Podcasts about Polish

This Episode is Sponsored by Lodgify If you have been thinking about building your own direct booking channel and reducing your reliance on the OTAs, Lodgify is worth a serious look. It brings your booking website, channel management, guest messaging, and unified inbox into one place. VRS listeners can get 20% off yearly and bi-yearly plans with code VRS-20, valid through to the end of June. Visit Lodgify and use code VRS-20 to get started.  > Click here to visit Lodgify.com  ________________________________________________________________________________________________________________________________________ Heather has just returned from a week in the UK - visiting family, catching up with old friends, and speaking at the Scale AI Summit in Brighton. In this solo reflection episode, she weaves together two very different vacation rental experiences, a hospitality revelation on a delayed Virgin Atlantic flight, and the core teaching from her conference session to land on a single, unifying idea: purpose comes before polish, and foundation comes before execution. The episode moves from a functional but story-free farm conversion cottage, to a 300-year-old Hastings cottage that felt like it had been created specifically for her friends, to a conference room full of STR operators at every stage of their AI journey. The thread connecting all of it: knowing who you are, who you serve, and what you stand for before you pick up a single tool - whether that tool is a £200 kettle, a booking platform, or an AI assistant. Heather also walks through the core framework from her "Building Your AI Business Brain" session, giving listeners a practical, actionable foundation they can start building this week. Key Takeaways A pilot who told his delayed passengers "I am the host of this flight and you are my guests" changed the atmosphere of an entire departure lounge with one sentence. Purpose, clearly stated, changes everything. The difference between the two cottages wasn't price or quality - it was whether the owner knew exactly who they were creating the experience for. One was built for a specific person; the other was built for anyone passing through. Before you touch a single AI tool, you need five foundational pieces in place: your vision, your mission and values, your business profile (including avatars, brand voice, and workflows). Without these, AI will produce generic output for a generic audience. The fastest way to capture your brand voice isn't to write it - it's to talk it through using voice-to-text. Most people think out loud more naturally than they write, and the result is closer to your real voice. At the Scale AI Summit, fewer than half the room had a documented client or owner avatar - which means their AI has no idea who it's writing for. If it's not documented, it doesn't exist as far as your AI is concerned. Strategy before execution, every time. Paul Anderson's RAF officer training insight maps directly to AI adoption: the operators who slow down to build a foundation first are the ones who get useful, consistent results. ________________________________________________________________________________________________________________________________________

We were delighted to welcome Seth Holehouse, host of the popular podcast Man in America, to The Breggin Hour. With over a million listeners dedicated to uncovering the forces reshaping our nation, Seth brings a thoughtful, big-picture perspective that resonates deeply with our own work exposing global predators. This wide-ranging conversation touched on the Epstein files, MKUltra, satanic ritual abuse, compromised elites, spiritual warfare, and the practical steps each of us can take to live freely in an upside-down world. As always, we encourage you to listen to the full episode for the complete exchange. The Epstein Files: A Crack in the Veil Seth first encountered the Epstein story years ago amid early discussions of Pizzagate, the Podestas, disturbing artwork, and high-profile figures like Bill Clinton. The more recent document releases struck a chord, especially with younger people encountering the horror on TikTok. “There are a lot of people that… look around and just have this sense that something's just not right with the world.” These awakening moments—whether from 9/11, COVID, or the Epstein revelations—pierce the illusions. Seth urges us to step back and take the broader view rather than getting lost in distractions or narrow slices of the truth. This aligns with our own experience: the more we step back and examine the complete picture, the clearer the patterns of predation become.  MKUltra, Survivor Testimony, and the Pyramid of Control Seth has conducted powerful interviews with survivors of MKUltra and satanic ritual abuse, including a dedicated series exploring these dark networks. These accounts reveal how compromise, blackmail, and ritual abuse serve as tools to control those who rise in elite circles. He draws on important works, including Fritz Springmeier's Bloodlines of the Illuminati, Jim Marrs ‘ Behold a Pale Horse, and especially Andrzej Łobaczewski's Political Ponerology. Łobaczewski, a Polish psychiatrist who survived both Nazi and Communist regimes, studied how pathological personalities—particularly psychopaths and character-disordered individuals lacking conscience and empathy—infiltrate and corrupt institutions. This leads to pathocracy, or “rule by evil,” where a small minority of disordered people seize power, distort ideologies, and promote their own kind. The process, called ponerization, gradually transforms normal groups into pathological ones through infiltration, blackmail, and twisted moral justifications (paramoralisms). Visible politicians, celebrities, and CEOs often serve as puppets in a modern Allegory of the Cave, while real power lies higher up within protected bloodlines and networks. Compromise—frequently involving the abuse of children—ensures loyalty. This framework helps explain the spread of evil at the highest levels and why left-right political theater so often distracts from deeper systemic pathology. As Seth's survivor interviews illustrate, these mechanisms are not abstract—they destroy lives and souls. Facing this kind of evil is not easy. Ginger noted how confronting the Epstein files broke her heart and made it difficult to continue looking for a time. Peter connected it to his lifelong reform work protecting children and the vulnerable from institutional and psychiatric abuse. Spiritual Warfare and the Choice Before Us We see these issues as fundamentally spiritual—a testing ground where individuals and societies must choose virtue, love, and truth over base appetites and predation. Seth, raised in a Christian home with an emphasis on simply being a good person, describes a predator-prey dynamic operating at elite levels. Peter and I shared reflections on our partnership, including the challenges of Peter's stroke and his remarkable recovery through hyperbaric oxygen therapy and other supports. After decades together fighting for patients and human freedom, we know the sustaining power of love and mutual commitment in the face of darkness. Spotting Controlled Opposition and Questioning Authority Seth offered practical wisdom for navigating today's information landscape—wisdom we have learned through hard experience: Heavy focus on left-right political divides often serves the control grid by keeping people distracted and divided. Beware influencers who shut down discussion of “forbidden” topics or demand unquestioning loyalty. Prioritize sources with evidence and receipts rather than vague “secret intel.” Maintain an open mind and even question your own assumptions. “It's my moral duty to question everything… even to question my own beliefs.” This spirit of honest inquiry is essential. As we have seen time and again, real reform begins with refusing to accept surface narratives and insisting on truth. Prep Like Noah: Returning to Human Living Living near a major population center, Seth speaks from experience about preparedness—not driven by fear, but by a return to traditional, responsible ways of life. His forthcoming book Prep Like Noah and the new private community The Ark (buildthearc.com) focus on self-reliance in food, energy, homeschooling, and community. The coming “flood” may involve digital IDs, surveillance, engineered shortages, and expanding tyranny. By reclaiming control over the essentials of life, we become less vulnerable. Like Noah, we build what we can control and allow pathological systems to collapse under the weight of their own evil, incompetence, and infighting. Peter found Seth's grounded, calming perspective especially helpful. We agree: returning to authentic human connection, family, and stewardship is one of the strongest defenses against the demoralization that global predators promote. Final Thoughts Conversations like this remind us that while the forces arrayed against humanity are formidable, truth-seeking, moral courage, strong families, and practical action offer real hope and freedom. We are grateful to Seth Holehouse for joining us and look forward to future discussions. Connect with Seth Holehouse: Website: SethHolehouse.com Podcast: Man in America Book & Community: Prep Like Noah / BuildTheArc.com Conversations like this remind us that while the forces arrayed against humanity are formidable — truth-seeking, moral courage, strong families, and practical action offer real hope and freedom. We are grateful to Seth Holehouse for joining us and look forward to future discussions. ______   Learn more about Dr. Peter Breggin's work: https://breggin.com/   See more from Dr. Breggin's long history of being a reformer in psychiatry: https://breggin.com/Psychiatry-as-an-Instrument-of-Social-and-Political-Control   Psychiatric Drug Withdrawal, the how-to manual @ https://breggin.com/a-guide-for-prescribers-therapists-patients-and-their-families/   Get a copy of Dr. Breggin's latest book: WHO ARE THE “THEY” - THESE GLOBAL PREDATORS? WHAT ARE THEIR MOTIVES AND THEIR PLANS FOR US? HOW CAN WE DEFEND AGAINST THEM? Covid-19 and the Global Predators: We are the Prey Get a copy: https://www.wearetheprey.com/   “No other book so comprehensively covers the details of COVID-19 criminal conduct as well as its origins in a network of global predators seeking wealth and power at the expense of human freedom and prosperity, under cover of false public health policies.”   ~ Robert F Kennedy, Jr Author of #1 bestseller The Real Anthony Fauci and Founder, Chairman and Chief Legal Counsel for Children's Health Defense.  

What does it mean to keep practicing after the loss of the teacher who gave you the practice?   In this deeply personal episode, Harmony Slater speaks with Bianca Oliviera — a Brazilian-born Ashtanga teacher now living in Katowice, Poland — about the sudden passing of Sharath Jois, the grief that followed, and how she continues to carry the teachings forward. Bianca was present at the Active Series training in Virginia when Sharath passed, and she shares her firsthand account of that day with honesty, grief, and deep reverence.   This conversation explores what happens to devotion when its outer form disappears — and why the essence of the practice, once received, can never truly be lost.   IN THIS EPISODE: How Bianca discovered yoga in Rio de Janeiro through her grandmother Moving to the U.S., a teaching training scholarship, and the DVD that changed everything First encountering Sharath on the 2013 U.S. tour — and knowing she'd found her teacher Six trips to Mysore, practicing with both Saraswati and Sharath Navigating practice with a young child — and a supportive Polish artist husband Injuries, catching debates, and learning to listen to the body Teaching evening Mysore in Katowice, organizing family-friendly retreats Being present in Virginia for the Active Series launch — and the hike that ended everything The shock, the circle of prayer, the blanket, and the nights no one could sleep Life since Sharath's passing: mixed feelings, shifted priorities, community bonds Impermanence as the ultimate teacher — in practice, in family, and in loss   KEY QUOTES: "Each time I finish, I feel good. Something inside feels better." "He sacrificed so much so I could practice with Sharaji because he knew it was super special and important for me." "Nothing is forever. Not our bodies, not our communities, not our guru, not our practices."   GUEST BIO: BIANCA RAPOSO DE OLIVEIRA is a Brazilian-born Ashtanga yoga teacher based in Katowice, Poland. She discovered yoga in Rio de Janeiro and found Ashtanga after watching the Ashtanga New York DVD during a 200-hour teacher training in North Carolina. She traveled to Mysore approximately six times to practice with Saraswati Jois and Sharath Jois. She now runs an evening Mysore program and teaches online, and organizes yoga retreats with her husband and son Surya.   CONNECT WITH BIANCA: Instagram: @biancayoga Website: ashtangayogakatowice.com   HARMONY IS TEACHING IN PORTUGAL: Agora Lisboa (Lisbon) — June 25–28 Ashtanga House Faro — Five-day immersion in Faro, Portugal – DM Harmony on Instagram @harmonyslaterofficial   SUBSCRIBE & REVIEW: Find Finding Harmony on Apple Podcasts, Spotify, YouTube, and Podbean. The Inner Rejuvenation Codes: https://harmonyslater.kit.com/inner-rejuvenation-codes-mc Join the Lightworker Mastermind:  https://harmonyslater.com/lightworker-mastermind FIND Harmony online: https://harmonyslater.com/ Harmony on IG: https://www.instagram.com/harmonyslaterofficial/ Finding Harmony Podcast on IG: https://www.instagram.com/findingharmonypodcast/ FREE Manifestation Activation: https://harmonyslater.kit.com/manifestation-activation

What does it mean to keep practicing after the loss of the teacher who gave you the practice?   In this deeply personal episode, Harmony Slater speaks with Bianca Oliviera — a Brazilian-born Ashtanga teacher now living in Katowice, Poland — about the sudden passing of Sharath Jois, the grief that followed, and how she continues to carry the teachings forward. Bianca was present at the Active Series training in Virginia when Sharath passed, and she shares her firsthand account of that day with honesty, grief, and deep reverence.   This conversation explores what happens to devotion when its outer form disappears — and why the essence of the practice, once received, can never truly be lost.   IN THIS EPISODE: How Bianca discovered yoga in Rio de Janeiro through her grandmother Moving to the U.S., a teaching training scholarship, and the DVD that changed everything First encountering Sharath on the 2013 U.S. tour — and knowing she'd found her teacher Six trips to Mysore, practicing with both Saraswati and Sharath Navigating practice with a young child — and a supportive Polish artist husband Injuries, catching debates, and learning to listen to the body Teaching evening Mysore in Katowice, organizing family-friendly retreats Being present in Virginia for the Active Series launch — and the hike that ended everything The shock, the circle of prayer, the blanket, and the nights no one could sleep Life since Sharath's passing: mixed feelings, shifted priorities, community bonds Impermanence as the ultimate teacher — in practice, in family, and in loss   KEY QUOTES: "Each time I finish, I feel good. Something inside feels better." "He sacrificed so much so I could practice with Sharaji because he knew it was super special and important for me." "Nothing is forever. Not our bodies, not our communities, not our guru, not our practices."   GUEST BIO: BIANCA RAPOSO DE OLIVEIRA is a Brazilian-born Ashtanga yoga teacher based in Katowice, Poland. She discovered yoga in Rio de Janeiro and found Ashtanga after watching the Ashtanga New York DVD during a 200-hour teacher training in North Carolina. She traveled to Mysore approximately six times to practice with Saraswati Jois and Sharath Jois. She now runs an evening Mysore program and teaches online, and organizes yoga retreats with her husband and son Surya.   CONNECT WITH BIANCA: Instagram: @biancayoga Website: ashtangayogakatowice.com   HARMONY IS TEACHING IN PORTUGAL: Agora Lisboa (Lisbon) — June 25–28 Ashtanga House Faro — Five-day immersion in Faro, Portugal – DM Harmony on Instagram @harmonyslaterofficial   SUBSCRIBE & REVIEW: Find Finding Harmony on Apple Podcasts, Spotify, YouTube, and Podbean. The Inner Rejuvenation Codes: https://harmonyslater.kit.com/inner-rejuvenation-codes-mc Join the Lightworker Mastermind:  https://harmonyslater.com/lightworker-mastermind FIND Harmony online: https://harmonyslater.com/ Harmony on IG: https://www.instagram.com/harmonyslaterofficial/ Finding Harmony Podcast on IG: https://www.instagram.com/findingharmonypodcast/ FREE Manifestation Activation: https://harmonyslater.kit.com/manifestation-activation

That's right, it's Happy Retirement Week for Pottymouth – from her day job, not the pod! But that means a little less incognito. If there's a beer in front of her face, it is because she's drinking it, not hiding behind it. We've got some multihomer bfs this week, including one where others demand the credit, the espresso boys are lighting things up, Josh embraces the beer league. A's Nick hits the ball really far while BSB Nick throws out a first pitch in a Vegas preview. Freddie gets to 2500 and Kaz gets to 500 level. Kyle is close to coming back but is a fingernail really the right measurement? Can't not talk about Miz. FIFA sets off a travel ban/visa rant resulting in a fair question of why is the US allowed to host if it is so hostile to foreign nationals? Haiti's Polish flag jerseys are forbidden, and teach us some incredible history at the same time. A team owner raises the bar on the courthouse wedding. And Patti directs you to investigative reporting that involves “a hex on the family jewels.”We say, “special catcher cups,” “warnings that you're not focused and I'm struggling,” and, “It's all in the Gswing.” Fight the man, go see some live baseball, send your game balls to Meredith, and find us on Bluesky @ncibpodcast, on Facebook @nocryinginbball, Instagram @nocryinginbball and on the Interweb at nocryinginbball.com. Please take a moment to subscribe to the show, and leave us a review on Apple Podcasts or wherever you listen to NCiB. Become a supporter at Patreon to help us keep doing what we do. We now have episode transcripts available!  They are available for free at our Patreon site. Say goodnight, Pottymouth. 

