Podcasts about The Australian Ballet

Physiotherapist Tim Buckley returns in this Spotlight Series episode to break down the most common dance injuries, how to spot the difference between normal soreness and actual injury, and why consistent training matters more than you think. From ankle sprains to shoulder issues, he explains what shows up most in different disciplines and shares prevention strategies that go beyond just "warm up better." If you've ever wondered when soreness crosses into injury territory, this one's for you. A full transcript of the podcast is available here: https://www.acrobaticarts.com/blog/ep-135-spotlight-series-common-dance-injuries-with-tim-buckley About Tim Tim Buckley is a Physiotherapist from Melbourne, Australia. He has worked exclusively with elite ballet dancers, circus artists and orchestral musicians during his 19 year career and has spoken twice at IADMS conferences in Australia and the USA.He was one of two full time physios with The Australian Ballet from 2006-2008 and toured Australia, China, England and France. He joined Cirque du Soleil in 2009 and toured Japan, South America and North America with ‘Corteo' and ‘Quidam', before settling in Montréal to work at Cirque's international headquarters as the Supervisor of Performance Medicine.Tim then toured again as the Head Physiotherapist on Cirque du Soleil's production, ‘Kurios – Cabinet of Curiosities' in 2014-15, before moving back to Melbourne in 2016. After another year at The Australian Ballet and completing a Masters of Sports Physiotherapy, Tim re-joined Cirque du Soleil where he worked as a ‘fly-in' Head Physiotherapist on several touring shows including Amaluna, Volta, Crystal and Twas The Night Before, as well as in Montreal on various creation projects.Tim is currently the Senior Advisor of Performance Medicine Operations for Cirque du Soleil, providing clinical support to the physical therapy teams on Cirque's global touring shows. Tim is a consultant Physiotherapist for Acrobatic Arts Inc, providing input on the continuing development of their syllabus and programs.Tim also co-owns The Academy, a circus training center in London Ontario, with his wife Meaghan Wegg.www.theacademycircus.comFacebook: The Academy CircusInstagram: @theacademycircus Previous Acrobatic Arts Podcast Episodes: Ep 7 Acrobatic Arts Australia, New Zealand and Asia Division Managers Meaghan Wegg and Tim Buckley - https://youtu.be/_npmTPXgEtU
Ep Ep 28 Physiotherapist Tim Buckley - Dance Injuries, Pt 1 - https://youtu.be/IsaiS8OmebIEp 29 Physiotherapist Tim Buckley - Listener Questions, Pt 2 - https://youtu.be/e9OPbP9LhXgEp 71 Student vs Professional Training with Tim Buckley & Meaghan Wegg - https://youtu.be/C4nuWxfBrTo Connect with Acrobatic Arts on your favourite social media platform: Instagram: https://www.instagram.com/acrobaticarts/ Facebook: https://www.facebook.com/Acroarts Twitter: https://twitter.com/acrobatic_arts/ YouTube: https://www.youtube.com/c/AcrobaticartsCa Learn more and register for our programs at AcrobaticArts.com

Davi Ramos faz história como o primeiro brasileiro e homem negro a se tornar bailarino principal do The Australian Ballet; o professor Benno Torgler explica a pressão psicológica dos pênaltis na Copa do Mundo; a Bienal de Veneza aposta no diálogo em meio às tensões globais; e o Brasil reduz pela metade as taxas de emissão de passaportes emitidos na Austrália.

O carioca de 25 anos recebeu o anúncio da promoção ao posto de primeiro bailarino do The Australian Ballet no palco da Opera House, em Sydney, logo após apresentação de Romeu e Julieta. Davi Ramos falou à SBS em Português sobre a conquista histórica, a emoção do momento e a trajetória que o levou das favelas do Rio de Janeiro a uma das maiores companhias de balé do mundo.

Welcome to the ninety eighth episode of Talk Spirit To Me.This week, Jess is joined by the powerhouse that is Dena Amy Kaplan.You may know Dena as Abigail Armstrong from the cult-hit series Dance Academy, but her story reaches far beyond the screen.Dena is an Australian artist, actor, dancer, DJ, vocalist, entrepreneur, mental health advocate and all-round creative force. Her career began in the world of ballet, training and performing with The Australian Ballet, before stepping onto the stage in the internationally acclaimed production of The Lion King.From there, Dena moved into television and became widely recognized for her breakout role in Dance Academy, a show that captured hearts around the world and cemented her place as one of Australia's most memorable young performers.But this conversation is not just about fame, success or the shiny parts of the story.In this episode, Jess and Dena unpack what happens when the identity you built your life around starts to shift. They talk about growing up in the public eye, navigating pressure, performance, pain, mental health, self-worth, reinvention and the messy, beautiful process of coming home to yourself.Dena also shares her evolution into music, touring globally as a DJ and vocalist, performing alongside major electronic acts including RÜFÜS DU SOL and Hayden James, and playing some of the world's most iconic stages, including Coachella.Beyond her creative career, Dena is the founder of Twerk After Werk, a movement built around confidence, self-expression and empowerment. She also created The Self Retreat, a wellness experience designed to help people reconnect with themselves on a deeper level.Now studying psychotherapy with the intention of becoming a trauma-informed therapist, Dena is entering another powerful chapter — one rooted in healing, emotional honesty and helping others feel less alone in their own becoming.This episode is raw, grounded, inspiring and deeply human. It is a conversation about fame, grief, identity, mental health, purpose and what it really takes to rebuild yourself from the inside out.If you've ever felt like you are shedding an old version of yourself and trying to figure out who the hell you are now, this one is for you.You can connect with Dena on Instagram:@denaamyIf you like this sh*t, come hang with us on Instagram:@jessicalynnemediumship@talkspirittomepodcastWant a Psychic Medium Reading?Book one HERE.Please note: we do not own the rights to this music; Hope In You - Chillity

In this episode of the Brainy Ballerina Podcast, I am joined by Stanton Welch, Artistic Director of Houston Ballet and internationally renowned choreographer.Stanton shares the unconventional path that led him to ballet, from growing up backstage with his parents, principal dancers with the Australian Ballet, to falling in love with dance at 16 and training at San Francisco Ballet School before joining The Australian Ballet.We talk about his transition from dancer to choreographer to artistic director, how his creative process has evolved over the years, and what inspires him when creating new works. Stanton also gives an inside look at how he programs seasons for Houston Ballet, what he looks for in dancers during auditions, and the type of culture he strives to create within the company.A major focus of this conversation is Youth America Grand Prix and Houston Ballet hosting the YAGP Finals for the first time. Stanton shares valuable advice for dancers navigating competitions, auditions, setbacks, and social media in today's dance world. He discusses why competitions are about far more than winning, how directors actually evaluate dancers, and the importance of resilience and long-term career thinking.This episode is full of insight for aspiring professional dancers, teachers, and anyone interested in the behind-the-scenes realities of building a sustainable career in ballet.Key Points From This Episode: Why Stanton Welch didn't start ballet until age 16 How he began choreographing while still dancing professionally and what keeps him inspired all these years later How Houston Ballet approaches company culture What makes a dancer stand out in auditions and competitionsConnect with Stanton & Houston BalletWEBSITE: https://www.houstonballet.orgINSTAGRAM: instagram.com/houstonballetLinks and Resources:Brandllet: www.brandllet.comORZA: www.orzabrand.com (use code BRAINYBALLERINA for 10% off)Let's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

