Podcasts about The Australian Ballet

Really Interesting Women The Podcast Ep. 147 Meryl TankardMeryl Tankard is one of Australia's most distinguished and innovative figures in contemporary dance and choreography. Her talent was recognised very early - and even at that early stage she knew the 'old school' teaching techniques were, at times, abhorrent. But despite this, her talent flourished. To the point where she auditioned and earned a place in the Australian Ballet. But in her mind she wanted more. She joined the prestigious Pina Bausch Tanztheater Wuppertal in Germany, where she became a principal artist and developed her distinctive artistic voice.Upon returning to Australia in the early 1990s, she served as Artistic Director of the Australian Dance Theatre (ADT) in Adelaide, transforming it into a globally recognised company. And that led inexplicably to a controversial move by the ADT that we talk about. But it's her bold, theatrical productions that merged dance with other art forms that have impressed audiences the world over. Her choreographic style is characterised by emotional intensity, physical dynamism, and a unique blend of classical technique with contemporary expression.She has created works for opera, film, and large-scale events, including contributions to the Sydney 2000 Olympic Games ceremonies.And as if for good measure she's a qualified and exceptional film maker. To this day Meryl Tankard remains an influential force in Australian performing arts, celebrated for her passionate commitment to artistic innovation and her ability to create deeply moving dance experiences.It was a great conversation with an enduring, warm, immensely talented artist. You can see the clips I was referring to in our conversation at:https://meryltankard.com/workHead to the link in my bio to hear our conversation. Visit instagram @reallyinterestingwomen for further interviews and posts of interesting women in history. Follow the link to leave a review....and tell your friendshttps://podcasts.apple.com/au/podcast/really-interesting-women/id1526764849

Today I have the immense privilege of speaking with Dr. Sue Mayes. She's the current director of the Australian Ballet's globally recognized artistic health team. Sue was born in Victoria, and like many physios who work with dancers, Sue learned classical ballet in her youth and studied full-time under the formidable Gailene stock. It was while she was completing her diploma of dance that Sue's started to think about her future. Her love of dance combined with an interest in anatomy led her to physiotherapy, and as we say, the rest is history. In this most fascinating episode, Sue shares her journey in dance, and how she found her way to the Australian Ballet, where she began an esteemed career that has spanned 30 years developing the Australian Ballet's Injury Prevention Program.Sue's time as the head of the Australian Ballet's Wellness Team has now come to an end, and she begins her tenure as a senior lecturer at Latrobe University in Bundoora, Melbourne. If you'd like to find any of Sue's extensive research, all you need to do is Google her name and you can also find her injury prevention exercises on the Australian Ballet's YouTube channel. To continue to follow all of Sue's adventures, you'll find her on Instagram @suemayes8839.Today's episode was the final episode of Season four of Talking Pointes. But stay tuned. We'll be releasing lots of bonus episodes in the coming weeks. Talking Pointes is produced on the lands of the Gadigal People of the Eora Nation, to whom we pay our greatest respects. This season of Talking Pointes is sponsored by Energetiks. Energetics, specialize in creating sustainable for the stars of tomorrow. Perform and feel your best at every stage of your dance journey in energetics, premium, high performance fabrics. Talking Pointes listeners receive a discount code of 20% to use on their extensive range online @ energetics.com au or for our US listeners, it's energetics.com, Ts and Cs apply. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

In this episode, we discuss the management of lower limb tendinopathy. We explore: Current evidence based management of tendinopathyDifferential diagnosis of tendinopathy and peritenonRole of compression in tendinopathySpeed of exercises used in rehabilitationPatient specificity for exercise prescriptionImportance of load in rehabilitationRole of inflammation in tendonsDr Seth O'Neill has been teaching and researching at the University of Leicester since 2006. He currently acts as the research director for the school of healthcare and as the deputy head of school. His research spans sporting populations and NHS groups and predominately focuses on tendon disease - tendinopathy or ruptures. He has completed a PhD on achilles tendinopathy. Seth is currently researching tendon structure and changes that occur during health and disease along with biopsychosocial interventions for tendinopathy and back pain and developing an international database of calf injuries.Dr Ebonie Rio is a Sports Physiotherapist at the Victorian Institute of Sport, The Australian Ballet, and she consults to multiple AFL, Rugby, elite Soccer and Basketball clubs. She is the Principle Research Fellow at The Australian Ballet, a joint position with La Trobe Sport and Exercise Medicine Research Centre. Ebonie co-leads activities in the High Performance 2032+ Strategy in Research and Innovation. She is the Deputy Manager of the Physiotherapy Department at VIS and co-chairs the research council. Do you want to learn more about tendons? Ebonie recently did a practical with Physio Network on this topic. With Practicals you can see exactly how top experts assess and treat specific conditions – so you can become a better clinician, faster.

In this episode we speak with Callum Linnane, a principal dancer with The Australian Ballet. Linnane, 29, has been dancing since he enrolled in tap classes as a seven year old in regional Victoria. Now he’s a star of the show - the kind of person who does magazine spreads and launches spring fashion campaigns. (His social media followers have described him as everything from Australia’s answer to Rudolf Nureyev, to a young David Bowie.) Good Weekend senior writer Konrad Marshall talks to this son of a bricklayer about growing up in Ballarat, surviving (and thriving) on the grandest stage, and his upcoming titular role in Nijinsky, the latest offering from The Australian Ballet.See omnystudio.com/listener for privacy information.

Today I have the immense privilege of speaking with Riley Lapham. Riley started dancing early in her home town of Wollongong, and by age 14, she had joined the Australian Ballet School. But from here, Riley's journey takes twists and turns. In her graduation year, Riley missed her final performance due to injury. But in a Center Stage-like moment, the then artistic director David McAllister offered her a contract with the company.In this brave and vulnerable conversation, Riley and I talk about what it's like to join a company while injured, and what it was like to deal with the worldwide shutdown that occurred in 2020 as a junior member of the company. Riley also speaks about a topic she's not yet discussed publicly—her journey with long Covid—what it was like to contract Covid just as she was nominated for Telstra Ballet Dancer of the Year, and then the unexpected journey of not getting better. We talk about the grief and the devastation that followed the acceptance of a slow recovery, her decision to move to France, and the journey back to the stage with the Australian Ballet.Riley continues to train and work with the Australian Ballet's rehabilitation team, while gaining her strength to make a return to the stage. To continue to follow all of Riley's wonderful adventures, you can find her on Instagram at @rileylapham. Talking Pointes is produced on the lands of the Gadigal people of the Eora nation, to whom we pay our greatest respects.  Talking Pointes is produced on the lands of the Gadigal People of the Eora Nation, to whom we pay our greatest respects. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Australian theatre legend Robyn Nevin is directing And Then There Were None, a classic murder mystery by Agatha Christie. She talks to Michael about the darkness in Christie's stories, her view on changing acting styles and how Robyn finds her 'inner clown'. Playwright Patricia Cornelius explains why she has five actors playing the world's most famous hacker — Wikileaks founder Julian Assange, in her new play TRUTH. She's joined by director Susie Dee.And you'll discover a ballet about the great Russian dancer Vaslav Nijinsky. Michael speaks to Australian Ballet principal artist Callum Linnane, who first danced the part nine years ago in the ballet Nijinsky.

