Podcasts about Amish

We are back for Part 3 of the Carson Kressley mini-series! This time, we are trading the design studio for the kitchen, recording live from the set of Beat Bobby Flay in New York City. Carson sits down with his good friend, the Iron Chef himself, Mr. Bobby Flay. Bobby turns the tables and lets Carson do the baking (featuring his famous Amish-adjacent Pennsylvania Dutch custard pies!), while the two discuss the undeniable link between hospitality, food, and interior design. Bobby breaks down the psychological trick of the "Orange Glow" in his restaurants, how he works with his interior designer Olivia Jane, and the layout secrets of his personal home kitchens in New York, the Hamptons, and London. Quick Decorating Takeaways: Flatter Your Guests with Lighting: Bobby insists that lighting is the unsung hero of a successful restaurant or dinner party. He aims to create an "Orange Glow" in his spaces to ensure that everybody feels like they look good while dining—if they feel good about how they look, they'll have a better time. Design for You, Not for Resale: Bobby strongly advises against designing your home based on what a hypothetical future buyer might want. Instead of living in a safe, generic space for "resale value," you should design your home for the way you want to live in it right now. The Best Way to Serve a Crowd: When entertaining at home, Bobby rarely does plated dinners. He prefers a "family style" approach because it feels comforting and allows guests to take exactly what they want. His top entertaining essential? A collection of really cool trays to easily carry food and drinks around the room. What You'll Hear on This Episode: 00:00 Welcome to Week 3 of the Carson Kressley Takeover!  01:00 Live from the set: Carson bakes for an Iron Chef  03:00 Why interior design is just as important as the menu  04:30 The secret to the "Orange Glow" lighting  07:00 Bobby's partnership with his interior designer, Olivia Jane  09:00 Why Bobby loves shopping for vintage furniture on 1stDibs  16:30 How a chef designs his own kitchens: 18-foot islands & Hamptons bistro tables  19:30 Why you shouldn't design a house just for "resale value"  20:40 Entertaining tips: Trays and family-style meals  22:00 Designing his 1920s Tudor house in Saratoga and his London apartment  27:00 Bobby & Carson's London restaurant and hotel recommendations  29:20 The pie reveal: Strawberry and Raspberry custard  32:00 Sneak peek at next week's guest: Pat Altschul  Also Mentioned: Bobby's Podcast: Bobby on the Beat  London Spots: Berenjak, Scott's, Brat, The Broadwick Soho hotel  Bobby's Restaurants: Amalfi, Brasserie B, Bobby's Burgers  Vintage Shopping: 1stDibs  Shop the Carson Kressley Collection at Ballard Designs  Please send in your questions so we can answer them on our next episode! And of course, subscribe to the podcast in Apple Podcasts so you never miss an episode. You can always check back here to see new episodes, but if you subscribe, it'll automatically download to your phone. Happy Decorating! Learn more about your ad choices. Visit megaphone.fm/adchoices

Mental health professionals have assessed the psychological condition of a mother in Tuscarawas County who has been charged in connection with the deaths of her 4-year-old son and 45-year-old husband at Atwood Lake last year, an incident believed to stem from a “spiritual delusionSee omnystudio.com/listener for privacy information.

Stories of the AMISH MENNONITE and PA DUTCH - Folklore Witchcraft Secrets and MOREBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

In this true scary story, we hear from Breanna. Growing up in Waco, Texas, our caller believed the strange activity in her home was just childhood imagination until it followed her across state lines, through new houses, and into adulthood. From shadow figures and whispered voices to a terrifying shared encounter in an Amish home… and then from violent energy inside her brother's room to a presence that seemed to want her at Cameron Park's infamous Witches Castle… the experiences continued spanning nearly 30 years. This is a layered, deeply personal account of recurring entities, drained energy, and something that may have attached itself long ago.You can get these ad-free through ScaryPlus.com free for 14 days, then 4.99 per month. Cancel anytime.You can find Edwin on TikTok, Facebook, and Instagram as @edwincovEditing and sound design by Sarah Vorhees Wendel from VW SoundGet in touch to share your story through TrueScaryStory.com

“Honor Thy Mother” Judah's mom drops by unannounced, modern devices in hand, determined to save her son from the horrors of farm life (flies included). James finally finishes the phone shanty... only for the English to get sent to voicemail by their families. The heat finally catches up with BJ and she's left questioning if her body can even handle Amish life. With four days left before Reckoning, Allen opens the floor for questions. Even though Corey was trapped out of state due to a blizzard, Carly teamed up with Amye Archer from Little Miss Recap for this episode! You can find all of her podcasts at littlemissrecap.com Find All Our Links in One Place:beacons.ai/survivingpodLove the Show?Be sure to subscribe, leave a review, and share the laughs with your fellow reality TV junkies! It helps more listeners find our show.Support Us on Patreon:Looking for bonus content, ad-free and early episodes, exclusive merch discounts, and a place to spill the tea with us on our private Discord server? Join us on Patreon!Shop Our Merch:Snag official Surviving Sister Wives and Surviving Reality merch to twin with us!Follow Us on TikTok:Join the fun for memes, updates, and more reality TV drama.Get in Touch:Got a hot take or a question for us? Email us at survivingpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Send a textWhat if the real power of a homestead isn't the lifestyle but the launchpad it creates for mission, discipleship, and community? We sit down with Brayden Waller to explore how a family can move from “getting the farm in order” to setting sail with a clear, others-first purpose—without losing the heart of home along the way.Brayden shares his family's unexpected path: leaving a high-hour job for presence, homeschooling for formation, and relocating into an Amish community for simplicity and togetherness. He explains how refusing control while welcoming outside testimonies built trust, conviction, and unity on the big decisions. From there, the story widens. The Wallers served Jewish farmers in Israel and later launched Love and Purity, a ministry focused on worship and whole-life holiness. Out of that came Harp and Farm, an immersive program where young adults learn music, work the soil, and form daily patterns of prayer, responsibility, and teamwork.We dig into practical rhythms that make faith tangible: using farm work as a living classroom, handling conflict as a path to growth, and building a crew mentality that prepares a family to actually leave the harbor. Brayden offers a powerful testimony of a student who traded screens for strings and soil, rediscovered purpose, and experienced a 180-degree life change. We also talk about raising kids by their gifts—celebrating the evangelist, the musician, and the cow-milker—and why meaningful roles beat passive entertainment every time.This conversation is for homesteaders, ministry leaders, and anyone who wants their daily work to carry kingdom weight. If you've felt stuck perfecting the ship but never setting sail, you'll find courage to aim beyond the fence line: farmers markets as ministry touchpoints, visiting the weak, building a local fellowship, and learning when to pause for repairs and when to catch the wind. To learn more about the Waller's ministry and apply for their internship visit https://www.loveandpurity.com/harpandfarminternshipSupport the show

In this episode, we will discuss the new reality TV show Suddenly Amish and our thoughts about it! Is it gossiping or sharing useful information? Join two non-practicing Amish people, Barbie and Mary for your bi-weekly gossip sessions. Let us demonstrate by example how to share gossip properly as we talk about our experiences with life in the community and in dominant culture America. Gossip, done the right way, is always done the Amish way! Produced by The Misfit Amish 2026 Art by MB  Funded by our Patreon Subscribers

Welcome to your double whammy episode! 2 eps in one day! This week the guys touch on the chaos in Mexico and the US dominating Canada in winter olympic hockey... An AI artist made its way top the top of the Spotify charts and fooled Chuck and Jon... Chuck wants to start an 80s Amish group... then they hit the Red Dirt Rundown, Meme of the Week, and a new segment called Red Word Send Off... Thanks for tuning in Nightshifters!

Archaeologist and author Amanda Hope Haley joins Ginny Yurich for a conversation that makes the Bible feel both more historically grounded and more alive. From sixth-grade “digs” and a life-changing biblical archaeology class to fieldwork near ancient sites and fresh discoveries that keep rewriting what we think we know, Amanda explains how archaeology doesn't “prove” Scripture—it illuminates it, clears away centuries of assumptions, and restores the texture of the ancient world. They talk Noah's Ark (and why the obsession misses the point), the surprising power of stone memorials, why traditions sometimes get mistaken for text, and how new finds—like the excavation of Magdala—can sharpen our understanding of familiar stories without shaking faith. Plus, an unforgettable Amish family story, a quick, mind-bending detour into space and the James Webb telescope, and a closing childhood memory under the stars that perfectly fits the 1000 Hours Outside message. Find everything Amanda Hope Haley offers here: https://www.amandahopehaley.com Get your copy of Stones That Speak here Learn more about your ad choices. Visit megaphone.fm/adchoices

Afternoon Stream of AMISH MENNONITE and PA DUTCH: Folklore Witchcraft Secrets and MOREBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Are your kids too clean for their own good? Amish children experience 90% less asthma than the national average—not despite getting dirty, but because of it. When scientists analyzed the dust in their farmhouses, they discovered an invisible ecosystem that was training immune systems to be resilient instead of reactive. In his episode, host Jason Wachob explores the groundbreaking research behind the "hygiene hypothesis" and its implications for modern parents raising kids in an increasingly sanitized world. This discovery is forcing us to rethink everything about dirt, bacteria, and health. And it's already led to treatments used by 100+ million people worldwide. Are we too clean for our own good? Study Link: https://pubmed.ncbi.nlm.nih.gov/37210851/ Chapters: [00:18] The Amish morning: A scene from another era [02:23] The asthma epidemic vs. farm kids' secret weapon [04:30] What's really in farm dust? (It's not what you think) [05:46] Bacterial lysates: Recreating farm protection in a lab [08:22] The hygiene hypothesis: Why clean might be too clean