"By starting with governance - defining it as the strategic side of governance, not the control side - you lift everything up." - Catherine Livingstone ACCatherine Livingstone AC, Chancellor of UTS, Chair of Pacific National and former Chair of the Commonwealth Bank, Telstra and CSIRO, explains why the way organisations frame ESG shapes the quality of every conversation that follows.Catherine's argument isn't just about semantics. When governance sits at the end of the acronym, it signals that G is smaller in scope - and in practice, that means E and S get managed through a compliance lens rather than a strategic one. In this episode, she walks through the governance definition she uses (direction, control and people), why compliance requirements for E and S are inherently narrow and backward-looking, and what boards need to do differently - at the agenda level, the resource level and the performance metrics level - to make environmental and social priorities genuinely stick.________________Follow Podcast Host ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Richard Conway⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on LinkedInFollow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠boardcycle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on LinkedInVisit the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠boardcycle website

"Dance Talk” ® with Joanne Carey and special guests Stanton Welch and Larissa SavelievJoin host Joanne Carey as she kicks off a 4 part Series highlighting Houston Ballet & YAGP! Joanne begins by welcoming Stanton Welch, Artistic Director, Houston Ballet, and Larissa Saveliev, founder of Youth America Grand Prix, to explore their careers, the impact of YAGP, and the upcoming Houston event May 10-18. Discover insights into ballet community building, talent development, & international collaboration. Hurry to Houston!Stanton Welch the acclaimed Australian choreographer, assumed the leadership of Houston Ballet in 2003, America's fifth largest ballet company. Since his arrival, Mr. Welch has transformed Houston Ballet by raising the level of classical technique, infusing the company with new energy, drive and vision; introducing works by distinguished choreographers to the repertoire; and attracting some of the world's best coaches to Houston to work with the dancers.He has created works for such prestigious international companies as Houston Ballet, San Francisco Ballet, American Ballet Theatre, The Australian Ballet, Birmingham Royal Ballet, and Royal Danish Ballet.Mr. Welch was born in Melbourne to Marilyn Jones, O.B.E., and Garth Welch, A.M., two of Australia's most gifted dancers of the 1960s and 1970s. In 1986 he began his training at the late age of seventeen, quickly winning a scholarship to San Francisco Ballet School. In 1989 he was engaged as a dancer with The Australian Ballet, where he rose to the rank of leading soloist, performing such principal roles as Des Grieux in Sir Kenneth MacMillan's Manon, Lensky in John Cranko's Onegin, Camille in Ronald Hynd's The Merry Widow, and Alan Strang in Equus. He has also worked with internationally acclaimed choreographers such as Jiří Kylían, Nacho Duato, and Maurice Béjart.For his contributions to the world of dance, Mr. Welch was awarded the Order of Australia (AM) in June 2015. The prestigious Order of Australia Award, established in 1975, is bestowed on Australian citizens for meritorious service in a particular area or field of activity. Mr. Welch was recognized for his significant service to the performing arts as a ballet dancer, mentor, choreographer and artistic director. Mr. Welch's choreographic career developed during his time with The Australian Ballet.Since 2006, Welch serves as a Jury Member for the ⁠Young America Grand Prix⁠.Larissa Saveliev is the Founder and Artistic Director of Youth America Grand Prix. Born in Moscow, she trained at the Bolshoi Ballet Academy and danced with the Stanislavsky Ballet and the Bolshoi Ballet, before emigrating to the United States in 1994. She went on to perform with the Los Angeles Classical Ballet, New Jersey Ballet and Tulsa Ballet, and began an active teaching career. In 1999, together with Gennadi Saveliev, Larissa founded Youth America Grand Prix, in order to fill the void in connecting students and teachers with school and company directors, and to provide continuing educational and professional opportunities to dancers worldwide. Larissa Saveliev is the 2014 recipient of the Dance Magazine Award, recipient of the 2014 “Educator of the Year” award from the Russian-American Foundation. In 2015 she was recognized by the Society of Foreign Consuls in New York for her Outstanding Achievement and Contribution to Community Improvement. In 2017 Larissa Saveliev was named one of the top 25 most influential people in dance by Dance Magazine, and is a part of the Dance Magazine Advisory Board.Houston Ballethttps://www.houstonballet.org/YAGPhttps://yagp.org/Tickets for YAGP Houston https://yagp.org/yagp-2026-houston-tx-finals/“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."⁠⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠⁠⁠⁠Please leave us a Review.Please help support the podcast:⁠⁠⁠⁠⁠⁠⁠⁠https://gofund.me/e561b42ac⁠⁠⁠⁠ 

Timothée Chalamet has come for ballet and opera. In an interview with Matthew McConaughey ahead of the Oscars he said… “I don't want to be working in ballet or opera or things where it's like, ‘Hey, keep this thing alive even though it's like, no one cares about this anymore.'” And, well, it turns out he was wrong, because lots and lots of people have been defending the industries with tons of passion. And it did get us thinking - how do ballet and opera sales compare to how they have done in the past? Do many people watch them? What are people in the industry, like Misty Copeland, doing to get more people into theatres? We get into it with Chelsea from the What in the World team (she's also a ballet dancer, but sadly has never made it to a professional stage). And we hear from people who love ballet and opera, including two professional ballet dancers for The Australian Ballet and The National Ballet of Canada.Instagram: @bbcwhatintheworld Email: whatintheworld@bbc.co.uk WhatsApp: +44 330 12 33 22 6 Presenter: Iqra Farooq Producers: Emily Horler, Chelsea Coates and Ash Mohamed Video producer: Baldeep Chahal Editor: Verity Wilde

For almost two decades, Lana Jones was a principal dancer at the Australian Ballet, celebrated for lead roles in Swan Lake, Giselle, and The Sleeping Beauty. And still, she was told she was “too strong”. After an illustrious career, Jones stepped away from the spotlight to retrain as a midwife. In this episode, Lana joins Briana Blackett to discuss how being “too strong” has helped her soar – from the stage to the delivery room. Too Much is a podcast series proudly supported by Victoria Police, who are looking for more women to join their ranks. Consider making the switch and explore a career with Victoria Police. Become an FW member to join the movement and fast-track your professional development. Keep up with @futurewomen on Instagram, Facebook, and LinkedIn. See omnystudio.com/listener for privacy information.

"The perfect decision is rarely the right decision" - Catherine Livingstone ACCatherine Livingstone AC, former Chair of the Commonwealth Bank and Telstra, discusses why seeking perfect information can be a director's worst enemy.In this episode, Catherine explains how boards navigate ambiguity, when to stop asking for more information, and why judgement - not process - sits at the centre of effective governance.With practical insights from chairing some of Australia's most significant organisations, Catherine explains what separates directors who can make tough calls from those who avoid them.________________Follow Podcast Host ⁠⁠⁠⁠⁠⁠⁠Richard Conway⁠⁠⁠⁠⁠⁠⁠ on LinkedInFollow ⁠⁠⁠⁠⁠⁠⁠boardcycle⁠⁠⁠⁠⁠⁠⁠ on LinkedInVisit the ⁠⁠⁠⁠⁠⁠⁠boardcycle website

In 2025 Australian theatre legend Robyn Nevin directed And Then There Were None, a classic murder mystery by Agatha Christie. She talks to Michael about the darkness in Christie's stories, her view on changing acting styles and how Robyn finds her 'inner clown'. Playwright Patricia Cornelius explains why she had five actors playing the world's most famous hacker — Wikileaks founder Julian Assange, in her 2025 play TRUTH. She's joined by director Susie Dee.And you'll discover a ballet about the great Russian dancer Vaslav Nijinsky. Michael speaks to Australian Ballet principal artist Callum Linnane, who first danced the part nine years ago in the ballet Nijinsky. First broadcast Feb 11.

