POPULARITY
21 episodes with soviet ukraine
16 episodes with soviet ukraine
13 episodes with soviet ukraine
20 episodes with soviet ukraine
14 episodes with soviet ukraine
7 episodes with soviet ukraine
6 episodes with soviet ukraine
3 episodes with soviet ukraine
2 episodes with soviet ukraine
Justin Bruch is back in the Farm4Fun studio, and as always, the conversation goes far beyond the original topic. What starts as a discussion about a recent trip to Spain and the Maya Corn head factory quickly turns into a fascinating journey through global agriculture. Justin shares stories from managing large-scale farming operations in Ukraine, developing farms in Brazil, working in Africa, and helping introduce innovative equipment solutions that eventually led to the creation of Maya Corn heads in North America. In this episode, the crew discusses: Touring the Maya Corn head factory in Spain How Maya Corn heads were discovered while farming in Ukraine Managing more than 250,000 acres across multiple countries The realities of farming in Ukraine before and during wartime Stories from Russia, Siberia, Africa, Brazil, and Canada Why Ukraine may have some of the best farmland in the world Global differences in farming practices and technology adoption Corn head design, reliability, and residue management The impact of tariffs and international trade on agriculture equipment Rising fertilizer and diesel costs facing American farmers Soil health, carbon sequestration, and regenerative agriculture Organic farming opportunities and market challenges Why equipment efficiency matters more than ever in tight-margin years Justin also dives into the economics of modern farming, discussing nitrogen availability, residue breakdown, organic matter, and practical ways farmers can improve profitability while building healthier soils. The conversation includes an honest look at current agricultural policy, 45Z opportunities, regenerative agriculture, and what the future may hold for American producers. Along the way, listeners will hear unforgettable stories involving international travel, farming in post-Soviet Ukraine, navigating foreign business environments, and lessons learned from agriculture around the globe. Whether you're interested in equipment, agronomy, world agriculture, or simply great storytelling, this episode delivers all of the above. Want Farm4Profit Merch? Custom order your favorite items today!https://farmfocused.com/farm-4profit/ Don't forget to like the podcast on all platforms and leave a review where ever you listen! Website: www.Farm4Profit.comShareable episode link: https://intro-to-farm4profit.simplecast.comEmail address: Farm4profitllc@gmail.comCall/Text: 515.207.9640Subscribe to YouTube: https://www.youtube.com/channel/UCSR8c1BrCjNDDI_Acku5XqwFollow us on TikTok: https://www.tiktok.com/@farm4profitllc Connect with us on Facebook: https://www.facebook.com/Farm4ProfitLLC/Farm4Profit Media is not a financial, legal, or tax advisor. Content is provided for informational purposes only, and we serve solely as a platform for third-party opinions. Any actions taken based on this content are at your own risk. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Jaytriot is back, and the crew is glad to have him. He opens with a raw, honest account of his father's stroke, broken hip, UTI-induced hospital delirium, and the full-contact advocacy battle required just to keep an 87-year-old man from being discharged too early by a system turning over beds faster than bodies can heal. The episode pivots to Tulsi Gabbard leaving the DNI role after her husband Abraham is diagnosed with aggressive bone cancer, and what the new acting DNI Aaron Lucas's CIA background might mean for the office. The great admiral mask debate gets its most thorough airing yet, complete with a lighting expert Twitter thread, Zach's AI filter theory, and the crew ultimately landing on shadow. Matt then casually drops that in 1992 he snuck into post-Soviet Ukraine with $50, got adopted by factory workers on a train to the Black Sea, and spent weeks at a workers' vacation camp. Nobody blinks. World Cup 2026, John Hamm's fraternity crimes, and a Spencer Pratt mayoral update round out an unusually lively Friday night.
At 11 years old, Dan Mishin convinced his grandmother to move in with his parents so he could turn her apartment into a backpacker hostel. The idea came to him in Berlin, where his mom's wallet had just been stolen and they were stranded overnight in a hostel full of laughing 20-year-olds speaking a language he didn't understand. He made two decisions on the train ride home: learn English, and open a place just like it.That summer project became the largest hostel chain in Eastern Europe — 13 countries, 3,500 guests a night — and the start of one of the most unlikely founder journeys you'll hear this year.In this episode, Dan sits down with Jessica Neal to walk through all of it. Starting a company at 11 in post-Soviet Ukraine, a place he describes as the Wild West, with no functioning law enforcement and entire generations of savings wiped out overnight by government decisions. Sleeping in his car for six months when the business almost went bankrupt. Signing 100-year leases with personal guarantees at 18 because Ukrainian law had no concept of bankruptcy protection. Raising a $100M term sheet that same year. Buying a yellow Porsche he now calls a total douchebag move. Ballooning to 280 pounds on a diet of Snickers and Red Bull. And eventually getting on a flight to the US with a single phone number — only to walk away from a 10-minute call with a $100K check at a $5M valuation.After building Joon Homes to $300M and 250 employees, Dan hit a wall most founders don't talk about: he was building something valuable, but he didn't believe in it anymore. So he walked away to start Manifest — an AI-native legal company that's raised $60M to fix one of the most broken industries in America. The US has 1.3 million lawyers, ten times more per capita than most countries in the world, yet 80% of Americans can't afford one. Dan thinks he knows why, and he's rebuilding the entire system starting with immigration.The conversation also goes deep on what it actually means to run an AI-native company — how Dan hires, why he believes generalists are winning, the applied AI engineers he embeds in every team, and the one-year severance policy he introduced to take the fear out of automating yourself out of a job.A conversation about volatility, reinvention, and what it actually takes to build something that matters.━━━━━━━━━━━━━━━━━━━━━━
In this episode, Christi welcomes fellow Quantum Healing Hypnosis Technique practitioner Sasha Tarakanov to share an extraordinary story that challenged everything she once believed. Raised in Soviet Ukraine where angels and religion were dismissed as superstition, Sasha grew up grounded in logic, science, and atheism. But during a life-changing QHHT training in Eureka Springs, an unexpected encounter shifted her understanding of angels--and reality--forever. And Stacy shares her powerful awakening through the Lucia Light. What began as a casual visit to try an unfamiliar light therapy device quickly became a profound inner journey involving visions, emotional healing, and connection with her higher self. Together, these remarkable stories explore angelic encounters, energetic healing, consciousness expansion, and the powerful ways light can transform the human experience.
A man described three profound experiences in his early twenties that resembled near-death or out-of-body experiences. During episodes of sleep paralysis, he felt unable to move while sensing a strange sizzling energy through his body before seemingly floating above himself and observing his own body in bed. In the most intense experience, he passed through a dark tunnel toward a radiant white light filled with overwhelming love, peace, telepathic understanding, and complete acceptance. At the time, he was suffering severe depression and hopelessness caused by economic collapse, intense academic pressure, poverty, and social instability in post-Soviet Ukraine. After these experiences, his outlook on life changed dramatically: he became deeply focused on spirituality, personal growth, sincerity, compassion, and living meaningfully rather than pursuing material success. He felt the experiences taught him that only one's thoughts, memories, and spiritual essence endure, inspiring him to improve himself and positively influence others through his actions rather than words alone.
This month our family of writers is in a whimsical mood: Vitali Vitaliev reflects on the very different purpose toilet paper once had in Soviet Ukraine, while Anglican priest Alice Goodman laments the poor quality of the Church's Cheeky Pandas cartoons for children. Actor and writer Sheila Hancock suffers terrible stage fright, while Sarah Collins celebrates the human antidepressants in her local community. Hosted on Acast. See acast.com/privacy for more information.
