Podcasts about resident director

In this episode, Diana's special guest Jake Doberenz, founder of Theophany Media and host of the Creatively Christian podcast, shares his expertise on effective Bible study. The discussion covers essential principles of biblical interpretation, the importance of studying scripture in community, and approaches to understanding difficult passages. Listeners are also guided on selecting appropriate Bible translations and utilizing various online resources, ensuring a comprehensive and balanced approach to scripture study. The episode concludes with a prayer for listeners' spiritual journey and their engagement with the scriptures. Bio: Jake Doberenz isn't one thing. He identifies as a polymath, a Renaissance man, or a multipotentialite–one interest or specialty can't contain him. But enough of the third-person. I am a writer, speaker, minister, and creative thinker living in Oklahoma City, OK with my wife Samantha. My most significant role is the founder and president of Theophany Media, a Christian education company dedicated to helping Christians engage with culture through new media. I have earned my Master of Theological Studies at Oklahoma Christian University, the same place I earned my Bachelor's degree in Bible with a minor in Communication Studies. I also worked at my alma mater as a Resident Director and Bible TA. I write fiction and nonfiction in a variety of mediums, including poetry, short stories, books, stage plays, academic essays, and devotionals. I also venture out into other mediums, like podcasts and video. My favorite topics of choice to discuss and write about (though always changing) include: creating Christian art, helping people understand the Bible better, Christian identity, theology of social media, use of humor in faith messages, superheroes and theology, and a Christian response to culture. If you want to see his progress, achievements, and appearances sign up for the newsletter so you'll never miss an update! website: Home – Jake Doberenz 00:00 Introduction and Sponsor Message 00:47 Welcome to the Podcast 01:44 Introducing the Guest: Jake Doberenz 02:43 Jake's Background and Interests 05:56 Jake's Teaching Journey 10:46 Bible Study for Abuse Survivors 13:25 Choosing the Right Bible Translation 18:42 Understanding the Bible Without Knowing Greek or Hebrew 21:34 Basic Rules of Bible Interpretation 25:43 Embracing Uncomfortable Bible Stories 26:47 Using Jesus as a Lens for Interpretation 30:54 The Importance of Community in Bible Study 34:14 Red Flags in Spiritual Leadership 37:02 Recommended Bible Study Resources 41:33 Exploring Different Perspectives 44:58 Connecting with the Speaker 46:29 Closing Prayer and Final Thoughts   Website: https://dswministries.org Subscribe to the podcast: https://dswministries.org/subscribe-to-podcast/ Social media links: Join our Private Wounds of the Faithful FB Group: https://www.facebook.com/groups/1603903730020136 Twitter: https://twitter.com/DswMinistries YouTube: https://www.youtube.com/channel/UCxgIpWVQCmjqog0PMK4khDw/playlists Instagram: https://www.instagram.com/dswministries/ Facebook: https://www.facebook.com/DSW-Ministries-230135337033879 Keep in touch with me! Email subscribe to get my handpicked list of the best resources for abuse survivors! https://thoughtful-composer-4268.ck.page #abuse #trauma Affiliate links: Our Sponsor: 753 Academy: https://www.753academy.com/ Can't travel to The Holy Land right now? The next best thing is Walking The Bible Lands! Get a free video sample of the Bible lands here! https://www.walkingthebiblelands.com/a/18410/hN8u6LQP An easy way to help my ministry: https://dswministries.org/product/buy-me-a-cup-of-tea/ A donation link: https://dswministries.org/donate/ Jake Doberenz [00:00:00] Special thanks to 7 5 3 Academy for sponsoring this episode. No matter where you are in your fitness and health journey, they've got you covered. They specialize in helping you exceed your health and fitness goals, whether that is losing body fat, gaining muscle, or nutritional coaching to match your fitness levels. They do it all with a written guarantee for results so you don't waste time and money on a program that doesn't exceed your goals. There are martial arts programs. Specialize in anti-bullying programs for kids to combat proven Filipino martial arts. They take a holistic, fun, and innovative approach that simply works. Sign up for your free class now. It's 7 5 3 academy.com. Find the link in the show notes. Welcome to the Wounds of the Faithful Podcast, brought to you by DSW Ministries. Your host is singer songwriter, speaker and domestic violence advocate, [00:01:00] Diana . She is passionate about helping survivors in the church heal from domestic violence and abuse and trauma. This podcast is not a substitute for professional counseling or qualified medical help. Now here is Diana. Hey there, everybody. Come on in, set for a spell. How are you guys doing? I appreciate your support in listening to the podcast, and I hope that you are enjoying some really encouraging words and practical things for you to do your own Bible study and read the word of God for yourself. We have a new guest on the show now I'm very familiar with his podcast, creatively Christian. I've been on his podcast. His show has a few different interviewers. And so [00:02:00] Andrea Sandifer, who you guys know that was on the show, she interviewed me on her show. And our guest today, Jake Doberenz, the man behind that podcast, he is a funny guy. He likes to bring humor from the Bible. And I've been reading his blog and following his newsletters. And his Facebook group. So I thought he would be a great addition to the podcast , and I think you're gonna love him. I'm gonna tell you a little bit about him. He has a lot of interest here, so here we go. Jake, Doberenz isn't one thing. He identifies as a polymath, a renaissance man or a multipotentialite. One interest or specialty, can't contain him. So he [00:03:00] says of himself, but enough of the third person. I'm a writer, speaker, minister, and creative thinker, living in Oklahoma City, Oklahoma. My most significant role is the founder and president of Theophany Media. A Christian education company dedicated to helping Christians engage with culture through new media. I have earned my Master of Theological studies at Oklahoma Christian University, the same place I earned my bachelor's degree in Bible with a minor in communication studies. I also worked at my alma matter as a resident director and bible ta. I write fiction and nonfiction in a variety of mediums, including poetry, short stories, books, stage plays, academic essays, and [00:04:00] devotionals. I also venture out into other mediums like podcasts and video, my favorite topics of choice to discuss and write about. Although always changing, include creating Christian art, helping people understand the Bible better. Christian identity, theology of social media, use of humor in faith messages, super heroes and theology, any Christian response to culture. So this is gonna be awesome. So I hope that you enjoy my conversation with Jake Doberenz. Please welcome to the show, Jake Doberenz. Thanks for coming on today. Sure thing, anytime. I'm glad to be here. I really enjoyed being on your [00:05:00] podcast, A creatively Christian, and Andrea interviewed me and then she was on my podcast and I follow your Facebook group and get your. Very humorous email newsletter. And so I thought you were the perfect fit to come on to the podcast. And you're a bible geek like me, and you have a different perspective on life. In the Bible, you find humor in the Bible, which a lot of people don't find the Bible very funny. So welcome to the show. Yeah, I'm glad to be here providing some humor and quite possibly even some wisdom and intelligent comments. We'll see if we get to that part. So you haven't been on the podcast before, so. Tell the folks a little bit about yourself and your family. Okay? Yeah. Always a fun question because where do you [00:06:00] start? Where do you end? But yeah. I am in Oklahoma City right now. I'm an Oregon native and got stuck in Oklahoma. Stuck sounds too negative, but I got planted here. That sounds better. I got my bachelor's degree in biblical studies with a minor in communication studies. I have a Master's of Theological studies and for a while I was kind of going down the Bible professor route. That was gonna be my thing. And it's not like completely off the table right now, but it is not my chief kind of path anymore because there are not a lot of jobs in that area and there's a lot of different things there that make it quite challenging. A lot of schooling, a lot of debt for maybe not so much reward, but we'll see what the future brings. I am still flexing my desires to write and teach. That has always been what I wanted to do, even when the subject changed, even when it [00:07:00] was cat psychology or whatever, I always wanted to write and teach and so I'm still doing that in in different ways. I'm certainly still using my degrees, even though I'll be going into teaching middle school geography this year. Ooh, kind of a new adventure. Add some more skills and weird things on my resume. That's kind of how I do it. So geography. Cool. I think that's me. Yeah. Yeah. That's very brave. Middle school, that particular age, did you pick the age group you were teaching or did they just kind of throw you in there? I applied to high school and middle school. I wasn't going to do anybody under middle school and the high school jobs never called me back. And the, I got some different offerings on the middle school side of thing, so I said, okay, that's what you want me to do. God, I will walk into this wilderness. And then they gave me some kind of choices between, and I chose sixth grade specifically, so I'll be with, with sixth graders. [00:08:00] They, uh, we still have some childlike heart and wonder. They're not so jaded like they get when they're a little older, but they're just mature enough where you can start to get a little more serious. So good age. Hmm. I liked sixth grade. It was a good year. We'll be praying for you either way, because that's a lot of work and mm-hmm. But geography's cool. I like Bible geography. Ever since I went to Israel in 2019. How different reading the Bible is when you've been to those places. Have you been to Israel? I haven't. No, I haven't. Yeah. If you're into geography, you would really love going to Israel for obvious reasons, of course, but geography, it just makes the Bible come alive when you've been to the place where Jesus put legion into the herd of pigs and over the cliff. Sure. And I've been to that cliff, and so you can see it now in your head. It's awesome. Or you've been on the Sea of [00:09:00] Galilee and you can actually imagine Jesus walking on the water and because been in the boat. So, yeah, I'm just getting into being interested in geography right now. There you go. Yeah. Cool. What would you say is your particular specialty as far as Bible goes? Yeah. I did my master's thesis on Paul's view of spiritual formation, specifically from one Corinthians chapter three, verse three. Four, just around there. So that's a very specific kind of thing. Most of my training has actually been more on the New Testament side. Specifically Paul, I've done a lot of more academic work with the use of children as a metaphor in the Bible. I've done work with that in both Paul and the Gospels. Sexuality in the New Testament has been something I've kind of explored. [00:10:00] Nowadays though, I have more of theological interests and I'm asking some different kinds of questions. You don't divorce theology from the Bible, but they're just different kinds of questions and different kinds of, and ways and sources for that. But in terms of Bible, yeah, a lot of studying Paul and a lot of thinking about sort of how he makes arguments and specifically like in that thesis, it was all about how he used this metaphor about. Being an infant in Christ, what does all that mean? And how does that reflect how we grow as people? And so I've gone down those kind of rabbit trails a lot my my day. That's really interesting. A Paul's usually a favorite Bible character. Most people, though you can, you never go wrong with the Apostle Paul now. So today we're talking about Bible study for abuse survivors. And reason why we're doing this is because when we've gone through abuse, usually there's some spiritual [00:11:00] abuse involved and we want to distance ourself from God because we've experienced that spiritual abuse and that affects our relationship with God. And a lot of people once they leave or get out of the abuse. Then they're like, okay, I don't wanna read the Bible, I don't wanna pray, and I don't wanna go to church anymore. I don't trust anybody. But I'm trying to encourage on this podcast to come and if you have questions, let's talk about the questions. So, so I've kind of answered my own question, why should we study the Bible for ourselves? But what would you say to that or add to that? Yeah, I think what I would add to that is that, um, one thing that our teachers or pastors or scholars don't have is that they're not you. You are yourself and you come with your experiences and you come [00:12:00] with your own personality and identity, and you are gonna often pick up things that other people might miss, or you're gonna just sort of focus on things more realize as a thread of a theme or something like that. We, we shouldn't come to the Bible biased necessarily, or with too many preconceived notions. 'cause then the text starts to say what we want it to say. That's not what I'm saying. But we do bring ourselves to the text and we have to admit that like, I'm not reading this in a vacuum. I'm reading this because of who I am and what I've experienced and all these things like that. And I think that's really powerful. And I think the Bible is, it's strong enough to take it. Like it's not about pulling whatever meaning you want from it, like I said, but it is about seeing things that are hidden in this multi-layered onion like text here that has so much stuff in it that we can't expect. Even a really smart [00:13:00] guy to just know everything. So yeah, we gotta study the Bible for ourselves. We gotta do our own digging and our own reading. See what we can find. Yeah, I like that answer. Bringing yourself to the table that's. Different than what somebody else would bring to the table. So let's start with something everybody asks about. When it comes to Bible study, you go to the bookstore and you're trying to pick out a Bible, and there's a gazillion different Bible versions out there, and too many versions, in my opinion. Which one do I pick? Does it matter? At the end of the day, it probably doesn't matter. There are those that are better than others, and I'm the term better here. You can use that in different ways. I'm using the term better as in. More accurate to the text, although, hey, we are translating language here. [00:14:00] Translation is an art, not a science, which makes us a little uncomfortable. We can still get that meaning across. You're a, you're an artist and you're a creative. You can still communicate accurately and faithfully even through a song or something like that. And so in the same way, translation is a little bit of an art form and there are people that have to choose certain words, and I think this means that. So yeah, there are some that are more quote unquote scholarly and others that are more paraphrased, like the message, or it's something like the amplified Bible that is just trying to sort of squeeze some more possible meaning out there by becoming like glorified the Sorut. So you got some different options. Most readings are probably not gonna hurt you, at least. As long as you understand like kind of what's going on here. I know in the past the King James has had the word unicorns in it and that that threw some people off and then later we're like, actually we should have translated that. Like Gazelle was not supposed to be translated unicorn. So [00:15:00] okay, we can get some things here that might throw some people off, but as long as we kind of give some grace to the translators, something like the King James is older and we have some different data. We have some older manuscripts that we're pulling from now. So yeah, it's gonna be a little bit more closer to what the originals were saying kind of thing. So yeah, there are those considerations, but I don't think you're gonna make or break your faith if you read the ESV over the NRSV or something like that. Yeah, well I came from a camp that, uh, they were very definitive in what Bible you should read and which ones you should not read and Sure. And they were very dogmatic in that I've changed my stance since then. Because I've actually dug into that sort of thing that okay, you, so you're saying that most of the mainline translations out there, we will still get the main [00:16:00] point of what Bio was trying to say. Right. Yeah, I don't know any that are too left field and crazy or something like that. There are versions, like, I could be wrong about this, but I think the Jehovah's Witness has versions of the Bible that seem to play a little fast and loose with some things and have cut out some different stuff. So obviously I wouldn't necessarily recommend that for Christians. The only other thing I would say is make sure a bunch of different people were involved. Most translations are. Large groups of people. And then you have things like I mentioned the message that Eugene Peterson did, it was just him, but he wasn't necessarily trying to make a definitive thing. That's more of a paraphrase translation, which is like a devotional rather than something to study. So there are just different uses for all these different things. There are, I could go into the weeds. My dad used to own a Christian bookstore. Oh. And so you have your thought for thought translations and then you have your word for word. And [00:17:00] some people think word for word is better because it's more accurate. But the thing, the problem is the Bible might literally say X, but when we translate that word to today, it makes no sense because language is weird like that. And then so the thought for thought is going to be more of an interpretation, but they're trying to say, okay, but what this is trying to say is this and, and here's a thought that you can digest and that makes sense to you. So it's just kind of what you want, but thanks to the internet. In fact, on another screen here, I have pulled up Bible gateway.com. That's what I use a lot. You can look through all sorts of different translations and compare and contrast. If I really wanted to study with more than one, it's legal in most states, so go for it. It's funny you mentioned the message because that was my first Bible when I got saved. My okay friend that I met in high school, I told her I had gotten saved and I didn't have a Bible, and she gave me the message, which [00:18:00] was her Bible, and I loved it. Oh yeah. I highlighted that thing and Oh yeah. And I just tore it up with underlining and I couldn't wait to read it. And then of course you get to Bible college and they tear it out of your hands, so yeah. But yeah, I like the ESV today. I have. A really nice archeology study Bible I bought and I've, I've read the King James most of my Christian life. And switching to another translation was really eye-opening. All this different stuff that I hadn't seen before just popped out, like I didn't know the Bible said that. Wow. It's pretty neat. So along the same lines, do we have to be a Greek and Hebrew scholar to understand the Bible? I hope not because I struggled through Greek and barely made that alive, and so languages are not my strong [00:19:00] suit. Uh, but I think the answer is of course, no. You don't have to be. It depends on what kind of study you're doing, and I probably should have mentioned that earlier, but there's a way to look at the Bible in an academic, scholarly way, and there are some Christians that. Think that's wrong or bad? I don't think it's bad. It's just one way to look at it. When I am in scholarship, when I'm writing this college paper, I am, I have to kind of slice and dice it and I'm doing a work that an atheist could do. It's that kind of work. But then there's another way to look at the Bible that is much more pastorally or for spiritual formation, the kind of thing that treats the text as sacred that an atheist can't do. So if you're doing the academic work, it really helps to know the words because you're trying to get as precise as possible and getting into there. But luckily for us, other people have done the work for us and we have these English translations, so woo. You don't need to know Hebrew and Coin a Greek and [00:20:00] a little bit of Aramic and like Daniel or whatever. Like we don't have to know that because somebody else has done the work for us. And I mentioned already like. There's a lot of people involved in a Bible translation, not just one guy. It's, a lot of people have done this work and they've argued and yelled at each other and come to some conclusions to say, this is the best we can do right now. This is what we got. So, yeah, we don't have to, we don't have to be language PS so, woo. Lucky. Yes. Yeah. I mean, I'm a language geek. I love languages. Personally, I speak two languages besides English, but I haven't taken any Greek or, or Hebrew, maybe someday, but they didn't cover that in my Bible college. But it's good that we already have the tools online that, hey, this is a translation for that word in. There's really no, no real argument about it is there along mainline denominations. Yeah. Most people probably aren't gonna tell you. You have to know all those languages unless somebody there. There are groups of people that would say [00:21:00] the only inspired text of the Bible is the actual original Greek and Hebrew. And so our English translations are not inspired. But that's a minority view. That's not super common. Yeah. Yeah. The most people can understand. The inspiration still comes through, even when it's translating different languages. The word of gods for the whole world, not just those that can speak actually dead languages that nobody speaks today like Latin. Yeah. So now we're gonna get into the nitty gritty here. Okay. When we are sitting down with our Bible and we're deciding to. Study a passage of scripture or maybe a book. What are some basic rules of interpretation? Now we use the fancy big word hermeneutics, but like the basic ones that you really shouldn't ignore in order to. Do a proper Bible study. This is one that gets definitely drilled [00:22:00] into in Bible school and in other contexts, but it's that actual, it's a word context like context is key. Context is king, and one of the best things we can do is zoom out. So if we're looking at a particular scripture. Like one verse, we zoom out to the chapter. Those headings or whatever aren't like God inspired or whatever, but they're helpful to kind of see what the flow of