Hey, soccer fans! The United States Men's National Team put on a historic performance against Paraguay in their openeing match of the 2026 FIFA World Cup, defeating the South American side 4-1. An own goal got the scoring started for the Yanks, but Falorin Balogun bagged a brace, and Gio Reyna pitched in, as well. The USMNT dominated all stages of the game, coming out strong, controlling the pace, and breaking down a good Paraguayan defence to score - all things critics have pointed out over the last several matches. It's a great moment for the US Men and for American soccer fans. Let's keep it going! Nick also recaps the World Cup scoreboard and results, highlighting notable matches and results, and how it could affect the knockout rounds. We also discuss the Chicago Fire's latest transfer targets. Polish striker Robert Lewandowski was in Chicago for a visit and meetings, and left impressed with the organization. It is now up to him to consider the Men in Red's offer - rumored to be up to $22 million a year for 2-3 years. German international Leon Goretzka has also been targed by the Fire, who are looking for more creativity out of their midfield. Could we see the two Bayern Munich stars reunite in Chicago? The Fire are also rumored to have interest in Australian international and Heart of Midlothian midfielder Cammy Devlin. I'm sure he'll be a hard target to obtain after a good perofrmance by the Aussies this World Cup. Tune in and join the conversation! Make sure you like & subscribe, rate & review, and keep growing the show. Follow the Fire on SportSpyder. Connect on social media: Twitter - Facebook - Instagram - YouTube Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The deformed, spooky, filthy, gorgeous, and sexy Polish sensation Pomadka Teresa sits down with Thumali for an exclusive podcast interview. Step into the cooky world of Pomadka as we dive DEEP, DEEP, DEEP inside her artistic journey. From the slaytastic early years of her modeling career, to the beautiful monstrosity she's known for today. We'll learn ALL the tea from The Pamela Anderson of DRAG henny! Wanna support Pomadka in her journey to UNITE humankind through the power of Drag? Perhaps you want your very own Pomadka Teresa mask for your own collection? Well, be sure to follow Pomadka on her Instagram: https://www.instagram.com/pomadkateresa/And of course, support Wayward World Studios and me (Thumali): https://linktr.ee/waywardworldstudios

Today's story: The 'cola wars' of the 1980s and 1990s pitted Coca-Cola against Pepsi. Both brands had their classic recipes and their 'diet' alternatives. But as consumers pivoted away from full-sugar sodas, makers of fizzy drinks found a new hit: 'zero-sugar' recipes that tasted just like the original. Now, the hot debate among soda drinkers is between diet and zero-sugar recipes. Transcript & Exercises: https://plainenglish.com/873Get the full story and learning resources: https://plainenglish.com/873--Plain English helps you improve your English:Learn about the world and improve your EnglishClear, natural English at a speed you can understandNew stories every weekLearn even more at PlainEnglish.comMentioned in this episode:Hard words? No problemNever be confused by difficult words in Plain English again! See translations of the hardest words and phrases from English to your language. Each episode transcript includes built-in translations into Spanish, Portuguese, Chinese, German, French, Italian, Japanese, Polish, and Turkish. Sign up for a free 14-day trial at PlainEnglish.com

ON TODAYS PROGRAM…   THREE BRITS ON THE PODIUM…LCH TAKES THE WIN IN BARCA AND TOTO SAYS…MAYBE HIS GIRL FRIEND HAS SOMETHING TO DO WITH IT!!! LECLERC CONTINUES HIS DOWNWARD SPIRAL KIMI'S DNF SLOWS DOWN HIS MOMENTUM AND… SO SO SAD…FERNANDO DEAD LAST IN QUALI…THE FINAL CURTAIN!   TOYOTA WINS LEMANS AND NICK DE VRIES GETS THE LAST LAUGH! CORVETTE WINS THE GT3 CLASS AND…   THIS WEEK'S NASIR HAMEED CORNER WE HAVE: A MOMENT IN MOTORSPORTS HISTORY…AN INTERVIEW WITH MIKA SALO. MORE GREAT TRIVIA FROM ANDREW. George Russell Congratulations to Lewis (Hamilton). He drove a really impressive race today after being incredibly quick in Qualifying yesterday. Coming into the weekend, I don't think we expected that pace from Ferrari, so we know we've got a challenge coming from them in the races ahead. We will be working hard to tackle that challenge and get back to winning ways. On my side, the race today was not straightforward. I was struggling with the tyres towards the end of my second and third stints; the Virtual Safety Car didn't help us either and it would have been a fascinating race with Lewis without that. I will take the positives from this weekend though. It has been clean from the very start and I come away with 18 points, which is 18 points more than I managed across Canada and Monaco! We will regroup in the week ahead and look to improve for Austria. We've got a big double-header coming up with Spielberg and Silverstone and I am already excited for it. Kimi Antonelli It is very disappointing to retire from P2, but these things can happen in racing. George suffered an issue in Canada and now it's happened to me; we know our reliability is something we need to work on and I am sure the team will be pushing incredibly hard to improve that. It's more important points that we've lost but we must remember that it is the first year of these new regulations and we are all learning quickly. Congratulations to Lewis (Hamilton) on his victory today. He is a great driver and has been so much help in my career so far. I am pleased to see him up there once again as he really deserves it. I think we had the pace today to challenge him for the win, but the Virtual Safety Car came out at a bad time for us, and we didn't get to see how things would have played out. We have one week without racing before returning in Austria. We have seen our competitors take a step forward here this weekend and we will need to raise our game there if we want to fight for victory again. We will pick ourselves up, learn from this weekend, and come back stronger. MAX VERSTAPPEN - 4th "Today we just didn't have the pace to keep up with the cars ahead. I was really just doing my own race as we were a little bit behind the guys that finished in front of me. As a Team we did everything right, it was the winning strategy, so we made the right call there with the tyres. We were just too slow compared to the cars ahead on each compound, unfortunately. We tried our best and put everything into it but ultimately the whole weekend was a bit tough for us. We do struggle more with these high energy tracks with high degradation and we just need to work on things and try to find more pace in the upcoming races." ISACK HADJAR - 6th "I felt like I had good pace this weekend once we got to Qualifying and the race, but I had a shocker at the race start with so much wheelspin, so that's one aspect I really want to focus on before Red Bull Ring. We could have fought with Oscar if we had a good start, so it's a bit of a shame. I think we did way better than we thought we would this weekend given the track layout and conditions. Austria will be a better track for us, and we expect to have a stronger car. We just need to work on the starts." TOYOTA TAKE ITS SIXTH VICTORY AT LE MANS Toyota executed a perfect, textbook strategy throughout the 94th edition of the 24 Hours of Le Mans to claim its first victory since 2022, securing a sixth overall triumph and equalling the tally of British marque Bentley.     To spectacular fanfare, Japanese powerhouse Toyota Racing lifted the iconic trophy at a sun-kissed Circuit de la Sarthe for the first time in four years, in front of hundreds of thousands of spectators at the venue and millions more watching around the world. Drivers Kamui Kobayashi, Nyck de Vries and Mike Conway emerged as the team to beat at the end of the race, guiding the #7 Toyota to victory ahead of the sister #8 Toyota Racing entry, the #20 BMW M Team WRT and the #12 Cadillac Hertz Team JOTA machine in an epic four-way battle to the chequered flag – underlining the "Platinum Era" status that the Hypercar category is building. For Kobayashi, it was a second Le Mans victory. It marked a second triumph for British star Mike Conway and, for the first time in 38 years, a historic win for the Netherlands as Nyck de Vries became the latest Dutch driver to conquer Le Mans. It looked set to be another Toyota one-two, but BMW's never-say-die attitude ensured that the FIA World Endurance Championship points leaders – the #20 crew of Robin Frijns, René Rast and Sheldon van der Linde – claimed second overall and a valuable haul of championship points. Toyota could still be delighted with third place, although a few costly mistakes and strategy calls denied the #8 Toyota of Sébastien Buemi, Brendon Hartley and Ryō Hirakawa another victory. Meanwhile, Cadillac can take plenty of plaudits once again. A crowd favourite throughout the week, the #12 Cadillac Hertz Team JOTA crew gave everything in pursuit of victory, and the pace they demonstrated at Le Mans suggests they will remain contenders for years to come. Inter Europol Competiton lock-out LMP2  It was a grandstand finish in LMP2 as Inter Europol Competition worked well overnight to bring both cars into the rostrum contention, but a second day charge from Forestier Racing by Panis had everyone on the edge of their seats, but after 24 hours of racing the Polish #43 ORECA with pilots Jakub Smiechowski, Tom Dillmann and Nicholas Yelloly win the penultimate race at Le Mans for this specification LMP2 car! Corvette charge back to the top! Corvette capture the magic of Le Mans once again with iconic yellow #33 Corvette run by TF Sport took LMGT3 laurels with Ben Keating, Jonny Edgar, Nicky Catsburg taking a popular leap onto the top step of the podium. Akkodis ASP Team put Lexus on the podium for the first time at Le Mans with the #78 car second and the #23 Heart of Racing Aston Martin joins in the celebrations in third. Top 5 Results - 24 Hours of Le Mans: Toyota TR010 Hybrid #7 Toyota Gazoo Racing – Mike Conway / Kamui Kobayashi / Nyck de Vries – 381 Laps BMW M Hybrid V8 #20 BMW M Team WRT – Robin Frijns / Rene Rast / Sheldon van der Linde – + 10.913 Toyota TR010 Hybrid #8 Toyota Gazoo Racing – Sébastien Buemi / Brendon Hartley / Ryo Hirakawa – + 20.417 Cadillac V-Series.R #12 Cadillac Hertz Team JOTA – Louis Delétraz / Will Stevens / Norman Nato – +32.381 Ferrari 499P #51 Ferrari-AF Corse – Alessandro Pier Guidi / James Calado / Antonio Giovinazzi – +2:22.423 Category Winners: LMP2: Oreca 07-Gibson #43 Inter Europol Competition – Jakub Smiechowski / Tom Dillmann / Nicholas Yelloly - 361 Laps LMGT3: Corvette Z06 LMGT3.R #33 TF Sport – Ben Keating / Jonny Edgar / Nicky Catsburg – 336 laps Fastest Lap: Rio Hirakawa (Toyota TR010 – Hybrid #8 Toyota Racing) – 3:25.041 - Lap 306 Retirements: Oreca 07-Gibson #30 Duqueine Team – Doriane Pin / Julien Andlauer / Richard Verschoor Ferrari 499P #50 Ferrari-AF Corse – Antonio Fuoco / Nicklas Nielsen / Miguel Molina Porsche 911 GT3 R LMGT3 #91 Manthey DK Engineering – James Cottingham / Timur Boguslavskiy / Ayhancan Güven Genesis GMR-001-Hypercar #17 Genesis Magma Racing – André Lotterer / Luis Felipe Derani / Mathys Jaubert Ford Mustang LMGT3 #77 Proton Competition –  Eric Powell / Ben Tuck / Sebastian Priaulx Cadillac V-Series.R #38 Cadillac Hertz Team JOTA – Sébastien Bourdais / Earl Bamber / Jack Aitken Mercedes-AMG LMGT3 #79 Iron Lynx – Johannes Zelger / Matteo Cressoni / Lin Hodenius Ferrari 296 LMGT3 Evo #54 Vista AF Corse – Thomas Flohr / Francesco Castellacci / Davide Rigon Mercedes-AMG LMGT3 #61 Iron Lynx (Martin Berry / Rui Andrade / Maxime Martin Corvette Z06 LMGT3.R #13 Thirteen Autosport – Orey Fidani / Lars Kern / Matthew Bell

If you're enjoying the content, please like, subscribe, and comment!Kieran's Links:Book mini-site: https://linktr.ee/para.normalityBook on Amazon: https://amzn.eu/d/03RamRMxPodcast: https://youtube.com/@para.podcast  ⁨@para.podcast⁩  Kieran Stanislaw Mace is a full-time graphic designer by day, an obsessor of the paranormal by night. Born in Oxford, UK from Sardinian, Polish and British heritage. He was educated amongst the dreaming spires of Oxford city, where he studied Graphic Design at college and university. He worked as a professional designer for many years until he was able to delve into his other passion - the paranormal world._______________________Follow us!@worldxppodcast Instagram - https://bit.ly/3eoBwyr@worldxppodcast Twitter - https://bit.ly/2Oa7BzmSpotify - http://spoti.fi/3sZAUTGYouTube - http://bit.ly/3rxDvUL#neardeathexperience #paranormal #spirituality #medium #neardeath #hospital #spirits #drugs #hallucination #psychedelictrance #art #subscribe #explore #explorepage #podcastshow #longformpodcast #podcasts #podcaster #podcasting #worldxppodcast #viralvideo #youtubeshorts

While royal houses are often insular and even incestuous (at least at the cousin-marrying level), new blood does manage to enter those gene pools from time to time. Meet the Mountbattens! The family's story begins in Russia, circa 1850, where the orphaned daughter of a Polish general named Julia von Hauke was serving in the household of Maria Alexandrovna, future wife of future Tsar Alexander II. Maria's brother, Prince Alexander of Hesse and by Rhine, fell hard for the common-born Julia, a romance that was seemingly halted by Emperor Nicholas I, who wanted Prince Alexander to marry his niece. Unable to shake off their love, the two eloped, which left Alexander persona non grata in the Russian court. Returning to his native Hesse, Prince Alexander's brother, Grand Duke Louis III of Hesse-Darmstadt, granted Julia the title of Countess of Battenberg, named for a town in the north of the duchy, and later, Princess of Battenberg. But Europe's royal houses have both a long memory and an enormous snobbery, meaning that when Alexander and Julia's sons, The Battenberg Boys, began pursuing the granddaughters of England's Queen Victoria for marriage a generation later, the courtships - successful and unsuccessful - were rife with intrigue and scandal. But it was the marriage of Louis Battenberg to Queen Vic's granddaughter Princess Victoria of Hesse and by Rhine that would eventually transform the family from a tainted, common-born Battenberg lineage to the British Mountbattens, the house of Queen Elizabeth II's husband, Prince Philip, Duke of Edinburgh. But that's a story for next week. Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at⁠ patreon.com/trashydivorces⁠! Want a personalized message for someone in your life?⁠ Check us out on Cameo⁠! To advertise on our podcast, please reach out to ⁠info@amplitudemediapartners.com⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

While royal houses are often insular and even incestuous (at least at the cousin-marrying level), new blood does manage to enter those gene pools from time to time. Meet the Mountbattens! The family's story begins in Russia, circa 1850, where the orphaned daughter of a Polish general named Julia von Hauke was serving in the household of Maria Alexandrovna, future wife of future Tsar Alexander II. Maria's brother, Prince Alexander of Hesse and by Rhine, fell hard for the common-born Julia, a romance that was seemingly halted by Emperor Nicholas I, who wanted Prince Alexander to marry his niece. Unable to shake off their love, the two eloped, which left Alexander persona non grata in the Russian court. Returning to his native Hesse, Prince Alexander's brother, Grand Duke Louis III of Hesse-Darmstadt, granted Julia the title of Countess of Battenberg, named for a town in the north of the duchy, and later, Princess of Battenberg. But Europe's royal houses have both a long memory and an enormous snobbery, meaning that when Alexander and Julia's sons, The Battenberg Boys, began pursuing the granddaughters of England's Queen Victoria for marriage a generation later, the courtships - successful and unsuccessful - were rife with intrigue and scandal. But it was the marriage of Louis Battenberg to Queen Vic's granddaughter Princess Victoria of Hesse and by Rhine that would eventually transform the family from a tainted, common-born Battenberg lineage to the British Mountbattens, the house of Queen Elizabeth II's husband, Prince Philip, Duke of Edinburgh. But that's a story for next week. Continue your investigation with ad-free and bonus episodes on ⁠⁠⁠Patreon⁠⁠⁠! To advertise on Done & Dunne, please reach out to ⁠⁠⁠info@amplitudemediapartners.com⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

While royal houses are often insular and even incestuous (at least at the cousin-marrying level), new blood does manage to enter those gene pools from time to time. Meet the Mountbattens! The family's story begins in Russia, circa 1850, where the orphaned daughter of a Polish general named Julia von Hauke was serving in the household of Maria Alexandrovna, future wife of future Tsar Alexander II. Maria's brother, Prince Alexander of Hesse and by Rhine, fell hard for the common-born Julia, a romance that was seemingly halted by Emperor Nicholas I, who wanted Prince Alexander to marry his niece. Unable to shake off their love, the two eloped, which left Alexander persona non grata in the Russian court. Returning to his native Hesse, Prince Alexander's brother, Grand Duke Louis III of Hesse-Darmstadt, granted Julia the title of Countess of Battenberg, named for a town in the north of the duchy, and later, Princess of Battenberg. But Europe's royal houses have both a long memory and an enormous snobbery, meaning that when Alexander and Julia's sons, The Battenberg Boys, began pursuing the granddaughters of England's Queen Victoria for marriage a generation later, the courtships - successful and unsuccessful - were rife with intrigue and scandal. But it was the marriage of Louis Battenberg to Queen Vic's granddaughter Princess Victoria of Hesse and by Rhine that would eventually transform the family from a tainted, common-born Battenberg lineage to the British Mountbattens, the house of Queen Elizabeth II's husband, Prince Philip, Duke of Edinburgh. But that's a story for next week. Listen ad-free at ⁠⁠⁠⁠patreon.com/trashyroyalspodcast⁠⁠⁠⁠. To advertise on this podcast, reach out to ⁠⁠⁠⁠info@amplitudemediapartners.com⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