Julie Smolyansky, CEO of LifeWay Foods — the largest kefir brand in the country — has one of the most extraordinary stories you'll ever hear. Born in Soviet Ukraine, her family defected behind the Iron Curtain when she was just one year old, arriving in America with $116 and no English. Her mother went on to open Chicago's first Slavic deli — and even brought the very first cases of Nutella to the United States. Her father, longing for the kefir he grew up with back home, eventually built LifeWay Foods from scratch.When Julie was just 27, her father passed away suddenly, and she stepped in as CEO — becoming the youngest female CEO of a publicly traded company in US history. What followed was a decade of immense challenge, personal rock bottoms, and an unshakeable refusal to fail.Kelly and Julie talk about the immigrant work ethic that shaped them both, navigating grief while running a company, the gut-brain connection and why kefir is having its major cultural moment, and what it really means to turn pain into purpose. Plus they make a ridiculously good smoked fish farmer cheese dip live in the kitchen — and yes, it's as good as it sounds.This episode was kindly sponsored by Lifeway Foods. Learn more about Lifeway here! https://lifewaykefir.com/Follow Kelly on Instagram-https://www.instagram.com/kellyrizzo/?hl=enFollow Julie on Instagram- https://www.instagram.com/juliesmolyansky/?hl=enListen on Apple Podcasts-https://podcasts.apple.com/us/podcast/comfort-food-with-kelly-rizzo/id1716987177Listen on Spotify- https://open.spotify.com/show/5PW46ZYYpLlUCRPWn0Vfm7?si=100c49d2f5f64975Visit Kelly's Kitchen- https://kelly-rizzo.com/Join Comfort Club:https://www.comfortclubonline.com/ Hosted on Acast. See acast.com/privacy for more information.
This Sunday, 26 April, marks the 40th anniversary of the accident at the Chernobyl nuclear reactor in Soviet Ukraine. It is the most serious disaster ever to occur in the nuclear power industry, with widespread effects then and now. An exhibition at the Nikolaikirche in Potsdam, Germany, called The Chernobyl disaster: 40 years ago and yet still relevant, continues until Monday 27 April, and Ben Luke speaks to one of its organisers, Olha Kovalevska. A new exhibition at Munch, the museum in Oslo, explores the work of Paula Rego, with new research on her interest in the artist after whom the museum is named, Edvard Munch. Ben speaks to the curator of the exhibition, which is called Paula Rego: Dance Among Thorns, Kari J. Brandtzæg. And this episode's Work of the Week is Convolvulus (1940) by Gluck, the mononymous British painter. The picture is part of the exhibition called Handpicked: Painting Flowers from 1900 to Today, which opens this weekend at Kettle's Yard in Cambridge, UK. Ben speaks to its co-curator, Naomi Polonsky, about the work.The Chernobyl disaster: 40 years ago and yet still relevant, Nikolaikirche, Potsdam, Germany, until 27 April.Paula Rego – Dance Among Thorns, Munch, Oslo, 24 April-2 August; Paula Rego: Story Line, Victoria Miro, London, until 23 May.Handpicked: Painting Flowers from 1900 to Today, Kettle's Yard, Cambridge, 25 April-6 September Hosted on Acast. See acast.com/privacy for more information.
April 2026 marks forty years since the catastrophe at the Chernobyl nuclear power plant in Soviet Ukraine.In this episode, we explore what happened on that night in 1986, and the resulting environmental emergency that caused panic across Europe.What was the human cost of the catastrophe? And what does the Chernobyl site look like today?Cliquez ici pour télécharger la transcription.------------------------- The Déclic Anglais Podcast est le podcast idéal pour progresser rapidement et efficacement en anglais. Avec un nouvel épisode tous les mardis, améliorez votre compréhension orale en anglais, débarrassez-vous de vos croyances limitantes sur l'apprentissage de l'anglais, découvrez des astuces pour ne plus faire les erreurs les plus fréquentes et apprenez-en plus sur la culture britannique !------------------------- Vous voulez pratiquer votre anglais à l'oral pour gagner en aisance et ne plus avoir peur de parler anglais ?Nous organisons deux fois par mois des cours de conversation en anglais en ligne : le lieu idéal pour parler anglais en toute décontraction dans un petit groupe motivé ! Prochaines dates, tarifs et inscriptions ici : https://www.declicanglais.com/ateliers-------------------------Vous souhaitez aller plus loin et améliorer votre anglais sous tous ses aspects mais ne savez pas par où commencer, quelles ressources utiliser ? En vous abonnant au Déclic Anglais Club, ayez accès chaque mois à 4 nouvelles leçons exclusives pré-enregistrées pour nos membres, avec des exercices fun et interactifs basés sur les sujets abordés dans notre podcast. Ils vous permettront d'améliorer progressivement votre écrit, prononciation, compréhension en anglais. Et avec la version Boost, les deux cours de conversation mensuels sont inclus, ainsi qu'un cours d'anglais en groupe dont le sujet est choisi chaque mois par les membres du Club ! Infos, tarifs et inscriptions ici : https://www.declicanglais.com/presentation-declic-anglais-club ------------------------- Pour toute question ou remarque, n'hésitez pas à nous écrire à l'adresse contact@declicanglais.com Notre site : www.declicanglais.com Retrouvez-nous aussi sur : Facebook / Instagram ------------------------ Soundtrack credits: Kevin Hartnell: Podcast Theme, album: CC BY-SA 4.0, Overlook Hotel Records. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Robert “Robik” Samborsky, founder of Apollon Nutrition and owner of the legendary Apollon Gym in Edison, New Jersey, has been one of the most authentic voices in the hardcore supplement space for over a decade. Most fans know the products. Fewer know the man behind them. Episode #211 of the PricePlow Podcast fixes that. Robik traces his full origin story from Soviet-era western Ukraine through Israel, South Africa, and New York, covering Lee Strasberg Theatre acting school, a decade of competitive Muay Thai including a title fight at Bangla Stadium in Thailand, and a gym purchase made with maxed-out credit cards. From there, the conversation moves through Apollon Nutrition’s founding while working with NutraBio’s Mark Glazier to utilize their manufacturing, then gets into the brand’s formulation philosophy (clinical-plus dosing, full label transparency, no kitchen sinks), and a full walkthrough of the current product lineup. Robik also drops the first public spoiler for Hooligan V8 and outlines everything Apollon has planned for 2026. Subscribe to the PricePlow Podcast on your favorite platform and sign up for Apollon Nutrition alerts on PricePlow before diving in. https://blog.priceplow.com/podcast/robert-samborsky-apollon-nutrition-211 Video: Robik Samborsky on Apollon Nutrition, Hooligan V8, and the 2026 Product Roadmap https://www.youtube.com/watch?v=OkRqoD6iqi8 Detailed Show Notes: Robik Samborsky on Apollon Nutrition’s Origin, Philosophy, and 2026 Plans (0:00) – Introductions (2:30) – Growing Up in Soviet Ukraine (5:00) – A Humanitarian Trip to Ukraine in 2022 (7:30) – America, Lee Strasberg, and a Fitness Pivot (10:00) – NPC Judging and the Road to Muay Thai (12:30) – Fighting in Thailand: Bangla Stadium (13:30) – How Robik Became Owner of Apollon Gym (18:00) – Marina: Competitor, PharmD, and Co-Architect of Apollon’s Health Line (22:15) – Apollon Nutrition is Born (29:30) – 50/50 Formula-X and the Genesis of Hooligan (32:15) – The 600mg Controversy and a 700mg Spite Version (34:15) – The Science of High-Dose Caffeine and the 20/40 Serving Model (42:00) – What “Hardcore Premium” Actually Means (50:00) – The F*** Mediocre Story: 4,200mg NO3-T and Ron Kramer (53:15) – Formulation: Clinical-Plus Dosing and Who Robik Trusts (54:30) – Margins, D2C Growth, and International Markets (1:01:00) – Content Creators and Marketing Evolution (1:04:00) – The NutraBio Manufacturing Origin: 50 Units at $18 Each (1:07:15) – The Six-Egg Rule: Dosing Philosophy in Practice (1:13:30) – Hooligan’s Two-Year Refresh Cycle and the Theobromine Revelation (1:17:00) – Hooligan vs. Assassin: Two Different Experiences (1:22:30) – Robik’s Personal Daily Stack (1:25:00) – Sharp Coffee and Slept-On Products (1:29:15) – GlucoVantage and the Case for Standalone Simplicity (1:31:45) – Casanova: From Limited Edition to Permanent Lineup (1:34:15) – 2026 Product Roadmap Where to Follow and Learn More Connect with Robik Samborsky and Apollon Nutrition … Read more on the PricePlow Blog
