album Here Before of which England's The Wire enthused, “Here Before picks up as though they'd never left. The second line- up is fully present, and the basics of their sound have filtered through so many younger bands (from Yo La Tengo to SF Seals to The Chills) that the music possesses a great kind of faux- familiarity. ‘Time Is Right' sounds something like The Terminals doing a Stooges tribute tune. It - and some of the Velvets riff - lifts that occur during the album's later moments- make me remember how nuts this group seemed 30-plus years ago.” In honor of their 40th Anniversary Bar/None Records re-released their third and fourth albums,Only Life and Time for a Witness in early 2015. The Feelies Info: https://www.facebook.com/ The.Feelies/ http://www.thefeeliesweb.com  

Scott sits with Billboard chart topper and “No Limit” rapper G-Eazy, who is back to making music and working on his newest, upcoming album after a year-long hiatus from the industry. They get into G's experience walking around and living in New York, his house in LA where he also has his own studio, Scott and G's friendship over the last 15 years, and G's dabbling in photography. Further along in the conversation, G reflects on his early days in music, releasing songs on MySpace and YouTube, how he posed as his own “manager” in emails to book gigs, the wide-range of music he was surrounded by in his childhood, and the story of watching his “Runaround Sue” remix blow up on the internet. G also dives into how he secured his first record deal with RCA, attending college in New Orleans, the making of songs like “Me, Myself & I” and “No Limit,” and what it's like to collaborate with other artists. They also talk about his recent hiatus from music, and how he spent most of it in Paris, the making of his latest singles and upcoming album, and, of course, some fun “Top 5s” at the end. Tune in for an amazing episode!

On today's episode, I talk to musician Marnie Stern. Originally from New York City, Marnie didn't start out trying to pursue music professionally, and her first album In Advance of the Broken Arm came out in 2007 on Kill Rock Stars when she was 30-years-old. It instantly garnered acclaim, and was followed by This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That Is That in 2008, a self-titled album two years later and The Chronicles of Marnia in 2013. The previous year, she made Spin Magazine's list of "100 Greatest Guitarists of all Time", and after Seth Meyers took over Late Night, Marnie eventually joined the 8G Band for a number of years. Most recently, Marnie has recorded her first album in ten years; The Comeback Kid is out now on Joyful Noise, and it's fantastic! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!  

Scott sits with the frontman of alt rock '90s giants Everclear, Art Alexakis, and gets into it all in person…They dive into his upbringing and trouble youth, with Art sharing stories about breaking into homes to go through medicine cabinets and his family's hardships, as well as his musical journey and when he learned how to play guitar and what music he was surrounded and influenced by as a struggling musician. They talk about bands that inspired Everclear, from Zeppelin to X and everything in between, and get into some of his early bands including Colorfinger. They discuss Art's experience within the cowpunk scene in LA, how he started his record label, and when he took out an ad in The Rocket at 30 years old to start a new band, which then resulted in the forming of Everclear in Portland. They discuss pivotal moments in his career like the band's signing to Capitol and the meaning behind some of their biggest hits like "Father of Mine." Along the way they discuss Art's battle with MS, and last but not least, the band's newest album and, of course, some great "Top 5s!" Tune in to a great episode!

Scott sits with Ben Thatcher and Mike Kerr of UK power duo Royal Blood, who's newest album, Back to the Water Below, hit the #1 spot on the UK chart for the fourth time in their career… They get into their experiences exploring and eating in NYC, their humble beginnings in Brighton, and the band's early days that lead up to the recording of their debut album, which is 10 years old this year… Along the way they talk about meeting Jimmy Page, working with Josh Homme, and the journey leading up to the new album, including the process of writing and self-producing it in their own studio… They get into the meaning behind some of their highlight tracks and end with naming their top 5 best musical duos, top 5 Royal Blood songs, and top 5 riffs of all time... Tune in for a fun time and some laughs with UK powerhouse, Royal Blood.