things are. Then we can zoom out to the book level and sometimes zoom out to the biblical level and things like that. But that is always key. Sometimes we get into trouble thinking that the Bible is just like, the whole thing is like Proverbs, where everything's just disconnected and you got these good one-liners and they're fun and they're good zingers, but most of it is some kind of story or, and Paul, I mentioned that being some of my background, Paul's letters are arguments they build on top of each other, and so you can see if we're trying to look at something wild like. One [00:23:00] Corinthians 14 or something, we can understand it because by just kind of going a little backwards and Oh, okay. So that's always really important. And a lot of times authors in the Bible will also tell us kind of their themes and tell us what they really want us to get across. The gospel of John, for instance, is written so that we may believe Luke talks about writing in a, an orderly account of things. So we have some of these statements that if we zoom out a little bit, oh, okay, we can make sense of this in light of that. And so different things like that. But we could go all day into the hermeneutics and then the other fancy word, X of Jesus and that kind of stuff. But at the end of the day, a tool anybody can use is something I learned in elementary school when there was a hard word. It was called rat read around the text. Read around the text. Ooh, that's the acronym there. And that just helps us understand, wait, what is going on? What does Paul mean when he says this? Why is [00:24:00] this guy saying this in judges? Let's take a look. What else is going on here? So it's just a great tool that anybody can use be if they can just zoom out a little bit and read the rest of the Bible and the rest of the passage. Everybody gives a different answer to that question. Now, obviously when we read the Bible, we come upon these passages or some of the stories that are either difficult to understand or it's a topic that we don't wanna deal with. It's really hard to swallow. Like a lot of times it's the genocide passages, of course. Mm-hmm. And or similar things like that. What do we do when we encounter those passages? Yeah. There are also passages that are sometimes called, and the genocide fits into this, but passages called texts of terror. A lot of passages about different abuse situation, and [00:25:00] I won't go into all of those, but I'm sure a lot of us can come up with some things that mm-hmm. Can be triggering in the Bible that seem just really messed up and stuff like that. So I think what's important, first of all is we recognize the, the gut feeling, the awkwardness talk to the beginning about how I see humor in the Bible and I do, I think there are some things in the Bible that we should laugh at. It's actually hilarious. Tell us about what Jonah gets swallowed by a big fish. That's funny. You should be laughing. And it's hilarious that he wants this city destroyed and he's supposed to be a prophet of God and he's not doing his job description and stuff like that. So like. When it's funny, we should laugh and when it's not funny, when it's uncomfortable, we should be okay being uncomfortable. I, I remember when I did college ministry for a time, we talked about the story of, oh man, I can't remember if it's Eli, I think it's Elijah. [00:26:00] And when they make fun of him for being bald and he calls these, she bears to attack these 40 youths, and he, this kid would kid could not get over it. He's like, why is this in the Bible? This is ridiculous. And I just tried to help him. Yeah, let's feel that first. Let's feel that, oh boy, we got some emotions here. So step one, I think it's totally okay to feel those things and then we can do some digging. Again, it's that zooming out. Let's look at the context here. Let's look what's going on there. A lot of times I think some of these texts of terror or uncomfortable texts, um. Sometimes they're not as bad when we look at it through maybe a historical lens or something, but sometimes we can't just justify them really nice and neatly, like some of the stuff about genocide. So ultimately, I have to go back to Jesus because. Jesus is the ultimate expression of God. It is the best [00:27:00] lens into the divine that we've ever seen. It's through this person of Jesus. And so sometimes we got to use our Jesus magnifying glass and look over the scripture and say, that's awkward. I don't like that very much. This makes me, this triggers me. This is, uh, but we put Jesus over and say, but through Christ, we don't have to live like that. We can recognize that there. There are plenty of examples of what not to do in the Bible. Jesus calls us to a different way and Jesus shows us that some things that maybe people thought were really godly and divine at certain points were not. So at the end of the day when things make us uncomfortable, I say feel it. But then ultimately, let's just go back. What does Jesus say? And if Jesus words are kind of. Don't seem to jive with this other crazy stuff going on here. Let's just, let's follow Jesus over some of this, [00:28:00] this other uncomfortable things. Hmm. So it's probably not a satisfying answer, but that's kind of like the point, like we try too hard sometimes to wrap everything in a pretty bow, but sometimes we just can't. With the Bible, the Bible is complicated and that's what makes it powerful. It's not always so neat and tidy and doesn't always make you feel good. It is a like Christ. It is both human, fully human and fully divine. And in that there's some awkward tension. There are some, there are human emotions and human things that that bleed through the divine pages of scripture. I appreciate the honest answer and yeah, I think that was a great answer. It was just reading through the patriarchs and wow, you just wrap your head around how much they messed up. And that's not how God wanted us to live. That's just an example of God just lets [00:29:00] everybody see how these people messed up. But still, God used them in a mighty way. God still gave them grace and forgiveness and love and mercy. I was just on Twitter and that's a dangerous place is Christian Twitter. Oh my goodness. And there was a big thread about some people, they didn't believe that Jesus was the same God as the God of the Old Testament. They cut the line because they thought Jesus over here in the New Testament, his attribute seems so different than. The God of the Old Testament. I don't necessarily agree with that, but that was an interesting concept. That's how they dealt with those horrible stories. I'm just gonna just trust in Jesus and just believe in Jesus and throw everything else away. Yeah. That's a heresy in the second century that, um, yeah. You know, unfortunately haven't quite gotten rid of completely, but is that's what that's called still alive and, [00:30:00] yeah. Oh, that's what you call it. Okay. There's your little fun little historical theology trivia, but yeah, there's probably a word for it. But that goes into my next question is how do you study the Bible and read it and make sure that you're not slipping into some heretical teaching, because I personally know some people that they believe some stuff that's way off base that nobody else. And mainline Christianity believes in, but they're like quoting Bible verses and taking them outta context. How do we avoid going down that path? Yeah, yeah. I had a youth minister who used to joke that if you wanted to, he could justify kicking babies across the room from scripture. Like that was just his wild example because yeah, people can kind of justify the whole gambit of things. So I think now we talked about why it's important to study the Bible for yourself. [00:31:00] At the same time though, I think this living, breathing scripture. Is something that we must read through community. You can do your own work, do your own prep, but ultimately the Bible belongs to all of us. And so we need to read in community. And that can mean your pastors and teachers and your scholars. It can also mean your neighbor and your friend and your kids and your mom and your cousin from a couple states away. But it can also mean dead people, not like seance or whatever, but like, um-ing, you know, read these old preachers and read the church fathers and the church mothers and like, we got 2000 years of Christian history here. There's some wild stuff, but there's some good stuff too. So I say we read scripture in community and you come to your own conclusions. Don't just copy paste whatever Mr. X, Y, Z says, but. What do they [00:32:00] think? And when we start looking at, oh, Christians have kind of seemed to think this for a long time, probably a direction we should lean in. I don't know. I guess people could be wrong, but the way the spirit works I think is a lot of times through community. And it's a way to check, it's a checks and balance for ourselves. So I think that sometimes we can get a little, a little wild with our own interpretations, but we bring in other people. What do you think? Did you see this too? Is this accurate? Is this, does this fit in with historical context of first century Palestine? Or whatever kind of questions you want to ask community. So that's flesh and blood people, but that's also books and podcasts and all sorts of things. I just think we're made to be together. And honestly, when I studied Paul's view of spiritual formation for my thesis, I didn't get to dive into it too much, but what I kept coming across is spiritual formation is not a. You on your own [00:33:00] kind of thing. It is something that happens with people who are this great cloud of witnesses that is cheering you on and it's helping you out. So I think that's a great way to kind of check, check ourselves, and then of course, use your brain. Let's be logical here that scripture probably not actually talking about America because it was written 3000 years ago. I don't know. Thank you. Um, so, so stuff like that, we gotta use our brains. Yeah. I like when you talk about community, because I think, and I've seen this before people go off the rails, is that they're isolating themselves. Mm-hmm. They don't wanna go to church because they don't trust, they don't trust people that they've been hurt. But even if we can't drag ourselves to church just yet in our healing process, yeah. There are other ways to create community and checks and balances. So that's a really good point. We really don't want [00:34:00] to be that guy that started his own denomination on a couple bible verses. Yeah, we got plenty of denominations. I think we're set for a little bit, so let's just chill out for now. Yeah, that's crazy. So like if we're in a community, we're under our Bible teacher or a pastor or Sunday school class, what would be like a red flag that would put your antennas up? Hey, you may wanna check this out for this preacher teacher saying is not a good thing. Are there any like red flags that you would look for? I think arrogance is definitely a big red flag. Ooh, good one. And that is how you get into spiritual, spiritually abusive situations. Definitely. And what I mean by arrogance is people that are not willing to be corrected, not willing to admit the wrong, not willing to learn. I was privileged to have professors where I was getting my Bible degrees. People with [00:35:00] PhDs from the prestigious British universities who would listen to student comments and be like, that's really interesting. Or, heard it like that. Tell me more about that. And one of my Hebrew Bible professors spoke like nine languages. Most of those are dead ones. And still he's curious to know what these 20-year-old college students are thinking. Which is wild because he is way smarter than us. But he is. These guys were adopting this posture of, I can learn from anybody here. I want your perspective. And I could be wrong. We gotta have some things where we have a firm foundation and where we don't sway. We absolutely have to have those. There are some people these days that I think sort of lean too heavily into the wishy-washy. It depends on the day, what I'm feeling, cafeteria style Christianity. We can't do that. But we also can't go over here where it's, I figured it out when I was 30 years old, when I was 40 years old, and now I'm like, [00:36:00] done. I'm done learning. Got it right. I to be the only one to get it right. And that's how denominations start, right? Ooh, everybody else got it wrong all the time. Now I'm right. So that's dangerous. So let's learn from people who are themselves. Learners who are willing to be challenged and to ask questions and wanna know your take on things. I know from being in ministry settings that oftentimes I am the guy with the more Bible degrees than most people in the room. But then there'll be these 70-year-old church ladies who have lived this and they've been in the Bible their whole life. I can learn from them. Mm-hmm. They have something to say, even though they've never read the text in Greek. They have something to add to the conversation. Mm-hmm. So we need to be learners. I love that. That is so awesome and so very true. The Holy Spirit speaks to each of us individually and gives us different [00:37:00] lessons and we can share those lessons. Now, you as a scholarly person, you must have some favorite resources that you use to study the bible. Can you recommend some specific resources that are maybe easy to use? Yeah, there's a couple websites, Bible gateway, I mentioned that already. They have. Some free commentaries and bible encyclopedias and things kind of on the sidebar there. So as you're looking to scripture, you could glorify and study Bible or have access to chunks from different commentaries. And for a while, while I was doing some more preaching, I actually did the paid, there's a kind of a paid version that it was like five bucks a month or something really cheap like that. It just got access to more things so I can have the scripture here and then all my resources next to it. And that was handy. Bible hub.com is also another one. [00:38:00] Um, that one's especially good if you do wanna look at the language stuff, knowing that you're not a scholar, you can say, but what is that Greek word? And you can click on it and it will show you the definitions, show you other places in scripture it's used. You can kind of get a feel for that. So that's a really good one for people who are not, who don't know the languages or. Like me who always needed help with my Greek homework or something like that. So yeah, those come to mind. But man, like we are, we at our fingertips. There's a lot of good stuff out there. A lot of bad stuff, no doubt. But there are podcasts and all sorts of books and there's just, there's a lot of good stuff there. Wouldn't even know where to begin, just sort of thinking broadly. But I think Bible gateway, Bible hub, easy. Anybody can access those for free. And you don't necessarily need a giant library or really expensive commentary sets 'cause they're really expensive. Yeah. That's why my parents get me one commentary for my birthday and [00:39:00] for Christmas each year. And so in 50 years I'll have the full set or whatever. That's not true. That's, it'll actually probably be. I can't do the math however it takes to get 66 books. But anyway. Wow. All I had in bible college that we were allowed to have is Matthew Henry commentary, which is kind of on the dry side. Yeah. Most Bible professors would pass out hearing you say that. It's not bad stuff, but bad, but it's not, it's not easy to read it's thing, let's just say. Yeah. And we were allowed to read Weirs, BE'S books. It's a pretty good series about where I came from. John MacArthur's commentaries were like hearsay. Oh, okay. The Baptist didn't like the, at least the churches that I was in, they didn't like MacArthur's stuff, but, and I had the actual strong concordance. I still own that's, yeah, sure. So sort of a free way to get that, besides if you don't want to get a giant [00:40:00] volume. Yeah. I like to read the physical books too. Sure. Nothing, not knocking the physical. But yeah, if people are on a budget, yeah, people are on a budget and you can't go and buy those big, huge coffee table books. Or if you're near a Christian university, see if you can get a library card that's, they have tons of stuff. I can walk in there and there are a whole shelf of like Genesis commentaries or whatever. It could be information overload. But also I can, I'll pick up a couple different volumes of different perspectives and I'll read what they each have to say about the verse or chapter I'm dealing with and I can kind of synthesize a conclusion. And that's how you do it. Yeah. I'll also mention, I, we were allowed to. Listen on the radio, Jay Vernon McGee and yeah, he was definitely expository. He [00:41:00] would go verse by verse and go through the entire Bible verse by verse, which I thought was really good. And I don't agree with everything he said, but that's the way I learned a lot of stuff was through verse by verse radio program back in the day. Mm. I'm dating myself, aren't I? It's all good here. All good. No, we talked a lot about a bunch of different stuff. Is there anything about Bible study that we didn't talk about that you would like to mention? I know there's so much, uh, yeah, I just touched on it a little bit, but I kind of wanna bring it back. Look at different views than yours. If you are really charismatic, then look at something that's not quite charismatic, or if you are. I won't go. I'll skip all those differences. You know what? You are read some of the stuff that's a little different. Stuff that challenges you. That's how we grow. That's how we grow, [00:42:00] is to hear something a little different. And the thing is, you're not required to believe it. Right. You can just read it and at least know what they're saying. I know in my Christian upbringing, and not necessarily I was intentional, but I only knew my side of the argument. Or if I knew somebody else's argument, it was this straw man version that was just not accurate. And then I, you go to the big wide world and be like, oh wait, there are lots of different views. And those people are actually smart and they have things to say about this, but somebody else is the opposite and they're also a smart person. What's going on? It's just good to expose ourselves to different things. In most cases we could, we, you can choose your own boundaries and things like that. Mm-hmm. It doesn't mean if you're studying something in the Old Testament, you have to read the Jewish and the Muslim and the Mormon view of what. It doesn't mean you have to go there, but just check out some different things. Have your favorite commentaries. Do it, but every once in a while [00:43:00] peek into your, your local heretic and see what they have to say. I dunno, maybe not a heretic, somebody who's a little different. You, you, your istic. Yeah. Our last guest was talking about Calvinism and stuff, but yeah, doesn, excellent suggestion because I definitely was in my own camp for many years until I got out of my abusive situation and started looking into other views and I have since changed nothing major. I didn't change any major views, but I realized that okay, there are other Godly people. Now I see they can use scripture to defend their position too. And there's a little bit of wiggle room in there for sure. Sure. For different viewpoints. I went and did a study and looked at somebody else's view on a tertiary argument. Sure. Tertiary doctrine. It's not a doctrine of the faith, but [00:44:00] something that's very important and it's like, okay, I'm not gonna be judgmental. And that was hard for me to change my viewpoint. Yeah, yeah. But they gave me really great scriptural evidence. So yeah, that's kind of a sideline, but you made excellent point. But anyway, I appreciate you sharing all this valuable information and your view, viewpoint, and it's fascinating. Everybody has different answers for these questions. I've asked everybody the same questions. Right. And they're all giving me different answers, which I think that's very helpful. Oh yeah. Yeah. Very helpful. Yeah, getting people exposed to different things and again, like I am me and you are you, and we're different. And that's the point. Like we all come together with our different focuses and our different backgrounds and knowledge, and together we are the body of Christ. Amen. And that's beautiful. So tell the folks [00:45:00] how people can connect with you and you have resources and maybe if they wanna play stump the Bible teacher, they can email you. Yeah, you can find that all about me@jakedobern.com. D-O-B-E-R-E-N-Z as in zebra. And that's kind of my home base on the interwebs. If you do jake dovers.com/email, you can get on my email list that was mentioned earlier where I talk about. Funny stories from my life that have spiritual points, and I bring out spiritual points from that. And yeah, you can definitely contact me through social media or email, and that's all on my website there. So I'll let you track me down and tell me how wrong I am and all of that kind of stuff. That's fun. It comes with the territory, so totally okay with that. And then lastly, I do a bunch of work with Christian creatives, with Fiani [00:46:00] Media, and as was mentioned, I produce the Creatively Christian podcast. So I would love for you to check that out if that's kind of your thing, if that's your area. Yeah. You guys have a real great variety of guests on that show. It's not just one particular kind of art. You guys represent a lot of different ones, which is fun. Oh yeah. And we're trying to get more variety all the time. Awesome. Now. I don't usually have guests pray on the show, but would you pray for our listeners in their journey in the scriptures? Of course. Let's go ahead and pray. Heavenly God, we come to you in prayer on this podcast episode and we ask that whoever's listening now in the future, in a couple years, where wherever we are, that, that we can be receptive to how you speak to us through scripture and through our [00:47:00] communities that help us see scripture. Let the spirit guide us as we dive into this sacred but sometimes confusing and complicated documents. Lord, I ask that you give us the wisdom to be able to rightly divide your word and to remain faithful even when our own preferences might wanna lean in a different direction. Lord, thank you so much for the ministry of this podcast. We pray that people continue to have healing and continue to find themselves in a better place, both in the world and with you spiritually. In Jesus' name, amen. Amen. Thank you so much for coming on the show. God bless you. Sure thing. God bless you. Thank you for listening to the Wounds of the Faithful Podcast. If this episode has been helpful [00:48:00] to you, please hit the subscribe button and tell a friend. You could connect with us at DSW Ministries dot org where you'll find our blog, along with our Facebook, Twitter, and our YouTube channel links. Hope to see you next week.