Is life destiny or choice?"Drink from the Nile" is a phrase in Egypt that promises if you drink from the Nile river, you're destined to return. Katya Dunko's memoir, named for this phrase, is her refusal to let destiny be controlled by generational trauma. She broke the chain.We talk about the real story behind her jaw-dropping book: growing up in post-Soviet Ukraine, being stowed away on a train as a child, surviving a decade of opioid addiction, and later fleeing an abusive marriage in Egypt with her daughter. Katya doesn't frame herself as flawless or “inspiring” in a neat way. She names the shame, the people-pleasing, the desperate search for love, and the terrifying moments where her safety is on the line. If you care about women's memoir, addiction recovery stories, trauma healing, and what it takes to rebuild after emotional abuse, this conversation goes there with honesty and heart.We also get practical about the craft and the aftermath: what it's like to spend seven years writing a trauma memoir, why she chose a pen name, how self-publishing forced her to learn everything from editing to marketing, and why narrative therapy helped her reframe her past into resilience instead of ruin. The biggest takeaway is simple and hard: pain spreads unless someone breaks the chain.Listen, then share this with a friend who needs a reminder that a clean slate is possible. Subscribe, leave a review, and tell us what “real strength” means to you now.Purchase Katya Dunko's "I Drank From the Nile"Support the show:On PatreonBuy us a bookBuy cute merchSubscribe to the Babes in Bookland SubstackThank you for listening!Xx, AlexConnect with us and suggest a great memoir!Follow us on instagram! @babesinbooklandpod
Born in Lviv in Ukraine, in 1958, Ihor grew up in a city where borders shifted, but memories endured. In this episode, he recalls a childhood shaped by silence, censorship, and family stories that could only be told in private. While official history came from Moscow, a very different past survived in the countryside—passed down by grandparents who had lived through empire, war, and occupation. This is a unique personal account of what it meant to grow up in Soviet Ukraine in the 1950s and 60s. Episode extras here https://coldwarconversations.com/episode447 Go to https://surfshark.com/coldwardeal or use code COLDWARDEAL at checkout to get 4 extra months of Surfshark VPN! Help me preserve Cold War history via a simple monthly donation, You'll become part of our community, get ad-free episodes, and receive a sought-after CWC coaster as a thank-you, and you'll bask in the warm glow of knowing you are helping to preserve Cold War history. Just go to https://coldwarconversations.com/donate/ If a monthly contribution is not your cup of tea, we also welcome one-off donations via the same link. Find the ideal gift for the Cold War enthusiast in your life! Just go to https://coldwarconversations.com/store/ CONTINUE THE COLD WAR CONVERSATION BlueSky https://bsky.app/profile/coldwarpod.bsky.social Threads https://www.threads.net/@coldwarconversations Twitter/X https://twitter.com/ColdWarPod Facebook https://www.facebook.com/groups/coldwarpod/ Instagram https://www.instagram.com/coldwarconversations/ Youtube https://youtube.com/@ColdWarConversations Learn more about your ad choices. Visit podcastchoices.com/adchoices
Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsDJ Super Dmitry | Dee-Lite, Nauti Siren & The Sound of a Life Lived in MusicThis week on Once A DJ, Adam is joined by DJ Super Dmitry — one third of Dee-Lite, the group behind one of the most joyful and enduring records in dance music history. But Dmitry's story goes far beyond 'Groove Is in the Heart', and this conversation goes all the way back to the beginning.Dmitry grew up in Soviet Ukraine as a third-generation musician. His grandmother — unable to afford a piano during the disruptions of the Russian Revolution, Civil War and World War Two — cut piano keys from paper so she could practise by hand. That love of music carried through the family, and Dmitry began lessons at five, was attending a conservatory music school by seven, and was already writing his own compositions in the style of Gershwin and Scott Joplin by eight.Western music was tightly controlled. Records could only be obtained on the black market — for around $50 each — and were copied onto reel-to-reel before being traded on. A track from Jesus Christ Superstar introduced him to something funky he couldn't yet name, and the search for that sound would shape the rest of his life.At 14, Dmitry and his family left the Soviet Union — the first in their town to do so, and treated as traitors for it. After periods in Austria and Italy, where he discovered punk (the Pistols, the Damned, X-Ray Spex, Iggy Pop), the family arrived in New York in 1978. On Halloween. In a Black neighbourhood in Brooklyn. Having never seen Black people before.From a 50-cent bin in a record shop, he picked up 'The Clones of Dr. Funkenstein' by Parliament because the cover looked insane. That was the moment. 'There it is,' he thought. 'That's the sound I've been looking for.' He's been a funkateer ever since.New York in the late 70s and early 80s was extraordinary — punk, disco, hip hop, and house all converging in the same sweaty rooms. Dmitry became an elevator operator at Danceteria, practising guitar in the lift between floors while Sisters of Mercy and the Sugar Hill Gang did soundchecks below. He ran into the pre-fame Beastie Boys regularly, worked at the Pyramid Club (run by drag queens, and a real education in showmanship), and played for Kool Herc and Grandmaster Flash at block parties in Harlem and the Bronx.Dee-Lite formed as a direct attempt to bridge the gap between house and funk. They built a following through monthly shows drawing up to 1,500 people, which caught the attention of a Billboard writer and eventually sparked a label bidding war. They signed to Elektra — choosing them because their A&R, Nancy Jeffries, had signed Iggy Pop and Bjork, and that felt like the right kind of open-mindedness.Elektra didn't believe 'Groove Is in the Heart' had any traction. They let Dee-Lite do the video anyway, and Dmitry remembers the precise moment he knew it had crossed over: standing in a grocery store queue when it came on the radio and the cashier started dancing at her till. 'That's my jam,' she said. 'That's my jam.'Q-Tip turned up to the studio, listened for 15 minutes, jotted notes, and nailed it in two takes. Bootsy Collins casually mentioned he had 'some friends' who might be able to play horns — those friends were Fred Wesley and Maceo Parker, who arrived as near-strangers to each other after five years apart and immediately played like they'd never stopped.Their first proper gig with a full live band was in front of 300,000 people at Rock in Rio. The second album was recorded expensively in a big studio; Dmitry considers it their weakest. The third, Dewdrops in the Garden, went back to basics and home recording, and he's proud of how well it still sounds.The band broke up when Dmitry and Kier's relationship ended, and he eventually made his way to Berlin — partly drawn by its thriving club culture, partly pushed out of New York by Giuliani's crackdown on clubs. He played Tresor, won a Best Techno DJ award at Ibiza despite not really being a techno DJ, worked with Julie Cruz, remixed Chaka Khan and Ziggy Marley, and kept making music.Then during the pandemic, a friend sent him a vocalist called Jessie Evans. He sent her some dub tracks that had been sitting on his computer for years. She recorded them one by one, sending back a finished song every couple of days from Brazil — while caring for two young children. Before they had ever met on video, they had an album's worth of material. That project became Nauti Siren. She moved to Germany, they got married, and they now have around five albums' worth of music ready to release. The first, 'Rising', is out now.This is a remarkable conversation with someone who has lived inside the history of popular music for fifty years — and who still has plenty more to say.Find DJ Super Dmitry:Instagram: @superdjdmitryNauti Siren 'Rising' — out on Bandcamp and all streaming platformsOnce A DJThe podcast that looks at what brings us together and what sets us apart. Subscribe wherever you listen to podcasts.
