Podcasts about Film industry

The story behind the new Flyover movie studios in Rantoul. The studio launched only a few years ago – but it's already being recognized by state leaders for bringing notable economic growth to Illinois.

Kgomotso Modise chats to Thinus Ferreira, TV and entertainment critics on the reasons behind the country's television and film industry losing out on international production after international production. Gugs Mhlungu gets you ready for the weekend each Saturday and Sunday morning on 702. She is your weekend wake-up companion, with all you need to know for your weekend. The topics Gugs covers range from lifestyle, family, health, and fitness to books, motoring, cooking, culture, and what is happening on the weekend in 702land. Thank you for listening to a podcast from 702 Weekend Breakfast with Gugs Mhlungu. Listen live on Primedia+ on Saturdays and Sundays from 06:00 and 10:00 (SA Time) to Weekend Breakfast with Gugs Mhlungu broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/u3Sf7Zy or find all the catch-up podcasts here https://buff.ly/BIXS7AL Subscribe to the 702 daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Welcome to The DMF — Discovering Meaning in Film and Acting. I'm Justin Younts, and in this episode I sit down with Emmy-winning filmmaker and producer Leif Bristow for Part 1 of our conversation on global storytelling, film production, and the power of empathy in cinema.Leif shares his filmmaking journey — from Toronto to Alaska and eventually to Hollywood — producing over 40 films across networks including Hallmark and HBO. His work spans genres and international locations, giving him a unique perspective on how storytelling can connect audiences across cultures.In this discussion, we explore:Producing films for Hallmark and HBOInternational film productionTravel and cultural storytellingBuilding empathy through cinemaGlobal perspectives in filmmakingThe responsibility of filmmakers to audiencesLeif also discusses his latest project, “Dancing Through the Shadow,” based on the book by his wife, Agnes Bristow, and how the film aims to resonate emotionally while highlighting shared human experiences across cultures.This episode highlights how film can foster dialogue, bridge cultural divides, and remind us of our global interconnectedness — both as storytellers and as audiences.Whether you're an actor, filmmaker, or film enthusiast, this conversation offers insight into how travel, empathy, and storytelling shape meaningful cinema.Let's dive in.00:00:00 - Introduction00:00:39 - Leaf Bristow's Early Life and Travels00:01:26 - Understanding Cultural Similarities00:02:45 - Importance of Empathy and Understanding00:03:21 - Cultural Diversity in Toronto00:06:24 - Leaf Bristow's Film Career00:09:04 - Influence of Travel on Filmmaking00:10:11 - Leaf Bristow's Early Interest in Arts00:11:58 - Understanding Film Finance00:13:11 - Leaf Bristow's Career Journey00:16:04 - Leaf Bristow's Early Entrepreneurial Journey00:19:34 - Leaf Bristow's Passion for Performing00:21:27 - Value of Practical Experience and Formal Education00:24:26 - Influence of Mentors and Importance of Openness00:26:55 - Perspective on AI and Change in the Film Industry

In this episode of Healing Generations, maestro Jerry Tello welcomes Nancy De Los Santos, a prominent writer and producer, to discuss her journey from a secretary to a successful filmmaker. They explore themes of cultural heritage, the importance of education, and the challenges faced by Latinos in the film industry. Nancy shares her experiences creating the film 'Say a Little Prayer,' emphasizing the significance of community support and representation in media. The conversation concludes with advice for the next generation to pursue their dreams and support one another.    Say a Little Prayer movie website: https://www.sayalittleprayerthemovie.org/ Instagram: https://www.instagram.com/sayalittleprayerfilm Nancy De Los Santos website: https://www.nancydelossantos.info/   Chapters: 00:00 Introduction 03:47 Welcoming Nancy De Los Santos 05:00 Nancy's Journey and Family Heritage 11:23 Transitioning from Secretary to Writer 18:06 The Importance of Education and Representation 24:22 Challenges in the Film Industry 30:34 Creating 'Say a Little Prayer' 41:22 Advice for the Next Generation   And to learn more about the National Compadres Network, please visit: Website: https://nationalcompadresnetwork.org/ Instagram: https://www.instagram.com/la.cultura.cura/ Facebook: https://www.facebook.com/national.compadres.network Email: HGP@compadresnetwork.org 

Christian movies have a pretty negative reputation.They are criticized for being cheesy, preachy, poorly acted, poorly written, and generally prioritizing lesson-teaching over entertainment or artistic excellence.But, in recent years, their Rotten Tomatoes scores have been on a steady uptick. The critical reviews contain more of the nuance given to secular films, and, en masse, viewers seem to be more positive about their experiences.So, what's happening?The tide that has turned in the faith-based film industry is multifaceted. The studios have become willing to give Christian directors bigger budgets. Writers have started telling stories with more complicated heroes and honest portrayals of life. Skilled and well-established actors like Patricia Heaton, Zachary Levi, Kelsey Grammar, and Dennis Quade are being hiredOne of the innovators behind the industry's compounding improvement is Andy Erwin.Andy Erwin and his brother Jon helped found Kingdom Story Company in 2019. The studio has been responsible for some of the biggest and most positively reviewed Christian films to date—including Jesus Revolution, Sarah's Oil, and The Best Christmas Pageant Ever. But the Erwin brothers' breakout hit was 2018's “I Can Only Imagine.” The film follows MercyMe's vocalist Bart Millard from his childhood growing up with an abusive father to his creation of one of the most popular contemporary Christian songs of all time.Now, they're back with the sequel, “I Can Only Imagine 2” which came out in theaters last week.Religion Unplugged's Culture Critic, Joseph Holmes, sat down with Erwin to better understand where the Christian film industry is headed and why the story of “I Can Only Imagine” needed to be expanded on.
I Can Only Imagine: https://icanonlyimagine.com

Ellius Grace, Dublin-based director, writer and photographer, discusses A Song, which is screening at the Dublin International Film Festival. Clare Stronge, Emmy and IFTA winning documentary filmmaker discusses her latest work which was shot in the Beara peninsula. Jade Jordan, actor, appears in four films in the festival.