“Wickedness Loves Company” Matt and Kendra take an extra long walk of shame; Emma can't handle failure; Bishop Vernon and Allen rethink their recruitment strategy; Judah's mom shows up to reclaim her son. Find All Our Links in One Place: beacons.ai/survivingpod Love the Show?Be sure to subscribe, leave a review, and share the laughs with your fellow reality TV junkies! It helps more listeners find our show.Support Us on Patreon:Looking for bonus content, ad-free and early episodes, exclusive merch discounts, and a place to spill the tea with us on our private Discord server? Join us on Patreon!Shop Our Merch:Snag official Surviving Sister Wives and Surviving Reality merch to twin with us!Follow Us on TikTok:Join the fun for memes, updates, and more reality TV drama.Get in Touch:Got a hot take or a question for us? Email us at survivingpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

After losing his bowling hand (and his dignity) to a vengeful scheme, washed-up pro Roy Munson survives on cheap booze and a comb-over that deserves its own zip code. His luck turns when he discovers Ishmael, an Amish bowling prodigy with a killer hook and zero world experience. The duo embarks on a road trip to Reno, dodging angry landlords and "milking" accidental bulls to reach a million-dollar showdown. To win, Roy must out-hustle his sleazy arch-nemesis, Ernie "Big Ern" McCracken.

AC and Isaac welcome John Michael Greer back to the Plant Cunning Podcast for a wide-ranging conversation on mundane astrology and the Saturn–Neptune conjunction at 0° Aries on February 20. Greer explains mundane astrology as astrology applied to world events, emphasizing traditional tools like ingress charts for solstices and equinoxes, eclipse charts, and great conjunctions, and describing astrology as an empirical craft built from long historical observation. The episode explores why 0° Aries functions as a zodiac “reset button,” why Saturn (form, limits, structure) combining with Neptune (dissolution, unity, imagination, delusion) suggests major shifts. They discuss competing ways of timing the Age of Aquarius, including the 2020 Jupiter–Saturn conjunction in Aquarius as a possible “dawn” marker, and critique utopian 1960s portrayals of Aquarius, noting traditional rulership by Saturn and the difficult, disruptive qualities associated with Uranus (and Rahu as co-ruler in Vedic astrology). Greer ties Uranus-in-Gemini cycles to U.S. history and “elite replacement” periods, framing current politics as another transition that may include bureaucratic contraction and social conflict without necessarily implying “the end of everything.” Additional themes include long-term decline versus sudden collapse, climate volatility, ice-sheet destabilization, karmic causality as “action and consequence” rather than retribution, and esoteric ideas like Dion Fortune's “initiation of the nadir” as a potential collective turning point amid peak global population. 02:53 Mundane Astrology101: The Oldest Branch of Astrology & How It Works04:26 Tools of Mundane Astrology: Ingresses, Eclipses, and Great Conjunctions06:29 Why 0° Aries Matters: The Zodiac ‘Reset Button'08:27 Saturn Meets Neptune: Form vs Dissolution—and Why This One's Unprecedented11:50 Axial Age Echoes: Religion, Philosophy, and What Might Change Next15:50 Age of Aquarius: Uranus Energy, Myths of Utopia, and Saturn's Reality Check21:07 Tech, AI, and Civilizational Fragility26:25 When Did the Age of Aquarius Begin?5:26 Wheels Within Wheels: Stacking Cycles and What We'll Notice in Our Lifetimes36:42 Historical Parallel: Early Democracy, and How Big Shifts Start Small37:56 Athens' Democratic Experiment & the Rise of a Cultural Powerhouse38:36 Thales and the Birth of Philosophy: Reason Replaces Myth39:34 Where the Next Breakthrough Comes From: Fringe Ideas That ‘Work'41:07 Screens, AI, and a Return to Being Human (in a New Way)42:46 The Star of Bethlehem, Magi as Magicians, and Modern ‘Messiah' Speculation44:37 Aquarius vs Pisces: Why We Can't Imagine a Truly New Age45:11 Reading Dead People: Ancient Epics as a Portal to Other Mindsets46:20 Kali Yuga vs Satya Yuga: Are We in the Spiritual Winter?48:43 26,000-Year Cycles, Ancient Dread, and ‘This Is as Bad as It Gets'52:33 Saturn's Lesson: Endure, Do Your Dharma, and Get to Work54:34 Initiation of the Nadir: Hitting Rock Bottom and Rounding the Buoy58:48 Uranus in Gemini & America's Elite Replacement Cycles (Revolution–Civil War–WWII)01:05:43 Mundane Astrology Methods: Updating Planetary Meanings for the Modern World01:09:06 Mars vs Mercury Masculinity—and What a Future Dark Age Might Look Like01:13:20 Post-Collapse Cities in ‘Star's Reach': A Byzantine-Style Future01:14:06 What Determines the Shape of a Dark Age? Printing, Farming, and Resilient Tech01:15:33 Amish & Appropriate Tech: Keeping Urban Life Alive After Collapse01:18:30 Collapse as Slow ‘Ragged Decline': Gas Prices, Frogs, and the Long Slide01:21:48 Punctuated Shocks: Lockdowns, 9/11, and Climate Tipping Points01:24:05 Astrology as a Tactical Tool: Daily Transits, Timing, and Better Decisions01:29:29 Intuition, Past Lives, and Skill Carryover: From Mozart to Tarot01:33:33 Karma Explained: Action, Consequences, and What Charts Can Reveal01:37:03 Remedies & Magic: Planetary Charity, Talismans, and Natal Chart Mandalas

DJ and Holli Liden are Amish bowling enthusiasts, so the Swayze Boys take advantage of their unique perspectives on Bill Murray, Woody Harrelson, and Randy Quaid's wigs. Google this: Middle-Out, who cares?

Legends, Tales, and Folklore of the Amish Mennonite and Pennsylvania DutchBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Episode:     E1171 Inside Scoop 285 – The Single Life, Suddenly Amish, Lily and Josh and MUCH more    Description:    Recaps of The Single Life, Suddenly Amish, 1000lb Sisters, Chuck, Lilly and Josh and much more.   Coupled with Chaos full episodes and bonus content subscriptions are available here:    Premium Content, including Additional 90 Day Fiancé episodes, Other TLC and A&E shows, and the personal podcast available by subscription at:    Supercast: https://coupledwithchaosnetwork.supercast.tech/  Patreon:  https://www.patreon.com/coupledwithchaos  Apple: Coupled with Chaos Channel: https://podcasts.apple.com/us/channel/coupled-with-chaos/id6442522170    Contacts us:    Email: Coupledwithchaos@gmail.com    Web site: https://coupledwithchaos.com    Facebook: @Coupledwithchaos    Instagram: @Coupledwithchaos    Twitter: @CoupledwChaos

Link to video version of this conversation: https://youtu.be/2iPiYwftPygIn this interview, I speak with Miriam Vidal about her childhood growing up as a Jehovah's Witness, and her eventual decision to leave the faith.As a Hasidic child growing up in Kiryas Joel, there was a strange building behind my house that we simply called “the church.” Every Saturday, rows of cars would pull up, and we kids would stand by the gate, watching and waving. Only years later, after I had left my own religious community, did I learn that this building was actually a Jehovah's Witness Kingdom Hall.Miriam was one of the people attending services there.In this conversation, Miriam shares what it was like to grow up inside the Jehovah's Witness community: the rules, the rhythms of daily life, the sense of belonging, and the limitations placed on childhood, education, and social life. We talk about her memories of the Kingdom Hall in Kiryas Joel, the wider culture of Jehovah's Witnesses, and what it meant; emotionally and psychologicall... to leave such a structured religious world.This interview is also about what comes after leaving: identity, belief, grief, freedom, and the slow work of figuring out who you are when the framework you grew up in falls away.As someone deeply interested in religious subcultures, exit narratives, and the sociology of faith, this conversation felt especially meaningful.... almost like closing a loop that began when I was a child in my Shabbos dress, waving at strangers I didn't yet understand.Topics we cover include:-Growing up as a Jehovah's Witness-Family life, schooling, holidays, and missionizing-The Kingdom Hall in Kiryas Joel and Miriam's memories of it-Community, ritual, and belonging-Leaving a high-control religious environment-The emotional and psychological impact of exiting-Spiritual life and identity after leaving-Reflections on religion, culture, and comparison with other faith communitiesWant more?Watch my video about the Jehovah's Witness Church in Kiryas Joelhttps://youtu.be/naUJMITJ5sYWatch my interview with Martha Ross, who left the Amish:https://youtu.be/teadpfXWCO4My own recounting of what it's like to grow up in Kiryas Joelhttps://youtu.be/uHu_17N9GdEThe story of Anna Shternshis:https://youtu.be/hKN0_75EuqEStay tuned for more stories of subcultures and religious groups.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-frieda-vizel-podcast--5824414/support.