Of all the industries AI will transform, Kira Radinsky believes chemistry and biology will change the most. Kira is the co-founder and CTO of Diagnostic Robotics, which uses AI to automate the administrative work that's crushing healthcare teams — so clinicians can actually focus on patients. She's also the co-founder of Mana.bio, where they're accelerating drug discovery by orders of magnitude.She'll tell you she's terrible in the lab. Not because she isn't brilliant, but because she can't pipette without killing the cells. So she's thrilled that thanks to her skills in data and AI she was able to realize her childhood dream of being a scientist: “I'm not trying to automate everything… Like when, when you say automate drug discovery, I'm not gonna discover everything. I just want to accelerate it, which comes back to my childhood dream: I just didn't want to do it myself. I just want AI to replace me as a scientist. That's it.”But this episode is about more than healthcare. It's about how to build systems that get smarter over time — feedback loops, causal inference, incentivizing algorithms to take risks, and knowing when to optimize for ROI instead of accuracy. Lessons that apply whether you're building in biotech or not.We cover:How growing up Jewish in Soviet Ukraine — and fleeing to Israel just before the Gulf War — shaped Kira's obsession with predicting the futureHow she built a system that successfully predicted real-world events, including Cuba's first cholera outbreak in Cuba in 130 yearsHow Mana.bio is using AI to build "rocketships" that deliver drugs to the right cells — and how they've done in three months what used to take 20 yearsWhy predictions are only valuable if there's something you can do about them — and why that makes healthcare an ideal field for AI How to incentivize algorithms to make bolder predictions (it's easy to predict there won't be an earthquake today; it's much harder to say there will be)Why causal inference is the most underrated tool in machine learning right nowHow healthcare AI can perpetuate racial bias — and what builders need to do differentlyNote: this interview originally aired in October 2024. Chapters:(01:44) - Why predictions are so important to Kira: lessons from fleeing Soviet-era Kyiv (05:10) - Building a prediction engine from 150 years of news (08:35) - How Kira predicted the Cuba cholera outbreak (09:50) - Returning to biology by way of data (12:50) - Predicting healthcare outcomes by finding your patient's twin (17:53) - The racial bias hiding in healthcare AI (19:15) - Building Mana.bio and accelerating drug discovery (24:33) - "In three months, what did what used to take 20 years" (31:44) - Builder tips: ROI, causal inference, and teaching algorithms to explore (35:07) - Planning: Where generative AI needs improve Links & Resources:Kira Radinsky on LinkedInDiagnostic RoboticsMana.bioSupport Future Around & Find OutGet the free newsletterAnd consider becoming a paid subscriber and help future proof this thing!Sponsor the show? Are you looking to reach an audience of senior technologists and decision-makers? Email me: dan@modernproductminds.com---Music by Jonathan Zalben
Send us a textA skeptical young husband sits on a pastor's office floor, reads a passage, and finds the kind of faith that changes a life. That simple, humble start turns into decades of service: deep mentorship in a small church, ministry training, and a leap across the world to plant house churches in post-Soviet Ukraine. Along the way come cold trains, open-air markets, a tense meeting with the local mafia leader, and the unmistakable thread of provision that follows obedience. The mission stays clear: equip locals to reach their neighbors, trust God over comfort, and measure impact by fruit that remains.Reclaiming the Wild is back — April 24–26 at Abundant Blessings Farm (Stem, NC). This isn't just a retreat… it's a reset: brotherhood, faith, outdoors, bonfires, and real conversations. Theme: we have been commanded to unite. Bring your son (or any male kid 5+) and make memories that last. Register now — let's reclaim the wild. It's time to stop sitting on the sidelines.Step into the fight and become the man God called you to be. Join a brotherhood built on truth, strength, and action. Visit thelionwithin.us right now and start leading with boldness and purpose. Iron sharpens iron — let's go.
THE BRUTALITY OF INVASION AND THE FAILURE OF INTELLIGENCE Colleague Professor Eugene Finkel. Batchelor and Finkel discuss the historical roots of Russian cruelty in Ukraine, citing a 1932 letter from Stalinfearing the loss of Ukraine. Finkel argues that Russian leadership, from the Tsars to Putin, views human life as cheap and uses violence to maintain control over the land, regardless of casualties. Regarding the 2022 full-scale invasion, Finkel suggests Putin was isolated in an echo chamber of yes-men and myths, expecting a quick policing operation rather than a war. The invasion was driven by the refusal to accept Ukrainian statehood, not legitimate fears of NATO. NUMBER 71920 SOVIET UKRAINE
On today's episode we explore the role of the historical Ukrainian far-right, specifically the Nazi-collaborationist Organization of Ukrainian Nationalists and the Ukrainian Insurgent Army, in the development of post-Soviet Ukraine's national memory regime. In particular we address a paradox - how did these far right political formations and their historical narratives, despite limited and regionally specific popularity, assume disproportionate influence on Ukraine's post-Soviet national-memory regime since 1991? What role did the far right nationalist diaspora play? And how do the Russia-Ukraine War as well as the broader normalization of ethno-nationalism in politics and academia reinforce far right memory politics?Our guest today is historian Per Rudling. As a basis for discussion we read his recent article“Repatriating An Edifying Past: The Diaspora Ukrainian Authoritarian Right and Power Over Memory, 1991–2021”Article description:The recent history of the Ukrainian authoritarian far right is one of paradoxes. If one looks at the polls, it has performed poorly; its modest successes have been regional and short-lived. On the other hand, it has been highly successful in terms of shaping memory politics in the country. It has had a disproportional influence on history writing, having invested significant efforts into building an effective structure in the field of memory management. Radical nationalists have also come to staff senior positions as deans and vice chancellors at Ukraine's top universities, the ministry of education, the Ukrainian Institute of National Memory (UINP), and the archives of the Ukrainian Security Service (HDA SBU). The hard right has gained a disproportionate influence on “soft issues” of identity and the shaping of “national memory” – not only by running the governmental memory institutes, but also by hands-on drafting of memory laws outlawing “disrespect” for the OUN, the Ukrainian Insurgent Army (UPA), and other historical far-right groups. This study seeks to trace and contextualize the repatriation of the ethnonationalist hard right from emigration and its role in shaping an infrastructure of memory production – in particular, under presidents Yushchenko (2005–2010) and Poroshenko (2014–2019).Per Rudling is associate professor of History at Lund University and author of Tarnished Heroes: The Organization of Ukrainian Nationalists in the Memory Politics of Post-Soviet Ukraine (2024) and The Rise and Fall of Belarusian Nationalism 1906-1931 (2014)