This week on Next on the Tee, I welcome three outstanding guests for an episode filled with elite instruction, thoughtful perspective, and great storytelling. Leading things off is the show's Resident Director of Instruction, Tom Patri, who recently received one of the highest honors in the game — being named a Golf Magazine Top 100 Alumni Instructor. Tom reflects on what that recognition means and his journey through the game. From there we dive into Tom's candid and passionate take on comments from new PGA Tour Commissioner Brian Rolapp and Tiger Woods regarding proposed changes to the Tour, including fewer tournaments, smaller fields, and scheduling adjustments to avoid competing with the NFL. Tom also shares insights on some of the top golf courses around his old stomping ground, New York City, several of which were named among Golf Digest's 25 most beautiful courses in the country. Next, making his Next on the Tee debut, is Stan Moore, one of Florida's top instructors and a highly respected short game and putting coach. Stan walks us through his approach to putting, including stance, stroke length, and key fundamentals that help golfers become more consistent on the greens. He also shares feedback he's received from students that reinforces why his methods are so effective. In Part 2 of this week's show, I'm joined by longtime friend John Inman, former PGA Tour professional and head coach at UNC. John reflects on winning a National Championship there in 1984, shares thoughts on Carolina football and the Bill Belichick experiment, and discusses how NIL has transformed college athletics into a minor league system. We also revisit John's victory at the 1993 Buick Southern Open, his brother Joe's win at the 1976 Kemper Open, and the constant ups and downs that make golf both maddening and magical. It's an episode packed with insight, honesty, and plenty of moments every golfer can relate to — so settle in and enjoy another great week on Next on the Tee, where golf legends live and your game gets better.