How do you know if you've found a Joe Amodei—or a predatory film distributor?That's the question Christian Taylor explores in this episode of Documentary First: The Deep Dive, after her conversation with Joe Amodei—filmmaker, 40-year industry veteran, and owner of Virgil Films Entertainment (Supersize Me, Restrepo, Forks Over Knives). What struck her wasn't just what Joe said about Cat Fest 2026—it was the warmth and trust in their conversation. In her experience, that kind of rapport between filmmaker and distributor is genuinely rare.So she did some digging. What she found was both infuriating and clarifying: there's no Better Business Bureau for film distribution. No government agency protecting filmmakers. No licensing board. The system that exists is word of mouth, peer networks, and a few dedicated nonprofits trying to shine a light in the darkness.What You'll Learn: - The 5 essential steps for vetting a film distributor before signing - Red flags that should make you walk away from any distribution deal - Why The Film Collaborative's Distributor ReportCard is the closest thing to “Yelp for distributors” - What filmmakers really say about predatory distributors (anonymous quotes) - Christian's own distribution horror story—and how she got her film backThe Framework for Finding the Good Guys: 1. Talk to other filmmakers (not the distributor's references) 2. Check The Film Collaborative's Distributor ReportCard 3. Watch for red flags (15-year contracts, Netflix promises, no expense caps) 4. Get an entertainment attorney who specializes in distribution 5. Know the system is broken—community is the safety netPlus: A powerful story from Minnesota about pizza shops and doughnut shops becoming the safety net when no infrastructure exists—and what it teaches us about looking out for each other.Featured Guest: Joe Amodei—Owner of Virgil Films Entertainment, with 40+ years in distribution. His company has distributed Supersize Me, Restrepo, and Forks Over Knives. According to The Film Collaborative, Virgil Films is “one of the more positively reviewed distributors.”Resources Mentioned: - The Film Collaborative Distributor ReportCard: The Film Collaborative - IMDb Pro for contacting filmmakers directly - Alex Ferrari / Indie Film Hustle: Indie Film Hustle® - Thrive & Survive in the Film Industry (podcasts, courses, and filmmaker protection resources) - Entertainment attorney Anne Easton: My Lawyer Friend PodcastAbout The Deep Dive: This companion podcast airs on alternate weeks from the main Documentary First podcast. Every other week, Christian takes one powerful idea from a recent conversation and explores it more deeply—examining what it means, why it matters, and what to do about it.Hear the full interview: Listen to Episode 271 of Documentary First for Christian's complete conversation with Joe Amodei about theatrical distribution, VOD strategies, and why Cat Fest might be the future of cinema.If you're enjoying the show, please subscribe and leave a review!

Luke Rous – Exco member, Independent Producers Organisation SAfm Market Update - Podcasts and live stream

This evening we dive into the latest market movements with Sasfin Wealth, we speak to the PIC about its new mining investment fund, we chat with the Save SA Film Jobs Coalition about a payment backlog that is putting extra pressure to the industry, DRDGold takes us through its latest results, Allan Gray discusses how gains impact market outlook, the JSE discusses its annual SA Trade Connect Conference, and we get to know Patrick Gearing, CEO of Meropa Communications, in this week's Executive Lounge. SAfm Market Update - Podcasts and live stream

Welcome to episode 180 of the Get Reelisms Podcast! Hosted by filmmakers Adam Chase Rani and Christine Chen, this episode dives deep into the realities of working in the film industry. Adam and Christine discuss the inevitable struggles of unpaid work, the importance of resilience, and the value of loving what you do. They also reminisce about their five-year journey of hosting the podcast, recounting the significant changes and growth over the years. From on-set stories to life lessons, this episode is packed with insights for aspiring filmmakers. Stay tuned as they prepare for an exciting interview with Onset Headsets!Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) About Christine W Chen:Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.For more information about Christine Chen: christinewchen.com About Adam Rani:Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow. For more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com WEBISODE version of the PodcastTIME SUMMARY:00:00 The Harsh Realities of the Film Industry00:48 Welcome to the Get Reelisms Podcast01:55 Reflecting on Five Years of Podcasting03:11 The Impact of COVID on the Podcast04:25 Teaching and the Reality Check for Students10:37 The Journey from Student to Co-Host12:01 The Evolution of the Podcast14:37 High School Memories and Acting18:01 The Art of Acting and Directing19:53 The Magic of Improvisation in Film20:20 Iconic Improvised Scenes in The Wolf of Wall Street22:05 Aging and Nostalgia23:12 Interviewing World War II Veterans25:49 Recent Projects and Film Work28:30 The Challenges and Rewards of Film Production30:20 Reflections on Career Growth and Work Ethic37:32 Living and Working in Los Angeles vs. Austin38:07 Wrapping Up and Upcoming Podcast  Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Today’s global round-up spans rising geopolitical tension, a moment of reflection and a bizarre crime story. The focus begins in the Arabian Sea, where the confirmed proximity of US Navy warships to Iran has sharpened attention on regional security. The conversation then turns to the death of Hollywood legend Robert Duvall at the age of 95, marking the end of an extraordinary acting career. The segment closes with a bewildering case from Australia, where an 85-year-old grandfather was accidentally kidnapped in what appears to be a case of mistaken identity, as Adam Gilchrist shares these stories with Lester Kiewit. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk5See omnystudio.com/listener for privacy information.

Today’s global round-up spans rising geopolitical tension, a moment of reflection and a bizarre crime story. The focus begins in the Arabian Sea, where the confirmed proximity of US Navy warships to Iran has sharpened attention on regional security. The conversation then turns to the death of Hollywood legend Robert Duvall at the age of 95, marking the end of an extraordinary acting career. The segment closes with a bewildering case from Australia, where an 85-year-old grandfather was accidentally kidnapped in what appears to be a case of mistaken identity, as Adam Gilchrist shares these stories with Lester Kiewit. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk5See omnystudio.com/listener for privacy information.