A memoir of a child's forced relocation to Siberia under Stalin's Gulag system reveals the potential for true human kindness in the face of extraordinary hardship.  In April of 1940, six-year-old Ida woke to the sound of pounding on her door. Soviet soldiers forcibly packed her and her mother onto a train with thousands of their neighbors and deported them to remote Siberia, leaving them stranded to survive the brutal winter in subhuman conditions. Looking back, Ida shares their struggles: foraging for food, trying to reunite with her imprisoned father, spending weeks in a desolate hospital with typhoid fever, and adapting to shifts in the political climate to make the long journey home to Poland. Ida published this acclaimed memoir in her native Polish in 2011. Here, Ida's granddaughter, Isabella Skrypczak, translates her babcia's words and provides additional context—including describing the remarkable life Ida has gone on to live as a pioneering doctor. In the vein of Anne Frank's The Diary of a Young Girl, A Polish Girl in Siberia: Surviving and Transcending Exile (Disruption Books, 2026) chronicles Ida's experiences on a lesser-known front of the Second World War. Together, Ida and Isabella reflect on how every small act of kindness contributed to Ida's liberation from exile and ability to build a life and a family. Her story celebrates the capacity of the human spirit to not only survive trauma but thrive beyond it.Ida Kinalska-Pietruska survived childhood exile to Siberia during the Soviet Union's World War II assault on Poland. When she returned to Poland as a teen, she began studying medicine. A pioneering endocrinologist, she founded the School of Endocrinology and Diabetology in Białystok and led the region's first endocrinology clinic for twenty years. Ida has authored more than four hundred publications, mentored countless other doctors, and collaborated across the international medical community, including using her research to make widely known the Chernobyl disaster's effects on people's endocrinological health. She has been honored with the Order Odrodzenia Polski, Poland's second-highest civilian state award, and two Doctor Honoris Causa titles, reflecting her resilience, brilliance, and global impact on science and humanity.Isabella Skrypczak is an author, intuitive healer, and former HR professional in Big Tech whose work bridges the seen and unseen. Born to Polish immigrants and raised in Houston, Texas, she spent every summer with her grandmother in Poland. When her grandmother's memoir gained national attention in Polish media, Iza felt called to translate it into English—an act of love, remembrance, and advocacy. As war returned to Eastern Europe, she recognized the urgency in sharing this history with the Western world. She lives in Austin, Texas, with her daughter, Kamila.Stephen Satkiewicz is an independent scholar with research areas spanning Civilizational Sciences, Social Complexity, Big History, Historical Sociology, Military History, War Studies, International Relations, Geopolitics, and Russian and East European history. He is currently the Book Review Editor for Comparative Civilizations Review. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A memoir of a child's forced relocation to Siberia under Stalin's Gulag system reveals the potential for true human kindness in the face of extraordinary hardship.  In April of 1940, six-year-old Ida woke to the sound of pounding on her door. Soviet soldiers forcibly packed her and her mother onto a train with thousands of their neighbors and deported them to remote Siberia, leaving them stranded to survive the brutal winter in subhuman conditions. Looking back, Ida shares their struggles: foraging for food, trying to reunite with her imprisoned father, spending weeks in a desolate hospital with typhoid fever, and adapting to shifts in the political climate to make the long journey home to Poland. Ida published this acclaimed memoir in her native Polish in 2011. Here, Ida's granddaughter, Isabella Skrypczak, translates her babcia's words and provides additional context—including describing the remarkable life Ida has gone on to live as a pioneering doctor. In the vein of Anne Frank's The Diary of a Young Girl, A Polish Girl in Siberia: Surviving and Transcending Exile (Disruption Books, 2026) chronicles Ida's experiences on a lesser-known front of the Second World War. Together, Ida and Isabella reflect on how every small act of kindness contributed to Ida's liberation from exile and ability to build a life and a family. Her story celebrates the capacity of the human spirit to not only survive trauma but thrive beyond it.Ida Kinalska-Pietruska survived childhood exile to Siberia during the Soviet Union's World War II assault on Poland. When she returned to Poland as a teen, she began studying medicine. A pioneering endocrinologist, she founded the School of Endocrinology and Diabetology in Białystok and led the region's first endocrinology clinic for twenty years. Ida has authored more than four hundred publications, mentored countless other doctors, and collaborated across the international medical community, including using her research to make widely known the Chernobyl disaster's effects on people's endocrinological health. She has been honored with the Order Odrodzenia Polski, Poland's second-highest civilian state award, and two Doctor Honoris Causa titles, reflecting her resilience, brilliance, and global impact on science and humanity.Isabella Skrypczak is an author, intuitive healer, and former HR professional in Big Tech whose work bridges the seen and unseen. Born to Polish immigrants and raised in Houston, Texas, she spent every summer with her grandmother in Poland. When her grandmother's memoir gained national attention in Polish media, Iza felt called to translate it into English—an act of love, remembrance, and advocacy. As war returned to Eastern Europe, she recognized the urgency in sharing this history with the Western world. She lives in Austin, Texas, with her daughter, Kamila.Stephen Satkiewicz is an independent scholar with research areas spanning Civilizational Sciences, Social Complexity, Big History, Historical Sociology, Military History, War Studies, International Relations, Geopolitics, and Russian and East European history. He is currently the Book Review Editor for Comparative Civilizations Review. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

A memoir of a child's forced relocation to Siberia under Stalin's Gulag system reveals the potential for true human kindness in the face of extraordinary hardship.  In April of 1940, six-year-old Ida woke to the sound of pounding on her door. Soviet soldiers forcibly packed her and her mother onto a train with thousands of their neighbors and deported them to remote Siberia, leaving them stranded to survive the brutal winter in subhuman conditions. Looking back, Ida shares their struggles: foraging for food, trying to reunite with her imprisoned father, spending weeks in a desolate hospital with typhoid fever, and adapting to shifts in the political climate to make the long journey home to Poland. Ida published this acclaimed memoir in her native Polish in 2011. Here, Ida's granddaughter, Isabella Skrypczak, translates her babcia's words and provides additional context—including describing the remarkable life Ida has gone on to live as a pioneering doctor. In the vein of Anne Frank's The Diary of a Young Girl, A Polish Girl in Siberia: Surviving and Transcending Exile (Disruption Books, 2026) chronicles Ida's experiences on a lesser-known front of the Second World War. Together, Ida and Isabella reflect on how every small act of kindness contributed to Ida's liberation from exile and ability to build a life and a family. Her story celebrates the capacity of the human spirit to not only survive trauma but thrive beyond it.Ida Kinalska-Pietruska survived childhood exile to Siberia during the Soviet Union's World War II assault on Poland. When she returned to Poland as a teen, she began studying medicine. A pioneering endocrinologist, she founded the School of Endocrinology and Diabetology in Białystok and led the region's first endocrinology clinic for twenty years. Ida has authored more than four hundred publications, mentored countless other doctors, and collaborated across the international medical community, including using her research to make widely known the Chernobyl disaster's effects on people's endocrinological health. She has been honored with the Order Odrodzenia Polski, Poland's second-highest civilian state award, and two Doctor Honoris Causa titles, reflecting her resilience, brilliance, and global impact on science and humanity.Isabella Skrypczak is an author, intuitive healer, and former HR professional in Big Tech whose work bridges the seen and unseen. Born to Polish immigrants and raised in Houston, Texas, she spent every summer with her grandmother in Poland. When her grandmother's memoir gained national attention in Polish media, Iza felt called to translate it into English—an act of love, remembrance, and advocacy. As war returned to Eastern Europe, she recognized the urgency in sharing this history with the Western world. She lives in Austin, Texas, with her daughter, Kamila.Stephen Satkiewicz is an independent scholar with research areas spanning Civilizational Sciences, Social Complexity, Big History, Historical Sociology, Military History, War Studies, International Relations, Geopolitics, and Russian and East European history. He is currently the Book Review Editor for Comparative Civilizations Review. Learn more about your ad choices. Visit megaphone.fm/adchoices

A memoir of a child's forced relocation to Siberia under Stalin's Gulag system reveals the potential for true human kindness in the face of extraordinary hardship.  In April of 1940, six-year-old Ida woke to the sound of pounding on her door. Soviet soldiers forcibly packed her and her mother onto a train with thousands of their neighbors and deported them to remote Siberia, leaving them stranded to survive the brutal winter in subhuman conditions. Looking back, Ida shares their struggles: foraging for food, trying to reunite with her imprisoned father, spending weeks in a desolate hospital with typhoid fever, and adapting to shifts in the political climate to make the long journey home to Poland. Ida published this acclaimed memoir in her native Polish in 2011. Here, Ida's granddaughter, Isabella Skrypczak, translates her babcia's words and provides additional context—including describing the remarkable life Ida has gone on to live as a pioneering doctor. In the vein of Anne Frank's The Diary of a Young Girl, A Polish Girl in Siberia: Surviving and Transcending Exile (Disruption Books, 2026) chronicles Ida's experiences on a lesser-known front of the Second World War. Together, Ida and Isabella reflect on how every small act of kindness contributed to Ida's liberation from exile and ability to build a life and a family. Her story celebrates the capacity of the human spirit to not only survive trauma but thrive beyond it.Ida Kinalska-Pietruska survived childhood exile to Siberia during the Soviet Union's World War II assault on Poland. When she returned to Poland as a teen, she began studying medicine. A pioneering endocrinologist, she founded the School of Endocrinology and Diabetology in Białystok and led the region's first endocrinology clinic for twenty years. Ida has authored more than four hundred publications, mentored countless other doctors, and collaborated across the international medical community, including using her research to make widely known the Chernobyl disaster's effects on people's endocrinological health. She has been honored with the Order Odrodzenia Polski, Poland's second-highest civilian state award, and two Doctor Honoris Causa titles, reflecting her resilience, brilliance, and global impact on science and humanity.Isabella Skrypczak is an author, intuitive healer, and former HR professional in Big Tech whose work bridges the seen and unseen. Born to Polish immigrants and raised in Houston, Texas, she spent every summer with her grandmother in Poland. When her grandmother's memoir gained national attention in Polish media, Iza felt called to translate it into English—an act of love, remembrance, and advocacy. As war returned to Eastern Europe, she recognized the urgency in sharing this history with the Western world. She lives in Austin, Texas, with her daughter, Kamila.Stephen Satkiewicz is an independent scholar with research areas spanning Civilizational Sciences, Social Complexity, Big History, Historical Sociology, Military History, War Studies, International Relations, Geopolitics, and Russian and East European history. He is currently the Book Review Editor for Comparative Civilizations Review. Learn more about your ad choices. Visit megaphone.fm/adchoices

The next episode is ALREADY LIVE at https://jrwishow.com Listen to the post-show here - https://jrwishow.com/pages/just-rolled-with-it Listen to us on iTunes: https://apple.co/2NMADzM Google Play: https://bit.ly/2NPkaec Spotify: https://spoti.fi/2AefBpb Stitcher: https://bit.ly/2uuyccc and Podbean: https://bit.ly/2NPbe8J CAST Dungeon Master - @GrizzlyPlaysYT Gillion Tidestrider - @Slimecicle Jay Ferin - @CondifictionYT Chip - @bizlychannelYT Aurora Primrose - @milomumbles CREW Visual Producer - Cord Lambrecht Edited by - Brandon Victoriano Sound Design by - https://redkeener.com Art Direction - Jeremy Wojchihosky Assistant Camera - Beca Sandoval Riptide Logo & Additional Graphics - @writtengriffin Riptide Animated Intro by: https://screenbits.tv Riptide Intro Theme: Shady Cicada

Colin pits a wolf man against a vampire woman in Night of the Werewolf (1981), the ninth of thirteen films starring "the Spanish Lon Chaney," Paul Naschy, as the lycanthropy-cursed Polish nobleman, Waldemar Daninsky. This time, an evil witch resurrects his ancient nemesis, the vampire Countess Elizabeth Bathory, leading to a fang-vs-claw showdown. Listen as we dig into naked bloodletting, introduce Stunt Rooms™, and avoid brigands, bandits, and highwaymen as we explore gothic Euro-horror mayhem on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

A conversation with Polish jazz bassist, composer and singer, Kinga Glyk - www.kingaglyk.com

Tribes in Washington State and Vancouver, British Columbia are presenting their culture and history to soccer fans all over the world. The Puyallup Tribe's partnership with FIFA is the first time an Indigenous nation is formally represented at the World Cup for the games in host city, Seattle. The Musqueam Indian Band and Squamish Nation also have hosting and planning agreements in Canada. They are all contributing cultural events, visual arts, and music during the matches that are attracting fans from all over the world. At the same time, Native victims advocates like the Seattle Indian Health Board are preparing resources to combat the expected increases in Indigenous human trafficking that inevitably accompanies such large, high-profile events. GUESTS Jamin Zuroski (ʼNa̱mǥis First Nation, Polish, Ukrainian), artist Tamia Overes (səlilwətaɬ [Tsleil-Waututh Nation]), artist Chelsea Hendrickson (citizen of the Northern Arapaho Nation, and Cup'iq), survivor leader Hope Sandstrom (Puyallup), digital media manager for the Puyallup Tribe of Indians Abigail Echo-Hawk (Pawnee), executive vice president of Seattle Indian Health Board and director of Urban Indian Health Institute

We're in New York City, so we need glamour, class, poise, elegance, talent and wit; and we're pleased to say we've got them all... because our guest today is Christine Baranski. Star of The Gilded Age, The Good Wife, Sybil, Mama Mia and guest star in Big Bang Theory, Christine Baranski is a gifted actress with an impressive body of work across stage, television and film. In this brilliant and in-depth conversation with Gyles, she talks about her childhood in a close Polish family in Buffalo, New York, where she shared a bedroom with her theatrical and flamboyant grandmother, a formative influence. She talks about the death of her father when she was only nine years old, and the ways in which life changed following that devastating event. She talks about being a sexy Catholic schoolgirl. She talks about getting a place at the prestigious Juillard in New York, and about her early work in theatre. This is a fascinating, honest, moving and elegant conversation with a great star of the old school. We felt privileged to spend time with Christine Baranski, and we hope you will feel the same! Christine is in Hay Fever with Richard E Grant in London from September 2026. Tickets are available here. Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

Polish prosecutors have opened a formal investigation into potential links between Jeffrey Epstein's trafficking network and activities connected to Poland after newly released U.S. documents suggested the possibility that victims may have been recruited there. Authorities from the National Prosecutor's Office said the probe will examine suspected human trafficking that may have occurred between 2009 and 2019 involving women and girls who were allegedly recruited under false pretenses and then transported abroad for sexual exploitation. Investigators are focusing on whether Polish citizens, including minors, were targeted as part of a broader international trafficking scheme tied to Epstein and his associates. The inquiry is being handled by a specialized investigative team established specifically to examine the Polish threads emerging from the newly disclosed Epstein records.The investigation could expand beyond trafficking allegations to examine the activities of an organized criminal group operating internationally and any crimes connected to Poland, whether committed within the country or involving Polish citizens abroad. Prosecutors said the probe was triggered after reviewing the large trove of Epstein-related documents released in the United States, which raised credible suspicions that trafficking may have involved recruitment efforts in Poland. As part of the investigation, Polish authorities plan to seek evidence and cooperation from other European countries while also encouraging potential victims to come forward. Officials have emphasized that the goal is to determine the full scope of any Polish connections to Epstein's network and to pursue criminal accountability wherever Polish jurisdiction applies.to contact me:bobbycapucci@protonmail.comsource:Poland launches investigation into Epstein filesBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Gabe's broken Rib, Bachelor pad, good weeks - holy cow are we not depressed?EXTRA WEEKLY EPISODE HERE: https://www.patreon.com/c/trappedforever

The Communist Party of Great Britain (Marxist-Leninist) held a screening of the landmark 1948 Polish film The Last Stage (Ostatni etap). Directed by Wanda Jakubowska — a communist, resistance fighter, and survivor of Auschwitz — the film was among the first cinematic depictions of the Nazi concentration camps and the organised resistance that developed within them. Several Auschwitz survivors appear in the film, portraying roles closely connected to their own lived experiences just a few years after the liberation, adding a rare and powerful layer of direct testimony and lived experience to its reconstruction of events. Produced in postwar people's democratic Poland and filmed partly on location at Auschwitz itself, The Last Stage stands as both historical testimony and a forceful affirmation of the role played by communists in the struggle against fascism and genocide. At a time when our ruling class seeks to discredit communists and anti-imperialists as “anti-Semitic” for expressing solidarity with oppressed peoples and resisting imperialist war, occupation, sanctions, and national oppression, this screening reasserts a clear historical record: communists were at the forefront of the struggle against racism, fascism, colonialism, and war. The CPGB-ML stands firmly against all forms of racism, including anti-Semitism, while rejecting attempts to weaponise such accusations in order to silence political solidarity and internationalist struggle. George Korkovelos, Cultural Secretary of the CPGB-ML, delivered an in-depth introductory presentation. This event forms part of the party's wider cultural and political work to defend historical memory, strengthen proletarian internationalism, and uphold the struggle for liberation everywhere. ______________________________________________ Subscribe! Donate! Join us in building a bright future for humanity! http://www.thecommunists.org http://www.lalkar.org http://www.redyouth.org Telegram: https://t.me/thecommunists Twitter: / cpgbml Soundcloud: / proletarianradio Rumble: https://rumble.com/c/theCommunists Odysee: https://odysee.com/@proletariantv:2 Facebook: / cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: Each one teach one! http://www.londonworker.org/education... Join the struggle! https://www.thecommunists.org/join/ Donate: https://www.thecommunists.org/donate/