Dr. Christina Montalbano was raised in New Jersey. Her desire to be a Veterinarian led her to do her undergraduate work at Ohio State in Animal Science, then she earned her veterinary degree from the University of Pennsylvania in 2017.After graduation, she did an Internship in Integrative Medicine at the University of Florida, which led to her staying on and completing a Residency in Canine Sports Medicine and Rehabilitation. She achieved Board Certification in Sports Medicine and Rehabilitation in 2022. She is also certified in Acupuncture and Medical Manipulation from Chi University.She worked in private specialty practice in New Jersey, then returned to the University of Florida where she is currently a Clinical Assistant Professor of Integrative and Mobility Medicine as well as Resident Director for the Canine Sports Medicine and Rehabilitation program.Please enjoy this conversation with Dr. Christina Montalbano as we discuss her education, clinical experience, her current academic practice, and her decades long history as a puppy raiser for Canine Companions.

Welcome in, folks, to another edition of Next on the Tee, where golf legends live and your game gets better.  We kick things off with our Resident Director of Instruction, Tom Patri, who shares his reaction to the breaking news that LIV Golf will move to a 72-hole format starting in 2026. If that shift leads to World Golf Ranking points, what does it mean for the PGA Tour? With every LIV event next year offering bigger payouts than the Tour's Signature events, could they target up-and-coming young talent the way they did with former Rory McIlroy protégé Tom McKibbin? Could rising players be swayed by a $5 million signing bonus, larger guaranteed purses, and the ability to still earn OWGR points to access the majors? TP breaks it all down and gives us his take on how this could reshape professional golf. Then I'm joined by someone Tom knows well and has worked with over the years — Jon Buddenhagen, Head Golf Professional at the historic Hole in the Wall Golf Club in Naples, Florida. Jon shares the story behind this unique, golf-only club that dates back to the 1950s — no tennis, no pickleball, no dining, and no tee times. Members simply walk up and play, making it one of the purest old-school golf experiences you'll find. Jon takes us inside a day in the life of a Head Golf Pro, how they maintain the course to meet member expectations, and he offers a couple of great tips to help you shave a few strokes off your game. And be sure to come back for Part 2, when I'll be joined by two great friends of the show — 1984 Olympic Gold Medalist Scott Hamilton and golf-tech genius Terry Hashimoto. Thank you, as always, for tuning in and being part of this community.

On this episode of ResEdChat, join our host Noah Montague and guest Jess Castaneda, Resident Director at Tulane University, as they talk about critically conscious supervision of graduate assistants of color in Residence Life. Graduate Assistants or GAs are the future of our far-from-perfect field. Systemic inequities exist within higher education that are crucial to unpack, dismantle, and reflect on.  GAs are uniquely situated between student and staff, thus meaning that GAs of color can and do experience those same systems in more than one context. Thus, this makes the duty of full-time staff members in residence life to practice this form of supervision to properly support them. Thus, in this episode, Jess and Noah explore the concept of Critically Conscious Supervision, share impactful stories, and provide practical advice to Residence Life Staff.

U Guys, this week's BroadwayWorld Recap has all the latest Bway tea! Then I am joined by Billie Aken-Tyers, as she shares her journey from performer to director, discussing her recent appointment to the position of Resident Director for SIX The Musical. We chat about her experience as Associate Director to Tye Blue on the Off-Broadway hit, Titanique, as well as directing Laura Benanti in her own original biographical musical.  Billie reflects on her artistic background, having also performed in multiple Off-Broadway and out of town productions like Fairycakes and Hood, before making the switch to directing. She shares the challenges of navigating the theater industry, and the importance of personal growth, as well as insights from her time at the Edinburgh Fringe Festival and her aspirations for the future. Billie is simply the loveliest, U don't wanna miss this episode! Follow Billie on Instagram: @billieakentyers Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Roompact's ResEdChat, join our host Noah and guest Evelyn Mendlowitz, Resident Director at Miami University of Ohio, to talk about ghost stories. What do ghost stories have to do with Residence Life, you ask? Well, let us tell you. Most, if not all college campuses have at least one ghost story, and oftentimes, these stories are clung to and repeatedly told and known. These stories, while often dark, provided important history into college campuses and can even invite students and staff alike to learn, lead, and build community together Noah and Evelyn discuss this topic, tell stories themselves, and provide advice rooted in trauma informed care and emotionally intelligent leadership for Residence Life staff to further incorporate storytelling into their regular practice. 

Clement Manyathela speaks to Darren Greeff, Resident Director and Resident Choreographer of Chicago the musical, about the upcoming CHICAGO The Musical, featuring a stellar all-South African 23-member cast, 11-piece band, and world-class creative team, will be perfromed in Montecasino’s Teatro from 3 October to 16 November 2025. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

Host Michael Azevedo is joined by veteran film and television director Rob Spera.   Rob's been on the faculty at the American Film Institute for over 20 years. His feature films include The Sweet Life, Fathers and Sons, and the cult classic Leprechaun in the Hood.    His numerous television credits include Criminal Minds, Supernatural, Suspect Behavior, and Army Wives. During four seasons as Resident Director at the Tony award-winning Actors Theatre of Louisville, he directed over 75 productions. And he is currently the Head of Directing at Rideback Rise, a Fellowship Program for mid-career screenwriters who are making the move to directing.    Rob discusses his book called the Film/TV Director's Field Manual: 70 Maxims to Change Your Filmmaking. Rob considers the manual to be an "anti-textbook" meant to be kept in a filmmaker's back pocket on set to provide distilled guidance with far-reaching results.   The roughly 200 page book is a collection of 70 maxims that distill filmcraft techniques to their essence, making them readily accessible to the filmmaker. The book is filled with valuable first-hand insight and guidance.    Making Media Now is sponsored by Filmmakers Collaborative, a non-profit organization dedicated to supporting media makers from across the creative spectrum. From providing fiscal sponsorship to presenting an array of informative and educational programs, Filmmakers Collaborative supports creatives at every step in their journey. About the host: www.writevoicecreative.com and https://www.linkedin.com/in/michael-azevedo/   Sound Engineer: A.J. Kierstead

Shakespeare's Julius Caesar feels urgently contemporary in Rosa Joshi's new production at the Oregon Shakespeare Festival—one of America's largest and longest-running theater festivals, now in its 90th season. Staged in partnership with Seattle's upstart crow collective, the production explores the threat of autocracy, drawing on global histories of dictatorship. Performed entirely by women and nonbinary actors, Joshi's Julius Caesar offers new perspectives on a historically male-dominated political landscape. The result is a fresh reading of Shakespeare's classic tale of power, loyalty, and betrayal. In this episode, Joshi reflects on the production, the politics of performance, and why Shakespeare's plays continue to illuminate moments of crisis. >> Discover more about Julius Caesar at the Oregon Shakespeare Festival From the Shakespeare Unlimited podcast. Published August 25, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Rosa Joshi (she/her) is a director, producer and educator. She currently serves as Associate Artistic Director of Oregon Shakespeare Festival. Rosa's directing work spans from Shakespeare to modern classics and contemporary plays. Throughout her career she has created work independently through self-producing, and in 2006 she co-founded upstart crow collective a company that produces classical plays with diverse casts of women and non-binary people. With upstart crow, she has directed King John, Bring Down the House, Richard III, Titus Andronicus, and Coriolanus. She is committed to creating ambitious productions of classical work featuring women, non-binary, and BIPOC artists. As Interim Artistic Director of Northwest Asian American Theatre, Rosa produced a range of Asian American performances, including: A-Fest, an international performance festival; Traces, a world premiere multi-disciplinary, multi-media, international collaborative work. She was also a Resident Director and Artistic Director of the Second Company at New City Theater, where she directed and produced various classical and contemporary plays. Rosa has been a faculty member at Seattle University and has also taught at The Old Globe University of San Diego Shiley Graduate Theatre Program, Hong Kong University, Hong Kong Academy of Performing Arts, and Cornish College for the Arts. Rosa holds an MFA in Directing from the Yale School of Drama and a BA in Theatre and Psychology from Bucknell University.

In this episode of Roompact's ResEdChat, join our host Noah and guest Emma Grupe, Resident Director at Miami University of Ohio, to talk about the field and what it looks like to enter Residence Life without a degree in Student Affairs. As we all know, Student Affairs is typically not a job that people plan on entering, but what does it look like when you go at it from another angle all together? How do we do a job while learning how to do it at the same time? Join Noah and Emma as they tackle these questions and share stories and advice for new Residence Life Professionals. 

Dalia is an Assyrian-American director and writer focusing on explosive theatricality and subverting existing narratives. She was listed in the Forbes 30 Under 30 Hollywood and Entertainment 2025. Her Broadway credits include serving as Associate Director of Sweeney Todd and as the Resident Director at Phantom of the Opera.In this episode, we talk about:What it really means to be a directorLearning to trust your creative visionMaking mistakes in the rehearsal processHow overstimulation kills creativityWhy collaboration is a mirror for self-growthTelling ancestral storiesFinding the stories that matter to usCreative Resources Mentioned:Everything is Waiting for You by David WhyteSteal Like an Artist by Austin KleonConnect with Dalia:@your_gal_dalwww.daliaashurina.com

On this episode of ResEdChat, join our host Noah Montague, and guest Mathew Perry, Resident Director at Miami University of Ohio, to talk about RA recruitment. RA recruitment is one of the biggest endeavors that any Residence Life department goes through. And naturally, there are always things that go well and things that can go better. Noah and Perry discuss tangible ways to better recruit RAs and make the processes more equitable for those in them.

In this episode, Regina Botros speaks with Jessica Arthur, director and dramaturg of Koreaboo, a bold new work for Griffin Theatre Company.  Currently the New Work Associate - Artist Development at Malthouse Theatre, Jess has held key creative roles at Sydney Theatre Company, including Resident Director (2019–2022), Directing Associate, and Richard Wherrett Fellow. Her directing credits span Belvoir, Griffin, La Mama, Kings Cross Theatre, Old Fitz, Melbourne Theatre Company. In this conversation, we dive into the making of Koreaboo, its cultural resonance, and Jess's process of developing new work that speaks to contemporary audiences. From The Dictionary of Lost Words to The Wolves, Jess's career is a testament to innovation, collaboration, and the heart of storytelling.

In this episode of Roompact's ResEdChat, join our host Noah Montague, and Guest Carter Roane, Resident Director at Miami University of Ohio, to talk about all things Greek Life, that is Fraternities and Sororities. Affiliated students have unique campus experiences and when they live in the halls, those experiences become all the more complex, exciting, and stigmatized. Noah and Carter explore fraternity and sorority life, discuss supporting students who are affiliated, share impactful stories, and provide practical advice to Residence Life Staff working with the Greek community.

Drew Barr has directed productions of new, modern, and classical plays and musicals for theaters across the United States and around the world. He directed the Dutch-language premiere of the National Theatre of London's War Horse, which opened at Amsterdam's Royal Carré Theatre before a year-long tour of the Netherlands and Belgium. For the National Theatre, he also directed the Australian premiere of War Horse, which ran in Melbourne, Sydney and Brisbane. He was the Resident Director for War Horse on Broadway at Lincoln Center Theater. Also on Broadway, Drew served as associate director for Nicholas Hytner's productions of Sweet Smell of Success, starring John Lithgow, Kelli O'Hara and Brian D'Arcy James and Twelfth Night, starring Helen Hunt, Paul Rudd and Kyra Sedgwick, as well as for Simon McBurney's acclaimed revival of All My Sons by Arthur Miller, starring John Lithgow, Dianne Wiest, Patrick Wilson and Katie Holmes. Drew was associate director and dramaturg for Simon McBurney's production of The Kid Stays in the Picture at the Royal Court Theatre in London.Drew has directed and guest taught for many of the country's leading actor training programs, including the Juilliard School, NYU's Graduate Acting Program, USC's School of Dramatic Arts, SUNY Purchase, the University of Delaware's PTTP, the University of Washington's School of Drama and the Department of Dramatic Art at the University of North Carolina Chapel Hill. He is on the acting faculty of AMDA College of the Performing Arts in Los Angeles. As an actor, Drew appeared on Broadway in Wendy Wasserstein's An American Daughter. He was a founding member of East Coast Artists, a performance collective under the leadership of Richard Schechner, with whom Drew devised and performed in Faust/gastronome, The Three Sisters and Amerika. He toured the country as a member of Maurice Sendak's national children's theater, The Night Kitchen, playing the role of Alligator in the Sendak/Carol King musical, Really Rosie. Drew moved to Lexington with his filmmaker husband, Tim Kirkman, in June of 2024Drew is directing ANGELS IN AMERICA, a play written by Tony Kushner debuted in 1991, that will be presented by ACT OUT THEATRE GROUP and open at the Black Box Theatre in the Pam Miller Downtown Arts Center on 6th June and play the 7th, 13th, 14th and 15th June.A complex and at times metaphorical examination of AIDS and its social impact - this play, that won 3 Tony Awards and a Pulitzer, has been called "a turning point in the history of gay drama."For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

This week on Season 12, Episode 21 Part 1 of Next on the Tee, I've got a fantastic lineup of four fun and insightful guests that I'm excited to share with you. They're sure to spark your interest, maybe raise an eyebrow or two, and quite possibly have you thinking, “I need to connect with that guy.” Leading things off, as always, is our Resident Director of Instruction, Tom Patri. We caught up with TP just as he was wrapping up a member trip to Cabot Citrus Farms in Brooksville, Florida—so yes, we might be delaying his dinner and bedtime just a bit, so he's a little extra cranky. Tom's also gearing up for his annual golf marathon to support a great cause. Last year, he played an incredible 153 holes before running out of daylight. Head over to his Instagram page to learn more and consider pledging whatever makes sense for you. In our chat, we cover Justin Thomas's big win at Hilton Head, take an early look ahead to the Ryder Cup, and debate whether today's advanced equipment is helping make the game more accessible, less frustrating, a major reason why our game at all levels is packed with more good players than in the persimmon wood and wound ball era. After TP, I'm joined by Golf Magazine Top 100 Instructor and Golf Digest Top 50 in Florida, Mike Malizia from Admirals Cove in Jupiter. Mike shares some great drills to help improve your short game, explains why he doesn't teach hitting up on the ball with the driver, and encourages us to trust our feel rather than overthinking every swing. It's a loaded show, and I hope you enjoy it as much as I did putting it together. Come back for Part 2 featuring certified Hypnotherapist Paul Salter and PGA Tour Legend Hal Sutton.