In this episode, Janet talks about the types of lives that bring about success in the film industry.

This hour, Ian Hoch is joined by Jared Cliff Lareau and James Goodreau, writer & director of "West of Greatness: The Story of the Westwego Muscle Boys."

Joe Lynch and Becca Howard are the hosts of ⁩ A Couple Of Old Fashioneds, a filmed movie podcast where they surprise each other with double features and talk through their reactions and analysis of the films.They join us in the Crypt for a crossover episode about how their show started, discovering movies together, and why introducing someone to a film they've never seen is exciting. We talk film bros vs real movie fans, screenwriting, film school, fan fiction, and learning by watching movies.Joe and Becca also break down working together on Suitable Flesh, low-budget filmmaking, bad crews, editing, and staying sane in the industry. We also get into Vegas, dive bars, Joe Bob's Jamboree, pitching projects, anxiety, and how the novelty of Hollywood eventually wears off.—Subscribe: youtube.com/talksfromthecryptFollow On Social Media –Talks From The Crypt: https://instagram.com/talksfromthecrypthttps://talksfromthecrypt.com A Couple Of Old Fashioneds:youtube.com/acoupleofoldfashionedshttps://instagram.com/acofbeccajoehttps://instagram.com/thejoelynchhttps://instagram.com/oldfashionedbecca—00:00:00 – Intro00:02:20 – Introducing New Movies to People & The Genesis of A Couple of Old Fashioned's00:11:10 –Film Bros vs. Film Enthusiasts00:20:11 The Film Industry, Screenwriting, Film School, Fan Fiction, and Screenwriting Methods00:32:40 – Suitable Flesh - Bad Crew Memebers, Continuity Errors, Writing, Directing, Editing, The Female Gaze, and Feeding Your Crew Right01:05:23 – Being Grateful On Set01:17:22 – Loving the Role You're In and Separating Work from the Relationship01:31:06 – Double Down Saloon, Vegas, and Joe Bob's Jamboree01:41:40 – Unannounced Film, Writing Inspirations, and Pitching01:50:09 – The Novelty of Hollywood is Gone, Pitching, Anxiety, Debuting a New Film, and Creative Partners02:07:15 – A Couple of Old Fashioneds—Copyright Disclaimer (Fair Use Notice):Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright law that might otherwise be infringing. All media used in this video are for the purpose of commentary, analysis, and education under fair use.

In this episode of Reza Rifts, Marguerite Moreau shares her experiences as a child actor, her journey through the film industry, and her thoughts on the Mighty Ducks franchise. She discusses the challenges of auditioning, the role of producers, and her transition to stand-up comedy. The conversation also touches on her interactions with legendary actors, reflections on her film roles, and the dynamics of working in both TV and film. Marguerite offers insights into the subjective nature of acting and shares some light-hearted moments with goofy questions. Follow Marguerite IG https://www.instagram.com/margueritemoreau/ X https://twitter.com/MargueriteMorea?  Chapters 00:00 Introduction to Marguerite Moreau 03:21 The Mighty Ducks Legacy 04:06 Growing Up as a Child Actor 09:03 Understanding the Role of a Producer 12:14 Auditioning Experiences and Challenges 16:29 Transitioning from Acting to Stand-Up Comedy 20:57 Working with Legends in the Industry 25:25 Reflections on Free Willy 2 28:50 The Dynamics of D3 and Franchise Changes 30:06 Comic Con Experiences and Fan Interactions 33:15 Navigating the TV and Film Industry 38:45 The Subjectivity of Acting and Performance 40:51 Fun and Goofy Questions 44:24 Theories on Ancient Wonders 46:21 Closing Thoughts and Social Media

