Podcasts about slavic department

Tamara Trojanowska gave a lecture on “Cryptotheology, Psychobiography: Transgression in Polish 20th-Century Theatre” on Thursday, December 7, 2023 at 4:00 pm in 206 Ingraham Hall, 1155 Observatory Drive. About the Lecture: Tamara Trojanowska will present on her current research, which focuses on the intersections of 20th and 21st-century drama and theatre with history and religious thought, highlighting identity, subversion, and transgression issues. Her latest research project, co-edited with Joanna Niżyńska and Przemysław Czapliński and entitled A History of Polish Literature and Culture: New Perspectives on 20th and 21st Centuries, includes her extensive analysis of the transgressive practices in Polish drama and theatre (“Delectatio furiosa, or the modes of cultural transgression”) among over sixty essays by colleagues from all over the world. She has also contributed a chapter on this subject to Theatermachine: Tadeusz Kantor in Context (eds. Magda Romanska and Cathleen Cioffi, 2020), with her investigations of the dramatic and the sacred resulting in a new selection of and an extensive introduction to the plays of Roman Brandstaetter (Dzień gniewu. Dramaty, 2016). About the Lecturer: A graduate of the Drama Centre at the University of Toronto (Ph.D.) and of Theatre Studies at the Jagiellonian University in Kraków (MA), Tamara Trojanowska has also formerly held an Oxford University scholarship and an internship at the Royal Dramatic Theatre in Stockholm. She has taught at universities in Poland, Canada, and the United States, returning to the University of Toronto as a faculty member in 1998. Since then, she has directed the Polish Language and Literature Program at the Slavic Department, strengthening its profile and presence in North America, the University College Drama Program (2008-2012), and the Center for Drama, Theatre and Performance Studies (2017-2021). She now serves as Vice-Dean Faculty and Academic Life in the Faculty of Arts and Science.

Vladimir Alexandrov discusses with Ivan two things which should be better known: both men who lived in Russia in the early part of the twentieth century. Vladimir Alexandrov taught courses in Yale's Slavic Department on nineteenth and twentieth-century Russian literature and culture from 1986 to 2018. While preparing to teach a graduate seminar on Russian émigré culture, he discovered Frederick Bruce Thomas, which resulted in the 2013 biography The Black Russian, which is now being developed into a dramatic TV series. In 2021, he published To Break Russia's Chains: Boris Savinkov and His Wars against the Tsar and the Bolsheviks, which is the biography of a remarkable revolutionary terrorist, political activist, government minister, and writer who has been described as "James Bond as written by Kafka." Vladimir's current project is a book about Russia's little-known support for the Union during the American Civil War. Find out more at www.valexandrov.com. Frederick Bruce Thomas https://www.nybooks.com/articles/2013/10/10/vladimir-alexandrov-black-russian/ Further reading https://www.blackpast.org/global-african-history/perspectives-global-african-history/russia-s-black-entertainment-empresario-remarkable-saga-fyodor-fyodorovich-tomas-freder/ Boris Savinkov https://www.the-tls.co.uk/articles/to-break-russias-chains-vladimir-alexandrov-book-review-daniel-beer/ Further reading • https://scholarcommons.sc.edu/cgi/viewcontent.cgi?article=4571&context=etd • https://origins.osu.edu/read/terrorism-path-better-russia?language_content_entity=en This podcast is powered by ZenCast.fm

Mark Louden, Professor in the German, Nordic, and Slavic Department at the UW-Madison, and an expert in Pennsylvania Dutch culture, will describe the world of the Amish and Mennonites.

What is Russia's current interest on its borders, and what considerations will shape its behavior over the next 20 years? Prof. Mitchell Orenstein is the Professor of Central and East European politics in the Slavic Department at the University of Pennsylvania and an associate of the Davis Center for Russian and Eurasian Studies at Harvard. We're thrilled to have him and as always we learn a ton. See acast.com/privacy for privacy and opt-out information.

Rebroadcast The Black Russian with Valdimir Alexandrov, Ph.D. The Black Russian tells the story of Frederick Bruce Thomas, who was born in 1872 to former slaves and spent his youth on his family’s farm in Mississippi.  After leaving the South and working as a waiter and valet in Chicago and Brooklyn, he went to London in 1894, then traveled throughout Europe, and decided to go to Russia in 1899, all of which was highly unusual for a black American at the time.  He chose Moscow as his home, and during the next nineteen years renamed himself “Fyodor Fyodorovich Tomas,” married twice, acquired a mistress, took Russian citizenship, and by dint of his talents, hard work, charm, and guile became one of the city’s richest and most famous owners of variety theaters and restaurants.  The Bolshevik Revolution ruined him and he barely escaped with his life and family to Turkey in 1919.  Starting with just a handful of dollars out of the millions he had lost, Thomas made a second fortune in Constantinople by opening a series of celebrated nightclubs that introduced jazz to Turkey.  However, because of the long arm of American racism, the xenophobia of the new Turkish Republic, and his own extravagance, he fell on hard times, was thrown into debtor's prison and died in Constantinople in 1928. Dr. Alexandrov is the B. E. Bensinger Professor of Slavic Languages and Literatures and Acting Chair, Slavic Department at Yale University. www.valexandrov.com    

