Podcasts about shohat

Nowadays we might cringe when we see movies like “Breakfast at Tiffany's”, but people back then didn't do so at all. On the contrary: the movie was, and it still is critically acclaimed and part of pop culture due to USA's cultural hegemony over the world. In this video essay I talk about colonialism in the film industry, propaganda, dehumanization, how important is the film industry for political hegemony, how certain marginalized groups are dehumanized in the film industry and why, Orientalism and how the movie Dune uses Orientalist tropes, and what to do next.   Dominican Gagá: prohibition and resilience. https://www.youtube.com/watch?v=XFB9qYcg8cQ   Background music: https://www.youtube.com/watch?v=DSWYAclv2I8 SUBSCRIBE, COMMENT, AND SHARE: https://www.patreon.com/mangopodcast https://www.tiktok.com/@mangopodcast0 https://www.instagram.com/mangopodcast0 https://linktr.ee/mangopod References  Orientalism: Edward Said. Pedagogy of the Oppressed: Paulo Freire. Memmi, A. (n.d.). Mythical portrait of the colonized. In A. Memmi, The colonizer and the colonized (p. 85). Boston: Becaon Press. Shohat, E. S. (2014). The Myth of the West. In E. S. Shohat, Unthinking Eurocentrism: Multiculturalism ad the Media (p. 13). London & New York: Routledge

Eran Kaplan's book Projecting the Nation: History and Ideology on the Israeli Screen (Rutgers UP, 2020) is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat's Israeli Cinema: East West and the Politics of Representation from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat's book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Eran Kaplan's book Projecting the Nation: History and Ideology on the Israeli Screen (Rutgers UP, 2020) is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat's Israeli Cinema: East West and the Politics of Representation from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat's book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Eran Kaplan's book Projecting the Nation: History and Ideology on the Israeli Screen (Rutgers UP, 2020) is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat's Israeli Cinema: East West and the Politics of Representation from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat's book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Eran Kaplan's book Projecting the Nation: History and Ideology on the Israeli Screen (Rutgers UP, 2020) is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat's Israeli Cinema: East West and the Politics of Representation from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat's book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Eran Kaplan's book Projecting the Nation: History and Ideology on the Israeli Screen (Rutgers UP, 2020) is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat's Israeli Cinema: East West and the Politics of Representation from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat's book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/israel-studies

Eran Kaplan's book Projecting the Nation: History and Ideology on the Israeli Screen (Rutgers UP, 2020) is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat's Israeli Cinema: East West and the Politics of Representation from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat's book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Eran Kaplan's book Projecting the Nation: History and Ideology on the Israeli Screen (Rutgers UP, 2020) is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat's Israeli Cinema: East West and the Politics of Representation from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat's book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The 1980s was the wild west of drug trials. And there was no bigger cocaine cowboy than Carlos Lehder, who co-founded the Medellin Cartel. Lehder turned to Edward Shohat to represent him in a 7-month trial in which the prosecutor, nicknamed Mad Dog, called 29 snitches. In this episode, the finale of Season 4, David Oscar Markus takes Ed through the sprawling trial and the crazy turn of events after the trial ends. 

Olá! No vídeo de hoje a convidada Carolina Suriz, historiadora e mestranda em História pela UFRGS, segue a série de vídeos do Históriaflix! Nesta análise, escolheu abordar como o filme "A Múmia" (1999) constrói uma narrativa sobre o oriente. Assim, o conceito de orientalismo de Edward Said é fundamental para compreender essa análise fílmica. Ficou curioso/a? Assiste o vídeo! Referências Bibliográficas: - SAID, Edward W. Orientalismo - O Oriente como invenção do Ocidente. Tradução: Rosaura Eichenberg, Companhia de Bolso, 2007, E-Book, edição Kindle. - SHOHAT, Ella; STAM, Robert. Crítica da imagem eurocêntrica: Multiculturalismo e representação. Ed: Cosacnaify, tradução de Marcos Soares.