Today we have the pleasure of speaking with former Australian Ballet dancer Brooke Cassen. On Season Three of Talking Pointes, I spoke with Brooke on what became one of our most listened-to episodes of all time. Today, Brooke returns to the podcast to speak about the success of her episode, and we chat about how she opened up about promotions, and—often a taboo topic in dance—what it means if you don't get promoted and how you deal with that, which is the reality for most dancers in the industry. Because we are focusing on health this season, Brooke and I then discuss the injuries she suffered during her career, how she recovered both physically and mentally to return to the stage. We then discussed the Australian ballet's response to the media storm earlier this year when a Sydney Morning Herald review described dancers of the Australian Ballet as looking “unusually thin.”Brooke continues to direct and teach at her studio in Rose Bay in Sydney for class times. And to sign up, head to studio sixninesix.com au or you can find them on Instagram @studio696x. And you can follow all of Brooke's wonderful adventures on her Instagram @brookecassen.Brooke and I recorded our conversation on the lands of the Gadigal people of the Eora Nation to whom we pay our greatest respects. Your host and producer is me, Claudia Lawson, with additional production by Penelope Ford and Clint. Topic. Sound production and editing is by Martin Peralta at Output Media. And for the latest in all things dance, head to fjordreview.com. Talking Pointes is produced on the lands of the Gadigal People of the Eora Nation, to whom we pay our greatest respects. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

For our Season Three bonus episode, we speak again with the divine Dana Stephensen. Dana and I initially spoke about 18 months ago, and in that conversation we covered Dana's journey into the Australian Ballet, managing her hyperthyroidism and weight gain. We talked about promotions, meeting her now husband Lachie becoming a mom and returning to the stage. This time I speak to the newly retired Dana Stephensen, who after 19 years dancing with the Australian Ballet finally gave a farewell performance at the Royal Opera House in London. In this hugely inspiring episode, we reflect on the depth and the bravery of Dana speaking about postnatal depression after the birth of her twins, how she returned to the stage as a mom of three and clawed back both her confidence and sense of self. But we also talk about the struggles of juggling tour life with Lachie and her three children and how she came to the decision to retire before finally turning to her thoughts for the future.Dana now lives in Brisbane and is settling into life with her husband Lachie and their three children. While she's newly retired from the Australian Ballet, Dana made a surprise appearance with the company in their Brisbane season of “Swan Lake.” You may catch her here and there as she continues to guest with the company. For Australian Ballet tickets and show times, head to their website, australianballet.com.au, or you can find them on Instagram at @ausballet. And to follow all of Dana's adventures, you can find her on Instagram @danastephensen. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Today we're speaking with the quite incredible Evie Ferris. Evie was born in Cairns in far north Queensland, and she's a proud Taribelang and Djabugay woman. Growing up, Evie danced alongside her sister, a talent so bright that by the age of 12, her family, including two of her five siblings were moving south to Melbourne. She joined the Australian Ballet School, and on graduation was accepted straight into the company. She's only the second Indigenous Australian to ever join the Australian Ballet. But this isn't the end of Evie's glorious story. In this wondrous interview, Evie described her life in dance, about finding her voice and about the pride but also the pressure that comes with being an Indigenous dancer. We also talk about the moment she met “Blue Wiggle” Anthony Field in a Sydney Opera House Green Room, and how she went on to become the first Indigenous Australian to become both a ballerina and a member of the Wiggles.Evie continues to split her time touring and dancing with both the Australian Ballet and The Wiggles. For Australian Ballet Performances tickets and times, head to australianballet.com.au, or you'll find them on Instagram #AusBallet. For The Wiggle shows and tour dates, head to the wiggles.com, or find them on Instagram @thewiggles. And to follow all of Evie's adventures, find her on Instagram @evieferris. Evie and I recorded our conversation remotely, with Evie dialing in from Melbourne on the land of the Kulin people. Talking Pointes is recorded and produced on Awabakal and Gadigal lands, to the owners of all these lands we pay our greatest respects. Talking Pointes is produced by Fjord Review. Remember to subscribe to get the latest episodes as soon as they're released. And if you like us, please leave a five star review. Your host and producer is me, Claudia Lawson, with additional production by Penelope Ford and Clint Topic. Sound production and editing is by Martin Peralta at Output Media. And for the latest in all things dance, head to fjordreview.com. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Today we're speaking with the quite incredible Evie Ferris. Evie was born in Cairns in far north Queensland, and she's a proud Taribelang and Djabugay woman. Growing up, Evie danced alongside her sister, a talent so bright that by the age of 12, her family, including two of her five siblings were moving south to Melbourne. She joined the Australian Ballet School, and on graduation was accepted straight into the company. She's only the second Indigenous Australian to ever join the Australian Ballet. But this isn't the end of Evie's glorious story. In this wondrous interview, Evie described her life in dance, about finding her voice and about the pride but also the pressure that comes with being an Indigenous dancer. We also talk about the moment she met “Blue Wiggle” Anthony Field in a Sydney Opera House Green Room, and how she went on to become the first Indigenous Australian to become both a ballerina and a member of the Wiggles.Evie continues to split her time touring and dancing with both the Australian Ballet and The Wiggles. For Australian Ballet Performances tickets and times, head to australianballet.com.au, or you'll find them on Instagram #AusBallet. For The Wiggle shows and tour dates, head to the wiggles.com, or find them on Instagram @thewiggles. And to follow all of Evie's adventures, find her on Instagram @evieferris. Evie and I recorded our conversation remotely, with Evie dialing in from Melbourne on the land of the Kulin people. Talking Pointes is recorded and produced on Awabakal and Gadigal lands, to the owners of all these lands we pay our greatest respects.  Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Today we are speaking with the divine Brooke Casson. Brooke Lockett, as she was known throughout her career, grew up in Ballarat and had a dream run to the stage. She was accepted into the Australian Ballet School by the age of 14, and then straight into the company on graduation. In this beautiful and brave interview, Brooke speaks about her career at the Australian Ballet. We speak about promotions, about being the face of the company, the perception of rank and about hard conversations, but we also talk about so much more about new careers, about meeting her husband, becoming a mom. Brooke continues to direct and teach at her Studio in Rose Bay in Sydney. For class times, and to sign up, head to studio696.com.au or @Studio696x on Instagram. And to continue to follow all of Brooke's wonderful adventures, you can find her on Instagram at @brookecassen.Brooke and I recorded our conversation on the lands of the Gadigal People of the Eora Nation, to whom we pay our greatest respects.  Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Today we're speaking with the divine Danielle Rowe. Dani grew up in South Australia, and by 14 she had moved interstate to train [in ballet] under Marie Walton Mann. Within a year of that, she'd been accepted into the Australian Ballet School, and on graduation, she was offered a position with the company, but the accolades didn't stop. Dani rose to principal artist, won the Telstra Ballet Dancer award twice, and represented the Australian Ballet company around the world from London to China. But in a move that defines the superstars trajectory, she wanted more. She left Australia and moved to the US, joining Houston Ballet as a principal artist. Less than a year later, she was offered a contract with a prestigious Netherlands Dance Theater. In this wondrous conversation, Dani and I talk about her career across three continents, how she found choreography, about managing long distance relationships, her want for a family, and ultimately how she became the first female artistic director of Oregon Ballet Theater.  Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

On our first episode of season three, I'm speaking with the former principal dancer of the Australian Ballet, the much loved Adam Bull. Adam grew up in outer Melbourne and by a stroke of luck, his primary school teacher at his local school suggested he try dance. He did, and it became a love affair that has lasted a lifetime. By the time he was a teenager, he was training under Brian Nolan at Dance World 3 0 1 before joining the Australian Ballet School and then being accepted straight into the Australian Ballet. In this wonderful interview recorded just five days before Adam's final performance in Melbourne. Adam reflects on his career, he speaks of his early life growing up, dancing, joining the company, and of course making principal. But we also talk about more about love, about his onstage relationship with Amber Scott, his thoughts on marriage and what it feels like to dance for the national company for 22 years. Talking Pointes was recorded on traditional lands of the Wurundjeri People of the Kulin Nation, Awabakal and Worimi. We acknowledge the Traditional Owners of Country and recognise the continuing connection to lands, waters and communities. We recognise that sovereignty was never ceded. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Episode 3: Callum Linnane Callum Linnane's love affair with dance began at the age of seven at his primary school in Ballarat. And his determination, perfectionist tendencies and unbreakable work ethic underpinned his rise through the ranks of The Australian Ballet to be named Principal Artist in 2022 – a role he relished from a young age. Despite this incredible achievement, Callum is a humble human, described in Harper's Bazaar as “the boy-next-door with a tinge of rock star he doesn't know he possesses. His presence walks into a room before his body does.” Callum may have climbed this mountain, but he isn't done yet, and his biggest wish is to build a better world where people are free to try new things and not ridiculed for their choices.   TWO AM I Listen Curiously CREDITS   Hosts: Jack Riewoldt and Shane McCurry   Thanks to our guest Callum Linnane:   To learn more about Callum: Callum on Instagram Callum on Facebook Callum Linnane Principal Artist, The Australian Ballet   Links from this episode: The Australian Ballet The Australian Ballet on Instagram The Australian Ballet on Facebook The Australian Ballet Wikipedia   Find TWO AM I on social media here: TWO AM I YouTube TWO AM I Instagram  TWO AM I Tik Tok TWO AM I LinkedIn TWO AM I LinktreeSee omnystudio.com/listener for privacy information.