On this special Masters Post Game edition of Next on the Tee, we look back on an unforgettable week at Augusta National, both from the grounds and from the booth. I kick things off by recapping the final round of the Augusta National Women's Amateur, where Spain's Carla Bernat Escuder fired a final round 68 to capture the title by one shot over 16-year-old American Asterisk Talley. I also spotlight standout performances by rising stars Eila Galitsky and Lottie Woad—young talents whose names we're sure to hear more in the years to come. Then it's on to one of the most thrilling Masters final rounds in recent memory, as Rory McIlroy overcame ghosts of past collapses, a double on 13, and a missed opportunity on 18 to ultimately defeat Justin Rose in a dramatic playoff. With that win, Rory became just the sixth player in history to complete the career Grand Slam. My guests and I walk through every twist and turn of Rory's journey and what this victory means for his legacy. I welcome back two fan favorites to break it all down—Resident Director of Instruction Tom Patri and 17-time winner between the PGA & Champions Tours Mark Calcavecchia. Calc takes us back to his own near miss at Augusta and the shot by Sandy Lyle that denied him a green jacket. Together, we talk about the magic of this year's tournament, from Rory immediately losing his lead on the first hole, gaining it back 2 holes later, losing it again on 13, more missed putts, throwing it away on 18 and ultimately getting the gorilla off his back. We also preview what's ahead for the rest of the major season. Thank you for pressing play and taking the journey with us.

We are excited to bring you this new episode in our podcast series, The Art of Collaboration with Anne Kauffman and dots. This series focuses on directors and choreographers in conversation with some of their collaborators. This series explores the ins and outs of these processes, both finer details as well as overarching ideas about what goes into a productive collaboration on a show. In this episode you will hear an in-depth and transparent conversation with Anne and dots focused on the collaboration between directors and designers as well as navigating the industry as a collective.   Bios: dots (Scenic Designer) is a design collective creating environments for theater, film, commercials, and immersive experiences. Hailing from Colombia, South Africa, and Japan, we are Santiago Orjuela-Laverde, Andrew Moerdyk, and Kimie Nishikawa. As collaborators, we believe that the whole is greater than the sum of its individual parts. Recent highlights include the Broadway productions of Oh, Mary! ; Romeo + Juliet, An Enemy of the People (Tony Award Nomination for Best Scenic Design of a Play); Appropriate (Tony Award, Drama Desk and Outer Critics Circle Award nominations for Outstanding Scenic Design); The Sign in Sidney Brustein's Window; and The Big Gay Jamboree ; Recent awards include a 2024 Obie Award for Sustained Achievement in Design, 2023 and 2024 Henry Hewes Design Award, recipient of 2025 USA Fellowship Award . designbydots.com. Anne Kauffman (Director)'s credits include the New York Philharmonic, BAM, Ars Nova, NYTW, Roundabout Theatre Company, Encores! Off-Center, Women's Project, Playwrights Horizons, MCC, The Public, P73 Productions, New Georges, Vineyard Theatre, LCT3, Yale Rep, Steppenwolf, Goodman Theatre, La Jolla Playhouse, Z Space, American Conservatory Theater, and Berkeley Rep. She is a Resident Director at Roundabout Theatre, Artistic Associate and Founding Member of The Civilians, a Clubbed Thumb Affiliated Artist and co-creator of the CT Directing Fellowship, a New Georges Affiliated Artist, an SDC Executive Board Member, Vice President and Trustee of SDCF 2020-2023, and Artistic Director of City Center's Encores! Off-Center 2017-2020. Her awards include a 2024 Tony nomination for Best Director for Mary Jane, a 2023 Tony nomination for Best Revival for The Sign in Sidney Brustein's Window, three Obies, the Joan and Joseph Cullman Award for Exceptional Creativity from Lincoln Center, the Alan Schneider Director Award, a Lucille Lortel Award, a Drama League Award, and the Joe A. Callaway. She is co-creator of the Cast Album Project with Jeanine Tesori.   dots headshot courtesy of dots Anne Kauffman's headshot by Tess Mayer

On this week's show, we kick things off with our regular monthly visit from The Confidence Doctor, Dr. Bob Winters. Doc shares insight into the incredible success his junior players are having, including several competing in the Augusta National Women's Amateur. One standout is Megha Ganne, who set a first-round record with a 63 at Champions Gate. Although our conversation was recorded the night before the tournament began, Doc explains exactly why her stellar performance came as no surprise. He also highlights the accomplishments of other young players he works with and reminds us once again why he's the best in the business—change your mind, change your game. Following Doc, Jay Delsing returns to the show. Jay is not only one of the kindest and most uplifting voices in the game, he's also got a new book coming out titled You Wouldn't Believe Me If I Told You, and trust me, you're going to want to read it. He shares some unforgettable stories, including teeing it up with Stephen Stills, meeting Sean Connery (who then introduced him to Steven Spielberg and George Lucas), and playing with presidents—and a young Tiger Woods. You'll love his energy and storytelling. Finally, we bring in our Resident Director of Instruction, Tom Patri. With a scheduling conflict bumping him up in the lineup, Tom gives us his take on Min Woo Lee's breakthrough victory at the Houston Open and the crucial role Lee's caddie played in avoiding disaster. We also look ahead to The Masters, and Tom shares the four players he expects to be battling it out on the back nine come Sunday.

Send us a textThe pressure on high school graduates today is immense. The future looms large with a thousand unknowns:"What am I going to do with my life?""Who will I marry?""Should I go to college?""How do I even function as an adult?"For students raised in Christian homes, these questions shouldn't be left to guesswork. They should be rooted in something deeper—discipleship to Jesus. But what if there was a path that didn't just prepare young people for what's next, but actually formed them into the kind of people who could follow Jesus into their future with confidence?That's why we're so excited to welcome Jeff Hackett, Outreach Pastor at Centerpointe, and Michael Davis, Resident Director of the new OneLife location launching in Buffalo, NY.OneLife isn't just another gap-year program. It's an immersive, transformative year designed to equip young adults with biblical wisdom, deep community, and practical life skills—all while walking in full devotion to Jesus.If you or someone you know is a high school student looking for direction, we'd love for you to check out OneLife Buffalo. Find out more at onelifepath.org, or come experience it for yourself at a Preview Day at Centerpointe Church on Monday, March 31st.WatchCheck out OneLifeSupport the show

In Part 2 of Episode 12, I welcome back our resident mental game expert, Dr. Bob Winters, The Confidence Doctor. This month, Dr. Bob dives into the crucial role that your dominant eye plays—not just in your swing, but also in your overall confidence on the course. Get your notepads ready because he shares a couple of key insights you'll want to remember. Then, we wrap things up with our Resident Director of Instruction, Tom Patri. TP gives us the inside scoop on some of his recent Instagram Live interviews, including conversations with our mutual good friend Damon Hack from The Golf Channel and his longtime pal Jimmy Roberts. And in a hilarious twist, TP must've been feeling nostalgic—because for the rest of our chat, he calls me Jimmy...not kidding, you'll hear it for yourself. We also get into his thoughts on some hot topics in the game right now, like slow play and AimPoint green reading. It's a fun and insightful conversation, so stick around and let's tee it up!

In this episode, I've got four fascinating guests lined up for you. Part 1 kicks off with our Resident Director of Instruction, Tom Patri. TP and I dive into the mass exodus happening among top leaders across all the tours. Plus, we'll discuss the recent announcement that PGA Tour Enterprises is seeking a CEO to work alongside Jay Monahan – which I'm hoping is code for replacing him. We'll also touch on the outgoing CEO of the R&A, Martin Slumbers, and his parting warning for professional golf. All that and more with TP! Next, we're joined by the "Confident Doctor," Dr. Bob Winters, for our monthly visit. Doc will share insights about an exciting new Tour he's joined as a Board member, designed to give talented young women a pathway to the LPGA. We'll also explore the double-edged sword that is golf – how it feels magical when everything is going right but challenging when our minds and bodies aren't in sync. Dr. Bob will join the conversation about 30 minutes in. Tune in for these great discussions, and be sure to come back for Part 2 of this week's show featuring my conversations with Jim Gallagher Jr. and Scott Hamilton.

Do you know someone who needs recovery and a life change from addiction or other life-controlling issues? Sheri Kearby, Resident Director of New Heart Place Women's Home, joins us with the details of a special home for women (there is also a men's home) where they will find freedom, a new life in Christ, and a hope-filled future! New Heart Place Women's Home ()

In Part 1 of Season 11, Episode 52, I'm joined by our Resident Director of Instruction, Tom Patri, and 1983 PGA Champion and two-time Players Champion, Hal Sutton. As Tom prepared for the arrival of Hurricane Milton in Naples, Florida, he shared his insights on the Presidents Cup, including reports of players swearing at Tom Kim, and highlighted the impressive performances of golfers over 60 who are still proving they can compete at a high level. Hal Sutton gives us an update on his latest course design, the Darmor Club, which recently opened to rave reviews and is poised to become one of the top courses in the U.S. Hal recounts a special call from Sahith Theegala, who sought to play Darmor as part of his Presidents Cup preparation. We also take a trip down memory lane to Hal's very first lesson with the legendary Harvey Penick.

Sara-Jayne Makwala King speaks to Darren Greeff, Resident Director and Choreographer about Disney's The Magic Box at Artscape.See omnystudio.com/listener for privacy information.

In Part 1 of Episode 48, I'm joined by two incredible guests: our Resident Director of Instruction, Tom Patri, and New York Times bestselling author, Tom Coyne. TP is currently on a bucket-list golf trip in New York, playing some of the most renowned courses in the country, and we get to live vicariously through him. He also shares his fond memories of "The King" on what would have been Arnold Palmer's 95th birthday, including why he named his son after Arnie and Palmer's touching reaction. Plus, we dive into Scottie Scheffler's record-breaking season, Jim Furyk's Presidents Cup captain picks, and how coaching in golf has evolved since TP's early playing days. Tom Coyne, one of the premier golf authors and journalists of our time, joins me as well. His novel, A Gentleman's Game, was named one of the top 25 sports books of all time by the Philadelphia Daily News. He's also penned several New York Times bestsellers like A Course Called Ireland, A Course Called Scotland, and A Course Called America. In this episode, he shares stories from these unforgettable journeys, talks about the prestigious award named in his honor, and gives us a glimpse into his podcast, The Golfer's Journal.

In Part 1 of Episode 42, I'm joined by our Resident Director of Instruction Tom Patri and one of the all-time great ladies in our game, Jane Crafter. This week, Tom and I kick things off by discussing the puzzling decision of Matt Kuchar to be the only player to finish the Wyndham Championship on Monday morning, despite being seven strokes off the lead. Tom also shares his thoughts on Aaron Rai's first win, Billy Horschel's classy gesture, and what's been going wrong with his own short game lately. Jane Crafter, hailing from Perth, Australia, had an exceptional amateur career, winning the 1978 New Zealand and 1980 Belgian Amateur Championships and finishing as runner-up in the 1977 Australian and 1980 Canadian Amateur Championships. We delve into those achievements, as well as her reflections on this year's U.S. Senior Open Championship and her own Top 5 finish in that event in 2019. Jane also revisits her victory at the 1997 Austrian Open, and she shares some drills and tips that made her one of the best putters in the game.

