Podcasts about nicola gunn

If you've ever wondered about ways to attract / receive donations from people interested in cryptocurrency, check out these two episodes with Nicola Gunn (episode 105 and 106). In this, the second half of our chat, Nicola explains how her charity has attracted and received valuable donations through NFTs (non-fungible tokens). We also discuss some risk factors to weigh up and potentially mitigate if you decide to explore crypto-philanthropy for your charity. If you want to share this episode with others you think it would help, THANK YOU! And we would love to hear what you think. On twitter we are @NicolaGunn_ and @woods_rob, we are both on Linked In or you can follow Bright Spot on Instagram at @brightspotfundraising.

Nicola and Rob talk about her charity's progress and learnings in raising funds through crypto-philanthropy. Nicola demystifies key concepts; talks about some fabulous successes so far, including a gift worth £87,000; and shares lots of tips to help other charities interested in exploring the opportunities. If you want to share this episode with others you think it would help, thank you! And we would love to hear what you think. On twitter we are @NicolaGunn_ and @woods_rob, we are both on Linked In or you can follow Bright Spot on Instagram at @brightspotfundraising.

"I know you're on holiday, but you need to hear this."Our third episode from the Scottish Fundraising Conference is a sit down with crypto enthusiasts Nicola Gunn and David Mitchell. The duo oversaw a speculative investment before it rained cats and dogs in income from crypto currency communities keen to support their work. We talk about the pressure of headlining the conference, fostering a culture of innovation, the tip-off which sparked their adventure and the rabbithole they delved into on Twitter. There's the knowledge you need to start out, the basics of decentralised finance and how it's still all about relationships. Our guests get excited by NFTs, the possibilities for the future and working in a volatile market whilst James manages not to say anything too stupid for nearly half an hour. ---You can find us on www.domoregood.uk or follow us on Twitter and Instagram. Get in touch if you'd like to feature or star on the show. It goes without saying really but the episodes contains our opinions - essentially things we overheard in meetings, stole from presentations and read in magazines. Thanks for listening.

Some of you may have had people knocking on your door asking you to sign up to make regular donations to the Edinburgh Dog and Cat Home. We have heard that some Porty residents have been put off by this approach, especially when given the impression that the Home has had a ‘difficult year’ financially. They also wonder why the charity is employing what one described as ‘door-to-door’ salesmen with quite strong Geordie accents who don’t quite seem to fit with an organisation with its home at the far end of the Prom. The answer is that the Home has launched a new campaign and handed the contract for part of it to an agency based in the North East of England. To find out more about this campaign and how it is being rolled out, Porty Podcast Producer David Calder spoke to Nicola Gunn, the Home’s Director of Fundraising and Communications. He started by asking about the suggestion that there were financial problems at EDCH, something she insists is far from the case.https://edch.org.uk/

The Witness Interview: In this month's podcast, Robert Reid talks to the unclassifiable Nicola Gunn, one of Australia's most important and intriguing theatre makers

The Witness Interview: In this month’s podcast, Robert Reid talks to the unclassifiable Nicola Gunn, one of Australia’s most important and intriguing theatre makers The post The Witness Interview: Nicola Gunn appeared first on Witness Performance.

Jo Lloyd is Melbourne based dance maker and choreographer. Jo started dance at a young age before going on to further study at the Victorian College of the Arts.Jo has worked with a range of companies as a dancer and choreographer including Lucy Guerin Inc, Chunky Move, Back to Back Theatre Company and worked with artists Deanne Butterworth, Shian Law, Nicola Gunn, Gideon Obarzanek, Shelley Lasica, Sandra Parker, Prue Lang, Rebecca Jensen and many others.Jo has presented work in New York, Japan, Hong Kong and locally in Dance Massive, Next Wave, the Biennale of Sydney, Liveworks and Dark MOFO. She has taught for Akram Khan, Bangarra, Dancenorth, ADT, the Australian Ballet and teaches dance and Yoga regularly at Chunky Move, VCA and Lucy Guerin Inc.In 2016, Jo was Resident Director of Lucy Guerin Inc. where she started developing her work OVERTURE. The work premiered in 2018 at Arts House Melbourne, with dancers reconstruct and invoke lost heroes in order to play out impossible scenarios. As part of Dance Massive OVERTURE, we presented in a new way, with an onscreen version, proposing a new way of experiencing the work. Filmed on special cameras by James Wright (NON Studio), this onscreen version will give a different insight into the work.

New York-based Australian curator and producer Vallejo Gantner joined artist Nicola Gunn for a conversation about Working With Children, exploring Gunn’s unique research and creation process and the moral and ethical ambiguities tackled by this new experimental performance.