In this episode, we break down our Canon EOS C50 Lab Test results and explore the gap between specs and real-world performance. We also cover the Nikon ZR firmware update, Vimeo's mass layoffs under Bending Spoons, rumors of a potential Leica sale, SmallHD and Iodyne product updates, this year's Oscar cinematography nominees, and Google's $2 million partnership with Sundance to train filmmakers on AI tools. Plus: why Adobe's 20% stock drop signals bigger shifts in the creative software landscape. --- Chapters and Articles in This Episode (00:00) - Intro (03:06) - Canon EOS C50 Lab Test – Rolling Shutter, Dynamic Range and Exposure Latitude https://www.cined.com/canon-eos-c50-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude/ (11:22) - Nikon ZR Firmware V1.10 Released – Wired Timecode Sync, RED File Naming, and More https://www.cined.com/nikon-zr-firmware-v1-10-released-wired-timecode-sync-red-file-naming-and-more/ (14:34) - Vimeo Layoffs Eliminate Majority of Staff Just Four Months After $1.38B Acquisition https://www.cined.com/vimeo-layoffs-eliminate-majority-of-staff-just-four-months-after-1-38b-acquisition/ (23:48) - Leica Camera AG Owners Reportedly Considering Sale of Controlling Stake Valued at €1 Billion https://www.cined.com/leica-camera-ag-owners-reportedly-considering-sale-of-controlling-stake-valued-at-e1-billion/ (33:38) - ProClip Acquires INOVATIV – What It Means for the Film Industry's Favorite Cart Maker https://www.cined.com/proclip-acquires-inovativ-what-it-means-for-the-film-industrys-favorite-cart-maker/ (38:31) - 98th Academy Awards Nominations: “Sinners” Breaks All-Time Record With 16 Nods, Cinematography Race Features Diverse Field https://www.cined.com/98th-academy-awards-nominations-sinners-breaks-all-time-record-with-16-nods-cinematography-race-features-diverse-field/ (40:23) - SmallHD PageOS Update Adds Fleet Control, Portrait Mode, and Canon Camera Control https://www.cined.com/smallhd-pageos-update-adds-fleet-control-portrait-mode-and-canon-camera-control/ (45:13) - Accsoon CineView M7 Firmware Update Adds Sony EI Control, Nikon Support, ARRI-Style False Color, and Vertical Workflow https://www.cined.com/accsoon-cineview-m7-firmware-update-adds-sony-ei-control-nikon-support-arri-style-false-color-and-vertical-workflow/ (51:33) - Eddie AI “Dirty Multicam” Support for Premiere Pro and DaVinci Resolve Launched https://www.cined.com/eddie-ai-dirty-multicam-support-for-premiere-pro-and-davinci-resolve-launched/ (59:53) - Google.org Invests $2 Million in Sundance Institute for AI Filmmaking Education https://www.cined.com/google-org-invests-2-million-in-sundance-institute-for-ai-filmmaking-education/ (01:09:50) - LumaFusion for Android 2.5 Brings Head and Tail Transitions, Multi-Clip Editing, and APV Codec Support https://www.cined.com/lumafusion-for-android-2-5-brings-head-and-tail-transitions-multi-clip-editing-and-apv-codec-support/ (01:11:33) - SWIT PowerCell Batteries Now Available for Sony, Canon, Nikon, and FUJIFILM Cameras https://www.cined.com/swit-powercell-batteries-now-available-for-sony-canon-nikon-and-fujifilm-cameras/ (01:14:43) - Cinematographer Bob Poole on Filming Elephants With FUJINON Duvo HZK25-1000mm – Respectful Wildlife Filmmaking https://www.cined.com/cinematographer-bob-poole-on-filming-elephants-with-fujinon-duvo-hzk25-1000mm-respectful-wildlife-filmmaking/ (01:18:42) - Adding Elements in VFX Compositing to Sell the Illusion – A Step-by-Step Guide from Digby Hogan https://www.cined.com/adding-elements-in-vfx-compositing-to-sell-the-illusion-a-step-by-step-guide-from-digby-hogan/ We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com

Jane Dutton speaks to Lungisani Gwadiso from the Harry Gwala Film Institute about the Save SA film industry protest over the film and TV industry losing R3.8 billion in its fight for survival. The Midday Report with Mandy Wiener is 702 and CapeTalk’s flagship news show, your hour of essential news radio. The show is podcasted every weekday, allowing you to catch up with a 60-minute weekday wrap of the day's main news. It's packed with fast-paced interviews with the day’s newsmakers, as well as those who can make sense of the news and explain what's happening in your world. All the interviews are podcasted for you to catch up and listen to. Thank you for listening to this podcast of The Midday Report Listen live on weekdays between 12:00 and 13:00 (SA Time) to The Midday Report broadcast on 702 https://buff.ly/gk3y0Kj and on CapeTalk https://buff.ly/NnFM3Nk For more from The Midday Report go to https://buff.ly/BTGmL9H and find all the catch-up podcasts here https://buff.ly/LcbDdFI Subscribe to the 702 and CapeTalk daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

Filmmakers of all backgrounds are turning to Adobe for their documentaries, features and festival entries. Discover what sets Adobe's suite of creative apps apart, and learn about new AI-powered features that are revolutionizing work behind the camera.

This week it's just Arvy and Bindy as they try to talk trash Justin, talk ICE, the film industry and much more! Its all jokes and not meant to be taken seriously.Please subscribe, like and engage! Just Yappin' YouTube - https://www.youtube.com/channel/UCxEfm7OOpYeYhAanKvSAO7gwww.reigncitytoys.com My Official Website + Demo Reel - https://www.justindhillon.com Instagram - https://www.instagram.com/thewrestlingclassic/ TikTok - https://www.tiktok.com/@thewrestlingclassic X - https://x.com/twcworldwide Youtube - https://www.youtube.com/@TheWrestlingClassic/ Articles - https://www.one37pm.com/author/justin-dhillon Limited Edition TWC Tee https://headquartersclothing.com/products/headquarters-x-the-wrestling-classic-logo-tee?_pos=1&_psq=wrestlinhg&_ss=e&_v=1.0 WWE Shop Affiliate wwe-shop.sjv.io/RGRxQv 500 Level https://www.500level.com/ Join the Discord Community https://linktr.ee/thewrestlingclassic All Episodes are on "The Wrestling Classic" Youtube Channel https://www.youtube.com/channel/UCOQOYraeFlX-xd8f3adQtTw#JustYappin #WrestlingClassic #USPolitics #MoviesBecome a supporter of this podcast: https://www.spreaker.com/podcast/twc-show--4417554/support.

In this episode, Alex is joined by Emmy and Peabody Award–winning producer, and analyst, Evan Shapiro. Known widely as the Media Cartographer, Evan has spent years mapping how power, attention, and money move across media. But now he's gone beyond analysis and into practice with SKIT, a $65,000 feature film shot in eight days and released globally via Tubi and Filmhub. Evan calls SKIT a case study in the “Affinity Economy”: a new model for independent filmmaking that is creator-led, audience-aligned, and designed for sustainability rather than old industry models of gatekeepers and 'lottery-ticket' thinking. Evan and Alex explore why the traditional indie film system no longer works, how festivals and streamers have narrowed opportunity, and why creators must now think in terms of communities, engagement, and ownership. They dive into the making of SKIT, the economics of free ad-supported streaming, the collapse of monoculture media, and what it really takes to build a sustainable creative career in 2026 and beyond. This episode is essential listening for filmmakers, creators, and anyone navigating the future of screen storytelling. About Evan Shapiro Since he created his Media Universe Map, Evan Shapiro has become known as the Media Cartographer. Using his very specific voice and point of view, Shapiro charts Media's future through his essays on the Media War & Peace Newsletter – which is now one of the most read entertainment business publications on Substack. He also co-hosts The Media Odyssey podcast, which has become an industry touchstone. Shapiro has been a featured speaker at the world's most important media events. His maps, infographics, and ruminations are now widely quoted and used by businesses, executives, analysts, and colleges around the world. Shapiro is also an Emmy and Peabody Award winning producer of TV, films and podcasts, including Portlandia, This Film Is Not Yet Rated, Please Like Me, Comedy Bang Bang, Brick City, and Harmonquest. He also served 18 years as a professor at New York University's Stern School of Business. Find our more about Evan at https://eshap.substack.com/ More abut Future of Film: www.futureoffilm.live