Do you have a loved one struggling with addiction? Mike Miller, Resident Director of New Heart Place, joins us with stories of redemption through an effective recovery and discipleship opportunity for men and women that is life-changing!

In this episode, I'm joined by The Confidence Doctor, Dr. Bob Winters; the Founder of Golf Live, Keith Scioli; and our Resident Director of Instruction, Tom Patri. Dr. Bob makes his regular monthly appearance and discusses the importance of having a SOLID foundation for your game. What does SOLID stand for? He explains it as: Single-mindedOptimisticLetting go of score and expectationsIntentional and focused over each shotDecisive and determined mindset Dr. Bob also shares insights about a hidden gem course in Ocala, which he says may be the best in Florida. Keith Scioli transitioned from being a Landman for Southwest Energy to creating the ultimate golf app, Golf Live. Available on the Apple App Store and Google Play, this app offers real-time live playing lessons with a PGA Professional, no matter where you or they are. Struggling on the range and wish you could get a live lesson right then? Now you can. Keith walks us through the app's features, including the soon-to-be-added swing data integration, making it feel like you're in a simulator with your coach, even if you're just hitting into a net in your backyard. Tom Patri is back, and this week we discuss more missed short putts on tour. At least this time, the player didn't avoid the media and fans. Tom also explains why your handicap might be misleading if you play most of your rounds on the same course.

In Part 1 of this week's show, I'm joined by our Resident Director of Instruction Tom Patri and 2013 Senior Open Champion Mark Wiebe. At the top of the show, I give a HUGE shout-out to 77-year-old Bob Ross of Greensburg, PA. Bob made not 1, but 2 hole-in-ones during his round at Mt. Oden Park Golf Course on June 3rd. His first ace came on the Par 3 4th hole. He found the bottom of the cup using a 9 iron. Then to prove to his buddies that was no fluke, he made a second ace on the Par 3 11th hole from 142 yards using a 26-degree hybrid. Huge congratulations Bob! I hope many more of your tee shots find the bottom of the cup...#sojealous... If you have a great golf story or you witnessed one, please share it with me at chris@nextonthetee.net Tom Patri and I break down the US Open. From Rory's agony of defeat to the 180 degree turnaround Bryson DeChambeau has done. What a tremendous finish we all witnessed. Mark Wiebe shares his insights on the US Open as well. We also hear the edgier side of Mark regarding some of his concerns about the game. We also look ahead to next month's Open. The first Open Championship that Mark played in was at Royal Troon and the first Senior Open Championship he played in was there as well. He shares some great insights on the course with us...

Join Scott and Serena on "The Human Powered Podcast," a riveting podcast that delves deep into the heart of personal growth and resilience in today's complex world. Every episode, our charismatic hosts sit down with extraordinary individuals from all walks of life to uncover the raw, unfiltered stories that shaped them. These inspiring narratives are more than just tales of triumph and adversity; they are powerful lessons in human perseverance.Our first episode is kindly sponsored by Dell. Today's Guest is the Resident Director of Les Miserables, Jo Parsons. In this episode Jo shares the challenges in his life that have helped shape him alongside how he manages his recipe for personal resilience. Jo also shares what tools and strategies he uses on a daily basis to mange his well-being, performance and tips for our listeners on becoming your best self, no matter what you are facing. How do you manage a number of people to perform at their best through vulnerability and understanding? Jo has you covered!Please leave a rating and review to support our pledge in #unlockinghumanpotential For more information go to www.humanisesolutions.comIf you want to get in touch here's how;EMAIL: Contact@humanisesolutions.comINSTAGRAM: @humanisesolutionsX: @HumaniseSolsYouTube: @HumanPoweredPodcastLinkedin: www.linkedin.com/company/humanise-solutionsSales, advertising and general enquiries: contact@humanisesolutions.comThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Do you feel like parts of you are weighing you down? Joining me is the Resident Director for Men at Olivet Nazarene University and a board member of the By the Hand Club, Travis Smith. He discusses how he needed to let go of the weight of the past and embrace how he is loved.Travis discusses the insecurities faced by the students on campus and the importance of addressing them.Through his parable story, he emphasizes the significance of God's love in all areas of life, including spiritual, emotional, mental, physical, and relational well-being. Travis shares his journey of transformation and healing through his experiences with By the Hand Club and his relationship with God. He emphasizes the importance of depending on Jesus in every aspect of life and recognizing and healing from past wounds. Finally, he encourages listeners to trust in God's love and direction, allowing Him to fill their lives and overflow with His joy and truth.TakeawaysDepend on Jesus in every aspect of your life, allowing Him to love and care for you.Recognize and heal from past wounds, acknowledging the areas in your life that need healing.Trust in God's love and direction, leaning on Him and not relying on your own understanding.Allow God to fill your life and overflow with His joy, truth, and abundant life.Reflection QuestionsDo you have anything weighing you down?  Something you didn't even realize was there. Sit for a moment and feel the gravity of this statement as you say it for yourself, "God knows AND He loves me."  Feel free to repeat, and create a breath prayer so you can move out of that generic love and into the real thing for yourself.Connect with Travis | E-mailBy the Hand ClubHow to support The Parable Podcast: #1 Subscribe or Follow the show so you don't miss the next episode of The Parable Podcast through your favorite podcast app (i.e. iTunes, Spotify, Stitcher). #2 Share this show with a friend, this is a perfect opportunity to start your own Parable Conversation together. #3 Are you in need of a speaker for your Church, Women's Group, or event? Contact Danielle to learn more.

Join us as we chat with the Resident Director for America's Got Talent: Superstars playing at The Luxor - Danita Salamita-Eldridge! Listen to our discussion of tours, dance captains, and big time career decisions. Taylor and Alex discuss start by discussing all things stage names. Be sure to follow and subscribe!SOCIALS:Us! - @insidedancepodcastDanita Salamita-Eldridge - @dsneldridgeAlex - @alexyonkTaylor - @tbradchoreoSupport the show

Luke Joslin is a graduate of The University of Western Sydney and The Actors College of Theatre and Television, Luke has forged a successful career in both musical theatre and straight drama, as well as being highly sort after as a director.Luke worked as an Actor for 15 years. His extensive credits include the national tour of Peter Pan Goes Wrong, The Play That Goes Wrong, both for Lunchbox and Jon Nicholls, Brigadoon for Production Company, Machu Picchu for State Theatre Company of South Australia, Pinnochio for Windmill and Sydney Theatre Company, Threepenny Opera for Malthouse and Sydney Theatre Company, 25th Anniversary production of Les Miserables for Michael Cassel and Cameron McIntosh, Annie and Dr Zhivago both for GFO, Avenue Q for Arts Asia, Assassins for Neil Gooding, Dirty Dancing for Jacobsens, Titanic for Seabiscuit and Guys and Dolls for Dennis Smith.In 2009 he won the Helpmann and Greenroom Awards for Best Supporting Actor in a Musical for his portrayal of Nicky/Trekky in Avenue Q. Luke was also Nominated for a Greenroom Award for Best Male in a Supporting Role in 2018 for Brigadoon.Directorial credits include Annie for Riverside Theatre, Educating Rita for Seymour Centre, Thank You For Being a Friend for Neil Gooding and Matt Henderson, Songs for a New World (Melbourne and Sydney) for Blue Saint and Hayes Theatre, Giggle and Hoot Live show for ABC and Live Nation, In the Heights (Hayes and Sydney Opera House) for Blue Saint and Sydney Opera House in which he was nominated for a Helpmann Award and Sydney Theatre Award for Best Director, Resident Director for Shrek the Musical for GFO, Les Miserables for Packemin Productions and Riverside Theatre, Revival Director – Otello with Opera Australia, Resident Director – Cinderella The Musical for John Frost at XRoads and Opera Australia and Bells are Ringing with Neglected Musicals. Luke also spearheaded the Riverside Theatre Digital Concert series where he conceptualised and directed six shows back to back. Luke most recently was show director for both Jimmy Rees's Not that Kinda Viral Tour and the Swag on the Beat Live Show.He presently helms the exciting new production of Grease which has made its way to Sydney following a triumphant season in Melbourne. And the next stop is Perth. Luke Joslin joined STAGES to reflect on his journey from actor to director; and why Grease is still the word!The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

For episode 098 of Actorcast, we are joined by Domenick Scudera! I credit Domenick with introducing me to the world of acting, as he cast me in my first production that I was ever involved with. From there, I worked on a handful of other productions with him, he taught many of my theater classes, and he was my advisor in undergrad. In this episode, we talk about his experience working as a theater professor at a small liberal arts college, how teaching theater and acting has changed through the years, and why it's beneficial for non-theater people to enroll in a theater class. To learn more about Domenick, you can visit https://ursinus.edu/live/profiles/213-domenick-scudera Domenick Scudera is Professor of Theater at Ursinus College in Collegeville, PA.   He has been teaching acting, directing, and theater history at the college since 1997.  As a director, he has directed 40+ plays at the college. Professionally, he has directed at theaters such as the Philadelphia Shakespeare Theater (where he served as Resident Director), Delaware Theater Company, the Uptown Knauer Performing Arts Center, the Waitstaff Comedy Troupe, and Historic Philadelphia Inc.  He has also worked in the administrations of the Wilma and Arden Theaters in Philadelphia.  As a playwright, he recently finished work on an original full-length play, The Half of It, inspired by the life of Vauedeville drag pioneer Bert Savoy.  Domenick received his B.A. from Colgate University, and M.F.A. in Directing from Penn State University. Follow my work at ⁠https://patrick-mcandrew.com⁠ and @patrick.mcandrew

This is the life story, the testimony, and the conversion story of Nathan Crankfield. It's been shared many times and in many places, but never has it been done so thoroughly, vulnerably, and transparently as this. For those who don't know, Nathan Crankfield was born and raised in Harrisburg, PA. He was baptized Lutheran, but entered the Catholic Church at age 13, becoming the first Catholic in his family. In 2015, he graduated from Mount St. Mary's University, where he received an Army ROTC Scholarship. After graduation, Nathan was commissioned and trained as an Infantry officer at Fort Benning, GA, where he completed U.S. Army Airborne School and Ranger School. Upon completion, he headed to Fort Bragg, NC, where he served in the 82nd Airborne Division for three years. After a deployment to Afghanistan, Nathan knew it was time to pursue his love for evangelization. Throughout his life, Nathan has cultivated a deep passion for encouraging others to fulfill their potential and purpose. In 2019, he accepted a position at the Dynamic Catholic Institute, where he faithfully served as a Parish Consultant for the archdiocese of Kansas City, MO & Austin, TX. Nathan served as a Resident Director at Benedictine College in Atchison, KS. He currently resides in Denver, Co with his wife; Emily and their son Jordan. Nathan currently serves as a Sales Lead for Hallow, the Catholic prayer & meditation app. The initial ideas around Seeking Excellence came to Nathan during his college years as he felt God calling him to serve the Church using his gifts for writing and speaking. While serving his parishes, Nathan dedicated consistent time to writing reflections to share within his community. When the mandatory stay-at-home orders went into place in the spring of 2020, Nathan received several cancellations for his booked speaking engagements. Much like all things Nathan does in his life, he decided to make the most of the situation by evolving. He moved his in-person events to a virtual platform, gaining new audiences and identifying our world's needs. Shortly after, Seeking Excellence launched with the support of Nathan's community and several friends who committed much time to help lay the foundation to bring his dream to life.  Nathan continues to cast a bold vision for Seeking Excellence while striving to build a strong alliance of community, which will help make a significant impact in the Church. To support the podcast, join our Locals community.  This is Episode #254 of the Seeking Excellence Podcast.  The Seeking Excellence Podcast exists to help people take extreme ownership of their lives so they can intentionally strive to fulfill their potential.  You can follow Nathan on Instagram, Twitter, Gettr, and TikTok at @nathancrankfield  You can follow SE on Instagram @seekingexcellence_ Subscribe to our YouTube channel here  --- Support this podcast: https://podcasters.spotify.com/pod/show/seekingexcellence/support