Interview Date: May 4th, 2025Episode Summary:Australian dancer–choreographer–TV judge Joshua Horner traces his wildly diverse path: asthma kid → Australian Ballet soloist → West End lead in Movin' Out → Broadway's Billy Elliot → Disney creative in Los Angeles → Dancing With The Stars judge → reality-TV creator → and finally, a show-stopping pivot into real estate where he sells homes with full theatrical flair. Along the way he unpacks visas, networking that pays off a decade later, audition tactics, standing out without gimmicks, why technique still wins, and how to future-proof a dance career with bravery, focus, and business sense. The Q&A dives into agents in Australia, cruise-ship hustles, concert vs. commercial dance choices, and breaking into BroadwayShownotes:(0:00) — Roll call, cameras on, global intros(0:59) — Guest intro: multi-market career highlights(3:21) — Asthma leads Josh into dance(6:12) — Australian Ballet School, company contract(6:37) — Dirty Dancing understudy; Twyla Tharp notice(7:59) — London West End lead, green card plan(8:59) — Broadway debut, Billy Elliot & Tony Awards(18:05) — Disney dream: 10-year networking seed blooms(23:32) — DWTS judge role; weekly LA–Australia commute(26:03) — Reality TV pilot; shifting industry landscape(28:14 )— Breakup with dance, pivot to real estate(30:26)— Viral listings: showgirls, humor, entertainment(34:48) — Q&A: agents, cruise ships, hustling tips(45:20) — Career crossroads: commercial vs. contemporary dance(59:14) — Final advice: technique, smarts, braveryBiography:Ladies and gentlemen, meet Josh Horner – the former dance floor dynamo, Disneyland's creative wizard, and the unforgettable judge on Dancing With The Stars! Now back in his hometown, Josh is lighting up real estate with The Horner Agency and his iconic gnome sidekick. Forget record-breaking sales—it's his viral videos that have buyers and vendors lining up, all because the JOY is real with this guy! With a knack for connecting and a flair for fun, every deal with Josh is a showstopper. Get ready to experience real estate like never before!Connect on Social Media:Website - ⁠thehorneragency.comInstagram - https://www.instagram.com/joshuajhorner/

In this episode, we talk to Stephanie Lake. The former dancer turned choreographer is the artistic director of Stephanie Lake Company, and also the resident choreographer for The Australian Ballet. She’s the winner of many awards, including the Helpmann, and while her rise was stratospheric, it wasn’t always linear. It was also somewhat delayed: Lake was a late bloomer in her chosen field, dancing in her teenage years only as a hobby. Her life story starts in Canada, before taking a turn south to Tasmania, and now Melbourne. Hosting this conversation – about a journey rich in resilience, creativity and balance – is Good Weekend senior writer Konrad Marshall.See omnystudio.com/listener for privacy information.

"You want a Company Secretary that's helping you work out how things can be done, not telling you why they can't be done." - Catherine Livingstone ACCatherine Livingstone AC, Chancellor of UTS, Chair of Pacific National and Director of The Australian Ballet, reveals what separates exceptional Company Secretaries from competent ones during periods of intense governance pressure.Drawing on her experience leading organisations through Australia's most challenging governance transformations, including Commonwealth Bank during the Banking Royal Commission, Catherine explains how Company Secretaries must exercise judgement about which processes matter most whilst enabling rapid decision-making.She discusses the delicate balance between serving the Board and being part of the management team, and reveals why technology literacy has become essential for modern governance roles._____________Follow Podcast Host ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Richard Conway⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on LinkedInFollow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠boardcycle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on LinkedInVisit the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠boardcycle website

In episode 367 of The Physical Performance Show, sports physiotherapist Sue Mayes shares her expertise in foot and ankle injury management. With over 30 years of experience leading physiotherapy at the Australian Ballet and now a senior lecturer at La Trobe University, Sue provides groundbreaking insights into injury prevention and rehabilitation. Sue discusses her innovative research on ballet dancers and athletes, highlighting the importance of calf strength, strategic exercise implementation, and challenging traditional approaches to stretching. She reveals how implementing targeted calf raises reduced injury rates in professional dancers, and explains why prolonged stretching can be counterproductive. This episode offers a masterclass in foot and ankle assessment. Her practical advice spans from managing bone stress injuries to developing comprehensive rehabilitation strategies that support athletes' long-term performance and recovery.

Really Interesting Women The Podcast Ep. 147 Meryl TankardMeryl Tankard is one of Australia's most distinguished and innovative figures in contemporary dance and choreography. Her talent was recognised very early - and even at that early stage she knew the 'old school' teaching techniques were, at times, abhorrent. But despite this, her talent flourished. To the point where she auditioned and earned a place in the Australian Ballet. But in her mind she wanted more. She joined the prestigious Pina Bausch Tanztheater Wuppertal in Germany, where she became a principal artist and developed her distinctive artistic voice.Upon returning to Australia in the early 1990s, she served as Artistic Director of the Australian Dance Theatre (ADT) in Adelaide, transforming it into a globally recognised company. And that led inexplicably to a controversial move by the ADT that we talk about. But it's her bold, theatrical productions that merged dance with other art forms that have impressed audiences the world over. Her choreographic style is characterised by emotional intensity, physical dynamism, and a unique blend of classical technique with contemporary expression.She has created works for opera, film, and large-scale events, including contributions to the Sydney 2000 Olympic Games ceremonies.And as if for good measure she's a qualified and exceptional film maker. To this day Meryl Tankard remains an influential force in Australian performing arts, celebrated for her passionate commitment to artistic innovation and her ability to create deeply moving dance experiences.It was a great conversation with an enduring, warm, immensely talented artist. You can see the clips I was referring to in our conversation at:https://meryltankard.com/workHead to the link in my bio to hear our conversation. Visit instagram @reallyinterestingwomen for further interviews and posts of interesting women in history. Follow the link to leave a review....and tell your friendshttps://podcasts.apple.com/au/podcast/really-interesting-women/id1526764849

Today I have the immense privilege of speaking with Dr. Sue Mayes. She's the current director of the Australian Ballet's globally recognized artistic health team. Sue was born in Victoria, and like many physios who work with dancers, Sue learned classical ballet in her youth and studied full-time under the formidable Gailene stock. It was while she was completing her diploma of dance that Sue's started to think about her future. Her love of dance combined with an interest in anatomy led her to physiotherapy, and as we say, the rest is history. In this most fascinating episode, Sue shares her journey in dance, and how she found her way to the Australian Ballet, where she began an esteemed career that has spanned 30 years developing the Australian Ballet's Injury Prevention Program.Sue's time as the head of the Australian Ballet's Wellness Team has now come to an end, and she begins her tenure as a senior lecturer at Latrobe University in Bundoora, Melbourne. If you'd like to find any of Sue's extensive research, all you need to do is Google her name and you can also find her injury prevention exercises on the Australian Ballet's YouTube channel. To continue to follow all of Sue's adventures, you'll find her on Instagram @suemayes8839.Today's episode was the final episode of Season four of Talking Pointes. But stay tuned. We'll be releasing lots of bonus episodes in the coming weeks. Talking Pointes is produced on the lands of the Gadigal People of the Eora Nation, to whom we pay our greatest respects. This season of Talking Pointes is sponsored by Energetiks. Energetics, specialize in creating sustainable for the stars of tomorrow. Perform and feel your best at every stage of your dance journey in energetics, premium, high performance fabrics. Talking Pointes listeners receive a discount code of 20% to use on their extensive range online @ energetics.com au or for our US listeners, it's energetics.com, Ts and Cs apply. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