In The Intellectual as Hero in 1990s Ukrainian Fiction (University of Toronto Press, 2012), Mark R. Andryczyk takes his readers to an intriguing territory of dense narratives, arising from a complex network of literary, political, and philosophical connections that were accompanying the history of the countries constituting the USSR. Mark Andryczyk’s research offers an insightful analysis of Ukrainian literature that was taking shape right after the collapse of the Soviet Union and during the emergence of Ukraine as an independent state. The Ukrainian literary scene of the 1990s was to some extent responding to a new political and social environment, revealing, and at times instigating, paradigmatic transformations. Becoming open to the West after almost seventy years of international isolation, Ukraine appeared to be building dialogues that involved identity and self-identification concerns locally and globally. In this process of awakened nationalconsciousness, which undoubtedly entailed a number of controversies, Andryczyk identifies a hero that communicates a diversity of searches and pursuits in the realm of ethics, aesthetics, philosophy, politics, etc. The intellectual, as the author argues, is a hero that gives a unique tint to the Ukrainian literature of the 1990s: although present in the literary scenes of other time periods, the intellectual acquires a stronger and a more eloquent voice in the 1990s. In his research, Andryczyk discerns a few types of the intellectual: The Swashbuckling Performer, The Ambassador to the West, The Sick Soul. Although distinct, their voices intermingle and echo each other: they may agree and/or argue with each other but they all mark an unrestrained impetus to make themselves heard. After decades of propaganda control, establishment suppression, and Communist Party’s directions for artists, in post-Soviet Ukraine writers were seeking ways to exercise their freedom to write and to think. The Intellectual as Hero in 1990s Ukrainian Fiction is an in-depth investigation of how a text/narrative responds to a changing environment; how an artist finds a way amidst a captivating chaos in order to discover his/her truth and create a world of subtle harmony–fragile and yet vital. Mark R. Andryczyk teaches Ukrainian literature at the Slavic Department at Columbia University. He also administers the Ukrainian Studies at the Harriman Institute of Russian, Eurasian, and Eastern European Studies (Columbia University). Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Intellectual as Hero in 1990s Ukrainian Fiction (University of Toronto Press, 2012), Mark R. Andryczyk takes his readers to an intriguing territory of dense narratives, arising from a complex network of literary, political, and philosophical connections that were accompanying the history of the countries constituting the USSR. Mark Andryczyk’s research offers an insightful analysis of Ukrainian literature that was taking shape right after the collapse of the Soviet Union and during the emergence of Ukraine as an independent state. The Ukrainian literary scene of the 1990s was to some extent responding to a new political and social environment, revealing, and at times instigating, paradigmatic transformations. Becoming open to the West after almost seventy years of international isolation, Ukraine appeared to be building dialogues that involved identity and self-identification concerns locally and globally. In this process of awakened nationalconsciousness, which undoubtedly entailed a number of controversies, Andryczyk identifies a hero that communicates a diversity of searches and pursuits in the realm of ethics, aesthetics, philosophy, politics, etc. The intellectual, as the author argues, is a hero that gives a unique tint to the Ukrainian literature of the 1990s: although present in the literary scenes of other time periods, the intellectual acquires a stronger and a more eloquent voice in the 1990s. In his research, Andryczyk discerns a few types of the intellectual: The Swashbuckling Performer, The Ambassador to the West, The Sick Soul. Although distinct, their voices intermingle and echo each other: they may agree and/or argue with each other but they all mark an unrestrained impetus to make themselves heard. After decades of propaganda control, establishment suppression, and Communist Party’s directions for artists, in post-Soviet Ukraine writers were seeking ways to exercise their freedom to write and to think. The Intellectual as Hero in 1990s Ukrainian Fiction is an in-depth investigation of how a text/narrative responds to a changing environment; how an artist finds a way amidst a captivating chaos in order to discover his/her truth and create a world of subtle harmony–fragile and yet vital. Mark R. Andryczyk teaches Ukrainian literature at the Slavic Department at Columbia University. He also administers the Ukrainian Studies at the Harriman Institute of Russian, Eurasian, and Eastern European Studies (Columbia University). Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Intellectual as Hero in 1990s Ukrainian Fiction (University of Toronto Press, 2012), Mark R. Andryczyk takes his readers to an intriguing territory of dense narratives, arising from a complex network of literary, political, and philosophical connections that were accompanying the history of the countries constituting the USSR. Mark Andryczyk’s research offers an insightful analysis of Ukrainian literature that was taking shape right after the collapse of the Soviet Union and during the emergence of Ukraine as an independent state. The Ukrainian literary scene of the 1990s was to some extent responding to a new political and social environment, revealing, and at times instigating, paradigmatic transformations. Becoming open to the West after almost seventy years of international isolation, Ukraine appeared to be building dialogues that involved identity and self-identification concerns locally and globally. In this process of awakened nationalconsciousness, which undoubtedly entailed a number of controversies, Andryczyk identifies a hero that communicates a diversity of searches and pursuits in the realm of ethics, aesthetics, philosophy, politics, etc. The intellectual, as the author argues, is a hero that gives a unique tint to the Ukrainian literature of the 1990s: although present in the literary scenes of other time periods, the intellectual acquires a stronger and a more eloquent voice in the 1990s. In his research, Andryczyk discerns a few types of the intellectual: The Swashbuckling Performer, The Ambassador to the West, The Sick Soul. Although distinct, their voices intermingle and echo each other: they may agree and/or argue with each other but they all mark an unrestrained impetus to make themselves heard. After decades of propaganda control, establishment suppression, and Communist Party’s directions for artists, in post-Soviet Ukraine writers were seeking ways to exercise their freedom to write and to think. The Intellectual as Hero in 1990s Ukrainian Fiction is an in-depth investigation of how a text/narrative responds to a changing environment; how an artist finds a way amidst a captivating chaos in order to discover his/her truth and create a world of subtle harmony–fragile and yet vital. Mark R. Andryczyk teaches Ukrainian literature at the Slavic Department at Columbia University. He also administers the Ukrainian Studies at the Harriman Institute of Russian, Eurasian, and Eastern European Studies (Columbia University). Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Intellectual as Hero in 1990s Ukrainian Fiction (University of Toronto Press, 2012), Mark R. Andryczyk takes his readers to an intriguing territory of dense narratives, arising from a complex network of literary, political, and philosophical connections that were accompanying the history of the countries constituting the USSR. Mark Andryczyk’s research offers an insightful analysis of Ukrainian literature that was taking shape right after the collapse of the Soviet Union and during the emergence of Ukraine as an independent state. The Ukrainian literary scene of the 1990s was to some extent responding to a new political and social environment, revealing, and at times instigating, paradigmatic transformations. Becoming open to the West after almost seventy years of international isolation, Ukraine appeared to be building dialogues that involved identity and self-identification concerns locally and globally. In this process of awakened nationalconsciousness, which undoubtedly entailed a number of controversies, Andryczyk identifies a hero that communicates a diversity of searches and pursuits in the realm of ethics, aesthetics, philosophy, politics, etc. The intellectual, as the author argues, is a hero that gives a unique tint to the Ukrainian literature of the 1990s: although present in the literary scenes of other time periods, the intellectual acquires a stronger and a more eloquent voice in the 1990s. In his research, Andryczyk discerns a few types of the intellectual: The Swashbuckling Performer, The Ambassador to the West, The Sick Soul. Although distinct, their voices intermingle and echo each other: they may agree and/or argue with each other but they all mark an unrestrained impetus to make themselves heard. After decades of propaganda control, establishment suppression, and Communist Party’s directions for artists, in post-Soviet Ukraine writers were seeking ways to exercise their freedom to write and to think. The Intellectual as Hero in 1990s Ukrainian Fiction is an in-depth investigation of how a text/narrative responds to a changing environment; how an artist finds a way amidst a captivating chaos in order to discover his/her truth and create a world of subtle harmony–fragile and yet vital. Mark R. Andryczyk teaches Ukrainian literature at the Slavic Department at Columbia University. He also administers the Ukrainian Studies at the Harriman Institute of Russian, Eurasian, and Eastern European Studies (Columbia University). Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Intellectual as Hero in 1990s Ukrainian Fiction (University of Toronto Press, 2012), Mark R. Andryczyk takes his readers to an intriguing territory of dense narratives, arising from a complex network of literary, political, and philosophical connections that were accompanying the history of the countries constituting the USSR. Mark Andryczyk’s research offers an insightful analysis of Ukrainian literature that was taking shape right after the collapse of the Soviet Union and during the emergence of Ukraine as an independent state. The Ukrainian literary scene of the 1990s was to some extent responding to a new political and social environment, revealing, and at times instigating, paradigmatic transformations. Becoming open to the West after almost seventy years of international isolation, Ukraine appeared to be building dialogues that involved identity and self-identification concerns locally and globally. In this process of awakened nationalconsciousness, which undoubtedly entailed a number of controversies, Andryczyk identifies a hero that communicates a diversity of searches and pursuits in the realm of ethics, aesthetics, philosophy, politics, etc. The intellectual, as the author argues, is a hero that gives a unique tint to the Ukrainian literature of the 1990s: although present in the literary scenes of other time periods, the intellectual acquires a stronger and a more eloquent voice in the 1990s. In his research, Andryczyk discerns a few types of the intellectual: The Swashbuckling Performer, The Ambassador to the West, The Sick Soul. Although distinct, their voices intermingle and echo each other: they may agree and/or argue with each other but they all mark an unrestrained impetus to make themselves heard. After decades of propaganda control, establishment suppression, and Communist Party’s directions for artists, in post-Soviet Ukraine writers were seeking ways to exercise their freedom to write and to think. The Intellectual as Hero in 1990s Ukrainian Fiction is an in-depth investigation of how a text/narrative responds to a changing environment; how an artist finds a way amidst a captivating chaos in order to discover his/her truth and create a world of subtle harmony–fragile and yet vital. Mark R. Andryczyk teaches Ukrainian literature at the Slavic Department at Columbia University. He also administers the Ukrainian Studies at the Harriman Institute of Russian, Eurasian, and Eastern European Studies (Columbia University). Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Intellectual as Hero in 1990s Ukrainian Fiction (University of Toronto Press, 2012), Mark R. Andryczyk takes his readers to an intriguing territory of dense narratives, arising from a complex network of literary, political, and philosophical connections that were accompanying the history of the countries constituting the USSR. Mark Andryczyk's research offers an insightful analysis of Ukrainian literature that was taking shape right after the collapse of the Soviet Union and during the emergence of Ukraine as an independent state. The Ukrainian literary scene of the 1990s was to some extent responding to a new political and social environment, revealing, and at times instigating, paradigmatic transformations. Becoming open to the West after almost seventy years of international isolation, Ukraine appeared to be building dialogues that involved identity and self-identification concerns locally and globally. In this process of awakened nationalconsciousness, which undoubtedly entailed a number of controversies, Andryczyk identifies a hero that communicates a diversity of searches and pursuits in the realm of ethics, aesthetics, philosophy, politics, etc. The intellectual, as the author argues, is a hero that gives a unique tint to the Ukrainian literature of the 1990s: although present in the literary scenes of other time periods, the intellectual acquires a stronger and a more eloquent voice in the 1990s. In his research, Andryczyk discerns a few types of the intellectual: The Swashbuckling Performer, The Ambassador to the West, The Sick Soul. Although distinct, their voices intermingle and echo each other: they may agree and/or argue with each other but they all mark an unrestrained impetus to make themselves heard. After decades of propaganda control, establishment suppression, and Communist Party's directions for artists, in post-Soviet Ukraine writers were seeking ways to exercise their freedom to write and to think. The Intellectual as Hero in 1990s Ukrainian Fiction is an in-depth investigation of how a text/narrative responds to a changing environment; how an artist finds a way amidst a captivating chaos in order to discover his/her truth and create a world of subtle harmony–fragile and yet vital. Mark R. Andryczyk teaches Ukrainian literature at the Slavic Department at Columbia University. He also administers the Ukrainian Studies at the Harriman Institute of Russian, Eurasian, and Eastern European Studies (Columbia University). Learn more about your ad choices. Visit megaphone.fm/adchoices