In this episode of the Maverick Podcast, DJ Maverick sits down with Shannon Moree Smith, the general manager of Rodeo Cinema and an accomplished actor. Shannon shares her journey from being an Army brat to finding her passion for acting and storytelling. She discusses the importance of pursuing what you love, despite societal pressures to conform to traditional career paths.Shannon Moree Smith:https://www.instagram.com/shanmoreehttps://www.imdb.com/name/nm7307207https://www.instagram.com/rodeocinemaMaverick Podcast:

In this episode of the Asking Why podcast, host Clint Davis speaks with Wade Marshall, the film and entertainment commissioner for Northwest Louisiana. They discuss the vibrant creative scene in Shreveport, the impact of Hurricane Katrina on the local film industry, and the establishment of a film commission to support local filmmakers. Wade shares his journey from music composition to film production, highlighting the importance of community engagement and support for the arts. They also explore future developments in the entertainment industry, including the Louisiana Film Prize and opportunities for local creatives to get involved. https://www.visitshreveportbossier.org/film/  

Alan Katz, the legendary writer and producer behind Tales from the Crypt, joins Rich Bennett for one of the most honest and powerful conversations ever recorded. Alan opens up about Hollywood success, creative betrayal, the disastrous making of Bordello of Blood, and the depression that nearly cost him his life.This episode goes far beyond film and television. Alan shares how healing from trauma transformed him from a writer into a true storyteller and why podcasting has become the ultimate platform for creative freedom. If you care about storytelling, mental health, authenticity, or the future of media, this is an episode you cannot miss.Send us a textVote for us hereSupport the showRate & Review on Apple Podcasts Follow the Conversations with Rich Bennett podcast on Social Media:Facebook – Conversations with Rich Bennett Facebook Group (Join the conversation) – Conversations with Rich Bennett podcast group | FacebookTwitter – Conversations with Rich Bennett Instagram – @conversationswithrichbennettTikTok – CWRB (@conversationsrichbennett) | TikTok Sponsors, Affiliates, and ways we pay the bills:Hosted on BuzzsproutSquadCast Subscribe by Email

In this quick headlines segment, the host breaks down the report that Netflix wants a 17-day theatrical window for Warner Bros. movies if the acquisition goes through, while stressing what's actually confirmed versus what's still just reported. They compare that rumored 17-day window to the current 45-day standard theaters prefer, explain why Netflix would love the shorter timeline, and talk about what it could mean for the future of movie theaters. The episode wraps with a simple reminder that the deal will take time, and there will be more updates as new details come out.00:00 Reported 17-day window and what's confirmed vs rumored00:16 Netflix's public message about keeping releases “traditional”00:22 Why theaters want 45 days, not a throwback 90-day window00:30 Why 17 days works for Netflix's release strategy00:43 What this could mean for theaters and how fans can support them00:55 Reminder: Netflix hasn't publicly confirmed the 17-day plan01:08 Wrap-up and next updatesThe “17-day window” is being reported as what Netflix wants, but it has not been publicly confirmed by Netflix.Netflix has publicly said it wants releases to stay “traditional” and “industry standard,” which is part of its pitch around the acquisition.The current common standard theaters point to is around 45 days, which exhibitors see as the workable middle ground.A shorter window could front-load hype into opening weekend, then shift viewing to at-home right as word of mouth usually boosts later weeks.If theatrical exclusivity shrinks, theaters may lean even harder into event-style experiences, and attendance plus concession sales matter more than ever.“Let's clarify what's going on here.”“Netflix themselves have not said that.”“The standard is 45, and that's what theaters want.”“Don't sneak in candy or sodas. Buy them there.”If you enjoyed this update, subscribe to Geek Freaks Headlines, leave a quick rating and review, and share the episode with #GeekFreaksHeadlines.Instagram: @geekfreakspodcastTwitter: @geekfreakspodThreads: @geekfreakspodcastPatreon: GeekFreaksPodcastFacebook: Geek Freaks PodcastSend us what you want covered next, including your thoughts on theatrical windows, streaming-first releases, and what you think a “fair” theater-only window should be.Netflix, Warner Bros, Warner Bros Discovery, Movie Theaters, Theatrical Window, Box Office, Streaming, DC Movies, Entertainment News, Hollywood Business, Film Industry, Pop Culture PodcastTimestampsKey TakeawaysMemorable QuotesCall to ActionFollow UsListener QuestionsApple Podcast Tags