Roz Hervey has enjoyed a 30-plus-year career as a dancer, choreographer, director and producer. So, how does she respond when life throws her a challenge which will certainly bring those adventures to a halt? In the face of a recent diagnosis of Motor Neurone Disease (MND), Roz has continue throwing all of her energies into the arts.Also, we ask the multi-award-winning English director and choreographer Christopher Wheeldon, choreographer of a new ballet inspired by Oscar Wilde, which works of art most inspire him, and we celebrate 60 years of the Australian Ballet School with the school's new director Megan Connelly and one of the school's most famous graduates, Graeme Murphy. 

The team reminisces on their treasured childhood toys; ballerina Benedicte Bernet shares her experiences of being the principal dancer in the new Australian Ballet production, Oscar; foodie Michael Harden unpacks the humble sausage roll; writer and pop culture critic Brodie Lancaster discusses the Australian Content in the Streaming Era Symposium; international relations expert Binoy Kampmark breaks down the going-ons of the Land Forces protests; and artist Patricia Piccinini talks about giving the keynote address at this year's FUSE Darebin. With presenters Monique Sebire, Daniel Burt & Nat Harris.Website: https://www.rrr.org.au/explore/programs/breakfasters/Facebook: https://www.facebook.com/Breakfasters3RRRFM/Twitter: https://twitter.com/breakfasters

Lauren Cassar is an Artist, Mother and qualified Art Therapist who lives in Southern Lutruwita, Australia. Creating under the name, MIRADOR, Lauren's art is connected to both the domestic & the wild, evoking a grounded, yet abstract vibe.  Lauren believes in nurturing creativity to heal and express the intricacies of the human experience.Lauren's journey involves studying design, working as an in-house designer + collaborator for fashion brands, and then leaning into her painting practice – eventually moving into selling her own work + wearable art.Lauren's Art Therapy work work transcends conventional talking therapies, offering a unique and cathartic journey for those seeking solace and a deeper understanding of themselves. – This podcast is created & produced on Darkinjung Land. Hosted & Produced by Amy Pearson from SUN MOTHER STUDIO. Original Music by J. Dale Pearson www.sunmotherstudio.com Find Amy on Instagram

Julie Dupas, founder of Amsterdam Amateur Ballet and Morlaix Ballet Camp, is in the studio for this episode! After beginning ballet in her 20s and noticing a lack of performance opportunities for adult ballet dancers, Julie founded Amsterdam Amateur Ballet, an inclusive and affordable amateur adult performance group based in Amsterdam. She also founded international summer camp Morlaix Ballet Camp, in which adult dancers take class, learn and perform a complete ballet alongside professional dancers in the course of eight days. Julie studied jazz as a form of dance for most of her childhood and eventually went on to become a scientist with a PhD in biology. She taught biology for five years before deciding to switch careers, founding two ballet non-profits and working as a pilates instructor.  She joined the studio to discuss how her science background has served her in ballet, how dancers can build strength and flexibility with pilates, and what she hopes adults take away from her classes. She also discussed the anxieties, and ultimately, the benefits of making a mid-career shift and her advice for other adults beginning ballet later in life. Check it out! Follow Julie on Instagram: https://www.instagram.com/julie.pilates.ballet/ Learn more about Amsterdam Amateur Ballet: https://amsterdamamateurballet.com/ Check out Morlaix Ballet Camp: https://morlaixballetcamp.com/ Learn why The Australian Ballet dancers quit stretching before class: https://dancemagazine.com.au/2019/09/why-the-australian-ballet-dancers-quit-stretching/#:~:text=The%20Australian%20Ballet%20dancers%20now,a%20great%20risk%20reduction%20strategy. Music in this episode: Waltz of the Flowers - Tchaikovsky Barroom Ballet - Silent Film Light - Kevin MacLeod Barroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/  Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310 Artist: http://incompetech.com/  @eblosfield | theadultballetstudio@gmail.com Support this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link --- Support this podcast: https://podcasters.spotify.com/pod/show/elizabeth-blosfield/support

A mestra de capoeira sugeriu que a mãe do então menino da periferia do Rio de Janeiro o levasse ao balé, por conta de seu físico avantajado. Assim começou a história do dançarino carioca que se formou no Royal Ballet de Londres, trabalhou no Dutch Ballet em Amsterdã e desde janeiro representa o grande corpo de dança da Austrália. Ele nos conta sua história.

Kim Carpenter AM is an Australian visual artist, theatre director, designer and devisor. For thirty years he was artistic director of his company, Kim Carpenter's Theatre of Image. During the 1970s, Carpenter designed for the Melbourne Theatre Company and Sydney's Nimrod Theatre Company. He was, for a short period, co-Artistic Director of Nimrod in the early 1980s. In 1988, Kim established Theatre of Image as Sydney's first visual theatre company. Theatre of Image developed into a leading Australian theatre company for children and families, with its productions having a distinctive visual style. In September 2019 he announced the closure of the company. His work includes The Book of Everything which he created with Neil Armfield for Theatre of Image and Belvoir. The production toured Australia and played a season in New York at the New Victory Theatre. In 2019 he adapted and designed The Happy Prince as a ballet for The Australian Ballet. It premiered at the Queensland Performing Arts Centre. Kim Carpenter was made a Member of the Order of Australia in 2013 for significant service to the performing arts. He has devised, directed or designed over 100 productions for theatre, opera, dance, physical theatre, ballet and puppetry. A prolific visual artist also, Kim Carpenter has been represented in Australian and International exhibitions. His next exhibition is a series inspired by William Shakespeare's A Midsummer Night's Dream. This show of works will be exhibited at Maunsell Wickes Gallery Paddington, from April 6th to 21st. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

For our bonus episode this season, we're catching up with the Australian Ballet's Artistic Director David Hallberg. Last season, David and I spoke about his life growing up in South Dakota, being bullied, training at the Paris Opera, becoming principal at American Ballet Theatre, and being the first American to be invited to dance with the Bolshoi Ballet in Russia. We talked about climbing back from his epic injury, his head space at that time, before taking over the Artistic Directorship of the Australian Ballet right in the middle of Covid. A year later we talk about what it's been like to be artistic director now that theatres are open and audiences are back, about what kind of as dancers he selects for the company, how he decides who will be promoted, the Australian Ballet's 60th anniversary, and life in Australia.If you'd like to read more about David's life, find our full conversation in the show notes, or you can read his autobiography called A Body of Work: Dancing to the Edge and Back. For Australian Ballet updates you can find them on Instagram at @ausballet and to continue to follow David's adventures, you'll find him on Instagram at @davidhallbergofficialDavid and I recorded remotely, with David dialling in from Melbourne, the land of the Kulin people, with recording and production on the land of the Awabakal and Gadigal people of the Eora Nation, to all of whom to which we pay our greatest respects. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