The Black Russian with Vladimir Alexandrov Bernice Bennett host welcomes Vladimir Alexandrov, Ph.D.,  for an engaging discussion of his book, The Black Russian. He will explore the process of researching and writing this compelling story.   The Black Russian tells the story of Frederick Bruce Thomas, who was born in 1872 to former slaves and spent his youth on his family’s farm in Mississippi.  After leaving the South and working as a waiter and valet in Chicago and Brooklyn, he went to London in 1894, then traveled throughout Europe, and decided to go to Russia in 1899, all of which was highly unusual for a black American at the time.  He chose Moscow as his home, and during the next nineteen years renamed himself “Fyodor Fyodorovich Tomas,” married twice, acquired a mistress, took Russian citizenship, and by dint of his talents, hard work, charm, and guile became one of the city’s richest and most famous owners of variety theaters and restaurants.  The Bolshevik Revolution ruined him and he barely escaped with his life and family to Turkey in 1919.  Starting with just a handful of dollars out of the millions he had lost, Thomas made a second fortune in Constantinople by opening a series of celebrated nightclubs that introduced jazz to Turkey.  However, because of the long arm of American racism, the xenophobia of the new Turkish Republic, and his own extravagance, he fell on hard times, was thrown into debtor's prison and died in Constantinople in 1928. Dr. Alexandrov is the B. E. Bensinger Professor of Slavic Languages and Literatures and Acting Chair, Slavic Department at Yale University. www.valexandrov.com