In this episode, we speak with Nataliia Hera, co-founder of Voger Design, the studio behind some of the most recognizable virtual instrument interfaces in the world. Nataliia shares her journey from post-Soviet Ukraine to building a global creative business, the role of luck and collaboration, and why design isn't just cosmetic — it's essential to how we make music.VOGER DESIGN LINKS:Website: https://vogerdesign.com/Youtube: https://www.youtube.com/@voger_designVoger Design Blog: https://vogerdesign.com/blog/Instagram: https://www.instagram.com/vogerdesign/LinkedIn: https://www.linkedin.com/company/voger/Facebook: https://www.facebook.com/vogerdesignMarkus Junnikkala is a Composer from Finland.https://www.markusjunnikkala.com/Support this podcast by becoming a member:https://markusjunnikkala.com/membership/Want me to answer your question?Ask it on social media:https://www.instagram.com/markusjunnikkala/https://www.facebook.com/markusjunnikkala/https://x.com/markusjunnikkalhttps://www.twitch.tv/markusjunnikkalahttps://www.reddit.com/user/markusjunnikkala/https://www.linkedin.com/in/markusjunnikkala/Subscribing, sharing, and liking helps the podcast.TIMESTAMPS:(00:00:00) Intro — Creative life and war in Ukraine (00:03:00) What Voger Design does & why UI for audio matters (00:07:00) From poetry to design — discovering beauty in bleakness (00:11:00) Building Voger from scratch with $80 and a dream (00:16:00) Early community work, Reaper themes & first clients (00:21:00) How collaboration fuels creativity (00:26:00) The philosophy of teamwork — “Skyscrapers aren't built by solo people” (00:31:00) Mentorship, proximity, and luck in creative careers (00:37:00) Leadership lessons — hiring, structure & humility (00:43:00) Balancing motherhood, time, and entrepreneurship (00:50:00) Psychology of design — why looks do matter in plugins (01:00:00) Developers, ego, and the empathy gap (01:10:00) Lessons from building for humans, not markets (01:18:00) The illusion of objectivity in design decisions (01:22:00) Oversaturation in the plugin industry & design sameness (01:28:00) Nataliia's YouTube journey — teaching design philosophy (01:35:00) Speaking uncomfortable truths about the industry (01:42:00) Ideology bubbles & resistance to feedback (01:48:00) Learning to collaborate with difficult personalities (02:01:00) Facing the future — AI, identity & human meaning in design (02:10:00) The deeper philosophy of empathy and beauty (02:20:00) Closing reflections — art, family & creative balance
What do we know about theatre — the most ephemeral of the arts — in Ukraine? What role did Ukrainian theatre play in Soviet times? How is the heritage of the Executed Renaissance generation still alive today? And why are women in theatre so important — and yet so often ignored? *** The Explaining Ukraine podcast is produced by UkraineWorld, an English-language media project about Ukraine run by Internews Ukraine. Host: Tetyana Ogarkova, a Ukrainian literary scholar at Kyiv Mohyla Academy and journalist at Ukraine Crisis Media Centre. She also runs a French-language podcast, “L'Ukraine face à la guerre”. Guest: Mayhill C. Fowler, historian and associate professor in the Department of History at Stetson University. Her first book, “Beau Monde on Empire's Edge: State and Stage in Soviet Ukraine” (Toronto, 2017), tells the story of how theatre in Soviet Ukraine was formed, through a collective biography of young artists and officials in the 1920s and 1930s. *** This episode is produced in partnership with the Kyiv-Mohyla Academy and the project Heritage Ukraine, supported by the European Union's Erasmus programme. Special thanks to the Ukrainian History Global Initiative for helping organize this conversation. *** SUPPORT: UkraineWorld is an English-language media about Ukraine run by Internews Ukraine You can support UkraineWorld on https://www.patreon.com/c/ukraineworld We rely on crowdfunding to continue our work. You can also support our regular trips to the frontlines, where we provide support to both soldiers (cars) and civilians (books): PayPal, ukraine.resisting@gmail.com
Host Wayne Shepherd interviews Sergey Rakhuba, President of Mission Eurasia, who shares his journey from growing up in a Christian family in Soviet Ukraine to leading a ministry serving the former Soviet Union. (click for more...)Website: MissionEurasia.org Gift catalog: https://missioneurasia.org/your-gifts-change-lives/Sergey recalls his struggles with faith during his youth under Soviet pressure, his spiritual turning point after overhearing his parents' prayers, and the deepening of his faith while serving in the Soviet army. After studying at Moody Bible Institute and settling in the U.S., he began leading Mission Eurasia, which was headquartered in Irpin, Ukraine, until the facility was destroyed early in the Russian invasion. Undeterred, the ministry mobilized thousands of trained young Christian leaders to provide food, trauma counseling, Scripture, and hope to millions of displaced and suffering Ukrainians. Sergey describes programs such as Summer of Hope camps for children and Gift of Hope Christmas outreach, all designed to bring healing, comfort, and the message of Christ amid the devastation of war, concluding with a heartfelt prayer for Ukraine, its people, and the end of the conflict. NEXT WEEK: John MunroSend your support for FIRST PERSON to the Far East Broadcasting Company:FEBC National Processing Center Far East Broadcasting CompanyP.O. Box 6020 Albert Lea, MN 56007Please mention FIRST PERSON when you give. Thank you!
Imagine waking up to find your company's most valuable IP leaked—not by hackers, but by the very AI tools you trusted.This isn't a distant scenario; it's happening inside pharma and biotech right now.And the cost isn't just financial—it's patient lives, broken trust, and an industry on the edge of losing credibility. In this episode, Kat Kozyrytska shares how leaders can act before invisible risks become catastrophic. From her personal journey in post-Soviet Ukraine to building frameworks in global biotech, Kat reveals why “yesterday problems” with AI demand urgent attention today.You'll learn how data privacy failures propagate quietly, why embedding organizational values into AI is essential, and how collaboration across companies can safeguard innovation and accelerate therapies. The future of biotech won't be secured by hype or speed—but by trust, ethics, and the courage to act before it's too late.
Go to https://piavpn.com/WinstonMarshall to get 83% off from our sponsor Private Internet Access with 4 months free!Michael Malice joins The Winston Marshall Show for a blistering conversation on socialism, Stalin, and why the West never learned the right lessons from the 20th century's bloodiest ideology.Malice, born in Soviet Ukraine, dismantles the myths of socialism's “good intentions,” exposing how Western intellectuals and journalists excused gulags, famine, and mass terror in the name of progress. From the Fabian Society's wolf-in-sheep's-clothing origins to the New York Times' whitewashing of Stalin's crimes, he shows how elites twisted reality to protect their ideological faith.They discuss the post-war consensus, the West's obsession with fascism while downplaying communism, and the uncomfortable truth that socialist ideas keep returning—whether through Bernie Sanders in the U.S. or Jeremy Corbyn in Britain. Malice warns that socialism isn't just a failed experiment but a recurring temptation for societies in decline.All this—luxury beliefs, starvation by design, media complicity, and why the socialist dream refuses to die…-----------------------------------------------------------------------------------------------------------------------WATCH The Ad-free & Extended Conversation HERE: https://www.winstonmarshall.co.uk/p/stalin-the-devil-that-wont-die-why?r=18lfab-----------------------------------------------------------------------------------------------------------------------FOLLOW ME ON SOCIAL MEDIA:Substack: https://www.winstonmarshall.co.uk/X: https://twitter.com/mrwinmarshallInsta: https://www.instagram.com/winstonmarshallLinktree: https://linktr.ee/winstonmarshall----------------------------------------------------------------------------------------------------------------------Chapters0:00 Introduction2:28 Historical Apologia Towards Stalin8:09 Critique of British and American Left-Wing Figures 15:54 The Legacy of Stalin 41:29 The Impact of World War II on Russian Perceptions 58:13 Closing Thoughts Hosted on Acast. See acast.com/privacy for more information.
Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies
Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jews presented a particular national problem in the Soviet Union. Though seen as one of the many oppressed minorities in the Russian Empire, there were also a people without a national territory. The lack of Jewish “homeland” in the Soviet Union posed a theoretical problem as well. As Stalin declared, “a common territory is one of the characteristic features of a nation.” How then can Jews be a nation without a territory? Well, you create one. Enter Birobidzhan–an bold experiment to create a Jewish nation out of whole cloth in Siberia. But why in Siberia? Why did Jews settle there? What did they find? Birobidzhan was a failure by many measures. So what is its place in Jewish history? To get answers, the Eurasian Knot turned to Gennady Estraikh to talk about his short history of this unique chapter in Jewish history. Guest:Gennady Estraikh is an Emeritus Professor of Hebrew and Judaic Studies at New York University. He has written and edited numerous books, including most recently Jews in the Soviet Union: After Stalin, The History of Birobidzhan: Building a Soviet Jewish Homeland in Siberia and Yiddish Literature under Surveillance: The Case of Soviet Ukraine published by Lexington Books.Send us your sounds! PatreonKnotty News Hosted on Acast. See acast.com/privacy for more information.
Scientific Atheism as an Ideological Discipline in Soviet Ukraine by Center for Russia, East Europe, and Central Asia at the University of Wisconsin, Madison
Yaroslav Trofimov, chief foreign affairs correspondent for The Wall Street Journal, is a native of Kyiv. In this conversation, we discuss two books. Our Enemies Will Vanish (Penguin Press, 2024), is a nonfiction narrative chronicling Putin's invasion of Ukraine through the reporter Trofimov's eyes. No Country for Love (Abacus Books, 2024), is his novel tracing the path of a young woman, the character based on his grandmother, on an arduous journey starting in 1930s Soviet Ukraine. Both books, as different as they are, cast a revealing light on the oppressions visited on the diverse peoples of Ukraine. In our talk, Trofimov offers insights into the books and also a guide as to how the ongoing Russian-Ukrainian war might be concluded. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Yaroslav Trofimov, chief foreign affairs correspondent for The Wall Street Journal, is a native of Kyiv. In this conversation, we discuss two books. Our Enemies Will Vanish (Penguin Press, 2024), is a nonfiction narrative chronicling Putin's invasion of Ukraine through the reporter Trofimov's eyes. No Country for Love (Abacus Books, 2024), is his novel tracing the path of a young woman, the character based on his grandmother, on an arduous journey starting in 1930s Soviet Ukraine. Both books, as different as they are, cast a revealing light on the oppressions visited on the diverse peoples of Ukraine. In our talk, Trofimov offers insights into the books and also a guide as to how the ongoing Russian-Ukrainian war might be concluded. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
Yaroslav Trofimov, chief foreign affairs correspondent for The Wall Street Journal, is a native of Kyiv. In this conversation, we discuss two books. Our Enemies Will Vanish (Penguin Press, 2024), is a nonfiction narrative chronicling Putin's invasion of Ukraine through the reporter Trofimov's eyes. No Country for Love (Abacus Books, 2024), is his novel tracing the path of a young woman, the character based on his grandmother, on an arduous journey starting in 1930s Soviet Ukraine. Both books, as different as they are, cast a revealing light on the oppressions visited on the diverse peoples of Ukraine. In our talk, Trofimov offers insights into the books and also a guide as to how the ongoing Russian-Ukrainian war might be concluded. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies
Yaroslav Trofimov, chief foreign affairs correspondent for The Wall Street Journal, is a native of Kyiv. In this conversation, we discuss two books. Our Enemies Will Vanish (Penguin Press, 2024), is a nonfiction narrative chronicling Putin's invasion of Ukraine through the reporter Trofimov's eyes. No Country for Love (Abacus Books, 2024), is his novel tracing the path of a young woman, the character based on his grandmother, on an arduous journey starting in 1930s Soviet Ukraine. Both books, as different as they are, cast a revealing light on the oppressions visited on the diverse peoples of Ukraine. In our talk, Trofimov offers insights into the books and also a guide as to how the ongoing Russian-Ukrainian war might be concluded. Learn more about your ad choices. Visit megaphone.fm/adchoices
What was it like to work as a Jewish district attorney in provincial Soviet Ukraine in the post-Stalinist eras? What role did antisemitism and Holocaust memories play in solving and investigating the criminal cases? How does a detective's mind work? The answers to these and many other fascinating questions are found in Memoirs of a Jewish District Attorney from Soviet Ukraine (Academic Studies Press, 2024). Mikhail Goldis (1926-2020) worked as a detective and district attorney for 30 years in Ukraine and wrote his memoirs after immigrating to the US in 1993. Translated by Marat Grinberg, a prolific scholar of Russian and Jewish literature and cinema, the memoirs tell the rich and poignant story of Goldis's life and what it took for a Jew to navigate and survive in the halls of Soviet power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
What was it like to work as a Jewish district attorney in provincial Soviet Ukraine in the post-Stalinist eras? What role did antisemitism and Holocaust memories play in solving and investigating the criminal cases? How does a detective's mind work? The answers to these and many other fascinating questions are found in Memoirs of a Jewish District Attorney from Soviet Ukraine (Academic Studies Press, 2024). Mikhail Goldis (1926-2020) worked as a detective and district attorney for 30 years in Ukraine and wrote his memoirs after immigrating to the US in 1993. Translated by Marat Grinberg, a prolific scholar of Russian and Jewish literature and cinema, the memoirs tell the rich and poignant story of Goldis's life and what it took for a Jew to navigate and survive in the halls of Soviet power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
What was it like to work as a Jewish district attorney in provincial Soviet Ukraine in the post-Stalinist eras? What role did antisemitism and Holocaust memories play in solving and investigating the criminal cases? How does a detective's mind work? The answers to these and many other fascinating questions are found in Memoirs of a Jewish District Attorney from Soviet Ukraine (Academic Studies Press, 2024). Mikhail Goldis (1926-2020) worked as a detective and district attorney for 30 years in Ukraine and wrote his memoirs after immigrating to the US in 1993. Translated by Marat Grinberg, a prolific scholar of Russian and Jewish literature and cinema, the memoirs tell the rich and poignant story of Goldis's life and what it took for a Jew to navigate and survive in the halls of Soviet power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
What was it like to work as a Jewish district attorney in provincial Soviet Ukraine in the post-Stalinist eras? What role did antisemitism and Holocaust memories play in solving and investigating the criminal cases? How does a detective's mind work? The answers to these and many other fascinating questions are found in Memoirs of a Jewish District Attorney from Soviet Ukraine (Academic Studies Press, 2024). Mikhail Goldis (1926-2020) worked as a detective and district attorney for 30 years in Ukraine and wrote his memoirs after immigrating to the US in 1993. Translated by Marat Grinberg, a prolific scholar of Russian and Jewish literature and cinema, the memoirs tell the rich and poignant story of Goldis's life and what it took for a Jew to navigate and survive in the halls of Soviet power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