In this episode, we discuss the management of lower limb tendinopathy. We explore: Current evidence based management of tendinopathyDifferential diagnosis of tendinopathy and peritenonRole of compression in tendinopathySpeed of exercises used in rehabilitationPatient specificity for exercise prescriptionImportance of load in rehabilitationRole of inflammation in tendonsDr Seth O'Neill has been teaching and researching at the University of Leicester since 2006. He currently acts as the research director for the school of healthcare and as the deputy head of school. His research spans sporting populations and NHS groups and predominately focuses on tendon disease - tendinopathy or ruptures. He has completed a PhD on achilles tendinopathy. Seth is currently researching tendon structure and changes that occur during health and disease along with biopsychosocial interventions for tendinopathy and back pain and developing an international database of calf injuries.Dr Ebonie Rio is a Sports Physiotherapist at the Victorian Institute of Sport, The Australian Ballet, and she consults to multiple AFL, Rugby, elite Soccer and Basketball clubs. She is the Principle Research Fellow at The Australian Ballet, a joint position with La Trobe Sport and Exercise Medicine Research Centre. Ebonie co-leads activities in the High Performance 2032+ Strategy in Research and Innovation. She is the Deputy Manager of the Physiotherapy Department at VIS and co-chairs the research council. Do you want to learn more about tendons? Ebonie recently did a practical with Physio Network on this topic. With Practicals you can see exactly how top experts assess and treat specific conditions – so you can become a better clinician, faster.

In this episode we speak with Callum Linnane, a principal dancer with The Australian Ballet. Linnane, 29, has been dancing since he enrolled in tap classes as a seven year old in regional Victoria. Now he’s a star of the show - the kind of person who does magazine spreads and launches spring fashion campaigns. (His social media followers have described him as everything from Australia’s answer to Rudolf Nureyev, to a young David Bowie.) Good Weekend senior writer Konrad Marshall talks to this son of a bricklayer about growing up in Ballarat, surviving (and thriving) on the grandest stage, and his upcoming titular role in Nijinsky, the latest offering from The Australian Ballet.See omnystudio.com/listener for privacy information.

Today I have the immense privilege of speaking with Riley Lapham. Riley started dancing early in her home town of Wollongong, and by age 14, she had joined the Australian Ballet School. But from here, Riley's journey takes twists and turns. In her graduation year, Riley missed her final performance due to injury. But in a Center Stage-like moment, the then artistic director David McAllister offered her a contract with the company.In this brave and vulnerable conversation, Riley and I talk about what it's like to join a company while injured, and what it was like to deal with the worldwide shutdown that occurred in 2020 as a junior member of the company. Riley also speaks about a topic she's not yet discussed publicly—her journey with long Covid—what it was like to contract Covid just as she was nominated for Telstra Ballet Dancer of the Year, and then the unexpected journey of not getting better. We talk about the grief and the devastation that followed the acceptance of a slow recovery, her decision to move to France, and the journey back to the stage with the Australian Ballet.Riley continues to train and work with the Australian Ballet's rehabilitation team, while gaining her strength to make a return to the stage. To continue to follow all of Riley's wonderful adventures, you can find her on Instagram at @rileylapham. Talking Pointes is produced on the lands of the Gadigal people of the Eora nation, to whom we pay our greatest respects.  Talking Pointes is produced on the lands of the Gadigal People of the Eora Nation, to whom we pay our greatest respects. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Today we have the pleasure of speaking with former Australian Ballet dancer Brooke Cassen. On Season Three of Talking Pointes, I spoke with Brooke on what became one of our most listened-to episodes of all time. Today, Brooke returns to the podcast to speak about the success of her episode, and we chat about how she opened up about promotions, and—often a taboo topic in dance—what it means if you don't get promoted and how you deal with that, which is the reality for most dancers in the industry. Because we are focusing on health this season, Brooke and I then discuss the injuries she suffered during her career, how she recovered both physically and mentally to return to the stage. We then discussed the Australian ballet's response to the media storm earlier this year when a Sydney Morning Herald review described dancers of the Australian Ballet as looking “unusually thin.”Brooke continues to direct and teach at her studio in Rose Bay in Sydney for class times. And to sign up, head to studio sixninesix.com au or you can find them on Instagram @studio696x. And you can follow all of Brooke's wonderful adventures on her Instagram @brookecassen.Brooke and I recorded our conversation on the lands of the Gadigal people of the Eora Nation to whom we pay our greatest respects. Your host and producer is me, Claudia Lawson, with additional production by Penelope Ford and Clint. Topic. Sound production and editing is by Martin Peralta at Output Media. And for the latest in all things dance, head to fjordreview.com. Talking Pointes is produced on the lands of the Gadigal People of the Eora Nation, to whom we pay our greatest respects. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