In this epsiode, Budi and Adam sit down with Eugene Ma to discuss his practice spanning many decades, and many countries and continents. Eugene Ma is a theatre director, actor and teacher with an inter-disciplinary background. Born in Toronto, brought up in Hong Kong and based primarily in New York - Eugene continues to perform, direct, and teacher internationally.Enchanted many years ago by the ingenuity of the Clown and virtuosic transformations in Commedia dell'Arte, Eugene embarked on and completed a two-year teaching apprenticeship with Christopher Bayes, making him one of a selected few "Bayes-certified" physical acting teachers in America. During the apprenticeship, Eugene served as Chris' teaching assistant and musical director for Clown and Commedia classes as well as student productions at Yale School of Drama, the Juilliard School as well as summer and corporate workshops, infusing more musicality into the curriculum as a tool to open up the actor's imagination and sensitivity.Eugene is currently on faculty at Columbia School of the Arts, where he teaches clown in the MFA Acting program.  Spring 2020 he will be teaching clown at Yale School of Drama, to the second year MFA actors.  Previous teaching engagements include workshops and classes at Yale's Undergraduate Theater Studies Program, Professional Performing Arts School (Arts High School) in Midtown Manhattan, St. Andrew's College in Canada.  He has also served as an advisor on several directing projects at New York University.Eugene is Resident Director at the Flea Theatre, developing works with the robust resident acting company under the mentorship of Artistic Director Niegel Smith. His acting credits include Theatre for a New Audience, Oregon Shakespeare Festival, and Berkely Rep.Having been trained as a pianist (ABRSM Gr. 8), organist and composer at a young age at the Yamaha Music Foundation in Hong Kong, Eugene still recalls his first composition assignment being motific explorations inspired by a picture of a large zoo on the music stand as he captured the journey of zoo-going as well as channeling the essence of different animals. As a result of his very aural-based training, impulsively framing and supporting a story with relatable motifs -- not the most complex and intricate musical structures -- has always been the priority and strength in Eugene's musical work. At age 9, he was selected to represent Hong Kong to attend the Junior Original Accessible travel podcast Accessible travel podcasts are the place to be to listen to all things relative to...Listen on: Apple Podcasts SpotifySupport the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Please welcome Michael Gene Sullivan, an actor, writer, director, blogger, and teacher committed to developing theatre of social and economic justice, of political self-determination, and musical comedy. Michael is also an alum of the nationally-acclaimed Playwright's Foundation, a Djerassi Center Artist Fellow, and in 2022 was awarded a Guggenheim Fellowship. An accomplished veteran of Bay Area theater, Michael is also a Collective Member and Resident Director of the Tony and OBIE award-winning San Francisco Mime Troupe where he has written, acted in, and/or directed over thirty plays. As a playwright Michael's work has appeared across the United States as well as in Germany, Italy, Mexico, Spain, The Netherlands, Argentina, Australia, the United Kingdom, Columbia, Hong Kong, Canada, China and Ukraine. He is also the writer of the new musical “BREAKDOWN” which will be performed by the Tony Award-Winning San Francisco Mime Troupe from July 1 - Sept. 4 2023 at various locations. (Interview Begins in Segment 2 at the 6:14 mark). Info and Tickets to "BREAKDOWN" with the San Francisco Mime Troupe. https://www.sfmt.org/ ------------------------------------- Closing Music by Carly Ozard Contact Ray at Green Room on Air: greenroomonair@gmail.com Leave a review on Apple Podcasts (iTunes) Visit Green Room On Air website: http://greenroomonair.com Connect with us on Facebook: https://www.facebook.com/raysgreenroom/

Culum Walsh is an Academic Life Coach and the Resident Director at Western Colorado University. Culum was a classroom teacher for 21 years until a surfing trip in Costa Rica changed the course of his career trajectory. In the episode, Culum shares the biggest challenges facing teenagers and young adults today as well as provides valuable information about how we learn, how we think, and how we study best in order to maximize our performance. There are many practical takeaways for coaches, teachers, and parents to help us all implicitly "trust" our clients and what to do next when your student responds by saying "I don't know." Culum shares his new Conflict Management conversation technique and so much more. Check out some of the highlights below; 1.40: Worst coaching moment: Remember that the client is the 'driver' of the session. 3.50: Best coaching moment: Let your own agenda float by. Trust your client. Ask your client/student: "What do you think about that?" 9.10: Sliding Doors: When teaching was no longer as creative and fun as it used to be - time to learn how to surf in Costa Rica! 12.41: What makes a Great Coach? ("Trusting the client!") Assume trust from day 1 with your client. 14.30: What degree do you trust (your marketing person) to represent who you are and what you do on a scale of 1 to 10? Be careful of the lone-wolf syndrome as a solopreneur 19.02: Biggest challenges for teenagers - having meaningful and satisfying relationships with peers and adults. Young adults - are really struggling with these negative narratives about themselves. Our minds make up things that are not true. 21.30: Biggest challenges for university students who are struggling with their grades - Knowing what kind of a learner they are, what kind of thinker they are and knowing the answer to how should you be studying! Academia comes to us via one of these three ways (code this information and watch how much easier it is to structure your thinking) - it is either: 1) Facts or information 2) Reasons that things happen 3) Processes, steps on how to do things Or some combination 23.08: What study environment works best for you? Complete silence? In your room (the noise from the hallways) The library, the grille where there is some ambient noise? 27.00: How do you handle the response: "I don't know." "That's a great place to start, take your time." Parents: Instead of "How was your day?" They respond: "Good." Ask: What was good? Is now a good time to talk about your day? What was the best part of your day?" Top tip: "How is your life going?" 32.00: Conflict Management Protocol: If a student requests a room change, a meditation process happens, and the conversation goes something like this; Each person writes down their complaints (without the other person interrupting) Write down the new set of agreements How do you gracefully and respectfully call each other in when the agreement gets broken? For example, what time should we have this conversation and when should we not have this conversation? 36.23: What makes a great leader? It's declaring oneself a leader! The Coaching Podcast is sponsored by The Sampson Agency - a talent entertainment and sports management company owned and operated by Tina Samara. Visit: www.thesampsonagency.com or email: tina@transitioncoach4athletes.com To learn more about becoming a workplace coach or advancing your coaching skills, visit: www.opendoorcoachingusa.com or email: info@emmadoyle.com.au About Culum Walsh Culum Walsh is a retired classroom teacher of 21 years. He was a private Academic Life Coach for students, 6th grade through graduate school for 6 years, and he is currently the Resident Director of the Escalante Complex at Western Colorado University. He manages about 275 first-year residents. He has 8 Resident Advisors whom he trains in leadership, program development, and conflict management. He also provides academic life coaching for first-year students who are struggling. Culum earned his BA in Spanish in 1990 and his MA in Teaching Foreign Languages in 1997. He is a Professional Certified Coach (PCC) through the ICF. He is fully bi-literate in Spanish and English, and he coaches and trains in both languages. In his free time, he loves to lift weights, swim, cycle, ski, and paddleboard. He currently lives in Gunnison, Colorado. Connect with Culum below. Website: https://western.edu/people/culum-walsh/

Amir Monsefi describes “conflicts of interest” with the ability to serve clients and grow the business at Merrill. The former RD shares how building their own RIA allowed them the freedom to innovate and remove conflicts.

Greg Longenhagen is an accomplished actor, director, producer, teacher, and coach. Greg's career spans over 30 years in professional theatre, radio, television, and film, and he's a member of the original founding company of Florida Repertory Theatre in downtown Fort Myers, and is in his third decade with the organization, now serving as its Artistic Director.  Greg has been involved with 64 productions at Florida Rep and has also performed at numerous theaters here in Florida and around the country. He served as the Resident Director for Pittsburgh's “Shakespeare in the Schools” while working as an actor in New York City, and he later served as an Assistant Professor of Theatre at Florida Gulf Coast University. 

This week on SA Voices From the Field, we interviewed Dr. Janelle Rahyns about her own experiences leading efforts for NASPA in international student affairs. Dr. Janelle Rahyns serves as the associate director for global initiatives and virual learning at NASPA – Student Affairs Administrators in Higher Education. She supports the association's international initiatives such as NASPA's Global Division, the MENASA Advisory Board, the MENASA NASPA Conference, the Global Summit on Student Affairs and Services, the International Symposium, the International Exchange Program, and assists in the support of the Latin America and the Caribbean Advisory Board. Prior to joining NASPA, Janelle served as the Assistant Dean at Yale-NUS College in Singapore, and the Resident Director at the University of California Los Angeles. Her research interests focus on African American college students, comparative study abroad experiences, international student affairs, and race and ethnicity in study abroad. Janelle holds a Ph.D. in Social Science & Comparative Education with a concentration in International & Comparative Education from the University of California Los Angeles, an M.Ed in Student Personnel in Higher Education and a B.A. in Political Science from the University of Florida. Please subscribe to SA Voices from the Field on your favorite podcasting device and share the podcast with other student affairs colleagues!

Michael Rader (michaelrader.com)(IG:@mrmichaelrader)(TW:@mrmichaelrader) is a director, artistic director and arts consultant based in New York City who made his mark internationally as an Artistic Director for Cirque du Soleil. Her is the current Acting General Manager for Theatre Aspen. Prior to that, he served as the Artistic Director and then Producing Artistic Director for the historic Cape Playhouse where he was celebrated for leading the organization through a significant renaissance and securing the theatre's position in the American Theatre landscape. His diverse career in the arts has afforded him positions such as a Resident Director for Cirque du Soleil, Broadway Liaison and Arts Education Consultant to the New York City Department of Education and Director of Entertainment for Paul Newman's Hole in the Wall Gang Camp. During Rader's tenure with The Cape Playhouse, the organization flourished through a remarkable period of growth and advancement. During this five-year period, Rader was responsible for innovative advancements in programming, significant improvements to the quality of productions, implementing a new arts education wing, substantially expanding and overhauling all production and artistic departments, securing vital funding for infrastructure advancements and programming expansions, and modifying The Playhouse's performance calendar to allow for the implementation of higher quality and Broadway-caliber productions. These advancements resulted in substantial increases in ticket sales, a vast resurgence of patrons and subscribers, successful fundraising that set the theatre on strong financial footing, being named one of the “50 Best Small Stage Theatres in America", consistently being awarded "Best Cape Cod Theatre" each season under his leadership, the elimination of all preexisting debt, the generation of significant profits each season after a prolonged period of financial loss, and netting nearly one-million dollars in cumulative assets. Under his leadership, Cape Playhouse highlights included Gypsy starring Julia Murney, Steel Magnolias starring Judy Kuhn and Mary Testa, Little Shop of Horrors starring Andrew Keenan-Bolger, Noises Off with Heidi Gardner, The Importance of Being Earnest with Edward Hibbert and productions of Million Dollar Quartet, South Pacific and A Chorus Line that broke previous box office records. During the Covid-19 pandemic, Mr. Rader guided the transformation of programming to include outdoor concerts, New England centric lectures, a streaming production of A Christmas Carol, the creation of The Gertrude Lawrence Awards, and diverse digital content, including an array of online educational offerings. Rader was also responsible for forming and leading a national Covid Taskforce comprising senior leadership from arts organizations around the United States, designed to help theatres collaborate on successfully navigating the pandemic. The culmination of Rader's tenure at The Playhouse allowed for the launch of a master plan initiative and expansive capital campaign aimed at significant renovations and expansions for the 22-acre arts campus. The Cape Playhouse exists today as one of the great surviving icons of the American summer theater. Select additional highlights as a director, producer or associate include: A Christmas Story; The Musical(National Tour), Stalking The Bogeyman (NYTimes Critics Pick, Outer Critics Circle Nomination), Varekai(Cirque Du Soleil), The Testament of Mary, Deep Love (NYMF 2015), A Christmas Carol (National Tour), Mandela! with Norm Lewis, You are Not Alone with Betty Buckley and Lea DeLaria, and productions with Sacramento Music Circus, The ZACH Theatre, The York Theatre Company, The Actors Studio Repertory Theatre, The Human Race Theatre, The Dramatist Guild, The Huron Playhouse, The Forestburgh Playhouse, Joe's Pub and the critically acclaimed Off-Broadway benefit production of William Finn's Elegies: A Song Cycle. Michael's direction of the show, benefiting marriage equality, was acclaimed as "…profound and visionary".  Following the 2013 Broadway production, Rader was granted the exclusive rights to re-conceive Colm Tóibín's controversial hit play The Testament of Mary. Rader's reimagined version features five actresses sharing the title role – each woman representing a different cultural ideal of Mary. Michael is passionate about and committed to finding ways of utilizing the arts as a tool to empower the lives of those less fortunate, especially children in need. It was during his initial time working with chronically ill children that Michael fully realized his passion for humanitarian work, especially when it involved working within the arts. He regularly teaches acting and audition technique classes in NYC and has served on the faculty of SongFest at the Colburn School in Los Angeles and The Summit School near Washington, DC. Rader is a graduate of Wright State University, the esteemed Actors Studio MFA Directing Program, an alumnus of the Lincoln Center Theater Directors Lab and a proud member of SDC.