Letra: Alejandro Pérez SánchezMúsica: Alejandro Pérez SánchezDirección: Alejandro Pérez Sánchez

Sarah Fraser, host of The Sarah Fraser Show Podcast, joins Kate to break down Sister Wives, Suddenly Amish, The Traitors, and The Real Housewives of Beverly Hills. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

English folk (AKA non-Amish) try to go Amish for 30 days, and somehow the producers found the least prepared humans for the task. They even found an Amish cosplayer, and even THEY were completely unprepared. The culture clash is real, the struggles are hilarious, and we're here for every chaotic second of it. Wonder how we rated this show? Tune in and see what we thought about Suddenly Amish on HBO Max. S01E01 || Theme Song: "Crooked Mile (slinky rock mix)" by Hans Atom || Outro: "I dunno" by grapes

David Lapp, once Amish, now runs a national nonprofit logistics operation helping 1,700+ organizations get access to food that would otherwise be wasted. Discover how warehouses, volunteers, and private capital all play a part in this inspiring mission. Get Interviewed on the Show! - ================================== Are you a real estate investor with some 'tales from the trenches' you'd like to share with our audience? Want to get great exposure and be seen as a bonafide real estate pro by your friends? Would you like to inspire other people to take action with real estate investing? Then we'd love to interview you! Find out more and pick the date here: http://daveinterviewsyou.com/ #realestatepodcast #foodlogistics #faithbasedinvesting

Guest: Nick Pogam Guest Project: Path to Serve Topic: ASVAB realities, ethical recruiting, and career paths beyond the first contract Episode Overview In this episode, Mickey sits down with Nick Pogam, Army veteran, former recruiter, and founder of Path to Serve, joining the conversation from Belgium. Nick shares his journey from an uncertain civilian teenager to infantry soldier, recruiter in Pennsylvania, and eventually a role supporting NATO overseas. Nick pulls back the curtain on military recruitment—what works, what doesn't, and why education matters more than pressure. From taking a practice ASVAB for cash at the mall to helping recruits navigate waivers, LASIK, and long-term career planning, this episode highlights the human side of enlistment and the responsibility recruiters have to do it right. The conversation also explores how young recruits often underestimate the impact of their decisions, why rapport beats sales tactics, and how platforms like Path to Serve aim to give future service members clearer information before they sign on the dotted line. Key Topics Covered Nick's ASVAB journey: scoring a 37 → 57 and choosing infantry The reality of recruiting high school students Ethical recruiting vs. quota-driven recruiting Lessons learned recruiting in Amish country (Lancaster, PA) How social media and community-building support enlistment Helping recruits overcome barriers like vision requirements and waivers Why education and transparency matter in military contracts Career evolution: infantry → platoon sergeant → NATO assignment Building Path to Serve as a trusted enlistment resource Notable Takeaways The ASVAB is often underestimated—but it shapes career options for decades Rapport and trust outperform pressure tactics in recruiting Many recruits don't realize how binding military contracts truly are With mentorship and persistence, waivers and setbacks aren't the end Long-term military careers rarely look like the original plan Who This Episode Is For Students and parents navigating ASVAB and enlistment decisions Recruiters who want to recruit ethically and effectively Service members considering reenlistment or career changes Veterans interested in education-focused military advocacy Path to Serve

“The Evil One” Everyone attends an excruciatingly long church service; James and Emma find new ways to make everyone uncomfortable; Matt and Kendra forget to leave room for Jesus. Find All Our Links in One Place:beacons.ai/survivingpodLove the Show?Be sure to subscribe, leave a review, and share the laughs with your fellow reality TV junkies! It helps more listeners find our show.Support Us on Patreon:Looking for bonus content, ad-free and early episodes, exclusive merch discounts, and a place to spill the tea with us on our private Discord server? Join us on Patreon!Shop Our Merch:Snag official Surviving Sister Wives and Surviving Reality merch to twin with us!Follow Us on TikTok:Join the fun for memes, updates, and more reality TV drama.Get in Touch:Got a hot take or a question for us? Email us at survivingpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

What does it take to throw the most viral murder mystery parties in New York City? How do you go from pin-up modeling in Pittsburgh to walking for Vaquera at Paris Fashion Week? What happens when Rick Owens calls your name at a casting—but not for the runway?Sol and Michael sit down with Born DuBois—model, stylist, creative director, personal shopper, and the woman i-D Magazine called "A Star is Born"—for her very first podcast. Born has quietly become one of the most interesting people in New York fashion, juggling more jobs than anyone can count while throwing immersive murder mystery dinner parties that have attracted everyone from Interview Magazine stylists to Ella Emhoff.The trio get into everything: how Born writes 20-page plays for her murder mysteries with no outline, her Vaquera runway debut and the surreal experience of having her face printed on the entire collection at Paris Fashion Week, a Maybelline casting where she showed up in a latex bodysuit and was asked to dance, her ASAP Rocky audition that became a monologue about Amish country, accidentally getting high on cold medicine for a Nike billboard shoot at Madison Square Garden, moving to New York to get on SNL, getting kicked out of improv class for being too funny, the story behind her Numero Berlin cover, styling on a $300 budget, and why Lady Gaga's Joanne changed her life while she was shredding papers in a freezing basement. We also chat about Phantom of the Opera, Rick Owens trying to shave her eyebrows for TikTok, street casting in NYC, designing mugs on the Lower East Side, and Balenciaga Speed Hunters. We hope you enjoy as much as we did recording!Lots of love!SolEpisode Tags: Born DuBois, murder mystery party NYC, viral murder mystery, fashion model podcast, i-D Magazine, Vaquera runway, Vaquera Paris Fashion Week, Rick Owens casting, Nike model, Maybelline casting, modeling audition stories, fashion industry jobs, immersive theater NYC, fashion podcast 2026, menswear podcast, Numero Berlin, ASAP Rocky, street casting NYC, modeling career advice, fashion styling tips, Ella Emhoff, Prada, Balenciaga Speed Hunters, personal shopping on a budget, Paris Fashion Week model, Lady Gaga Joanne, Pair of Kings podcast, how to throw a murder mystery party, how to become a model, creative director fashion, thrift fashion, vintage clothing NYC, fashion week behind the scenes, dinner theater New YorkSol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a month Links: Instagram TikTok Twitter/X Sol's Substack (One Size Fits All) Sol's Instagram Michael's Instagram Michael's TikTok

What we love to hate this week, from TV & TikTok to pop culture and beyond! When we aren't binging Sister Wives, 90 Day Fiance, Teen Mom and all the cringey crap on TLC and Bravo, you can find us recapping it all on your favorite podcast app at WE LOVE TO HATE EVERYTHING!*NOTE: This is an edited version of a much longer episode! For Patreon Exclusive TEA and DRAMA, please check out our Patreon so you can get the WHOLE story!!! We think you'll really love what else we have going on over there :)SHOW LINEUP:-Weekend Update-Olympics-Super Bowl LX-Nancy Guthrie updates -RHOBH (Amanda exits show mid-season) hahahah -Traitors-Suddenly Amish-Brittany Cartwright on An Unlikely Affair podcast-AMBER ALERT: Jenelle's podcast, Caitlyn bites back!!!LEAVE US A VOICEMAIL AND SHARE YOUR THOUGHTS!https://www.speakpipe.com/lovetohateSnark and sarcasm is highly encouraged as we see what our favorite family is up to, as well as a dip into the latest pop culture news and highlights. Subscribe on YouTube, Patreon, and your favorite podcast app!Please like and subscribe on Youtube!Join our private Facebook Group "We Love to Hate Everything"Coming up this week on Patreon:patreon.com/lovetohatetv + patreon.com/trpod*THE ENTIRE BACKLOG OF AMANDA LOVES TO HATE TEEN MOM IS AVAILABLE FOR only $3*WE LOVE TO HATE TV*Tier 1+: Love Island USA Season 6, Episode 8*Tiers 2+: Sister Wives S15 E11 "Everthing's Upside Down"TOTAL REQUEST PODCASTLove Island USA Season 6, Episode 8GIRL DINNERGirl Dinner Episode 79 "Sister Wives Fantasy Tell All"CHECK OUT AMANDA'S OTHER PODCAST POD AND THE CITY!!! Available on Itunes/Spotify etc, Youtube, and Patreon! Hosted on Acast. See acast.com/privacy for more information.

In this episode of the MTMJ podcast, the hosts discuss family dynamics, parenting challenges, and the chaos that ensues during recording. They delve into food reviews, particularly focusing on a local Amish market, and share their culinary experiences. The conversation shifts to previewing the Super Bowl, where they make predictions and discuss football fundamentals, including the roles of players and coaches. The episode concludes with reflections on the game day experience, fan loyalty, and the importance of teamwork in football.00:00 Introduction and Family Dynamics03:10 Amish Market and Culinary Experiences17:48 Super Bowl Preview and Predictions25:00 Football Fundamentals and Learning the Game Wife Experience 1:31:46 Game Day Experience and Fan LoyaltyBecome a Patreon of the mtmj poDcast w/the wife for bonus episodes and visual content. Join our Patreon Here: https://patreon.com/MTMJPodcastwiththewife?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink

WEIRD Amish Marathon with Steve StocktonBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