For our Season Three bonus episode, we speak again with the divine Dana Stephensen. Dana and I initially spoke about 18 months ago, and in that conversation we covered Dana's journey into the Australian Ballet, managing her hyperthyroidism and weight gain. We talked about promotions, meeting her now husband Lachie becoming a mom and returning to the stage. This time I speak to the newly retired Dana Stephensen, who after 19 years dancing with the Australian Ballet finally gave a farewell performance at the Royal Opera House in London. In this hugely inspiring episode, we reflect on the depth and the bravery of Dana speaking about postnatal depression after the birth of her twins, how she returned to the stage as a mom of three and clawed back both her confidence and sense of self. But we also talk about the struggles of juggling tour life with Lachie and her three children and how she came to the decision to retire before finally turning to her thoughts for the future.Dana now lives in Brisbane and is settling into life with her husband Lachie and their three children. While she's newly retired from the Australian Ballet, Dana made a surprise appearance with the company in their Brisbane season of “Swan Lake.” You may catch her here and there as she continues to guest with the company. For Australian Ballet tickets and show times, head to their website, australianballet.com.au, or you can find them on Instagram at @ausballet. And to follow all of Dana's adventures, you can find her on Instagram @danastephensen. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Today we're speaking with the quite incredible Evie Ferris. Evie was born in Cairns in far north Queensland, and she's a proud Taribelang and Djabugay woman. Growing up, Evie danced alongside her sister, a talent so bright that by the age of 12, her family, including two of her five siblings were moving south to Melbourne. She joined the Australian Ballet School, and on graduation was accepted straight into the company. She's only the second Indigenous Australian to ever join the Australian Ballet. But this isn't the end of Evie's glorious story. In this wondrous interview, Evie described her life in dance, about finding her voice and about the pride but also the pressure that comes with being an Indigenous dancer. We also talk about the moment she met “Blue Wiggle” Anthony Field in a Sydney Opera House Green Room, and how she went on to become the first Indigenous Australian to become both a ballerina and a member of the Wiggles.Evie continues to split her time touring and dancing with both the Australian Ballet and The Wiggles. For Australian Ballet Performances tickets and times, head to australianballet.com.au, or you'll find them on Instagram #AusBallet. For The Wiggle shows and tour dates, head to the wiggles.com, or find them on Instagram @thewiggles. And to follow all of Evie's adventures, find her on Instagram @evieferris. Evie and I recorded our conversation remotely, with Evie dialing in from Melbourne on the land of the Kulin people. Talking Pointes is recorded and produced on Awabakal and Gadigal lands, to the owners of all these lands we pay our greatest respects. Talking Pointes is produced by Fjord Review. Remember to subscribe to get the latest episodes as soon as they're released. And if you like us, please leave a five star review. Your host and producer is me, Claudia Lawson, with additional production by Penelope Ford and Clint Topic. Sound production and editing is by Martin Peralta at Output Media. And for the latest in all things dance, head to fjordreview.com. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Today we're speaking with the quite incredible Evie Ferris. Evie was born in Cairns in far north Queensland, and she's a proud Taribelang and Djabugay woman. Growing up, Evie danced alongside her sister, a talent so bright that by the age of 12, her family, including two of her five siblings were moving south to Melbourne. She joined the Australian Ballet School, and on graduation was accepted straight into the company. She's only the second Indigenous Australian to ever join the Australian Ballet. But this isn't the end of Evie's glorious story. In this wondrous interview, Evie described her life in dance, about finding her voice and about the pride but also the pressure that comes with being an Indigenous dancer. We also talk about the moment she met “Blue Wiggle” Anthony Field in a Sydney Opera House Green Room, and how she went on to become the first Indigenous Australian to become both a ballerina and a member of the Wiggles.Evie continues to split her time touring and dancing with both the Australian Ballet and The Wiggles. For Australian Ballet Performances tickets and times, head to australianballet.com.au, or you'll find them on Instagram #AusBallet. For The Wiggle shows and tour dates, head to the wiggles.com, or find them on Instagram @thewiggles. And to follow all of Evie's adventures, find her on Instagram @evieferris. Evie and I recorded our conversation remotely, with Evie dialing in from Melbourne on the land of the Kulin people. Talking Pointes is recorded and produced on Awabakal and Gadigal lands, to the owners of all these lands we pay our greatest respects.  Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Today we are speaking with the divine Brooke Casson. Brooke Lockett, as she was known throughout her career, grew up in Ballarat and had a dream run to the stage. She was accepted into the Australian Ballet School by the age of 14, and then straight into the company on graduation. In this beautiful and brave interview, Brooke speaks about her career at the Australian Ballet. We speak about promotions, about being the face of the company, the perception of rank and about hard conversations, but we also talk about so much more about new careers, about meeting her husband, becoming a mom. Brooke continues to direct and teach at her Studio in Rose Bay in Sydney. For class times, and to sign up, head to studio696.com.au or @Studio696x on Instagram. And to continue to follow all of Brooke's wonderful adventures, you can find her on Instagram at @brookecassen.Brooke and I recorded our conversation on the lands of the Gadigal People of the Eora Nation, to whom we pay our greatest respects.  Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Today we're speaking with the divine Danielle Rowe. Dani grew up in South Australia, and by 14 she had moved interstate to train [in ballet] under Marie Walton Mann. Within a year of that, she'd been accepted into the Australian Ballet School, and on graduation, she was offered a position with the company, but the accolades didn't stop. Dani rose to principal artist, won the Telstra Ballet Dancer award twice, and represented the Australian Ballet company around the world from London to China. But in a move that defines the superstars trajectory, she wanted more. She left Australia and moved to the US, joining Houston Ballet as a principal artist. Less than a year later, she was offered a contract with a prestigious Netherlands Dance Theater. In this wondrous conversation, Dani and I talk about her career across three continents, how she found choreography, about managing long distance relationships, her want for a family, and ultimately how she became the first female artistic director of Oregon Ballet Theater.  Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

On our first episode of season three, I'm speaking with the former principal dancer of the Australian Ballet, the much loved Adam Bull. Adam grew up in outer Melbourne and by a stroke of luck, his primary school teacher at his local school suggested he try dance. He did, and it became a love affair that has lasted a lifetime. By the time he was a teenager, he was training under Brian Nolan at Dance World 3 0 1 before joining the Australian Ballet School and then being accepted straight into the Australian Ballet. In this wonderful interview recorded just five days before Adam's final performance in Melbourne. Adam reflects on his career, he speaks of his early life growing up, dancing, joining the company, and of course making principal. But we also talk about more about love, about his onstage relationship with Amber Scott, his thoughts on marriage and what it feels like to dance for the national company for 22 years. Talking Pointes was recorded on traditional lands of the Wurundjeri People of the Kulin Nation, Awabakal and Worimi. We acknowledge the Traditional Owners of Country and recognise the continuing connection to lands, waters and communities. We recognise that sovereignty was never ceded. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

The team reminisces on their treasured childhood toys; ballerina Benedicte Bernet shares her experiences of being the principal dancer in the new Australian Ballet production, Oscar; foodie Michael Harden unpacks the humble sausage roll; writer and pop culture critic Brodie Lancaster discusses the Australian Content in the Streaming Era Symposium; international relations expert Binoy Kampmark breaks down the going-ons of the Land Forces protests; and artist Patricia Piccinini talks about giving the keynote address at this year's FUSE Darebin. With presenters Monique Sebire, Daniel Burt & Nat Harris.Website: https://www.rrr.org.au/explore/programs/breakfasters/Facebook: https://www.facebook.com/Breakfasters3RRRFM/Twitter: https://twitter.com/breakfasters

Lauren Cassar is an Artist, Mother and qualified Art Therapist who lives in Southern Lutruwita, Australia. Creating under the name, MIRADOR, Lauren's art is connected to both the domestic & the wild, evoking a grounded, yet abstract vibe.  Lauren believes in nurturing creativity to heal and express the intricacies of the human experience.Lauren's journey involves studying design, working as an in-house designer + collaborator for fashion brands, and then leaning into her painting practice – eventually moving into selling her own work + wearable art.Lauren's Art Therapy work work transcends conventional talking therapies, offering a unique and cathartic journey for those seeking solace and a deeper understanding of themselves. – This podcast is created & produced on Darkinjung Land. Hosted & Produced by Amy Pearson from SUN MOTHER STUDIO. Original Music by J. Dale Pearson www.sunmotherstudio.com Find Amy on Instagram

Julie Dupas, founder of Amsterdam Amateur Ballet and Morlaix Ballet Camp, is in the studio for this episode! After beginning ballet in her 20s and noticing a lack of performance opportunities for adult ballet dancers, Julie founded Amsterdam Amateur Ballet, an inclusive and affordable amateur adult performance group based in Amsterdam. She also founded international summer camp Morlaix Ballet Camp, in which adult dancers take class, learn and perform a complete ballet alongside professional dancers in the course of eight days. Julie studied jazz as a form of dance for most of her childhood and eventually went on to become a scientist with a PhD in biology. She taught biology for five years before deciding to switch careers, founding two ballet non-profits and working as a pilates instructor.  She joined the studio to discuss how her science background has served her in ballet, how dancers can build strength and flexibility with pilates, and what she hopes adults take away from her classes. She also discussed the anxieties, and ultimately, the benefits of making a mid-career shift and her advice for other adults beginning ballet later in life. Check it out! Follow Julie on Instagram: https://www.instagram.com/julie.pilates.ballet/ Learn more about Amsterdam Amateur Ballet: https://amsterdamamateurballet.com/ Check out Morlaix Ballet Camp: https://morlaixballetcamp.com/ Learn why The Australian Ballet dancers quit stretching before class: https://dancemagazine.com.au/2019/09/why-the-australian-ballet-dancers-quit-stretching/#:~:text=The%20Australian%20Ballet%20dancers%20now,a%20great%20risk%20reduction%20strategy. Music in this episode: Waltz of the Flowers - Tchaikovsky Barroom Ballet - Silent Film Light - Kevin MacLeod Barroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/  Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310 Artist: http://incompetech.com/  @eblosfield | theadultballetstudio@gmail.com Support this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link --- Support this podcast: https://podcasters.spotify.com/pod/show/elizabeth-blosfield/support

A mestra de capoeira sugeriu que a mãe do então menino da periferia do Rio de Janeiro o levasse ao balé, por conta de seu físico avantajado. Assim começou a história do dançarino carioca que se formou no Royal Ballet de Londres, trabalhou no Dutch Ballet em Amsterdã e desde janeiro representa o grande corpo de dança da Austrália. Ele nos conta sua história.