Welcome to the DMF! I'm Justin Younts, and today I'm thrilled to introduce Christine Lamont, a powerhouse in the film industry. Christine has spent years honing her craft, producing impactful documentaries like 'Ai Weiwei's Turandot' and 'Viva Verde.' In our conversation, we dive deep into her journey, from her childhood in Buffalo, New York, to her experiences working with legendary directors and navigating the complexities of the film world. Christine shares her passion for the arts, the importance of mentorship, and how her love for film has shaped her career. We discuss the challenges and triumphs of producing, the significance of storytelling, and the role of art in fostering social change. Christine's insights are not only inspiring but also a testament to the power of creativity and collaboration in the film industry. Join us as we explore the magic of film and the stories that connect us all. Don't miss this enlightening conversation that will leave you with a renewed appreciation for the arts and the impact they can have on our lives.00:00:00 - Introduction00:00:09 - Guest Introduction00:00:28 - Christine Lamont's Early Life00:01:09 - Interest in Arts00:02:10 - Influence of Art on Film Career00:04:34 - Education and Early Career00:05:30 - Transition to Producing00:05:35 - Experience at Universal, Disney and Orion00:07:06 - Working at Orion Pictures00:08:00 - Experience at Disney and Universal00:11:09 - Working on Iconic Films00:11:41 - Marketing for Silence of the Lambs00:12:01 - Working with Directors and the End of Orion00:16:46 - Creation of Lamont Productions00:17:12 - Producing Plays and Films00:18:36 - Project Viva Verde00:19:25 - Working with Zeffirelli00:21:07 - Impact of Viva Verde00:24:26 - Project Ai Weiwei's Turandot00:29:21 - Ai Weiwei's Turandot and the Pandemic00:30:56 - Reflections on Ai Weiwei's Turandot00:31:59 - Ai Weiwei's Political Activism00:35:50 - Creating the Dusty Awards at SVA00:37:47 - The Importance of Diverse Voices in Film00:40:31 - Teaching and the Value of Fearlessness00:41:53 - The Need for Cultural Awareness and Questioning00:45:45 - Future Projects00:46:07 - Future Projects and Writing Aspirations00:46:49 - The Power of Saying Yes00:47:57 - The Journey of the Everyday Hero00:50:14 - Daily Routines and Work Schedule00:51:31 - Nighttime Routine and Film Watching00:55:00 - Meditation Practices00:58:25 - Physical Fitness Activities00:59:19 - Current Reading01:01:35 - Reading Habits and Impact01:03:57 - Anticipation for Tom Ford's 'Cry to Heaven'01:05:17 - Appreciation for David Lynch and Tom Ford01:06:24 - Listening to Opera and Jazz01:10:05 - The Role and Resilience of a Producer01:11:50 - Current Film Watching01:13:33 - Contact Information01:13:50 - Closing Remarks

Culture Minister Miki Zohar has reiterated his threat to cut funding from the film industry. “The creators of films that harm IDF soldiers will not receive money from the citizens of Israel,” Zohar said. “Not on my watch.” The minister said he has followed through on his threat to end funding for the Ophir Awards — which he cut after the annual ceremony gave its top prize this year to “The Sea,” a film about a Palestinian boy who dreams of seeing the Mediterranean. Zohar also announced that public funding for professional creators’ unions in movies and television will be discontinued beginning in 2026. These unions include those for directors, actors, producers, and editors. KAN's Mark Weiss spoke with the Jerusalem Post film critic Hannah Brown. (Photo:Flash90)See omnystudio.com/listener for privacy information.

Christian Polanco and Alexis Guerreros react to Pellegrino Matarazzo becoming the first American coach in La Liga. Can Matarazzo succeed at Real Sociedad, and what would a successful stint mean for his future and U.S. Soccer's future?Then, Christian and Alexis bring on American film producer and soccer fanatic Franklin Leonard to discuss English media bias in soccer and whether England is ready to accept a Black superstar on the national team.Later, they also chat about Leonard's soccer fandom, the direction of the film industry, and his recent foray into politics. Timestamps:(10:30) – Can Pellegrino Matarazzo succeed in La Liga?(30:00) – Franklin Leonard joins The Cooligans(42:00) – Is there media bias against Black soccer players?(52:00) – Diving into the ever-changing film industry Subscribe to The Cooligans on your favorite podcast app:

Our guest this week is Nick Massie of Los Angeles, CA, a film industry veteran and father of an adult son who is an actor with Cerebral Palsy. Nick and his wife, Michelle, have been married for 29 years and are the proud parents of Cole (28), an actor and member of the Screen Actors Guild, who also has cerebral palsy. Cole was featured in the highly acclaimed movie The Paper Bag Plan, which debuted in 2024.  It's a well told story and Cole gave a heartfelt performance as Billy, a young man with Cerebral Palsy.  The screen play was written and the film was directed by Anthony Lucero.  We also learn about the impact that various organization's have had on Cole's development, including: Canine Companions, Shane's Inspiration, United CP and Ronald McDonald House.  It's an uplifting father-son interview with a cameo appearance from Michelle, all on this episode of the SFN Dad To Dad Podcast. Show Notes - Phone – (323) 620-3903Email – nickmassie04@gmail.comPaper Bag Plan YouTube -  https://www.youtube.com/watch?v=GFRKK3wIQ3ECole Massie's Web Page: http://www.colemassie.comSpecial Fathers Network -SFN is a dad to dad mentoring program for fathers raising children with special needs. Many of the 800+ SFN Mentor Fathers, who are raising kids with special needs, have said: "I wish there was something like this when we first received our child's diagnosis. I felt so isolated.  There was no one within my family, at work, at church or within my friend group who understood or could relate to what I was going through."SFN Mentor Fathers share their experiences with younger dads closer to the beginning of their journey raising a child with the same or similar special needs. The SFN Mentor Fathers do NOT offer legal or medical advice, that is what lawyers and doctors do. They simply share their experiences and how they have made the most of challenging situations.Check out the 21CD YouTube Channel with dozens of videos on topics relevant to dads raising children with special needs - https://www.youtube.com/channel/UCzDFCvQimWNEb158ll6Q4cA/videosPlease support the SFN. Click here to donate: https://21stcenturydads.org/donate/Special Fathers Network: https://21stcenturydads.org/  SFN Mastermind Group - https://21stcenturydads.org/sfn-mastermind-group/Special thanks to SFN Mentor Father, SFN Mastermind Group dad and 21CD board member Shane Madden for creating the SFN jingle on the front and back end of the podcast.. 