What was it like to work as a Jewish district attorney in provincial Soviet Ukraine in the post-Stalinist eras? What role did antisemitism and Holocaust memories play in solving and investigating the criminal cases? How does a detective's mind work? The answers to these and many other fascinating questions are found in Memoirs of a Jewish District Attorney from Soviet Ukraine (Academic Studies Press, 2024). Mikhail Goldis (1926-2020) worked as a detective and district attorney for 30 years in Ukraine and wrote his memoirs after immigrating to the US in 1993. Translated by Marat Grinberg, a prolific scholar of Russian and Jewish literature and cinema, the memoirs tell the rich and poignant story of Goldis's life and what it took for a Jew to navigate and survive in the halls of Soviet power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law
What was it like to work as a Jewish district attorney in provincial Soviet Ukraine in the post-Stalinist eras? What role did antisemitism and Holocaust memories play in solving and investigating the criminal cases? How does a detective's mind work? The answers to these and many other fascinating questions are found in Memoirs of a Jewish District Attorney from Soviet Ukraine (Academic Studies Press, 2024). Mikhail Goldis (1926-2020) worked as a detective and district attorney for 30 years in Ukraine and wrote his memoirs after immigrating to the US in 1993. Translated by Marat Grinberg, a prolific scholar of Russian and Jewish literature and cinema, the memoirs tell the rich and poignant story of Goldis's life and what it took for a Jew to navigate and survive in the halls of Soviet power. Learn more about your ad choices. Visit megaphone.fm/adchoices
During its formative years in the late 1990's, Paypal attracted an extraordinary group of young entrepreneurs, who then went on to build some of the best known companies in tech. They became known as The PayPal Mafia—and Max Levchin was one of the leaders. A computer genius from Soviet Ukraine, Max joined Peter Thiel, Elon Musk, Reid Hoffman and others as they grew PayPal into a massively successful online payment service. Along the way, they encountered almost every start-up challenge imaginable, including the emotional ouster of Elon Musk as CEO. After PayPal was acquired by eBay in 2002, Max couldn't sit still, so he launched a startup lab that eventually led to another successful fintech company: Affirm.This episode was produced by Alex Cheng with music by Ramtin Arablouei. Edited by Neva Grant, with research from Claire Murashima.You can follow HIBT on X & Instagram, and email us at hibt@id.wondery.com. Sign up for Guy's free newsletter at guyraz.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
That collective sigh you heard recently was likely the relief that the risk of recession has passed. Or are we just experiencing The Twilight Before the Storm resulting in a transformational societal makeover? Warning: this episode is a must-listen but not for the faint hearted! Buckle up folks for a mind-bending journey with our latest special series episode “At the Corner of Main St and Wall St.” In this episode, we're thrilled to welcome the mind-boggling and fascinating insights of Victor Shvets, a global strategist known for his forward-thinking analysis and no-nonsense approach to the world's economic and social tides. He's the author of recently released “The Twilight Before the Storm.” That collective sigh you heard recently was likely the relief that the risk of recession has passed. Or are we just experiencing The Twilight Before the Storm resulting in a transformational societal makeover? Warning: this episode is a must-listen but not for the faint hearted! 6 Key Takeaways: Echoes of 1930s A striking comparison between today's socio-economic climate and the tumultuous 1930s. The Liquidity Tsunami Understand how capital liquidity ratios shifted from 1.5 to potentially 10 times GDP, and why your savings account might be feeling those ripples. Baby Boomers' Influence Discover how the post-WWII generation's unchecked growth demands led to the 2010 financial meltdown. Economic Role Reversals Today's financial economy now overshadows the real economy—how did we get here? Technological and Financial Squeeze How technology and financialization are pushing the middle class to the breaking point. Government's Expanding Role Witness the surprising shift towards politicizing bureaucracies and the increasing governmental footprint in our daily lives. About our guest Viktor Shvets: Viktor Shvets is a Global Strategist and an expert on financial markets. He is frequently featured in business and news media. He is the author of the recently released The Twilight Before the Storm. He also the author of The Great Rupture: Three Empires, Four Turning Points, and the Future of Humanity. He has worked in Sydney, Melbourne, Hong Kong, London, New York, and Moscow working on the intersection between finance, technology, politics, and history. He is a prolific writer on key global trends and is a frequent commentator on CNBC, Bloomberg, and other media outlets. Viktor was born in Kyiv, which at the time was the capital of the Soviet Ukraine. He attended Kyiv University of Economics and Trade before immigrating to Australia, where he completed a Bachelor of Economics degree from the University of Sydney and a Master of Commerce degree from the University of New South Wales.
When we think of Nazi camps, names such as Auschwitz, Bergen-Belsen, and Dachau come instantly to mind. Yet the history of the Holocaust extends beyond those notorious sites. In the former territory of Transnistria, located in occupied Soviet Ukraine and governed by Nazi Germany's Romanian allies, many Jews perished due to disease, starvation, and other horrific conditions. Through an intimate blending of memoir, history, and reportage, So They Remember: A Jewish Family's Story of Surviving the Holocaust in Soviet Ukraine (U Oklahoma Press, 2022) illuminates this oft-overlooked chapter of the Holocaust. In December 1941, with the German-led invasion of the Soviet Union in its sixth month, a twelve-year-old Jewish boy named Motl Braverman, along with family members, was uprooted from his Ukrainian hometown and herded to the remote village of Pechera, the site of a Romanian death camp. Author Maksim Goldenshteyn, the grandson of Motl, first learned of his family's wartime experiences in 2012. Through tireless research, Goldenshteyn spent years unraveling the story of Motl, his family members, and his fellow prisoners. The author here renders their story through the eyes of Motl and other children, who decades later would bear witness to the traumas they suffered. Until now, Romanian historians and survivors have served as almost the only chroniclers of the Holocaust in Transnistria. Goldenshteyn's account, based on interviews with Soviet-born relatives and other survivors, archival documents, and memoirs, is among the first full-length book to spotlight the Pechera camp, ominously known by its prisoners as Mertvaya Petlya, or the "Death Noose." Unfortunately, as the author explains, the Pechera camp was only one of some two hundred concentration sites spread across Transnistria, where local Ukrainian policemen often conspired with Romanian guards to brutalize its prisoners. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
When we think of Nazi camps, names such as Auschwitz, Bergen-Belsen, and Dachau come instantly to mind. Yet the history of the Holocaust extends beyond those notorious sites. In the former territory of Transnistria, located in occupied Soviet Ukraine and governed by Nazi Germany's Romanian allies, many Jews perished due to disease, starvation, and other horrific conditions. Through an intimate blending of memoir, history, and reportage, So They Remember: A Jewish Family's Story of Surviving the Holocaust in Soviet Ukraine (U Oklahoma Press, 2022) illuminates this oft-overlooked chapter of the Holocaust. In December 1941, with the German-led invasion of the Soviet Union in its sixth month, a twelve-year-old Jewish boy named Motl Braverman, along with family members, was uprooted from his Ukrainian hometown and herded to the remote village of Pechera, the site of a Romanian death camp. Author Maksim Goldenshteyn, the grandson of Motl, first learned of his family's wartime experiences in 2012. Through tireless research, Goldenshteyn spent years unraveling the story of Motl, his family members, and his fellow prisoners. The author here renders their story through the eyes of Motl and other children, who decades later would bear witness to the traumas they suffered. Until now, Romanian historians and survivors have served as almost the only chroniclers of the Holocaust in Transnistria. Goldenshteyn's account, based on interviews with Soviet-born relatives and other survivors, archival documents, and memoirs, is among the first full-length book to spotlight the Pechera camp, ominously known by its prisoners as Mertvaya Petlya, or the "Death Noose." Unfortunately, as the author explains, the Pechera camp was only one of some two hundred concentration sites spread across Transnistria, where local Ukrainian policemen often conspired with Romanian guards to brutalize its prisoners. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