For our bonus episode this season, we're catching up with the Australian Ballet's Artistic Director David Hallberg. Last season, David and I spoke about his life growing up in South Dakota, being bullied, training at the Paris Opera, becoming principal at American Ballet Theatre, and being the first American to be invited to dance with the Bolshoi Ballet in Russia. We talked about climbing back from his epic injury, his head space at that time, before taking over the Artistic Directorship of the Australian Ballet right in the middle of Covid. A year later we talk about what it's been like to be artistic director now that theatres are open and audiences are back, about what kind of as dancers he selects for the company, how he decides who will be promoted, the Australian Ballet's 60th anniversary, and life in Australia.If you'd like to read more about David's life, find our full conversation in the show notes, or you can read his autobiography called A Body of Work: Dancing to the Edge and Back. For Australian Ballet updates you can find them on Instagram at @ausballet and to continue to follow David's adventures, you'll find him on Instagram at @davidhallbergofficialDavid and I recorded remotely, with David dialling in from Melbourne, the land of the Kulin people, with recording and production on the land of the Awabakal and Gadigal people of the Eora Nation, to all of whom to which we pay our greatest respects. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

This week on Conversations on Dance, we are joined by Australian Choreographer, Tim Harbour. Tim tells us about his ballet career with The Australian Ballet, how he became interested in creating dance, and about his process. We talk in depth about his work, 'Filigree and Shadow,' which will be performed by Houston Ballet this month. Tim tell us about what inspired the work, what sets it apart form some of his other ballets, and working with Houston Ballet dancers. If you are in the Houston area, see 'Filigree and Shadow' as a part of Houston Ballet's "Bespoke" program, running March 7 - 17. For tickets and more information, visit houstonballet.org.THIS EPISODE'S SPONSOR: artÉmotion's popular adult summer intensive program returns this May 27 - June 1. This program includes Advanced, Intermediate Advanced, Intermediate, and Beginner classes, with no prior dance experience needed for the beginner level. Let artÉmotion be the bridge between audience and the studio. Come dance this summer. For more information visit https://artemotionballetschool.com/.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Today I'm speaking with the divine Jenna Roberts. Jenna grew up in Newcastle and started dancing only because a local ballet studio set up shop on the same street as her family home.  But as fortune would have it, that local studio happened to be the Marie Walton Mahon Dance Academy, as it was known back then. And so Jenna, and little sister Callie, started dancing. For any outsider, it was clear the Robert's sisters were born to dance—with high arches and long, lean legs, genetics almost pre-determined their careers. By the time Jenna was a teen, she was winning scholarships and accolades before, at 16, she was accepted into the Royal Ballet School in London.In this courageous and extraordinary conversation, Jenna reveals it's not always as it seems—we talk about tough years at Royal Ballet School, about crippling home sickness, and then rising to become a principal artist with the Royal Birmingham Ballet. But more than that, Jenna also speaks about the pressures that continue to exist on body image in the dance world—and with that her own experience taking laxatives, the passing of her mum, and her decision to retire at the peak of her career on her own terms. Finally Jenna speaks about her years of infertility and IVF, before making a wonderful and unexpected life decision with her husband, Joe.Jenna and her husband Joe Caley have just relocated from London, and are now based in Melbourne—where Joe has joined the Australian Ballet as their newest principal artist. Jenna continues to coach and teach the rising starts of dance, all while running her own Pilates studio tailored for dancers and athletes. To continue follow all of Jenna's adventures, you can find her on Instagram at @Jenna_Caley_PilatesJenna and I recorded remotely, with Jenna dialling in from Melbourne on the land of the Kulin people. Jenna's episode was produced in Sydney on the land of the Gadigal People of the Eora Nation, to whom we pay our greatest respects.

Today I am speaking with the Artistic Director of the Tanya Pearson Academy, Lucinda Dunn. Lucinda started her life in dance destined for London's West End - where her Mum had been a performer, but a chance meeting with a ballet teacher named Tanya Pearson saw a change of direction, and at 15 she flew to Tokyo to compete in the Prix de Lausanne - and Lucinda's life changed. In our conversation Lucinda shares her life story - how she joined the Royal Ballet School, broke her back, before being offered a contract with the Australian Ballet  – a partnership which lasted nearly 23 years and saw Lucinda become their longest serving ballerina. Now a Mum to two girls and Artistic Director of Tanya Pearson Academy, Lucinda speaks about the juggles of a 20 plus year career in dance, and what she believes young students need to make it in the world of ballet.Lucinda continues to work and develop rising stars at the Artistic Director of the Tanya Pearson Academy, while also working with and training the dancers of the Australian Ballet and other performers arriving in Sydney to perform. To continue to follow all of Lucinda's adventures, you can follow the Tanya Pearson Academy on Insta at @Tanya_Pearson_Academy or Lucinda's personal account at @lucinda_dunn_