#944 Ever wonder what it really takes to launch a handcrafted spirits brand from scratch — without owning your own distillery or a massive marketing budget? In this episode, host Brien Gearin sits down with Alek Szczupak, founder of Broda Beverage Company in Chicago, to share how he transformed a generations-old Polish family recipe into a fast-growing, small-batch vodka brand. Alek dives into the story behind Broda's authentic, all-natural production process — from zesting lemons by hand to infusing real honey and ginger — and opens up about the challenges of navigating alcohol regulations, finding the right co-packer, and building distribution relationships in a crowded industry. He also reveals how grassroots marketing, local tastings, and one viral TikTok helped Broda gain traction and develop a loyal following. If you've ever dreamed of turning a kitchen recipe into a nationally recognized product, this episode will give you a front-row seat to what it really takes! (Original Air Date - 10/10/25) What we discuss with Alek: + Origins of Broda Beverage Company + Polish family recipe inspiration + Handcrafted vodka with real ingredients + Challenges of alcohol licensing and regulation + Finding the right co-packer + Building distribution and retail partnerships + Power of tastings and local marketing + Viral TikTok boosting online sales + Expanding flavors and product line + Lessons for aspiring beverage entrepreneurs Thank you, Alek! Check out Broda at ⁠DrinkBroda.com⁠. Follow Alek on ⁠Instagram⁠. Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠video podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ of this episode! To get access to our FREE Business Training course go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MillionaireUniversity.com/training⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. To get exclusive offers mentioned in this episode and to support the show, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠millionaireuniversity.com/sponsors⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Learn the English expression "grow up" (and why even fully grown adults sometimes need to do it sometimes)Get the full story and learning resources: https://plainenglish.com/expressions/grow-up--Plain English helps you improve your English:Learn about the world and improve your EnglishClear, natural English at a speed you can understandNew stories every weekLearn even more at PlainEnglish.comMentioned in this episode:Hard words? No problemNever be confused by difficult words in Plain English again! See translations of the hardest words and phrases from English to your language. Each episode transcript includes built-in translations into Spanish, Portuguese, Chinese, German, French, Italian, Japanese, Polish, and Turkish. Sign up for a free 14-day trial at PlainEnglish.com

discover effective strategies and tips for learning Polish

After Oleksandr Usyk defeated Tyson Fury in late 2024 for the heavyweight championship, the Ukrainian boxer held up a sabre that once belonged to the 17th Century Ukrainian Cossack Hetman,  Ivan Mapeza, who this episode is dedicated to.    Usyk's fortitude spoke to Ukraine's resilience against a larger foe who initiated the type of vainglorious War Tolstoy condemns, with all of his soul, in W&P.Showcasing the weapon was a transcendent moment of Usyk bringing history to Life.  This ability is something Tolstoy shares given who often he reaches into the past to make literary points. In W&P, for example, Tolstoy cites the Classical world and more recent influences. He skillfully adapts the famous quote from Voltaire: "If god did not exist, it would be necessary to invent him." The Frenchman also had a well-known correspondence with Catherine II, who some of W&P's characters look to as illustrative of an idealized past. Yet part of her reputation involves keeping so many under serfdom. Voltaire urged her to release her serfs.Quite forgotten is how Voltaire contributed to Mazepa becoming an icon of the Romantic age. Victor Hugo, Lord Byron & Franz List, also elevated Mazepa to a status Tolstoy himself briefly references in his 1857 work “Youth.” Tolstoy wrote that if he reaches the age of 70, he envisions that a lovely young woman could love him as easily as she could love….a Mazeppa.Mazepa was born to a noble Cossack family near Kyiv. His father was a town otaman (leader) and his mother instilled in her son a deep devotion to God and Cossack culture. Mazepa received a European education and served at the Polish royal court.  While quite young, he is said to have fallen in love with the wife of a Polish nobleman and to have been punished through being tied to a wild horse and carried back to the Land of the Cossacks, where he was adopted by one of their communities and rose to leader.  He was Hetman from 1687 – 1709.    Mazepa remains a key figure in Ukrainian-Russian relations given he decided to turn his allegiance to Sweden over the Czar during  the Great Northern War. This conflict was fought between Sweden and an anti-Swedish coalition led by Moscow. This intermittent affair lasted about 20 years and involved control over Northern Europe and the Baltics.  Sweden initially did well causing Peter to move his troops inward and draw Charles to invade.The conflict made its way to Mazepa's Cossacks,  whose status and allegiance greatly changed over the previous generation. Since 1654, many were uneasy allies with the Czar after withdrawing support for Poland.  They now felt subject to excessive demands for troops to be used in projects like building canals and fortresses, where they could be worked to sickness and death and used as proverbial “cannon fodder”Thus, in 1708, Mazepa aligned with Charles, giving him 5,000 Cossacks.  Mazepa felt he was choosing the lesser of two evils. Later that year, there was a race of belligerents to Mazepa's home city of Baturyn.  20,000 Russian soldiers commanded by Alexander Menshikov overwhelmed this military arsenal and food store. When the city fell, there was this infamous slaughter of the civilian population.   A number were tied to makeshift crosses or boards and floated down the local river.The next summer, on June  27, 1709, the armies faced off near Poltava, where Peter & Charles were on-hand directing troops. The Czar prevailed and this turn in history explains why Sweden never became a great power. This battle also had a major role in propelling Russia to their status. Yet that fire in the hearts of Ukrainians for independence was not extinguished over the next few centuries. Today, a Ukrainian state exists which exacts quite the toll on Russian aggression.  Ukrainians revere Mazepa for making the best choice he could.Mazepa was excommunicated from the Russian Orthodox Church and Czar Peter also ordered all portraits of the man destroyed. Similarly, Tolstoy,  was separated from the Orthodox Church in 1901 through a Church Proclamation.  Tolstoy's writing on religion led to the church to declare him as a “false teacher” imbued with “intellectual pride.”   This leads me to the second reference to I have found from Tolstoy on Mazppa, which is the  book “Life of Tolstoy” by Tolstoy's long-time English friend and translator,  Alymer Maude.  Maude describes how Tolstoy studied the life of Mazepa upon a friendly wager as a law student.

False Dmitry asserted that he was Dmitry Ivanovich, the youngest son of Ivan the Terrible. With support from Polish nobles, mercenaries, and anti-Godunov factions, he entered Russian territory from the Polish-Lithuanian Commonwealth in ...

In this episode of DSC's Campfires, host Larry Weishuhn shares the thrilling details of his recent European roe deer hunt. He recounts his journey through Sweden, Poland, and Scotland alongside friends Mark and Carol Little, as well as expert guides Stefan and Sofia Bengtsson from Scandinavian Pro Hunters. Larry's deep passion for the sport and the delicious rewards of the hunt shine through as he details the beautiful landscapes, his gear, and the magnificent animals he encountered along the way. Larry compares the European roe deer to the whitetailed deer of European countries. These deer have a notably small body size, typically weighing between 50 and 60 pounds. Beyond the challenge of the hunt, Larry notes that the meat from these deer is absolutely delicious. The three-nation hunt was initially created as a donation for the DSC Foundation Gala in 2025. The package was generously put together by Larry alongside Stefan and Sofia Bengtsson of Scandinavian Pro Hunters. Mark and Carol Little purchased the hunt at the gala to help fund various DSC Foundation projects. The actual hunt came to fruition shortly before recording, taking place in May 2026. Larry traveled from Austin to London to Copenhagen, eventually driving across the waterway to the southernmost tip of Sweden. The group hunted on a large estate managed by Scandinavian Pro Hunters. This property featured a beautifully rehabilitated waterway that now supports abundant wildlife and sea-run trout. Carol Little successfully harvested a great deer early in the trip. Larry hunted from a "hochsitz" (an open-top deer blind) using Stefan's single-shot K95 Blaser rifle chambered in 6.5 Creedmoor. He harvested a mature, silver-medal buck with gorgeous ivory-colored antler tips. The group traveled by train from Malmo to Copenhagen, then flew directly into Warsaw, Poland. The Polish hunting grounds were highly agricultural, filled with apple orchards, blackberries, and strawberries. Larry hunted with Stefan and a local English-speaking guide named Derek. Using an R8 Blaser in .243, Larry shot a buck late in the evening. The local property manager used a thermal drone, which is completely legal in Poland, to recover the deer in the dark. This buck scored as a silver medal and featured a unique 3x4 point configuration. On a subsequent outing in Poland, Larry successfully used an 8x57 JS rifle to take another beautiful silver-medal buck. The final leg involved flying into Glasgow, Scotland, and driving to an area near Inverness. Larry hunted with a local Scottish guide named George. Larry used George's 6.5x55 Swede rifle to stalk and harvest another incredible roe deer buck. In total, Larry took four roe deer during the trip, including three 3x3s and two featuring a fourth point. Larry will be attending the Texas Wildlife Association Convention in San Antonio from July 23rd to July 26th. He will also be present at the upcoming DSC Summer Expo and DSC Gala. Another Scandinavian Pro Hunter trip will be auctioned off at the DSC Gala. Listeners can find full written stories and photos on Larry's website at larryweishuhn.net. Video coverage of the hunt will be available on Carbon TV and his YouTube channel, A Sportsman's Life. More information on the DSC Foundation and their conservation efforts can be found at dscf.org and biggame.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

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study the present tense conjugation of the verb 'pracować'.

Today's story: Japan has millions of vacant homes, especially in rural areas where populations are shrinking. Some of these properties, known as akiya, are sold for surprisingly low prices or even given away for free. While they attract adventurous buyers from around the world, many require extensive repairs, complicated paperwork, and a willingness to adapt to life in rural Japan. Transcript & Exercises: https://plainenglish.com/871Get the full story and learning resources: https://plainenglish.com/871--Plain English helps you improve your English:Learn about the world and improve your EnglishClear, natural English at a speed you can understandNew stories every weekLearn even more at PlainEnglish.comMentioned in this episode:Hard words? No problemNever be confused by difficult words in Plain English again! See translations of the hardest words and phrases from English to your language. Each episode transcript includes built-in translations into Spanish, Portuguese, Chinese, German, French, Italian, Japanese, Polish, and Turkish. Sign up for a free 14-day trial at PlainEnglish.com

ON TODAYS PROGRAM…   KIMI WINS 5 IN A ROW WITH A CHERIE ON TOP! PIERRE GASLY ROBBED OF PODIUM HADJAR KEEPS HIS PODIUM… CADILLAC LOOSES FIRST POINTS TO PENALTY.   SINCE LECLERC GOT MARRIED HIS PERFORMANCE HAS DECLINED…SORRY CHARLIE! SINCE GEORGE SIGNED HIS NEW CONTRACT AND GOT HIS FIRST PAYCHECK HIS PERFORMANCE HAS DECLINED!   THIS WEEK'S NASIR HAMEED CORNER WE HAVE: A MOMENT IN MOTORSPORTS HISTORY…AN INTERVIEW WITH BOBBY UNSER… SOME TRIVIA ON THE GRAND PRIX OF TURKEY AND TECH TALK WITH TIM! LCH GETS INTRODUCED TO A LOS ANGELES LOW RIDER!! Kimi Antonelli It's an incredible feeling to win in Monaco. It's such a special weekend and one I'll remember for a long time. Today was one of those days where everything just clicked; I had a lot of confidence in the car, felt strong throughout, and to bring the win home in a place like this makes it even more meaningful. From a race perspective, there were definitely some key moments to manage. The starts are still an area we're working on, but I've made good progress. My first one was solid, and although the second was a bit more challenging with the tyres, it's positive to see improvement. The red flag added a bit of stress, especially knowing the restart could change everything, but we handled it well. In the final laps, I really enjoyed myself out there, even though I still had to carefully manage the tyres. This track demands a lot of focus, you have to find the right balance between pushing and not making mistakes, and once you settle into that rhythm, everything starts to come together. At the same time, I know there's still a lot to learn and improve. I just want to keep pushing, keep building on this momentum, and most importantly, keep enjoying the journey. That's what makes moments like this so rewarding. ISACK HADJAR  "It's been an outstanding result and weekend considering how it started in FP1! The race was difficult and I had to dig very deep. We got off to a clean start and were managing our race, and then within the first 10 to 15 laps I started having big drivability issues. If there's one track you don't want that, it's here, so that was incredibly challenging having to cover 60 laps. There was then uncertainty about what was going to happen with the red flag and you need to get your head back again in focus. Even towards the end, I was still lacking power on the restart. It really was the longest race of my life but now it's finished we got the podium. Whatever happens with the stewards, it's now completely out of my control. I celebrated and had my podium and I will always have that. My moment with the lads. Huge thank you to the Team, I trust these guys. Whatever happens, the emotions on the podium have already happened and I am proud of the Team." MAX VERSTAPPEN - DNF "We don't know what happened today but we think the issue was due to an engine problem. During the formation lap I could feel that something was off and the pre-start was terrible. There was no consistency and then, at the start, the engine just dropped out. I dropped the clutch and it went dead and had no power. When I got a bit more power back, unfortunately it was messed up so I had to bring it back slowly. It was such a shame for us as everything was going really well up to that point. We felt great in the car all weekend and to come out with no points and to finish the race like this when you do everything so well as a Team is of course disappointing." George Russell Firstly, congratulations to Kimi. He did an amazing job today and over the weekend and is a well-deserving winner. On my side, the race was very difficult. I had managed to get to P4 but the penalty for speeding in the pitlane is difficult to understand. I was under the limit but then that was compounded by us not serving the penalty at my second stop; that ultimately cost me a lot and left me with zero points again. It's tough to take but I'm not going to give up. Across the last two races, I've effectively lost around 40 points. It's incredibly frustrating but the rest of the season can still look very different. We saw that last year and, in many seasons previous. It's unfortunate how things have played out so far but I'm aiming to bounce back in Barcelona. I believe in myself and I know what I'm capable of. LAURENT MEKIES - CEO & Team Principal "Mixed emotions today, as Isack and the Team did a great job to get him to the podium, overcoming some technical issues on the car, but on the other side of the garage, we lost Max's car straightaway with an engine issue. It was hard to take as he had incredible pace all weekend. It's frustrating when you miss out on a big points score, but that's part of the game, and we can only apology to him. For Isack it was a very intense battle in the car considering the number of issues he had to deal with. It was also an intense battle for the team in the garage as they worked to keep his car alive to the finish. In that context, making it to the podium is a very strong result. The most important lesson we take away from Monaco is that the underlying performance of the car keeps improving." Badoer earns maiden F3 victory in Monte Carlo. Brando Badoer launched off the line and into the lead and didn't look back, taking his first FIA Formula 3 victory for Rodin Motorsport.  The Italian beat pole-sitter Théophile Nael off the line and on the run to Turn 1, with the Frenchman having to settle for second place at the chequered flag. Freddie Slater completed the podium for TRIDENT.  AS IT HAPPENED  Nael was immediately passed by Badoer while Slater took to the escape road at the opening corner and filtered in behind the top two up the hill, with the remainder of the top five staying as they were on the grid.  Van Amersfoort Racing's Bruno del Pino was able to make up a place, getting ahead of MP Motorsport's Alessandro Giusti for P6 at Turn 1, but for the Frenchman's teammate, his race was over soon after. Tuukka Taponen found the barriers at the penultimate corner after an attempted pass by Maciej Gladysz left the Finn nowhere to go. That incident brought out the Safety Car on Lap 2.  With the MP cleared, racing resumed going onto Lap 5, with Badoer able to gap Nael comfortably, with the Frenchman under attack from Slater on the run to Turn 3. By Lap 10, Badoer had escaped out of DRS range to the Campos driver behind, while Slater, Ugo Ugochukwu and Ernesto Rivera remained within a second of the car ahead.  Drivers inside the top 10 began to back off on some laps in order to generate enough space to attempt a fastest lap for the additional point. Slater was very happy with the balance of his TRIDENT, praising the car over team radio. Lap 18 and Badoer looked unflappable out front, now two seconds clear of the field.  Further back in the pack, Nandhavud Bhirombhakdi was coming under serious pressure from Enzo Deligny in the fight for P15. The Thai driver had to defend into Turn 1 on Lap 21, and later missed the Turn 10-11 chicane, skipping across the run-off as the Frenchman behind turned the screw.  Nael spent the final five laps closing the gap to the leader back down to under a second, but the Rodin driver would not be denied, earning his first win in the Championship around the Principality. Slater completed the podium behind Nael while Ugochukwu and Rivera ensured all three Campos' were in the top five.  Bruno del Pino finished sixth for Van Amersfoort, followed by Giusti in P7, Pedro Clerot in eighth, Sprint Race winner Gerrard Xie in P9 and Noah Stromsted completing the points in 10th.  KEY QUOTE – Brando Badoer, Rodin Motorsport  “I was studying the start all evening with the guys yesterday and I executed it perfectly. I jumped to P1 at Turn 1 and then led the 27 laps. It was a very long race, I was hoping it ended a bit earlier and it felt long in the car, but winning in Monaco is one of my dreams come true! Really happy with the team and my performance. Thanks to everyone.”  THE CHAMPIONSHIP STANDINGS  Ugo Ugochukwu retains the lead of the Drivers' Championship going onto 43 points. Bruno del Pino is P2 on 35, just a single point ahead of Freddie Slater in third. Brando Badoer's win moves him up to P4 on 28 points, while Théophile Nael rounds out the top five drivers with 22 points.  Campos Racing extend their advantage at the top of the Teams' Standings, moving onto 75 points. Van Amersfoort Racing are P2 with 47, while Rodin Motorsport jumps TRIDENT into third place, 44 points to 43. ART Grand Prix complete the top five with 31 points.  León dominates in lights-to-flag victory in Monte Carlo F2. Noel León led every lap of the Monte Carlo Sprint Race on his way to claiming a dominant second victory of the season. Starting from pole, the Campos Racing driver managed the race expertly before going on to win by over three seconds. DAMS Lucas Oil driver Roman Bilinski achieved his maiden F2 podium in P2 ahead of MP Motorsport's Gabriele Minì in third.  AS IT HAPPENED  It was a good start from León, who kept the lead ahead of Bilinski, while Minì kept P3 ahead of Joshua Duerksen. In the battle for P11 Ritomo Miyata and Oliver Goethe went wheel-to-wheel through the hairpin and Mirabeau. However, they made slight contact which caused the MP Motorsport driver to pit, dropping him to the back of the field.  Out in front, León was struggling to pull away from Bilinski with the DAMS driver consistently within DRS range of the Mexican during the opening laps. The top four drivers of León, Bilinski, Minì and Duerksen were pulling away from the rest of the field, and by Lap 5 just two seconds separated the quartet.  Down the field, Laurens van Hoepen, who started in P21 was up to 15th by Lap 8. However, the TRIDENT driver's charge was halted when he was given a 10-second time penalty for leaving the track and gaining an advantage at the start. On to Lap 11 of 30, the drivers entered management mode, but the top four were still close, and were covered by 2.7s.  As the race reached the halfway point, Dino Beganovic had closed the gap to Duerksen and was now within DRS range of the Invicta Racing driver. Miyata, who had been running with a broken front wing since his contact with Goethe on the opening lap, was looking to make a move past Tasanapol Inthraphuvasak at Tabac, but found the door closed on Lap 17.  By the next lap the top two of León and Bilinski had pulled a three-second gap to Minì, as they continued to battle for the lead. The Italian driver was now running on his own having built a 2.3s gap to Duerksen in P4, with Beganovic right on the back of the Invicta driver on Lap 20.  Miyata's pressure on Inthraphuvasak finally paid off on Lap 22 as he dived to the inside of the ART Grand Prix driver on the run to Tabac. On the next lap, the Hitech driver was putting pressure on Nikola Tsolov for P10, while behind them, Mari Boya went around the outside of van Hoepen at the hairpin for P15.  With five laps to go, Inthraphuvasak retired to the pitlane with an issue. At the front of the field, León was now 2.4s ahead of Bilinski with Minì having closed the gap on the Polish rookie, just over a second away on Lap 27. The Campos driver continued to pull away and by the start of the final lap he was over three seconds clear of the rest of the field and would go on to win for the second time this season.  Bilinski held off Minì's charge to take his maiden podium, with Duerksen in P4 ahead of Beganovic. Stenshorne finished sixth ahead of Kush Maini, as Rafael Câmara rounded out the points in eighth.  KEY QUOTE – Noel León, Campos Racing  “Feels great to win in Monaco, my second win in a row on a weekend and in a Sprint. I feel very happy to be honest. Yesterday we missed a bit, we missed pole, but luckily it put me in a position to start on the front row today, to get the 10 points, and for the championship it is great. I have a great opportunity tomorrow to score again good points, that's the goal for this weekend and I am very happy that every weekend we are stronger and stronger and qualifying is going to get there at some points, so very happy.”  THE CHAMPIONSHIP STANDINGS  Gabriele Minì continues to lead the Drivers' Championship with 63 points, while Noel León has jumped up second, 20 points adrift of his rival. Martinius Stenshorne is third on 38 points, with Rafael Câmara a further point in fourth, as Nikola Tsolov rounds out the top five with 36.  In the Teams' Standings, Campos Racing have taken over at the top with 79 points, while MP Motorsport slip to second with 75. Rodin Motorsport are third with 68 points, with Invicta Racing a further 10 points behind in fourth, as DAMS Lucas Oil sit fifth on 38.  UP NEXT  The drivers have one more chance to hit the jackpot in Monte Carlo with Sunday's Feature Race set to start at 09:25 local time.  2026 FIA Formula 2 - Monte Carlo -  Provisional Classification, Sprint Race |   | DRIVER | LICENCE | TEAM | | 1 | Noel Leon | MEX | Campos Racing  | | 2 | Roman Bilinski | POL | DAMS Lucas Oil  | | 3 | Gabriele Mini | ITA | MP Motorsport | | 4 | Joshua Durksen | PAR | Invicta Racing  | | 5 | Dino Beganovic | SWE | DAMS Lucas Oil  | | 6 | Martinius Stenshorne | NOR | Rodin Motorsport | | 7 | Kush Maini | IND | ART Grand Prix | | 8 | Rafael Camara | BRA | Invicta Racing  | | 9 | Alexander Dunne | IRL | Rodin Motorsport | | 10 | Nikola Tsolov | BUL | Campos Racing  | | 11 | Ritomo Miyata | JPN | Hitech | | 12 | Nico Varrone | ARG | Van Amersfoort Racing | | 13 | Sebastian Montoya | COL | PREMA Racing  | | 14 | Mari Boya | ESP | PREMA Racing  | | 15 | Colton Herta | USA | Hitech | | 16 | Rafael Villagomez | MEX | Van Amersfoort Racing | | 17 | Emerson Fittipaldi | BRA | AIX Racing  | | 18 | Cian Shields | GBR | AIX Racing  | | 19 | Laurens van Hoepen | NED | TRIDENT | | 20 | John Bennett | GBR | TRIDENT | NOT CLASSIFIED | DNF | Tasanapol Inthraphuvasak | THA | ART Grand Prix | | DNF | Oliver Goethe | GER | MP Motorsport | OVERALL FASTEST LAP  |   | Nikola Tsolov | BUL | Campos Racing  |               1:22.100 (Lap 23)   OVERALL FASTEST LAP FOR POINTS  |   | Nikola Tsolov | BUL | Campos Racing  |               1:22.100 (Lap 23)     FIA Pit lane speed trap Monaco 