How do you juggle multiple book projects, a university teaching role, Kickstarter campaigns, and rock albums—all without burning out? What does it take to build a writing career that spans decades, through industry upheavals and personal setbacks? Kevin J. Anderson shares hard-won lessons from his 40+ year career writing over 190 books. In the intro, Draft2Digital partners with Bookshop.org for ebooks; Spotify announces PageMatch and print partnership with Bookshop.org; Eleven Audiobooks; Indie author non-fiction books Kickstarter; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Kevin J. Anderson is the multi-award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the director of publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor and rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Managing multiple projects at different stages to maximise productivity without burning out Building financial buffers and multiple income streams for a sustainable long-term career Adapting when life disrupts your creative process, from illness to injury Lessons learned from transitioning between traditional publishing, indie, and Kickstarter Why realistic expectations and continuously reinventing yourself are essential for longevity The hands-on publishing master's program at Western Colorado University You can find Kevin at WordFire.com and buy his books direct at WordFireShop.com. Transcript of Interview with Kevin J. Anderson Jo: Kevin J. Anderson is the multi award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the Director of Publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor, a rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. Welcome back to the show, Kevin. Kevin: Well, thanks, Joanna. I always love being on the show. Jo: And we're probably on like 200 books and like 50 million copies in print. I mean, how hard is it to keep up with all that? Kevin: Well, it was one of those where we actually did have to do a list because my wife was like, we really should know the exact number. And I said, well, who can keep track because that one went out of print and that's an omnibus. So does it count as something else? Well, she counted them. But that was a while ago and I didn't keep track, so… Jo: Right. Kevin: I'm busy and I like to write. That's how I've had a long-term career. It's because I don't hate what I'm doing. I've got the best job in the world. I love it. Jo: So that is where I wanted to start. You've been on the show multiple times. People can go back and have a listen to some of the other things we've talked about. I did want to talk to you today about managing multiple priorities. You are a director of publishing at Western Colorado University. I am currently doing a full-time master's degree as well as writing a novel, doing this podcast, my Patreon, all the admin of running a business, and I feel like I'm busy. Then I look at what you do and I'm like, this is crazy. People listening are also busy. We're all busy, right. But I feel like it can't just be writing and one job—you do so much. So how do you manage your time, juggle priorities, your calendar, and all that? Kevin: I do it brilliantly. Is that the answer you want? I do it brilliantly. It is all different things. If I were just working on one project at a time, like, okay, I'm going to start a new novel today and I've got nothing else on my plate. Well, that would take me however long to do the research and the plot. I'm a full-on plotter outliner, so it would take me all the while to do—say it's a medieval fantasy set during the Crusades. Well, then I'd have to spend months reading about the Crusades and researching them and maybe doing some travel. Then get to the point where I know the characters enough that I can outline the book and then I start writing the book, and then I start editing the book, which is a part that I hate. I love doing the writing, I hate doing the editing. Then you edit a whole bunch. To me, there are parts of that that are like going to the dentist—I don't like it—and other parts of it are fun. So by having numerous different projects at different stages, all of which require different skill sets or different levels of intensity— I can be constantly switching from one thing to another and basically be working at a hundred percent capacity on everything all the time. And I love doing this. So I'll be maybe writing a presentation, which is what I was doing before we got on this call this morning, because I'm giving a new keynote presentation at Superstars, which is in a couple of weeks. That's another thing that was on our list—I helped run Superstars. I founded that 15 years ago and it's been going on. So I'll be giving that talk. Then we just started classes for my publishing grad students last week. So I'm running those classes, which meant I had to write all of the classes before they started, and I did that. I've got a Kickstarter that will launch in about a month. I'm getting the cover art for that new book and I've got to write up the Kickstarter campaign. And I have to write the book. I like to have the book at least drafted before I run a Kickstarter for it. So I'm working on that. A Kickstarter pre-launch page should be up a month before the Kickstarter launches, and the Kickstarter has to launch in early March, so that means early February I have to get the pre-launch page up. So there's all these dominoes. One thing has to go before the next thing can go. During the semester break between fall semester—we had about a month off—I had a book for Blackstone Publishing and Weird Tales Presents that I had to write, and I had plotted it and I thought if I don't get this written during the break, I'm going to get distracted and I won't finish it. So I just buckled down and I wrote the 80,000-word book during the month of break. This is like Little House on the Prairie with dinosaurs. It's an Amish community that wants to go to simpler times. So they go back to the Pleistocene era where they're setting up farms and the brontosaurus gets into the cornfield all the time. Jo: That sounds like a lot of fun. Kevin: That's fun. So with the grad students that I have every week, we do all kinds of lectures. Just to reassure people, I am not at all an academic. I could not stand my English classes where you had to write papers analysing this and that. My grad program is all hands-on, pragmatic. You actually learn how to be a publisher when you go through it. You learn how to design covers, you learn how to lay things out, you learn how to edit, you learn how to do fonts. One of the things that I do among the lectures every week or every other week, I just give them something that I call the real world updates. Like, okay, this is the stuff that I, Kevin, am working on in my real world career because the academic career isn't like the real world. So I just go listing about, oh, I designed these covers this week, and I wrote the draft of this dinosaur homestead book, and then I did two comic scripts, and then I had to edit two comic scripts. We just released my third rock album that's based on my fantasy trilogy. And I have to write a keynote speech for Superstars. And I was on Joanna Penn's podcast. And here's what I'm doing. Sometimes it's a little scary because I read it and I go, holy crap, I did a lot of stuff this week. Jo: So I manage everything on Google Calendar. Do you have systems for managing all this? Because you also have external publishers, you have actual dates when things actually have to happen. Do you manage that yourself or does Rebecca, your wife and business partner, do that? How do you manage your calendar? Kevin: Well, Rebecca does most of the business stuff, like right now we have to do a bunch of taxes stuff because it's the new year and things. She does that and I do the social interaction and the creating and the writing and stuff. My assistant Marie Whittaker, she's a big project management person and she's got all these apps on how to do project managing and all these sorts of things. She tried to teach me how to use these apps, but it takes so much time and organisation to fill the damn things out. So it's all in my head. I just sort of know what I have to do. I just put it together and work on it and just sort of know this thing happens next and this thing happens next. I guess one of the ways is when I was in college, I put myself through the university by being a waiter and a bartender. As a waiter and a bartender, you have to juggle a million different things at once. This guy wants a beer and that lady wants a martini, and that person needs to pay, and this person's dinner is up on the hot shelf so you've got to deliver it before it gets cold. It's like I learned how to do millions of things and keep them all organised, and that's the way it worked. And I've kept that as a skill all the way through and it has done me good, I think. Jo: I think that there is a difference between people's brains, right? So I'm pretty chaotic in terms of my creative process. I'm not a plotter like you. I'm pretty chaotic, basically. But I come across— Kevin: I've met you. Yes. Jo: I know. But I'm also extremely organised and I plan everything. That's part of, I think, being an introvert and part of dealing with the anxiety of the world is having a plan or a schedule. So I think the first thing to say to people listening is they don't have to be like you, and they don't have to be like me. It's kind of a personal thing. I guess one thing that goes beyond both of us is, earlier you said you basically work at a hundred percent capacity. So let's say there's somebody listening and they're like, well, I'm at a hundred percent capacity too, and it might be kids, it might be a day job, as well as writing and all that. And then something happens, right? You mentioned the real world. I seem to remember that you broke your leg or something. Kevin: Yes. Jo: And the world comes crashing down through all your plans, whether they're written or in your head. So how do you deal with a buffer of something happening, or you're sick, or Rebecca's sick, or the cat needs to go to the vet? Real life—how do you deal with that? Kevin: Well, that really does cause problems. We had, in fact, just recently—so I'm always working at, well, let's be realistic, like 95% of Kevin capacity. Well, my wife, who does some of the stuff here around the house and she does the business things, she just went through 15 days of the worst crippling migraine string that she's had in 30 years. So she was curled up in a foetal position on the bed for 15 days and she couldn't do any of her normal things. I mean, even unloading the dishwasher and stuff like that. So if I'm at 95% capacity and suddenly I have to pick up an extra 50%, that causes real problems. So I drink lots of coffee, and I get less sleep, and you try to bring in some help. I mean, we have Rebecca's assistant and the assistant has a 20-year-old daughter who came in to help us do some of the dishes and laundry and housework stuff. You mentioned before, it was a year ago. I always go out hiking and mountain climbing and that's where I write. I dictate. I have a digital recorder that I go off of, and that's how I'm so productive. I go out, I walk in the forest and I come home with 5,000 words done in a couple of hours, and I always do that. That's how I write. Well, I was out on a mountain and I fell off the mountain and I broke my ankle and had to limp a mile back to my car. So that sort of put a damper on me hiking. I had a book that I had to write and I couldn't go walking while I was dictating it. It has been a very long time since I had to sit at a keyboard and create chapters that way. Jo: Mm-hmm. Kevin: And my brain doesn't really work like that. It works in an audio—I speak this stuff instead. So I ended up training myself because I had a big boot on my foot. I would sit on the back porch and I would look out at the mountains here in Colorado and I would put my foot up on another chair and I'd sit in the lawn chair and I'd kind of close my eyes and I would dictate my chapters that way. It was not as effective, but it was plan B. So that's how I got it done. I did want to mention something. When I'm telling the students this every week—this is what I did and here's the million different things—one of the students just yesterday made a comment that she summarised what I'm doing and it kind of crystallised things for me. She said that to get so much done requires, and I'm quoting now, “a balance of planning, sprinting, and being flexible, while also making incremental forward progress to keep everything moving together.” So there's short-term projects like fires and emergencies that have to be done. You've got to keep moving forward on the novel, which is a long-term project, but that short story is due in a week. So I've got to spend some time doing that one. Like I said, this Kickstarter's coming up, so I have to put in the order for the cover art, because the cover art needs to be done so I can put it on the pre-launch page for the Kickstarter. It is a balance of the long-term projects and the short-term projects. And I'm a workaholic, I guess, and you are too. Jo: Yes. Kevin: You totally are. Yes. Jo: I get that you're a workaholic, but as you said before, you enjoy it too. So you enjoy doing all these things. It's just sometimes life just gets in the way, as you said. One of the other things that I think is interesting—so sometimes physical stuff gets in the way, but in your many decades now of the successful author business, there's also the business side. You've had massive success with some of your books, and I'm sure that some of them have just kind of shrivelled into nothing. There have been good years and bad years. So how do we, as people who want a long-term career, think about making sure we have a buffer in the business for bad years and then making the most of good years? Kevin: Well, that's one thing—to realise that if you're having a great year, you might not always have a great year. That's kind of like the rockstar mentality—I've got a big hit now, so I'm always going to have a big hit. So I buy mansions and jets, and then of course the next album flops. So when you do have a good year, you plan for the long term. You set money aside. You build up plan B and you do other things. I have long been a big advocate for making sure that you have multiple income streams. You don't just write romantic epic fantasies and that's all you do. That might be what makes your money now, but the reading taste could change next year. They might want something entirely different. So while one thing is really riding high, make sure that you're planting a bunch of other stuff, because that might be the thing that goes really, really well the next year. I made my big stuff back in the early nineties—that was when I started writing for Star Wars and X-Files, and that's when I had my New York Times bestselling run. I had 11 New York Times bestsellers in one year, and I was selling like millions of copies. Now, to be honest, when you have a Star Wars bestseller, George Lucas keeps almost all of that. You don't keep that much of it. But little bits add up when you're selling millions of copies. So it opened a lot of doors for me. So I kept writing my own books and I built up my own fans who liked the Star Wars books and they read some of my other things. If you were a bestselling trad author, you could keep writing the same kind of book and they would keep throwing big advances at you. It was great. And then that whole world changed and they stopped paying those big advances, and paperback, mass market paperback books just kind of went away. A lot of people probably remember that there was a time for almost every movie that came out, every big movie that came out, you could go into the store and buy a paperback book of it—whether it was an Avengers movie or a Star Trek movie or whatever, there was a paperback book. I did a bunch of those and that was really good work. They would pay me like $15,000 to take the script and turn it into a book, and it was done in three weeks. They don't do that anymore. I remember I was on a panel at some point, like, what would you tell your younger self? What advice would you give your younger self? I remember when I was in the nineties, I was turning down all kinds of stuff because I had too many book projects and I was never going to quit writing. I was a bestselling author, so I had it made. Well, never, ever assume you have it made because the world changes under you. They might not like what you're doing or publishing goes in a completely different direction. So I always try to keep my radar up and look at new things coming up. I still write some novels for trad publishers. This dinosaur homestead one is for Blackstone and Weird Tales. They're a trad publisher. I still publish all kinds of stuff as an indie for WordFire Press. I'm reissuing a bunch of my trad books that I got the rights back and now they're getting brand new life as I run Kickstarters. One of my favourite series is “Dan Shamble, Zombie P.I.” It's like the Addams Family meets The Naked Gun. It's very funny. It's a private detective who solves crimes with monsters and mummies and werewolves and things. I sold the first one to a trad publisher, and actually, they bought three. I said, okay, these are fast, they're fun, they're like 65,000 words. You laugh all the way through it, and you want the next one right away. So let's get these out like every six months, which is like lightning speed for trad publishing. They just didn't think that was a good idea. They brought them out a year and a half apart. It was impossible to build up momentum that way. They wanted to drop the series after the third book, and I just begged them—please give it one more chance. So they bought one more book for half as much money and they brought it out again a year and a half later. And also, it was a trad paperback at $15. And the ebook was—Joanna, can you guess what their ebook was priced at? Jo: $15. Kevin: $15. And they said, gee, your ebook sales are disappointing. I said, well, no, duh. I mean, I am jumping around—I'm going like, but you should have brought these out six months apart. You should have had the ebook, like the first one at $4. Jo: But you're still working with traditional publishers, Kevin? Kevin: I'm still working with them on some, and I'm a hybrid. There are some projects that I feel are better served as trad books, like the big Dune books and stuff. I want those all over the place and they can cash in on the movie momentum and stuff. But I got the rights back to the Dan Shamble stuff. The fans kept wanting me to do more, and so I published a couple of story collections and they did fine. But I was making way more money writing Dune books and things. Then they wanted a new novel. So I went, oh, okay. I did a new novel, which I just published at WordFire. But again, it did okay, but it wasn't great. I thought, well, I better just focus on writing these big ticket things. But I really liked writing Dan Shamble. Somebody suggested, well, if the fans want it so much, why don't you run a Kickstarter? I had never run a Kickstarter before, and I kind of had this wrong attitude. I thought Kickstarters were for, “I'm a starving author, please give me money.” And that's not it at all. It's like, hey, if you're a fan, why don't you join the VIP club and you get the books faster than anybody else? So I ran a Kickstarter for my first Dan Shamble book, and it made three times what the trad publisher was paying me. And I went, oh, I kind of like this model. So I have since done like four other Dan Shamble novels through Kickstarters, made way more money that way. And we just sold—we can't give any details yet—but we have just sold it. It will be a TV show. There's a European studio that is developing it as a TV show, and I'm writing the pilot and I will be the executive producer. Jo: Fantastic. Kevin: So I kept that zombie detective alive because I loved it so much. Jo: And it's going to be all over the place years later, I guess. Just in terms of—given I've been in this now, I guess 2008 really was when I got into indie—and over the time I've been doing this, I've seen people rise and then disappear. A lot of people have disappeared. There are reasons, burnout or maybe they were just done. Kevin: Yes. Jo: But in terms of the people that you've seen, the characteristics, I guess, of people who don't make it versus people who do make it for years. And we are not saying that everyone should be a writer for decades at all. Some people do just have maybe one or two books. What do you think are the characteristics of those people who do make it long-term? Kevin: Well, I think it's realistic expectations. Like, again, this was trad, but my first book I sold for $4,000, and I thought, well, that's just $4,000, but we're going to sell book club rights, and we're goingn to sell foreign rights, and it's going to be optioned for movies. And the $4,000 will be like, that's just the start. I was planning out all this extra money coming from it, and it didn't even earn its $4,000 advance back and nothing else happened with it. Well, it has since, because I've since reissued it myself, pushed it and I made more money that way. But it's a slow burn. You build your career. You start building your fan base and then your next one will sell maybe better than the first one did. Then you keep writing it, and then you make connections, and then you get more readers and you learn how to expand your stuff better. You've got to prepare for the long haul. I would suggest that if you publish your very first book on KU, don't quit your day job the next day. Not everybody can or should be a full-time writer. We here in America need to have something that pays our health insurance. That is one of the big reasons why I am running this graduate program at Western Colorado University—because as a university professor, I get wonderful healthcare. I'm teaching something that I love, and I'm frankly doing a very good job at it because our graduates—something like 60% of them are now working as writers or publishers or working in the publishing world. So that's another thing. I guess what I do when I'm working on it is I kind of always say yes to the stuff that's coming in. If an opportunity comes—hey, would you like a graphic novel on this?—and I go, yes, I'd love to do that. Could you write a short story for this anthology? Sure, I'd love to do that. I always say yes, and I get overloaded sometimes. But I learned my lesson. It was quite a few years ago where I was really busy. I had all kinds of book deadlines and I was turning down books that they were offering me. Again, this was trad—book contracts that had big advances on them. And anthology editors were asking me. I was really busy and everybody was nagging me—Kevin, you work too hard. And my wife Rebecca was saying, Kevin, you work too hard. So I thought, I had it made. I had all these bestsellers, everything was going on. So I thought, alright, I've got a lot of books under contract. I'll just take a sabbatical. I'll say no for a year. I'll just catch up. I'll finish all these things that I've got. I'll just take a breather and finish things. So for that year, anybody who asked me—hey, do you want to do this book project?—well, I'd love to, but I'm just saying no. And would you do this short story for an anthology? Well, I'd love to, but not right now. Thanks. And I just kind of put them off. So I had a year where I could catch up and catch my breath and finish the stuff. And after that, I went, okay, I am back in the game again. Let's start taking these book offers. And nothing. Just crickets. And I went, well, okay. Well, you were always asking before—where are all these book deals that you kept offering me? Oh, we gave them to somebody else. Jo: This is really difficult though, because on the one hand—well, first of all, it's difficult because I wanted to take a bit of a break. So I'm doing this full-time master's and you are also teaching people in a master's program, right. So I have had to say no to a lot of things in order to do this course. And I imagine the people on your course would have to do the same thing. There's a lot of rewards, but they're different rewards and it kind of represents almost a midlife pivot for many of us. So how do we balance that then—the stepping away with what might lead us into something new? I mean, obviously this is a big deal. I presume most of the people on your course, they're older like me. People have to give stuff up to do this kind of thing. So how do we manage saying yes and saying no? Kevin: Well, I hate to say this, but you just have to drink more coffee and work harder for that time. Yes, you can say no to some things. My thing was I kind of shut the door and I just said, I'm just going to take a break and I'm going to relax. I could have pushed my capacity and taken some things so that I wasn't completely off the game board. One of the things I talk about is to avoid burnout. If you want a long-term career, and if you're working at 120% of your capacity, then you're going to burn out. I actually want to mention something. Johnny B. Truant just has a new book out called The Artisan Author. I think you've had him on the show, have you? Jo: Yes, absolutely. Kevin: He says a whole bunch of the stuff in there that I've been saying for a long time. He's analysing these rapid release authors that are a book every three weeks. And they're writing every three weeks, every four weeks, and that's their business model. I'm just like, you can't do that for any length of time. I mean, I'm a prolific writer. I can't write that fast. That's a recipe for burnout, I think. I love everything that I'm doing, and even with this graduate program that I'm teaching, I love teaching it. I mean, I'm talking about subjects that I love, because I love publishing. I love writing. I love cover design. I love marketing. I love setting up your newsletters. I mean, this isn't like taking an engineering course for me. This is something that I really, really love doing. And quite honestly, it comes across with the students. They're all fired up too because they see how much I love doing it and they love doing it. One of the projects that they do—we get a grant from Draft2Digital every year for $5,000 so that we do an anthology, an original anthology that we pay professional rates for. So they put out their call for submissions. This year it was Into the Deep Dark Woods. And we commissioned a couple stories for it, but otherwise it was open to submissions. And because we're paying professional rates, they get a lot of submissions. I have 12 students in the program right now. They got 998 stories in that they had to read. Jo: Wow. Kevin: They were broken up into teams so they could go through it, but that's just overwhelming. They had to read, whatever that turns out to be, 50 stories a week that come in. Then they write the rejections, and then they argue over which ones they're going to accept, and then they send the contracts, and then they edit them. And they really love it. I guess that's the most important thing about a career—you've got to have an attitude that you love what you're doing. If you don't love this, please find a more stable career, because this is not something you would recommend for the faint of heart. Jo: Yes, indeed. I guess one of the other considerations, even if we love it, the industry can shift. Obviously you mentioned the nineties there—things were very different in the nineties in many, many ways. Especially, let's say, pre-internet times, and when trad pub was really the only way forward. But you mentioned the rapid release, the sort of book every month. Let's say we are now entering a time where AI is bringing positives and negatives in the same way that the internet brought positives and negatives. We're not going to talk about using it, but what is definitely happening is a change. Industry-wise—for example, people can do a book a day if they want to generate books. That is now possible. There are translations, you know. Our KDP dashboard in America, you have a button now to translate everything into Spanish if you want. You can do another button that makes it an audiobook. So we are definitely entering a time of challenge, but if you look back over your career, there have been many times of challenge. So is this time different? Or do you face the same challenges every time things shift? Kevin: It's always different. I've always had to take a breath and step back and then reinvent myself and come back as something else. One of the things with a long-term career is you can't have a long-term career being the hot new thing. You can start out that way—like, this is the brand new author and he gets a big boost as the best first novel or something like that—but that doesn't work for 20 years. I mean, you've got to do something else. If you're the sexy young actress, well, you don't have a 50-year career as the sexy young actress. One of the ones I'm loving right now is Linda Hamilton, who was the sexy young actress in Terminator, and then a little more mature in the TV show Beauty and the Beast, where she was this huge star. Then she's just come back now. I think she's in her mid-fifties. She's in Stranger Things and she was in Resident Alien and she's now this tough military lady who's getting parts all over the place. She's reinvented herself. So I like to say that for my career, I've crashed and burned and resurrected myself. You might as well call me the Doctor because I've just come back in so many different ways. You can't teach an old dog new tricks, but— If you want to stay around, no matter how old of a dog you are, you've got to learn new tricks. And you've got to keep learning, and you've got to keep trying new things. I started doing indie publishing probably around the time you did—2009, something like that. I was in one of these great positions where I was a trad author and I had a dozen books that I wrote that were all out of print. I got the rights back to them because back then they let books go out of print and they gave the rights back without a fight. So I suddenly found myself with like 12 titles that I could just put up. I went, oh, okay, let's try this. I was kind of blown away that that first novel that they paid me $4,000 for that never even earned it back—well, I just put it up on Kindle and within one year I made more than $4,000. I went, I like this, I've got to figure this out. That's how I launched WordFire Press. Then I learned how to do everything. I mean, back in those days, you could do a pretty clunky job and people would still buy it. Then I learned how to do it better. Jo: That time is gone. Kevin: Yes. I learned how to do it better, and then I learned how to market it. Then I learned how to do print on demand books. Then I learned how to do box sets and different kinds of marketing. I dove headfirst into my newsletter to build my fan base because I had all the Star Wars stuff and X-Files stuff and later it was the Dune stuff. I had this huge fan base, but I wanted that fan base to read the Kevin Anderson books, the Dan Shamble books and everything. The only way to get that is if you give them a personal touch to say, hey buddy, if you liked that one, try this one. And the way to do that is you have to have access to them. So I started doing social media stuff before most people were doing social media stuff. I killed it on MySpace. I can tell you that. I had a newsletter that we literally printed on paper and we stuck mailing labels on. It went out to 1,200 people that we put in the mailbox. Jo: Now you're doing that again with Kickstarter, I guess. But I guess for people listening, what are you learning now? How are you reinventing yourself now in this new phase we are entering? Kevin: Well, I guess the new thing that I'm doing now is expanding my Kickstarters into more. So last year, the biggest Kickstarter that I've ever had, I ran last year. It was this epic fantasy trilogy that I had trad published and I got the rights back. They had only published it in trade paperback. So, yes, I reissued the books in nice new hardcovers, but I also upped the game to do these fancy bespoke editions with leather embossed covers and end papers and tipped in ribbons and slip cases and all kinds of stuff and building that. I did three rock albums as companions to it, and just building that kind of fan base that will support that. Then I started a Patreon last year, which isn't as big as yours. I wish my Patreon would get bigger, but I'm pushing it and I'm still working on that. So it's trying new things. Because if I had really devoted myself and continued to keep my MySpace page up to date, I would be wasting my time. You have to figure out new things. Part of me is disappointed because I really liked in the nineties where they just kept throwing book contracts at me with big advances. And I wrote the book and sent it in and they did all the work. But that went away and I didn't want to go away. So I had to learn how to do it different. After a good extended career, one of the things you do is you pay it forward. I mentor a lot of writers and that evolved into me creating this master's program in publishing. I can gush about it because to my knowledge, it is the only master's degree that really focuses on indie publishing and new model publishing instead of just teaching you how to get a job as an assistant editor in Manhattan for one of the Big Five publishers. Jo: It's certainly a lot more practical than my master's in death. Kevin: Well, that's an acquired taste, I think. When they hired me to do this—and as I said earlier, I'm not an academic—and I said if I'm going to teach this, it's a one year program. They get done with it in one year. It's all online except for one week in person in the summer. They're going to learn how to do things. They're not going to get esoteric, analysing this poem for something. When they graduate from this program, they walk out with this anthology that they edited, that their name is on. The other project that they do is they reissue a really fancy, fine edition of some classic work, whether it's H.G. Wells or Jules Verne or something. They choose a book that they want to bring back and they do it all from start to finish. They come out of it—rather than just theoretical learning—they know how to do things. Surprise, I've been around in the business a long time, so I know everybody who works in the business. So the heads of publishing houses and the head of Draft2Digital or Audible—and we've got Blackstone Audio coming on in a couple weeks. We've got the head of Kickstarter coming on as guest speakers. I have all kinds of guest speakers. Joanna, I think you're coming on— Jo: I'm coming on as well, I think. Kevin: You're coming on as a guest speaker. It's just like they really get plugged in. I'm in my seventh cohort now and I just love doing it. The students love it and we've got a pretty high success rate. So there's your plug. We are open for applications now. It starts in July. And my own website is WordFire.com, and there's a section on there on the graduate program if anybody wants to take a look at it. Again, not everybody needs to have a master's degree to be an indie publisher, but there is something to be said for having all of this stuff put into an organised fashion so that you learn how to do all the things. It also gives you a resource and a support system so that they come out of it knowing a whole lot of people. Jo: Brilliant. Well, thanks so much for your time, Kevin. That was great. Kevin: Thanks. It's a great show. The post Managing Multiple Projects And The Art of the Long-Term Author Career with Kevin J. Anderson first appeared on The Creative Penn.