It's an episode over 200 in the making -- writer/director Sam Wineman (who also happens to be Jordan's co-host on the oft-mentioned Aughtsterion podcast!) joins us to talk about his feature debut, Hag. And you might be surprised by his horror film's connections to a very different film -- 2016's rom-com (and Dakota Johnson vehicle) How to Be Single.Then Jordan has one quick thing about another surprising movie dichotomy -- two films in theaters now starring Amanda Seyfried. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Dan Lauria on Acting, Theater, and the Evolution of Entertainment Join us for an insightful conversation with veteran actor and director Dan Lauria, best known for his iconic role as Jack Arnold on The Wonder Years. In this candid episode, Lauria opens up about the seismic shifts in the entertainment industry, from the pre-COVID era to today's technology-driven landscape. He shares hard-won wisdom on auditions, the irreplaceable magic of live theater, the evolution of comedy, and what it takes to survive and thrive as an actor in an ever-changing industry. Chapters 00:00 Introduction to Dan Lauria 02:50 The Impact of COVID on Acting 05:46 The Evolution of Auditions and Acting 09:10 Theater vs. Film: A Personal Perspective 12:04 Directing and Creative Control 14:49 The Changing Landscape of Comedy 18:10 Reflections on Iconic Roles and Collaborations 21:12 Mentorship and Legacy in Acting 23:59 The Future of Theater and Film 27:11 The Role of Technology in Acting 29:57 Personal Stories and Anecdotes 33:11 Final Thoughts and Future Projects   Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  ALT IG:https://www.instagram.com/duhkeithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter!       #DanLauria, #ActingAdvice, #TheaterLife, #FilmIndustry, #COVIDandEntertainment, #LiveTheater, #ActorsMentorship, #ComedyEvolution, #TheWonderYears, #HollywoodInsights  

In this episode, Janet discusses her proven method of breaking into the film industry as a full-time professional and highlights the misconceptions people have that are normally trying to get in.

Oscar-Nominated Filmmaker Pen Densham on Writing, Cinematography, Photography, Creativity and the Freedom of Breaking the Rules There's a particular kind of magic that happens when a storyteller stops trying to please the market and starts listening to their soul. Pen Densham knows this better than most—he's lived it across three different mediums, each time learning to let go a little more. Densham's creative journey spans decades and disciplines: from screenwriting to cinematography to, now, impressionist photography. When I sat down with him for Audio Signals Podcast, we didn't dwell on credits or awards. We talked about the vulnerability of creativity, the courage it takes to break the rules, and the freedom that comes when you stop asking for permission. "Those scripts that I wrote out of passion, even though they didn't seem necessary to fit the market, got made more frequently than the ones I wrote when I was architecting to hit goals for a studio," Densham told me. It's a paradox he's discovered over and over: the work born from genuine emotional need resonates in ways that calculated formulas never can. His thinking has been shaped by extraordinary influences. He studied with Marshall McLuhan, who opened his eyes to the biology of storytelling—how audiences enter a trance state, mirroring the characters on screen, processing strategies through their neurons. He found resonance in Joseph Campbell's work on myth. "We're the shamans of our age," Densham reflects. "We're trying to interpret society in ways that people can learn and change." But what struck me most was how Densham, after mastering the craft of writing and the machinery of cinematography, has circled back to the simplest tool: a camera. Not to capture perfect images, but to create what he calls "visual music." He moves his camera deliberately during long exposures. He shoots koi through blinding sunlight. He photographs waves at dusk until they fragment into impressionistic dances of light and motion. "The biggest effort was letting go of self-criticism," he admitted. "Thinking 'this is stupid, these aren't real photographs.' But I'm making images that blow my mind." This is the thread that runs through Densham's entire creative life: the willingness to unlearn. In writing, he learned to trust his instincts over studio formulas. In cinematography, he learned that visual storytelling could carry emotional weight beyond dialogue. And now, in photography, he's learned that breaking every rule he ever absorbed—holding the camera still, getting the exposure right, capturing a "correct" image—has unlocked something entirely new. There's a lesson here for anyone who creates. We absorb rules unconsciously—what a proper screenplay looks like, how a film should be shot, what makes a "real" photograph. And sometimes those rules serve us. But sometimes they become cages. Densham's journey is proof that the most profound creative freedom comes not from mastering the rules, but from having the courage to abandon them. "I'm not smarter than anybody else," he said. "But like Einstein said, I stay at things longer." We left the door open for more—AI, the creator economy, the future of storytelling. But for now, there's something powerful in Densham's path across writing, cinematography, and photography: a reminder that creativity is not a destination but a continuous act of letting go.Stay tuned. Subscribe. And remember—we are all made of stories. Learn more about Pen Densham: https://pendenshamphotography.comLearn more about my work and podcasts at marcociappelli.com and audiosignalspodcast.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Is Netflix About to Own All of Entertainment? | Karel Cast 25-165 Netflix is reportedly pursuing a massive takeover of Warner Bros./HBO Max — and Hollywood is panicking. Warner Bros is one of the last legacy studios keeping theaters alive, producing films designed for the big screen. If Netflix buys it, everything changes. Will movies skip theaters entirely? Will only Marvel-level blockbusters survive at the box office? Are traditional dramas, comedies, and mid-budget stories about to vanish from theaters forever? Or… are we just clinging to nostalgia? Most people say they love the theater experience — but box office numbers don't lie. What would it take to get audiences back? Plus: What is Trump's endgame in Venezuela? It isn't complicated. He wants Maduro gone, wants the oil-rich nation reshaped to his demands, and won't stop until regime change aligns with his “America First” ambitions. But is that foreign policy — or imperialism in disguise? The Karel Cast is supported by your donations at patreon.com/reallykarel. Please like, subscribe, and share at youtube.com/reallykarel. Catch The Karel Cast Monday–Thursday at 10:30am PST on all major podcast platforms, including Apple Music, iHeart Media, Spotify, Spreaker, TikTok, and Instagram. #KarelCast, #NetflixNews, #WarnerBros, #HBOMax, #MovieTheaters, #StreamingWars, #HollywoodNews, #EntertainmentIndustry, #MediaTakeover, #FilmIndustry, #BoxOfficeDecline, #TrumpNews, #VenezuelaCrisis, #ForeignPolicy, #AmericaFirst, #PoliticalCommentary, #StreamingFuture, #CinemaLovers, #NewsAnalysis, #LasVegasCreator https://youtube.com/live/ENuTPbNZq6E