This week on Conversations on Dance, we are joined by Australian Choreographer, Tim Harbour. Tim tells us about his ballet career with The Australian Ballet, how he became interested in creating dance, and about his process. We talk in depth about his work, 'Filigree and Shadow,' which will be performed by Houston Ballet this month. Tim tell us about what inspired the work, what sets it apart form some of his other ballets, and working with Houston Ballet dancers. If you are in the Houston area, see 'Filigree and Shadow' as a part of Houston Ballet's "Bespoke" program, running March 7 - 17. For tickets and more information, visit houstonballet.org.THIS EPISODE'S SPONSOR: artÉmotion's popular adult summer intensive program returns this May 27 - June 1. This program includes Advanced, Intermediate Advanced, Intermediate, and Beginner classes, with no prior dance experience needed for the beginner level. Let artÉmotion be the bridge between audience and the studio. Come dance this summer. For more information visit https://artemotionballetschool.com/.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Today I'm speaking with the divine Jenna Roberts. Jenna grew up in Newcastle and started dancing only because a local ballet studio set up shop on the same street as her family home.  But as fortune would have it, that local studio happened to be the Marie Walton Mahon Dance Academy, as it was known back then. And so Jenna, and little sister Callie, started dancing. For any outsider, it was clear the Robert's sisters were born to dance—with high arches and long, lean legs, genetics almost pre-determined their careers. By the time Jenna was a teen, she was winning scholarships and accolades before, at 16, she was accepted into the Royal Ballet School in London.In this courageous and extraordinary conversation, Jenna reveals it's not always as it seems—we talk about tough years at Royal Ballet School, about crippling home sickness, and then rising to become a principal artist with the Royal Birmingham Ballet. But more than that, Jenna also speaks about the pressures that continue to exist on body image in the dance world—and with that her own experience taking laxatives, the passing of her mum, and her decision to retire at the peak of her career on her own terms. Finally Jenna speaks about her years of infertility and IVF, before making a wonderful and unexpected life decision with her husband, Joe.Jenna and her husband Joe Caley have just relocated from London, and are now based in Melbourne—where Joe has joined the Australian Ballet as their newest principal artist. Jenna continues to coach and teach the rising starts of dance, all while running her own Pilates studio tailored for dancers and athletes. To continue follow all of Jenna's adventures, you can find her on Instagram at @Jenna_Caley_PilatesJenna and I recorded remotely, with Jenna dialling in from Melbourne on the land of the Kulin people. Jenna's episode was produced in Sydney on the land of the Gadigal People of the Eora Nation, to whom we pay our greatest respects.

Today I am speaking with the Artistic Director of the Tanya Pearson Academy, Lucinda Dunn. Lucinda started her life in dance destined for London's West End - where her Mum had been a performer, but a chance meeting with a ballet teacher named Tanya Pearson saw a change of direction, and at 15 she flew to Tokyo to compete in the Prix de Lausanne - and Lucinda's life changed. In our conversation Lucinda shares her life story - how she joined the Royal Ballet School, broke her back, before being offered a contract with the Australian Ballet  – a partnership which lasted nearly 23 years and saw Lucinda become their longest serving ballerina. Now a Mum to two girls and Artistic Director of Tanya Pearson Academy, Lucinda speaks about the juggles of a 20 plus year career in dance, and what she believes young students need to make it in the world of ballet.Lucinda continues to work and develop rising stars at the Artistic Director of the Tanya Pearson Academy, while also working with and training the dancers of the Australian Ballet and other performers arriving in Sydney to perform. To continue to follow all of Lucinda's adventures, you can follow the Tanya Pearson Academy on Insta at @Tanya_Pearson_Academy or Lucinda's personal account at @lucinda_dunn_

Today I am speaking with the divine Dana Stephensen. Dana grew up in Brisbane learning tap, jazz and singing, and never dreamed of being a ballerina. But ballet had a way of finding her. And strangely enough, it was a rejection letter from the Australian Ballet School and the disappointment that followed that awakened her passion and changed the trajectory of her life. In this beautifully courageous and candid interview, Dana speaks about her career with the Australian Ballet, managing her thyroid condition and the affect that had on her body image, and being promoted to senior artist after becoming a mum. But more than that, Dana opens up about the birth of her twin girls, navigating the loneliness of motherhood in a pandemic, the pressures of parenting with a public figure, and wondrously re-emerging and returning to the stage.Dana continues to perform as a senior artist with the Australian Ballet, all the while juggling life with her son Jasper, her fiancé Lachlan Gillespie, and their twin girls Lulu and Lottie. To continue to follow all of Dana's adventures, you can find her on Instagram @dana_stephensenFor support for peri and postpartum depression in Australia, you can find support through the Gidget foundation or PANDA's support line, their details are in the show notes, or for further aboard, please contact your local services.Dana and I recorded remotely, with Dana dialling in from Sydney on the land of the Gadigal People of the Eora Nation, to which we pay our greatest respects. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Today we're am speaking with the magnificent Amy Harris, Principal Dancer with the Australian Ballet. Amy, grew up in the small town of Ararat in rural Victoria, and along with her two sisters, learnt tap, ballet and jazz at her local hall. From there it was the dream run—at 15, Amy was accepted into the Australian Ballet School, before being offered a contract with the Australian Ballet Company on graduation—by the newly appointed director David McAllister no less. For many aspiring dancers, it was the dream run. But from here, Amy's journey changed speeds. In this beautifully candid interview Amy talks about the highs and the lows of her career, about body confidence, becoming pregnant, her mid-year interviews with David McAllister, and ultimately coming to terms with not being made a principal dancer—until magically, 17 years later and newly pregnant with her second child, she was.Amy continues to perform as a Principal Artist with the Australian Ballet, all the while juggling life with her husband Senior Artist Jarryd Madden and their two cherished children Willow and Phoenix. While retirement is not yet in sight, in her spare time Amy is training as a wedding celebrant. To continue to follow all of Amy's adventures, you can find her on Instagram @amyharris_7This episode is sponsored by Bloch. Listen for a promo code, valid through September. Full T&C's on www.bloch.com.auTalking Pointes is recorded in Sydney on the land of the Gadigal People of the Eora Nation, to whom we pay our greatest respects.Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Hi everyone and welcome back to this week's episode in conversation with Jessica Fyfe, @jessicafyfeofficial, currently a guest principal dancer with Scottish Ballet. We sat down and talked about Jessica's journey from the beginning, the challenges that came along from having a serious injury during her first year of Australian Ballet, to the choreographic journey of the new production of ‘Cinders' by Christopher Hampson at Scottish Ballet. You can find tickets to watch Jessica's UK debut at Scottish Ballet here: https://www.atgtickets.com/shows/scottish-ballet-cinders/theatre-royal-glasgow/?&&&&gad_source=1&gclid=CjwKCAiA9ourBhAVEiwA3L5RFrx-MkhWPrSk7Kxf9KqTyLfA0dMlaPY3GncTsGUTlwfrM4QqKaScaRoC1ysQAvD_BwE&gclsrc=aw.ds Find out about Cinders here: https://scottishballet.co.uk/whats-on/cinders/ Fuelling recs on IG @ausdancersoverseas @r_mcgregor Find more about Coda (not spon) @wearecoda.agency https://l.instagram.com/?u=http%3A%2F%2Fcodaclassical.com%2Fdancers%3Ffbclid%3DPAAaaN5eGe1OkcoS2bJH3IMzm9K6g7pSiUomiXBmrXCyczYAJsqYROfft7Dl4_aem_AVHgpIO93No9Jl208mKwQOcfVD9MPyN2SighhWOvITRXmHUXG56KdZJtxBshEpVgxTU&e=AT2IJE-pYmrLYDdMX1YOs62SwIe6j_dI1DkiW7oIoo1LEaTK9zNXZZ4f9SSoMKiC3qrOK0Ixo6Bo6ZBmZBrcUJ8fINXCINT3NONtN-nu3XOmyiFWI1RldLmV-PRUwfsMhBg Thank you so much to everyone that tuned into this week's episode, Have a great week Romy