As someone who spends a lot of time covering AI announcements, product launches, and conference stages, it is easy to forget that most AI today is still built for desks, screens, and digital workflows. Yet the reality is that the vast majority of the global workforce operates in the physical world, on roads, construction sites, depots, and job sites where mistakes are measured in injuries, collisions, and lives lost. That gap between where AI innovation happens and where real risk exists is exactly why I wanted to sit down with Amish Babu, CTO at Motive. In this episode, I speak with Amish about what it truly means to build AI for the physical economy. We unpack why designing AI for vehicles, fleets, and safety-critical environments is fundamentally different from building AI for emails, documents, or dashboards. Amish explains why latency, trust, and reliability are non-negotiable when AI is embedded directly into vehicles, and why edge AI, multimodal sensing, and on-device compute are essential when milliseconds matter. This is a conversation about AI that has to work perfectly in messy, unpredictable, real-world conditions. We also explore how Motive approaches AI as a full system, combining hardware, software, and models into a single platform built specifically for life on the road. Amish shares how AI can help prevent collisions, support drivers in the moment, and create measurable safety and operational outcomes for fleets operating across transportation, construction, energy, and public sector environments. Along the way, we challenge common misconceptions around AI in vehicles, including the idea that it is about surveillance rather than protection, or that all AI systems are created equal when lives are on the line. If you are interested in how AI moves beyond productivity tools and into high-stakes environments where safety, accountability, and trust matter most, this episode offers a grounded and practical perspective from someone building these systems every day. I would love to hear your thoughts on this one. How do you see the role of AI evolving as it moves deeper into the physical world? Useful Links Connect with Amish Babu Learn More About Motive How Motive's AI works: Real-time edge intelligence, humans-in-the-loop, and continuous improvement.