Nichole Wagner has a new album titled Plastic Flowers coming soon. The Austin-based songwriter released her first album in 2018. Her music is blends soulful country-rock with funky Americana sounds. She comes from the small town of Louviers, Colorado, studied Journalism at Arizona State University, eventually landing in Austin. We talk about this, plus rebooting her Patreon, a college correspondent gig with Spin Magazine, drive by poetry, perceived roadblocks to writing music and learning to play guitar, house concerts, birthday show July 2023, a couple of favorite songwriters, love of stationary, and mutual acquaintances. You can find all things Nichole Wagner at NicholeWagnerMusic.com. Please enjoy our conversation on Apple Podcasts, Spotify and all the other podcast places. Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support. This episode was powered by Music Marketing Method, a program for independent musicians looking to grow their music career. Music Marketing Method was created by my good friend Lynz Crichton. I'm in the program and I'm learning tons! I'm growing my fan base and learning about many ways that I'll be earning money in the new year. It's also helping me grow this podcast. How cool is that? To lean more and find out if Music Marketing Method can help your music career, visit UnstarvingMusician.com/MusicMarketing. This episode of the was powered by Liner Notes. Learn from the hundreds of musicians and industry pros I've spoken with for the Unstarving Musician on topics such as marketing, songwriting, touring, sync licensing and much more. Sign up for Liner Notes. Liner Notes is an email newsletter from yours truly, in which I share some of the best knowledge gems garnered from the many conversations featured on the Unstarving Musician. You'll also be privy to the latest podcast episodes and Liner Notes subscriber exclusives. Sign up at UnstarvingMusician.com. It's free and you can unsubscribe at anytime. Mentions and Related Episodes NicholeWagnerMusic.com Patty Griffin  Nancy Griffith  Rory Sutherland, Tetragrammaton with Rick Rubin  Creating Music to Discover Who He Is – Chris Taylor  Secrets of Creativity–Chris Taylor (Ep97)  271 Brian Wolff – New EP “The Golden Age,” The Value of Open Mics, Social Marketing, Mental Health Awareness, Economics of Music Tours, Songwriter Rounds, EPs or Albums Inspiration, Kickstarter and Trust – Jana Pochop  Jan Klose Chris Taylor Heroes to Zeroes  That Universal Song by Eli Lev  Playa Serena by Fiddle Joe Patterson (video)  Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Music Marketing Method – The program that helps musicians find fans, grow an audience and make consistent income Bandzoogle – The all-in-one platform that makes it easy to build a beautiful website for your music Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Pardon the Interruption (Disclosure)  Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Visit UnstarvingMusician.com to sign up for Liner Notes to learn what I'm learning from the best indie musicians and music industry professionals. Stay in touch! @RobonzoDrummer on Twitter  and  Instagram @UnstarvingMusician on Facebook  and  YouTube  

Today we bring you a special bonus episode from a live event! Add to Cart was in Sydney for Impact.com's iPX partnerships experience for 2023 and we were lucky enough to be invited on to have an Add To Cart chat in person. And better still, we were able to record it and share it with you today. To say Sarah Hamilton has done a few things is a huge understatement - she's a founder - of success story Sand and Sky, bellabox and newly launched Straand (a scalp health brand). She has a background in financial management and marketing, previously working in London at Dazed and Confused magazine and New York for Spin Magazine. She's currently an advisor for Mermade Hair and Hunter Labs and leads the Private Label team at Adore Beauty. The theme for our conversation at iPX was how to create cult brands and hero products. And we discuss this at length. But we also dive into the influencer strategies she's employed over the years, the role of Amazon in her growth and I also get seriously schooled in all things beauty…not a huge surprise there.Links from the episode:ImpactSand and SkyQuestions answered:What are you most proud of?What's the secret to creating a cult brand in 2023?What role have partnerships played in the brand journey?About your co-hosts: Sarah Hamilton from Sand and SkySarah is a founder, investor and advisor. She is a founder and director of STRAAND, a newly launched Scalp Health brand backed by Unilever Ventures. Sarah also holds various advisory roles for Mermade Hair and Hunter Labs while leading the Private Label team at Adore Beauty. Sarah's business background led her to launch Bellabox the largest Australian beauty box in 2011, she then moved to Managing Director in Australia with Supernova, the parent co. for brands such as Coco & Eve and Sand & Sky which she co-founded with her sister. Her love of the startup space led her to Straand and there are a few more brands in the pipeline for launch in late 2023/ early 2024.You can contact Sarah at LinkedInAyaan Mohamud from ImpactAyaan is the RVP of Marketing for impact.com across Asia-Pacific and leads all of the company's marketing activities in the region including PR, comms, demand gen and events. She has more than 13 years' experience working in the marketing, media and technology industry in both APAC and EMEA. She joined impact.com four years ago from Sizmek (now Amazon), where she held a number of regional leadership roles for over four years. Prior to this Ayaan held senior marketing positions at Dataxu (now Roku) and Comscore in London.You can contact Ayaan at LinkedIn Hosted on Acast. See acast.com/privacy for more information.