For our Season Three bonus episode, we speak again with the divine Dana Stephensen. Dana and I initially spoke about 18 months ago, and in that conversation we covered Dana's journey into the Australian Ballet, managing her hyperthyroidism and weight gain. We talked about promotions, meeting her now husband Lachie becoming a mom and returning to the stage. This time I speak to the newly retired Dana Stephensen, who after 19 years dancing with the Australian Ballet finally gave a farewell performance at the Royal Opera House in London. In this hugely inspiring episode, we reflect on the depth and the bravery of Dana speaking about postnatal depression after the birth of her twins, how she returned to the stage as a mom of three and clawed back both her confidence and sense of self. But we also talk about the struggles of juggling tour life with Lachie and her three children and how she came to the decision to retire before finally turning to her thoughts for the future.Dana now lives in Brisbane and is settling into life with her husband Lachie and their three children. While she's newly retired from the Australian Ballet, Dana made a surprise appearance with the company in their Brisbane season of “Swan Lake.” You may catch her here and there as she continues to guest with the company. For Australian Ballet tickets and show times, head to their website, australianballet.com.au, or you can find them on Instagram at @ausballet. And to follow all of Dana's adventures, you can find her on Instagram @danastephensen.We are thrilled to be sponsored by Energetiks. Energetiks specialise in creating sustainable, world class dancewear for the stars Energetiks is offering Talking Pointes listeners a 20% discount [available until the end of March 2024]. Listen for the code in the episode. Shop their extensive range online at energetiks.com.au or energetiks.com if you're listening from the US. T&Cs APPLY. @energetiks @energetiksusaTalking Pointes is produced on the lands of the Gadigal and the Wanegal peoples to whom we pay our greatest respects. Talking Pointes is produced by Fjord Review. Remember to subscribe to get the latest episodes as soon as they're released. If you like us, please leave a five-star review.Your host and producer is me, Claudia Lawson, with additional production by Penelope Ford and Clint Topic. Sound production and editing is by Martin Peralta at Output Media. For the latest in all things dance, head to fjordreview.com. 

Today we're speaking with the quite incredible Evie Ferris. Evie was born in Cairns in far north Queensland, and she's a proud Taribelang and Djabugay woman. Growing up, Evie danced alongside her sister, a talent so bright that by the age of 12, her family, including two of her five siblings were moving south to Melbourne. She joined the Australian Ballet School, and on graduation was accepted straight into the company. She's only the second Indigenous Australian to ever join the Australian Ballet. But this isn't the end of Evie's glorious story. In this wondrous interview, Evie described her life in dance, about finding her voice and about the pride but also the pressure that comes with being an Indigenous dancer. We also talk about the moment she met “Blue Wiggle” Anthony Field in a Sydney Opera House Green Room, and how she went on to become the first Indigenous Australian to become both a ballerina and a member of the Wiggles.Evie continues to split her time touring and dancing with both the Australian Ballet and The Wiggles. For Australian Ballet Performances tickets and times, head to australianballet.com.au, or you'll find them on Instagram #AusBallet. For The Wiggle shows and tour dates, head to the wiggles.com, or find them on Instagram @thewiggles. And to follow all of Evie's adventures, find her on Instagram @evieferris. Evie and I recorded our conversation remotely, with Evie dialing in from Melbourne on the land of the Kulin people. Talking Pointes is recorded and produced on Awabakal and Gadigal lands, to the owners of all these lands we pay our greatest respects. Talking Pointes is produced by Fjord Review. Remember to subscribe to get the latest episodes as soon as they're released. And if you like us, please leave a five star review. Your host and producer is me, Claudia Lawson, with additional production by Penelope Ford and Clint Topic. Sound production and editing is by Martin Peralta at Output Media. And for the latest in all things dance, head to fjordreview.com.We are thrilled to be sponsored by Energetiks. Energetiks specialise in creating sustainable, world class dancewear for the stars Energetiks is offering Talking Pointes listeners a 20% discount [available until the end of March 2024]. Listen for the code in the episode. Shop their extensive range online at energetiks.com.au or energetiks.com if you're listening from the US. T&Cs APPLY. @energetiks @energetiksusa

Today we are speaking with the divine Brooke Casson. Brooke Lockett, as she was known throughout her career, grew up in Ballarat and had a dream run to the stage. She was accepted into the Australian Ballet School by the age of 14, and then straight into the company on graduation. In this beautiful and brave interview, Brooke speaks about her career at the Australian Ballet. We speak about promotions, about being the face of the company, the perception of rank and about hard conversations, but we also talk about so much more about new careers, about meeting her husband, becoming a mom. Brooke continues to direct and teach at her Studio in Rose Bay in Sydney. For class times, and to sign up, head to studio696.com.au or @Studio696x on Instagram. And to continue to follow all of Brooke's wonderful adventures, you can find her on Instagram at @brookecassen.Brooke and I recorded our conversation on the lands of the Gadigal People of the Eora Nation, to whom we pay our greatest respects.We are thrilled to be sponsored by Energetiks. Energetiks specialise in creating sustainable, world class dancewear for the stars Energetiks is offering Talking Pointes listeners a 20% discount [available until the end of March 2024]. Listen for the code in the episode. Shop their extensive range online at energetiks.com.au or energetiks.com if you're listening from the US. T&Cs APPLY. TeamClaudia Lawson, host @byclaudialawsonMartin Peralta, sound designer @outputmediaPenelope Ford, producer @fjordreviewClint Topic, additional sound production @sawtoothstudios Talking Pointes was recorded on traditional lands of the Wurundjeri People of the Kulin Nation, Awabakal and Worimi. We acknowledge the Traditional Owners of Country and recognise the continuing connection to lands, waters and communities. We recognise that sovereignty was never ceded.

Richard Roberts is an award-winning designer and educator. His body of work spans theatre, ballet, opera, musical theatre, and film, across Australia and internationally. Richard is currently Head of Design and Production at the Victorian College of the Arts.  He has held positions as Head of Design at The Western Australian Academy of Performing Arts, Head of Production at The Victorian College of the Arts and Head of Design at The Hong Kong Academy of Performing Arts. Richard's designs for opera include: for Opera Australia, Rigoletto, Don Pasquale, The Magic Flute and Die Fledermaus (with West Australian Opera); for Victorian Opera, Parsifal, Cunning Little Vixen; Nixon In China, The Magic Flute, Baroque Triple Bill, The Marriage Of Figaro; The Corronation Of Poppea and Don Giovanni; for Opera Queensland, Ruddigore; and for New Zealand Opera, Seattle Opera, and Philadelphia Opera Rigoletto. For dance, Richard's designs include: for Australian Ballet, Don Quixote, Requiem, Molto Vivace and Raymonda; La Sylphide and La Fille Mal Gardee for West Australian Ballet and Queensland Ballet. For theatre, Richard's designs include: for Queensland Theatre, Othello, The Sunshine Club, Death Of A Salesman, Noises Off (with MTC), Much Ado About Nothing, Tartuffe and Managing Carmen (with Black Swan); for Ensemble Theatre, Black Cockatoo; for TML, Fiddler On The Roof; for Melbourne and Sydney Festivals, The Season national tour; for Melbourne Theatre Company, Last Man Standing, Solomon And Marion, Next To Normal, The Gift and Frost/Nixon, Macbeth, Dreams in an Empty City, As You Like It, Hedda Gabler, The Sapphires, All My Sons; for Sydney Theatre Company, Australia Day(with MTC), True West, Riflemind; for Black Swan, The Caucasian Chalk Circle and Glengarry Glen Ross; for Belvoir, The Sapphires (with Black Swan). For screen, Richard's work includes production design for George Ogilvie's The Battlers for the Seven Network, the 12-part series Five Times Dizzy for SBS and I Own The Racecourse for Barron Films. Richard has designed the Operatic adaptation of Jane Harrison's The Visitors for Victorian Opera, currently playing The Arts Centre in Melbourne. For Opera Australia's Summer season he is Design Consultant for the Mozart Opera's Idomeneo and The Magic Flute. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Hi, Welcome to the What I've Learnt podcastFrom food to fashion and art to music we've got you covered. We wanted to highlight some amazing moments of the podcast from July to September.This Episode FeaturesKevin Murphy Is recognized as one of the world's most respected and sought-after session hairstylists and the owner and creator of KEVIN.MURPHY hair products, Kevin has been at the forefront of fashion, runway, editorial and film for decades within Australia and internationally.David McAllister AC former principal dancer and former artistic director of the Australian Ballet has launched his second book “Ballet Confidential: A Personal Behind-The-Scenes Guide, in a powerful overview of one of the performing arts' most alluring and mysterious, physically demanding and mentally rigorous art forms. Donna Lyon is a Film Producer and founder of Left Write Hook , The program provides survivors of sexual assault a space to release their memories, reclaim their bodies and imagine new lives for themselves. Documentary Left Write Hook follows eight female survivors of childhood sexual abuse who participate in a 2-year experimental recovery program that combines the physicality of boxing with the emotional power of expressive writing. Through powerful participatory filmmaking, unprecedented access, and full engagement with all of those involved, this feature-length documentary captures an amazing journey of recovery, transformation, and friendship.Deborah's Instagram: https://www.instagram.com/what.ive.learnt/Mind, Film and Publishing: https://www.mindfilmandpublishing.com/Apple Podcast: https://podcasts.apple.com/au/podcast/what-ive-learnt/id153556330Spotify: https://open.spotify.com/show/3TQjCspxcrSi4yw2YugxBkBuzzsprout: https://www.buzzsprout.com/1365850