Stream podcast episodes on demand from www.bitesz.com (mobile friendly).Working With Children  (MTC, Melbourne)From one of Australia’s most acclaimed independent and radical theatre-makers, Nicola Gunn, comes the world premiere production Working with Children. Part performance, part visual metaphor, this inventive solo piece explores the moral and ethical minefield of working with children, and the relationship between language and the (sexualised) body.Through a series of vignettes, thoughts and recollections, Gunn (Piece for Person and Ghetto Blaster, Green Screen) uses her distinctive humour and fierce social critique to challenge our preconceived ideas of what is appropriate for children, in a collaboration with Pol Heyvaert from internationally renowned Belgian company CAMPO.This bewildering, bold and provocative performance piece is guaranteed to spark debate. It asks us to imagine a woman who works with children, but has a secret she’s incredibly ashamed of. Now, imagine a man who works with children, but says and does things in private he wouldn’t want to be made public. Fortunately, there are regulations in place to protect children from dark emotions and the vulnerability of reality.For more details, visit: http://www.mtc.com.au/plays-and-tickets/season-2018/working-with-children/ Theatre First RSS feed:   https://audioboom.com/channels/4839371.rssSubscribe, rate and review Theatre First at all good podcatcher apps, including Apple Podcasts (formerly iTunes), Stitcher, Pocket Casts, audioBoom, CastBox.FM, Podbean etc.If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you.#theatre #stage #reviews #melbourne #australia Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Sarah, John, Melanie and Amanda are back with a look back at faves from last arts season (including shows from the Belfry, SNAFU Dance Theatre, Nicola Gunn, Pacific Opera Victoria, Dance Victoria, Art Gallery of Greater Victoria and Rifflandia/Atomique) (0:56), some gripes about the lack of a comprehensive arts calendar in Victoria, featuring an interview with Karen Lee Picket of the Greater Victoria Shakespeare Festival (14:51), some artsy news re: Vancouver Island School of Art, Open Space, and local Telefilm Canada Talent to Watch winners (25:18) and a quick preview of a busy July (28:50), with Atomic Vaudeville's Hedwig and the Angry Inch, Blue Bridge's The Drawer Boy, Andrew Bailey's Brain Machine, CFUV's Eventide concerts, SKAMpede, Shakespeare Fest's Pericles and the Tempest, Paper Street Theatre's Yes and Yesteryear, Suddenly Dance's Bomberman, Pride events and more.

Nicola Gunn in conversation with the Norwegian actor, producer and performing artist Idun Vik. Nicola Gunn is an award-winning writer, director, performer and designer. She combines text, choreography and visual art to make contemporary performance work in response to a self-generated impulse to tell a story or explore a form. She finds parallels between personal experiences and larger social realities, using subversive humor to explore the fragility of the human condition.

Piece for person and Ghetto Blaster is an experimental dance work by Nicola Gunn. This work has had seasons all across Australia and overseas. It is a story of a man and woman and a duck. Piece for person and Ghetto Blaster goes for about and hour and a half and Nicola is on stage the entire time, constantly dancing and telling the story. Nicola is an absolutely phenomenal performer, just like nothing you would ever see anywhere else, her brilliant performance was complimented well by the wacky choreography of Jo Llyod. The story seems rather mundane and retelling it to someone, and it feels obvious what should happen. The story is: You’ve gone for a run in a foreign country and you see a man, with his children, throwing stones at a duck, and the question is: What do you do? The answer seems simple enough, you would go up to him and say stop doing that right? But that’s obviously not only what happens in Nicolas story because it goes for an hour and a half. There are many long tangents talking about old films and such, which was very tender and sweet at times. This show was very funny and Nicola was a delight to watch. At times I felt a bit annoyed because I didn’t understand a lot of the references to films and artists Nicola was talking about, which made me feel a bit left out, while most of the audience was laughing, at times it felt a bit art-intellectual elite, which made a me a bit uncomfortable, because I really want to see art that is accessible as possible. All elements of design within the show was, minimal and sharp, each design discipline by each of the designers merged together to create a lovely aesthetic display, that was easy to watch and very pleasing and gentle. I must make special mention of the costume Nicola changes into at the end of the show, it’s a beautiful long, multicolored silky jacket with a beautiful flowery-grassy head piece. The costume design and construction was by Shio Otani, I’ve seen a few shows she’s designed for and she always is brilliant. I cant wait to see what Shio will do next. Piece for person and Ghetto Blaster is showing as part of Dance Massive a bi-annual dance festival, with multiple works showing at different venues around Melbounre. The festival is on from March 15th to March 26, as is Piece for person and Ghetto Blaster and it is showing at The Malthouse Theatre in Southbank. Written by Finley Fletcher Image by Gregory LorenzuttiSee omnystudio.com/listener for privacy information.

Philip and Carla and joined by special guest Julien to discuss Nicola Gunn's latest production "The Interpreters" at the Alliance Française. Then they see "Hot Brown Honey" at Arts Centre Melbourne. At intermission they discuss Susie Dee's "Animal" at Theatre Works as well as their latest TV obsessions.

The kids review Chairman of the Beard by Adam Page and are joined by Nicola Gunn. Nicola is a Melbourne based performer, writer and director. Kids Vs Art A podcast series by Field Theory Directed by Jackson Castiglione and Jason Maling Composition and Sound Design by Robert Jordan Listening post at Arts House/Fringe Hub Designed by Eugyeene Teh Producers for Arts House Naomi Velaphi and Jackie Johnston Producers for the Fringe Dan Koop and Vanessa Wright Technical support and recording by Bart Mangan, Blair Hart and Richard Chandler Performer assistance by Claire Flynn and Tish Brennan - Steers. Presented by Melbourne Fringe and Arts House

Richard's guests this week include Nicola Gunn, Jo Lloyd and Melanie Lake of Chunky Move, Matt Lutton (artistic director, Malthouse Theatre) as well as Merilee Ross and Sarah Hamilton from the La Mama company.

We discuss Nicola Gunn's latest production "Piece for Person and Ghetto Blaster" plus Little Ones Theatre's silent film style retelling of Bram Stoker's "Dracula."