#27. In this episode, we are joined by Kerry Diamond, a remarkable individual with a lifelong passion for journalism and amplifying the voices of women in the food industry. From her humble beginnings in third-grade journalism, Kerry has evolved into an influential figure in the food media landscape.As the founder and Editor-In-Chief of Cherry Bombe, Kerry has transformed her vision into a dynamic reality. Initially, Cherry Bombe was a print-only magazine, dedicated to shedding light on the often overlooked contributions of women in food. Over the years, it has grown into a multifaceted platform encompassing events, conferences, podcasts, cookbooks, and a robust social media presence.Kerry has had a diverse and intriguing career path. She began her journey at Spin Magazine and interned alongside the renowned punk rock journalist, Legs McNeil. Later on, she delved into the world of fashion journalism, working with publications like Harper's Bazaar and Lancome. She went on to open a restaurant cafe in Brooklyn, which ultimately fueled her mission to bridge the gender disparity in food industry narratives.In this conversation, Kerry and Josh Sharkey delve into the nuances of brand building, the pivotal advice she received from Danny Meyer, and the exciting future of Cherry Bombe. Where to find Kerry Diamond: InstagramLinkedInThreadsWhere to find host Josh Sharkey:InstagramLinkedInIn this episode, we cover:(05:17) The beginning of Kerry's Journalism career (07:00) How Kerry came to work for Legs McNeil(12:10) The impact of the Punk Rock scene on Cherry Bombe(14:19) The story of how Cherry Bombe began(18:11) The impact Lucky Peach had on Cherry Bombe's beginnings(15:48) The goals of All in the Industry Podcast(22:52) How Cherry Bome's Mission has evolved(25:24) Current issues women still face in the restaurant industry(25:43) How Shari collaborated with chefs around the world(31:11) Danny Meyer's words of advice to Kerry(35:05)James Beard Awards and Pellegrino 50 Best(31:29) Cherry Bombe's focus on fundraising(35:05) Jubilee conference(41:35) White space in the community(45:03) meez elevator pitch(46:53) Cherry Bombe podcasts(55:51) Nuances of brand building(58:40) The future of Cherry Bombe

On this episode of Sapo Studios Scratch Track Saturdays, the Sapo gang sits down with Body Bagg Jonez! Body Bagg had recently opened for Cypress Hill at an event sponsored by Spin Magazine, that A$AP Froggy happened to have been doing freelance videography for. A$AP saw Body Bagg perform and knew he had to be on the show. This is a great one, tune in!

Heather Wagner Reed is the Founder + CEO of Juice Consulting, a boutique PR and marketing firm based in Austin TX that was just named "Austin's Premiere PR and Marketing Agency" by SPIN Magazine. She's worked with clients including Gloria Gaynor and Erykah Badu. Before starting Juice in 2007, Heather was Senior Product Manager for Beyoncé, handling her day-to-day management and global marketing coordination for five years as part of Music World Entertainment/Sanctuary Records. In 1999, she was named an “Honorary Alumna” of the MBA program at Nyenrode University where she handled PR and alumni relations. During her time abroad, she picked up some Dutch and French and became well-versed in working with a variety of cultures. The PR Podcast is your view inside the public relations business. We talk with great PR people, reporters, and communicators about how they weave narratives that are informative and fun.  Host ⁠Jody Fisher⁠ has worked in New York City PR for more than 20 years, representing clients across healthcare, higher education, financial services, real estate, entertainment, and non-profits. Join the conversation on ⁠Facebook⁠, ⁠Twitter⁠, ⁠Instagram⁠, and ⁠TikTok⁠ at @ThePRPodcast. --- Support this podcast: https://podcasters.spotify.com/pod/show/theprpodcast/support

Topics include 2:33 on the amped show they have, Twisted sisters 3:23 on growing up around music 5:00 on Dani performing at Ultra5:45 on growing up around 80's music and Rocknroll 7:17 on Dani wanting to be a astronaut 9:45 on both getting bit by the acting bug early on 11:50 on Dani fangirling over Hillary Duff  16:15 Bella on entourage 17:32 Could Entourage exist today?23:00 growing up on Disney 25:45 Bella Thorne's first concert 28:15. Dani on her first EDM DJ gigs and mushrooms 28:38 Dani on her name Com3t 29:17 Bella, on making new music?31:52 on Bella's performance at Carnegie hall34:34 Bella, on losing the manuscript to her first book on a plane 37:58 Dani's life highlight- Djing at ultra 38:45 Bella-on her jewelry line, Thorne42:50 on their podcast Twisted Sisters 45:24 on SnoopDog and Twisted sisters 46:15 on cruising in Snoopdogs caravan and going to Ihop with him 49:35 Dani on her new music50:00 Bella on wanting to create a lingerie line 54:00 on the sisters writing music together 55:34 on Bella's love of Billy Squier57:05 Dani's top 5 most underrated DJs 58:05 the top 5 highest paid Dj's in the world?  