Today I am speaking with the divine Dana Stephensen. Dana grew up in Brisbane learning tap, jazz and singing, and never dreamed of being a ballerina. But ballet had a way of finding her. And strangely enough, it was a rejection letter from the Australian Ballet School and the disappointment that followed that awakened her passion and changed the trajectory of her life. In this beautifully courageous and candid interview, Dana speaks about her career with the Australian Ballet, managing her thyroid condition and the affect that had on her body image, and being promoted to senior artist after becoming a mum. But more than that, Dana opens up about the birth of her twin girls, navigating the loneliness of motherhood in a pandemic, the pressures of parenting with a public figure, and wondrously re-emerging and returning to the stage.Dana continues to perform as a senior artist with the Australian Ballet, all the while juggling life with her son Jasper, her fiancé Lachlan Gillespie, and their twin girls Lulu and Lottie. To continue to follow all of Dana's adventures, you can find her on Instagram @dana_stephensenFor support for peri and postpartum depression in Australia, you can find support through the Gidget foundation or PANDA's support line, their details are in the show notes, or for further aboard, please contact your local services.Dana and I recorded remotely, with Dana dialling in from Sydney on the land of the Gadigal People of the Eora Nation, to which we pay our greatest respects. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Today we're am speaking with the magnificent Amy Harris, Principal Dancer with the Australian Ballet. Amy, grew up in the small town of Ararat in rural Victoria, and along with her two sisters, learnt tap, ballet and jazz at her local hall. From there it was the dream run—at 15, Amy was accepted into the Australian Ballet School, before being offered a contract with the Australian Ballet Company on graduation—by the newly appointed director David McAllister no less. For many aspiring dancers, it was the dream run. But from here, Amy's journey changed speeds. In this beautifully candid interview Amy talks about the highs and the lows of her career, about body confidence, becoming pregnant, her mid-year interviews with David McAllister, and ultimately coming to terms with not being made a principal dancer—until magically, 17 years later and newly pregnant with her second child, she was.Amy continues to perform as a Principal Artist with the Australian Ballet, all the while juggling life with her husband Senior Artist Jarryd Madden and their two cherished children Willow and Phoenix. While retirement is not yet in sight, in her spare time Amy is training as a wedding celebrant. To continue to follow all of Amy's adventures, you can find her on Instagram @amyharris_7This episode is sponsored by Bloch. Listen for a promo code, valid through September. Full T&C's on www.bloch.com.auTalking Pointes is recorded in Sydney on the land of the Gadigal People of the Eora Nation, to whom we pay our greatest respects.Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Hi everyone and welcome back to this week's episode in conversation with Jessica Fyfe, @jessicafyfeofficial, currently a guest principal dancer with Scottish Ballet. We sat down and talked about Jessica's journey from the beginning, the challenges that came along from having a serious injury during her first year of Australian Ballet, to the choreographic journey of the new production of ‘Cinders' by Christopher Hampson at Scottish Ballet. You can find tickets to watch Jessica's UK debut at Scottish Ballet here: https://www.atgtickets.com/shows/scottish-ballet-cinders/theatre-royal-glasgow/?&&&&gad_source=1&gclid=CjwKCAiA9ourBhAVEiwA3L5RFrx-MkhWPrSk7Kxf9KqTyLfA0dMlaPY3GncTsGUTlwfrM4QqKaScaRoC1ysQAvD_BwE&gclsrc=aw.ds Find out about Cinders here: https://scottishballet.co.uk/whats-on/cinders/ Fuelling recs on IG @ausdancersoverseas @r_mcgregor Find more about Coda (not spon) @wearecoda.agency https://l.instagram.com/?u=http%3A%2F%2Fcodaclassical.com%2Fdancers%3Ffbclid%3DPAAaaN5eGe1OkcoS2bJH3IMzm9K6g7pSiUomiXBmrXCyczYAJsqYROfft7Dl4_aem_AVHgpIO93No9Jl208mKwQOcfVD9MPyN2SighhWOvITRXmHUXG56KdZJtxBshEpVgxTU&e=AT2IJE-pYmrLYDdMX1YOs62SwIe6j_dI1DkiW7oIoo1LEaTK9zNXZZ4f9SSoMKiC3qrOK0Ixo6Bo6ZBmZBrcUJ8fINXCINT3NONtN-nu3XOmyiFWI1RldLmV-PRUwfsMhBg Thank you so much to everyone that tuned into this week's episode, Have a great week Romy

For our Season Three bonus episode, we speak again with the divine Dana Stephensen. Dana and I initially spoke about 18 months ago, and in that conversation we covered Dana's journey into the Australian Ballet, managing her hyperthyroidism and weight gain. We talked about promotions, meeting her now husband Lachie becoming a mom and returning to the stage. This time I speak to the newly retired Dana Stephensen, who after 19 years dancing with the Australian Ballet finally gave a farewell performance at the Royal Opera House in London. In this hugely inspiring episode, we reflect on the depth and the bravery of Dana speaking about postnatal depression after the birth of her twins, how she returned to the stage as a mom of three and clawed back both her confidence and sense of self. But we also talk about the struggles of juggling tour life with Lachie and her three children and how she came to the decision to retire before finally turning to her thoughts for the future.Dana now lives in Brisbane and is settling into life with her husband Lachie and their three children. While she's newly retired from the Australian Ballet, Dana made a surprise appearance with the company in their Brisbane season of “Swan Lake.” You may catch her here and there as she continues to guest with the company. For Australian Ballet tickets and show times, head to their website, australianballet.com.au, or you can find them on Instagram at @ausballet. And to follow all of Dana's adventures, you can find her on Instagram @danastephensen.We are thrilled to be sponsored by Energetiks. Energetiks specialise in creating sustainable, world class dancewear for the stars Energetiks is offering Talking Pointes listeners a 20% discount [available until the end of March 2024]. Listen for the code in the episode. Shop their extensive range online at energetiks.com.au or energetiks.com if you're listening from the US. T&Cs APPLY. @energetiks @energetiksusaTalking Pointes is produced on the lands of the Gadigal and the Wanegal peoples to whom we pay our greatest respects. Talking Pointes is produced by Fjord Review. Remember to subscribe to get the latest episodes as soon as they're released. If you like us, please leave a five-star review.Your host and producer is me, Claudia Lawson, with additional production by Penelope Ford and Clint Topic. Sound production and editing is by Martin Peralta at Output Media. For the latest in all things dance, head to fjordreview.com. 

Today we're speaking with the quite incredible Evie Ferris. Evie was born in Cairns in far north Queensland, and she's a proud Taribelang and Djabugay woman. Growing up, Evie danced alongside her sister, a talent so bright that by the age of 12, her family, including two of her five siblings were moving south to Melbourne. She joined the Australian Ballet School, and on graduation was accepted straight into the company. She's only the second Indigenous Australian to ever join the Australian Ballet. But this isn't the end of Evie's glorious story. In this wondrous interview, Evie described her life in dance, about finding her voice and about the pride but also the pressure that comes with being an Indigenous dancer. We also talk about the moment she met “Blue Wiggle” Anthony Field in a Sydney Opera House Green Room, and how she went on to become the first Indigenous Australian to become both a ballerina and a member of the Wiggles.Evie continues to split her time touring and dancing with both the Australian Ballet and The Wiggles. For Australian Ballet Performances tickets and times, head to australianballet.com.au, or you'll find them on Instagram #AusBallet. For The Wiggle shows and tour dates, head to the wiggles.com, or find them on Instagram @thewiggles. And to follow all of Evie's adventures, find her on Instagram @evieferris. Evie and I recorded our conversation remotely, with Evie dialing in from Melbourne on the land of the Kulin people. Talking Pointes is recorded and produced on Awabakal and Gadigal lands, to the owners of all these lands we pay our greatest respects. Talking Pointes is produced by Fjord Review. Remember to subscribe to get the latest episodes as soon as they're released. And if you like us, please leave a five star review. Your host and producer is me, Claudia Lawson, with additional production by Penelope Ford and Clint Topic. Sound production and editing is by Martin Peralta at Output Media. And for the latest in all things dance, head to fjordreview.com.We are thrilled to be sponsored by Energetiks. Energetiks specialise in creating sustainable, world class dancewear for the stars Energetiks is offering Talking Pointes listeners a 20% discount [available until the end of March 2024]. Listen for the code in the episode. Shop their extensive range online at energetiks.com.au or energetiks.com if you're listening from the US. T&Cs APPLY. @energetiks @energetiksusa

Today we are speaking with the divine Brooke Casson. Brooke Lockett, as she was known throughout her career, grew up in Ballarat and had a dream run to the stage. She was accepted into the Australian Ballet School by the age of 14, and then straight into the company on graduation. In this beautiful and brave interview, Brooke speaks about her career at the Australian Ballet. We speak about promotions, about being the face of the company, the perception of rank and about hard conversations, but we also talk about so much more about new careers, about meeting her husband, becoming a mom. Brooke continues to direct and teach at her Studio in Rose Bay in Sydney. For class times, and to sign up, head to studio696.com.au or @Studio696x on Instagram. And to continue to follow all of Brooke's wonderful adventures, you can find her on Instagram at @brookecassen.Brooke and I recorded our conversation on the lands of the Gadigal People of the Eora Nation, to whom we pay our greatest respects.We are thrilled to be sponsored by Energetiks. Energetiks specialise in creating sustainable, world class dancewear for the stars Energetiks is offering Talking Pointes listeners a 20% discount [available until the end of March 2024]. Listen for the code in the episode. Shop their extensive range online at energetiks.com.au or energetiks.com if you're listening from the US. T&Cs APPLY. TeamClaudia Lawson, host @byclaudialawsonMartin Peralta, sound designer @outputmediaPenelope Ford, producer @fjordreviewClint Topic, additional sound production @sawtoothstudios Talking Pointes was recorded on traditional lands of the Wurundjeri People of the Kulin Nation, Awabakal and Worimi. We acknowledge the Traditional Owners of Country and recognise the continuing connection to lands, waters and communities. We recognise that sovereignty was never ceded.