On today's show, we're chatting with Hannah Englehart, a vintage dealer in Minneapolis at Olio Vintage, and the creator and designer of a new upcycled clothing line, Soft Jaws, which she just launched. Hannah's journey into vintage started with thrifting with her grandma in Ohio, and hunting for treasures in Amish country antique stores. After working at Plato's Closet as a teen, and selling vintage on Depop part-time for three years while grinding through corporate jobs, Hannah took a leap– she saved up six months of living expenses and moved to Minneapolis to sell vintage full-time. Within 72 hours of arriving in town, she was set up at the Minneapolis Vintage Market, meeting the community that would become her creative collaborators and her vintage people. Now she's part of the Olio Vintage collective, where she's found the stability and support to expand into styling and design. She worked as wardrobe stylist on indie films, and – after teaching herself to sew on YouTube – she's just launched Soft Jaws – a clothing line featuring reversible tie-front blouses made from vintage linens and reclaimed textiles. We talk about the collective model that allows vintage dealers to support each other, her holy grail finds, and why she's auctioning a rare Bonnie Cashin bag to support Immigrant Law Center Minnesota. This conversation is all about finding your people, building community, and creating something meaningful, and I think you'll really enjoy it – so let's dive right in! DISCUSSED IN THE EPISODE: [5:01] Thrifting with her grandma in middle school in the suburbs of Ohio. [7:53] Working at Plato's Closet as a teenager [10:07] When Hannah knew she wanted to work in vintage, styling for her friend's photography projects validated that path [12:31] Meeting the founders of Olio Vintage at a local market and becoming one of their first guest vendors [13:47] Why Hannah is a big believer in the vintage collective model and how transparency benefits everyone [15:23] How she knew it was the right time to dive into selling vintage full-time after squirreling away six months of living expenses [19:05] What makes the Minneapolis vintage scene so special  [22:02] How Minneapolis vintage dealers are responding to the ICE occupation [25:22] Burning out in her second year of selling full-time and how she restructured her time to make space for styling and design [28:34] Teaching herself to sew on YouTube and spending a year perfecting her first pattern for Soft Jaws [37:08] Advice for aspiring vintage sellers - don't let the "oversaturated" narratives discourage you [38:33] On personal style, treating winter as a "fashion assignment," and her holy grail finds.  EPISODE MENTIONS:  Lobster Garden Vintage Soft Jaws Olio Vintage Immigrant Law Center Minnesota Woman Land Film Minneapolis Vintage Market  Carrie Martinson, founder of Olio  Pre-Loved's 2025 Vintage Dealer Income Survey Results Why Vintage Dealers in Collectives Earn More How Minneapolis Vintage Dealers Responded to ICE Occupation Moth Oddities Little Dipper  Oubliette Leah - LJN Pictures The Standard Market - March 7 LET'S CONNECT: 