Heather Wagner Reed is the Founder and CEO of Juice Consulting, an adjunct professor of “Marketing and PR for Creatives," and a single mom of two, along with a vintage collector who also serves on the boards of various non-profits. Her successful PR firm, Juice Consulting, is celebrating their 16th year in business this week, as well. How does she do it all, you ask? I wondered the same thing, so today, Heather guides us on her heart-centered business and how she finds balance as a creative, an entrepreneur, a mom, and holistically as a human. We cover: How to enhance and balance your life and your creative potential  How she finds it about the journey, not the destination Starting a company and trusting your path Working with who YOU want to work with The importance of style and what it can reflect about you What her days are like as a working, creative, single mom How she manifests with energetic intention How she comes back to center and the importance of taking breaks What the death of her mother taught her about life Prioritizing herself and how she fits that in Trusting yourself and how she continues to develop that, and listening to her gut Getting over people pleasing tendencies And of course, so much more! Leave a review and a rating and let us know what you think! Follow Heather's company, Juice Consulting, here: https://juiceconsulting.com/ https://juiceconsulting.com/ Learn more about their 16th anniversary celebration: https://www.instagram.com/p/CsCQpKipYXu/ Read her recent writeup in Spin Magazine: https://www.spin.com/2023/05/juicing-it-up-in-texas/ Mentioned in this episode: Freewater's Josh Cliffords on the show: https://podcasts.apple.com/us/podcast/josh-cliffords-founder-and-ceo-of-freewater-on-how/id1543432633?i=1000555106560 Sheila Grace Newsom on the show talking ketamine healing: https://www.youtube.com/watch?v=t9yg80fPQgU Let's get you to your HAPPIEST and most RADIANT! Book a call to apply to work together one-on-one:  https://amyedwards.as.me/15mincall Get my new FREE course "The Ageless Mindset: The Ultimate Guide to Look Younger and Feel Happier!" HERE: https://best-you-life.teachable.com/p/the-ageless-mindset-the-ultimate-guide-to-look-younger-feel-happier Get the full course “The Youthfulness Hack: The Secret System to Reverse Aging Fast and Create a New, Radiant You!” Out now! https://best-you-life.teachable.com/p/the-youthfulness-hack Please remember to rate, review, and subscribe – and share with a friend! It means so much! Thank you! And join the mailing list today to stay up to date! https://www.amyedwards.com/  HigherDOSE 15% off with code MAGIC15 and use link:  https://shareasale.com/r.cfm?b=1336029&u=3517348&m=87497&urllink=&afftrack= Glow serum https://shrsl.com/3w0ya Mask https://shrsl.com/3w0ye Amy's hair by https://www.thecollectiveatx.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-amy-edwards-show/message