Jack Schwager is the legendary author of the Market Wizards series and one of the most influential figures in trading literature, whose decades of interviewing elite traders have made him the definitive chronicler of exceptional market performance; George Coyle is a hedge fund manager and deep-dive trading historian whose years of original research into the patterns of great traders catalyzed their co-authored Market Wizards: The Next Generation.Episode Sponsor: Fiscal AI is a modern data terminal that gives investors instant access to twenty years of financials, earnings transcripts, and extensive segment and KPI data—use my link for a two-week free trial plus 15% off: https://fiscal.ai/talkingbillions/3:00 — Bogumil shares personal origin story: as a Polish grad student in Paris, Jack's books gave him the courage to manage money. Jack jokes: "Not the first one."5:15 — George on his obsession: years of writing deep-dive papers on Soros, Marcus, Druckenmiller — getting inside feedback that he "hit the nail on the head."7:30 — Jack's biggest surprise from the first Market Wizards: how many enormously successful traders had multiple initial failures before breakthrough.9:10 — George on the youngest cohort: small-cap shorting is "the last rock you'd flip over" — yet that's precisely why these traders found edge where no one looked.11:00 — Jack on edge decay: trend following was transformative in the 60s–80s but got crowded; today, all edges evolve, and no edge is permanent.14:20 — Advantage of starting young: smaller capital means smaller losses. Simon Russo (pseudonym) and Frohlich both had failures early — with little money — then scaled correctly.30:33 — Jack: "A good trade is not necessarily a winning trade. A bad trade is not necessarily a losing trade." The process defines quality, not the outcome.33:00 — Position sizing as the great differentiator: Gudecker sizes A+ trades 5–10x larger; Marcus did the same. Ed Thorpe proved even a losing game can win with proper sizing.39:04 — Are trading skills learnable? Jack: Yes — Kulamaji went from $5,000 to $100M learning from others, but molded it entirely into his own methodology.42:09 — George's five questions for aspiring Market Wizards: clear goals, process that matches temperament, overcoming detrimental traits, belief in self, persisting despite failure.50:40 — Jack dismantles volatility as risk proxy: the drunk under the lamppost analogy — measuring what's easy vs. what's true.57:49 — AI debate: Jack argues markets are a complex adaptive system — unlike physics, the rules change constantly, which keeps the door open for human traders.1:03:52 — Jack's closing: readers of any Wizards book will get at least one or two things meaningfully beneficial if they're open-minded. This book adds a rare theme — wizards who stopped to ask: Is this what I really want to do with my life?Podcast Program – Disclosure StatementBlue Infinitas Capital, LLC is a registered investment adviser and the opinions expressed by the Firm's employees and podcast guests on this show are their own and do not reflect the opinions of Blue Infinitas Capital, LLC. All statements and opinions expressed are based upon information considered reliable although it should not be relied upon as such. Any statements or opinions are subject to change without notice.Information presented is for educational purposes only and does not intend to make an offer or solicitation for the sale or purchase of any specific securities, investments, or investment strategies. Investments involve risk and unless otherwise stated, are not guaranteed.

On Monday's Morning Focus, it was time for Alan Morrissey to be joined in studio by Siobhán Mulcahy to discuss the upcoming art events and workshops across the banner county. It is set to be a busy week in the Clare Art scene as we step into summer, the Doolin Folk Festival returns, Martin Hayes will be performing in Scariff, and a Polish exhibition will be happening in Ennis. Photo (c) Clare FM

In this episode, Ania and Roy tackle a topic close to every Polish learner's heart — the very first words and sounds you encounter when learning Polish! Roy shares his honest experience as a foreigner living in Poland: from the very first Polish word he ever heard (spoiler: it's a swear word!), to the hardest names and phrases to pronounce, to the hilarious story of using the wrong word at a very formal meeting. Along the way, Ania reveals the most common pronunciation mistakes her students make and explains why making mistakes is actually a vital part of the process.  

In this episode, Ania and Roy dive into everyone's favourite topic — Wakacje (Vacation)! They chat about when they prefer to take their holidays, what comes to mind when they think of time off, and the classic debate: active holidays vs. lazy all-inclusive resorts. Roy shares his plans for Ibiza, while Ania admits she is firmly on "Team Lazy". Along the way, you'll learn plenty of Polish vocabulary for describing holidays, travel preferences, and relaxing.  

Today's Smashi Business Show brings you four global stories shaping markets, sport, aviation, and geopolitics. Cristiano Ronaldo becomes the first active athlete to surpass $2 billion in career earnings, driven by Saudi contracts and global investments. Rising tensions in the Middle East escalate as the U.S. considers redirecting Iranian assets amid ongoing regional conflict and fragile ceasefire talks. In Europe, a Polish football club sparks controversy after rejecting Israeli transfer bids on moral grounds. Meanwhile, Riyadh Air receives its first Dreamliners ahead of its July launch, marking a major step in Saudi Arabia's aviation expansion and tourism ambitions despite regional instability. Newsletter: https://lnkd.in/dAkTDhJ6WhatsApp: aug.us/40FdYLUInstagram: aug.us/4ihltzQTiktok: aug.us/4lnV0D8Smashi Business Show (Mon-Friday): aug.us/3BTU2MY

At 16, after seven years of isolation, pain and physical and emotional abuse Christine Sadry reached a breaking point. She was battered, bruised, and could no longer see a way forward. In that moment of deep despair, she attempted to take her life. As she was slipping into unconsciousness, something deep within her stirred — a spark of life that refused to go out. She called a friend just to thank her for her friendship. Her friend heard something in Christine's voice and sensed something was wrong. That phone call saved her life. And it also became a turning point. That moment of hopelessness became the beginning of her strength.   Christine Sadry was born in Poland, behind the Iron Curtain, and was adopted in 1964 by a Polish American couple living in the United States. After graduating from West Catholic Girls High School in Philadelphia, Pennsylvania, she worked at the United States Social Security Administration from 1973 to 1979. She started her 31-year career with the United Nations in 1979, working on international conferences. Later, she began working with the United Nations peacekeeping missions in Angola, Mozambique, former Yugoslavia, Sierra Leone, and the Democratic Republic of Congo.    13 Years Lost was selected as a finalist for the Independent Book Publishers Award! The ceremony in St. Paul, Minnesota, was a beautiful celebration of literary voices and creative spirits.                                       Grab your copy NOW Christine had a deep need to give voice to her story that was buried for so long to help others who have endured pain in silence. She wanted to show that even in the face of abandonment, trauma, and isolation, it is possible to heal, to rise and to live a life with hope and meaning. Standing alone in the baggage claim of JFK International Airport, nine-year-old Christine Sario anxiously awaited the arrival of her new parents. After the untimely death of her beloved mother and the abandonment by her father, Christine was sent by her grandmother to the United States and the hope of a better future. Her resilience led her to New York City, where she started over with her daughter, Dana. There, she will begin a remarkable, exciting career at the United Nations. This is the extraordinary story of a Polish immigrant who overcame unthinkable challenges and embraced the American dream. Follow Christine as she defies the odds, travels the world, is blessed by the Pope, and finds true love. C

A haunting maritime tragedy retold through gripping drama and expert insight.In this episode of Review It Yourself, we dive deep into the powerful Polish mini-series Heweliusz—a dramatisation of one of the most devastating maritime disasters in European history. Joined by special guest Jamie from Old Shipping Lines, this episode blends historical analysis, storytelling critique, and real-world maritime expertise for a truly compelling listen.A gripping true story beneath the wavesThe series explores the tragic sinking of the Jan Heweliusz ferry, which capsized on 14th January 1993—still considered the worst maritime disaster in Polish history, with only a handful of survivors .From the very first episode, the show establishes a sombre and haunting tone, capturing not just the disaster itself, but the human cost—families grieving, survivors haunted, and investigators searching for answers. The narrative cleverly shifts through timelines, gradually revealing the truth behind what happened .What we discuss in this episodeJamie brings his deep maritime knowledge to the conversation, helping unpack the realism behind the show and the real-life events that inspired it.Expect discussion on:The accuracy of the ship's portrayal and conditions onboardThe political and institutional pressures surrounding the disasterThemes of accountability, secrecy, and systemic failureThe emotional impact on victims, families, and investigatorsHow the series builds tension across its five-episode structureThe conversation also explores how the show handles complex topics like blame and cover-ups, with particular attention to how institutions may shift responsibility rather than confront systemic issues .Why this series stands outHeweliusz isn't just another disaster drama—it's a slow-burn investigation into truth, responsibility, and memory. The series balances technical realism with emotional storytelling, making it both informative and deeply affecting.Jamie highlights how the show captures the reality of maritime disasters, from ship conditions to decision-making under pressure, while also pointing listeners to further resources for a deeper understanding of the tragedy.About our guest: Jamie – Old Shipping LinesJamie runs the Old Shipping Lines YouTube channel, where he explores maritime history, ship disasters, and detailed breakdowns of real-world incidents. His content includes in-depth analysis and even visual reconstructions of how disasters unfolded.