On today's show, we discuss the major deal in which a consortium led by FedEx has agreed to acquire InPost in a transaction valued at nearly $9.2 billion. This acquisition will give FedEx a significant foothold in the European e-commerce market by granting access to a massive network of automated parcel lockers. We also cover the latest developments at the Port of Jacksonville, where Southeast Toyota Distributors has opened a new $145 million vehicle processing center. The modern facility on Blount Island features on-site rail and truck loading capabilities aimed at increasing processing capacity to nearly 430,000 vehicles annually. In legal news, federal investigators are expanding their probe into a network of alleged "chameleon carriers" following a deadly crash in Indiana involving an Amish community. Transportation Secretary Sean Duffy has identified specific companies and a training school accused of fraud and evading safety regulations to keep unqualified drivers on the road. Finally, stay tuned for a new episode of "What the Truck?!?" airing today at noon on FreightWaves TV. If you miss the live broadcast, the episode will be available for streaming on our YouTube page. Follow the FreightWaves NOW Podcast Other FreightWaves Shows Learn more about your ad choices. Visit megaphone.fm/adchoices

What if I told you there's a black market hiding in plain sight—not for drugs… not for weapons… but for human bodies?In 2026, investigators uncovered a case so disturbing it forced a national reckoning over who owns the dead, how bodies are regulated, and how easily grief can be exploited for profit.At the center of it all is one name: Jonathan Gerlach.This isn't a story about a single crime—it's about a system that allowed human remains to be bought, sold, and shipped like inventory.And once you hear how it worked… you'll never look at body donation the same way again.Can't get enough MACABRE?Spotify Exclusive subscribers get ad-free episodes, early access, and bonus content you won't hear anywhere else.Want even more? Patreon members unlock additional bonus episodes, ad-free listening, early releases, and exclusive MACABRE perks.Have a story you want us to tell?

A Times story reporting that college students in a writing course do better when they go offline for a month makes perfect sense to me, same as if you say a writer does better at a laptop in the public library than shnockered on a sailboat in a storm, but the idea of persuading students to go offline strikes me as quixotic, like Amish evangelism or banning the use of chairs. The internet is here and we're all caught up in it.l was in my 50s when the World Wide Web came in. Its advent was not a big event to me; I was still working on a manual Underwood typewriter. I have a clearer memory of seeing Albert Woolson, the last living Civil War veteran, in a parade in downtown Minneapolis. I remember my uncle Jim farming with horses and Fibber McGee and Molly on the radio. And I remember boredom, which has mostly disappeared in America except perhaps among lighthouse keepers or attendants in parking ramps or felons in solitary confinement. And maybe imprisonment offline would be considered cruel and inhumane in a court of law.Growing up pre-Google in a small Midwestern town among taciturn people, I experienced boredom intensely and it led to reading and in due course to writing. I took up haiku:Three blackbirds shriekingAs my old black cat calmlySquats in the sandpile.This was enough to amuse me back then. And because I could write a 17-syllable haiku and had good handwriting and spoke in complete sentences, I was considered gifted.I considered becoming a poet but I wanted to earn money and not live up over my parents' garage so I went into public radio where, thank goodness, the audience was made up of reference librarians, caregivers, birdwatchers, organic gardeners, people who were spiritual but not religious, people who enjoyed the enigmatic more than actual entertainment. I shouldn't brag but I can be more enigmatic than anyone I know.I got a reputation as an artistic storyteller, which, believe me, there is no such thing — storytelling is not an art, it's a craft, like plumbing, and either the water comes out of the tap or it doesn't. But back in the Boring Eighties, enigma was more appreciated. And now, there's the smartphone offering endless entertainment, videos, YouTube, GPS telling you exactly where on Earth you are and how far to the nearest comedy club, yoga studio, liquor store and not just any old liquor store but one that offers designer beer with floral notes of marigolds sprinkled with saffron playing off earthy vanilla with rustic bitterness in the finish. We didn't have that back in my time, just cold beer.I try to explain this to young people, the fact that we didn't have soft butter then, butter aerated to make it spreadable, just little hard bricks of butter that when you tried to spread it on toast, you tore the toast apart, or else you scraped shavings of butter off and by the time the toast was buttered it was cold.Back in the day, before “google” became a verb, we had to memorize information, it wasn't readily available, such as verb tenses or state capitals or the nine planets — My Very Educated Mother Just Served Us Nine Pizzas — Mercury Venus Earth Mars Jupiter Saturn Uranus Neptune Pluto — and a boy named Ralph Krause liked to ask Mr. Jensen our science teacher, How big is Uranus? Is there life on Uranus? It was a high point of science class, in which high points were few and far between.I grew up under the heavy burden of Boy Scouts, which I believe has mostly disappeared, done in by social media. We had cruel Scoutmasters who took us winter camping in the North Woods, believing adversity stimulates intelligence. I'm not so sure. I associate intelligence with staying warm.I look at politics, the regressive MAGA right (working hard to horrify the genteel left), which has elected nihilists in golf pants who exercise their whimsical powers to serve 3% of the people 75% of the time, and it's easy to despair but if you go offline and wander through crowds of Christmas shoppers, you sense the spirit of kindness and gaiety of our people.Old men dozing off at the switch need to be shoveled into the Home for the Hopeless and let the young and conscientious come in to repair the damage. I hope it happens in my lifetime. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe

This episode explores a couple of unique patient groups served by oral and maxillofacial surgeons – specifically, prisoner populations and Amish communities.  Learn more about Keith Schneider, DMD   "Disclaimer" 

Check out https://www.squarespace.com/opl to save 10% off your first purchase of a website or domain using code OPL. Other People's Lives is sponsored by BetterHelp. Give online therapy a try at https://betterhelp.com/opl and get on your way to being your best self. Head to https://factormeals.com/opl50off and use code opl50off to get 50% off your first Factor box PLUS free breakfast for 1 year. Get started today at https://StitchFix.com/opl to get $20 off your first order—and they'll waive your styling fee. This week Greg and Joe speak with a woman who was raised in the amish community and decided to leave when she was 22. She talks about the positives and negatives of being raised amish, why she left, and the fear of being shunned by her family. If you'd like to be on our show, we'd love to have you! Send an email to oplpodcast@gmail.com or visit www.oplshow.com we'll be in touch if your story is a fit for the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Things go completely off the rails on the Carton Show as Craig Carton and Chris McMonigle react to WFAN callers, language-learning fails, and the viral “Gay for Maye” trend before accidentally creating the Giants' most outrageous slogan yet for Jaxson Dart. From Babbel slander to Italian travel tips, soft pretzel debates, Amish builders, and classic Carton chaos, this segment has everything. Only on WFAN does a sports conversation turn into this.