In this week's episode, I talk to award-winning writer, actor, comedian and musician, Lane Moore. Lane's first book, How To Be Alone: If You Want To And Even If You Don't, became an instant No.1 bestseller and was praised as one of the best books of the year by The New York Times, New York Magazine, NPR, Good Morning America, Fast Company, Marie Claire, and many others. She also gave a TEDx Talk based on the book, called How To Be Alone. Her second book, You Will Find Your People: How To Make Meaningful Friendships As An Adult, was released on 25th April 2023.Lane's comedy show, Tinder Live, is regarded as one of the best comedy shows in the the world and has been praised by The New York Times, Spin Magazine, Entertainment Tonight, CBS, Time Out New York, and New York Magazine.As a musician, she is the front person and songwriter in the band, It Was Romance, which has been praised by Pitchfork, Vogue, Village Voice, and Billboard named it one of 16 Female-Fronted Bands You Should Know. Topics that Lane & I cover are:how she came to write a book called ‘How To Be Alone';how we are socialised to think that being alone is the worst thing in the world;how, because of her upbringing, Lane had no choice but to learn how to be alone;how important it is for all of us to a find a home within ourselves;how we all need to find a community of people who have chosen themselves, over and above a partner;how if you find your people, you're less likely to settle for a relationship that isn't right for you;how awkward it can be to make new friends as an adult;how important it is to Lane to de-stigmatise how or when you meet your friends;the minefield that is friendship breakups;how she went through a friendship breakup whilst writing her book, You Will Find Your People;how we need to release the idea that our friends will be our friends forever, and cultivate more ease around friendships.Lane's Website:https://www.lanemoore.org/ Buy Lane's book (UK), You Will Find Your People:https://www.amazon.co.uk/You-Will-Find-Your-People/dp/1419762567 Buy Lane's book (US):https://www.amazon.com/You-Will-Find-Your-People/dp/1419762567/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= Buy Lane's book (UK), How To Be Alone:https://www.amazon.co.uk/How-Be-Alone-Want-Even/dp/1501178830 Buy Lane's book (US):https://www.amazon.com/How-Be-Alone-Want-Even/dp/1501178830 Become a Patreon of Lane's Podcast:https://www.patreon.com/lanemoore  Book a FREE 30 minute coaching 'taster' session HERE: https://calendly.com/lucymeggeson/30minute Fancy getting your hands on my FREE Top 10 Mindset Tips? Head over to: www.lucymeggeson.com Interested in my 1-1 Coaching? Work with me HERE: https://www.lucymeggeson.com/workwithme Join my private Facebook Group: https://www.facebook.com/groups/1870817913309222/?ref=share Follow me on Instagram: @spinsterhoodreimagined Follow me on Twitter: @LucyMeggeson Follow me on LinkedIn: Lucy Meggeson Email me: lucy@lucymeggeson.com And thank you so much for listening!!!

faetooth is a four-piece doom metal band based in Los Angeles, California. They officially formed in 2019, with Ashla Chavez Razzano (she/her) on guitar & vox, Jenna Garcia (she/they) on bass & vox, Ari May (they/them) on guitar & vox, and Rah Kanan (they/them) on drums. The quartet had already been friends for several years before the band's inception, instilling the confidence necessary to navigate personal vulnerability and vast musical experimentation.faetooth possesses the ability to bewitch listeners through trance-inducing riffs, alluring melodies, and rich lyricism that ranges from mysterious to diaristic. faetooth's music is about the nature of the self, the natural world, and all of its enchanting mysteries.faetooth's Remnants of the Vessel was named 2022 Heavy Metal Album of the Year. Special co-host Aidan 'Ace' Volante. Aidan (they/them) is an artist-musician who lives in Oregon and is currently a vocalist-in-training.Host: Ken Volante (he/him). Ken loves doom metal.Band members in episode: Ash, Ari, Jennafaetooth is available on Bandcamp, and all streaming services.Follow @faetooth on your favorite social media, including Instagram and their YouTube channelFor a full list of links check out https://linktr.ee/faetooth

Scott sits with Spin's music editor, Daniel Kohn to dive into the past year of music, TV, Film , and more.They start by counting down their favorite records, singles and albums of 2022 and touch base on many of the best artists of the year. The two talk about a few predictions for 2023, their favorite live shows,  interviews and get into the best TV and film of 2022.Always a fun conversation with Daniel. Tune in to check out the year in review!

The Paranoid Style is a garage-punk-pop outfit built around singer songwriter Elizabeth Nelson. Elizabeth joins Rhett this week to talk about their new album, “For Executive Meeting”, as well as the many other creative projects she's involved in, like an upcoming piece about Springsteen's “Nebraska”. Elizabeth and Rhett discuss what it means to be a musician and a published music critic, the process she employs to get a multitude of things done, and why it's important to take a compliment. Plus, she explains the origin of the unique name of her band.Elizabeth Nelson is singer-songwriter for the Washington, DC–based garage-punk band the Paranoid Style, a civil servant in the field of education policy, and a regular contributor to The Ringer, Oxford American, The New York Times Magazine, and Pitchfork, among other publications. In 2020, Spin Magazine ranked the Paranoid Style the 27th best rock & roll band currently working, thereby adding 26 names to her renowned Enemies List.Listen to For Executive MeetingParanoid Style on IG @paranoid_styleRhett on IG: @rhettmillerWebsite: Rhettmiller.com Wheels Off is brought to you by Osiris Media. Hosted and produced by Rhett Miller. Co-produced by Kirsten Cluthe in partnership with Nick Ruffini (Revoice Media). Editing by Matt Dwyer. Music by OLD 97's. Episode artwork by Katherine Boils. Show logo by Tim Skirven. This podcast is available on Apple Podcasts, Stitcher, Spotify, or wherever you get your podcasts. You can also ask Alexa to play it. Please leave us a rating or review on iTunes. Revisit previous episodes of Wheels Off with Rosanne Cash, Rob Thomas, Will Forte, Lydia Loveless, Allison Moorer, Ted Leo, Paul F. Tompkins, Jen Kirkman, and more. Find Rhett's podcast #WheelsOff and other music-powered shows on @Osirispod Hosted on Acast. See acast.com/privacy for more information.