Today we're speaking with the divine Danielle Rowe. Dani grew up in South Australia, and by 14 she had moved interstate to train [in ballet] under Marie Walton Mann. Within a year of that, she'd been accepted into the Australian Ballet School, and on graduation, she was offered a position with the company, but the accolades didn't stop. Dani rose to principal artist, won the Telstra Ballet Dancer award twice, and represented the Australian Ballet company around the world from London to China. But in a move that defines the superstars trajectory, she wanted more. She left Australia and moved to the US, joining Houston Ballet as a principal artist. Less than a year later, she was offered a contract with a prestigious Netherlands Dance Theater. In this wondrous conversation, Dani and I talk about her career across three continents, how she found choreography, about managing long distance relationships, her want for a family, and ultimately how she became the first female artistic director of Oregon Ballet Theater. We are thrilled to be sponsored by Energetiks. Energetiks specialise in creating sustainable, world class dancewear for the stars of tomorrow. Perform and feel your best at every stage of your dance journey in Energetiks' premium, high performance fabrics. Try them out with a 20% discount site-wide using the code DANIELLE20 at the checkout [available until the end of March 2024]. Shop their extensive range online at energetiks.com.au or energetiks.com if you're listening from the US. T&Cs APPLY.TeamClaudia Lawson, host @byclaudialawsonMartin Peralta, sound designer @outputmediaPenelope Ford, producer @fjordreviewClint Topic, additional sound production @sawtoothstudiosTalking Pointes was recorded on traditional lands of the Wurundjeri People of the Kulin Nation, Awabakal and Worimi. We acknowledge the Traditional Owners of Country and recognise the continuing connection to lands, waters and communities. We recognise that sovereignty was never ceded.

On our first episode of season three, I'm speaking with the former principal dancer of the Australian Ballet, the much loved Adam Bull. Adam grew up in outer Melbourne and by a stroke of luck, his primary school teacher at his local school suggested he try dance. He did, and it became a love affair that has lasted a lifetime. By the time he was a teenager, he was training under Brian Nolan at Dance World 3 0 1 before joining the Australian Ballet School and then being accepted straight into the Australian Ballet. In this wonderful interview recorded just five days before Adam's final performance in Melbourne. Adam reflects on his career, he speaks of his early life growing up, dancing, joining the company, and of course making principal. But we also talk about more about love, about his onstage relationship with Amber Scott, his thoughts on marriage and what it feels like to dance for the national company for 22 years. TeamClaudia Lawson, host @byclaudialawsonMartin Peralta, sound designer @outputmediaPenelope Ford, producer @fjordreviewClint Topic, additional sound production @sawtoothstudiosTalking Pointes was recorded on traditional lands of the Wurundjeri People of the Kulin Nation, Awabakal and Worimi. We acknowledge the Traditional Owners of Country and recognise the continuing connection to lands, waters and communities. We recognise that sovereignty was never ceded.

Talking Pointes returns for an epic third season. On this season, we're speaking with some of the biggest dance superstars in Australia. We're chatting about their lives and careers, navigating everything from promotion, pregnancy, and making principal. But we are also going overseas, speaking to Australian dancers and international artists who've made their careers around the globe. We're heading to London and to America. From Portland, Oregon on the West coast to New York City. There are life highs and career lows, and we chat everything from bullying, sexuality, confidence, inspiration, and navigating retirement. Find Talking Pointes wherever you listen to your podcasts. And to get the latest episodes, please subscribe or follow. Season three will be rolling out from Tuesday, September 26th, 2023. Production byClaudia Lawson, host @byclaudialawsonMartin Peralta, sound designer @outputmediaPenelope Ford, producer @fjordreviewClint Topic, additional sound production @sawtoothstudiosTalking Pointes was recorded on traditional lands of the Wurundjeri People of the Kulin Nation, Awabakal and Worimi. We acknowledge the Traditional Owners of Country and recognise the continuing connection to lands, waters and communities. We recognise that sovereignty was never ceded.

Internationally-acclaimed former principal dancer and artistic director of The Australian Ballet, David McAllister recently completed his tenure as acting artistic director of the Royal New Zealand Ballet. Throughout his career David has made numerous guest appearances worldwide, dancing with the Bolshoi Ballet. McAllister's book Ballet Confidential: A personal behind the-scenes guide lifts the curtain on a world of tutus, tulle and lycra, the pursuit of perfection, injuries and what it was like dancing for the Princess of Wales.

Michelle Bergeron is a Melbourne based physiotherapist with a special focus on foot and ankle rehabilitation. Throughout the episode, we explore Michelle's journey with physiotherapy including her experience working with the Australian Ballet, in the AFL and Cirque du Soleil. We also discuss her general approach to foot and ankle conditions, some common errors that she sees and how she uses footwear as a tool throughout that process and we also talk through some key tips for successfully navigating the rehab journey. Really enjoyed this chat with Michelle and excited to learn more from her in the future through The Better Foot Project workshops she is running with Andy Bryant, which we discuss towards the end of the podcast - their first workshop that we talk about was a few weeks ago now however I know they're planning on holding more in the future so if you're a professional in the space who is keen to learn more about how to assess and treat the foot / ankle complex, make sure you check out Michelle and Andy on Instagram and stay tuned for announcements!You can learn more about Michelle on her website here. Helpful links: Foot health program - fix your feet with our ultimate 42-day guided program Join the community - free education, training and support Shop - TFC tools and training (Use the code R2E10 to save 10%) Fountain - Earn money while you listen to our podcast Follow us: Instagram TikTok YouTube Facebook Audio: Quote - Allan Watts Music: Dream Chaser - Lunareh Written By - Wiriyapa Chansuwong Performed & Produced By - LunarehDestiny Beach - Cody MartinWritten by - Cody Kurtz MartinPerformed & Produced By - Cody Kurtz Martin

Dr James Khong has been a GP for 5 decades and at age 81, has wonderful wisdom to share with us in this week's show. The solution to the ‘Stress Pandemic,' as James calls these times, is a combination of Eastern and Western medicine, as well as following his Pillars of Health and reducing stress. I know you'll love his calm reasoned and overwhelm-free approach in this show. James outlines his philosophy of wellness in his new book Pandemic Stress, Reflections of Thriving in an Anxious world - a book her wrote as a way to leave a legacy from his career and life. In over fifty years as a surgical registrar, emergency medicine specialist, innovative GP and medical consultant to the Australian Ballet, film and television industry, James Khong has had a front row seat of the medical ‘industry,' and the view makes him sick. Ironically, it was a near-death-experience twenty years ago, which led to James' epiphany about changing the status quo medical model. He started to combine traditional Chinese/Western/Functional medicine, which look for causes to illness, rather than just addressing the symptoms. James also introduced meditation and breathing exercises for stress reduction.   Enjoy the show and head to the show notes for more details over at lowtoxlife.com/podcastSee omnystudio.com/listener for privacy information.