Elena Poniatowska, Mexico's most celebrated journalist and one of the most significant literary voices in the Spanish-speaking world, argues in this conversation that the crisis of contemporary journalism is inseparable from the collapse of critical reading—and that both are symptoms of a deeper cultural abandonment. Born in Paris in 1932 to a French-Polish father and Mexican mother, Poniatowska contends that her formation as a writer was shaped by displacement, by learning to listen to those rendered voiceless by history, and by understanding that journalism must be an act of solidarity before it is anything else. Widely credited with helping to establish the genre of testimonio in Latin American letters, she transformed the voices of the marginalised into literature that forced an entire nation to confront its own silence. She maintains that her landmark work La Noche de Tlatelolco was not a journalistic achievement but a moral obligation, and reflects on her decision to refuse the Xavier Villaurrutia Prize, asking who would award the dead. Poniatowska insists that the greatest threat to literature and journalism today is not artificial intelligence but the disappearance of patience—the willingness to sit with a text, a story, or a life long enough for meaning to emerge. At 94, she affirms her belief in the innate goodness of human beings as not a sentiment but a necessity.Elena Poniatowska, la periodista más célebre de México y una de las voces literarias más significativas del mundo hispanohablante, sostiene en esta conversación que la crisis del periodismo contemporáneo es inseparable del colapso de la lectura crítica—y que ambos son síntomas de un abandono cultural más profundo. Nacida en París en 1932 de padre franco-polaco y madre mexicana, Poniatowska afirma que su formación como escritora estuvo marcada por el desplazamiento, por aprender a escuchar a quienes la historia había silenciado, y por comprender que el periodismo debe ser ante todo un acto de solidaridad. Ampliamente reconocida por haber contribuido a establecer el género del testimonio en las letras latinoamericanas, transformó las voces de los marginados en literatura que obligó a una nación entera a confrontar su propio silencio. Sostiene que su obra emblemática La Noche de Tlatelolco no fue un logro periodístico sino una obligación moral, y reflexiona sobre su decisión de rechazar el Premio Xavier Villaurrutia, preguntando quién iba a premiar a los muertos. Poniatowska insiste en que la mayor amenaza para la literatura y el periodismo hoy no es la inteligencia artificial sino la desaparición de la paciencia—la disposición a permanecer con un texto, una historia o una vida el tiempo suficiente para que emerja el significado. A los 94 años, reafirma su creencia en la bondad innata de los seres humanos no como un sentimiento sino como una necesidad.English transcript:SAVAGE MINDS — Elena PoniatowskaJulian Vigo (00:00:15):Welcome to Savage Minds.Julian Vigo (00:00:26):I am your host, Julian Vigo.Julian Vigo (00:00:30):Today's guest is Elena Poniatowska Amor,Julian Vigo (00:00:33):daughter of a French father of Polish origin, Jean E.Julian Vigo (00:00:37):Poniatowski, and Mexican mother Paula Amor.Julian Vigo (00:00:41):She was born in Paris in 1932.Julian Vigo (00:00:46):She has practiced journalism since 1953 at the newspapers El Día, Excélsior, Novedades, and La Jornada.Julian Vigo (00:00:57):She is the first woman to receive the National Journalism Prize.Julian Vigo (00:01:02):Among her works is La Noche de Tlatelolco,Julian Vigo (00:01:05):a classic since its publication, for which she was awarded the Xavier Villaurrutia Prize,Julian Vigo (00:01:12):which she refused, asking who was going to award the dead.Julian Vigo (00:01:17):Her novels and stories include La Flor de Lis,Julian Vigo (00:01:20):De Noche Vienes and Tlapalería,Julian Vigo (00:01:24):Paseo de la Reforma,Julian Vigo (00:01:26):Hasta No Verte Jesús Mío,Julian Vigo (00:01:28):The Life of a Mexican Soldadera,Julian Vigo (00:01:31):Querido Diego Te Abraza Quiela, Tinísima, winner of the Mazatlán Prize in 1992, La Piel del Cielo,Julian Vigo (00:01:40):winner of the Alfaguara Novel Prize in 2001, and El Tren Pasa Primero,Julian Vigo (00:01:48):about the lives of Mexican railway workers,Julian Vigo (00:01:52):winner of the Rómulo Gallegos International Novel Prize in 2007. Leonora won the Premio Biblioteca Breve Seix Barral in 2011. El Universo o Nada (2013) is the biography ofJulian Vigo (00:02:07):astrophysicist Guillermo Haro. Ondas de la Niña Mala is her first poetry collection, andJulian Vigo (00:02:14):her children's books include Boda en Chimalistac, La Vendedora de Nubes,Julian Vigo (00:02:20):El Burro que Metió la Pata, Sansimonsi, illustrated by Rafael Barajas el Fisgón, and ElJulian Vigo (00:02:27):Niño Estrellero by Fernando Robles, and El Charito Cantor by Osvaldo Hernández.Julian Vigo (00:02:34):Her most recent novel, El Amante Polaco, portrays the last king of Poland, Stanisław AugustJulian Vigo (00:02:41):Poniatowski. Translated into 20 languages. Gabi Brimmer and Las Mil y Una, the story ofJulian Vigo (00:02:48):Paulina,Julian Vigo (00:02:49):address social issues.Julian Vigo (00:02:52):After receiving honorary doctorates from UNAM and UAM,Julian Vigo (00:02:57):she was awarded them from the University of Puebla,Julian Vigo (00:03:01):Sonora, Estado de México,Julian Vigo (00:03:04):Guerrero,Julian Vigo (00:03:06):Chiapas, and Puerto Rico.Julian Vigo (00:03:09):She also received honorary degrees from the New School for Social Research in New York,Julian Vigo (00:03:13):Manhattanville College, and Florida Atlantic University in the United States, and fromJulian Vigo (00:03:19):Paris 8,Julian Vigo (00:03:19):La Sorbonne, and Pau-Pyrénées, as well as the Maria Moors Cabot Prize for Journalism atJulian Vigo (00:03:27):Columbia University, New York, in 2004, and from the Universidad Complutense, Madrid, inJulian Vigo (00:03:32):2015.Julian Vigo (00:03:34):She received the French Legion of Honour at the rank of Officer, the Gabriela Mistral Prize from Chile, and inJulian Vigo (00:03:41):2006, the Courage Award from the International Women's Media Foundation.Julian Vigo (00:03:43):In 2013 she was awardedJulian Vigo (00:03:49):the Miguel de Cervantes Prize for literature in the Spanish language, and she received theJulian Vigo (00:03:55):Belisario Domínguez Medal in 2022.Julian Vigo (00:03:58):This is the highest honour granted by the Senate of the Mexican Republic, along with theJulian Vigo (00:04:05):Carlos Fuentes International Prize for Literary Creation in the Spanish Language in 2023.(00:04:12):I welcome Elena Poniatowska to Savage Minds.Julian Vigo (00:04:19):I wanted to begin with a memory I have of you.Julian Vigo (00:04:22):In 1993,Julian Vigo (00:04:25):I think,Julian Vigo (00:04:27):or 94 —Julian Vigo (00:04:28):one of those two years —Julian Vigo (00:04:29):I was in Puebla,Julian Vigo (00:04:31):Cholula,Julian Vigo (00:04:32):teaching at the Universidad de las Américas.Julian Vigo (00:04:35):Yes.Julian Vigo (00:04:36):And you came to give a talk at an observatory — I believe it was Tonantzintla.Elena Poniatowska (00:04:44):Yes, of course.Elena Poniatowska (00:04:46):Yes, I remember it, andJulian Vigo (00:04:49):you made a great impression on me that day. But I must confess that your entire life's work made a great impression on me — not only on me. I wanted to begin with your formation, your life, because you were born in France andJulian Vigo (00:05:12):how do you remember your childhood in France, and what elements of that world did you bring with you when you arrived in Mexico in 1942?Elena Poniatowska (00:05:21):Well, thank you very much for your interest.Elena Poniatowska (00:05:29):I can tell you that I was born in 1932 in Paris, France, because my mother Paula Amor marriedElena Poniatowska (00:05:42):Juan Poniatowski, who held a noble title — that of prince —Elena Poniatowska (00:05:54):because the last king of Poland was Stanisław Poniatowski, who was, I believe, one ofElena Poniatowska (00:06:07):the lovers —Elena Poniatowska (00:06:09):one of the younger lovers of the Empress of Russia, Catherine the Great.Elena Poniatowska (00:06:21):My mother was a woman born also in Paris, of Mexican origin, who leftElena Poniatowska (00:06:32):France because of the Mexican RevolutionElena Poniatowska (00:06:36):and went to live with her parents — Pablo Amor and Elena Iturbe de Amor — inElena Poniatowska (00:06:49):Biarritz, and they later moved to Paris. My mother always spoke Spanish with a French accent. She had two sisters who also lived in France for a long time,Elena Poniatowska (00:07:07):and they were rather Frenchified. She met my father Jean Poniatowski in Paris andElena Poniatowska (00:07:20):married him, and I was born in 1932 in Paris.Elena Poniatowska (00:07:25):I would like to knowJulian Vigo (00:07:31):more about this experience, because as you probably know — especially Americans and Canadians — they think everyone wants to come to their countries. But something they don't know until they travel is that in Mexico, Honduras, and all of Latin America there is a great deal of immigration, people from every country in the world. Why not?Elena Poniatowska (00:08:01):Her mother was in France; my mother was Mexican, born in France. Her family — she had a grandmother, my mother's great-grandmother, who was Russian, and in general her father was educated in England, so they wereElena Poniatowska (00:08:29):Mexicans — Amor is a Mexican surname — but they were very closely tied to Europe. For my mother, living in Europe was very natural becauseElena Poniatowska (00:08:49):she first attended a boarding school in Switzerland, in Lausanne,Elena Poniatowska (00:08:56):and then was in Paris. At a Rothschild ball she met my father JuanElena Poniatowska (00:09:07):Poniatowski and married him in 1931,Elena Poniatowska (00:09:17):or perhaps at the beginning of 1932, because I was born on the 19th of May 1932.Elena Poniatowska (00:09:29):My sister was born in 1933.Julian Vigo (00:09:34):As a child who spoke French and had to learn Spanish, in what way did language become your first tool for survival?Elena Poniatowska (00:09:47):Well, I also know English and French. Language, for me — learning Spanish in Mexico — was obviously about communicating with people in the streetElena Poniatowska (00:09:56):and with friends at school. But French remained my mother tongue, andElena Poniatowska (00:10:03):later I dedicated myself to speaking Spanish with the people at home, with the MexicansElena Poniatowska (00:10:14):I met at school.Elena Poniatowska (00:10:23):Curiously, I attended an English school called the Windsor School, but I learned SpanishJulian Vigo (00:10:38):in the street — one always learns Spanish better in the street. You learn so much from people in Mexico. I found people very warm and open. On the other hand, for Mexicans in my country, it's not the same at all.Julian Vigo (00:10:59):What was the first moment you felt that writing was the only possible way to understand the Mexico around you?Elena Poniatowska (00:11:11):Well, I would never say it was the only possible way.Elena Poniatowska (00:11:17):I think that at twenty,Elena Poniatowska (00:11:22):twenty-one years old, returning from studying at a convent of nuns, I had theElena Poniatowska (00:11:30):good fortune to be able to start writing at a newspaper called, at that time,Elena Poniatowska (00:11:42):Excelsior.Elena Poniatowska (00:11:43):They asked me to submit a daily article,Elena Poniatowska (00:11:48):an interview,Elena Poniatowska (00:11:51):a chronicle, and I did so with enormous enthusiasm and great pleasure, because it allowed meElena Poniatowska (00:12:00):to know Mexico much better, and also to meet great figures of Mexico such asElena Poniatowska (00:12:09):Diego Rivera,Elena Poniatowska (00:12:11):José Clemente Orozco, actresses like Dolores del Río and María Félix, architects likeElena Poniatowska (00:12:20):Luis Barragán, and writers — even writers of my own generation, or slightlyElena Poniatowska (00:12:31):older than me — such as Juan Rulfo,Elena Poniatowska (00:12:38):Rosario Castellanos, Carlos Fuentes, and of course Octavio Paz.Julian Vigo (00:12:46):What a rich life! María Félix — what a figure!Julian Vigo (00:12:52):How was your experience beginning in journalism in the early 1950s in a predominantly male environment?Elena Poniatowska (00:13:05):Well, I was truly very lucky, because people were very kind andElena Poniatowska (00:13:14):even affectionate towards me. No one ever refused me an interview. I was able to reach Alfonso Reyes, Octavio Paz,Elena Poniatowska (00:13:25):the great architect Luis Barragán, José Vasconcelos the philosopher, and all were veryElena Poniatowska (00:13:40):kind and cordial with me, as were important actors like Ignacio LópezElena Poniatowska (00:13:51):Tarso,Elena Poniatowska (00:13:52):and of course those I already mentioned — Dolores del Río, María Félix — and singers, and also many visitors who came from Europe, the United States, or Latin America to perform in Mexico.Elena Poniatowska (00:14:20):Did you know El Indio Fernández?Elena Poniatowska (00:14:23):Yes,Elena Poniatowska (00:14:24):of course —Elena Poniatowska (00:14:25):I interviewed him,Elena Poniatowska (00:14:26):I knew El Indio Fernández, who by ten in the morning was already offering me a tequila, whichElena Poniatowska (00:14:35):I did not drink, as I'm not accustomed to drinking. And also many otherElena Poniatowska (00:14:47):famous actors of that era, like the comedian Cantinflas, whoseJulian Vigo (00:14:56):real name was Mario Moreno. Cantinflas — I know his work. Wow. And you were in Mexico during the same period as Luis Buñuel?Elena Poniatowska (00:15:06):Yes, I ended up with Luis Buñuel — yes, we had a great friendshipElena Poniatowska (00:15:15):because out of affection he came to have lunch at my house several times, so I saw him on manyElena Poniatowska (00:15:24):occasions. We even went together to the prison of Lecumberri to visit, for example, aElena Poniatowska (00:15:33):Colombian who had committed an offence and was imprisoned — his name wasElena Poniatowska (00:15:42):Álvaro Mutis.Julian Vigo (00:15:45):And you have lived through and narrated great social transformations.Julian Vigo (00:15:51):Do you think that today's digital democratisation of public opinion helps social justice, or does it rather dilute real struggles into mere narratives of identity and likes?Elena Poniatowska (00:16:08):Well, I think the Mexican Revolution,Elena Poniatowska (00:16:15):led by a man like Emiliano Zapata, was extraordinary in redistributing the lands and haciendas of Mexico and in giving all MexicansElena Poniatowska (00:16:32):access to better education, better formation, a better life. I consider thatElena Poniatowska (00:16:46):Emiliano Zapata was one of the great heroes of Mexico, even though he personally took away the haciendas of my grandparents, the Amors and the Iturbes.Julian Vigo (00:17:06):What did you learn from the great intellectuals of your youth?Julian Vigo (00:17:08):You mentioned Juan Rulfo, Alfonso Reyes, and many others.Julian Vigo (00:17:15):What influenced your decision to dedicate your life to letters?Elena Poniatowska (00:17:20):No, they did not influence my decision to dedicate myself to letters.Elena Poniatowska (00:17:26):I met them later.Elena Poniatowska (00:17:30):I began as a journalist, a modest journalist, at the newspaper Excelsior in 1953 —Elena Poniatowska (00:17:42):I think 1952 or 1953. Very young. I had come from an education at a convent of nuns inElena Poniatowska (00:17:53):Philadelphia, and I decidedElena Poniatowska (00:17:57):to write chronicles and interviews to get to know Mexico better. I came to know those figures through my work as a journalist, and because I could question themElena Poniatowska (00:18:14):in the language I knew and had learned as a child — at ten years old — which is Spanish. My other languages until then had beenElena Poniatowska (00:18:22):English,Elena Poniatowska (00:18:27):and French, which is my mother tongue.Julian Vigo (00:18:32):You are known for the testimonio.Julian Vigo (00:18:36):At what exact point did you feel that traditional fiction was not sufficient to capture Mexican reality?Elena Poniatowska (00:18:47):As I mentioned, I began by engaging with many valuable MexicansElena Poniatowska (00:18:54):who received me in their homes, gave me their opinions. At the same time as I received what they wished to give me,Elena Poniatowska (00:19:04):I observed how their homes were, how they treated the people around them — their wives, their children, their servants — and all of that helped meElena Poniatowska (00:19:22):to know Mexico better. I also spent a great deal of time in the streets — that is, with the poorest people, whom I was able to reachElena Poniatowska (00:19:34):through my own nature and also with the help of a great Mexican illustrator, Alberto Beltrán. In the street he made sketches of everything the Mexicans did — the newspaper vendors,Elena Poniatowska (00:19:59):the taco sellers,Elena Poniatowska (00:20:03):the women making corn tortillas by hand,Elena Poniatowska (00:20:12):the bakeries, and then the hardware stores where everything was sold — from nails toElena Poniatowska (00:20:22):cleaning cloths — and all of that was a very vital andElena Poniatowska (00:20:32):generous apprenticeship in learning to see the lives of working Mexicans.Julian Vigo (00:20:40):But it is an art — to be able to listen to people, to their voices.Julian Vigo (00:20:53):How did you learn to listen to the voice of the other?Elena Poniatowska (00:20:58):Well, I think it is a natural inclination.Elena Poniatowska (00:21:03):It is not learned.Elena Poniatowska (00:21:05):It is not forced.Elena Poniatowska (00:21:06):It is a way of being.Elena Poniatowska (00:21:10):I am far more interestedElena Poniatowska (00:21:11):in speaking of what others do, how they do it, and who they are, than in speaking of myself, my sensations, my emotions. And I have done this from a very young age, so it has become a habit — it is part of my daily life.Julian Vigo (00:21:36):Do you believe that the testimonio is essentially an act of political resistance?Elena Poniatowska (00:21:44):I think so.Elena Poniatowska (00:21:45):It helps enormously to know the thinking of those who have no power, who are not in power, who do not consider themselves political, who are not leaders — although I did have the great privilege of interviewing leaders and very important figures in Mexico,Elena Poniatowska (00:22:14):such as, for example, the Spanish refugee of the Civil War, Luis Buñuel.Julian Vigo (00:22:26):And how was the process of gathering the voice of Jesusa Palancares?Julian Vigo (00:22:32):How long did it take you to absorb her story?Elena Poniatowska (00:22:38):Well, it was a privilege. I heard her — she was doing laundry in a popular building, a building where many Mexicans lived who had noElena Poniatowska (00:22:56):economic resources. Everything she said caught my attention enormously. I approached her and asked if I could visit her at her home,Elena Poniatowska (00:23:13):which was a very poor house, obviously far from the area where I lived. And so I went toElena Poniatowska (00:23:26):see her once a week. We became friends, and she began telling me her life. And that is howElena Poniatowska (00:23:36):the novel Hasta No Verte Jesús Mío came about. When it was published,Elena Poniatowska (00:23:43):she asked me to give her ten copies to give to her friends —Elena Poniatowska (00:23:52):the bricklayers or the people she had worked with.Julian Vigo (00:24:00):And why did she choose the testimonial genre for Hasta No Verte Jesús Mío?Julian Vigo (00:24:09):It is one of the testimonial novels because —Elena Poniatowska (00:24:16):She didn't really choose it — she didn't. It was I who gathered her words andElena Poniatowska (00:24:27):assembled them in the best way I could. But she did not choose it.Elena Poniatowska (00:24:34):She could not read or write. She did not know how to read or write. But she asked for the books, and I — the cover of the book, what goes on the outside, is the Santo Niño de Atocha, a small Christ child that she liked.Julian Vigo (00:25:08):And I saw it in the street, and so I put it there so she would be happy. But I was asking you about the testimonial genre — in 1969 it was not a common thing in literature.Julian Vigo (00:25:26):How was this novel received?Julian Vigo (00:25:30):I wonder if people were confused.Julian Vigo (00:25:32):Is it a true story or is it fiction?Elena Poniatowska (00:25:35):No, it was very well received. The book was greatly liked.Elena Poniatowska (00:25:41):Immediately many editions came out and it was translated into English and French.Julian Vigo (00:25:51):And I wonder if at that time — less so today — people were confused because they did not know if it was a completely real story or partly real. Because the novel Hasta No Verte Jesús Mío was categorised as a novel.Elena Poniatowska (00:26:16):Yes, that's right, that is what it was.Elena Poniatowska (00:26:19):It is a novel based on a character — a woman who was in the Mexican Revolution, the life of a soldadera. To what extent is Jesusa an invented character or a real woman? I have said it, I have written it many times: Jesusa is a real character. After that I wroteElena Poniatowska (00:26:49):other books about other women who were also real characters. I had the joy of knowing Jesusa in person, but for example Tina Modotti, the main character ofElena Poniatowska (00:27:08):the novel Tinísima, I did not know. And other novels about other women and other characters I also did not know.Julian Vigo (00:27:22):What lessons about the resilience of Mexican women did you learn from Jesusa that remain relevant today?Elena Poniatowska (00:27:31):All the women in Mexico whom I see and engage with and encounter in the streetElena Poniatowska (00:27:41):and who come to my house — they are women who have known how to struggle and continue to struggle. For example, one woman, Rosario Ibarra de Piedra, whose son was disappeared, and who searched all of Mexico — she is obviously one of the heroines who has most caught my attention.Julian Vigo (00:28:10):And especially in recent years — almost thirty years — the femicides and the disappearances of men and women. You are still fighting for your society, and I think literary words have the power to carry reality forward. I am thinking of La Noche de Tlatelolco — that was the first book of yours I read. It is incredible. I have no words. Thank you. It is one of the best books of the twentieth century, and I teach it. It is astonishing. Can you speak about why you began that work, and also for those listening now who do not know the history of what happened in Mexico?Elena Poniatowska (00:29:03):Well, in general I can tell you that I received letters from a prisoner in the jail — Jesús Sánchez García — and I began going to Lecumberri, which was called the Black Palace of Lecumberri. It was no palace — it was a prison with bars and cells. I asked permission from the prison director — I believe his name was Martín del Campo — and he gave it to me. That is how I went to gather life stories from men, and later, at the women's prison, from women who had nothing to do with my own life, who bore no resemblance to what I hadElena Poniatowska (00:30:03):lived or what I would go on to live.Elena Poniatowska (00:30:16):That was an enormous enrichment for me, and a knowledge of an unknown Mexico that also helped me understand MexicoElena Poniatowska (00:30:31):— a Mexico to which I owe a great deal.Elena Poniatowska (00:30:35):I think that everything I am I owe to the voice, and to the gift of their voice, that the poorest Mexicans gave me — those I was able to approach over years and years,Elena Poniatowska (00:30:52):going to the prison and sometimes going to their own very poor homes, called vecindades, which were located in the very neighbourhoods where the prisons were.Julian Vigo (00:31:11):How did you manage the pain and trauma of the testimonies you heard while assembling the book?Elena Poniatowska (00:31:22):Pain is not managed. To manage something is to seek something. Pain is simply assumed and lived. So the pain is in the words written in the book.Julian Vigo (00:31:46):And why did you choose the technique of a collage of voices rather than a linear, chronological narrative for this book?Elena Poniatowska (00:31:57):I have many other books that speak even of personal stories — books that contain much of biography.Julian Vigo (00:32:13):Yes, but it is very interesting how you wove those narratives together in this book. It is very beautiful, in fact.Julian Vigo (00:32:24):Was there any moment during the writing of La Noche de Tlatelolco when you felt fear or censorship?Elena Poniatowska (00:32:33):Well, there was always the dread of entering terrain unknown to me.Elena Poniatowska (00:32:40):Ultimately, I was educated —Elena Poniatowska (00:32:45):I spent time in the United States at a convent to be educated, not to become a nun — it was called the Sacred Heart Convent.Elena Poniatowska (00:33:03):When I came out I was speaking English. My mother tongue is French. And when I left there, my strongest desire was truly to know Mexico — the country I had arrived in at the age of ten, but in which I had received an educationElena Poniatowska (00:33:30):in both English and French, not in Spanish.Julian Vigo (00:33:36):More than fifty years later, what impact do you think that book has on the collective memory of young Mexicans today?Elena Poniatowska (00:33:48):Well, I think that is a question that should be put to them.Elena Poniatowska (00:33:55):What I can say is that I have receivedElena Poniatowska (00:33:59):a great deal of affection from young people — many come to find me at my home, and I give lectures and talks with some frequency. Remember that I am already 94 years old and have lost the use of my left eye, which prevents me from seeing well. So within my limitations,Elena Poniatowska (00:34:27):I remain in contact with the people who want to see me, which for me produces great enthusiasm and which I experience as great support.Julian Vigo (00:34:42):The book you wrote is something very specific — evidently about Mexico — but it is still a book with which everyone can identify. If we look around today, where there are acts of political repression in almost every country in the world in one form or another — and I know your books are translated into many languages — I wonder whether the power of La Noche de Tlatelolco came from the form of the narration itself, not only from the fact that you confronted the government, the police, and justice. You narrated a story of the people seeking justice, yes, but literature itself was also seeking truth within its pages. There are wars everywhere, there is too much sadness. After the lockdown — which was less bad in Mexico than here in Italy — we are living through a very difficult moment. Do you sometimes think of this book as a model for dialogue, for collaboration, for moving forward together, the people united?Elena Poniatowska (00:36:09):Well, what I love about this book is that it has so many voices — many voices gathered from mothers of families, from children of political prisoners. For me it was a great learning experience to go to the prison in Mexico and see a world I did not know, to be accepted in that world, to go frequently to hear and gather the voices of political prisoners and of young people whoElena Poniatowska (00:36:52):didn't even have strong political ideas but were imprisoned because they had stolen something in a market. It meant entering a world I was completely unfamiliar with,Elena Poniatowska (00:37:13):to which I did not belong. And it was an enormous lesson — a very generous lesson — in how the lives of others can be. That is what I have dedicated myself to over many years, because I remain a journalist and continue writing about disasters such asElena Poniatowska (00:37:39):not only the massacre of the 2nd of October, but what the earthquake of 1985 meant for Mexico and the loss, for many Mexicans, of their families and their homes.Julian Vigo (00:37:59):Yes. You documented the earthquake of ‘85 — a moment when the Mexican government was completely paralysed and it was civil society that took control to rescue the city.Julian Vigo (00:38:15):Do you believe that peoples are still alone in the face of tragedy, or is that organic solidarity you described an invincible force?Elena Poniatowska (00:38:29):Yes,Elena Poniatowska (00:38:29):of course.Elena Poniatowska (00:38:30):I believe — that is why I believe in the invincible force of Mexicans, who help and support each other, who run to answer a cry for help. They are the ones who save themselves by saving others. I believe in that truth. It is a truth I lived, that I witnessed,Elena Poniatowska (00:38:57):and for me it is a lesson, a way of life.Julian Vigo (00:39:03):Does it reflect the structural abandonment of the seamstresses, the inhabitants, those who live in vecindades, and the poorest?Julian Vigo (00:39:13):How did you manage, in the midst of the chaos, the dust, and the mourning of those days, to earn the trust of people so that they would share their most painful and raw testimonies?Elena Poniatowska (00:39:30):Well, I have two physical advantages.Elena Poniatowska (00:39:32):I am small in stature. I frighten no one. No one is afraid of me. I can go anywhere. I am not someone who imposes anything at all, and I know how to listen. So by listening to others' voices, I gather them, I keep them, I memorise them,Elena Poniatowska (00:40:03):and then I put them on paper.Elena Poniatowska (00:40:06):That is the most solitary and difficult moment — writing about what happens to others,Elena Poniatowska (00:40:21):their sorrows,Elena Poniatowska (00:40:22):their joys,Elena Poniatowska (00:40:24):their defeats and also their triumphs —Elena Poniatowska (00:40:28):and making books and articles from them. Because I am also a journalist sinceElena Poniatowska (00:40:38):1953. I am now 94 years old.Julian Vigo (00:40:47):You're listening to Savage Minds.Julian Vigo (00:40:49):If you're enjoying the show, take a second to subscribe at savageminds.co.Julian Vigo (00:40:54):Feel free to comment below or drop us a line to share your thoughts.Julian Vigo (00:40:59):Support independent media today.Julian Vigo (00:41:01):Now, let's get back to it.Julian Vigo (00:41:15):Many consider that the earthquake of ‘85 not only brought down buildings but also toppled the myth of the Mexican State's absolute control — marking the true birth of modern citizenship in the country.Julian Vigo (00:41:33):From your perspective as a chronicler —Elena Poniatowska (00:41:40):I think Mexicans have always had enormous character and enormous capacity to defend themselvesElena Poniatowska (00:41:49):in spite of their own poverty, or in spite of the total absence of outside help.Elena Poniatowska (00:42:02):There was in Mexico a Mexican Revolution,Elena Poniatowska (00:42:08):a country conquered by very cruel conquerors, and yet the country has continued to forge ahead and has continued to demonstrate its bravery and courage in allElena Poniatowska (00:42:28):circumstances — one of which was, for example, the earthquake, in which the neighbours themselvesElena Poniatowska (00:42:37):helped each other before the State or the so-called government did anything.Elena Poniatowska (00:42:46):So I think it is a country with many very brave men, women, and children who save themselves, who know how to look after themselves.Elena Poniatowska (00:43:03):Of course there are people who don't know how to do it, and there are people who sometimes end upElena Poniatowska (00:43:12):in prison or in hospital. But in general Mexico is a country of very solidary people, people who help each other and defend themselves.Julian Vigo (00:43:31):What I love about your books in general is that you give voice — you shed light on the lives that are forgotten.Julian Vigo (00:43:42):Do you feel that in this book, for example, or in Nadie Me Verá Llorar, the author's voice becomes more present or closer to her characters than in your earlier works?Elena Poniatowska (00:43:56):No,Elena Poniatowska (00:43:57):I think that element is present in all my works — in Hasta No Verte Jesús Mío, in the book about the 2nd of October, in the earthquake — and it is always present in everything I still do at the newspaper where I work. I am in a certain way a chronicler and aElena Poniatowska (00:44:21):participant in the lives of other Mexicans.Julian Vigo (00:44:27):And I also notice that many of your works are about women — Tinísima, the life of Tina Modotti, a woman who lived so many lives in one. Leonora. And I wanted to ask — before we get to those books — about Querido Diego Te Abraza Quiela. Why did you choose that subject? Not only Diego Rivera but his first wife.Elena Poniatowska (00:44:59):I was moved to learn that in Paris, Angelina Beloff had gone to Mexico to seeElena Poniatowska (00:45:12):Diego Rivera, whom she had supported in Paris. He had lived with her and had livedElena Poniatowska (00:45:22):off her, because she was the one with a salary. He was a very young painter withoutElena Poniatowska (00:45:33):money, without resources. She helped him. And when she went to Mexico, she had also hadElena Poniatowska (00:45:42):the only male child that Diego Rivera ever had, who died of cold in Paris. And when she decided to go to Mexico — in a sense, to get to know the country of her lover — she decided to go to the Palacio de Bellas Artes because she knew that heElena Poniatowska (00:46:11):would be there. And he walked right past her — past the seat, one of those red velvet seats in the Palacio de Bellas Artes, called butacas, in which she was sitting — he walked past and did not even recognise her.Elena Poniatowska (00:46:40):That story struck me deeply, and that is why I decided to write the small book —Elena Poniatowska (00:46:55):it is not a very long book —Elena Poniatowska (00:46:58):called Querido Diego, Te Abraza Quiela.Julian Vigo (00:47:00):In Tinísima, what was it that drew you to the life of Tina Modotti?Elena Poniatowska (00:47:08):In reality it came from a request to make a film. The cinematographerElena Poniatowska (00:47:17):Gabriel Figueroa told me that a film was going to be made about Tina Modotti, the Italian woman who had been in Mexico. So I began interviewing all the people who had knownElena Poniatowska (00:47:38):Tina Modotti. And even when I was invited to France for a conference, I had theElena Poniatowska (00:47:47):opportunity to go to Udine in Italy to meet and get to know the siblings of Tina Modotti —Elena Poniatowska (00:48:00):to see them, interview them, speak with them.Elena Poniatowska (00:48:05):Then when I was told that the film about Tina Modotti in Mexico was no longer going to be made because there was no money, I — who had gone at my own expense to that conference in France and another writers' conference inElena Poniatowska (00:48:37):Italy — decided to launch into writing the novel called Tinísima, because I hadElena Poniatowska (00:48:48):interviewed many old communists whom I had gone to visitElena Poniatowska (00:48:56):in their various homes — generally very modest, very poor homes.Elena Poniatowska (00:49:03):I did not want to let them down, and so the novel Tinísima was published.Julian Vigo (00:49:10):And to what extent does Tina Modotti represent the struggle of the woman artist in the twentieth century?Elena Poniatowska (00:49:19):To the extent that she commits herself —Elena Poniatowska (00:49:23):she takes photographs of Mexico alongside Edward Weston, and then goes alongsideElena Poniatowska (00:49:33):Commander Carlos of the Fifth Regiment to Spain — she goes to the Spanish Civil War and becomes a nurse, caring evenElena Poniatowska (00:49:52):on the ground for the bodies that had fallen on the earth before taking them to the Red Cross — giving them first aid and dedicating herself to saving lives,Elena Poniatowska (00:50:08):or helping to save lives. I believe that many soldiers did not die thanks to the care of this womanElena Poniatowska (00:50:19):who was in the trench following the doctors.Julian Vigo (00:50:25):You have said that the writer must be a bridge.Julian Vigo (00:50:29):Between what worlds do you think it is most necessary to build bridges — or should we be breaking bridges today?Elena Poniatowska (00:50:38):No, I think one should never break a bridge, for anything.Elena Poniatowska (00:50:42):I think one mustElena Poniatowska (00:50:45):communicate — that the most important thing in the life of any human being is dialogue. Peoples too must dialogue with others in order to know each other. I think Mexico must have a dialogue with the United States, and that many Mexicans who have returned fromElena Poniatowska (00:51:09):the United States because TrumpElena Poniatowska (00:51:12):did not want to receive them, has rejected them — well, they nevertheless had, with another nation or with the inhabitants of another nation, knowledge and dialogue.Elena Poniatowska (00:51:28):And that I believe is what is called,Elena Poniatowska (00:51:34):within Catholicism if you like, or within any religion by whatever name it may be called — that is human fraternity. The otherElena Poniatowska (00:51:50):is the one who exists and who awaits you and whom you must help, because perhapsElena Poniatowska (00:51:58):one day you will need him to extend a hand to you.Julian Vigo (00:52:05):Trump is certainly a character, but I see the situation as too tragic for Americans — the United States, still my country — because the reality is that a large part of the Western world has absolutely no idea of the immense cultural, intellectual, and spiritual richness of Mexico.Julian Vigo (00:52:30):For me, it's not only Trump —Julian Vigo (00:52:32):but Americans, Canadians, etc.Julian Vigo (00:52:35):know nothing about the sharpest chroniclers of this country. If you had to open the eyes of an international audience completely unaware of Mexico's depth, what would you say is the most valuable treasure of Mexican identity that the rest of the world is missing?Elena Poniatowska (00:53:01):Well, I must say that many North Americans have come and written about Mexico — anthropologists and sociologists. We have Oscar LewisElena Poniatowska (00:53:17):and many others who have written about the poorest Mexicans, starting in Tepoztlán, a city near Mexico City, following them to the vecindades in the city where they took refuge and found very modest work. So yes, there have been North AmericansElena Poniatowska (00:53:44):who have written about the richness and beauty of Mexico, and their books areElena Poniatowska (00:53:53):translated into Spanish and are admired and appreciated by Mexicans who are grateful that attention is paid to them. So one cannot say that no one who has come from outside has cared about Mexico — in archaeology, in anthropology, as well as figures like Frances Toor, who was a North American woman who created a magazineElena Poniatowska (00:54:39):called Mexico Today and wrote extensively about Mexican customs and lived in Taxco.Elena Poniatowska (00:54:41):For example, a certain William Spratling enriched himself personally but helped many Mexicans inElena Poniatowska (00:54:51):Taxco to learn how to work silver and sell silver. And still today many foreigners and tourists go to buy silver objectsElena Poniatowska (00:55:10):that come from a mine discovered by foreigners — and clearly alsoElena Poniatowska (00:55:20):plundered, one might say, by foreigners.Julian Vigo (00:55:30):Because not everything is entirely good or entirely bad. But I was referring to the fact that — as you know, having been in the United States and many other countries — Trump and far too many people insufficiently educated about Mexico think that all Mexicans want to invade the United States. But the reality is otherwise. In Mexico there was a great cinematic tradition, for example. Mexican cinema has greatly influenced Hollywood — not only today but throughout history. The Oscar statuette itself was modelled on the body of El Indio Fernández. People do not know the depth of Mexican philosophy. I am thinking of Sor Juana, who contributed so much to poetry, theatre, even science — if we think of her letter to Sor Filotea, who was actually Manuel Fernández de Puebla. That dialogue was very important. Western feminists know nothing of these exchanges between those two figures. But for me Mexico has an enormous and very important force in the history of philosophy, science, and feminism. And I am thinking of Octavio Paz's book on Sor Juana Inés de la Cruz, called Sor Juana Inés de la Cruz, or The Traps of Faith. You knew Paz closely. Did you have conversations with him about his perspective on this book — especially regarding the power dynamics of the Church and the silencing she suffered as an intellectual woman?Elena Poniatowska (00:58:09):No, but I think you are mixing very many topics into one question, and it isElena Poniatowska (00:58:18):difficult to answer you because you are speaking of very diverse things that evenElena Poniatowska (00:58:27):happened in different centuries.Elena Poniatowska (00:58:30):Sor Juana — there have always been in Mexico,Elena Poniatowska (00:58:34):before Octavio Paz, people who dedicated themselves to reading,Elena Poniatowska (00:58:40):studying, and getting to know Sor Juana Inés de la Cruz.Elena Poniatowska (00:58:45):I will not add more names to those you mentioned, but there are many studies and many Sor Juana scholars in Mexico, as well as at the University of SantaElena Poniatowska (00:59:01):Barbara, California, in Paris, in France —Elena Poniatowska (00:59:04):there are many studies on the great figures of Mexico — not only The Traps of Faith by the Mexican poet Octavio Paz. So these are studies that will continue and do continue. In California, for example, Sara Poot HerreraElena Poniatowska (00:59:32):is dedicated to studying Sor Juana Inés de la Cruz, along with many other scholars — I don't know if she is still living — whose name was Rivers. All of these are studies that have been carried out in Mexico and outside Mexico.Julian Vigo (00:59:55):No, I was asking specifically about Paz's book because you knew him and —Elena Poniatowska (01:00:03):I knew him,Elena Poniatowska (01:00:04):I admired him, and I also wrote about him. I have a book about him. I admired him,Elena Poniatowska (01:00:12):I knew him, his poetry dazzled me. And he is a man whom I have admired since getting to know him, and whom I also hold with affection.Julian Vigo (01:00:29):I asked about your relationship with him because sometimes it happens to me too — with other writers — one asks or someone asks me, “Why did you do that?” It is a dialogue. Because that book, The Traps of Faith, had something very important — not only for Mexico but it placed the image of Sor Juana before the world. Many people began to ask who this nun was because it is very important. I was asking about the presentation Paz gave of her — whether you had any dialogues with Paz from your own perspective.Elena Poniatowska (01:01:20):Well, yes, of course. But there were others who also spoke at great length about Sor Juana de la Cruz — other Mexicans before Octavio Paz, other Mexicans who, for example, also concerned themselves with indigenous peoples, such as a priest — Ángel María Garibay — who was also a Sor Juana scholar. So there are many studies on Sor Juana Inés de la Cruz and there are Sor Juana scholars in Santa Bárbara, for example, such as Doctor Sara Poot Herrera and others — a woman by the name of Rivers and many more.Julian Vigo (01:02:16):You have dedicated your life to listening and giving voice to those who have none, through the chronicle and literature.Julian Vigo (01:02:26):Today,Julian Vigo (01:02:27):with social media,Julian Vigo (01:02:28):it seems that everyone has a platform for opinions.Julian Vigo (01:02:32):But are we really listening?Julian Vigo (01:02:36):What happens to the power of the word when it becomes a constant noise, as in social media?Elena Poniatowska (01:02:45):I don't know.Elena Poniatowska (01:02:46):I suppose it loses efficacy.Elena Poniatowska (01:02:49):But that depends on the activity of each human being.Elena Poniatowska (01:02:58):There are people — elderly people, for example, people already old — for whom life,Elena Poniatowska (01:03:08):even in institutions, in care homes, means turning the television on from morning until night and being entertained — that is, entertained without making the least effort of criticism or thought in front ofElena Poniatowska (01:03:29):the television.Elena Poniatowska (01:03:31):I have seen that this has been very important in keeping the elderly calm andElena Poniatowska (01:03:41):allowing them to die little by little in institutions called health facilities, where they have thisElena Poniatowska (01:03:52):constant and rather sad entertainment. ButElena Poniatowska (01:03:59):as they say in Mexico: no hay de otra — there is no other option, or no other option has been found, or there are not enough people willing to dedicate themselves to attending to and caring for others. So I see it as an end of lifeElena Poniatowska (01:04:28):for an individual who was once a thinking individual, who knew how to act,Elena Poniatowska (01:04:37):who knew how to elevate himself,Elena Poniatowska (01:04:41):to become a better human being. And I find it sad.Julian Vigo (01:04:46):Today, and for twenty years now, I have noticed as a university professor that students are reading less and less. Today, with so-called artificial intelligence — so-called because intelligence it is not — students are not reading. How can literature or journalism restore the true value and depth of words when we are in a world full of social media, opinions, and videos of a cat doing something funny?Elena Poniatowska (01:05:31):Your question is very difficult because I don't have the answer.Elena Poniatowska (01:05:37):What I can say is that ultimately it depends on the teachers.Elena Poniatowska (01:05:44):It depends on students having a good teacher,Elena Poniatowska (01:05:49):because even I have seen in classes —Elena Poniatowska (01:05:54):in different classes —Elena Poniatowska (01:05:57):that many young people continue looking at their phones while the teacher is writing onElena Poniatowska (01:06:07):the board, or speaking, or giving a class.Elena Poniatowska (01:06:13):So we shall see whether the destiny of young people will depend on what theyElena Poniatowska (01:06:21):learn from their phone. I don't have a phone —Elena Poniatowska (01:06:27):I never bought one,Elena Poniatowska (01:06:28):never got one. Or whether they will be able to go beyond themselvesElena Poniatowska (01:06:37):and beyond above all what the phone wants to give you or teach you or not teach youElena Poniatowska (01:06:46):or distract you from — because ultimately it is a distraction. Yes.Julian Vigo (01:06:53):Writing something to share — in quotation marks — they are sharing nothing in the end. I have noticed that many people are sharing articles they have not read. Young people are embracing identity politics and cancel cultureJulian Vigo (01:07:16):in the absence of any engagement with material reality today.Julian Vigo (01:07:21):That is my fear —Julian Vigo (01:07:23):that the millennials,Julian Vigo (01:07:26):this generation of thirty-year-olds,Julian Vigo (01:07:31):are fixated on pronounsJulian Vigo (01:07:36):but do nothing to help their neighbour.Julian Vigo (01:07:41):They do nothing to fight for living wages.Elena Poniatowska (01:07:46):Well, not all of them.Elena Poniatowska (01:07:49):It's a generalisation, of course.Elena Poniatowska (01:07:54):But I think you are right.Elena Poniatowska (01:07:58):It is a generalisation, because in any case there are human beings who live for others.Julian Vigo (01:08:08):We are in two camps today, because during the lockdown I noticed that many people — even on the right — were fighting for the poor in the United States, where I published. I could not publish a single article questioning the lockdown. That is when I started Savage Minds, because I was asking: what is happening? I no longer recognise this world in which the left is pushing people not to speak. We weren't talking about the lockdown, and the right was speaking very openly. And I see that politically, left and right — there is no longer that dichotomy, so to speak.Elena Poniatowska (01:09:02):Yes,Elena Poniatowska (01:09:03):I thank you greatly for your interest and I thank you enormously for this conversation. I feel animated,Elena Poniatowska (01:09:11):I feel glad to hear what you are saying.Elena Poniatowska (01:09:19):But I do feel that,Elena Poniatowska (01:09:22):as you say,Elena Poniatowska (01:09:23):the speed,Elena Poniatowska (01:09:26):the pace of all events,Elena Poniatowska (01:09:29):the television —Elena Poniatowska (01:09:32):it sets critical thinking and reflection on events to one side,Elena Poniatowska (01:09:41):because everything must be immediate, mustn't it?Elena Poniatowska (01:09:46):That is to say, everything ends in a second. Even the deepest interests sometimes last onlyElena Poniatowska (01:09:56):a few — one might even think, as we say in Mexico,Elena Poniatowska (01:10:01):un ratito — just a little while. There is no continuity in ideas orElena Poniatowska (01:10:12):even in purposes. There is something we all know called habit, and each personElena Poniatowska (01:10:21):lives according to the habits they have established in order to keep going —Elena Poniatowska (01:10:28):to keep existing, if you will. To make it to night, fall asleep, and know that you will wake the following day. Or perhaps you won't wake, because — well, for example, IElena Poniatowska (01:10:45):am a person of 94 years old and I have no certainty that I will see the following morning. ButElena Poniatowska (01:10:55):what I do believe is thatElena Poniatowska (01:10:58):I believe in the innate goodness of every human being.Elena Poniatowska (01:11:03):I have to believe in it, because I need that hope.(01:12:02): Get full access to Savage Minds at www.savageminds.co/subscribe