Taylor Hawkins Tribute concert, Eli Zaret stops by as college football is back, Gary Graff calls in, OnlyFans top earners, Drew Crime stories, and Britney Spears tells her kids the gravy train is over.The Foo Fighters and 'Times Like These' kick off the show.Grumpy Eli Zaret drops by to crap all over college football and Michigan's win over Colorado State, talk the wild LSU/FSU game, praise the Detroit Lions on Hard Knocks, Austin Meadows' mental health break, learn who Russell Wilson's wife is, update us on LIV Golf, and tell a story about getting c**kblocked by Queen.Drew Crime: Eliza Fletcher has gone missing, but her kidnapper Cleotha Abston has been caught. Drew recaps 48 Hours coverage of the mysterious death of Barbara Kendhammer. A Bianca Devins update. Steve Irwin's death video will never be seen. More details on the suicide of Wisconsin TV anchor Neena Pacholke.Sarah Michelle Gellar made a quip about Howard Stern owing her money for staying with Freddie Prinze Jr... and Stuttering John makes it all about him.Gary Graff joins the show to recap the Taylor Hawkins Tribute, discuss the Detroit Jazz Festival, David Lee Roth's new hijinks, NOFX allegedly hanging them up and more.The Weeknd stopped a show due to his waning voice.Drew stumbled into I'm In Love With That Song podcast.Spin Magazine did a cover story pretending Paris Jackson is a rock star.OnlyFans is LOADED and these are the Top Ten OnlyFans Earners.Kate Beckinsale is having a mid-life crisis and is still taking steamy photos mid dump.Tiffany Haddish and Aries Spears are being accused of grooming and sexual assault.Arcade Fire's back-up band bails on Win Butler and Arcade Fire.Hillary Clinton claims she had to change to pantsuits after photographers wanted to "up-skirt" her.The University of Texas found that 'content creators' are overconfident. Drew declares the United States of Know-It-Alls.Joe Biden had a pretty bad visual at his speech late last week. CNN softened the colors.Britney Spears is super mad at her kids Jayden James and Sean Preston Federline. Britney declares herself an atheist. Her ex-husband Jason Alexander is out of jail.Drew can't get enough of the Stuttering John saga as told by WATP.The Sesame Place had a mediation meeting with the family that accused Rosita of racism. They offered the family to come back to the park but the kids remain "traumatized".South Carolina basketball refuses to play BYU because of the fake volleyball racism story.Airplanes: A chemical engineer at GlaxoSmithKline decided to get drunk, belligerent, racist, homophobic, and fight in an airport after being kicked off an airplane. Walmart was almost the victim of a plane crash this weekend.Steve Bannon got swatted.The Bed, Bath & Beyond CFO jumps to his death.Social media is dumb, but we're on Facebook, Instagram and Twitter (Drew and Mike Show, Marc Fellhauer, Trudi Daniels and BranDon).

Bob Guccione Jr. is a legacy publisher and the founder of Spin Magazine, amongst others. His father is the founder of Penthouse Magazine. We chat about TJ keeping odd hours now that he's back from his travels, the myth of vacation weight gain, gentrifying the remote villages of Sicily, Pyrex clothing is still alive and well, Chris is into movies now, a child vlogger in business class, we don't know shit about food, heretical pasta thoughts, transcendent noodles, not all of Bob's employees loved him, the wine gets better when you get rich, life is all about attitude, Bob misses a good dialogue, will critics have to operate anonymously in the future? his thoughts on Graydon's Air Mail, the passion of investigative journalism, and do you want to die on your feet or write on your knees? wikipedia.org/Bob_Guccione_Jr. twitter.com/donetodeath twitter.com/themjeans --- Support this podcast: https://anchor.fm/howlonggone/support