In this episode, Dr. Tom Cowan sits down with Doug and Stacy—homesteaders, educators, and creators who left city life behind to build a fully off-grid existence rooted in food sovereignty, craftsmanship, and lived experience.Doug and Stacy share their unconventional journey from suburban living to raising animals, growing nearly all their own food, and building multiple homes by hand—despite having no prior experience in construction, farming, or homesteading. Along the way, they learned directly from their Amish neighbors, adopting low-tech, practical systems for housing, water, heating, food preservation, and daily life. Throughout the conversation, they explore:How and why they left city life and downsized radicallyBuilding log homes and infrastructure from scratch with minimal toolsLiving fully off-grid with no electricity, Wi-Fi, or conventional utilitiesRaising sheep, poultry, bees, and working horsesDeveloping rainwater catchment and gravity-fed water systemsLearning traditional skills through hands-on mentorship with the AmishHow lifestyle, environment, light, food, and daily rhythms shaped their well-beingThe unexpected growth of their YouTube channel to over one million subscribersTheir philosophy of learning through observation, practicality, and results—not theoryThe conversation also covers Doug and Stacy's Homesteading Life Conference, where they teach others how to grow food, preserve it, raise animals, and step out of the modern “rat race” using real-world skills and common sense. 

“Love Your Neighbor” BJ rubs an Amish man's pierced nipples on a first date; Esme completes her makeover; Matt takes two weeks to think of a comeback. Find All Our Links in One Place:beacons.ai/survivingpodLove the Show?Be sure to subscribe, leave a review, and share the laughs with your fellow reality TV junkies! It helps more listeners find our show.Support Us on Patreon:Looking for bonus content, ad-free and early episodes, exclusive merch discounts, and a place to spill the tea with us on our private Discord server? Join us on Patreon!Shop Our Merch:Snag official Surviving Sister Wives and Surviving Reality merch to twin with us!Follow Us on TikTok:Join the fun for memes, updates, and more reality TV drama.Get in Touch:Got a hot take or a question for us? Email us at survivingpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

What we love to hate this week, from TV & TikTok to pop culture and beyond! When we aren't binging Sister Wives, 90 Day Fiance, Teen Mom and all the cringey crap on TLC and Bravo, you can find us recapping it all on your favorite podcast app at WE LOVE TO HATE EVERYTHING!SHOW LINEUP:-Weekend Update/Catherine O'Hara-GRAMMYs 2026 -Sister Wives Tell All Part 4-RHOSLC Reunion Part 3-RHOBH-Traitors -Marty Supreme-B90Days-Suddenly Amish-SNL (Alexander Skaarsgard/Cardi B)-DVR ALERT: ANTM Doc 2/16, Jury Duty 3/20, Teen Mom doc-AMBER ALERT: Janelle's Podcast, Kail has found THE ONE!LEAVE US A VOICEMAIL AND SHARE YOUR THOUGHTS!https://www.speakpipe.com/lovetohateSnark and sarcasm is highly encouraged as we see what our favorite family is up to, as well as a dip into the latest pop culture news and highlights. Subscribe on YouTube, Patreon, and your favorite podcast app!Please like and subscribe on Youtube!Join our private Facebook Group "We Love to Hate Everything"Coming up this week on Patreon:patreon.com/lovetohatetv + patreon.com/trpod*THE ENTIRE BACKLOG OF AMANDA LOVES TO HATE TEEN MOM IS AVAILABLE FOR only $3*WE LOVE TO HATE TV*Tier 1+: Grace and Frankie S1 E1 "The End"*Tiers 2+: Sister Wives S15 E10 "Polygamy Hell"TOTAL REQUEST PODCASTGrace and Frankie S1 E1 "The End"GIRL DINNERGirl Dinner Episode 78 "Kody's Atonement Adventure"CHECK OUT AMANDA'S OTHER PODCAST POD AND THE CITY!!! Available on Itunes/Spotify etc, Youtube, and Patreon! Hosted on Acast. See acast.com/privacy for more information.

The girls reflect on their decision to see Suddenly Amish all the way through. It's giving fakery and fraudery to the max! What do you Raccoons think?Love the girls? Get more of their cringey, awesome content at Patreon.com/realitytvcringe!Follow us on IG https://instagram.com/realitytvcringeSubscribe to see our raccoon faces on YouTube! https://www.youtube.com/channel/UC_2CgqXLWjIEKV9PCtH3Kjw?sub_confirmation=1Leave a message for us on SpeakPipe: https://speakpipe.com/realitytvcringeSupport the pod by leaving a 5-star review on your favorite podcast platform! Thank you so much.

GUYS! Shawn and Angela are back together!! It’s a Season 7 miracle. As a result, the gang tries to survive the newly revived storyline, but the constant make-out sessions aren’t making it easy. On the other hand, Danielle admits she wasn’t quite as into her fictional relationship at this point, and now, years later, she can finally explain why. Get ready for baffling character decisions, Pengy the Penguin and a confusing Italian bike rider. And also, why are Pennbook’s rivals…Amish? Who knows? I’ll tell you who. The newest recap on Pod Meets World! Follow @podmeetsworldshow on Instagram and TikTok!See omnystudio.com/listener for privacy information.

Paige has a surprise for Hannah and we stand with the wife of the live climber.Special thanks to Dunkin' for supporting this episode!watch our youtube docuseriessubscribe to our newsletter Hosted on Acast. See acast.com/privacy for more information.

“Beauty is Fleeting” Matt calls it quits; Kendra has a menty-b in the rain; James connects a phone call without using a designated shanty; Esme is denied access to an Amish makeover; Judah feels guilty about his suspender privilege. Find All Our Links in One Place: beacons.ai/survivingpod Love the Show?Be sure to subscribe, leave a review, and share the laughs with your fellow reality TV junkies! It helps more listeners find our show.Support Us on Patreon:Looking for bonus content, ad-free and early episodes, exclusive merch discounts, and a place to spill the tea with us on our private Discord server? Join us on Patreon!Shop Our Merch:Snag official Surviving Sister Wives and Surviving Reality merch to twin with us!Follow Us on TikTok:Join the fun for memes, updates, and more reality TV drama.Get in Touch:Got a hot take or a question for us? Email us at survivingpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

We know them. We giggle at them, occasionally. These days, more and more of us admire their simple, tech-free lives. The Amish are often held up as the ultimate model of intentional community, living by principles that seem radically disconnected from our chaotic modern world. But behind the horse-drawn buggies and picturesque farmlands lies a tightly controlled society with its own strict bishops, its own rules for shunning, and its own definition of what it means to be “in the world, but not of it.” This week, Amanda and Reese are joined by Amish-turned-stripper Naomi Swartzentruber (@amishinspiration) to ask the uncomfortable question: when does a religious community become a cultural fortress? Get your butter churners prepped, we're breaking down the barn doors to ask: is the cult of the Amish a faith, a lifestyle, or a cult? 

This Week on True Crime News The Podcast: Authorities claim Amish teen Samuel Hochstetler confessed to the slaying of Rosanna Kinsinger, but a judge's ruling will exclude the statements from a potential trial. Plus, a father, Wellington Dickens, stands accused of killing his four children and entertaining matches from Grindr as their bodies decomposed in his car. Dr. Nicky Jackson joins guest host Alison Triessl. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

What we love to hate this week, from TV & TikTok to pop culture and beyond! When we aren't binging Sister Wives, 90 Day Fiance, Teen Mom and all the cringey crap on TLC and Bravo, you can find us recapping it all on your favorite podcast app at WE LOVE TO HATE EVERYTHING!SHOW LINEUP:-Weekend Update -Sister Wives Tell All Part 3-Gypsy rose tok -Taylor/Blake emails -Queer Eye drama -Star Search/Masked Singer -SNL (Teyana Taylor)-FREE SOLO Live -RHOSLC Reunion Part 2-RHOBH-Traitors -Suddenly Amish-B90Days-AMBER ALERT Janelle and David: A Love StoryLEAVE US A VOICEMAIL AND SHARE YOUR THOUGHTS!https://www.speakpipe.com/lovetohateSnark and sarcasm is highly encouraged as we see what our favorite family is up to, as well as a dip into the latest pop culture news and highlights. Subscribe on YouTube, Patreon, and your favorite podcast app!Please like and subscribe on Youtube!Join our private Facebook Group "We Love to Hate Everything"Coming up this week on Patreon:patreon.com/lovetohatetv + patreon.com/trpod*THE ENTIRE BACKLOG OF AMANDA LOVES TO HATE TEEN MOM IS AVAILABLE FOR only $3*WE LOVE TO HATE TV*Tier 1+: Reba S1 E10 "When Good Credit Goes Bad"*Tiers 2+:Sister Wives S15 E9 "A Family Stuck"TOTAL REQUEST PODCASTReba S1 E10 "When Good Credit Goes Bad"GIRL DINNERGirl Dinner Episode 77 "Suddenly Amish"CHECK OUT AMANDA'S OTHER PODCAST POD AND THE CITY!!! Available on Itunes/Spotify etc, Youtube, and Patreon! Hosted on Acast. See acast.com/privacy for more information.

Dez, Wes, TJ and Brooks talk about their vacation days that they need to schedule, Amish life, soaking and more on the After Hours podcast!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.