Michael Rader (michaelrader.com)(IG:@mrmichaelrader)(TW:@mrmichaelrader) is a director, artistic director and arts consultant based in New York City who made his mark internationally as an Artistic Director for Cirque du Soleil. Her is the current Acting General Manager for Theatre Aspen. Prior to that, he served as the Artistic Director and then Producing Artistic Director for the historic Cape Playhouse where he was celebrated for leading the organization through a significant renaissance and securing the theatre's position in the American Theatre landscape. His diverse career in the arts has afforded him positions such as a Resident Director for Cirque du Soleil, Broadway Liaison and Arts Education Consultant to the New York City Department of Education and Director of Entertainment for Paul Newman's Hole in the Wall Gang Camp. During Rader's tenure with The Cape Playhouse, the organization flourished through a remarkable period of growth and advancement. During this five-year period, Rader was responsible for innovative advancements in programming, significant improvements to the quality of productions, implementing a new arts education wing, substantially expanding and overhauling all production and artistic departments, securing vital funding for infrastructure advancements and programming expansions, and modifying The Playhouse's performance calendar to allow for the implementation of higher quality and Broadway-caliber productions. These advancements resulted in substantial increases in ticket sales, a vast resurgence of patrons and subscribers, successful fundraising that set the theatre on strong financial footing, being named one of the “50 Best Small Stage Theatres in America", consistently being awarded "Best Cape Cod Theatre" each season under his leadership, the elimination of all preexisting debt, the generation of significant profits each season after a prolonged period of financial loss, and netting nearly one-million dollars in cumulative assets. Under his leadership, Cape Playhouse highlights included Gypsy starring Julia Murney, Steel Magnolias starring Judy Kuhn and Mary Testa, Little Shop of Horrors starring Andrew Keenan-Bolger, Noises Off with Heidi Gardner, The Importance of Being Earnest with Edward Hibbert and productions of Million Dollar Quartet, South Pacific and A Chorus Line that broke previous box office records. During the Covid-19 pandemic, Mr. Rader guided the transformation of programming to include outdoor concerts, New England centric lectures, a streaming production of A Christmas Carol, the creation of The Gertrude Lawrence Awards, and diverse digital content, including an array of online educational offerings. Rader was also responsible for forming and leading a national Covid Taskforce comprising senior leadership from arts organizations around the United States, designed to help theatres collaborate on successfully navigating the pandemic. The culmination of Rader's tenure at The Playhouse allowed for the launch of a master plan initiative and expansive capital campaign aimed at significant renovations and expansions for the 22-acre arts campus. The Cape Playhouse exists today as one of the great surviving icons of the American summer theater. ​ Select additional highlights as a director, producer or associate include: A Christmas Story; The Musical(National Tour), Stalking The Bogeyman (NYTimes Critics Pick, Outer Critics Circle Nomination), Varekai(Cirque Du Soleil), The Testament of Mary, Deep Love (NYMF 2015), A Christmas Carol (National Tour), Mandela! with Norm Lewis, You are Not Alone with Betty Buckley and Lea DeLaria, and productions with Sacramento Music Circus, The ZACH Theatre, The York Theatre Company, The Actors Studio Repertory Theatre, The Human Race Theatre, The Dramatist Guild, The Huron Playhouse, The Forestburgh Playhouse, Joe's Pub and the critically acclaimed Off-Broadway benefit production of William Finn's Elegies: A Song Cycle. Michael's direction of the show, benefiting marriage equality, was acclaimed as "…profound and visionary".    Following the 2013 Broadway production, Rader was granted the exclusive rights to re-conceive Colm Tóibín's controversial hit play The Testament of Mary. Rader's reimagined version features five actresses sharing the title role – each woman representing a different cultural ideal of Mary.   Michael is passionate about and committed to finding ways of utilizing the arts as a tool to empower the lives of those less fortunate, especially children in need. It was during his initial time working with chronically ill children that Michael fully realized his passion for humanitarian work, especially when it involved working within the arts. He regularly teaches acting and audition technique classes in NYC and has served on the faculty of SongFest at the Colburn School in Los Angeles and The Summit School near Washington, DC. Rader is a graduate of Wright State University, the esteemed Actors Studio MFA Directing Program, an alumnus of the Lincoln Center Theater Directors Lab and a proud member of SDC.

Ran Xia is a Shanghai-born Playwright, Director and Audiogremlin. She is a current member of WP Lab, Soho Rep's Writer/Director Lab; and is the Beatrice Terry Resident at the Drama League. Her recent writing credits include her play Chava the Giant and the Oldest Bird at Rattlestick Global Form Festival.  In addition, she is the Resident Director at the Tank where she directed and composed for the film adaptation of Prometheus Bound. She has also guest directed at Barnard (Orlando) and Montclair State (Randi & Roxanne), and is a commissioned playwright at Vanderbilt University (To Stab a Butterfly Through the Heart). Ran is also a Usual suspect at Exquisite Corpse Co. where she provide the Sound Design for the NYT critics' pick Zoetrope, audio installation for Memory House, and many more); and has also designed sound for productions at LIU Brooklyn, John Jay College, Theater Lab, and more.  Find more of her work at www.ranxia.info 

Abbey O'Brien's (abbeyo.com/abbeyo)(LI:@abbeyobriennyc)(IG:@abbeyobriennyc)career in the entertainment industry spans over 20 years. She kicked off her career as a Rockette on one of the world's most renowned stages, Radio City Music Hall. Her professional experience is diverse, from Tony Award-winning cast member, to collaborating on an Emmy nominated TV show, to being on the creative teams of Tony winning Broadway shows, to choreographing music videos, directing original works, and working with major corporations.  Abbey has worked with famed actors Uma Thurman, Hugh Jackman, Hank Azaria, Sara Bareilles, Megan Hilty, Katharine McPhee, Martha Plimpton, David Hyde Pierce, plus acclaimed directors Mike Nichols, Diane Paulus, Casey Nicholaw, Des McAnuff, Rob Ashford, Jerry Mitchell, Josh Bergasse, Anne Reinking, Joe Mantello, Lear DeBessonet, Bebe Neuwirth, Sidi Larbi, Daniel Sullivan, Stafford Arima, Joe Calarco, Graciela Daniele, Lorin Latarro and many more.  Ms. O'Brien is currently the Associate Choreographer of not only Sara Bareilles' Waitress the Musical, but Alanis Morissette's 15 time Tony award nominated Jagged Little Pill. Abbey is also Resident Director of Jeffrey Finn's Hot on Broadway, which creates evening length industrial shows for corporations across America.  Director/Choreographer credits: Rocky Horror Show,13 the musical, Meet Me in St.Louis, A Quarantine Cabaret Choreography credits include: ExtraOrdinary (Directed by Diane Paulus), Broadway for Biden (Directed by Liesl Tommy), NBC's Jimmy Fallon Show, CBS's Late Show with David Letterman, Sugarland (Music Video), Big Fish (Directed by Eric Woodall), NYC Mayor's Inner Circle Gala, Smokey Joe's Cafe (Directed by Julia Murney), Rock of Ages (Directed by Michael Berry), Mama Mia (Casa Mañana), American Idiot (TUTS), Dreamgirls (Directed by Lauren Kennedy), Spamalot (Atlanta Lyric Theatre), True Love (TriArts Sharon Playhouse), Performa Gala (Jennifer Rubell), Wizard of Oz (NewArts), and many industrial/ corporate entertainment events.  Associate Director/Choreographer credits: Jagged Little Pill (Broadway and American Repertory Theater), Waitress (All Companies), #DateMe (Off-Broadway),Taste of Things to Come (The York Theatre and Chicago Broadway Playhouse), The Odyssey (Public Works at The Delacorte), Double Portrait (Film), Elf (Paper Mill Playhouse), Ragtime (Lincoln Center), Bernadette Peter's Drama League Gala (The Plaza), NBC's Smash, Company (Bucks Co. Playhouse), National Pastime (BCP), Plaid Tidings (BCP), Legs (Tory Burch commercial), Microsoft (Industrial), Norwegian Cruise Line (RWS), Chicago (Ogunquit Playhouse). Some of her performing credits include: NBC's Smash, Broadway's Spamalot, Broadway's Pal Joey, Radio City Rockette's, NBC's Celebrity Apprentice, Longshot (Film), Martha Plimpton Sings? (Lincoln Center-American Songbook Series), Sinatra (Radio City Music Hall), No Strings (Encores!), The Met Gala (NYC), Carnivale (Radio City). Abbey O'Brien is also a National Adjudicator, Master Teacher, Guest Artist, and Creative Consultant.

Abbey O'Brien's (abbeyo.com/abbeyo)(LI:@abbeyobriennyc)(IG:@abbeyobriennyc)career in the entertainment industry spans over 20 years. She kicked off her career as a Rockette on one of the world's most renowned stages, Radio City Music Hall. Her professional experience is diverse, from Tony Award-winning cast member, to collaborating on an Emmy nominated TV show, to being on the creative teams of Tony winning Broadway shows, to choreographing music videos, directing original works, and working with major corporations.  Abbey has worked with famed actors Uma Thurman, Hugh Jackman, Hank Azaria, Sara Bareilles, Megan Hilty, Katharine McPhee, Martha Plimpton, David Hyde Pierce, plus acclaimed directors Mike Nichols, Diane Paulus, Casey Nicholaw, Des McAnuff, Rob Ashford, Jerry Mitchell, Josh Bergasse, Anne Reinking, Joe Mantello, Lear DeBessonet, Bebe Neuwirth, Sidi Larbi, Daniel Sullivan, Stafford Arima, Joe Calarco, Graciela Daniele, Lorin Latarro and many more.  Ms. O'Brien is currently the Associate Choreographer of not only Sara Bareilles' Waitress the Musical, but Alanis Morissette's 15 time Tony award nominated Jagged Little Pill. Abbey is also Resident Director of Jeffrey Finn's Hot on Broadway, which creates evening length industrial shows for corporations across America.  Director/Choreographer credits: Rocky Horror Show,13 the musical, Meet Me in St.Louis, A Quarantine Cabaret Choreography credits include: ExtraOrdinary (Directed by Diane Paulus), Broadway for Biden (Directed by Liesl Tommy), NBC's Jimmy Fallon Show, CBS's Late Show with David Letterman, Sugarland (Music Video), Big Fish (Directed by Eric Woodall), NYC Mayor's Inner Circle Gala, Smokey Joe's Cafe (Directed by Julia Murney), Rock of Ages (Directed by Michael Berry), Mama Mia (Casa Mañana), American Idiot (TUTS), Dreamgirls (Directed by Lauren Kennedy), Spamalot (Atlanta Lyric Theatre), True Love (TriArts Sharon Playhouse), Performa Gala (Jennifer Rubell), Wizard of Oz (NewArts), and many industrial/ corporate entertainment events.  Associate Director/Choreographer credits: Jagged Little Pill (Broadway and American Repertory Theater), Waitress (All Companies), #DateMe (Off-Broadway),Taste of Things to Come (The York Theatre and Chicago Broadway Playhouse), The Odyssey (Public Works at The Delacorte), Double Portrait (Film), Elf (Paper Mill Playhouse), Ragtime (Lincoln Center), Bernadette Peter's Drama League Gala (The Plaza), NBC's Smash, Company (Bucks Co. Playhouse), National Pastime (BCP), Plaid Tidings (BCP), Legs (Tory Burch commercial), Microsoft (Industrial), Norwegian Cruise Line (RWS), Chicago (Ogunquit Playhouse). Some of her performing credits include: NBC's Smash, Broadway's Spamalot, Broadway's Pal Joey, Radio City Rockette's, NBC's Celebrity Apprentice, Longshot (Film), Martha Plimpton Sings? (Lincoln Center-American Songbook Series), Sinatra (Radio City Music Hall), No Strings (Encores!), The Met Gala (NYC), Carnivale (Radio City). Abbey O'Brien is also a National Adjudicator, Master Teacher, Guest Artist, and Creative Consultant.

Bartlett Sher is a Tony Award-winning director who has brought thoughtful, powerful productions to theaters, opera houses, and film. He is the Resident Director at Lincoln Center Theater and one of our greatest storytellers, using the stage to interpret and spotlight stories of American history. He has staged multiple productions at the Kennedy Center, including a tour this summer of his Award-winning adaptation of Harper Lee's Pulitzer Prize-winning To Kill a Mockingbird. Next spring, Sher and writer Aaron Sorkin will debut a revival of the musical Camelot on Broadway. First Lady Jacqueline Kennedy said Camelot was JFK's favorite musical, and after his death, the story of King Arthur and the Knights of the Roundtable came to symbolize the Kennedy administration.