Russia's Mirra Andreeva has captured her first Grand Slam title after defeating Polish qualifier Maja Chwalinska 6-3, 6-2 in the French Open women's singles final. The 19-year-old became the youngest women's champion at Roland Garros in over three decades.

Andrew Mueller discusses what we learned from this week’s news, including the empty line-up for Freedom 250 and Poland’s new bus route from Krakow to Hel.See omnystudio.com/listener for privacy information.

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Across the Atlantic, European nations have responded to the release of Jeffrey Epstein–related files with a comparatively aggressive and public reckoning over elite complicity. In the United Kingdom, Norway, Poland, and elsewhere, the fallout from the documents has triggered formal investigations, high-profile resignations, and political consequences for figures whose names surfaced in the records, even if their involvement was peripheral or social. British politicians and advisers have stepped down amid public scrutiny, and Norwegian elites connected to Epstein are under investigation, with some issuing apologies and cooperating with authorities. Poland's government has launched its own probe after identifying possible Polish victims in the documents — a sign that European governments are treating the revelations as a matter of serious legal and moral accountability rather than political spin control. This has unfolded amid significant media coverage and public pressure that frames Epstein's abuses and networks as a cross-border scandal requiring transparent and sober investigation — not just partisan talking points.In contrast, the United States' political and institutional response has been markedly more cautious, politicized, and slow, drawing sharp criticism from lawmakers, survivors, and commentators. Despite enacting the Epstein Files Transparency Act to force the release of millions of pages of investigative documents, the Justice Department missed legal deadlines, issued heavily redacted material, and has only gradually rolled out portions of the files, leading critics to accuse it of protecting powerful figures and delaying justice. Congressional hearings have been stymied by Maxwell's refusal to cooperate, with her attorney openly suggesting she might only testify in exchange for presidential clemency — a development that illustrates how accountability has been bogged down in political negotiation rather than pursued with urgency. Meanwhile, public opinion polls show overwhelming dissatisfaction with how the U.S. government has handled the disclosures and lingering suspicion that elites are being shielded. This contrast — Europe acting with visible political consequences and institutional scrutiny, and the U.S. dragging its feet amid partisan posturing and limited tangible accountability — underscores deep weaknesses in American mechanisms for confronting abuses tied to wealth and influence.to contact me:bobbycapucci@protonmail.comsource:Analysis: New roadblocks slow US reckoning over Epstein as Europe races ahead | CNN PoliticsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Across the Atlantic, European nations have responded to the release of Jeffrey Epstein–related files with a comparatively aggressive and public reckoning over elite complicity. In the United Kingdom, Norway, Poland, and elsewhere, the fallout from the documents has triggered formal investigations, high-profile resignations, and political consequences for figures whose names surfaced in the records, even if their involvement was peripheral or social. British politicians and advisers have stepped down amid public scrutiny, and Norwegian elites connected to Epstein are under investigation, with some issuing apologies and cooperating with authorities. Poland's government has launched its own probe after identifying possible Polish victims in the documents — a sign that European governments are treating the revelations as a matter of serious legal and moral accountability rather than political spin control. This has unfolded amid significant media coverage and public pressure that frames Epstein's abuses and networks as a cross-border scandal requiring transparent and sober investigation — not just partisan talking points.In contrast, the United States' political and institutional response has been markedly more cautious, politicized, and slow, drawing sharp criticism from lawmakers, survivors, and commentators. Despite enacting the Epstein Files Transparency Act to force the release of millions of pages of investigative documents, the Justice Department missed legal deadlines, issued heavily redacted material, and has only gradually rolled out portions of the files, leading critics to accuse it of protecting powerful figures and delaying justice. Congressional hearings have been stymied by Maxwell's refusal to cooperate, with her attorney openly suggesting she might only testify in exchange for presidential clemency — a development that illustrates how accountability has been bogged down in political negotiation rather than pursued with urgency. Meanwhile, public opinion polls show overwhelming dissatisfaction with how the U.S. government has handled the disclosures and lingering suspicion that elites are being shielded. This contrast — Europe acting with visible political consequences and institutional scrutiny, and the U.S. dragging its feet amid partisan posturing and limited tangible accountability — underscores deep weaknesses in American mechanisms for confronting abuses tied to wealth and influence.to contact me:bobbycapucci@protonmail.comsource:Analysis: New roadblocks slow US reckoning over Epstein as Europe races ahead | CNN PoliticsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Chanda Rubin joins the podcast to discuss the final weekend of Roland Garros 2026, where everyone should expect the unexpected. Rubin explains what went wrong for Aryna Sabalenka in her quarterfinal collapse vs. Diana Shnaider, and dissects Mirra Andreeva's dominant win over Marta Kostyuk. The Tennis Channel broadcaster reflects on Andreeva's special bond with her Hall of Fame Coach Conchita Martinez, and reacts to Polish qualifier Maja Chwalinska's improbable run to the Final in Paris. Rubin also discusses Alexander Zverev's golden opportunity for his first slam title, and points out how the imposing German can handle his nerves under pressure. The former Top-10 player also shares her thoughts on Jakub Mensik's impressive journey to the Roland Garros semifinals, and gives her keys to the match in the all-Italian affair between Flavio Cobolli and Matteo Arnaldi. Rubin previews the women's final between Andreeva and Chwalinska, and gives her thoughts on Serena Williams' comeback to tennis as the 23-time major champion is set to play doubles with Victoria Mboko at next week's Queen's Club tournament. Hosted by Mitch Michals. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Cricket's international governing body suspends Cricket Canada for financial and governance issues; we'll speak to the CBC journalist, and avid cricketer, whose work helped uncover alleged corruption. After a day of conflicting statements and mixed messages from all sides, the United States, Israel, Iran and Lebanon appear to be at yet another dangerous crossroads. Nil asks a former negotiator where we go from here. Female police officers in British Columbia say they faced gender-based discrimination on the job; one tells us she won't let the recent court ruling against their class-action suit stop her from fighting. To help make the American's imminent 250th birthday a little frothier, New Yorkers recreate a beer first brewed by a future president in 1757 — and find it slightly sweet and highly quaffable. The short documentary “Heavy Metal Parking Lot” has had a long life as a cult classic. It just turned 40 — and the filmmakers tell us what they think is the key to its enduring appeal. Once again, despite past complaints, the bus to the Polish resort of Hel — H-E-L — will be given the number 6-6-6. As It Happens, the Monday Edition. Radio that goes to the beach via the route of all evil.