In a battle for the rights to Warner Bros. Discovery, Netflix and Paramount Skydance are offering tens of billions of dollars to become the next media powerhouse. Either acquisition pose as problematic for critics who raise concerns of a monopoly over the market, sizeable job losses, and the death of the movie theatre. Host Mike Eppel speaks to Paul Moore, sociology professor at Toronto Metropolitan University to discuss the bids and how the changes could materialize for the film industry at large. We love feedback at The Big Story, as well as suggestions for future episodes. You can find us:Through email at hello@thebigstorypodcast.ca Or @thebigstoryfpn on Twitter

Megyn Kelly is joined by Stu Burguiere, host of "Stu Does America," to discuss Kamala Harris actually calling herself a historic figure in a New York Times profile, more signs that she's running for president in 2028, her hits at Josh Shapiro and other potential 2028 competitors, more info on the alleged pipe bomber from January 6, his reported obsession with "My Little Pony," how it reveals something dark about him and others like him, questions about the Biden FBI claiming cell data from the 1/6 pipe bomber was corrupted, the truth about how the data was used by the Trump FBI to get to an arrest, Piers Morgan's viral interview with Nick Fuentes, Fuentes offensive comments about women, Jews and other minorities, why Megyn wouldn't interview him, Joe Scarborough and Mika Brzezinski constantly taking time off, and more. Then Zachary Levi, star of "Not Without Hope," joins to talk about behind-the-scenes details of his gripping new movie, the true story behind the film, how meeting with Nick Schuyler helped him connect with his character, the lessons about friendship and hope, the dangers for the movie industry if Netflix were to take over Warner Bros., the negative effects of streaming, the truth about Big Pharma, the suppressed studies about vaccines, the effect of speaking out about politics, and more. Burguiere- https://www.youtube.com/StuDoesAmericaLevi- https://x.com/ZacharyLevi Cozy Earth: Slow down and recharge with Cozy Earth's luxurious Bamboo Sheets and Bubble Cuddle Blanket—order by December 12 for Christmas delivery and use code MEGYN at https://CozyEarth.com for up to 40% off.First Liberty Institute: Explore why religious liberty is the first freedom tyrants target—and get your free copy of America's First Freedom at https://FirstLiberty.org/Megyn.Pique: Find calm and radiant health this holiday with Pique's Sun Goddess Matcha—science-backed wellness for energy, immunity, and glowing skin, plus 20% off for life at https://Piquelife.com/MEGYNBeeKeeper's Naturals: Go to https://beekeepersnaturals.com/MEGYN or enter code MEGYN for 20% off your order  Follow The Megyn Kelly Show on all social platforms:YouTube: https://www.youtube.com/MegynKellyTwitter: http://Twitter.com/MegynKellyShowInstagram: http://Instagram.com/MegynKellyShowFacebook: http://Facebook.com/MegynKellyShow Find out more information at:https://www.devilmaycaremedia.com/megynkellyshow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Barna Donovan, a professor of communication and media studies at St. Peter's University, offers a compelling perspective on the evolving landscape of cinema, firmly rejecting the notion that the art form is dead. With a rich background in film studies from the University of Miami, Donovan delves into how interconnected cinematic universes, such as Marvel, have reshaped storytelling and audience engagement, reflecting a significant shift rather than a decline. As a staunch advocate for independent cinemas and original content, he emphasizes the role of neighborhood theaters in celebrating film as an art form and creating vibrant community events that draw audiences in. Through his teaching, Donovan equips the next generation of filmmakers and media professionals with the tools to navigate this dynamic industry, encouraging them to embrace innovation while preserving the essence of cinematic storytelling.00:06:16) The Rise of Cinematic Universes and Theaters(00:08:31) Rise of Streaming Platforms among Young Audiences(00:12:00) Influence of Streaming on Filmmaking Autonomy(00:21:47) Interconnected Universe Concept Shapes Audience Engagement Trends(00:23:45) Interconnected Superhero Film Overload(00:26:37) Marvel's Gimmicks: A Threat to Storytelling(00:31:44) Creative Downturn in Film Industry(00:51:54) Socially Engaging Movie Theaters for Generation Z(00:57:46) Community Events and Original Content Advocacy

Michelle Yeoh is an Oscar, Golden Globe, and Screen Actors Guild Award-winning actress who stars as Madame Morrible in the movie musical Wicked and its upcoming sequel Wicked: For Good. In this conversation from March 2023, Yeoh sits down with Willie Geist to reflect on her sweeping awards-season success for Everything Everywhere All At Once and what it meant to finally have her big Hollywood moment. She looks back on her groundbreaking career, from Crouching Tiger, Hidden Dragon to Memoirs of a Geisha and Crazy Rich Asians, and shares the gratitude and perspective that guide her today. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From a Long Island teen interviewing his comedy heroes on a high school radio station to the producer, director, and writer behind The 40-Year-Old Virgin, Anchorman, Trainwreck, and more, Judd Apatow is a modern-day comedy icon. He sits down with Willie Geist at New York's Gotham Comedy Club to trace his rise to fame, from the tough early years and the mentorship of Garry Shandling to how the cancellation of Freaks and Geeks ultimately helped launch a generation of stars. Apatow also talks about his new scrapbook-style book Comedy Nerd, his love of stand-up, and his deep dive into documentaries, including new films on Mel Brooks and Norm Macdonald. Along the way, he reflects on how setbacks shaped his success, and the persistence that's kept him creating for more than two decades. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.