Rod Waterworth commenced  the discipline of Dance in his twenties, and subsequently ‘opened a new window' to a triumphant career on the stage. For several decades Rod has been a delightful fixture of commercial Musical theatre throughout  AustraliaHis professional theatre credits include Cats, Anything Goes, The Wizard of Oz, 42nd Street, Me and My Girl, The Pirates of Penzance, My Fair Lady, Red, Hot & Rhonda, Crazy For You, Jolson, Annie, Singin' in the Rain, Fiddler on the Roof, Saturday Night and various VSO/Opera Australia and Australian Ballet productions. Rod worked regularly in Children's theatre for Garry Minivan Attractions and performances include Possum Magic, Winnie the Pooh, The Magic Faraway Tree and The Fairies.As a regular performer with Melbourne's The Production Company, Rod clocked up an amazing array of appearances in Mame, She Loves Me, Funny Girl, Call Me Madam, Gypsy, Guys and Dolls, Mack and Mabel, Anything Goes, Bye Bye Birdie, High Society and The Pajama Game. Rod's film and television credits include Strange Bedfellows, Da Kath & Kim Code, Scottish Bob, Bed of Roses, The Midday Show and Good Morning Australia.Along the way he gave life to the exuberant ‘showgirl', Laura Gravity; adding another dynamic string to his theatrical bow.Rod's most recent stage role was singing and dancing the story of little orphan Annie. A production he has twice traversed.He continues navigating the ‘roar of the greasepaint' attending to his daily post as the congenial stage doorman at the iconic Her Majesty's Theatre in Exhibition street, Melbourne.Whether stage door or stage centre, Rod is a welcome presence to audience and colleagues alike.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Amber Scott fell in love with dancing at five years old, when she watched Swan Lake performed at Brisbane's Lyric Theatre. She joined the Australian Ballet in 2001 and 23 years on, she's preparing for her final performance, or her swansong - and in a full circle moment, she will be dancing as Odette.  On this episode of Under The Gloss, Amber joins Phoebe to share some backstage secrets about life as a 'bunhead', the way motherhood has both liberated and challenged her as a principal dancer and how it feels to be retiring as a professional ballerina at 40 years old.See omnystudio.com/listener for privacy information.

Join us for a great discussion about artist/athlete training for the student vs the professional with Acrobatics Arts Master Teachers and professionals Tim Buckley and Meaghan Wegg. This conversation highlights the differences and similarities, how training has changed over time, and how to prepare your students best for their professional future! Looking for some practical exercises with visuals? Check out Tim & Meaghan's Weekly Mini presentation, Student Training vs Professional Training, on YouTube! Meaghan Wegg Meaghan grew up dancing where she studied Jazz, Tap, Hip Hop and Acro. In 2001, Meaghan was accepted in to L'Ecole Nationale de Cirque in Montreal where she specialized in aerial hoop and contortion with additional training in Ballet, Contemporary and Modern. Upon graduation in 2005, Meaghan performed professionally as a principal dancer in many roles, including the cast of ‘Tomorrow' (Pigeons, International) and the cast of ‘Loft' (7 Fingers). From 2009 – 2012, Meaghan performed on tour globally with Cirque Du Soleil's ‘Quidam' as a feature aerialist. Following an extremely successful performance career, Meaghan shifted her focus to coaching and choreography. In 2013 Meaghan graduated with a diploma from L'Ecole Nationale de Cirque (Montreal, Canada) with a major in Research of Acrobatics, and a minor in Hand to Hand partnering for dancers. Currently she works as a private acrobatic coach and choreographer, and attracts students from around the world with a focus on career development, choreography and professional stage preparation. Meaghan founded Move With The Beat dance competitions in 2013. She is the Australia, New Zealand and Singapore Division manager for Acrobatic Arts since 2015. Most recently she has launched her Aerial Arts Online syllabus guiding teachers with her course for their students and class preparations. Meaghan started The Academy Circus as a local London, Ontario circus and acrobatic facility in 2017. Meaghan recently has been hired for global choreographic projects in Australia, Montreal, France, China and India creating large scale shows for special events, Casino shows and year end performance university shows. She is passionate about welcoming everyone into the performance industry while sharing tips and tools about making it a reality. She is now an on call Artistic Coach with Cirque du Soleil. Meaghan is very happy to be settled in her home town of London Ontario with her small family! Tim Buckley Tim Buckley is a Physiotherapist from Melbourne, Australia. He has worked exclusively with elite ballet dancers, circus artists and orchestral musicians during his 15 year career and has spoken twice at IADMS conferences in Australia and the USA. He was one of two full time physios with The Australian Ballet from 2006-2008 and toured Australia, China, England and France. He joined Cirque du Soleil in 2009 and toured Japan, South America and North America with ‘Corteo' and ‘Quidam', before settling in Montréal to work at Cirque's international headquarters as the Supervisor of Performance Medicine. Tim then toured again as the Head Physiotherapist on Cirque du Soleil's production, ‘Kurios – Cabinet of Curiosities' in 2014-15, before moving back to Melbourne in 2016. After another year at The Australian Ballet and completing a Masters of Sports Physiotherapy, Tim re-joined Cirque du Soleil where he worked as a ‘fly-in' Head Physiotherapist on several touring shows including Amaluna, Volta and Crystal as well as in Montreal on various creation projects, until March 2020. Tim now co-manages the Australia / New Zealand / Asia divisions of Acrobatic Arts as well as Aerial Arts. He is our consultant Physiotherapist, providing input on the continuing development of our syllabus and programs. Now based in London, Ontario, Tim and his wife Meaghan own/operate ‘The Academy' - an aerial and acrobatic studio with two locations. www.theacademycircus.comFacebook: The Academy CircusInstagram: @theacademycircus Connect with Acrobatic Arts on your favourite social media platform: Instagram: https://www.instagram.com/acrobaticarts/ Facebook: https://www.facebook.com/Acroarts Twitter: https://twitter.com/acrobatic_arts/ YouTube: https://www.youtube.com/c/AcrobaticartsCa Learn more and register for our programs at AcrobaticArts.com

Today we're speaking with the divine Danielle Rowe. Dani grew up in South Australia, and by 14 she had moved interstate to train [in ballet] under Marie Walton Mann. Within a year of that, she'd been accepted into the Australian Ballet School, and on graduation, she was offered a position with the company, but the accolades didn't stop. Dani rose to principal artist, won the Telstra Ballet Dancer award twice, and represented the Australian Ballet company around the world from London to China. But in a move that defines the superstars trajectory, she wanted more. She left Australia and moved to the US, joining Houston Ballet as a principal artist. Less than a year later, she was offered a contract with a prestigious Netherlands Dance Theater. In this wondrous conversation, Dani and I talk about her career across three continents, how she found choreography, about managing long distance relationships, her want for a family, and ultimately how she became the first female artistic director of Oregon Ballet Theater. We are thrilled to be sponsored by Energetiks. Energetiks specialise in creating sustainable, world class dancewear for the stars of tomorrow. Perform and feel your best at every stage of your dance journey in Energetiks' premium, high performance fabrics. Try them out with a 20% discount site-wide using the code DANIELLE20 at the checkout [available until the end of March 2024]. Shop their extensive range online at energetiks.com.au or energetiks.com if you're listening from the US. T&Cs APPLY.TeamClaudia Lawson, host @byclaudialawsonMartin Peralta, sound designer @outputmediaPenelope Ford, producer @fjordreviewClint Topic, additional sound production @sawtoothstudiosTalking Pointes was recorded on traditional lands of the Wurundjeri People of the Kulin Nation, Awabakal and Worimi. We acknowledge the Traditional Owners of Country and recognise the continuing connection to lands, waters and communities. We recognise that sovereignty was never ceded.