Spanning several decades, the work of Ella Shohat, a Professor of Cultural Studies and Middle Eastern Studies at New York University, has introduced conceptual frameworks that fundamentally challenged conventional understandings of Israel, Palestine, Zionism and the Middle East. On the Arab-Jew, Palestine, and Other Displacements (Pluto Press, 2017) gathers together her most influential political essays, interviews, speeches, testimonies and memoirs, as well as previously unpublished material. Shohat’s transdisciplinary perspective illuminates the cultural politics in and around the Middle East. Juxtaposing texts of various genres written in divergent contexts, the book offers a vivid sense of the author’s intellectual journey. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Spanning several decades, the work of Ella Shohat, a Professor of Cultural Studies and Middle Eastern Studies at New York University, has introduced conceptual frameworks that fundamentally challenged conventional understandings of Israel, Palestine, Zionism and the Middle East. On the Arab-Jew, Palestine, and Other Displacements (Pluto Press, 2017) gathers together her most influential political essays, interviews, speeches, testimonies and memoirs, as well as previously unpublished material. Shohat’s transdisciplinary perspective illuminates the cultural politics in and around the Middle East. Juxtaposing texts of various genres written in divergent contexts, the book offers a vivid sense of the author’s intellectual journey. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Spanning several decades, the work of Ella Shohat, a Professor of Cultural Studies and Middle Eastern Studies at New York University, has introduced conceptual frameworks that fundamentally challenged conventional understandings of Israel, Palestine, Zionism and the Middle East. On the Arab-Jew, Palestine, and Other Displacements (Pluto Press, 2017) gathers together her most influential political essays, interviews, speeches, testimonies and memoirs, as well as previously unpublished material. Shohat’s transdisciplinary perspective illuminates the cultural politics in and around the Middle East. Juxtaposing texts of various genres written in divergent contexts, the book offers a vivid sense of the author’s intellectual journey. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Spanning several decades, the work of Ella Shohat, a Professor of Cultural Studies and Middle Eastern Studies at New York University, has introduced conceptual frameworks that fundamentally challenged conventional understandings of Israel, Palestine, Zionism and the Middle East. On the Arab-Jew, Palestine, and Other Displacements (Pluto Press, 2017) gathers together her most influential political essays, interviews, speeches, testimonies and memoirs, as well as previously unpublished material. Shohat’s transdisciplinary perspective illuminates the cultural politics in and around the Middle East. Juxtaposing texts of various genres written in divergent contexts, the book offers a vivid sense of the author’s intellectual journey. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Spanning several decades, the work of Ella Shohat, a Professor of Cultural Studies and Middle Eastern Studies at New York University, has introduced conceptual frameworks that fundamentally challenged conventional understandings of Israel, Palestine, Zionism and the Middle East. On the Arab-Jew, Palestine, and Other Displacements (Pluto Press, 2017) gathers together her most influential political essays, interviews, speeches, testimonies and memoirs, as well as previously unpublished material. Shohat’s transdisciplinary perspective illuminates the cultural politics in and around the Middle East. Juxtaposing texts of various genres written in divergent contexts, the book offers a vivid sense of the author’s intellectual journey. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Spanning several decades, the work of Ella Shohat, a Professor of Cultural Studies and Middle Eastern Studies at New York University, has introduced conceptual frameworks that fundamentally challenged conventional understandings of Israel, Palestine, Zionism and the Middle East. On the Arab-Jew, Palestine, and Other Displacements (Pluto Press, 2017) gathers together her most influential political essays, interviews, speeches, testimonies and memoirs, as well as previously unpublished material. Shohat’s transdisciplinary perspective illuminates the cultural politics in and around the Middle East. Juxtaposing texts of various genres written in divergent contexts, the book offers a vivid sense of the author’s intellectual journey. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Rachel Barton Pine talks with Maestro Gil Shohat, music director of the Israel Chamber Orchestra, about wide-ranging topics including his activity as a composer, performing Brahms with a chamber orchestra, and the ICO's recent performance of Pink Floyd's music.  This conversation was recorded in Tel Aviv on October 17, 2007.   For more information about Maestro Shohat, please visit www.gilshohat.com.playing time: 21:52 SUBSCRIBE TO THIS PODCAST ON I-TUNES! Do you have a question you'd like Rachel to answer on her podcast? Just send your question via text or as an MP3 attachment to: rachelbartonpine@aol.com Thanks for listening! visit Rachel online: www.rachelbartonpine.comwww.myspace.com/rachelbartonpinewww.youtube.com/RachelBartonPine Rachel Barton Pine's podcast is produced by Windy Apple Studios www.windyapple.com