When we think of Nazi camps, names such as Auschwitz, Bergen-Belsen, and Dachau come instantly to mind. Yet the history of the Holocaust extends beyond those notorious sites. In the former territory of Transnistria, located in occupied Soviet Ukraine and governed by Nazi Germany's Romanian allies, many Jews perished due to disease, starvation, and other horrific conditions. Through an intimate blending of memoir, history, and reportage, So They Remember: A Jewish Family's Story of Surviving the Holocaust in Soviet Ukraine (U Oklahoma Press, 2022) illuminates this oft-overlooked chapter of the Holocaust. In December 1941, with the German-led invasion of the Soviet Union in its sixth month, a twelve-year-old Jewish boy named Motl Braverman, along with family members, was uprooted from his Ukrainian hometown and herded to the remote village of Pechera, the site of a Romanian death camp. Author Maksim Goldenshteyn, the grandson of Motl, first learned of his family's wartime experiences in 2012. Through tireless research, Goldenshteyn spent years unraveling the story of Motl, his family members, and his fellow prisoners. The author here renders their story through the eyes of Motl and other children, who decades later would bear witness to the traumas they suffered. Until now, Romanian historians and survivors have served as almost the only chroniclers of the Holocaust in Transnistria. Goldenshteyn's account, based on interviews with Soviet-born relatives and other survivors, archival documents, and memoirs, is among the first full-length book to spotlight the Pechera camp, ominously known by its prisoners as Mertvaya Petlya, or the "Death Noose." Unfortunately, as the author explains, the Pechera camp was only one of some two hundred concentration sites spread across Transnistria, where local Ukrainian policemen often conspired with Romanian guards to brutalize its prisoners. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history
When we think of Nazi camps, names such as Auschwitz, Bergen-Belsen, and Dachau come instantly to mind. Yet the history of the Holocaust extends beyond those notorious sites. In the former territory of Transnistria, located in occupied Soviet Ukraine and governed by Nazi Germany's Romanian allies, many Jews perished due to disease, starvation, and other horrific conditions. Through an intimate blending of memoir, history, and reportage, So They Remember: A Jewish Family's Story of Surviving the Holocaust in Soviet Ukraine (U Oklahoma Press, 2022) illuminates this oft-overlooked chapter of the Holocaust. In December 1941, with the German-led invasion of the Soviet Union in its sixth month, a twelve-year-old Jewish boy named Motl Braverman, along with family members, was uprooted from his Ukrainian hometown and herded to the remote village of Pechera, the site of a Romanian death camp. Author Maksim Goldenshteyn, the grandson of Motl, first learned of his family's wartime experiences in 2012. Through tireless research, Goldenshteyn spent years unraveling the story of Motl, his family members, and his fellow prisoners. The author here renders their story through the eyes of Motl and other children, who decades later would bear witness to the traumas they suffered. Until now, Romanian historians and survivors have served as almost the only chroniclers of the Holocaust in Transnistria. Goldenshteyn's account, based on interviews with Soviet-born relatives and other survivors, archival documents, and memoirs, is among the first full-length book to spotlight the Pechera camp, ominously known by its prisoners as Mertvaya Petlya, or the "Death Noose." Unfortunately, as the author explains, the Pechera camp was only one of some two hundred concentration sites spread across Transnistria, where local Ukrainian policemen often conspired with Romanian guards to brutalize its prisoners. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
Jovanni is joined by Lia Tarachansky, an Israeli-Canadian journalist and filmmaker. Lia shares her journey from being born in Soviet Ukraine to her family's move to Israel and later to Canada, her career in journalism, and her engagement in Palestinian solidarity work. The discussion delves into the complex layers of the Israel-Palestine conflict, systemic discrimination, and the role of media in decolonizing narratives. Tarchansky also speaks about her latest academic work focusing on the use of augmented reality to bring Palestinian history to Israeli consciousness and reflects on the growing anti-Zionist Jewish movements. Main website: https://www.fortressonahill.comLet me guess. You're enjoying the show so much, you'd like to leave us a review?! https://lovethepodcast.com/fortressonahillEmail us at fortressonahill@protonmail.comCheck out our online store on Spreadshirt.com. T-shirts, cell phone covers, mugs, etc.: https://bit.ly/3qD63MWNot a contributor on Patreon? Sign up to be one of our patrons today! – https://www.patreon.com/fortressonahillA special thanks to our Patreon honorary producers – Fahim's Everyone Dream, Eric Phillips, Paul Appel, Julie Dupree, Thomas Benson, Janet Hanson, Ren jacob, and Helge Berg. You all are the engine that helps us power the podcast. Thank you so much!!!Not up for something recurring like Patreon, but want to give a couple bucks?! Visit https://paypal.me/fortressonahill to contribute!!Fortress On A Hill is hosted, written, and produced by Chris ‘Henri' Henrikson, Danny Sjursen, Keagan Miller, Jovanni Reyes, Shiloh Emelein, and Monisha Rios. https://bit.ly/3yeBaB9Intro / outro music “Fortress on a hill” written and performed by Clifton Hicks. Click here for Clifton's Patreon page: https://bit.ly/3h7Ni0ZCover and website art designed by Brian K. Wyatt Jr. of B-EZ Graphix Multimedia Marketing Agency in Tallehassee, FL: https://bit.ly/2U8qMfnNote: The views expressed in this podcast are those of the hosts alone, expressed in an unofficial capacity, and do not reflect the official policy or position of the Department of the Army, Department of Defense, or the U.S. government.
On the late Dmitri Furman's account of post-Soviet Russia. Patreon Exclusive: for the Reading Club, join for $12/mo and get access to ALL Bungacast content, incl. 4 exclusive, original episodes a month We continue our discussions along this year's themes (rise and fall of nations; Russia past and present) by tackling Imitation Democracy: The Development of Russia's Post-Soviet Political System. Why has there been a revival in interest in the late Soviet and early post-Soviet period? And in the global 1990s in general? What does it really mean to be without-alternative? Why didn't democracy take hold in Russia? And why did it become an "imitation democracy" and not something else? How was Yeltsin a disaster? And what was Putin's appeal? Does 'Putinism' actually exist? Is it interesting or novel in any way? What happened after Furman's death and Russia's turn to "violent parody of the West"? Readings: Imitation Democracy: The Development of Russia's Post-Soviet Political System, Dmitri Furman, Verso Imitation Democracies: The Post-Soviet Penumbra, Dmitri Furman, New Left Review (pdf) Imitation Democracy: Perry Anderson writes about Dmitri Furman's analysis of Russia's post-communism, Perry Anderson, London Review of Books Listening Links: /114/ Reading Club: The Light That Failed - on the end of the "Age of Imitation" /270/ Russia vs the West ft. Richard Sakwa - on the endgame to war in Ukraine; and /271/ Russia vs the West (2) ft. Richard Sakwa - on the post-Soviet landscape /410/ Reading Club: Deutscher's Stalin - On Isaac Deutscher's classic Stalin: A Political Biography /421/ Who Are the Wrong Ukrainians? ft. Volodymyr Ishchenko - on post-Soviet Ukraine, from Maidan to war Music: Éva Csepregi, "O.K. Gorbacsov", Hungaroton , WEA, High Fashion Music, Dureco
© 2020-2026 Ivy Podcast Discovery LLC