On our first episode of season three, I'm speaking with the former principal dancer of the Australian Ballet, the much loved Adam Bull. Adam grew up in outer Melbourne and by a stroke of luck, his primary school teacher at his local school suggested he try dance. He did, and it became a love affair that has lasted a lifetime. By the time he was a teenager, he was training under Brian Nolan at Dance World 3 0 1 before joining the Australian Ballet School and then being accepted straight into the Australian Ballet. In this wonderful interview recorded just five days before Adam's final performance in Melbourne. Adam reflects on his career, he speaks of his early life growing up, dancing, joining the company, and of course making principal. But we also talk about more about love, about his onstage relationship with Amber Scott, his thoughts on marriage and what it feels like to dance for the national company for 22 years. TeamClaudia Lawson, host @byclaudialawsonMartin Peralta, sound designer @outputmediaPenelope Ford, producer @fjordreviewClint Topic, additional sound production @sawtoothstudiosTalking Pointes was recorded on traditional lands of the Wurundjeri People of the Kulin Nation, Awabakal and Worimi. We acknowledge the Traditional Owners of Country and recognise the continuing connection to lands, waters and communities. We recognise that sovereignty was never ceded.

Talking Pointes returns for an epic third season. On this season, we're speaking with some of the biggest dance superstars in Australia. We're chatting about their lives and careers, navigating everything from promotion, pregnancy, and making principal. But we are also going overseas, speaking to Australian dancers and international artists who've made their careers around the globe. We're heading to London and to America. From Portland, Oregon on the West coast to New York City. There are life highs and career lows, and we chat everything from bullying, sexuality, confidence, inspiration, and navigating retirement. Find Talking Pointes wherever you listen to your podcasts. And to get the latest episodes, please subscribe or follow. Season three will be rolling out from Tuesday, September 26th, 2023. Production byClaudia Lawson, host @byclaudialawsonMartin Peralta, sound designer @outputmediaPenelope Ford, producer @fjordreviewClint Topic, additional sound production @sawtoothstudiosTalking Pointes was recorded on traditional lands of the Wurundjeri People of the Kulin Nation, Awabakal and Worimi. We acknowledge the Traditional Owners of Country and recognise the continuing connection to lands, waters and communities. We recognise that sovereignty was never ceded.

Internationally-acclaimed former principal dancer and artistic director of The Australian Ballet, David McAllister recently completed his tenure as acting artistic director of the Royal New Zealand Ballet. Throughout his career David has made numerous guest appearances worldwide, dancing with the Bolshoi Ballet. McAllister's book Ballet Confidential: A personal behind the-scenes guide lifts the curtain on a world of tutus, tulle and lycra, the pursuit of perfection, injuries and what it was like dancing for the Princess of Wales.

De Nederlandse choreograaf Wubkje Kuindersma is al een paar maanden in WA om hier haar eigen bedachte balletvoorstelling Echoes of VAN GOGH vorm te geven. Ze werkte al eerder samen met West Australian Ballet en die samenwerking smaakte naar meer...

David McAllister AC former principal dancer and former artistic director of the Australian Ballet has launched his second book “Ballet Confidential: A Personal Behind-The-Scenes Guide, in a powerful overview of one of the performing arts' most alluring and mysterious, physically demanding and mentally rigorous art forms. He says "Today's dancer is a strong, powerful and elite athlete. Both the men and women possess incredible strength, mental toughness and the ability to create feats of skill while having an emotive connection to the audience by creating a mood or telling a story through movement."With characteristic honesty and insight, David explores a raft of issues surrounding the business of dance – from the joys and challenges that face young dancers and their families, the physical stamina required to build a ballet body, to company politics, on-stage disasters, off-stage relationships, the anxieties around weight gain and weight loss, theatre etiquette, the age-old curiosities surrounding boys who choose ballet instead of footy, plus David's thoughts on some of the world's great ballets including Swan Lake, The Nutcracker and Giselle.Beyond the formidable combination of tulle and lycra, how much can an audience ever truly understand about the demands of being a ballet dancer? What really is the pain and pleasure of pointe shoes and jockstraps? Can a wardrobe malfunction derail a scene? ... we're about to find out …Deborah's Instagram: https://www.instagram.com/what.ive.learnt/Mind, Film and Publishing: https://www.mindfilmandpublishing.com/Apple Podcast: https://podcasts.apple.com/au/podcast/what-ive-learnt/id153556330Spotify: https://open.spotify.com/show/3TQjCspxcrSi4yw2YugxBkBuzzsprout: https://www.buzzsprout.com/1365850

‘Living in the movement' is the motto of Australian Royal Academy of Dance teacher Mitchell Rayner. Enjoying and fully inhabiting your movement is a fantastic goal for anyone in dance. Mitchell came to dance training relatively late but progressed quickly, joining the Australian Ballet. He retired from the company in 2016, and re-trained as a dance teacher with the RAD, taking his philosophy of living in the movement through his practise and onto his own range of clothing. What was his journey from a dancing boy into a too-rare male ballet teacher?Mitchell Rayner began formal dance lessons in Newcastle, Australia at the age of 13, before taking up full-time dance studies with Tessa Maunder OAM. He joined the Australian Ballet School in 2005, and in 2008 the Australian Ballet. Retiring from the company in 2016 he chose to share his professional experience through teaching and mentoring, and has since taught for Sydney Dance Company, Australian Ballet, RAD, Tanya Pearson Academy, Ballet Without Borders and others. He attained the RAD Professional Dancers' Postgraduate Teaching Certificate and is a registered RAD teacher.Find out more about Mitchell on his website. Or follow Mitchell on Instagram @balletwithmitchFind out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

A rejection letter from the Australian Ballet School changed the trajectory of Dana Stephensen's life. This episode revisits Dana's incredible story as she announces her retirement from the Australian Ballet. Hosted by Claudia LawsonDana grew up in Brisbane learning tap, jazz and singing, and never dreamed of being a ballerina. But ballet had a way of finding her. And strangely enough, it was a rejection letter from the Australian Ballet School and the disappointment that followed that awakened her passion and changed the trajectory of her life. In this beautifully courageous and candid interview, Dana speaks about her career with the Australian Ballet, managing her thyroid condition and the affect that had on her body image, and being promoted to senior artist after becoming a mum. But more than that, Dana opens up about the birth of her twin girls, navigating the loneliness of motherhood in a pandemic, the pressures of parenting with a public figure, and wondrously re-emerging and returning to the stage.Dana continues to perform as a senior artist with the Australian Ballet, all the while juggling life with her son Jasper, her fiancé Lachlan Gillespie, and their twin girls Lulu and Lottie. To continue to follow all of Dana's adventures, you can find her on Instagram @dana_stephensenFor support for peri and postpartum depression in Australia, you can find support through the Gidget foundation or PANDA's support line, their details are in the show notes, or for further aboard, please contact your local services.Dana and I recorded remotely, with Dana dialling in from Sydney on the land of the Gadigal People of the Eora Nation, to which we pay our greatest respects.Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney, @sawtoothstudios

Michelle Bergeron is a Melbourne based physiotherapist with a special focus on foot and ankle rehabilitation. Throughout the episode, we explore Michelle's journey with physiotherapy including her experience working with the Australian Ballet, in the AFL and Cirque du Soleil. We also discuss her general approach to foot and ankle conditions, some common errors that she sees and how she uses footwear as a tool throughout that process and we also talk through some key tips for successfully navigating the rehab journey. Really enjoyed this chat with Michelle and excited to learn more from her in the future through The Better Foot Project workshops she is running with Andy Bryant, which we discuss towards the end of the podcast - their first workshop that we talk about was a few weeks ago now however I know they're planning on holding more in the future so if you're a professional in the space who is keen to learn more about how to assess and treat the foot / ankle complex, make sure you check out Michelle and Andy on Instagram and stay tuned for announcements!You can learn more about Michelle on her website here. Helpful links: Foot health program - fix your feet with our ultimate 42-day guided program Join the community - free education, training and support Shop - TFC tools and training (Use the code R2E10 to save 10%) Fountain - Earn money while you listen to our podcast Follow us: Instagram TikTok YouTube Facebook Audio: Quote - Allan Watts Music: Dream Chaser - Lunareh Written By - Wiriyapa Chansuwong Performed & Produced By - LunarehDestiny Beach - Cody MartinWritten by - Cody Kurtz MartinPerformed & Produced By - Cody Kurtz Martin

Dr James Khong has been a GP for 5 decades and at age 81, has wonderful wisdom to share with us in this week's show. The solution to the ‘Stress Pandemic,' as James calls these times, is a combination of Eastern and Western medicine, as well as following his Pillars of Health and reducing stress. I know you'll love his calm reasoned and overwhelm-free approach in this show. James outlines his philosophy of wellness in his new book Pandemic Stress, Reflections of Thriving in an Anxious world - a book her wrote as a way to leave a legacy from his career and life. In over fifty years as a surgical registrar, emergency medicine specialist, innovative GP and medical consultant to the Australian Ballet, film and television industry, James Khong has had a front row seat of the medical ‘industry,' and the view makes him sick. Ironically, it was a near-death-experience twenty years ago, which led to James' epiphany about changing the status quo medical model. He started to combine traditional Chinese/Western/Functional medicine, which look for causes to illness, rather than just addressing the symptoms. James also introduced meditation and breathing exercises for stress reduction.   Enjoy the show and head to the show notes for more details over at lowtoxlife.com/podcastSee omnystudio.com/listener for privacy information.

For our bonus episode this season, we're catching up with the Australian Ballet's Artistic Director David Hallberg. Last season, David and I spoke about his life growing up in South Dakota, being bullied, training at the Paris Opera, becoming principal at American Ballet Theatre, and being the first American to be invited to dance with the Bolshoi Ballet in Russia. We talked about climbing back from his epic injury, his head space at that time, before taking over the Artistic Directorship of the Australian Ballet right in the middle of Covid. A year later we talk about what it's been like to be artistic director now that theatres are open and audiences are back, about what kind of as dancers he selects for the company, how he decides who will be promoted, the Australian Ballet's 60th anniversary, and life in Australia.If you'd like to read more about David's life, find our full conversation in the show notes, or you can read his autobiography called A Body of Work: Dancing to the Edge and Back. For Australian Ballet updates you can find them on Instagram at @ausballet and to continue to follow David's adventures, you'll find him on Instagram at @davidhallbergofficialDavid and I recorded remotely, with David dialling in from Melbourne, the land of the Kulin people, with recording and production on the land of the Awabakal and Gadigal people of the Eora Nation, to all of whom to which we pay our greatest respects.

You're going to LOVE this interview with Rani Luther! ___ Join the Balanced Ballerinas FREE 5 Day Challenge here: www.balancedballerinas.com/challenge Book a Discovery Call with me to see if you're a good fit for the 12 Week Adult Ballet Course here: www.balancedballerinas.com/contact Instagram @thebalancedballerina Podcast @balancedballerinas Facebook - Balanced Ballerinas And join the *SECRET* Facebook group here: https://www.facebook.com/groups/balancedballerinas/

Today I'm speaking with David Hallberg. We actually started this season with David McAllister who had just stepped down as Artistic Director of the Australian Ballet. We are now speaking with David Hallberg, the brand new Artistic Director of the Australian Ballet. David was born in a small American town called Rapid City in South Dakota. He started dancing at nine years old, after seeing Fred Astaire on the television. And he only started ballet when he was 13. But by 17, he was selected to do a year at the Paris Opera Ballet School before joining his dream company, ABT, the American Ballet Theatre.He rose swiftly through the ranks, to principal within four years. And then he was the first American to ever be asked to be a principal with the Bolshoi Ballet, the Russian juggernaut that had previously only accepted Russian trained dancers. In this wonderfully engaging interview, David talks about his love of dance, growing up in America, and the moment he was first named as a principal. But David also shares some of his darker moments. He talks about bullying, and the injury that crippled him for over two years, before finally returning to the stage and becoming the new Artistic Director of the Australian Ballet. When we spoke, David had just announced that due to Covid the Australian Ballet won't be performing for the remainder of 2021.For the latest in all things dance, head to fjordreview.com and follow us on Instagram at @fjordreview Host @byclaudialawson

The worlds of music, art and science can symbiotically exist and share center stage together to offer a sense of awe, wonder and inspiration about moons of the solar system, and ultimately about our home planet. Award winning composer and pianist Amanda Lee Falkenberg has created THE MOONS SYMPHONY- a project 5-years in the making, consulting with planetary scientists from NASA's JPL to ensure the science was anchored in scientific accuracy. Listen to hear not only the most beautiful and incredible music, but to hear directly from Amanda how science influenced each of the moons within the symphony.  THE MOONS SYMPHONY Album is available here: https://lnk.to/TheMoonsSymphony Enjoy learning more about Amanda's journey in creating this masterpiece here: https://www.moons-symphony.com/blog About Amanda Lee Falkenberg: International award-winning composer and pianist Australian born Amanda Lee Falkenberg began her journey into composition through years spent in ballet studios as an accompanist, including the Australian Ballet company in 2000. She wrote over 120 pieces to accompany ballet dancers as they trained, which led to her Moving With Music album series.  In 2003 her first full-length orchestral ballet was commissioned, Edge of the World, and performed by the International Barossa Music Festival Orchestra with the prestigious Leigh Warren and Dancers, which received glowing reviews from the national press.  Inspired by visual imagery, Falkenberg's natural progression led her to write for film and TV, stage plays, documentaries, animation series and feature films, including her cinematic soundtrack to the screen adaption of Wilfred Thesiger's Arabian Sands. In 2017, she conducted the world premiere of her orchestral suite Sea Trilogy with the London Film Music Orchestra at their Gala Concert. Later that year, she completed her Arabian inspired concerto for piano and orchestra, Crossing of the Crescent Moon, after which she began her next large scale project, THE MOONS SYMPHONY.  Described by The Beauty of Space Art Authors Jon Ramer and Ron Miller as "…one of the most extraordinary achievements in space-inspired music, and perhaps the first to be accomplished in direct collaboration with astronomers and scientists", Falkenberg has presented the work and its scientific inspiration to global audiences including the NASA/JPL, Caltech, the Planetary Society of Los Angeles live radio show in Imperial College London 2022, the London Science Museum, COP26 in Glasgow, 2021, the Dubai Expo in 2021, the Euro Planet Science Congress EPSC in Geneva, 2019, and the TEDx Youth Conference, 2018.  Falkenberg has received many nominations and won multiple international contests, including the Great American Song Contest, Marvin Hamlisch emerging film composer contest in New York, the International Composition Competition in Italy, Hollywood Music in Media Awards (HMMA), and the Los Angeles Music Awards.  ​Falkenberg is an artist member of the International Association of Astronomical Artists (IAAA) who organized an elaborate multimedia/visual art project in in coordination with THE MOONS SYMPHONY" More about the MOONS SYMPHONY's PERFORMANCES: